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I Ketut Suwidiarta + (I Ketut Suwidiarta was born in Bongkasa, B … I Ketut Suwidiarta was born in Bongkasa, Badung, Bali on 24 November 1976 and had just finished his study on Fine Arts Faculty of Indonesian Art Institute in Jogja. After finishing High School in Denpasar, Suwidiarta studied Japanese for a year. In 1998, he moved to Jogjakarta and there his artistic exploration begun. He was living in Gunarsa’s house in Jogjakarta while sketching and drawing Simbok Nah, the servant at the house. That’s when he was painted the bloated and dwarfed bodies.In the recent years, Suwidiarta’s works are far more contemplative and universal in concept as he started the series in which Buddha’s figure appeared. His works are full with mockery and irony on people’s life, with a shifting to spiritual issues. I Ketut Suwidiarta currently lives and works in Jogjakarta.a currently lives and works in Jogjakarta.)
I Ketut Suwidja + (I Ketut Suwidja was born in Singaraja, Nov … I Ketut Suwidja was born in Singaraja, November 20, 1939. He is a writer from Bali who writes in Balinese and Indonesian. He also wrote on palm leaves. Many of his poems have been published in the Bali Post, Karya Bakti, Nusa, etc. Also collected in a number of joint anthologies, such as “Hram” (1988). His solo poetry anthology in Balinese is “Panah Surya” (2000) published by Sanggar Buratwangi and Balai Bahasa Bali. He has won various awards, including the Listibiya Award (1982), the Bali Provincial Government Award (1998), the Bali Literature Award from the Rancage Foundation (2001). He worked at the Gedong Kertya lontar museum in Singaraja and died in 2009.ntar museum in Singaraja and died in 2009.)
I Ketut Tjekeg + (I Ketut Tjekeg, born in Banjar Tarukan, Ma … I Ketut Tjekeg, born in Banjar Tarukan, Mas Village, Ubud, January 25 1942. He was an important figure in Mas Village, Ubud, who contributed a lot to the progress of the village. Since childhood, he has been active in the arts, including performing in dramas, making statues and carvings, and being active in various organizations. He graduated from the Dwijendra Hindu PGAA school in 1962. He was an honorary Hindu religion teacher at Gianyar State Middle School. Then he became a journalist at the newspaper "Suara Indonesia" which is now the "Bali Post". He also worked at the Bali Beach Hotel, Sanur. In the 1960s he was active as an administrator for the PNI/Front Marhaenis Ranting Mas. He was involved in the birth of many organizations in Mas Village, including the Mas Student Association (P.P.M.), Sekaa Teruna/Karang Taruna, Janger arts organization, and so on. He published the book Autobiography and Physical & Mental Spiritual Development (2022) which contains many stories of his life and the history of the development and development of Mas Village, Ubud.elopment and development of Mas Village, Ubud.)
I Ketut Wiana + (I Ketut Wiana, born in Denpasar, 14 Septem … I Ketut Wiana, born in Denpasar, 14 September 1945. He was once a lecturer at the Denpasar State Hindu Dharma Institute (IHDN). He is also active in the Hindu PHDI institution and is often invited to give dharma discourses to Hindus in various corners of Indonesia. Apart from diligently filling in the Hindu Religion Pulpit column at the Bali Post, he has published many books related to Hinduism, including "Suksmaning Banten", "Maintaining the Vedic Tradition", "Religion in the Kali Era", "Tri Hita Karana According to Hindu Concepts", " Caste in Hinduism”. He died in Denpasar on April 19 2023.sm”. He died in Denpasar on April 19 2023.)
I Made "Romi" Sukadana + (I Made "Romi" Sukadana was born in Denpasa … I Made "Romi" Sukadana was born in Denpasar on January 22, 1973. He graduated in Fine Arts from ISI Denpasar. Since 1993, he has been active in many joint exhibitions, such as "Horizon" at the Maya Gallery, Sanur (2019), "On Fire" at Kaktus Art Space, Sanur (2018), "Magic of Bali" at Ira Kitzki Art Gallery, Frankfurt Germany ( 2014), and "Hidden Code" at Mayya Gallery, Frankfurt, Germany (2013). His single exhibitions include "Sides of Woman" at Paros Gallery, Sukawati, Bali (2001), "Dialogue with the Reality" in the Kamandalu Resort, Ubud (2007), "A Name" at Ten Fine Art, Sanur (2009), "Hidden Connection" at Ayucious Socialite House, Denpasar (2012), and "Hidden Connection III" at Tryst's Resto Kemang, Jakarta (2013). Romi's works demonstrate a variety of theme and styles but always contain their own distinct flavor. He is very capable of painting realism but can also paint impressive abstracts.m but can also paint impressive abstracts.)
I Made Arik Wira Putra + (I Made Arik Wira Putra, born on April 23 1 … I Made Arik Wira Putra, born on April 23 1991, he is the son of Ni Nyoman Wangi and I Nyoman Sulara. After studying for a bachelor's degree at Udayana University and a master's degree at the Hindu University of Indonesia, he has had many achievements since childhood, one of which was "the 1st National Champion of Palawakya in 2011". He is an author and he wants himself to be called a "Literature Enthusiast" not as a writer. He already has several works of Purwa Bali Literature, one of which is Kakawin Usadhi Negari.re, one of which is Kakawin Usadhi Negari.)
Made Sarjana + (I Made Bachelor was born in Denpasar, Nove … I Made Bachelor was born in Denpasar, November 23, 1963. He graduated from Indonesian Literature, Faculty of Letters, Udayana University. He started writing poetry as a teenager and was widely published in the Bali Post on the motivation of Ida Bagus Dharma Palguna. His poetry has also been published in Horison Magazine, Kompas, as well as in the book Journey of the Night, Hijau Kelon, Sang Guru. He joined Sanggar Putih and was a journalist for Magazine Sarad (2000 – 2002). He has also won first place in the Poetry Writing Competition for Unud Academic Magazine (1985), first winner in the Bali Poetry Reading Contest (Faksas Unud), and 1st place in the Bali Teacher Poetry Reading Contest. Now he devotes himself as an elementary school teacher.s himself as an elementary school teacher.)
I Made Lasmawan + (I Made Lasmawan was born in the village of … I Made Lasmawan was born in the village of Bangah, Baturiti region, Tabanan, island of Bali, Indonesia. in 1958. He has strong talent in the arts since childhood , and pursued his education at KOKAR (Conservatory for Traditional Performing Arts) in Denpasar, Bali, and graduated in 1977. He continued his studies in 1978 at STSI (Indonesian College of the Arts), in Surakarta (Solo), Central Java. There, he studied traditional Javanese music, receiving his Traditional Indonesian Music degree in 1983.Lasmawan is the MASTER of all, National and International. Lasmawan has traveled throughout the world, including Belgium, France, England, Singapore, Japan and Mexico to perform with different cultural groups. He is a prolific composer who taught Balinese music at STSI from 1983 until 1990. Then, he was offered to San Diego State University to teach Javanese and Balinese music and culture. He moved and has been living in Colorado since 1993 as Artist-in-Residence with Gamelan Tunas Mekar, Pak Lasmawan also teaches Balinese gamelan at Colorado College, in Colorado Springs, UCCS in Colorado Springs, Naropa University in Boulder, Colorado, the University of Wyoming, in Laramie and the University of Colorado, in Boulder. He is one of the founder of Kyai BROJO MARTO Javanese Gamelan orchestra and teaches Javanese gamelan. It is very rare that a person can be the expert of both Javanese and Balinese gamelan. He is learning Thailand traditional music as well. Visiting Bali every year during Summer School break, Lasmawan developes a summer booth camp at his home village to run program for gamelan, dance and arts workshops.ram for gamelan, dance and arts workshops.)
I Made Mangku Pastika + (I Made Mangku Pastika was born in Seririt, … I Made Mangku Pastika was born in Seririt, Buleleng, 22 June 1951. He is an Indonesian politician and retired police officer. He has served as a member of the Regional Representative Council of the Republic of Indonesia (DPD RI) representing Bali Province since 2019. Previously, he served as Governor of Bali for two terms from 2008 to 2018. He graduated from the Police Academy in 1974. His last rank in the police was Commissioner General of Police. He also served as Bali Police Chief (2003 – 2005).served as Bali Police Chief (2003 – 2005).)
I Made Suantha + (I Made Suantha was born in Sanur, June 24, … I Made Suantha was born in Sanur, June 24, 1967. He has been writing poetry since I was a teenager in the 1980s. His poetry was published in Bali Post, Mutiara, Pelita, Buana News, etc. His poetry books include Wind Blower (1989), Togog Yeh, Pastoral Butterfly (2008). He received the Widya Pataka award from the Governor of Bali (2008).ka award from the Governor of Bali (2008).)
I Made Suarsa + (I Made Suarsa is a Balinese writer who com … I Made Suarsa is a Balinese writer who comes from the arts world, namely Banjar Gelulung, Sukawati Village and District, Gianyar Regency. He was born on Saturday Wage Dukut, May 15, 1954. He is the second child of the late Balinese literary writer, the late. I Made Sanggra. Mr. I Made Suarsa in the creative process of creating literary works has given birth to many Balinese Anyar literary works, as well as Balinese Purwa literary works such as Geguritan Tarunantaka, Geguritan Udayanotama Tattwa, Geguritan Kanakaning Kanaka, and Geguritan Korona Karana lan Kirana, a poem entitled "Ngiring Sayang" Manyangin”, a modern Balinese unit with the title “Buy, Tiang Ten Ngalih Fiance, Ten Ngalih Kurenan” and many of his extraordinary works. Here I will discuss about one of his Geguritans, namely Geguritan Korona Karana and Kirana, which in simple terms contains about the emergence of the covid-19 virus to how we live side by side with this virus. When viewed from the equivalent of the words Geguritan Korona Karana and Kirana, it has the meaning of Corona which means covid-19, Karana which means that causes or causes, Kirana which means sunlight. So it can be concluded that Corona Karana and Kirana have the meaning of causing disease (grubug), one of which can cure is by (Kirana) sunlight.of which can cure is by (Kirana) sunlight.)
I Made Suartana + (I Made Suartana, commonly known as Made Su … I Made Suartana, commonly known as Made Suar-Timuhun in his works, was born in Banjar Tengah, Timuhun, Klungkung, June 17, 1987. He started writing modern Balinese literature while still in college and actively started writing in 2013. His poetry began to be published in Bali Orti (Bali Post) in April 2013 and in 2014 his poems were published in Mediaswari (Pos Bali). He was a speaker at the Ubud Writers and Readers Festival 2016. His collection of Balinese poetry entitled “Mlajah” was published by Pustaka Expression in 2014. In 2015 his collection of short stories was published by the same publisher. It is entitled “Book Jaen Living in Bali” and contains eighteen (18) short stories. and contains eighteen (18) short stories.)
I Made Sujaya + (I Made Sujaya is a permanent lecturer at t … I Made Sujaya is a permanent lecturer at the Indonesian and Regional Language Education Study Program (PBID), Faculty of Language and Arts Education (FPBS), IKIP PGRI Bali. Since August 2016 he has been working toward his Doctoral Degree in Linguistics, Concentration on Literary Discourse, Faculty of Cultural Sciences, Unud.Two of his books have been published, namely A Piece of Conscience Kuta: Notes on the Attitudes of Kuta Residents in the Tragedy of 12 October 2002 (2004) and Forbidden Marriages: Abstinence of Polygamy in Ancient Balinese Villages (2007). The second book led him to receive the "Widya Pataka" award from the Governor of Bali. In 2013, together with a number of Unud lecturers, they published a book on the Language Dynamics of Television, Internet, and Newspaper Media.Apart from teaching, Sujaya is also a journalist and freelance editor at the daily DenPost which has been published in Denpasar since 1999. He is trusted to take care of literary and cultural pages. He was a correspondent for the student tabloid Wiyata Mandala (1996-1999). He has also been a contributor to The Jakarta Post and helped maintain the Balinese language page, “Bali Orti” on the Bali Post Sunday. Now he also maintains a special blog about Bali, balisaja.com.s a special blog about Bali, balisaja.com.)
I Made Sumadiyasa + (I Made Sumadiyasa who goes by the name Mad … I Made Sumadiyasa who goes by the name Made was born in Bali 8 February 1971, in Langlanglinggah, Tabanan. Made is a dynamic Balinese artist whose expressive paintings encompass a universal spirit. His visual language goes beyond form and illusion, creating intense levels of emotion. He focuses on movement and color to bring out the spiritual essence of his subject. From the greatness of the natural world to the influence of culture and technology on the environment and humanity, Made continues to discover unlimited sources of inspiration for his artistry.A graduate of the Indonesia Institute of Art (ISI Yogyakarta, Indonesia) in 1997, Made was the first Indonesian artist invited to participate in the prestigious ART ASIA International Fine Arts Exhibition held in the Hong Kong Convention and Exhibition Centre, Hong Kong, 1995. In 1996, Made was the first Indonesian artist to have his painting (The Way to Eternity) featured on the full-cover of the prestigious Asian Art News magazine (Mar-Apr 1996).us Asian Art News magazine (Mar-Apr 1996).)
I Made Suparsana, S.Kom + (I Made Suparsana, S.Kom, a man who graduat … I Made Suparsana, S.Kom, a man who graduated from the STIKOM Bali Institute of Technology & Business. Graduated in 2021 and started developing a digital company called PT Foxbyte Global Inovasi located in Denpasar, Bali. Its business focuses on providing software solutions for the banking, retail, transportation, and startup industries. I Made Suparsana, S.Kom serves as a Project Manager in his company.This company was born when the pandemic hit Indonesia. Many businesses are starting to go out of business and turn to digital services. From this momentum, Made Suparsana and his team saw that a change in trend was taking place where users had started to switch to digital services. The company has a vision of "To Be a Global Digital Solution Provider in the 4.0 Revolution Era". Solution Provider in the 4.0 Revolution Era".)
I Made Supena + (I Made Supena was born in Singapadu, Giany … I Made Supena was born in Singapadu, Gianyar, January 12, 1970. He studied fine arts at the Art and Design Program (PSRD) of Udayana University (1991-1997). He is the son of the legendary sculptor I Ketut Mudja. Supena's works are abstract by taking inspiration from nature. In addition to painting, he also makes sculpture, installation art, and works on performance art. Supena is also active in the visual arts groups “Galang Kangin” and “MilitanArts”.Since 1991 Supena has been diligently involved in joint art exhibitions, both at home and abroad. While his solo exhibition was in 1998 at The Chedi Payangan Gallery, Bali. Then the exhibition Reality of Abstract Painting (Art Center Bali, 1999), Landscape und Abstraction (with Susena, Frankfrut, Germany, 2000), New painting (Suli Art Gallery, Denpasar, 2002), About Hature (Gallery Mon Décor, Jakarta, 2002 ), The Likeness of Nature (Ganesha Gallery, Bali, 2004), Studi Alam Supena (Danes Art Veranda Denpasar, 2005), Made Supena Landscape (Gracia Gallery, Surabaya, 2007), Emotion (Santrian Gallery Sanur, 2008), Genealogy (Jogja Gallery , Yogyakarta, 2010), Solitude of Child (Kubu Kopi Denpasar, 2015), Ritus Mountain (Maya Gallery, Sanur, 2017), Interpreting Feelings (Griya Santrian, Sanur, 2018).Supena has won a number of awards including the Award for Sculpture Museum Bali, Denpasar (1991), Award of the Governor of Bali (1994), Award of the Embassy of Peru in Jakarta (1995), Award of Phillip Morris Arts Foundation (1997), Finalist of the Winsor-Newton Competition, Jakarta (2000), Certificate of Ownership, Wellculturen Frankfurt Museum, Germany (2010), Certificate Art Work Golden Land, BIAB Bejing, China (2015), Top 9 Titian Art Foundation ( 2017). On April 16, 2019 Supena died at Sanglah Hospital. He had severe bleeding in the brain due to an attack of hypertension. Bali lost one of its best artists.ension. Bali lost one of its best artists.)
I Nengah Jati + (I Nengah Jati was born in Banjar Sama Undisan, Jehem Village, Bali, October 5, 1990. His poetry book is titled “Silunglung” (Expression Library, 2018). His works are also published in Suara Saking Bali.)
I Nengah Sujena + (I Nengah Sujena was born in Bangli, Bali, … I Nengah Sujena was born in Bangli, Bali, in 1976. He graduated from the Indonesian Institute of the Arts (ISI) Yogyakarta in 2005. Sujena has had solo exhibitions and participated in group exhibitions in Bali, Yogyakarta, Jakarta, Singapore, Tokyo etc. In 2007 he had a solo show entitled Songs of Solitude at the Komaneka Gallery.Nature is the main source of creative inspiration for Sujena. His paintings articulate the revelation of nature. They reflect an ecological awareness that recognizes the fundamental relation between nature and the human. His works subtly criticize the anthropocentric view that considers the human as the center of truth with all the privileges to exploit nature. Sujena conveys a critical, yet poetic, message that living in harmony with nature is a soothing, peaceful life. with nature is a soothing, peaceful life.)
I Ngurah Suryawan + (I Ngurah Suryawan, born in Denpasar Bali o … I Ngurah Suryawan, born in Denpasar Bali on February 25, 1979. He obtained his formal education at the Department of Anthropology, Faculty of Letters, Udayana University, Bali (2006) with the title "Speaking Behind Silence: Anthropological Studies of the Violence of the 1965-1966 Mass Massacres in Jembrana Regency, Bali." He completed his Masters in the Masters Program in Cultural Studies at the Postgraduate Program at Udayana University (2009) with a thesis entitled "Bara on the Edge of Power: Genealogy of Subaltern Violence and Upheaval in Buleleng Regency, Bali". Doctoral education was completed at the Humanities (Anthropology) Program, Faculty of Cultural Sciences, Gadjah Mada University, Yogyakarta (2015) and wrote a dissertation entitled "Elite's Strategy to Steal State Power in West Papua". The postdoctoral research program started from 2016-2017 on the cultural ecology of the Marori and Kanum people in Merauke, Papua under the ELDP (Endangered Languages Documentation Program) and Australian National University (ANU) scheme. He was a visiting researcher at KITLV (Koninklijk Instituut voor taal-, Land-en Volkenkunde), Universiteit Leiden 2017 – 2018 to write his research on the formation of the middle class elite in the interior of Papua. His books on Papua include: A Broken Soul (2014), Looking for the Morning: Ethnographic Fragments (2015), Papua Versus Papua: Disunity and Cultural Change (2017), Dismissed Voices: Against Silent Culture ( 2017), Dim Living Space: The Ecological Concussion of the Marori and Kanum People in Merauke, Papua (2018), Kitong Pu Dreams: Anthropology and Transformation of the Papuan People (2018), Searching for a Changing Bali (2018).18), Searching for a Changing Bali (2018).)
I Nyoman Darma Putra + (I Nyoman Darma Putra is a professor in Ind … I Nyoman Darma Putra is a professor in Indonesian literature at the Faculty of Arts, Udayana University, Bali, Indonesia. He obtained his Ph.D. from the School of Languages and Comparative Cultural Studies, University of Queensland, in 2003, where he took a postdoctoral program from 2007-2009.Apart from teaching literature and culture at Faculty of Arts, Darma Putra also teaches tourism subjects at Masters Program of Tourism and Doctoral Program of Tourism Udayana University. Darma had been the head of Masters Program of Tourism for four years, 2014- January 2018. His research interest includes Indonesian literature, Balinese literature, Balinese culture, tourism.With Michael Hitchcock, he published Tourism, Development and Terrorism in Bali (Aldershot: Ashgate, 2007), while his sole authored book is A literary Mirror; Balinese Reflections on Modernity and Identity in the Twentieth Century (Leiden: KITLV Press, 2011).He publishes a number of article in international peer review journals including Asian Ethnicity, Indonesia and the Malay World, Current Issues in Tourism, The Journal of Hindu Studies, and Tourism Geographies.Since 2011, he has been the editor in chief of Jurnal Kajian Bali (Ranked 2, on Indonesian accredited journal Sinta)., on Indonesian accredited journal Sinta).)
I Nyoman Darma Putra + (I Nyoman Darma Putra teaches Indonesian li … I Nyoman Darma Putra teaches Indonesian literature in the Faculty of Letters and Culture, Udayana University (Bali) and is an adjunct professor in the School of Language and Cultures, the University of Queensland. He is the author of A literary mirror: Balinese reflections on modernity and identity in the twentieth century (KITLV/Brill, 2011).the twentieth century (KITLV/Brill, 2011).)
I Nyoman Ekaputra, S.Sos M.AP + (I Nyoman Ekaputra S.Sos M.AP was born on J … I Nyoman Ekaputra S.Sos M.AP was born on June 1, 1965 in Denpasar. Residing in Br. Pengukuh, Peguyangan Kangin, North Denpasar, Bali, Indonesia. He works as a civil servant as well as a holder at a temple in Peguyangan and helps if anyone needs help with writing Balinese script and fostering children in the village pasraman. His last education was at Ngurah Rai University, Bali, majoring in Master of Public Administration.joring in Master of Public Administration.)
I Nyoman Kaler + (I Nyoman Kaler was born in 1892 in Pamogan … I Nyoman Kaler was born in 1892 in Pamogan Village, South Denpasar District. His father, I Gde Bakta, was a versatile artist in his day. His mother, Ni Ketut Taro, owns the art of his grandfather, I Gde Salin. Kaler himself studied with his grandfather and father, who later passed on to him the nandhir dance, butterfly row, Sisia Calonarang, wayang wong, and parwa. Kaler never received formal education, because as he recalled, until 1900 in Denpasar there were no schools opened. However, his ability to both read and write Balinese script and Latin script cannot be doubted. This skill is obtained from non-formal education on the sidelines of his busy life deepening the arts of dance and percussion. In mastering pagambuhan dance and percussion, he was educated by I Gusti Gede Opium, I Made Sariada, and I Made Nyankan (all from Denpasar) and I Made Sudana from Tegal Taniu. In 1918, at the age of 26, I Nyoman Kaler deepened the Legong Kraton dance with his teacher, Ida Bagus Boda from Kaliungu Klod, Denpasar. In 1924, he studied dance and percussion with Anak Agung Rai Pahang from Sukawati, Gianyar. Kaler was very impressed with this one teacher. His teacher's extraordinary way of teaching allowed Nyoman Kaler to understand the intricacies and movements of dance in depth. Kaler also became a favorite student because of his amazing talent. Kaler can play almost all Balinese gamelan instruments and understands very well all pegongan music, gender, angklung, semar pagulingan, and so on. Nyoman Kaler started teaching in1918. on. Nyoman Kaler started teaching in1918.)
I Nyoman Loka Suara + (I Nyoman Loka Suara is a painter born in B … I Nyoman Loka Suara is a painter born in Bali, February 13, 1970. He studied fine arts at ISI Denpasar. Since 1993, he has been active in various joint exhibitions, including the Palette group exhibition at Come Out festival Australia (1998), Beijing International Art Biennale, China (2015), Asian Art Biennale II, Hong Kong (2017). He is also a member of the Militant Arts Community of Fine Arts. Loka's works often feature gloomy-looking figures with distorted techniques. The neck of the figure is made long like a giraffe so that it gives a unique impression on the painting.gives a unique impression on the painting.)
Nyoman Ngendon + (I Nyoman Ngendon (1920-1947) was a painter … I Nyoman Ngendon (1920-1947) was a painter from Banjar Dentiyis, Batuan, Sukawati, Gianyar. He first learned to paint the Kamasan wayang style from Dewa Nyoman Mura in the early 1930s. He was an influential figure in Rock painting and had many students. He is fluent in Malay, Dutch and English. During the Japanese occupation, he went to Yogyakarya, and met with Soekarno, Affandi, Soedjojono, and joined Persagi. Besides being known as a painter, he was a guerrilla figure under the leadership of I Gusti Ngurah Rai to help defend the independence of the Republic of Indonesia. He was captured by Nica's soldiers in Ketewel, tortured and executed.Ngendon is indeed an intelligent Batuan painter who is very anxious to develop himself in painting. In addition to painting in the Batuan style, Ngendon does many portraits using modern techniques. Ngendon is also a painting teacher who is very idealistic and visionary. For Ngendon, each student must be able to draw different shapes, not just copying things that already exist. Ngendon gave birth to a generation of Batuan painters who are able to explore and develop strong thematics.Batuaninteractive.com:"One of the first from Batuan to start painting about 1933 or 1934, along with Togo Djatasoera, and Tjeta. Ngendon learned his skillsfrom his cousin, Patera, who was the first to contact the Westerners Spies and Bonnet. In addition to painting and woodcarving, Patera organized dance troupes and orchestras for tourist performances, and after he died in 1935, Ngendon, took over that role. By the time Mead and Bateson began collecting, Ngendon was not making many pictures. He taught a large number of the Batuan people. Nine pictures by him are in the collection. According to Kaler, Ngendon had been to school for five years, could read, write, and speak Malay and some Dutch and English. He frequented the homes of Westerners and was a member of Pita Maha, the artists' cooperative set up by Spies and Bonnet. At one point he was Spies' favorite Batuan painter. His father was a moderately well-off farmer, and his mother an active merchant. During the Japanese occupation he went to Java to study painting and learned naturalist ideas, which he brought back to Bali. After the Japanese surrendered, Ngendon became a local leader in the nationalist struggle against the returned Dutch colonial presence but was captured and executed in 1948."ce but was captured and executed in 1948.")
I Nyoman Suprapta + (I Nyoman suprapta was born on November 11, … I Nyoman suprapta was born on November 11, 1962. He has made geguritab from 2000 to now, has published 219 titles of geguritan, because he gave his life for Balinese literature. He received the Rancage Literature Award in 2013 from the Rancage Cultural Foundation, Bandung from the service sector. Tuesday, April 9, 2019, which was already past.ay, April 9, 2019, which was already past.)
I Nyoman Wahyu Angga B. Santosa + (I Nyoman Wahyu Angga B. Santosa or better … I Nyoman Wahyu Angga B. Santosa or better known as Wahyu Angga was born on May 21, 1997 in Denpasar. He is one of the alumni of the 2015 Bali Literature study program, he is also the author of the parwa literary work, kakawin Prapanca Suddhani. Currently, he is continuing his master's education at the Postgraduate program at Udayana University, Faculty of Cultural Sciences. University, Faculty of Cultural Sciences.)
I Nyoman Wardi + (I Nyoman Wardi is a faculty member in the Department of Cultural Studies, Udayana University, Bali - Indonesia. He is also a researcher with issues relating to the environment and cultural in the Center of Environmental Studies at Udayana University.)
I Nyoman Windha + (I Nyoman Windha is one of the leading musi … I Nyoman Windha is one of the leading musicians and contemporary composers of Balinese gamelan music. He was born at Banjar Kutri, Singapadu, Gianyar, Bali. A graduate of the National Institute of Arts (ISI) in Denpasar, Bali, Windha has been a member of the faculty since 1985. He has composed dozens of compositions for Balinese gamelan in many genres but primarily in kebyar style. His compositions, such as Puspanjali (1989), have been incorporated into the standard repertoire of Balinese performing groups and many have won awards at Bali's annual gamelan competition.Windha's music is known for his beautiful melodies, incorporation of forms and styles from Javanese gamelan, and other innovations such as use of 3/4 time. He has traveled and taught extensively around the world.d and taught extensively around the world.)
I Putu Eka Prayoga,S.Pd.H.,M.Pd + (I Putu Eka Prayoga, S.Pd.H., M.Pd is a tea … I Putu Eka Prayoga, S.Pd.H., M.Pd is a teacher at SD Negeri 26 Pemecutan who has been teaching since 2018 until now. He comes from Pakraman Ubung Village, Denpasar City and he was born on March 23, 1994. He studied and completed S1 Pendidikan Agama Hindu at IHDN Denpasar then he completed his S2 Masters in Pendidikan Agama Hindu at IHDN Denpasar Postgraduate Agama Hindu at IHDN Denpasar Postgraduate)
I Putu Gedé Raka Prama Putra + (I Putu Gedé Raka Prama Putra or commonly k … I Putu Gedé Raka Prama Putra or commonly known as Tudékamatra from his works was born in Gianyar, on Tuesday, 18 December 1990. Although still young, he is one of the authors who maintains modern Balinese literature. The author, who graduated from the Faculty of Economics, Mahéndradatta University, has studied writing since he was still in school at SMAN 1 Blahbatuh. His articles have been published in ksprési Magazine, Satua Magazine, Bali Orti (Bali Post), Bali Post, Pos Bali, Médiaswari (Pos Bali), and Dénpost. His published books are:Padang Tuh (Poetry, 2013),Belog (Collection of Short Stories, 2014),Raré Bali waves (Poetry, 2015).Now he works as a journalist at Pos Bali and is the editor of the Gema Siswa at Pos Bali. the editor of the Gema Siswa at Pos Bali.)
I Putu Karang Adi Saputra + (I Putu Karang Adi Saputra was born in Abia … I Putu Karang Adi Saputra was born in Abiansemal, June 9, 1985. Since 2003 he has been active in a number of joint exhibitions, including the joint exhibition “Bali Painting Maestro” at the Bali Post, Denpasar (2007); “Group of 72” at Paros Gallery, Sukawati (2007), exhibition “With Lecturers of ISI Denpasar” at Neka Art Museum Ubud (2008), exhibition at LV 8 Hotel with Sanggar Mangu Rupa Badung (2018), “Freedom in Expression” in Taman Balinese Culture (2019).ression” in Taman Balinese Culture (2019).)
I Putu Sudiana Bonuz + (I Putu Sudiana alias Bonuz is an artist bo … I Putu Sudiana alias Bonuz is an artist born in Nusa Penida, Klungkung, Bali, December 30, 1972. Since childhood he has been interested in painting. While in his village, he was often asked to paint the walls of the fishing boats (jukung). After completing junior high school in his hometown, he continued his education at the Fine Arts Middle School (SMSR) in Batubulan, Bali. In 1995, he continued his art education at ISI Denpasar, until he graduated. Apart from painting, he also makes installation art, plays music, and writes poetry. Bonuz has exhibited many of his abstract-style paintings, including:Solo exhibitions2018 A Land to Remember. Santrian Gallery, Sanur Bali2017 Tetabuhan-tatabumi, Bidadari Art Space. Mas, Ubud-Bali1015 Because Life is Delicious at Kubu Art Space. Ubud.2014 Magic Sound at Maya Gallery. Singapore.2013 Be Happy, water color paintings at Sand Fine Art Gallery. Sanur-Bali.2012 Harmony, at Rumah Seni Maestro Art Space. Sanur-Bali2011 Inside of Bonuz at Tony Raka Gallery. Mas, Ubud-Bali2011 Breath Reflection, at Hitam-White art Space. Sangeh-Bali.2008 Pleading Life's Tenacity at Kemang Village. Jakarta.2006 Journey of the Soul at Relish Café and Pool. Jakarta.2003 Abstract Essence at Art Center Denpasar. Bali.2003 Universal Spirit at Jenggala Ceramic Jimbaran. Bali.2000 Crossing Borders at Red-White Forum. Denpasar Bali.Borders at Red-White Forum. Denpasar Bali.)
I Putu Sukreta Suranta + (I Putu Sukreta Suranta was born in Klungku … I Putu Sukreta Suranta was born in Klungkung, 11 April 1938. He was a high-ranking army officer from Bali and a government official. He is one of the figures of the Parisada Hindu Dharma Indonesia organization and Paguyuban Ngesti Tunggal. After graduating from high school, he continued to the National Military Academy in Magelang. After graduating, he was appointed a second lieutenant in 1961.Throughout his career in the military, he held various strategic positions such as Deputy Commander of the Garuda VII Contingent and Operations Assistant to the Chief of Staff of Kodam Jaya. He achieved the rank of brigadier general around 1986 and became Deputy Assistant for Operations to the Army Chief of Staff. He was promoted to major general about two years later and became Operations Assistant to the Army Chief of Staff on 17 March 1988. He was then appointed Commander of the ABRI Command and Staff College on 21 October 1989. He was replaced from his position on 16 April 1993 and retired from the military some months later.After retiring from the military, he was appointed Inspector General of the Department of Defense Security on April 24, 1993.] His appointment as the department's inspector general was unusual, as this position is usually held by active three-star military officers. Because after retiring from the military, the government decided to raise his rank to honorary lieutenant general on September 1 1997. He was replaced by Farid Zainuddin in 1998.He was then appointed by President BJ Habibie to become a member of the Supreme Advisory Council (DPA) on 13 June 1998 and became Deputy Chair of the People's Welfare Commission at DPA.He was elected as Daily Chair of Parisada Hindu Dharma Indonesia (PHDI) at the 7th PHDI Mahasabha which took place in September 1996. Previously, since 1992, he had represented PHDI in the MPR. He is also an advisor to the Indonesian Hindu Youth Association and Prajaniti Hindu Indonesia. Apart from that, he was also a member of the spiritual organization Paguyuban Ngesti Tunggal (Pangestu).He died in South Jakarta on Friday, September 16 2022 and was buried at the Kalibata Heroes' Cemetery (TMP), South Jakarta.ata Heroes' Cemetery (TMP), South Jakarta.)
I Putu Swaryandana Ichi Oka + (I Putu Swaryandana Ichi Oka or familiarly … I Putu Swaryandana Ichi Oka or familiarly called Ryan grew up in Banjar Pande, Sayan Village, Ubud. Ryan is a young composer who is currently pursuing a master's degree at the Indonesian Art Institute, Denpasar. This young composer is active in the arts at the Sanggar Seni Cudamani, Pengosekan, Ubud. Most of Ryan's works reflect traditional styles such as Swasti Prapta (for dance compositions) and Sundih, but there are some more contemporary works such as Su3lim (instrumental) and Kalatalaraga (body music). Ryan's works can be seen on YouTube Channel: Ryan Swaryandana.seen on YouTube Channel: Ryan Swaryandana.)
I Putu Tangkas Adi Hiranmayena + (I Putu Tangkas Adi Hiranmayena is an Indon … I Putu Tangkas Adi Hiranmayena is an Indonesian artist and scholar. Putu’s interests are rooted in gamelan, improvisation, and metal music, while dealing primarily with high adrenaline activity, embodiment, and cosmology theories. His musical works directly highlight exigency of performance in peak physical states, which provoke praxis of micro-temporality. Putu has performed with gamelan and improvisation ensembles around the United States and Indonesia; most recently with Gamelan Pandan Arum from Los Angeles, Gamelan Tunas Mekar in Denver, and Sanggar Manik Galih in Bali. He has also acted as gamelan ensemble director at the Museum School of San Diego as well as the University of San Diego. Putu holds a B.A. from the University of Colorado Colorado Springs in Visual and Performing Arts and an M.A. from the University of California San Diego in Integrative Studies. He has recently started a Ph.D. program at the University of Illinois Urbana-Champaign in ethnomusicology where he plans to continue his studies in new music and gamelan.inue his studies in new music and gamelan.)
Speeding + (I thank you for your time to speak to us t … I thank you for your time to speak to us today.Recently, there has been a lot of news related to the number of motorists, especially motorcyclists, who have committed drunk driving on public roads. If the government is more responsive in preventing drunk driving on public roads, such as money, this new incident occurred on November 15, 2023 on the bypass road in Ngurah Rai, Denpasar, Bali.A possible solution to protect the safety of riders and especially motorists is to conduct night patrols in crucial areas where there are often fogs and tracks on the roads.re are often fogs and tracks on the roads.)
I Nyoman Ritug + (I want to introduce my 95 year old grandfa … I want to introduce my 95 year old grandfather who is still actively working as a carving artist, he is named I Nyoman Ritug, he started working since he was 10 years old with his father, until now he is still actively working, I hope he has a long life.. thank God proud to be his grandson, even though my ability is far below his.. even though my ability is far below his..)
Desak Yoni + (I was born in 1972—or so one of my friends … I was born in 1972—or so one of my friends’ parents who was a teacher told me, as neither of my parents recall my exact date of birth—in a small village north of Ubud on the island of Bali, one of the many islands in the Indonesian archipelago.When I was young I felt there was no other choice but to leave Bali to free myself from the burdens of poverty and tradition. I have traveled extensively abroad, married, brought up sons, and worked in Australia while continuously educating myself at college and university—my most recent acquisition a Masters degree in International Business from Newcastle University, New South Wales, Australia.I returned to Bali in 2012 after almost twenty years of living abroad, hoping to achieve a better quality of life, rebuild my family and create employment for my fellow Balinese. Since returning to Bali I have experienced at first hand the challenges facing Balinese women in the parallel universe of modern tourism and traditional life, where families struggle to maintain a balance between traditional adat duties and the temptations of the island’s tourism playground, illicit drug and sex scene.Tumultuous experiences, a life full of dramas, tragedies and rare happy times that never seem to last for long enough, have inspired me to write this book as a part of my own journey of self-discovery. I am currently working on a second book while continuing other projects in Bali.k while continuing other projects in Bali.)
I Wayan Aris Sarmanta + (I Wayan Aris Sarmanta, born in Gianyar, Ap … I Wayan Aris Sarmanta, born in Gianyar, April 8, 1995. Since 2011, he has been actively exhibiting, including at the Puri Painting Museum, Arma Museum, Allcaps Gallery, Bentara Budaya Bali, Titian Artspace Ubud, Paradiso Ubud, Griya Santrian Gallery, Bale Banjar Sangkring Jogja. In 2017 he held a solo exhibition “Rebirth” at Titian Art Space, Ubud. He won the 2017 Titian Prize Nine Finalist and 2018 Titian Prize Winner.ine Finalist and 2018 Titian Prize Winner.)
I Wayan Arnata + (I Wayan Arnata (born in 1973, Sukawati, Gi … I Wayan Arnata (born in 1973, Sukawati, Gianyar) is an abstract artist who grew up surrounded by Balinese art and tradition. His works are unique and employ the traditional Balinese technique of Ngodi to create textures with threads. The Ngodi technique applied to modern abstracts yields a distinctive appearance and finish. Threads are used to signify various metaphorical themes and concepts in multiple cultures. In Balinese culture, it stands for an extended period or a medium that connects one period to the next. It is here that he found a foundation to explore tradition in his contemporary creative process while staying true to his identity and roots. Arnata has received several awards, such as the Bronze award in the UOB Painting of the Year (Established Artist Category) competition in 2017 and the Philip Morris Indonesia Art Award in 1996, 1997 and 1999.ndonesia Art Award in 1996, 1997 and 1999.)
I Wayan Arya Bisma + (I Wayan Arya Bisma is a young musician and … I Wayan Arya Bisma is a young musician and composer who grew up in Pujung Kelod, Sebatu, Gianyar. Currently, Bisma is still pursuing his undergraduate education at the Indonesian Art Institute, Denpasar. Bisma is active as a musician and composer at the Sanggar Seni Çudamani, Pengosekan, Ubud.e Sanggar Seni Çudamani, Pengosekan, Ubud.)
I Wayan Balawan + (I Wayan Balawan (born September 9, 1972 in … I Wayan Balawan (born September 9, 1972 in Bali), better known by the single name Balawan, is an Indonesian guitarist and songwriter. He is best known as a Batuan Ethnic Fusion guitarist and his ability to play double neck guitar. Balawan has developed the 8 Fingers Touch Style technique, which also known as the Touch-Tapping Style. He is often regarded as one of the fastest guitarists in Indonesia. He is also called The Magic Finger guitarist among the world's music community.Personal lifeBalawan listened to Balinese gamelan, a traditional music style from Bali, since birth. At the age of eight he taught himself to play guitar. He joined his first band when he was 14 years old. Although he grew up in a traditional Balinese culture, Balawan played more rock songs than gamelan. Some of his favorite bands were The Scorpions, Deep Purple and The Beatles.Eventually he became bored with rock music and decided to study jazz at the Australian Institute of Music in Sydney.During his studies towards a Diploma of Music, he was awarded a three-year scholarship. He studied in Sydney for about five years, during which time he also gained popularity for his exceptional talent of playing guitar and jazz music. After he obtained his Diploma of Music in 1997, he went back to Bali and formed a band called Batuan Ethnic Fusion, which combined the traditional Balinese gamelan music with jazz / fusion style.CareerHis first professional band, Batuan Ethnic Fusion, is still active. Besides being a band member, Balawan is also working on his solo career and has released three albums. His first solo album was "Balawan", which released in 1997 by the Acoustic Music Label, a German company. Later, he worked with an Indonesian company, and with his band, he released his first band album, "GloBALIsm", under Chico&Ira production in 1999. Recently Balawan launched his second solo album, "Magic Fingers", under the Sony-BMG Music Indonesia label. Magic Fingers really showcases Balawan's abilities in arranging and composing and his ability to blend modern music with traditional Balinese gamelan.Indra Lesmana about Balawan: "It's always exciting to find new things in art and Batuan Ethnic Fusion is a perfect example of artist who explore into the great spectrum in art with passion, love, beauty and freedom..." As Balawan is considered as the only Indonesian guitarist who able to develop and use the "Touch Tapping" style, he often plays in Germany and Norway. In 2000, Balawan collaborated with many international guitarists at "East Meet West Gitarren Festival Edekoben Germany 2000 Tour". He also has had a tour in 20 cities in Germany in 2001. In the same year, Balawan played at "Hell Blues Festival" in Norway in September. In 2011 Balawan appeared at the 16th Other Minds festival in San Francisco.TechniqueBalawan has developed and expanded a technique called "Touch Tapping" style. The technique enables the guitarist to play two or even three different music progressions at the same time using the same instrument continuously. Another notable player of this technique is Stanley Jordan, an American jazz/fusion guitarist. Balawan developed the same progression with Stanley Jordan, that he is able to produce a piano, bass and guitar at the same time using just one instrument.Usually Balawan uses all four fingers of his right hand to create the melody progressions and his left hand to create the bass and rhythmic sounds. Another unique thing is that there is no pattern or repetition whatsoever between the left and right hand. Thus Balawan has a very exceptional skill of playing guitar.Balawan also plays drums, both to fill the tracks on his albums and to develop the "Touch Tapping" style.EquipmentSince Balawan needs to play rhythmic progression and melody at the same time, he uses a special guitar with two necks made by Tommy Kaihatu that also known as Rick Hanes Guitar. Balawan's Rick Hanes Guitar has a double neck with six strings on both upper neck and lower neck, which utilises MIDI pickups to translate the notes he plays into MIDI notes played via off-board synths and samplers.Balawan uses Rick Hanes guitars exclusively, which are Balawan Double Neck Series, Balawan Mini Guitar Series and Essel-Balawan Custom Series. He also uses Rockstone Cases and VOX amplifier.e also uses Rockstone Cases and VOX amplifier.)
I Wayan Bendi + (I Wayan Bendi – 1950-2020 (Indonesia) I W … I Wayan Bendi – 1950-2020 (Indonesia)I Wayan Bendi was a living legend, the leading practitioner of the Batuan style of painting which developed in Bali in the 1920’s-1930’s.He was born in 1950, in Batuan, a village near Ubud. He still remained rooted to his birthplace, where he had his studio and art gallery.The Batuan style of painting is very intricate and detailed, crammed with many “stories”. Paintings in this style are tightly crowded with teeming crowds and scenes that depict all the traditional aspects of Bali life, like rice harvests, temple rituals, dancing girls and fantastical theater masks.A Batuan picture usually has a sober monochrome color palette, because of the initial application of black and grey paint on the canvas surface as base. But Bendi is also an artist with a mischievous streak. For a Batuan artist, he is considered very colorful with his ‘soberly bold’ colors like brick red and light olive. Then there’s his ‘thing’ about helicopters. Bendi usually has one somewhere in his crowded agrarian scenes, and part of the fun is to hunt for it. Another favorite, the t-shirt clad, inquisitive tourist with his intrusive, long nosed camera lens, snapping away amid the water buffaloes and rickety taxis. It’s a Bendi trademark that speaks volumes about his concern for Bali’s relationship with the almighty tourist dollar.Bendi expanded his focus to capture traumatic events that has impacted Indonesia, from the Bali bombing to the tsunami. Always, Bendi’s witty, observant paintings are like a macrocosm of modern Bali life.The artist has exhibited in Japan, Netherlands, Belgium and New York. Japan, Netherlands, Belgium and New York.)
I Wayan Diana + (I Wayan Diana, born in Batuan, 1977. He ha … I Wayan Diana, born in Batuan, 1977. He has exhibited at the Puri Painting Museum, Arma Museum, Neka Museum, Griya Santrian Gallery, etc. He won awards as Jakarta Art Award Finalist (2008 and 2010), UOB Painting Of The Year Finalist (2012, 2013, 2014). With the Batuan style painting technique, his paintings voice a lot of social criticism.paintings voice a lot of social criticism.)
I Wayan Dibia + (I Wayan Dibia was born in Singapadu, Giany … I Wayan Dibia was born in Singapadu, Gianyar, Bali, April 12 1948. Since 1999, he has been a professor of choreography at ISI Denpasar. He is also famous for his work in the art of Kecak dance, such as Kecak Subali and Sugriwa (1976), Kecak Dewa Ruci (1982). He once collaborated with Keith Terry to create "The famous Body Tjak" (1990).As a dance artist, he is very famous at the international level. In the field of dance, he created the Manuk Rawa Dance with I Wayan Beratha in 1981, the Puspa Wresti Dance, the Wirauda Dance, etc. He received the "Padma Shri Award" (2021) from the Government of India for his dedication in intertwining works of art between Balinese and Indian culture. In 1969, he first performed in India with the Hanuman dance.Apart from creating dozens of dance works, he also wrote a number of books, including "Gambuh Drama and Almost Extinct Dances in Several Regions in Bali (1979), "Kecak, the Vocal Chant of Bali" (2000), "Balinese Dance , Drama, and Music: a Guide to the Performing Arts of Bali” (2012), “Communal Dance” (2015), “Kecak: From Ritual to Theatrical” (2017), “Arja Anyar” (2017), “Barong Dance Ket: From Awakening to Glory” (2018). In 2021 he published five poetry books entitled "Dance Poetry". He also wrote a book of poetry in Balinese, including the title "Kali Sengara". He also wrote a novel about dancers entitled "Bintang Panggung" (2023).In 2022, he received the “Bali Jani Nugraha” award from the Governor of Bali. His Balinese poetry book "Kali Sengara" won the "Rancage" award from the Rancage Cultural Foundation (2023).om the Rancage Cultural Foundation (2023).)
I Wayan Gunayasa + (I Wayan Gunayasa was born in Ulakan, Mangg … I Wayan Gunayasa was born in Ulakan, Manggis, Karangasem August 3, 1967. He is an entrepreneur and photography is one of his hobbies. He is also involved in social activities, such as children with disabilities and orphans and also participates in fighting plastic waste. His photos have been published in several magazines such as 'Emvee Magazine', 'Bali Travel' and 'Tropical Life'. He also took part in an exhibition at Mall Bali Galeria, solo exhibitions and exhibitions with other photographers. Wayan prefers to photograph culture and nature because by doing so he can travel around and get to know the culture more closely; culture in Bali in particular and Indonesian nature. He worked with Norwegian students studying in Bali in 1993-2014.an students studying in Bali in 1993-2014.)
I Wayan Juniarta + (I Wayan Juniarta's primary profession is a … I Wayan Juniarta's primary profession is as a journalist who finds solace in crafting essays following his tragically failed attempt at writing poetry. His first Bungklang-Bungkling records the hilarity and ludicrousness of Balinese men. When he’s not writing essays, Jun can be found pedaling towards the island’s most serene spots while composing bite-size koans, which you can seek out using the hashtag #cyclingwithbuddha. out using the hashtag #cyclingwithbuddha.)
I Wayan Mudita Adnyana + (I Wayan Mudita Adnyana, born in Tenganan V … I Wayan Mudita Adnyana, born in Tenganan Village, Karangasem, Bali, 16 September 1931. He is an expert in copying ancient lontar, singing kakawin, playing Gender and Selonding gamelan. He learned to copy lontar from I Gusti Bagus Sugriwa from Singaraja in 1943. From a young age he had copied many lontar, including the Bhagawad Gita, Mahabharata, Ramayana, Purusada Santa, Sutasoma, Arjuna Wiwaha, Bomantaka, Gatotkacasraya, and so on. In 1970 he helped build a village library called Widhi Sastra. In 1972, he pioneered copying lontar containing images of wayang in Tenganan. He also created a wayang sekaa (group) called Dharma Kusuma in 1980.Copies of the lontar are widely collected by domestic and foreign collectors as well as state officials, including the President of Italy, Sandro Pertini (1983); New Zealand Prime Minister Hellene Clark (1988); President Megawati Soekarno Putri (2001). A copy of his lontar entitled Kakawin Sutasoma was once offered by a foreign collector for hundreds of millions of rupiah, but he did not let it go. Because he will pass on his favorite palm leaf to his children and grandchildren.In 1984, he won second place in the Bali Provincial Lontar Copying Competition. In 1987, he received the Dharma Kusuma Madya Award from the Governor of Bali, the Cultural Award from the Government of the Republic of Indonesia (2019), the Bali Bhuwana Nata Kerthi International Level Award from ISI Denpasar (2023), the 2024 Bali Kerthi Nugraha Mahotama Award from the Bali Provincial Government.Even at his very old age, he was still actively copying palm prints. Everyday he can be found at his residence in Tenganan Village.ound at his residence in Tenganan Village.)
I Wayan Pande Sumardika + (I Wayan Pande Sumardika is a Balinese writ … I Wayan Pande Sumardika is a Balinese writer. He was born in Ngis Village, December 31, 1993. He comes from Banjar Dinas Kajanan, Ngis Village, Manggis District, Karangasem Regency. He is also an alumnus of the Bali Literature Study Program, Faculty of Cultural Sciences, Udayana University class of 2012.ciences, Udayana University class of 2012.)
I Wayan Seregeg + (I Wayan Seregg was born in Timpag Village, … I Wayan Seregg was born in Timpag Village, Kerambitan, Tabanan, December 31 1940. He is a student of Old Javanese Literature. Apart from that, he is also skilled in mesanti (composition of sacred songs). Because of this, he is often asked to guide kakawin and Balinese literary arts.Seregg is often trusted as a Balinese language instructor, as well as being a judge in Balinese literature competitions. He is also a marriage counselor for high school students and students. He also appeared as a resource person, one of which was in the context of the Family Gathering and Study Orientation by the Faculty of Letters, Udayana University.Seregeg is the supervisor of Ancient Javanese Literature at the Denpasar Bangun Sastra Foundation, and is active in the organization as Chair of the Gerokgak District Widya Sabha, Deputy Chair of the Buleleng Regency Widya Sabha, founder and supervisor of the Sekaa Santi Widya Sabha, and supervisor of kekawin. Seregg has dedicated his life to Balinese script, language and literature. He received the Wija Kusuma Award from the Buleleng Regency Government, the Dharma Kusuma from the Bali Provincial Government, the 2024 Bali Kerthi Nugraha Mahottama Award from the Bali Provincial Government, and awards from other agencies. Now, he lives in Gerokgak, Buleleng, Bali.Now, he lives in Gerokgak, Buleleng, Bali.)
I Wayan Suartha + (I Wayan Suartha was born in Klungkung in 1 … I Wayan Suartha was born in Klungkung in 1957. Retired as a teacher for ASN (State Civil Apparatus) at SMA Wisata-PGRI Dawan, Klungkung. After retiring in 2017, he was assigned as the head of literacy at the same school. Suartha wrote poetry since junior high school, but it was only published in 1977 in a number of mass media, such as Bali Post, Karya Bakti, Student News, Nusa Tenggara, Hai Magazine, and Merdeka. In addition to writing poetry, Suartha is also active in writing short stories, drama scripts, as well as small notes on literary and theater appreciation. Dozens of fragments have been played on TVRI Denpasar Station.His poems have been published in a number of anthologies with other poets, including Pintu Ilalang, Spektrum, The Ginseng, Shades of Inner Coloring, the Balinese anthology Pupute Tan Sida Puput, and Klungkung Tanah Tua Tanah Cinta. His literary historical work entitled Lebur Ring Klungkung in the form of an illustrated story was written with Ida Bagus Gde Parwita, guided by the history of the Puputan Klungkung incident. In 2005, together with I.B.G Parwita, he was invited to read his poems at the Ubud Wirters and Readers Festival. A collection of scripts for his drama chain Putus was published in 2012 which won him the Widya Pataka award from the Bali Provincial Government. Suartha now lives in Banjar Pekandelan Kelod, Semarapura, Klungkung.r Pekandelan Kelod, Semarapura, Klungkung.)
I Wayan Subudi Yadnyana + (I Wayan Subudi Yadnyana, a.k.a Swoofone, w … I Wayan Subudi Yadnyana, a.k.a Swoofone, was born in Denpasar in 1994.He expresses himself through paintings, video mapping, multi-disciplined collaborations and more. Identified by his limited palette and design sensibility, he is an emerging artist with a definite and eye-catching style. Swoofone has confirmed his presence within the sphere of Balinese contemporary art.“Initially, my designs grew from observing the landscape and traditional architecture. I was then attracted to the old European, Japanese and Indian architectural styles. I studied Balinese Hindu mythology and teachings that I wanted to translate,” said Swoofone, who also dedicates himself to helping organise local exhibitions. “The basis of my colour expression is Tri Datu: consisting of red, white and black representing the Balinese cycle of reincarnation. I like the limited colours. I want to explore the potential, and then maybe add other colours later.”, and then maybe add other colours later.”)
I Wayan Wirawan + (I Wayan Wirawan was born on 27 November 1975. He is one of Bali’s leading contemporary artists, primarily a painter who initially trained in the Batuan style of painting. Aside from painting, Wirawan also works in carving, sculpture and installation.)
3 Pikobet Ring Pemilu 2024 + (I would like to thank the presenter for gi … I would like to thank the presenter for giving me the opportunity. Both the audience, especially the panureksa whom I respect, the wantaka basa bali wiki whom I respect, and the audience whom I love. Om Swastiastu. First of all, let's together express our happiness to Ida Sang Hyang Widhi Wasa, thanks to his grace we can gather together here for the Bali Oration Public Participation Wkithon event. On this occasion, allow me to deliver a speech that I have made.Elections are only a means of exercising people's sovereignty to elect members of the DPR, DPD, President and Vice President as well as to elect members of the DPRD, which are carried out directly, publicly, freely, confidentially, honestly and fairly. As contained in UUD no. 7 of 2017 concerning general elections, all Balinese people cast their votes to support the candidate for regional leader of Bali.A good Balinese leader candidate is a leader who is able to lead his people towards prosperity. Bali's future leaders must listen to the complaints of their people. Prospective Balinese leaders must be able to properly handle the problems that exist in the Bali area, including:1) the declining growth of MSMEs, MSMEs play a very important role in Bali, especially in creating jobs, so they are seen as a lifeline in the process of encouraging the rate of economic growth.2) controlling the prices of basic necessities, the increase in prices of basic commodities is due to expectations of increased demand, the main cause is the supply chain, food supplies such as agriculture are considered inefficient. If the trade system has not been properly regulated and controlled, prices and basic materials should remain stable.3) development of public infrastructure, in the Bali area there are still public facilities that need attention and improvement. One of them is the highway, in some places there are still roads that are not good enough to pass on.Sometimes many prospective leaders still forget about their duties as a result of which problems will increasingly influence other unfavorable factors that can cause disaster for the community.Prospective Balinese leaders should be able to solve problems that arise in society so that the Balinese people live prosperously.Okay, sorry if there are any mistakes or shortcomings, I apologize and close with. Parama shanti, "Om Shanti, Shanti, Shanti, Om"ma shanti, "Om Shanti, Shanti, Shanti, Om")
I G W Murjana Yasa + (I. G. W. Murjana Yasa, is an Associate Pro … I. G. W. Murjana Yasa, is an Associate Professor in the Doctoral Study Program in Economics, Faculty of Economics and Business, Udayana University, Denpasar-Bali. His reasearch is on the creative economy and agriculture, as well as small and medium industries in Bali.ll as small and medium industries in Bali.)
IBM Dharma Palguna + (IBM Dharma Palguna was born in Tabanan, Ja … IBM Dharma Palguna was born in Tabanan, January 10, 1962. He completed his undergraduate education at Udayana University, then continued his master's and doctoral programs at the Faculteit der Leterren, Rijksuniversiteit, Leiden. Since he was a teenager, he has been actively writing poetry, essays, opinions, and has been widely published in the Bali Post. His published books include Lawat-lawat Suwung (poetry; 1995), Shiwarartri in the Padma Purana (1997), Ida Pedanda Ngurah, the Great Author of 19th Century Bali (1998), Dharma Sunya: Worshiping and Researching Shiva ( 1999), How Mpu Monaguna Worships Shiva (2000), Giant Human God (2007), Shintany Rabbhana (novel; 2009), Watulumbang Mosses (2011), Sekar Ura (2012), Shakti Women (2014), Watulumbang Watumadeg ( 2014), Tattwa Man (2018), etc. His works depict creative explorations and deep reflections on life and the socio-cultural dynamics that cross the ages, and reflect his high appreciation and persistence in spirituality. He died in 2017.sistence in spirituality. He died in 2017.)
Robin Lim + (Ibu Robin Lim @iburobin is a Filipino–Amer … Ibu Robin Lim @iburobin is a Filipino–American midwife, mother, grandmother, and founder of Yayasan Bumi Sehat, a nonprofit organization that provides free maternity care for pregnant women, mothers and their babies, plus healthcare for all those in need.Born in the Philippines in 1956, Robin decided to become a midwife in 1991, when her sister and neice tragically died during childbirth. She qualified as a midwife in the United States and Indonesia, and founded the Bumi Sehat Foundation International in Bali, Indonesia. To date, she has birthed over 9,000 babies and is known by locals and international fans alike as “Ibu Robin” (Mother Robin). Bumi Sehat (which translates to “healthy mother earth”) operates clinics in Bali, Sumatra Island Aceh, Papua and the Philippines, as well as temporary clinics in disaster areas around the world such as Haiti and Nepal. Through the foundation, Robin trains and inspires more than 6,000 midwives and nurses per year, and over 300,000 people have benefitted from Bumi Sehat’s services to date.fitted from Bumi Sehat’s services to date.)
Ida Anak Agung Gde Agung + (Ida Anak Agung Gde Agung was born in Giany … Ida Anak Agung Gde Agung was born in Gianyar, Bali, 24 July 1921. He is an Indonesian historian and political figure. In Bali he also served as King of Gianyar replacing his father Anak Agung Ngurah Agung. He holds a doctorate in history from Utrecht University, Netherlands.In 1947, he became Prime Minister of the State of Eastern Indonesia (NIT). He served as Minister of Home Affairs and Minister of Foreign Affairs during President Soekarno's administration. Apart from that, he also served as Indonesian Ambassador to Belgium (1951), Portugal, France (1953) and Austria.He died in Gianyar on 22 April 1999. On 6 November 2007 based on Presidential Decree Number 068/TK/Year 2007, he was awarded the title of National Hero by President Susilo Bambang Yudhoyono.He wrote a number of books. Among them are Twenty Years Indonesia Foreign Policy 1945-1965 (1973), Memories of the Past: The Dutch East Indies Colonial Era and the Japanese Occupation Era in Bali (1993), The Linggarjati Agreement: Prologue & Epilogue (1995).ati Agreement: Prologue & Epilogue (1995).)
Ida Arimurti Sanjiwani + (Ida Arimurti Sanjiwani studied nursing for … Ida Arimurti Sanjiwani studied nursing for undergraduate at Udayana University. She completed her undergraduate studies in 2020 and continued the nursing profession for one year. since 2012 Ida started working in the field of education. Ida was accepted as a teaching assistant and took a training period of 3 months. after that she was appointed as a part-time lecturer for a while then became a contract lecturer since 2013. Ida had the opportunity to take a master's degree in nursing at the University of Indonesia for 2 years in the maternity department. but Ida did not continue the specialist program due to several considerations. Currently, Ida is one of the lecturers in the maternity nursing department and is currently a permanent lecturer at the University of Udayana since 2018.r at the University of Udayana since 2018.)
Ida Ayu Wayan Arya Satyani + (Ida Ayu Wayan Arya Satyani, fondly called … Ida Ayu Wayan Arya Satyani, fondly called Dayu Ani, was born in Denpasar, September 17, 1977. She is a dancer, choreographer and lecturer at the Indonesian Institute of the Arts Denpasar. She has given birth to various dance works. Dayu Ani was even trusted to work on the dance choreography for the film Sekala Niskala (Seen and Unseen) directed by Kamila Andini, including the dance theater The Seen and Unseen, which involved several artists from across countries (Japan-Australia-Indonesia) in co-production with Performing Lines, Four colours, and Earth Bajra Community.Dayu Ani has been in the world of dance since she was 14 years old at Sanggar Maha Bajra Sandhi, and until now she continues to work hard to nurture young people in the studio which is now known as the Bumi Bajra Sandhi Foundation. Dance took him to various countries and collaborated with international artists across various fields. She was involved in Body Tjak The Celebration with Prof. Dr. I Wayan Dibia and Keith Terry (San Francisco, 1999), choreographed for The Missing Sun with Nelson Chia (Singapore, 2000-2001), participated in the Cultural Olympiad with Maha Bajra Sandhi (Athena, 2004). She is also the choreographer in the Recovery Bali program which was performed in six European countries (2006).erformed in six European countries (2006).)
Ida Ayu Wayan Sugiantari + (Ida Ayu Wayan Sugiantari was born in Karan … Ida Ayu Wayan Sugiantari was born in Karangasem, Bali, April 29, 1983. She has been trying to write poetry since 1998 when she was in junior high school. In 1999-2001, when she was in high school, her works were often published in the Bali Post Minggu. In 2003, she finished her DII education at the Singaraja State IKIP PGSD study program, then was appointed a public teacher at SDN 1 Culik in the same year and 3 years later he was transferred to SDN 1 Manggis. After 11 years of teaching at SDN 1 Manggis, in April 2017 until now she was given an additional assignment as a principal at the Education Unit of SDN 1 Selumbung. She completed her undergraduate education at Dwijendra University in 2008, and completed his Postgraduate study (S2) in Basic Education, at Ganesha Education University (Undiksha) in August 2019.tion University (Undiksha) in August 2019.)
Ida Bagus Aditya Putra Pidada + (Ida Bagus Aditya Putra Pidada was born in … Ida Bagus Aditya Putra Pidada was born in Denpasar, June 23, 1996. The eldest of two children. Has been blind since the 1st grade of high school. Completed his undergraduate studies, majoring in Communication Science and Religious Information at the Hindu Dharma Negeri Institute (IHDN) Denpasar in 2019.He wrote poetry and short stories. His works are included in the books Klungkung: Tanah Tua Tanah Cinta (Museum Gunarsa, 2016), Twenty Best Travel Stories (UKMP State University of Malang, 2016), Chewing Furious (JKP, 2017), Saron (JKP, 2018), Originally was Bali (Kanaka Media, 2020).In addition, he often wins in writing competitions. Among other things, 1st place in the short story writing competition at the National level "Lautan Sastra" held by SMAN 1 Denpasar (2019), 2nd place in the "Collection of 15 Best Short Stories" held by DENUSC (2017), and 2nd place in the Autobiography Writing Competition for ABK level throughout Indonesia. Bali, which was held by Kanaditya (2020).He was also one of the poets invited to the Indonesian Literature International Seminar (2019). Some of his poems have also been translated into Korean and included in the international poetry collection by the Bali Science Foundation (2021). While writing, he now manages a massage clinic called Bali Mahasadu Reflexology and Health Massage. In addition, he also works as an announcer at Denpasar City Public Radio 92, 6 FM.er at Denpasar City Public Radio 92, 6 FM.)
Ida Bagus Anom Suryawan + (Ida Bagus Anom Suryawan is an internationa … Ida Bagus Anom Suryawan is an internationally recognized woodcarver, mask and puppet maker, dancer and puppeteer. His success brought him to the United States to work at the San Francisco Asian Art Museum and the Sante Fe Folk Art Festival. He has held mask making, mask painting, and mask dancing workshops throughout the United States and he holds permanent mask exhibitions at the San Francisco Exploratorium.He was born into a family of wood carvers in Mas Village, Ubud, Bali. For more than thirty years he has been in the art of mask carving. His works are collected by mask collectors from various countries. He also imparted the art of mask carving to students from all over the world. Not only that, he is also an expert in the art of wood carving and puppet making.the art of wood carving and puppet making.)
Ida Bagus Arya Lawa Manuaba + (Ida Bagus Arya Lawa Manuaba is a Balinese … Ida Bagus Arya Lawa Manuaba is a Balinese writer from Abiansemal sub-district, Badung district. He was born on December 24, 1988. He works as a permanent lecturer at the Markandeya Institute of Technology and Education, Bali. Besides that, he is also active as a writer, entrepreneur, Balinese language activist and also a content creator.He has many works in the field of short stories, novels and books, including the short story Barong Brutuk (2019), the book Putih Biru (2019), Alien According to Hinduism (2018), Climbing the Golden Stairs: Half a Century of National Education Association (2019), Mongah: Learning to Live From a Fern Man (2020) Luh Ayu Manik Mas: Planting Local Fruits (2021), Girls Born From the Moon (2021) and many of his other works.Here I select and discuss one of his works that just won and was included in the five best kakawin works in the kakawin writing competition category in Old Javanese or Kawi language and Balinese script in the Saraswati Sana Literature competition organized by the Puri Kauhan Ubud Foundation. in August 2021 and his work won the 4th place. Kakawin was entitled Kakawin Korona Parisuddha.in was entitled Kakawin Korona Parisuddha.)
Arya Lawa Manuaba, Ida Bagus + (Ida Bagus Arya Lawa Manuaba is the author … Ida Bagus Arya Lawa Manuaba is the author of the book “Alien Menurut Hindu” (2018) which became a phenomenal book throughout 2018-2019. His first novel, “Putih Biru” (2019), tells a story of an adventure of rural teenagers in Bali and was ranked in the top eight of the selected novels at the 2017 UNNES International Novel Writing Contest in Semarang. His second novel is entitled “Haricatra” with three sequels and is in the process of publishing. In addition to nonfiction books and novels, he also writes many short stories and articles. One of his best short stories is entitled “Barong Brutuk” (2019) which tells about the mysticism of Terunyan Village.Gus Arya, his nickname, is known through his writings. People who know him always associate him with writing, imagination and even aliens. Born in Denpasar, December 24, 1988, he loved the world of writing since childhood. During the fourth grade of elementary school, he wrote a series of stories that he read daily to his friends. After school, he wrote a horror story in a notebook and then shared it with his friends at school.During middle school, he won several article writing and short story competitions. When he was in high school, his name always appeared in the best six short stories of the annual short story competition at Balai Bahasa Provinsi Bali. Among all the short stories he has ever written, the short story “Orang-Orang Berbaju Hitam” (2011) is the most meaningful. With that short story, he helped his poor friend pay school fees for one year.Now Gus Arya works as a lecturer at ITP Markandeya Bali in the field of prose. He also manages independent publishing and writer services, and is active in the preservation of Balinese language and literature at the BASAbali Wiki. His hobby is traveling in a quiet village and going to museums.g in a quiet village and going to museums.)
