Search by property

This page provides a simple browsing interface for finding entities described by a property and a named value. Other available search interfaces include the page property search, and the ask query builder.

List of results

I Wayan Suardika + (Mr. I Wayan Suardika is a pengawi from the … Mr. I Wayan Suardika is a pengawi from the Nusa Penida region, he was born in Pelilit 08 June 1989, he has his address at Pelilit hamlet des Pejukutan Subdistrict Nusa Penida, Klungkung Regency, Mr. I Wayan Suardika studied elementary school at SDN 8 Suana, studying junior high school at SMPN 1 Nusa Penida, attended high school at SMAN 1 Nusa Penida, then took undergraduate and postgraduate education at the Ganesha education university by taking the Balinese language education study program. Since 2017 he has been writing Balinese literature purwahas been writing Balinese literature purwa)
I Wayan Turun + (Mr. I Wayan Turun is a writer who comes fr … Mr. I Wayan Turun is a writer who comes from Kesiman Village, East Denpasar District, Denpasar City, he was born in 1951, as a writer he often creates literary works in the form of geguritan, kidung, Puranas and others.Geguritan Penataran is one of the 108 literary works of Mr. I Wayan Turun. This geguritan is a work on the treatment of lontar which used to use tissue paper. Before writing geguritan Penataran, he had written many other literary works such as Kidung Kidalang Pricek, Geguritan Busana, Geguritan Balian Batur.He has been involved in literary arts since a young age, has become a very bright experience today, such as: being a staff at a Balinese museum, making temples and inscriptions, Gama Sesana researchers Aji Loka Trestih and Aji Loka Kertih and many others.With extraordinary works, he often makes literary works for several temples in Kesiman.From him, I learned that there are still many authors of Balinese literary works around us today, even though they are still located on the modern and bustling side of Denpasar City.modern and bustling side of Denpasar City.)
Ida bagus wiryanatha + (Mr. Ida Bagus Wiryanatha, he was born on M … Mr. Ida Bagus Wiryanatha, he was born on May 19, 1961 in Pejeng village, Gianyar. Is a native of Br Puseh Pejeng Village, Gianyar. Currently, he is a lecturer at the Indonesian HINDU University at the Faculty of Health. He has completed his last education S1 Dr. General at Udayana University and S2 Religion and Culture at the Hindu University of Indonesia. Mr. Ida Bagus Wiryanatha is the son of the late. Ida Peranda Wayan Ngenjung and the late Ida Peranda Istri Bun. Mr. Ida Bagus Wiryanatha has 1 very beautiful wife named Ida Ayu Wimba Ruspawati and from his marriage with his wife, he is blessed with 3 children.h his wife, he is blessed with 3 children.)
Catharina Widjaja + (Ms. Catharina Widjaja is Executive Vice Pr … Ms. Catharina Widjaja is Executive Vice President at Gajah Tunggal Group. From 2004 till recently, she held the position as Director for Corporate Communication and Investor Relations at PT Gajah Tunggal Tbk.Prior to joining the Gajah Tunggal Group, Ms. Widjaja worked for various multinational companies including Deutsche Bank AG, Jakarta, as a Foreign Exchange Dealer for two years from 1986 to 1988, and HSBC Indonesia, for nine years, where she last held the position of Country Treasurer. She received a Master of Science in Control Engineering from the University of Bradford in 1986 and also an alumni of MIT Sloan School of Management for the Executive program.Ms. Widjaja is also the Director of Alun Alun Indonesia, an Indonesian retail concept which promotes Indonesian products and artisans. In addition, Ms. Widjaja is active in several social activities including the United in Diversity Foundation, CCPHI, IBCA, IBCWE, YCAB and Yayasan Mitra Museum Jakarta. Ms. Widjaja was recognized as Global Trade Ambassador Indonesia by WIT-LA in 2019 and received TOP Leader on CSR Commitment by Business News Indonesia in 2018 and was nominated in the 2017 Telstra Business Women Awards.Cath also serves on the Board of BASAbali.Cath also serves on the Board of BASAbali.)
Muda Wijaya + (MUDA WIJAYA is a poet and theater actor wh … MUDA WIJAYA is a poet and theater actor who was born in 1974 in Kecicang, Karangasem, Bali. He completed education in Denpasar equivalent to high school in 1993.He was active in the Got Denpasar Theater and was involved in a number of performances in several places in Bali. Together with the Satu Kosong Elapan group, they played the script Death of A Salesman (2004) at Taman Ismail Marzuki in the Indonesian Realist Theater Stage. One of his poems was included in the Ten Best Poetry Writing Contest in Bali (2002) which was held at Udayana University Orok Theater.Winner of a poetry and short story writing competition at Balai Bahasa in Bali (2004). A number of his poems have been published in local and national mass media, including: Media Indonesia, Bali Post. Warta Bali, Cultural Traces Magazine (Banyuwangi), GM – Independent. His poetry has also been included in the poetry anthology with God of the Sky So Empty (Denpasar Language Center – 2004), short story nomination in the Tower anthology book (Denpasar Language Center – 2004), the anthology with Maha Duka Aceh published by PDS. HB. Jassin (2005), anthology of poetry from the Spirit of the Poets of Bali – West Java (Bukupop 2005), Jogja 5.9 Rithcer Scale (Bentang – 2006), Herbarium Poetry Anthology 4 Cities (Pustaka Pujangga – 2007).He has performed as a single performance art in the Gigir Manuk Multicultural Camp (2002) in KubuAddan, Buleleng, Bali. And was involved in a collaboration with William Miranda from Canada in the Eidepus Dance Drama which was played at the 2006 Bali Arts Festival.His book of poetry is entitled "Kalimah". Now he is active in Jatijagat Poetry Village, Bali. active in Jatijagat Poetry Village, Bali.)
Penanganan pemanasan global ring bali + (My esteemed judges, my beloved Basabali wi … My esteemed judges, my beloved Basabali wiki team, and my beloved brothers and sisters. Before I continue I would like to congratulate the Om Swastiastu community. I feel very fortunate to be able to participate in this activity, thank God, I can give my opinion on this Wikithon Contest on this beautiful day, allow me to express my opinion on the most important issue for our country. It's the problem of global warming. The Earth is getting hotter, as we feel in Bali, so we have to try to address global warming in Bali. Bali as a small island, but as a major tourist destination in the world should provide a powerful energy for the future. The development of global warming has become increasingly apparent. Increased pollution is one of the causes of global warming. Other causes are global warming and forest fires. In Hinduism, there is what is called the Tri Hita Karana, the three signs of happiness as man's relationship with God, man with man, and man with nature. The third point, the relationship between humans and the environment, is that the movement of planting trees is already taking place, but how do we develop a culture of caring for and maintaining these trees? That's all I can suggest. Let's consider this as a priority and the foundation of the main work program of the candidate leader who will be elected in 2024. I close with Parama santih, Om santih santih om.e with Parama santih, Om santih santih om.)
Putu Weddha Savitri + (My name is Putu Weddha Savitri and I was b … My name is Putu Weddha Savitri and I was born in Singaraja, 27th February 1981. I graduated from French Department, Padjadjaran University for my bachelor degree, and Lingustic Program, Udayana University for my Master degree. I am a lecturer in English Departement, Faculty of Arts, Udayana University since 2006, and I has interest in French language, linguistics, translation, and language teaching.stics, translation, and language teaching.)
keamanan daerah + (Nama: inyoman darma putra Absen :11 ORASI … Nama: inyoman darma putraAbsen :11ORASIom Swastiastu, perkenalkan wastan titiang i Nyoman darma putra,titiang saking br,samu, mekar Bhuana, Abiansemal -badungmasalah sane patut selesaiang teken pemerintah,masalah begal ring desa mekar Bhuana,ring jalan tingas ke sedangdrike biasane Wenten ade begal lan trek trek an,krane jalane drike sepi lan lampu penerangan Ten akehe drike sepi lan lampu penerangan Ten akeh)
I Gede Anom Ranuara, S.Pd., S.Sn., M.Si., M.Ag. + (Name : I Gede Anom Ranuara, S.Pd., S.Sn., M.Sc., M.Ag. Birthday : September 7, 1968 Occupation: Artist Status : Married)
Nancy Tingley + (Nancy Tingley is an independent art histor … Nancy Tingley is an independent art historian and consultant with a specialty in Asian art. She has worked extensively in the art world and as a museum curator. Nancy has written literary fiction in the closet for decades and has only just come out with the publication of the Jenna Murphy Mysteries. A Head in Cambodia (Swallow Press, 2017), which was nominated for a Lefty Award for best debut mystery, is the first in the series, and A Death in Bali (Swallow Press, March 2018) is the second.(Swallow Press, March 2018) is the second.)
I Wayan Udiana + (Nanoq da Kansas, real name Wayan Udiana, w … Nanoq da Kansas, real name Wayan Udiana, was born in Moding, Candikusuma, Jembrana, December 2, 1965. He is the founder of Teater Kene, Bali Experimental Theatre, Komunitas Kertas Budaya. He has also been with the Coffee Drink Studio. His literary works have been published in the Bali Post, Kompas, Nusa Tenggara, Karya Bhakti, Swadesi, Nafiri, etc. His published books are: Ladang Angin (1993) and Centuries After Women Hiding in My Body (2006), A Country That Might Not Have Time to Hear, Martabak & Cabinet, Village Children Who Challenge the Ages.inet, Village Children Who Challenge the Ages.)
I Putu Adhyaksa Narendra Krishna + (Narend was born on 14 April 2012. He has s … Narend was born on 14 April 2012. He has shown an interest in the art of shadow puppet from the age of two. He started performing as a puppeteer when he was only six years old. He includes environmental issues in his stories.He has his own YouTube channel: https://www.youtube.com/channel/UC_ckePCK__4GypMOw4_QzWgDuring his performances the gamelan gender is played by I Nyoman Yudi Artawiguna.der is played by I Nyoman Yudi Artawiguna.)
I Ketut Ngendon + (Ngendon was among the first of the Batuan … Ngendon was among the first of the Batuan painters to try the new art and was very influential on those who followed.Due to the fact that Ngendon was acquainted with both Spies and Bonnet at an early stage, and because he was involved in organising toursist events, his art seems to reach a higher degree of Westernisation than his contemporaries from the Batuan region. Paradoxically it may well be true that it is due to Ngendon's influence and artistic leadership that the Batuan painters as a group preserved their own identity and did not become epigenists of any western artist (unlike some painters from the Ubud region). Illustrative is the example told by I Ketut Tombelos (Margaret Mead's field notes), where it is said that Ngendon had a violent disagreement with Bonnet regarding the paternalistic interventions of the latter towards the style and choice subject of Ngendon. Professor Hildred Geertz perceives a strong taboo against any sign of modernisation evident in the work of Batuan painters (op. cit. p. 17). Still she rightly suggests that it was Western modernity and Western forms of power that fascinated and inspired Ngendon (op. cit. p. 19). The artist was a member of the Pita Maha artists' association.The present lot compares to a picture of the same subject of a pupil by Ngendon: I Made Djata, Collection Bateson & Mead, Princeton University, New Jersey (on loan), inv. no. B-134 (cf. literature: H. Geertz, Images of Power, p. 57, p. 56 illus). For further bibliographical notes see Geertz, pp.5-19; Hohn, pp. 43-51.al notes see Geertz, pp.5-19; Hohn, pp. 43-51.)
Ngurah Adil Widana + (Ngurah Adil Widana, was born in Negara, Ba … Ngurah Adil Widana, was born in Negara, Bali, September 14, 1963. Graduated from high school in Kota Negara, continued his education at the Health Academy and continued to the Faculty of Communication Studies in Denpasar. Then he worked at the Ministry of Health in Jembrana, at the Public Relations of the Jembrana Regency Government and finally worked at the Jembrana General Election Commission. learn to write literature self-taught. Several writings in the form of poetry and also cultural notes have been published in the Bali Post and other newspapers in Bali. The book of poetry with him is “Blengbong” (2021). Now he still works at the Jembrana General Election Commission office.mbrana General Election Commission office.)
Ni Kadek Anggreni + (Ni Kadek Anggreni, S.Pd. is the author of … Ni Kadek Anggreni, S.Pd. is the author of the book Trilingual Illustrated Dictionary (Bali-Indonesia-English) which she compiled based on her thesis research. Since childhood, she has been pursuing poetry and dreams of becoming a teacher who is loved by his students. Anggreni was born and raised in the highlands of Bangli and is eager to change the life of herself and his family for the better with proper education. She finished her undergraduate study at STKIP Suar Bangli (now ITP Markandeya Bali) in 2021. Bangli (now ITP Markandeya Bali) in 2021.)
Ni Kadek Novi Sumariani + (Ni Kadek Novi Sumariani, born in Karangase … Ni Kadek Novi Sumariani, born in Karangasem, 15 November 1996. She studied art at the Bali Design College. Since 2010 she has been active in many joint exhibitions, including “Parchment” at New Media (2015), Installation exhibition (ART I) at the Puri Painting Museum (2018), Balinese Women Artists exhibition (PBB) at Bali Cultural Park (2018), Merdeka in Expressions at the Bali Cultural Park (2019).ressions at the Bali Cultural Park (2019).)
Ni Kadék Widiasih + (Ni Kadek Widiasih was born in Banjar Magat … Ni Kadek Widiasih was born in Banjar Magatelu, Tista Village, Abang Subdistrict, Karangasem on June 14, 1984. She has studied composing since 2007. Her works are in the form of poetry and prose and have been published in Bali Orti (Bali Post) and Mediaswari (Pos Bali) since November 2007. In 2015 Widiasih received the Widya Pataka award from the Governor of Bali for her collection of poems entitled “Sang Kinasih”. A collection of her published works are:“Gurit Pangawit” (Poetry Collection, 2008)."The Kinasih" (Poetry Collection, 2015).. "The Kinasih" (Poetry Collection, 2015).)
Ni Ketut Reneng + (Ni Ketut Reneng is a maestro of Balinese d … Ni Ketut Reneng is a maestro of Balinese dance. She was born in Banjar Kedaton, Denpasar, 1909. Both of her parents died when Reneng was young. Then she devoted himself to Geria Punia. She learned to dance when she was a child to A.A. Ngurah Jambe, Salit Rengis and Nyarikan Sriada. Reneng had learned to dance leaning with Ida Bagus Bodha from Kaliungu Kelod and A.A. Rai Perit from Sukawati. She is one of the creators of Pendet Dance. Together with I Wayan Rindi, they decided to make a dance by taking the standard of the Pendet Wali Dance as the spirit of the dance. The Legong Keraton group, which was formed in 1919, became big thanks to Reneng's services. At that time she also mastered various types of palegongan dances such as the Condong Pelayon Dance, Legong Pelayon, Lasem, Kuntul, Jobog, Goak Macok and Legod Bawa. She was also a member of the Janger Dance group in Banjar Keton in 1928 and recalled her in Batavia (Jakarta) in 1929. Together with her colleague Ni Pollok, Reneng had worked as a model for a Le Mayeur who lived in Sanur. Reneng has also been a fare teacher on the shores of Lake Batur at the request of the writer and humanist Sutan Takdir Alisyahbana.ter and humanist Sutan Takdir Alisyahbana.)
Ni Komang Ariani + (Ni Komang Ariani was born in Bali, May 19, … Ni Komang Ariani was born in Bali, May 19, 1978. She is a very prolific writer of short stories and novels. Hershort stories have been published in Kompas, Jawa Pos, Media Indonesia, etc. His published books include: Lidah (2008), Senjakala (2010), Not the Empress (2012), Jas Putih (2014), Marigold (2019). In 2008 she became the first winner of the Femina Continuing Story Writing Competition through the novel “Nyanyi Sunyi Galang Tebing”. Her works have also been included in the short stories of Kompas' Choices. Now she lives in Jakarta.Kompas' Choices. Now she lives in Jakarta.)
Ni Komang Atmi Kristiadewi + (Ni Komang Atmi Kristiadewi was born in Den … Ni Komang Atmi Kristiadewi was born in Denpasar on June 24th, 1990. She studied art at a fine arts high school (Sukawati State Vocational High School 1), graduating in 2008. She later continued her education at the Republic of Indonesia Teachers Association of Bali Institute of Teacher Training and Pedagogy choosing Fine Arts as a field of study. Then she continued and finished her education at the Denpasar Postgraduate Institute of Indonesian Art with a course of study in Art Composition in 2015.Atmi became involved in the art world owing to inspiration from Japanese animation and taking it up as a hobby. Her uncle worked as an artist and greatly inspired Atmi to become an artist. Atmi's images are in the naive style using bright colors. The strength of these naive images emerges through a lengthy process which is created due to her efforts to put herself in the position of children and the experience of interacting with the students she teaches.In 2011, Atmi held her inaugural solo exhibition at Ten Art Gallery, Sanur, under the theme “Polusi Rasa”. In 2015 she held her second solo exhibition entitled “Apah” in Sudakara Art Space, Sanur. In addition, she also actively holds exhibitions with others, both at home and abroad. Through her artwork, Atmi hopes to share her experiences about the world of children interwoven with wider subject matters, such as environmental, technological, cultural, social criticisms, and so on. Visually, Atmi chooses naivism to express her inner anxieties. In 2014, Atmi’s work successfully entered the ranks of works in Kompas’s 2014 Short Story Illustration Exhibition. 2014 Short Story Illustration Exhibition.)
Ni Luh Gde Vony Dewi Sri Partani + (Ni Luh Gde Vony Dewi Sri Partani, born in … Ni Luh Gde Vony Dewi Sri Partani, born in Denpasar, June 28, 1978. She studied painting on her own. Since 2012 she has been actively displaying her work in various joint exhibitions, such as the Kartini Day exhibition at Warung Yaya, Sanur (2012), Pararelissmo at Farabi Bali (2013), "Alignment" at Bidadari Art Gallery, Ubud (2013), Bali Art Fair at Maha Art Gallery (2013), I Love My Mom at Seniwati Artspace, Ubud (2016), She Paint Her Sky at Krisnalila Foundation (2018), Jabuik Tabao Padang at Bentara Budaya Bali (2018), Luwih Utamaning Luh at Bali Cultural Park (2018 ), Indonesia Satu at the Pullman Hotel, Jakarta (2019), Vidya Diva at the Bali Cultural Park (2019). She held her first solo exhibition in 2011 entitled “Women” at Serambi Arts Antida, Denpasar, and in 2012 held an exhibition of Make Up Artist Graffiti at Yaya Artspace. Apart from painting, she pursues the art of makeup and hair styling.ursues the art of makeup and hair styling.)
Ni Luh Putu Wulan Dewi Saraswati + (Ni Luh Putu Wulan Dewi Saraswati, comes fr … Ni Luh Putu Wulan Dewi Saraswati, comes from Busung Biu Village, Buleleng. Born on July 10, 1994, she studied S1 at Undiksha, Department of Indonesian Language and Literature Education, then studied linguistics at the Postgraduate Program at Udayana University. She is now a teacher of Indonesian for foreign speakers at the Cinta Bahasa Foundation and is currently part of the Mahima Community and Theater Circle. Her anthology of poetry entitled A Thousand Mornings of Love was published in 2017.nd Mornings of Love was published in 2017.)
Ni Luh Wida Apriliani, S.Pd + (Ni Luh Wida Apriliani, S.Pd. with the pen … Ni Luh Wida Apriliani, S.Pd. with the pen name Nulus Asih. He is one of the Balinese writers of geguritan who lives on Jl. Raya Semer, Gang Tunjung Mekar no.11, Peliatan Environment, Kerobokan Village, North Kuta District, Badung Regency. She was born in Gelunggang on April 5, 1993. She is the daughter of I Wayan Wiartana and Ni Ketut Sumartini. His current job is as a Balinese language instructor in Tanjung Benua Village.guage instructor in Tanjung Benua Village.)
Ni Made Ayu Marthini, M.Sc. + (Ni Made Ayu Marthini is currently Deputy M … Ni Made Ayu Marthini is currently Deputy Minister for Marketing Ministry of Tourism and Creative Economy. Formerly Bu Made was Director of Bilateral Negotiations, Directorate General of International Trade Negotiations, Ministry of Trade Republic of Indonesia where she oversaw 19 on goings and up-comings Indonesia's bilateral trade negotiations with its trading partners.Previously, Bu Made was the Director for Center of Policy Harmonization and Director for Center of Strategic Issues at the Ministry of Trade and concurrently the Minister's staff for one year (2015-2016). From 2011-2015 she was posted overseas as Indonesian Trade Attaché in Washington D.C., USA.Made started her career in 1996 as a staff to Department of Foreign Affairs of the Republic of Indonesia where she held several positions as Head of Sections of UNCTAD, Directorate of Multilateral Economic Cooperation, Department of Foreign Affairs of the Republic of Indonesia. Later on, she was posted at Permanent Mission of the Republic of Indonesia to the United Nations in New York, United States of America, taken care of Development and Economic affairs. As she returned to Indonesia in 2004, she was positioned as Head of Foreign Trade Agreements Subdivision, Directorate of UN Economy & Environment Development, Department of Foreign Affairs of the Republic of Indonesia.After 10 years career at the Ministry for Foreign Affairs she moved to Ministry of Trade of the Republic of Indonesia in 2006, where she hold several positions as Head of News & Publications, official at Legal Bureau and Head of News & Publication, Public Relations Center, at the same time she was seconded as the Assistant for Minister of Trade at Minister's office for six years, before she was getting posted in the USA. Made holds a Master’s degree in Politics of the World Economy from the London School of Economics and Political Science, London, and Bachelor’s degree in International Relations from Gadjah Mada University,Yogyakarta, Indonesia. In 2015, she joined the Executive Education at Harvard Kennedy School in Boston to master trade policyarvard Kennedy School in Boston to master trade policy)
Ni Made Budi Utami + (Ni Made Budi Utami was born on May 19, 197 … Ni Made Budi Utami was born on May 19, 1979 in Denpasar, Bali. She completed her undergraduate education at the Agro food Technology, Udayana University. She has some experience in editing and journalism. She became junior editor at SALAM Magazine, published by VECO Indonesia in 2005 – 2006, as an editor at SALAM Magazine, published by VECO Indonesia (2007—2009), editor at PETANI Magazine, published by Indonesian Organic Alliance (2010), editorial team of Core Function Analysis Facilitation Manual—MAP Timor Leste & GIZ (2011) and became freelance journalist (2011-2012). Since 2019 she has joined BASAbali Wiki as Administration and Financial Director. She has participated in Investigative Reporting Training, held by Yayasan Pantau and as a participation in The Climate Change Action Training, held by The Climate Project Indonesia and Yayasan Pembangunan Berkelanjutan in 2010.and Yayasan Pembangunan Berkelanjutan in 2010.)
Ni Made Frischa Aswarini + (Ni Made Frischa Aswarini. Born on October … Ni Made Frischa Aswarini. Born on October 17, 1991. She studied History at Udayana University, Bali and writes journalistic works, scientific works, essays, poetry and short stories. Her poems have been published in various media including translated into French for the journal Le Banian (2016) and the poetry anthology Couleur Femme (Jakarta-Paris Forum and AF Denpasar, 2010); translated to English in Happiness anthology,The Delight-Tree 2 (United Nations SRC Society of Writers, 2016). Two of her poetry books are entitled Portraits on the Table (2012) and Signs for Questions (GPU, 2017). Because of her poetic imprint, he became one of the speakers at the 2013 Ubud Writers & Readers Festival, as well as a cultural dialogue speaker at Publica, Kuala Lumpur. She was selected to participate in Canada World Youth (Kemenpora RI, 2014-2015) and helped compose a biography of the artist Made Wianta entitled God's Time (2008). Tanda for Tanya (2017) is a collection of poetry that is included in the top 10 categories of First or Second Work, Kusala Sastra Khatulistiwa 2017-2018. Now, she works as a historical research assistant and presenter at TVRI Bali. Active in the Sahaja Community, Denpasar. Instagram account: @frischa_aswarini.enpasar. Instagram account: @frischa_aswarini.)
