Dewa

edw
  • usually a male-female pair representing Dewi Sri, the rice goddess. If rice is stored in a barn, these symbols are carried alongside and placed with the rice bales
  • a god
  • a whale
  • ninth day of the 10-day week
  • figurines made of mature rice stalks placed in the field at harvest time
Media
dewa
Kasar
Dewa
Halus
Dewa
Northern Form
Unknown [edit]

Usage Examples

Mayadenawa kapademang olih Dewa Indra
No translation exists for this example.

⚙ Usage examples pulled from the Virtual Dictionary


In Balinese:   Suud keto laut bapane ngrumrum I Cupak. “Nah, mendep dewa mendep, buin ajahan lamun teka I Grantang lakar tigtig bapa, lakar tundung bapa uli jumah. “Lega pesan kenehne I Cupak ningeh bapane pedih teken I Grantang.

In English:  

In Indonesian:  

In Balinese:   Kanti suba sandikala Pan Meri ngalihin tusing masih tepukina merine. “Uduh….Dewa ratu.

In English:  

In Indonesian:  

In Balinese:   Kanti suba sandikala Pan Meri ngalihin tusing masih tepukina merine. “Uduh….Dewa ratu.

In English:  

In Indonesian:   Tuhan.

In Balinese:   Dewa Mokoh ngarasayang, gegambaran kadi punika kaangen nyilibang rasa nenten sumeken tukang gambar rikalaning ngarap gegambaran.

In English:   A painter must dare to paint with different styles and objects, must dare to explore new possibilities.

In Indonesian:   Dia mulai menyadari, lukisan yang bagus tidak harus bertema Ramayana dan Mahabarata dengan komposisi rumit memenuhi bidang gambar.

In Balinese:   Dewa Mokoh raris katemu ring Rudolf Bonnet (1895-1978), tukang gambar saking Belanda sané meneng ring Ubud ngawit 1929.

In English:   Mokoh was keen to show Bonnet the drawings and paintings that he had learned to create from his uncles.

In Indonesian:   Dari Kobot dan Baret pula Mokoh banyak belajar melukis dengan teknik tradisional, seperti nyeket, ngabur, ngasir, nyigar, ngontur, dan sebagainya.

In Balinese:   Ajinnyané, Dewa Rai Batuan pinaka undagi miwah pangrawit sané kajanaloka.

In English:   His father, Dewa Rai Batuan, was an undagi (traditional Balinese architect) and famous gamelan musician.

In Indonesian:   Ayahnya, Dewa Rai Batuan, adalah seorang undagi (arsitek tradisional Bali) dan penabuh gamelan yang terkenal.

In Balinese:   Dewa Mokoh maka innovator, pembaharu saha panglimbak seni ngambar ring Pangosékan.

In English:   In 1995, Mokoh’s paintings were exhibited at a solo exhibition at Fukoaka Art Museum, Japan.
  • These terms are not familiar to the translator.

    In Indonesian:   Namun, jejak teknik seni lukis tradisional seringkali tidak terlihat pada lukisan-lukisannya.

In Balinese:   Manut Dewa Mokoh, gegambaran sané becik prasida karuruh ring sakancan sané parek ring tukang gambar, utawi kagambar manut idep lan kayun, tur kawarnain saha kaolah manut widang sané dahat sadarhana.

In English:   Over time, the themes of Mokoh’s paintings became quite diverse.

In Indonesian:   Mokoh menilai, terkadang lukisan seperti itu dipakai untuk menyamarkan ketidakbecusan pelukisnya dalam mengggarap bidang gambar.

In Balinese:   Marep ring Bonnet, Dewa Mokoh ketah nyihnayang gegambaran sané muruk saking Gusti Kobot lan Gusti Baret.

In English:   These included techniques for color recognition, mixing colors, composition, discovering one’s own creativity, as well the principle of freedom in painting.

In Indonesian:   Bonnet adalah salah seorang penggagas dan pendiri Pita Maha (1936) dan Golongan Pelukis Ubud (1951).

