Kenapa Legong JAPATWAN

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Type of Performance
Dance
Photo reference
Dokumentasi Dayu Arya Satyani
Genre
Tari Balih-Balihan
Composer
Ida Bagus Wayan Adnya Gentorang
Choreographer
Ida Ayu Wayan Arya Satyani Dayu Ani
Musicians, group or orchestra
  • Bumi Bajra
Singer(s)/Dancer(s) or troupe
  • Bumi Bajra
Place of origin
Denpasar
Instruments
Kendang Legong, Selonding,
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      Description


      In English

      Japatwan's 'Why Legong' dance is the work of an extraordinary Balinese female choreographer Ida Ayu Wayan Arya Satyani. This work was created as a manifestation of his admiration for the creation of the Legong dance, both for the complexity of the technique or for the timelessness of the Legong dance. Japatwan dance is also a way for Dayu Ani to contemplate the process of creation that she has gone through. As well as a way to objectify her dream to exploring the body. The extent to which body exploration can be carried out, how the body respects its body and soul, navigates emotion or responds to shackles, questions about tradition or modern, ignores male or female gender, because dancing is not about gender, but is soul. The soul that appears through the body, whether he is male or female, to bring out the true character.

      Japatwan was inspired by the Japatwan text geguritan which tells the adventures of Gagak Turas and Japatwan when following Ratnaningrat to Shiva Loka, Japatwan also describes the essence of literature in human life. Knowledge (jnana) that should be embodied in order to always meet good karma. The beginning of the story of the journey was the loss of Japatwan who was left by Ratnaningrat, his beloved wife "sakeng ngredani". Ratnaningrat is a grace from Dewa Indra who apparently was sent to test Japatwan's intelligence in carrying out his abilities and knowledge regarding "the entry and exit of the soul in the body, the path to kamoksan (liberation)".

      In a matter of seven days after the joyous period of marriage, Ratnaningrat returned to Indraloka, supposedly to ‘ngayah ngelegong’. In the gaguritan chant, and the nuances of palegongan drum music, hopefully this simple dance gets the beauty of the story that has been poured by the writers in gaguritan texts.

      In Balinese

      Sesolahan kenapa Legong Japatwan pinaka karya koreografer istri sane mapesengan Ida Ayu Wayan Arya Satyani. Santukan karya puniki karipta pinaka cihna kasenengane sareng penciptaan kawentenan tari legong, inggian sekadi kesukilan teknik utawi keajegan sane kasobyahang olih legong puniki. Karya tari Japatwan taler pinaka anggen pengancan Dayu Ani metaken malih ring proses penciptaan sane sampun kamargiang. Punika taler margi anggen nyelehin malih nganinin indik angga iraga suang-suang. Sapunapi anggan iraga prasida ngangkenan kawentenan dagingnyane. Mesolah punika boya ja maosang indik lanang utawi istri, sakewanten sujatine mesolah punika mapaiketan sareng Jiwa pramananing manusa. Japatwam polih inspirasi sakeng geguritan teks japatwan sane nyritayang Gagak Turas taler Japatwan rikalaning nguber Ratnaningray ke siwaloka, japatwan raris midartayang pikenoh sastra ring kauripan imanusa. Jnana sane patut kaanggayang mangda prasida nemuang karma becik. Kawitan pamargin punika inggian rasa kelangan Japatwan sane katinggalin olih Ratnaningrat, somah sane tresnaina sakeng ngredani. Ratnaningrat pinaka panugrahan sakeng Dewa Indra sane kautus mangdane prasida mintonin kepradnyanan Japatwan rikalaning ngemargiang kewagedan miwah kawruhan nganinin indik pamargin sang atma nuju moksa.

      Ring ketekan rahina wusan pawiwahan, ratnaningrat mewali ke Indra Loka, kocap pacang ngayah ngelegong. Ring gaguritan miwah kesarengin kendang pelegongan, dumogi sesolahan puniki prasida ngamolihang kelanguan sakeng carita sane kasurat olih sastrawan ring naskah geguritan.

      Sesolahan “kenapa Legong” Japatwan pinaka karya koreografer istri sane mapesengan Ida Ayu Wayan Arya Satyani. Santukan karya puniki karipta pinaka cihna kasenengane sareng penciptaan kawentenan tari legong, inggian sekadi kesukilan teknik utawi keajegan sane kasobyahang olih legong puniki. Karya tari Japatwan taler pinaka anggen pengancan Dayu Ani metaken malih ring proses penciptaan sane sampun kamargiang. Punika taler margi anggen nyelehin malih nganinin indik angga iraga suang-suang. Sapunapi anggan iraga prasida ngangkenan kawentenan dagingnyane. Mesolah punika boya ja maosang indik lanang utawi istri, sakewanten sujatine mesolah punika mapaiketan sareng Jiwa pramananing i manusa.

      Japatwam polih inspirasi sakeng geguritan teks japatwan sane nyritayang Gagak Turas taler Japatwan rikalaning nguber Ratnaningray ke siwaloka, japatwan raris midartayang pikenoh sastra ring kauripan imanusa. Jnana sane patut kaanggayang mangda prasida nemuang karma becik. Kawitan pamargin punika inggian rasa kelangan Japatwan sane katinggalin olih Ratnaningrat, somah sane tresnaina sakeng ngredani. Ratnaningrat pinaka panugrahan sakeng Dewa Indra sane kautus mangdane prasida mintonin kepradnyanan Japatwan rikalaning ngemargiang kewagedan miwah kawruhan nganinin indik pamargin sang atma nuju moksa.