Ida Bagus Darmasuta + (Ida Bagus Darmasuta, a Balinese writer, ph … Ida Bagus Darmasuta, a Balinese writer, photographer, painter, and also the Head of the Balinese Language Center (2000-2005). He was born in Denpasar, April 10, 1962. He graduated from the Faculty of Letters at Udayana University. Since a student he has been active in literary activities, including writing poetry, short stories, drama scripts, essays, and so on. In 2007 he received the Rancage Literary Award for his services in fostering and facilitating the publication of modern Balinese literature. Besides being active in the world of literature, he is also known as a photographer and painter. In 2014 he launched a poetry and photography book entitled “Jejak Canvas: Poetry-Photography” at Bentara Budaya Bali. In 2016 he participated in exhibiting his photography art at Bentara Budaya Bali in the program "Mahendradatta: Archaeological Traces and Historical Figures". He passed away on August 9, 2019.igures". He passed away on August 9, 2019.)
Ida Bagus Dharmadiaksa + (Ida Bagus Dharmadiaksa was born in Denpasa … Ida Bagus Dharmadiaksa was born in Denpasar, August 21, 1956. He has written poetry since he was a teenager (1979) and has been widely published in the Bali Post. He was the second winner of the Bali Post Poetry Competition (1979), the winner of the poetry creation competition at Udayana University (1979). Now he is the Chairman of the Widya Dharma Shanti Foundation in Denpasar which oversees ITB Stikom Bali Group (SMKTI Bali Global) and Supervisor of the Univ Civil Servant Cooperative. Udayana and Lecturer of the Faculty of Economics & Business Unud. the Faculty of Economics & Business Unud.)
Ida Bagus Gde Parwita + (Ida Bagus Gde Parwita was born in Tihingan … Ida Bagus Gde Parwita was born in Tihingan Village, Klungkung, November 19, 1960. He started to enjoy poetry actively since teaching at SMP-PGRI Klungkung in 1980. Until he graduated with a Bachelor of History Education and a Masters Degree in Education Research and Evaluation at Undiksha, he wrote Poetry and Cultural Records. Currently, he is the Principal of the Dawan Tourism-PGRI High School, Klungkung. His poetry works were published in Bali Post, Nusa Tenggara, Karya Bhakti, Berita Buana, DenPost, and a number of On-line Media such as Jendela Sastra, Poetry Locker, etc. Anthologies of Indonesian-language poetry that have been published with other poets: Pintu Ilalang, Spektrum, Ginseng Tea, Indonesian Poetry 87, Indonesian Poetry Anthology (API) 1997, Inner Coloring Shades with the Association of Indonesian Writers and Poets (HP3N), and Klungkung Tanah Tua Land of Love. Lebur Klungkung is a historical literary work made in the form of a Picture Story, which was worked on with the historical core of Puputan Klungkung with I Wayan Suartha. His single book collection of poems is “Luka Purnama” (2020)llection of poems is “Luka Purnama” (2020))
Ida Bagus Gede Ngurah Rai + (Ida Bagus Gede Ngurah Rai, born in Kesiman … Ida Bagus Gede Ngurah Rai, born in Kesiman, Denpasar, 1926. He was a Hindu clergyman/priest/preacher at Geria Bajing, Kesiman. She is known as Ida Peranda Geria Bajing. In his youth he was known as a puppeteer who was popular in Bali. Apart from performing in various parts of Bali, he has participated in Wayang Festivals in Jakarta, Solo and Yogyakarta. His love for wayang emerged when he was a child because he liked hearing wayang stories from his father, Ida Bagus Putu Mergeg. He was once a teacher of puppetry at SMKI and a lecturer at the Hindu Dharma Institute (IHD) Denpasar. He is also interested in theater arts and has performed in theater with playwright IB Anom Ranuasa. In her youth she was also a star in the film "Jayaprana and Layonsari" which later made her known as Ida Peranda Jayaprana. He died in 1998.as Ida Peranda Jayaprana. He died in 1998.)
Ida Bagus Ketut Adnyana + (Ida Bagus Ketut Adnyana or with the pen na … Ida Bagus Ketut Adnyana or with the pen name Ratu Aji Baskara. He is a writer who comes from the village of Dharma Tengah Riang Gede, Penebel district of Tabanan, he is now 82 years old.The literary works that have been written by him.Of these works the most different among the others is Geguritan karmasadhiIn Gaguritan Karmisadi by Ida Bagus Adnyana (Ratu Aji Baskara) this gaguritan is bound by 4 pupuh namely, Pupuh sinom, Pupuh ginada, Pupuh mijil, and Pupuh Sinom.In Gaguritan Karmisadi tells about a child who is intelligent, smart, and serious in doing something even though the child is uneducated and comes from an underprivileged family who comes from a cheerful big village and tells about the conditions at that time in the cheerful big village which was indeed minimal welfare of the people.It also contains virtue values which become the moral message of this gaguritan.From the word "Karmisadi" it means that human behavior has 6 noble traits. From this geguritan story, it is the story of a noble character that doesn't need to be from an educated person but a sincere and sincere heart to make it happen.ncere and sincere heart to make it happen.)
Ida Bagus Ketut Dharma Santika Putra + (Ida Bagus Ketut Dharma Santika Putra or fa … Ida Bagus Ketut Dharma Santika Putra or familiarly known as DS Putra, was born in Negara, Jembrana, Bali, 27 July 1964. Since he was a teenager, he has been active in writing poetry, short stories and essays in the Bali Post and several local newspapers. Apart from being a journalist, he is also active as a cultural thinker and mobilizes the arts and culture community in the State, Jembrana. One of them is the West Bali Rembug Appreciation (Rajer Babat) literary and theater movement in the 1990s. He is also active at the Praba Gita Art Pondok. In 2000 he gave birth to the Jembrana Post tabloid and in 2002 he gave birth to the Ge-M tabloid. His published books include Assembling Mekepung Traditions, Trees of Love 2, Keyhole (2021). For his dedication in the field of literature and art criticism, he was awarded the Bali Jani Nugraha by the Governor of Bali in 2021. Previously, he also received the Dharma Kusuma award in 2018 from the Governor of Bali. He died on January 21, 2022 due to illness.e died on January 21, 2022 due to illness.)
Ida Bagus Ketut Panda + (Ida Bagus Ketut Panda is an Indonesian Postwar & Contemporary painter who was born in 1941. He is the son of Ida Bagus Made Togog from whom he learned painting.)
Ida Bagus Made Togog + (Ida Bagus Made Togog (1913–1989) was a tra … Ida Bagus Made Togog (1913–1989) was a traditional painter in the Batuan style, Gianyar, Bali. Since childhood, Togog was very familiar with literature in the form of lontar, mythological stories, and folklore. These things become a source of inspiration in painting. When two anthropologists, Gregory Bateson and Margaret Mead conducted research on Balinese characters in Batuan Village from 1936 to 1938, Togog was asked to describe his dream expression. At that time, Togog produced dozens of paintings on paper with thematic themes of dreamland and niskala (unseen) with magical nuances. Togog's works can be found at the Puri Painting Museum, ARMA Museum, Bali Museum, Neka Museum, Tropenmuseum, Ethnography Museum in Leiden.Batuaninteractive.com:"Togog was a leader in the group of Batuan artists, in painting, in teaching painting to others, and in selling pictures. He was also one of the oldest, about twenty-five in 1937, was married and hadone child. His father had died when he was twelveyears old, and his mother supported him by selling foodstuffs. His grandparents had been priests. His wife was a weaver and a ritual specialist. Along with Ngendon, Togog was among the first to learn to paint, about two and a half years before Mead and Bateson arrived. He had painted designs on dancer's costumes and knew how to write classical Balinese on palm-leaf manuscripts.He was also a ritual specialist. Togog often visited Spies and Bonnet, watched them work, and tried to copy Bonnet's work and a picture from a magazine. He showed them his own work for criticism, and was a member of their artist's collective, Pita Maha. Togog spent time as a migrant farm laborer, plating coconut trees and working in a coffee plantation in the mountains.Togog assisted Bateson in checking the attributions of the paintings. He made eighty-three pictures in the collection." eighty-three pictures in the collection.")
Ida Bagus Made Poleng + (Ida Bagus Made was born in Tebasaya, Ubud, … Ida Bagus Made was born in Tebasaya, Ubud, Bali in 1915. Ida Bagus Made came from a Brahman family of accomplished artists in Tampaksiring, Bali. His Father, Ida Bagus kembeng (1897–1952), was a well-known painter who won the prestigious Silver Medal in 1937 at the International Colonial Art Exposition in Paris. Ida Bagus Made first learned painting and carving from his father. He later studied painting under the guidance of Rudolf Bonnet. Bonnet once wrote that Ida Bagus Made was one of the most talented artist in Bali. He was in his teens when the modernization of Balinese art began in the late 1920s, and only 21 years old when he joined the prestigious Pitamaha Artist Guild, founded in 1936 to preserve Balinese art from the threat of tourism and commercialism. His father, Ida Bagus Kembeng had two wives: Jero Deblog and Ida Ayu Rai. Ida Bagus Made was a child from his second wife. From his marriage with Jero Deblog, Ida Bagus Kembeng had two sons: Ida Bagus Putu Wiri and Ida Bagus Made Belawa. With Ida Ayu Rai, Kembeng had a daughter, Ida Ayu Oka, and two sons: Ida Bagus Made Poleng and Ida Bagus Nyoman Raka. Ida Bagus Made was married to Gusti Niang and had one daughter, Ida Ayu Sadri. Since Ida Bagus Made did not have a son, he adopted Ida Bagus Pudja, a son of his half brother, Ida Bagus Belawa. He was known by the Balinese as a ritual specialist for carving sacred masks imbued with magical powers for the surrounding temples of Ubud. As a traditional painter of the Pitamaha generation, he became known worldwide for his artistic mastery. Ida Bagus Made was a prolific painter who had a profound distrust of art dealers and collectors.He scrutinized his admirers and only a handful of collectors passed his test. The late Indonesian President Sukarno was one of such collectors that Ida Bagus Made revered. His works are well sought after and are in the collection of many museums in the world. He died after an illness in 1999. In 2000, following the artist’s last wish, the widow of Ida Bagus Made loaned over 100 paintings from the artist’s private collection to the Puri Lukisan Museum for safekeeping.o the Puri Lukisan Museum for safekeeping.)
Ida Bagus Oka + (Ida Bagus Oka (16 April 1936 – 8 March 201 … Ida Bagus Oka (16 April 1936 – 8 March 2010). He was Minister of State for Population/Head of BKKBN (1998 – 1999) in the Development Reform Cabinet during the administration of President B.J. Habibie. Previously, he served as the 7th Governor of Bali for a term of office from 1988 – 1998. He became Governor of Bali replacing Ida Bagus Mantra. He also served as Chancellor of Udayana University, Bali. In 2001, he was tried in connection with a corruption case and sentenced to one year.corruption case and sentenced to one year.)
Ida Bagus Pawanasuta + (Ida Bagus Pawanasuta, born in Gianyar, Nov … Ida Bagus Pawanasuta, born in Gianyar, November 21, 1966. He writes in Balinese and Indonesian. He is a writer, he is also a teacher at a high school in Klungkung. He also has many published works, including “Pangasih Pamero” in 2005 published by Balai Bahasa Bali, Gaguritan Aji Palayon Transformasi Kakawin Aji Palayon in 2006 published independently, and Essay Collection “Learning on Giri” in 2009 published independently. There are still many of his works, but he is also the founder of the Tutur Studio (1999) and the Lentera Literary Community (2008).and the Lentera Literary Community (2008).)
Ida Bagus Tilem + (Ida Bagus Tilem was a sculptor who was bor … Ida Bagus Tilem was a sculptor who was born in Mas, Ubud, Gianyar, Bali, on December 13, 1936 and died November 20, 1993. Since childhood he learned to sculpt from his father, Ida Bagus Nyana. His works feature visuals that captivate art lovers. After his first trip abroad when he was chosen to represent Indonesia at the New York World Fair in 1964, he diligently held exhibitions abroad, such as Thailand, Hong Kong, Australia, Germany, Austria, and Mexico., Australia, Germany, Austria, and Mexico.)
Ida Bagus Tugur + (Ida Bagus Tugur was born in Griya Cucukan, … Ida Bagus Tugur was born in Griya Cucukan, Klungkung, Bali, 29 May 1926. He was a maestro of traditional Balinese architects (undagi) who created many monumental buildings in Bali. His works include the Ardha Candra open stage at the Bali Cultural Park, the Bajra Sandhi Monument in Renon, the Kanda Pat Sari or Catus Pata statue in Semarapura City (Klungkung), the Bali DPRD Building, Balinese architectural buildings at Taman Mini Indonesia Indah (Jakarta), and sacred buildings for several temples in Bali. He died on December 21 2020 in Denpasar at the age of 94 years.1 2020 in Denpasar at the age of 94 years.)
Ida Bagus Wayan Widiasa Keniten + (Ida Bagus Wayan Widiasa Keniten was born i … Ida Bagus Wayan Widiasa Keniten was born in Geria Gelumpang, Karangasem. January 20, 1967. The books he has written in the form of literary works and literary studies include (1) Buduh Nglawang (acquired Rancage); (2) Bangke Matah; (3) Butcher's Inheritance; (4) White Horse; (5) Kania's Novelt; (6) Drill; (7) Sabdaning Lonely; (8) Mekel Paris; (9) Soul Tree; (10) Women of the Night; (11) The Fable of Flip-flops, (12) Genjek Socio-Contextual Perception, (13) Basur's Existence, (14) Jro Lalung Ngutah (Received Widya Pataka Award), (15) Manukan Birds Session.The First Winner of the 2013 National Achievement Teacher and Recipient of the 2013 Education Satyalancana Honorary Award from the President, Dr. H. Susilo Bambang Yudhoyono, Wednesday, November 27, 2013 at Istora Senayan Jakarta. In 2014 he participated in the Benchmarking Program to Germany, then to Paris (France), Belgium, and Amsterdam (Netherlands). Thursday, August 14, 2014 received the Widya Kusuma award from the Governor of Bali. In 2015 he got Widya Pataka for his book Jro Lalung Ngutah.dya Pataka for his book Jro Lalung Ngutah.)
Ida Pedanda Gede Made Gunung + (Ida Pedanda Gede Made Gunung (1952 – 18 Ma … Ida Pedanda Gede Made Gunung (1952 – 18 May 2016) was a Hindu Pedanda (cleric/priest) from Blahbatuh, Gianyar, Bali. He was a legend who had a progressive view far into the future. This Pedanda, who was born in Gria Gede Kemenuh Purnawati, seems to have changed the image of Pedanda (Hindu Priest) from simply leading ceremonies, to becoming a Dharma Discourse preacher.He is very skilled in translating complex Hindu religious philosophy to the general public using simple, clear and straightforward language accompanied by a great sense of humor. It is not surprising that he often appears in various media, both electronic and print media, to provide Dharma Wacana (sacred discourse) to Hindus. Not only in Bali, he also gave dharma discourses outside Bali, from Java to Kalimantan. Apart from actively appearing in various print and electronic media, he is also active in writing in cyberspace via his website.Born with the name Ida Bagus Gede Suamem, he completed his elementary school education at Blahbatuh Elementary School in 1965. Then he continued his junior secondary education at SMPN in Gianyar until graduating in 1968. Then he continued his education at Taman Guru Atas in Sukawati. He worked as a Family Planning Field Officer (PLKB) Gianyar from 1972 to 1974. Then he changed profession to become an elementary school teacher in Banjar Mawang, Lodtunduh, Ubud, from 1975 to 1983, then moved to teach at SD 3 Pering from 1983 to 1985. He was appointed as the Hindu Religious Field Extension Coordinator for Blahbatuh District from 1985 to 1987 and then returned to teaching as a teacher at SD 7 Saba from 1987 to 1994. In 1992 he was ranked as an exemplary teacher for Blahbatuh District.In between his busy teaching activities as a teacher, he continued his education at the Hindu Dharma Institute (now changed to Indonesian Hindu University) until he obtained a Bachelor's degree in 1986. Apart from being a school teacher, he is also a black belt in karate and once joined the DPD Gojukai (Black Belt Council) 1988 – 1991.He was medicalized or became a pedanda in 1994. From 2002 until near the end of his life, he was an extraordinary lecturer at the Faculty of Usada, Indonesian Hindu University. He is also known to be very critical in addressing the problems of carrying out Hindu ritual ceremonies in Bali, especially Human Yadnya and Pitra Yadnya, which have often been held with great pomp and cost a lot of money.d with great pomp and cost a lot of money.)
Ida Pedanda Gede Oka + (Ida Pedanda Gede Oka was born in Banjar Ku … Ida Pedanda Gede Oka was born in Banjar Kualon, Denpasar, 1909. Apart from devoting his life as a priest, he was known as an undagi (traditional Balinese architect). This talent was inherited from his father, Ida Bagus Anom, a famous undagi and sculptor of his time. Since the age of eight he has learned to make sculptures from his father. As an undagi, he really understands the books Asta Kosala-Kosali, Asta Bumi, Wismakarma and the like. He is not only an expert in making traditional Balinese buildings and Hindu sacred buildings, but is also an expert in making vessels, jempana and bulls for the Ngaben ritual., jempana and bulls for the Ngaben ritual.)
Ida Poetu Taman + (Ida Poetu Taman was a sculptor (1873-1953) … Ida Poetu Taman was a sculptor (1873-1953) born in Mas Village, Ubud, Bali. He is very skilled in wood carving. He is also an expert in carving rock for the construction of Hindu religious shrines in Bali. Apart from being a sculptor, he is known in the dance drama "Calon Arang" as Patih Pandung who fights against the evil of Nateng Dirah. He once joined the Pitamaha art community.He once joined the Pitamaha art community.)
Ida Wayan Eka Werdi Putra + (Ida Wayan Eka Werdi Putra or who is often … Ida Wayan Eka Werdi Putra or who is often called Gus Eka is the initiator of SAGARAGIRI Outdoor. SAGARAGIRI comes from the word Sagara/Segara which means sea and Giri which means mountain. Sagara-Giri is a concept of Balinese local wisdom that describes the sacredness of the dimension of space. Sagara (mountain)-Giri (sea), Pasir-Wukir, and upstream-teben (downstream) are other terms that are also symbols of unity and mutual influence.Some traditional Balinese literature mentions that the Kawi Wiku or poet priests wrote their literary works in beautiful places. The priest, poet or author walks along the mountains and coasts to express his visual beauty in the form of literary works as a form of glorification of the Creator.This is what became the inspiration for the establishment of SAGARAGIRI Outdoor. Glorifying nature is one of the ways that Balinese predecessors used to enjoy life, even as a spiritual practice. In this increasingly frenetic era, we want to adapt the concept and practice to invite SaGi's friends back to nature, protect it, and enjoy it from a different perspective.and enjoy it from a different perspective.)
Ketut Ika Inggas + (Ika has over15-year experience in coordina … Ika has over15-year experience in coordinating development cooperation projects for several international institutions and aid agencies. She successfully managed over 30 human rights, environmental, democracy and development projects across Indonesia, and the Southeast Asia region, totaling 12.5 million dollars. Ika is the chairperson of Banjar Bali USA, the Balinese community in Washington, DC, and surrounding areas. Before she moved to the US in 2011, Ika worked as a development specialist on democracy and human rights projects with institutions.d human rights projects with institutions.)
PIKOBET SANE KAWETUANG OLIH ALIH FUNGSI LAHAN MAJENG RING KAURIPAN KRAMA BALI + (IMPACTS CAUSED BY LAND USE CHANGE ON THE S … IMPACTS CAUSED BY LAND USE CHANGE ON THE SUSTAINABILITY OF BALINESE COMMUNITIESOm Swastyastu Honorable judging team, as well as beloved friends, let us first offer our prayers and gratitude to Ida Sang Hyang Widhi Wasa for His blessings, allowing us to gather here for the Wikhiton Public Participation event, Bali Orates. On this auspicious occasion, allow me to deliver a speech titled “Issues Arising from Land Use Change in the Life of the Balinese Community.” Ladies and gentlemen, land use change refers to a shift in the function of land from its previous purpose. Land use change in the Bali region has become increasingly prevalent lately, marked by phenomena such as the reduction of productive agricultural land. Indonesia is an agrarian country, and a significant portion of its population works as farmers. What will happen if agricultural land, the source of basic necessities for the Balinese people, continues to be converted into residential areas, coupled with an influx of newcomers requiring them to build dwellings? Another observable phenomenon is the decrease in water catchment areas. Soil is a powerful rainwater absorber. If land with soil is converted into housing, buildings using concrete and paving will indirectly reduce water catchment areas. This becomes hazardous when the rainy season arrives, and the increased use of concrete and paving reduces water catchment areas, leading to higher water volumes and flooding in certain areas. In the last rainy season in Bali, there were numerous flood disasters that resulted in residents losing their homes. Such events will undoubtedly have a negative impact on sustainability, as if left unchecked, the relatively small island of Bali, combined with the increasing trend of land use change, can cause discomfort in the surrounding environment, a decline in food productivity, global warming, and many other terrifying consequences of land use change. Based on these issues, I hope that the future leaders in 2024 can provide solutions to address the escalating land use change. Bali’s leaders are expected to be faithful custodians, safeguarding the land of Bali and enacting regulations that prioritize and champion the land, customs, and culture of Bali. To all my friends, let us protect the land of Bali from the dangers of land use change so that Bali’s land remains sustainable. That is all I can convey; I apologize for any shortcomings. I conclude with Parama Santhi, Om Santhi, Santhi Om. with Parama Santhi, Om Santhi, Santhi Om.)
Ngelawan Gelombang: Tantangan Banjir ring Kabupaten Badung + (In Bali Province, as in many other tropica … In Bali Province, as in many other tropical regions, floods have become a serious issue that often disrupts the daily lives of residents. One of these areas, Badung Regency, faces similar problems, and several solutions can be proposed to address them. Firstly, the construction of a better drainage system is an important step in flood mitigation. Efficient drainage can help facilitate the flow of rainwater and prevent waterlogging on roads and residential areas. Regular cleaning and maintenance are also necessary to keep the drainage system functioning optimally.Furthermore, vegetation planting and land rehabilitation can be long-term solutions to strengthen soil absorption capacity. By increasing vegetation such as trees and shrubs, rainwater can be more easily absorbed by the soil, reducing the risk of erosion. Afforestation and restoration programs can help improve the ecosystem and reduce the risk of future floods. Additionally, better spatial planning is key to preventing floods. Local governments need to ensure that development takes into account environmental aspects and flood risk potentials. Mapping flood-prone areas and controlling development in those areas can reduce vulnerability to floods.Increasing public awareness is also crucial in efforts to address floods. Through education and campaigns, residents can be informed about the importance of environmental conservation and eco-friendly behaviors, such as proper waste disposal and vegetation preservation. The more people involved in environmental conservation, the lower the risk of floods. Moreover, technology can be an effective tool in flood anticipation. Early warning systems connected to weather monitoring can provide quick and accurate information about potential floods, enabling early evacuation and other mitigation measures.Furthermore, the use of technology in drainage management and flood control can improve the efficiency and effectiveness of these efforts. With a combination of various solutions, it is hoped that the flood risk in Badung Regency can be reduced. It is important for the government, the community, and other stakeholders to collaborate in implementing these solutions to create a safer and more sustainable environment for everyone.more sustainable environment for everyone.)
Solusi dari penumpukan sampah yang tidak terpilah di Denpasar + (In daily life, there is a disposal process … In daily life, there is a disposal process involving materials such as leftover food that becomes waste. Waste is the residue of human daily activities and/or natural processes that is solid in form. Waste often refers to unwanted or unbeneficial residual materials for humans.Denpasar, as one of the leading tourist cities in Bali, faces a serious challenge in managing waste accumulation. With the increasing number of residents and tourists each year, this problem becomes increasingly urgent to address. However, amidst this challenge, there is a glimmer of hope through the Zero Waste initiative carried out by SMK Negeri 3 Denpasar.Waste accumulation in Denpasar has become a primary concern for the local government and community. Amidst its natural beauty, waste piles can damage the environment and disrupt tourism. However, SMK Negeri 3 Denpasar has taken proactive steps by introducing the Zero Waste concept to its students.Zero Waste is a lifestyle philosophy aimed at reducing, reusing, and recycling all produced waste, so that nothing is disposed of in landfills. This initiative has changed students' perceptions of waste, from something to be discarded to a resource that can be reused.One of the activities carried out in the Zero Waste program at SMK Negeri 3 Denpasar is the management of organic waste. Students learn to compost organic waste into fertilizer, which is then used to produce green plants in the school environment. Thus, not only reducing the amount of waste entering landfills, but also producing positive benefits for the environment.Additionally, the school encourages students to use eco-friendly products and reduce the use of single-use plastics. They practice using tumblers and cloth shopping bags as alternatives to plastic bottles and plastic shopping bags. These small steps have a significant impact on reducing the amount of plastic waste polluting the environment.Moreover, SMK Negeri 3 Denpasar is also active in environmental cleanup campaigns. Students participate in activities cleaning beaches, rivers, and other public areas as part of their social responsibility. They not only clean up existing waste but also raise awareness among the community about the importance of maintaining environmental cleanliness.The Zero Waste initiative from SMK Negeri 3 Denpasar not only helps reduce waste accumulation in Denpasar but also serves as an inspirational example for other schools across Indonesia. By educating the younger generation about the importance of the environment, we can ensure a more sustainable future.Through collaboration between the government, community, and educational institutions like SMK Negeri 3 Denpasar, we can achieve the dream of having a clean and sustainable Denpasar. Every small step has a significant impact in our fight against waste accumulation and preserving the beauty of nature for future generations.e beauty of nature for future generations.)
"BUDI DAYA MAGGOT ANGGEN NEPASIN PIKOBET LUU RING KOTA DENPASAR" + (In Denpasar City, which is the capital, go … In Denpasar City, which is the capital, government and economic center of Bali Province, I see that flooding is the main problem in this city. It is not surprising that one hundred tons of waste is collected in Denpasar City every day. This is very dangerous if you don't pay attention, because it can make the damaged area worse. As a result, many other problems arise in the city of Denpasar because of this disease.This problem cannot be left to the government alone, but the active role of society is needed. There are many ways that can be done to overcome the problem of blindness, one of which is by increasing public awareness of the importance of the problem of blindness. As a student, even in high school I was still taught by teachers to always care about the environment through the P5 program implemented at school. Through this program I think that this stupid problem can be solved by cultivating Magot. "Maggot Power Culture to Overcome the Lice Problem in Denpasar City" The City Government has helped overcome this flea problem with advanced technology, every citizen can help the government in this flea problem by cultivating maggots because maggot cultivation can break down organic waste into fertilizer or in Bali is often called nyanyad. Maggots come from Black Soldier Fly (BSF) flies, cultivation only uses board/wooden cages that have gaps and are covered with cloth, a small space to press maggot eggs and a rack for maggot growth, in the maggot growth process, it is placed in a place exposed to light. sun.Organic waste such as nut shells, fruit remains and grass in the garden can be placed in this place. Magot to break down organic waste or dirt into fertilizer or manure. 1 Kg of Maggot can decompose 4 Kg of organic waste or rubbish every two days. If every city resident had 1 kg of fat, there would be no more organic waste in this city. The remaining plastic waste must be handed over to the government which has sophisticated equipment for recycling. The following are the benefits of maggot cultivation: 1. Reduce the volume of waste in landfill because organic waste is used to feed maggots 2. Maggot fruit can be used as animal feed which contains high protein because maggots consume organic waste such as vegetables and fruit 3. Maggots which can dispose of waste will produce Kasgot (Maggot Residue) which can be used as organic fertilizerMaggot cultivation is very profitable for the environment and maggot caretakers, because apart from being able to grow organic waste, fertilizer and maggot waste can be used or sold at a higher price, it can be said that maggot cultivation is easier and has a higher functional value. easier and has a higher functional value.)
"Pil KB yening engsap jek langsung jadi, Pilkada yen suba jadi jek langsung engsap" + (In fact, being a leader in parliament was … In fact, being a leader in parliament was very difficult, because you had to protect the slaves and always stick to political promises during the campaign. Currently it is. season for political party candidates to wrestle and campaign. This is symbolized by pilgrims dangling banners along the sidewalks and catus pata, aiming for everyone to see themselves as ELECTORAL. He himself also considers all these things with his vision and mission if he is elected by the people's party. If you look at it, actually there are only people's representatives who carry out programs and fulfill their political promises and there are also those who forget their promises like nuts that forget their shells. As proof that I, who is in northern Bali, feel like I have been a victim of political promises, promises to build an airport so that the economy in Bali is stable, but up to now all of this is just discourse that wanders around during the campaign season. Well, that's what I feel myself, maybe the people's representatives have other considerations that maybe the airport hasn't realized until now, it's just that being a people's representative is very difficult to make decisions because there are so many. considerations and work to be done. We as the people only. asked the fathers and mothers who were giving birth not to break promises that were difficult to fulfill so that slaves or people would not be offended by the promises. It's just that, if there is a mistake, I'm sorry. It is true that being a leader as a people's representative is difficult, because as a people's representative you must always protect the people and must remember your political promises during the campaign period. Now is the season for nominating people's representatives and the campaign period. This is indicated by the large number of legislative candidates who put up billboards facing the sidewalk and catas death.oards facing the sidewalk and catas death.)
Wisatawan Asing Tidak Menghargai Budaya Bali + (In my opinion, the most urgent problem tha … In my opinion, the most urgent problem that needs to be addressed by prospective Balinese leaders, namely regarding foreign tourists which has gone viral recently, let us together reflect and dig deeper into the problems involving these foreign tourists. As we know, Bali is a charming tourist paradise, but unfortunately, there are several problems that arise along with the increase in visits by foreign tourists to this island.First of all, we cannot close our eyes to the social and cultural impacts caused by the presence of foreigners in Bali. Sometimes, there is a misunderstanding between foreign tourists and local people regarding the cultural norms that apply here. Several incidents such as the use of clothing that is considered inappropriate, the large number of foreign tourists who do not respect Balinese culture or behavior that is not in accordance with Balinese customs and traditions often cause tension between the two parties, therefore, as Balinese leaders who care about the future The future of this island needs to look at this problem further, both among local communities and foreign tourists, regarding the importance of maintaining social, economic and environmental harmony. Let's invite foreign tourists to better understand and respect local culture, and contribute to sustainable development that involves all levels of society.By working together to solve this problem, we can maintain the beauty of Bali not only as a tourist destination, but also as a home for all of us. Thank You." also as a home for all of us. Thank You.")
Jalan rusak ring pandak gede + (In Pandak Gede village, Kediri sub-district, Tabanan regency, many roads are damaged. Usually many people fall because the roads have holes. Now I propose to whoever will be the leader of Bali, please fix the roads in my village. Thank You)
“Ngulah Pati Boya Ja Melananin Diri” + (In this beautiful moment, we will deliver … In this beautiful moment, we will deliver our oration with the title of "Ngulah Pati Boya Ja Melananin Diri". Before we deliver our oration, let us offer thanksgiving to Ida Sang Hyang Widhi Wasa with Om Swastiastu. In recent years, the cases of suicide in Indonesia has become increasingly worrying. Indonesia, as a country that adheres to a collectivistic culture, also has a fairly high number of suicide cases. WHO estimates that in 2020 the suicide rate in Indonesia could reach 2.4 percent of 100,000 people if it does not receive serious attention from various parties. Bali Province is one of the provinces in Indonesia that has a fairly high number of suicide cases. Most suicide cases in Bali are committed by teenagers in young adulthood. One of the factors that influences the emergence of behavior, including suicidal behavior and suicide attempts, is self-concept. Self-concept is an individual's perception of himself, his perception of his social environment, and his perception of other people's views of him. Apart from that, the environment where you live also has a big influence on a person's mental health. If someone is in a positive environment, of course their mental health will be better maintained. However, if someone is in a bad environment, it can have a negative impact on that person's mental health. One of them is that it can cause suicidal thoughts. Therefore, suicide cases really need attention from the public so that they understand and are more open about mental health for teenagers. But unfortunately, suicide cases are often underestimated by most of society. People think that mental health is not important to pay attention to. In fact, someone who has mental health problems really needs the attention of the people around them to continue to receive encouragement and attention. With all the existing problems, attention and encouragement are needed from the community and government in dealing with suicide cases in Bali.In an effort to overcome these cases, the government can optimize mental health screening by providing outreach to the public to create awareness of the importance of mental health for humans, especially teenagers. Apart from that, society and the government can also build an anti-suicide community for teenagers to minimize the existing death rate and teenagers can also express the feelings they have. By adopting this solution, it is hoped that society and the government will become more aware of the importance of mental health. In this way, it is hoped that society can build a positive environment so that the death rate caused by suicide cases will decrease. Let's care about the importance of mental health! That's the speech we can deliver. If there are something wrong in words or writing, please forgive us. We close with Paramasantih. Om Santih, Santih, Santih, Om.ramasantih. Om Santih, Santih, Santih, Om.)
Pentingnyane mebaosan sane becik anggen generasi milenial + (In today's millennial era, many young peop … In today's millennial era, many young people cannot speak the language well. Soft language is rarely used in the current generation due to the influence of social interactions and technology in the current era. Many children today use harsh language. If you look at society, children are starting to speak harsh language towards their parents, therefore this must be handled quickly because children are now increasingly using abusive language. Due to this problem, I ask for help so that the government emphasizes to the public that it is important to limit the use of technology among minors and monitor their interactions.ong minors and monitor their interactions.)
M Andika Dwi Putra, Rizki Pratama, Azri illyas + (Indonesian independence)
Prof. Dr. I Wayan Dibia + (It is an honor for myself to be able to kn … It is an honor for myself to be able to know in detail about the literary works of one of the Artists and at the same time become a writer, namely Prof. Dr. I Wayan Dibia S.ST., MA. He is a writer who wrote Balinese Purwa literature and literature entitled Adhipsungaraature and literature entitled Adhipsungara)
Ni Gusti Raka Rasmi + (It was 1952 in New York and the young danc … It was 1952 in New York and the young dancer’s name was Ni Gusti Ayu Raka Rasmi. She had never before left her home village, Peliatan, with its small, mud-walled houses surrounded by bright green rice fields....Now she was the star of the Bali Dancers, a troupe that had traveled more than 10,000 miles into the alien worlds of the United States and Europe.The troupe included two other female dancers about her age, Oka and Anom, and an accomplished young male dancer named Sampih.Full article at https://www.nytimes.com/2020/03/13/obituaries/ni-gusti-ayu-raka-rasmi-overlooked.htmles/ni-gusti-ayu-raka-rasmi-overlooked.html)
Jalan abiansemal usak + (Jalan di abiansemal usak Wastan titiang I … Jalan di abiansemal usakWastan titiang I Gusti Ngurah Putra Merta Yoga titiang saking krobokan tiyang megenah masuk ring smk pgri 2 badung Di abiansemal nika polih kabel pln jalanan sane ten becik cingakin wantah ten beraturan utawi di mekacakan Solisi :menata kabel pln agar lebih rapi ,tidak acak acakan ,dan tidak membahayakan masyarakat Di Abiansemal jalane usak,sane ngeranang jalane usak punika ulian banjir lan trek sane makte beban baat lewatSolusi:pemerintah pantesne menin jalan nike seenggal mungkin,sekonden wentel kecelakaan.enggal mungkin,sekonden wentel kecelakaan.)
Jamie James + (Jamie James lived as an expatriate author … Jamie James lived as an expatriate author in Indonesia since 1999, after leaving a nearly 25-year career as a freelance critic and travel writer in New York City.Much in demand by leading publications in the USA, Jamie James’ criticism and travel essays have appeared in some of the most august publications including The American Scholar, Atlantic Monthly, New Yorker, Wall Street Journal, New York Times, National Geographic Traveler, Condé Nast Traveler and Men’s Journal. His literary criticism has been notably featured in Parnassus and Lapham’s Quarterly.While still in the USA, James wrote two books on archaeology, Pop Art and The Music of the Spheres: Music, Science, and the Natural Order of the Universe (Grove Press, 1993) that was lauded by Robert Saxton in the Times Literary Supplement as “an important and well-researched book—essential reading.”With Jamie James' migration to Asia in 1999, he began publishing novels reflecting his new Asian home. In 2002, he published a ground-breaking novel Andrew & Joey: A Tale of Bali (Kensington, 2002) written almost entirely in a series of exchanged e-mails. The Java Man (Metafor, 2004) saw James author a hilarious novel in a style reminiscent of Evelyn Waugh relating how an Indonesian poet takes up residence in a contemporary English country village causing confusion and havoc along the way. Four years later, James published a biography about the ill-fated Asian exploits of famed American herpetologist Joe Slowinski - The Snake Charmer (Hyperion, 2008).Mixing literary criticism, biography, and fiction James wrote Rimbaud in Java: The Lost Voyage (EDM, 2011) retelling how an iconoclastic and incomparably gifted French poet abandoned Paris to explore the Indonesian archipelago. In a review of the book written for Harper’s, Zadie Smith said James' book presented “the spectacle of reading someone write beautifully about something he finds, well, beautiful.”Most recently, Jamie James love of historical and biographical investigation was presented in full display in The Glamour of Strangeness (Farrar, Straus and Giroux, 2016) delving into untold stories of a collection of expatriate artists who, like himself, migrated to newfound homes in foreign lands with oftentimes highly unique and remarkable results. Jamie James was born in 1951 in Texas where he completed High School before pursuing a tertiary degree at the prestigious Williams College in Williamstown, Massachusetts, graduating in 1973. After college, some of his earliest assignment were with Andy Warhol’s avant-garde Interview Magazine, Rolling Stone, and Time Magazine. James passed away in Bali on 8 February 2020. James passed away in Bali on 8 February 2020.)
Janet DeNeefe + (Janet DeNeefe is a literary expert who enj … Janet DeNeefe is a literary expert who enjoys Java and Balinese culture. She has recently given the Lifetime Achievement Award to writers such as Nh. Dini. Additionally, she is the founder and director of the Ubud Writers & Readers Festival. A brilliant writer, she enjoys compiling recipes and stories into cookbooks. compiling recipes and stories into cookbooks.)
Jeff Lewis + (Jeff Lewis is Professorial Fellow in the G … Jeff Lewis is Professorial Fellow in the Global Cities Institute and School of Media and Communication. He is Co-director of the Human Security and Disasters Research Program in the Global Cities Research Institute. Jeff Lewis focuses on cultural interface, conflict and conditions of crisis. With a particular expertise on Indonesia and the Asian region, Professor Lewis examines issues around social development and change. He is author of 'Cultural Studies' (2002, 2008), 'Language Wars' (2005), 'Crisis in the Global Mediasphere' (2011), 'Global Media Apocalypse' (2013, and 'Culture, Media and Human Violence' (2015). Withe Dr Belinda Lewis, he is also author of of 'Bali's Silent Crisis' (2009) and 'Health Communication: A Media and Cultural Studies Approach' (2015). His current ARC Discovery Grant is titled 'After the Apocalypse'. It is a study of the ways in which culture and cultural consciousness shape contemporary conditions of conflict and violence.orary conditions of conflict and violence.)
Jero Mangku Liyer + (Jero Mangku Liyer was born in Banjar Pengo … Jero Mangku Liyer was born in Banjar Pengosekan Kaja, Ubud, Bali, 1922. He died in 2016. Liyer is a stakeholder, astrologer, and balian usada. In addition, he also pursues painting, especially rerajahan for the benefit of Hindu-Balinese rituals. Liyer's name is getting more and more famous thanks to him being featured in the film "Eat, Pray, Love" (2010) which is based on the novel of the same name by Elisabeth Gilbert. The film stars Julia Robert. Thanks to the film, many foreign tourists visited Mangku Liyer's house for the purpose of spiritual consultation.for the purpose of spiritual consultation.)
Joged bumbung + (Joged bumbung is a cultural dance that ori … Joged bumbung is a cultural dance that originates from Bali. Joged bumbung has been around for a long time.But in today's modern era, many people use this dance incorrectly, and it is more like pornography.This makes Balinese culture, which was initially labeled as good, but is now labeled as a culture that is originary. The government that manages culture in the Bali area must be firm in providing sanctions and action against citizens who use Balinese culture incorrectly.zens who use Balinese culture incorrectly.)
Johan Rudolf Bonnet + (Johan Rudolf Bonnet is a painter and art t … Johan Rudolf Bonnet is a painter and art thinker who was born in Amsterdam, the Netherlands, March 30, 1895. He was interested in the beauty and uniqueness of Balinese culture. Bonnet arrived in Bali in January 1929, briefly settled in Tampaksiring and Peliatan, then settled in Campuhan, Ubud.In Ubud he became acquainted with the German painter and choreographer, Walter Spies, and the King of Ubud, Tjokorda Gede Agoeng Soekawati. Together with his two friends, Bonnet then founded a very famous painter's association, namely Pita Maha in 1936. This association brought together many painters and sculptors from Ubud and outside Ubud. Bonnet and Spies introduced many modern media and techniques in painting to the members of the association, even promoting and selling their works.In 1943, Bonnet was captured by the Japanese army and exiled to Sulawesi (Bolong and Makassar) until 1947. In 1951, Bonnet returned to Ubud, and founded the Ubud Painting Group. However, this community did not run successfully. In 1957, Bonnet returned to the Netherlands. While in the Netherlands, Bonnet spent his time compiling the inventory and catalog of the Puri Painting Museum, which was founded in 1956. In 1972, Bonnet returned to Bali and continued to compose the catalog for the Puri Painting Museum, Ubud.Bonnet died on April 18, 1978 in Laren, Netherlands. Because Bonnet loved Bali so much, in 1979 his body was brought to Ubud and cremated with the body of his best friend, Tjokorda Gede Agoeng Soekawati, who died in the same year.oeng Soekawati, who died in the same year.)
Anak Agung Junni Antara + (Joni Agung, whose real name is Anak Agung … Joni Agung, whose real name is Anak Agung Junni Antara is a reggae musician born in Denpasar, 1973. His love for music has grown since he was a teenager. At first he played music from cafe to cafe around Sanur and Kuta with the band “Sunshine”. In 2002 he met the band "Double T", and in 2003 spawned their debut album entitled "Pocol". The songs entitled "Nyoman Klepon" and "Janjin Beline" are two very popular songs by Joni Agung and Double T. Up to now, Joni Agung and Double T have released seven albums, including "Jero Gede", "Love and Love" , “Semara Ratih”, “Ogoh-ogoh”. Most of the song's lyrics are in Balinese with a tingly humorous tone. Apart from musicians, Joni Agung who has dreadlocks hair is also known as a yoga trainer.ocks hair is also known as a yoga trainer.)
Ni Putu Yuliana + (Jro Putu was born in Mengwi, Badung, Bali, … Jro Putu was born in Mengwi, Badung, Bali, July 4, 1979. She is a balian, a medium, who serves her community through the practice of traditional medicine, the knowledge to heal physical and mental ailments. Balians draw from two worlds, the conscious and visible world we call sekala and the psychic, abstract, and unseen world we call niskala.Clients may ask about a newborn, from whom the baby was reincarnated, or why someone died. To find out, Jro Putu sends the client’s spirit to communicate with their family. Through her work, Jro Putu provides explanations for life’s chaos and comfort to families of her community. Jro Putu was trained in these skills by her aunt and took over her aunt’s practice after she died.She understands that her presence in the community is particularly needed since so few women train to become balians. Jro Putu feels on equal footing as men, even as she understands the need to balance this work with family obligations. The wiki lets more people know about her beyond the word-of-mouth recommendation of people who have benefited from her powers.people who have benefited from her powers.)
K.Landras Syaelendra + (K. Landras Syaelendra was born in Banjar P … K. Landras Syaelendra was born in Banjar Pengembungan, Pejeng Kangin, 1959. He studied writing since he was a teenager. He was active at the Bali Coffee Drink Center. His works were published in Merdeka Minggu, Tabloid Nova, Bali Post, Nusa Tenggara, Bali Echo, Horison Sastra Magazine, Bernas, Sunday Morning, Nafiri, Karya Bakti, Tribun Bali. In 1987, he entered the top ten short story competitions in Bali – West Nusa Tenggara organized by the Bali Post in collaboration with PERADAH. In 1990, he won the second place in the short story writing competition in Indonesia for the anniversary of the Bali Post. In 1994 he won the Taraju Award. Some of his poems are collected in the book Taksu, Ginseng Tea, Poetry Kembang Rampai Bali, Bali Morning After Morning, Morning Bonsai, Dendang Denpasar Nyiur Sanur, Sahayun, etc. Now he works as a civil servant in Denpasar.w he works as a civil servant in Denpasar.)
Kadek Dedy Sumantra Yasa + (Kadek Dedy Sumantra Yasa, was born in Apua … Kadek Dedy Sumantra Yasa, was born in Apuan, Tabanan, Bali, 7 December 1980. He studied painting at ISI Yogyakarta. He was involved in many joint exhibitions, including the year Glory Fyng Colors Sanggar Dewata Indonesia at the Bali Classical Painting Museum Nyoman Gunarsa (2016). Irony In Paradise, Indonesian Gods Studio at the Agung Rai Museum of Art (2013). In 2016, he held a solo exhibition entitled "Rhythm Impulse" at the Ordinary Gallery, Yogyakarta. Apart from painting, he is also involved in performance art, for example, in 2009 he held the performance art “Undisclosed Teritory #3”, Illusion of Burden, at Padepokan Lemah Putih, Solo. In 2008 he performed Dragon Snake Slaughter (a collaboration with Astrid Reza) at the Jogja National Museum. In 2002 he received the Certificate of Recognition Indonesia Art Award, in 2000 he received the Certificate From ALIF and the Best Watercolor Painting from FSR ISI Yogyakarta. In 2020 he held a solo exhibition and performance art at Jatijagat Kampung Poetry, Denpasar. Now, apart from still painting, he also arranges songs that he sings himself.also arranges songs that he sings himself.)
Kadek Desi Nurani Sari + (Kadek Desi Nurani Sari, was born in Sanih, … Kadek Desi Nurani Sari, was born in Sanih, Buleleng, December 31, 1995. She graduated from the Department of Indonesian Language and Literature Education, Undiksha, Singaraja. She started writing poetry and prose since high school. Her works have been published in many joint anthologies, such as “Gift to the Sky” (2012), “Ginanti Tanah Bali” (2013), “Lingga” (2015), “Gita Candra Nyanyian Bulan” (2018”, “Wiwaha” (2019) Her first published collection of short stories is "Manisan Gula Merah Half Bite" (2020). Apart from writing, she is active in theater activities, such as the Ilalang Theater, Banyuning Art Village Theater, Thousand Window Campus Theater, Cemara Angin Community, Mahima Community Now she works as a teacher of Indonesian Language and Literature.her of Indonesian Language and Literature.)
Kadek Eko + (Kadek Eko, born in Gianyar, Bali, November … Kadek Eko, born in Gianyar, Bali, November 11, 1989. He completed his art education at ISI Denpasar. Since 2008 he has been actively displaying his works in joint exhibitions, including the 2009 “NuansaAlam” exhibition at the Kriya Art Center Building, “Bali On the Move” (at Maha Art Gallery, Denpasar, 2013), “Tat Twam Asi” (at Ubud Writers and Readers Festival, 2016), “ATUH” (Griya Santrian Gallery, Sanur, Bali 2017). His paintings combine traditional and modern styles with the themes of nature and everyday life. He is a member of the art community Militanarts.a member of the art community Militanarts.)
Kadek Sonia Piscayanti + (Kadek Sonia Piscayanti was born in Singara … Kadek Sonia Piscayanti was born in Singaraja, March 4, 1984. She is a Lecturer in the Department of English, Ganesha University of Education where she teaches poetry, prose, and drama. She has been invited as a speaker at the Ubud Writers and Readers Festival (2012-2013), Creative Writing Program, Griffith University, Gold Coast, Australia (2011-2012), and at the OzAsia Festival, Adelaide Australia (2013). She wrote and directed the script for “Layonsari” in the Netherlands and France at the Culture Grant event from the Indonesian Directorate of Higher Education (2014). She has also published several books including, “Because I Want to Run I Want to Run” (Akar Indonesia, Yogyakarta, 2007), Literature is Fun” (Pustaka Expression, 2012), “The Story of A Tree” (Mahima Institute) Indonesia, 2014), Dramatic Arts, Art of Life (Graha Ilmu, 2014), Women Without a Name” (Mahima Institute Indonesia, 2015).Sonia was the mentor for the 6th Luh Ayu Manik Mas adventure book. the 6th Luh Ayu Manik Mas adventure book.)
Kadek Sudiasa + (Kadek Sudiasa is a traditional dancer espe … Kadek Sudiasa is a traditional dancer especially of the Bali Mask Dance, Gamelan musician, wood carver and mask maker. He also has a unique skill in playing and making the Balinese Rebab. Originally from Mas, Ubud, his experience in traditional dance theatre and mask making is a source of wonderful knowledge for Sawidjis’ artist community.I Kadek Sudiasa is member of Sanggar Tirta Sari & Genta Buana Sari, a community of traditional musicians and dancers. It is here that he felt most at home. Presently, Kadek is still active in Peliatan as a musician and dancer. Under the management of Anak Agung Gede Oka Dalem.r the management of Anak Agung Gede Oka Dalem.)
Kadek Surya Kencana + (Kadek Surya Kencana, born in Dalung, Badun … Kadek Surya Kencana, born in Dalung, Badung, Bali, January 24, 1986. In 2005, he won second place in a national poetry writing competition held by the Ministry of National Education. He was once a teacher and principal at a school in Singaraja. Now he is pursuing the world of journalism. He has participated in the cultural mission “Bali Kanaya International Art Week” in Chiba, Japan, 2014. And since 2015 he has joined Radar Bali (Java Pos group) as a journalist. Some of his poems have been published in the Bali Post and are summarized in the poetry book Saron (2018).ummarized in the poetry book Saron (2018).)
Kaja McGowan + (Kaja M. McGowan’s areas of interest involv … Kaja M. McGowan’s areas of interest involve South and Southeast Asia with emphasis on Indonesia, particularly Java and Bali (both historically Indic in orientation) studied in relation to the subcontinent. Rather than see India and Indonesia, for example, as modes of influence between two points, her scholarly interests encourage studying the reciprocal relationships between neighboring countries in Southeast Asia. Her research explores the flow of ideas and artifacts along this highway -- architecture, bronzes, textiles, ceramics, performance traditions, and visualizations of texts like Panji Malat, the Ramayana, and the Mahabharata -- artifacts that move and those that are locally produced. This accounts for the shaping of ideas and the development of styles across vast geographical and historical distances. Her work is governed by the complex ways in which History of Art and Visual Studies intersect with Anthropology, Material Culture, Colonial and Post-colonial Theory, Performance, Gender and Religious Studies.Having first begun her study of Balinese performing arts as an undergraduate at Wesleyan University, one ongoing project has involved documenting the work of painters in Bali who experiment with depicting musical sound and the rhythmic motion of the dance in their work. She is the author of Ida Bagus Made: Art of Devotion (Ratna Wartha Foundation, 2008) a volume honoring the fiftieth anniversary of the Puri Lukisan Museum in Ubud, Bali, Indonesia, distributed by University of Hawaii Press. Due to its popular reception, she has been invited to write a second volume on the life and art of the world-renowned painter, sculptor and architect (undagi), I Gusti Nyoman Lempad.architect (undagi), I Gusti Nyoman Lempad.)
Ida Bagus Wayan Widiasa Keniten + (Karangasem, January 20, 1967, is the date … Karangasem, January 20, 1967, is the date a role model was born into this world; a role model that teaches us the importance of literature in everyday life. Ida Bagus Wayan Widiasa Keniten is a widely known for his expertise in writing literary works word for word. It is evident from his sparkling name that he has won several very brilliant achievements, including the 2013 Satyalancana Education Honorary Award and many others.It is undeniable that his love for Balinese culture is one of the reasons he is passionate about composing a literary work. He has written and marketed dozens of books, one of which is Wang Bang Sunaran's Gaguritan. This gaguritan tellsabout the struggle of life and life. The struggle took place between a spiritual teacher (Sang Dyah) and his students named Jagul Anom, Pucung, Ginanti,Ginada, Kumambang, Sinom, and also Wang Bang Sunaran. The dialogue glue was done by Wang Bang Sunaran. This figure acts as a link between the spiritual teacher and his students. Wang Bang Sunaran's self-image as a student is flawed; he rarely studies, rarely helps others, is difficult to manage, and feels all-knowing. Because of that, he wanted to find the way of truth. The path was found in Sang Dyah, who he thought was an enlightening figure in the darkness of his soul.tening figure in the darkness of his soul.)
Katharane Edson Mershon + (Katharane Mershon (1892 - 1986), was the d … Katharane Mershon (1892 - 1986), was the daughter of musician, Charles Farwell Edson, originally of Chicago, and a prominent political activist, Katherine Philips Edson. Her mother was an important figure in California's Progressive Party in the early twentieth century, influential on behalf of woman suffrage and industrial and social reforms for women. Katharane did not follow her mother's political and social path, but instead became a dancer. She and her first husband, Harry Gray, toured the United State as a professional ballroom dancing team. She later joined Serge Oukrainsky and Andreas Pavley in Chicago for ballet training, and after divorcing Gray, she married Jack Mershon. Her life was long and full. Among many experiences, she lived in Bali, absorbing the dance rituals there, traveled in Europe and Angkor Wat, danced in Vienna and Paris, taught ballet at the University of California, and administered the Denishawn School. Mershon developed theories on dance and psychology, expressing her idea that there was much to be done in a field she called "corrective psychology". field she called "corrective psychology".)
Ketut Agus Murdika + (Ketut Agus Murdika is a painter born in Gi … Ketut Agus Murdika is a painter born in Gianyar, December 26, 1989. He completed his art education at ISI Denpasar. Since 2008, he has been active in many joint exhibitions, such as the Retrospective exhibition of the Galang Kangin Community at Bentara Budaya Bali (2018), the Red Thread exhibition at Bentara Budaya Yogyakarta (2016), the Ulu Teben exhibition at Bentara Budaya Bali (2015). He won the Best Sketch Ubud Festival 2006 award.His paintings are abstract. He wrote his concept in painting as follows: An understanding without form, a reflection without words, an understanding of the feelings and feelings of exploring the restlessness of the heart. Creating something intangible into a real work.ing something intangible into a real work.)
Ketut Bimbo + (Ketut Bimbo is a musician and singer of Ba … Ketut Bimbo is a musician and singer of Balinese pop songs born in Banyuatis, Buleleng, 1954. He has been working productively since the 1970s. His songs contain a lot of social criticism wrapped in satirical humor. He started his career as a broadcaster at Radio Massachuset, Singaraja, Buleleng. All of his songs are based on true stories, involving gambling with cock fights, drinking alcohol, etc. His debut album was entitled "Buduh" (1980). A number of his famous songs include: Buduh, Peteng-peteng Mekaca Selem, Announcer, Mebalih Wayang, Ngabut Keladi. Announcer, Mebalih Wayang, Ngabut Keladi.)
Ketut Endrawan + (Ketut Endrawan was born in Klungkung, Marc … Ketut Endrawan was born in Klungkung, March 12, 1974. Completed his fine arts studies at PSSRD Udayana University (now ISI Denpasar) in 1999. Apart from being an artist, he is also a teacher of fine arts. Actively exhibiting together since student. He was a finalist at the Indofood Art Awards 2003 and the Jakarta Art Awards 2008. Endrawan's works tend to be figurative, mixing inner anxiety and social turmoil., mixing inner anxiety and social turmoil.)
Ketut Kaprus Jaya + (Ketut Kaprus Jaya, contemporary artist in … Ketut Kaprus Jaya, contemporary artist in Bali. Born in Budakeling Karangasem Regency Bali, on the 15th July 1970. A veteran of the highs and lows of Balinese Art Industry, he has remained constant to his art with no prevarications. Through three decades of professional art practice, Ketut Kaprus Jaya has maintained and guarded the purity of his creative process. True to self, to the moment, to Nature.As a contemporary artist in Bali today, Kaprus Jaya has two distinct styles that he exercises equally diligently. As a result of the strong commerciality of the art scene locally. The use of watercolour for ‘en plen air’ pieces as he travels and explores different destinations and allows him to teach painting to students. allows him to teach painting to students.)
Ketut Madra + (Ketut Madra has devoted his life to the st … Ketut Madra has devoted his life to the study, preservation, and practice of Bali’s rich cultural arts. Primarily as a painter, but also as a dancer, musician, and community leader, Madra is steeped in the stories and legends at the center of the island’s culture and community. His unique ability to convey action and emotion in a rich and imaginative composition brings the traditional to life for modern audiences, Western and Balinese alike.Originally from Pengosekan, a small community near Ubud, Madra moved to nearby Peliatan as a young man in the late 1950s to work as a painter for the art dealer Wayan Gedah. At that time he also began studying with Tjokorda Oka Gambir, and learned the techniques and conventions of traditional wayang painting, including the specific colors, iconography, and costume for scores of characters.Madra started painting exclusively wayang narratives in the early 1960s, and soon developed a reputation as a skillful and original artist. He works with deliberation, and sells work directly from his studio to people who find him, usually through word-of-mouth. Occasionally, trusted local dealers with galleries catering to serious collectors also buy his work.In 1974, Madra’s work was shown in international exhibitions in the UK and the USA for the first time. In the same year he completed the first bungalow of what would become the Ketut Madra Homestay on his property in Peliatan. Over the next 15 years, he gradually expanded the accommodations for students, travelers, musicians, and artists interested in “a quiet place to learn about Bali.” The homestay has been a central feature in the life of Madra and his family, and has introduced three generations of visitors to his work and to traditional Balinese arts and culture.At the age of 41, having focused up to that point on work and the homestay, Madra needed something more. Nyoman Kakul, a preeminent dancer of Batuan village who admired Madra’s understanding of the stories told in Balinese dance drama, urged him to learn to perform. More than 30 years later than most Balinese dancers take their first lessons, Madra learned the role of topeng keras, the rough prime minister in the king’s court. He continues to dance more than 30 years later, playing a variety of roles for which he is highly regarded.Madra also learned as an adult to play the rebab, the two-stringed bowed lute in the gamelan ensemble. He dances and plays regularly with the Tirta Sari gamelan group in Peliatan. Dance, Madra says, is a near perfect complement to his life as a painter. Performing in stories he had only watched and painted brings new insight to character and deeper understanding of the spiritual and devotional nature of both kinds of work.d devotional nature of both kinds of work.)
Ketut Muliartha, RM + (Ketut Muliartha was born in Denpasar, Janu … Ketut Muliartha was born in Denpasar, January 8, 1956. He has expertise in auditing and strategic management. Graduated in 1984 from undergraduate education at Malang Brawijaya University and continued the Professional Accountant (Ak) program at the same University in 1984. He was appointed as a permanent lecturer in 1985 at Udayana University to the present. He obtained his Master of Management degree in 2000 at Udayana University, completing his 2014 doctoral degree at Brawijaya University, Malang. He often conducts national conferences in his area of expertise.onal conferences in his area of expertise.)
Ketut Putrayasa + (Ketut Putrayasa is an artist born in Kerob … Ketut Putrayasa is an artist born in Kerobokan, Badung, Bali, May 15, 1981. In 2019, for the “Berawa Beach Arts Festival”, he shocked Berawa Beach with his installation of a giant octopus made of bamboo. In the event entitled "Deep Blue Spirit", dozens of artists from across the arts responded to the giant octopus with performances of music, dance, poetry, and video art. Still in 2019, Putrayasa was invited by the Architecture and Interior Design Company to work on the Project Commission Artwork in Paris, France. In 2020, he performed the installation art "Pandora Paradise" at the Puputan Badung square, Denpasar.Ketut Putrayasa studied fine arts at the Indonesian Art Institute (ISI) Denpasar until the Postgraduate Program in Art Creation. He won the Best Final Project (TA) from ISI Denpasar in 2014. He often participates in joint exhibitions, including the “BIASA” group sculpture exhibition at the Pendet Museum, Ubud (2004), “Sign of Art” in Belgium (2008), “ Kuta Art Chromatic” in Kuta (2003), “Articulation” in Kuta (2014), “Chronotope” at Rich Stone Bali (2015), “Skala” sculpture triennale at the Jakarta National Gallery (2017), “Art Unlimited” at the Gas building Negara Bandung (2018), “Bali Megarupa” in Bentara Budaya Bali (2019), and so on. Apart from being active in his work, Putrayasa has also joined “MilitanArt”, an art community that drives the life of fine art in Bali. that drives the life of fine art in Bali.)
Ketut Rodja + (Ketut Rodja was a genius and famous sculpt … Ketut Rodja was a genius and famous sculptor from Mas Village, Ubud, Bali (1902 - 1965). He was born into a family of artists. He was close friends with President Soekarno who collected many of his sculptures. Apart from that, the Tropen Museum in the Netherlands also collects his work. The Krishna statue created by Rodja was once used as a master art by President Soekarno and shown to Indian Prime Minister Jahwal Nehru and Indira Gandhi at a state meeting.Rodja is also known as an art deco pioneer in Bali. Apart from that, he was the founder of the first art gallery in Bali in the 1950s which still exists in Mas Village. He is also an artist who actively contributed to the founding of the Ratna Warta Puri Painting Ubud Foundation and was a member of Pita Maha in 1936. Rodja is close friends with Rudolf Bonnet, one of the founders of Pita Maha. Rodja once served as Chairman of the Pita Maha Mas Village branch which coordinated 12 banjars. He was also active in political movements and was highly respected. His iconic work which is still kept at the Siadja Gallery is an ebony wood sculpture entitled "Ananta Bhoga" (1920). Rodja died (murdered) in the 1965 political tragedy. (murdered) in the 1965 political tragedy.)
I Ketut Sugantika + (Ketut Sugantika alias Lekung was born in S … Ketut Sugantika alias Lekung was born in Singapadu, Gianyar, Bali, 1975. He focused on painting at ISI Denpasar. Many of his works are abstract by taking inspiration from nature. His solo exhibitions are Life Lines, Tadu Contemporary Art, Bangkok, Thailand, 2016; Intimate Bali, Conrad Hotel Nusa Dua, Bali, 2014, Findings Object, Black and White Art Space, Sangeh, Bali, 2010; Sign, Art Center Denpasar, Bali, 2003. In addition, since 1998, he has been diligently involved in joint exhibitions, including the Artfordable Hongkong Art Fair, With Gundang Gambar & 37Tong Gallery, Hong Kong, 2018; Imago Mundi, Bentara Budaya Bali, Yogyakarta, Jakarta, 2016. He is also active in performance arts activities. Now he is active in the Militant Arts Community.w he is active in the Militant Arts Community.)
Ketut Syahruwardi Abbas + (Ketut Syahruwardi Abbas was born in Pegaya … Ketut Syahruwardi Abbas was born in Pegayaman Village, Buleleng, Bali, May 4, 1959. He has written literary works since the 1980s, published in the Bali Post, Nusa Tenggara, Kompas, Republika, and summarized in a number of books together, such as Klungkung: Tanah Tua, Tanah Love (2016). His single book of poetry is titled Between Us (2018). He had long accompanied the young poets in Jatijagat Poetry Village.e young poets in Jatijagat Poetry Village.)
Ketut Teja Astawa + (Ketut Teja Astawa, born in Sanur, Bali, 19 … Ketut Teja Astawa, born in Sanur, Bali, 1971. He completed his art education at ISI Denpasar. He has held many joint exhibitions, both at home and abroad, such as Bali: Return Economy, Fremantle Art Centre, Perth, Australia (2014). His solo exhibitions include: TW(IN)SIDE at Kendra Gallery, Kuta (2013), A Glimpse Back Into The Past: Early Paintings of Ketut Teja Astawa at Art Temporary Space, Plaza Senayan, Jakarta, Indonesia (2012), Fragments of Subconscious Memory at Tonyraka Art Gallery, Ubud (2011), Batman Forever at Sunjin Gallery, Singapore (2009), Works Of Ketut Teja Astawa, Roemah Roepa Gallery, Jakarta (2008). Many of his works depict the lives of animals, puppet characters, which he uses in a naive and colorful way. He combines Kamasan wayang painting techniques with modern techniques. In 2001 his work was included in the Finalist Philip Morris Art Award Indonesia.inalist Philip Morris Art Award Indonesia.)
Ketut Widiyazid Soethama + (Ketut Widiyazid Soethama was born in Denpa … Ketut Widiyazid Soethama was born in Denpasar, December 4, 1960. Since elementary school he has been fond of painting, including the Balinese Kamasan puppet, has been published many times in the children's section of the Kompas daily. Then since he was a teenager he has been writing poetry and has been published in the Bali Post. During his studies at the Faculty of Agriculture, Udayana University, he founded the music group Gress Country, released an album of Balinese pop songs (1987), with his siblings and relatives, while being active in theater performances. While working at the Bali Agricultural Information Center he made several comics on agricultural extension, then spent his days as an agricultural consultant for the European Union and the United Nations Development Program (UNDP) in Papua and East Nusa Tenggara. He died in Denpasar on January 15, 2016.. He died in Denpasar on January 15, 2016.)
Ketut Yuliarsa + (Ketut Yuliarsa was born in 1960 in Denpasa … Ketut Yuliarsa was born in 1960 in Denpasar, Bali.Ketut is a writer, actor and musician and has worked in Indonesia, Australia and New Zealand. He has appeared in television drama, film and toured Australia with a major Australian theatre company. He writes lyrical prose, short stories, poetry, essays and articles and has been published in various newspapers and magazines in Indonesia. He has published two collections of poetry (bilingual), Night Voice/Suara Malam and Falling in Silence/Jatuh Bisu. He has appeared as writer, presenter and moderator at the Ubud Writer’s Festival from 2005 till 2018. Ketut has also worked as the Indonesian Emerging Writers curator for this festival during this time. In 1986 he and his wife Anita, established the first bookshop in Bali, Ganesha Bookshop (www.ganeshabooksbali.com) and it is now into its 32nd year of trading. Ganesha Bookshop has a large range of New, Used, Rare and out-of-print books on Indonesian studies in the English language. In 2004, realising the need to foster literacy, learning and reading for pleasure in the Balinese community, he helped establish the Books for Bali Project which donates books to schools and libraries throughout Bali. to schools and libraries throughout Bali.)
Kevin Fairley + (Kevin’s passion is photography, he has bee … Kevin’s passion is photography, he has been a serious photographer for the last 10 years since his retirement. His best loved places to photograph are Bali and the Indonesian Islands. He is self taught and his preferred camera gear is Lumix. His favourite subjects are the Balinese people, Bali Ceremonies and anything else that captures his eye. He has won many international awards and had a successful photo exhibition in Bali. He spends his time spread between Bali and Australia. The Balinese rely on tourists to make their living and during the Covid Pandemic there have been no tourists to the Island. The impact of Covid on the people has caused untold hardship including hunger and loss of income. Profits from the sales of his book will go to Balinese charities, mainly “Plastic for Rice” and the “Bali Tribe” which provide meals for the needy. Tribe” which provide meals for the needy.)