Ni Made Purnama Sari + (Ni Made Purnama Sari was born in Klungkung … Ni Made Purnama Sari was born in Klungkung, Bali, March 22, 1989. Graduated from the Department of Anthropology at Udayana University, then continued to Masters in Social Development Management, University of Indonesia. She wrote poetry, short stories and essays and was published in a number of newspapers, including Kompas, Koran Tempo, Media Indonesia, Jawa Pos, Bali Post. Her poetry was translated into English and French.Since 2007, she has won various writing awards, including 2nd place in the short story competition at Balai Bahasa in Bali, 3rd place in Short Story Writing at the Jakarta Language Center, General Winner of the 2007 Sampoerna AGRO Poetry Writing and Reading Contest in Indonesia and 2nd Place in the National Poetry Writing Competition of the Semarang Arts Council. 2007. Her essay won first place in the Kompas Gramedia Essay Competition (2007). He has often won various poetry reading competitions, and read short stories since he was in junior high school.His poetry has been included in the anthology of the 100 Best Indonesian Poems, the Pena Kencana Sastra Award (2007), the anthology book of the 5 Cities Poetry Gathering in Payakumbuh “Kampung Dalam Diri” (2008), and the Best Indonesian Poetry Anthology of the Pena Kencana Sastra Award (2008 and 2009), the Gathering Indonesian Literature (2010 and 2011), Ubud Writers and Readers Festival Anthology (2010), 'Couleur Femme' Anthology: A Collection of Indonesian-French Poetry published by the Alliance Francaise Denpasar and the Jakarta Paris Forum (2010) and so on. In addition, her work (biographical essay) has also been published under the title 'Time of God: Wianta' (2007). She also took part in the Folklore Writing program of the Jakarta Language Center in 2010.Ni Made Purnama Sari has been invited to various events, both literary performances and discussions, in Bali as well as in several other areas in Indonesia, including Malang, Surabaya, Yogyakarta, Padang and Jakarta, including the Discussion and Launch of the Short Story Anthology Book 'Lobakan' which discusses the relationship between between literature and the history of the 1965 events in Bali (2009) at the Goethe Institute Jakarta. In addition, she was also invited to the Southeast Asian Assembly Writing Program (MASTERA): Essays organized by the Jakarta Language Center (2009), Mentor of the Tempo-Institute Essay Writing Program and Leadership Workshop (2010), Literature Gathering Mitra Praja Utama (MPU) in 2010, the international literary festival Ubud Writers and Readers Festival (2010), the IV Indonesian Sastrawan Gathering in Ternate (2011), the Writers Journey program with Australian writers (2012), and the 2014 Padang Literary Biennale. Her first poetry anthology, “Bali – Borneo” (2014), received an award from the 2014 Indonesian Poetry Day Foundation.the 2014 Indonesian Poetry Day Foundation.)
Ni Made Rai Sri Artini + (Ni Made Rai Sri Artini. She was born in Ke … Ni Made Rai Sri Artini. She was born in Kerobokan, Badung, Bali, November 17, 1978. She has been writing poetry and short stories since he was a teenager. Her works have been published in Bali Post, Denpost, Pos Bali, Tatakala.co, and so on. Some of her poems are also collected in joint books, such as “Ning” (2001), Mengmunyah Geram (2017).as “Ning” (2001), Mengmunyah Geram (2017).)
Ni Made Sri Andani + (Ni Made Sri Andani, born in Bangli, Octobe … Ni Made Sri Andani, born in Bangli, October 10, 1965. She completed her studies at the Faculty of Veterinary Medicine, Udayana University. Currently, she serves as Marketing Director of a Fast Moving Consumer Goods company in Jakarta. Her hobbies are writing, gardening and drawing. Her work in the world of writing began when she was a teenager by filling in school or college magazines with poetry or short stories. In addition, she saves a lot of her writings on her personal blog at https://nimadesriandani.wordpress.com. There are about a thousand of his writings on the blog. She is also diligent in sending her writings to Kompasiana and Balebengong. The types of writings published on blogs are very diverse, mostly about life, inspiration, motivation, gardening, traveling, art and culture. Her published book is "Balanced Life, A Journey For Happiness, 100 Inspirational Stories" (Expression Library, 2021).ional Stories" (Expression Library, 2021).)
Ni Made Sri Purnami + (Ni Made Sri Purnami, S.Sos, known as Kadek … Ni Made Sri Purnami, S.Sos, known as Kadek Purnami, was born in Ubud, Bali, 19 April 1981. She is one of the initiators of the Ubud Writers & Readers Festival (UWRF), an international festival founded in 2004 by Janet de Neefe. Her position in the festival was Community Development Manager, then General Manager in 2014 - 2020. She was also involved in establishing the Mudra Swari Saraswati Foundation which oversees UWRF. In addition, she is also often involved in organizing visual art exhibitions, installations and videos (2005 -2006). She has worked in a production house in Bali and worked on a TV program entitled “Jejak Niaga”, which reviews the success profile stories that were broadcast on TVRI Bali (2003-2004). She graduated from the Faculty of Social and Political Sciences, majoring in Communication majoring in Public Relations, Atmajaya University, Jogjakarta and Diploma in Management, majoring in marketing. She also likes to fill her time by painting, writing short stories and poetry which is occasionally published in local print media. In 2012, She published a collection of short stories entitled "Because of Love" which contains 12 short stories about life in Bali. contains 12 short stories about life in Bali.)
Ni Nengah Mega Risna Dewi + (Ni Nengah Mega Risna Dewi was born in Denp … Ni Nengah Mega Risna Dewi was born in Denpasar, September 12, 1995. She graduated from art education at ISI Denpasar. Since 2013 she has been active in many joint exhibitions, including the exhibition "Human Space" at the Bali Cultural Park (2016), "Repositioning" at Discovery Mall Kuta (2018), "A Good Life For Orangutans" at the Jogja National Museum (2019), " X-TION” at Bentara Budaya Bali (2019), and “Freedom in Expression” at Bali Cultural Park (2019). Expression” at Bali Cultural Park (2019).)
Ni Nengah Widiasih + (Ni Nengah Widiasih was born in Kubu, Karan … Ni Nengah Widiasih was born in Kubu, Karangasem, Bali, December 12, 1992. She finished her schooling at SMA Dwijendra, Nusa Dua. Since she was a teenager, she was known as a para-powerlifting athlete who made Indonesia proud. She became paralyzed at the age of three and had to use a wheelchair. But she was not discouraged. She has studied weightlifting since elementary school. In junior high school, she won the National Weightlifting Championship by obtaining a Gold Medal in 2006. In addition, she won the ASEAN Paragame Bronze Medal in Thailand (2008), the ASEAN Paragames Silver Medal in Malaysia (2009), the ASEAN Paragames Gold Medal in Solo (2011), Silver Medal at the Asia Open in Malaysia (2013), Gold Medal at the ASEAN Paragames in Myanmar (2013), Silver Medal at the Asian Paragames in Incheon (2014), Bronze Medal at the Paralympic Games in Brazil (2016), Silver Medal at the Asian Paragames in Jakarta (2014), Tokyo Paralympic Silver Medal (2020).14), Tokyo Paralympic Silver Medal (2020).)
Ni Nyoman Polok + (Ni Nyoman Pollok was a Balinese dancing le … Ni Nyoman Pollok was a Balinese dancing legend from Kelandis.In the 1930s, Belgian artist, Adrien Jean Le Mayeur, saw Ni Pollok dance the Legong Keraton. He asked her to become a model for his paintings. Le Mayeur eventually married Ni Pollok and together they build a house in Sanur which later became a museum.ouse in Sanur which later became a museum.)
Ni Nyoman Sani + (Ni Nyoman Sani was born in Sanur, Bali, Au … Ni Nyoman Sani was born in Sanur, Bali, August 10, 1975. She graduated from the fine arts department of ISI Denpasar. Apart from painting, she is also interested in photography, poetry, and fashion. Sani's paintings talk a lot about women in the context of the world of fashion shows. The colors of the paintings are soft and very feminine.Since 1995, Sani has been actively displaying her work in joint exhibitions, both at home and abroad. Her solo exhibitions include Life Style at the Seniwati Gallery (Ubud, 1997), Pose at the Amankila Hotel (Candidasa, 1999), All About Women at Kiri Desa Gallery (Singapore, 2002), The Pleasure of Looking at Griya Santrian Gallery (Sanur, 2002). 2003), Between Two Worlds at O House Gallery (Jakarta, 2007), Women at Curiocity Nafa Me Fashion Gallery (Singapore, 2008), Residency in Haarlem (Netherlands, 2009), The Adventure of My Soul at Bentara Budaya Bali (2011) , Enigma in Fusion Style (Ubud, 2012). In 2000, a painting by Sani was included in the 100 Finalist of Philip Morris, Jakarta.he 100 Finalist of Philip Morris, Jakarta.)
Ni Nyoman Srayamurtikanti + (Ni Nyoman Srayamurtikanti is a gamelan mus … Ni Nyoman Srayamurtikanti is a gamelan musician and is also pursuing her career as a composer. Sraya was born on October 3, 1996 and is the daughter of an artist from Celuk Village, Sukawati, Gianyar. She has studied gamelan since she was in elementary school. She was educated at SMKN 3 Sukawati (KOKAR/SMKI Bali) majoring in Karawitan, Indonesian Art Institute Denpasar majoring in Karawitan, and is currently pursuing a Masters Study Program at the Indonesian Art Institute Surakarta. Sraya is the head of the Sanggar S'mara Murti which was founded by her father, which was then continued by Sraya. This studio is engaged in traditional arts, especially Balinese Gamelan and also its development. Sraya started to compose music in 2017 with the guidance of her father who is also a composer and singer. The musical works created by Sraya are based on tradition and innovation.Sraya had the opportunity to represent Indonesia in the ASEAN Youth Camp event in Sagada, Philippines (2015), Student Exchange AIM Program at University Malaya (2016-2017), became a composer in the Komponis Kini - Tribute to Wayan Beratha event (2019), became a composer in the National Cultural Parade (2019) representing Bali, being the 5th best composer in the Creative Music Competition – Taksapala Festival, Badung Bali, collaborating with a choreographer from Mexico (2021), and most recently being one of the composers in the Southeast Asia Music Session Indonesia Edition (2021). The compositions that have been created are: Kangkat (2017), SoS (2017), Love is God (2017), Rain-Ly (2017), Krepetan (2018), Selaka (2018), A Ketel (2018), Lango Wangi (2019), Titik Nol (2019), Candra Buana (2019), Speech Delay (2020), Padma Semarandhana (2020), Gelung (2020), Resing Langit (2020), Garba (2020), Empowerment (2021), Nyikzag (2021), Mulat Sarira (2021), etc. Nyikzag (2021), Mulat Sarira (2021), etc.)
Ni Nyoman Tjandri + (Ni Nyoman Tjandri is one of the few female … Ni Nyoman Tjandri is one of the few female puppet masters in Indonesia. Born to an artist father, Tjandri was familiar with and fond of all forms of the Balinese performing arts, especially the arja, a Balinese traditional drama that incorporates music and dance. The talented Tjandri gradually developed superb dance and vocal techniques through interaction with her father, I Made Kredek, and fellow artists. After her father's death, Tjandri decided to learn the Kawi language to continue his efforts to master Balinese literature. She went to the well-known dalang I Nyoman Ganjreng. Instead of giving Kawi lessons, Nyoman Ganjreng gave the girl four puppet figures. The puppet master told her she had to master the Kawi language through wayang stories, mostly derived from Ancient Indian and East Javanese epics and legends. In 1979 Tjandri decided to learn the art of the dalang seriously and intensively. All wayang performances present a story, which is told by a dalang. A dalang must master at least 100 stories and be able to enliven each of the characters portrayed with distinctive vocal sounds. Being a dalang, one must have plenty of physical stamina and a thorough knowledge of both the ancient Kawi language and high and low Balinese language, as well as its literature. Tjandri is frequently invited to perform both on local and overseas stages.perform both on local and overseas stages.)
Ni Putu Devy Gita Augustina + (Ni Putu Devy Gita Augustina, with the pen … Ni Putu Devy Gita Augustina, with the pen name Devy Gita, was born in Singaraja. She graduated from Ganesha Education University, Singaraja in English. She teaches at Bali Kiddy Elementary School and joined the Mahima Community, Teater Kalangan, Kacak-Kicak Puppet Theater. Her poems are published on Saatkala.co and summarized in the book Sang Guru (2019).d summarized in the book Sang Guru (2019).)
Ni Putu Putri Suastini + (Ni Putu Putri Suastini was born in Denpasa … Ni Putu Putri Suastini was born in Denpasar, January 27, 1966. Since she was a teenager, she has been active in literature and theater. She has joined the Wind Theater, Tiger Tutul Studio, Badung Mini Theatre, August Theater, White Studio. She published poetry books are Bunga Merah (2017) and Rumah Merah (2018). Ni Putu Putri Suastini Koster is well known among local Balinese and Indonesian artists.ong local Balinese and Indonesian artists.)
Ni Putu Rastiti + (Ni Putu Rastiti, currently works as a nurs … Ni Putu Rastiti, currently works as a nurse at the Bali Mandara Hospital, Sanur. Her works have been published in local and national media and have been included in several anthologies. Her first collection of short stories was titled The Tree of Wishes. Several times she was invited to the National Writers' Meeting. She was last invited as a young writer at the Ubud Writers and Festival 2016. Her poetry has been translated into French and her short stories into English.French and her short stories into English.)
Ni Wayan Murni + (Ni Wayan Murni was born in Penestanan, Bal … Ni Wayan Murni was born in Penestanan, Bali. Murni is a well-known and much loved personality on the Bali scene and a pioneer of Balinese tourism.Shops and RestaurantDuring her extraordinary life Murni has lived in Sanur and Ubud and hastravelled widely. By the early 1970s she owned 4 shops on Sanur beach andhad opened Ubud’s first real restaurant, Murni’s Warung, overlooking theCampuan River. Since then thousands of people have enjoyed her food andhospitality. She is still very active in the restaurant.There are YouTube videos on youtube.com/watch?v=zf3VVj7gx8g andyoutube.com/watch?v=KWTgnXtOlpAAsian Antiques and TextilesDuring her adult life Murni has been busy collecting and becoming an experton Asian antiques and textiles and many of them are to be found in Murni’sWarung Shop beside the restaurant. She was the first person in Ubud to havea proper gallery of antiques, textiles, costumes, old beads, tribal jewelry,stone carvings, masks and other ethnic pieces. Many of her pieces aremuseum quality and her fine arts credentials are impeccable. Murni is amember of the Thai Textile Society.ExhibitionsIn 2007 and 2009 Murni exhibited part of her collection at the prestigiousshows, Arts of Pacific Asia and Tribal Arts & Textiles, in San Francisco andgave a lecture on Balinese textiles to the Textile Arts Council at the de YoungMuseum. Murni understands and participates in Balinese culture on a dailybasis and plays in a women’s gamelan group at important religiousceremonies.Articles and BooksMurni has written numerous articles on Balinese art and culture and the bookSecrets of Bali, Fresh Light on the Morning of the World by JonathanCopeland and Ni Wayan Murni published by Orchid Press in 2010 is in itssecond print run. It is also available as an ebook on its own web site:www.secretsofbali.com and www.murnis.comMurni’s Very Personal Guide to Ubud by Ni Wayan Murni and photographs byJonathan Copeland was published in October 2011 and is available as anebook on www.murnis.com and all online retailers.Ni Wayan Murni and Jonathan Copeland wrote From Tattoos to Textiles,Murni’s Guide to Asian Textiles, All You Need to Know ... And More, which isan ebook available on www.murnis.com and all online retailers.Murni’s Bali Tours, Where to go, What to Do and How to Do It is an ebook of7 special tours was written and designed for guests staying at Murni’s Housesto bring with them on the tours It is an ebook available on www.murnis.comand all online retailers.Murni’s HousesIn the early 1980s Murni started to construct Murni’s Houses in Ubud, acomplex of seven extraordinary residences and open-air pavilions amid agarden full of flowers, statues, fountains, trees and shrubs lying all by itselfnext to open fields. It is a wonderful introduction for first timers to Bali and adependable refuge for her many guests who return each year. Just 5 minuteswalk from the main road and accessed through a traditional Balinese roofedgate, it’s a place of tranquility. Residential photography tours and Spapackages are available. There are YouTube videos onyoutube.com/watch?v=Cd1A2xgNlDc andyoutube.com/watch?v=3vCnSMavfRkTamarind Spa at Murni’s HousesMurni’s latest venture is the creation of Tamarind Spa at Murni’s Houses,which was listed as the top spa in Ubud on Trip Advisor within 3 months of itsopening. Tamarind Spa brings all these aspects of Balinese art, luxury, andculture together in one healing experience. There is a YouTube video onyoutube.com/watch?v=h4IscHN4dqoHousesShe also has houses in Penestanan for long-term rent.Anniversary of Murni’s WarungTo celebrate the 40th anniversary of Murni’s Warung, Forty Delicious Years,Murni’s Warung, Ubud, Bali, 1974–2014, From Toasted Sandwiches toBalinese Smoked Duck was published in 2014.It has its own web site: www.fortydeliciousyears.com and YouTube videowww.youtube.com/watch?v=YFq22MYP-_s. It is also available as an ebookon www.murnis.com and all online retailers.BlogMurni and Jonathan Copeland have a joint blogAn eclectic blog concentrating on Bali but taking in the WorldSocial MediaMurni’s Warung, Murni’s Warung Shop, Murni’s Houses and Tamarind Spaare on Trip Advisor, Facebook and Google+ and Murni is on Twitter andLinkedin.Books and Ebooks• Secrets of Bali, Fresh Light on the Morning of the World• Murni’s Bali Tours, Where to go, What to do and How to do it• Forty Delicious Years, 1974-2014, Murni's Warung, Ubud, Bali• Murni's Very Personal Guide to Ubud• From Tattoos to Textiles, Murni's Guide to Asian Textiles, All You Need toKnow…And More Asian Textiles, All You Need to Know…And More)
Nick Burgoyne + (Nick Burgoyne has been living in Bali, on … Nick Burgoyne has been living in Bali, on and off, since 1990 with his Balinese wife and two children, to a small village where I am the only foreigner.Writes Nick: "We love to walk the small lanes and paths through the rice paddies and I love to shoot what I see there, especially local farmers, whose faces so accurately and poignantly chronicle their lives. I shoot with a Canon 5D mk III and use Nik plugins for post-processing." and use Nik plugins for post-processing.")
Nigel Simmonds + (Nigel has more than 30 years experience as a writer and content creator with a 16 year old daughter who has taught him more than he cares to admit about social media marketing and digital mastery. Nigel is ... mrcontent.)
Bali Metangi + (Nnn)
Suara tan Kapireng + (Nowadays young people often argue about th … Nowadays young people often argue about the problems faced today regarding the advancement of existing infrastructure and facilities by speaking according to their abilities but not listened to by the government and sometimes ignoredSo we also have to improve our courage by learning and being serious about creating work and studying so that we can move forwardk and studying so that we can move forward)
Suara Remaja + (Nowadays young people often argue about th … Nowadays young people often argue about the problems faced today regarding the advancement of existing infrastructure and facilities by speaking according to their abilities but not listened to by the government and sometimes ignoredSo we also have to improve our courage by learning and being serious about creating work and studying so that we can move forwardk and studying so that we can move forward)
Nur Wahida Idris + (Nur Wahida Idris was born in Ketugtug, Eas … Nur Wahida Idris was born in Ketugtug, East Loloan, Negara, April 28, 1976. She completed her studies at the Department of Crafts/Textiles, Faculty of Fine Arts, ISI Yogyakarta. In addition to the Bali Post, her poetry has been published in Kompas, Koran Tempo, Suara Merdeka, Jawa Pos, Bernas, Sunday Morning, Prince Claus Fund Journal and Horison Literature Magazine, as well as in joint anthologies, including Kidung Kawijayan, Philanthropy, Pedas Lada Pasir Quarsa, Lingua Franca Conversation and Living Together. Her poetry received awards from the Indonesian Ministry of Education and Culture, the Lampung Arts Council and the Yogyakarta Language Center. Her single book of poetry, Springs of Roots of Trees (2008). She was invited to read his poetry at the Yogyakarta Arts Festival XVII/2005, the 2005 International Literary Biennale in Bandung and the Jakarta Arts Council, 2006. As the Director of Akar Indonesia, she also manages the Yogyakarta Rumahlebah Community.nages the Yogyakarta Rumahlebah Community.)
Nuryana Asmaudi SA + (Nuryana Asmaudi SA was born in Jepara, Cen … Nuryana Asmaudi SA was born in Jepara, Central Java, March 10, 1965. He writes poetry, short stories, essays, art reviews, Kalon scripts, etc. His writings have been published in a number of local and national media. His poems are summarized in a number of joint anthologies, including Travel (1990). Since 1996, he has been living in Bali, managing the TenSutBeh Literature House with Umbu Landu Paranggi, Raudal Tanjung Banua, Riki Dhamparan Putra, et al (1996 – 2008). Together with Umbu Landu Paranggi, he participated in fostering literary appreciation activities for students around Bali (1997 until the early 2000s). Apart from writing literature, he also worked as a journalist, having joined the Bali Post Media Group. Since 2011 until now, he has worked as an Editor at the Bali Tribune. Since 2008 he has lived and co-managed the Snerayuza Art Studio with the painter Made Budhiana. His single book of poetry is “The Moon Prayer for Pungguk (2016), “Taman Perkap Bulan” (2018). The third book of poetry is ready to be published.d book of poetry is ready to be published.)
Nyoman Diwarupa + (Nyoman Diwarupa, born in Bali, April 7th. … Nyoman Diwarupa, born in Bali, April 7th. He completed his art education at ISI Denpasar in 1998. Since 1992 he has been actively participating in joint painting exhibitions, such as the “Force of 92” exhibition at the Art Center (1992), “Sebelas Art Group” at Darga Gallery, Sanur (1996), “Kuta Art Cromatic” in Kuta (2013), and so on. His works tend to be abstract. He joined the founding community of Galang Kangin and Militanart.community of Galang Kangin and Militanart.)
Nyoman Gunarsa + (Nyoman Gunarsa was born in Klungkung, Apri … Nyoman Gunarsa was born in Klungkung, April 15, 1944. He graduated from ASRI Yogyakarta. He is one of the founders and important figures of Sanggar Dewata Indonesia. In 1989, he founded the Nyoman Gunarsa Indonesian Museum of Contemporary Painting in Yogyakarta and in 1994 founded the Nyoman Gunarsa Balinese Classical Painting Museum in Klungkung. He has exhibited his works at home and abroad. Many of his works feature figures of Legong dancers with expressive strokes. He won the Dharma Kusuma award from the Provincial Government of Bali in 1994. In 2017, Gunarsa passed away.ali in 1994. In 2017, Gunarsa passed away.)
Nyoman Rasta Sindhu + (Nyoman Rasta Sindhu is a writer and journa … Nyoman Rasta Sindhu is a writer and journalist who was born on August 31, 1943 in Denpasar and died on August 14, 1972. For his dedication to literature, he received the "Dharma Kusuma Madya" Award from the Governor of Bali, Ida Bagus Mantra.He studied at the Faculty of Letters and Culture, Gajah Mada University, then moved to Udayana University majoring in Antiquities. He became a journalist and editorial staff of the Balinese edition of “Suluh Marhaen” art and culture (now Bali Post). In addition, he is also one of the editors of the Bali Courier magazine (1971).His works are spread in various mass media, including Kompas, Sinar Harapan, Horison literary magazine, Indonesian pulpit, Basis, Sastra. One of his most famous short stories, “When Kentongan was Beaten at Bale Banjar”, was published in the German anthology of Indonesian prose, Perlen im Reisfeld, Indonesia (1971). The short story was published in Horison magazine No.1 Th.IV January 1969 and won the Horizon Literature Prize.Most of his works contain opposition to the orthodoxy of Balinese views or beliefs. His social protests are not out of hatred, but rather because he loves Bali so much. However, until now there has been no publisher who has compiled his works as a whole, so that we have difficulty being able to enjoy his literary works.ty being able to enjoy his literary works.)
Nyoman Sujana + (Nyoman Sujana alias Kenyem is a painter bo … Nyoman Sujana alias Kenyem is a painter born in Sayan, Ubud, September 9, 1972. He completed his art education at ISI Denpasar. Since 1992 he has been active in many joint exhibitions. Meanwhile, since 1996 he has displayed his works in solo exhibitions at home and abroad. These include “A Place Behind The House”, Komaneka Gallery, Ubud (2016), “Highest”, Philo Art Space, Jakarta (2013); G13 Gallery, Kelana Jaya, Selangor, Malaysia (2013); “The Bicycle Diaries”, Komaneka Art Gallery, Ubud, Bali (2011), “The Bridges of Nature”, D'Peak Art Space, Singapore (2009). Kenyem's works display the concept of balance (harmony) in the context of human relations with humans, nature, and God. Kenyem works in a meticulously detailed manner, often with calligraphic fields. Iconic to his paintings are small androgynous figures that appear to be dancing. Trees and especially leaves are a recurrent visual motif, as are large hovering rocks. Everything is carefully shadowed to givethe impression of floating. Kenyem is one of the founders of the Militant Arts community of artists.of the Militant Arts community of artists.)
Nyoman Sukaya Sukawati + (Nyoman Sukaya Sukawati was born on Februar … Nyoman Sukaya Sukawati was born on February 9, 1960. He has been actively writing poetry since the 1980s in the literary section of the Bali Post Sunday newspaper under the care of the poet Umbu Landu Paranggi. Apart from writing poetry, he is also diligent in writing short stories, articles, painting, and other artistic activities.He knows the world of writing by being active in the world of journalism. He started this activity as a teenager by diligently writing reports on the potential of the village. Then he studied more seriously and became a journalist for the Bali Post, Nusa Tenggara, Karya Bhakti newspapers, as well as a number of other media. He has been active as a television reporter for RCTI. He also does a lot of periodical publications in Denpasar, including tourism magazines and economic tabloids. In 1993 he became the editor of the book Bali, Socio-Cultural Problems and Modernization, written by Prof. I.B. spell. In 2007 his book entitled Seeking Heaven in the Bali Bombing was published thanks to the assistance of the Widya Pataka program of the Regional Library of Bali Province in collaboration with the Arti Foundation, Denpasar.ration with the Arti Foundation, Denpasar.)
