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Ni Ketut Reneng + (Ni Ketut Reneng is a maestro of Balinese d … Ni Ketut Reneng is a maestro of Balinese dance. She was born in Banjar Kedaton, Denpasar, 1909. Both of her parents died when Reneng was young. Then she devoted himself to Geria Punia. She learned to dance when she was a child to A.A. Ngurah Jambe, Salit Rengis and Nyarikan Sriada. Reneng had learned to dance leaning with Ida Bagus Bodha from Kaliungu Kelod and A.A. Rai Perit from Sukawati. She is one of the creators of Pendet Dance. Together with I Wayan Rindi, they decided to make a dance by taking the standard of the Pendet Wali Dance as the spirit of the dance. The Legong Keraton group, which was formed in 1919, became big thanks to Reneng's services. At that time she also mastered various types of palegongan dances such as the Condong Pelayon Dance, Legong Pelayon, Lasem, Kuntul, Jobog, Goak Macok and Legod Bawa. She was also a member of the Janger Dance group in Banjar Keton in 1928 and recalled her in Batavia (Jakarta) in 1929. Together with her colleague Ni Pollok, Reneng had worked as a model for a Le Mayeur who lived in Sanur. Reneng has also been a fare teacher on the shores of Lake Batur at the request of the writer and humanist Sutan Takdir Alisyahbana.ter and humanist Sutan Takdir Alisyahbana.)
Ni Komang Ariani + (Ni Komang Ariani was born in Bali, May 19, … Ni Komang Ariani was born in Bali, May 19, 1978. She is a very prolific writer of short stories and novels. Hershort stories have been published in Kompas, Jawa Pos, Media Indonesia, etc. His published books include: Lidah (2008), Senjakala (2010), Not the Empress (2012), Jas Putih (2014), Marigold (2019). In 2008 she became the first winner of the Femina Continuing Story Writing Competition through the novel “Nyanyi Sunyi Galang Tebing”. Her works have also been included in the short stories of Kompas' Choices. Now she lives in Jakarta.Kompas' Choices. Now she lives in Jakarta.)
Ni Komang Atmi Kristiadewi + (Ni Komang Atmi Kristiadewi was born in Den … Ni Komang Atmi Kristiadewi was born in Denpasar on June 24th, 1990. She studied art at a fine arts high school (Sukawati State Vocational High School 1), graduating in 2008. She later continued her education at the Republic of Indonesia Teachers Association of Bali Institute of Teacher Training and Pedagogy choosing Fine Arts as a field of study. Then she continued and finished her education at the Denpasar Postgraduate Institute of Indonesian Art with a course of study in Art Composition in 2015.Atmi became involved in the art world owing to inspiration from Japanese animation and taking it up as a hobby. Her uncle worked as an artist and greatly inspired Atmi to become an artist. Atmi's images are in the naive style using bright colors. The strength of these naive images emerges through a lengthy process which is created due to her efforts to put herself in the position of children and the experience of interacting with the students she teaches.In 2011, Atmi held her inaugural solo exhibition at Ten Art Gallery, Sanur, under the theme “Polusi Rasa”. In 2015 she held her second solo exhibition entitled “Apah” in Sudakara Art Space, Sanur. In addition, she also actively holds exhibitions with others, both at home and abroad. Through her artwork, Atmi hopes to share her experiences about the world of children interwoven with wider subject matters, such as environmental, technological, cultural, social criticisms, and so on. Visually, Atmi chooses naivism to express her inner anxieties. In 2014, Atmi’s work successfully entered the ranks of works in Kompas’s 2014 Short Story Illustration Exhibition. 2014 Short Story Illustration Exhibition.)
Ni Luh Gde Vony Dewi Sri Partani + (Ni Luh Gde Vony Dewi Sri Partani, born in … Ni Luh Gde Vony Dewi Sri Partani, born in Denpasar, June 28, 1978. She studied painting on her own. Since 2012 she has been actively displaying her work in various joint exhibitions, such as the Kartini Day exhibition at Warung Yaya, Sanur (2012), Pararelissmo at Farabi Bali (2013), "Alignment" at Bidadari Art Gallery, Ubud (2013), Bali Art Fair at Maha Art Gallery (2013), I Love My Mom at Seniwati Artspace, Ubud (2016), She Paint Her Sky at Krisnalila Foundation (2018), Jabuik Tabao Padang at Bentara Budaya Bali (2018), Luwih Utamaning Luh at Bali Cultural Park (2018 ), Indonesia Satu at the Pullman Hotel, Jakarta (2019), Vidya Diva at the Bali Cultural Park (2019). She held her first solo exhibition in 2011 entitled “Women” at Serambi Arts Antida, Denpasar, and in 2012 held an exhibition of Make Up Artist Graffiti at Yaya Artspace. Apart from painting, she pursues the art of makeup and hair styling.ursues the art of makeup and hair styling.)
Ni Luh Putu Wulan Dewi Saraswati + (Ni Luh Putu Wulan Dewi Saraswati, comes fr … Ni Luh Putu Wulan Dewi Saraswati, comes from Busung Biu Village, Buleleng. Born on July 10, 1994, she studied S1 at Undiksha, Department of Indonesian Language and Literature Education, then studied linguistics at the Postgraduate Program at Udayana University. She is now a teacher of Indonesian for foreign speakers at the Cinta Bahasa Foundation and is currently part of the Mahima Community and Theater Circle. Her anthology of poetry entitled A Thousand Mornings of Love was published in 2017.nd Mornings of Love was published in 2017.)
Ni Luh Wida Apriliani, S.Pd + (Ni Luh Wida Apriliani, S.Pd. with the pen … Ni Luh Wida Apriliani, S.Pd. with the pen name Nulus Asih. He is one of the Balinese writers of geguritan who lives on Jl. Raya Semer, Gang Tunjung Mekar no.11, Peliatan Environment, Kerobokan Village, North Kuta District, Badung Regency. She was born in Gelunggang on April 5, 1993. She is the daughter of I Wayan Wiartana and Ni Ketut Sumartini. His current job is as a Balinese language instructor in Tanjung Benua Village.guage instructor in Tanjung Benua Village.)
Ni Made Ayu Marthini, M.Sc. + (Ni Made Ayu Marthini is currently Deputy M … Ni Made Ayu Marthini is currently Deputy Minister for Marketing Ministry of Tourism and Creative Economy. Formerly Bu Made was Director of Bilateral Negotiations, Directorate General of International Trade Negotiations, Ministry of Trade Republic of Indonesia where she oversaw 19 on goings and up-comings Indonesia's bilateral trade negotiations with its trading partners.Previously, Bu Made was the Director for Center of Policy Harmonization and Director for Center of Strategic Issues at the Ministry of Trade and concurrently the Minister's staff for one year (2015-2016). From 2011-2015 she was posted overseas as Indonesian Trade Attaché in Washington D.C., USA.Made started her career in 1996 as a staff to Department of Foreign Affairs of the Republic of Indonesia where she held several positions as Head of Sections of UNCTAD, Directorate of Multilateral Economic Cooperation, Department of Foreign Affairs of the Republic of Indonesia. Later on, she was posted at Permanent Mission of the Republic of Indonesia to the United Nations in New York, United States of America, taken care of Development and Economic affairs. As she returned to Indonesia in 2004, she was positioned as Head of Foreign Trade Agreements Subdivision, Directorate of UN Economy & Environment Development, Department of Foreign Affairs of the Republic of Indonesia.After 10 years career at the Ministry for Foreign Affairs she moved to Ministry of Trade of the Republic of Indonesia in 2006, where she hold several positions as Head of News & Publications, official at Legal Bureau and Head of News & Publication, Public Relations Center, at the same time she was seconded as the Assistant for Minister of Trade at Minister's office for six years, before she was getting posted in the USA. Made holds a Master’s degree in Politics of the World Economy from the London School of Economics and Political Science, London, and Bachelor’s degree in International Relations from Gadjah Mada University,Yogyakarta, Indonesia. In 2015, she joined the Executive Education at Harvard Kennedy School in Boston to master trade policyarvard Kennedy School in Boston to master trade policy)
Ni Made Budi Utami + (Ni Made Budi Utami was born on May 19, 197 … Ni Made Budi Utami was born on May 19, 1979 in Denpasar, Bali. She completed her undergraduate education at the Agro food Technology, Udayana University. She has some experience in editing and journalism. She became junior editor at SALAM Magazine, published by VECO Indonesia in 2005 – 2006, as an editor at SALAM Magazine, published by VECO Indonesia (2007—2009), editor at PETANI Magazine, published by Indonesian Organic Alliance (2010), editorial team of Core Function Analysis Facilitation Manual—MAP Timor Leste & GIZ (2011) and became freelance journalist (2011-2012). Since 2019 she has joined BASAbali Wiki as Administration and Financial Director. She has participated in Investigative Reporting Training, held by Yayasan Pantau and as a participation in The Climate Change Action Training, held by The Climate Project Indonesia and Yayasan Pembangunan Berkelanjutan in 2010.and Yayasan Pembangunan Berkelanjutan in 2010.)