Pikobet Pengolahan Sampah Sane Sayan Rahat + (Klungkung is one of the districts in Bali. … Klungkung is one of the districts in Bali. In 2023, Klungkung district will be led by Mr. Nyoman Suwirta. A program that is viral, well-known and used as a role model among the people of Klungkung is the TOSS (Local Waste Processing Place) program. This program received a lot of praise and positive comments from the Klungkung community, and from outside Klungkung. However, recently the TOSS program has not run according to the initial plan and has been ineffective in solving the waste problem in Klungkung. The acting Regent of Klungkung, I Nyoman Jendrika, said that the main problem in Klungkung is the increase in waste volume by up to 2 times, from previously 16 tonnes now to 32 tonnes a day. In other sources, some say that the cause of this waste problem is a lack of public awareness about the function of a beautiful and clean environment. This is also what causes Klungkung to have a lot of rubbish.Now, what solutions should we take as the young generation of Bali to create a sustainable and clean Klungkung area? The solution that I can convey and recommend is to implement the Tri Hita Karana teachings.Why Tri Hita Karana? What is the relation?Tri Hita Karana is one of the Hindu teachings in Bali. Tri Hita karana means "3 things that cause prosperity", which is divided into 3 parts:1. Parhyangan: Parhyangan is our relationship with Ida Sang Hyang Widhi as the ruler of the universe. I think, if we discuss the word "Parhyangan" we will definitely think of the means of prayer and offerings. However, what I want to discuss is not that, but this parhyangan is about our behavior in holy places such as temples. We should maintain the cleanliness of the temple, by cleaning or offering ngayah. Existing rubbish must not be thrown into rivers or sewers, but must be processed into something more useful. This is also a form of our good relationship with Ida Sang Hyang Widhi.2. Pawongan: Pawongan is our relationship with other humans. As Balinese people, we should help each other and care about human suffering. Based on the waste problem, we can all implement the teachings of Tri Hita Karana by reminding each other about the importance of a clean and healthy environment. I mean, waste processing in Klungkung doesn't have to be done and processed by TOSS and the government alone, but we all have to try to sort or process waste in our homes. If we could sort and process it in our respective homes, the problem of waste piling up in Klungkung would definitely be resolved.3. Palemahan ; This Palemahan is one of the teachings of Tri Hita Karana which is most appropriate to the waste problem above. We as citizens of Bali, especially Hindus, definitely believe that humans, animals and beasts are God's creation. Therefore, our relationship with our environment must be maintained. One way to protect our environment is by processing waste. We as the people of Klungkung certainly already know about this TOSS program, therefore let's work together to sort and process waste from our respective homes so that this TOSS can run smoothly and effectively.In essence, the teachings of Balinese ancestors are things that should be implemented in this era of globalization. Although, it is possible to implement it using modern understanding and methods. We as teenagers or the young generation of Bali should not be lulled by globalization. We must be aware of the latest news, and always preserve Balinese cultural traditions as a role model in our efforts towards a beautiful and clean Bali.fforts towards a beautiful and clean Bali.)
I Komang Alit Juliartha + (Komang Alit Juliartha alias Alit Joule was … Komang Alit Juliartha alias Alit Joule was born in Bekasi, July 15, 1991. He is an alumni of the Balinese Language Education study program at IHDN Denpasar. His Balinese literary works are published in Bali Orti Bali Post, Pos Bali. His works have been recorded under the title Swecan Widhi Wasa (2015) and he won the Literature Rancage prize in 2016. In 2016 he also published a Balinese novel entitled Satyaning Ati.d a Balinese novel entitled Satyaning Ati.)
Komang Ayu Cahya Dewi + (Komang Ayu Cahya Dewi is a Balinese athlet … Komang Ayu Cahya Dewi is a Balinese athlete in the field of badminton. She was born in Denpasar, October 21, 2002. During the 2021 PON in Papua, she qualified for the final round. In the women's singles category. She joined PB Djarum in 2016. Her other achievements are Runner Up Liga PB Djarum II 2020 (Women's Singles U-17 & U-19 & Adults), Semifinalist Italian Junior International Challenge 2020 (Women's Singles U19), Semifinalist Djarum Sirnas Premier West Java Open 2019 (women's adult singles).emier West Java Open 2019 (women's adult singles).)
Komang Ira Puspitaningsih + (Komang Ira Puspitaningsih was born in Denp … Komang Ira Puspitaningsih was born in Denpasar, May 31, 1986. The poems and poems have been published in several mass media, such as: Bali Post, Kompas, Koran Tempo, Journal of Poetry, People's Thoughts, Padang Express. Several times or become a winner in a poetry writing competition. Her poetry has also been compiled in several joint anthologies, al. Pena Kencana's 100 best Indonesian poems in 2008 and the 2009 Pena Kencana version of the 60 best poems. "You're Not the Most Solemn Holy Virgin" is her first single poetry anthology.gin" is her first single poetry anthology.)
Komang Pramana + (Komang Pramana, Skom, was born on April 26, 1978 in Denpasar. He can be reached about his beautiful photography at pramana.gede@yahoo.co.id.)
Sistem Tunnel Nincapang Uyah Khas Kusamba + (Kusamba salt is a traditional Balinese org … Kusamba salt is a traditional Balinese organic salt which is said to be one of the best salts in the world. Salt produced inKusamba village, Klungkung Regency, Bali Province. As an organic salt, Kusamba salt does not use chemical ingredients, Kusambasalt is said to be organic because the way it is made still relies heavily on nature. Sunlight and heat are friends of Kusambasalt farmers. The way it is made is still done in the traditional way. However, now, this traditional business is increasinglythreatened with bankruptcy. The selling price of this high quality salt is less profitable. On average, farmers sell it for IDR1,200 per kilogram, during the rainy season the selling price only reaches IDR 3 thousand per kilogram. Another problem isthat kusamba salt is made traditionally and the production is limited. This is the basis for starting a system that is able toincrease salt production from generation to generation. Then, what is the solution?The solution that can solve this problem is to use a tunnel system. In simple terms, a tunnel system means adding a storagecontainer with the help of a geoisolator and cover, then stringing it together like a tunnel. This system. allowing salt farmersto continue producing during the rainy season. Additionally, with. With this tunnel system, salt farmers are able to producetens or hundreds of kg of salt per tunnel. Apart from that, other benefits such as1. Make salt harvest time faster2. Farmers can carry out the harvest process at night.3. Save energy and time in filling the salt production area with sea water.4. The quality produced is not much different from previous production with mangers.According to salt farmers, through the production of this tunnel system, salt farmers gain many benefits in its production andmarketing. Apart from salt, the water found during the salt harvest can be sold for around Rp. 80,000.00 35 liter jerry cans.This salt water can be used for the thickening process for making tofu production. Please note that the tunnel system used byKusamba salt farmers is a simple technology assisted by the collaboration between the Ministry of Social Affairs and ITS.en the Ministry of Social Affairs and ITS.)
Nincapang Uyah Khas Kusamba + (Kusamba salt is a traditional Balinese org … Kusamba salt is a traditional Balinese organic salt which is said to be one of the best salts in the world. Salt produced inKusamba village, Klungkung Regency, Bali Province. As an organic salt, Kusamba salt does not use chemical ingredients, Kusambasalt is said to be organic because the way it is made still relies heavily on nature. Sunlight and heat are friends of Kusambasalt farmers. The way it is made is still done in the traditional way. However, now, this traditional business is increasinglythreatened with bankruptcy. The selling price of this high quality salt is less profitable. On average, farmers sell it for IDR1,200 per kilogram, during the rainy season the selling price only reaches IDR 3 thousand per kilogram. Another problem isthat kusamba salt is made traditionally and the production is limited. This is the basis for starting a system that is able toincrease salt production from generation to generation. Then, what is the solution?The solution that can solve this problem is to use a tunnel system. In simple terms, a tunnel system means adding a storagecontainer with the help of a geoisolator and cover, then stringing it together like a tunnel. This system. allowing salt farmersto continue producing during the rainy season. Additionally, with. With this tunnel system, salt farmers are able to producetens or hundreds of kg of salt per tunnel. Apart from that, other benefits such as1. Make salt harvest time faster2. Farmers can carry out the harvest process at night.3. Save energy and time in filling the salt production area with sea water.4. The quality produced is not much different from previous production with mangers.According to salt farmers, through the production of this tunnel system, salt farmers gain many benefits in its production andmarketing. Apart from salt, the water found during the salt harvest can be sold for around Rp. 80,000.00 35 liter jerry cans.This salt water can be used for the thickening process for making tofu production. Please note that the tunnel system used byKusamba salt farmers is a simple technology assisted by the collaboration between the Ministry of Social Affairs and ITS.en the Ministry of Social Affairs and ITS.)
Upaya Nincapang Kawentenan Uyah Khas Kusamba + (Kusamba salt is a traditional Balinese org … Kusamba salt is a traditional Balinese organic salt which is said to be one of the best salts in the world. Salt produced inKusamba village, Klungkung Regency, Bali Province. As an organic salt, Kusamba salt does not use chemical ingredients, Kusambasalt is said to be organic because the way it is made still relies heavily on nature. Sunlight and heat are friends of Kusambasalt farmers. The way it is made is still done in the traditional way. However, now, this traditional business is increasinglythreatened with bankruptcy. The selling price of this high quality salt is less profitable. On average, farmers sell it for IDR1,200 per kilogram, during the rainy season the selling price only reaches IDR 3 thousand per kilogram. Another problem isthat kusamba salt is made traditionally and the production is limited. This is the basis for starting a system that is able toincrease salt production from generation to generation. Then, what is the solution?The solution that can solve this problem is to use a tunnel system. In simple terms, a tunnel system means adding a storagecontainer with the help of a geoisolator and cover, then stringing it together like a tunnel. This system. allowing salt farmersto continue producing during the rainy season. Additionally, with. With this tunnel system, salt farmers are able to producetens or hundreds of kg of salt per tunnel. Apart from that, other benefits such as1. Make salt harvest time faster2. Farmers can carry out the harvest process at night.3. Save energy and time in filling the salt production area with sea water.4. The quality produced is not much different from previous production with mangers.According to salt farmers, through the production of this tunnel system, salt farmers gain many benefits in its production andmarketing. Apart from salt, the water found during the salt harvest can be sold for around Rp. 80,000.00 35 liter jerry cans.This salt water can be used for the thickening process for making tofu production. Please note that the tunnel system used byKusamba salt farmers is a simple technology assisted by the collaboration between the Ministry of Social Affairs and ITS.en the Ministry of Social Affairs and ITS.)
Rintihan suara rakyat yang tidak memiliki kuasa tuk memilih + (Ladies and gentlemen, I am present here to … Ladies and gentlemen, I am present here to voice an echoing yet unheard plea, which is the fate of the cries of abandoned and cruelly tortured animals. The Island of Bali is too beautiful to be inhabited by these grim animals.These animals are pets tortured cruelly for personal pleasure, beaten to disability out of hatred, stolen to be eaten. Animals employed like the overworked horses forced to endure harsh conditions. Experimental animals, such as frogs dissected without anesthesia, also suffer unwarranted pain.I appeal to the Bali Province Regional Council to strengthen Regional Regulation No. 1 of 2023 regarding the Protection of Flora and Fauna. I highlight the ambiguity in the rules regarding the definition of "keeping" animals in Article 11 paragraph 1 section c. However, in Article 1 paragraph 9, it states that Wildlife includes all animals living on land, in water, or in the air, retaining their wild nature, whether they live freely or are kept by humans.With clear and robust legal foundations, many positive things will emerge: more people will dare to speak up for animal protection, impart moral lessons to children, and raise awareness of the importance of compassion towards animals, boosting the government's morality in the eyes of the public. Communities or individuals independently rescuing and caring for these animals will also be supported and have continuous collaboration with the government.Together, let us make Bali a safe and comfortable place for the animals living here, following the footsteps of developed countries like Switzerland, the Netherlands, New Zealand, Germany, and Australia in animal protection. Through this speech, what I "HOPE," becoming what "WE" HOPE, and ultimately becoming what "WE ALL" HOPE FOR. With one heart, let us make Bali a paradise for these animals.us make Bali a paradise for these animals.)
PENDIDIKAN SANE BECIK PINAKA PIRANTI ANTUK NINCAPANG KUALITAS SDM BALI + (Ladies and gentlemen, jury and coaches who … Ladies and gentlemen, jury and coaches who I respect, as well as the participants of the BASAbali Wiki Oration competition that I love. Om Sywastyastu. Through a pure and sinless heart, I never cease to express my gratitude to God Almighty, because with His blessings, I can meet with this audience today. In which I participate in the oration competition in today’s Public Participation Wikithon. Hopefully, events like this will continue to grow in the future, making Bali strong. Ladies and gentlemen, the subject of my oration is titled “Good Education as a Tool to Improve the Quality of Bali’s Human Resources”.Ladies and gentlemen, what made me take that title? Because from a lot of what I see I conclude the youth in Bali do not get a good education. This makes it difficult for Balinese human resources to get a job that can develop the economy of the province of Bali. According to data from the Central Bureau of Statistics in 2021, the percentage of Balinese who did not go to school was 1.03 thousand people or 24.04%; then those who did not graduate from elementary school were 377.18 thousand people or 8.83%. Based on these data from the Central Bureau of Statistics, the government and Balinese people, especially students, should try to implement programs that can help Balinese people who have not received proper education. Then, what programs can be implemented? Let’s think together.As a Balinese youth, I will provide solutions or suggestions to the ladies and gentlemen of the DPD Bali as well as the government who is the mouthpiece of the community, to always help provide good knowledge to all Balinese. The first suggestion: pay attention to the quality and quantity of the teachers. Teachers or educators are like the main key that will teach or provide knowledge to students. If teachers’ wages, facilities and accommodation are not good or adequate, it will affect the teaching process. Secondly, school and classroom support facilities should be prioritized. When the learning process takes place, but the facilities used are not complete, of course the teacher and students will have diffulties and the learning process in the classroom will be disrupted. The third suggestion is to provide the youth with positive out-of-school activities or out-of-school learning programs. Good examples are carrying out and participating in competitions, participating in community service programs as well as other useful work. With these activities students do not only to learn at school.Ladies and gentlemen, based on the many things I have talked about, I would like to conclude as follows. The Balinese government and people should not underestimate education. Because through education, we can get a good job to improve the quality of Bali’s underdeveloped human resources. Also the Balinese are expected not to be swayed by the wealth that exists in today’s world, called “Industrial Revolution 4.0”. Let us together help Balinese who have not received a good education through positive and useful programs or activities. Lastly, we should introspect ourselves so as not to forget ourselves and together carry out our religious obligations by strengthening Bali.Well, ladies and gentlemen whom I respect very much, that’s all I can say on this good day. Thank you to those who have witnessed my speech. Hopefully what I have said will be useful. For any shortcomings, let me apologize. In closing, I say paramasanthi. Om Shanti, Shanti, Shanti, Om.ramasanthi. Om Shanti, Shanti, Shanti, Om.)
"WARGA NEGARA ASING NGAWINANG MANAH AJERIH RING KRAMA BALI" + (Ladies and gentlemen, our honorable guest. … Ladies and gentlemen, our honorable guest. Before we start this oration. Allow us to express our gratitude to Ida Sang Hayang Widhi Wasa, for it is through His grace that we gather on this auspicious day. With heartfelt devotion, we begin with panganjali:Om swastyastu our honorable guest, the oration we will deliver today is entitled "Foreign Citizens are disturbing the Balinese people". Recently, foreign tourists or "foreigners" in Bali have been in the public spotlight because they are acting up and making people anxious. Instead of being deterred, foreigners who were found committing various violations in Bali actually resisted when the police took action. Not just one violation but many violations committed by foreigners, such as: 1. Increased Traffic Violations:Statistical data records a dramatic increase in traffic violations committed by a number of foreigners. A lack of concern for road rules and safety not only threatens local communities but also creates significant risks for foreigners themselves. This increase reflects troubling non-compliance, necessitating more effective enforcement actions and more intensive awareness campaigns.2. Adverse Immigration Problems:High levels of overstaying and violations of immigration regulations create a serious burden on the immigration system. The economic and social impacts of this behavior are very real, given the resources that must be allocated to deal with these cases. Increased controls and enhanced immigration enforcement actions are imperative to ensure compliance with existing provisions and maintain the integrity of the immigration system.3. Establishing a Business Without a Permit:The establishment of businesses without proper permits by some foreigners is detrimental to the local economy, creating disproportionate inequality in business competition. This problem not only concerns economic aspects but also raises questions of rights and justice in business. An in-depth evaluation of the economic and social impacts of these practices is needed to determine solutions that can address these problems without harming those who comply with the rules.4. Non-compliance with Environmental Regulations:The behavior of foreigners who do not comply with environmental regulations creates a serious threat to ecological sustainability in Bali. These cases include littering, damage to local plants, and violations of sustainability principles. A thorough evaluation of the long-term impacts of this environmental damage needs to be carried out to understand the implications for the ecosystem and the welfare of local communities.stem and the welfare of local communities.)
I Gusti Putu Hardi Yudana + (Lecturer at STIKOM Bali College of Informatics and Computer Management)
I Gusti Ngurah Ady Kusuma + (Lecturer at the College of Computer Management and Informatics STIKOM Bali)
I Gusti Agung Mas Rwa Jayantiari + (Lecturer at the Faculty of Law, Udayana Un … Lecturer at the Faculty of Law, Udayana University, who started to become a lecturer since 2010. Graduated from undergraduate studies and became the best graduate in 1999 at the Faculty of Law, Udayana University. Study Masters level at the Notary Masters Program, Universitas Brawijaya in 2007. Furthermore, for the doctoral study completed at the Law Faculty of Law Education at Udayana University in 2019 and returned to be the best graduate. Throughout her career as a lecturer, she actively made studies on legal and community problems, especially studies relating to customary law, indigenous peoples and their natural resources, progressive legal studies related to gender studies in law, legal anthropology, legal sociology as well as law and culture. The thinking that is studied more often is done with a progressive legal perspective. The results of these thoughts are published in international journals, national journals and in the form of textbooks in fulfilling teaching assignments. Participation in scientific meetings is also often done including in the call for papers and also as a resource, moderator and participant in an academic scientific forum.rticipant in an academic scientific forum.)
Ida Bagus Gede Wirawibawa + (Lecturer in the Architecture Study Program … Lecturer in the Architecture Study Program of the Faculty of Engineering, Udayana University, born on May 2, 1961 in Denpasar, Bali. Elementary to high school education was completed in Jakarta (1968-1981). Bachelor of Engineering (S1) was completed in the Department of Architecture, Faculty of Engineering, Udayana University in 1988 and was appointed as a lecturer in the same department since 1991.In 1995, he received a BPPS scholarship to continue his Master's degree and obtained a Masters in Architecture-Settlement in the Postgraduate Program, FTSP-ITS Surabaya in 1997. He completed his Cultural Studies S3 at the Udayana University Postgraduate Program and obtained his Doctorate degree in 2012. He once served as Assistant Dean III of the Faculty of Engineering, Udayana University, 2003-2007 period.Aside from actively teaching in the Architecture Undergraduate Program, the Master of Architecture Program and the Doctoral Engineering Study Program at the Faculty of Engineering at Udayana University, he currently also serves as the Head of the Balinese Traditional Architecture Laboratory at the Architecture Study Program at the Faculty of Engineering, Udayana University.aculty of Engineering, Udayana University.)
Leslie Anne Franklin + (Leslie Anne Franklin was born in Newport B … Leslie Anne Franklin was born in Newport Beach, California, and first visited Bali in 1982. During the 33 years she lived in Bali, she has witnessed social, environmental developments over time. Leslie's love for Bali includes the fervent spirituality of the Balinese and their endearing hospitality, which has remained steadfast and unchanged. Leslie founded the Facebook group Lost Bali, which, at the time of this submission, has over 28,000 active members. The group shares memories and photographs that have captured a time before 1990 before mass tourism affected the island. The collective stories and images have served as inspiration for the book. Leslie currently resides in her wood cabin in the mountain town of Big Bear, California. She is the mother of four children and four grandchildren. This is her first anthology.randchildren. This is her first anthology.)
Ngwangun malih titi pengancan kewagedan + (Libraries are often thought of as a bridge … Libraries are often thought of as a bridge to knowledge, a place where individuals can find lessons, inspiration, and entertainment. However, in the city of Denpasar, Bali, libraries face a number of problems that impede public access to this valuable intellectual resource. With the experiences and stories of local people, we can understand how important it is to overcome these challenges and rebuild the foundation of libraries as inclusive and effective learning centers. One of the major problems faced by libraries in the City of Denpasar is inconsistent operational schedules. Many libraries are only open during normal business hours, even on weekdays, making it difficult for workers or students with busy schedules to visit. In fact, some libraries even close on weekends, when many people have free time to study or enjoy reading. This causes frustration and reduces the public's interest in using library facilities. In addition, unresponsive service and lack of effective communication are also constraints. Many visitors feel that library staff are unfriendly and unwilling to help. The experience of Sekar, a local resident, reflects a common experience where simple requests such as finding a wifi password or a membership registration procedure are not responded to well. This results in a difficult experience and less motivation to return to the library. In addition, the lack of information about the operational schedule and library services is also a problem. Many libraries do not actively update their information on online platforms such as Google Maps, making it difficult for the public to know when the library is open or closed. This causes confusion and uncertainty, especially for those who do not live near libraries or have limited access to the internet. To address these problems, concrete steps need to be taken by governments and stakeholders. First, libraries need to expand their operating schedules, including opening on weekends and at night to reach more people. This will provide an opportunity for individuals with busy schedules to access library resources. In addition, training for library staff in customer service and effective communication is also important. Library staff should be equipped with the necessary skills to provide friendly and responsive assistance to visitors. This will help create a more welcoming environment and encourage people to use library facilities more comfortably. Equally important, libraries should increase their efforts in disseminating information about their services and operating schedules. This can be done through a variety of communication channels, including social media and library websites. By providing clear and easily accessible information, libraries can rebuild public trust and increase their participation. With these steps, the libraries in the City of Denpasar can play a more effective role in providing access to knowledge and supporting lifelong learning for its community. By improving their systems and services, libraries can become inclusive and inspiring centers of learning, helping to build a brighter future for future generations. a brighter future for future generations.)
Bandana Tewari + (Lifestyle journalist and sustainability ac … Lifestyle journalist and sustainability activist Bandana Tewari believes storytelling and personal responsibility have a huge part to play in the reformation of the fashion industry.When you were starting out in fashion, what were the issues facing the industry, and at what point do you think attitudes to fashion and especially fast fashion started to change to incorporate ideas of sustainability?I worked at Vogue India for thirteen years. It was a time when the Indian market opened up to a deluge of international luxury brands. There was much optimism and excitement about the massive aspirational population of India, the cynosure of multinational companies eager to conduct business in the Indian subcontinent. At this point, conspicuous consumerism was applauded and encouraged – signalling a modern India that was willing to spend money, display affluence, and be the sartorial arbiter of a young nation. There was no awareness of conscious consumption, of sustainability and environmental impact of the incredible waste and excess that plagues the fashion industry today.In all honesty, the risks of over-consumption and the perils of fast fashion, as we now know of them, came into our collective consciousness only recently. The Rana Plaza disaster of 2013 in Bangladesh was the most brutal symbol of a global fashion industry gone wrong. It exposed a terrible truth: a multi-trillion-dollar industry was systemically plagued by unimaginable inequalities, both economic and social. This Rana Plaza disaster – when five garment factories collapsed killing more than 1,100 people, mostly women – created a global uproar. The world woke up to a fashion industry that pays some of the lowest wages, conducts business in such unsafe work environments, it creates untold disregard for human life. And then the environmental issues ensued which saw rivers and farms in developing nations being clogged and degraded with industry waste creating irreparable harm to people and the planet.It is through the exposé of the extraordinary pains of ordinary people who make our clothes that led to a monumental change in the way we perceive the business of fashion.How seriously do fast fashion brands like, let’s say H&M, really take the concept of waste within the industry? Are these efforts to improve sustainability just an exercise in greenwashing?We are drowning in clothes – many of the approximately100 billion garments sold each year go into landfills or are incinerated – both harmful to the environment. According to Fast Company, H&M produces three billion garments a year and till 2019 was sitting on $4.1 billion worth of unsold clothes, some of which, we are told, became fuel for a power plant in Sweden. While many initiatives are underway to address the problems of production and consumption, it seems too little at a time when we have swiftly moved from climate change to climate crisis. The fashion industry generates 10 percent of global carbon emission, 20 percent of all waste water, and pollutes the oceans with half a million tons of microplastics. So, if big changes do not propel a big impact – it is, simply, greenwashing.Given the magnitude of the problem, whatever solutions provided by fast fashion companies, thus far, seem perfunctory. The velocity with which garments are being manufactured, bought and tossed away is horrendous, to say the least. One garbage truck of clothes is either burnt or dumped in landfills every second! So whatever Zara, H&M or other fast fashion brands are doing to rectify the system is too little. Governments and policies need to intervene to limit the greed and speed of overproduction. More investments in R&D for solutions in recycling, alternative fabrics, etc, are crucial. Consumers need to play an important role in disarming the consumerist agenda of globalisation that fuels the ‘marketing need’ for more and more, bigger and bigger. Every human being should know how they choose to spend their hard-earned money really does matter!To what extent do you think consumers really care about what happens in the rivers and seas thousands of miles away that are affected by the processes used to create our fashionable clothes?Consumers do care about rivers, seas and every aspect of nature, provided they are shown the truth – truth about human beings’ role in the degradation of nature that comes from corporate greed, mindless consumption and governmental apathy. There is not a single human being who doesn’t want their children to grow up in an environment that is nurturing and nourished. Who amongst us wants to live in the filth of pollution?The problem is that consumers have been ‘sold’ only one part of the story – the part that says when clothes glitter and automobiles shine and you own them then you have made it. When in fact, the process of making – what irreplaceable natural resources are harnessed to make things, the number of hands that go into making even a simple t-shirt – is excluded from the narrative, the inequalities in the system and the harm perpetrated on our environment will remain invisible. When you are never shown the problem, why would you seek a solution?Tell us about your latest project…I am a writer. Sadly, I don’t have any big projects to boast of. However, my personal commitment as a storyteller is to always follow the four fundamental principles of authentic storytelling: Product, People, Process, Purpose. If any one of these ‘Ps’ are unfulfilled or unaddressed by a company or brand, I will not write about it. Every media person should pay heed to the power of the pen.What advice would you give to young designers starting out now?I would request every designer starting out today to read Small is Beautiful, a book written by the hallowed global economist E.F. Shumacher. In this book there is a chapter called ‘Buddhist Economy’ which throws light on the need for mindfulness in business. It is a guide to making one’s daily work – a noble act of humanity. It points to our present-day crisis in the way leaders are raised or made to pillage the earth, as if humans are the only sentient beings in this world. It points to correcting an era that seems so disconnected with our inner and outer divinity – that we have made human-force into labour-force.What is the future of fashion?The future of fashion is compassionate; how else will we survive? There is no business to be done on a dead planet. So, I feel confident that we will rise to address the challenges of waste, greed and environmental degradation. With a generation of young people born in this era of climate crisis, they will, without any doubt, only choose industry leaders who lead with a ‘monk mentality’, leaders who reinforce the crucible of compassion and conscious consumption. I believe that the future of fashion will have storytellers, producers and creators who will show the interconnectedness of everything around us – the magic of coexistence and biodiversity. They will tell us the story of our t-shirts – made from a seed of life that blossomed into cotton; the same cotton that clothes us also thrives when it grows alongside other diverse plants, on a land rich in soil nutrients. The future of fashion will have great teachers who will tell us that what we ingest into our bodies and what we put on our bodies must both honour the sacredness of nature.IG & Twitter: @behavebandanaur the sacredness of nature. IG & Twitter: @behavebandana)
Kapiambeng ring sejeroning pariwisata + (like what happened on Kuta beach there are … like what happened on Kuta beach there are some sellers who force tourists to sit or buy food or goods from them.what makes some tourists restless is the way they offer it seems to be pushy and chases so that some tourists want to use their services or buy food/drinks or goods from them.and some tourists have spoken up on twitter/instagram and some other social media about this. please fix this problem because it makes some tourists afraid to travel here and assume that in all tourist attractions there will be sellers like them.and it is necessary to promote new tourism tourism which has the opportunity to generate a lot of profit, in every tourist place it must be clean and hygienic like a clean bathroom. clean and hygienic like a clean bathroom.)
Lilik Mulyadi + (Lilik Mulyadi was born in Bogor, August 23 … Lilik Mulyadi was born in Bogor, August 23, 1961. He has written poetry since 1978 and has been widely published in the Bali Post and several media outside Bali. Often wins local and national poetry writing competitions. His poetry is also summarized in the Magical Paintings of Bali Land, Dendang Denpasar Nyiur Sanur, Klungkung: Old Land, Land of Love, etc. His single book of poetry: Jatijagat Pedukuhan Magical Poetry (2017). He worked as a judge and wrote many books on law.ed as a judge and wrote many books on law.)
Listya Wahyuni + (Listya Wahyuni, born in Denpasar, March 1, … Listya Wahyuni, born in Denpasar, March 1, 1984. Graduated from art education at ISI Denpasar. Since 2004 she has been active in various joint exhibitions, including “The New World” at Bentara Budaya Bali (2016), “The Fertile Period” at Karja Art Space, Ubud (2018), “Eruption” at Galeri Raos, Batu, Malang (2019). Her work has been a finalist for UOB Painting Of The Year (2013). She is a member of the Militant Arts Community.s a member of the Militant Arts Community.)
Literasi Bahasa Bali dan Pengaruhnya pada Gen Z + (Lorem ipsum dolor sit amet, consectetur ad … Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Urna condimentum mattis pellentesque id. Gravida dictum fusce ut placerat orci. Eleifend donec pretium vulputate sapien nec sagittis. Ac placerat vestibulum lectus mauris ultrices eros in cursus. Nunc congue nisi vitae suscipit tellus. Risus in hendrerit gravida rutrum quisque non tellus orci ac. Neque viverra justo nec ultrices dui sapien. Eget velit aliquet sagittis id consectetur purus. Massa id neque aliquam vestibulum morbi blandit. Etiam tempor orci eu lobortis elementum nibh tellus molestie.Nullam non nisi est sit amet facilisis magna. Tellus in metus vulputate eu scelerisque felis. Euismod nisi porta lorem mollis aliquam ut. Dignissim cras tincidunt lobortis feugiat vivamus at augue eget arcu. Condimentum mattis pellentesque id nibh. Aenean vel elit scelerisque mauris pellentesque pulvinar pellentesque habitant morbi. Consectetur lorem donec massa sapien faucibus et molestie. Rhoncus est pellentesque elit ullamcorper dignissim. Tortor dignissim convallis aenean et tortor. Convallis posuere morbi leo urna molestie at elementum. Mattis ullamcorper velit sed ullamcorper morbi. Pellentesque habitant morbi tristique senectus. Ultrices tincidunt arcu non sodales.ctus. Ultrices tincidunt arcu non sodales.)
Wijaya Test + (Lorem ipsum dolor sit amet, consectetur ad … Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.ficia deserunt mollit anim id est laborum.)
Louise Garrett Koke + (Louise Garret Koke (1897-1993; New York Ci … Louise Garret Koke (1897-1993; New York City, New York, U.S.A), born Louise Gignox, studied at Columbia University in New York City, U.S.A., and designed theatre stage sets. She first came to Bali in 1936 while on a world tour to the Far East. With her husband Robert Koke, she set up the first hotel on Kuta Beach (which she describes in her book "Our Hotel in Bali") and stayed until early 1942 before the Japanese invansion of World War II. She made many humorous ink drawings and romantic paintings of the Balinese people. Exhibitions Alliance Francaise (Shanghai, China, 1947), Neka Art Museum (Ubud, Bali, 1993).1947), Neka Art Museum (Ubud, Bali, 1993).)
Made Adnyana Ole + (Made Adnyana Ole was born in Tabanan, now … Made Adnyana Ole was born in Tabanan, now lives in Singaraja, Bali, while managing Mahima Institute Indonesia which is engaged in arts and culture education. His poetry and short stories have been published in various media such as Bali Post, Jawa Pos, Horison, and Kompas. His single book collection of poems “Fairy Tales from the North” (2014). Her single collection of short stories, “Padi Dumadi” (2007) and “Sacred Girl Painting Sacred Signs in Sacred Places” (2018). A number of his short stories are included in the Compass Choice Short story book.ed in the Compass Choice Short story book.)
Made Agus Janardana + (Made Agus Janardana, S.Pd., Gr., M.Kom., a … Made Agus Janardana, S.Pd., Gr., M.Kom., also known as Made Oplas, is the creator of the creative artwork of Wajah Plastik (The Plastic Face) who is also the author of the book “Wajah Plastik: A Pigment of Imagination” (2023). Agus Janar as he is known, was born in Singaraja, Buleleng, Bali, on January 23, 1990. He grew up in Bungkulan Village, Sawan District, and is considered an energetic young man. People know him as a creative figure, always having a million creative ideas, especially since he is basically a designer. Since his Wajah Plastik “Plastic Face” was introduced to public, Agus Janar has become increasingly famous. He is even often invited to give workshops on Plastic Faces. Plastic face seems to have become a legacy in his life. For him, sharing or doing good is his next life mission.ng or doing good is his next life mission.)
Made Aripta Wibawa + (Made Aripta Wibawa, born in Singaraja, Mar … Made Aripta Wibawa, born in Singaraja, March 3, 1965. Since high school, he has been interested in literary activities by writing poetry and prose. While studying at the Faculty of Law, Mataram University, NTB, he became increasingly involved in the world of literature. He co-founded the Mataram Literature Studio and the Association of Indonesian Writers, Poets and Authors (HP3N) with an initiator and founder, Putu Arya Tirtawirya. While in Mataram he was often a judge for poetry and short stories reading competitions on Radio Suta Remaja, Sinta Rama and Rinjani with his brother, Agoes Andika As. Aripta's poems have been published in the Bali Post, Nusa Tenggara, Bali Post, Karya Bakti, Simponi, Swadesi and Merdeka newspapers. He is also active in writing for the HP3N bulletin. Now he is a lecturer at Bali Dwipa University.he is a lecturer at Bali Dwipa University.)
Made Astawa + (Made Astawa, also known as "Dollar", is a … Made Astawa, also known as "Dollar", is a painter born in Gianyar, August 22, 1972. He studied art at SMSR Denpasar. Since 2001, he has been involved in many joint exhibitions, such as the exhibition at Tony Hogart Australia (2012), the MilitanArt exhibition "Land Remember" at Santrian Galeri Sanur, Bali (2017), the joint exhibition "nir (virtual) visuals" at Lv8 Resort Hotel Berawa, Badung , Bali (2018). His works tend to be abstract in nature by exploring the icons of the back. Apart from being a painter, he also manages the Griya Santrian Gallery and the Cactus Art Gallery in Sanur.llery and the Cactus Art Gallery in Sanur.)
Made Astika + (Made Astika was born in Karangasem-Bali, M … Made Astika was born in Karangasem-Bali, May 13, 1983. His undergraduate studies at the Singaraja State IKIP took the Department of Language, Indonesian and Regional Literature Education. During college, he served as Chair of HMJ Jurdik BSID 2005/2006 and Deputy Chair of the Student Senate of the Faculty of Language and Arts for the 2004/2005 period. He was also trusted to be the Coordinator of IMABSII (Indonesian Language and Literature Student Association) for the Bali Region in 2005/2006. He studied Literature, Gadjah Mada University in 2011. His short writings were published in the daily Bali Post and Bali Orti. A number of his published books are Oral Literature: Theory and Its Application (Teaching Books), Text Genre (Teaching Books), Before Hari Anniversary Wins (Lyric Prose Anthology), Historia Senja (Poetry Anthology) and several works in joint poetry anthologies. Now, he teaches at Ganesha University of Education, and is also the Coordinator of the Indonesian Language and Literature Education Study Program.ge and Literature Education Study Program.)
Made Budhiana + (Made Budhiana was born in Denpasar, Bali, … Made Budhiana was born in Denpasar, Bali, 27 March 1959. He studied painting at ISI Yogyakarta. He has exhibited his works in various countries, such as Germany, Switzerland, Singapore, Malaysia, Australia, and the Netherlands. Had solo exhibitions at The Northern Territory Museum of Arts and Sciences, Darwin, Australia (1989), Cemeti Modern Art Gallery, Yogyakarta (1989), Bali Hilton, Nusa Dua (1991), Ganesha Gallery, Jimbaran (1998), and Sika Gallery , Ubud (2001). He has won various awards, including the “Best Painting Bali Art Award” (1997), “Pratisara Affandi Adhi Karya” from ISI Yogyakarta (1985 and 1986), and so on. Budhiana's works tend to be abstract by playing with lines and colors that are full of feelings. Apart from painting, he also had an interest in literature, theater, and music.nterest in literature, theater, and music.)
Made Duatmika + (Made Duatmika, born in Jembrana, May 19, 1 … Made Duatmika, born in Jembrana, May 19, 1970. He is a painter who graduated from ISI Denpasar. His work has won the Philip Morris Art Award (1998). Since he was a student, he has been diligent in participating in joint exhibitions. Among them are the “Force of 93” exhibition at the Bali Cultural Park (1996), the Philip Morris Indonesia Awards Exhibition in Jakarta (1998), the Joint Exhibition at the Hendra Gallery in Prana, Jakarta (2010), etc. He is a member of the art community Militanarts. His works tend to present a social atmosphere that is dominated by bright colors.sphere that is dominated by bright colors.)
Made Edy Arudi + (Made Edy Arudi is a poet and a civil serva … Made Edy Arudi is a poet and a civil servant teacher at SMP Negeri 2 Sukasada - Bali, born October 22, 1978. His poems are often published in the National Bali Post newspaper, his other works can also be read in several poetry anthologies together, such as: Klungkung: Tanah Tua Tanah Cinta (2016), Anthology of Poems of 100 Poets of the Archipelago “When the Birds Have Gone” (2016), Finding Childhood in the Body of Advice (2016), Madah Merdu Kamadhatu (2017), Ijen Valley Smile (2018), and Chewing Furious Against Corruption (2018), etc.ng Furious Against Corruption (2018), etc.)
Made Galung Wiratmaja + (Made Galung Wiratmaja is a painter born in … Made Galung Wiratmaja is a painter born in Sukawati, Gianyar, Bali, May 31, 1972. He completed his art education at PSSRD Udayana University. Since 1993 he has diligently displayed his work in many joint exhibitions, such as the “Retrospective” exhibition at Bentara Budaya Bali (2018). His solo exhibitions are “Silent Nature” at Ganesha Gallery, Jimbaran (2007) and “Landscapes” at Griya Santrian Gallery, Sanur (2006). He has won awards from the Indonesian Fine Arts Foundation (2000), the German Der Weltkulturen Museum (2006) and the Mandiri Art Award (2015). Galung's works tend to combine abstract and figurative patterns with captivating color plays.ive patterns with captivating color plays.)
Made Gunawan + (Made Gunawan is a painter born in Apuan, T … Made Gunawan is a painter born in Apuan, Tabanan, Bali, July 14, 1973. He is a fine arts graduate from ISI Denpasar. His latest works with decorative patterns talk a lot about ecology which is associated with the concept of Tri Hita Karana, the harmonious relationship between humans and God, with fellow humans, with nature (animals and plants).Since 1995, Gunawan has been actively involved in joint exhibitions, both at home and abroad. Meanwhile, since 1999, he has held solo exhibitions. These include the “Nungkalik” Sketch and Painting Exhibition at the boarding house, the exhibition at the Hadiprana Gallery Jakarta (2002), “Women” at Jenggala Ceramics Jimbaran Bali, “Melody & Beauty From the Paradise Island at the Hadiprana Gallery Jakarta (2004), an exhibition at Montiq Galery Jakarta (2007), exhibition “Third Solo Exhibition” at Galeri Hadiprana Jakarta (2008), exhibition at Art Village Gallery Malaysia (2009), Tree Of Life at Hadiprana Gallery Jakarta (2014), “Garis Bali” at AMBIENTE Jakarta (2015) ), Tree of Life at Hadiprana Gallery Jakarta (2018).Gunawan also made several performing art works. Among other things, the "Golden Chair" which was staged at the Bali Cultural Park (1997). In 2000, Wayang Visual Arts, the Culture of Violence, Returned to Emptiness in the parking lot of Udayana University. Puppets of Fine Arts Ngaben Culture of Violence Return to Emptiness at Ciputra Mall Semarang Indonesia. In 2001, the Silhouette of Collaborative Women performed at STSI Denpasar.Gunawan's awards in fine arts are Best Sketch from STSI Dps (1997), Top Ten Best Artwork from STSI Dps (2001), As the initiator of 1000 boxes of Painting (Women & Flowers) from the Indonesian Record Museum (2003).Flowers) from the Indonesian Record Museum (2003).)
Made 'Kaek' Dharma Susila + (Made Kaek in His Own Words,.. a biography. … Made Kaek in His Own Words,.. a biography..A contemporary artist residing in Banjar Palak Sukawati Bali. A graduate of law and a self-taught artist. Made Kaek is a creative pillar with pivotal contributions to the landscape of contemporary Indonesian art. Excerpt "Background and EducationIn high school, I liked drawing and doing things like making wall art. I studied in a regular high school. When it was time to continue my studies I was advised to go to Yogyakarta to do law. So I did. In Yogya I found that law is a little conflicted in my life. Perhaps with my character and perception. But I also thought it could be something good in my life and continued with the study of law.You can say I went to Yogya to study law but in Yogya I became an artist. I met Nyoman Gunarsa.. he lived near the campus and we often met at his house. There are many places where Balinese students from ISI would gather. I would say that I found my true self there. It was a long process, going through two extremes. On the one side, there is the law and on the other is art."Read the full article on Made Kaek https://sawidji.com/about-sawidji/artists-sawidji-gallery/made-kaek/sawidji/artists-sawidji-gallery/made-kaek/)
Made Karyana + (Made Karyana, born in Batuan, Sukawati, Gi … Made Karyana, born in Batuan, Sukawati, Gianyar, January 28, 1981. He completed his art education at ISI Denpasar. Since 2005 he has been diligently involved in joint exhibitions, such as Tanda Dalam Jejak, Dewangga Gallery Ubud (2006), Joint Exhibition with the “PIJAR” group at Santrian Gallery Sanur (2011), Joint Exhibition with Baturulangun at the ARMA Museum Ubud (2012), Joint Exhibition with Baturulangun in Ubud Painting Museum (2015), Joint exhibition “Amasing Think” at LV 8 Canggu (2016). His paintings are made using traditional Batuan style techniques, but with contemporary themes. techniques, but with contemporary themes.)
Made Kenak Dwi Adnyana + (Made Kenak Dwi Adnyana, born in Kintamani, … Made Kenak Dwi Adnyana, born in Kintamani, May 10, 1985. He completed his art education at ISI Yogyakarta. He has participated in various joint exhibitions. Among other things, the exhibition "One step Back" at the Sono Budoyo Museum, Jogjakarta (2018), "Abstract is...?" at Bentara Budaya Bali (2017), Legend of the Archipelago at KOI Galeri Kemang, Jakarta (2016), “From Time to Taste” at ORASIS Galeri Surabaya (2015), ARTE Indonesia Art Festival 2014, at JCC Jakarta. He received the Jakarta International Art Award Nominee (2010) and Best Sketch Class of 2004 from ISI Yogyakarta. His works tend to display abstractions of nature with distinctive coloring.tions of nature with distinctive coloring.)
Made Mantle Hood + (Made Mantle Hood is professor of ethnomusi … Made Mantle Hood is professor of ethnomusicology, Chair of the Graduate Institute of Ethnomusicology and Director of the Asia-Pacific Music Research Centre at the Tainan National University of the Arts, Taiwan. He serves as Chair (2021-2025) of the ICTM PASEA study group. His previous posts were at Universiti Putra Malaysia (2012–2018), Melbourne University, Australia (2011–2012) and Monash University, Australia (2005–2011). His current research interests include ontologies of sounded movement, endangered forms of vocalisation, tuning systems as well as music and social justice. He is currently the lead researcher in the Taiwan Ministry of Science and Technology-funded project, Towards the Sustainability of Vocal Heritage in the Philippines, Malaysia and Indonesia (2019–2021). He is the author of Triguna: A Hindu-Balinese philosophy for gamelan gong gede music (2010) and co-editor of Music: Ethics and the community (2015).of Music: Ethics and the community (2015).)
Made Muliana + (Made Muliana alias Bayak is a contemporary … Made Muliana alias Bayak is a contemporary Indonesian artist from Bali. He was born in Gianyar, June 27, 1980. He studied fine arts at the Indonesian Art Institute (ISI) Denpasar from 1999 to 2005. Apart from painting on canvas, he also creates murals, performs performing arts, plays music, and is active in environmental conservation movements. As a form of concern for the environment, he processes a lot of plastic waste into works of art.Bayak has held many art exhibitions, both at home and abroad. His solo exhibitions include Art For Artists Sake (Sika Gallery Ubud, 2008), Artists Don't Lies (Griya Santrian Gallery Sanur, 2012), Plasticology Reissue (Arys Warung Ubud, 2013).The fine arts awards he has won include: Top 20 Finalist of Nokia Art Award 2000, Top 20 Finalist of Nokia Art Award 2001, Finalist of Bazaar Art Award 2010, Top 20 Sovereign Art Price 2013 at Espace Louis Vuitton Singapore.ce 2013 at Espace Louis Vuitton Singapore.)
I Made Santika + (Made Santika is a student from the Faculty of Cultural Sciences, Udayana University with a Balinese Literature Study Program. He was born on January 4, 2000. He is also the son of a great writer, namely Mr. I Made Degung and Mrs. Ni Ketut Sutarmi.)
Made Sugianto + (Made Sugianto was born in Tabanan, Bali, A … Made Sugianto was born in Tabanan, Bali, April 19, 1979. He writes literature in Balinese and Indonesian languages. In 2009 he founded the publisher Pustaka Expression which publishes many literary books in Balinese and Indonesian languages. In addition, he also created Expression magazine, Kukuh TV, and became a journalist.His published works include Bikul (2010), Preman (2010), Sundel Tanah (2010), Bunga Valentine (2011), Sentana (2011), Meong Garong (2012), Sing Match (2013), Sentana Cucu Marep (2014), Ratna Tribanowati (2014), Ki Baru Gajah (2015). In 2012 he won the Rancage Literary Prize for his services in the development of modern Balinese literature and 2013 for his Balinese novel, Sentana.Now he serves in his village in Kukuh, Marga, Tabanan.s in his village in Kukuh, Marga, Tabanan.)
Made Sukada + (Made Sukada, born in Denpasar, April 23, 1 … Made Sukada, born in Denpasar, April 23, 1938. Apart from being a writer and writer, he is a lecturer in Indonesian Language and Literature at the Faculty of Letters (now FCS) Udayana University, Bali. He is a graduate of the Faculty of Letters, Gadjah Mada University, Yogyakarta (1982). He has been writing literature since junior high school, published in various local and national print media, such as Bali Post, Kompas, etc. His published books are Several Aspects of Literature (1987), The Development of Several Indonesian Literary Critics: Systematic Problems of Analysis of Fiction Structures (1987 and 1991), An Illusion (poetry; 1971), The Lost Morning Sun (essay; 1971), The Development of National Literature in Bali (1972), A Little About Drama (1973), and so on. He was the chairman of the Indonesian-Bali Artists Institute (Lesiba). In addition, he also worked as cultural editor of the Suluh Marhaen Daily (now Bali post).f the Suluh Marhaen Daily (now Bali post).)
I Made Surita + (Made Surita was born July 27, 1951 in the … Made Surita was born July 27, 1951 in the village of Payangan. His father, a Hindu official, specialized in painting wayang (puppet) figures. In 1965, after finishing primary school, he started to draw zealously, picturing nature and people with cult functions.In 1968 he enrolled at the Sekolah Seni Rupa Indonesia (School of Fine Arts Indonesia, or SMSR) in Denpasar. After two years there, he was able to finance his study through the paintings he was selling. During this period, the artist Nyoman Darsana, also from Payangan, helped him master batik techniques.The years between 1971 and 1988 represented a period of doubt for him, a quest for his own soul. From time to time he sought comfort in other occupations and professions, concentrating more on batik, or working as a journalist for various newspapers. In 1988, he eventually discovered his own personal painting style based on Balinese culture.A style of his own? He discovered it by combining the different existing wayang styles – the 'Kamasan Klungkung' style and the 'Young Artist' style as it had been developed and taught by the Dutch painter Arie Smit.Elements of both styles were subordinated to his own subject matter – the culture of Bali or daily life as it is determined by religion. In his most recent paintings, he links up even more stylistic elements than before. The compositions refer to the 'Young Artist' painting style, the figures and trees to 'Wayang Kulit' (shadow puppet), the colors to 'Wayang Kamasan' and the technical finish to the traditional Ubud style.Since 1970, Surita's work has been widely exhibited throughout Indonesia as well as in galleries in Singapore (1993, 1994, 1996, 1998, 1999), Australia's Darwin Museum (1996) and the Darwin Parliament House (1997).6) and the Darwin Parliament House (1997).)
Made Susanta Dwitanaya + (Made Susanta Dwitanaya, born in Tampaksiri … Made Susanta Dwitanaya, born in Tampaksiring, July 22, 1987. He studied fine arts at Undiksha, Singaraja. He started writing and curating art exhibitions since his college days in 2009. Then in 2013 he joined the Gurat Institute, an independent institution engaged in curatorial, research, and documentation of visual arts and visual culture in Bali. Until now, he has actively curated a number of art exhibitions, including the Megarupa (2019) art exhibition. Together with the Gurat Institute he was involved in writing several books on fine arts, such as Lempad for the World (2014). In 2017 he became one of the authors of a series of art heritage books about six Indonesian artists initiated by the Director General of Art at the Indonesian Ministry of Education and Culture.onesian Ministry of Education and Culture.)
Made Taro + (Made Taro was born in Bali and has always … Made Taro was born in Bali and has always loved traditional stories, games and children’s songs. He has been a story teller since 1973 and has performed in Indonesia, Darwin, Pretoria and at the Ubud Writers’ and Readers’ Festival.Made Taro is very passionate about promoting traditional games and believes that engaging in such games teach children valuable lessons such as patience, respect for others and keeps them out of trouble. For the past 35 years he has run Kukuruyuk, a children’s group for 8 – 12 year olds, where he educates children through stories and traditional games such as the gasing (top spinning) and mecungklik (game played with bamboo). Made has worked with disadvantaged and underprivileged children throughout Indonesia. Made believes that play is important for children, and thus he incorporates games and play in his Storytelling performances. His storytelling sessions also include singing and traditional percussion accompaniment. He has written more than 30 books about traditional games, children’s songs and folktales. A recipient of many awards as an outstanding teacher, preserver of culture, storyteller and writer, he was recently bestowed the prestigious Anugerah Kebudayaan (Cultural Medallion) from the President of the Republic of Indonesia in 2009.https://sisf.bookcouncil.sg/2012/pages/storyteller-made.htmlIn 2019, at the age of 80, he received a Lifetime Achievement Award from the Ubud Writers and Readers Festival.rom the Ubud Writers and Readers Festival.)
Made Wianta + (Made Wianta is an international class arti … Made Wianta is an international class artist who was born in Apuan, Tabanan, Bali, December 20, 1949. He is a graduate of ISI Yogyakarta. In 1976, he studied European art in Brussels, Belgium, while visiting art galleries and museums. His works have been exhibited in various countries, including America, France, the Netherlands, Italy, Singapore, and elsewhere. His works number in the thousands, in the form of sketches, drawings, graphics, paintings, sculptures, and even visual poetry. Some of these works are documented in several books, including “Made Wianta” (1990), “Made Wianta: Universal Balinese Artist” (1999), “Made Wianta: Art and Peace” (2000), “Wild Dogs in Bali: The Art of Made Wianta” (2005). Made Wianta died on November 13, 2020.5). Made Wianta died on November 13, 2020.)
Michael White (Made Wijaya) + (Made Wijaya was born Michael White in Sydn … Made Wijaya was born Michael White in Sydney, Australia. He arrived in Bali in 1973, having jumped ship and swum ashore in a rainstorm. A student of architecture, he first of all intended the visit as a short break from his studies, but his fascination with Bali's rich culture and tradition led him to move in with a Brahman family in South Bali. After various jobs teaching tennis and English, working as a tourist guide and photo-journalist, he began contributing to guide books before being asked to design the gardens of the legendary Bali Oberoi.More than 600 gardens later, Wijaya is a world renowned tropical garden designer whose company, P.T. Wijaya Tribwana International, has a 500–strong team of artisans and "garden commandos," as he calls them. He travels between his Bali base and Singapore, India, Spain, Morocco, Hawaii, Australia and Mexico to weave his magic.A recognized authority on tropical gardens and South East Asian architecture, he has published five books, The Complete Stranger in Paradise; Balinese Architecture: Towards an Encyclopaedia; Tropical Garden Design (Archipelago Press and Wijaya Words, 1999); At Home in Bali (Abbeville Press, 2000); and Architecture of Bali – A Source Book of Traditional and Modern Forms (Archipelago Press and Wijaya Words, 2002). He also contributed to Tropical Asian Style and was the main author of a pocket guidebook to Bali.His signature column "Stranger in Paradise–Diary of an expatriate in Bali” at (www.strangerinparadise.com) and Hello Bali monthly magazine and Jakarta Post for trightly) and "Poleng" magazine and as well are much loved across the landMade Wijaya passed away on 28 August 2016.Websites:http://www.strangerinparadise.comhttp://www.ptwijaya.comhttp://www.novustamanbebek.comhttp://www.wijayajournal.blogspot.comhttp://www.baliluwih.blogspot.comhttps://www.youtube.com/channel/UCwWwiI_UtuLDgPfSMhKXL8wutube.com/channel/UCwWwiI_UtuLDgPfSMhKXL8w)
Made Wiradana + (Made Wiradana was born in Denpasar, Octobe … Made Wiradana was born in Denpasar, October 27, 1968. He graduated from the Faculty of Fine Arts at the Indonesian Art Institute, Yogyakarta. Since 1989 he has held joint exhibitions at home and abroad. While his solo exhibitions include “Ancient Imagination” (Yogyakarta, 1999), “Ancient Forms” (The Chedi, Ubud, 2000), “The Final Declaration of Art 2001” (ARMA Museum, Ubud, 2001), “Canvas is Round. ” (Mon Décor Gallery, Jakarta, 2003), “Global Convention on Peace”(Asoka Hotel, Belgium, 2004), “Art of Wiradana” (Bidadari Gallery, Ubud, 2005), “Bali is My Life” (2006), “Animal Exodus” (Srissasanti Gallery, Jakarta, 2009), “Enjoy” (Ambiente Gallery, Jakarta, 2010), “Sensibility Line” (Griya Santrian Gallery, Sanur, 2018).ne” (Griya Santrian Gallery, Sanur, 2018).)
Nyoman Butur Suantara + (ManButur Suantara is a Fine Art Photograph … ManButur Suantara is a Fine Art Photographer. An artist, teacher and mentor in the Industry for over a decade his contributions into the many genres of photography is vast. His love for Nature does not only inspire his art but also his environmental and wildlife documentation projects. Considerable in scope and dedication as his way of giving back to Mother Nature.Born in Amlapura, a small town in the east part of Bali Island. ManButur Suantara is a freelance photographer with a strong passion for Landscape Photography. For years now he has explored Nature scapes through extensive travel.Besides Landscape Photography, Nyoman has been for many years active in different areas of Commercial Photography as well. A veteran of several genres including architectural, food, events as well as macro photography.Bali is Nyoman’s home base. With its rich natural beauty and culture. Providing Nyoman with ample themes in which his Landscape and Cultural Photography can truly be seen for its artistic depth.ManButur Suantara is also associated with MY TRIP INDONESIA. Through this project he actively travels to many parts of Indonesia. Providing training and mentoring for clients who wish to learn Photography with a more customised and tailored personal program.Environmental Wildlife Project mostly with the documentation of bird species which are found in Bali. Either they are endemic or migrating birds, Nyoman is contributing significant time to explore and capture images of them in their habitat as record for their species.their habitat as record for their species.)
I Wayan Langgeng + (Mangku Bajra whose real name is I Wayan La … Mangku Bajra whose real name is I Wayan Langgeng, was born in Sanur Kaja, July 1, 1963. He is in charge of leading and completing the Panca Yadnya ceremony. Prior to becoming a priest, he taught Balinese and Hinduism at an elementary school in Sanur. In his youth, he liked to act in theater and write poetry. His poems have been published in the Bali Post Sunday. In addition, he also likes to write lontar. Because of his passion for writing and reading lontar, he understands the science of traditional Balinese medicine (usada). Apart from being a priest, he is a traditional elder in Sanur Kaja., he is a traditional elder in Sanur Kaja.)
Mangku Muriati + (Mangku Muriati was born in Klungkung, Bali … Mangku Muriati was born in Klungkung, Bali, 1967. She is a female Balinese artist who paints in the traditional classic Kamasan style. The Kamasan style is an aesthetic form of painting that uses wayang stories such as wayang kulit, mostly from the Mahabrata and Ramayana epics.Mangku Muriati is the daughter of Mangku Mura (1920-1999), one of the prominent Kamasan painters. Since childhood, she followed her father to paint by coloring typical wayang paintings in Kamasan Village, Klungkung.Then she studied at the Art and Design Study Program (PSSRD), Udayana University Denpasar, Bali and after graduating returned to painting the Kamasan style at his home. The number of female artists who pursue Kamasan style painting is not as many as men.In 1990 at the age of 32, Muriati became a ritual leader or Pemangku at the temple, a sacred place where she lived, Banjar Siku, Kamasan.Kamasan is the only village in Bali where this traditional art form has not been replaced by a new style. Although loyal to the classical Kamasan art tradition, in his work he also mentions social and political developments in Bali.Murniati chose to live in her house in Banjar Siku, not Banjar Sangging, which is the place where Kamasan painters generally work. He is considered to have proven that he can move his banjar because his works are ordered and collected by many parties from within and outside the country.rties from within and outside the country.)
Manila Ayupijaya + (Manila Ayupijaya is a government staff member in the field of human resources who is currently serving at the Manpower and Energy Mineral Resources Service of Bali Province.)
Fred Eiseman Jr. + (Many decades Eiseman Jr. spend in his seco … Many decades Eiseman Jr. spend in his second home Bali, but his stunning biography shows a curious explorer far beyond Bali.Born in Mark Twains Missouri 1926, nature and indigenous culture soon became his passion. 11 years old he visited the Great Canyon the first time in 1937. At the age of 12 he joined Prairie Trek Expeditions in the South West in his summer school holidays.In war time he completed his studies and became a highly acclaimed teacher in the 50s, teaching Earth science, chemistry, and physics, publishing on these topics and receiving a a nation-wide teacher award 1959. In school holidays he would continue to explore the Grand Canyon, becoming an experienced river guide and a good friend of Hopi and Navajo Indians.In the 70s he came to Bali his first time, to stay here almost the rest of his life.Fred Eiseman Jr. died April 6, 2013 in Arizona, his ashes have been returned to Bali.ona, his ashes have been returned to Bali.)
Margaret Coldiron + (Margaret Coldiron is currently Deputy Head … Margaret Coldiron is currently Deputy Head of the BA in World Performance at East 15 Acting School, University of Essex and a member of Gamelan Lila Cita and Lila Bhawa dance troupe. She has studied and performed Balinese topéng since 1997 and has led workshops throughout the United Kingdom and Europe. Trained as an actress at the Drama Centre London, Margaret Coldiron toured the United States with the National Shakespeare Company and has taught and directed for professional theatre programmes in the United States and United Kingdom.s in the United States and United Kingdom.)
Margaret Mead + (Margaret Mead (December 16, 1901 – Novembe … Margaret Mead (December 16, 1901 – November 15, 1978) was an American cultural anthropologist who featured frequently as an author and speaker in the mass media during the 1960s and the 1970s.She earned her bachelor's degree at Barnard College of Columbia University and her M.A. and Ph.D. degrees from Columbia. Mead served as President of the American Association for the Advancement of Science in 1975.Mead was a communicator of anthropology in modern American and Western culture and was often controversial as an academic.Her reports detailing the attitudes towards sex in South Pacific and Southeast Asian traditional cultures influenced the 1960s sexual revolution.She was a proponent of broadening sexual conventions within the context of Western cultural traditions.Together with her third husband (1936-1950), Gregory Bateson, she did research on Balinese culture.son, she did research on Balinese culture.)
Mark Hobart + (Mark Hobart is Emeritus Professor of Criti … Mark Hobart is Emeritus Professor of Critical Media and Cultural Studies at SOAS, University of London. Mark's research interests include philosophical issues in Anthropology, Cultural and Media Studies. Currently he is running a project on cultural styles of argument and rhetoric entitled 'How Indonesians Argue', which aims to explore the practices that constitute what we usually call 'culture' or 'society'. Having carried out over eight years of intensive ethnography in Indonesia, his interest is driven by awareness of the unappreciated gulf between academic theorizing and concepts on the one hand and how people act, judge and interpret their own actions.Bali-related publications include:Hobart, Mark (2017) 'Bali is a battlefield Or the triumph of the imaginary over actuality'. Jurnal Kajian Bali (Journal of Bali Studies), (7) 1, pp 187-212.Hobart, Mark (2011) 'The relevance of cultural and media studies to theatre and television in Bali'. Jurnal Kajian Bali (Journal of Bali Studies), (1) 2, pp 63-75.Hobart, Mark (2011) 'Bali is a brand: a critical approach'. Jurnal Kajian Bali (Journal of Bali Studies), (1) 1, pp 1-26.Hobart, Mark (2010) 'Rich kids can’t cry: reflections on the viewing subject in Bali'. About Performance, (10), pp 199-222.Hobart, Mark (2007) 'Rethinking Balinese Dance'. Indonesia and the Malay World, (35) 101, pp 107-128.Hobart, Mark (2000) 'The end of the world news: television and a problem of articulation in Bali'. International journal of cultural studies, (3) 1, pp 79-102.Hobart, Mark (1997) 'The missing subject: Balinese time and the elimination of history'. Review of Indonesian and Malaysian Affairs, (31) 1, pp 123-172.and Malaysian Affairs, (31) 1, pp 123-172.)
Mary S. Zurbuchen + (Mary S. Zurbuchen’s research interests inc … Mary S. Zurbuchen’s research interests include Southeast Asian humanities, the study of historical memory, and social justice in international education. She is the author of The Language of Balinese Shadow Theater (Princeton 1987), and her edited works include Beginning to Remember: The Past in the Indonesian Present (Washington/Singapore 2005), as well as Origins, Journeys and Returns: Social Justice in International Higher Education (Social Science Research Council 2009). Zurbuchen has long worked in philanthropy, serving as the Ford Foundation’s Representative based in Jakarta from 1992‐2000, overseeing grant programs and field offices in Southeast Asia. Her work with Ford Foundation included assignments as Program Officer for Culture in Indonesia (1984‐87) and India (1988‐91). Since 2004 she has served as Director for Asia and Russia with the Ford Foundation International Fellowships Program. From 2000‐2003, Zurbuchen was appointed Visiting Professor at the International Institute, University of California, Los Angeles, and also served as Acting Director of UCLA’s Center for Southeast Asian Studies. She received the Ph.D. in Linguistics and M.A. in Southeast Asian Studies from the University of Michigan, Ann Arbor, and the B.A. (Honors in Literature) from the University of California, Santa Cruz. the University of California, Santa Cruz.)
Mas Ruscitadewi + (Mas Ruscitadewi was born in Kesiman, Denpa … Mas Ruscitadewi was born in Kesiman, Denpasar. She holds a Bachelor of Arts in archeology and a Master's in Hindu philosophy. Since elementary school she has been actively writing poetry, short stories, and drama. Her literary work is collected in the book "Hana Bira," her short stories in the book "Penari Sanghyang" (Indonesian), "Luh Jalir" (Balinese), her dramatic scripts in the books "Rumah Bunga" and "Nyanyian Hitam" (monologue), as well as in a few collected volumes of poetry and short stories together. She was one of the forces behind Bali Orta, the Balinese language section of Bali Post.Mas Ruscitadewi studied archeology, philosophy and religion at the Denpasar State Hindu Dharma Institute.As well as writing poetry, songs, and short stories, she teaches philosophy in the form of theatre to prisoners who’ve been sentenced to death at Kerobokan Prison.She also teaches children with HIV/AIDS at Yayasan Kerti Praja, and is a curator for Gelar Seni Bali Mandara Nawanatya, a year-long arts event series. Nawanatya, a year-long arts event series.)
Ida Bagus Njana + (Master Balinese woodcarver Ida Bagus Njana … Master Balinese woodcarver Ida Bagus Njana (1912-1985).Njana's family descends from Dang Hyang Nirartha, the saint of Balinese Hinduism, who moved to Bali in the 1500s and spread his religious reforms by travelling around the island. In the village of Mas, the local headman gave him one of his daughters. Their son from his marriage, Ida Putu Mas, started the Brahmana Mas line. Like their ancestors, the Mas Brahmins became priests or, like Njana, woodcarvers and architects.r, like Njana, woodcarvers and architects.)
KEMISKINAN ANCAMAN MASA DEPAN PULAU DEWATA + (Matur suksema majeng ring pengater acara, … Matur suksema majeng ring pengater acara,santukang galahe sane becik punika kapaicang ring pasikian titiang. sedurung titiang unigayang atur pinih rihin lugrayang, ngiring sareng sareng ngastiti ring ida sang hyang widhi wasa. titiang antung nguncarang panganjali umat OM Swastiastu para angga panurakse sane wanggiang titiang timBASABALI Wiki sane kusumayang titiangg timBASABALI Wiki sane kusumayang titiang)
Melati dan Isabel Wijsen + (Melati and Isabel Wijsen are young Balines … Melati and Isabel Wijsen are young Balinese women. Since 2013, they have been very concerned about fighting plastic waste. They established a Non-Governmental Organization (NGO) called “Bye Bye Plastic Bag” with a vision and mission to free Bali from plastic waste. The effect is enormous for the global community. As of January 2016, thirteen countries have shown interest in joining and implementing Bye Bye Plastic Bags in their respective countries. Three months later the NGO spread its wings to the capital city of Jakarta. Also, Bye Bye Plastic Bags managed to involve around twelve thousand volunteers to collect 40 tons of garbage across beaches on the island of Bali in February 2017 in an event entitled One Island One Voice. The NGO also marks shops and stalls that are no longer using plastic bags on its social media.Melati and Isabel are young girls who made Indonesia famous internationally. They won the “Bambi” Award in Germany thanks to the Bye Bye Plastic Bags program. They are two teenagers who are very inspirational to the international community, and are the youngest recipients of the Bambi award.They are admirers of Nelson Mandela, Lady Diana, and Mahatma Gandhi. They then took the initiative to do useful things for the world at a young age. Through the NGO Bye Bye Plastic Bags, they realized their mission and were invited to London to speak at TED Talks and also to New York to be a speaker at the United Nations during the commemoration of World Oceans Day 2017.he commemoration of World Oceans Day 2017.)
Ni Putu Mira Novianti + (Mira MM Astra is the pen name of Putu Mira … Mira MM Astra is the pen name of Putu Mira Novianti, born in Denpasar, 1978. She studied Philosophy at Charles University Prague and Anglo-American University in Prague, Czech Republic. Her poems have been published in the Bali Post, Kompas, Koran Tempo, and are collected in her poetry book: Pinara Pitu (2016). Apart from writing poetry, she has also been active in theater.etry, she has also been active in theater.)