Nyoman Suradnya + (Nyoman Suradnya was a Balinese painter fro … Nyoman Suradnya was a Balinese painter from Ubud. He specialized in three main media: batik, oil, and watercolor. Nyoman was an established artist in residence in Sydney, Melbourne, and Singapore. Nyoman's artwork has been featured all over the world in such countries as Switzerland, Australia, Italy, and Guam (USA). He was also a strong advocate for sustainable tourism that protected the culture and environment of Ubud. With his friend, Tjok Raka Kerthyasa, he founded Bina Watasa, which roughly translates as "guiding tourism." Their goal was to educate tourists about enriching and environmentally sustainable practices that allowed them to experience all of Ubud in a responsible way. Nyoman is remembered for his "larger-than-life" personality and as an important advocate for the preservation of the culture and environment of Ubud.on of the culture and environment of Ubud.)
Nyoman Tingkat + (Nyoman Tingkat is a writer and high school … Nyoman Tingkat is a writer and high school teacher. He diligently writes book reviews, essays, and articles. His writings are widely published in local mass media, such as the Bali Post. He has also won awards as an outstanding teacher and various writing competitions. His published books are: Studying in the Footprint of Literature (Arti Foundation, 2007), Depending on the Teacher (Arti Foundation, 2009), etc. the Teacher (Arti Foundation, 2009), etc.)
Nyoman Tjokot + (Nyoman Tjokot is a sculptor who was born i … Nyoman Tjokot is a sculptor who was born in Banjar Jati, Sebatu, Tegalalang, Gianyar, Bali, in 1886. He is an intelligent self-taught sculptor. In his work he uses a lot of unused logs or tree roots that drift in the river. He carves the found woods to his heart's content, following the grooves of the wood and his intuition. The result is sculptures/sculptures that were considered unusual in their time, eccentric, archaic, absurd. His sculptures tend to be rough but contain the honesty of his artistic soul. His unique style of sculpture/sculpture is often referred to as the "Tjototisme" school which is now being passed on by his descendants. In his day, Tjokot's works were not highly appreciated in Bali. However, his works have been widely appreciated abroad. In the 1960s, Tjokot's works were well known in the United States and he was already called a maestro in the field of sculpture. In 1969 the Indonesian government awarded Tjokot in the form of the Wijaya Kusuma Art Award. Tjokot died in October 1971.ma Art Award. Tjokot died in October 1971.)
I Nyoman Tusthi Eddy + (Nyoman Tusthi Eddy was born in Pidpid, Kar … Nyoman Tusthi Eddy was born in Pidpid, Karangasem, Bali, December 12, 1945. He studied at the Faculty of Teacher Training and Education, FKIP Singaraja, graduating from 1969. Apart from being a teacher, he writes poetry, short stories, essays, articles, literary criticism, both in Balinese and in English. Indonesia. His works have been published in the Bali Post, Kompas, Suara Karya, Horizon, Basis, Warta Hindu Dhrama, Sarad, and so on. He received a number of awards, including the Bali Sastra Sabha (1999), the Modern Balinese Literature Penatar Charter from the Karangasem Education Office (2002), the Rancage Literature Prize (2004 and 2009). In addition, he also translated Indonesian and English literature into Balinese. His published books: Memories for the sake of Memories (1981), Poems Around the World (1984), Far East Poems (1985), Murmurs About Literary Appreciation: A Number of Essays and Notes (1985), Comparison of Words and Terms in Malay- Indonesia (1987), Introduction to Modern Balinese Literature (1991), Dictionary of Indonesian Literary Terms (1991), The Face of God in the Eyes of a Poet (1994), Folklore from Bali (1997), Duh Ratnayu: Tembang Kawi Mendamba Cinta (2001), Tafsir The symbolic story of Bagus Diarsa (2002), Ning Brahman (2002), SungaiMu (2004), Somah (2008).man (2002), SungaiMu (2004), Somah (2008).)
Nyoman Wijaya + (Nyoman Wijaya is a painter born in Tabanan … Nyoman Wijaya is a painter born in Tabanan, Bali, November 1971. He studied painting at the Sanggar Senin Kemis Studio in Sanur, Bali, from 1998 to 2003. In 2018 he won the Nomination of Akili Museum of Art Award (AMAA). His first solo exhibition was held in 2009 entitled "AS. SENT" at Kendra Gallery, Seminyak, Bali. Since 1998, he has also been frequently involved in joint exhibitions, including BEAUTY MYTH at Green Art Space (Jakarta, 2010), MOTION & REFLECTION at the National Gallery (Jakarta, 2010), FASCINATION at Andi's Gallery (Jakarta, 2009), etc. He focuses on Balinese cows and women. For him, cows are sacred animals that are full of tenderness and become friends of farmers.l of tenderness and become friends of farmers.)
Nyoman Wirata + (Nyoman Wirata was born in Denpasar, 1953. … Nyoman Wirata was born in Denpasar, 1953. He studied at the Indonesian Fine Arts School (SSRI) Denpasar until he graduated in 1972. He started writing poetry in 1975 and worked as an arts teacher since 1980, retired in 2013 and continues his artistic activities. In 2011 he won an Award from the Principal of SMPN 5 Denpasar as a Literature and as the School Magazine Supervisor for 14 years. In the field of literature, he won 1st Place in Poetry Writing in Bali held by the Bali Provincial Government (1977), 10 Best Poetry in Bali held by the Bali Post (1978), 3rd Place in the National Level Reading Book Writing Competition among Teachers which organized by the Ministry of Education and Culture (1993), 2nd place in a novel writing competition held by the Bali Post (2003). His poems have been published in various mass media, such as Bali Post, Kalam, etc. Also included in the books Tutur Batur (2019), Chewing Furious (2018), Marriage Poetry (2017), Klungkung Tanah Tua Tanah Cinta (2016), Dendang Denpasar Nyiur Sanur (2012), Hram (1988). His only poetry book is Celebrating Trees in the Poetry Garden (2007). He received the Widya Pataka Award (2007) and Bali Jani Nugraha (2020) from the Bali Provincial Government. Apart from studying literature, he is also active in painting.literature, he is also active in painting.)
Mantle Hood + (Obituary LA Times: Professor, Pioneer in … Obituary LA Times: Professor, Pioneer in Studying World’s Music and Cultures(1918-2005)“Mantle Hood was the first scholar to take seriously the study of what was then called nonWestern music, in the 1950s,” said Christopher Waterman, dean of UCLA’s school of arts and architecture and an ethnomusicologist. Hood joined the UCLA faculty in 1956 and created what is now the department of ethnomusicology in 1960. He envisioned a complete approach to the study of his field. He wanted students to learn at least two music traditions, their own and that of a culture new to them. He also urged them to learn to play a native instrument, drums for a student of West African music, for example. Common practice now, it was considered novel when he introduced the idea, which he referred to as bi-musicality. By learning several music traditions, Hood proved that the two could exist in harmony, according to Jacqueline Cogdell DjeDje, chairwoman of UCLA’s ethnomusicology department. (...) "Hood saw it as a way to teach students respect and understanding for “people and cultures different from their own,” DjeDje said. Hood also expected his graduate students to see and hear the music they studied as it was performed in its native setting. “Hood taught that the music comes out of the culture,” said Robert Garfias, professor of anthropology at UC Irvine and one of Hood’s first graduate students at UCLA. “His idea was to study the music as part of the culture.” Hood had been traveling the world from the time he graduated from UCLA in 1951 after earning a bachelor’s and a master’s degree in music. He received his doctorate from the University of Amsterdam, where he wrote a dissertation on Javanese music. After joining the faculty at UCLA, he was granted a Ford fellowship that allowed him to live in Indonesia for two years and study its music. He later studied in India on a Fulbright fellowship. An expert in the music of Java and Bali, Hood played all the instruments in a gamelan, an Indonesian symphony that consists of percussions, winds, strings and other instruments. During gamelan performances with his students, he played the rebab, a type of lute that is the lead instrument in the ensemble. Dozens of his UCLA students went on to teach ethnomusicology. Several of them founded programs at universities, including UC Berkeley. “Hood had a very powerful impact on how ethnomusicology is taught,” said Garfias, who founded a program at the University of Washington, Seattle, before moving to UC Irvine. Hood was born in Springfield, Ill., and moved to Los Angeles with his mother in the 1930s after his father died. He played piano and later learned the saxophone but didn’t expect a career in music. After high school, he worked at various jobs including as a draftsman at McDonnell Douglas. He also played saxophone in jazz bands. He served in the Army during World War II and returned to Los Angeles in 1945. After a false start as an agriculture student at UCLA, he found his true calling. Before he left the university in 1975, he wrote several books about his field, including “The Ethnomusicologist” (1971), which outlined research issues and questions related to what was then considered a new subject of study. An ethnomusicologist, Hood wrote, “is inclined to be highly sensitive to other human beings, to respect their scales of values and their behavior, even if these are not compatible with his own.” Hood moved from Los Angeles to Hawaii in 1973 and began to write self-published novels. “As a young man, he had his heart set on being a writer,” Marlowe Hood said. “As a teenager, he loved pulp fiction.” He set his potboilers in countries he had visited over the years. “Just a Stone’s Throw” is set in Bali. “The Keepers” is set in Hawaii and Japan. In 1980, he relocated to Maryland where he established an ethnomusicology program at the University of Maryland, Baltimore County. He wrote several more books about ethnomusicology and continued teaching until 1996. (...) He has four sons.Amazon: Author of fiction:Mantle Hood is the published author of seminal works in the field of ethnomusicology, study of the musical cultures of the world. A pre-eminent international scholar, he is the principal author/co-author of more than 20 books, was member of the Board of editors for the prestigious New Grove Dictionary of Music and Musicians (6th ed.) and has contributed to music dictionaries in four languages. Along the way, he has served as Distinguished Professor of Music from West Coast (UCLA) to East Coast (Harvard, Yale, Wesleyan Universities, and the University of Maryland), University of Hawaii, and institutions in Europe, Africa an Asia. He is a fellow of the East-West Center of Arts and Sciences. He has studied the music of peoples the world over, including Asia and the Pacific Islands. As a resident of Hawaii and visitor to Japan he developed an idea based on a newspaper article, one that blossomed into his first suspense novel, The Keepers. One agent described Hood's suspense fiction as a combination of John Grisham and James Michener.nation of John Grisham and James Michener.)
Pemulihan Ekonomi Bali Usan Covid-19 + (Of course, we are already familiar with Co … Of course, we are already familiar with Covid-19. Who would have thought that this small virus could make such a big change in the last 2 years. Because of this virus we were made to stay at home for 2 years, imagine starting from the activities we initially did outside the home such as going to school, working and traveling abroad that had to stop because of this virus, we were made to stay at home for 2 years. Which of course brings a lot of changes in our lives. An example is tourism in Bali. Bali is an island in Indonesia which is often visited by tourists from various countries because it has its own charm. With the stay-at-home policy, of course the economic sector in Bali will decline. During the pandemic, tourism sites and access to Bali were closed. Community activity at tourist attractions in Bali has decreased. This caused Bali's economy to decline. With the closure of various tourist attractions in Bali, many people have become unemployed, this is compounded by policies at home. This has made people confused about finding money. Hundreds of thousands of people lost their jobs and sources of income. In the end, the poverty level in Bali has increased.And without realizing it, now we have entered 2023, where there has been a recovery of various sectors in society which have been stalled for the past 2 years. From here we have to restore Bali's economy. Regional governments need to pay attention to Bali's current economic conditions to revive Bali's economy which has been declining for the past 2 years.The Covid-19 pandemic has hit Bali's economy hard. Bali's economy is very dependent on the tourism sector, so when there are mobility restrictions such as the stay at home policy, the tourism sector is paralyzed. Bali's economy also slumped. Therefore, the government needs to determine a concept for economic development that is not always based on the tourism sector. Bali's economic development must be directed to be more balanced, not only dependent on the tourism sector. Moreover, tourism areas are very vulnerable to changes in external factors. Both from security factors, natural and non-natural disasters that cannot be controlled. So every sector in Bali must also be considered, such as; agricultural, marine and fisheries sectors, manufacturing industry and industries based on Balinese branding culture, MSMEs and cooperatives, creative and digital economy, as well as the tourism sector. So by reviving all these sectors in Bali, it is hoped that Bali's economy can recover after Covid-19. So that Bali will always be prosperous.9. So that Bali will always be prosperous.)
Money Politic + (Oh swastyastu Dear sir/madam jury And my r … Oh swastyastuDear sir/madam juryAnd my respected audienceBefore I start my oration, I want to first express my thanks to the Almighty God (Ida Sang Hyang Widhi Wasa) because it is with His grace that I can give an oration now.Related to the Balinese leadership election which will be held in 2024 in Bali.with this oration I would like to convey that I hope this election can be carried out fairly, without any coercion, one of which is without money politics, because this is very vulnerable to things happening where prospective leaders bribe their people with money to obtain money. leadership, and the same goes for individuals who carry out elections, because there are certain payments or results that will be obtained after holding elections, individuals often choose leaders not based on justice and honesty, but choose leaders with the aim of getting rewards.Apart from that, Article 22E of the Constitution also states that elections are held publicly, freely, confidentially, honestly and fairly.Not only is it stated in the constitution that governs us, but elections also concern people's lives in the future, it is also hoped that prospective leaders will be able to carry out elections fairly and without cheating by engaging in money politics.Let us carry out elections fairly and honestly, because carrying out elections intelligently will create a prosperous society in the future.That's all the speech I can deliver, I hope the speech I deliver can be useful. I'm sorry if I made a mistake, at the end I close with Parama Santhi, Om Santhi, Santhi, Santhi Om.rama Santhi, Om Santhi, Santhi, Santhi Om.)
Ida Ayu Oka Rusmini + (Oka Rusmini's full name is Ida Ayu Oka Rus … Oka Rusmini's full name is Ida Ayu Oka Rusmini, born in Jakarta, July 11, 1967. She writes poetry, short stories, essays, novels. She is also a journalist. In 2014, she was awarded the Kusala Khatulistiwa Award for the poetry book Saiban. Her figures and works are phenomenal and often controversial because they raise a number of issues of ancient Balinese customs and traditions that are detrimental to women, especially in the griya, the home of the Brahmins.Oka also straightforwardly broke taboos, exposed issues of sex and erotica in a clear way. All of this can be clearly seen in the novel Tarian Bumi (2000) which has been reprinted and published in German under the title Erdentanz (2007). The novel is also heavily inspired by the art of Joged Bumbung, a social dance full of erotic movements that is very popular in Bali.He has been invited several times to literary events at home and abroad. In 1992 he was invited as a guest poet in the IV Yogya Arts Festival. Participated in the 21st Century Poetry Minbar at TIM, Jakarta, 1996. Represented Indonesia at the ASEAN-wide writers' meeting in October 1997 entitled ASEAN Creative Writing Workshop in Jakarta. In 2002 and 2003 he was invited to the International Poetry Festival in Surabaya and Denpasar He was an invited guest at the Winternachten Festival held in Haque and Amsterdam in 2003. He was also a guest writer at the University of Hamburg, Germany, 2003.A number of his poems and short stories have appeared in various mass media and cultural journals, including Matra, Kalam, Horison, and Ulumul Quran. His short story "Putu Menolong God" won the best short story award for Femina magazine in 1994. His novel Sagra received the best novelet award for Femina in 1998, and the best short story award in 1990 - 2000 from the literary magazine Horison for his work Pemahat Abad. His novel Tarian Bumi won the 2003 Literary Writing Award from the Language Center, Jakarta.His works are Monologue Tree (poem, 1997), Earth Dance (novel, 2000), Sagra (short story, 2001), Kenanga (novel, 2003), Patiwangi (poetry, 2003), Color Kita (poetry, 2007), Pandora (poetry, 2008), Shell (novel, 2010). His novel Tarian Bumi has been translated into English entitled Earth Dance, and German under the title Erdentanz.nce, and German under the title Erdentanz.)
Fenomena Kendaraan Listrik + (Om Swastiastu Praise and gratitude to Ida … Om SwastiastuPraise and gratitude to Ida Sang Hyang Widhi Wasa who has bestowed the blessing of health to all of us. Today, with great pride, I would like to discuss a phenomenon that is increasingly prevalent in Indonesia, namely the use of electric vehicles. This phenomenon is not just a change in trend, but also reflects our concern for the environment, especially in addressing the problem of air pollution.As the country with the worst air quality in Southeast Asia, the decision to use electric vehicles is a wise step to reduce emissions, carbon footprint, and face the challenges of climate change. However, while we support this positive initiative, we need to face the reality that its implementation is not yet optimal. Given that Indonesia still relies on coal and natural gas for power generation, and the mining of raw materials such as lithium, nickel, and cobalt also has environmental consequences if not properly regulated. In addition, the limited lifetime of batteries, around 10-20 years, poses a potential risk of battery waste accumulation in the absence of adequate waste management facilities.Therefore, I encourage the government to improve electric vehicle charging infrastructure, address the potential risk of battery waste accumulation, and find alternative solutions to environmentally friendly batteries. We recognize that the development of this technology needs greater support to become an effective solution in reducing air pollution in Indonesia.Therefore, let us together encourage the government to accelerate the development of charging infrastructure, provide solutions and proper handling for the worst risks of using electric motors, and offer further support for the adoption of electric vehicles. Thus, we can move towards a cleaner, healthier, and more sustainable Indonesia.Thank you.Om Shanti Shanti Shanti Omia. Thank you. Om Shanti Shanti Shanti Om)
Kesuksesan proses kepemimpinan + (Om Swastiastu Titiang ngaturang rasa pang … Om SwastiastuTitiang ngaturang rasa pangayubagia majeng ring Ida Sang Hyang Widhi Wasa antuk asung kerta wara nugraha Ida titiang prasuda nyurat orasi puniki. Pulau Bali antuk destinasi wisata internasional yang memiliki reputasi positif. Akeh wisatawan sane terkesan nikmatin kaluungan alam dan budaya Bali, olih karna ento Bali mrasidayang bersaing dados destinasi wisata populer ngalahin negara sane lianan. Menteri Pariwisata lan Ekonomi Kreatif (Parekraf) Sandiaga Salahudin Uno ngorahang Pulau Bali dados penyumbang devisa negara terakeh antuk Indonesia, terakeh kedua setelah industri Minyak dan Gas."Bali ini masih menjadi top of mind untuk pariwisata Indonesia.Nanging dibalik kemegahan pariwisata ring Bali, upami akeh pisan hotel-hotel, vila, restoran lan sane lianan. Ring galahe sane mangkin liu pesan pikobet sane mrasidayang kaon ring jagat Baline. Pinaka pikobet korupsi olih pejabat pemerintah, pikobet ring pendidikan, pikobet ring kesehatan upami penyakit menular sane akeh lan kualitas pelayanan kesehatan.Inggih ida dane sareng sami nika wantah orasi titiang antuk pikobet kesenjangan ekonomi sane patut kautamang olih calon pemimpin Bali. Astungkara calon pemimpin Bali sane kapilih antuk Pemilu 2024 mrasidayang nanganin indik pikobet kesenjangan ekonomi ring Bali.Ida dane sareng sami titiang ngaturang pangampura yening titiang wenten pelih rikala nyurat teks orasi puniki. Sareng titiang ngaturang parasuksma majeng ring pamiarsa sane sampun ngewacen teks orasi karya titiang niki. Inggih puput titiang teks orasi niki antuk ngaturang paramasanthi.Om Santhi Santhi Santhi Om. paramasanthi. Om Santhi Santhi Santhi Om.)
PEMILU 2024, Mangda Memilih Pemimpin Bali Sane Tepat! + (Om Swastiastu Om Awignamastu Namo Sidham R … Om SwastiastuOm Awignamastu Namo SidhamRahayu, Rahayu, RahayuFor the honorable adjudicators, the principals and teachers of senior high schools and vocational high schools in Bali and all the audiences and senior high schools and vocational high schools’ students in Bali, good morning. Let’s thank to the almighty God because of his grace we can gather here this morning. In this occasion, I am Wira as an orator will deliver an oration entitled "Election in 2024, Must Choose the Right Leader for Bali”. Ladies and gentlemen...Elections or General Elections can be referred to as voting or elections, where we have determined our right to vote by choosing the right leaders. From this election, we know that whether Bali has evolved or not! Therefore, I will discuss some urgent issues that must be addressed for Bali's future leaders.Ladies and gentlemen...Time by time... The months have passed...Year by year... Have you ever been to an urban area like Denpasar? If you have ever gone and seen a child begging for a bite of rice, do you feel their pain? Ladies and gentlemen, I want to invite you to choose leaders who are more precise, wise, and certainly honest!Then another problem is the environment. Yes... Environment... Bali is known as the "Heaven of the World" which itself has a variety of beautiful natural attractions! If we can't take care of the environment, Bali will undoubtedly experience an economic downturn.Before I end my talk today, I would like to ask all of you to clap your hands and raise them above your heads! Are you going to throw Bali to the wrong leader? Therefore, let’s choose leaders who are responsible, competent, honest, and of course fair. Najwa Shihab once said, "leaders are not born by diplomas, but by hard work and care that continues to be honed."That's all I can say, hopefully of course Bali will be led by the right leader. Sincerely to the island of Bali, I end with parama santhi.Om Santi, Santi, Santi OmRahayu, Rahayu, Rahayuti, Santi, Santi Om Rahayu, Rahayu, Rahayu)
Masalah Mendesak + (Om Swastiastu Om Awighman Astu The fragran … Om Swastiastu Om Awighman Astu The fragrant name of shidam, ladies and gentlemen, and dear brothers and sisters, we say Angayubagia to Sang Hyang Parama Wisesa, Therefore from asung kerta wara nugraha because we will convey information today about the 2024 Election. I invite the public Indonesia to work together to make our election a success, the Election of 24 February 2024. Because the election is not just about changing leadership, but the election is our effort to prevent the people from getting worse. Elections are an opportunity for us to evaluate this government. I will explain what the most pressing problems need to be addressed by potential Balinese leaders. The first problem that was considered very urgent to be resolved was controlling the prices of basic necessities, which was chosen by 36.9% of the total respondents. Controlling the prices of basic necessities is the most prominent problem according to residents. Then there are the issues of unemployment, poverty and eradicating corruption, wrote Political Indicators in its report. The respondents involved were all Indonesian citizens who had the right to vote in general elections, namely those who were 17 years of age or older, or were married when the survey was conducted. Sampling used the multistage random sampling method. So I can conclude that we should choose a leader who is firm, honest and responsible for the island of Bali. Thank you, hopefully we will all be given guidance and wisdom in choosing the right leader. Our tribute to Bali, the island we love Om Shanti, Shanti, Shanti Omsland we love Om Shanti, Shanti, Shanti Om)
Permasalah Mendesak + (Om Swastiastu Om Awighman Astu The fragran … Om Swastiastu Om Awighman Astu The fragrant name of shidam, ladies and gentlemen, and dear brothers and sisters, we say Angayubagia to Sang Hyang Parama Wisesa, Therefore from asung kerta wara nugraha because we will convey information today about the 2024 Election. I invite the public Indonesia to work together to make our election a success, the Election of 24 February 2024. Because the election is not just about changing leadership, but the election is our effort to prevent the people from getting worse. Elections are an opportunity for us to evaluate this government. I will explain what the most pressing problems need to be addressed by potential Balinese leaders. The first problem that was considered very urgent to be resolved was controlling the prices of basic necessities, which was chosen by 36.9% of the total respondents. Controlling the prices of basic necessities is the most prominent problem according to residents. Then there are the issues of unemployment, poverty and eradicating corruption, wrote Political Indicators in its report. The respondents involved were all Indonesian citizens who had the right to vote in general elections, namely those who were 17 years of age or older, or were married when the survey was conducted. Sampling used the multistage random sampling method. So I can conclude that we should choose a leader who is firm, honest and responsible for the island of Bali. Thank you, hopefully we will all be given guidance and wisdom in choosing the right leader. Our tribute to Bali, the island we love Om Shanti, Shanti, Shanti Omsland we love Om Shanti, Shanti, Shanti Om)
PENGARUH OLIGARKI TERHADAP CALON PEMIMPIN + (Om Swastiastu Peace be upon us all, allow … Om Swastiastu Peace be upon us all, allow me, Kadek Wisnu Artana, a student from SMA Negeri 1 Penebel to deliver an oration on the influence of oligarchy on future leaders in this country.The DPD must listen, pay attention and follow up on the aspirations I expressed todayBrothers and sisters, it has been 115 years since Indonesia has risen from adversity, precisely when Budi Utomo was founded, 78 years since Indonesia has been independent and the Red and White Sangsaka has flown freely on Indonesia's motherland, reform has been underway, but what is going on with educational resources for the nation's generation, what is it? This generation is simply silenced as if it were dumb and deaf and does not flinch from voicing various aspirations. Here I invite everyone to voice their aspirations regarding government in this nation which is still shackled by the shadow of the Oligarchy, and today the Oligarchy has become very free to wreak havoc on power both in the upper elite and in the lower elite, the Oligarchy has a big influence on the nation's future leaders. , oligarchy has a very bad impact on leaders.The problem caused by the existence of Oligarchy in our government system is that power is centralized, Oligarchy only controls leaders who have sovereignty in their own hands.Second, there is widespread corruption in this nation by unscrupulous officials as evidenced by the many reports on social media and various other press media. Oligarchs really need tactical funds to fulfill their own interests.The third is injustice by the government or authorities in the interests of the Oligarchy and society which are not fulfilled according to the Values of Truth that have been determined by law.The fourth is political instability where the government is controlled by oligarchs, social inequality in power is only controlled by oligarchs and worsens social and economic inequality within the scope of society.The six unrepresentative leaders controlled by Oligarchs tend not to represent the interests of all the people, but only a handful of groups called Oligarchs.The seven things that are most rooted in all of these problems are that the gap for legislative candidates who are not touched by the Oligarchs, is very narrow and there is minimal space and budget to channel their vision and mission to the general public in all regions of this country.All the problems that occur as a result of leaders being controlled by oligarchic interests are rooted in two problems that boil down to very serious legislation,Firstly, there is no regulation on budget provisions, space, opportunities and forums for all legislative candidates at the regional level. This causes the public to only take the perspective of leaders who are seeking votes under the pretext of donations which, without them even knowing, are funds given by oligarchs to candidates. We need to understand that this is the forerunner to the birth of Oligarchy at the regional government level, this is because when regional legislative candidates enter the community they need very large "tactical funds" to seek votes in their respective electoral districts. What must also be understood is that This Tactical Fund is what causes the leader's debt of gratitude to the Oligarchs. So that they can be controlled even as if they were Puppets of the Oligarchs, and the shadow of the Oligarchy will continue to exist for the next generation. If we as the current generation are still deaf and mute about what is happening, it's time for us to change the regulatory system so that budget provisions, opportunities, facilities and forums for all legislative candidates are fair and closely monitored by the government, so that these Oligarchs will not have a gap to enter the ideology of the leaders in this country.Secondly, at the central level there is still a Presidential Threshold which is the place for the Oligarchs in this nation to breed. Come, my fellow countrymen and brothers, let's abolish the laws and regulations that cause the Oligarchy in this nation to become increasingly uncontrollable. If the Oligarchy does not have rules that improve their welfare or support their interests, and suppresses the leaders of this nation, then the Oligarchy does not have the opportunity to make the leaders of this nation into their puppets. This is what we must fix together in order to make this nation more advanced. It's time for us to urge the elite of this country so that the legislation that causes the oligarchy in Indonesia can no longer develop or even perish, and if this aspiration is not heard by the elite and is only silenced, it's time for us to take to the streets to voice our aspirations to the government elite and the parliamentary elite. so that this legislation can stop and be replaced with regulations that are more prosperous for the people and not just for the welfare of the Oligarchs in this nation. "In our belief everywhere is Tyranny must fall!" said WIDJI TUKUL. So let's fight together to prevent the detrimental influence of the Oligarchy in the process of selecting leadership candidates and ensure that the elected leadership candidates truly represent the interests of the people and have high integrity. I, we, all of you have the same role in ensuring that the elected leaders are leaders who truly serve the people and not only prioritize the interests of the Oligarchs.Bung Karno once said, "My struggle is easier because it expelled the invaders, but your struggle will be more difficult because it is against your own people."Therefore, let us as future generations be sensitive to the social environment, so that this nation can progress in the international arena by changing the rules that mislead Indonesian politics so that this nation advances, come on...!!! Let's make Bung Karno's words come true, participate in voicing the aspirations of the young generation in this country so that we are sensitive to social problems in our environment, especially regarding the election of leaders. Good leaders produce a good environment and human resources whose quality is guaranteed and equitable and prosperous for all the nation's children. Greetings 0% (Threshold).tion's children. Greetings 0% (Threshold).)