Ni Made Frischa Aswarini + (Ni Made Frischa Aswarini. Born on October … Ni Made Frischa Aswarini. Born on October 17, 1991. She studied History at Udayana University, Bali and writes journalistic works, scientific works, essays, poetry and short stories. Her poems have been published in various media including translated into French for the journal Le Banian (2016) and the poetry anthology Couleur Femme (Jakarta-Paris Forum and AF Denpasar, 2010); translated to English in Happiness anthology,The Delight-Tree 2 (United Nations SRC Society of Writers, 2016). Two of her poetry books are entitled Portraits on the Table (2012) and Signs for Questions (GPU, 2017). Because of her poetic imprint, he became one of the speakers at the 2013 Ubud Writers & Readers Festival, as well as a cultural dialogue speaker at Publica, Kuala Lumpur. She was selected to participate in Canada World Youth (Kemenpora RI, 2014-2015) and helped compose a biography of the artist Made Wianta entitled God's Time (2008). Tanda for Tanya (2017) is a collection of poetry that is included in the top 10 categories of First or Second Work, Kusala Sastra Khatulistiwa 2017-2018. Now, she works as a historical research assistant and presenter at TVRI Bali. Active in the Sahaja Community, Denpasar. Instagram account: @frischa_aswarini.enpasar. Instagram account: @frischa_aswarini.)
Ni Made Purnama Sari + (Ni Made Purnama Sari was born in Klungkung … Ni Made Purnama Sari was born in Klungkung, Bali, March 22, 1989. Graduated from the Department of Anthropology at Udayana University, then continued to Masters in Social Development Management, University of Indonesia. She wrote poetry, short stories and essays and was published in a number of newspapers, including Kompas, Koran Tempo, Media Indonesia, Jawa Pos, Bali Post. Her poetry was translated into English and French.Since 2007, she has won various writing awards, including 2nd place in the short story competition at Balai Bahasa in Bali, 3rd place in Short Story Writing at the Jakarta Language Center, General Winner of the 2007 Sampoerna AGRO Poetry Writing and Reading Contest in Indonesia and 2nd Place in the National Poetry Writing Competition of the Semarang Arts Council. 2007. Her essay won first place in the Kompas Gramedia Essay Competition (2007). He has often won various poetry reading competitions, and read short stories since he was in junior high school.His poetry has been included in the anthology of the 100 Best Indonesian Poems, the Pena Kencana Sastra Award (2007), the anthology book of the 5 Cities Poetry Gathering in Payakumbuh “Kampung Dalam Diri” (2008), and the Best Indonesian Poetry Anthology of the Pena Kencana Sastra Award (2008 and 2009), the Gathering Indonesian Literature (2010 and 2011), Ubud Writers and Readers Festival Anthology (2010), 'Couleur Femme' Anthology: A Collection of Indonesian-French Poetry published by the Alliance Francaise Denpasar and the Jakarta Paris Forum (2010) and so on. In addition, her work (biographical essay) has also been published under the title 'Time of God: Wianta' (2007). She also took part in the Folklore Writing program of the Jakarta Language Center in 2010.Ni Made Purnama Sari has been invited to various events, both literary performances and discussions, in Bali as well as in several other areas in Indonesia, including Malang, Surabaya, Yogyakarta, Padang and Jakarta, including the Discussion and Launch of the Short Story Anthology Book 'Lobakan' which discusses the relationship between between literature and the history of the 1965 events in Bali (2009) at the Goethe Institute Jakarta. In addition, she was also invited to the Southeast Asian Assembly Writing Program (MASTERA): Essays organized by the Jakarta Language Center (2009), Mentor of the Tempo-Institute Essay Writing Program and Leadership Workshop (2010), Literature Gathering Mitra Praja Utama (MPU) in 2010, the international literary festival Ubud Writers and Readers Festival (2010), the IV Indonesian Sastrawan Gathering in Ternate (2011), the Writers Journey program with Australian writers (2012), and the 2014 Padang Literary Biennale. Her first poetry anthology, “Bali – Borneo” (2014), received an award from the 2014 Indonesian Poetry Day Foundation.the 2014 Indonesian Poetry Day Foundation.)
Ni Made Rai Sri Artini + (Ni Made Rai Sri Artini. She was born in Ke … Ni Made Rai Sri Artini. She was born in Kerobokan, Badung, Bali, November 17, 1978. She has been writing poetry and short stories since he was a teenager. Her works have been published in Bali Post, Denpost, Pos Bali, Tatakala.co, and so on. Some of her poems are also collected in joint books, such as “Ning” (2001), Mengmunyah Geram (2017).as “Ning” (2001), Mengmunyah Geram (2017).)
Ni Made Sri Andani + (Ni Made Sri Andani, born in Bangli, Octobe … Ni Made Sri Andani, born in Bangli, October 10, 1965. She completed her studies at the Faculty of Veterinary Medicine, Udayana University. Currently, she serves as Marketing Director of a Fast Moving Consumer Goods company in Jakarta. Her hobbies are writing, gardening and drawing. Her work in the world of writing began when she was a teenager by filling in school or college magazines with poetry or short stories. In addition, she saves a lot of her writings on her personal blog at https://nimadesriandani.wordpress.com. There are about a thousand of his writings on the blog. She is also diligent in sending her writings to Kompasiana and Balebengong. The types of writings published on blogs are very diverse, mostly about life, inspiration, motivation, gardening, traveling, art and culture. Her published book is "Balanced Life, A Journey For Happiness, 100 Inspirational Stories" (Expression Library, 2021).ional Stories" (Expression Library, 2021).)
Ni Made Sri Purnami + (Ni Made Sri Purnami, S.Sos, known as Kadek … Ni Made Sri Purnami, S.Sos, known as Kadek Purnami, was born in Ubud, Bali, 19 April 1981. She is one of the initiators of the Ubud Writers & Readers Festival (UWRF), an international festival founded in 2004 by Janet de Neefe. Her position in the festival was Community Development Manager, then General Manager in 2014 - 2020. She was also involved in establishing the Mudra Swari Saraswati Foundation which oversees UWRF. In addition, she is also often involved in organizing visual art exhibitions, installations and videos (2005 -2006). She has worked in a production house in Bali and worked on a TV program entitled “Jejak Niaga”, which reviews the success profile stories that were broadcast on TVRI Bali (2003-2004). She graduated from the Faculty of Social and Political Sciences, majoring in Communication majoring in Public Relations, Atmajaya University, Jogjakarta and Diploma in Management, majoring in marketing. She also likes to fill her time by painting, writing short stories and poetry which is occasionally published in local print media. In 2012, She published a collection of short stories entitled "Because of Love" which contains 12 short stories about life in Bali. contains 12 short stories about life in Bali.)
Ni Nengah Mega Risna Dewi + (Ni Nengah Mega Risna Dewi was born in Denp … Ni Nengah Mega Risna Dewi was born in Denpasar, September 12, 1995. She graduated from art education at ISI Denpasar. Since 2013 she has been active in many joint exhibitions, including the exhibition "Human Space" at the Bali Cultural Park (2016), "Repositioning" at Discovery Mall Kuta (2018), "A Good Life For Orangutans" at the Jogja National Museum (2019), " X-TION” at Bentara Budaya Bali (2019), and “Freedom in Expression” at Bali Cultural Park (2019). Expression” at Bali Cultural Park (2019).)