      Ring ketekan 7 rahina wusan pawiwahan, ratnaningrat mewali ke Indra Loka, kocap pacang ngayah ngelegong. Ring gaguritan miwah kesarengin kendang pelegongan, dumogi sesolahan puniki prasida ngamolihang kelanguan sakeng carita sane kasurat olih sastrawan ring naskah geguritan.

      In Indonesian

      Tari ‘Kenapa Legong’ Japatwan adalah karya koreografer perempuan Bali yang begitu luar biasa Ida Ayu Wayan Arya Satyani. Karya ini diciptakan sebagai wujud kekagumannya pada penciptaan tari legong, baik pada kerumitan tekniknya atau pada kelanggengan yang ditawarkan oleh tarian legong yang kekal. Karya tari Japatwan sekaligus menjadi jalan Dayu Ani untuk bertanya kembali pada proses penciptaan yang telah dilalui. Sekaligus jalan untuk merealisasikan impian tentang jelajah tubuh. Sejauh mana penjelajahan tubuh dapat dilakukan, bagaimana tubuh menghormati jiwa dan raganya, mengarungi keharuan atau menyikapi belenggu, mempertanyakan tradisi ataukah modern, tak menilai gender laki-laki ataukah perempuan, karena menari itu bukan tentang gender, tapi dia adalah jiwa. Jiwa yang tampil melalui tubuh, entah dia lelaki, perempuan, untuk membawakan karakter yang sebenarnya.

      Japatwan terinspirasi dari geguritan teks Japatwan yang mengisahkan petualangan Gagak Turas dan Japatwan saat menyusul Ratnaningrat ke Siwa Loka, Japatwan pun menjabarkan hakekat sastra dalam kehidupan manusia. Pengetahuan (jnana) yang patut dibadankan agar senantiasa bertemu karma baik. Awal kisah perjalanan itu adalah rasa kehilangan Japatwan yang ditinggalkan oleh Ratnaningrat, istrinya tercinta "sakeng ngredani". Ratnaningrat adalah anugrah dari Dewa Indra yang rupanya diutus untuk menguji kepandaian Japatwan dalam melaksanakan kemampuan dan pengetahuannya mengenai “keluar masuknya jiwa dalam tubuh, jalan menuju kamoksan (pembebasan)”.

      Dalam hitungan tujuh hari setelah masa sukacita pernikahan, Ratnaningrat kembali ke Indraloka, konon untuk ngayah ngelegong. Dalam lantunan gaguritan, dan nuansa musik kendang palegongan, semoga tarian sederhana ini mendapat setetes keindahan dari kemahaindahan kisahnya yang telah dituangkan oleh para sastrawan dalam naskah-naskah gaguritan.

      In other local languages

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The extent to which body exploration can be carried out, how the body respects its body and soul, navigates emotion or responds to shackles, questions about tradition or modern, ignores male or female gender, because dancing is not about gender, but is soul. The soul that appears through the body, whether he is male or female, to bring out the true character.Japatwan was inspired by the Japatwan text geguritan which tells the adventures of Gagak Turas and Japatwan when following Ratnaningrat to Shiva Loka, Japatwan also describes the essence of literature in human life. Knowledge (jnana) that should be embodied in order to always meet good karma. The beginning of the story of the journey was the loss of Japatwan who was left by Ratnaningrat, his beloved wife "sakeng ngredani". Ratnaningrat is a grace from Dewa Indra who apparently was sent to test Japatwan's intelligence in carrying out his abilities and knowledge regarding "the entry and exit of the soul in the body, the path to kamoksan (liberation)".In a matter of seven days after the joyous period of marriage, Ratnaningrat returned to Indraloka, supposedly to ‘ngayah ngelegong’. In the gaguritan chant, and the nuances of palegongan drum music, hopefully this simple dance gets the beauty of the story that has been poured by the writers in gaguritan texts." contains invalid characters or is incomplete and therefore can cause unexpected results during a query or annotation process.</li> <!--br--><li>Property "Description ban" (as page type) with input value "Japatwan's 'Why Legong' dance is the work of an extraordinary Balinese female choreographer Ida Ayu Wayan Arya Satyani. 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Knowledge (jnana) that should be embodied in order to always meet good karma. The beginning of the story of the journey was the loss of Japatwan who was left by Ratnaningrat, his beloved wife "sakeng ngredani". Ratnaningrat is a grace from Dewa Indra who apparently was sent to test Japatwan's intelligence in carrying out his abilities and knowledge regarding "the entry and exit of the soul in the body, the path to kamoksan (liberation)".In a matter of seven days after the joyous period of marriage, Ratnaningrat returned to Indraloka, supposedly to ‘ngayah ngelegong’. In the gaguritan chant, and the nuances of palegongan drum music, hopefully this simple dance gets the beauty of the story that has been poured by the writers in gaguritan texts." contains invalid characters or is incomplete and therefore can cause unexpected results during a query or annotation process.</li></ul>