Pemilihan Umum 2024. Pilihlah pemilu yang tidak korup + (Om Swastiastu, Om Awighnam astu namo sidha … Om Swastiastu,Om Awighnam astu namo sidhamI thank the event organizers for the opportunity given to me to convey the Celebration to all of you.whom I respect the competition juryI respect the guests who have attended this event, Mr/Mrs accompanying teachers who have accompanied the students who took part in this competition.Ratu Idane is very sane, fragrant titiang sinamian. I am now a student in Badung. Today I want to talk about "General Election 2024".O people of Indonesia, I invite you all to join together to make our elections a success, the Election of 24 February 2024. Because elections are not just about changing leadership, elections are also not just about power. Because elections are our effort to prevent people from getting worse. It is our goal to start a government.Ladies and gentlemen, let us strengthen human resources for implementation at all levels. I am sure this has been done and indeed this time I saw from the applause the spirit of optimism. From the lowest level to the top, provide the knowledge, skills and other abilities needed, so that all equipment and officers are able to carry out their duties well. All levels of the KPU must realize the magnitude and importance of the task of starting our nation's democratic party. A valuable moment to show commitment and integrity, showing dedication and best abilities for the future of our nation and state.Thus, I can conclude that let us choose an election that can advance the island of Bali. Let's not vote for elections that are ex-corrupt. Choose elections that can be committed to holding them well so that democracy remains alive and of higher quality, giving birth to a government that has strong legitimacy.That's all I can say, sorry if there are wrong words, I thank you. Om Santhi, Santhi, Santhi Om.I thank you. Om Santhi, Santhi, Santhi Om.)
Pikobet Luu Ring Jl. Wana Giri Jimbaran + (Om Swastiastu. I respect the jury, and all … Om Swastiastu.I respect the jury, and all my friends whom I love. Firstly, let us express our gratitude to God Almighty, because thanks to His grace, we can all follow this Basabali Wiki.All Yowana, trash in this day and age can bring disaster to the Balinese ring, in my neighborhood there is trash piled up like mountains. That's what causes outbreaks of flooding, and mosquitoes breed, causing dengue fever. Evidence that this waste has an impact is that many Balinese people are affected by diseases due to this waste, such as dengue fever, skin infections and other diseases.What caused the pile of rubbish was because the landfill in Suwung was hit by a fire outbreak due to Bali's hot climate and the community could not accommodate the rubbish at the Suwung landfill, this caused people to throw rubbish in their respective homes. In this outbreak, I hope that the leaders in Bali 2024 will pay more attention to waste in Bali, so that they can provide a clean and comfortable place for the Balinese people.Come on, all Yowana, we have to protect and preserve the Balinese environment, don't throw rubbish in places that are not places to throw rubbish, we have to preserve the 3M steps (Closing water storage places), (Draining the bathtub once every 7 days), (Reusing things used).That's all I can say, more or less I apologize, at the end I say sorry, I close with Parama Shanti, Om Shanti, Shanti, Shanti, Om.ama Shanti, Om Shanti, Shanti, Shanti, Om.)
Turis Asing Yang Nakal + (Om Swastiastu. First of all, let's give th … Om Swastiastu. First of all, let's give thanks to the presence of God Almighty because, by His grace, we can gather at the Bali public participation Wikithon event to give speeches. Distinguished guests, allow me, Kadek Khristina Cantika Putri, I am from the SMK N 2 Seririt school, and I am delivering a speech about "Naughty Foreign Tourists".Tourism in Bali is growing, so many foreign tourists come to Bali to enjoy their holidays. Tourists who come from various countries. As is known, various news reports show the bad behavior of foreign tourists. For example, when there was a dance performance at a temple in the Ubud, Gianyar area, there was a female tourist from Germany who was not wearing clothes or was naked. There are also tourists who violate traffic in the Bali area, and there are many more mischiefs done by tourists while on holiday in Bali. The Ministry of Tourism and creative economy must issue regulations regarding procedures for traveling in Indonesia, and all relevant government agencies must collaborate more intensively with the Indonesian embassy in the country of origin of tourists regarding the provisions for traveling in Indonesia.This naughty behavior is what the government must be wary of, and the government must increase tourist control so that similar incidents do not happen again and Bali tourism continues to run well and many tourists come. That's all I can say. If there are errors, please forgive them and thank you for your attention. Om shanti shanti shanti om.our attention. Om shanti shanti shanti om.)
Uratian I Krama Pemilih Ring Pemilu 2024 + (Om Swastiastu. The judges I respect as wel … Om Swastiastu. The judges I respect as well as the friends I love. First of all, let's together express our happiness to Ida Sang Hyang Widhi Wasa, thanks to his grace we can gather together here for the Bali Oration Public Participation Wikithon event. On this occasion, allow me to deliver a speech that I have made.In the 2024 election, there are still many problems, one of which is the problem of lack of participation from people who have voting rights in the 2024 election.Therefore, I ask all people who are able to vote or who have the right to vote in the 2024 election to use their voting rights so that the election runs well, honestly and fairly so that we get a good leader and what we all want.That's all I can say, more or less I apologize.Om santhi, santhi, santhi, Om I apologize.Om santhi, santhi, santhi, Om)
SIRBATA (Sistem Parkir Bawah Tanah) : sebagai Solusi Penataan Lahan Parkir di Pulau Bali + (Om Swastyastu Dear Sirs and Madams of the … Om SwastyastuDear Sirs and Madams of the juryHonorable candidate for DPD RI 2024As well as all the finalist participants who I am proud ofWe would like to express our gratitude to Ida Sang Hyang Widhi Wasa for Asung Kertha Wara Nugraha. We can gather in good health at the WIKITHON Public Participation event with the theme Bali Oration.Dear audience,On this occasion, allow me to deliver an oration entitled SIRBATA (Underground Parking System) as a Solution for Arranging Parking Lots on the Island of Bali.Parking can be interpreted as the activity of placing a vehicle in a certain place for a certain period of time. Parking lots are facilities used to support the parking needs of vehicle users. Parking lots can be divided into two, on-street parking and off-street parking.The majority of Indonesian people, especially on the island of Bali, use private vehicles as the main transportation. As time goes by, the use of private vehicles by Balinese people continues to increase. Based on data from the Bali Province Central Statistics Agency, total private vehicle users in 2022 will increase to 4,079,617 for motorbikes and 493,887 for passenger cars. This increase will certainly have an impact on the community's need for arranging parking spaces to accommodate the increasing number of private vehicles.As we know, several areas in Bali often find inappropriate use of land as parking spaces, such as roads and sidewalks. This will of course give rise to various problems, namely worsening the road structure and narrowing the traffic area. This is a result of the lack of parking arrangement. Therefore, we propose a system that can be used to overcome parking lot management problems, namely SIRBATA.SIRBATA (Underground Parking System) is a solution that can be used regarding the problem of arranging parking lots on the island of Bali. This system utilizes the potential of the underground area as a parking area. SIRBATA also optimizes the parking capacity of a space, because of course the use of underground parking will be more focused on one function without disturbing other functions such as the use of parking spaces on roads and sidewalks. The underground parking system has several advantages compared to using open parking lots, namely, parked vehicles can be protected from hot or rainy weather conditions and of course vehicle safety is better maintained.This system may sound difficult to realize because of the costs and various permits required to ensure the safety of its users, but it is the government's duty to help overcome this problem. The government must be able to work on all factors that support the realization of this system. Imagine if this was not realized from now on. As time goes by and the use of private vehicles continues to increase, we will reach a condition where many things will have their function disrupted due to a lack of good parking arrangements. For example, roads will become increasingly congested because many people park on the road, sidewalks that should function as a place to walk are used as parking spaces. Therefore, SIRBATA (Underground Parking System) can be used as a solution for arranging parking lots in Bali.Let's work together to create better arrangements for the realization of a safe, comfortable and conducive Bali. Through the cooperation of various parties, we can definitely realize an underground parking system.Om Santhi Santhi Santhi Omarking system. Om Santhi Santhi Santhi Om)
Toya Pinaka Dasar Kauripan sane Sayan Cemer + (Om Swastyastu Good morning ladies and gen … Om SwastyastuGood morning ladies and gentlemen. First of all, let us give thanks to The God because of the grace, all of us can gather today to take part in the Wikithon Public Participation Balinese Oration in good health. Today I will explain water problems in Indonesia.If we talk about water for the Indonesian people, it is no longer strange. The Indonesian nation is a maritime country whose territory is surrounded by water. If calculated using numbers, around 75% (seventy five percent) of Indonesia's territory is surrounded by water. Therefore, many people make a living from the waters. Water is the basis of life for all living creatures on earth. Because water has enormous uses for life, many problems arise involving water. Based on a report from the Indonesian Ministry of Environment, it is remembered that the water deficit in Bali has been visible since 1995 at a total of 1.5 billion cubic meters/year. This deficit continued to increase to 7.5 billion cubic meters/year in 2000. Then, in 2015 Bali had a water shortage of 27.6 billion cubic meters/year. Water demand in Bali in 2021 will reach 5951.92 liters per second and it is estimated that in 2025 it will increase to 7991.29 liters per second. Meanwhile, water availability from infrastructure will reach 6939.38 liters per second or a deficit in 2025.The problem of the water crisis which is gradually increasing is caused by two factors, namely global warming and human activities. Global warming causes several problems that are the main characteristics of marine problems. Such as flash floods or tidal floods. There is also an increase in sea levels which causes erosion on beaches. Things like that are very important to pay attention to. Increasingly rising waters cause more and more land areas to be covered by sea water, while the human population on earth is increasing day by day. This creates a new problem, namely the transition of land and forests into residential areas. This land transition will cause the high temperature on earth and the narrowing of water catchment areas to increase.The second cause is because of humans. Tourism in Bali is like a double-edged sword, on the one hand it really helps encourage the progress of Bali's economy, on the other hand the impact of this causes more and more land to be used for tourism, so that water catchment areas which should be able to be used as water reserves when the summer slowly narrows and eventually disappears. Apart from that, in this era of development, a lot of household waste and industrial waste are simply thrown into nature, causing pollution. Like the phenomenon of the Badung River water turning red in November four years ago, this proves that liquid waste that is disposed of without processing is very dangerous for the environment. If the waste is disposed of on a large scale, the results will immediately look like the Badung River phenomenon. However, what if the waste is disposed of on a small scale, such as household detergent waste? We need to realise that little by little this liquid waste will start to accumulate and in the end it will also trigger pollution in large rivers. You also give attention about rubbish, because many people throw rubbish in inappropriate places, causing environmental damage. Polluted river water will return to the sea. If this problem is not addressed immediately, it is possible that humans will become extinct due to various diseases that arise from dirty water.Before the water problem gets worse and causes loss of life, it is hoped that the leaders of Bali in 2024 will immediately prevent this. One way that can be done is training and guidance in creating home wastewater treatment installations so that the water is safe when discharged into the environment. Apart from that, the importance of understanding waste sorting and processing is also needed by the people in Bali. Let's work together to protect our earth for a sustainable future. That's all I can say, sorry if there are any wrong words. Om Santhi, Santhi, Santhi, Omong words. Om Santhi, Santhi, Santhi, Om)
Stop Money politic + (Om swastyastu Dear sir/madam jury And my r … Om swastyastuDear sir/madam juryAnd my respected audienceBefore I start my oration, I want to first express my thanks to the Almighty God (Ida Sang Hyang Widhi Wasa) because it is with His grace that I can give an oration now.Related to the Balinese leadership election which will be held in 2024 in Bali.with this oration I would like to convey that I hope this election can be carried out fairly, without any coercion, one of which is without money politics, because this is very vulnerable to things happening where prospective leaders bribe their people with money to obtain money. leadership, and the same goes for individuals who carry out elections, because there are certain payments or results that will be obtained after holding elections, individuals often choose leaders not based on justice and honesty, but choose leaders with the aim of getting rewards.Apart from that, Article 22E of the Constitution also states that elections are held publicly, freely, confidentially, honestly and fairly.It doesn't stop there, the reality is that choosing the right leader is the path to prosperity for the nation, there are many problems in Bali which also cause us to really have to choose the right leader, such as the increasing problem of poverty, such as due to inadequate minimum wages, so there are lots of beggars on the streets, then there is also the problem of utilizing natural resources, ecosystems are often destroyed due to not being able to utilize natural resources properly, resulting in a decrease in income, there is also the problem of the large amount of waste that is not managed in Bali which is due to the large number of people who don't care about it. the surrounding environment, to the point of eliminating the unique beauty of Bali.So can our future leaders overcome this problem? I hope that these problems can be overcome by our future leaders.So it can be concluded that,Not only is it stated in the constitution that governs us, but elections also concern people's lives in the future, it is also hoped that prospective leaders will be able to carry out elections fairly and without cheating by engaging in money politics.Let us carry out elections fairly and honestly, because carrying out elections intelligently will create a prosperous society in the future.That's all the speech I can deliver, I hope the speech I deliver can be useful. I'm sorry if I made a mistake, at the end I close with Parama Santhi, Om Santhi, Santhi, Santhi Om.rama Santhi, Om Santhi, Santhi, Santhi Om.)
Punapi kawentenan Guru Wisesane ring Pemilu 2024? II + (OM SWASTYASTU Suksma aturang titiang maje … OM SWASTYASTUSuksma aturang titiang majeng ring Dinas Pendidikan Kepemudaan dan Olahraga Provinsi Bali sane sampun ngawentenang pacentokan Bali Berorasi puniki,naler Wikiton.Ring kawentenan sane becik puniki titiang jagi nyihnanyang angga,Wastan titiang Ni Kadek Mia Juniarti saking SMKN 1 Kuta Selatan ring kawentenan puniki jagi ngungayang indik kawentenang ring Masyarakat sane mamurda “ Punapi kawentenan Guru Wisesane ring Pemilu 2024?”Guru wisesa silih sinunggil pahan saking Catur Guru sane wenten ring Sastra Agama Hindune.Jangkep nyane Catur Guru kasobyahang wenten Guru Swadhyaya pinaka Ida Sang Hyang Widi Wasa, Guru Wisesa pinaka pemerintah, Guru Pengajian pinaka guru sekolah, lan kaping untat Guru Rupaka pinaka rerama.Ring galah puniki titian jagi maosang indik guru Wisesa.Napike Guru Wisesa wantah ngatur karamane manten?Cawisane pastikan nenten,liananken punika pamerintah patut ngemuhan masyaraktne,ngayahin masyakatne mangda adil miwah mirengang pikobet sane nibenin masyarakatne. Pikobet ring pamerintah nenten je asiki nanging akeh pisan silih sinunggil nyane kawentenan Pemilu.Pemilu akeh ngamedalang pikobet minakadi Politik Uang miwah Orti Hoax utawi Hate Speech ritatkala kampanyeKawentenan punika prasida katambakin mangda kawentenan pemilune mamargai antar manut ring tata aturan sane kacumawisang antuk kesadaran lan tanggung jawab sami Masyarakat indik kawentenan Pemilu .Nika krana yening cingak sane sampun liwat Pendidikan politik lan sosialisasi politik nenten mamargi sinarengan,kawentenan punika wantah dados tugas penyelenggara kemanten.Partai politik lan pemerintah patut menyarengin pakaryane punika.Iraga makasami naler nguratiang hak-hak konstitusi Masyarakat sumangdane kajaga tur ter akomodir ring Pemilu.Ngiring !! Sinamian suksesang Pemilu 2024 antuk nyagra saking daya-daya jele sane wenten saking Pemilu sane dumunan mangda pasida Pemilu warsa 2024 puniki mamargi antar.Inggih wantah asapunika ngenenin indik daging manah titiang manados Masyarakat,titian mapinunas napi sane kasobyahang prasida kapinehin tur karesepang olih para pemangku kebijakan minakadi guru wisesane sane madue wewenang tur kebijakan sumangdane kawentenan Gumi Baline ngangsan becik tur trepti.Sineb titiang antuk Parama SantihOm Santih,Santih,Santih Om Parama Santih Om Santih,Santih,Santih Om)
"Be Kelih Kan? Nu Deen Demen Ngae Uyut" + (Om Swastyastu Good morning, best wishes … Om Swastyastu Good morning, best wishes to all of us.First, let us offer praise and thanks to Ida Sabg Hyang Widhi Wasa for giving so many blessings and opportunities for all of us, so that we can gather at this happy event.On this occasion, I will deliver a fairly short oration about tourism responsiveness. Because basically tourism is travel undertaken for recreation and entertainment.We all know that the island of Bali is an island of a thousand islands, which is famous in foreign countries for the beauty of its flora and fauna.But behind all that there is a problem that the government must find a solution for in the future regarding tourists who come to tourist attractions in the area of holy places that are arbitrary. Like many tourists taking photos at the temple by climbing the temple pelinggih, not being responsive to Balinese culture, insulting Balinese culture such as committing adultery in a holy place, being reckless on the road, not wearing a helmet, changing motorbike plates and hiding his identity visa so he can work in Bali .And it's no surprise that the presence of tourists disturbs local communities.This is a serious problem that leaders must address in the future, enforcing the rules for tourism to Bali. Give more consideration to tourists who work in Bali, because as far as I know there are still many local people who are unemployed, perhaps the existence of these wise regulations can help local people get jobs and be more considerate of tourists who open jobs in Bali even though they are not citizens.in Bali even though they are not citizens.)
Ngirangin kemacetan ring bali + (Om Swastyastu Thank you for the time given … Om Swastyastu Thank you for the time given to the three of us. Pinihryin meshow my name is I Gede Berlin Renaldi and my two friends areThis is Kadek Junior and I Made and my son Sujana from SMA Negeri 2 Abiansemal. HealthNow let's discuss the role of leaders in managing congestion.is a traffic suspension caused by the number of passing vehicles.more than the short road capacity of Bisnis.com, DENPASAR Promotion AgencyBali Regional Tourism says there are two things that must be considered in order to be successful.currently facing traffic jam problems in Bali. Tjokorda Oka Artha Ardhana Sukawati, Chair of BPPD Bali and Chair of PHRI Bali, said that to overcome current traffic jams, discipline is needed forfor road users and law enforcement. Like traffic jams in the PB road areaSudirman Denpasar is not only a scientific discipline that uses roads, but also the future.A thriving society requires law enforcement. "Two things are truethe most important concern," he told media at the Bali Tourism Board, the day of the flightthe thirtieth day of the month, two thousand and seventeen. He added, for timeIn the long term, Bali develops as a service industry, not manufacturingTransportation must be considered. If this is ignored, a cultural approach is used.in our transportation, I am sure this will be wasteful. Although several modes of transportation are available, none is available."They use it because it doesn't suit the needs of society," he said. He explained that until now his party had not seen the implementation of these two things in society.maximum because there is a feeling of unwillingness from the police, considering that the customer is doing itLocal people have adjacent houses and parking spaces in front of the houses. If this is moreEven better, the government could provide more parking, which could help.solve the traffic jam problem that is behind. If there are words that I don't like, I apologize, I would like to thank Uncle Santhi Santhi Santhi Uncle.to thank Uncle Santhi Santhi Santhi Uncle.)
MIARA MONUMEN MONUMEN SANE MABUAT + (Om Swastyastu, Dear Ladies and Gentlemen, … Om Swastyastu,Dear Ladies and Gentlemen,Today, we are gathered to discuss something of invaluable historical, cultural and aesthetic value: the preservation of important monuments. These monuments are not just stone structures or historical buildings, but are a legacy from the past that we must guard with devotion.Maintaining important monuments is our duty as protectors of cultural and historical heritage. They are silent witnesses to important events that shape our identity. Caring for them is not just about remembering the past, but also building a better future.Monuments are windows into the past. They reflect the glory, courage, art and culture of different eras. However, without proper care, they are susceptible to time and natural elements which can damage their beauty and integrity.Through careful maintenance, we ensure that the story the monument is intended to tell lives on and can be passed on to future generations. They not only belong to us, but also to those who will come after us.It is important to remember that maintaining monuments is not just about preserving their physical structures but also the meaning, values, and stories behind every detail. Studying, understanding and caring for monuments is our duty to ensure this heritage does not fade from our memories.In appreciating monuments, we also respect our own identity, values and cultural roots. By getting involved in the maintenance of monuments, we strengthen our ties with the past and bring the message about the importance of cultural heritage to the world.Therefore, let us join hands in protecting this important monument. By doing so, we provide tangible evidence that we are responsible stewards of our cultural heritage, and we preserve an invaluable part of history for all future generations to enjoy.Om Shanti Shanti Shanti Omions to enjoy. Om Shanti Shanti Shanti Om)
Utamayang Bansos Nenten Medsos + (Om Swastyastu, Poverty is a social proble … Om Swastyastu,Poverty is a social problem that needs to be addressed so that all people can get at least a decent living. As written in article 33 paragraph 1 of the 1945 Constitution which states that "the poor and neglected children are cared for by the state". However, in reality there are still many poor people, homeless people and underprivileged people who still live below the poverty line and do not even receive proper assistance. Gianyar Regency is one of the regions that has a relatively high poverty rate of 1.38 percent, while in Bali province the poverty rate is 0.54 percent.It has been proven that there are still many beggars begging around shops, some of them even carry small children around to get money. Apart from that, there are small children selling tissue along the main road without proper supervision. Of course, this endangers the order and comfort of society and themselves. So, further treatment is needed regarding the problem of poverty. one of the efforts offered is providing social assistance evenly, social assistance is assistance in the form of money, goods or services to individuals, families, groups and poor communities who are unable and vulnerable to social risks. Even though the provision of social assistance from the government has been implemented, its distribution has not been carried out evenly, as evidenced by the still high level of community poverty in Gianyar district.So the step that can be taken is to initiate open inspections when social assistance is distributed from the central government to underprivileged communities so that the assistance provided is not just a symbolic or image attempt by irresponsible individuals. These individuals often use assistance measures as an effort to get attention and praise from the public via social media without thinking about the truth of what is happening on the ground. If the provision of social assistance is uneven, of course there is something that is not right in the process. For example, in December 2023, hundreds of proposals for social assistance grants submitted by the community to the 2023 Gianyar Regency Government had not been disbursed, even though representatives of the community whose social assistance proposals had not been disbursed had visited the Gianyar Regency Government but did not receive clear follow-up action, so the disbursement of the social assistance had not occurred. accomplished.By holding open or transparent inspections, it is hoped that the entire process of distributing social assistance will be known to the community clearly, rather than being an empty effort and hope for the community. Apart from that, social institutions can visit communities in remote areas that are far from the reach of information so that they also receive equal and equitable assistance. It is appropriate for institutions with authority in the social sector to take action against problems that occur in society appropriately and must be accountable. Don't just prioritize your image on social media to get attention and votes from the public.Om Santih, Santih, Santih Om.the public. Om Santih, Santih, Santih Om.)