Ni Nengah Widiasih + (Ni Nengah Widiasih was born in Kubu, Karan … Ni Nengah Widiasih was born in Kubu, Karangasem, Bali, December 12, 1992. She finished her schooling at SMA Dwijendra, Nusa Dua. Since she was a teenager, she was known as a para-powerlifting athlete who made Indonesia proud. She became paralyzed at the age of three and had to use a wheelchair. But she was not discouraged. She has studied weightlifting since elementary school. In junior high school, she won the National Weightlifting Championship by obtaining a Gold Medal in 2006. In addition, she won the ASEAN Paragame Bronze Medal in Thailand (2008), the ASEAN Paragames Silver Medal in Malaysia (2009), the ASEAN Paragames Gold Medal in Solo (2011), Silver Medal at the Asia Open in Malaysia (2013), Gold Medal at the ASEAN Paragames in Myanmar (2013), Silver Medal at the Asian Paragames in Incheon (2014), Bronze Medal at the Paralympic Games in Brazil (2016), Silver Medal at the Asian Paragames in Jakarta (2014), Tokyo Paralympic Silver Medal (2020).14), Tokyo Paralympic Silver Medal (2020).)
Ni Nyoman Polok + (Ni Nyoman Pollok was a Balinese dancing le … Ni Nyoman Pollok was a Balinese dancing legend from Kelandis.In the 1930s, Belgian artist, Adrien Jean Le Mayeur, saw Ni Pollok dance the Legong Keraton. He asked her to become a model for his paintings. Le Mayeur eventually married Ni Pollok and together they build a house in Sanur which later became a museum.ouse in Sanur which later became a museum.)
Ni Nyoman Sani + (Ni Nyoman Sani was born in Sanur, Bali, Au … Ni Nyoman Sani was born in Sanur, Bali, August 10, 1975. She graduated from the fine arts department of ISI Denpasar. Apart from painting, she is also interested in photography, poetry, and fashion. Sani's paintings talk a lot about women in the context of the world of fashion shows. The colors of the paintings are soft and very feminine.Since 1995, Sani has been actively displaying her work in joint exhibitions, both at home and abroad. Her solo exhibitions include Life Style at the Seniwati Gallery (Ubud, 1997), Pose at the Amankila Hotel (Candidasa, 1999), All About Women at Kiri Desa Gallery (Singapore, 2002), The Pleasure of Looking at Griya Santrian Gallery (Sanur, 2002). 2003), Between Two Worlds at O House Gallery (Jakarta, 2007), Women at Curiocity Nafa Me Fashion Gallery (Singapore, 2008), Residency in Haarlem (Netherlands, 2009), The Adventure of My Soul at Bentara Budaya Bali (2011) , Enigma in Fusion Style (Ubud, 2012). In 2000, a painting by Sani was included in the 100 Finalist of Philip Morris, Jakarta.he 100 Finalist of Philip Morris, Jakarta.)
Ni Nyoman Srayamurtikanti + (Ni Nyoman Srayamurtikanti is a gamelan mus … Ni Nyoman Srayamurtikanti is a gamelan musician and is also pursuing her career as a composer. Sraya was born on October 3, 1996 and is the daughter of an artist from Celuk Village, Sukawati, Gianyar. She has studied gamelan since she was in elementary school. She was educated at SMKN 3 Sukawati (KOKAR/SMKI Bali) majoring in Karawitan, Indonesian Art Institute Denpasar majoring in Karawitan, and is currently pursuing a Masters Study Program at the Indonesian Art Institute Surakarta. Sraya is the head of the Sanggar S'mara Murti which was founded by her father, which was then continued by Sraya. This studio is engaged in traditional arts, especially Balinese Gamelan and also its development. Sraya started to compose music in 2017 with the guidance of her father who is also a composer and singer. The musical works created by Sraya are based on tradition and innovation.Sraya had the opportunity to represent Indonesia in the ASEAN Youth Camp event in Sagada, Philippines (2015), Student Exchange AIM Program at University Malaya (2016-2017), became a composer in the Komponis Kini - Tribute to Wayan Beratha event (2019), became a composer in the National Cultural Parade (2019) representing Bali, being the 5th best composer in the Creative Music Competition – Taksapala Festival, Badung Bali, collaborating with a choreographer from Mexico (2021), and most recently being one of the composers in the Southeast Asia Music Session Indonesia Edition (2021). The compositions that have been created are: Kangkat (2017), SoS (2017), Love is God (2017), Rain-Ly (2017), Krepetan (2018), Selaka (2018), A Ketel (2018), Lango Wangi (2019), Titik Nol (2019), Candra Buana (2019), Speech Delay (2020), Padma Semarandhana (2020), Gelung (2020), Resing Langit (2020), Garba (2020), Empowerment (2021), Nyikzag (2021), Mulat Sarira (2021), etc. Nyikzag (2021), Mulat Sarira (2021), etc.)
Ni Nyoman Tjandri + (Ni Nyoman Tjandri is one of the few female … Ni Nyoman Tjandri is one of the few female puppet masters in Indonesia. Born to an artist father, Tjandri was familiar with and fond of all forms of the Balinese performing arts, especially the arja, a Balinese traditional drama that incorporates music and dance. The talented Tjandri gradually developed superb dance and vocal techniques through interaction with her father, I Made Kredek, and fellow artists. After her father's death, Tjandri decided to learn the Kawi language to continue his efforts to master Balinese literature. She went to the well-known dalang I Nyoman Ganjreng. Instead of giving Kawi lessons, Nyoman Ganjreng gave the girl four puppet figures. The puppet master told her she had to master the Kawi language through wayang stories, mostly derived from Ancient Indian and East Javanese epics and legends. In 1979 Tjandri decided to learn the art of the dalang seriously and intensively. All wayang performances present a story, which is told by a dalang. A dalang must master at least 100 stories and be able to enliven each of the characters portrayed with distinctive vocal sounds. Being a dalang, one must have plenty of physical stamina and a thorough knowledge of both the ancient Kawi language and high and low Balinese language, as well as its literature. Tjandri is frequently invited to perform both on local and overseas stages.perform both on local and overseas stages.)
Ni Putu Devy Gita Augustina + (Ni Putu Devy Gita Augustina, with the pen … Ni Putu Devy Gita Augustina, with the pen name Devy Gita, was born in Singaraja. She graduated from Ganesha Education University, Singaraja in English. She teaches at Bali Kiddy Elementary School and joined the Mahima Community, Teater Kalangan, Kacak-Kicak Puppet Theater. Her poems are published on Saatkala.co and summarized in the book Sang Guru (2019).d summarized in the book Sang Guru (2019).)
Ni Putu Putri Suastini + (Ni Putu Putri Suastini was born in Denpasa … Ni Putu Putri Suastini was born in Denpasar, January 27, 1966. Since she was a teenager, she has been active in literature and theater. She has joined the Wind Theater, Tiger Tutul Studio, Badung Mini Theatre, August Theater, White Studio. She published poetry books are Bunga Merah (2017) and Rumah Merah (2018). Ni Putu Putri Suastini Koster is well known among local Balinese and Indonesian artists.ong local Balinese and Indonesian artists.)
Ni Putu Rastiti + (Ni Putu Rastiti, currently works as a nurs … Ni Putu Rastiti, currently works as a nurse at the Bali Mandara Hospital, Sanur. Her works have been published in local and national media and have been included in several anthologies. Her first collection of short stories was titled The Tree of Wishes. Several times she was invited to the National Writers' Meeting. She was last invited as a young writer at the Ubud Writers and Festival 2016. Her poetry has been translated into French and her short stories into English.French and her short stories into English.)