In Balinese:   Dewa Mokoh wantah naenin ngranjing masekolah tigang warsa ring SR, pateh sekadi SD mangkin.

In English:   Mokoh only had three years of education at the People's School (SR), equivalent to elementary school.

In Indonesian:   Mokoh hanya sempat mengenyam pendidikan selama tiga tahun di Sekolah Rakyat (SR), setingkat SD sekarang.

In Balinese:   Tiosan ring panegara Indonesia, gegambaran Dewa Mokoh taler sampun kapamerang ring dura negara makadin ipun ring Amerika, Australia, Denmark, Finlandia, Belanda, Jerman, Italia, lan Venesia.

In English:   The original Balinese terms are: nyeket, ngabur, ngasir, nyigar, ngontur.

In Indonesian:   Mokoh adalah seorang inovator, pembaharu, sekaligus pendobrak gaya seni lukis Pengosekan.

In Balinese:   Gelisan enggal, tematik gambaran Dewa Mokoh ngalimbak tur akéh.

In English:   In the context of art in Bali, Mokoh is an anomaly.

In Indonesian:   Seorang pelukis harus berani melukis dengan gaya dan objek yang berbeda, harus berani menggali berbagai kemungkinan baru.

In Balinese:   Bonnet raris sane ngurukang Dewa Mokoh guat-guat gambaran modern.

In English:   Bonnet always suggested that Mokoh search for his own creativity rather than follow in the footsteps of Kobot and Beret who focussed on traditional themes.

In Indonesian:   Kepada Bonnet, Mokoh rajin menunjukkan gambar atau lukisan yang dipelajarinya dari Kobot dan Baret.

In Balinese:   Dewa Mokoh ngawitin mauruk ngambar daweg mayusa 15 warsa.

In English:   Mokoh began to study drawing when he was about 15.

In Indonesian:   Mokoh mulai belajar menggambar sekitar umur 15 tahun.

In Balinese:   Warsa 1995, gambaran-gambaran Dewa Mokoh kapamérang nunggal ring Fukoaka Art Museum, Jepang.

In English:  

In Indonesian:   Selain di dalam negeri, lukisan-lukisan Mokoh banyak tampil dalam pameran bersama di luar negeri, antara lain di Amerika, Australia, Denmark, Finlandia, Belanda, Jerman, Italia, Venesia.

In Balinese:   Ring widang seni rupa di Bali, Dewa Mokoh punika tokoh sané lémpas ring guat utawi singsal.

In English:   However, the advice of Bonnet and his friendship with Mondo, opened his horizons to further develop himself in the thinking of modern art.

In Indonesian:   Dia melukis tentang kehidupan sehari-hari, flora dan fauna, cerita rakyat, dunia anak-anak, fantasi, erotika, atau hal-hal sederhana yang mengusik perhatiannya.

In Balinese:   Bonnet setata nglémékin mangda Dewa mokoh ngarereh kreasi gambaran, néntén setata nulad pamargin Gusti Kobot lan Gusti Baret sané seneng ring tema tradisional.

In English:   His confidence grew.

In Indonesian:   Antara lain teknik pengenalan warna, mencampur warna, komposisi, penggalian kreativitas, dan prinsip kebebasan dalam melukis.

In Balinese:   Ajinnyané ngarsayang mangda Dewa Mokoh magarapan ring umané, ngangonang bébék lan banténg.

In English:   Unfortunately, his father strongly opposed his desire to become a painter and rather wanted him to work in the fields, husbanding ducks and cows.

In Indonesian:   Sayangnya, sang ayah sangat keras menentang keinginan Mokoh menjadi pelukis.

In Balinese:   Parilaksanan Dewa Mokoh kacihnayang pisan ring sakancan gegambarannyané sané ketah kasengguh singsal.

In English:   However, with gentle strokes, he swooped straight onto on the subject matter that he portrayed through humorous, innocent, and often surprising narratives.

In Indonesian:   Namun, petuah-petuah Bonnet dan persahabatannya dengan Mondo, membuka wawasannya untuk lebih mengembangkan diri dalam pemikiran seni rupa modern.