Krisis Petani Muda Di Bali + (Om swastyastu, I respect you, Mr/Madam, th … Om swastyastu,I respect you, Mr/Madam, the jury and the 2024 DPD RI candidates, and I am proud of all the participants of the Bali Public Participation Wikhiton Speech.First of all, let us express our praise and gratitude to Ida Sang Hyang Widhi Wasa because of His blessing and grace this morning we were able to gather and carry out a series of activities for the Bali Public Participation Wikhiton oration competition, here, allow me to deliver a speech or oration entitled The Young Farmer Crisis in BaliDistinguished guests, the food that we consume and enjoy every day is the result of processing ingredients from agricultural products. Agricultural products in Bali are very diverse, starting from staple foods, fruit and others. However, currently there is a crisis of young farmers in Bali, there are several factors causing it, such as:1). limited access to capital, technology and skilled human resources, thus hampering the ability of young farmers to increase agricultural productivity and increase their income.2). The high level of urbanization and increasing education in rural areas has made many young people prefer to work in the non-agricultural sector, such as industry or services.3). the lack of attractiveness of the farming profession in the eyes of the younger generation, which is considered less prestigious and has the potential to generate low income compared to jobs in other sectors.I hope that from this problem the Balinese leadership candidates who will be elected in 2024 can provide solutions and provide real action and evidence for this problem.So let's raise the status of farmers, so that there is no premature extinction, that's all I can say, if there is an error in delivering my oration, I apologize for this. I close by delivering Parama SanthiOm Santhi, Santhi, Santhi om.arama Santhi Om Santhi, Santhi, Santhi om.)
Sentuhan Kritis: Menolak Penyatuan Budaya dan Politik demi kebebasan Identitas + (OM Swastyastu, Let us reflect together on … OM Swastyastu,Let us reflect together on the impact of forced cultural and political unification, especially in the context of the ban on celebrating the Balinese holiday of Pengrupukan during elections. This coercion can create outrage by harming cultural practices that are integral to people's lives. So, to what extent should we give up cultural celebrations in favor of often questionable political interests? Governments, especially local governments, should be smarter in understanding and protecting cultural heritage as a community right. Only with wiser policies, considering cultural values, can we create true harmony and genuine peace.The prohibition of historic culture is not simply a religious or cultural matter, but involves the right of communities to practice their traditions without intrusive interference. I strongly emphasize the urgency of incisive dialogue, unequivocal respect, and a policy full of sarcasm to respond to issues like the Pengrupukan ban. Only through this approach can harmony between culture and politics be truly realized. The government should not only listen, but also act swiftly for the survival of such a precious cultural heritage. Whoever is elected, let them not only drown in the pleasure of being in power, but also introspect that cultural diversity is not a toy that can be trampled on. A wise leader is not just good at talking, but is able to defend the cultural wealth of the homeland, not destroy it for the sake of narcissistic personal ambition. So, let's choose leaders who not only know how to play politics, but also understand the art of maintaining harmony in diversity.Thank you, OM Santhi, Santhi, Santhi OM. Thank you, OM Santhi, Santhi, Santhi OM.)
Hak Masyarakat Adat Baik Kemajuan dan Kelestarian Adat Terjaga + (Om Swastyastu, My deepest respect to all t … Om Swastyastu,My deepest respect to all the judges.My respects to the BASAbali Wiki teamMy respects to all participants of the Public Participation Wikithon,Allow me to speak a little on the issue of indigenous peoples’ rights. My name is I Komang Sapa. I am from the lava world of Karangasem, I live on the slopes of Bali’s most majestic Mount Agung, in Jungutan Village.As Indonesian citizens, indigenous peoples should have equal rights in terms of land ownership, economic activities, as well as social rights. However, the Job Creation Law (Undang-Undang Cipta Kerja), especially the article on investment ownership as a step to opening new jobs, could backfire on the rights of indigenous peoples or people living in villages.The Indigenous Peoples Alliance of the Archipelago (AMAN) believes that the Job Creation Law (Undang-Undang Cipta Kerja) can pave the way for investors who will run their businesses and process natural resources. However, it will be a problem that can make the people in the village lose. Because people in indigenous villages still make a living through customary land, forests, rice fields and others. Not only is it used as a place to make a living, there are also those who live, make pindik (a local dish), or use the land as a place to build a house. What’s more, since the process of creating the Job Creation Bill started, indigenous peoples have not been included in discussions, even though the people in the village are the most affected.Well, people, because there are different interests here, between indigenous peoples and investors, the government faces a dilemma, when passing this Indigenous Peoples Bill. For example, in the case of the Natural Tourism Park (TWA) in Batur, Kintamani, Bangli, there are still parties from the indigenous community or in the village who feel disadvantaged by the arrival of investors.Ladies and gentlemen, why do we have to speak out about this situation? It is because, as the next generation of the nation, we must participate in preserving the culture, cultural values that have long been the identity of the nation. Especially in the current times, it is very important that we participate and agree in preserving traditional values. This is not just about preserving our traditional heritage, but also about educating our character and morals as human beings who are easily exposed to foreign influences. Also, we must strengthen adat (indigenous laws), recognize the rights of these indigenous peoples, protect, respect and fulfill their human rights.My hope is for prospective leaders to solve this problem quickly through policies that really make the Indigenous Village sustainable even though there are investors who come in to participate in developing the area so that it becomes stronger. Likewise, the government must come to the Indigenous Village, discuss with the community there before issuing permits, let alone policies.Okay, that’s all I can say to all of you. If there are any mistakes in my speech, please forgive me. In closing, I end with parama santhi.Om Santih, Santih, Santih, Om.ma santhi. Om Santih, Santih, Santih, Om.)
Pikobet Peplajahan ring Sisya Tuli + (OM Swastyastu, OM Ano Bhadrah Kratavo Vyān … OM Swastyastu,OM Ano Bhadrah Kratavo Vyāntu Vicva Taḥ’“May auspicious thoughts come from all directions.”Dear future leaders of Bali.Education is the initial provision for achieving goals. Every citizen has the right to education in accordance with Article 31 Paragraph 1 of the 1945 Constitution. The citizens in question are everyone without exception, men, women, children, adults, the elderly, and people with disabilities. Obtaining the right to education is the responsibility of all parties. Parents are obliged to provide basic education to their children. The implementation of education is carried out by the government through the Education Office, both general, special and inclusive education. Now the question is, has the government provided proper access for people with disabilities? The answer is no, brothers and sisters.I invite you to focus on deafness. There are so many obstacles for deaf people when continuing their education in higher education because access is not properly provided. Campuses accept deaf students, but do not provide appropriate access, so they cannot study properly. Another contributing factor is the use of SIBI (Indonesian Sign Language System) in primary and secondary education. SIBI is confusing for deaf learners and not deaf culture. SIBI is made by hearing people who use Indonesian vocabulary patterns so that deaf people cannot understand the context discussed. According to Ade Wirawan, a deaf activist in Bali, the forced use of SIBI results in Language Deprivation which has an impact on the cognitive development of deaf children and students.The solution to the forced use of SIBI is to use Bisindo (Indonesian Sign Language) which is a natural language that emerges and develops in the deaf community. Bisindo is a representation of deaf culture so it is strongly fought for by deaf communities, organizations and activists. Regarding the use of Bisindo in educational units, the government has played a role in deaf education with the issuance of Government Regulation No. 13 of 2020 concerning proper accommodation for students with disabilities, especially for deaf or hard of hearing disabilities listed in Article 15. Furthermore there is a Circular Letter from the Directorate General of Community Education and Special Education on September 23, 2021, regarding the widespread use of Bisindo in special education units for the deaf or deaf community in the wider community. PP No. 13/2020 and the above circular are in accordance with Law No. 8/2016 on disability. However, the implementation has not gone according to its purpose. Many have not provided proper accommodation for students or teachers who master sign language in a complex manner.Things that Bali’s future leaders should realize for equal access to education for deaf students are:1. Adjust the curriculum according to the needs of the deaf.2. Provide an introduction to deaf disabilities to teachers at the elementary school level to serve as a guideline in order to provide teaching in an appropriate manner. 3. Provide training to improve complex sign language skills and linguistic understanding of sign language for teachers.Bali’s future leaders, let’s work together to address these barriers to education, and fix them immediately. Otherwise, the chain of problems will continue to take root and create more complex barriers. Elections are the perfect venue to fix this long-standing problem. Are you the right person to lead Bali? Are you able to approach the deaf community? Can you fulfill the demands of the deaf community?OM Shantih Santhi Santhi OMaf community? OM Shantih Santhi Santhi OM)
Sapunapi utsaha pamerintah antuk nepasin pikobet macet ring Bali? + (Om Swastyastu, Assalamualaikum Wr. Wb., Pe … Om Swastyastu, Assalamualaikum Wr. Wb., Peace be upon us all, Shalom, Namo Buddhaya, Greetings of Virtue, Thank you to all readers who will read this speech of mine. I, Cellin Aulia Nur Shendi Ansyah, a second year student of SMA Negeri 2 Abiansemal, will give a speech about the steps the government must take to overcome the congestion problem in Bali.The problem of congestion is a condition that often occurs in various places, especially in Bali. This can cause public discomfort. But it is also undeniable that this congestion can also have an impact on something else such as the economy and the environment.Traffic jams that occur in several places cause wasted time of road users because in traffic jams it takes several minutes or even hours to be able to cross the road to their destination. Not only that, if a businessman experiences congestion problems on his way to his client, it is possible for conflicts between the businessman and clients who want to cooperate. Thus, the economic impact is also affected by the problem of traffic jams. Even if using public transportation will also cause problems in time efficiency because, public transportation will stop at many stops (Halte) so it is considered by some people that the use of public transportation will only slow down the journey to the destination.The second environment, congestion if it occurs for a long period of time will cause pollution pollution in the air due to vehicle fumes used by motorists, both motorbikes and cars. This is because vehicle exhaust fumes emit gases that are harmful to the environment, namely in the form of CO gas or carbon monoxide which is one of several types of greenhouse gases. This gas can not only pollute the environment and respiratory organs of humans or living things but can deplete the ozone layer in the earth's atmosphere.To overcome congestion we must actively participate in maintaining the impact of congestion by helping government programs. However, the prohibition on people to buy vehicles is not a solution for people to use public transportation, because in the past Bali had had Trans Sarbagita public transportation, then now Trans Metro Dewata and some services that are not in such a form. However, public transportation did not go well as expected. So, the government should let people buy as many vehicles as possible, but only one is used. Thus the government still gets vehicle taxes. So, it is actually not a problem for people to buy many vehicles but their use must be regulated. In addition, the government must also plan sustainable programs for smart urban planning and develop alternative routes and widening roads as an effort to overcome congestion problems so that traffic flow is more efficient. In addition, the government has the right to build other public transportation systems such as LRT (Light Rail Transit) as an effort to solve congestion problems.This important way should also not be forgotten is to provide socialization to the community about the importance of minimizing the use of private transportation because using it can have a big impact on other drivers, the environment, and even globally. The public, allowed to have many vehicles, it's just that in their use they must follow the rules, which is enough for one to be used.Then, what about foreign tourists who are traveling to Bali? The government is expected to plan sustainable and efficient programs so that the opportunity to get to know the island of Bali is greater if infrastructure development, completion of LRT construction and alternative routes are also the best solution so that foreign tourists can easily access routes to get to their tourist destinations.In conclusion, the most appropriate way to overcome congestion problems requires encouragement from various engagements ranging from government initiatives, community participation, and responsibility and awareness from each individual. This is a big challenge for the entire community, especially in Bali, so efforts that can be made to produce sustainable solutions are long-term we must work hand in hand in a collaborative way. Let's show cooperation to build solutions to the problems faced by all of us in the form of traffic jams, and so that we all get comfort while enjoying a sustainable and harmonious lifestyle.Well, to the readers I thank you for reading my speech. I apologize if there is a mistake that is not pleasing to the heart of the speech I gave about the steps that must be taken by the government to overcome the congestion problem in Bali. I cover with paramasantihOm Santih, Santih, Santih Om, Assalamualaikum Wr. Wb., Peace be upon us all, Shalom, Namo Buddhaya, Greetings of Virtue.halom, Namo Buddhaya, Greetings of Virtue.)
PARISOLAH WISATAWAN + (Om Swastyastu, Best wishes for continued s … Om Swastyastu, Best wishes for continued success,Respected judges.Dear participants,And beloved attendees.Before I offer my greetings, let’s express our gratitude to Ida Sang Hyang Widhi Wasa, for His grace which allows us to gather at this great event, “Wikithon Public Participation Bali speaks”.Ladies and gentlemen, you probably know that Bali is called Indonesia’s world-famous tourist destination. Bali has established Cultural Tourism as the most important attraction for tourists, which is why many foreign tourists and local tourists travel to Bali. However, we should remember, the land of Bali is a sacred land. There are rules, principles, and regulations in each region that should be implemented, maintained, and preserved so that the island of Bali can remain strong, sturdy, and sustainable. The rules are not only implemented by the Balinese people but all parties in the tourism sector and also the people who live in Bali as well as domestic and foreign tourists. Tourists should also abide by the rules. They should not violate them, let alone behave violently or arbitrarily. If there are tourists like this, it will definitely make things bad for the life of this Balinese earth.In the current state of Bali’s tourism sector, which has just risen from the impact of Covid-19, there are many behaviors of tourists from abroad that are not in accordance with the rules in Bali. For example, the case of tourists who damaged the Goa Raja Temple, Besakih. Tourists from South Korea damaged facilities in the temple area, such as tedung (umbrella), sangku (holy water container), jug, donation box, and cloth mounted on the monument. This made the temple area polluted. Then the Goa Raja Temple management carried out a simple prayascita (cleaning) ceremony so that the temple area could return to purity. The behavior of tourists causes a big loss for the surrounding community and indigenous people. It has definitely polluted the Balinese customs and traditions. There are many other examples, such as tourists who do not wear appropriate clothes during Pendet Dance performances at Saraswati Temple and Gunung Batur Temple, tourists who take pictures naked at Taru Kayu Putih Suci in Tabanan Regency, tourists who sit on the Teratai Bang Temple monument, tourists who meditate naked in Denpasar. Apart from not wearing clothes at temples, there are also tourists displaying the same behavior in public places, for example in South Kuta.Based on the above-mentioned problems, the Balinese government has actually made a circular letter of the Governor of Bali Number 04 of 2023 concerning the new order for foreign tourists who visit Bali. The stipulation of regulations on tourist behavior is in accordance with Balinese cultural norms but the implementation has not been maximized. There are still many tourists who behave not according to Balinese customs, destroying the principles that have been inherited on this Balinese earth. This makes me hope that the leaders who will be elected in 2024 will be firm with the rules that have been issued, truly loyal to protecting Bali from the bad influence of globalization and all people, especially protecting Balinese youth, so that they are not exposed to bad influences. In addition, Bali leaders should require tourists to be accompanied by a guide. The goal is that there is no more wrong and deviant tourist behavior. Tourists do bad behavior because no one is watching. In order to be implemented, the 2024 leader can provide guide services under the auspices of the government that can be used by tourists.Come on, brothers and sisters, take care of this Balinese earth, take care of the tourists who come to Bali, so that Balinese customs and culture as an ancestral heritage are not polluted and abused. Well, that’s all I can say. If there are any mistakes in my speech, I ask for forgiveness. I close with paramasanthi. Om Santih, Santih, Santih, Om.ramasanthi. Om Santih, Santih, Santih, Om.)
Pikobet Kawigunan lahan ring Bali + (Om Swastyastu, honorable judges of the Wik … Om Swastyastu, honorable judges of the Wikithon Public Participation Oration, and all Oration participants that I am proud of. I, Putu Bayu Yudha Oka Pratama from SMAN 2 Sukawati will deliver an oration entitled "Pikenoh lahan ring bali ngawit masa ke masa" which discusses an issue that has long been a problem in Bali. Bali is known as a global tourism destination, but behind that, there are serious challenges related to the erosion of green land.Land change in Bali from time to time is certainly a very important issue and must be addressed immediately, seeing the state of the increasingly eroded land. According to an article in Neliti, land use change in Bali is very important to note because land use change has a major impact on the physical and social environment. In this case, satellite imagery and GIS data were used to determine land use change in Bali. The results showed that land use has changed drastically between 2003 and 2008. Settlements and irrigated rice fields are where the most extensive land use change occurred, at 2,553 hectares. While salt land use did not change at all. This change has led to the development of villas, hotels, shopping centers that are irregular and haphazard.Irregular and indiscriminate land use change can cause negative impacts on the environment, Balinese people, and even Bali Tourism. Some of the negative impacts that can occur are environmental damage and loss of natural habitat for flora and fauna. In addition, irregular land use change can also cause flooding and landslides. And the most problematic, namely the impact on Bali Tourism. Where, foreign tourists have no interest in coming because it is too full of buildings and little green land left.To overcome these problems, the future leaders of Bali 2024 must take appropriate and effective action. One solution that can be done is to conduct strict supervision of land use changes in Bali. There must be clear procedures and permits related to land use change. In addition, Bali 2024 leaders should also introduce programs that aim to promote sustainable and environmentally friendly land use. These programs could include the development of organic farming, the use of renewable energy, and waste reduction.Ladies and gentlemen of the jury, that's all I have to say about land use issues in Bali. I hope that this oration can be useful so as to realize that the Government and the Community must work together to deal with this problem, Finally, I Bayu say Parama Santhi. Om Santhi, Santhi, Santhi, Om.ama Santhi. Om Santhi, Santhi, Santhi, Om.)
Masa Depan Bali + (Om Swastyastu, Let's all pray to Ida Sang … Om Swastyastu, Let's all pray to Ida Sang Hyang Widhi Wasa, because we all can stand here to talk about "Pemilu : Apa masalah yang paling mendesak untuk ditangani para calon pemimpin Bali?", or in English "2024 Election: What are the most pressing issues for Bali's leadership candidates to address". Dear the Listeners, the 2024 Election is approaching, and the Island of the Gods; Bali is tightening the calendar that must be paid attention to by those who will become leaders. Currently a number of bad tourists, foreigners and ofc residents in bali are breaking the rules, even though it is known as a beautiful tourist destination, Bali has rules and sanctions that can still be bad for the environment, Balinese and foreigners. Examples are corruption, land investment by outsiders, tourists who do not respect Balinese culture, there are no proper procedures for disposing of rubbish in Bali, and there are no sanctions for people who violate it. I hope that those of you who will serve as leaders can develop and handle these problems well. Let's all provide a better opportunity for Bali's future.de a better opportunity for Bali's future.)
HARMONI "RATRIBRASKITA" NYUJUR KERAHAYUAN + (Om Swastyastu, Namo Budaya, Om Awighnam As … Om Swastyastu, Namo Budaya, Om Awighnam Astu Namo Sidham.Bali Island is an island that already has many natural resources. These natural resources attract tourists to come to Bali. The island of Bali is well known abroad. The island of Bali which is growing in tourism is what causes many investors to build buildings in Bali. Different from before, the island of Bali has many rice fields and plants, as well as clear water that makes the mind drift away. In the past, Balinese people easily got agricultural products such as chilies, vegetables and others.After the rice fields in Bali were converted into buildings, little land was used as a place to grow these plants. This is because the prices of our basic necessities in Bali are increasing. If we remember, we should be in Bali who bring in a lot of guests, making Bali Island an island that has high regional income. However, we have all felt that now the prices of basic necessities in Bali are increasing. Natural resources in Bali are increasingly scarce, rice fields in Bali are increasingly depleted. Who can be blamed if it's like this? Not just natural resources, but technological developments that increasingly want to make us spoiled or dependent on technology. Different from before, Balinese people at home each have rice fields that can be used to grow plants that are useful for the Balinese people, such as chili plants, banana trees, tomato plants, vegetables and others. Now, are there any of you who plant these plants? Does anyone still have rice fields?Now in Bali, many people have houses that have been influenced by foreign culture. This is because few have rice fields or plants that can be used for basic needs or coral reefs. If it is related to the increase in prices of basic commodities in Bali, it is appropriate that the Kitri coral can restore the fulfillment of our basic needs in our respective homes. If every yard or yard in Bali had coral reefs, basic prices on the market would definitely not increase because there would be no shortage of basic necessities. This Kitri coral can be included in traditional village regulations so that the community can all develop Kitri coral in their own homes and in traditional villages make sekeha which are taken by each family head in each coral to get information about the Kitri coral and Kitri coral in their respective homes. Each can be sold at the Pekraman village level. Immediately, it became a Ratribraskita movement which means Digital Based Kitri Coral, which has the aim of preserving Kitri Coral even when they become extinct and bringing greenery to the household.Hopefully this RATRIBRASKITA program can provide good benefits.I apologize if there are any shortcomings, I will close with Parama Santih.Om Santih, Santih, Santih Omrama Santih. Om Santih, Santih, Santih Om)
Pariwisata Bali Metangi Antuk Sport Tourism + (Om Swastyastu, the Covid-19 pandemic has h … Om Swastyastu, the Covid-19 pandemic has had a huge impact on Indonesia. Not only in the health sector, but also in the economic sector. The island of Bali is no exception, all of which are very dependent on tourism so that the Balinese economy has slumped during the pandemic. The Government has implemented the policy of Enforcement of Community Activity Restrictions or PPKM (Pemberlakuan Pembatasan Kegiatan Masyarakat) to limit the spread of the Covid-19 virus. However, this strategy has caused negative impacts such as the suspension of tourism. Likewise, tourism workers have been fired. The government and related parties must seek procedures to stimulate Bali tourism. Examples include the strict application of health protocols to the community, as well as the application of CHSE (Cleanliness, Health, Safety, and Environment Sustainability) to tourist destinations or other means of supporting tourist destinations. The number of Balinese people who have received the first dose of Covid-19 vaccine is around 99% and the second dose is around 90%. With this preparation, Bali tourism is ready to rise again. What is needed is public information that Bali is ready to receive domestic and international tourists. Sports Tourism is one of the strategies that should be implemented. Even though it's a new idea, sports tourism has great potential to generate tourism in Bali. Sports events are of great interest both nationally and internationally. This can be seen from the major sporting events held in Bali such as the 2021 BWF World Tour, BRI Liga 1, U-20 World Cup, and so on. The Government can provide support to improve infrastructure and facilities relating to sports so that Bali's potential can be realized and Bali's tourism and Bali's economy can be revived. Om Shanti, Shanti, Shanti, Om.be revived. Om Shanti, Shanti, Shanti, Om.)
Etika Wisatawan ring genah suci ring Bali + (Om swastyastu, the jury that I respect and … Om swastyastu, the jury that I respect and the Bahasabali wiki team that I am proud of. On this occasion, I will deliver an oration on "Tourist Ethics in Sacred Places in Bali".Bali Island is the most popular tourist destination in Indonesia. Bali has very diverse tourist attractions, both natural tourism, cultural tourism and marine tourism. Bali and tourism cannot be separated. A tourist attraction that is no less interesting is the culture of the people. The life of the Balinese people is very closely related to the Hindu religion so that every religious ceremony is a very unique object. Temples are interesting places of worship for Hindus spread throughout Bali. Therefore, Bali also has the nickname Thousand Temple Island.However, the beauty of tourist attractions in Bali is still often threatened, one of which is sacred places. The presence of foreign tourists visiting sacred places still has a negative influence on the island of Bali. The case that we often hear is that tourist etiquette is still lacking, both in terms of clothing and the morals of the tourists themselves. As happened at Pura Dalem Prajapati Banjar Dadakan, Kelaci Kelod Traditional Village, Abiantuwung Village, Kediri District, Tabanan Regency. The tourist climbed a sacred tree, it is suspected that the tourist did not know that this place was a sacred place.This often happens, the causes are freedom of association and clothing in many tourist attractions, the need for commercial content and, ignorance of foreign tourists about sacred places in Bali. With this, we hope that Bali's leaders in 2024 will tighten the existing regulations in this place with efforts that can be taken, namely,1. Form a community for tighter security at this place.2. The management should provide information about the meaning of signs and holy places.3. Give sanctions to visitors who prohibit these rules, both moral sanctions and social sanctions.4. Tourists are expected to be accompanied by a tour guide who has a permit/license (understanding the natural conditions, customs, traditions and local wisdom of the Balinese people} when visiting tourist attractions.That's all we can say, hopefully it will be useful, and this oration can be realized by Balinese leaders in 2024 so that sacred places in Bali are always maintained and preserved. Sorry if there are any wrong words, we thank you. Om Shanti, Shanti, Shanti Om.e thank you. Om Shanti, Shanti, Shanti Om.)