Ni Wayan Murni + (Ni Wayan Murni was born in Penestanan, Bal … Ni Wayan Murni was born in Penestanan, Bali. Murni is a well-known and much loved personality on the Bali scene and a pioneer of Balinese tourism.Shops and RestaurantDuring her extraordinary life Murni has lived in Sanur and Ubud and hastravelled widely. By the early 1970s she owned 4 shops on Sanur beach andhad opened Ubud’s first real restaurant, Murni’s Warung, overlooking theCampuan River. Since then thousands of people have enjoyed her food andhospitality. She is still very active in the restaurant.There are YouTube videos on youtube.com/watch?v=zf3VVj7gx8g andyoutube.com/watch?v=KWTgnXtOlpAAsian Antiques and TextilesDuring her adult life Murni has been busy collecting and becoming an experton Asian antiques and textiles and many of them are to be found in Murni’sWarung Shop beside the restaurant. She was the first person in Ubud to havea proper gallery of antiques, textiles, costumes, old beads, tribal jewelry,stone carvings, masks and other ethnic pieces. Many of her pieces aremuseum quality and her fine arts credentials are impeccable. Murni is amember of the Thai Textile Society.ExhibitionsIn 2007 and 2009 Murni exhibited part of her collection at the prestigiousshows, Arts of Pacific Asia and Tribal Arts & Textiles, in San Francisco andgave a lecture on Balinese textiles to the Textile Arts Council at the de YoungMuseum. Murni understands and participates in Balinese culture on a dailybasis and plays in a women’s gamelan group at important religiousceremonies.Articles and BooksMurni has written numerous articles on Balinese art and culture and the bookSecrets of Bali, Fresh Light on the Morning of the World by JonathanCopeland and Ni Wayan Murni published by Orchid Press in 2010 is in itssecond print run. It is also available as an ebook on its own web site:www.secretsofbali.com and www.murnis.comMurni’s Very Personal Guide to Ubud by Ni Wayan Murni and photographs byJonathan Copeland was published in October 2011 and is available as anebook on www.murnis.com and all online retailers.Ni Wayan Murni and Jonathan Copeland wrote From Tattoos to Textiles,Murni’s Guide to Asian Textiles, All You Need to Know ... And More, which isan ebook available on www.murnis.com and all online retailers.Murni’s Bali Tours, Where to go, What to Do and How to Do It is an ebook of7 special tours was written and designed for guests staying at Murni’s Housesto bring with them on the tours It is an ebook available on www.murnis.comand all online retailers.Murni’s HousesIn the early 1980s Murni started to construct Murni’s Houses in Ubud, acomplex of seven extraordinary residences and open-air pavilions amid agarden full of flowers, statues, fountains, trees and shrubs lying all by itselfnext to open fields. It is a wonderful introduction for first timers to Bali and adependable refuge for her many guests who return each year. Just 5 minuteswalk from the main road and accessed through a traditional Balinese roofedgate, it’s a place of tranquility. Residential photography tours and Spapackages are available. There are YouTube videos onyoutube.com/watch?v=Cd1A2xgNlDc andyoutube.com/watch?v=3vCnSMavfRkTamarind Spa at Murni’s HousesMurni’s latest venture is the creation of Tamarind Spa at Murni’s Houses,which was listed as the top spa in Ubud on Trip Advisor within 3 months of itsopening. Tamarind Spa brings all these aspects of Balinese art, luxury, andculture together in one healing experience. There is a YouTube video onyoutube.com/watch?v=h4IscHN4dqoHousesShe also has houses in Penestanan for long-term rent.Anniversary of Murni’s WarungTo celebrate the 40th anniversary of Murni’s Warung, Forty Delicious Years,Murni’s Warung, Ubud, Bali, 1974–2014, From Toasted Sandwiches toBalinese Smoked Duck was published in 2014.It has its own web site: www.fortydeliciousyears.com and YouTube videowww.youtube.com/watch?v=YFq22MYP-_s. It is also available as an ebookon www.murnis.com and all online retailers.BlogMurni and Jonathan Copeland have a joint blogAn eclectic blog concentrating on Bali but taking in the WorldSocial MediaMurni’s Warung, Murni’s Warung Shop, Murni’s Houses and Tamarind Spaare on Trip Advisor, Facebook and Google+ and Murni is on Twitter andLinkedin.Books and Ebooks• Secrets of Bali, Fresh Light on the Morning of the World• Murni’s Bali Tours, Where to go, What to do and How to do it• Forty Delicious Years, 1974-2014, Murni's Warung, Ubud, Bali• Murni's Very Personal Guide to Ubud• From Tattoos to Textiles, Murni's Guide to Asian Textiles, All You Need toKnow…And More Asian Textiles, All You Need to Know…And More)
Nick Burgoyne + (Nick Burgoyne has been living in Bali, on … Nick Burgoyne has been living in Bali, on and off, since 1990 with his Balinese wife and two children, to a small village where I am the only foreigner.Writes Nick: "We love to walk the small lanes and paths through the rice paddies and I love to shoot what I see there, especially local farmers, whose faces so accurately and poignantly chronicle their lives. I shoot with a Canon 5D mk III and use Nik plugins for post-processing." and use Nik plugins for post-processing.")
Nigel Simmonds + (Nigel has more than 30 years experience as a writer and content creator with a 16 year old daughter who has taught him more than he cares to admit about social media marketing and digital mastery. Nigel is ... mrcontent.)

Bali Metangi + (Nnn)

Suara tan Kapireng + (Nowadays young people often argue about th … Nowadays young people often argue about the problems faced today regarding the advancement of existing infrastructure and facilities by speaking according to their abilities but not listened to by the government and sometimes ignoredSo we also have to improve our courage by learning and being serious about creating work and studying so that we can move forwardk and studying so that we can move forward)
Suara Remaja + (Nowadays young people often argue about th … Nowadays young people often argue about the problems faced today regarding the advancement of existing infrastructure and facilities by speaking according to their abilities but not listened to by the government and sometimes ignoredSo we also have to improve our courage by learning and being serious about creating work and studying so that we can move forwardk and studying so that we can move forward)
Nur Wahida Idris + (Nur Wahida Idris was born in Ketugtug, Eas … Nur Wahida Idris was born in Ketugtug, East Loloan, Negara, April 28, 1976. She completed her studies at the Department of Crafts/Textiles, Faculty of Fine Arts, ISI Yogyakarta. In addition to the Bali Post, her poetry has been published in Kompas, Koran Tempo, Suara Merdeka, Jawa Pos, Bernas, Sunday Morning, Prince Claus Fund Journal and Horison Literature Magazine, as well as in joint anthologies, including Kidung Kawijayan, Philanthropy, Pedas Lada Pasir Quarsa, Lingua Franca Conversation and Living Together. Her poetry received awards from the Indonesian Ministry of Education and Culture, the Lampung Arts Council and the Yogyakarta Language Center. Her single book of poetry, Springs of Roots of Trees (2008). She was invited to read his poetry at the Yogyakarta Arts Festival XVII/2005, the 2005 International Literary Biennale in Bandung and the Jakarta Arts Council, 2006. As the Director of Akar Indonesia, she also manages the Yogyakarta Rumahlebah Community.nages the Yogyakarta Rumahlebah Community.)
Nuryana Asmaudi SA + (Nuryana Asmaudi SA was born in Jepara, Cen … Nuryana Asmaudi SA was born in Jepara, Central Java, March 10, 1965. He writes poetry, short stories, essays, art reviews, Kalon scripts, etc. His writings have been published in a number of local and national media. His poems are summarized in a number of joint anthologies, including Travel (1990). Since 1996, he has been living in Bali, managing the TenSutBeh Literature House with Umbu Landu Paranggi, Raudal Tanjung Banua, Riki Dhamparan Putra, et al (1996 – 2008). Together with Umbu Landu Paranggi, he participated in fostering literary appreciation activities for students around Bali (1997 until the early 2000s). Apart from writing literature, he also worked as a journalist, having joined the Bali Post Media Group. Since 2011 until now, he has worked as an Editor at the Bali Tribune. Since 2008 he has lived and co-managed the Snerayuza Art Studio with the painter Made Budhiana. His single book of poetry is “The Moon Prayer for Pungguk (2016), “Taman Perkap Bulan” (2018). The third book of poetry is ready to be published.d book of poetry is ready to be published.)
Nyoman Diwarupa + (Nyoman Diwarupa, born in Bali, April 7th. … Nyoman Diwarupa, born in Bali, April 7th. He completed his art education at ISI Denpasar in 1998. Since 1992 he has been actively participating in joint painting exhibitions, such as the “Force of 92” exhibition at the Art Center (1992), “Sebelas Art Group” at Darga Gallery, Sanur (1996), “Kuta Art Cromatic” in Kuta (2013), and so on. His works tend to be abstract. He joined the founding community of Galang Kangin and Militanart.community of Galang Kangin and Militanart.)