Iseng Bali Sane Kuna + (MISSING THE FIRST BALI The prolonged Covid … MISSING THE FIRST BALIThe prolonged Covid-19 pandemic has forced the Government to limit visits from local or foreign tourists, this has caused Bali to be still empty of visits, this situation is due to various reasons, ranging from the increasing number of positive cases of Covid-19 in Indonesia to permits that have been issued. considered burdensome for visitors.Talking about Bali tourism means that we focus on the cultural and natural sectors which are the main selling points. Looking at the current problems and situation, it is hoped that the government will take advantage of the condition of Bali which is still empty of tourists by focusing on preserving nature and strengthening its cultural values. How, namely by taking big steps in limiting the construction of instructors that are unnecessary and have no impact in attracting foreign tourists. We all know Bali is even better known in the international world than our own country, we are known for the unique culture and beautiful nature it has to offer.I was looking for some information around, both from tour guides or from tourists who have settled in Bali, I gave some questions about what foreign tourists usually like and make them comfortable in Bali, their answers are almost the same in essence, namely culture and nature offered, not in terms of technology or the splendor of the modern buildings that are here. some interesting things that I found in the answers given by the speakers who I asked questions, namely they missed the old Bali atmosphere, they missed the traditional Balinese culture and nature when they came to Bali for the first time.My biggest hope as a millennial generation who has never experienced what “Bali of the past” is, who only knows from parents' stories, pictures from Google and videos from Youtube, hopefully the Government can prioritize and create programs that are able to shape the longed for Traditional Bali, because what tourists are looking for is not Bali with advanced technology or magnificent infrastructure, but a beautiful Bali with a friendly environment.eautiful Bali with a friendly environment.)
I Nyoman Marsa + (Modern and ontemporary painter who was born in 1952.)
I Dewa Made Ariawan, S.Ag., M.Pd.H & I Nengah Asrama Juta Ningrat, S.Ag., M.Fil.H + (Mr. I Dewa Made Ariawan, S.Ag., M.Pd.H and … Mr. I Dewa Made Ariawan, S.Ag., M.Pd.H and Mr. I Nengah Asrama Million Nobles, S.Ag., M.Fil.H are the masters of the geguritan Catur Bhujangga Bali Mula. Mr. I Dewa Made Ariawan, S. Ag., M.Pd. H or Pak Dewa Mangku Dalang was born in Serai Hamlet, Penglumbaran Village, Kec. Shrink, Bangli Regency, on August 6, 1986 from the couple I Dewa Nyoman Reka & Jro Nyoman Munet. His daily life is an education staff in the Department of Education, Youth and Sports, Bangli Regency, but in between his busy life outside the father of Dewa Ariawan, he is still active in the field of art, namely Dalang. He also won 2nd place in the Utsawa Dharma Githa adult marriage competition in 2017 in Palembang and 1st place in the adult marriage competition in Bali in 2016.Mr. I Nengah Asrama Juta Ningrat, S.Ag., M.Fil.H is an art actor who is still active in compiling books, many books have been produced. He has also won the achievement of becoming the 1st Winner of an outstanding Hindu Religion Teacher at the Provincial level in 2015. Mr. Million Nobles was born in a clerical environment on the north slope of Mount Batur, Songan A, Kec. Kintamani, Bangli Regency, on June 15, 1980 from the couple Jro Gincang & Jro Suwiti. Apart from compiling books, his daily life is as a teaching staff in the Ministry of Religion of Bangli Regency from 2014 until now.Broadly speaking, this Bhujangga Bali Mula Catur geguritan contains the origin of the Bhujangga Bali Mula breed, precisely the Kayu Selem people in the Hyang Gwa Song tampur. It is hoped that the residents of Kayu Selem who are in Bali and outside Bali should continue to remember their ancestors as guides in carrying out their lives as damuh warih Ida Mpun Semeru.ng out their lives as damuh warih Ida Mpun Semeru.)
I Wayan Phala Suwara S.Pd.H.,M.Pd + (Mr. I Wayan Phala Suwara S.Pd.H.,M.Pd he w … Mr. I Wayan Phala Suwara S.Pd.H.,M.Pd he was born in Denpasar, May 22, 1993. Located on Jalan Gemitir, Gang Suli B Biaung-Denpasar. His parents are I Wayan Sujana and Ni Nyoman Sariani. He works as a teacher at SMA Negeri 3 Denpasar. His last education was S2 at IHDN.npasar. His last education was S2 at IHDN.)
I Wayan Suardika + (Mr. I Wayan Suardika is a pengawi from the … Mr. I Wayan Suardika is a pengawi from the Nusa Penida region, he was born in Pelilit 08 June 1989, he has his address at Pelilit hamlet des Pejukutan Subdistrict Nusa Penida, Klungkung Regency, Mr. I Wayan Suardika studied elementary school at SDN 8 Suana, studying junior high school at SMPN 1 Nusa Penida, attended high school at SMAN 1 Nusa Penida, then took undergraduate and postgraduate education at the Ganesha education university by taking the Balinese language education study program. Since 2017 he has been writing Balinese literature purwahas been writing Balinese literature purwa)
I Wayan Turun + (Mr. I Wayan Turun is a writer who comes fr … Mr. I Wayan Turun is a writer who comes from Kesiman Village, East Denpasar District, Denpasar City, he was born in 1951, as a writer he often creates literary works in the form of geguritan, kidung, Puranas and others.Geguritan Penataran is one of the 108 literary works of Mr. I Wayan Turun. This geguritan is a work on the treatment of lontar which used to use tissue paper. Before writing geguritan Penataran, he had written many other literary works such as Kidung Kidalang Pricek, Geguritan Busana, Geguritan Balian Batur.He has been involved in literary arts since a young age, has become a very bright experience today, such as: being a staff at a Balinese museum, making temples and inscriptions, Gama Sesana researchers Aji Loka Trestih and Aji Loka Kertih and many others.With extraordinary works, he often makes literary works for several temples in Kesiman.From him, I learned that there are still many authors of Balinese literary works around us today, even though they are still located on the modern and bustling side of Denpasar City.modern and bustling side of Denpasar City.)
Ida bagus wiryanatha + (Mr. Ida Bagus Wiryanatha, he was born on M … Mr. Ida Bagus Wiryanatha, he was born on May 19, 1961 in Pejeng village, Gianyar. Is a native of Br Puseh Pejeng Village, Gianyar. Currently, he is a lecturer at the Indonesian HINDU University at the Faculty of Health. He has completed his last education S1 Dr. General at Udayana University and S2 Religion and Culture at the Hindu University of Indonesia. Mr. Ida Bagus Wiryanatha is the son of the late. Ida Peranda Wayan Ngenjung and the late Ida Peranda Istri Bun. Mr. Ida Bagus Wiryanatha has 1 very beautiful wife named Ida Ayu Wimba Ruspawati and from his marriage with his wife, he is blessed with 3 children.h his wife, he is blessed with 3 children.)
Catharina Widjaja + (Ms. Catharina Widjaja is Executive Vice Pr … Ms. Catharina Widjaja is Executive Vice President at Gajah Tunggal Group. From 2004 till recently, she held the position as Director for Corporate Communication and Investor Relations at PT Gajah Tunggal Tbk.Prior to joining the Gajah Tunggal Group, Ms. Widjaja worked for various multinational companies including Deutsche Bank AG, Jakarta, as a Foreign Exchange Dealer for two years from 1986 to 1988, and HSBC Indonesia, for nine years, where she last held the position of Country Treasurer. She received a Master of Science in Control Engineering from the University of Bradford in 1986 and also an alumni of MIT Sloan School of Management for the Executive program.Ms. Widjaja is also the Director of Alun Alun Indonesia, an Indonesian retail concept which promotes Indonesian products and artisans. In addition, Ms. Widjaja is active in several social activities including the United in Diversity Foundation, CCPHI, IBCA, IBCWE, YCAB and Yayasan Mitra Museum Jakarta. Ms. Widjaja was recognized as Global Trade Ambassador Indonesia by WIT-LA in 2019 and received TOP Leader on CSR Commitment by Business News Indonesia in 2018 and was nominated in the 2017 Telstra Business Women Awards.Cath also serves on the Board of BASAbali.Cath also serves on the Board of BASAbali.)
Muda Wijaya + (MUDA WIJAYA is a poet and theater actor wh … MUDA WIJAYA is a poet and theater actor who was born in 1974 in Kecicang, Karangasem, Bali. He completed education in Denpasar equivalent to high school in 1993.He was active in the Got Denpasar Theater and was involved in a number of performances in several places in Bali. Together with the Satu Kosong Elapan group, they played the script Death of A Salesman (2004) at Taman Ismail Marzuki in the Indonesian Realist Theater Stage. One of his poems was included in the Ten Best Poetry Writing Contest in Bali (2002) which was held at Udayana University Orok Theater.Winner of a poetry and short story writing competition at Balai Bahasa in Bali (2004). A number of his poems have been published in local and national mass media, including: Media Indonesia, Bali Post. Warta Bali, Cultural Traces Magazine (Banyuwangi), GM – Independent. His poetry has also been included in the poetry anthology with God of the Sky So Empty (Denpasar Language Center – 2004), short story nomination in the Tower anthology book (Denpasar Language Center – 2004), the anthology with Maha Duka Aceh published by PDS. HB. Jassin (2005), anthology of poetry from the Spirit of the Poets of Bali – West Java (Bukupop 2005), Jogja 5.9 Rithcer Scale (Bentang – 2006), Herbarium Poetry Anthology 4 Cities (Pustaka Pujangga – 2007).He has performed as a single performance art in the Gigir Manuk Multicultural Camp (2002) in KubuAddan, Buleleng, Bali. And was involved in a collaboration with William Miranda from Canada in the Eidepus Dance Drama which was played at the 2006 Bali Arts Festival.His book of poetry is entitled "Kalimah". Now he is active in Jatijagat Poetry Village, Bali. active in Jatijagat Poetry Village, Bali.)
Penanganan pemanasan global ring bali + (My esteemed judges, my beloved Basabali wi … My esteemed judges, my beloved Basabali wiki team, and my beloved brothers and sisters. Before I continue I would like to congratulate the Om Swastiastu community. I feel very fortunate to be able to participate in this activity, thank God, I can give my opinion on this Wikithon Contest on this beautiful day, allow me to express my opinion on the most important issue for our country. It's the problem of global warming. The Earth is getting hotter, as we feel in Bali, so we have to try to address global warming in Bali. Bali as a small island, but as a major tourist destination in the world should provide a powerful energy for the future. The development of global warming has become increasingly apparent. Increased pollution is one of the causes of global warming. Other causes are global warming and forest fires. In Hinduism, there is what is called the Tri Hita Karana, the three signs of happiness as man's relationship with God, man with man, and man with nature. The third point, the relationship between humans and the environment, is that the movement of planting trees is already taking place, but how do we develop a culture of caring for and maintaining these trees? That's all I can suggest. Let's consider this as a priority and the foundation of the main work program of the candidate leader who will be elected in 2024. I close with Parama santih, Om santih santih om.e with Parama santih, Om santih santih om.)
Putu Weddha Savitri + (My name is Putu Weddha Savitri and I was b … My name is Putu Weddha Savitri and I was born in Singaraja, 27th February 1981. I graduated from French Department, Padjadjaran University for my bachelor degree, and Lingustic Program, Udayana University for my Master degree. I am a lecturer in English Departement, Faculty of Arts, Udayana University since 2006, and I has interest in French language, linguistics, translation, and language teaching.stics, translation, and language teaching.)
keamanan daerah + (Nama: inyoman darma putra Absen :11 ORASI … Nama: inyoman darma putraAbsen :11ORASIom Swastiastu, perkenalkan wastan titiang i Nyoman darma putra,titiang saking br,samu, mekar Bhuana, Abiansemal -badungmasalah sane patut selesaiang teken pemerintah,masalah begal ring desa mekar Bhuana,ring jalan tingas ke sedangdrike biasane Wenten ade begal lan trek trek an,krane jalane drike sepi lan lampu penerangan Ten akehe drike sepi lan lampu penerangan Ten akeh)
I Gede Anom Ranuara, S.Pd., S.Sn., M.Si., M.Ag. + (Name : I Gede Anom Ranuara, S.Pd., S.Sn., M.Sc., M.Ag. Birthday : September 7, 1968 Occupation: Artist Status : Married)
Nancy Tingley + (Nancy Tingley is an independent art histor … Nancy Tingley is an independent art historian and consultant with a specialty in Asian art. She has worked extensively in the art world and as a museum curator. Nancy has written literary fiction in the closet for decades and has only just come out with the publication of the Jenna Murphy Mysteries. A Head in Cambodia (Swallow Press, 2017), which was nominated for a Lefty Award for best debut mystery, is the first in the series, and A Death in Bali (Swallow Press, March 2018) is the second.(Swallow Press, March 2018) is the second.)
I Wayan Udiana + (Nanoq da Kansas, real name Wayan Udiana, w … Nanoq da Kansas, real name Wayan Udiana, was born in Moding, Candikusuma, Jembrana, December 2, 1965. He is the founder of Teater Kene, Bali Experimental Theatre, Komunitas Kertas Budaya. He has also been with the Coffee Drink Studio. His literary works have been published in the Bali Post, Kompas, Nusa Tenggara, Karya Bhakti, Swadesi, Nafiri, etc. His published books are: Ladang Angin (1993) and Centuries After Women Hiding in My Body (2006), A Country That Might Not Have Time to Hear, Martabak & Cabinet, Village Children Who Challenge the Ages.inet, Village Children Who Challenge the Ages.)
I Putu Adhyaksa Narendra Krishna + (Narend was born on 14 April 2012. He has s … Narend was born on 14 April 2012. He has shown an interest in the art of shadow puppet from the age of two. He started performing as a puppeteer when he was only six years old. He includes environmental issues in his stories.He has his own YouTube channel: https://www.youtube.com/channel/UC_ckePCK__4GypMOw4_QzWgDuring his performances the gamelan gender is played by I Nyoman Yudi Artawiguna.der is played by I Nyoman Yudi Artawiguna.)
I Ketut Ngendon + (Ngendon was among the first of the Batuan … Ngendon was among the first of the Batuan painters to try the new art and was very influential on those who followed.Due to the fact that Ngendon was acquainted with both Spies and Bonnet at an early stage, and because he was involved in organising toursist events, his art seems to reach a higher degree of Westernisation than his contemporaries from the Batuan region. Paradoxically it may well be true that it is due to Ngendon's influence and artistic leadership that the Batuan painters as a group preserved their own identity and did not become epigenists of any western artist (unlike some painters from the Ubud region). Illustrative is the example told by I Ketut Tombelos (Margaret Mead's field notes), where it is said that Ngendon had a violent disagreement with Bonnet regarding the paternalistic interventions of the latter towards the style and choice subject of Ngendon. Professor Hildred Geertz perceives a strong taboo against any sign of modernisation evident in the work of Batuan painters (op. cit. p. 17). Still she rightly suggests that it was Western modernity and Western forms of power that fascinated and inspired Ngendon (op. cit. p. 19). The artist was a member of the Pita Maha artists' association.The present lot compares to a picture of the same subject of a pupil by Ngendon: I Made Djata, Collection Bateson & Mead, Princeton University, New Jersey (on loan), inv. no. B-134 (cf. literature: H. Geertz, Images of Power, p. 57, p. 56 illus). For further bibliographical notes see Geertz, pp.5-19; Hohn, pp. 43-51.al notes see Geertz, pp.5-19; Hohn, pp. 43-51.)
Ngurah Adil Widana + (Ngurah Adil Widana, was born in Negara, Ba … Ngurah Adil Widana, was born in Negara, Bali, September 14, 1963. Graduated from high school in Kota Negara, continued his education at the Health Academy and continued to the Faculty of Communication Studies in Denpasar. Then he worked at the Ministry of Health in Jembrana, at the Public Relations of the Jembrana Regency Government and finally worked at the Jembrana General Election Commission. learn to write literature self-taught. Several writings in the form of poetry and also cultural notes have been published in the Bali Post and other newspapers in Bali. The book of poetry with him is “Blengbong” (2021). Now he still works at the Jembrana General Election Commission office.mbrana General Election Commission office.)
Ni Kadek Anggreni + (Ni Kadek Anggreni, S.Pd. is the author of … Ni Kadek Anggreni, S.Pd. is the author of the book Trilingual Illustrated Dictionary (Bali-Indonesia-English) which she compiled based on her thesis research. Since childhood, she has been pursuing poetry and dreams of becoming a teacher who is loved by his students. Anggreni was born and raised in the highlands of Bangli and is eager to change the life of herself and his family for the better with proper education. She finished her undergraduate study at STKIP Suar Bangli (now ITP Markandeya Bali) in 2021. Bangli (now ITP Markandeya Bali) in 2021.)
Ni Kadek Novi Sumariani + (Ni Kadek Novi Sumariani, born in Karangase … Ni Kadek Novi Sumariani, born in Karangasem, 15 November 1996. She studied art at the Bali Design College. Since 2010 she has been active in many joint exhibitions, including “Parchment” at New Media (2015), Installation exhibition (ART I) at the Puri Painting Museum (2018), Balinese Women Artists exhibition (PBB) at Bali Cultural Park (2018), Merdeka in Expressions at the Bali Cultural Park (2019).ressions at the Bali Cultural Park (2019).)
Ni Kadék Widiasih + (Ni Kadek Widiasih was born in Banjar Magat … Ni Kadek Widiasih was born in Banjar Magatelu, Tista Village, Abang Subdistrict, Karangasem on June 14, 1984. She has studied composing since 2007. Her works are in the form of poetry and prose and have been published in Bali Orti (Bali Post) and Mediaswari (Pos Bali) since November 2007. In 2015 Widiasih received the Widya Pataka award from the Governor of Bali for her collection of poems entitled “Sang Kinasih”. A collection of her published works are:“Gurit Pangawit” (Poetry Collection, 2008)."The Kinasih" (Poetry Collection, 2015).. "The Kinasih" (Poetry Collection, 2015).)
Ni Ketut Reneng + (Ni Ketut Reneng is a maestro of Balinese d … Ni Ketut Reneng is a maestro of Balinese dance. She was born in Banjar Kedaton, Denpasar, 1909. Both of her parents died when Reneng was young. Then she devoted himself to Geria Punia. She learned to dance when she was a child to A.A. Ngurah Jambe, Salit Rengis and Nyarikan Sriada. Reneng had learned to dance leaning with Ida Bagus Bodha from Kaliungu Kelod and A.A. Rai Perit from Sukawati. She is one of the creators of Pendet Dance. Together with I Wayan Rindi, they decided to make a dance by taking the standard of the Pendet Wali Dance as the spirit of the dance. The Legong Keraton group, which was formed in 1919, became big thanks to Reneng's services. At that time she also mastered various types of palegongan dances such as the Condong Pelayon Dance, Legong Pelayon, Lasem, Kuntul, Jobog, Goak Macok and Legod Bawa. She was also a member of the Janger Dance group in Banjar Keton in 1928 and recalled her in Batavia (Jakarta) in 1929. Together with her colleague Ni Pollok, Reneng had worked as a model for a Le Mayeur who lived in Sanur. Reneng has also been a fare teacher on the shores of Lake Batur at the request of the writer and humanist Sutan Takdir Alisyahbana.ter and humanist Sutan Takdir Alisyahbana.)
Ni Komang Ariani + (Ni Komang Ariani was born in Bali, May 19, … Ni Komang Ariani was born in Bali, May 19, 1978. She is a very prolific writer of short stories and novels. Hershort stories have been published in Kompas, Jawa Pos, Media Indonesia, etc. His published books include: Lidah (2008), Senjakala (2010), Not the Empress (2012), Jas Putih (2014), Marigold (2019). In 2008 she became the first winner of the Femina Continuing Story Writing Competition through the novel “Nyanyi Sunyi Galang Tebing”. Her works have also been included in the short stories of Kompas' Choices. Now she lives in Jakarta.Kompas' Choices. Now she lives in Jakarta.)
Ni Komang Atmi Kristiadewi + (Ni Komang Atmi Kristiadewi was born in Den … Ni Komang Atmi Kristiadewi was born in Denpasar on June 24th, 1990. She studied art at a fine arts high school (Sukawati State Vocational High School 1), graduating in 2008. She later continued her education at the Republic of Indonesia Teachers Association of Bali Institute of Teacher Training and Pedagogy choosing Fine Arts as a field of study. Then she continued and finished her education at the Denpasar Postgraduate Institute of Indonesian Art with a course of study in Art Composition in 2015.Atmi became involved in the art world owing to inspiration from Japanese animation and taking it up as a hobby. Her uncle worked as an artist and greatly inspired Atmi to become an artist. Atmi's images are in the naive style using bright colors. The strength of these naive images emerges through a lengthy process which is created due to her efforts to put herself in the position of children and the experience of interacting with the students she teaches.In 2011, Atmi held her inaugural solo exhibition at Ten Art Gallery, Sanur, under the theme “Polusi Rasa”. In 2015 she held her second solo exhibition entitled “Apah” in Sudakara Art Space, Sanur. In addition, she also actively holds exhibitions with others, both at home and abroad. Through her artwork, Atmi hopes to share her experiences about the world of children interwoven with wider subject matters, such as environmental, technological, cultural, social criticisms, and so on. Visually, Atmi chooses naivism to express her inner anxieties. In 2014, Atmi’s work successfully entered the ranks of works in Kompas’s 2014 Short Story Illustration Exhibition. 2014 Short Story Illustration Exhibition.)
Ni Luh Gde Vony Dewi Sri Partani + (Ni Luh Gde Vony Dewi Sri Partani, born in … Ni Luh Gde Vony Dewi Sri Partani, born in Denpasar, June 28, 1978. She studied painting on her own. Since 2012 she has been actively displaying her work in various joint exhibitions, such as the Kartini Day exhibition at Warung Yaya, Sanur (2012), Pararelissmo at Farabi Bali (2013), "Alignment" at Bidadari Art Gallery, Ubud (2013), Bali Art Fair at Maha Art Gallery (2013), I Love My Mom at Seniwati Artspace, Ubud (2016), She Paint Her Sky at Krisnalila Foundation (2018), Jabuik Tabao Padang at Bentara Budaya Bali (2018), Luwih Utamaning Luh at Bali Cultural Park (2018 ), Indonesia Satu at the Pullman Hotel, Jakarta (2019), Vidya Diva at the Bali Cultural Park (2019). She held her first solo exhibition in 2011 entitled “Women” at Serambi Arts Antida, Denpasar, and in 2012 held an exhibition of Make Up Artist Graffiti at Yaya Artspace. Apart from painting, she pursues the art of makeup and hair styling.ursues the art of makeup and hair styling.)
Ni Luh Putu Wulan Dewi Saraswati + (Ni Luh Putu Wulan Dewi Saraswati, comes fr … Ni Luh Putu Wulan Dewi Saraswati, comes from Busung Biu Village, Buleleng. Born on July 10, 1994, she studied S1 at Undiksha, Department of Indonesian Language and Literature Education, then studied linguistics at the Postgraduate Program at Udayana University. She is now a teacher of Indonesian for foreign speakers at the Cinta Bahasa Foundation and is currently part of the Mahima Community and Theater Circle. Her anthology of poetry entitled A Thousand Mornings of Love was published in 2017.nd Mornings of Love was published in 2017.)
Ni Luh Wida Apriliani, S.Pd + (Ni Luh Wida Apriliani, S.Pd. with the pen … Ni Luh Wida Apriliani, S.Pd. with the pen name Nulus Asih. He is one of the Balinese writers of geguritan who lives on Jl. Raya Semer, Gang Tunjung Mekar no.11, Peliatan Environment, Kerobokan Village, North Kuta District, Badung Regency. She was born in Gelunggang on April 5, 1993. She is the daughter of I Wayan Wiartana and Ni Ketut Sumartini. His current job is as a Balinese language instructor in Tanjung Benua Village.guage instructor in Tanjung Benua Village.)
Ni Made Ayu Marthini, M.Sc. + (Ni Made Ayu Marthini is currently Deputy M … Ni Made Ayu Marthini is currently Deputy Minister for Marketing Ministry of Tourism and Creative Economy. Formerly Bu Made was Director of Bilateral Negotiations, Directorate General of International Trade Negotiations, Ministry of Trade Republic of Indonesia where she oversaw 19 on goings and up-comings Indonesia's bilateral trade negotiations with its trading partners.Previously, Bu Made was the Director for Center of Policy Harmonization and Director for Center of Strategic Issues at the Ministry of Trade and concurrently the Minister's staff for one year (2015-2016). From 2011-2015 she was posted overseas as Indonesian Trade Attaché in Washington D.C., USA.Made started her career in 1996 as a staff to Department of Foreign Affairs of the Republic of Indonesia where she held several positions as Head of Sections of UNCTAD, Directorate of Multilateral Economic Cooperation, Department of Foreign Affairs of the Republic of Indonesia. Later on, she was posted at Permanent Mission of the Republic of Indonesia to the United Nations in New York, United States of America, taken care of Development and Economic affairs. As she returned to Indonesia in 2004, she was positioned as Head of Foreign Trade Agreements Subdivision, Directorate of UN Economy & Environment Development, Department of Foreign Affairs of the Republic of Indonesia.After 10 years career at the Ministry for Foreign Affairs she moved to Ministry of Trade of the Republic of Indonesia in 2006, where she hold several positions as Head of News & Publications, official at Legal Bureau and Head of News & Publication, Public Relations Center, at the same time she was seconded as the Assistant for Minister of Trade at Minister's office for six years, before she was getting posted in the USA. Made holds a Master’s degree in Politics of the World Economy from the London School of Economics and Political Science, London, and Bachelor’s degree in International Relations from Gadjah Mada University,Yogyakarta, Indonesia. In 2015, she joined the Executive Education at Harvard Kennedy School in Boston to master trade policyarvard Kennedy School in Boston to master trade policy)
Ni Made Budi Utami + (Ni Made Budi Utami was born on May 19, 197 … Ni Made Budi Utami was born on May 19, 1979 in Denpasar, Bali. She completed her undergraduate education at the Agro food Technology, Udayana University. She has some experience in editing and journalism. She became junior editor at SALAM Magazine, published by VECO Indonesia in 2005 – 2006, as an editor at SALAM Magazine, published by VECO Indonesia (2007—2009), editor at PETANI Magazine, published by Indonesian Organic Alliance (2010), editorial team of Core Function Analysis Facilitation Manual—MAP Timor Leste & GIZ (2011) and became freelance journalist (2011-2012). Since 2019 she has joined BASAbali Wiki as Administration and Financial Director. She has participated in Investigative Reporting Training, held by Yayasan Pantau and as a participation in The Climate Change Action Training, held by The Climate Project Indonesia and Yayasan Pembangunan Berkelanjutan in 2010.and Yayasan Pembangunan Berkelanjutan in 2010.)
Ni Made Frischa Aswarini + (Ni Made Frischa Aswarini. Born on October … Ni Made Frischa Aswarini. Born on October 17, 1991. She studied History at Udayana University, Bali and writes journalistic works, scientific works, essays, poetry and short stories. Her poems have been published in various media including translated into French for the journal Le Banian (2016) and the poetry anthology Couleur Femme (Jakarta-Paris Forum and AF Denpasar, 2010); translated to English in Happiness anthology,The Delight-Tree 2 (United Nations SRC Society of Writers, 2016). Two of her poetry books are entitled Portraits on the Table (2012) and Signs for Questions (GPU, 2017). Because of her poetic imprint, he became one of the speakers at the 2013 Ubud Writers & Readers Festival, as well as a cultural dialogue speaker at Publica, Kuala Lumpur. She was selected to participate in Canada World Youth (Kemenpora RI, 2014-2015) and helped compose a biography of the artist Made Wianta entitled God's Time (2008). Tanda for Tanya (2017) is a collection of poetry that is included in the top 10 categories of First or Second Work, Kusala Sastra Khatulistiwa 2017-2018. Now, she works as a historical research assistant and presenter at TVRI Bali. Active in the Sahaja Community, Denpasar. Instagram account: @frischa_aswarini.enpasar. Instagram account: @frischa_aswarini.)
Ni Made Purnama Sari + (Ni Made Purnama Sari was born in Klungkung … Ni Made Purnama Sari was born in Klungkung, Bali, March 22, 1989. Graduated from the Department of Anthropology at Udayana University, then continued to Masters in Social Development Management, University of Indonesia. She wrote poetry, short stories and essays and was published in a number of newspapers, including Kompas, Koran Tempo, Media Indonesia, Jawa Pos, Bali Post. Her poetry was translated into English and French.Since 2007, she has won various writing awards, including 2nd place in the short story competition at Balai Bahasa in Bali, 3rd place in Short Story Writing at the Jakarta Language Center, General Winner of the 2007 Sampoerna AGRO Poetry Writing and Reading Contest in Indonesia and 2nd Place in the National Poetry Writing Competition of the Semarang Arts Council. 2007. Her essay won first place in the Kompas Gramedia Essay Competition (2007). He has often won various poetry reading competitions, and read short stories since he was in junior high school.His poetry has been included in the anthology of the 100 Best Indonesian Poems, the Pena Kencana Sastra Award (2007), the anthology book of the 5 Cities Poetry Gathering in Payakumbuh “Kampung Dalam Diri” (2008), and the Best Indonesian Poetry Anthology of the Pena Kencana Sastra Award (2008 and 2009), the Gathering Indonesian Literature (2010 and 2011), Ubud Writers and Readers Festival Anthology (2010), 'Couleur Femme' Anthology: A Collection of Indonesian-French Poetry published by the Alliance Francaise Denpasar and the Jakarta Paris Forum (2010) and so on. In addition, her work (biographical essay) has also been published under the title 'Time of God: Wianta' (2007). She also took part in the Folklore Writing program of the Jakarta Language Center in 2010.Ni Made Purnama Sari has been invited to various events, both literary performances and discussions, in Bali as well as in several other areas in Indonesia, including Malang, Surabaya, Yogyakarta, Padang and Jakarta, including the Discussion and Launch of the Short Story Anthology Book 'Lobakan' which discusses the relationship between between literature and the history of the 1965 events in Bali (2009) at the Goethe Institute Jakarta. In addition, she was also invited to the Southeast Asian Assembly Writing Program (MASTERA): Essays organized by the Jakarta Language Center (2009), Mentor of the Tempo-Institute Essay Writing Program and Leadership Workshop (2010), Literature Gathering Mitra Praja Utama (MPU) in 2010, the international literary festival Ubud Writers and Readers Festival (2010), the IV Indonesian Sastrawan Gathering in Ternate (2011), the Writers Journey program with Australian writers (2012), and the 2014 Padang Literary Biennale. Her first poetry anthology, “Bali – Borneo” (2014), received an award from the 2014 Indonesian Poetry Day Foundation.the 2014 Indonesian Poetry Day Foundation.)
Ni Made Rai Sri Artini + (Ni Made Rai Sri Artini. She was born in Ke … Ni Made Rai Sri Artini. She was born in Kerobokan, Badung, Bali, November 17, 1978. She has been writing poetry and short stories since he was a teenager. Her works have been published in Bali Post, Denpost, Pos Bali, Tatakala.co, and so on. Some of her poems are also collected in joint books, such as “Ning” (2001), Mengmunyah Geram (2017).as “Ning” (2001), Mengmunyah Geram (2017).)
Ni Made Sri Andani + (Ni Made Sri Andani, born in Bangli, Octobe … Ni Made Sri Andani, born in Bangli, October 10, 1965. She completed her studies at the Faculty of Veterinary Medicine, Udayana University. Currently, she serves as Marketing Director of a Fast Moving Consumer Goods company in Jakarta. Her hobbies are writing, gardening and drawing. Her work in the world of writing began when she was a teenager by filling in school or college magazines with poetry or short stories. In addition, she saves a lot of her writings on her personal blog at https://nimadesriandani.wordpress.com. There are about a thousand of his writings on the blog. She is also diligent in sending her writings to Kompasiana and Balebengong. The types of writings published on blogs are very diverse, mostly about life, inspiration, motivation, gardening, traveling, art and culture. Her published book is "Balanced Life, A Journey For Happiness, 100 Inspirational Stories" (Expression Library, 2021).ional Stories" (Expression Library, 2021).)
Ni Made Sri Purnami + (Ni Made Sri Purnami, S.Sos, known as Kadek … Ni Made Sri Purnami, S.Sos, known as Kadek Purnami, was born in Ubud, Bali, 19 April 1981. She is one of the initiators of the Ubud Writers & Readers Festival (UWRF), an international festival founded in 2004 by Janet de Neefe. Her position in the festival was Community Development Manager, then General Manager in 2014 - 2020. She was also involved in establishing the Mudra Swari Saraswati Foundation which oversees UWRF. In addition, she is also often involved in organizing visual art exhibitions, installations and videos (2005 -2006). She has worked in a production house in Bali and worked on a TV program entitled “Jejak Niaga”, which reviews the success profile stories that were broadcast on TVRI Bali (2003-2004). She graduated from the Faculty of Social and Political Sciences, majoring in Communication majoring in Public Relations, Atmajaya University, Jogjakarta and Diploma in Management, majoring in marketing. She also likes to fill her time by painting, writing short stories and poetry which is occasionally published in local print media. In 2012, She published a collection of short stories entitled "Because of Love" which contains 12 short stories about life in Bali. contains 12 short stories about life in Bali.)
Ni Nengah Mega Risna Dewi + (Ni Nengah Mega Risna Dewi was born in Denp … Ni Nengah Mega Risna Dewi was born in Denpasar, September 12, 1995. She graduated from art education at ISI Denpasar. Since 2013 she has been active in many joint exhibitions, including the exhibition "Human Space" at the Bali Cultural Park (2016), "Repositioning" at Discovery Mall Kuta (2018), "A Good Life For Orangutans" at the Jogja National Museum (2019), " X-TION” at Bentara Budaya Bali (2019), and “Freedom in Expression” at Bali Cultural Park (2019). Expression” at Bali Cultural Park (2019).)
Ni Nengah Widiasih + (Ni Nengah Widiasih was born in Kubu, Karan … Ni Nengah Widiasih was born in Kubu, Karangasem, Bali, December 12, 1992. She finished her schooling at SMA Dwijendra, Nusa Dua. Since she was a teenager, she was known as a para-powerlifting athlete who made Indonesia proud. She became paralyzed at the age of three and had to use a wheelchair. But she was not discouraged. She has studied weightlifting since elementary school. In junior high school, she won the National Weightlifting Championship by obtaining a Gold Medal in 2006. In addition, she won the ASEAN Paragame Bronze Medal in Thailand (2008), the ASEAN Paragames Silver Medal in Malaysia (2009), the ASEAN Paragames Gold Medal in Solo (2011), Silver Medal at the Asia Open in Malaysia (2013), Gold Medal at the ASEAN Paragames in Myanmar (2013), Silver Medal at the Asian Paragames in Incheon (2014), Bronze Medal at the Paralympic Games in Brazil (2016), Silver Medal at the Asian Paragames in Jakarta (2014), Tokyo Paralympic Silver Medal (2020).14), Tokyo Paralympic Silver Medal (2020).)
Ni Nyoman Polok + (Ni Nyoman Pollok was a Balinese dancing le … Ni Nyoman Pollok was a Balinese dancing legend from Kelandis.In the 1930s, Belgian artist, Adrien Jean Le Mayeur, saw Ni Pollok dance the Legong Keraton. He asked her to become a model for his paintings. Le Mayeur eventually married Ni Pollok and together they build a house in Sanur which later became a museum.ouse in Sanur which later became a museum.)
Ni Nyoman Sani + (Ni Nyoman Sani was born in Sanur, Bali, Au … Ni Nyoman Sani was born in Sanur, Bali, August 10, 1975. She graduated from the fine arts department of ISI Denpasar. Apart from painting, she is also interested in photography, poetry, and fashion. Sani's paintings talk a lot about women in the context of the world of fashion shows. The colors of the paintings are soft and very feminine.Since 1995, Sani has been actively displaying her work in joint exhibitions, both at home and abroad. Her solo exhibitions include Life Style at the Seniwati Gallery (Ubud, 1997), Pose at the Amankila Hotel (Candidasa, 1999), All About Women at Kiri Desa Gallery (Singapore, 2002), The Pleasure of Looking at Griya Santrian Gallery (Sanur, 2002). 2003), Between Two Worlds at O House Gallery (Jakarta, 2007), Women at Curiocity Nafa Me Fashion Gallery (Singapore, 2008), Residency in Haarlem (Netherlands, 2009), The Adventure of My Soul at Bentara Budaya Bali (2011) , Enigma in Fusion Style (Ubud, 2012). In 2000, a painting by Sani was included in the 100 Finalist of Philip Morris, Jakarta.he 100 Finalist of Philip Morris, Jakarta.)
Ni Nyoman Srayamurtikanti + (Ni Nyoman Srayamurtikanti is a gamelan mus … Ni Nyoman Srayamurtikanti is a gamelan musician and is also pursuing her career as a composer. Sraya was born on October 3, 1996 and is the daughter of an artist from Celuk Village, Sukawati, Gianyar. She has studied gamelan since she was in elementary school. She was educated at SMKN 3 Sukawati (KOKAR/SMKI Bali) majoring in Karawitan, Indonesian Art Institute Denpasar majoring in Karawitan, and is currently pursuing a Masters Study Program at the Indonesian Art Institute Surakarta. Sraya is the head of the Sanggar S'mara Murti which was founded by her father, which was then continued by Sraya. This studio is engaged in traditional arts, especially Balinese Gamelan and also its development. Sraya started to compose music in 2017 with the guidance of her father who is also a composer and singer. The musical works created by Sraya are based on tradition and innovation.Sraya had the opportunity to represent Indonesia in the ASEAN Youth Camp event in Sagada, Philippines (2015), Student Exchange AIM Program at University Malaya (2016-2017), became a composer in the Komponis Kini - Tribute to Wayan Beratha event (2019), became a composer in the National Cultural Parade (2019) representing Bali, being the 5th best composer in the Creative Music Competition – Taksapala Festival, Badung Bali, collaborating with a choreographer from Mexico (2021), and most recently being one of the composers in the Southeast Asia Music Session Indonesia Edition (2021). The compositions that have been created are: Kangkat (2017), SoS (2017), Love is God (2017), Rain-Ly (2017), Krepetan (2018), Selaka (2018), A Ketel (2018), Lango Wangi (2019), Titik Nol (2019), Candra Buana (2019), Speech Delay (2020), Padma Semarandhana (2020), Gelung (2020), Resing Langit (2020), Garba (2020), Empowerment (2021), Nyikzag (2021), Mulat Sarira (2021), etc. Nyikzag (2021), Mulat Sarira (2021), etc.)
Ni Nyoman Tjandri + (Ni Nyoman Tjandri is one of the few female … Ni Nyoman Tjandri is one of the few female puppet masters in Indonesia. Born to an artist father, Tjandri was familiar with and fond of all forms of the Balinese performing arts, especially the arja, a Balinese traditional drama that incorporates music and dance. The talented Tjandri gradually developed superb dance and vocal techniques through interaction with her father, I Made Kredek, and fellow artists. After her father's death, Tjandri decided to learn the Kawi language to continue his efforts to master Balinese literature. She went to the well-known dalang I Nyoman Ganjreng. Instead of giving Kawi lessons, Nyoman Ganjreng gave the girl four puppet figures. The puppet master told her she had to master the Kawi language through wayang stories, mostly derived from Ancient Indian and East Javanese epics and legends. In 1979 Tjandri decided to learn the art of the dalang seriously and intensively. All wayang performances present a story, which is told by a dalang. A dalang must master at least 100 stories and be able to enliven each of the characters portrayed with distinctive vocal sounds. Being a dalang, one must have plenty of physical stamina and a thorough knowledge of both the ancient Kawi language and high and low Balinese language, as well as its literature. Tjandri is frequently invited to perform both on local and overseas stages.perform both on local and overseas stages.)
Ni Putu Devy Gita Augustina + (Ni Putu Devy Gita Augustina, with the pen … Ni Putu Devy Gita Augustina, with the pen name Devy Gita, was born in Singaraja. She graduated from Ganesha Education University, Singaraja in English. She teaches at Bali Kiddy Elementary School and joined the Mahima Community, Teater Kalangan, Kacak-Kicak Puppet Theater. Her poems are published on Saatkala.co and summarized in the book Sang Guru (2019).d summarized in the book Sang Guru (2019).)
Ni Putu Putri Suastini + (Ni Putu Putri Suastini was born in Denpasa … Ni Putu Putri Suastini was born in Denpasar, January 27, 1966. Since she was a teenager, she has been active in literature and theater. She has joined the Wind Theater, Tiger Tutul Studio, Badung Mini Theatre, August Theater, White Studio. She published poetry books are Bunga Merah (2017) and Rumah Merah (2018). Ni Putu Putri Suastini Koster is well known among local Balinese and Indonesian artists.ong local Balinese and Indonesian artists.)
Ni Putu Rastiti + (Ni Putu Rastiti, currently works as a nurs … Ni Putu Rastiti, currently works as a nurse at the Bali Mandara Hospital, Sanur. Her works have been published in local and national media and have been included in several anthologies. Her first collection of short stories was titled The Tree of Wishes. Several times she was invited to the National Writers' Meeting. She was last invited as a young writer at the Ubud Writers and Festival 2016. Her poetry has been translated into French and her short stories into English.French and her short stories into English.)
Ni Wayan Murni + (Ni Wayan Murni was born in Penestanan, Bal … Ni Wayan Murni was born in Penestanan, Bali. Murni is a well-known and much loved personality on the Bali scene and a pioneer of Balinese tourism.Shops and RestaurantDuring her extraordinary life Murni has lived in Sanur and Ubud and hastravelled widely. By the early 1970s she owned 4 shops on Sanur beach andhad opened Ubud’s first real restaurant, Murni’s Warung, overlooking theCampuan River. Since then thousands of people have enjoyed her food andhospitality. She is still very active in the restaurant.There are YouTube videos on youtube.com/watch?v=zf3VVj7gx8g andyoutube.com/watch?v=KWTgnXtOlpAAsian Antiques and TextilesDuring her adult life Murni has been busy collecting and becoming an experton Asian antiques and textiles and many of them are to be found in Murni’sWarung Shop beside the restaurant. She was the first person in Ubud to havea proper gallery of antiques, textiles, costumes, old beads, tribal jewelry,stone carvings, masks and other ethnic pieces. Many of her pieces aremuseum quality and her fine arts credentials are impeccable. Murni is amember of the Thai Textile Society.ExhibitionsIn 2007 and 2009 Murni exhibited part of her collection at the prestigiousshows, Arts of Pacific Asia and Tribal Arts & Textiles, in San Francisco andgave a lecture on Balinese textiles to the Textile Arts Council at the de YoungMuseum. Murni understands and participates in Balinese culture on a dailybasis and plays in a women’s gamelan group at important religiousceremonies.Articles and BooksMurni has written numerous articles on Balinese art and culture and the bookSecrets of Bali, Fresh Light on the Morning of the World by JonathanCopeland and Ni Wayan Murni published by Orchid Press in 2010 is in itssecond print run. It is also available as an ebook on its own web site:www.secretsofbali.com and www.murnis.comMurni’s Very Personal Guide to Ubud by Ni Wayan Murni and photographs byJonathan Copeland was published in October 2011 and is available as anebook on www.murnis.com and all online retailers.Ni Wayan Murni and Jonathan Copeland wrote From Tattoos to Textiles,Murni’s Guide to Asian Textiles, All You Need to Know ... And More, which isan ebook available on www.murnis.com and all online retailers.Murni’s Bali Tours, Where to go, What to Do and How to Do It is an ebook of7 special tours was written and designed for guests staying at Murni’s Housesto bring with them on the tours It is an ebook available on www.murnis.comand all online retailers.Murni’s HousesIn the early 1980s Murni started to construct Murni’s Houses in Ubud, acomplex of seven extraordinary residences and open-air pavilions amid agarden full of flowers, statues, fountains, trees and shrubs lying all by itselfnext to open fields. It is a wonderful introduction for first timers to Bali and adependable refuge for her many guests who return each year. Just 5 minuteswalk from the main road and accessed through a traditional Balinese roofedgate, it’s a place of tranquility. Residential photography tours and Spapackages are available. There are YouTube videos onyoutube.com/watch?v=Cd1A2xgNlDc andyoutube.com/watch?v=3vCnSMavfRkTamarind Spa at Murni’s HousesMurni’s latest venture is the creation of Tamarind Spa at Murni’s Houses,which was listed as the top spa in Ubud on Trip Advisor within 3 months of itsopening. Tamarind Spa brings all these aspects of Balinese art, luxury, andculture together in one healing experience. There is a YouTube video onyoutube.com/watch?v=h4IscHN4dqoHousesShe also has houses in Penestanan for long-term rent.Anniversary of Murni’s WarungTo celebrate the 40th anniversary of Murni’s Warung, Forty Delicious Years,Murni’s Warung, Ubud, Bali, 1974–2014, From Toasted Sandwiches toBalinese Smoked Duck was published in 2014.It has its own web site: www.fortydeliciousyears.com and YouTube videowww.youtube.com/watch?v=YFq22MYP-_s. It is also available as an ebookon www.murnis.com and all online retailers.BlogMurni and Jonathan Copeland have a joint blogAn eclectic blog concentrating on Bali but taking in the WorldSocial MediaMurni’s Warung, Murni’s Warung Shop, Murni’s Houses and Tamarind Spaare on Trip Advisor, Facebook and Google+ and Murni is on Twitter andLinkedin.Books and Ebooks• Secrets of Bali, Fresh Light on the Morning of the World• Murni’s Bali Tours, Where to go, What to do and How to do it• Forty Delicious Years, 1974-2014, Murni's Warung, Ubud, Bali• Murni's Very Personal Guide to Ubud• From Tattoos to Textiles, Murni's Guide to Asian Textiles, All You Need toKnow…And More Asian Textiles, All You Need to Know…And More)
Nick Burgoyne + (Nick Burgoyne has been living in Bali, on … Nick Burgoyne has been living in Bali, on and off, since 1990 with his Balinese wife and two children, to a small village where I am the only foreigner.Writes Nick: "We love to walk the small lanes and paths through the rice paddies and I love to shoot what I see there, especially local farmers, whose faces so accurately and poignantly chronicle their lives. I shoot with a Canon 5D mk III and use Nik plugins for post-processing." and use Nik plugins for post-processing.")
Nigel Simmonds + (Nigel has more than 30 years experience as a writer and content creator with a 16 year old daughter who has taught him more than he cares to admit about social media marketing and digital mastery. Nigel is ... mrcontent.)

Bali Metangi + (Nnn)

Suara tan Kapireng + (Nowadays young people often argue about th … Nowadays young people often argue about the problems faced today regarding the advancement of existing infrastructure and facilities by speaking according to their abilities but not listened to by the government and sometimes ignoredSo we also have to improve our courage by learning and being serious about creating work and studying so that we can move forwardk and studying so that we can move forward)
Suara Remaja + (Nowadays young people often argue about th … Nowadays young people often argue about the problems faced today regarding the advancement of existing infrastructure and facilities by speaking according to their abilities but not listened to by the government and sometimes ignoredSo we also have to improve our courage by learning and being serious about creating work and studying so that we can move forwardk and studying so that we can move forward)
Nur Wahida Idris + (Nur Wahida Idris was born in Ketugtug, Eas … Nur Wahida Idris was born in Ketugtug, East Loloan, Negara, April 28, 1976. She completed her studies at the Department of Crafts/Textiles, Faculty of Fine Arts, ISI Yogyakarta. In addition to the Bali Post, her poetry has been published in Kompas, Koran Tempo, Suara Merdeka, Jawa Pos, Bernas, Sunday Morning, Prince Claus Fund Journal and Horison Literature Magazine, as well as in joint anthologies, including Kidung Kawijayan, Philanthropy, Pedas Lada Pasir Quarsa, Lingua Franca Conversation and Living Together. Her poetry received awards from the Indonesian Ministry of Education and Culture, the Lampung Arts Council and the Yogyakarta Language Center. Her single book of poetry, Springs of Roots of Trees (2008). She was invited to read his poetry at the Yogyakarta Arts Festival XVII/2005, the 2005 International Literary Biennale in Bandung and the Jakarta Arts Council, 2006. As the Director of Akar Indonesia, she also manages the Yogyakarta Rumahlebah Community.nages the Yogyakarta Rumahlebah Community.)
Nuryana Asmaudi SA + (Nuryana Asmaudi SA was born in Jepara, Cen … Nuryana Asmaudi SA was born in Jepara, Central Java, March 10, 1965. He writes poetry, short stories, essays, art reviews, Kalon scripts, etc. His writings have been published in a number of local and national media. His poems are summarized in a number of joint anthologies, including Travel (1990). Since 1996, he has been living in Bali, managing the TenSutBeh Literature House with Umbu Landu Paranggi, Raudal Tanjung Banua, Riki Dhamparan Putra, et al (1996 – 2008). Together with Umbu Landu Paranggi, he participated in fostering literary appreciation activities for students around Bali (1997 until the early 2000s). Apart from writing literature, he also worked as a journalist, having joined the Bali Post Media Group. Since 2011 until now, he has worked as an Editor at the Bali Tribune. Since 2008 he has lived and co-managed the Snerayuza Art Studio with the painter Made Budhiana. His single book of poetry is “The Moon Prayer for Pungguk (2016), “Taman Perkap Bulan” (2018). The third book of poetry is ready to be published.d book of poetry is ready to be published.)
Nyoman Diwarupa + (Nyoman Diwarupa, born in Bali, April 7th. … Nyoman Diwarupa, born in Bali, April 7th. He completed his art education at ISI Denpasar in 1998. Since 1992 he has been actively participating in joint painting exhibitions, such as the “Force of 92” exhibition at the Art Center (1992), “Sebelas Art Group” at Darga Gallery, Sanur (1996), “Kuta Art Cromatic” in Kuta (2013), and so on. His works tend to be abstract. He joined the founding community of Galang Kangin and Militanart.community of Galang Kangin and Militanart.)
Nyoman Gunarsa + (Nyoman Gunarsa was born in Klungkung, Apri … Nyoman Gunarsa was born in Klungkung, April 15, 1944. He graduated from ASRI Yogyakarta. He is one of the founders and important figures of Sanggar Dewata Indonesia. In 1989, he founded the Nyoman Gunarsa Indonesian Museum of Contemporary Painting in Yogyakarta and in 1994 founded the Nyoman Gunarsa Balinese Classical Painting Museum in Klungkung. He has exhibited his works at home and abroad. Many of his works feature figures of Legong dancers with expressive strokes. He won the Dharma Kusuma award from the Provincial Government of Bali in 1994. In 2017, Gunarsa passed away.ali in 1994. In 2017, Gunarsa passed away.)
Nyoman Rasta Sindhu + (Nyoman Rasta Sindhu is a writer and journa … Nyoman Rasta Sindhu is a writer and journalist who was born on August 31, 1943 in Denpasar and died on August 14, 1972. For his dedication to literature, he received the "Dharma Kusuma Madya" Award from the Governor of Bali, Ida Bagus Mantra.He studied at the Faculty of Letters and Culture, Gajah Mada University, then moved to Udayana University majoring in Antiquities. He became a journalist and editorial staff of the Balinese edition of “Suluh Marhaen” art and culture (now Bali Post). In addition, he is also one of the editors of the Bali Courier magazine (1971).His works are spread in various mass media, including Kompas, Sinar Harapan, Horison literary magazine, Indonesian pulpit, Basis, Sastra. One of his most famous short stories, “When Kentongan was Beaten at Bale Banjar”, was published in the German anthology of Indonesian prose, Perlen im Reisfeld, Indonesia (1971). The short story was published in Horison magazine No.1 Th.IV January 1969 and won the Horizon Literature Prize.Most of his works contain opposition to the orthodoxy of Balinese views or beliefs. His social protests are not out of hatred, but rather because he loves Bali so much. However, until now there has been no publisher who has compiled his works as a whole, so that we have difficulty being able to enjoy his literary works.ty being able to enjoy his literary works.)
Nyoman Sujana + (Nyoman Sujana alias Kenyem is a painter bo … Nyoman Sujana alias Kenyem is a painter born in Sayan, Ubud, September 9, 1972. He completed his art education at ISI Denpasar. Since 1992 he has been active in many joint exhibitions. Meanwhile, since 1996 he has displayed his works in solo exhibitions at home and abroad. These include “A Place Behind The House”, Komaneka Gallery, Ubud (2016), “Highest”, Philo Art Space, Jakarta (2013); G13 Gallery, Kelana Jaya, Selangor, Malaysia (2013); “The Bicycle Diaries”, Komaneka Art Gallery, Ubud, Bali (2011), “The Bridges of Nature”, D'Peak Art Space, Singapore (2009). Kenyem's works display the concept of balance (harmony) in the context of human relations with humans, nature, and God. Kenyem works in a meticulously detailed manner, often with calligraphic fields. Iconic to his paintings are small androgynous figures that appear to be dancing. Trees and especially leaves are a recurrent visual motif, as are large hovering rocks. Everything is carefully shadowed to givethe impression of floating. Kenyem is one of the founders of the Militant Arts community of artists.of the Militant Arts community of artists.)
Nyoman Sukaya Sukawati + (Nyoman Sukaya Sukawati was born on Februar … Nyoman Sukaya Sukawati was born on February 9, 1960. He has been actively writing poetry since the 1980s in the literary section of the Bali Post Sunday newspaper under the care of the poet Umbu Landu Paranggi. Apart from writing poetry, he is also diligent in writing short stories, articles, painting, and other artistic activities.He knows the world of writing by being active in the world of journalism. He started this activity as a teenager by diligently writing reports on the potential of the village. Then he studied more seriously and became a journalist for the Bali Post, Nusa Tenggara, Karya Bhakti newspapers, as well as a number of other media. He has been active as a television reporter for RCTI. He also does a lot of periodical publications in Denpasar, including tourism magazines and economic tabloids. In 1993 he became the editor of the book Bali, Socio-Cultural Problems and Modernization, written by Prof. I.B. spell. In 2007 his book entitled Seeking Heaven in the Bali Bombing was published thanks to the assistance of the Widya Pataka program of the Regional Library of Bali Province in collaboration with the Arti Foundation, Denpasar.ration with the Arti Foundation, Denpasar.)
Nyoman Suradnya + (Nyoman Suradnya was a Balinese painter fro … Nyoman Suradnya was a Balinese painter from Ubud. He specialized in three main media: batik, oil, and watercolor. Nyoman was an established artist in residence in Sydney, Melbourne, and Singapore. Nyoman's artwork has been featured all over the world in such countries as Switzerland, Australia, Italy, and Guam (USA). He was also a strong advocate for sustainable tourism that protected the culture and environment of Ubud. With his friend, Tjok Raka Kerthyasa, he founded Bina Watasa, which roughly translates as "guiding tourism." Their goal was to educate tourists about enriching and environmentally sustainable practices that allowed them to experience all of Ubud in a responsible way. Nyoman is remembered for his "larger-than-life" personality and as an important advocate for the preservation of the culture and environment of Ubud.on of the culture and environment of Ubud.)
Nyoman Tingkat + (Nyoman Tingkat is a writer and high school … Nyoman Tingkat is a writer and high school teacher. He diligently writes book reviews, essays, and articles. His writings are widely published in local mass media, such as the Bali Post. He has also won awards as an outstanding teacher and various writing competitions. His published books are: Studying in the Footprint of Literature (Arti Foundation, 2007), Depending on the Teacher (Arti Foundation, 2009), etc. the Teacher (Arti Foundation, 2009), etc.)
Nyoman Tjokot + (Nyoman Tjokot is a sculptor who was born i … Nyoman Tjokot is a sculptor who was born in Banjar Jati, Sebatu, Tegalalang, Gianyar, Bali, in 1886. He is an intelligent self-taught sculptor. In his work he uses a lot of unused logs or tree roots that drift in the river. He carves the found woods to his heart's content, following the grooves of the wood and his intuition. The result is sculptures/sculptures that were considered unusual in their time, eccentric, archaic, absurd. His sculptures tend to be rough but contain the honesty of his artistic soul. His unique style of sculpture/sculpture is often referred to as the "Tjototisme" school which is now being passed on by his descendants. In his day, Tjokot's works were not highly appreciated in Bali. However, his works have been widely appreciated abroad. In the 1960s, Tjokot's works were well known in the United States and he was already called a maestro in the field of sculpture. In 1969 the Indonesian government awarded Tjokot in the form of the Wijaya Kusuma Art Award. Tjokot died in October 1971.ma Art Award. Tjokot died in October 1971.)
I Nyoman Tusthi Eddy + (Nyoman Tusthi Eddy was born in Pidpid, Kar … Nyoman Tusthi Eddy was born in Pidpid, Karangasem, Bali, December 12, 1945. He studied at the Faculty of Teacher Training and Education, FKIP Singaraja, graduating from 1969. Apart from being a teacher, he writes poetry, short stories, essays, articles, literary criticism, both in Balinese and in English. Indonesia. His works have been published in the Bali Post, Kompas, Suara Karya, Horizon, Basis, Warta Hindu Dhrama, Sarad, and so on. He received a number of awards, including the Bali Sastra Sabha (1999), the Modern Balinese Literature Penatar Charter from the Karangasem Education Office (2002), the Rancage Literature Prize (2004 and 2009). In addition, he also translated Indonesian and English literature into Balinese. His published books: Memories for the sake of Memories (1981), Poems Around the World (1984), Far East Poems (1985), Murmurs About Literary Appreciation: A Number of Essays and Notes (1985), Comparison of Words and Terms in Malay- Indonesia (1987), Introduction to Modern Balinese Literature (1991), Dictionary of Indonesian Literary Terms (1991), The Face of God in the Eyes of a Poet (1994), Folklore from Bali (1997), Duh Ratnayu: Tembang Kawi Mendamba Cinta (2001), Tafsir The symbolic story of Bagus Diarsa (2002), Ning Brahman (2002), SungaiMu (2004), Somah (2008).man (2002), SungaiMu (2004), Somah (2008).)
Nyoman Wijaya + (Nyoman Wijaya is a painter born in Tabanan … Nyoman Wijaya is a painter born in Tabanan, Bali, November 1971. He studied painting at the Sanggar Senin Kemis Studio in Sanur, Bali, from 1998 to 2003. In 2018 he won the Nomination of Akili Museum of Art Award (AMAA). His first solo exhibition was held in 2009 entitled "AS. SENT" at Kendra Gallery, Seminyak, Bali. Since 1998, he has also been frequently involved in joint exhibitions, including BEAUTY MYTH at Green Art Space (Jakarta, 2010), MOTION & REFLECTION at the National Gallery (Jakarta, 2010), FASCINATION at Andi's Gallery (Jakarta, 2009), etc. He focuses on Balinese cows and women. For him, cows are sacred animals that are full of tenderness and become friends of farmers.l of tenderness and become friends of farmers.)
Nyoman Wirata + (Nyoman Wirata was born in Denpasar, 1953. … Nyoman Wirata was born in Denpasar, 1953. He studied at the Indonesian Fine Arts School (SSRI) Denpasar until he graduated in 1972. He started writing poetry in 1975 and worked as an arts teacher since 1980, retired in 2013 and continues his artistic activities. In 2011 he won an Award from the Principal of SMPN 5 Denpasar as a Literature and as the School Magazine Supervisor for 14 years. In the field of literature, he won 1st Place in Poetry Writing in Bali held by the Bali Provincial Government (1977), 10 Best Poetry in Bali held by the Bali Post (1978), 3rd Place in the National Level Reading Book Writing Competition among Teachers which organized by the Ministry of Education and Culture (1993), 2nd place in a novel writing competition held by the Bali Post (2003). His poems have been published in various mass media, such as Bali Post, Kalam, etc. Also included in the books Tutur Batur (2019), Chewing Furious (2018), Marriage Poetry (2017), Klungkung Tanah Tua Tanah Cinta (2016), Dendang Denpasar Nyiur Sanur (2012), Hram (1988). His only poetry book is Celebrating Trees in the Poetry Garden (2007). He received the Widya Pataka Award (2007) and Bali Jani Nugraha (2020) from the Bali Provincial Government. Apart from studying literature, he is also active in painting.literature, he is also active in painting.)
Mantle Hood + (Obituary LA Times: Professor, Pioneer in … Obituary LA Times: Professor, Pioneer in Studying World’s Music and Cultures(1918-2005)“Mantle Hood was the first scholar to take seriously the study of what was then called nonWestern music, in the 1950s,” said Christopher Waterman, dean of UCLA’s school of arts and architecture and an ethnomusicologist. Hood joined the UCLA faculty in 1956 and created what is now the department of ethnomusicology in 1960. He envisioned a complete approach to the study of his field. He wanted students to learn at least two music traditions, their own and that of a culture new to them. He also urged them to learn to play a native instrument, drums for a student of West African music, for example. Common practice now, it was considered novel when he introduced the idea, which he referred to as bi-musicality. By learning several music traditions, Hood proved that the two could exist in harmony, according to Jacqueline Cogdell DjeDje, chairwoman of UCLA’s ethnomusicology department. (...) "Hood saw it as a way to teach students respect and understanding for “people and cultures different from their own,” DjeDje said. Hood also expected his graduate students to see and hear the music they studied as it was performed in its native setting. “Hood taught that the music comes out of the culture,” said Robert Garfias, professor of anthropology at UC Irvine and one of Hood’s first graduate students at UCLA. “His idea was to study the music as part of the culture.” Hood had been traveling the world from the time he graduated from UCLA in 1951 after earning a bachelor’s and a master’s degree in music. He received his doctorate from the University of Amsterdam, where he wrote a dissertation on Javanese music. After joining the faculty at UCLA, he was granted a Ford fellowship that allowed him to live in Indonesia for two years and study its music. He later studied in India on a Fulbright fellowship. An expert in the music of Java and Bali, Hood played all the instruments in a gamelan, an Indonesian symphony that consists of percussions, winds, strings and other instruments. During gamelan performances with his students, he played the rebab, a type of lute that is the lead instrument in the ensemble. Dozens of his UCLA students went on to teach ethnomusicology. Several of them founded programs at universities, including UC Berkeley. “Hood had a very powerful impact on how ethnomusicology is taught,” said Garfias, who founded a program at the University of Washington, Seattle, before moving to UC Irvine. Hood was born in Springfield, Ill., and moved to Los Angeles with his mother in the 1930s after his father died. He played piano and later learned the saxophone but didn’t expect a career in music. After high school, he worked at various jobs including as a draftsman at McDonnell Douglas. He also played saxophone in jazz bands. He served in the Army during World War II and returned to Los Angeles in 1945. After a false start as an agriculture student at UCLA, he found his true calling. Before he left the university in 1975, he wrote several books about his field, including “The Ethnomusicologist” (1971), which outlined research issues and questions related to what was then considered a new subject of study. An ethnomusicologist, Hood wrote, “is inclined to be highly sensitive to other human beings, to respect their scales of values and their behavior, even if these are not compatible with his own.” Hood moved from Los Angeles to Hawaii in 1973 and began to write self-published novels. “As a young man, he had his heart set on being a writer,” Marlowe Hood said. “As a teenager, he loved pulp fiction.” He set his potboilers in countries he had visited over the years. “Just a Stone’s Throw” is set in Bali. “The Keepers” is set in Hawaii and Japan. In 1980, he relocated to Maryland where he established an ethnomusicology program at the University of Maryland, Baltimore County. He wrote several more books about ethnomusicology and continued teaching until 1996. (...) He has four sons.Amazon: Author of fiction:Mantle Hood is the published author of seminal works in the field of ethnomusicology, study of the musical cultures of the world. A pre-eminent international scholar, he is the principal author/co-author of more than 20 books, was member of the Board of editors for the prestigious New Grove Dictionary of Music and Musicians (6th ed.) and has contributed to music dictionaries in four languages. Along the way, he has served as Distinguished Professor of Music from West Coast (UCLA) to East Coast (Harvard, Yale, Wesleyan Universities, and the University of Maryland), University of Hawaii, and institutions in Europe, Africa an Asia. He is a fellow of the East-West Center of Arts and Sciences. He has studied the music of peoples the world over, including Asia and the Pacific Islands. As a resident of Hawaii and visitor to Japan he developed an idea based on a newspaper article, one that blossomed into his first suspense novel, The Keepers. One agent described Hood's suspense fiction as a combination of John Grisham and James Michener.nation of John Grisham and James Michener.)
Pemulihan Ekonomi Bali Usan Covid-19 + (Of course, we are already familiar with Co … Of course, we are already familiar with Covid-19. Who would have thought that this small virus could make such a big change in the last 2 years. Because of this virus we were made to stay at home for 2 years, imagine starting from the activities we initially did outside the home such as going to school, working and traveling abroad that had to stop because of this virus, we were made to stay at home for 2 years. Which of course brings a lot of changes in our lives. An example is tourism in Bali. Bali is an island in Indonesia which is often visited by tourists from various countries because it has its own charm. With the stay-at-home policy, of course the economic sector in Bali will decline. During the pandemic, tourism sites and access to Bali were closed. Community activity at tourist attractions in Bali has decreased. This caused Bali's economy to decline. With the closure of various tourist attractions in Bali, many people have become unemployed, this is compounded by policies at home. This has made people confused about finding money. Hundreds of thousands of people lost their jobs and sources of income. In the end, the poverty level in Bali has increased.And without realizing it, now we have entered 2023, where there has been a recovery of various sectors in society which have been stalled for the past 2 years. From here we have to restore Bali's economy. Regional governments need to pay attention to Bali's current economic conditions to revive Bali's economy which has been declining for the past 2 years.The Covid-19 pandemic has hit Bali's economy hard. Bali's economy is very dependent on the tourism sector, so when there are mobility restrictions such as the stay at home policy, the tourism sector is paralyzed. Bali's economy also slumped. Therefore, the government needs to determine a concept for economic development that is not always based on the tourism sector. Bali's economic development must be directed to be more balanced, not only dependent on the tourism sector. Moreover, tourism areas are very vulnerable to changes in external factors. Both from security factors, natural and non-natural disasters that cannot be controlled. So every sector in Bali must also be considered, such as; agricultural, marine and fisheries sectors, manufacturing industry and industries based on Balinese branding culture, MSMEs and cooperatives, creative and digital economy, as well as the tourism sector. So by reviving all these sectors in Bali, it is hoped that Bali's economy can recover after Covid-19. So that Bali will always be prosperous.9. So that Bali will always be prosperous.)
Money Politic + (Oh swastyastu Dear sir/madam jury And my r … Oh swastyastuDear sir/madam juryAnd my respected audienceBefore I start my oration, I want to first express my thanks to the Almighty God (Ida Sang Hyang Widhi Wasa) because it is with His grace that I can give an oration now.Related to the Balinese leadership election which will be held in 2024 in Bali.with this oration I would like to convey that I hope this election can be carried out fairly, without any coercion, one of which is without money politics, because this is very vulnerable to things happening where prospective leaders bribe their people with money to obtain money. leadership, and the same goes for individuals who carry out elections, because there are certain payments or results that will be obtained after holding elections, individuals often choose leaders not based on justice and honesty, but choose leaders with the aim of getting rewards.Apart from that, Article 22E of the Constitution also states that elections are held publicly, freely, confidentially, honestly and fairly.Not only is it stated in the constitution that governs us, but elections also concern people's lives in the future, it is also hoped that prospective leaders will be able to carry out elections fairly and without cheating by engaging in money politics.Let us carry out elections fairly and honestly, because carrying out elections intelligently will create a prosperous society in the future.That's all the speech I can deliver, I hope the speech I deliver can be useful. I'm sorry if I made a mistake, at the end I close with Parama Santhi, Om Santhi, Santhi, Santhi Om.rama Santhi, Om Santhi, Santhi, Santhi Om.)