Etika Wisatawan Di Tempat Sakral Di Bali + (Om swastyastu, the jury that I respect and … Om swastyastu, the jury that I respect and the Bahasabali wiki team that I am proud of. On this occasion, I will deliver an oration on "Tourist Ethics in Sacred Places in Bali".Bali Island is the most popular tourist destination in Indonesia. Bali has very diverse tourist attractions, both natural tourism, cultural tourism and marine tourism. Bali and tourism cannot be separated. A tourist attraction that is no less interesting is the culture of the people. The life of the Balinese people is very closely related to the Hindu religion so that every religious ceremony is a very unique object. Temples are interesting places of worship for Hindus spread throughout Bali. Therefore, Bali also has the nickname Thousand Temple Island.However, the beauty of tourist attractions in Bali is still often threatened, one of which is sacred places. The presence of foreign tourists visiting sacred places still has a negative influence on the island of Bali. The case that we often hear is that tourist etiquette is still lacking, both in terms of clothing and the morals of the tourists themselves. As happened at Pura Dalem Prajapati Banjar Dadakan, Kelaci Kelod Traditional Village, Abiantuwung Village, Kediri District, Tabanan Regency. The tourist climbed a sacred tree, it is suspected that the tourist did not know that this place was a sacred place.This often happens, the causes are freedom of association and clothing in many tourist attractions, the need for commercial content and, ignorance of foreign tourists about sacred places in Bali. With this, we hope that Bali's leaders in 2024 will tighten the existing regulations in this place with efforts that can be taken, namely,1. Form a community for tighter security at this place.2. The management should provide information about the meaning of signs and holy places.3. Give sanctions to visitors who prohibit these rules, both moral sanctions and social sanctions.4. Tourists are expected to be accompanied by a tour guide who has a permit/license (understanding the natural conditions, customs, traditions and local wisdom of the Balinese people} when visiting tourist attractions.That's all we can say, hopefully it will be useful, and this oration can be realized by Balinese leaders in 2024 so that sacred places in Bali are always maintained and preserved. Sorry if there are any wrong words, we thank you. Om Shanti, Shanti, Shanti Om.e thank you. Om Shanti, Shanti, Shanti Om.)
"Pangelumbungan Sampah Menyuarakan Kepedulian, Menyemai Perubahan" + (Om Swastyastu. In managing this waste, th … Om Swastyastu.In managing this waste, the Tim Basa Bali committee and all of us extend our respect to the Supreme God. This waste affects our earth and has become a collective burden for humanity.The regulations written in 1975 regarding the preservation, writing, and development of the Balinese script have been in place, but they are not consistently followed. Waste disposal should not be a mere ritual but a continuous thread of our lives.This waste is harmful, and we, the people, should be sacred citizens who do not directly contribute to the pollution of our surroundings. The waste, which has been increasing, is affecting Bali's environment. Nevertheless, we must continue to live in harmony with nature and uphold our responsibilities.We need to transform our habits in waste disposal immediately. Moreover, we must offer our support to fellow Balinese and play our roles as responsible citizens. The fear looms large over our tourism, economic stability, and global reputation. Together, let us unite, be humble, and work collectively in managing this waste. Thank you. Om Peace, Peace, Peace, Om.te. Thank you. Om Peace, Peace, Peace, Om.)
NGIRANGIN SAMPAH PLASTIK ANTUK PULAU BALI SANE BECIK + (Om Swastyastu. Sincerely all my beloved g … Om Swastyastu.Sincerely all my beloved guests,Currently, the island of Bali is faced with serious challenges that threaten the environmental sustainability and beauty of the island of Bali as a tourism destination. Namely, the problem of piles of plastic waste.Every day, we witness an uncontrolled growth in the volume of plastic waste, polluting oceans, damaging ecosystems and threatening health. Plastic waste is not just waste, but also a symbol of our irresponsible behavior towards the environment. It is important for all of us to be aware of the negative impacts and take concrete action. There needs to be a joint effort to reduce the use of single-use plastics, support recycling, and encourage environmentally friendly technological innovation.Through collective awareness and action, we can create a cleaner, healthier and more sustainable environment for future generations. Thank You.Om Shanti Shanti Shanti Omns. Thank You. Om Shanti Shanti Shanti Om)
Pikobet Leluu Sane Magenah Ring Tukad-tukad Ring Bali + (Om Swastyastu. Distinguished guests, first … Om Swastyastu.Distinguished guests, first of all, let us say our thanks giving to Ida Sang Hyang Widhi Wasa, because it is thanks to his grace that we can gather here. On this happy occasion, I would like to deliver a speech about the problem of rubbish in rivers. This problem is one of the problems that exist in Bali, and must be handled by the future leaders of Bali.We all know that rivers are natural resources that are very important for human life. Rivers provide water for drinking, irrigation and other daily needs. However, unfortunately, our rivers are currently facing a serious problem, namely rubbish pollution.One of the main reasons why there is a lot of rubbish in rivers is the lack of public awareness about the importance of disposing of rubbish in the right place. Many people still throw rubbish carelessly, including into rivers.Garbage thrown into rivers can cause various environmental and health problems. This rubbish can clog river flows, causing flooding. Garbage can also pollute river water, endangering human and animal health. Apart from that, rubbish in rivers can damage river ecosystems and reduce natural beauty.To overcome the problem of waste in rivers, cooperation from all parties is needed, including the government, society and the business world.The government must provide adequate facilities and infrastructure for waste management, such as rubbish bins, waste transport fleets and final waste disposal sites.People must have awareness not to throw rubbish carelessly, especially into rivers.The business world must also play a role in reducing the use of materials that are difficult to decompose, as well as supporting sustainable waste management programs.I hope that the future leader of Bali who is elected will have a commitment to solving the problem of rubbish in rivers.The prospective leader must have a clear vision and mission in waste management, as well as a work program that is measurable and can be implemented.I am sure, if we all work together, we can solve the problem of rubbish in rivers and make Bali a clean, beautiful and healthy island.Distinguished guests, that's all I can say. If there is an error I apologize. I close with Parama Santih.Om Santih, Santih, Santih, Om.ama Santih. Om Santih, Santih, Santih, Om.)
Ngamolihang Kasejahteraan Sosial ring Bali + (Om Swastyastu. Before I present this orati … Om Swastyastu. Before I present this oration, let us all give thanks to Ida Sang Hyang Parama Kawi, because thanks to His grace I, Ni Kadek Diah Ayu Paramitha from SMA Negeri 1 Kerambitan, can present the oration text entitled “Ngamolihang Kasejahteraan Sosial ring Bali”.A leader is a person who influences others in order to carry out a common goal. Therefore, leaders have the obligation to complete and implement all the aspirations of the community and have a responsibility for community welfare and social welfare. Talking about social welfare, it can be seen from various aspects such as economy, education, health, and socio-culture. Today, I will discuss social welfare in Bali from the economic point of view. One of the economic problems in Bali is the economic gap, which is very important to find a solution to. The economic gap is closely related to the unbalanced infrastructure development in each region. This can lead to urbanization - people living in villages are displaced to cities - which then makes economic growth in Bali unbalanced. Poverty and unemployment rates are also important to note, because if you look at the distribution of subsidies for the lower middle class, it has not been well targeted, so the poverty rate has not shown a significant reduction in the number of people living in poverty.We know that Bali is very strong because of tourism which until now has benefited as much as 60% of Bali’s economic structure. In my opinion, providing tourism sites like this, especially in villages can be one of the solutions to relieve the economic gap in Bali, such as the Tenganan Tourism Village program, Jatiluwih, Terunyan, and others. However, we cannot guess what will happen in the future, such as the Covid-19 outbreak in 2020 which causes an economy decline, especially in Bali because it still relies on tourism. However, if you look again, Bali actually has other potentials such as MSMEs. These MSMEs should be considered so that they remain strong. Bali’s leaders have a role to help MSMEs in Bali so that they can improve Bali’s economic development, such as providing facilities and assistance in the form education, socialization, subsidies and rules that can encourage the existence of MSMEs and provide legal protection for MSME actors. Not only these MSMEs can help the Balinese economy. Social welfare is not just the responsibility of leaders, but the responsibility of the entire community. However, the role of leaders here is very important to lead the community to get social welfare, the leader should use resources as well as possible, and also build good buildings in order to provide people’s welfare.This is the text of the oration that I can convey. If any of my words are not pleasing to you, I apologize profusely, finally I close with paramasantih, Om Santih Santih Santih Om. paramasantih, Om Santih Santih Santih Om.)
Upaya Mangda SDM ring Bali nenten Fokus ring Sektor Pariwisata kemanten + (Om Swastyastu. Dear readers, and participa … Om Swastyastu. Dear readers, and participants of the competition that we are proud of. Praise and gratitude are due to God Almighty because by His grace we were given the opportunity to be participants in the Wikithon Basa Bali competition with the theme "Election 2024: What are the most urgent issues to be handled by Bali's prospective leaders?" Tourism has long been the most popular sector for Balinese people. Natural resources and customs are two of the factors that make tourists, both from within and outside the country, interested in visiting the island of the Gods, Bali. However, reflecting from 3 years ago where most of the people's economy in Bali was hampered due to a prolonged pandemic. It can be seen from one of the tourist attractions in Bali, namely "Taman Nusa", where this tourist spot focuses on preserving customs and culture in Indonesia, such as traditional houses, dances and traditional weapons, ended up 'closing' or in other words 'going bankrupt'. Now that the economy in Bali has started to grow and improve, we can take a lesson to not depend on one sector, especially the dynamic Tourism sector. Our question now is, how can we make the human resources in Bali not only focus on the tourism sector? This problem starts with the stereotype that working in the tourism sector can raise the family's status. Although in reality this is true, given the dynamic nature of the tourism sector, it is unlikely that the sector will always promise a good economy. Whereas, on the other hand, agriculture, health, trade, construction and so on have ample job opportunities but with less promising income, so in the opinion of young people now. We ask for solutions from the government regarding this sector that 'actually' has ample job opportunities with less promising income.Finally, let's all work together to protect and do our best for Bali's economy in the future. That's all we can say, if there are shortcomings we apologize and for your attention we say Parama Santih. Om Santhi, Santhi, Santhi Om.rama Santih. Om Santhi, Santhi, Santhi Om.)
BALI RESIK, TAN KATIBEN GUNUNG LELUU + (Om Swastyastu. Dear the juries and all rea … Om Swastyastu. Dear the juries and all readers. From the theme of this oration, the urgent topic we raised was the Bali government's steps in dealing with the surge in waste on the Island of the Gods, which can cause various problems in life. For this reason, the title of our oration is “Clean and Spotless Bali, Without Mountains of Rubbish” or "Bali Resik, Bali Tan Katiben Gunung Leluu". Bali Island is nicknamed the world's tourism paradise. However, behind that sentence, this island is facing an urgent crisis due to piles of rubbish. It has become increasingly complicated and more transparent after fires recently occurred at several final disposal sites (TPA) in Bali. How would we feel if every day we had to live amidst piles of rubbish, followed by burning pollution like this? As a foreign tourism area, the urgency of this problem must be addressed immediately because it can cause other issues that could be detrimental to the Balinese people. Therefore, the presence of the government as a pioneer leading society is vital in responding to this urgency. Prospective leaders should be responsible for developing steps to overcome this emergency. We need significant investment in waste management infrastructure with modern, environmentally friendly technology. We also need policy designs encouraging active community participation in waste sorting and recycling programs. We encourage prospective Balinese leaders to work with various parties, including the private sector and environmental organizations, to create collaborative solutions to this waste problem. By integrating ideas and resources from multiple sectors, we can achieve more significant progress in maintaining Bali's sustainability. This is a call for all of us to act together and ensure that Bali remains beautiful and sustainable for future generations. Thank you, ladies and gentlemen, prospective leaders of Bali in the 2024 elections, for your attention and commitment to facing this urgent challenge. Together, let's create a clean, green, and sustainable Bali without mountains of rubbish. Om Santih, Santih, Santih, Om.of rubbish. Om Santih, Santih, Santih, Om.)
Menuju Bali Clean And Green + (Om Swastyatu I thank the committee,the a … Om Swastyatu I thank the committee,the audience that I am prouded and the team from my beloved BASAbali Wiki.On this happy day I will present the tittle “ Towards a clean and green Bali’’instead of giving to mucht advise . As for all the smart attendees,I am here to help convey the government teacher’s messege from what has been spread by the government in the Balinese community.A very good progam aimed at keeping Bali clean and beautiful. Some people of the programs tht have beesn implemented include Denpasar Go 2011( two thousand eleven),car free day,planting a million trees and others progam again.this is government progam tht can be a seed to prevent air pollution from landslide, and maintain the beauty and fresh of all Balinese people who alredy have mindnest of preserving Bali,this aims to ensure that Bali is always clean. Well, dear listeners, let’s ask ourself. Have we carried out business efforts aimed at preserving the Balinese word if not us who else? If not now,when again? So that all of you can unite yourself, roll up your sleeve, maintain cleanline and beauty Bali as well. That’s all I can say more or less I am sorry I closed it with parama santhiOM SANTHI SANTHI SANTHI OMh parama santhi OM SANTHI SANTHI SANTHI OM)
ogoh-ogoh bali 2024 sane katinggalin + (Om Swastysatu, Om Awighnam Astu Nama Sidha … Om Swastysatu, Om Awighnam Astu Nama Sidham, the Queen who smells so good to all of us. Today I would like to convey that Ogoh-ogoh 2024 announced by the Bali Provincial Government will be held in the series of Nyepi Day 2024. However, Balinese people are still allowed to roam around. Head of the Bali Cultural Service, I Gede Arya Sugiartha, explained that holding the provincial level ogoh-ogoh competition was to maintain security until the 2024 elections. According to him, bad race was the cause of all relations. He showed that horseplay could be played again after years of politics. However, people were still allowed to play ball the following night. Group meetings can only be held within their respective traditional village areas. Then he ordered them not to talk about it on the street. I apologize if there is something wrong with what I said, so I will call it Prama Shanti. Uncle Shanti, Santhi, Shanti Uncle.hanti. Uncle Shanti, Santhi, Shanti Uncle.)
Collin McPhee + (On February 15, 1900, Collin McPhee was bo … On February 15, 1900, Collin McPhee was born in Montreal, Quebec, Canada. He passed away on January 7, 1964, in Los Angeles, California, USA. He was a writer, pianist, and composer who composed music for traditional Balinese dances. He was a resident of Bali. In addition, he writes a lot of music inspired by Balinese traditional music.For the remainder of his life, Collin McPhee studied Balinese music. He made a significant contribution to the advancement of Balinese music as well. He brought Balinese music to the attention of various American music universities. The orchestral percussion piece he composed for Carlos Chavez's 1936 summer tour to Mexico is his most well-known composition. Balinese gongs and cymbals are among the musical instruments used in McPhee's percussion piece.Balinese Ceremonial Music (1934), Concerto for piano and wind octet (1928), Concerto for wind orchestra (1960), Kambing Slem (1960) for flute and piano, Lagoe Sesoeloelingan Ardja (1960) for flute and piano, Lagu Délem (1960), Tabuh-tabuhan (1936) for two pianos and orchestra, Tabuh-Tabuhan, toccata for orchestra (1936), Transitions for orchestra (1954), etc. are some of Collin McPhee's compositions. are some of Collin McPhee's compositions.)
Daniel Bahari + (On March 23, 1948, Daniel Bahari was born … On March 23, 1948, Daniel Bahari was born in Denpasar. He is a renowned boxing manager, promoter, and trainer. He started the Cakti Bali gym (Candradimuka Boxing Bali) and developed amateur and professional boxers on a national and worldwide scale. Adi Swandana, Francisco Lisboa, Pino Bahari, Nemo Bahari, and Daudy Bahari are among the boxers that came from his family. He has also faced off against the renowned boxer Ellyas Pical, the former junior bantamweight champion of the IBF. He was a boxing athlete before he became a trainer. His accomplishments weren't all that remarkable, though. He is more renowned for being a golden-handled boxing coach. On March 16, 2015, Daniel Bahari passed away in Denpasar.15, Daniel Bahari passed away in Denpasar.)
WISATA MELANCARAN RING BALI + (On Swastyastu I would like to express my … On SwastyastuI would like to express my gratitude to the presence of God Almighty for his generous support in being able to deliver an oration entitled "TOURISM UNDER THE BALI RING" The island of Bali or the island of a thousand temples is famous for its unique tourism and culture. The island of Bali has many tourist attractions that attract local guests as well as tourists from foreign countries who come to Bali for a holiday and enjoy the natural beauty of Bali. The tourist attraction in Bali that is most often crowded with tourists is Ubud. In Ubud there are many tourist attractions such as the Ubud monkey forest, Bali bird walks, the Ubud art market, the Blanco Renaissance Museum and others. Sometimes when we cross the road in Ubud, we often get stuck in traffic jams due to the crowds of tourists walking around. There are so many tourists on holiday in Bali that we are overwhelmed by the behavior of tourists who carry out actions that exceed the limits set by the local community. However, tourism activities help revive the community's economy. Also, the culture and tourist attractions in Bali are becoming more famous on the world stage, and can attract tourists to vacation in Bali. That's all my oration that I explained, forgive me if there are any statements that are offensive or not pleasing to your heart. I say thank you, at the end I close with parama santih. Om santih, santih, santih omama santih. Om santih, santih, santih om)
Jalan sane usak + (On the damaged highway in Mambal, the Mambal highway is located on the road that passes through the Mambal market which is very damaged, many people say the road is suitable for trekking because it is damaged)
Ngicenin kebebasan majeng ring yowana mangda makarya sapakayunan ipun, miwah memfasilitasi sajeroning pencapaian minat bakat kramanyane + (On this occasion, allow me to share some t … On this occasion, allow me to share some thoughts on the importance of giving teenagers the freedom to express themselves and work on their interests and talents. And how we as a society can facilitate this.The young generation is the future of this nation. They are the ones who will continue the baton of leadership in this beloved country. Therefore, we should give them the widest possible freedom to explore and develop their potential. Often, we get stuck in the mindset that children should follow in their parents' footsteps. In fact, every child has their own passions and talents. Our job is to support and facilitate their self-discovery, not impose our will.By giving young people the freedom to work in areas of interest, we help them find purpose and meaning in life. This is important so that they do not get lost and fall into negativity. In addition, young people who are supported to pursue their dreams will grow up to be confident and optimistic. They know that the community supports their efforts to achieve their goals. This will spur enthusiasm and a high work ethic.Therefore, let us embrace young people with empathy. Give them the confidence to pursue their dreams, even if they are different from our expectations. As parents and society, we must support our young people. Thus, they will grow into an excellent generation and bring progress to this nation. That's all for my short speech, thank you for your attention.hort speech, thank you for your attention.)
Anak Agung Made Gelogor + (One of a number of female artists in Sanur … One of a number of female artists in Sanur identified by Bateson and Mead via the Neuhauses.From a family of painters in Sanur during the 1930s. Worked with Agung Raka, her son by Gusti Sodang (and thus is probably also the mother of Gusti Putu).Also spelt GelogorRelated ArtistsHusband: I Gusti Putu Raka SodangSon: Agung Raka: I Gusti Putu Raka Sodang Son: Agung Raka)
Cameron Forbes + (One of Australia’s most respected foreign correspondents.)
I Dewa Ngakan Gede Keramas + (One of the Balinese writers who came from … One of the Balinese writers who came from Bangli, namely in Guliang Kangin - Taman Bali, was I Dewa Ngakan Gede Keramas. Has given birth to a gaguritan literary work entitled TIRTHA HARUM in 2000. In gaguritan Tirtha Harum uses several pupuh including, Pupuh Sinom, Pupuh Durma, Pupuh Ginada, Pupuh Kumambang. And in it tells or tells how the naming of Tirtha Harum and the initial milestones of the Taman Bali kingdom.tial milestones of the Taman Bali kingdom.)
NGELISIN GALAH KARANTINA + (Ong Swastyastu … Ong Swastyastu since the COVID-19 pandemic hit the whole world. It's been two years of this pandemic situation. some regulations have been implemented. but not getting the desired result, for the purpose to be achieved. I am not a tourism actor, let alone one who knows about the state of tourism, but I feel what the impact of this covid-19 pandemic is. I wrote this article from the input of my friends and relatives who work in the tourism sector. When viewed from the development of tourism in the past, generally 100% of guests traveled to Bali, now only 30% of foreign guests come to Bali, another 70% are mostly local guests, even though the airport has opened domestic flights and international flights. But still few foreign guests come to Bali for sightseeing, even though most of the guests are local. Now, as now, there has been an increase from before, unlike in the past, hotels, villas, resorts, restaurants, tourist attractions were mostly closed. We all know that Bali is the biggest foreign exchange earner in Indonesia. If Bali tourism is paralyzed, let alone to death, what can you do, what causes it? Most of the people work in the tourism sector. Health-based tourism must be applied to be used as a solution/urgent situation in the current state of tourism and in the future. Many foreign guests don't want to go to Bali because the quarantine period is too long and the rapid production of antigen tests and PCR swabs is too expensive. The hope of the people is that the government is right to reduce the quarantine period which used to be 14 days, to only 7 days, what is the reason?, So that the quarantine period for guests is not too long, just like a leech habit (too long) staying or traveling to Bali, so as not to too long quarantine before traveling quickly lost the desire of guests to travel. For example, a guest who came to Bali only two weeks ago had a 14-day quarantine period, cutting the guest's vacation time by 14 days after the quarantine period was used up, the guest lost his time to Bali or the quarantine period was used up only. Also accompanied by promotion and maintaining Balinese culture so that traditional tourism attractions such as the ogoh-ogoh parade can be used as an inducement for foreign guests to visit Bali. Ong, Santhi, Santhi, Santhi, Ongsit Bali. Ong, Santhi, Santhi, Santhi, Ong)
Anak Agung Gede Alit + (Only one picture in Bateson and Mead colle … Only one picture in Bateson and Mead collection, purchased Jan. 17, 1937 — crudeMember of the ruling family of Batuan. Bateson-Mead information: Age: about 12-13 Son of the highest status and most powerful man in Batuan of the time, Anak Agung Gede Ngurah, who was juru tulis to the Punggawa of the region, which was centered in Pliatan in the late 1930s, was just finishing up 5th year of elementary school in Sukawati, and was about to go on to become an apprentice civil servant (magang) in the Pliatan office that very same year. Survey information: MARGINAL EARLY TEEN UNSKILLED THIRD WAVE LITERATE SPEAKS MALAYUNSKILLED THIRD WAVE LITERATE SPEAKS MALAY)
TULIS JUDUL DI SINI (BAHASA BALI) + (OPTIONAL)
KRAMA WIKAN NGICEN SUARA RING CALON SANE PATUT KAPILIH + (OPTIONAL)
baya sampah antuk gumi pariwasata Bali + (OPTIONAL)
Goverment Macet ring Bali, Pikobet Tanpa Solusi + (OPTIONAL)
TUSING NYAMAN ULIAN LUU + (OPTIONAL)
KEBERSIHAN LINGKUNGAN RING LUU PLASTIK + (OPTIONAL)
Marak,WNA Ngrusak Bali + (Optional)
Pikobet Macet Miwah Parkir + (OPTIONAL)
Kemiskinan Ekstrem Ring Bali Sayan Nincap + (OPTIONAL)
Palemahan kacemerin olih luu + (OPTIONAL)
Kasus Bunuh Diri Ulian Penyakit Mental + (OPTIONAL)
Kasus Rabies Ring Bali + (OPTIONAL)
NGUYAH RING BALI SAYAN NGREREDANG + (OPTIONAL)
WAJIB DIISI JUDUL BERBAHASA BALI + (OPTIONAL)
KENAKALAN REMAJA + (OPTIONAL)
Ical Pikobet Perundungan Pinaka Pinunas Genersi Muda + (OPTIONAL)
UMK BULELENG SANE KARI ALIT + (OPTIONAL)
PETANI NGELING ULIAN KONVENSI + (OPTIONAL.)