Nyoman Gunarsa + (Nyoman Gunarsa was born in Klungkung, Apri … Nyoman Gunarsa was born in Klungkung, April 15, 1944. He graduated from ASRI Yogyakarta. He is one of the founders and important figures of Sanggar Dewata Indonesia. In 1989, he founded the Nyoman Gunarsa Indonesian Museum of Contemporary Painting in Yogyakarta and in 1994 founded the Nyoman Gunarsa Balinese Classical Painting Museum in Klungkung. He has exhibited his works at home and abroad. Many of his works feature figures of Legong dancers with expressive strokes. He won the Dharma Kusuma award from the Provincial Government of Bali in 1994. In 2017, Gunarsa passed away.ali in 1994. In 2017, Gunarsa passed away.)
Nyoman Rasta Sindhu + (Nyoman Rasta Sindhu is a writer and journa … Nyoman Rasta Sindhu is a writer and journalist who was born on August 31, 1943 in Denpasar and died on August 14, 1972. For his dedication to literature, he received the "Dharma Kusuma Madya" Award from the Governor of Bali, Ida Bagus Mantra.He studied at the Faculty of Letters and Culture, Gajah Mada University, then moved to Udayana University majoring in Antiquities. He became a journalist and editorial staff of the Balinese edition of “Suluh Marhaen” art and culture (now Bali Post). In addition, he is also one of the editors of the Bali Courier magazine (1971).His works are spread in various mass media, including Kompas, Sinar Harapan, Horison literary magazine, Indonesian pulpit, Basis, Sastra. One of his most famous short stories, “When Kentongan was Beaten at Bale Banjar”, was published in the German anthology of Indonesian prose, Perlen im Reisfeld, Indonesia (1971). The short story was published in Horison magazine No.1 Th.IV January 1969 and won the Horizon Literature Prize.Most of his works contain opposition to the orthodoxy of Balinese views or beliefs. His social protests are not out of hatred, but rather because he loves Bali so much. However, until now there has been no publisher who has compiled his works as a whole, so that we have difficulty being able to enjoy his literary works.ty being able to enjoy his literary works.)
Nyoman Sujana + (Nyoman Sujana alias Kenyem is a painter bo … Nyoman Sujana alias Kenyem is a painter born in Sayan, Ubud, September 9, 1972. He completed his art education at ISI Denpasar. Since 1992 he has been active in many joint exhibitions. Meanwhile, since 1996 he has displayed his works in solo exhibitions at home and abroad. These include “A Place Behind The House”, Komaneka Gallery, Ubud (2016), “Highest”, Philo Art Space, Jakarta (2013); G13 Gallery, Kelana Jaya, Selangor, Malaysia (2013); “The Bicycle Diaries”, Komaneka Art Gallery, Ubud, Bali (2011), “The Bridges of Nature”, D'Peak Art Space, Singapore (2009). Kenyem's works display the concept of balance (harmony) in the context of human relations with humans, nature, and God. Kenyem works in a meticulously detailed manner, often with calligraphic fields. Iconic to his paintings are small androgynous figures that appear to be dancing. Trees and especially leaves are a recurrent visual motif, as are large hovering rocks. Everything is carefully shadowed to givethe impression of floating. Kenyem is one of the founders of the Militant Arts community of artists.of the Militant Arts community of artists.)
Nyoman Sukaya Sukawati + (Nyoman Sukaya Sukawati was born on Februar … Nyoman Sukaya Sukawati was born on February 9, 1960. He has been actively writing poetry since the 1980s in the literary section of the Bali Post Sunday newspaper under the care of the poet Umbu Landu Paranggi. Apart from writing poetry, he is also diligent in writing short stories, articles, painting, and other artistic activities.He knows the world of writing by being active in the world of journalism. He started this activity as a teenager by diligently writing reports on the potential of the village. Then he studied more seriously and became a journalist for the Bali Post, Nusa Tenggara, Karya Bhakti newspapers, as well as a number of other media. He has been active as a television reporter for RCTI. He also does a lot of periodical publications in Denpasar, including tourism magazines and economic tabloids. In 1993 he became the editor of the book Bali, Socio-Cultural Problems and Modernization, written by Prof. I.B. spell. In 2007 his book entitled Seeking Heaven in the Bali Bombing was published thanks to the assistance of the Widya Pataka program of the Regional Library of Bali Province in collaboration with the Arti Foundation, Denpasar.ration with the Arti Foundation, Denpasar.)
Nyoman Suradnya + (Nyoman Suradnya was a Balinese painter fro … Nyoman Suradnya was a Balinese painter from Ubud. He specialized in three main media: batik, oil, and watercolor. Nyoman was an established artist in residence in Sydney, Melbourne, and Singapore. Nyoman's artwork has been featured all over the world in such countries as Switzerland, Australia, Italy, and Guam (USA). He was also a strong advocate for sustainable tourism that protected the culture and environment of Ubud. With his friend, Tjok Raka Kerthyasa, he founded Bina Watasa, which roughly translates as "guiding tourism." Their goal was to educate tourists about enriching and environmentally sustainable practices that allowed them to experience all of Ubud in a responsible way. Nyoman is remembered for his "larger-than-life" personality and as an important advocate for the preservation of the culture and environment of Ubud.on of the culture and environment of Ubud.)
Nyoman Tingkat + (Nyoman Tingkat is a writer and high school … Nyoman Tingkat is a writer and high school teacher. He diligently writes book reviews, essays, and articles. His writings are widely published in local mass media, such as the Bali Post. He has also won awards as an outstanding teacher and various writing competitions. His published books are: Studying in the Footprint of Literature (Arti Foundation, 2007), Depending on the Teacher (Arti Foundation, 2009), etc. the Teacher (Arti Foundation, 2009), etc.)
Nyoman Tjokot + (Nyoman Tjokot is a sculptor who was born i … Nyoman Tjokot is a sculptor who was born in Banjar Jati, Sebatu, Tegalalang, Gianyar, Bali, in 1886. He is an intelligent self-taught sculptor. In his work he uses a lot of unused logs or tree roots that drift in the river. He carves the found woods to his heart's content, following the grooves of the wood and his intuition. The result is sculptures/sculptures that were considered unusual in their time, eccentric, archaic, absurd. His sculptures tend to be rough but contain the honesty of his artistic soul. His unique style of sculpture/sculpture is often referred to as the "Tjototisme" school which is now being passed on by his descendants. In his day, Tjokot's works were not highly appreciated in Bali. However, his works have been widely appreciated abroad. In the 1960s, Tjokot's works were well known in the United States and he was already called a maestro in the field of sculpture. In 1969 the Indonesian government awarded Tjokot in the form of the Wijaya Kusuma Art Award. Tjokot died in October 1971.ma Art Award. Tjokot died in October 1971.)
I Nyoman Tusthi Eddy + (Nyoman Tusthi Eddy was born in Pidpid, Kar … Nyoman Tusthi Eddy was born in Pidpid, Karangasem, Bali, December 12, 1945. He studied at the Faculty of Teacher Training and Education, FKIP Singaraja, graduating from 1969. Apart from being a teacher, he writes poetry, short stories, essays, articles, literary criticism, both in Balinese and in English. Indonesia. His works have been published in the Bali Post, Kompas, Suara Karya, Horizon, Basis, Warta Hindu Dhrama, Sarad, and so on. He received a number of awards, including the Bali Sastra Sabha (1999), the Modern Balinese Literature Penatar Charter from the Karangasem Education Office (2002), the Rancage Literature Prize (2004 and 2009). In addition, he also translated Indonesian and English literature into Balinese. His published books: Memories for the sake of Memories (1981), Poems Around the World (1984), Far East Poems (1985), Murmurs About Literary Appreciation: A Number of Essays and Notes (1985), Comparison of Words and Terms in Malay- Indonesia (1987), Introduction to Modern Balinese Literature (1991), Dictionary of Indonesian Literary Terms (1991), The Face of God in the Eyes of a Poet (1994), Folklore from Bali (1997), Duh Ratnayu: Tembang Kawi Mendamba Cinta (2001), Tafsir The symbolic story of Bagus Diarsa (2002), Ning Brahman (2002), SungaiMu (2004), Somah (2008).man (2002), SungaiMu (2004), Somah (2008).)
Nyoman Wijaya + (Nyoman Wijaya is a painter born in Tabanan … Nyoman Wijaya is a painter born in Tabanan, Bali, November 1971. He studied painting at the Sanggar Senin Kemis Studio in Sanur, Bali, from 1998 to 2003. In 2018 he won the Nomination of Akili Museum of Art Award (AMAA). His first solo exhibition was held in 2009 entitled "AS. SENT" at Kendra Gallery, Seminyak, Bali. Since 1998, he has also been frequently involved in joint exhibitions, including BEAUTY MYTH at Green Art Space (Jakarta, 2010), MOTION & REFLECTION at the National Gallery (Jakarta, 2010), FASCINATION at Andi's Gallery (Jakarta, 2009), etc. He focuses on Balinese cows and women. For him, cows are sacred animals that are full of tenderness and become friends of farmers.l of tenderness and become friends of farmers.)