Ida Ayu Oka Rusmini + (Oka Rusmini's full name is Ida Ayu Oka Rus … Oka Rusmini's full name is Ida Ayu Oka Rusmini, born in Jakarta, July 11, 1967. She writes poetry, short stories, essays, novels. She is also a journalist. In 2014, she was awarded the Kusala Khatulistiwa Award for the poetry book Saiban. Her figures and works are phenomenal and often controversial because they raise a number of issues of ancient Balinese customs and traditions that are detrimental to women, especially in the griya, the home of the Brahmins.Oka also straightforwardly broke taboos, exposed issues of sex and erotica in a clear way. All of this can be clearly seen in the novel Tarian Bumi (2000) which has been reprinted and published in German under the title Erdentanz (2007). The novel is also heavily inspired by the art of Joged Bumbung, a social dance full of erotic movements that is very popular in Bali.He has been invited several times to literary events at home and abroad. In 1992 he was invited as a guest poet in the IV Yogya Arts Festival. Participated in the 21st Century Poetry Minbar at TIM, Jakarta, 1996. Represented Indonesia at the ASEAN-wide writers' meeting in October 1997 entitled ASEAN Creative Writing Workshop in Jakarta. In 2002 and 2003 he was invited to the International Poetry Festival in Surabaya and Denpasar He was an invited guest at the Winternachten Festival held in Haque and Amsterdam in 2003. He was also a guest writer at the University of Hamburg, Germany, 2003.A number of his poems and short stories have appeared in various mass media and cultural journals, including Matra, Kalam, Horison, and Ulumul Quran. His short story "Putu Menolong God" won the best short story award for Femina magazine in 1994. His novel Sagra received the best novelet award for Femina in 1998, and the best short story award in 1990 - 2000 from the literary magazine Horison for his work Pemahat Abad. His novel Tarian Bumi won the 2003 Literary Writing Award from the Language Center, Jakarta.His works are Monologue Tree (poem, 1997), Earth Dance (novel, 2000), Sagra (short story, 2001), Kenanga (novel, 2003), Patiwangi (poetry, 2003), Color Kita (poetry, 2007), Pandora (poetry, 2008), Shell (novel, 2010). His novel Tarian Bumi has been translated into English entitled Earth Dance, and German under the title Erdentanz.nce, and German under the title Erdentanz.)
Fenomena Kendaraan Listrik + (Om Swastiastu Praise and gratitude to Ida … Om SwastiastuPraise and gratitude to Ida Sang Hyang Widhi Wasa who has bestowed the blessing of health to all of us. Today, with great pride, I would like to discuss a phenomenon that is increasingly prevalent in Indonesia, namely the use of electric vehicles. This phenomenon is not just a change in trend, but also reflects our concern for the environment, especially in addressing the problem of air pollution.As the country with the worst air quality in Southeast Asia, the decision to use electric vehicles is a wise step to reduce emissions, carbon footprint, and face the challenges of climate change. However, while we support this positive initiative, we need to face the reality that its implementation is not yet optimal. Given that Indonesia still relies on coal and natural gas for power generation, and the mining of raw materials such as lithium, nickel, and cobalt also has environmental consequences if not properly regulated. In addition, the limited lifetime of batteries, around 10-20 years, poses a potential risk of battery waste accumulation in the absence of adequate waste management facilities.Therefore, I encourage the government to improve electric vehicle charging infrastructure, address the potential risk of battery waste accumulation, and find alternative solutions to environmentally friendly batteries. We recognize that the development of this technology needs greater support to become an effective solution in reducing air pollution in Indonesia.Therefore, let us together encourage the government to accelerate the development of charging infrastructure, provide solutions and proper handling for the worst risks of using electric motors, and offer further support for the adoption of electric vehicles. Thus, we can move towards a cleaner, healthier, and more sustainable Indonesia.Thank you.Om Shanti Shanti Shanti Omia. Thank you. Om Shanti Shanti Shanti Om)
Kesuksesan proses kepemimpinan + (Om Swastiastu Titiang ngaturang rasa pang … Om SwastiastuTitiang ngaturang rasa pangayubagia majeng ring Ida Sang Hyang Widhi Wasa antuk asung kerta wara nugraha Ida titiang prasuda nyurat orasi puniki. Pulau Bali antuk destinasi wisata internasional yang memiliki reputasi positif. Akeh wisatawan sane terkesan nikmatin kaluungan alam dan budaya Bali, olih karna ento Bali mrasidayang bersaing dados destinasi wisata populer ngalahin negara sane lianan. Menteri Pariwisata lan Ekonomi Kreatif (Parekraf) Sandiaga Salahudin Uno ngorahang Pulau Bali dados penyumbang devisa negara terakeh antuk Indonesia, terakeh kedua setelah industri Minyak dan Gas."Bali ini masih menjadi top of mind untuk pariwisata Indonesia.Nanging dibalik kemegahan pariwisata ring Bali, upami akeh pisan hotel-hotel, vila, restoran lan sane lianan. Ring galahe sane mangkin liu pesan pikobet sane mrasidayang kaon ring jagat Baline. Pinaka pikobet korupsi olih pejabat pemerintah, pikobet ring pendidikan, pikobet ring kesehatan upami penyakit menular sane akeh lan kualitas pelayanan kesehatan.Inggih ida dane sareng sami nika wantah orasi titiang antuk pikobet kesenjangan ekonomi sane patut kautamang olih calon pemimpin Bali. Astungkara calon pemimpin Bali sane kapilih antuk Pemilu 2024 mrasidayang nanganin indik pikobet kesenjangan ekonomi ring Bali.Ida dane sareng sami titiang ngaturang pangampura yening titiang wenten pelih rikala nyurat teks orasi puniki. Sareng titiang ngaturang parasuksma majeng ring pamiarsa sane sampun ngewacen teks orasi karya titiang niki. Inggih puput titiang teks orasi niki antuk ngaturang paramasanthi.Om Santhi Santhi Santhi Om. paramasanthi. Om Santhi Santhi Santhi Om.)
PEMILU 2024, Mangda Memilih Pemimpin Bali Sane Tepat! + (Om Swastiastu Om Awignamastu Namo Sidham R … Om SwastiastuOm Awignamastu Namo SidhamRahayu, Rahayu, RahayuFor the honorable adjudicators, the principals and teachers of senior high schools and vocational high schools in Bali and all the audiences and senior high schools and vocational high schools’ students in Bali, good morning. Let’s thank to the almighty God because of his grace we can gather here this morning. In this occasion, I am Wira as an orator will deliver an oration entitled "Election in 2024, Must Choose the Right Leader for Bali”. Ladies and gentlemen...Elections or General Elections can be referred to as voting or elections, where we have determined our right to vote by choosing the right leaders. From this election, we know that whether Bali has evolved or not! Therefore, I will discuss some urgent issues that must be addressed for Bali's future leaders.Ladies and gentlemen...Time by time... The months have passed...Year by year... Have you ever been to an urban area like Denpasar? If you have ever gone and seen a child begging for a bite of rice, do you feel their pain? Ladies and gentlemen, I want to invite you to choose leaders who are more precise, wise, and certainly honest!Then another problem is the environment. Yes... Environment... Bali is known as the "Heaven of the World" which itself has a variety of beautiful natural attractions! If we can't take care of the environment, Bali will undoubtedly experience an economic downturn.Before I end my talk today, I would like to ask all of you to clap your hands and raise them above your heads! Are you going to throw Bali to the wrong leader? Therefore, let’s choose leaders who are responsible, competent, honest, and of course fair. Najwa Shihab once said, "leaders are not born by diplomas, but by hard work and care that continues to be honed."That's all I can say, hopefully of course Bali will be led by the right leader. Sincerely to the island of Bali, I end with parama santhi.Om Santi, Santi, Santi OmRahayu, Rahayu, Rahayuti, Santi, Santi Om Rahayu, Rahayu, Rahayu)
Masalah Mendesak + (Om Swastiastu Om Awighman Astu The fragran … Om Swastiastu Om Awighman Astu The fragrant name of shidam, ladies and gentlemen, and dear brothers and sisters, we say Angayubagia to Sang Hyang Parama Wisesa, Therefore from asung kerta wara nugraha because we will convey information today about the 2024 Election. I invite the public Indonesia to work together to make our election a success, the Election of 24 February 2024. Because the election is not just about changing leadership, but the election is our effort to prevent the people from getting worse. Elections are an opportunity for us to evaluate this government. I will explain what the most pressing problems need to be addressed by potential Balinese leaders. The first problem that was considered very urgent to be resolved was controlling the prices of basic necessities, which was chosen by 36.9% of the total respondents. Controlling the prices of basic necessities is the most prominent problem according to residents. Then there are the issues of unemployment, poverty and eradicating corruption, wrote Political Indicators in its report. The respondents involved were all Indonesian citizens who had the right to vote in general elections, namely those who were 17 years of age or older, or were married when the survey was conducted. Sampling used the multistage random sampling method. So I can conclude that we should choose a leader who is firm, honest and responsible for the island of Bali. Thank you, hopefully we will all be given guidance and wisdom in choosing the right leader. Our tribute to Bali, the island we love Om Shanti, Shanti, Shanti Omsland we love Om Shanti, Shanti, Shanti Om)
Permasalah Mendesak + (Om Swastiastu Om Awighman Astu The fragran … Om Swastiastu Om Awighman Astu The fragrant name of shidam, ladies and gentlemen, and dear brothers and sisters, we say Angayubagia to Sang Hyang Parama Wisesa, Therefore from asung kerta wara nugraha because we will convey information today about the 2024 Election. I invite the public Indonesia to work together to make our election a success, the Election of 24 February 2024. Because the election is not just about changing leadership, but the election is our effort to prevent the people from getting worse. Elections are an opportunity for us to evaluate this government. I will explain what the most pressing problems need to be addressed by potential Balinese leaders. The first problem that was considered very urgent to be resolved was controlling the prices of basic necessities, which was chosen by 36.9% of the total respondents. Controlling the prices of basic necessities is the most prominent problem according to residents. Then there are the issues of unemployment, poverty and eradicating corruption, wrote Political Indicators in its report. The respondents involved were all Indonesian citizens who had the right to vote in general elections, namely those who were 17 years of age or older, or were married when the survey was conducted. Sampling used the multistage random sampling method. So I can conclude that we should choose a leader who is firm, honest and responsible for the island of Bali. Thank you, hopefully we will all be given guidance and wisdom in choosing the right leader. Our tribute to Bali, the island we love Om Shanti, Shanti, Shanti Omsland we love Om Shanti, Shanti, Shanti Om)
PENGARUH OLIGARKI TERHADAP CALON PEMIMPIN + (Om Swastiastu Peace be upon us all, allow … Om Swastiastu Peace be upon us all, allow me, Kadek Wisnu Artana, a student from SMA Negeri 1 Penebel to deliver an oration on the influence of oligarchy on future leaders in this country.The DPD must listen, pay attention and follow up on the aspirations I expressed todayBrothers and sisters, it has been 115 years since Indonesia has risen from adversity, precisely when Budi Utomo was founded, 78 years since Indonesia has been independent and the Red and White Sangsaka has flown freely on Indonesia's motherland, reform has been underway, but what is going on with educational resources for the nation's generation, what is it? This generation is simply silenced as if it were dumb and deaf and does not flinch from voicing various aspirations. Here I invite everyone to voice their aspirations regarding government in this nation which is still shackled by the shadow of the Oligarchy, and today the Oligarchy has become very free to wreak havoc on power both in the upper elite and in the lower elite, the Oligarchy has a big influence on the nation's future leaders. , oligarchy has a very bad impact on leaders.The problem caused by the existence of Oligarchy in our government system is that power is centralized, Oligarchy only controls leaders who have sovereignty in their own hands.Second, there is widespread corruption in this nation by unscrupulous officials as evidenced by the many reports on social media and various other press media. Oligarchs really need tactical funds to fulfill their own interests.The third is injustice by the government or authorities in the interests of the Oligarchy and society which are not fulfilled according to the Values of Truth that have been determined by law.The fourth is political instability where the government is controlled by oligarchs, social inequality in power is only controlled by oligarchs and worsens social and economic inequality within the scope of society.The six unrepresentative leaders controlled by Oligarchs tend not to represent the interests of all the people, but only a handful of groups called Oligarchs.The seven things that are most rooted in all of these problems are that the gap for legislative candidates who are not touched by the Oligarchs, is very narrow and there is minimal space and budget to channel their vision and mission to the general public in all regions of this country.All the problems that occur as a result of leaders being controlled by oligarchic interests are rooted in two problems that boil down to very serious legislation,Firstly, there is no regulation on budget provisions, space, opportunities and forums for all legislative candidates at the regional level. This causes the public to only take the perspective of leaders who are seeking votes under the pretext of donations which, without them even knowing, are funds given by oligarchs to candidates. We need to understand that this is the forerunner to the birth of Oligarchy at the regional government level, this is because when regional legislative candidates enter the community they need very large "tactical funds" to seek votes in their respective electoral districts. What must also be understood is that This Tactical Fund is what causes the leader's debt of gratitude to the Oligarchs. So that they can be controlled even as if they were Puppets of the Oligarchs, and the shadow of the Oligarchy will continue to exist for the next generation. If we as the current generation are still deaf and mute about what is happening, it's time for us to change the regulatory system so that budget provisions, opportunities, facilities and forums for all legislative candidates are fair and closely monitored by the government, so that these Oligarchs will not have a gap to enter the ideology of the leaders in this country.Secondly, at the central level there is still a Presidential Threshold which is the place for the Oligarchs in this nation to breed. Come, my fellow countrymen and brothers, let's abolish the laws and regulations that cause the Oligarchy in this nation to become increasingly uncontrollable. If the Oligarchy does not have rules that improve their welfare or support their interests, and suppresses the leaders of this nation, then the Oligarchy does not have the opportunity to make the leaders of this nation into their puppets. This is what we must fix together in order to make this nation more advanced. It's time for us to urge the elite of this country so that the legislation that causes the oligarchy in Indonesia can no longer develop or even perish, and if this aspiration is not heard by the elite and is only silenced, it's time for us to take to the streets to voice our aspirations to the government elite and the parliamentary elite. so that this legislation can stop and be replaced with regulations that are more prosperous for the people and not just for the welfare of the Oligarchs in this nation. "In our belief everywhere is Tyranny must fall!" said WIDJI TUKUL. So let's fight together to prevent the detrimental influence of the Oligarchy in the process of selecting leadership candidates and ensure that the elected leadership candidates truly represent the interests of the people and have high integrity. I, we, all of you have the same role in ensuring that the elected leaders are leaders who truly serve the people and not only prioritize the interests of the Oligarchs.Bung Karno once said, "My struggle is easier because it expelled the invaders, but your struggle will be more difficult because it is against your own people."Therefore, let us as future generations be sensitive to the social environment, so that this nation can progress in the international arena by changing the rules that mislead Indonesian politics so that this nation advances, come on...!!! Let's make Bung Karno's words come true, participate in voicing the aspirations of the young generation in this country so that we are sensitive to social problems in our environment, especially regarding the election of leaders. Good leaders produce a good environment and human resources whose quality is guaranteed and equitable and prosperous for all the nation's children. Greetings 0% (Threshold).tion's children. Greetings 0% (Threshold).)
Pemilihan Umum 2024. Pilihlah pemilu yang tidak korup + (Om Swastiastu, Om Awighnam astu namo sidha … Om Swastiastu,Om Awighnam astu namo sidhamI thank the event organizers for the opportunity given to me to convey the Celebration to all of you.whom I respect the competition juryI respect the guests who have attended this event, Mr/Mrs accompanying teachers who have accompanied the students who took part in this competition.Ratu Idane is very sane, fragrant titiang sinamian. I am now a student in Badung. Today I want to talk about "General Election 2024".O people of Indonesia, I invite you all to join together to make our elections a success, the Election of 24 February 2024. Because elections are not just about changing leadership, elections are also not just about power. Because elections are our effort to prevent people from getting worse. It is our goal to start a government.Ladies and gentlemen, let us strengthen human resources for implementation at all levels. I am sure this has been done and indeed this time I saw from the applause the spirit of optimism. From the lowest level to the top, provide the knowledge, skills and other abilities needed, so that all equipment and officers are able to carry out their duties well. All levels of the KPU must realize the magnitude and importance of the task of starting our nation's democratic party. A valuable moment to show commitment and integrity, showing dedication and best abilities for the future of our nation and state.Thus, I can conclude that let us choose an election that can advance the island of Bali. Let's not vote for elections that are ex-corrupt. Choose elections that can be committed to holding them well so that democracy remains alive and of higher quality, giving birth to a government that has strong legitimacy.That's all I can say, sorry if there are wrong words, I thank you. Om Santhi, Santhi, Santhi Om.I thank you. Om Santhi, Santhi, Santhi Om.)
Pikobet Luu Ring Jl. Wana Giri Jimbaran + (Om Swastiastu. I respect the jury, and all … Om Swastiastu.I respect the jury, and all my friends whom I love. Firstly, let us express our gratitude to God Almighty, because thanks to His grace, we can all follow this Basabali Wiki.All Yowana, trash in this day and age can bring disaster to the Balinese ring, in my neighborhood there is trash piled up like mountains. That's what causes outbreaks of flooding, and mosquitoes breed, causing dengue fever. Evidence that this waste has an impact is that many Balinese people are affected by diseases due to this waste, such as dengue fever, skin infections and other diseases.What caused the pile of rubbish was because the landfill in Suwung was hit by a fire outbreak due to Bali's hot climate and the community could not accommodate the rubbish at the Suwung landfill, this caused people to throw rubbish in their respective homes. In this outbreak, I hope that the leaders in Bali 2024 will pay more attention to waste in Bali, so that they can provide a clean and comfortable place for the Balinese people.Come on, all Yowana, we have to protect and preserve the Balinese environment, don't throw rubbish in places that are not places to throw rubbish, we have to preserve the 3M steps (Closing water storage places), (Draining the bathtub once every 7 days), (Reusing things used).That's all I can say, more or less I apologize, at the end I say sorry, I close with Parama Shanti, Om Shanti, Shanti, Shanti, Om.ama Shanti, Om Shanti, Shanti, Shanti, Om.)
Turis Asing Yang Nakal + (Om Swastiastu. First of all, let's give th … Om Swastiastu. First of all, let's give thanks to the presence of God Almighty because, by His grace, we can gather at the Bali public participation Wikithon event to give speeches. Distinguished guests, allow me, Kadek Khristina Cantika Putri, I am from the SMK N 2 Seririt school, and I am delivering a speech about "Naughty Foreign Tourists".Tourism in Bali is growing, so many foreign tourists come to Bali to enjoy their holidays. Tourists who come from various countries. As is known, various news reports show the bad behavior of foreign tourists. For example, when there was a dance performance at a temple in the Ubud, Gianyar area, there was a female tourist from Germany who was not wearing clothes or was naked. There are also tourists who violate traffic in the Bali area, and there are many more mischiefs done by tourists while on holiday in Bali. The Ministry of Tourism and creative economy must issue regulations regarding procedures for traveling in Indonesia, and all relevant government agencies must collaborate more intensively with the Indonesian embassy in the country of origin of tourists regarding the provisions for traveling in Indonesia.This naughty behavior is what the government must be wary of, and the government must increase tourist control so that similar incidents do not happen again and Bali tourism continues to run well and many tourists come. That's all I can say. If there are errors, please forgive them and thank you for your attention. Om shanti shanti shanti om.our attention. Om shanti shanti shanti om.)
Uratian I Krama Pemilih Ring Pemilu 2024 + (Om Swastiastu. The judges I respect as wel … Om Swastiastu. The judges I respect as well as the friends I love. First of all, let's together express our happiness to Ida Sang Hyang Widhi Wasa, thanks to his grace we can gather together here for the Bali Oration Public Participation Wikithon event. On this occasion, allow me to deliver a speech that I have made.In the 2024 election, there are still many problems, one of which is the problem of lack of participation from people who have voting rights in the 2024 election.Therefore, I ask all people who are able to vote or who have the right to vote in the 2024 election to use their voting rights so that the election runs well, honestly and fairly so that we get a good leader and what we all want.That's all I can say, more or less I apologize.Om santhi, santhi, santhi, Om I apologize.Om santhi, santhi, santhi, Om)
SIRBATA (Sistem Parkir Bawah Tanah) : sebagai Solusi Penataan Lahan Parkir di Pulau Bali + (Om Swastyastu Dear Sirs and Madams of the … Om SwastyastuDear Sirs and Madams of the juryHonorable candidate for DPD RI 2024As well as all the finalist participants who I am proud ofWe would like to express our gratitude to Ida Sang Hyang Widhi Wasa for Asung Kertha Wara Nugraha. We can gather in good health at the WIKITHON Public Participation event with the theme Bali Oration.Dear audience,On this occasion, allow me to deliver an oration entitled SIRBATA (Underground Parking System) as a Solution for Arranging Parking Lots on the Island of Bali.Parking can be interpreted as the activity of placing a vehicle in a certain place for a certain period of time. Parking lots are facilities used to support the parking needs of vehicle users. Parking lots can be divided into two, on-street parking and off-street parking.The majority of Indonesian people, especially on the island of Bali, use private vehicles as the main transportation. As time goes by, the use of private vehicles by Balinese people continues to increase. Based on data from the Bali Province Central Statistics Agency, total private vehicle users in 2022 will increase to 4,079,617 for motorbikes and 493,887 for passenger cars. This increase will certainly have an impact on the community's need for arranging parking spaces to accommodate the increasing number of private vehicles.As we know, several areas in Bali often find inappropriate use of land as parking spaces, such as roads and sidewalks. This will of course give rise to various problems, namely worsening the road structure and narrowing the traffic area. This is a result of the lack of parking arrangement. Therefore, we propose a system that can be used to overcome parking lot management problems, namely SIRBATA.SIRBATA (Underground Parking System) is a solution that can be used regarding the problem of arranging parking lots on the island of Bali. This system utilizes the potential of the underground area as a parking area. SIRBATA also optimizes the parking capacity of a space, because of course the use of underground parking will be more focused on one function without disturbing other functions such as the use of parking spaces on roads and sidewalks. The underground parking system has several advantages compared to using open parking lots, namely, parked vehicles can be protected from hot or rainy weather conditions and of course vehicle safety is better maintained.This system may sound difficult to realize because of the costs and various permits required to ensure the safety of its users, but it is the government's duty to help overcome this problem. The government must be able to work on all factors that support the realization of this system. Imagine if this was not realized from now on. As time goes by and the use of private vehicles continues to increase, we will reach a condition where many things will have their function disrupted due to a lack of good parking arrangements. For example, roads will become increasingly congested because many people park on the road, sidewalks that should function as a place to walk are used as parking spaces. Therefore, SIRBATA (Underground Parking System) can be used as a solution for arranging parking lots in Bali.Let's work together to create better arrangements for the realization of a safe, comfortable and conducive Bali. Through the cooperation of various parties, we can definitely realize an underground parking system.Om Santhi Santhi Santhi Omarking system. Om Santhi Santhi Santhi Om)
Toya Pinaka Dasar Kauripan sane Sayan Cemer + (Om Swastyastu Good morning ladies and gen … Om SwastyastuGood morning ladies and gentlemen. First of all, let us give thanks to The God because of the grace, all of us can gather today to take part in the Wikithon Public Participation Balinese Oration in good health. Today I will explain water problems in Indonesia.If we talk about water for the Indonesian people, it is no longer strange. The Indonesian nation is a maritime country whose territory is surrounded by water. If calculated using numbers, around 75% (seventy five percent) of Indonesia's territory is surrounded by water. Therefore, many people make a living from the waters. Water is the basis of life for all living creatures on earth. Because water has enormous uses for life, many problems arise involving water. Based on a report from the Indonesian Ministry of Environment, it is remembered that the water deficit in Bali has been visible since 1995 at a total of 1.5 billion cubic meters/year. This deficit continued to increase to 7.5 billion cubic meters/year in 2000. Then, in 2015 Bali had a water shortage of 27.6 billion cubic meters/year. Water demand in Bali in 2021 will reach 5951.92 liters per second and it is estimated that in 2025 it will increase to 7991.29 liters per second. Meanwhile, water availability from infrastructure will reach 6939.38 liters per second or a deficit in 2025.The problem of the water crisis which is gradually increasing is caused by two factors, namely global warming and human activities. Global warming causes several problems that are the main characteristics of marine problems. Such as flash floods or tidal floods. There is also an increase in sea levels which causes erosion on beaches. Things like that are very important to pay attention to. Increasingly rising waters cause more and more land areas to be covered by sea water, while the human population on earth is increasing day by day. This creates a new problem, namely the transition of land and forests into residential areas. This land transition will cause the high temperature on earth and the narrowing of water catchment areas to increase.The second cause is because of humans. Tourism in Bali is like a double-edged sword, on the one hand it really helps encourage the progress of Bali's economy, on the other hand the impact of this causes more and more land to be used for tourism, so that water catchment areas which should be able to be used as water reserves when the summer slowly narrows and eventually disappears. Apart from that, in this era of development, a lot of household waste and industrial waste are simply thrown into nature, causing pollution. Like the phenomenon of the Badung River water turning red in November four years ago, this proves that liquid waste that is disposed of without processing is very dangerous for the environment. If the waste is disposed of on a large scale, the results will immediately look like the Badung River phenomenon. However, what if the waste is disposed of on a small scale, such as household detergent waste? We need to realise that little by little this liquid waste will start to accumulate and in the end it will also trigger pollution in large rivers. You also give attention about rubbish, because many people throw rubbish in inappropriate places, causing environmental damage. Polluted river water will return to the sea. If this problem is not addressed immediately, it is possible that humans will become extinct due to various diseases that arise from dirty water.Before the water problem gets worse and causes loss of life, it is hoped that the leaders of Bali in 2024 will immediately prevent this. One way that can be done is training and guidance in creating home wastewater treatment installations so that the water is safe when discharged into the environment. Apart from that, the importance of understanding waste sorting and processing is also needed by the people in Bali. Let's work together to protect our earth for a sustainable future. That's all I can say, sorry if there are any wrong words. Om Santhi, Santhi, Santhi, Omong words. Om Santhi, Santhi, Santhi, Om)
Stop Money politic + (Om swastyastu Dear sir/madam jury And my r … Om swastyastuDear sir/madam juryAnd my respected audienceBefore I start my oration, I want to first express my thanks to the Almighty God (Ida Sang Hyang Widhi Wasa) because it is with His grace that I can give an oration now.Related to the Balinese leadership election which will be held in 2024 in Bali.with this oration I would like to convey that I hope this election can be carried out fairly, without any coercion, one of which is without money politics, because this is very vulnerable to things happening where prospective leaders bribe their people with money to obtain money. leadership, and the same goes for individuals who carry out elections, because there are certain payments or results that will be obtained after holding elections, individuals often choose leaders not based on justice and honesty, but choose leaders with the aim of getting rewards.Apart from that, Article 22E of the Constitution also states that elections are held publicly, freely, confidentially, honestly and fairly.It doesn't stop there, the reality is that choosing the right leader is the path to prosperity for the nation, there are many problems in Bali which also cause us to really have to choose the right leader, such as the increasing problem of poverty, such as due to inadequate minimum wages, so there are lots of beggars on the streets, then there is also the problem of utilizing natural resources, ecosystems are often destroyed due to not being able to utilize natural resources properly, resulting in a decrease in income, there is also the problem of the large amount of waste that is not managed in Bali which is due to the large number of people who don't care about it. the surrounding environment, to the point of eliminating the unique beauty of Bali.So can our future leaders overcome this problem? I hope that these problems can be overcome by our future leaders.So it can be concluded that,Not only is it stated in the constitution that governs us, but elections also concern people's lives in the future, it is also hoped that prospective leaders will be able to carry out elections fairly and without cheating by engaging in money politics.Let us carry out elections fairly and honestly, because carrying out elections intelligently will create a prosperous society in the future.That's all the speech I can deliver, I hope the speech I deliver can be useful. I'm sorry if I made a mistake, at the end I close with Parama Santhi, Om Santhi, Santhi, Santhi Om.rama Santhi, Om Santhi, Santhi, Santhi Om.)
Punapi kawentenan Guru Wisesane ring Pemilu 2024? II + (OM SWASTYASTU Suksma aturang titiang maje … OM SWASTYASTUSuksma aturang titiang majeng ring Dinas Pendidikan Kepemudaan dan Olahraga Provinsi Bali sane sampun ngawentenang pacentokan Bali Berorasi puniki,naler Wikiton.Ring kawentenan sane becik puniki titiang jagi nyihnanyang angga,Wastan titiang Ni Kadek Mia Juniarti saking SMKN 1 Kuta Selatan ring kawentenan puniki jagi ngungayang indik kawentenang ring Masyarakat sane mamurda “ Punapi kawentenan Guru Wisesane ring Pemilu 2024?”Guru wisesa silih sinunggil pahan saking Catur Guru sane wenten ring Sastra Agama Hindune.Jangkep nyane Catur Guru kasobyahang wenten Guru Swadhyaya pinaka Ida Sang Hyang Widi Wasa, Guru Wisesa pinaka pemerintah, Guru Pengajian pinaka guru sekolah, lan kaping untat Guru Rupaka pinaka rerama.Ring galah puniki titian jagi maosang indik guru Wisesa.Napike Guru Wisesa wantah ngatur karamane manten?Cawisane pastikan nenten,liananken punika pamerintah patut ngemuhan masyaraktne,ngayahin masyakatne mangda adil miwah mirengang pikobet sane nibenin masyarakatne. Pikobet ring pamerintah nenten je asiki nanging akeh pisan silih sinunggil nyane kawentenan Pemilu.Pemilu akeh ngamedalang pikobet minakadi Politik Uang miwah Orti Hoax utawi Hate Speech ritatkala kampanyeKawentenan punika prasida katambakin mangda kawentenan pemilune mamargai antar manut ring tata aturan sane kacumawisang antuk kesadaran lan tanggung jawab sami Masyarakat indik kawentenan Pemilu .Nika krana yening cingak sane sampun liwat Pendidikan politik lan sosialisasi politik nenten mamargi sinarengan,kawentenan punika wantah dados tugas penyelenggara kemanten.Partai politik lan pemerintah patut menyarengin pakaryane punika.Iraga makasami naler nguratiang hak-hak konstitusi Masyarakat sumangdane kajaga tur ter akomodir ring Pemilu.Ngiring !! Sinamian suksesang Pemilu 2024 antuk nyagra saking daya-daya jele sane wenten saking Pemilu sane dumunan mangda pasida Pemilu warsa 2024 puniki mamargi antar.Inggih wantah asapunika ngenenin indik daging manah titiang manados Masyarakat,titian mapinunas napi sane kasobyahang prasida kapinehin tur karesepang olih para pemangku kebijakan minakadi guru wisesane sane madue wewenang tur kebijakan sumangdane kawentenan Gumi Baline ngangsan becik tur trepti.Sineb titiang antuk Parama SantihOm Santih,Santih,Santih Om Parama Santih Om Santih,Santih,Santih Om)
"Be Kelih Kan? Nu Deen Demen Ngae Uyut" + (Om Swastyastu Good morning, best wishes … Om Swastyastu Good morning, best wishes to all of us.First, let us offer praise and thanks to Ida Sabg Hyang Widhi Wasa for giving so many blessings and opportunities for all of us, so that we can gather at this happy event.On this occasion, I will deliver a fairly short oration about tourism responsiveness. Because basically tourism is travel undertaken for recreation and entertainment.We all know that the island of Bali is an island of a thousand islands, which is famous in foreign countries for the beauty of its flora and fauna.But behind all that there is a problem that the government must find a solution for in the future regarding tourists who come to tourist attractions in the area of holy places that are arbitrary. Like many tourists taking photos at the temple by climbing the temple pelinggih, not being responsive to Balinese culture, insulting Balinese culture such as committing adultery in a holy place, being reckless on the road, not wearing a helmet, changing motorbike plates and hiding his identity visa so he can work in Bali .And it's no surprise that the presence of tourists disturbs local communities.This is a serious problem that leaders must address in the future, enforcing the rules for tourism to Bali. Give more consideration to tourists who work in Bali, because as far as I know there are still many local people who are unemployed, perhaps the existence of these wise regulations can help local people get jobs and be more considerate of tourists who open jobs in Bali even though they are not citizens.in Bali even though they are not citizens.)
Ngirangin kemacetan ring bali + (Om Swastyastu Thank you for the time given … Om Swastyastu Thank you for the time given to the three of us. Pinihryin meshow my name is I Gede Berlin Renaldi and my two friends areThis is Kadek Junior and I Made and my son Sujana from SMA Negeri 2 Abiansemal. HealthNow let's discuss the role of leaders in managing congestion.is a traffic suspension caused by the number of passing vehicles.more than the short road capacity of Bisnis.com, DENPASAR Promotion AgencyBali Regional Tourism says there are two things that must be considered in order to be successful.currently facing traffic jam problems in Bali. Tjokorda Oka Artha Ardhana Sukawati, Chair of BPPD Bali and Chair of PHRI Bali, said that to overcome current traffic jams, discipline is needed forfor road users and law enforcement. Like traffic jams in the PB road areaSudirman Denpasar is not only a scientific discipline that uses roads, but also the future.A thriving society requires law enforcement. "Two things are truethe most important concern," he told media at the Bali Tourism Board, the day of the flightthe thirtieth day of the month, two thousand and seventeen. He added, for timeIn the long term, Bali develops as a service industry, not manufacturingTransportation must be considered. If this is ignored, a cultural approach is used.in our transportation, I am sure this will be wasteful. Although several modes of transportation are available, none is available."They use it because it doesn't suit the needs of society," he said. He explained that until now his party had not seen the implementation of these two things in society.maximum because there is a feeling of unwillingness from the police, considering that the customer is doing itLocal people have adjacent houses and parking spaces in front of the houses. If this is moreEven better, the government could provide more parking, which could help.solve the traffic jam problem that is behind. If there are words that I don't like, I apologize, I would like to thank Uncle Santhi Santhi Santhi Uncle.to thank Uncle Santhi Santhi Santhi Uncle.)
MIARA MONUMEN MONUMEN SANE MABUAT + (Om Swastyastu, Dear Ladies and Gentlemen, … Om Swastyastu,Dear Ladies and Gentlemen,Today, we are gathered to discuss something of invaluable historical, cultural and aesthetic value: the preservation of important monuments. These monuments are not just stone structures or historical buildings, but are a legacy from the past that we must guard with devotion.Maintaining important monuments is our duty as protectors of cultural and historical heritage. They are silent witnesses to important events that shape our identity. Caring for them is not just about remembering the past, but also building a better future.Monuments are windows into the past. They reflect the glory, courage, art and culture of different eras. However, without proper care, they are susceptible to time and natural elements which can damage their beauty and integrity.Through careful maintenance, we ensure that the story the monument is intended to tell lives on and can be passed on to future generations. They not only belong to us, but also to those who will come after us.It is important to remember that maintaining monuments is not just about preserving their physical structures but also the meaning, values, and stories behind every detail. Studying, understanding and caring for monuments is our duty to ensure this heritage does not fade from our memories.In appreciating monuments, we also respect our own identity, values and cultural roots. By getting involved in the maintenance of monuments, we strengthen our ties with the past and bring the message about the importance of cultural heritage to the world.Therefore, let us join hands in protecting this important monument. By doing so, we provide tangible evidence that we are responsible stewards of our cultural heritage, and we preserve an invaluable part of history for all future generations to enjoy.Om Shanti Shanti Shanti Omions to enjoy. Om Shanti Shanti Shanti Om)
Utamayang Bansos Nenten Medsos + (Om Swastyastu, Poverty is a social proble … Om Swastyastu,Poverty is a social problem that needs to be addressed so that all people can get at least a decent living. As written in article 33 paragraph 1 of the 1945 Constitution which states that "the poor and neglected children are cared for by the state". However, in reality there are still many poor people, homeless people and underprivileged people who still live below the poverty line and do not even receive proper assistance. Gianyar Regency is one of the regions that has a relatively high poverty rate of 1.38 percent, while in Bali province the poverty rate is 0.54 percent.It has been proven that there are still many beggars begging around shops, some of them even carry small children around to get money. Apart from that, there are small children selling tissue along the main road without proper supervision. Of course, this endangers the order and comfort of society and themselves. So, further treatment is needed regarding the problem of poverty. one of the efforts offered is providing social assistance evenly, social assistance is assistance in the form of money, goods or services to individuals, families, groups and poor communities who are unable and vulnerable to social risks. Even though the provision of social assistance from the government has been implemented, its distribution has not been carried out evenly, as evidenced by the still high level of community poverty in Gianyar district.So the step that can be taken is to initiate open inspections when social assistance is distributed from the central government to underprivileged communities so that the assistance provided is not just a symbolic or image attempt by irresponsible individuals. These individuals often use assistance measures as an effort to get attention and praise from the public via social media without thinking about the truth of what is happening on the ground. If the provision of social assistance is uneven, of course there is something that is not right in the process. For example, in December 2023, hundreds of proposals for social assistance grants submitted by the community to the 2023 Gianyar Regency Government had not been disbursed, even though representatives of the community whose social assistance proposals had not been disbursed had visited the Gianyar Regency Government but did not receive clear follow-up action, so the disbursement of the social assistance had not occurred. accomplished.By holding open or transparent inspections, it is hoped that the entire process of distributing social assistance will be known to the community clearly, rather than being an empty effort and hope for the community. Apart from that, social institutions can visit communities in remote areas that are far from the reach of information so that they also receive equal and equitable assistance. It is appropriate for institutions with authority in the social sector to take action against problems that occur in society appropriately and must be accountable. Don't just prioritize your image on social media to get attention and votes from the public.Om Santih, Santih, Santih Om.the public. Om Santih, Santih, Santih Om.)
Krisis Petani Muda Di Bali + (Om swastyastu, I respect you, Mr/Madam, th … Om swastyastu,I respect you, Mr/Madam, the jury and the 2024 DPD RI candidates, and I am proud of all the participants of the Bali Public Participation Wikhiton Speech.First of all, let us express our praise and gratitude to Ida Sang Hyang Widhi Wasa because of His blessing and grace this morning we were able to gather and carry out a series of activities for the Bali Public Participation Wikhiton oration competition, here, allow me to deliver a speech or oration entitled The Young Farmer Crisis in BaliDistinguished guests, the food that we consume and enjoy every day is the result of processing ingredients from agricultural products. Agricultural products in Bali are very diverse, starting from staple foods, fruit and others. However, currently there is a crisis of young farmers in Bali, there are several factors causing it, such as:1). limited access to capital, technology and skilled human resources, thus hampering the ability of young farmers to increase agricultural productivity and increase their income.2). The high level of urbanization and increasing education in rural areas has made many young people prefer to work in the non-agricultural sector, such as industry or services.3). the lack of attractiveness of the farming profession in the eyes of the younger generation, which is considered less prestigious and has the potential to generate low income compared to jobs in other sectors.I hope that from this problem the Balinese leadership candidates who will be elected in 2024 can provide solutions and provide real action and evidence for this problem.So let's raise the status of farmers, so that there is no premature extinction, that's all I can say, if there is an error in delivering my oration, I apologize for this. I close by delivering Parama SanthiOm Santhi, Santhi, Santhi om.arama Santhi Om Santhi, Santhi, Santhi om.)
Sentuhan Kritis: Menolak Penyatuan Budaya dan Politik demi kebebasan Identitas + (OM Swastyastu, Let us reflect together on … OM Swastyastu,Let us reflect together on the impact of forced cultural and political unification, especially in the context of the ban on celebrating the Balinese holiday of Pengrupukan during elections. This coercion can create outrage by harming cultural practices that are integral to people's lives. So, to what extent should we give up cultural celebrations in favor of often questionable political interests? Governments, especially local governments, should be smarter in understanding and protecting cultural heritage as a community right. Only with wiser policies, considering cultural values, can we create true harmony and genuine peace.The prohibition of historic culture is not simply a religious or cultural matter, but involves the right of communities to practice their traditions without intrusive interference. I strongly emphasize the urgency of incisive dialogue, unequivocal respect, and a policy full of sarcasm to respond to issues like the Pengrupukan ban. Only through this approach can harmony between culture and politics be truly realized. The government should not only listen, but also act swiftly for the survival of such a precious cultural heritage. Whoever is elected, let them not only drown in the pleasure of being in power, but also introspect that cultural diversity is not a toy that can be trampled on. A wise leader is not just good at talking, but is able to defend the cultural wealth of the homeland, not destroy it for the sake of narcissistic personal ambition. So, let's choose leaders who not only know how to play politics, but also understand the art of maintaining harmony in diversity.Thank you, OM Santhi, Santhi, Santhi OM. Thank you, OM Santhi, Santhi, Santhi OM.)
Hak Masyarakat Adat Baik Kemajuan dan Kelestarian Adat Terjaga + (Om Swastyastu, My deepest respect to all t … Om Swastyastu,My deepest respect to all the judges.My respects to the BASAbali Wiki teamMy respects to all participants of the Public Participation Wikithon,Allow me to speak a little on the issue of indigenous peoples’ rights. My name is I Komang Sapa. I am from the lava world of Karangasem, I live on the slopes of Bali’s most majestic Mount Agung, in Jungutan Village.As Indonesian citizens, indigenous peoples should have equal rights in terms of land ownership, economic activities, as well as social rights. However, the Job Creation Law (Undang-Undang Cipta Kerja), especially the article on investment ownership as a step to opening new jobs, could backfire on the rights of indigenous peoples or people living in villages.The Indigenous Peoples Alliance of the Archipelago (AMAN) believes that the Job Creation Law (Undang-Undang Cipta Kerja) can pave the way for investors who will run their businesses and process natural resources. However, it will be a problem that can make the people in the village lose. Because people in indigenous villages still make a living through customary land, forests, rice fields and others. Not only is it used as a place to make a living, there are also those who live, make pindik (a local dish), or use the land as a place to build a house. What’s more, since the process of creating the Job Creation Bill started, indigenous peoples have not been included in discussions, even though the people in the village are the most affected.Well, people, because there are different interests here, between indigenous peoples and investors, the government faces a dilemma, when passing this Indigenous Peoples Bill. For example, in the case of the Natural Tourism Park (TWA) in Batur, Kintamani, Bangli, there are still parties from the indigenous community or in the village who feel disadvantaged by the arrival of investors.Ladies and gentlemen, why do we have to speak out about this situation? It is because, as the next generation of the nation, we must participate in preserving the culture, cultural values that have long been the identity of the nation. Especially in the current times, it is very important that we participate and agree in preserving traditional values. This is not just about preserving our traditional heritage, but also about educating our character and morals as human beings who are easily exposed to foreign influences. Also, we must strengthen adat (indigenous laws), recognize the rights of these indigenous peoples, protect, respect and fulfill their human rights.My hope is for prospective leaders to solve this problem quickly through policies that really make the Indigenous Village sustainable even though there are investors who come in to participate in developing the area so that it becomes stronger. Likewise, the government must come to the Indigenous Village, discuss with the community there before issuing permits, let alone policies.Okay, that’s all I can say to all of you. If there are any mistakes in my speech, please forgive me. In closing, I end with parama santhi.Om Santih, Santih, Santih, Om.ma santhi. Om Santih, Santih, Santih, Om.)
Pikobet Peplajahan ring Sisya Tuli + (OM Swastyastu, OM Ano Bhadrah Kratavo Vyān … OM Swastyastu,OM Ano Bhadrah Kratavo Vyāntu Vicva Taḥ’“May auspicious thoughts come from all directions.”Dear future leaders of Bali.Education is the initial provision for achieving goals. Every citizen has the right to education in accordance with Article 31 Paragraph 1 of the 1945 Constitution. The citizens in question are everyone without exception, men, women, children, adults, the elderly, and people with disabilities. Obtaining the right to education is the responsibility of all parties. Parents are obliged to provide basic education to their children. The implementation of education is carried out by the government through the Education Office, both general, special and inclusive education. Now the question is, has the government provided proper access for people with disabilities? The answer is no, brothers and sisters.I invite you to focus on deafness. There are so many obstacles for deaf people when continuing their education in higher education because access is not properly provided. Campuses accept deaf students, but do not provide appropriate access, so they cannot study properly. Another contributing factor is the use of SIBI (Indonesian Sign Language System) in primary and secondary education. SIBI is confusing for deaf learners and not deaf culture. SIBI is made by hearing people who use Indonesian vocabulary patterns so that deaf people cannot understand the context discussed. According to Ade Wirawan, a deaf activist in Bali, the forced use of SIBI results in Language Deprivation which has an impact on the cognitive development of deaf children and students.The solution to the forced use of SIBI is to use Bisindo (Indonesian Sign Language) which is a natural language that emerges and develops in the deaf community. Bisindo is a representation of deaf culture so it is strongly fought for by deaf communities, organizations and activists. Regarding the use of Bisindo in educational units, the government has played a role in deaf education with the issuance of Government Regulation No. 13 of 2020 concerning proper accommodation for students with disabilities, especially for deaf or hard of hearing disabilities listed in Article 15. Furthermore there is a Circular Letter from the Directorate General of Community Education and Special Education on September 23, 2021, regarding the widespread use of Bisindo in special education units for the deaf or deaf community in the wider community. PP No. 13/2020 and the above circular are in accordance with Law No. 8/2016 on disability. However, the implementation has not gone according to its purpose. Many have not provided proper accommodation for students or teachers who master sign language in a complex manner.Things that Bali’s future leaders should realize for equal access to education for deaf students are:1. Adjust the curriculum according to the needs of the deaf.2. Provide an introduction to deaf disabilities to teachers at the elementary school level to serve as a guideline in order to provide teaching in an appropriate manner. 3. Provide training to improve complex sign language skills and linguistic understanding of sign language for teachers.Bali’s future leaders, let’s work together to address these barriers to education, and fix them immediately. Otherwise, the chain of problems will continue to take root and create more complex barriers. Elections are the perfect venue to fix this long-standing problem. Are you the right person to lead Bali? Are you able to approach the deaf community? Can you fulfill the demands of the deaf community?OM Shantih Santhi Santhi OMaf community? OM Shantih Santhi Santhi OM)
Sapunapi utsaha pamerintah antuk nepasin pikobet macet ring Bali? + (Om Swastyastu, Assalamualaikum Wr. Wb., Pe … Om Swastyastu, Assalamualaikum Wr. Wb., Peace be upon us all, Shalom, Namo Buddhaya, Greetings of Virtue, Thank you to all readers who will read this speech of mine. I, Cellin Aulia Nur Shendi Ansyah, a second year student of SMA Negeri 2 Abiansemal, will give a speech about the steps the government must take to overcome the congestion problem in Bali.The problem of congestion is a condition that often occurs in various places, especially in Bali. This can cause public discomfort. But it is also undeniable that this congestion can also have an impact on something else such as the economy and the environment.Traffic jams that occur in several places cause wasted time of road users because in traffic jams it takes several minutes or even hours to be able to cross the road to their destination. Not only that, if a businessman experiences congestion problems on his way to his client, it is possible for conflicts between the businessman and clients who want to cooperate. Thus, the economic impact is also affected by the problem of traffic jams. Even if using public transportation will also cause problems in time efficiency because, public transportation will stop at many stops (Halte) so it is considered by some people that the use of public transportation will only slow down the journey to the destination.The second environment, congestion if it occurs for a long period of time will cause pollution pollution in the air due to vehicle fumes used by motorists, both motorbikes and cars. This is because vehicle exhaust fumes emit gases that are harmful to the environment, namely in the form of CO gas or carbon monoxide which is one of several types of greenhouse gases. This gas can not only pollute the environment and respiratory organs of humans or living things but can deplete the ozone layer in the earth's atmosphere.To overcome congestion we must actively participate in maintaining the impact of congestion by helping government programs. However, the prohibition on people to buy vehicles is not a solution for people to use public transportation, because in the past Bali had had Trans Sarbagita public transportation, then now Trans Metro Dewata and some services that are not in such a form. However, public transportation did not go well as expected. So, the government should let people buy as many vehicles as possible, but only one is used. Thus the government still gets vehicle taxes. So, it is actually not a problem for people to buy many vehicles but their use must be regulated. In addition, the government must also plan sustainable programs for smart urban planning and develop alternative routes and widening roads as an effort to overcome congestion problems so that traffic flow is more efficient. In addition, the government has the right to build other public transportation systems such as LRT (Light Rail Transit) as an effort to solve congestion problems.This important way should also not be forgotten is to provide socialization to the community about the importance of minimizing the use of private transportation because using it can have a big impact on other drivers, the environment, and even globally. The public, allowed to have many vehicles, it's just that in their use they must follow the rules, which is enough for one to be used.Then, what about foreign tourists who are traveling to Bali? The government is expected to plan sustainable and efficient programs so that the opportunity to get to know the island of Bali is greater if infrastructure development, completion of LRT construction and alternative routes are also the best solution so that foreign tourists can easily access routes to get to their tourist destinations.In conclusion, the most appropriate way to overcome congestion problems requires encouragement from various engagements ranging from government initiatives, community participation, and responsibility and awareness from each individual. This is a big challenge for the entire community, especially in Bali, so efforts that can be made to produce sustainable solutions are long-term we must work hand in hand in a collaborative way. Let's show cooperation to build solutions to the problems faced by all of us in the form of traffic jams, and so that we all get comfort while enjoying a sustainable and harmonious lifestyle.Well, to the readers I thank you for reading my speech. I apologize if there is a mistake that is not pleasing to the heart of the speech I gave about the steps that must be taken by the government to overcome the congestion problem in Bali. I cover with paramasantihOm Santih, Santih, Santih Om, Assalamualaikum Wr. Wb., Peace be upon us all, Shalom, Namo Buddhaya, Greetings of Virtue.halom, Namo Buddhaya, Greetings of Virtue.)
PARISOLAH WISATAWAN + (Om Swastyastu, Best wishes for continued s … Om Swastyastu, Best wishes for continued success,Respected judges.Dear participants,And beloved attendees.Before I offer my greetings, let’s express our gratitude to Ida Sang Hyang Widhi Wasa, for His grace which allows us to gather at this great event, “Wikithon Public Participation Bali speaks”.Ladies and gentlemen, you probably know that Bali is called Indonesia’s world-famous tourist destination. Bali has established Cultural Tourism as the most important attraction for tourists, which is why many foreign tourists and local tourists travel to Bali. However, we should remember, the land of Bali is a sacred land. There are rules, principles, and regulations in each region that should be implemented, maintained, and preserved so that the island of Bali can remain strong, sturdy, and sustainable. The rules are not only implemented by the Balinese people but all parties in the tourism sector and also the people who live in Bali as well as domestic and foreign tourists. Tourists should also abide by the rules. They should not violate them, let alone behave violently or arbitrarily. If there are tourists like this, it will definitely make things bad for the life of this Balinese earth.In the current state of Bali’s tourism sector, which has just risen from the impact of Covid-19, there are many behaviors of tourists from abroad that are not in accordance with the rules in Bali. For example, the case of tourists who damaged the Goa Raja Temple, Besakih. Tourists from South Korea damaged facilities in the temple area, such as tedung (umbrella), sangku (holy water container), jug, donation box, and cloth mounted on the monument. This made the temple area polluted. Then the Goa Raja Temple management carried out a simple prayascita (cleaning) ceremony so that the temple area could return to purity. The behavior of tourists causes a big loss for the surrounding community and indigenous people. It has definitely polluted the Balinese customs and traditions. There are many other examples, such as tourists who do not wear appropriate clothes during Pendet Dance performances at Saraswati Temple and Gunung Batur Temple, tourists who take pictures naked at Taru Kayu Putih Suci in Tabanan Regency, tourists who sit on the Teratai Bang Temple monument, tourists who meditate naked in Denpasar. Apart from not wearing clothes at temples, there are also tourists displaying the same behavior in public places, for example in South Kuta.Based on the above-mentioned problems, the Balinese government has actually made a circular letter of the Governor of Bali Number 04 of 2023 concerning the new order for foreign tourists who visit Bali. The stipulation of regulations on tourist behavior is in accordance with Balinese cultural norms but the implementation has not been maximized. There are still many tourists who behave not according to Balinese customs, destroying the principles that have been inherited on this Balinese earth. This makes me hope that the leaders who will be elected in 2024 will be firm with the rules that have been issued, truly loyal to protecting Bali from the bad influence of globalization and all people, especially protecting Balinese youth, so that they are not exposed to bad influences. In addition, Bali leaders should require tourists to be accompanied by a guide. The goal is that there is no more wrong and deviant tourist behavior. Tourists do bad behavior because no one is watching. In order to be implemented, the 2024 leader can provide guide services under the auspices of the government that can be used by tourists.Come on, brothers and sisters, take care of this Balinese earth, take care of the tourists who come to Bali, so that Balinese customs and culture as an ancestral heritage are not polluted and abused. Well, that’s all I can say. If there are any mistakes in my speech, I ask for forgiveness. I close with paramasanthi. Om Santih, Santih, Santih, Om.ramasanthi. Om Santih, Santih, Santih, Om.)
Pikobet Kawigunan lahan ring Bali + (Om Swastyastu, honorable judges of the Wik … Om Swastyastu, honorable judges of the Wikithon Public Participation Oration, and all Oration participants that I am proud of. I, Putu Bayu Yudha Oka Pratama from SMAN 2 Sukawati will deliver an oration entitled "Pikenoh lahan ring bali ngawit masa ke masa" which discusses an issue that has long been a problem in Bali. Bali is known as a global tourism destination, but behind that, there are serious challenges related to the erosion of green land.Land change in Bali from time to time is certainly a very important issue and must be addressed immediately, seeing the state of the increasingly eroded land. According to an article in Neliti, land use change in Bali is very important to note because land use change has a major impact on the physical and social environment. In this case, satellite imagery and GIS data were used to determine land use change in Bali. The results showed that land use has changed drastically between 2003 and 2008. Settlements and irrigated rice fields are where the most extensive land use change occurred, at 2,553 hectares. While salt land use did not change at all. This change has led to the development of villas, hotels, shopping centers that are irregular and haphazard.Irregular and indiscriminate land use change can cause negative impacts on the environment, Balinese people, and even Bali Tourism. Some of the negative impacts that can occur are environmental damage and loss of natural habitat for flora and fauna. In addition, irregular land use change can also cause flooding and landslides. And the most problematic, namely the impact on Bali Tourism. Where, foreign tourists have no interest in coming because it is too full of buildings and little green land left.To overcome these problems, the future leaders of Bali 2024 must take appropriate and effective action. One solution that can be done is to conduct strict supervision of land use changes in Bali. There must be clear procedures and permits related to land use change. In addition, Bali 2024 leaders should also introduce programs that aim to promote sustainable and environmentally friendly land use. These programs could include the development of organic farming, the use of renewable energy, and waste reduction.Ladies and gentlemen of the jury, that's all I have to say about land use issues in Bali. I hope that this oration can be useful so as to realize that the Government and the Community must work together to deal with this problem, Finally, I Bayu say Parama Santhi. Om Santhi, Santhi, Santhi, Om.ama Santhi. Om Santhi, Santhi, Santhi, Om.)
Masa Depan Bali + (Om Swastyastu, Let's all pray to Ida Sang … Om Swastyastu, Let's all pray to Ida Sang Hyang Widhi Wasa, because we all can stand here to talk about "Pemilu : Apa masalah yang paling mendesak untuk ditangani para calon pemimpin Bali?", or in English "2024 Election: What are the most pressing issues for Bali's leadership candidates to address". Dear the Listeners, the 2024 Election is approaching, and the Island of the Gods; Bali is tightening the calendar that must be paid attention to by those who will become leaders. Currently a number of bad tourists, foreigners and ofc residents in bali are breaking the rules, even though it is known as a beautiful tourist destination, Bali has rules and sanctions that can still be bad for the environment, Balinese and foreigners. Examples are corruption, land investment by outsiders, tourists who do not respect Balinese culture, there are no proper procedures for disposing of rubbish in Bali, and there are no sanctions for people who violate it. I hope that those of you who will serve as leaders can develop and handle these problems well. Let's all provide a better opportunity for Bali's future.de a better opportunity for Bali's future.)
HARMONI "RATRIBRASKITA" NYUJUR KERAHAYUAN + (Om Swastyastu, Namo Budaya, Om Awighnam As … Om Swastyastu, Namo Budaya, Om Awighnam Astu Namo Sidham.Bali Island is an island that already has many natural resources. These natural resources attract tourists to come to Bali. The island of Bali is well known abroad. The island of Bali which is growing in tourism is what causes many investors to build buildings in Bali. Different from before, the island of Bali has many rice fields and plants, as well as clear water that makes the mind drift away. In the past, Balinese people easily got agricultural products such as chilies, vegetables and others.After the rice fields in Bali were converted into buildings, little land was used as a place to grow these plants. This is because the prices of our basic necessities in Bali are increasing. If we remember, we should be in Bali who bring in a lot of guests, making Bali Island an island that has high regional income. However, we have all felt that now the prices of basic necessities in Bali are increasing. Natural resources in Bali are increasingly scarce, rice fields in Bali are increasingly depleted. Who can be blamed if it's like this? Not just natural resources, but technological developments that increasingly want to make us spoiled or dependent on technology. Different from before, Balinese people at home each have rice fields that can be used to grow plants that are useful for the Balinese people, such as chili plants, banana trees, tomato plants, vegetables and others. Now, are there any of you who plant these plants? Does anyone still have rice fields?Now in Bali, many people have houses that have been influenced by foreign culture. This is because few have rice fields or plants that can be used for basic needs or coral reefs. If it is related to the increase in prices of basic commodities in Bali, it is appropriate that the Kitri coral can restore the fulfillment of our basic needs in our respective homes. If every yard or yard in Bali had coral reefs, basic prices on the market would definitely not increase because there would be no shortage of basic necessities. This Kitri coral can be included in traditional village regulations so that the community can all develop Kitri coral in their own homes and in traditional villages make sekeha which are taken by each family head in each coral to get information about the Kitri coral and Kitri coral in their respective homes. Each can be sold at the Pekraman village level. Immediately, it became a Ratribraskita movement which means Digital Based Kitri Coral, which has the aim of preserving Kitri Coral even when they become extinct and bringing greenery to the household.Hopefully this RATRIBRASKITA program can provide good benefits.I apologize if there are any shortcomings, I will close with Parama Santih.Om Santih, Santih, Santih Omrama Santih. Om Santih, Santih, Santih Om)
Pariwisata Bali Metangi Antuk Sport Tourism + (Om Swastyastu, the Covid-19 pandemic has h … Om Swastyastu, the Covid-19 pandemic has had a huge impact on Indonesia. Not only in the health sector, but also in the economic sector. The island of Bali is no exception, all of which are very dependent on tourism so that the Balinese economy has slumped during the pandemic. The Government has implemented the policy of Enforcement of Community Activity Restrictions or PPKM (Pemberlakuan Pembatasan Kegiatan Masyarakat) to limit the spread of the Covid-19 virus. However, this strategy has caused negative impacts such as the suspension of tourism. Likewise, tourism workers have been fired. The government and related parties must seek procedures to stimulate Bali tourism. Examples include the strict application of health protocols to the community, as well as the application of CHSE (Cleanliness, Health, Safety, and Environment Sustainability) to tourist destinations or other means of supporting tourist destinations. The number of Balinese people who have received the first dose of Covid-19 vaccine is around 99% and the second dose is around 90%. With this preparation, Bali tourism is ready to rise again. What is needed is public information that Bali is ready to receive domestic and international tourists. Sports Tourism is one of the strategies that should be implemented. Even though it's a new idea, sports tourism has great potential to generate tourism in Bali. Sports events are of great interest both nationally and internationally. This can be seen from the major sporting events held in Bali such as the 2021 BWF World Tour, BRI Liga 1, U-20 World Cup, and so on. The Government can provide support to improve infrastructure and facilities relating to sports so that Bali's potential can be realized and Bali's tourism and Bali's economy can be revived. Om Shanti, Shanti, Shanti, Om.be revived. Om Shanti, Shanti, Shanti, Om.)
Etika Wisatawan ring genah suci ring Bali + (Om swastyastu, the jury that I respect and … Om swastyastu, the jury that I respect and the Bahasabali wiki team that I am proud of. On this occasion, I will deliver an oration on "Tourist Ethics in Sacred Places in Bali".Bali Island is the most popular tourist destination in Indonesia. Bali has very diverse tourist attractions, both natural tourism, cultural tourism and marine tourism. Bali and tourism cannot be separated. A tourist attraction that is no less interesting is the culture of the people. The life of the Balinese people is very closely related to the Hindu religion so that every religious ceremony is a very unique object. Temples are interesting places of worship for Hindus spread throughout Bali. Therefore, Bali also has the nickname Thousand Temple Island.However, the beauty of tourist attractions in Bali is still often threatened, one of which is sacred places. The presence of foreign tourists visiting sacred places still has a negative influence on the island of Bali. The case that we often hear is that tourist etiquette is still lacking, both in terms of clothing and the morals of the tourists themselves. As happened at Pura Dalem Prajapati Banjar Dadakan, Kelaci Kelod Traditional Village, Abiantuwung Village, Kediri District, Tabanan Regency. The tourist climbed a sacred tree, it is suspected that the tourist did not know that this place was a sacred place.This often happens, the causes are freedom of association and clothing in many tourist attractions, the need for commercial content and, ignorance of foreign tourists about sacred places in Bali. With this, we hope that Bali's leaders in 2024 will tighten the existing regulations in this place with efforts that can be taken, namely,1. Form a community for tighter security at this place.2. The management should provide information about the meaning of signs and holy places.3. Give sanctions to visitors who prohibit these rules, both moral sanctions and social sanctions.4. Tourists are expected to be accompanied by a tour guide who has a permit/license (understanding the natural conditions, customs, traditions and local wisdom of the Balinese people} when visiting tourist attractions.That's all we can say, hopefully it will be useful, and this oration can be realized by Balinese leaders in 2024 so that sacred places in Bali are always maintained and preserved. Sorry if there are any wrong words, we thank you. Om Shanti, Shanti, Shanti Om.e thank you. Om Shanti, Shanti, Shanti Om.)
Etika Wisatawan Di Tempat Sakral Di Bali + (Om swastyastu, the jury that I respect and … Om swastyastu, the jury that I respect and the Bahasabali wiki team that I am proud of. On this occasion, I will deliver an oration on "Tourist Ethics in Sacred Places in Bali".Bali Island is the most popular tourist destination in Indonesia. Bali has very diverse tourist attractions, both natural tourism, cultural tourism and marine tourism. Bali and tourism cannot be separated. A tourist attraction that is no less interesting is the culture of the people. The life of the Balinese people is very closely related to the Hindu religion so that every religious ceremony is a very unique object. Temples are interesting places of worship for Hindus spread throughout Bali. Therefore, Bali also has the nickname Thousand Temple Island.However, the beauty of tourist attractions in Bali is still often threatened, one of which is sacred places. The presence of foreign tourists visiting sacred places still has a negative influence on the island of Bali. The case that we often hear is that tourist etiquette is still lacking, both in terms of clothing and the morals of the tourists themselves. As happened at Pura Dalem Prajapati Banjar Dadakan, Kelaci Kelod Traditional Village, Abiantuwung Village, Kediri District, Tabanan Regency. The tourist climbed a sacred tree, it is suspected that the tourist did not know that this place was a sacred place.This often happens, the causes are freedom of association and clothing in many tourist attractions, the need for commercial content and, ignorance of foreign tourists about sacred places in Bali. With this, we hope that Bali's leaders in 2024 will tighten the existing regulations in this place with efforts that can be taken, namely,1. Form a community for tighter security at this place.2. The management should provide information about the meaning of signs and holy places.3. Give sanctions to visitors who prohibit these rules, both moral sanctions and social sanctions.4. Tourists are expected to be accompanied by a tour guide who has a permit/license (understanding the natural conditions, customs, traditions and local wisdom of the Balinese people} when visiting tourist attractions.That's all we can say, hopefully it will be useful, and this oration can be realized by Balinese leaders in 2024 so that sacred places in Bali are always maintained and preserved. Sorry if there are any wrong words, we thank you. Om Shanti, Shanti, Shanti Om.e thank you. Om Shanti, Shanti, Shanti Om.)
"Pangelumbungan Sampah Menyuarakan Kepedulian, Menyemai Perubahan" + (Om Swastyastu. In managing this waste, th … Om Swastyastu.In managing this waste, the Tim Basa Bali committee and all of us extend our respect to the Supreme God. This waste affects our earth and has become a collective burden for humanity.The regulations written in 1975 regarding the preservation, writing, and development of the Balinese script have been in place, but they are not consistently followed. Waste disposal should not be a mere ritual but a continuous thread of our lives.This waste is harmful, and we, the people, should be sacred citizens who do not directly contribute to the pollution of our surroundings. The waste, which has been increasing, is affecting Bali's environment. Nevertheless, we must continue to live in harmony with nature and uphold our responsibilities.We need to transform our habits in waste disposal immediately. Moreover, we must offer our support to fellow Balinese and play our roles as responsible citizens. The fear looms large over our tourism, economic stability, and global reputation. Together, let us unite, be humble, and work collectively in managing this waste. Thank you. Om Peace, Peace, Peace, Om.te. Thank you. Om Peace, Peace, Peace, Om.)
NGIRANGIN SAMPAH PLASTIK ANTUK PULAU BALI SANE BECIK + (Om Swastyastu. Sincerely all my beloved g … Om Swastyastu.Sincerely all my beloved guests,Currently, the island of Bali is faced with serious challenges that threaten the environmental sustainability and beauty of the island of Bali as a tourism destination. Namely, the problem of piles of plastic waste.Every day, we witness an uncontrolled growth in the volume of plastic waste, polluting oceans, damaging ecosystems and threatening health. Plastic waste is not just waste, but also a symbol of our irresponsible behavior towards the environment. It is important for all of us to be aware of the negative impacts and take concrete action. There needs to be a joint effort to reduce the use of single-use plastics, support recycling, and encourage environmentally friendly technological innovation.Through collective awareness and action, we can create a cleaner, healthier and more sustainable environment for future generations. Thank You.Om Shanti Shanti Shanti Omns. Thank You. Om Shanti Shanti Shanti Om)
Pikobet Leluu Sane Magenah Ring Tukad-tukad Ring Bali + (Om Swastyastu. Distinguished guests, first … Om Swastyastu.Distinguished guests, first of all, let us say our thanks giving to Ida Sang Hyang Widhi Wasa, because it is thanks to his grace that we can gather here. On this happy occasion, I would like to deliver a speech about the problem of rubbish in rivers. This problem is one of the problems that exist in Bali, and must be handled by the future leaders of Bali.We all know that rivers are natural resources that are very important for human life. Rivers provide water for drinking, irrigation and other daily needs. However, unfortunately, our rivers are currently facing a serious problem, namely rubbish pollution.One of the main reasons why there is a lot of rubbish in rivers is the lack of public awareness about the importance of disposing of rubbish in the right place. Many people still throw rubbish carelessly, including into rivers.Garbage thrown into rivers can cause various environmental and health problems. This rubbish can clog river flows, causing flooding. Garbage can also pollute river water, endangering human and animal health. Apart from that, rubbish in rivers can damage river ecosystems and reduce natural beauty.To overcome the problem of waste in rivers, cooperation from all parties is needed, including the government, society and the business world.The government must provide adequate facilities and infrastructure for waste management, such as rubbish bins, waste transport fleets and final waste disposal sites.People must have awareness not to throw rubbish carelessly, especially into rivers.The business world must also play a role in reducing the use of materials that are difficult to decompose, as well as supporting sustainable waste management programs.I hope that the future leader of Bali who is elected will have a commitment to solving the problem of rubbish in rivers.The prospective leader must have a clear vision and mission in waste management, as well as a work program that is measurable and can be implemented.I am sure, if we all work together, we can solve the problem of rubbish in rivers and make Bali a clean, beautiful and healthy island.Distinguished guests, that's all I can say. If there is an error I apologize. I close with Parama Santih.Om Santih, Santih, Santih, Om.ama Santih. Om Santih, Santih, Santih, Om.)