Reinventing Bali Tourism - A Vision of Creativity, Education and Entrepreneurship + (Original article printed in BALI!Now The … Original article printed in BALI!NowThe rebranding and reconfiguration of the Bali tourism industry from Desa Wisata to Desa Kreatif (tourism village to creative village) is essential. Tourism products shift from vacation leisure activities to learning and innovation experiences up-skilling people as entrepreneurs within the 21st-century global creative economy. Demographics have changed from the leisure-focused baby boomers to the X, Y, Z, and millennial generations who tend to be orientated towards creative and entrepreneurial adventures. The market evolves from internationals to a mixed domestic and international audience. The emphasis changes from ‘trading’ to instilling innovative and entrepreneurial knowledge...The rebranding of tourism transforms Bali into a global centre of innovation and learning. Desa Kreatif preserves the ‘gotong-royong’ village model of shared collective responsibilities. The environment is a decentralised, fully distributed, unified infrastructure providing equal opportunity and enhanced diversification. A sustainable ecosystem eliminates competition, empowered by the abundance philosophy and the entrepreneurial spirit. A renewed sense of shared values and belonging motivates stakeholders to collaborate to serve the whole’s best interests.See whole piece at https://bit.ly/3pD43p9, originally published in NOW!Bali, April 1, 2021 by Richard Horstman.W!Bali, April 1, 2021 by Richard Horstman.)
Puputang Kemiskinan, Wikanang Bali + (OTIONAL)
Wisatawan Sane Arogan + (OTIONAL)
Mario Blanco + (Our Young Master Mario Blanco, the second … Our Young Master Mario Blanco, the second child of the famous artist Antonio Blanco, was born in Ubud - Bali on the 4th of July 1962. He was surrounded by art from early childhood. Without doubt, his father Antonio Blanco was regarded throughout his life as the most famous artist of the island of Bali. When Mario was very young, the elder Blanco invited him into his studio in Campuan to share in his great enthusiasm for art. Mario painted his first oil at the tender age of five and later chose to study art at the University of Udayana in Denpasar where he successfully graduated.Inevitably, Mario's art drew its inspiration from two different origins. His Spanish father introduced him to the techniques of European art and his native artistic feelings come from his Mother Ni Ronji, a famous Balinese dancer. Mario has developed this intensively through his paintings which expose a definite preference for a romantic impressionistic style.Being the son of the "Fabulous Blanco", Mario faces a strong challenge but, as he inevitably sheds his father's influence, his own talent is expressed through an elaborated landscape where his own visions of Balinese culture gradually emerge.ions of Balinese culture gradually emerge.)
Agus Putu Pranayoga + (Owner and Founder at Hotel & Villa Photo, Photographer at Bali Family Photography and Photographer at Visual Food Photographer)
P.L.Dronkers + (P.L. Dronkers, born 19 August 1917, comple … P.L. Dronkers, born 19 August 1917, completed his education in Leiden in September 1941 and became Dutch colonial government administrator (Indisch bestuursambtenaar) and in July 1945 he was one of the first members of the contingent of Dutch colonial administrators to be sent out from The Netherlands to the Netherlands-Indies, at that time still occupied [by the Japanese]. Via Australia and a temporary assignment in Batavia with the Netherlands Government Information Service (Regerings Voorlichtingsdienst, RVD), in the first months of 1946, he was granted a post with the landing forces, which were to bring Bali back under regular [Dutch colonial] administration. Initially, Internal Affairs Administration was militarised with the name Allied Military Administration, Civil Affairs Branch (AMACAB), something which was undone in the course of 1946. In 1947, civil administrators were added to the local self-government as civil advisors (bestuursadviseurs). Mid 1948, these administration advisors were put together at the office of the Balinese 'Rajadom Council' (vorstenraad) Dewan Radja-Radja in Den Pasar. The reason for this was, also at local level, to melt into changed political relations within the Negara Indonesia Timur, to which daerah Bali belonged. The transfer of sovereignty in December 1949 formally ended the interference of Dutch [colonial] Civil Administration with local administration.Dronkers held the following positions in Bali:  junior controller (aspirant-controleur) in Boeleleng and Djembrana, March-May 1946; junior-controller in Djembrana, May-December 1946; controller/administration advisor in Tabanan, January 1947 - June 1948; head of the Political Affairs Department with the Dewan Radja-Radja in Den Pasar, June 1948 - March 1949; head of the Economic Affairs Department with the Dewan Radja-Radja in Den Pasar, June 1949 - April 1950. April 1950, Dronkers together with his family repatriated to the Netherlands.In the course of his administrative duties he made some 7,000 photographs of Balinese cultural life.000 photographs of Balinese cultural life.)
Pande Alit Wijaya Suta + (Pande Alit Wijaya Suta, born in Denpasar, … Pande Alit Wijaya Suta, born in Denpasar, August 29, 1984. He completed his art education at ISI Yogyakarta. Since 2008 he has been active in many joint exhibitions, including “Merdeka in Expression” at the Bali Cultural Park (2019), “Nitibumi” at Bentara Budaya Bali (2016), Beijing International Art Biennale, China (2015), “Colek Pamor” at the Museum Arma, Ubud (2014). He is a member of the Militant Arts Community. His works tend to explore the decorative arts of tribalism into a unique visual treat. Every detail of his work is built from archaic symbols arranged in such a way as to become a unified whole.n such a way as to become a unified whole.)
Pande Paramartha + (Pande Paramartha, born in Karangasem, Nove … Pande Paramartha, born in Karangasem, November 23, 1975. He studied fine arts at ISI Denpasar. Since 1994, he has diligently included his books in various joint exhibitions. Among them are the exhibition "Evolution" at Bharata Gallery Ubud (2003), "Hitman" at Danes Art Veranda, Denpasar (2011), "Bali Art Fair" at Tonyraka Gallery (2013). His solo exhibition was “The Creature in Action” at TEN Fine Art, Sanur Bali (2010). In 2000 he won the "Best Oil Painting" award from ISI Denpasar. In his work he often finds inspiration from childhood memories, a world full of play and imagination.ies, a world full of play and imagination.)
Pande Ketut Taman + (Pande was born into an artistic, religious … Pande was born into an artistic, religious family. A gifted artist since childhood, he studied painting at the Indonesia Institute of the Arts (Institut Seni Indonesia) in Yogyakarta. He later moved with his wife and family to the small town of Muntilan in Central Java, where he lives and works within sight of both the ancient Buddhist temple of Borododur and of Mount Merapi, an active volcano. Both of these majestic and powerful sites—one man-made and celebrating the spirit, the other natural and conveying the beauty and awesome power of Nature—have strongly influenced Pande’s art. A deeply spiritual connection to the earth is a tangible element of Pande’s sculptures and paintings, and the naturalism of his style reflects his interest in the forms and materials of nature in their most fundamental state. His carved wood sculptures, many of them monumental in size, are often fashioned from the trunks or roots of trees, and depict innumerable, expressively carved human figures that seem to be emerging from the tree itself, like figures in some ancient mythological tale.For Pande, art is a daily-life practice, like taichi or meditation, that allows him to both be nourished by and to celebrate the earth and the spirit, moving from the center outwards just like a mandala–from the microcosm of the body, to his family, his town, the forests and mountains that surround him, the society to which he belongs, and the cosmos which encompasses all of us.nd the cosmos which encompasses all of us.)
Remaja Influencer Pariwisata di Bali + (Pandemic Covid-19 which start from 2020 and also 2021 cause many effect,especially tourism in Bali have not visited as usually. Tourism in Bali who have not visited as usually must)
PEMILU 2024 "ANTI GOLONGAN PUTIH" + (PEMILU 2024 "ANTI GOLONGAN PUTIH" Dear my … PEMILU 2024 "ANTI GOLONGAN PUTIH"Dear my fellow countrymenThe general election to be held in 2024, Indonesia will be faced with many Political changes which will come in early 2024 with many general elections covering legislative elections that will proceed with new presidential elections that have many major changes to Indonesian people, especially in the 2024 election will be marked by millennials and the generation Z that will contribute most to the general election which will be held in 2024.As a generation of millennials and generations of gen Z who will also color the general elections carried out in 2024, be voters who have a sense of responsibility for our choices and do not choose a candidate as long as well as memiliih without any forcedness or sogo from the candidates for election 2024. But in the present, many millennials and generations of GEN Z don't understand things about politics and laws that make many millennials a neutral or commonly called GOGPUT (White Class) because the many issues of prospective elections that have miscompatible with the course, make many youth of the millennial generation or gen Z doubt with the mission conveyed by the millennial generation, many white generation in the future.With the doubts and neutral groups, this makes many Indonesian youth that will participate in coloring the general election which will be carried out in 2024 make the many choices carelessly without the basis of choice according to their hearts or according to the criteria needed by the Indonesian nation in the next 5 years. This will be a lot of bribery or sogon-sogons from candidates to citizens, especially millennials and generations of GEN Z who do not understand anything about politics, this will make many negative influences the course of the 2024 election.Thus, with the 2024 election, which will be colored by millennials and the generation of Z will also color the general election in the year with their choice. Because every choice of your voice to advance the Indonesian nation which is better in the future. By choosing without being a white group, because the White Group is not cool.Thank you, hopefully with the oration I said. Hopefully, with this generation of millennials or generation GEN Z can choose a candidate with a vision and mission in accordance with the required State of Indonesia. So that no more will become a white or neutral group in the 2024 election later. neutral group in the 2024 election later.)
NARYA ABHIMATA + (Photographer Narya Abhimata – who shot our … Photographer Narya Abhimata – who shot our cover and fashion spreads this issue – is doing exactly what he wants to do, thank you very much. Interview Nigel Simmonds.Narya, we’re all interested in how you grew up and how you became a visual artist. What’s the story?I was pretty much given the freedom of expressing my artistic side from a very young age. My parents fully supported that by getting me drawing books, crayons and paints so that I would stop using their bedroom walls as my canvas. I’ve always been that weird, artistic kid … I’ve never really been into sports or super-masculine things. I played with both my Ninja Turtle figurines and my sister’s American Girls dolls. I loved custom building things with my Lego … I’ve built theme parks with fully working cable cars that take my little Lego people up and down a steep hill. I love playing video games that need me to manage cities and zoos. I guess I like things that need problem-solving skills, which contributes fully to what I am doing now. As a visual artist I have to problem-solve and to constantly think of creative ways to achieve things.When you were growing up, is this the life that you envisaged for yourself?Truthfully I cannot imagine myself doing anything other than what I’m doing now. Me as an accountant? Never in a million years.How did you find being an Indonesian in Sydney, when you studied there? Or London?I find going or living overseas very eye-opening and inspiring. For me, Indonesia is more restrictive when it comes to creative expression and freedom, especially in Jakarta. When I lived in Sydney and London, my creative mojo was constantly brewing. Ideas can be found anywhere, museums, galleries are abundant. People are strange, beautiful and unapologetic. The energy is powerful and is constantly around and it makes you want to create things every single day.Did you spend much time as an assistant, or intern? Did you learn your trade from someone awesome, and are you still in touch with them?I have never assisted, I just went out there with courage and a bit of delusion, ha ha ha! But I have interned once as a graphic designer at an agency back in Jakarta in 2008, after that I’ve been taking on the world solo. However, I believe that I am always a student, so I don’t think I will stop learning . . . it’s easier to do this nowadays since everything is basically online; seminars, tutorials . . . you name it and the internet has it. I also learn from my friends, fellow photographers and artists that I met here as well as overseas . . . and yes I am still in touch with some of them.You seem so well educated internationally, how has that journey been for you?It has been very special and I feel super grateful to have been able to do that. My view of the world as well as how I creatively approach my work were shaped during those years overseas. I learned, struggled and achieved a lot, and I wouldn’t be who I am today without those experiences.What’s most important to you today about visual imagery, and how you deal with it?Character, point of view and the ability to tell a story are very important to create any kind of visual. These are the three things I’m constantly improving with my own work.What equipment do you use?Canon 5DmkIVfor stills and Sony A7SIII / FX3 / FX60 / Arri Alexa for videos (also depends on client’s budget!)Who is the best client you ever worked for (apart from The Yak he he)?Edward Hutabarat.What does fashion mean to you?Fashion is a lifestyle choice. Most people think that fashion is just clothes, but almost all your lifestyle choices count as fashion: the way you dress, the food you eat, the devices you use daily . . . all the desirable things you choose to own and use to present yourself to the world as an individual . . . those things count as fashion!How do you stay consistently fresh with your ideas and concepts in photography and videography?I try to get outside my comfort zone. I work in fashion most of the time so I try to find inspiration and references outside of that world. Also, never stop learning new ways to give your work variety. Experiment with things you never tried before!What’s the most frequent phrase you hear from clients that pisses you off?‘Could you make (whatever I’m making for them) pop more?’How can clients be better at being clients?Knowing what they want is always a good start.Are you threatened at all about the potential of Artificial Intelligence?Not at all. No amount of technological advances can replace an artist’s soul.What makes you happy?Good food. Good company. DOGS!If you were to die tomorrow, what would be the last thought in your head?‘What’s for dinner?’Where can we meet you, or see your work?I am now residing in Bali, mostly staying at home with my two French bulldogs ordering take outs from cheap eateries around Kerobokan. You can see my work on my website www.naryaabhimata.com and my Instagram @naryaabhimatahimata.com and my Instagram @naryaabhimata)

Ade Irgha + (Photographer; Concept Photography)

How to avoid sexual abuses in Bali's educational communities? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_to_avoid_sexual_abuses_in_Bali%27s_educational_communities%3F)
How can the government best promote literacy in Bali? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_can_the_government_best_promote_literacy_in_Bali%3F)
What could we do to reduce traffic jams? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_What_could_we_probably_do_to_reduce_traffic_jam%3F)
How should we respond to Russian Villages in Bali? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_Russian_Village_in_Bali,_how_should_we_get_cope_with_it%3F)
How to reduce waste at school canteen? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_to_reduce_waste_at_school_canteen%3F)
How should billboards be regulated to save the environment? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_should_billboards_be_regulated_to_save_the_environment%3F)
How can the ocean be used to help our economy in an environmentally sustainable way? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_can_the_ocean_be_used_to_help_our_economy_in_an_environmentally_sustainable_way%3F)
What can you set as an example from Bung Karno in this millenial era? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_What_can_you_set_as_an_example_from_Bung_Karno_in_this_millenial_era%3F)
Many foreign tourists have violated Nyepi regulations in Bali. What should we do? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_Many_foreign_tourists_have_violated_Nyepi_regulations_in_Bali._What_should_we_do%3F)
In your opinion, what impacts will the massive construction of large malls have on the local Balinese community? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_In_your_opinion,_what_impact_will_the_massive_construction_of_large_malls_have_on_the_local_Balinese_community%3F)
What do you think about the new facilities at Besakih Temple? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_What_do_you_think_about_the_new_facilities_at_Besakih_Temple%3F)
Polenk Rediasa + (Polenk Rediasa. Born in Tambakan, Buleleng … Polenk Rediasa. Born in Tambakan, Buleleng, March 18, 1979. His full name is I Nyoman Rediasa, an artist and lecturer at Undiksha, Singaraja. He studied art at SMSR Denpasar, ISI Denpasar, and postgraduate in Cultural Studies, Udayana University, Denpasar. He has had joint and solo exhibition since 2004 at home and abroad. His solo exhibitions include "Body Exploration" (National Gallery, Jakarta, 2008), "Installation Exhibition and Performance Art" (2007), "Body Study" (Popo Danes Gallery, 2005), "Signs" (Retro Resto and Gallery, Sanur, 2004) He was awarded in the Beijing Biennale in 2008. His works are widely used by Kompas as short story illustrations.ed by Kompas as short story illustrations.)
Ni Wayan Eka Pranita Dewi + (Pranita Dewi, full name Ni Wayan Eka, was … Pranita Dewi, full name Ni Wayan Eka, was born in Denpasar, June 19, 1987. She writes poetry, prose kris and short stories. A number of his poems have been published by Kompas, Koran Tempo, Media Indonesia, Suara Merdeka, Suara Pembaruan, Bali Post, Horison Literature Magazine, Block-Not Poetry Journal. In August 2003, the 1st winner of the Poetry Declamation Contest and the 1st Winner of the Bali Student Poetry Writing Competition were held at the Wind Theater of SMU 1 Denpasar. several books of poetry collection together with “Jendela” (2003), God of the Sky so Empty (2004), and Herbarium (2007). A collection of poems with “Made Patih (2003), “Titian” (2008).She received a scholarship “A Weekend Creative Workshop: Sound Poetry from Different Faiths” (2003) at the Utan Kayu International Literature Festival in Kuta, Bali. Nominee for Krakatau Award for National Poetry Writing Competition (2004) – Lampung Arts Council.Her poetry has been included in the anthology of the 100 Best Poems of the Pena Kencana Sastra 2008. Her single poetry book is “The Prostitute of the Gods” (2006).ok is “The Prostitute of the Gods” (2006).)
Prof. Dr. I Wayan Adnyana, S.Sn., M.Sn. + (Prof. Dr. I Wayan Adnyana, S.Sn., M.Sn. Bo … Prof. Dr. I Wayan Adnyana, S.Sn., M.Sn. Born in Bangli, April 4, 1976. He is a painter, fine art writer, lecturer in fine arts at ISI Denpasar, and Head of the Bali Provincial Culture Service. He received his art education at ISI Denpasar and ISI Yogyakarta. In 2003 he co-founded the Bali Art Society and held the grand exhibition at Bali Art Now. Many art writings appear to be published in Kompas, Media Indonesia, and various art journals/magazines. His published art books are Nalar Rupa Perpa (2007), Yeh Pulu's Multinarrative Relief (2017), Pita Maha: The 1930s Balinese Painting Movement (2018). Apart from being a writer, he is also known as a curator of fine arts. Meanwhile, as a painter, his works have been exhibited jointly or singly, at home and abroad. He was awarded the Finalist UOB Painting of The Year Competition (2014, 2012, 2011), Widya Pataka 2007 from the Governor of Bali.dya Pataka 2007 from the Governor of Bali.)
Ni Luh Sutjiati Beratha + (Prof. Dr. Ni Luh Sutjiati Beratha, M.A. is … Prof. Dr. Ni Luh Sutjiati Beratha, M.A. is a professor in Semantics at the English Department Faculty of Arts Udayana University. She was completed her master program at the Department of Linguistics, Monash University Melbourne Australia in 1989, and received her Ph.D degree from the Australian National University (ANU) Canberra Australia in 1992. She has occupied positions as: Secretary of Udayana University Language Centre in 1996 – 1997; the in 1998 – 2000 as the Secretary of School of Graduate Studies Udayana University; from 2000 – 2006 she was the Deputy Director of Financial Affair of School of Graduate Studies Udayana University, and from 2006 – January 2010 was a Deputy Director of Academic Affair of School of Graduate Studies Udayana University. She was the Dean of the Faculty of Arts Udayana University from 2015 until 2019, and has published books, dictionaries, and other publications. Her interest is conducting research on ‘New Englishes’ used by tourism workers in Bali. She was selected as the best lecturer at Udayana University in 1994, and as the best presenter in research in 2011 by Directorate general of National Research Centre and Social Services of Indonesian Republic.nd Social Services of Indonesian Republic.)
Prof. Dr. Ni Nyoman Padmadewi, M.A + (Prof. Dr. Ni Nyoman Padmadewi, M.A., is a … Prof. Dr. Ni Nyoman Padmadewi, M.A., is a professor in English education at Ganesha Education University, Singaraja, Bali Indonesia. Padmadewi completed his master's studies at Macquarei University, N.S.W Australia and received his doctorate from Udayana University. Padmadewi's research covers various topics related to pedagogy, development of competency standards, and assessment of English language learning at various levels of education. Apart from being active in teaching and researching, Padmadewi is also actively involved and organizes various social activities in the context of community development in rural areas.t of community development in rural areas.)
Prof. Ir. I Nyoman Gelebet + (Prof. Ir. I Nyoman Gelebet is a senior arc … Prof. Ir. I Nyoman Gelebet is a senior architect who cares about traditional Balinese architecture. He is a professor of architecture at Udayana University, Bali. He deeply understands “Asta Kosala Kosali” which is the basis for traditional Balinese architecture. Apart from that, he also understands that “Asta Kosalaning Dewa” relates to the construction of a holy place. He is often involved in building Hindu shrines and renovating temple buildings as well as in designing the master plan for the Nusa Dua tourist area. Apart from being a resource person, he is also diligent in writing articles in the Bali Post newspaper and scientific journals related to architecture and development in Bali. Nyoman Gelebet died on November 2, 2020.. Nyoman Gelebet died on November 2, 2020.)
Brigitta Hauser-Schäublin + (Professor Dr. Brigitta Hauser-Schäublin wa … Professor Dr. Brigitta Hauser-Schäublin was born in Switzerland, namely in Riehen near Basel. There she spent her childhood and youth. Her father was a tradesman running an international import-export company and furthermore took part in the local politics. Hauser-Schäublin had an early encounter with the topic of gender when being confronted with the female role in society and the difficulties for women to study. In order to take different directions she moved to Zurich when being a young woman, did several internships and took language classes. She also lived in London for half a year. After her return she started an apprenticeship at the local newspaper in Basel to become a journalist. In this period Hauser-Schäublin also undertook her first journey to India, an experience which had a huge impact on her. When returning to Basel she not only worked as a journalist and finished her high school graduation but in 1969 also began her studies. After a brief phase taking courses on Religious studies Hauser-Schäublin focussed on studying Anthropology and Sociology. Alfred Bühler and Meinhard Schuster were among her teachers. In 1971 Hauser-Schäublin studied in Munich for a semester and after her return also took up an assistant position at the Ethnographic Museum in Basel, combining her growing anthropological knowledge with her skills as a journalist. A year later she joined a research project founded by Meinhard Schuster, regionally focussing on the Sepik region in New Guinea. Hauser-Schäublin took part in the expeditions and collected data on gender aspects, a work that 1975 culminated in her graduation thesis.After graduation Hauser-Schäublin fully took up her work at the Ethnographic Museum in Basel, organizing a various number of exhibitions while trying out new conceptions as well as working in the public relations. She moreover did further research projects, e.g. on house-building in Papa New Guinea. In 1985 she completed her habilitation thesis. She gave academic lectures at the University in Basel and also worked on the Ethnographic Collection in Fribourg.After being a visiting professor at the Department of Cultural and Social Anthropology in Cologne, Hauser-Schäublin in 1991/92 became a full professor at the Institute for Cultural and Social Anthropology in Göttingen, being the successor of Prof. Dr. em. Erhard Schlesier. There she not only gave various courses (e.g. on Gender and Religion) but also started to restructure the basic uni lectures. Furthermore the Institute joined the Department of Social Sciences. Her own scientific focus shifted from an early interest in Material Culture towards a closer look on theories and discourses. At the same time Hauser-Schäublin emphasized the importance of field research and did several of them herself, e.g. in Bali, Indonesia and Cambodia.elf, e.g. in Bali, Indonesia and Cambodia.)
Gordon D. Jensen + (Professor of Psychiatry, School of Medicine, University of California, Davis.)
Wayan Windia + (Professor Wayan Windia is Head of the Suba … Professor Wayan Windia is Head of the Subak Research Centre at Universitas Udayana in Bali, Indonesia. He obtained his PhD in 2002 at Universitas Gadjah Mada, Yogyakarta, Indonesia, which his dissertation concerning subak system in Bali. He involved on preparations, in order to get UNESCO acknowledgement, for subak system in Bali, on 2012. His articles has been published widely in journals and books, such as : Subak Irrigation System Transformation Based on Tri Hita Karana Concept; Subak : The World Cultural Heritage; Subak : Study from Social Perspective; and Subak as Agrotourism. Over the last five years, he has been actively working on developing subak into agro-tourism sites, and introducing economical activities at subak organization. The goal of those activities is how to help increasing the revenue of farmers as subak members. Now he actively supervise the site of subak that has been recognized by UNESCO as world cultural heritage. And also introducing the values of subak to the students in Bali, and for other guests and foreigners who coming to Bali, especially to Udayana University. He is working also as an expert group coordinator at Gianyar Regency on Heritage City, as a member of expert group at Denpasar City on Subak Sustainability, and also as an expert team member at Bali Province, since this year (2018). He has been involved in some national NGO in order to sustain of Bali culture.l NGO in order to sustain of Bali culture.)
Perbaikan jalan + (Promblem The road in Mengwi's Sembung village is damaged and accidents continue to occur. I am making a suggestion that if I become the leader of Bali, please repair the road in my village.)