Nyoman Wirata + (Nyoman Wirata was born in Denpasar, 1953. … Nyoman Wirata was born in Denpasar, 1953. He studied at the Indonesian Fine Arts School (SSRI) Denpasar until he graduated in 1972. He started writing poetry in 1975 and worked as an arts teacher since 1980, retired in 2013 and continues his artistic activities. In 2011 he won an Award from the Principal of SMPN 5 Denpasar as a Literature and as the School Magazine Supervisor for 14 years. In the field of literature, he won 1st Place in Poetry Writing in Bali held by the Bali Provincial Government (1977), 10 Best Poetry in Bali held by the Bali Post (1978), 3rd Place in the National Level Reading Book Writing Competition among Teachers which organized by the Ministry of Education and Culture (1993), 2nd place in a novel writing competition held by the Bali Post (2003). His poems have been published in various mass media, such as Bali Post, Kalam, etc. Also included in the books Tutur Batur (2019), Chewing Furious (2018), Marriage Poetry (2017), Klungkung Tanah Tua Tanah Cinta (2016), Dendang Denpasar Nyiur Sanur (2012), Hram (1988). His only poetry book is Celebrating Trees in the Poetry Garden (2007). He received the Widya Pataka Award (2007) and Bali Jani Nugraha (2020) from the Bali Provincial Government. Apart from studying literature, he is also active in painting.literature, he is also active in painting.)
Mantle Hood + (Obituary LA Times: Professor, Pioneer in … Obituary LA Times: Professor, Pioneer in Studying World’s Music and Cultures(1918-2005)“Mantle Hood was the first scholar to take seriously the study of what was then called nonWestern music, in the 1950s,” said Christopher Waterman, dean of UCLA’s school of arts and architecture and an ethnomusicologist. Hood joined the UCLA faculty in 1956 and created what is now the department of ethnomusicology in 1960. He envisioned a complete approach to the study of his field. He wanted students to learn at least two music traditions, their own and that of a culture new to them. He also urged them to learn to play a native instrument, drums for a student of West African music, for example. Common practice now, it was considered novel when he introduced the idea, which he referred to as bi-musicality. By learning several music traditions, Hood proved that the two could exist in harmony, according to Jacqueline Cogdell DjeDje, chairwoman of UCLA’s ethnomusicology department. (...) "Hood saw it as a way to teach students respect and understanding for “people and cultures different from their own,” DjeDje said. Hood also expected his graduate students to see and hear the music they studied as it was performed in its native setting. “Hood taught that the music comes out of the culture,” said Robert Garfias, professor of anthropology at UC Irvine and one of Hood’s first graduate students at UCLA. “His idea was to study the music as part of the culture.” Hood had been traveling the world from the time he graduated from UCLA in 1951 after earning a bachelor’s and a master’s degree in music. He received his doctorate from the University of Amsterdam, where he wrote a dissertation on Javanese music. After joining the faculty at UCLA, he was granted a Ford fellowship that allowed him to live in Indonesia for two years and study its music. He later studied in India on a Fulbright fellowship. An expert in the music of Java and Bali, Hood played all the instruments in a gamelan, an Indonesian symphony that consists of percussions, winds, strings and other instruments. During gamelan performances with his students, he played the rebab, a type of lute that is the lead instrument in the ensemble. Dozens of his UCLA students went on to teach ethnomusicology. Several of them founded programs at universities, including UC Berkeley. “Hood had a very powerful impact on how ethnomusicology is taught,” said Garfias, who founded a program at the University of Washington, Seattle, before moving to UC Irvine. Hood was born in Springfield, Ill., and moved to Los Angeles with his mother in the 1930s after his father died. He played piano and later learned the saxophone but didn’t expect a career in music. After high school, he worked at various jobs including as a draftsman at McDonnell Douglas. He also played saxophone in jazz bands. He served in the Army during World War II and returned to Los Angeles in 1945. After a false start as an agriculture student at UCLA, he found his true calling. Before he left the university in 1975, he wrote several books about his field, including “The Ethnomusicologist” (1971), which outlined research issues and questions related to what was then considered a new subject of study. An ethnomusicologist, Hood wrote, “is inclined to be highly sensitive to other human beings, to respect their scales of values and their behavior, even if these are not compatible with his own.” Hood moved from Los Angeles to Hawaii in 1973 and began to write self-published novels. “As a young man, he had his heart set on being a writer,” Marlowe Hood said. “As a teenager, he loved pulp fiction.” He set his potboilers in countries he had visited over the years. “Just a Stone’s Throw” is set in Bali. “The Keepers” is set in Hawaii and Japan. In 1980, he relocated to Maryland where he established an ethnomusicology program at the University of Maryland, Baltimore County. He wrote several more books about ethnomusicology and continued teaching until 1996. (...) He has four sons.Amazon: Author of fiction:Mantle Hood is the published author of seminal works in the field of ethnomusicology, study of the musical cultures of the world. A pre-eminent international scholar, he is the principal author/co-author of more than 20 books, was member of the Board of editors for the prestigious New Grove Dictionary of Music and Musicians (6th ed.) and has contributed to music dictionaries in four languages. Along the way, he has served as Distinguished Professor of Music from West Coast (UCLA) to East Coast (Harvard, Yale, Wesleyan Universities, and the University of Maryland), University of Hawaii, and institutions in Europe, Africa an Asia. He is a fellow of the East-West Center of Arts and Sciences. He has studied the music of peoples the world over, including Asia and the Pacific Islands. As a resident of Hawaii and visitor to Japan he developed an idea based on a newspaper article, one that blossomed into his first suspense novel, The Keepers. One agent described Hood's suspense fiction as a combination of John Grisham and James Michener.nation of John Grisham and James Michener.)
Pemulihan Ekonomi Bali Usan Covid-19 + (Of course, we are already familiar with Co … Of course, we are already familiar with Covid-19. Who would have thought that this small virus could make such a big change in the last 2 years. Because of this virus we were made to stay at home for 2 years, imagine starting from the activities we initially did outside the home such as going to school, working and traveling abroad that had to stop because of this virus, we were made to stay at home for 2 years. Which of course brings a lot of changes in our lives. An example is tourism in Bali. Bali is an island in Indonesia which is often visited by tourists from various countries because it has its own charm. With the stay-at-home policy, of course the economic sector in Bali will decline. During the pandemic, tourism sites and access to Bali were closed. Community activity at tourist attractions in Bali has decreased. This caused Bali's economy to decline. With the closure of various tourist attractions in Bali, many people have become unemployed, this is compounded by policies at home. This has made people confused about finding money. Hundreds of thousands of people lost their jobs and sources of income. In the end, the poverty level in Bali has increased.And without realizing it, now we have entered 2023, where there has been a recovery of various sectors in society which have been stalled for the past 2 years. From here we have to restore Bali's economy. Regional governments need to pay attention to Bali's current economic conditions to revive Bali's economy which has been declining for the past 2 years.The Covid-19 pandemic has hit Bali's economy hard. Bali's economy is very dependent on the tourism sector, so when there are mobility restrictions such as the stay at home policy, the tourism sector is paralyzed. Bali's economy also slumped. Therefore, the government needs to determine a concept for economic development that is not always based on the tourism sector. Bali's economic development must be directed to be more balanced, not only dependent on the tourism sector. Moreover, tourism areas are very vulnerable to changes in external factors. Both from security factors, natural and non-natural disasters that cannot be controlled. So every sector in Bali must also be considered, such as; agricultural, marine and fisheries sectors, manufacturing industry and industries based on Balinese branding culture, MSMEs and cooperatives, creative and digital economy, as well as the tourism sector. So by reviving all these sectors in Bali, it is hoped that Bali's economy can recover after Covid-19. So that Bali will always be prosperous.9. So that Bali will always be prosperous.)