In Balinese:   Dewa Mokoh ngamolihang rasa jenar.

In English:   He began to realize that good paintings did not have to have Ramayana and Mahabarata themes with complicated compositions filling the image area.

In Indonesian:   Bonnet selalu menyarankan agar Mokoh mencari kreasi sendiri, tidak mengikuti jejak Kobot dan Baret yang berkutat pada tema-tema tradisional.

In Balinese:   Dewa mokoh rikala truna nénten kirangan wiweka.

In English:   However the teenage Mokoh had plenty of initiative.

In Indonesian:   Bagi ayahnya, melukis hanya membuang-buang waktu dan tidak menghasilkan uang.

In Balinese:   I Dewa Putu Mokoh wantah oka kapertama masemeton sareng nenem diri.

In English:   Dewa Putu Mokoh was the first of six children.

In Indonesian:   I Dewa Putu Mokoh adalah anak pertama dari enam bersaudara.

In Balinese:   Dewa Mokoh sampun makardi panglimbak anyar ring stil gambaran Pangosékan utawi seni gegambaran tradisional sané sampun madué gaguat lan wangun.

In English:   However, frequently there are no traces of traditional painting techniques to be found in his paintings.

In Indonesian:   Namun, dengan sapuan-sapuan lembut, dia langsung menukik pada pokok persoalan (subject matter) yang disampaikannya lewat narasi-narasi yang jenaka, polos, dan seringkali mengejutkan.

In Balinese:   Ring warsa 2006 dane polih taler sareng sekaa musik rohani Hindu “Nyanyian Dharma” sane kapucukin olih Dewa Budjana.

In English:  

In Indonesian:   Tahun 2004 kembali bergabung dengan Tropical Transit sampai tahun 2008.

In Balinese:   Neked jumahne, nyagjang memenne, kendel pesan kenehne. “Dewa Ratu, cening Ketimun Mas.

In English:  

In Indonesian:  

In Balinese:   Ida Dewa Agung Jambe inggih punika sang sane ngewangun Kerajaan Klungkung duk warsa 1686, miwah pinaka sentana saking Dinasti Gelgel.

In English:  

In Indonesian:  

In Balinese:   I Dewa Agung Jambe inggih punika sentana saking Dinasti Kresna Kepakisan.

In English:  

In Indonesian:  

In Balinese:   Karya-karya muktahirnya sane maceciren dekoratif akeh maosang ngenenin indik palemahan sane mapaiketan ring konsep Tri Hita Karana, inggih punika paiketan bakti manusa ring dewa, asih ring paturu manusa, lan asih ring palemahan (buron lan taru).

In English:  

In Indonesian:   Karya-karya mutakhirnya yang bercorak dekoratif banyak berbicara tentang ekologi yang dikaitkan dengan konsep Tri Hita Karana, hubungan harmoni manusia dengan Tuhan, dengan sesama manusia, dengan alam (hewan dan tumbuhan).

In Balinese:   Jani yan saja I Nanak sakti tur pradnyan, Aji matakon teken I Dewa, “Nyidaang ke I Nanak nguluh gununge totonan?

In English:  

In Indonesian:  

In Balinese:   Yang suba saja mrasidaang I Dewa nguluh, nah kala ditu Aji ngugu teken kawisesan I Dewane.” Keto kone pangandikan Ida Betara Guru teken I Naga Basukih.

In English:  

In Indonesian:  

In Balinese:   Buku puisi tunggalnyane “Pelacur Para Dewa” (2006).

In English:  

In Indonesian:   Buku puisi tunggalnya “Pelacur Para Dewa” (2006).

In Balinese:   Sasolahan nika kasekasin antuk limangatus juru igel kecak tur penyanyi jazz Trie Utami, gitaris Dewa Budjana, lan seniman Harpa Maya Hasan.

In English:  

In Indonesian:   Sebelumnya ia pernah membuat Repertoar Garuda Wisnu Kencana yang dipentaskan saat ground breaking monument itu pada tahun 2013.