Ngamolihang Kasejahteraan Sosial ring Bali + (Om Swastyastu. Before I present this orati … Om Swastyastu. Before I present this oration, let us all give thanks to Ida Sang Hyang Parama Kawi, because thanks to His grace I, Ni Kadek Diah Ayu Paramitha from SMA Negeri 1 Kerambitan, can present the oration text entitled “Ngamolihang Kasejahteraan Sosial ring Bali”.A leader is a person who influences others in order to carry out a common goal. Therefore, leaders have the obligation to complete and implement all the aspirations of the community and have a responsibility for community welfare and social welfare. Talking about social welfare, it can be seen from various aspects such as economy, education, health, and socio-culture. Today, I will discuss social welfare in Bali from the economic point of view. One of the economic problems in Bali is the economic gap, which is very important to find a solution to. The economic gap is closely related to the unbalanced infrastructure development in each region. This can lead to urbanization - people living in villages are displaced to cities - which then makes economic growth in Bali unbalanced. Poverty and unemployment rates are also important to note, because if you look at the distribution of subsidies for the lower middle class, it has not been well targeted, so the poverty rate has not shown a significant reduction in the number of people living in poverty.We know that Bali is very strong because of tourism which until now has benefited as much as 60% of Bali’s economic structure. In my opinion, providing tourism sites like this, especially in villages can be one of the solutions to relieve the economic gap in Bali, such as the Tenganan Tourism Village program, Jatiluwih, Terunyan, and others. However, we cannot guess what will happen in the future, such as the Covid-19 outbreak in 2020 which causes an economy decline, especially in Bali because it still relies on tourism. However, if you look again, Bali actually has other potentials such as MSMEs. These MSMEs should be considered so that they remain strong. Bali’s leaders have a role to help MSMEs in Bali so that they can improve Bali’s economic development, such as providing facilities and assistance in the form education, socialization, subsidies and rules that can encourage the existence of MSMEs and provide legal protection for MSME actors. Not only these MSMEs can help the Balinese economy. Social welfare is not just the responsibility of leaders, but the responsibility of the entire community. However, the role of leaders here is very important to lead the community to get social welfare, the leader should use resources as well as possible, and also build good buildings in order to provide people’s welfare.This is the text of the oration that I can convey. If any of my words are not pleasing to you, I apologize profusely, finally I close with paramasantih, Om Santih Santih Santih Om. paramasantih, Om Santih Santih Santih Om.)
Upaya Mangda SDM ring Bali nenten Fokus ring Sektor Pariwisata kemanten + (Om Swastyastu. Dear readers, and participa … Om Swastyastu. Dear readers, and participants of the competition that we are proud of. Praise and gratitude are due to God Almighty because by His grace we were given the opportunity to be participants in the Wikithon Basa Bali competition with the theme "Election 2024: What are the most urgent issues to be handled by Bali's prospective leaders?" Tourism has long been the most popular sector for Balinese people. Natural resources and customs are two of the factors that make tourists, both from within and outside the country, interested in visiting the island of the Gods, Bali. However, reflecting from 3 years ago where most of the people's economy in Bali was hampered due to a prolonged pandemic. It can be seen from one of the tourist attractions in Bali, namely "Taman Nusa", where this tourist spot focuses on preserving customs and culture in Indonesia, such as traditional houses, dances and traditional weapons, ended up 'closing' or in other words 'going bankrupt'. Now that the economy in Bali has started to grow and improve, we can take a lesson to not depend on one sector, especially the dynamic Tourism sector. Our question now is, how can we make the human resources in Bali not only focus on the tourism sector? This problem starts with the stereotype that working in the tourism sector can raise the family's status. Although in reality this is true, given the dynamic nature of the tourism sector, it is unlikely that the sector will always promise a good economy. Whereas, on the other hand, agriculture, health, trade, construction and so on have ample job opportunities but with less promising income, so in the opinion of young people now. We ask for solutions from the government regarding this sector that 'actually' has ample job opportunities with less promising income.Finally, let's all work together to protect and do our best for Bali's economy in the future. That's all we can say, if there are shortcomings we apologize and for your attention we say Parama Santih. Om Santhi, Santhi, Santhi Om.rama Santih. Om Santhi, Santhi, Santhi Om.)
BALI RESIK, TAN KATIBEN GUNUNG LELUU + (Om Swastyastu. Dear the juries and all rea … Om Swastyastu. Dear the juries and all readers. From the theme of this oration, the urgent topic we raised was the Bali government's steps in dealing with the surge in waste on the Island of the Gods, which can cause various problems in life. For this reason, the title of our oration is “Clean and Spotless Bali, Without Mountains of Rubbish” or "Bali Resik, Bali Tan Katiben Gunung Leluu". Bali Island is nicknamed the world's tourism paradise. However, behind that sentence, this island is facing an urgent crisis due to piles of rubbish. It has become increasingly complicated and more transparent after fires recently occurred at several final disposal sites (TPA) in Bali. How would we feel if every day we had to live amidst piles of rubbish, followed by burning pollution like this? As a foreign tourism area, the urgency of this problem must be addressed immediately because it can cause other issues that could be detrimental to the Balinese people. Therefore, the presence of the government as a pioneer leading society is vital in responding to this urgency. Prospective leaders should be responsible for developing steps to overcome this emergency. We need significant investment in waste management infrastructure with modern, environmentally friendly technology. We also need policy designs encouraging active community participation in waste sorting and recycling programs. We encourage prospective Balinese leaders to work with various parties, including the private sector and environmental organizations, to create collaborative solutions to this waste problem. By integrating ideas and resources from multiple sectors, we can achieve more significant progress in maintaining Bali's sustainability. This is a call for all of us to act together and ensure that Bali remains beautiful and sustainable for future generations. Thank you, ladies and gentlemen, prospective leaders of Bali in the 2024 elections, for your attention and commitment to facing this urgent challenge. Together, let's create a clean, green, and sustainable Bali without mountains of rubbish. Om Santih, Santih, Santih, Om.of rubbish. Om Santih, Santih, Santih, Om.)
Menuju Bali Clean And Green + (Om Swastyatu I thank the committee,the a … Om Swastyatu I thank the committee,the audience that I am prouded and the team from my beloved BASAbali Wiki.On this happy day I will present the tittle “ Towards a clean and green Bali’’instead of giving to mucht advise . As for all the smart attendees,I am here to help convey the government teacher’s messege from what has been spread by the government in the Balinese community.A very good progam aimed at keeping Bali clean and beautiful. Some people of the programs tht have beesn implemented include Denpasar Go 2011( two thousand eleven),car free day,planting a million trees and others progam again.this is government progam tht can be a seed to prevent air pollution from landslide, and maintain the beauty and fresh of all Balinese people who alredy have mindnest of preserving Bali,this aims to ensure that Bali is always clean. Well, dear listeners, let’s ask ourself. Have we carried out business efforts aimed at preserving the Balinese word if not us who else? If not now,when again? So that all of you can unite yourself, roll up your sleeve, maintain cleanline and beauty Bali as well. That’s all I can say more or less I am sorry I closed it with parama santhiOM SANTHI SANTHI SANTHI OMh parama santhi OM SANTHI SANTHI SANTHI OM)
ogoh-ogoh bali 2024 sane katinggalin + (Om Swastysatu, Om Awighnam Astu Nama Sidha … Om Swastysatu, Om Awighnam Astu Nama Sidham, the Queen who smells so good to all of us. Today I would like to convey that Ogoh-ogoh 2024 announced by the Bali Provincial Government will be held in the series of Nyepi Day 2024. However, Balinese people are still allowed to roam around. Head of the Bali Cultural Service, I Gede Arya Sugiartha, explained that holding the provincial level ogoh-ogoh competition was to maintain security until the 2024 elections. According to him, bad race was the cause of all relations. He showed that horseplay could be played again after years of politics. However, people were still allowed to play ball the following night. Group meetings can only be held within their respective traditional village areas. Then he ordered them not to talk about it on the street. I apologize if there is something wrong with what I said, so I will call it Prama Shanti. Uncle Shanti, Santhi, Shanti Uncle.hanti. Uncle Shanti, Santhi, Shanti Uncle.)
Collin McPhee + (On February 15, 1900, Collin McPhee was bo … On February 15, 1900, Collin McPhee was born in Montreal, Quebec, Canada. He passed away on January 7, 1964, in Los Angeles, California, USA. He was a writer, pianist, and composer who composed music for traditional Balinese dances. He was a resident of Bali. In addition, he writes a lot of music inspired by Balinese traditional music.For the remainder of his life, Collin McPhee studied Balinese music. He made a significant contribution to the advancement of Balinese music as well. He brought Balinese music to the attention of various American music universities. The orchestral percussion piece he composed for Carlos Chavez's 1936 summer tour to Mexico is his most well-known composition. Balinese gongs and cymbals are among the musical instruments used in McPhee's percussion piece.Balinese Ceremonial Music (1934), Concerto for piano and wind octet (1928), Concerto for wind orchestra (1960), Kambing Slem (1960) for flute and piano, Lagoe Sesoeloelingan Ardja (1960) for flute and piano, Lagu Délem (1960), Tabuh-tabuhan (1936) for two pianos and orchestra, Tabuh-Tabuhan, toccata for orchestra (1936), Transitions for orchestra (1954), etc. are some of Collin McPhee's compositions. are some of Collin McPhee's compositions.)
Daniel Bahari + (On March 23, 1948, Daniel Bahari was born … On March 23, 1948, Daniel Bahari was born in Denpasar. He is a renowned boxing manager, promoter, and trainer. He started the Cakti Bali gym (Candradimuka Boxing Bali) and developed amateur and professional boxers on a national and worldwide scale. Adi Swandana, Francisco Lisboa, Pino Bahari, Nemo Bahari, and Daudy Bahari are among the boxers that came from his family. He has also faced off against the renowned boxer Ellyas Pical, the former junior bantamweight champion of the IBF. He was a boxing athlete before he became a trainer. His accomplishments weren't all that remarkable, though. He is more renowned for being a golden-handled boxing coach. On March 16, 2015, Daniel Bahari passed away in Denpasar.15, Daniel Bahari passed away in Denpasar.)
WISATA MELANCARAN RING BALI + (On Swastyastu I would like to express my … On SwastyastuI would like to express my gratitude to the presence of God Almighty for his generous support in being able to deliver an oration entitled "TOURISM UNDER THE BALI RING" The island of Bali or the island of a thousand temples is famous for its unique tourism and culture. The island of Bali has many tourist attractions that attract local guests as well as tourists from foreign countries who come to Bali for a holiday and enjoy the natural beauty of Bali. The tourist attraction in Bali that is most often crowded with tourists is Ubud. In Ubud there are many tourist attractions such as the Ubud monkey forest, Bali bird walks, the Ubud art market, the Blanco Renaissance Museum and others. Sometimes when we cross the road in Ubud, we often get stuck in traffic jams due to the crowds of tourists walking around. There are so many tourists on holiday in Bali that we are overwhelmed by the behavior of tourists who carry out actions that exceed the limits set by the local community. However, tourism activities help revive the community's economy. Also, the culture and tourist attractions in Bali are becoming more famous on the world stage, and can attract tourists to vacation in Bali. That's all my oration that I explained, forgive me if there are any statements that are offensive or not pleasing to your heart. I say thank you, at the end I close with parama santih. Om santih, santih, santih omama santih. Om santih, santih, santih om)
Jalan sane usak + (On the damaged highway in Mambal, the Mambal highway is located on the road that passes through the Mambal market which is very damaged, many people say the road is suitable for trekking because it is damaged)
Ngicenin kebebasan majeng ring yowana mangda makarya sapakayunan ipun, miwah memfasilitasi sajeroning pencapaian minat bakat kramanyane + (On this occasion, allow me to share some t … On this occasion, allow me to share some thoughts on the importance of giving teenagers the freedom to express themselves and work on their interests and talents. And how we as a society can facilitate this.The young generation is the future of this nation. They are the ones who will continue the baton of leadership in this beloved country. Therefore, we should give them the widest possible freedom to explore and develop their potential. Often, we get stuck in the mindset that children should follow in their parents' footsteps. In fact, every child has their own passions and talents. Our job is to support and facilitate their self-discovery, not impose our will.By giving young people the freedom to work in areas of interest, we help them find purpose and meaning in life. This is important so that they do not get lost and fall into negativity. In addition, young people who are supported to pursue their dreams will grow up to be confident and optimistic. They know that the community supports their efforts to achieve their goals. This will spur enthusiasm and a high work ethic.Therefore, let us embrace young people with empathy. Give them the confidence to pursue their dreams, even if they are different from our expectations. As parents and society, we must support our young people. Thus, they will grow into an excellent generation and bring progress to this nation. That's all for my short speech, thank you for your attention.hort speech, thank you for your attention.)
Anak Agung Made Gelogor + (One of a number of female artists in Sanur … One of a number of female artists in Sanur identified by Bateson and Mead via the Neuhauses.From a family of painters in Sanur during the 1930s. Worked with Agung Raka, her son by Gusti Sodang (and thus is probably also the mother of Gusti Putu).Also spelt GelogorRelated ArtistsHusband: I Gusti Putu Raka SodangSon: Agung Raka: I Gusti Putu Raka Sodang Son: Agung Raka)
Cameron Forbes + (One of Australia’s most respected foreign correspondents.)
I Dewa Ngakan Gede Keramas + (One of the Balinese writers who came from … One of the Balinese writers who came from Bangli, namely in Guliang Kangin - Taman Bali, was I Dewa Ngakan Gede Keramas. Has given birth to a gaguritan literary work entitled TIRTHA HARUM in 2000. In gaguritan Tirtha Harum uses several pupuh including, Pupuh Sinom, Pupuh Durma, Pupuh Ginada, Pupuh Kumambang. And in it tells or tells how the naming of Tirtha Harum and the initial milestones of the Taman Bali kingdom.tial milestones of the Taman Bali kingdom.)
NGELISIN GALAH KARANTINA + (Ong Swastyastu … Ong Swastyastu since the COVID-19 pandemic hit the whole world. It's been two years of this pandemic situation. some regulations have been implemented. but not getting the desired result, for the purpose to be achieved. I am not a tourism actor, let alone one who knows about the state of tourism, but I feel what the impact of this covid-19 pandemic is. I wrote this article from the input of my friends and relatives who work in the tourism sector. When viewed from the development of tourism in the past, generally 100% of guests traveled to Bali, now only 30% of foreign guests come to Bali, another 70% are mostly local guests, even though the airport has opened domestic flights and international flights. But still few foreign guests come to Bali for sightseeing, even though most of the guests are local. Now, as now, there has been an increase from before, unlike in the past, hotels, villas, resorts, restaurants, tourist attractions were mostly closed. We all know that Bali is the biggest foreign exchange earner in Indonesia. If Bali tourism is paralyzed, let alone to death, what can you do, what causes it? Most of the people work in the tourism sector. Health-based tourism must be applied to be used as a solution/urgent situation in the current state of tourism and in the future. Many foreign guests don't want to go to Bali because the quarantine period is too long and the rapid production of antigen tests and PCR swabs is too expensive. The hope of the people is that the government is right to reduce the quarantine period which used to be 14 days, to only 7 days, what is the reason?, So that the quarantine period for guests is not too long, just like a leech habit (too long) staying or traveling to Bali, so as not to too long quarantine before traveling quickly lost the desire of guests to travel. For example, a guest who came to Bali only two weeks ago had a 14-day quarantine period, cutting the guest's vacation time by 14 days after the quarantine period was used up, the guest lost his time to Bali or the quarantine period was used up only. Also accompanied by promotion and maintaining Balinese culture so that traditional tourism attractions such as the ogoh-ogoh parade can be used as an inducement for foreign guests to visit Bali. Ong, Santhi, Santhi, Santhi, Ongsit Bali. Ong, Santhi, Santhi, Santhi, Ong)
Anak Agung Gede Alit + (Only one picture in Bateson and Mead colle … Only one picture in Bateson and Mead collection, purchased Jan. 17, 1937 — crudeMember of the ruling family of Batuan. Bateson-Mead information: Age: about 12-13 Son of the highest status and most powerful man in Batuan of the time, Anak Agung Gede Ngurah, who was juru tulis to the Punggawa of the region, which was centered in Pliatan in the late 1930s, was just finishing up 5th year of elementary school in Sukawati, and was about to go on to become an apprentice civil servant (magang) in the Pliatan office that very same year. Survey information: MARGINAL EARLY TEEN UNSKILLED THIRD WAVE LITERATE SPEAKS MALAYUNSKILLED THIRD WAVE LITERATE SPEAKS MALAY)
TULIS JUDUL DI SINI (BAHASA BALI) + (OPTIONAL)
KRAMA WIKAN NGICEN SUARA RING CALON SANE PATUT KAPILIH + (OPTIONAL)
baya sampah antuk gumi pariwasata Bali + (OPTIONAL)
Goverment Macet ring Bali, Pikobet Tanpa Solusi + (OPTIONAL)
TUSING NYAMAN ULIAN LUU + (OPTIONAL)
KEBERSIHAN LINGKUNGAN RING LUU PLASTIK + (OPTIONAL)
Marak,WNA Ngrusak Bali + (Optional)
Pikobet Macet Miwah Parkir + (OPTIONAL)
Kemiskinan Ekstrem Ring Bali Sayan Nincap + (OPTIONAL)
Palemahan kacemerin olih luu + (OPTIONAL)
Kasus Bunuh Diri Ulian Penyakit Mental + (OPTIONAL)
Kasus Rabies Ring Bali + (OPTIONAL)
NGUYAH RING BALI SAYAN NGREREDANG + (OPTIONAL)
WAJIB DIISI JUDUL BERBAHASA BALI + (OPTIONAL)
KENAKALAN REMAJA + (OPTIONAL)
Ical Pikobet Perundungan Pinaka Pinunas Genersi Muda + (OPTIONAL)
UMK BULELENG SANE KARI ALIT + (OPTIONAL)
PETANI NGELING ULIAN KONVENSI + (OPTIONAL.)
Reinventing Bali Tourism - A Vision of Creativity, Education and Entrepreneurship + (Original article printed in BALI!Now The … Original article printed in BALI!NowThe rebranding and reconfiguration of the Bali tourism industry from Desa Wisata to Desa Kreatif (tourism village to creative village) is essential. Tourism products shift from vacation leisure activities to learning and innovation experiences up-skilling people as entrepreneurs within the 21st-century global creative economy. Demographics have changed from the leisure-focused baby boomers to the X, Y, Z, and millennial generations who tend to be orientated towards creative and entrepreneurial adventures. The market evolves from internationals to a mixed domestic and international audience. The emphasis changes from ‘trading’ to instilling innovative and entrepreneurial knowledge...The rebranding of tourism transforms Bali into a global centre of innovation and learning. Desa Kreatif preserves the ‘gotong-royong’ village model of shared collective responsibilities. The environment is a decentralised, fully distributed, unified infrastructure providing equal opportunity and enhanced diversification. A sustainable ecosystem eliminates competition, empowered by the abundance philosophy and the entrepreneurial spirit. A renewed sense of shared values and belonging motivates stakeholders to collaborate to serve the whole’s best interests.See whole piece at https://bit.ly/3pD43p9, originally published in NOW!Bali, April 1, 2021 by Richard Horstman.W!Bali, April 1, 2021 by Richard Horstman.)
Puputang Kemiskinan, Wikanang Bali + (OTIONAL)
Wisatawan Sane Arogan + (OTIONAL)
Mario Blanco + (Our Young Master Mario Blanco, the second … Our Young Master Mario Blanco, the second child of the famous artist Antonio Blanco, was born in Ubud - Bali on the 4th of July 1962. He was surrounded by art from early childhood. Without doubt, his father Antonio Blanco was regarded throughout his life as the most famous artist of the island of Bali. When Mario was very young, the elder Blanco invited him into his studio in Campuan to share in his great enthusiasm for art. Mario painted his first oil at the tender age of five and later chose to study art at the University of Udayana in Denpasar where he successfully graduated.Inevitably, Mario's art drew its inspiration from two different origins. His Spanish father introduced him to the techniques of European art and his native artistic feelings come from his Mother Ni Ronji, a famous Balinese dancer. Mario has developed this intensively through his paintings which expose a definite preference for a romantic impressionistic style.Being the son of the "Fabulous Blanco", Mario faces a strong challenge but, as he inevitably sheds his father's influence, his own talent is expressed through an elaborated landscape where his own visions of Balinese culture gradually emerge.ions of Balinese culture gradually emerge.)
Agus Putu Pranayoga + (Owner and Founder at Hotel & Villa Photo, Photographer at Bali Family Photography and Photographer at Visual Food Photographer)
P.L.Dronkers + (P.L. Dronkers, born 19 August 1917, comple … P.L. Dronkers, born 19 August 1917, completed his education in Leiden in September 1941 and became Dutch colonial government administrator (Indisch bestuursambtenaar) and in July 1945 he was one of the first members of the contingent of Dutch colonial administrators to be sent out from The Netherlands to the Netherlands-Indies, at that time still occupied [by the Japanese]. Via Australia and a temporary assignment in Batavia with the Netherlands Government Information Service (Regerings Voorlichtingsdienst, RVD), in the first months of 1946, he was granted a post with the landing forces, which were to bring Bali back under regular [Dutch colonial] administration. Initially, Internal Affairs Administration was militarised with the name Allied Military Administration, Civil Affairs Branch (AMACAB), something which was undone in the course of 1946. In 1947, civil administrators were added to the local self-government as civil advisors (bestuursadviseurs). Mid 1948, these administration advisors were put together at the office of the Balinese 'Rajadom Council' (vorstenraad) Dewan Radja-Radja in Den Pasar. The reason for this was, also at local level, to melt into changed political relations within the Negara Indonesia Timur, to which daerah Bali belonged. The transfer of sovereignty in December 1949 formally ended the interference of Dutch [colonial] Civil Administration with local administration.Dronkers held the following positions in Bali:  junior controller (aspirant-controleur) in Boeleleng and Djembrana, March-May 1946; junior-controller in Djembrana, May-December 1946; controller/administration advisor in Tabanan, January 1947 - June 1948; head of the Political Affairs Department with the Dewan Radja-Radja in Den Pasar, June 1948 - March 1949; head of the Economic Affairs Department with the Dewan Radja-Radja in Den Pasar, June 1949 - April 1950. April 1950, Dronkers together with his family repatriated to the Netherlands.In the course of his administrative duties he made some 7,000 photographs of Balinese cultural life.000 photographs of Balinese cultural life.)
Pande Alit Wijaya Suta + (Pande Alit Wijaya Suta, born in Denpasar, … Pande Alit Wijaya Suta, born in Denpasar, August 29, 1984. He completed his art education at ISI Yogyakarta. Since 2008 he has been active in many joint exhibitions, including “Merdeka in Expression” at the Bali Cultural Park (2019), “Nitibumi” at Bentara Budaya Bali (2016), Beijing International Art Biennale, China (2015), “Colek Pamor” at the Museum Arma, Ubud (2014). He is a member of the Militant Arts Community. His works tend to explore the decorative arts of tribalism into a unique visual treat. Every detail of his work is built from archaic symbols arranged in such a way as to become a unified whole.n such a way as to become a unified whole.)
Pande Paramartha + (Pande Paramartha, born in Karangasem, Nove … Pande Paramartha, born in Karangasem, November 23, 1975. He studied fine arts at ISI Denpasar. Since 1994, he has diligently included his books in various joint exhibitions. Among them are the exhibition "Evolution" at Bharata Gallery Ubud (2003), "Hitman" at Danes Art Veranda, Denpasar (2011), "Bali Art Fair" at Tonyraka Gallery (2013). His solo exhibition was “The Creature in Action” at TEN Fine Art, Sanur Bali (2010). In 2000 he won the "Best Oil Painting" award from ISI Denpasar. In his work he often finds inspiration from childhood memories, a world full of play and imagination.ies, a world full of play and imagination.)
Pande Ketut Taman + (Pande was born into an artistic, religious … Pande was born into an artistic, religious family. A gifted artist since childhood, he studied painting at the Indonesia Institute of the Arts (Institut Seni Indonesia) in Yogyakarta. He later moved with his wife and family to the small town of Muntilan in Central Java, where he lives and works within sight of both the ancient Buddhist temple of Borododur and of Mount Merapi, an active volcano. Both of these majestic and powerful sites—one man-made and celebrating the spirit, the other natural and conveying the beauty and awesome power of Nature—have strongly influenced Pande’s art. A deeply spiritual connection to the earth is a tangible element of Pande’s sculptures and paintings, and the naturalism of his style reflects his interest in the forms and materials of nature in their most fundamental state. His carved wood sculptures, many of them monumental in size, are often fashioned from the trunks or roots of trees, and depict innumerable, expressively carved human figures that seem to be emerging from the tree itself, like figures in some ancient mythological tale.For Pande, art is a daily-life practice, like taichi or meditation, that allows him to both be nourished by and to celebrate the earth and the spirit, moving from the center outwards just like a mandala–from the microcosm of the body, to his family, his town, the forests and mountains that surround him, the society to which he belongs, and the cosmos which encompasses all of us.nd the cosmos which encompasses all of us.)
Remaja Influencer Pariwisata di Bali + (Pandemic Covid-19 which start from 2020 and also 2021 cause many effect,especially tourism in Bali have not visited as usually. Tourism in Bali who have not visited as usually must)
PEMILU 2024 "ANTI GOLONGAN PUTIH" + (PEMILU 2024 "ANTI GOLONGAN PUTIH" Dear my … PEMILU 2024 "ANTI GOLONGAN PUTIH"Dear my fellow countrymenThe general election to be held in 2024, Indonesia will be faced with many Political changes which will come in early 2024 with many general elections covering legislative elections that will proceed with new presidential elections that have many major changes to Indonesian people, especially in the 2024 election will be marked by millennials and the generation Z that will contribute most to the general election which will be held in 2024.As a generation of millennials and generations of gen Z who will also color the general elections carried out in 2024, be voters who have a sense of responsibility for our choices and do not choose a candidate as long as well as memiliih without any forcedness or sogo from the candidates for election 2024. But in the present, many millennials and generations of GEN Z don't understand things about politics and laws that make many millennials a neutral or commonly called GOGPUT (White Class) because the many issues of prospective elections that have miscompatible with the course, make many youth of the millennial generation or gen Z doubt with the mission conveyed by the millennial generation, many white generation in the future.With the doubts and neutral groups, this makes many Indonesian youth that will participate in coloring the general election which will be carried out in 2024 make the many choices carelessly without the basis of choice according to their hearts or according to the criteria needed by the Indonesian nation in the next 5 years. This will be a lot of bribery or sogon-sogons from candidates to citizens, especially millennials and generations of GEN Z who do not understand anything about politics, this will make many negative influences the course of the 2024 election.Thus, with the 2024 election, which will be colored by millennials and the generation of Z will also color the general election in the year with their choice. Because every choice of your voice to advance the Indonesian nation which is better in the future. By choosing without being a white group, because the White Group is not cool.Thank you, hopefully with the oration I said. Hopefully, with this generation of millennials or generation GEN Z can choose a candidate with a vision and mission in accordance with the required State of Indonesia. So that no more will become a white or neutral group in the 2024 election later. neutral group in the 2024 election later.)
NARYA ABHIMATA + (Photographer Narya Abhimata – who shot our … Photographer Narya Abhimata – who shot our cover and fashion spreads this issue – is doing exactly what he wants to do, thank you very much. Interview Nigel Simmonds.Narya, we’re all interested in how you grew up and how you became a visual artist. What’s the story?I was pretty much given the freedom of expressing my artistic side from a very young age. My parents fully supported that by getting me drawing books, crayons and paints so that I would stop using their bedroom walls as my canvas. I’ve always been that weird, artistic kid … I’ve never really been into sports or super-masculine things. I played with both my Ninja Turtle figurines and my sister’s American Girls dolls. I loved custom building things with my Lego … I’ve built theme parks with fully working cable cars that take my little Lego people up and down a steep hill. I love playing video games that need me to manage cities and zoos. I guess I like things that need problem-solving skills, which contributes fully to what I am doing now. As a visual artist I have to problem-solve and to constantly think of creative ways to achieve things.When you were growing up, is this the life that you envisaged for yourself?Truthfully I cannot imagine myself doing anything other than what I’m doing now. Me as an accountant? Never in a million years.How did you find being an Indonesian in Sydney, when you studied there? Or London?I find going or living overseas very eye-opening and inspiring. For me, Indonesia is more restrictive when it comes to creative expression and freedom, especially in Jakarta. When I lived in Sydney and London, my creative mojo was constantly brewing. Ideas can be found anywhere, museums, galleries are abundant. People are strange, beautiful and unapologetic. The energy is powerful and is constantly around and it makes you want to create things every single day.Did you spend much time as an assistant, or intern? Did you learn your trade from someone awesome, and are you still in touch with them?I have never assisted, I just went out there with courage and a bit of delusion, ha ha ha! But I have interned once as a graphic designer at an agency back in Jakarta in 2008, after that I’ve been taking on the world solo. However, I believe that I am always a student, so I don’t think I will stop learning . . . it’s easier to do this nowadays since everything is basically online; seminars, tutorials . . . you name it and the internet has it. I also learn from my friends, fellow photographers and artists that I met here as well as overseas . . . and yes I am still in touch with some of them.You seem so well educated internationally, how has that journey been for you?It has been very special and I feel super grateful to have been able to do that. My view of the world as well as how I creatively approach my work were shaped during those years overseas. I learned, struggled and achieved a lot, and I wouldn’t be who I am today without those experiences.What’s most important to you today about visual imagery, and how you deal with it?Character, point of view and the ability to tell a story are very important to create any kind of visual. These are the three things I’m constantly improving with my own work.What equipment do you use?Canon 5DmkIVfor stills and Sony A7SIII / FX3 / FX60 / Arri Alexa for videos (also depends on client’s budget!)Who is the best client you ever worked for (apart from The Yak he he)?Edward Hutabarat.What does fashion mean to you?Fashion is a lifestyle choice. Most people think that fashion is just clothes, but almost all your lifestyle choices count as fashion: the way you dress, the food you eat, the devices you use daily . . . all the desirable things you choose to own and use to present yourself to the world as an individual . . . those things count as fashion!How do you stay consistently fresh with your ideas and concepts in photography and videography?I try to get outside my comfort zone. I work in fashion most of the time so I try to find inspiration and references outside of that world. Also, never stop learning new ways to give your work variety. Experiment with things you never tried before!What’s the most frequent phrase you hear from clients that pisses you off?‘Could you make (whatever I’m making for them) pop more?’How can clients be better at being clients?Knowing what they want is always a good start.Are you threatened at all about the potential of Artificial Intelligence?Not at all. No amount of technological advances can replace an artist’s soul.What makes you happy?Good food. Good company. DOGS!If you were to die tomorrow, what would be the last thought in your head?‘What’s for dinner?’Where can we meet you, or see your work?I am now residing in Bali, mostly staying at home with my two French bulldogs ordering take outs from cheap eateries around Kerobokan. You can see my work on my website www.naryaabhimata.com and my Instagram @naryaabhimatahimata.com and my Instagram @naryaabhimata)
Ade Irgha + (Photographer; Concept Photography)
How to avoid sexual abuses in Bali's educational communities? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_to_avoid_sexual_abuses_in_Bali%27s_educational_communities%3F)
How can the government best promote literacy in Bali? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_can_the_government_best_promote_literacy_in_Bali%3F)
What could we do to reduce traffic jams? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_What_could_we_probably_do_to_reduce_traffic_jam%3F)
How should we respond to Russian Villages in Bali? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_Russian_Village_in_Bali,_how_should_we_get_cope_with_it%3F)
How to reduce waste at school canteen? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_to_reduce_waste_at_school_canteen%3F)
How should billboards be regulated to save the environment? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_should_billboards_be_regulated_to_save_the_environment%3F)
How can the ocean be used to help our economy in an environmentally sustainable way? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_can_the_ocean_be_used_to_help_our_economy_in_an_environmentally_sustainable_way%3F)
What can you set as an example from Bung Karno in this millenial era? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_What_can_you_set_as_an_example_from_Bung_Karno_in_this_millenial_era%3F)
Many foreign tourists have violated Nyepi regulations in Bali. What should we do? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_Many_foreign_tourists_have_violated_Nyepi_regulations_in_Bali._What_should_we_do%3F)
In your opinion, what impacts will the massive construction of large malls have on the local Balinese community? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_In_your_opinion,_what_impact_will_the_massive_construction_of_large_malls_have_on_the_local_Balinese_community%3F)
What do you think about the new facilities at Besakih Temple? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_What_do_you_think_about_the_new_facilities_at_Besakih_Temple%3F)
Polenk Rediasa + (Polenk Rediasa. Born in Tambakan, Buleleng … Polenk Rediasa. Born in Tambakan, Buleleng, March 18, 1979. His full name is I Nyoman Rediasa, an artist and lecturer at Undiksha, Singaraja. He studied art at SMSR Denpasar, ISI Denpasar, and postgraduate in Cultural Studies, Udayana University, Denpasar. He has had joint and solo exhibition since 2004 at home and abroad. His solo exhibitions include "Body Exploration" (National Gallery, Jakarta, 2008), "Installation Exhibition and Performance Art" (2007), "Body Study" (Popo Danes Gallery, 2005), "Signs" (Retro Resto and Gallery, Sanur, 2004) He was awarded in the Beijing Biennale in 2008. His works are widely used by Kompas as short story illustrations.ed by Kompas as short story illustrations.)
Ni Wayan Eka Pranita Dewi + (Pranita Dewi, full name Ni Wayan Eka, was … Pranita Dewi, full name Ni Wayan Eka, was born in Denpasar, June 19, 1987. She writes poetry, prose kris and short stories. A number of his poems have been published by Kompas, Koran Tempo, Media Indonesia, Suara Merdeka, Suara Pembaruan, Bali Post, Horison Literature Magazine, Block-Not Poetry Journal. In August 2003, the 1st winner of the Poetry Declamation Contest and the 1st Winner of the Bali Student Poetry Writing Competition were held at the Wind Theater of SMU 1 Denpasar. several books of poetry collection together with “Jendela” (2003), God of the Sky so Empty (2004), and Herbarium (2007). A collection of poems with “Made Patih (2003), “Titian” (2008).She received a scholarship “A Weekend Creative Workshop: Sound Poetry from Different Faiths” (2003) at the Utan Kayu International Literature Festival in Kuta, Bali. Nominee for Krakatau Award for National Poetry Writing Competition (2004) – Lampung Arts Council.Her poetry has been included in the anthology of the 100 Best Poems of the Pena Kencana Sastra 2008. Her single poetry book is “The Prostitute of the Gods” (2006).ok is “The Prostitute of the Gods” (2006).)
Prof. Dr. I Wayan Adnyana, S.Sn., M.Sn. + (Prof. Dr. I Wayan Adnyana, S.Sn., M.Sn. Bo … Prof. Dr. I Wayan Adnyana, S.Sn., M.Sn. Born in Bangli, April 4, 1976. He is a painter, fine art writer, lecturer in fine arts at ISI Denpasar, and Head of the Bali Provincial Culture Service. He received his art education at ISI Denpasar and ISI Yogyakarta. In 2003 he co-founded the Bali Art Society and held the grand exhibition at Bali Art Now. Many art writings appear to be published in Kompas, Media Indonesia, and various art journals/magazines. His published art books are Nalar Rupa Perpa (2007), Yeh Pulu's Multinarrative Relief (2017), Pita Maha: The 1930s Balinese Painting Movement (2018). Apart from being a writer, he is also known as a curator of fine arts. Meanwhile, as a painter, his works have been exhibited jointly or singly, at home and abroad. He was awarded the Finalist UOB Painting of The Year Competition (2014, 2012, 2011), Widya Pataka 2007 from the Governor of Bali.dya Pataka 2007 from the Governor of Bali.)
Ni Luh Sutjiati Beratha + (Prof. Dr. Ni Luh Sutjiati Beratha, M.A. is … Prof. Dr. Ni Luh Sutjiati Beratha, M.A. is a professor in Semantics at the English Department Faculty of Arts Udayana University. She was completed her master program at the Department of Linguistics, Monash University Melbourne Australia in 1989, and received her Ph.D degree from the Australian National University (ANU) Canberra Australia in 1992. She has occupied positions as: Secretary of Udayana University Language Centre in 1996 – 1997; the in 1998 – 2000 as the Secretary of School of Graduate Studies Udayana University; from 2000 – 2006 she was the Deputy Director of Financial Affair of School of Graduate Studies Udayana University, and from 2006 – January 2010 was a Deputy Director of Academic Affair of School of Graduate Studies Udayana University. She was the Dean of the Faculty of Arts Udayana University from 2015 until 2019, and has published books, dictionaries, and other publications. Her interest is conducting research on ‘New Englishes’ used by tourism workers in Bali. She was selected as the best lecturer at Udayana University in 1994, and as the best presenter in research in 2011 by Directorate general of National Research Centre and Social Services of Indonesian Republic.nd Social Services of Indonesian Republic.)
Prof. Dr. Ni Nyoman Padmadewi, M.A + (Prof. Dr. Ni Nyoman Padmadewi, M.A., is a … Prof. Dr. Ni Nyoman Padmadewi, M.A., is a professor in English education at Ganesha Education University, Singaraja, Bali Indonesia. Padmadewi completed his master's studies at Macquarei University, N.S.W Australia and received his doctorate from Udayana University. Padmadewi's research covers various topics related to pedagogy, development of competency standards, and assessment of English language learning at various levels of education. Apart from being active in teaching and researching, Padmadewi is also actively involved and organizes various social activities in the context of community development in rural areas.t of community development in rural areas.)
Prof. Ir. I Nyoman Gelebet + (Prof. Ir. I Nyoman Gelebet is a senior arc … Prof. Ir. I Nyoman Gelebet is a senior architect who cares about traditional Balinese architecture. He is a professor of architecture at Udayana University, Bali. He deeply understands “Asta Kosala Kosali” which is the basis for traditional Balinese architecture. Apart from that, he also understands that “Asta Kosalaning Dewa” relates to the construction of a holy place. He is often involved in building Hindu shrines and renovating temple buildings as well as in designing the master plan for the Nusa Dua tourist area. Apart from being a resource person, he is also diligent in writing articles in the Bali Post newspaper and scientific journals related to architecture and development in Bali. Nyoman Gelebet died on November 2, 2020.. Nyoman Gelebet died on November 2, 2020.)
Brigitta Hauser-Schäublin + (Professor Dr. Brigitta Hauser-Schäublin wa … Professor Dr. Brigitta Hauser-Schäublin was born in Switzerland, namely in Riehen near Basel. There she spent her childhood and youth. Her father was a tradesman running an international import-export company and furthermore took part in the local politics. Hauser-Schäublin had an early encounter with the topic of gender when being confronted with the female role in society and the difficulties for women to study. In order to take different directions she moved to Zurich when being a young woman, did several internships and took language classes. She also lived in London for half a year. After her return she started an apprenticeship at the local newspaper in Basel to become a journalist. In this period Hauser-Schäublin also undertook her first journey to India, an experience which had a huge impact on her. When returning to Basel she not only worked as a journalist and finished her high school graduation but in 1969 also began her studies. After a brief phase taking courses on Religious studies Hauser-Schäublin focussed on studying Anthropology and Sociology. Alfred Bühler and Meinhard Schuster were among her teachers. In 1971 Hauser-Schäublin studied in Munich for a semester and after her return also took up an assistant position at the Ethnographic Museum in Basel, combining her growing anthropological knowledge with her skills as a journalist. A year later she joined a research project founded by Meinhard Schuster, regionally focussing on the Sepik region in New Guinea. Hauser-Schäublin took part in the expeditions and collected data on gender aspects, a work that 1975 culminated in her graduation thesis.After graduation Hauser-Schäublin fully took up her work at the Ethnographic Museum in Basel, organizing a various number of exhibitions while trying out new conceptions as well as working in the public relations. She moreover did further research projects, e.g. on house-building in Papa New Guinea. In 1985 she completed her habilitation thesis. She gave academic lectures at the University in Basel and also worked on the Ethnographic Collection in Fribourg.After being a visiting professor at the Department of Cultural and Social Anthropology in Cologne, Hauser-Schäublin in 1991/92 became a full professor at the Institute for Cultural and Social Anthropology in Göttingen, being the successor of Prof. Dr. em. Erhard Schlesier. There she not only gave various courses (e.g. on Gender and Religion) but also started to restructure the basic uni lectures. Furthermore the Institute joined the Department of Social Sciences. Her own scientific focus shifted from an early interest in Material Culture towards a closer look on theories and discourses. At the same time Hauser-Schäublin emphasized the importance of field research and did several of them herself, e.g. in Bali, Indonesia and Cambodia.elf, e.g. in Bali, Indonesia and Cambodia.)
Gordon D. Jensen + (Professor of Psychiatry, School of Medicine, University of California, Davis.)
Wayan Windia + (Professor Wayan Windia is Head of the Suba … Professor Wayan Windia is Head of the Subak Research Centre at Universitas Udayana in Bali, Indonesia. He obtained his PhD in 2002 at Universitas Gadjah Mada, Yogyakarta, Indonesia, which his dissertation concerning subak system in Bali. He involved on preparations, in order to get UNESCO acknowledgement, for subak system in Bali, on 2012. His articles has been published widely in journals and books, such as : Subak Irrigation System Transformation Based on Tri Hita Karana Concept; Subak : The World Cultural Heritage; Subak : Study from Social Perspective; and Subak as Agrotourism. Over the last five years, he has been actively working on developing subak into agro-tourism sites, and introducing economical activities at subak organization. The goal of those activities is how to help increasing the revenue of farmers as subak members. Now he actively supervise the site of subak that has been recognized by UNESCO as world cultural heritage. And also introducing the values of subak to the students in Bali, and for other guests and foreigners who coming to Bali, especially to Udayana University. He is working also as an expert group coordinator at Gianyar Regency on Heritage City, as a member of expert group at Denpasar City on Subak Sustainability, and also as an expert team member at Bali Province, since this year (2018). He has been involved in some national NGO in order to sustain of Bali culture.l NGO in order to sustain of Bali culture.)
Perbaikan jalan + (Promblem The road in Mengwi's Sembung village is damaged and accidents continue to occur. I am making a suggestion that if I become the leader of Bali, please repair the road in my village.)
Promote domestic tourism and address infrastructure gaps + (Promote domestic tourism and address infra … Promote domestic tourism and address infrastructure gapsIn 2019, about 16 million foreign visitors came to Indonesia. The sector contributed $20 billion in foreign exchange revenue and employed about 13 million people or around 10 percent of the total workforce. The COVID-19 pandemic hit the industry hard. In the first half of 2020, arrivals to Indonesia were off by almost 60 percent, the industry is expected to lose $10 billion in foreign exchange revenues for the full year, and more than 90 percent of the workers in the sector have been furloughed indefinitely without pay.Even when the world begins recovering from the pandemic, it remains unclear how quickly travelers will be willing to jump onto planes and visit the beaches of Bali, the forests of Borneo, and other popular destinations. In addition, countries dependent on tourism will all be competing for smaller groups of travelers for a while. Recovery in the tourist sector is likely to lag behind that of others.Looking forward, we expect travelers will, at least initially, avoid in-person contact in booking, traveling, and even staying at their destinations. They will prefer shorter trips to outdoor destinations and flexible cancellation policies. In addition, those staying at hotels and other large accommodations will put a premium on visible evidence of greater cleanliness and hygiene than in the past.To help the tourist sector rebound as quickly as possible, Indonesia should focus on two crucial areas. The first is promoting domestic tourism. Evidence from many markets has shown that domestic travel has recovered more quickly than international travel, especially among young tourists who see themselves as less vulnerable. In China, for instance, domestic air travel reached 90 percent of 2019 levels by August 2020, while international travel was still lagging well behind.Unlike international tourists, who concentrate in Bali and East Nusa Tenggara, the majority of domestic tourists in Indonesia visit Java. To push rates of domestic tourism, the government and operators should promote lesser-known domestic attractions, like the Lake Toba region in North Sumatra, the Mandalika area in East Nusa Tenggara, and Likupang Beach in North Sulawesi. Discounts and other incentives could also help ignite domestic travel.The country can also use the unintended lull in visitors to beef up its tourist infrastructure. The disruption provides an opportunity, for example, to improve airports, accommodations, and other facilities. The jump in digital activity brought by the pandemic can also be used to accelerate the adoption of new technologies by operators in the sector, from online booking systems to advanced analytics that can offer real-time information on tourist activities and behaviors.ation on tourist activities and behaviors.)
Putu Desy Apriliani + (Putu Desy Apriliani is one of the young an … Putu Desy Apriliani is one of the young and promising faculty members in the Faculty of Economics and Business Udayana University, Bali - Indonesia. She has been a part of the "Orange Academia," a call for the faculty's students, alumni, and faculty members, since 2006. Her research interests encompass rural economic development, various democratic and community-based associations, and their intersection with gender and race. She primarily teaches undergraduate classes while also becomes a facilitator for various trainings within and beyond the university.Putu Desy Apriliani was a Fulbright Scholarship awardee from 2014-2019 to pursue a doctoral study in the U.S. She holds a Ph.D in Planning, Government, and Globalization from the School of Public and International Affairs, Virginia Polytechnic Institute and State University, Virginia. While pursuing her doctoral degree, Putu was also actively involved in the Indonesian Students Association in the United States (PERMIAS) and led the organization to conduct several fund raising events and cultural exhibitions. She contributed her talents in various efforts in order to introduce Balinese culture together with other Indonesian/Balinese community organizations in the U.S.In her spare time, Putu loves spending time with her husband and her 2-year-old daughter, cooking, and gardening.year-old daughter, cooking, and gardening.)
Putu Dyatmikawati + (Putu Dyatmikawati is one of the few leadin … Putu Dyatmikawati is one of the few leading researchers in the field of law who focuses her research on the issue of customary law and its influence on the lives of women in society. The topics that are often studied are the marriage system in the gelahang and the dynamics of the gender roles of Balinese women. Dyatmikawati is also active as a lecturer at Dwijendra University and has served as Chancellor of Dwijendra University.ved as Chancellor of Dwijendra University.)
Putu Edy Asmara + (Putu Edy Asmara is a painter who was born … Putu Edy Asmara is a painter who was born in Tampaksiring, Gianyar, April 5, 1982. He completed his art education at ISI Denpasar. Since 2007 he has been involved in many joint exhibitions, including “The 7th Beijing International Art Biennale China”, National Art Museum China (2017), “Water Civilization”, Bentara Budaya Bali (2016), “Langkawi Art Biennale: IMIGRATION”, Malaysia (2014). In 2008 he held a solo exhibition entitled "Don't Cry For Me Indonesia", Installation and Performing Art, Danes Art Veranda, Denpasar. The awards he has ever won are “The Winner of Storiette Illustration Kompas”, “The Winner of Radar Bali Art Award 2008”, Best Art Work of The Bachelor exam, at ISI Denpasar. Edy's works tend to be surrealistic with social and ecological themes.alistic with social and ecological themes.)
Putu Eka Guna Yasa + (Putu Eka Guna Yasa was born on January 6, … Putu Eka Guna Yasa was born on January 6, 1990 in Banjar Selat Tengah, Susut, Bangli. Completed his undergraduate education at the Balinese Literature Study Program, the Faculty of Cultural Sciences, Udayana University in 2012 and a master's degree in the Linguistics Masters Program with Pure Linguistic Concentration, Faculty of Cultural Sciences, Udayana University in 2017. He also attended the International Intensive Course in Old Javanese organized by the National Library in 2018 and 2019. Since 2013 he has worked as a staff at the Center for Lontar Studies at Udayana University. Actively writes articles in various media such as Bali Post, Post Bali, and Tribun Bali both in Balinese and Indonesian. A number of his articles were published in Prabhajnyana Book: The Study of Lontar Literature such as (1) The Meeting of Natural Beauty and the Beauty of Language in Kidung Dampati Lelangon; (2) Water Image in Ancient Javanese and Balinese Literary Library Temples; (3) Kidung Bhuwana Wisana: Aesthetic Heritage by Ida Padanda Ngurah; and (4) Sarira Devotees and Explorers. Gedong Kirtya published books about the world of Balinese literacy, including the Brata Term Dictionary in the Bali Lontar Library and the Synonym Dictionary in the Dasa Nama Lontar. Putu Eka Guna Yasa received an award as a Literacy Activist Youth from the Bali Language Center in 2018. Since that year, he has been appointed as a lecturer at the Balinese Literature Study Program, Faculty of Cultural Sciences, Unud. Since 2020 as executive director at the BASAbali Wiki foundation. director at the BASAbali Wiki foundation.)
Putu Fajar Arcana + (Putu Fajar Arcana, born in Negara, west Ba … Putu Fajar Arcana, born in Negara, west Bali, July 10, 1965. Now working as editor of Kompas Minggu, part of Kompas Daily in Jakarta, he initiated the Kompas Short Story Workshop which was later transformed into the Kompas Short Story Class. He is now a few of the journalists who have specific coverage of art and lifestyle. It is not uncommon for Putu to become a resource person and jury in various art events and competitions in the country.Apart from pursuing journalism, he is also directly involved in the dynamics of the art world monologue theater scriptwriting and directing the artistic team of theater performances. The monologue text is included in the book Political Monologue (2014). He then directed the monologue show “Dear People's Representatives” with actress Sha Ine Febriyanti (2015) and then “Perempuan Dangdut” with actress Happy Salma (2016). Previously, he made the Garuda Wisnu Kencana repertoire which was staged at the ground breaking of the monument in 2013. This performance involved 500 kecak dancers as well as jazz singer Trie Utami, guitarist Dewa Budjana, and harp artist Maya Hasan.His novel Gandamayu (2012) was staged by Teater Garasi Yogyakarta involving two young directors, Yudi Ahmad Tajuddin and Gunawan Maryanto. The performance took place at the Jakarta Arts Building, which involved big actors such as Landung Simatupang, Whani Darmawan, Ayu Laksmi, and Sha Ine Febriyanti. Her adventure in the world of stage was emphasized by the performance of “#3 Women, Not Flowers Not Men” which involved actresses Happy Salma, Inayah Wahid, and Olga Lydia. Putu has also been on the artistic team for the Indonesia Kita performance series, between the Roman Made in Bali (2016) and Laskar Bayaran (2017) series.The man who likes to sketch has also published several books. These books include the short stories anthology Bunga Jepun (2002), Samsara (2005), and Drupadi (2015). His collection of essays on Bali is included in the book Red Letter for Bali (2007) and his poems are included in Gilimanuk Man (2012). Previously he also published a book of poetry Bilik Cahaya (1997) in Denpasar, Bali.Together with his wife Joan Arcana, in 2011 Putu founded the Arcana Foundation, a non-profit organization that facilitates conservation and advocacy in the field of culture, organizes performances, writes books, and conducts goodwill to various cultural centers in the country. The Arcana Foundation also collaborates with various donor agencies to mobilize the world of culture.agencies to mobilize the world of culture.)
Putu Herry Hermawan Priantara + (Putu Herry Hermawan Priantara is a student … Putu Herry Hermawan Priantara is a student of the Accounting Department, Faculty of Economics, Mahasaraswati University Denpasar. Herry actively writes and researches on various topics related to Bali and Hinduism including his work on Balinese Arak entitled "Hidden Potential of Balinese Arak to be the World's Seventh Spirit, from Religious Purpose to Negative Investment List."ious Purpose to Negative Investment List.")
Putu Indrawan + (Putu Indrawan lahir di Denpasar, 18 Septem … Putu Indrawan lahir di Denpasar, 18 September 1960. Setelah lulus dari SLUA 1 Saraswati, ia kuliah di Fakultas Ekonomi, Universitas Udayana. Sejak remaja ia telah menekuni seni musik. Pada awal tahun 1980-an, Indrawan bersama kawan-kawannya membentuk grup band dan sering tampil di bar Kayu Api, Legian, Kuta. Grup band yang kemudian bernama Harley Angels tersebut tampil sebagai juara pertama dalam Festival Musik Rock se-Indonesia yang digelar Log Zhelebour di Surabaya pada tahun 1984. Saat itu, Indrawan dinobatkan sebagai pemain bass terbaik. Pada pertengahan tahun 1990-an, Indrawan membuka dan merintis Warung Tresni di Jalan Drupadi, Denpasar. Warung itu menjadi tempat kongkow dan pementasan seni para seniman lintas seni dan lintas generasi. Indrawan juga ikut menggagas kelahiran beberapa komunitas seni, seperti Dapur Olah Kreatif (DOK), Bali Classic Rock Community, Bali Blues Island, dan Bali PuisiMusik. Dalam dunia seni musik di Bali, Indrawan adalah sosok legendaris yang sangat dihormati dan disegani. Indrawan meninggal pada tanggal 8 November 2022.an meninggal pada tanggal 8 November 2022.)
Putu Nomy Yasintha + (Putu Nomy Yasintha was born in Denpasar, 3 … Putu Nomy Yasintha was born in Denpasar, 30 April 1987. She received her bachelor's degree in Public Administration at the University of Indonesia. She took her Master in Public Administration at the University of Northumbria, Newcastle, UK. In 2015, She join the teaching team at Udayana University, Bali. She teaches several courses related to Public Policy, Tourism Development, Comparative Public Administration, and Accountability in the Public Sector. She manages youtube channel for the compilation of Public Administration's student at Udayana University. The channel is here AP Student Project Udayana. She actively involve in guiding student who is doing the research competition, debate competition, and also actively helps student activities.nd also actively helps student activities.)
Putu Oka Sukanta + (Putu Oka Sukanta was born in Singaraja, Ba … Putu Oka Sukanta was born in Singaraja, Bali, 29 July 1939. He is a writer, writer, journalist and health and humanitarian activist. He started writing when he was in middle school. He was a high school teacher in Yogyakarta and Jakarta. Because he was involved in the Lekra organization, he was detained by the New Order government in 1966 - 1976 in Jakarta and Tangerang without ever being tried.His published books include I Belog (Balinese Children's Stories, 1980), Selat Bali (a collection of poems, 1982), Salam or Greetings (a collection of Bilingual Poetry, 1986), Luh Galuh (A Collection of Short Stories, 1987), Tas or Die Tasche (Collection of Short Stories, 1987), Luh Galuh (Collection of Short Stories, 1988), Sweat Pearls (Collection of Short Stories, 1991), Matahari, Berlin Wall (Collection of Poems, 1992), Water Jokes, Air Berjoke (novel, 1999) , Knitting Harkat (novel, 1999), Glittering Mozaik (Novel, 2000), Above the Day Under the Night (Novel, 2004), Missing Hurts (Collection of Short Stories, 2004), Longing for Hurts (Collection of Short Stories, 2005), Pearl Sweat (Short Story Collection, 2006), Lobakan (Stories About the 1965/1966 Tragedy in Bali, 2009), Istana Jiwa (Novel, 2012). Some of his works have also been translated into English, German, French.His works are also published in several international anthologies: Indonesian Contemporary Poetry (Indonesia 1963), This Prison Where I Live (London 1966), Voice of Cosciences (USA 1955), Bali Behind the Scene (Australia 1997), Silences Voices (Hawaii 2000 ), Menagerie IV (Indonesia 1998), Another Kind of Heaven (Boston 2008).Apart from that, he made a documentary on the theme "Social Impact of the Human Tragedy of 1965/66". He also wrote health books and became an activist for the HIV/AIDS Prevention Program.He lives in Jakarta, opening an acupuncture practice. Together with his wife he manages "Taman Sringanis", a cultural movement in the health sector. He was invited several times to countries in Europe, Asia, Australia and America as a writer and humanitarian activist.ica as a writer and humanitarian activist.)
Putu Satria Kusuma + (Putu Satria Kusuma, born in Singaraja, Mar … Putu Satria Kusuma, born in Singaraja, March 28, 1963. His last education was Bachelor of Law. Since he was a teenager he has been involved in the arts, especially theatre, film, and literature. He joined the Coffee Drink Studio. His achievements include 1st Place in the Contest for Modern Drama Manuscripts, UNUD 1986, the best national drama scriptwriter, 1995 Menpen RI, the best national drama scriptwriter in 1997, Menpen RI, Hope I in the national drama script competition at the Jakarta Arts Council 1998, Harapan I The Indonesian Ministry of Tourism's Film Scenario Competition in 2005, an award from the Governor of Bali Widya Pataka 2015, the Bali Jani Nugraha award from the Bali Provincial Government. His works include: Kidung Classical Tanah Bali (a radio play broadcast on RRI Singaraja 20 episodes), Cupak Tanah, Watu Gunung, Sukreni Gadis Bali (adaptation of the novel with the same title by AA Panji Tisna), Revolution in Nusa Damai (adaptation of a novel with the same title) Similar titles by Ktut Tantri), soap operas Adi and Ayu (10 episodes aired on Bali tv), soap opera Memedi (10 episodes aired on Bali TV), soap opera comedy series Wayan Katel (10 episodes aired on Bali tv), soap opera for children Ketut Koran (TVRI Bali) , Slave from Bali Untung Surapati, Short folk drama series about Bung Karno (10 titles), He wrote a number of short stories published in the Bali Post, and short stories anthologies Lobakan, Tower, and the Indonesian Literary Community, etc.nd the Indonesian Literary Community, etc.)
Putu Sedana + (Putu Sedana was born in Pengastulan, Decem … Putu Sedana was born in Pengastulan, December 17, 1932. He completed his education at the Wirabhakti School of Social and Political Sciences, Denpasar. Has been a teaching staff at Panji Sakti University Singaraja. He wrote various kinds of poetry, prose, drama, and radio plays in Balinese or Indonesian. In addition, he also composed Balinese songs and Indonesian songs. His works have been published in newspapers and also broadcast on TVRI's central program, RRI (Yogyakarta, Semarang, Surabaya, Denpasar and Singaraja). His work that has been published and distributed is "Bali Suar Tanah Dumilah" in the form of a collection of Balinese poetry.From his work, he received various awards and prizes, such as:1. In 1945, he won second place at the second level in Buleleng, when a drawing contest for the children of the People's School (now elementary school) entitled "War".2. In 1964, he won the third place in the Buleleng level II area, when the Singa Ambara Raja Statue Design competition was held.3. In 1969, he won first place in the Bali level I area, a modern Balinese poetry writing competition organized by the Singaraja Branch I National Language Institute with the title "Mati Nguda".4. In 1980, he won first place in the first level of Bali, a modern Balinese prose writing competition organized by the Singaraja Branch I National Language Institute, with the title "Mirah".5. In 1980, he won first place in the first level of Bali, a competition to write a poem on the natural beauty of Batur Uang was organized by the Governor of Bali, with the title "Peace is Founded".6. In 1984, he won first place at the first level of Bali, a songwriting competition for the Bali Sandya Gita Festival during the 1984 Bali Arts Festival which was held by the governor of Bali, with the title "Teja Guling".7. In 1985 won first place in creating Balinese folk songs at the Bali Arts Festival with the title "Gumin Titiangé Bali".8. In 1985 he received an award from the Governor of the First Level Region of Bali for creating a song with the title "Pulaki".9. In 1990 won first place in a songwriting competition at the Bali Arts Festival with the title "Hyang Laksmi"10. In 1997, he received the Wija Kusuma Art Award from the Department of Theater Arts from the Buleleng Regional Government.rts from the Buleleng Regional Government.)
Putu Suasta + (Putu Suasta was born in Denpasar, 1960. He … Putu Suasta was born in Denpasar, 1960. He completed his elementary to high school education in his hometown. Then he continued his studies at Gajah Mada University (UGM), majoring in International Relations (HI), graduating in 1985. He then attended post-graduate studies at Cornell University. He also taught at Asian Studies/Dept. Modern Language and Linguistics, Cornell University, 1988.In Bali, Putu is known as a critical activist. He formed a number of discussion forums such as the “Red-White” forum and Non-Governmental Organizations as a means to build people's critical awareness of their rights as citizens. Through these civil institutions, he organized masses to criticize the government for not taking sides with the people and not being transparent in running the government. Through his writings, he is diligent in conveying various ideas and constructive criticism for the government and society.Putu Suasta's long struggle in the civil movement eventually led to the realization that the most effective way to promote change was politics. He increasingly reminded the relationship between government and politics. So to be able to convey and fight for the aspirations of the community, it must be more effective, political channels are entered. He later joined the Democratic Party.Putu Suasta's works have been published in a number of books, both on political, socio-cultural, and artistic themes. These books include: “Idiology, Development and Democracy” (1986), “Made Wianta: His Art and Balinese Culture” (1990), “Bali Living in Two Wold” (Schweben Basel, 2001), “Kembara Budaya ” (Bali Mangsi Foundation, 2001), “Enforcing Democracy, Escorting Change” (Lestari Kiranatama, 2013), “Gung Rai, Sang Mumpuni” (2017), “Sanur: Caring for Traditions in the Midst of Modernization” (2018).ons in the Midst of Modernization” (2018).)
Putu Sucita Yanthy + (Putu Sucita Yanthy is a lecturer at the Fa … Putu Sucita Yanthy is a lecturer at the Faculty of Tourism. She completed her Doctorate Program in 2016 at Udayana University. Her dissertation is titled Kontribusi Perempuan Dalam Mengangkat Kuliner Lokal Untuk Mendukung Pariwisata Bali (Women’s Contribution in Promoting Local Food to Support Tourism in Bali). She actively conducts research and joins activities at Udayana University. Her research interests include women in tourism, gastronomy and culinary fields. She had an opportunity to take part in Mobility for Teaching Staff program at the University of Glasgow, Scotland in 2018. Since 2019-present she doing research postdoctoral program entitled Tourism Education and Women in Bali at University of Angers, France.n in Bali at University of Angers, France.)
Putu Sudjana + (Putu Sudjana started writing poetry in the … Putu Sudjana started writing poetry in the 1970s and only published it in the Bali Post in the 1980s. In addition, he also writes short stories, essays, drama scripts / plays. Often wins in poetry and drama script writing competitions. He performed many of his drama scripts at the Banjar Hall and TVRI Denpasar. He used to work at the Bali Regional Office for Transmigration. His solo book of poetry is entitled "Sajak-sajak Kecil dari Langit" (1985). His poetry is also summarized in the book "Lukisan Magis Tanah Bali (2000)the book "Lukisan Magis Tanah Bali (2000))
I Putu Sutawijaya + (Putu Sutawijaya (1970)studied art at Indon … Putu Sutawijaya (1970)studied art at Indonesia Institute of Fine Art (ISI) Yogyakarta. He currently lives and works in Yogyakarta and Bali. As a painter, sculptor and performance artist, he is hailed as one of the most important young artists to watch out for. His canvases are highly charged with the energy, or qi, that is suggestive of Chinese calligraphy masters. While Chinese calligraphy influences his technique, his subject matter captures the essence of Balinese religious and tribal rituals. The visual impact of his canvases is explosive yet contemplative. They reflect the mutual desire for harmony in order and chaos, a oneness with the universe. Man as the centrifugal figure in paintings is distinctively Sutawijaya and continues to be prominent in his works.Putu Sutawijaya draws his inspirations from the various Balinese religious rituals. He is especially fascinated with the way communion takes place, where spiritual enlightenment is attained through trance, intoxication and even violence.Movement, energy and trance are the three most powerful stimuli in his canvases. The movements and stance of the kecak dance are symbolic of the Great Gods (sanghyang). The kecak dance is an intense spiritual dance by a large group of people.A mental and spiritual climax is reached when the soul suddenly rises to a level of experience much more profound than daily consciousness. At that moment appears a peak of self confidence and extraordinary bliss like a trance, followed by enlightenment. Out of these are born paintings of such intense expression that they reach the farthest limits of universal concepts.the farthest limits of universal concepts.)
I Putu Tangkas Adi Hiranmayena + (Putu Tangkas Adi Hiranmayena is an artist- … Putu Tangkas Adi Hiranmayena is an artist-scholar currently holding positions as faculty member at Metropolitan State University of Denver and the University of Colorado, Colorado Springs. His research interrogates discursive conceptions of “noise” in Bali and the United States as they intersect with Cosmology, Indigeneity, and Performance. He focuses on how people in places with long colonial histories reclaim Indigenous identity through popular idioms. As a music practitioner and composer, Hiranmayena continues to perform in improvisation/noise ensembles and creates contemporary works for Gamelan and Heavy Metal. He is co-founder of Balinese experimental project, ghOstMiSt and artistic director of Denver, Colorado’s non-profit organization, Gamelan Tunas Mekar.-profit organization, Gamelan Tunas Mekar.)
Putu Vivi Lestari + (Putu Vivi Lestari was born in Tabanan, Nov … Putu Vivi Lestari was born in Tabanan, November 14, 1981. She achieved a Master of Management and works as a lecturer at the Faculty of Economics and Business, Udayana University. Vivi is married to the painter Ketut Endrawan. They have two children: Made Kinandita Radharani and Nyoman Akira Bodhi Pawitra. On April 8, 2017 Vivi died of blood cancer (leukemia).Vivi's poems have been published in the Bali Post, Bali Echo, Kompas, Suara Merdeka, Kalam Culture Journal, PUISI Journal, Coast Lines Magazine, People's Thoughts, Horison Literature Magazine, Media Indonesia, and CAK Cultural Journal.Her poems can also be found in a number of joint anthologies, including Angin (Teater Angin, Denpasar, 1997), Notes of Concern (Jukut Ares, Tabanan, 1999), Ginanti Pelangi (Jineng Smasta, Tabanan, 1999), Art and Peace (Buratwangi , Denpasar, 2000), Anno's Essay & Waves of Poetry 2001 (Kompas, 2001), Green Kelon & Poetry 2002 (Kompas, 2002), Ning: Anthology of Poetry 16 Indonesian Poets (Sanggar Purbacaraka, Denpasar, 2002), The Blue Angel of Hobart City (Logung Pustaka, 2004), Spirit: A Collection of Poetry Poets from Bali-West Java (bukupop, Jakarta, 2005), Because My Name is a Woman (FKY, 2005), Selendang Pelangi (Indonesia Tera, 2006), Herbarium: Anthology of Poetry in 4 Cities (Library Pujangga, Lamongan, 2007), Rainbow (Indonesia Tera, 2008), Couleur Femme (Jakarta-Paris Forum & AF Denpasar, 2010).Vivi has won a number of literary awards, including the "Best Five" small note competition held by the Jukut Ares Tabanan Community (1999), "Ten Best" poetry writing competition for high school students at the national level held by Jineng Smasta-Tabanan (1999), 2nd place in the competition poetry creation in the marine orientation week held by the Faculty of Letters Unud (1999), Art & Peace 1999 "Best Nine Poems", 2nd place in a poetry creation competition with the theme "Bali after the Kuta tragedy" (2003).Vivi had been invited to a number of national literary events, including the 2003 Utan Kayu International Literature Festival in Denpasar, 2004 Indonesian Literature Cakrawala at TIM Jakarta, Ubud Writers and Readers Festival 2004, Yogyakarta XVII Arts Festival 2005, Printemps de Poetes 2006 in Denpasar, The VIII Main Praja Mitra Literature Gathering in Banten (2013).Her book of poetry entitled “Failed Ovulation” was published posthumously by Expression Library, 2017.n” was published posthumously by Expression Library, 2017.)
Raechelle Rubinstein + (Raechelle Rubinstein is a writer of several books and journal articles about Bali including the latest in 2022 entitled Beyond the Realm of Senses: The Balinese Ritual of Kekawin Composition.)