Money Politic + (Oh swastyastu Dear sir/madam jury And my r … Oh swastyastuDear sir/madam juryAnd my respected audienceBefore I start my oration, I want to first express my thanks to the Almighty God (Ida Sang Hyang Widhi Wasa) because it is with His grace that I can give an oration now.Related to the Balinese leadership election which will be held in 2024 in Bali.with this oration I would like to convey that I hope this election can be carried out fairly, without any coercion, one of which is without money politics, because this is very vulnerable to things happening where prospective leaders bribe their people with money to obtain money. leadership, and the same goes for individuals who carry out elections, because there are certain payments or results that will be obtained after holding elections, individuals often choose leaders not based on justice and honesty, but choose leaders with the aim of getting rewards.Apart from that, Article 22E of the Constitution also states that elections are held publicly, freely, confidentially, honestly and fairly.Not only is it stated in the constitution that governs us, but elections also concern people's lives in the future, it is also hoped that prospective leaders will be able to carry out elections fairly and without cheating by engaging in money politics.Let us carry out elections fairly and honestly, because carrying out elections intelligently will create a prosperous society in the future.That's all the speech I can deliver, I hope the speech I deliver can be useful. I'm sorry if I made a mistake, at the end I close with Parama Santhi, Om Santhi, Santhi, Santhi Om.rama Santhi, Om Santhi, Santhi, Santhi Om.)
Ida Ayu Oka Rusmini + (Oka Rusmini's full name is Ida Ayu Oka Rus … Oka Rusmini's full name is Ida Ayu Oka Rusmini, born in Jakarta, July 11, 1967. She writes poetry, short stories, essays, novels. She is also a journalist. In 2014, she was awarded the Kusala Khatulistiwa Award for the poetry book Saiban. Her figures and works are phenomenal and often controversial because they raise a number of issues of ancient Balinese customs and traditions that are detrimental to women, especially in the griya, the home of the Brahmins.Oka also straightforwardly broke taboos, exposed issues of sex and erotica in a clear way. All of this can be clearly seen in the novel Tarian Bumi (2000) which has been reprinted and published in German under the title Erdentanz (2007). The novel is also heavily inspired by the art of Joged Bumbung, a social dance full of erotic movements that is very popular in Bali.He has been invited several times to literary events at home and abroad. In 1992 he was invited as a guest poet in the IV Yogya Arts Festival. Participated in the 21st Century Poetry Minbar at TIM, Jakarta, 1996. Represented Indonesia at the ASEAN-wide writers' meeting in October 1997 entitled ASEAN Creative Writing Workshop in Jakarta. In 2002 and 2003 he was invited to the International Poetry Festival in Surabaya and Denpasar He was an invited guest at the Winternachten Festival held in Haque and Amsterdam in 2003. He was also a guest writer at the University of Hamburg, Germany, 2003.A number of his poems and short stories have appeared in various mass media and cultural journals, including Matra, Kalam, Horison, and Ulumul Quran. His short story "Putu Menolong God" won the best short story award for Femina magazine in 1994. His novel Sagra received the best novelet award for Femina in 1998, and the best short story award in 1990 - 2000 from the literary magazine Horison for his work Pemahat Abad. His novel Tarian Bumi won the 2003 Literary Writing Award from the Language Center, Jakarta.His works are Monologue Tree (poem, 1997), Earth Dance (novel, 2000), Sagra (short story, 2001), Kenanga (novel, 2003), Patiwangi (poetry, 2003), Color Kita (poetry, 2007), Pandora (poetry, 2008), Shell (novel, 2010). His novel Tarian Bumi has been translated into English entitled Earth Dance, and German under the title Erdentanz.nce, and German under the title Erdentanz.)
Fenomena Kendaraan Listrik + (Om Swastiastu Praise and gratitude to Ida … Om SwastiastuPraise and gratitude to Ida Sang Hyang Widhi Wasa who has bestowed the blessing of health to all of us. Today, with great pride, I would like to discuss a phenomenon that is increasingly prevalent in Indonesia, namely the use of electric vehicles. This phenomenon is not just a change in trend, but also reflects our concern for the environment, especially in addressing the problem of air pollution.As the country with the worst air quality in Southeast Asia, the decision to use electric vehicles is a wise step to reduce emissions, carbon footprint, and face the challenges of climate change. However, while we support this positive initiative, we need to face the reality that its implementation is not yet optimal. Given that Indonesia still relies on coal and natural gas for power generation, and the mining of raw materials such as lithium, nickel, and cobalt also has environmental consequences if not properly regulated. In addition, the limited lifetime of batteries, around 10-20 years, poses a potential risk of battery waste accumulation in the absence of adequate waste management facilities.Therefore, I encourage the government to improve electric vehicle charging infrastructure, address the potential risk of battery waste accumulation, and find alternative solutions to environmentally friendly batteries. We recognize that the development of this technology needs greater support to become an effective solution in reducing air pollution in Indonesia.Therefore, let us together encourage the government to accelerate the development of charging infrastructure, provide solutions and proper handling for the worst risks of using electric motors, and offer further support for the adoption of electric vehicles. Thus, we can move towards a cleaner, healthier, and more sustainable Indonesia.Thank you.Om Shanti Shanti Shanti Omia. Thank you. Om Shanti Shanti Shanti Om)
Kesuksesan proses kepemimpinan + (Om Swastiastu Titiang ngaturang rasa pang … Om SwastiastuTitiang ngaturang rasa pangayubagia majeng ring Ida Sang Hyang Widhi Wasa antuk asung kerta wara nugraha Ida titiang prasuda nyurat orasi puniki. Pulau Bali antuk destinasi wisata internasional yang memiliki reputasi positif. Akeh wisatawan sane terkesan nikmatin kaluungan alam dan budaya Bali, olih karna ento Bali mrasidayang bersaing dados destinasi wisata populer ngalahin negara sane lianan. Menteri Pariwisata lan Ekonomi Kreatif (Parekraf) Sandiaga Salahudin Uno ngorahang Pulau Bali dados penyumbang devisa negara terakeh antuk Indonesia, terakeh kedua setelah industri Minyak dan Gas."Bali ini masih menjadi top of mind untuk pariwisata Indonesia.Nanging dibalik kemegahan pariwisata ring Bali, upami akeh pisan hotel-hotel, vila, restoran lan sane lianan. Ring galahe sane mangkin liu pesan pikobet sane mrasidayang kaon ring jagat Baline. Pinaka pikobet korupsi olih pejabat pemerintah, pikobet ring pendidikan, pikobet ring kesehatan upami penyakit menular sane akeh lan kualitas pelayanan kesehatan.Inggih ida dane sareng sami nika wantah orasi titiang antuk pikobet kesenjangan ekonomi sane patut kautamang olih calon pemimpin Bali. Astungkara calon pemimpin Bali sane kapilih antuk Pemilu 2024 mrasidayang nanganin indik pikobet kesenjangan ekonomi ring Bali.Ida dane sareng sami titiang ngaturang pangampura yening titiang wenten pelih rikala nyurat teks orasi puniki. Sareng titiang ngaturang parasuksma majeng ring pamiarsa sane sampun ngewacen teks orasi karya titiang niki. Inggih puput titiang teks orasi niki antuk ngaturang paramasanthi.Om Santhi Santhi Santhi Om. paramasanthi. Om Santhi Santhi Santhi Om.)
