Postmodern Aesthetic Idioms in Bali Tourism Performance

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Title of article (Indonesian)
Idiom Estetika Pos-moderen dalam Pertunjukan Pariwisata Bali
Title of article (Balinese)
Idiom Estetika Pos-moderen dalam Pertunjukan Pariwisata Bali
Original title language
English
Title (other local language)
Idiom Estetika Pos-modern Ngeninin Balih Balihan Pariwisata ring Bali.
Author(s)
Subjects
  • postmodern
  • aesthetic
  • tourism
  • performance
  • Art
Title of Journal
International Journal of Cultural Studies Indonesia
Volume and Issue number
1,1
Date of Publication
Page Numbers
9-16
Link to whole article
http://ijocsi.fib.unand.ac.id/index.php/ijocsi/article/view/4
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          Abstract


          In English

          Bali tourism performance art is a form of an art which is purposely processed to be served to tourists. This art has theatrical and spectacular characteristics which accentuate visual attractiveness more than scared, magical, and symbolic values. Some kinds of art such as Legong Dance, Ramayana Ballet, Barong and Keris Dance, Monkey Dance, Face Mask Dance, and Shadow Puppet Dance have been being main menu of art spectacle in Bali. Bali tourism performance art has appeared in a new package since 1980. This concept was dominantly affected by postmodern aesthetic characteristics such as: Pastiche, Parody, Kitsch, Camp, and Skizofrenia. Its purpose was to make performance art became more exotic which was related to economic interest. Therefore, many Bali cultural art activities included its sacred value have been eroded by a fast and fantastic secularization process in both quality and quantity.

          In Balinese

          Seni balih balihan pariwisata ring Bali marupa wentuk seni sane gumanti kaabipraya pacang kapisuguh mantuka ring para wisatawane. Seni puniki madue caciren teatrikal lan spektakuler sane ngutamiang ius visual katimbang rasa ajerih, magis lan simbolis. Makudang bage kesenian minakadi Tari Legong, Sendratari Ramayana,Tari Barong lan Keris, Tari Kera, Tari Topeng Wayah lan Tari Wayang Kulit sampun ketah dados bebalihan seni ring Bali. Seni balih balihan pariwisata ring Bali embas marupa wentuk sane anyar sasukat warsa 1980.Pidabdab punika utamin ipun kaiusin olih praciri estetika pos- modern sekadi: Pastiche, Parodi, Kitsch, Camp lan Skizofrenia. Tatujonnyane mangdennye seni balih balihan prasida sayan eksotik sane mapaiketan ring tatujon ekonomi. Antuk punika akeh parikrama seni budaya Bali rumasuk kasakralannyane karuntuhang olih pakibeh sekularisasi sane gumanti becat tur fantastis inggihan ngeninin kualitas wiyadin kuantitas.

          In Indonesian

          Seni pertunjukan pariwisata Bali merupakan suatu bentuk seni yang sengaja diolah untuk disajikan kepada wisatawan. Seni ini memiliki karakteristik teatrikal dan spektakuler yang lebih menonjolkan daya tarik visual daripada nilai ketakutan, magis, dan simbolis. Beberapa jenis kesenian seperti Tari Legong, Sendratari Ramayana, Tari Barong dan Keris, Tari Kera, Tari Topeng Wajah, dan Tari Wayang Kulit telah menjadi menu utama tontonan seni di Bali. Seni pertunjukan pariwisata Bali muncul dalam kemasan baru sejak tahun 1980. Konsep ini dominan dipengaruhi oleh ciri-ciri estetika pos-modern seperti: Pastiche, Parodi, Kitsch, Camp, dan Skizofrenia. Tujuannya agar seni pertunjukan menjadi lebih eksotik yang berkaitan dengan kepentingan ekonomi. Oleh karena itu, banyak aktivitas seni budaya Bali termasuk nilai sakralnya yang tergerus oleh proses sekularisasi yang cepat dan fantastis baik secara kualitas maupun kuantitas.