Panglalah teknologi ring kawéntenan lapangan kerja + (Rapid technological developments have brou … Rapid technological developments have brought many advances in various areas of life, including the world of work. In the current era, we cannot be separated from the influence of technology in the world of work. The government can play an important role in overcoming this problem and creating policies that can control technological developments so that they do not replace and threaten people's jobs. The most important problem currently is technological progress which poses a major threat to employment opportunities, especially in Bali. If not controlled, many jobs will be replaced by technology. Of course, this can threaten the lives of the Balinese people. Advances in AI (Artificial Intelligence) technology are one of the biggest challenges for future leaders of Bali Province. Although the presence of AI provides benefits, especially in providing efficiency in the world of tourism in Bali, this technology can also have negative impacts if not used wisely. To overcome challenges in the tourism sector, the government must increase investment in skills training and technology education. This will help prepare the workforce to face technological developments with greater effectiveness. One of the solutions and strategies that I propose is to strengthen the government's role and responsibility in regulating and supervising the use and impact of AI technology in Bali. The government can provide assistance and facilities, such as capital assistance, subsidies, incentives, training, certification, and others, which can help the community to improve their quality and performance in the tourism sector. The government can also evaluate policies that support the transition of workers from traditional to modern sectors through skills conversion programs and financial support. Therefore, this effort can help optimize the use of technology while reducing losses for the Bali tourism sector in terms of the availability of skilled and quality human resources so that they can continue to compete along with technological developments.ete along with technological developments.)
mr + (Re instigate visa on arrival . Compulsary mask wearing unless in restos .)
Anak Agung Gede Raka Turas + (Related Artists Anak Agung Gede Sobrat Teacher: I Wayan Pendet Relative: I Dewa Ketut Rungun Relative: I Dewa Putu Bedil Relative: Anak Agung Gede Raka Puja)
Jero Mangku Dalem Suci + (Renowned Chef and restaurant owner Jero Ma … Renowned Chef and restaurant owner Jero Mangku Dalem Suci (Gede Yudiawan or Gede Buldog) is from Desa Les and his incredible cooking skills have been recognized by the most acclaimed Indonesian Chef, William Wongso, and he has joined the maestro in introducing Balinese cuisines across several countries in the world.In 2015, he took on the role of pemangku or priest, and has since carried both titles of Chef and Jero Mangku (priest). Having already traveled the world, Chef Jero Yudi believed it was time to return to his village and give back to the place that has helped plant his roots deep into the culinary world. So he opened up, in his ancestral home, Dapoer Bali Moela, a smaller eatery and arak center where he has developed food & beverage products using locally sourced ingredients.Chef Jero Yudi also owns Warung Sunset by Chef Yudi in Kuta, Bali. He also helped developing other restaurants in Nusa Dua, Semarang (Central Java), Jogjakarta and in Les Warung Tasik and Warung Sukun.arta and in Les Warung Tasik and Warung Sukun.)
Richard Horstman + (Richard Horstman, (b 1964 in Melbourne, Au … Richard Horstman, (b 1964 in Melbourne, Australia) has more than 25 years of experience inIndonesia, first visiting Bali in 1986. He spent extended periods in Sumatra and began living inBali in 2004. He has worked in the Bali and Indonesian art worlds since 2008 as an writer,journalist, a co-creator with artists and an art tour presenter to national and international guestsfrom 2014. He has participated intercultural exchange events in Thailand, the Philippines andIndonesia, while regularly attending events in Singapore, Jakarta and Yogyakarta.Richard consults professionally and non-professionally to Indonesian and foreign artists,collectives, galleries and art spaces. Richard is passionate about reporting on developments inthe Bali art infrastructure and innovations in the Bali art world. He previously made andexhibited sculptures and installations and is currently painting in his spare time.During 2022 Richard experienced growth in his writing genres penning his second social culturalobservation piece on Bali, entitled Duality and the Exploitation of the Spirit published inNOW!Bali Magazine in the January/February 2023. He began writing book reviews published inthe Jakarta Post and NOW!Bali with his fourth review Masks of Bali: Between Heaven & Hellpublished in the Post in February.An article for the Australian quarterly hardcopy magazine ArtLink, a special edition onIndonesian art was published in April 2023 and a review of the Bali art scene, post-pandemicwith international tourism open for Singapore magazine Plural Art Mag. He is currently writingarticles for NOWBali Magazine. Unfortunately since July 2023 the Jakarta Post is no longerpublishing its Features section, meaning no more specialized reporting on Indonesian art andculture which is a massive blow for the country and the global audience.In November 2022 Richard began initial steps for his next book, WINDS OF CHANGE: Womenin Balinese Art, the first study into the pioneering women in Balinese art, due to be publishedlater in 2023. This is the follow-up to his first book published late 2019 Ubud Diary: Celebratingthe Ubud School of Painting - the Diversity of the Visual Language launched at the opening ofUbud Diary a new gallery in Lodtunduh, Ubud where he worked as a consultant from June 2019until March 2020 when the pandemic impacted on the Bali and global economy.In the past Richard has been a contributor to the Jakarta Globe newspaper, Ubud Now & Thenonline magazine, the Yak Magazine, Art Republik, NOW! Singapore, NOW!Jakarta,Art&Market, Singapore, the art columnist for UbudLife Magazine, Arti, Art Malaysia, Art OneNation, Indo Expat & Ubud Community News magazines. He have been a regular contributor tothe Jakarta Post for over ten years and am the art columnist for NOW!Bali Magazine.As an art activist Richard has a strong social platform and is passionate sharing ideas andbrainstorming with artists, gallerists, art spaces and collectives about professional structuring,communications, vision, branding, building community and the ongoing development of the Baliart infrastructure. Richard is currently working on a series of geometric paintings for hisupcoming Universal Eye Mandala Art website.Richard’s articles are published:www.lifeasartasia.artwww.lifeasartasia.weebly.comFacebook Page: Bali Art ReviewsInstagram: @lifeasartasiaPrevious art roles:Member of the Board of Directors of the Bali Art Society 2013-2014Art Presenter Artpreciation (2016-2018)AdvisorCata Odata Art House 2014 – 2018 Penestanan, Ubud BaliUbud Diary Jul 2019 – MARCH 2020, Ubud, BaliLodtunduh, Ubud, Balio Ubud Diary is a new art gallery in Ubud with the mission to raise the profile of thehistorical Ubud School of Painting. It is planning its grand opening late inNovember 2019 with a group exhibition of works by senior artists of the UbudSchool, including the launch of the book 'Ubud Diary: Celebrating the Ubud Schoolof Painting - the diversity of the visual language" written by me and translated intoBahasa Indonesian by Richard Nixon Tambalo. Ubud Diary's annual exhibitionprogram will include three solo exhibitions by senior artists, along with one annualevent in Jakarta. The renown Ubud School of Painting which was 'founded' in thelate 1920s - early 1930s in Ubud is destined to die out, through its program ofexhibitions, book and catalogues, and other annual events Ubud Diary's vision isto reignite the genre and encourage regeneration that can lead to its futuresustainability.e regeneration that can lead to its future sustainability.)
Richard Winkler + (Richard Winkler dream of a utopian world w … Richard Winkler dream of a utopian world where man and nature were tightly integrated. and then he woke up in it.Richard, how did your upbringing influence your artistic style?During my childhood, I spent a lot of time with my grandfather, whom I admired. He was enormously talented in drawing and painting, and we spent a lot of time together. He also took me out into Nature, where we walked for hours, and he taught me everything about flora and fauna. He was a great inspiration, and he showed me how to draw and how to appreciate and love the natural world around us. During the same time, I had to spend a lot of time in hospital in order to undergo many surgeries to correct the growth of my bones, as I was suffering from a rare bone disorder. This created an early awareness of the physical body and its limbs. It was fascinating to me when the doctor measured angles and the length of my bones, and how he could open up my body to correct those after drawing lines on my limbs. In summertime, I usually spent a lot of time playing in an old garden and plant nursery near my home, forgetting all the pain I had to go through the rest of the year. I loved all the greenhouses, which were full of exotic plants and trees such as banana and orange trees. It was hot and humid, and I could smell the plants and the soil. This world was magical and full of energy and fertility. This was life, and life wanted to flourish. I often dreamt and fantasized about exotic and tropical worlds where my soul was happy and free, a kind of paradise where you picked fruits from the trees, and life was free from troubles. My early childhood drawings often depicted tropical landscapes with exotic colourful birds and animals.What was your initial impression of Bali, and how did it inspire your art?When I first landed in Bali, I discovered the world I had been dreaming about, a kind of Garden of Eden full of life and colours. The tropical nature was alive and amazing, and the soil so incredibly fertile. People were friendly, and everyone seemed to be able to talk about art and aesthetics. And everyone seemed to be creative in one form or another. Bali was full of life, colours, details, sounds, and smells. It really appealed to all my senses and made me feel incredibly alive. Even the ground was not stable and moved sometimes.I loved the passionate rains and thunderstorms, which were so intense and powerful. Life itself was at maximum in Bali, and I couldn’t feel anything but very alive. I loved it. Over time, I found lots of inspiration in the traditional life at the rice paddies, in Nature, and in markets. I love the simple life of man and nature, tightly integrated. Perhaps it’s still a dream in my mind about a Utopian world free of pain and sorrow. But it’s a beautiful dream, longing for peace and harmony in one’s soul.Can you describe your creative process and how it has evolved over time?During my time in art school, I became more and more fascinated by the human body. I spent countless hours drawing from life models to study the forms and lines of the body. I was especially fascinated by simple lines and how they cut and overlapped each other. I eventually started to play with these forms, stretching them and deconstructing them to my liking, a little bit like an orthopedic doctor rearranging the bones and limbs. The body doesn’t need to look anatomically correct to actually function and feel right. The important thing is that it feels good and works correctly. That’s how I construct the bodies on the canvas.Do you see Bali as a colourful Utopian paradise?I might dream about this Utopian paradise free of pain and sorrow and full of life, love, beauty and harmony. But of course this fantasy world doesn’t exist in reality. Wherever we live, life will always be life including everything from tears to laughter, and that’s how we grow ourselves and our characters. And maybe that is the real beauty and goal of life itself.s the real beauty and goal of life itself.)
Bali 2024: nuju masa depan sané lestari miwah gemuh + (Ring Pemilu 2024 sané jagi rauh, pinaka kr … Ring Pemilu 2024 sané jagi rauh, pinaka krama Bali, iraga maduwé tanggung jawab sané ageng pisan antuk milih pamimpin sané pacang ngawetuang panglimbak miwah karahayuan ring panegara sané tresnain iraga puniki. Bali, pinaka tetujon pariwisata sané kasub ring sajebag jagaté, madué makudang-kudang pikobet sané patut katangkepin olih sang sané pacang dados pamimpin.Silih sinunggil pikobet sané mabuat pisan sané patut urati pisan inggih punika indik palemahan miwah pariwisata sané lestari. Pinaka genah wisata utama, kawéntenan industri pariwisata sané nyansan nglimbak ngawinang dampak sané abot pisan ring palemahan minakadi akéhnyané limbah, rusaknyané terumbu karang, miwah ancaman majeng ring kelestarian alam.Sajabaning punika, isu-isu pendidikan miwah kesejahteraan krama lokal taler dados parindikan sané mabuat. Prioritas patut kaicénin ring nincapang akses pendidikan sané pateh, pemberdayaan masyarakat lokal ring sektor pariwisata, taler upaya antuk nyiptayang peluang kerja sané adil miwah lestari.Pikobet ring sektor kesehatan taler nenten dados kaicalang, utaminnyane ri sampune pandemi global puniki. Patut kemargiang sareng-sareng mangda prasida ngukuhang sistem kesehatan, nincapang akses masyarakat majeng ring pelayanan kesehatan, taler nyiagayang Bali mangda prasida ngarepin pikobet kesehatan ring benjang pungkur.Punika mawinan, titiang nunas majeng ring krama Bali samian mangda milih pamimpin sané madué visi sané jelas rikala ngungkulin pikobet puniki. Pamimpin sané banget mautsaha ngalestariang palemahan, inklusi sosial, miwah kesejahteraan kramané. Ngiring sareng-sareng ngwangun Bali sané sayan becik, nénten wantah pinaka genah wisata sané becik, nanging taler pinaka genah sané madaging dasar sané kukuh sajeroning ngalestariang kasugihan budaya, palemahan sané lestari, miwah kesejahteraan kramané.Suksma, dumogi Bali tetep nglimbak tur dados genah sane becik antuk generasi sane jagi rauh. Ngiring iraga sareng sami mautsaha mangda Bali dados Bali sane adil, lestari, lan gemuh landuh!Bali sane adil, lestari, lan gemuh landuh!)
Robert Kiyosaki + (Robert Kiyosaki is truly a multi-talented … Robert Kiyosaki is truly a multi-talented personality. He is an entrepreneur, investor, motivational speaker, author and also a financial knowledge activist. He is very popular for his series of books called ‘Rich Dad Poor Dad’.His book series ‘Rich Dad Poor Dad’ is an international bestseller. It is basically a comparison between his two ‘dads’; one was his poor biological father and the other ‘fictitious’ rich dad. The poor father was in fact very educated but had no money but the rich father was a high school dropout but was in fact ‘Hawaii’s richest man’. Robert Kiyosaki has appeared on television several times including on Public Broadcasting Service (PBS), KOCE, California, WLIW of New York and New Jersey area and his fund raising drive.ew Jersey area and his fund raising drive.)
Rosvita Flaviana Osin + (Rosvita is a lecturer at the Indonesian Ho … Rosvita is a lecturer at the Indonesian Hospitality Management Community Academy, Triatma Mapindo Badung, Bali. Rosvita completed her bachelor's and master's studies from the Triatma Mulya School of Economics, Denpasar Bali with qualifications in hospitality and tourism management. Rosvita's writing include tourism village development strategies, as well as the role of women and millennials in tourism. role of women and millennials in tourism.)
Rucina Ballinger + (Rucina is one of Bali’s cultural icons. S … Rucina is one of Bali’s cultural icons. She has lived in Bali since 1974 when she did intensive study of dance and its relationship to religion. Her book, co authored with I Wayan Dibia, BALINESE DANCE, DRAMA AND MUSIC: AN INTRODUCTION TO BALINESE PERFORMING ARTS is used in classrooms around the world and by travellers coming to Bali who want to know more about the performing arts in context. She pioneered World Learning’s (ex Experiment in International Living) Bali Academic Semester Abroad program in 1985 and then switched to the other end of the spectrum and ran Elderhostel cultural programs for ten years with her late husband, Anak Agung Gede Putra Rangki.She and Agung were the klian adat or traditional heads of their hamlet in Abianbase, Kapal for 2013; as far as we know she is the only foreigner to have held this position.After the initial Bali bombings in 2002, the non profit sector became her world and she was the director of YKIP for over a decade, assisting survivors of the bomb with scholarships and livelihood programs. She then worked for the Annika Linden Foundation, helping to create the Annika Linden Centre in Denpasar, Bali, dedicated to one of the bomb victims in the spirit of helping those who are economically disadvantaged. Currently, she runs the CSR program of the Amicorp Group via the Amicorp Community Foundation in the village of Les, North Bali, where a Vocational Training Center is set to be built.In 2003, she and three other foreign women of a certain age and size (all married to local men) formed Grup Gedebong Goyang, a comedy group that does song paradies and skits about current affairs in Bali. Their Balinese version of SAKITNYA TOH DISINI has over a million hits!Currently she divides her time between Les village and Ubud, where she resides with her entire family (sons Gung Anom and Gung Prabu; daughter in laws Jero Bahari/Edenie and Gung Tia and grandson Gung Arun and granddaughter Gung Prabha) and three dogs.granddaughter Gung Prabha) and three dogs.)
Rudi Waisnawa + (Rudi Waisnawa was born in Singaraja, Bali, … Rudi Waisnawa was born in Singaraja, Bali, 1976. He graduated from English Literature, Faculty of Letters, Udayana University. He is a photographer who cares about social issues. His eye-catching photos and documentaries are about people with mental disorders who are confined in Bali. These works were exhibited in several places including at Bentara Budaya Bali (2014). In the same year the work was recorded as a photo book entitled “Pasung” and exhibited again at Rafles Hotel Galery Singapore 2015. In October 2017 Rudi was invited to exhibit at the Anti Stigma International Conference Copenhagen, Denmark and continued to exhibit at Die Erste Etage, Hamburg with an exhibition entitled "Approach". Rudi's works have also attracted the attention from people with leprosy in Balinese villages. Apart from being active in the Lingkara Photography Community, Rudi is also active at the Suryani Institute for Mental Health (SIMH), a foundation that assists people with severe mental disorders (ODGJ) in Bali.th severe mental disorders (ODGJ) in Bali.)
I Wayan Suda + (Sadu’s childhood home was in Sayan, a vill … Sadu’s childhood home was in Sayan, a village west of Ubud. Currently he lives in his own house not far from it with his wife, who is Japanese, and their 2 children. Wayan Sadu paints in silence. His paintings also has a silence presence in them that could only be captured by the artists himself.d only be captured by the artists himself.)
Luh Gede Saraswati Putri + (Saras Dewi, whose full name is Luh Gede Sa … Saras Dewi, whose full name is Luh Gede Saraswati Putri, was born in Denpasar, Bali, September 16, 1983. Since she was a teenager, Saras has loved singing and writing poetry. In 2002, she released an album titled "Chrysan" with the single "Lembayung Bali". This album was nominated for the Anugerah Musik Indonesia (AMI) Award in the categories of Best Ballad and Best Single. In 2014, Saras and other Balinese artists sang together for the Bali Reject Reclamation movement.Saras has also published a number of books. His first book of poetry, entitled “Jiwa Putih” was published in 2004. The second is a non-fiction book on Human Rights published in 2006 by UI Press in collaboration with the European Union, while the third book entitled “Love Not Chocolate” was published in 2010, the fourth book was published in 2015 entitled “Ekophenomenology”, and the fifth book is an anthology of poetry entitled “Kekasih Teluk” (2017). His writings in the form of essays/articles with social, cultural, ecological, political themes were published in various mass media, including Media Indonesia, Jawa Pos, Bali Post.Saras is an environmental activist who is very concerned about the Movement to Reject the Reclamation of Benoa Bay. She is also involved in the feminist movement and the defense of women's rights. Saras successfully completed her doctoral program at the University of Indonesia at the age of 29 in July 2013. Apart from continuing to write and being an activist, Saras teaches philosophy and is the Head of the Philosophy Study Program at the Faculty of Cultural Sciences, University of Indonesia.ultural Sciences, University of Indonesia.)
Scion Charlotte Spence + (Scion Charlotte Spence has a plan for all … Scion Charlotte Spence has a plan for all you luxury, globe-trotting party vagabonds. Behold the House of Karma.Charlotte, can you give us a brief background of who you are, and what brings you here today?Hey, of course! This feels like a first date. I’m a 26 year-old Brit, currently based between Sydney and Bali (the dream!); I moved over to Australia for university about six years ago and have been lapping up the sunshine ever since. I’m really excited to be chatting to you today and keen to share a fun new project I think you’ll like the sound of . . .What are your current passions?I take after the rest of my family, so travel is really important to me and has been a big part of my life for as long as I can remember. Nothing excites me more than exploring new cultures. I’m also a drama kid at heart so I love the theatre, live music, fine dining . . . or just a good old party to be honest.IG @Atomic.Blonde_ Who is she and when did you discover her?Haha! Atomic Blonde is my latex-wearing, tech house playing, DJ alter ego! I discovered her about four years ago, when I realised I could turn ‘playing my favourite music to my friends’ into a viable side hustle. Since then, I’ve been lucky enough to play a whole host of my favourite events in Australia, alongside my DJ partner ‘Dutch Kiss’. We’re all about self-expression, uplifting music and high camp fun.You are about to launch House of Karma. Briefly, tell us what it is?House of Karma is an U35 members’ collective for the world of luxury travel and experiences. Drawing on the beauty of Karma’s current resorts, we’ll soon bring this to the next generation of ‘luxury rebels’, with pop-up festivals, wellness retreats, out-of-the-box experiences and networking events, both at Karma destinations and in our members’ home cities.You are finally working for your father?I am, and it’s really quite lovely so far! Dad and I have a lot in common in that we both have that entrepreneurial streak, and see Karma more as an entertainment industry than a hospitality one, so it’s great to have that initial common ground with my ‘boss’. I’m also massively inspired by him and have been my whole life, so working alongside him is a privilege I don’t take lightly. Pitching to him is still rather scary though – he’s tough!Do you have any other siblings joining the ranks?Yes! My sister and brother are both a bit younger so still at Uni and school but I have every confidence that they’ll be joining me soon. My sister is heading to do her first Karma sales training in India in a couple of months and I’m sure my brother will follow suit – once he finishes tearing it up on the school cricket pitch of course!What are the strengths and touches that you, as a woman, will bring to what is typically seen as a male dominated service, a members club?Oh, good one. I firmly believe that everyone should have a seat at the table or a foot in the door, and so I’d like to think that what I’ll bring to the world of members clubs is a whole heap of inclusivity. Yes, of course, there is an element of ‘selection’ involved, but I actually like to refer to House of Karma as a ‘collective’ rather than a ‘club’. Essentially, if you’re ambitious, open-minded, and down for one hell of a party, then we’d love to have you at our place.What type of person would a HoK member be?A House of Karma member is someone just like me; a luxury rebel, pampered vagabond, or hedonist who craves the unexpected and the reprieve from routine. We’re chatty, ambitious, and always looking for the next big adventure . . . with a side of fabulous!Can you tell us more about the Bali launch?Absolutely. We’re planning a huge party down at Karma Beach to celebrate our big launch on 13th June. After a VIP long lunch we’ll be opening the beach up to the masses, with drag queens, international DJs, signature ‘House of Karma’ cocktails and a whole lot of dancing in the sand. Come by and get a sense of what we’re all about!And the international roll out?Following this, we’ll be hosting our first ‘Founding Member’ networking events in Sydney and Perth, taking that signature Karma experience to Australia, before expanding across the globe later in 2023.House of Karma is highly inclusive. Can you tell us about some of the LGBTQIA+ events you have in the planning?Inclusion is something I am hugely passionate about and will never stop fighting for, and so at the heart of the House of Karma will be HEAPS of events for my LGBTQIA+ icons and allies. Think ‘detox and retox’ retreats at Karma destinations post-Mardi Gras, LGBTQIA+ networking nights and hot parties co-hosted by queer clubs all over the world.More bang for your buck. Can you tell us what perks and privileges members can enjoy on joining?It’s honestly a bit of a ‘too good to be true’ thing! Our members will benefit from nights of free accommodation at our resort destinations, huge discounts across spa, F&B and rooms year round, a bespoke ‘pimp my villa’ package, and invites to exclusive events both at Karma resorts and in their own cities! And that’s not even to mention all the members-only experiences we’ll be curating – think boat parties on the Nile, party weeks in Mykonos and a glamping festival on Gili Meno…How does the House of Karma benefit from the global aspect of the original Karma brand?I think that is what makes us unique. Karma already has so many breathtaking destinations, so half my work is done in that respect! Now it’s just about leveraging those locations and turning them into the perfect playground for all my like-minded House of Karma souls.And vice versa, how does the group benefit?To quote my father, “any great company recognises the need to evolve as new generations emerge” and I think that is just what we are doing here; moving with the times and bringing a whole new tribe of ambitious, experience-seeking young vagabonds into the Karma fold.Lastly, you are looking to create global FOMO around HoK member’s wristbands. Any hints at how you intend to achieve this?This is something I’m excited to see evolve. Let’s just say I hope to see House of Karma memberships soon become a must-have fashion statement. Get ready to see an influx of ‘HoK’ bracelets hitting the wrists of those around you soon . . .Tel: +62 361 848 2202; +62 811 38203360 IG: @wearehouseofkarmawww.houseofkarma.com.auhouseofkarma@karmagroup.comuseofkarma.com.au houseofkarma@karmagroup.com)
Shelly Lapre + (Shelly tells stories about her parents and … Shelly tells stories about her parents and ancestors in original travel trunks from the Dutch East Indies. For example, the old travel suitcase, which was used by her mother on her boat trip with her family from the Indies to the Netherlands in 1950, has been transformed with antique batik fabrics and nostalgic old family photos into a work of art. The travel suitcase is no longer tucked away in the attic, but is now displayed as a sort of sound box of memories of her family's life in the Dutch East Indies.er family's life in the Dutch East Indies.)
Silakan tulis judul disini + (Silakan mengisi disini)
Bali Virtual Explorer: Media Melancaran lan Metumbasan Produk Bali ring Era New Normal. + (Since 2020, the world has been reported as … Since 2020, the world has been reported as a pandemic. Covid-19 is the name of the virus that causes a worldwide pandemic. This pain is not only a physical attack. Economy, education, tourism, and other aspects also die. Bali is famous for good tourism. If tourism dies, Bali is also called dead. It's not good, let alone until it continues. Therefore, in the new normal era, there are innovations that the government can carry out to rebuild tourism in Bali. The innovation is called the website Bali Virtual Explorer.Bali Virtual Explorer is a solution that can wake up Bali in the new normal era. On this website, travelers can see Bali as if they were visiting but online. This is because the website is equipped with a 360-degree video feature. 360-degree video is very good as a tool in the new normal era because its implementation is by health protocols where human mobility is not what it used to be. This website is equipped with online shopping facilities for authentic Balinese products so that traditional products are famous such as endek and songket, woven, masks, silver jewelry, and others. Online shopping is not difficult, people can have authentic Balinese products even if they can't go to Bali. This is also good for UMKM. This website is also equipped with complete information about Bali such as tourist attractions, historical places, temple information, and other information about Bali so that many people know interesting information in Bali. The Bali Virtual Explorer website is only one website, but various features such as 360 videos, online shopping, and interesting information make this website a good tool. In the era of the internet of things, online promotions are very popular in the world. That's why Bali Virtual Explorer is a good website for tourism and cultural promotion so that Bali rises.and cultural promotion so that Bali rises.)
Idanna Pucci + (Since leaving her ancestral home in Floren … Since leaving her ancestral home in Florence, Italy, Idanna pursued her interest in diverse cultures through far-flung travels. First she worked in New York for her uncle, Emilio Pucci, when his designs ushered vibrant colors into fashion.She later settled in Indonesia and began her studies of Balinese culture with particular emphasis on myth and the oral tradition. She became especially intrigued by the traditional court of justice in the ancient royal capital of Bali. Its ceiling paintings narrate a sacred epic hauntingly similar to Dante’s Divine Comedy. The quest gave birth to her first book, The Epic of Life: A Balinese Journey of the Soul (Van der Mark Editions, NY), a classic on Balinese culture.Various writing assignments for the Hong-Kong based Asia Magazine enabled her to travel throughout the Indonesian Archipelago, South East Asia, Japan and across the Soviet Union on the last steam engine of the Trans-Siberian railway.She returned to New York to pursue her degree in Comparative Literature at Columbia University. During this time, she obtained a grant from the Margaret Mead Institute of Intercultural Studies for a project entitled The Prince and the Pauper: Two Balinese Portraits.Her focus then turned to the life of her American great-grandmother, Cora Slocomb, who shocked New York’s Gilded Age by launching the first nation-wide campaign against the death penalty in 1895 to save a young Italian immigrant from execution–the first woman sentenced to the electric chair. Her research gave birth to The Trials of Maria Barbella (Vintage, NY, 1996).After she obtained the International Diploma in Humanitarian Assistance in Geneva, she served in the UN Mission to East Timor as an electoral officer during the referendum for independence in 1999. Later, she collaborated with the Burma Project (Open Society Foundations) on a special mission to Myanmar.In film, Idanna produced the Italian segment of the TV series Amazing Games (ABC/Kane Productions) for which she received the Ultimo Novecento award from the City of Pisa. She also co-produced Leonardo’s Legacy, a Discovery Channel special. She then produced and directed Eugenia of Patagonia, a documentary-feature on the pioneering life in Chile of her maternal aunt who served for thirty years as mayor of a vast municipality at the end of world, battling for the people and the environmentHer following work, Brazza in Congo: A Life and Legacy (Umbrage Editions, NY) is an illustrated biography of another ancestor, the explorer Pierre Savorgnan de Brazza, after whom the capital of the Republic of Congo, Brazzaville, is named, and who is still remembered for his pioneering struggle on behalf of the rights of the people. On the same theme, she curated exhibitions at The National Arts Club in New York and La Casa Italiana of NYU.Idanna conceived and narrated the documentary Black Africa White Marble, which recounts her battle against the ruler of Congo-Brazzaville. It won the Grand Prix at the Festival of Annecy 2012 (France), the Audience Award at the Cambridge Film Festival 2013 (UK), and Best Documentary at the Berlin Independent Film Festival 2014.She was also responsible for the donation to the National Museum of Cameroon in Yaoundé and permanent installation of a sixty-foot masterpiece of contemporary art by the Poto Poto School of Painting in Brazzaville, Republic of Congo. In 2015, she produced The Transformative Power of Art, an exhibition at the United Nations in New York.With her husband, Terence Ward, she then produced Talk Radio Tehran, a documentary by Mahtab Mansour that follows high-spirited Iranian women as they fulfill their aspirations in spite of the gender-apartheid system that dominates daily life in Teheran.In a collection of true stories between East and West, The World Odyssey of a Balinese Prince (Tuttle, 2020), she narrates the extraordinary life of a cultural visionary and medical doctor whose daring adventures transcend borders.The Lady of Sing Sing: an American Countess, an Italian Immigrant, and their Epic Battle for Justice in New York’s Gilded Age (Simon & Schuster, Tiller Press, 2020) is a new expanded edition of her earlier work, The Trials of Maria Barbella.Idanna serves as an ambassador of Religions for Peace, the world’s largest interfaith organization. She speaks fluent Italian, English and French, and reasonable Bahasa Indonesia. She resides with her husband between Florence and New York.ith her husband between Florence and New York.)
Ida Bagus Sindu Putra + (Sindu Putra, whose full name is Ida Bagus … Sindu Putra, whose full name is Ida Bagus Sindu Putra, was born in Sanur, Bali, July 31, 1968. Now he lives in Lombok, NTB. He wrote poetry as a teenager and has been active in the Coffee Drink Studio. His poems were published by the Bali Post, Kompas, Koran Tempo, Kalam, etc. He won the Kusala Sastra Khatulistiwa award for his poetry book Tales of the Fire Dog. Other poetry books that have been published are the Night of the Night Birds Camp (2000), The Weed House (with IAO Suwati Sideman, 2003), Segara Anak, Origami Birds, Tales of the Fire Dog, In Lombok I Get Poetry (2018).e Fire Dog, In Lombok I Get Poetry (2018).)
Soekarmen + (Soekarmen was born in Blitar, East Java, 3 … Soekarmen was born in Blitar, East Java, 30 May 1925. He was the Governor of Bali who led Bali for two terms of office, namely between 1967–1971 and 1971–1978. He was elected governor on November 1, 1967, and ratified by Decree of the President of the Republic of Indonesia No.203/1967 to replace the previous official, namely I Gusti Putu Martha. Previously, he was Commander of Korem 163/Wirasatya in Denpasar with the final rank of Brigadier General TNI. Soekarmen is the only Governor of Bali who is non-Hindu and not of Balinese ethnicity. He died in Malang, East Java, 10 September 1988.d in Malang, East Java, 10 September 1988.)
Soemantri Widagdo + (Soemantri has been an avid researcher in B … Soemantri has been an avid researcher in Balinese visual art tradition since 1994. He gained his knowledge of the Balinese aesthetic through a six-year apprenticeship with the celebrated Balinese Master Ida Bagus Made (1915-1999). He is the co-author of several Balinese art books. He was the international liaison and chief foreign curator at the Museum Puri Lukisan, Ubud (1995-2015).Soemantri is the founder of the TiTian Bali Foundation (2016); a non-profit organization whose mission is to discover, nurture and develop Balinese artists. Presently, Soemantri serves as the founding chairman on the advisory board of TiTian. chairman on the advisory board of TiTian.)
Sri Jayantini (I Gusti Agung Sri Rwa Jayantini) + (Sri Jayantini, whose full name is I Gusti … Sri Jayantini, whose full name is I Gusti Agung Sri Rwa Jayantini. Born in Denpasar, January 15, 1977. He graduated from English Literature, Faculty of Letters, Udayana University. Her poetic journey started from junior high school by participating in the Sanggar Cipta Budaya in 1989. At that time, Jayantini had already published her poetry in the Bali Post. Now she is a lecturer in the English Literature Study Program at the Faculty of Foreign Languages (FBA) Mahasaraswati University (Unmas) Denpasar. Creative since junior high school, Jayantini combines the potential of writing in a career as an educator. In the midst of teaching obligations and often being a part-time translator, she is still quite active in the field of literature. “Flower Travel” is one of her poetry and prose books published in 2015, in addition to participating in anthologies with other poets. A number of academic works in the field of translation have also been published, including “The Art of Translating” (2016), “Practice Makes Perfect” (2015), “Scientific Translation; Techniques and Phenomena” (2018). Jayantini still provides time to enjoy the sensation of poetry as a break from producing academic works. as a break from producing academic works.)
Stephanie Brookes + (Stephanie Brookes is a Bali resident. She … Stephanie Brookes is a Bali resident. She has lived in Indonesia since 2001. In 2014 Stephanie together with her husband, David Metcalf published a cultural travel book, "Indonesia's Hidden Heritage - Cultural Journey's of Discovery", which covers 12 stories, 12 islands and 12 different ethnic tribes. A specialist Bali based Indonesian travel writer for over ten years, Stephanie searches out some of the more remote destinations in Indonesia. Her work has been published in NowJakarta, Garuda Colours, KLM Holland Herald and Forbes Travel. Her latest project involves supporting a cultural connection community initiative in Ubud, Bali called Ubud Village Plate, where travellers join a Balinese host family for dinner, in a Balinese home and cook together with the family. A great supporter of education and literacy projects in Bali and Kalimantan. Please check out www.ubudvillageplate.comwww.travelwriter.wswww.facebook.com/stephtravelwriterwww.Instagram.com/stephtravelwriterwriter www.Instagram.com/stephtravelwriter)
Memargi Sareng-sareng, Prajaya Gunungan Leluu Nuju Bali Resik Riwekas + (Stepping Together, Conquering the Mountain … Stepping Together, Conquering the Mountains of Waste towards a Sustainable Clean BaliOm SwastyastuThank you for the opportunity that has been given to me so that I can contribute to voicing aspirations at the Wikithon Oration.Dear the jury and the BASAbali Wiki team, as well as all the happy readersAs we know, soon we will be faced with the 2024 elections. Elections are an important moment in our democracy. This is not only about choosing leaders, but also us giving them the mandate to overcome various problems facing society. Answering the topic raised in this oration is "What is the most urgent problem to be addressed by Bali's prospective leaders?".First of all, we cannot ignore environmental problems, especially since Bali is known as Paradise Island because of its natural beauty. There is one thing that in my opinion really needs serious attention from potential Balinese leaders, namely the waste problem which will soon be over. Bali faces big challenges in waste management because the system is inefficient so it is unable to handle large volumes of waste. This situation was further exacerbated by fires that occurred at the Sarbagita Suwung Regional Landfill in Denpasar City, the Mandung Landfill in Tabanan Regency, and the Temesi Landfill in Gianyar Regency during the dry season, causing environmental damage and negative impacts on daily air quality. This problem is not only a local issue, but also an urgent reminder for us to take action because it impacts many aspects of people's lives. Therefore, the government's presence plays an important role in handling this case.I am sure that so far the government has always tried its best, but Bali's leaders must then improve and re-examine the preparation of a strategy for handling potential waste that can be investigated from the roots to the end. It is important to note that the success of a waste management program is very dependent on existing infrastructure and technology. If waste management plants, landfills, or recycling facilities are inadequate, then the program may not produce the expected results. The success of the waste management program is also closely related to the level of community participation. If there is not enough awareness or support from the public in waste scanning, recycling, or waste reduction, the program may experience difficulties. Apart from that, policies that are inappropriate or unable to overcome the waste problem can become an obstacle. Sometimes, unsupportive policies or weak implementation can hinder program effectiveness. Prospective Balinese leaders must have a clear vision about how to protect and preserve Bali's environment for future generations. Prospective leaders, Bali must have a concrete action plan that involves economic, social and environmental aspects. A thorough evaluation of the waste management program needs to be carried out to identify core problems and adjust the strategies implemented. Close collaboration with various parties is the key to creating holistic solutions. Senuma's active involvement, parties, including the government, private sector and the community, will ensure environmental sustainability in Bali for future generations. No less important, awareness of the importance of recycling and reducing waste needs to be instilled more deeply,Thank you to Mrs/Mr. Candidate Leader, Bali for your attention and cooperation to make Bali clean from mountains of rubbish. Let us all work together to be agents of change for a clean Bali.Om Shanti, Shanti, Shanti, Omclean Bali. Om Shanti, Shanti, Shanti, Om)
Sthiraprana Duarsa + (Sthiraprana Duarsa was born in Denpasar. H … Sthiraprana Duarsa was born in Denpasar. He is one of the founders of Sanggar Drinking Coffee, Bali. His solo poetry collections: Part of the World (1994), Homecoming Village (2007), and A collection of short stories Rumah Memories (2014). Apart from writing poetry, he is active in theater. Now he works as a doctor, and is busy preparing his new poetry book.and is busy preparing his new poetry book.)
I Wayan Sudarna Putra Nano + (Sudarna Putra was born in Ubud, Bali on 15 … Sudarna Putra was born in Ubud, Bali on 15 April 1976. He studied art from 1994 – 2004 in ISI Yogyakarta and has lived there since until earthquake in Yogyakarta in May 2006 then he returned home to Ubud. Interpreting the paintings, sculptures and installations of Sudarna Putra is like being reminded of the richness of contemporary aesthetics that refues a single code in the framework of opening opportunities for combining various systems into an eclectic code.He has been doing many solo and group exhibition since 2005, and some of is notable achievements are: 10 Winners of Philip Morris Indonesia Art Award VI (1999) and Best Artwork of Lustrum IV ISI Yogyakarta (2004). His duo exhibition with I Made Arya Palguna “NOSTALGIA” was held at Komaneka Fine Art Gallery in 2007.held at Komaneka Fine Art Gallery in 2007.)
Sugi Lanus + (Sugi Lanus was born in Singaraja, Bali. He … Sugi Lanus was born in Singaraja, Bali. He is the curator of the Lontar Museum, Karangasem, Bali. Since studying at the Department of Balinese Literature, Udayana University has been actively working part-time as a research assistant from Princeton University, UCLA, Murdoch University, Leiden University, Osaka University, etc. He has participated in dozens of international workshops and trainings, and attended post-graduate education in several disciplines: Cultural Studies, Tourism Studies, and Theology. He was selected as a participant in the ASEAN-Japan youth exchange (1997) through sponsorship from the Prime Minister of Japan.He has experience as a consultant for various international institutions, such as: GTZ, AusAID, UNICEF, WHO, British Council. In the field of journalism, he worked as a correspondent for Tempo Magazine (1998-2000), fixer for ABC TV, BBC, Arte TV, National Geographic, Smithsonian Magazine. He is also active as a consultant and provides workshops for DPRD and local governments throughout Indonesia (2005-2012) and an independent political consultant for several national politicians (2012 - present).In 2006 he founded the Hanacaraka Society to research Balinese and Lombok lontar. 'Puja Tri Sandhyā: Indian Mantras Recomposed and Standardized in Bali', is one of the results of his research on various lontar mantras published in the Journal of Hindu Studies, 2014, Vol. 7(2), Oxford Center for Hindu Studies, Oxford University Press. Actively invited to speak in various cultural meetings, including: Cultural Congress V (2003), Ubud Writers and Readers Festival (2004-2017), International Conference on Tagore, Hanoi, Vietnam (2011), Frankfurt Book Fair (2015), etc., and various Hindu clerical discussions. Previously served as Commissioner of a national company (2004-2006), and Corporate Relations Executive of an international company based in London (2014-2016).He has written hundreds of articles in various online and print media, such as tatakala.co, Bali Post, etc. Currently conducting research on reliefs related to lontar manuscripts at Borobudur, and the Herbalian Project, a project for mapping herbs in Balinese and Old Javanese lontar.herbs in Balinese and Old Javanese lontar.)
Wayan Sujana Suklu + (Sujana Suklu is known as a progressive thi … Sujana Suklu is known as a progressive thinker of contemporary art in Bali. With a pioneering vision that reflects a universal philosophy. Sujana Suklus’ contributions are vast in scope, encompassing multi-disciplinary fields within fine arts, academic and community platforms. Suklus’ academic research explores ways to bring art methodologies into communities cultivating and preserving local wisdom whilst expanding existing skill sets. The beauty of this research is that it has been applied and is actively growing in communities today.He was born in Lepang, Klungkung, Bali, February 6, 1967. His works have been shown in a number of joint exhibitions at home and abroad, including: Beijing International Art Biennale. Bangladesh XI Biennale. His solo exhibitions include: "Panji, Between Body and Shadow" at the IMF International Art Event, Nusa Dua Bali (2018), "Intermingle Art Project, Light Pattern at Bentara Budaya Bali (2017), "Wings and Time" at Komaneka Fine Art Gallery (2016). The awards he has won are "The Winner of the Indofood Art Awards Competition on Abstract Category" (2003), "The Best 10 Indonesia Competition of the Philip Morris Art Awards (2003). Suklu has also been one of the curators of the exhibition “Bali Megarupa” (2019). of the exhibition “Bali Megarupa” (2019).)
I Wayan Sukra + (Sukra had originally composed the music [f … Sukra had originally composed the music [for Tumulilingan Mengisap Sari, The Bumblebee Sips Honey, a danced by famed kebyar choreographer I Mario) for a gamelan in Marga, Tabanan, but as it had not been performed, he taught it to the Peliatan group for three weeks. After Sukra returned home, the Peliatan group “polished and rearranged” the music more to their taste, also renaming it. In many ways this was the showpiece of the tour, featured in John Coast’s book, Dancing Out of Bali, and an audio visual recording survives on a kinescope. Sukra is also credited with composing the music for Igel Trompong and Igel Jongkok (later called Kebyar Duduk) in 1915. https://sckool.org/lindstrom-in-bali-1928-part-2-gamelan-gong-kebyar.html?page=2928-part-2-gamelan-gong-kebyar.html?page=2)
Luh Ketut Suryani + (Suryani was born in Singaraja, Bali in 194 … Suryani was born in Singaraja, Bali in 1944 and raised in modest surroundings with six children. Her father was a nurse and an integral part of Indonesia’s struggle against the Dutch. Suryani’s mother was a successful business woman who supported the family’s finances.Motivated by a strong will to treat her young sick mother, Suryani learned meditation when she was only 14. While many of her family members initially doubted her abilities, they were surprisingly convinced to see her mother cured. Suryani then began treating sick people in her community through meditation.After graduating from high school, Suryani studied medicine at Udayana University in Bali, where she specialized in psychiatry. In 1982, she received her degree as a psychiatrist—a profession she chose out of an innate curiosity to understand her upbringing and its effects on her current personality. In 1988 Suryani attained her Ph.D. from Airlangga University, Surabaya.While working as the head psychiatrist at Udayana University in Bali, Suryani introduced a more efficient standard operational procedure to manage mentally ill patients. The procedure decreased the treatment from one month to six days in the residency hospital. While the procedure was initially accepted and did result in numerous adjustments, the hospital chief of staff eventually rejected it and discontinued its use.Through her academic and clinical practices, Suryani has been resilient in her attempts to bridge indigenous spirituality with Western psychiatry and psychology. While many have criticized her findings, Suryani’s approach is widely considered a breakthrough in the field of psychiatry. To further develop the field, Suryani retired from her position as the Head Psychiatrist at Udayana University and is now dedicating all her time to leading the Suryani Institute of Mental Health and the Committee Against Sexual Abuse.th and the Committee Against Sexual Abuse.)
Suzy Hutomo + (Suzy Hutomo co-founded The Body Shop Indon … Suzy Hutomo co-founded The Body Shop Indonesia with her husband in 1992, where she is now Chairwoman.Parallel to her successful career in business, she is a committed environmental activist. Suzy is a presenter in Al Gore’s Climate Reality Project, and serves as a member on various boards of reputable NGOs such as Greenpeace South East Asia (2008-), Yayasan KEHATI (2012-present), Yayasan Lensa Masyarat Nusantara (LMN) (2014-), and Yayasan Kopernik (2016-).For Suzy, the well-being of the environment, threatened by climate change, lies at the interface of her identities as a businesswoman and activist.Suzy’s goal is to help and inspire others to develop a green and sustainable lifestyle whilst also proving that being mindful of the environment can be easy, fun and effortless.vironment can be easy, fun and effortless.)
Sylvine Pickel-Chevalier + (Sylvine Pickel-Chevalier is a lecturer and … Sylvine Pickel-Chevalier is a lecturer and research director in geography (HDR) at the UFR ESTHUA Tourism and Culture at the University of Angers, ESO CNRS 6590 lab. She is specialized in socio-economic, cultural and environmental aspects of tourism, questioning the notion of sustainable development, in France and Indonesia. Also specializing in sports tourism and more particularly the equine sector. President of the scientific committee of the French Equestrian Culture Mission. About forty international publications.n. About forty international publications.)
CHEF DAIJIRO HORIKOSHI + (TAKUMI’S CHEF Daijiro Horikoshi is a maste … TAKUMI’S CHEF Daijiro Horikoshi is a master artisan who has devoted his life to perfecting Kaiseki cuisine.Chef Daijiro San … with respect you don’t sound like any ‘normal’ kind of Chef to us … what’s your story and how did you end up in Bali? Did you train in a Japanese kitchen, and did it involve years of internship under a Master?I am the son of the third generation of a tempura restaurant located in Osaka. The restaurant had a 62-year history before it closed. My grandmother started the restaurant, and my mom took over before I eventually took over from her. I ran the restaurant for over 16 years, and in 2012, I moved to Bali. When I was 13 years old, I had the opportunity to travel with my stepfather, who was a Native American leader from the United States named Dennis Banks. We travelled to 23 countries around the world, and this experience exposed me to different cultures, religions, and people. When I decided to move to Bali, it was because my wife had a dream of living on a tropical island. We wanted our children to have a global experience and learn English, so we chose Bali as it offered a mix of different cultures. It was the perfect balance for us, and we couldn’t find it anywhere else in the world.Tell us first about KOHAKU, and your journey to making edible crystals…Although I don’t have a pastry background, I grew up in a traditional Japanese environment due to my grandmother’s influence. She was a geisha and introduced me to various aspects of Japanese art, tradition, and confections. When I moved to Bali, I missed Japanese sweets, as they were not readily available, so I started making Japanese confections on my own. I never thought about turning it into a business until a friend suggested it. Together with another friend, we started the business, and my wife encouraged me to pursue it further. That’s how our Japanese confection brand, KOHAKU, came to be.How does this relate to cuisine in Japan?Kohakuto, which means ‘amber sugar’ in Japanese, has a connection to Japanese tea ceremonies. Japanese confectionery has always been closely associated with tea and tea ceremonies. The tea ceremony involves not only tea but also meals, and it holds a deep relationship with Japanese cuisine.There are two types of kaiseki, one for parties and the other for tea ceremonies. Both have a connection with tea and confections. So, the idea of creating edible crystals relates to the long-standing tradition of Japanese traditions.Why does Japanese cuisine appear so different and innovative to Westerners, compared to more traditional styles, like say classic French, or Italian? Should the Old School be more innovative?I don’t see a big difference between Japanese cuisine and other traditional styles like French or Italian. Each cuisine reflects its own history, culture, and region. I don’t think one is more innovative than the other. It’s difficult to answer whether the old school should be more innovative because innovation is subjective. What may seem innovative today might become traditional in the future. As chefs, we are always learning and trying to create dishes that make people happy. We focus on making something good rather than just being innovative. Our job is an ongoing journey of learning and creating.Where does innovation go too far, and when should we recognize and respect classic cooking practices?From my perspective, innovation goes too far when it becomes disconnected from our everyday lives and focuses solely on being different for the sake of standing out. Some chefs get caught up in trying to show how they are different from others, losing sight of the true essence of cooking. It’s like we lose our direction and wander aimlessly. Whether it’s in cooking or any aspect of life, we need to take a moment to pause, reflect on where we stand, and look back at our past and the processes that brought us here. It’s essential to respect the ingredients we use and show appreciation to everyone involved, not just for the sake of being different.Tell us about Takumi, your restaurant, and the inspiration behind it.Takumi is a restaurant where we currently serve Kaiseki-style Japanese cuisine. We offer a choice of nine-course or six-course degustation menus, and we will soon be launching vegan courses as well. Our focus is on traditional and authentic Japanese cuisine. The inspiration behind Takumi is unique. We are not simply importing Japan to Bali; instead, we are creating Japan here. We utilize the amazing local ingredients available in Bali and Indonesia, embracing the wealth of flavours they offer. As a Japanese chef, I incorporate Japanese culinary techniques and strive to express the true essence of Japanese cuisine. Additionally, I am passionate about training young chefs in Bali, sharing my knowledge, skills, and the history and philosophy of Japanese cuisine, in order to elevate the level of Japanese culinary expertise in the region.Why is great service such an important part of the culinary experience?Great service is crucial because it enhances the overall dining experience. When customers pay a significant amount for their meals, they should be able to enjoy them fully. It’s important to create an atmosphere where people can feel happy and comfortable. The emotions and atmosphere in a restaurant can significantly impact the perception of the food. Service acts as an additional spice that complements the dishes coming out of the kitchen. It’s not just about the food; it’s about the complete experience – from the moment guests enter the restaurant until they leave. We aim to leave a lasting memory and ensure that our guests have a truly enjoyable time at our restaurant.Who are your heroes in the world of cooking?Although it may sound cliché, my heroes in the world of cooking are my grandmother and my mother. However, my true heroes are the young chefs working in the Takumi kitchen. Each of them brings their unique experiences, which I have never had. Their willingness to learn and their different perspectives make them admirable and worthy of respect. These young chefs are my heroes because they challenge themselves and strive to become respected in the culinary industry.What knives do you use?I primarily use a small petty knife. I don’t have a specific brand preference. I own several Japanese knives, but my favourite is the small petty knife, which I use for personal use at home. I don’t typically use large knives in my cooking.What’s the most exciting new ingredient you are incorporating into your food?Well, every week brings new and exciting ingredients to our kitchen, even if they are the same vegetables we’ve used before. Each batch has its own unique qualities, and that’s what makes it thrilling. We have conversations with the ingredients, exploring their potential and listening to what they have to say. When they arrive in the kitchen, we greet them and get to know them. ‘Hello, my name is blah blah blah, who are you?’ We might say to a red radish. It’s a delightful way to engage with the ingredients and understand their desires. Do they want to be a sauce, a garnish, or simply shine on their own? We listen to their aspirations and help them become what they want to be. It’s the chef’s job, and it’s the most enjoyable and exciting aspect of our work.What motto inspires your life as a chef?Well, I’ve touched on this in previous answers, but it’s a question worth pondering. As a chef, I find immense joy and satisfaction in working with ingredients and creating dishes. It’s the happiness and fun that come from this process. There are many people involved in the culinary world, from suppliers to farmers, fisherman, and even drivers. My motto is simple: I want to make people happy. I strive to bring joy to others through my creations and my work. It’s not just about the guests; it’s about everyone who is connected to food and to me. I want to contribute to a collective happiness and create a positive impact within this circle. As a chef, I am just one part of a larger ecosystem, and my goal is to make everyone in this circle happy.IG & FB: @kohakubaliwww.kohakubali.comIG: @takumibaliFB: @Takumi Baliwww.takumibali.comkumibali FB: @Takumi Bali www.takumibali.com)
Tan Lioe Ie + (Tan Lioe Ie was born in Denpasar, Bali, Ju … Tan Lioe Ie was born in Denpasar, Bali, June 1, 1958. He kept the Chinese name even though during the New Order era there was some pressure to replace the ethnic Chinese name with an indigenous name. He is familiarly called Yoki.Yoki is one of the Indonesian poets who explores Chinese rituals and mythology in Indonesian poetry. Despite the strong ethnic nuances, his poems still have an allure for the wider community. His works have been published in various mass media such as; Bali Post, Horizon, Buana News, Kompas, Media Indonesia.Yoki graduated from the Faculty of Economics, Udayana University. His introduction to poetry began when he was involved in the Denpasar Coffee Drink Center (SMK). He is also known as a pioneer of poetry musicalization activities in Bali. One of his poetry musical albums is entitled “Kuda Putih” which contains many Umbu Landu Paranggi poems that he sings.His published anthology of poetry, “Kita Bersaudara” (1991), has been translated into English as “We Are All One” (1996) by Dr. Thomas Hunter Jr. In addition, the book of poetry “Night Cahaya Lampion” (2005) has also been translated into Dutch entitled “Nach Van De Lampionen” by Linde Voute. His latest poetry book is entitled “Ciam Si” (2015). Yoki is often invited to national and international literary activities.nal and international literary activities.)
Jane Belo Tannenbaum + (Tannenbaum, Jane Belo (1904–1968) American anthropological photographer. Name variations: Jane Belo. Born Jane Belo, Nov 3, 1904, in TX; died 1968. Traveler, artist, photographer and fieldworker, was noted as pioneer in anthropological photography.)
Nepasin Narkoba di Buléléng + (Taruna Goak is the name for Buleleng Youth … Taruna Goak is the name for Buleleng Youth/War Troops under the leadership of Raja Ki Barak Panji Sakti. Goak cadets were known to be very strong, never give up, had superior character and were specially formed so they were able to attack and defeat Blambangan (East Java) at that time. The toughness of the Goak Cadets is still known today, as a symbol of the greatness of the Buleleng Youth.However, what is the current situation of Buleleng Youth? Are still as tough as Taruna Goak?The character of Buleleng Youth today is inversely proportional to the Character of Buleleng Youth in the past. Currently, quite a few Buleleng youth are caught in promiscuity and cases of drug abuse and illegal drugs.At the end of December 2023, BNN stated that Buleleng Regency was included in the Red Zone for drug abuse cases and the most widespread was crystal methamphetamine. The Head of the Buleleng BNNK also stated that over the last 5 years as many as 397 people have been rehabilitated, who of course also come from various groups such as students, university students and others. Of course, this is a serious problem and must be resolved and handled together.Several things that influence drug abuse include; firstly, the growth of curiosity and a sense of wanting to try, secondly, the influence and association of the surrounding environment which is not good, thirdly it is caused by depression or excessive stress, as well as many other reasons.Regarding this problem, of course there are several solutions that can be offered apart from the government's efforts in making related regulations, namely; First, young people must get rid of their desire to try and try to think about the negative impacts of drug use. Second, try to find positive activities to avoid promiscuity and drug abuse. Third, support from family and those closest to you will also be very influential. And the important thing for young people to pay attention to is maintaining mental health to avoid depression or severe stress which can trigger drug and illegal drug abuse.If this effort is carried out, young people will definitely be able to avoid drug abuse and grow into active, productive and superior young people, just like Taruna Goak in the past.people, just like Taruna Goak in the past.)
Tombak Perjuangan Rakyat Indonesia + (Teenagers are the Nations only hope for development)
Ni luh Komang wahyuni + (Teks orasi)
test bio mar 7 + (test bio mar 7)
test GA + (test EN)
Utsaha Ngrajegang Basa bali Malarapan PERGUB No.80 tahun 2018 + (thank you)
Dadalan Sejarah Wangunan Monumen Perjuangan Rakyat Bali + (THE BACKGROUND OF THE ESTABLISHMENT OF THE … THE BACKGROUND OF THE ESTABLISHMENT OF THE MONUMENT OF BALINESE STRUGGLESporadic struggles for independence against the Dutch Colonial Government emerged in most parts of Indonesia. The violent oppressions by the Dutch resulted many rebellions in various dominions of kingdoms and sultanates under the Dutch colonialism. But unfortunately, the Dutch could easily suppress them by applying their divide et impera (divide and rule) tactic to break the strength of those kingdoms and sultanates by playing off against each other, between a king and the other, between the royal family and the king, the king and his people, and between people as well.The long war experiences and also the more and more Indonesian youth got academic education had aroused the spirit of unity among various social strata and ethnic groups and the awareness to defend their country and to drive away the colonizers. It was initiated by a number of intellectual youths from various regions that on October 28th, 1928, for the firsttime, the Indonesian youth held a conference in which they declared the so called the Sumpah Pemuda or the Youth Pledge. They swore that they were of one mother country: Indonesia, one nationality: Indonesian, and of one language: Bahasa Indonesia or the Indonesian language. This declaration was simultaneously participated by many youth organizations from various islands and ethnics in Indonesia such as, Jong Java of Central and East Java, Jong Pasundan of West Java, Jong Minahasa of North Sulawesi, Jong Ambon of Maluku, Jong Celebes of Sulawesi, Jong Madura, Jong Sumatranen, Jong Batak of Batak ethnic group, etc which later on resulted an idea to form the Jong Indonesia to accomodate all ethnics in Indonesia.This spirit of Sumpah Pemuda has also awakened various youth organizations in Indonesia.One well-known organization, among others, is Sarekat Islam, which was originally as a mere religious movement, then developed into the first popular movement in Indonesia, then the Indische Partij party which also moved in politics. At that time on the island of Java nationalist figures emerged such as dr. Soetomo, HOS. Cokroaminoto, Suwardi Suryaningrat (Ki Hadjar Dewantoro), Douwes Dekker, Tjipto Mangunkusumo, Agus Salim, Soekarno, Muhammad Hatta, and so on. Their pioneering work eventually also inspired other regions to do the same, namely to unite the regions in expelling the Dutch occupation, one of which was a struggle carried out by the Balinese people.Bali Island is one of the bases of the struggle against the Dutch, among which the famous is the Jagaraga War of 1848-1849 in Buleleng, the Kusamba War of 1849, the Banjar People’s Resstance in 1868, the Puputan Badung War of 1906 launched by the King of Badung, Puputan Klungkung in 1908 and also the Puputan Margarana War in the Marga Village of Tabanan conducted by Liutenant Colonel I Gusti Ngurah Rai along with Laskar Ciung Wanara who had waged in all-out war (Puputan) against the Dutch in 1946.The struggle performed by I Gusti Ngurah Rai has left deep memories for the people of Bali, so as to commemorate his services, a monument, street name, airport name, and so on were erected. The awarding of his services is solely because he has set an example to the younger generation in the struggle for independence which is done unconditionally. The government’s attention to the services of the fighters in Bali was realized by the construction of a grand monument located in the Niti Mandala area, Denpasar known as the the Monument of Balinese Struggle.What is presented in this monument is to recall all the struggles of the Balinese heroes before and after independence. It is also hoped that this monument will also has some benefit in an effort to increase the appreciation of the younger generation in living up to the patriotic values demonstrated by the heroes who sacrifice all his body and soul in defending the dignity of his people without ever expecting retribution.The monument was designed by Mr. Ida Bagus Gede Yadnya, a young man who was at that time was a student in the Department of Architecture, Faculty of Engineering, Udayana University, Denpasar. He succeeded in winning and becoming a champion in the design competition of the the Monument of Balinese Struggle which was carried out in 1981 by setting aside his senior architects in Bali.After the design and drawing improvements were made, in August 1988 through the budget of the Provincial Government of Bali a groundbreaking was carried out, as a sign of the start of the construction of the monument. After going through various obstacles and trials due to the depreciation of the Rupiah in 1997, finally this monument could be completed also in 2001. After that, the development was continued with the making of dioramas that depicted the life history of the Balinese from time to time. In addition to the dioramas, a park was also built to add the beauty and comfort of this monument, which as a whole could be completed in 2003. On June 14, 2003, in conjunction with the Opening of the 25th Bali Arts Festival in 2003, Indonesian President Megawati Soekarnoputri had the pleasure of inaugurating the Monument of Balinese Struggle. Since then the monument has been officially opened for public.PURPOSE AND OBJECTIVESThe purpose of making dioramas that tells a story of the struggle of the Balinese people is to reconstruct important historical events that have occured in Bali, so that what is implied in them will be more easily appreciated by younger generation.The aim is to perpetuate the spirit of the struggle of the Balinese people from time to time and pass down the spirit of patriotism in the form of self-sacrifice, love of the motherland, love of unity and love of peace, togetherness to the next generation of the nation, and the main thing is to maintain the integrity of the Unitary Republic of Indonesia (Homeland).THE PHILOSOPHICAL BASIC OF THE MONUMENT OF BALINESE STRUGGLEThis monument is an embodiment of lingga and yoni. Lingga is male symbol (purusa), while yoni is female symbol (pradana). The meeting between the two elements is a symbol of fertility and well-being. In addition to the Lingga-Yoni philosophy, this monument is also based on the philosophy of the Mandara mountain screening (Mandara Giri) in ocean of milk (Ksirarnawa). This story comes from the Adi Parwa book, the first chapter (parwa) of the Mahabarata epic. It is said that the gods and giants (daitya) sought the water of eternal life (tirtha amertha) by turning around Mandara mountain in the ocean of milk. The implementation of the screening of mount Mandara is regulated as follows:1. Turtles (akupa) as the base of mount Mandara2. Besuki Dragon (Naga Besuki) as a strap and turning mount.3. The gods hold the dragon’s tail and the daitya hold the head, while at the top of the mountain sits God Shiva.After working with great difficulty turning the Mandara mountain then successively came out: crescent (Ardha Chandra), Goddess Sri and Laksmi, flying horse (kuda Ucaisrawah), tree of happiness (Kastuba Mani), and the last came out Goddess Dhanwantari who brought Tirta Amertha. The story of searching for Amertha water is then reflected in the shape of this monument, with the following explanation:1. The earthen pitcher containing tirta amertha was symbolized by a kind of pot (swamba), which is located on the top of the monument.2. Naga Besuki’s tail is realized near the pot.3. The head of the dragon is manifested in the entrance gate (Kori Agung).4. Turtle (Bedawang Nala/ akupa) as the foundation of the monument is located on the edge of the lake and its head on Kori Agung.5. The pond that surrounds the monument as the symbol of Ocean of milk (Ksirarnawa).6. Mandara mountain (Mandara Giri) as the overall shape of the monument building.Philosophically, the initiators of this monument wish to give a message to the younger generation that the struggle to achieve success can only be done with hard work, perseverance, and mutual cooperation as told when the Gods and Daitya together seek eternal life.Another symbol depicting the power of God Almighty (Ida Sang Hyang Widhi Wasa) contained in this building is a building plan in the shape of an octagon and an eight-leaf lotus. The eight-leaf lotus is called Asta Dala as a symbol of the omnipotence of God Almighty called Asta Aiswarya, namely:1. Anima : the mildness nature like atom.2. Lagima : the lightness nature like ether.3. Mahima : the great nature that fills all places.4. Prapti : the nature of reaching all desired places.5. Prakamya : all wills are achieved by Him.6. Isitawa : the nature of dominating everything and the most important One.7. Wasitwa : the most powerful character.8. Yatrakama Wasayitwa : His nature and His will cannot be challenged.The symbol of patriotism and nationalism can be found in the 17 number of foot steps towards the main entrance, 8 main pillars of the building and the height of the monument is 45 meters. If these figures are strung together, the numbers 17, 8, and 45 are arranged which show the date, month, and year of the Proclamation of Indonesian Independence, August 17, 1945. Indonesian Independence, August 17, 1945.)
Bali Matangi anggen Pariwisata Digital Berbasis NFT + (The Covid-19 pandemic that has hit almost … The Covid-19 pandemic that has hit almost the entire world, including Bali, has had a significant impact, especially on the tourism sector, which is the mainline in the Balinese economy. This is supported by a decrease in the number of tourists to Bali in 2020 by 82.96%, which causes the tourism industry managers to be unable to develop the tourism business line that is being built.However, this should not dampen the enthusiasm of various components of Balinese society in generating Bali tourism. One alternative that can be done is the adaptation of the tourism industry to the technology that is currently being discussed, the Non-Fungible Token (NFT). NFT exists as a representation of individual or group assets or ownership that has unique, non-exchangeable, and valuable properties. This technology adaptation is expected to be an answer to tourist concerns, security and convenience.The workings of the tourism business model with the NFT platform are almost similar to the voucher system in the tourism industry. However, to ensure the security and convenience of users, this platform will be supported by blockchain technology. Blockchain is expected to be able to provide a sense of security thanks to the concept of decentralization which requires validation from various parties who become the blockchain server itself.The government especially Bali Government Tourism Office can act as a validator for tourism industry managers (lodging, accommodation, culinary, etc.) who are committed to building a digital-based Bali tourism ecosystem. For tourists, this NFT can be purchased as a coupon that can be purchased and exchanged at a time frame determined by the tourism industry manager.It is time we move together to restore the glory of Bali tourism by familiarizing ourselves with technology. Of course, it's not just about government policy, but me, you and all of us!ernment policy, but me, you and all of us!)
Polusi Plastik Dan Pemanasan Global + (The environmental problems we face today i … The environmental problems we face today include everything from deforestation to plastic pollution and global warming. Solutions to overcome this problem require comprehensive joint action. It is important to reduce carbon emissions by switching to renewable energy sources, promoting recycling and the use of environmentally friendly products, and protecting natural habitats through conservation and reforestation efforts. Additionally, broader education about environmental protection and policies that support environmentally friendly practices are also needed. Through collaboration between governments, companies and individuals, we can create the positive changes needed to maintain environmental sustainability for future generations.tal sustainability for future generations.)
Bali Akan Bangkit Lagi + (The government of the island of Bali, whic … The government of the island of Bali, which is the Deputy Governor of Bali Prof. Dr. Tjokorda Oka Artha Ardhana Sukawati once said that indeed Bali agrees if the tourism sector is experiencing a decrease in the effects of the Covid-19 pandemic. But we as a people on this island can't say anything more. For the public should follow the directions of the government, such as vaccinating, using masks every day when meeting with others, paying attention and implementing a healthy lifestyle and other things. Actually from my personal side does not want to be so opinion more but we ourselves who should be aware of what is being faced at this time. The first thing is certainly from yourself who must carry out, secondly there is a family that is closest to ourselves and then start doing this healthy lifestyle to the surrounding community. If all parties have done so, believe me all will be healthy and free from this plague. But this pandemic teaches us to be more grateful to be aware of the circumstances that occur and what will happen. Let us together take care of ourselves first to be healthy, if we have done so believe me all will definitely come back over time.e all will definitely come back over time.)
Lingkungan dan ekonomi bali + (The most pressing issues in Bali currently … The most pressing issues in Bali currently include environmental management, sustainable tourism, and economic inequality. Prospective leaders need to focus on solutions that promote balanced and sustainable development while enhancing the overall well-being of the community.g the overall well-being of the community.)