PEMILU 2024, Mangda Memilih Pemimpin Bali Sane Tepat! + (Om Swastiastu Om Awignamastu Namo Sidham R … Om SwastiastuOm Awignamastu Namo SidhamRahayu, Rahayu, RahayuFor the honorable adjudicators, the principals and teachers of senior high schools and vocational high schools in Bali and all the audiences and senior high schools and vocational high schools’ students in Bali, good morning. Let’s thank to the almighty God because of his grace we can gather here this morning. In this occasion, I am Wira as an orator will deliver an oration entitled "Election in 2024, Must Choose the Right Leader for Bali”. Ladies and gentlemen...Elections or General Elections can be referred to as voting or elections, where we have determined our right to vote by choosing the right leaders. From this election, we know that whether Bali has evolved or not! Therefore, I will discuss some urgent issues that must be addressed for Bali's future leaders.Ladies and gentlemen...Time by time... The months have passed...Year by year... Have you ever been to an urban area like Denpasar? If you have ever gone and seen a child begging for a bite of rice, do you feel their pain? Ladies and gentlemen, I want to invite you to choose leaders who are more precise, wise, and certainly honest!Then another problem is the environment. Yes... Environment... Bali is known as the "Heaven of the World" which itself has a variety of beautiful natural attractions! If we can't take care of the environment, Bali will undoubtedly experience an economic downturn.Before I end my talk today, I would like to ask all of you to clap your hands and raise them above your heads! Are you going to throw Bali to the wrong leader? Therefore, let’s choose leaders who are responsible, competent, honest, and of course fair. Najwa Shihab once said, "leaders are not born by diplomas, but by hard work and care that continues to be honed."That's all I can say, hopefully of course Bali will be led by the right leader. Sincerely to the island of Bali, I end with parama santhi.Om Santi, Santi, Santi OmRahayu, Rahayu, Rahayuti, Santi, Santi Om Rahayu, Rahayu, Rahayu)
Masalah Mendesak + (Om Swastiastu Om Awighman Astu The fragran … Om Swastiastu Om Awighman Astu The fragrant name of shidam, ladies and gentlemen, and dear brothers and sisters, we say Angayubagia to Sang Hyang Parama Wisesa, Therefore from asung kerta wara nugraha because we will convey information today about the 2024 Election. I invite the public Indonesia to work together to make our election a success, the Election of 24 February 2024. Because the election is not just about changing leadership, but the election is our effort to prevent the people from getting worse. Elections are an opportunity for us to evaluate this government. I will explain what the most pressing problems need to be addressed by potential Balinese leaders. The first problem that was considered very urgent to be resolved was controlling the prices of basic necessities, which was chosen by 36.9% of the total respondents. Controlling the prices of basic necessities is the most prominent problem according to residents. Then there are the issues of unemployment, poverty and eradicating corruption, wrote Political Indicators in its report. The respondents involved were all Indonesian citizens who had the right to vote in general elections, namely those who were 17 years of age or older, or were married when the survey was conducted. Sampling used the multistage random sampling method. So I can conclude that we should choose a leader who is firm, honest and responsible for the island of Bali. Thank you, hopefully we will all be given guidance and wisdom in choosing the right leader. Our tribute to Bali, the island we love Om Shanti, Shanti, Shanti Omsland we love Om Shanti, Shanti, Shanti Om)
Permasalah Mendesak + (Om Swastiastu Om Awighman Astu The fragran … Om Swastiastu Om Awighman Astu The fragrant name of shidam, ladies and gentlemen, and dear brothers and sisters, we say Angayubagia to Sang Hyang Parama Wisesa, Therefore from asung kerta wara nugraha because we will convey information today about the 2024 Election. I invite the public Indonesia to work together to make our election a success, the Election of 24 February 2024. Because the election is not just about changing leadership, but the election is our effort to prevent the people from getting worse. Elections are an opportunity for us to evaluate this government. I will explain what the most pressing problems need to be addressed by potential Balinese leaders. The first problem that was considered very urgent to be resolved was controlling the prices of basic necessities, which was chosen by 36.9% of the total respondents. Controlling the prices of basic necessities is the most prominent problem according to residents. Then there are the issues of unemployment, poverty and eradicating corruption, wrote Political Indicators in its report. The respondents involved were all Indonesian citizens who had the right to vote in general elections, namely those who were 17 years of age or older, or were married when the survey was conducted. Sampling used the multistage random sampling method. So I can conclude that we should choose a leader who is firm, honest and responsible for the island of Bali. Thank you, hopefully we will all be given guidance and wisdom in choosing the right leader. Our tribute to Bali, the island we love Om Shanti, Shanti, Shanti Omsland we love Om Shanti, Shanti, Shanti Om)
PENGARUH OLIGARKI TERHADAP CALON PEMIMPIN + (Om Swastiastu Peace be upon us all, allow … Om Swastiastu Peace be upon us all, allow me, Kadek Wisnu Artana, a student from SMA Negeri 1 Penebel to deliver an oration on the influence of oligarchy on future leaders in this country.The DPD must listen, pay attention and follow up on the aspirations I expressed todayBrothers and sisters, it has been 115 years since Indonesia has risen from adversity, precisely when Budi Utomo was founded, 78 years since Indonesia has been independent and the Red and White Sangsaka has flown freely on Indonesia's motherland, reform has been underway, but what is going on with educational resources for the nation's generation, what is it? This generation is simply silenced as if it were dumb and deaf and does not flinch from voicing various aspirations. Here I invite everyone to voice their aspirations regarding government in this nation which is still shackled by the shadow of the Oligarchy, and today the Oligarchy has become very free to wreak havoc on power both in the upper elite and in the lower elite, the Oligarchy has a big influence on the nation's future leaders. , oligarchy has a very bad impact on leaders.The problem caused by the existence of Oligarchy in our government system is that power is centralized, Oligarchy only controls leaders who have sovereignty in their own hands.Second, there is widespread corruption in this nation by unscrupulous officials as evidenced by the many reports on social media and various other press media. Oligarchs really need tactical funds to fulfill their own interests.The third is injustice by the government or authorities in the interests of the Oligarchy and society which are not fulfilled according to the Values of Truth that have been determined by law.The fourth is political instability where the government is controlled by oligarchs, social inequality in power is only controlled by oligarchs and worsens social and economic inequality within the scope of society.The six unrepresentative leaders controlled by Oligarchs tend not to represent the interests of all the people, but only a handful of groups called Oligarchs.The seven things that are most rooted in all of these problems are that the gap for legislative candidates who are not touched by the Oligarchs, is very narrow and there is minimal space and budget to channel their vision and mission to the general public in all regions of this country.All the problems that occur as a result of leaders being controlled by oligarchic interests are rooted in two problems that boil down to very serious legislation,Firstly, there is no regulation on budget provisions, space, opportunities and forums for all legislative candidates at the regional level. This causes the public to only take the perspective of leaders who are seeking votes under the pretext of donations which, without them even knowing, are funds given by oligarchs to candidates. We need to understand that this is the forerunner to the birth of Oligarchy at the regional government level, this is because when regional legislative candidates enter the community they need very large "tactical funds" to seek votes in their respective electoral districts. What must also be understood is that This Tactical Fund is what causes the leader's debt of gratitude to the Oligarchs. So that they can be controlled even as if they were Puppets of the Oligarchs, and the shadow of the Oligarchy will continue to exist for the next generation. If we as the current generation are still deaf and mute about what is happening, it's time for us to change the regulatory system so that budget provisions, opportunities, facilities and forums for all legislative candidates are fair and closely monitored by the government, so that these Oligarchs will not have a gap to enter the ideology of the leaders in this country.Secondly, at the central level there is still a Presidential Threshold which is the place for the Oligarchs in this nation to breed. Come, my fellow countrymen and brothers, let's abolish the laws and regulations that cause the Oligarchy in this nation to become increasingly uncontrollable. If the Oligarchy does not have rules that improve their welfare or support their interests, and suppresses the leaders of this nation, then the Oligarchy does not have the opportunity to make the leaders of this nation into their puppets. This is what we must fix together in order to make this nation more advanced. It's time for us to urge the elite of this country so that the legislation that causes the oligarchy in Indonesia can no longer develop or even perish, and if this aspiration is not heard by the elite and is only silenced, it's time for us to take to the streets to voice our aspirations to the government elite and the parliamentary elite. so that this legislation can stop and be replaced with regulations that are more prosperous for the people and not just for the welfare of the Oligarchs in this nation. "In our belief everywhere is Tyranny must fall!" said WIDJI TUKUL. So let's fight together to prevent the detrimental influence of the Oligarchy in the process of selecting leadership candidates and ensure that the elected leadership candidates truly represent the interests of the people and have high integrity. I, we, all of you have the same role in ensuring that the elected leaders are leaders who truly serve the people and not only prioritize the interests of the Oligarchs.Bung Karno once said, "My struggle is easier because it expelled the invaders, but your struggle will be more difficult because it is against your own people."Therefore, let us as future generations be sensitive to the social environment, so that this nation can progress in the international arena by changing the rules that mislead Indonesian politics so that this nation advances, come on...!!! Let's make Bung Karno's words come true, participate in voicing the aspirations of the young generation in this country so that we are sensitive to social problems in our environment, especially regarding the election of leaders. Good leaders produce a good environment and human resources whose quality is guaranteed and equitable and prosperous for all the nation's children. Greetings 0% (Threshold).tion's children. 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