SAYAN AKIDIK LAHAN CARIK RING BALI, SANE NGAWINANG SISTEM SUBAK RERED, PARIWISATA MAJU + (THE NARROWING AREAS OF RICE LAND IN BALI C … THE NARROWING AREAS OF RICE LAND IN BALI CAUSE THE SUBAK SYSTEM TO BE THREATENED, TOURISM IS ADVANCED.Om SwastyastuI respect the jury. And also, the audience I am proud of.I express my gratitude to Ida Sang Hyang Widhi Wasa, because with His blessing and grace, we can gather in the same place on this good day. Ladies and gentlemen who have gathered here at the Bali Public Participation Speech Wikithon event. Today, let me present an oration entitled "The Narrowing of Rice Field Areas in Bali, Causing the Subak System to Be Threatened, Tourism to Advance"OK, ladies and gentlemen.Subak is a Balinese irrigation system which functions to regulate the distribution of irrigation flows that irrigate each plot of rice field area according to the customs of Balinese society. The Subak system has been recognized by UNESCO as a world cultural heritage. This is what causes Bali to become fertile because of the subak system, which means that the rice fields in Bali do not lack water. Making rice fields in Bali into natural tourist attractions that are in great demand in Bali, for example in Jatiluwih, Tegalalang Rice Terrace.Currently, Bali is famous for its very beautiful tourist attractions, because of this, Bali is nicknamed "Paradise Island". However, the impact of tourism in Bali which is increasingly developing has caused many rice fields to be converted into Bali tourism infrastructure and converted into housing complexes, especially now that Bali is being hit by a long drought which is causing farmers to fail to harvest, such as in Penebel, Tabanan, Farmers failed to harvest up to 107 hectares. And the status of Subak land changed to empty land. Then this land can be used as tourism infrastructure and a housing complex in Bali. Of course, this must be taken into account, because now people are becoming less aware of Balinese traditions, customs and culture due to the great influence of today's increasingly advanced technology.I have said a lot, and I have made many mistakes. Hopefully the tradition of the subak system in Bali will remain sustainable and the Balinese people will still remember this ancestral heritage. I hereby apologize profusely, if any of my words do not match what the audience thinks. I close with Parama Santhi.Om Santhi Santhi Santhi Om.Parama Santhi. Om Santhi Santhi Santhi Om.)
Peralihan Potensi Lapangan Pariwisata untuk Mengembangkan UMKM + (The Potential Transition of Tourism Resour … The Potential Transition of Tourism Resources to Develop UMKMGreetings, Om Swastyastu, Assalamualaikum Warohmatullohi Wabarokatuh, Shalom, Namoh Buddhaya. Goodwill and peace to all. We express our gratitude and thanks to the One Almighty God for allowing us to participate in the "Provincial Bali Oratory Competition" with the theme "Bali Orates" and the topic "2024 Election: What is the most pressing issue to be addressed by Bali's future leaders?". In this regard, we present arguments focusing on "how the management of tourism, by harnessing the potential shift of employment towards UMKM, can coexist with the progress of tourism for Bali's future leaders."Post-Covid-19, Bali is assessed as unable to rely solely on the tourism sector as the sole backbone of the regional economy. Serious resource exploration is needed so that Bali has a number of alternative sources of economic income. This consideration is essential for Bali to withstand crises and global challenges. It is an opportunity to organize and pay attention to the development of UMKM in Bali, potentially redirecting the economic base from the tourism sector.The negative impact of the current tourism sector chaos in Bali stems from arbitrary behavior by tourists towards the Balinese people. Bali's residents are disturbed by reprehensible actions by tourists, whether permanent residents or just visitors. Examples include religious desecration, inappropriate behavior in sacred areas, disturbances in public areas, land grabbing from Balinese residents, and various other disturbances, all of which have a detrimental impact on the lives of the Balinese people.The government of the Bali Regional People's Representative Council (DPRI), a politician from the Indonesian Democratic Party of Struggle (PDI-Perjuangan) faction, outlines several potential economic resources that can be seriously explored in Bali, including agriculture, marine, and creative economy sectors. Strengthening each sector, he notes, will contribute to economic equality in the Island of the Gods.Recognizing that UMKM are a sector capable of sustaining Bali in times of crisis, support for regulations and education for the empowerment and protection of UMKM is crucial. It is emphasized that diversifying beyond the tourism sector is essential. Chairman of the Bali Hotel and Restaurant Association (PHRI), Tjok. Oka Sukawati, sees this as a significant moment for Bali's UMKM to learn from other UMKM, especially those outside Bali, fostering innovation and product quality development.In response to Prof. Ramantha's statements, Ny Putri Koster, as the Head of the Regional Craft Council (Dekranasda), considers her actions as part of her responsibility to bridge UMKM with consumers. She builds synergy with relevant government agencies, such as the Bali Provincial Trade and Industry Office.In conclusion, we hope that future government candidates prioritize programs in the UMKM sector over tourism, yet maintaining attention to Bali's tourism. This oration serves as a reference for future programs. In closing, we express our gratitude. Om Santih, Santih, Santih Om, Wassalamualaikum Warohmatullohi Wabarokatuh, Shalom, Namoh Buddhaya. Goodwill and peace to all.Namoh Buddhaya. Goodwill and peace to all.)
Anak Agung Gede Sobrat + (The principal artist of the Ubud school, c … The principal artist of the Ubud school, continued working after World War II. Works in all major collections, including the Sana-Budaya Musuem, Jogjakarta.Worked closely with Bonnet and Spies. Described by Bateson and Mead as having a lively and intelligent mind he is versatile and a distinguished colourist. (PM 72). Puri Lukisan has alternative birth date of 1917Lukisan has alternative birth date of 1917)
Macet dijalan sempit + (The problem is that on narrow roads, many … The problem is that on narrow roads, many large cars such as gas station cars - Trucks - Boso pass through narrow roads, until the road is damaged. My suggestion is that large cars or gas station cars - Trucks - Boso pass along the road used by large cars, it can be called the main road.arge cars, it can be called the main road.)
Tepasin luu plastik ring bali + (The problem that must be resolved by the f … The problem that must be resolved by the future leader of Bali is the rubbish in Bali. As we can see in the surrounding environment, there is still a lot of rubbish scattered on the roads, in rivers and also in ditches. If the rubbish in the gutter is not cleaned it will make the gutter full of rubbish and during the rainy season it will cause flooding because there is no waterway.Prospective Balinese leaders must be firm with people who throw rubbish carelessly. The most important waste that must be resolved is plastic waste. Plastic waste in landfills has overflowed. If this plastic waste is embedded in the ground, it will prevent plants from getting good water. Moreover, if the plastic is burned it will cause pollution. Bali's prospective leaders must solve this waste problem. Maybe elected leaders can create an association or training to recycle plastic waste. What started as plastic waste became crafts such as flowers from used plastic, pencil cases, flower pots, and others. These crafts can be sold and people who don't have jobs can make money.This solution might help reduce waste in Bali, and at the same time help the government with the waste problem. Prospective Balinese leaders must pay attention to the surrounding environment so that it remains clean and beautiful.nt so that it remains clean and beautiful.)
Macet Ring Canggu + (The road is not only traversed by tourism, but by commuters. This means residents who work in the Tabanan area, Nusa Dua, Tanah Lot, or Denpasar or vice versa)
I Ketut Rida + (The senior poet I Ketut Rida was born in B … The senior poet I Ketut Rida was born in Banjar Kanginan, Sulang Village, Dawan District, Klungkung, September 11, 1939. He finished school at SGA Stella Duce/ Kanisius Yogyakarta in 1958, then continued his B1 Indonesian Language at Dénpasar, but did not finish.From 1960 to 1987 he was appointed a teacher at an elementary school. For about 20 years, I Ketut Rida has served as the Principal of an Elementary School. In addition, he was appointed as a supervisor for kindergarten, elementary and SDLB. In the village, it was also believed to be the traditional bendésa of Sulang VillageKetut Rida said that he has been pursuing writing or composing since he was a child. Every day Ketut Rida gets stories from his grandmother. That's why Ketut Rida is feeling happy. After completing his B1 Language Department, his attention to writing activities grew, focusing on studying the Kawi language, especially in Adiparwa.He has produced several new literary works of Balinese and Indonesian literature and has received several award certificates, such as:In 1977–1978, Ketut Rida became the second winner of the Indonesian Language Writing Competition for Elementary School Teachers at the Bali Province. In 1979, he became the first winner of a prose writing competition at the Bali Arts Festival (PKB). In 1980, he won first place in the Balinese Novel Writing Competition in the framework of Language Month. In 1982, he became the second winner of Composing Geguritan at PKB. In 1991, he won first place in the Balinese Short Story Competition in the Bali Post daily. In 1995, he won the first prize in the Balinese Short Story Competition at PKB.From 1970 to 1980, many of Ketut Rida's essays were published in the Bali Post. His collection of poems entitled “Nyiksik Bulu” was published by the Dénpasar Language Center in 2004. His Balinese novel entitled “Sunari” was published by the Obor Foundation, Jakarta in 1999. This novel “Sunari” earned I Ketut Rida the Rancagé Literature Prize from the Rancagé Cultural Foundation in Bandung in 2000. In 2014 Ketut Rida received Widya Pataka from the Governor of Bali with his book entitled “Lawar Goak”. Bali with his book entitled “Lawar Goak”.)
Program KIP ring Kabupaten Bangli kari Salah Sasaran. + (The Smart Indonesia Card (KIP) is also cal … The Smart Indonesia Card (KIP) is also called the Smart Indonesia Program (PIP). This is the Jokowi government's first program which is part of the Healthy Indonesia Card (KIS) and the Prosperous Family Card (KKS). The Smart Indonesia program aims to increase access for school-age children from poor families to school. KIP is a card intended for poor and vulnerable families who want to send their children (aged 7-18 years) to school for free. KIP recipients are given regular cash funds from the government which are stored in the KIP card function to attend school for free, both those who have registered and those who have not yet registered in schools or madrasas so that the dropout rate can drop drastically.So, the target of KIP is for students who excel and are less fortunate. But in fact its implementation is not in line with expectations, many cases occur regarding KIP being mistargeted. One of them occurred in Bangli Regency. A real example is in my own village, namely Banua Village. Those who are entitled to get KIP (Smart Indonesia Card) are children or students whose families are on the line or in the Poor Family Card (KK) group so that at first glance the KIP program is right on target, but if you look more deeply In fact, the KIP or PIP program still finds errors in its implementation. There are many students in my village whose families are not in the poor family, but in fact these students are underprivileged students. And because of the implementation of the poor KK, students who are not included in the poor KK, who are in fact less well off, cannot make KIP. Even though these students are students who excel and really need the KIP. An example of a student who experiences KIP inaccuracies is myself. I'm not in the poor KK line so I can't get the KIP, even though in fact I really need the card myself. Not to mention that the KIP cannot be made because I am not a poor family member, but in reality my family and I are not someone who can afford it. So, that was the inaccuracy of KIP in Bangli Regency, so what about the wrong target? I have also experienced this wrong KIP target. At that time, I was in junior high school, one of my friends from Trunyan Village had a KIP and received a scholarship even though he himself was someone who was capable and quite rich, had a nice house and had no economic difficulties. This is what makes me feel that KIP in Bangli is still not on target and its implementation tends to be inappropriate and even unfair. Then what solution should the government take? In my opinion, what the government must do to overcome the problem of inaccuracy and wrong targeting of the KIP is, first to do research on the students who receive the KIP, whether they are really underprivileged students? We can see this from the condition of their homes, their parents' jobs, their parents' income every month and so on, well if someone fulfills the things that make them get KIP as I explained above and they are a smart and outstanding student then in my opinion they are worthy of getting KIP. In short, the Bangli Regency Government must be more careful in recruiting students who are worthy of receiving the KIP.dents who are worthy of receiving the KIP.)
Partisipasi Untuk Meningkatkan Pariwisata Bali. + (the steps that must be taken now and in th … the steps that must be taken now and in the future regarding what needs to be done to revive tourism in Bali during the pandemic. That is the mandatory vaccination, which is one of the efforts to support the recovery of tourism in Bali, build spirit and commitment with all Bali tourism stakeholders in reviving the tourism sector during the COVID-19 pandemic by seriously implementing disciplined health protocols to restore world trust. not only that, it is hoped that for the government to restore tourism in Bali, it will take several stages, as I know and I have read first by increasing the domestic market. The second is opening the essential business travel, in order to open international flights because it is felt that Bali is ready to accept international arrivals.is ready to accept international arrivals.)
Satya Cipta + (The struggles of Balinese women take on a … The struggles of Balinese women take on a new life in the art work of Lombok-born Balinese artist, Satya Cipta.“My approach to every artwork revolves around a question to myself and mostly other women,” she said. “What is a woman in Bali? Are we ‘complementary’ beings? Are we social creatures made to accompany men live their lives?”Her work draws on social reality with a strong substance of feminism. She does this whilst preserving artistic teachings from Balinese traditional techniques, which she believes should be a national asset, in hopes to imbue an authentic Balinese spirit in full, sans western influence.Read more about Satya's work and women of Bali here: https://online.fliphtml5.com/uwtp/svwc/#p=26tps://online.fliphtml5.com/uwtp/svwc/#p=26)
I Wayan Westa + (The writer and humanist who won the 2014 R … The writer and humanist who won the 2014 Rancage Literature Prize with a collection of essays entitled "Tutur Bali" (2013) named I Wayan Westa. A graduate of FKIP, Dwijendra University Denpasar, Department of Balinese Language and Literature Education, he was born in Klungkung, January 27, 1965. From 1889-1993 he became a teacher at SLUA Saraswati Klungkung and a lecturer at various private universities.In 1999 he worked at the Ford Foundation, he was also the editor of Gumi Bali SARAD Magazine in 2000-2009, and in 2010-2012 he was the Chief Editor of SABDA Magazine. His essays were published in various mass media, such as: Karya Bakti Weekly, Nusa Daily, Bali Post, Kompas, Pos Bali and Radar Bali. As editor of various articles published by the Indonesian Obor Foundation, Wulan Sedhuwuring Geni (Anthology of Short Stories and Regional Poetry), A Thousand Fireflies in Manhatan (translations into 13 Regional Languages), and Sunari (Balinese Novels by Ketut Rida), and Rabindranath Tagore , Poetry Throughout the Ages, Publisher of the Darma Sastra Foundation, 2002. He was also a speaker at Sadyakala Sastra #39 Wayan Westa: Nationalism and Glorification of Regional Languages on March 14, 2014 and Sandyakala Sastra #43 Obituary I Wayan Sadha on March 12, 2015 at Bentara Budaya Bali. on March 12, 2015 at Bentara Budaya Bali.)
ULUWATU LACE + (The Yak spoke with Ajit Khatai, ceo of Ulu … The Yak spoke with Ajit Khatai, ceo of Uluwatu handmade Balinese lace – the 50-year-old true Bali legacy fashion brand – about life in Bali, the journey so far and the future for the brand.How has Bali been for you?Been here since the beginning of the 2020 pandemic. I think one word for life here would be: healing.What does Uluwatu Handmade Balinese Lace mean to you?Magical and challenging on so many levels. A fashion business in Bali. A brand that’s core skill-set is lace. Only two colours (white and black) to the range planning. Tourists as primary customer. Language barrier. An immensely talented pool, which is aging.How is it that sophistication and simplicity exists seamlessly in Uluwatu Lace? We know it’s not easy. How do you manage to achieve it?It looks easy, because ours is a story of Bali. We carry the soul of everything that’s beautiful here. By layering simplicity over and over, we are able to create sophistication. Our pursuit is perfection. Our founder Ni Made Jati focussed on love for creating great designs. She was inspired by modern women who are independent and rebellious. Over the years, we have redefined this modern woman. I think these three elements, Bali, Simplicity and Perfection are our secrets.How did the brand start…In the 1970s it seemed a good business proposition. Bali had an abundance of lace skills. An influx of foreigners was allowing exploration of new silhouettes (before lace was predominately used on Kebayas). Our founder saw the possibilities. Those were times when Bali was getting started on its lasting reputation of being heaven; of secret idyllic beaches where seekers and hippies found the surf, sand and beads, and loads of sunshine to tan their skin. She adapted the lace to the new world, from airy over layers to breezy gowns for the evening fire. The Bohemian spirit has been alive ever since.Uniquely, the Uluwatu Lace brand is cemented deeply in Bali’s history and colonial past. Can you briefly tell us more…No-one starts out to make history. Our journey gave us two rights: time and place. Bali’s lace tradition of krawang or Lobang is a rich living craft. Earliest evidence showing its use is in the 10CE, during the end of the Majapahit reign. Almost 1,000 odd years of existence. There is an unsubstantiated belief that Kerawang is the classic crochet lace of Northern Europe. Said to be carried by missionaries who travelled with the Dutch East India Company (VOC). The timeline could be anywhere around 1600CE. But the real impact can be attributed to after 1796, when the VOC was abolished and the Dutch government gained control over Indonesia, which continued until 1941.And then there was the modern journey…Yes. Somewhere around mid ’70s, Kebaya was getting its space as a classic apparel which was introduced as modesty. Lace got incorporated into the Kebaya. We have been trying to perfect the art form ever since then. This evolved into the temple culture, to exactly the same clothing culture we witness in Bali today. We have managed to transform it into something desirable globally. Breaking the limitations of design was the tipping point. With just two colors, white and black, it was a sure recipe for disaster. The fact that we are still here is something bigger than a miracle. But here we are…Why white and black?Our journey was for excellence. I suppose we reached this point naturally. It is difficult to reason why in a 50-year journey. An intelligent guess is, white was preferred due to the tropical climate and black was easy to handle. In the early years, consistent yarns in colors was not an easy proposition. Whatever the reason, we are memorable because of the two colours.How many people are involved in making your designs?Our family is around 500 individuals. More than three quarters of this number are involved in the design creation and the rest are in support operations. Each person in our ecosystem is a lifelong partner to creation of these exclusive designs.What makes this brand click?Love and Bali. You immerse in this paradise. In return the paradise diktats that you respond with honesty. That’s what we give. We do not dilute our principles to suit business obligations. Our products are made in the old fashioned way. We have steered clear of shortcuts. Each and every piece is made in the same traditional method of bamboo hoops and slow needle whirring to make the lace. Love has its own karmic journey. Maybe it’s the love that’s responding back.What are the attitudes in fashion changing over the decades? Where is fashion’s future for designs with your niche?Look at the fashion around the world. Lace and crochet are consistent. Lace is here to stay. That speaks loads on the future of lace in fashion. It’s a classic embellishment in fashion. Women love it. It’s not going away anytime soon. We are a lace brand. We need one purchase to happen in a thousand in our market to stay in business. That’s a simple logic for excellence. We have to keep creating the most simple, sophisticated designs with the same passion. Great designs don’t need volume. We are content right now.What does high thread count mean to you and why is it important to your company?Yarn is the key. Our yarn goes through immense stress, which makes it absolutely essential to have a unique tensile strength, which is stable in the lace making process, avoiding brittleness. We have conjured up a specific blend of rayon yarns to achieve this over the years. It stays unbroken for the longest stretch of action. That brings the unique sheen to our lace.How has the Covid Pandemic affected your brand?It’s been a kind of blessing in disguise. We found time for course correction. Our focus diverted from sales to being janitors (cleaning up the brand). We found scope to refine our skills. Created a data-bank of designs. Refined the skills that had been acquired over 50 years. We updated software and improved processes. Basically we did a lot of clean-up. We had to ensure our designs remain heirloom pieces. Creating possibilities of engagement to lace designs. We conceptualized a Balinese Lace Museum and initiated the process of getting nominated as a heritage craft. It was a long list.Which design will be your all-time superstar creation? Is there a story in its creation?We love almost all our ’70s designs. The decade when chic, colour and pool parties were the epitome. The age of revolution … styles that clicked. Then we were busy making something revolutionary to be loved. We got our foothold in fashion in the ’70s.How are you involved in the creative community in Bali?As the flag bearer of Balinese Lace Fashion, we are the finest on the block. Both the founder and myself are pretty much very private people. Our direct visible engagement remains slower than we would like. However, we engage with artists, graphic artists, photographers, musicians and actors. We love to be the support to young creative talents.What are the current design projects at Uluwatu Lace?This year we are engaging in a lot of very interesting projects … I like to call in non-invasive cross-innovation, where we identify non-parallel creative techniques to come together in an organic symbiotic visual extravagance. Our designers are busy rejecting designs to arrive at acceptable designs. For example, imagine trying to combine lighter Endek fabric with Balinese lace. Both techniques cannot overpower each other. The balance of weight, colour and flow is an absolutely challenging experience.Which particular Indonesian / international celebrities could wear your designs and embody what they mean?For us, Happy Salma is the epitome of what Uluwatu Lace is supposed to mean. She is the purity of how our design should be expressed. In the case of Hollywood, I would love our designs on Alicia Vikander. Her athletic features and Grecian expression are timeless. And of course, Priyanka Jonas Chopra’s dusky exoticism. If they are reading this … we love you!What’s next for Uluwatu Lace?Short-Term: make our mark on the Paris, New York, London and Tokyo fashion scenes. Medium Term: Get listed in UNESCO heritage craft category. Long Term: hopefully keep creating inspiring designs. We have a goal to make the brand 100% sustainable with minimum carbon footprint. Engage with blockchain technology to track the impact of our brand. We also hope to have a community fingerprint, where we go beyond our business obligations and leave lasting imprints within the community that defines us.IG: @uluwatu_handmade_balinese_laceFB: @uluwatulacebaliwww.uluwatu.co.ide FB: @uluwatulacebali www.uluwatu.co.id)
Theo Meier + (Theo Meier was born in 1908 in Basle, Swit … Theo Meier was born in 1908 in Basle, Switzerland. He was educated in the arts at the Basle School of the Arts. He had worked as a portrait painter for the University of Basle. He made his first trip to Berlin, where he met Liebermann and Hofer at the Berlin Academy, as well as Emil Nolde, one of the contemporary painters he admired most. He studied with Otto Dix who influenced him greatly.Meier left Europe for the South Pacific at the age of 24. To finance his travels, he founded a club, where each member promised a monthly fee in exchange for which they could choose one of Meier's paintings upon his return. He sailed to Papeete via Guadeloupe, Martinique, and the Panama Canal, inspired by the beauty he encountered, but also disillusioned by the presence of Western influence.After returning briefly to Basel, he went to Bali where his life was changed forever. In Bali, he found an innocence that he did not find in Tahiti. He befriended the German painter Walter Spies, and later moved into the German artist's bamboo house. He married his first Balinese wife in 1936. When the Japanese arrived in Bali in 1941, Meier was granted permission to stay in Bali, unlike his friend Walter Spies who met his death aboard a prisoner of war ship crossing the Indian Ocean. Unfortunately, many of his paintings were lost, some of which were given to Japanese sailors. After the war, Meier remarried, fathering a daughter.After 15 years in Southeast Asia, Meier briefly returned to Switzerland, but then returned to Bali, followed by Thailand. In 1957, he married Laiad, his third wife. In 1961, Meier moved to Chiang Mai, Northern Thailand, where he lived with Laiad in a beautiful teak house on the banks of the Ping River. He was a prolific artist and continued to paint until his death in Thailand in 1982.paint until his death in Thailand in 1982.)
Pengelolaan sampah + (There is a lot of waste that is difficult … There is a lot of waste that is difficult to manage or recycle in BaliAs a result, many TPAs and TPSs are full/overloadedTherefore, there is a need for a solution that can handle the waste problem in Bali. I hope that the prospective leaders of Bali can handle this case well so that there is comfort and peace in social life and I also hope that Bali can be free from waste cases that are difficult to manage.Thank you, I apologize if there are any bad word.ou, I apologize if there are any bad word.)
Anak Agung Gede Oka + (There seem to be a number of A.A. Okas, and there may be confusion between the 1930s Batuan artist (one work int he Bateson-Mead collection), an artist from Mas, and the Batuan artist born in 1955.)
Harga sembako naik, tidak ada tanda-tanda akan turun lagi! + (This year, the prices of basic necessities … This year, the prices of basic necessities are rising, and there are no signs of them returning to normal or decreasing from their usual prices. Is it due to many crop failures in the current season causing the prices to skyrocket? Or is it because fertilizer prices are rising?If indeed there are crop failures and rising fertilizer prices, I would like the local government to take immediate action to address the increasing prices of basic necessities. This could include subsidizing fertilizers and encouraging farmers and the community to utilize small plots for farming using hydroponic methods.The implementation of a hydroponic farming program by the local government would assist the entire community in Karangasem and beyond, possibly throughout Indonesia, in addressing the ongoing rise in basic necessities prices.Hydroponic farming does not require significant costs or extensive land; it only requires consistency in creating the necessary tools. The tools needed don't have to be new; recycled items like unused but still functional pipes and buckets or old paint cans can be utilized.Therefore, I hope the implementation of a program like this can address the rising prices of basic necessities. This program could also contribute to reducing poverty rates in Karangasem and its surrounding areas.s in Karangasem and its surrounding areas.)
Tjokorda Rai Sudharta + (Tjokorda Rai Sudharta was born in Ubud, Gi … Tjokorda Rai Sudharta was born in Ubud, Gianyar, Bali. He earned a Bachelor of Arts at Banaras Hindu University (1957) and a Master of Arts at Panjab University (1961). He earned a doctorate in literature at the University of Indonesia. He wrote many books about the advancement of Hinduism and Balinese culture. These books include Upadesa (1967), Sarasamuscaya (1976), Slokantara (1982), Asta Brata in Development (1998), Sri Rama's Advice to the Present (1990), Hindu Man (1993), Meeting God Within (1993), 2005), Bhagawadgita in Bhishma Parwa (2010), Between Plato's Greek Philosophy and Upanisad Indian Philosophy Bhagawadgita (2010).sad Indian Philosophy Bhagawadgita (2010).)
Tjokorda Raka Sukawati + (Tjokorda Raka Sukawati (3 May 1931 – 11 No … Tjokorda Raka Sukawati (3 May 1931 – 11 November 2014) was an engineer from Ubud, Bali who discovered Sosrobahu construction technology. This construction makes it easier to build flyovers without disrupting traffic flow during construction.He earned an engineering degree in Civil Engineering at the Bandung Institute of Technology (ITB) in 1962. He co-founded the Faculty of Engineering at Udayana University, Bali. He obtained his doctorate in Civil Engineering from the Faculty of Engineering, Gajah Mada University, Yogyakarta, 1996.He pursued a career at PT Hutama Karya which operates in the construction and infrastructure services sector, which is a State-Owned Enterprise (BUMN) under the Department of Public Works. Sosrobahu's technology was discovered when he was working on the flyover project between Cawang and Tanjung Priok, Jakarta, in 1988. The technology he invented is used in many countries.In 2021, his biography written by Nyoman Wijaya entitled "Stepping Without Tires" was published by Pustaka Larasan.t Tires" was published by Pustaka Larasan.)
Putu Krisna Pratama + (Together against pollution, create good roads in the environment so they can be used until later)
Menerapkan Konsep Pariwisata Berbasis Masyarakat + (Tourism has a significant impact in terms … Tourism has a significant impact in terms of employment and local income. However, dependence and wrong management can make tourism one of the causes of over-exploitation of nature and make Bali's condition even worse during the COVID-19 emergency. People are increasingly choosing to work in the hospitality sector rather than the domestic sector, namely agriculture and plantations, so that during a pandemic the agricultural sector also becomes difficult due to the lack of land, good systems and human resources. Though this sector can be a solution to improve the economy of Bali.One solution that can be done without choosing one of these two sectors is to apply the concept of community-based tourism or CBT. This concept can be developed by forming a tourist village so that it can become a forum or economic stimulus for rural communities. The concept of a tourist village that is widely developed in the Java area itself focuses on rural life and natural conditions that are a tourist attraction. Community activities in farming and farming can be an alternative attraction for tourists from outside the region, especially because Bali itself has a unique agricultural system. By implementing this system, the level of sustainability or sustainability of tourism and nature will be better. Of course, when there are disasters or natural phenomena that affect mass tourism like what Bali currently has, the concept of tourism planning is a good solution. If tourist visits decline, there is still a reliable agricultural sector. In addition, this concept can then become the new face of tourism in Bali with the growing trend of the hospitality business, beach panorama and hedonistic, while cultural attractions are starting to be abandoned. This CBT concept requires a good master plan so that its development is right on target. In addition, this concept can also be a solution to achieve the SDGs or Sustainable Development Goals and avoid excessive exploitation, especially to nature.essive exploitation, especially to nature.)
CWAN + (Tourism is one of the important factors in … Tourism is one of the important factors in the nation's economy, especially for the Balinese people. The occurrence of the Covid-19 pandemic has had a huge impact on the community, especially in the tourism sector in Bali. The emergence of Covid 19 resulted in a drastic drop in tourism income in Bali, starting from small traders, large businesses such as hotels, resorts, villas, drivers, luxury restaurants.In an effort to revive Bali's tourism at this time after being affected by Covid 19, there are several ways that need to be input between implementing CWAN (Cheap, Work Together, Available, Negotiation).Cheap in the sense of lowering or lowering the price of the main conditions for traveling in Bali such as swab tests or PCR, and quarantine will be very influential for the interest of visitors to visit Bali because they do not spend more money than they should and do not reduce the money prepared for the holiday.Work Together requires relations between one country and another, regional relations with other regions as well as groups and individuals need to work together, commitment and the right policies. Cooperating with the foreign minister, the tourism minister, and the health minister to vaccinate their citizens before giving travel permits so that those who visit and those who visit are safe from the COVID-19 virus.Available can be interpreted as providing facilities such as referrals regarding COVID-19 that is happening in Bali so that tourists know the latest Covid-19 situation in Bali. Able to provide information, health care and appropriate follow-up so as to provide a sense of security and comfort.Negotiation, giving tourists additional services at prices that have been negotiated, for example, there are tourists who hold birthdays, weddings, etc. in Bali, so the place, decoration, consumption, can negotiate the price that will be given to the customer. tourists with complete health protocols at affordable prices and always improving the quality of service balanced with national and international events.With the above stages, we hope to be able to make changes to make Bali tourism worldwide again, improve the economy so that it contributes greatly to the country's foreign exchange income. to the country's foreign exchange income.)
Jaga Bali: tindak tegas bule tidak beretika + (Tourists are foreigners who travel, who co … Tourists are foreigners who travel, who come to enter another country that is not the country where the person lives with the aim of finding popular and famous places including beaches, mountains, hills, restaurants, cafes and various other attractions.But unfortunately tourists who come to Bali are now increasingly making Balinese people uneasy because of tourists who use the road recklessly, enter the sacred area with dirty conditions (menstruation), occupy the holy place, naked in the middle of the art performance, there are even tourists who take indecent photos in the sacred area.Strict action is needed for foreigners who come to Bali, it is hoped that the government will appoint subordinates to be more strict in guarding the sacred areas visited by foreign tourists, give assignments to the police to maintain traffic security if they see irresponsible foreigners must be followed up directly and provide sanctions / punishments.Not only officials who can take firm action, in the future it is also authorized for Balinese citizens who see the behavior of irresponsible tourists.ee the behavior of irresponsible tourists.)
Tyra Kleen + (Tyra Kleen (29 June 1874 - 17 September 19 … Tyra Kleen (29 June 1874 - 17 September 1951) was a Swedish artist, author and women's rights activist. Her paintings, illustrations, lithographs and publications were important to the Swedish fin de siècle art movement. But above all she was an independent ethnographical researcher.In 1919, after WWI, she traveled to Java and Bali on a Swedish cargo ship. In Solo (Surakarta), Kleen worked with Beata van Helsdingen-Schoevers to write an anthropological study on the ritual court dances of Solo. Both also participated in the dance lessons. Kleen felt that dancing not only involved making the right movements on the sound of music, but that it also involved the transition into an altered state of mind to become in harmony not only with oneself, but with the Universe.Unfortunately, this project ended in July 1920 in turmoil due to clashing personalities, and van Helsdingen-Schoevers died 17 August 1920 of an unknown disease. The project was finished in 1925 with help from "Volkslectuur" (the commission of folk literature), Mabel Fowler and miss Gobée, wife of the Head of the Office for Internal Affairs, titled "The Serimpi and Bedojo Dances at the Court of Surakarta", with 16 pages of text. In July 1925 there appeared a new edition with 30 pages of text. The coloured plates were reproductions made by the Topographic Service of Kleen's drawings. For everyone involved, but especially Kleen, the result was very disappointing, because she wanted to participate in this project in order to result in a standard reference work that could be presented worldwide.When she arrived in Bali in 1920, she started a new project on the mudras, or ritual hand poses, of the Balinese Hindu priests with the assistance of the Rajah of Karangasem, Gusti Bagus Djilantik, whom she had met in Solo the year before, and of Piet de Kat Angelino. This was a turning point in her career because de Kat Angelino was able to explain to her the mudras and also encouraged the priests to cooperate. He was district-officer (controleur) of Gianjar and Klungklung for over a decade and had been collecting material on Balinese priests for years in his home in Gianjar. At his home, she could draw priests and their mudras. Their work together is presented in the book Mudras, with text and illustrations by Kleen, who acknowledged that much of the technical information about the poses and ceremonies came from de Kat Angelino and later on from R.Ng. Poerbatjaraka. Kleen spent the whole of 1921 in Java, working on the material collected in Bali the year before. She exhibited her pictures of the priests at the Art Society in Batavia. Collaboration with de Kat Angelino continued and she met him in Amsterdam on her way home. With his help an exhibition was arranged at the Colonial Institute in Amsterdam. The exhibition was favorably reviewed by de Kat Angelino in the magazine Nederlandsch Indië, Oud en Nieuw. What was the reaction at that time in the Netherlands on her work in Bali? Anne Hallema, a Dutch journalist and art-criticus wrote a critical and extensive article on the Mudra's which appeared Elseviers Geïllustreerd Maandschrift, Jaargang 34, 1924 pp. 145–147. He disqualified her work as an artist but praised her for her scientific contribution. He ends his article with stating that we have to be grateful that this stranger from the land of Selma Lagerlöf toke the initiativ to study the mudra's of the Balinese priests in performing his Hinduistic rituals. Specially the Indologists and Orientalists should be happy with the appearance of this publication.Another crucial exhibition was Två vittberesta damer (Two Travelling Ladies) at Liljevalch's Public Art Gallery in Stockholm 1922, where she showed art and artifacts from Java and Bali together with Swedish photographer and author Ida Trotzig contributing works from Japan. This exhibition was the starting point for the "Bali-fever" in Sweden. Kleen's depictions of mudras were shown at the Victoria and Albert Museum in 1923.Besides Mudras, Kleen published two other books about Bali: Ni-Si-Pleng, a story about black children written for white children (1924), and, seven years later, Tempeldanser och musikinstrument pa Bali, printed in 300 numbered copies, translated in 1936 as The Temple Dances in Bali.Kleen's study on the mudras, the exhibition in Amsterdam at the Colonial Institute and the publication of her books made her internationally known. For her scientific ethnographic work on Bali, Kleen was awarded the Johan August Wahlberg silver medal in April 1938, given to individuals who have "promoted anthropological and geographical science through outstanding efforts".Walter Spies was the central figure in the circle of artists residing on the island in Ubud, Klungklung and Karangasem. He was considered to be the greatest expert on Balinese dance and drama. Together with the British dance critic Beryl de Zoete, he wrote the standard 1938 work Dance and Drama in Bali. Spies was jealous of the international success of Kleen[citation needed] and wrote a very critical nine-page review of the Temple Dances in Bali in the journal Djawa (1939). He complained, "the text and the depictions are filled with so many mistakes, errors and incorrect statements that one must shake one's head." Spies claims that as an ethnographic document the book has no value. As a result, there were nearly no references to the work of Kleen in any ethnographic periodicals or publications after this critical review. It is only in 1962 that C. Hooykaas in his article "Saiva-Siddhanta in Java and Bali" supported the importance of the study on mudras by de Kat Angelino and Kleen.Kleen contributed work to various European magazines, including Sluyters' Monthly, Nederlandsch Indië Oud en Nieuw, Ord och Bild and Inter-Ocean, between 1920 and 1925 and influenced in this way the perception and expectations of foreign visitors to Bali. Furthermore, she influenced with her colourful, vivid and dynamic art-deco drawing style the development of painting by local artists in Bali, not in a one-way influence but more a kind of mutual influence.Mostly these local paintings were made for the touristic market and depicted daily life instead of exclusively being concerned with gods, demons and the Ramayana and Mahabharata epics. In this way, she took part in the marketing of "the last paradise". This also meant that she became associated with this type of magazine drawing instead of her more important ethnographic publications. more important ethnographic publications.)
Umbu Wulang Landu Paranggi + (Umbu Wulang Landu Paranggi, born in Kanang … Umbu Wulang Landu Paranggi, born in Kananggar, Waingapu, East Sumba, East Nusa Tenggara, August 10, 1943. His poems have been published in many mass media, including the Indonesian Pulpit, Basis, Pusara Magazine, Arena, Yogya Pioneer, Bali Post, Journal CAK, Kolong Magazine. Some of his poems are also summarized in joint anthologies, including Manifes (1968), Milestone III (1987), The Ginseng (1993), Saron (2018), Tutur Batur (2019). Umbu used to take care of the literature room at the Pelopor Yogya weekly, which was headquartered on Jalan Malioboro. On March 5, 1969, together with several other figures, Umbu founded the literary community Persada Studi Klub (PSK). At that time Umbu was dubbed the President of Malioboro. The pioneers of Yogya and PSK gave birth to hundreds or even thousands of poets scattered throughout Indonesia.Since 1978 Umbu lived in Bali and in July 1979 was asked to become the literary editor of the Bali Post daily. As he did in Pioneer Yogya, Umbu faithfully, diligently, and painstakingly, nurtured the seeds of writers to grow into well-known figures in Indonesian literature.For his dedication to the world of literature, Umbu was awarded a number of awards. These include the 2018 Cultural Award from the Faculty of Cultural Sciences, University of Indonesia, the 2018 Dharma Kusuma Award from the Bali Provincial Government, the Literature Service Award from the Language and Book Development Agency in 2019, and the Jakarta Academy Award (2019). Umbu died on April 6, 2021y Award (2019). Umbu died on April 6, 2021)
I Gusti Bagus Rai Utama + (Universitas Dhyana Pura Asst. Professor of Tourism at Dhyana Pura University, Bali Br. Tegaljaya, Dalung, Kuta Utara Badung, Bali Denpasar, Bali 80351 Indonesia http://www.undhirabali.ac.id)
Uuk Paramahita + (Uuk Paramahita was born in Denpasar, April … Uuk Paramahita was born in Denpasar, April 17, 1978. He completed his art education at ISI Denpasar. Since 2001 he has been involved in many joint exhibitions at home and abroad, including exhibiting at “20 Finalists of Nokia Art Award in Jakarta, 2001; The faces at Junge Gesichter at Agon. e.V Passau, Germany, 2012; The Fourth Silk Road International Art, Shaanxi Provencial Museum of Fine Art, Xian China, 2017. Many of Uuk's works feature tiny figures combined with the surrounding issues. He processes many childhood memories into interesting works of art.od memories into interesting works of art.)
Bart Verheijen + (Verheijen is a post-doc in History in the … Verheijen is a post-doc in History in the University of Amsterdam. He holds a PhD in Napoleonic history from Radboud Universiteit Nijmegen. His works focusing on the age of revolutions, political theory in the 19th century, colonial citizenship and Indonesian history and culture. He lived and worked in South East Asia including Myanmar and Indonesia for three years and affiliated with Hasanuddin University in Makassar, Sulawesi.sanuddin University in Makassar, Sulawesi.)
W. Mustika + (W. Mustika was born in Kuta, Bali, Septemb … W. Mustika was born in Kuta, Bali, September 11, 1970. He pioneered the Rumah Semesta Community since the publication of his 4th book: When the Universe Talks (2013). To date, he has written and published 11 books on life and spirituality. He has also written the poem "Klungkung, Tanah Tua Tanah Cinta" (2016) which was included in the poetry anthology book with the same title. Rumah Semesta is a community that, apart from working in the field of humanity, also focuses on being a shared learning space to understand life, as a place for people to release the inner burdens of the joys and sorrows of life and also as a place to learn together to understand one's spirituality.together to understand one's spirituality.)
W.O.J. Nieuwenkamp + (W.O.J. Nieuwenkamp (27 July 1874 – 23 Apri … W.O.J. Nieuwenkamp (27 July 1874 – 23 April 1950) was an artist from the Netherlands who once lived in Bali. He studied art at the Amsterdamse Kunstnijverheidsschool. Between 1917 – 1919 he toured Sumatra, Java, Bali, Lombok. He did many works of art, including paintings, etchings, lithographs, book cover designs. Apart from that, he is also known as an architect, ethnologist, explorer, writer, art/antique collector. He was the first European artist to visit Bali. He arrived in Bali in 1906. He came to visit Bali again from 1917 to 1919 and finally in 1936/1937. He painted a lot about the natural, social and cultural beauty of Bali.tural, social and cultural beauty of Bali.)
Walter Spies + (Walter Spies is a German artist born in Mo … Walter Spies is a German artist born in Moscow, September 15, 1895. Apart from being a painter, he was also a music and dance artist. In 1923 he came to Java and settled in Yogyakarta. He worked as a court pianist and was asked to help with the palace's artistic activities. He was the first to introduce numerical notation for gamelan in the Yogyakarta palace. This notation was later developed in other palaces and is used today.After his contract was completed in Yogyakarta, Spies moved to Ubud, Bali, in 1927. He was close friends with the King of Ubud, Tjokorda Gede Agoeng Soekawati. Spies also got to know many local artists and was very impressed with Balinese art. He collaborated with Wayan Limbak, polishing the sacred Cak dance into Kecak.With the support of the King of Ubud, together with the Dutch painter, Rudolf Bonnet, Spies founded Pita Maha, a community of Balinese artists in 1936. Spies also introduced many modern artist techniques to Balinese artists. There are still quite a lot of followers of Walter Spies' painting style in the Ubud area.Spies died on January 19, 1942 when his ship Van Imhoff was bombed by Japanese forces during World War II.ed by Japanese forces during World War II.)
Ketut Swardana + (Was born in 1969 in Singaraja. He graduat … Was born in 1969 in Singaraja. He graduated in 1990 from "Fine Arts School" in Denpasar, bali. He's an active painter who keeps searching for professional painters as his teacher and companion. In the past he has worked through a joint system with "Pierre Poretti", an artist from Lugano, Switzerland.Most of Ketut Swardana's works are an expression of creativeness on canvas. The quality of his work improves with each passing day. For Swardana, the most important factor to his art is satisfaction to his feelings.o his art is satisfaction to his feelings.)
Wayan Dastra + (Wayan Dastra, born in Ubud, 7 June 1980. H … Wayan Dastra, born in Ubud, 7 June 1980. He is a painter who graduated from ISI Denpasar. Since the 2000s, he has been diligent in participating in joint exhibitions, including the joint exhibition of the Cambodian Studio at the Jakarta Cultural Center (2018), “Spirit Barong” at the Jakarta Cultural Center (2010), “Absolute” at the Archade of Kuta Galeria Bali (2006). Many of his works take the theme of everyday life of ordinary people who are possessed something magical-mystical. are possessed something magical-mystical.)
Wayan Djiwa + (Wayan Djiwa was born in Banjar Binoh Kaja, … Wayan Djiwa was born in Banjar Binoh Kaja, Denpasar, 1906. He is a Palegongan gamelan maestro. Based on the mastery of the Gender percussion, he studied the gamelan Legong Keraton in 1915 which was pioneered in Banjar Binoh. Apart from being an expert in the art of karawitan, he is also known as undagi, a skilled traditional Balinese architect. a skilled traditional Balinese architect.)
Wayan Eka Mahardika Suamba + (Wayan Eka Mahardika Suamba was born in Bat … Wayan Eka Mahardika Suamba was born in Batuan, August 17, 1985. He started studying painting when he was 10 years old, his grandfather I Wayan Taweng and his uncles I Wayan Bendi, I Ketut Sadia, I Wayan Diana. He has exhibited together such as “Mother Rupa Batuan” at Bentara Budaya Bali (2019), Endih Batur at Taman Budaya Bali (2018), “Experience Rudolf Bonet's Home” in Ubud (2016), “Golden Generation” at Arma Museum, Ubud ( 2018), "The Dynamic Heritage" at the Santrian Gallery, Sanur (2018). He has won nine TITIAN PRIZE Finalists (2018).as won nine TITIAN PRIZE Finalists (2018).)
Wayan Gde Yudane + (Wayan Gde Yudane was born in Kaliungu, Den … Wayan Gde Yudane was born in Kaliungu, Denpasar, 1964. He graduated from Karawitan Arts at ISI Denpasar. He has worked on many musical works for concerts, theater/performance arts, literature, and films. He won the Melbourne Age Criticism award for Creative Excellent at the Adelaide Festival, Australia (2000). He performed at the Wangarata Jazz Festival, Australia (2001), toured Europe with the Temps Fort Theatre, the France and Cara Bali Group, as well as the Munich and La Batie Festivals. His works include the music for the films Sacred and Secret (2010), Laughing Water and Terra-Incognita, and Arak (2004), and so on. Crossroads of Denpasar is one of his works that was ordered by radio New Zealand and later purchased by radio Australia and BBC London. Another work, Paradise Regained, which was inspired by the 2002 Bali bombings, was played by pianist Ananda Sukarlan in various international performances. His collaborated with Paul Grabowsky, The Theft of Sita, performed at the Next Wave Festival, New York City, 2011.e Next Wave Festival, New York City, 2011.)
Wayan Gunasta + (Wayan Gunasta alias Gungun, was born in Ny … Wayan Gunasta alias Gungun, was born in Nyuh Kuning, Ubud. He has written poetry since he was a teenager and has been featured in many articles in the Bali Post. In addition to poetry, he pursued the art of cartoons, vignettes, sketches, painting. He has studied "character design and animation" in Japan. Since 1979 he has been diligent in exhibiting his works at home and abroad, such as Balai Budaya Jakarta (1979), Frementale Art Gallery (Australia, 1994), Oriental City (London, England, 2004), V Gallery (Yogya, 2007), etc. His published cartoon and comic books include Mahabhrata Comic Series (1992), Bali in Cartoon (1997), Gunasta Sketsa Rhythm (1999), Bali Pulau Cartoon (2004), Propoor Tourism (2006), Balinese Coloring Book Series (2008). He initiated and published a collection of poems by eighty-one Balinese poets whose works were published in the Bali Post, entitled Edition Hitam Putih (Wayan Pendet Foundation, 2006).tam Putih (Wayan Pendet Foundation, 2006).)
Wayan Jengki Sunarta + (WAYAN JENGKI SUNARTA was born in Denpasar, … WAYAN JENGKI SUNARTA was born in Denpasar, Bali, June 22nd, 1975. He is a graduate of Udayana University, Cultural Anthropology, Faculty of Letters, and studied painting at ISI Denpasar. Jenkgi has been writing poetry since the early 1990s, and later also wrote lyrical prose, short stories, features, essays/art and culture articles, critics/art reviews, and novels.His writings are published in various local and national mass media, among them Kompas, Koran Tempo, Media Indonesia, Republika, Suara Pembaruan, The Jakarta Post, Jawa Post, Pikiran Rakyat, Bali Post, Jurnal Kebudayaan Kalam, Jurnal Cerpen Indonesia, Majalah Sastra Horison, Majalah Gong, Majalah Visual Arts, Majalah Arti, and Majalah Sarasvati.Arts, Majalah Arti, and Majalah Sarasvati.)
Wayan Suastama + (Wayan Suastama is a painter born in Lalang … Wayan Suastama is a painter born in Lalanglinggah, Tabanan, Bali, 1972. He studied fine arts at ISI Denpasar. Since 1995 he has been diligent in displaying his works in joint and solo exhibitions, both at home and abroad, such as the Bali Megarupa (2019) exhibition. In 2000, his work entered the final of the Philip Morris Art Award. In general, his works often feature female figures with soft and charming colors. He is active in the art community Militanarts.Read Full article in Sawidji Artist BiographyWayan Suastama and the Art of IntrospectionIn pursuit of art, I wished to have a better understanding, so I went to SMSR Batubulan Denpasar. I didn’t have the ambition to be a painter or this or that, I just wanted to understand art better. In fact, in SMSR I chose to study graphics and communications. This was a study of typography and graphics.https://sawidji.com/about-sawidji/artists-sawidji-gallery/wayan-suastama/ji/artists-sawidji-gallery/wayan-suastama/)
I Wayan Suja + (Wayan Suja was born in Batubulan, 8 Decemb … Wayan Suja was born in Batubulan, 8 December 1975. He was graduated from the Indonesian Art Institute in Denpasar in year 2001. He started to have exhibition in year 1994. He was awarded Finalist of 7th Phillip Morris Art Award in year 2000 and awarded Best Sketch and Best Work in the previous years. His artwork was one of the best 30 in The 2005 Sovereign Art Prize, Hongkong.in The 2005 Sovereign Art Prize, Hongkong.)
Wayan Sumahardika + (Wayan Sumahardika was born in Denpasar, Ma … Wayan Sumahardika was born in Denpasar, May 11, 1992. He obtained a Masters degree at Undiksha Language Education Study Program, Singaraja. He became a director, scriptwriter and founder of Teater Kalangan. His manuscript won first place in the Indonesian Monologue Script Contest at the UIN Jakarta Festival, first place in the Traditional Drama Script Writing Competition for the Bali Provincial Culture Service 2018, and 1st Place in the Modern Drama Script Writing Competition for the Bali Provincial Culture Office 2017. Some of his performances were staged at the event. Indonesia V Theater pulpit, Bali Emerging Writers Festival, Bali Arts Festival, Bali Mandara Nawanatya, 100 Putu Wijaya Monologue Festival, Canasta Theater Parade, North Bali Young Theater Parade, Jembrana Hamlet Festival and Bali Language Month Festival in Bali Province. Writings in the form of poetry, short stories, essays, and theater reviews have been published in a number of media such as Indopos, Media Indonesia, Bali Post, Bali Tribune, Tribune Bali, Tatakala.co, Bale Bengong and have been compiled in several anthologies.have been compiled in several anthologies.)
Wayan Turun + (Wayan Turun was born in Banjar Kedaton, Ke … Wayan Turun was born in Banjar Kedaton, Kesiman, Denpasar, 17 July 1950. He completed his formal education at SR I Kesiman, in 1966. He graduated from SMEPN in 1969 in Denpasar, and he completed SSRI in 1971 in the same city. Since childhood he has loved the arts. Artistic blood flows from his mother, a janger dancer. He is known as a skilled undagi (traditional Balinese building architect), and is also skilled at making bade (corpse towers). He studied Asta Kosala Kosali (basic rules of traditional Balinese architecture) from Pekak Kenjing, Anak Agung Mel, and Ida Pedanda Oka. Apart from that, he studied philosophy about art and religion from Ida Pedanda Kekeran, Ida Pedanda Made Sidemen, Ida Pedanda Bajing, Ida Rsi Agung Penatih and Ida Dalem Pemanyun. Because of his expertise in Balinese and Old Javanese literature, he was often trusted to write inscriptions and copy lontar. He also wrote literary works, such as kidung and kakawin. For his services in the field of arts and culture, he was awarded the Cultural Upakara Charter from the Mayor of Denpasar in 1995.harter from the Mayor of Denpasar in 1995.)
I Wayan Januariawan + (Wayan was born in Jauary 1986. He is a gra … Wayan was born in Jauary 1986. He is a graduate of the Indonesian Institute of the Arts in Denpasar. Donal wishes to revive and embody the “tradition” of painting in the history of the development of modern art through the method of painting on the spot. He returns to nature and tries to appreciate and permeate the phenomenon of form, where aspects of light play a vital role in the absorption of objects by the eye and are then transferred to the canvas plane.The choice of objects painted by Donal on the spot is also an object in the surrounding environment that is familiar in his daily life as a Balinese. Thus, what appears visibly to Donal’s works is the painting of landscapes, trees, or parts of certain plants that are painted close-up, or a collection of natural objects.Donal views painting as part of the culture of society. He wants to present things that might look simple, natural, and beautiful (in the eyes of ordinary people) in the hope that this will be the entrance for them to be able to respond to even deeper things, that is, the ideas in each of his paintings.Based on Donal’s view of his creative process as serious and intense, painting on the spot with impasto techniques, we can read this as Donal’s effort to celebrate and give meaning to painting as a way of presenting beauty and peace of mind through the elements of art—especially colors, which all support light. Donal puts painting as mainstream in his creative process. His struggle and his trust in the power of painting is an inseparable part of a human being’s sense of beauty.He joined in group exhibitions from 2005, and had solo exhibitions from 2014. 2005, and had solo exhibitions from 2014.)
Peran Krama Bali Kaanggen Ngwangun Pariwisata Bali Mangkin lan Selanturnyane + (We all know how the condition of Bali tour … We all know how the condition of Bali tourism is after the Covid-19 pandemic. Tourists are not allowed to go to Bali so that Covid-19 virus does not spike again. This causes Bali tourism to decline. Balinese people who work in the tourism sector do not get jobs. The Bali government has issued a policy that is used to suppress the spread of the Corona Virus. One of the policies is the implementation of restrictions on community activities or what is known as PPKM (Pemberlakuan Pembatasan Kegiatan Masyarakat). This causes the spread of Covid-19 to decrease. Because the government already has efforts to reduce the spread of the Corona Virus, we as the next generation can help the government to improve Bali tourism. There are many procedures that can be used to improve Balinese tourism. The first way is to promote Balinese tourist destinations using social media. This requires the participation of the Balinese people. Those who like to upload photos while on vacation to tourist destinations in Bali can also help develop and improve Bali tourism. Indonesia has a website that is used to promote Indonesian tourism. Second, the public can help provide tourist destinations in accordance with health protocols related to government policies, as well as maintaining the cleanliness of tourism places. This causes a sense of security. Third, Bali has many cultural works that are popular abroad, for example, such as carvings, paintings, sculptures, and so on. Maybe Balinese artists can provide counseling to the younger generation on how to make art. This can foster a sense of love for domestic products and can encourage Balinese cultural works with the younger generation.Well, that's a little bit about the procedure to restore Bali tourism during the pandemic. We should always remember our identity as Balinese people, namely to develop Balinese culture.eople, namely to develop Balinese culture.)
BALI MELALI: Nangiang Pariwisata Ring Bali + (Who doesn't know about the island of Bali? … Who doesn't know about the island of Bali? The island is already famous to foreign countries. Tourism in Bali is the source of the economy that supports most Balinese people. But as it is now, Bali tourism has dimmed since the Covid-19 virus is endemic in the world. It has been two years since the Covid-19 virus has attacked our beloved earth. Several policies have been implemented. However, Bali tourism has not been able to return to normal. We as citizens, especially as young Balinese, should provide and carry out creative efforts that can stimulate tourism in Bali.In this era of globalization, everything is digital and sophisticated. We can use this advanced technological development as a tool to generate tourism in Bali. One of the creative businesses that can generate tourism in Bali is an application called BALI MELALI. This application uses technology in the form of VR or Virtual Reality. In the BALI MELALI application, it displays tourism destinations in Bali. If you use this VR technology, tourists or anyone who has downloaded the BALI MELALI application can see the tourism places that we want. Using this VR, tourism destinations in Bali can be seen for real, this can foster a sense of longing for Bali and cause tourists to want to come again to Bali.In the BALI MELALI application, it not only displays well-known tourism destinations, but should also display places that are not widely known. In Bali, there are actually many tourist destinations that are not well known. If you only show places like Kuta Beach, Pandawa Beach, many tourists will already know. That's why in this application it is very good if it shows places that are not known by many people. Not only that, the BALI MELALI application does not only display virtual or images, but can be filled with sounds that are in that place. For example at Candikuning Waterfall, if we travel to waterfalls, there are definitely sounds like the sound of gurgling water, the sound of trees blowing by the wind, the sound of birds and so on.The presence of images and sounds in the BALI MELALI ibi application can certainly cause longing from tourists and travel to Bali. Hopefully the business in the form of the BALI MELALI application can help Bali tourism return to normal. Hopefully Bali tourism will rise soon.al. Hopefully Bali tourism will rise soon.)
Pemberantasan Korupsi Demi Kelancaran Program Nangun Sat Kerthi Loka Bali + (Who doesn't know that Bali is one of the r … Who doesn't know that Bali is one of the regions with the largest tourism revenue in Indonesia. Even in 2023 Bali began planning a development called Nangun Sat Kerthi Loka Bali which means as 6 main developments for the welfare and happiness of human life. Nangun sat kerthi loka bali itself has goals related to advancing Bali tourism, where there are 6 main sources, namely, atma kerthi, segara kerthi, danu kerthi, wana kerthi, jana kerthi, jagat kerthi which means for the welfare of human life in each part.But development in Bali will not be able to run well if there are still many unscrupulous people who utilize development funds for personal gain or can be referred to as corruption. Examples such as the case of corruption of Paibon Wargi Temple development funds in Klungkung Regency and the case of corruption of SPI funds at the Udayana Campus. This is one of the factors inhibiting development in Bali. Even those who are supposed to investigate corruption cases turn a blind eye and are mute to all these incidents.Therefore, it is hoped that the Bali Provincial Government can take these problems seriously. So that the Nangun Sat Kerthi Loka Bali program runs well without any cases of corruption in the development.ny cases of corruption in the development.)
Widi Widiana (I Ketut Widiana) + (Widi Widiana whose real name is I Ketut Wi … Widi Widiana whose real name is I Ketut Widiana is a Balinese pop singer born in 1974. Most of his songs are about love. He was born into a family of artists. His father is a song teacher and dancer, his mother (Ni Made Kibik) is also a dancer. Widi and his brothers formed a band called the Diana Band. Since 1991, the band has performed from banjar to banjar, hotel to hotel, event to event.As a single singer, Widi started his career in 1994 with the album "Tungan Tiang", which is a compilation album with other Balinese pop singers. His first solo album appeared in 1996, "Sesapi Putih", followed by a compilation album, "Tresna Kaping Siki", in 1996. the same year. The second solo album was born in 1997 with the label "Sampek Ing Tay". Then the next album titled "Special Fried Rice" (2015), "Formalin Sik Luh" (2017). In 2005 he won the best male singer version of the "Bali Music Award I". He has since given birth to more than ten solo albums. given birth to more than ten solo albums.)
W.O.J. Nieuwenkamp + (Wijnand Otto Jan Nieuwenkamp (Amsterdam, J … Wijnand Otto Jan Nieuwenkamp (Amsterdam, July 27, 1874 – Fiesole, April 23, 1950), was a Dutch multi-faceted autodidact. As an artist he was active as a painter, draftsman, sculptor, etcher, lithographer, and designer of book covers and of ex-libris. In addition, he was also known as a writer, architect, explorer, ethnologist and collector of East Asian art.He is said to be the first European artist to visit Bali (note: not verified), being greatly influenced by and himself influencing the island's art and culture, and making it better known in wider world. He was also deeply involved with various other parts of the then Dutch East Indies.other parts of the then Dutch East Indies.)
Anak Agung Meregeg + (With his cousins, including Soberat, A.A. Meregeg was one of the defining artists of the Ubud style. Dermawan (2006: 148) has his year of birth as 1908 and states that he was born in Padangtegal, rather than Batuan.)
Cokorda Ngurah + (Worked with Lempad. Of Puri Saren Kauh. Related Artists I Gusti Nyoman Lempad Father: Cokorda Oka)
Thomas Wright + (Wright is a Ph.D candidate in Anthropology … Wright is a Ph.D candidate in Anthropology from The University of Queensland, Australia. He held a bachelor of journalism majoring in Anthropology and International Relations from the same university. His research interests include Bali, Indonesia, ethnography, political ecology, water, tourism, pollution and knowledge., water, tourism, pollution and knowledge.)
Yong Sagita + (Yong Sagita, born in Buleleng, November 30 … Yong Sagita, born in Buleleng, November 30, 1961. He is a Balinese pop singer who triumphed in the 1980s – 1990s. He started his career as a singer in 1985 through Aneka Records. At that time, through the group 2S (Sagita and Sayup), he launched his first album titled "Madu signed Tuba". Then in 1986 launched the album "Ngipi Lucut". In 1987, Yong Sagita moved to Maharani Records and released the album "Karmina". His popularity rose when he released the album "Drooling" in 1988 with his hit song titled "Jaje Kakne". The album sold well in the market. In 1989 he released the album "Karmina III" with his hit song "Ciri-Character", which was also a bestseller in the market.which was also a bestseller in the market.)
Wayan Sila + (“The very first night I slept over at my n … “The very first night I slept over at my new studio an owl flew into the garden. It wasn’t a coincidence that I noticed it perched in a tree,” says Balinese artist Wayan Sila. “This was aspecial experience and powerful omen. A gift from the Gods to me.”The owl is much revered by indigenous cultures and in folklore around the world as aguardian spirit, as well as a wise creature capable of extraordinary sight. Balinesemythology reveals that if an owl visits a family compound while a female member ispregnant this is indeed a positive sign. Burung Hantu literally translates from bahasaIndonesia into the English language as ghost bird; or the owl, the mysterious bird of thenight.“I have a unique connection with owls. It is a potent image that resonates with my heart. Iwas intuitively led to draw the owl and then I began to include it in my works. It has nowmanifested into a personal symbolic image, equivalent to the Barong. The owl alsoencourages me to reflect on the joy that I derive from my family life,” says Wayan.Born in Ubud, 1970, Wayan Silawasinspired by his grandfather, well known local artistWayan Barwa. From an early age he regularly visited Barwa’sstudio and gallery,surrounded by the paintings of his Balinese heritage, this was the perfect scenario for achild to learn to draw and paint.Wayan soon became adept in the “Ubud Style” of modern traditional Balinese painting. Inthe evolution of Balinese painting during the last century, from its origins of the ClassicalKamasan style that concerned teachings from the Hindu Epics, each village then began tocreate their own distinctive style.The Ubud style moved away from the religious and began to be characterized bynarratives that involve daily village life and depictions of rural and environmentallandscapes. The artists from Ubud were quick to adopt western influences in the 1930’s,depth of field, shades of color, localized narratives and the development of the humanfigure. The Kamasan style was originally a collective work and never signed by anindividual. The new personalized and expressive form of Balinese painting has its rootsfirmly entrenched here in Ubud.Wayan’s canvases are beautifully composed and resound with an overwhelming sense ofbalance and harmony. His highly detailed works are first sketched in pencil then outlinedin black Chinese ink, finally they are rendered in acrylic paint with a fine kaus bamboo, asmall piece of bamboo crafted with a tiny point to apply the medium. A large canvas, 100 x80 cms, may take up to six months to complete. “In 1997 I was inspired to include owls in my compositions after seeing a wonderful sketch by a Japanese child.”Wayan’s relationship with the burung hantu then activated an endearing association withthe people of Japan, to whom the owl is symbolic of happiness. He first visited Japan in2002 and his premiere solo exhibition there was in 1998. Every year since then Wayan has enjoyed the privilege of exhibiting work in galleries, department stores, even in theIndonesian Consulate in Tokyo. He has held over 15 solo exhibitions in Japan, andnumerous other exhibitions in Bali, Jakarta, Spain and also at the prestigious Agung RaiMuseum of Art in Ubud.“It’s an honor for me to be invited on intercultural exchange programs teaching youngJapanese students traditional Balinese painting techniques. I do this each year when I visitJapan.” Wayan has since developed a healthy market for his works there and continues toell to the Japanese tourists who often visit his Ubud studio/gallery.Wayan Sila, acrylic on Canvas, 2012,45x 60cm.Wayan SilaGarden + Bale studio of Wayan Sila.Wayan Sila. 2012, chinese ink +acrylic on canvas, 60x80cm.Wayan’s cooperative works with Japanese poet Yoko Jatiasih have been the focus of two books. They initiallycollaborated in 1998 to create music and poetry for his paintings. In 2004 their first book “Kata Kata” Echoes From TheWoods, and then in 2010 “Pelan Pelan” were published.Browsing through these books, the creative synergy between the two is easy to recognize. Yoko’s short poems, no morethan 6 lines, resonate with an uncomplicated intelligence. Upon the opposing page to the text are Wayan’scomplimentary images created especially to accompany each poem.As you contemplate the words essence, as well as study Wayan’s images, the mysterious bird of the nights’full roundeyes are firmly transfixed upon you. The fusion of words along with the images perplex the imagination, and then defyyou to believe their medium is the owl’s silent and alluring gaze.In 2011 Wayan relocated to his new studio gallery in Jalan Bisma in Ubud. Journey 400 meters along Jalan Bisma until theroadside urban development gives way to the effervescence of the padis. Down on the right hand side nestled in thesawah you will find his small abode. Look for the sign on the road then follow the narrow path that divides the greenswaying fields to his studio/gallery encircled by the bamboo fence.Wayan has created a personal space that reflects the elements that enrich and sustain him. Situated in the middle of theyard he has built a bamboo bale which functions as his studio, yet also as a place of quiet retreat. The surroundinggarden is abundant with organic vegetables, fruit trees, medicinal herbs, ornamental shrubs and flowers. Indeed, Wayanhas created his special own oasis.As you enter his two Bali dogs are quick to offer enthusiastic toothy greetings. The verdant vegetation is soothing andinviting. I discover two rabbits, four exotic birds and frogs and snakes frequent visitors, so Wayan tells me. Stonecarvings covered with brilliant green moss hide among the foliage, shrines and small Hindu temples are adorned withofferings and the sweet sent of burning incense seduces the senses. An outhouse serves as a simple kitchen and two rooms contain Wayan’s gallery painting collection and books for sale.When we observe Wayan’s paintings we enter into a beautiful and extraordinarily tranquil world. His owls’ peer outfrom within forests and lush scenes, their big eyes possess a magnetic pull and communicate a language that isdeciphered in our hearts. Wayan Sila is a painter of immense sensitivity and his works are vehicles of healing qualities and love.re vehicles of healing qualities and love.)
I Nyoman Popo Priyatna Danes + (“What the modern architecture is still try … “What the modern architecture is still trying to achieve today has been implemented in the traditional Balinese architecture for centuries now, where the concepts of energy conservation and environmental preservation are amongst the fundamental elements in every design.” – Popo DanesFrom private homes and restaurants to starred hotels and luxury resorts, the renowned Balinese architect Nyoman Popo Danes is known for his exemplary designs that showcase a distinct flair of being in harmony with the local culture and nature. This green-conscientious architect always integrates eco-friendly aspects of Bali’s traditional architecture into his designs.“While some architects are very focused on making their buildings look stunning from the outside, my main concern has always been the functionality of each aspect of the building. I always make sure that my designs are in harmony with their natural surroundings; that each room has a function; that a strong connection between the architecture, landscape, and interior is established. I don’t care if my architecture is not photogenic, as long as it serves its function well.”As an international destination, Bali attracts people from all corners of the world with its uniqueness. Therefore, Popo believes that every building on the island needs to be able to help these people feel that they are in Bali. “When you travel, you want to be immersed in the local atmosphere. In Bali, a building should exude the feeling of locality so when you enter it, you know you’re not in Jakarta, Hong Kong, or anywhere else.”The works of the two-time ASEAN Energy Award winner (in the category of Best Practice in Tropical Architecture) are known as some of the most striking in design, functionality, and environmental consciousness. Air conditioners take up the biggest energy consumption in a building, and Popo’s eco-friendly creations have the ability to ‘communicate’ with nature to lessen energy consumption through the overuse of air conditioners.“I create buildings that have open pavilions (just like in typical Balinese buildings) to allow breeze to blow in, and I don’t put too many glass windows. Then again, air circulation or heat is not the only reason why air conditioners are overused. People also tend to turn their air conditioners on to escape from the noise pollution outside their buildings. When all windows and doors are shut, it’s quiet inside. This is where nature steps in. Towering trees can be a great noise filter, and they also serve as a fresh, cool air provider.”From Indonesia to India and China to the Philippines, most of Popo’s architecture projects involve challenging landscapes. “It’s never easy. A lot of projects i’ve been doing so far (especially for luxury resorts) involve slanted soil, hilly surfaces and everything else not flat. Of course I can always take the easy job; for example in Bali, I get so many offers to design a building on a flat surface. The thing is, in order for me to build it, I have to get rid of a rice field. I will never build anything on a rice field. Rice field is a symbol of prosperity for the Balinese, and is home to the goddess of prosperity, Dewi Sri.”e to the goddess of prosperity, Dewi Sri.”)