Promote domestic tourism and address infrastructure gaps + (Promote domestic tourism and address infra … Promote domestic tourism and address infrastructure gapsIn 2019, about 16 million foreign visitors came to Indonesia. The sector contributed $20 billion in foreign exchange revenue and employed about 13 million people or around 10 percent of the total workforce. The COVID-19 pandemic hit the industry hard. In the first half of 2020, arrivals to Indonesia were off by almost 60 percent, the industry is expected to lose $10 billion in foreign exchange revenues for the full year, and more than 90 percent of the workers in the sector have been furloughed indefinitely without pay.Even when the world begins recovering from the pandemic, it remains unclear how quickly travelers will be willing to jump onto planes and visit the beaches of Bali, the forests of Borneo, and other popular destinations. In addition, countries dependent on tourism will all be competing for smaller groups of travelers for a while. Recovery in the tourist sector is likely to lag behind that of others.Looking forward, we expect travelers will, at least initially, avoid in-person contact in booking, traveling, and even staying at their destinations. They will prefer shorter trips to outdoor destinations and flexible cancellation policies. In addition, those staying at hotels and other large accommodations will put a premium on visible evidence of greater cleanliness and hygiene than in the past.To help the tourist sector rebound as quickly as possible, Indonesia should focus on two crucial areas. The first is promoting domestic tourism. Evidence from many markets has shown that domestic travel has recovered more quickly than international travel, especially among young tourists who see themselves as less vulnerable. In China, for instance, domestic air travel reached 90 percent of 2019 levels by August 2020, while international travel was still lagging well behind.Unlike international tourists, who concentrate in Bali and East Nusa Tenggara, the majority of domestic tourists in Indonesia visit Java. To push rates of domestic tourism, the government and operators should promote lesser-known domestic attractions, like the Lake Toba region in North Sumatra, the Mandalika area in East Nusa Tenggara, and Likupang Beach in North Sulawesi. Discounts and other incentives could also help ignite domestic travel.The country can also use the unintended lull in visitors to beef up its tourist infrastructure. The disruption provides an opportunity, for example, to improve airports, accommodations, and other facilities. The jump in digital activity brought by the pandemic can also be used to accelerate the adoption of new technologies by operators in the sector, from online booking systems to advanced analytics that can offer real-time information on tourist activities and behaviors.ation on tourist activities and behaviors.)
Putu Desy Apriliani + (Putu Desy Apriliani is one of the young an … Putu Desy Apriliani is one of the young and promising faculty members in the Faculty of Economics and Business Udayana University, Bali - Indonesia. She has been a part of the "Orange Academia," a call for the faculty's students, alumni, and faculty members, since 2006. Her research interests encompass rural economic development, various democratic and community-based associations, and their intersection with gender and race. She primarily teaches undergraduate classes while also becomes a facilitator for various trainings within and beyond the university.Putu Desy Apriliani was a Fulbright Scholarship awardee from 2014-2019 to pursue a doctoral study in the U.S. She holds a Ph.D in Planning, Government, and Globalization from the School of Public and International Affairs, Virginia Polytechnic Institute and State University, Virginia. While pursuing her doctoral degree, Putu was also actively involved in the Indonesian Students Association in the United States (PERMIAS) and led the organization to conduct several fund raising events and cultural exhibitions. She contributed her talents in various efforts in order to introduce Balinese culture together with other Indonesian/Balinese community organizations in the U.S.In her spare time, Putu loves spending time with her husband and her 2-year-old daughter, cooking, and gardening.year-old daughter, cooking, and gardening.)
Putu Dyatmikawati + (Putu Dyatmikawati is one of the few leadin … Putu Dyatmikawati is one of the few leading researchers in the field of law who focuses her research on the issue of customary law and its influence on the lives of women in society. The topics that are often studied are the marriage system in the gelahang and the dynamics of the gender roles of Balinese women. Dyatmikawati is also active as a lecturer at Dwijendra University and has served as Chancellor of Dwijendra University.ved as Chancellor of Dwijendra University.)
Putu Edy Asmara + (Putu Edy Asmara is a painter who was born … Putu Edy Asmara is a painter who was born in Tampaksiring, Gianyar, April 5, 1982. He completed his art education at ISI Denpasar. Since 2007 he has been involved in many joint exhibitions, including “The 7th Beijing International Art Biennale China”, National Art Museum China (2017), “Water Civilization”, Bentara Budaya Bali (2016), “Langkawi Art Biennale: IMIGRATION”, Malaysia (2014). In 2008 he held a solo exhibition entitled "Don't Cry For Me Indonesia", Installation and Performing Art, Danes Art Veranda, Denpasar. The awards he has ever won are “The Winner of Storiette Illustration Kompas”, “The Winner of Radar Bali Art Award 2008”, Best Art Work of The Bachelor exam, at ISI Denpasar. Edy's works tend to be surrealistic with social and ecological themes.alistic with social and ecological themes.)
Putu Eka Guna Yasa + (Putu Eka Guna Yasa was born on January 6, … Putu Eka Guna Yasa was born on January 6, 1990 in Banjar Selat Tengah, Susut, Bangli. Completed his undergraduate education at the Balinese Literature Study Program, the Faculty of Cultural Sciences, Udayana University in 2012 and a master's degree in the Linguistics Masters Program with Pure Linguistic Concentration, Faculty of Cultural Sciences, Udayana University in 2017. He also attended the International Intensive Course in Old Javanese organized by the National Library in 2018 and 2019. Since 2013 he has worked as a staff at the Center for Lontar Studies at Udayana University. Actively writes articles in various media such as Bali Post, Post Bali, and Tribun Bali both in Balinese and Indonesian. A number of his articles were published in Prabhajnyana Book: The Study of Lontar Literature such as (1) The Meeting of Natural Beauty and the Beauty of Language in Kidung Dampati Lelangon; (2) Water Image in Ancient Javanese and Balinese Literary Library Temples; (3) Kidung Bhuwana Wisana: Aesthetic Heritage by Ida Padanda Ngurah; and (4) Sarira Devotees and Explorers. Gedong Kirtya published books about the world of Balinese literacy, including the Brata Term Dictionary in the Bali Lontar Library and the Synonym Dictionary in the Dasa Nama Lontar. Putu Eka Guna Yasa received an award as a Literacy Activist Youth from the Bali Language Center in 2018. Since that year, he has been appointed as a lecturer at the Balinese Literature Study Program, Faculty of Cultural Sciences, Unud. Since 2020 as executive director at the BASAbali Wiki foundation. director at the BASAbali Wiki foundation.)
Putu Fajar Arcana + (Putu Fajar Arcana, born in Negara, west Ba … Putu Fajar Arcana, born in Negara, west Bali, July 10, 1965. Now working as editor of Kompas Minggu, part of Kompas Daily in Jakarta, he initiated the Kompas Short Story Workshop which was later transformed into the Kompas Short Story Class. He is now a few of the journalists who have specific coverage of art and lifestyle. It is not uncommon for Putu to become a resource person and jury in various art events and competitions in the country.Apart from pursuing journalism, he is also directly involved in the dynamics of the art world monologue theater scriptwriting and directing the artistic team of theater performances. The monologue text is included in the book Political Monologue (2014). He then directed the monologue show “Dear People's Representatives” with actress Sha Ine Febriyanti (2015) and then “Perempuan Dangdut” with actress Happy Salma (2016). Previously, he made the Garuda Wisnu Kencana repertoire which was staged at the ground breaking of the monument in 2013. This performance involved 500 kecak dancers as well as jazz singer Trie Utami, guitarist Dewa Budjana, and harp artist Maya Hasan.His novel Gandamayu (2012) was staged by Teater Garasi Yogyakarta involving two young directors, Yudi Ahmad Tajuddin and Gunawan Maryanto. The performance took place at the Jakarta Arts Building, which involved big actors such as Landung Simatupang, Whani Darmawan, Ayu Laksmi, and Sha Ine Febriyanti. Her adventure in the world of stage was emphasized by the performance of “#3 Women, Not Flowers Not Men” which involved actresses Happy Salma, Inayah Wahid, and Olga Lydia. Putu has also been on the artistic team for the Indonesia Kita performance series, between the Roman Made in Bali (2016) and Laskar Bayaran (2017) series.The man who likes to sketch has also published several books. These books include the short stories anthology Bunga Jepun (2002), Samsara (2005), and Drupadi (2015). His collection of essays on Bali is included in the book Red Letter for Bali (2007) and his poems are included in Gilimanuk Man (2012). Previously he also published a book of poetry Bilik Cahaya (1997) in Denpasar, Bali.Together with his wife Joan Arcana, in 2011 Putu founded the Arcana Foundation, a non-profit organization that facilitates conservation and advocacy in the field of culture, organizes performances, writes books, and conducts goodwill to various cultural centers in the country. The Arcana Foundation also collaborates with various donor agencies to mobilize the world of culture.agencies to mobilize the world of culture.)
Putu Herry Hermawan Priantara + (Putu Herry Hermawan Priantara is a student … Putu Herry Hermawan Priantara is a student of the Accounting Department, Faculty of Economics, Mahasaraswati University Denpasar. Herry actively writes and researches on various topics related to Bali and Hinduism including his work on Balinese Arak entitled "Hidden Potential of Balinese Arak to be the World's Seventh Spirit, from Religious Purpose to Negative Investment List."ious Purpose to Negative Investment List.")
Putu Indrawan + (Putu Indrawan lahir di Denpasar, 18 Septem … Putu Indrawan lahir di Denpasar, 18 September 1960. Setelah lulus dari SLUA 1 Saraswati, ia kuliah di Fakultas Ekonomi, Universitas Udayana. Sejak remaja ia telah menekuni seni musik. Pada awal tahun 1980-an, Indrawan bersama kawan-kawannya membentuk grup band dan sering tampil di bar Kayu Api, Legian, Kuta. Grup band yang kemudian bernama Harley Angels tersebut tampil sebagai juara pertama dalam Festival Musik Rock se-Indonesia yang digelar Log Zhelebour di Surabaya pada tahun 1984. Saat itu, Indrawan dinobatkan sebagai pemain bass terbaik. Pada pertengahan tahun 1990-an, Indrawan membuka dan merintis Warung Tresni di Jalan Drupadi, Denpasar. Warung itu menjadi tempat kongkow dan pementasan seni para seniman lintas seni dan lintas generasi. Indrawan juga ikut menggagas kelahiran beberapa komunitas seni, seperti Dapur Olah Kreatif (DOK), Bali Classic Rock Community, Bali Blues Island, dan Bali PuisiMusik. Dalam dunia seni musik di Bali, Indrawan adalah sosok legendaris yang sangat dihormati dan disegani. Indrawan meninggal pada tanggal 8 November 2022.an meninggal pada tanggal 8 November 2022.)
Putu Nomy Yasintha + (Putu Nomy Yasintha was born in Denpasar, 3 … Putu Nomy Yasintha was born in Denpasar, 30 April 1987. She received her bachelor's degree in Public Administration at the University of Indonesia. She took her Master in Public Administration at the University of Northumbria, Newcastle, UK. In 2015, She join the teaching team at Udayana University, Bali. She teaches several courses related to Public Policy, Tourism Development, Comparative Public Administration, and Accountability in the Public Sector. She manages youtube channel for the compilation of Public Administration's student at Udayana University. The channel is here AP Student Project Udayana. She actively involve in guiding student who is doing the research competition, debate competition, and also actively helps student activities.nd also actively helps student activities.)
Putu Oka Sukanta + (Putu Oka Sukanta was born in Singaraja, Ba … Putu Oka Sukanta was born in Singaraja, Bali, 29 July 1939. He is a writer, writer, journalist and health and humanitarian activist. He started writing when he was in middle school. He was a high school teacher in Yogyakarta and Jakarta. Because he was involved in the Lekra organization, he was detained by the New Order government in 1966 - 1976 in Jakarta and Tangerang without ever being tried.His published books include I Belog (Balinese Children's Stories, 1980), Selat Bali (a collection of poems, 1982), Salam or Greetings (a collection of Bilingual Poetry, 1986), Luh Galuh (A Collection of Short Stories, 1987), Tas or Die Tasche (Collection of Short Stories, 1987), Luh Galuh (Collection of Short Stories, 1988), Sweat Pearls (Collection of Short Stories, 1991), Matahari, Berlin Wall (Collection of Poems, 1992), Water Jokes, Air Berjoke (novel, 1999) , Knitting Harkat (novel, 1999), Glittering Mozaik (Novel, 2000), Above the Day Under the Night (Novel, 2004), Missing Hurts (Collection of Short Stories, 2004), Longing for Hurts (Collection of Short Stories, 2005), Pearl Sweat (Short Story Collection, 2006), Lobakan (Stories About the 1965/1966 Tragedy in Bali, 2009), Istana Jiwa (Novel, 2012). Some of his works have also been translated into English, German, French.His works are also published in several international anthologies: Indonesian Contemporary Poetry (Indonesia 1963), This Prison Where I Live (London 1966), Voice of Cosciences (USA 1955), Bali Behind the Scene (Australia 1997), Silences Voices (Hawaii 2000 ), Menagerie IV (Indonesia 1998), Another Kind of Heaven (Boston 2008).Apart from that, he made a documentary on the theme "Social Impact of the Human Tragedy of 1965/66". He also wrote health books and became an activist for the HIV/AIDS Prevention Program.He lives in Jakarta, opening an acupuncture practice. Together with his wife he manages "Taman Sringanis", a cultural movement in the health sector. He was invited several times to countries in Europe, Asia, Australia and America as a writer and humanitarian activist.ica as a writer and humanitarian activist.)
Putu Satria Kusuma + (Putu Satria Kusuma, born in Singaraja, Mar … Putu Satria Kusuma, born in Singaraja, March 28, 1963. His last education was Bachelor of Law. Since he was a teenager he has been involved in the arts, especially theatre, film, and literature. He joined the Coffee Drink Studio. His achievements include 1st Place in the Contest for Modern Drama Manuscripts, UNUD 1986, the best national drama scriptwriter, 1995 Menpen RI, the best national drama scriptwriter in 1997, Menpen RI, Hope I in the national drama script competition at the Jakarta Arts Council 1998, Harapan I The Indonesian Ministry of Tourism's Film Scenario Competition in 2005, an award from the Governor of Bali Widya Pataka 2015, the Bali Jani Nugraha award from the Bali Provincial Government. His works include: Kidung Classical Tanah Bali (a radio play broadcast on RRI Singaraja 20 episodes), Cupak Tanah, Watu Gunung, Sukreni Gadis Bali (adaptation of the novel with the same title by AA Panji Tisna), Revolution in Nusa Damai (adaptation of a novel with the same title) Similar titles by Ktut Tantri), soap operas Adi and Ayu (10 episodes aired on Bali tv), soap opera Memedi (10 episodes aired on Bali TV), soap opera comedy series Wayan Katel (10 episodes aired on Bali tv), soap opera for children Ketut Koran (TVRI Bali) , Slave from Bali Untung Surapati, Short folk drama series about Bung Karno (10 titles), He wrote a number of short stories published in the Bali Post, and short stories anthologies Lobakan, Tower, and the Indonesian Literary Community, etc.nd the Indonesian Literary Community, etc.)
Putu Sedana + (Putu Sedana was born in Pengastulan, Decem … Putu Sedana was born in Pengastulan, December 17, 1932. He completed his education at the Wirabhakti School of Social and Political Sciences, Denpasar. Has been a teaching staff at Panji Sakti University Singaraja. He wrote various kinds of poetry, prose, drama, and radio plays in Balinese or Indonesian. In addition, he also composed Balinese songs and Indonesian songs. His works have been published in newspapers and also broadcast on TVRI's central program, RRI (Yogyakarta, Semarang, Surabaya, Denpasar and Singaraja). His work that has been published and distributed is "Bali Suar Tanah Dumilah" in the form of a collection of Balinese poetry.From his work, he received various awards and prizes, such as:1. In 1945, he won second place at the second level in Buleleng, when a drawing contest for the children of the People's School (now elementary school) entitled "War".2. In 1964, he won the third place in the Buleleng level II area, when the Singa Ambara Raja Statue Design competition was held.3. In 1969, he won first place in the Bali level I area, a modern Balinese poetry writing competition organized by the Singaraja Branch I National Language Institute with the title "Mati Nguda".4. In 1980, he won first place in the first level of Bali, a modern Balinese prose writing competition organized by the Singaraja Branch I National Language Institute, with the title "Mirah".5. In 1980, he won first place in the first level of Bali, a competition to write a poem on the natural beauty of Batur Uang was organized by the Governor of Bali, with the title "Peace is Founded".6. In 1984, he won first place at the first level of Bali, a songwriting competition for the Bali Sandya Gita Festival during the 1984 Bali Arts Festival which was held by the governor of Bali, with the title "Teja Guling".7. In 1985 won first place in creating Balinese folk songs at the Bali Arts Festival with the title "Gumin Titiangé Bali".8. In 1985 he received an award from the Governor of the First Level Region of Bali for creating a song with the title "Pulaki".9. In 1990 won first place in a songwriting competition at the Bali Arts Festival with the title "Hyang Laksmi"10. In 1997, he received the Wija Kusuma Art Award from the Department of Theater Arts from the Buleleng Regional Government.rts from the Buleleng Regional Government.)
Putu Suasta + (Putu Suasta was born in Denpasar, 1960. He … Putu Suasta was born in Denpasar, 1960. He completed his elementary to high school education in his hometown. Then he continued his studies at Gajah Mada University (UGM), majoring in International Relations (HI), graduating in 1985. He then attended post-graduate studies at Cornell University. He also taught at Asian Studies/Dept. Modern Language and Linguistics, Cornell University, 1988.In Bali, Putu is known as a critical activist. He formed a number of discussion forums such as the “Red-White” forum and Non-Governmental Organizations as a means to build people's critical awareness of their rights as citizens. Through these civil institutions, he organized masses to criticize the government for not taking sides with the people and not being transparent in running the government. Through his writings, he is diligent in conveying various ideas and constructive criticism for the government and society.Putu Suasta's long struggle in the civil movement eventually led to the realization that the most effective way to promote change was politics. He increasingly reminded the relationship between government and politics. So to be able to convey and fight for the aspirations of the community, it must be more effective, political channels are entered. He later joined the Democratic Party.Putu Suasta's works have been published in a number of books, both on political, socio-cultural, and artistic themes. These books include: “Idiology, Development and Democracy” (1986), “Made Wianta: His Art and Balinese Culture” (1990), “Bali Living in Two Wold” (Schweben Basel, 2001), “Kembara Budaya ” (Bali Mangsi Foundation, 2001), “Enforcing Democracy, Escorting Change” (Lestari Kiranatama, 2013), “Gung Rai, Sang Mumpuni” (2017), “Sanur: Caring for Traditions in the Midst of Modernization” (2018).ons in the Midst of Modernization” (2018).)
Putu Sucita Yanthy + (Putu Sucita Yanthy is a lecturer at the Fa … Putu Sucita Yanthy is a lecturer at the Faculty of Tourism. She completed her Doctorate Program in 2016 at Udayana University. Her dissertation is titled Kontribusi Perempuan Dalam Mengangkat Kuliner Lokal Untuk Mendukung Pariwisata Bali (Women’s Contribution in Promoting Local Food to Support Tourism in Bali). She actively conducts research and joins activities at Udayana University. Her research interests include women in tourism, gastronomy and culinary fields. She had an opportunity to take part in Mobility for Teaching Staff program at the University of Glasgow, Scotland in 2018. Since 2019-present she doing research postdoctoral program entitled Tourism Education and Women in Bali at University of Angers, France.n in Bali at University of Angers, France.)
Putu Sudjana + (Putu Sudjana started writing poetry in the … Putu Sudjana started writing poetry in the 1970s and only published it in the Bali Post in the 1980s. In addition, he also writes short stories, essays, drama scripts / plays. Often wins in poetry and drama script writing competitions. He performed many of his drama scripts at the Banjar Hall and TVRI Denpasar. He used to work at the Bali Regional Office for Transmigration. His solo book of poetry is entitled "Sajak-sajak Kecil dari Langit" (1985). His poetry is also summarized in the book "Lukisan Magis Tanah Bali (2000)the book "Lukisan Magis Tanah Bali (2000))
I Putu Sutawijaya + (Putu Sutawijaya (1970)studied art at Indon … Putu Sutawijaya (1970)studied art at Indonesia Institute of Fine Art (ISI) Yogyakarta. He currently lives and works in Yogyakarta and Bali. As a painter, sculptor and performance artist, he is hailed as one of the most important young artists to watch out for. His canvases are highly charged with the energy, or qi, that is suggestive of Chinese calligraphy masters. While Chinese calligraphy influences his technique, his subject matter captures the essence of Balinese religious and tribal rituals. The visual impact of his canvases is explosive yet contemplative. They reflect the mutual desire for harmony in order and chaos, a oneness with the universe. Man as the centrifugal figure in paintings is distinctively Sutawijaya and continues to be prominent in his works.Putu Sutawijaya draws his inspirations from the various Balinese religious rituals. He is especially fascinated with the way communion takes place, where spiritual enlightenment is attained through trance, intoxication and even violence.Movement, energy and trance are the three most powerful stimuli in his canvases. The movements and stance of the kecak dance are symbolic of the Great Gods (sanghyang). The kecak dance is an intense spiritual dance by a large group of people.A mental and spiritual climax is reached when the soul suddenly rises to a level of experience much more profound than daily consciousness. At that moment appears a peak of self confidence and extraordinary bliss like a trance, followed by enlightenment. Out of these are born paintings of such intense expression that they reach the farthest limits of universal concepts.the farthest limits of universal concepts.)
I Putu Tangkas Adi Hiranmayena + (Putu Tangkas Adi Hiranmayena is an artist- … Putu Tangkas Adi Hiranmayena is an artist-scholar currently holding positions as faculty member at Metropolitan State University of Denver and the University of Colorado, Colorado Springs. His research interrogates discursive conceptions of “noise” in Bali and the United States as they intersect with Cosmology, Indigeneity, and Performance. He focuses on how people in places with long colonial histories reclaim Indigenous identity through popular idioms. As a music practitioner and composer, Hiranmayena continues to perform in improvisation/noise ensembles and creates contemporary works for Gamelan and Heavy Metal. He is co-founder of Balinese experimental project, ghOstMiSt and artistic director of Denver, Colorado’s non-profit organization, Gamelan Tunas Mekar.-profit organization, Gamelan Tunas Mekar.)
Putu Vivi Lestari + (Putu Vivi Lestari was born in Tabanan, Nov … Putu Vivi Lestari was born in Tabanan, November 14, 1981. She achieved a Master of Management and works as a lecturer at the Faculty of Economics and Business, Udayana University. Vivi is married to the painter Ketut Endrawan. They have two children: Made Kinandita Radharani and Nyoman Akira Bodhi Pawitra. On April 8, 2017 Vivi died of blood cancer (leukemia).Vivi's poems have been published in the Bali Post, Bali Echo, Kompas, Suara Merdeka, Kalam Culture Journal, PUISI Journal, Coast Lines Magazine, People's Thoughts, Horison Literature Magazine, Media Indonesia, and CAK Cultural Journal.Her poems can also be found in a number of joint anthologies, including Angin (Teater Angin, Denpasar, 1997), Notes of Concern (Jukut Ares, Tabanan, 1999), Ginanti Pelangi (Jineng Smasta, Tabanan, 1999), Art and Peace (Buratwangi , Denpasar, 2000), Anno's Essay & Waves of Poetry 2001 (Kompas, 2001), Green Kelon & Poetry 2002 (Kompas, 2002), Ning: Anthology of Poetry 16 Indonesian Poets (Sanggar Purbacaraka, Denpasar, 2002), The Blue Angel of Hobart City (Logung Pustaka, 2004), Spirit: A Collection of Poetry Poets from Bali-West Java (bukupop, Jakarta, 2005), Because My Name is a Woman (FKY, 2005), Selendang Pelangi (Indonesia Tera, 2006), Herbarium: Anthology of Poetry in 4 Cities (Library Pujangga, Lamongan, 2007), Rainbow (Indonesia Tera, 2008), Couleur Femme (Jakarta-Paris Forum & AF Denpasar, 2010).Vivi has won a number of literary awards, including the "Best Five" small note competition held by the Jukut Ares Tabanan Community (1999), "Ten Best" poetry writing competition for high school students at the national level held by Jineng Smasta-Tabanan (1999), 2nd place in the competition poetry creation in the marine orientation week held by the Faculty of Letters Unud (1999), Art & Peace 1999 "Best Nine Poems", 2nd place in a poetry creation competition with the theme "Bali after the Kuta tragedy" (2003).Vivi had been invited to a number of national literary events, including the 2003 Utan Kayu International Literature Festival in Denpasar, 2004 Indonesian Literature Cakrawala at TIM Jakarta, Ubud Writers and Readers Festival 2004, Yogyakarta XVII Arts Festival 2005, Printemps de Poetes 2006 in Denpasar, The VIII Main Praja Mitra Literature Gathering in Banten (2013).Her book of poetry entitled “Failed Ovulation” was published posthumously by Expression Library, 2017.n” was published posthumously by Expression Library, 2017.)
Raechelle Rubinstein + (Raechelle Rubinstein is a writer of several books and journal articles about Bali including the latest in 2022 entitled Beyond the Realm of Senses: The Balinese Ritual of Kekawin Composition.)
Panglalah teknologi ring kawéntenan lapangan kerja + (Rapid technological developments have brou … Rapid technological developments have brought many advances in various areas of life, including the world of work. In the current era, we cannot be separated from the influence of technology in the world of work. The government can play an important role in overcoming this problem and creating policies that can control technological developments so that they do not replace and threaten people's jobs. The most important problem currently is technological progress which poses a major threat to employment opportunities, especially in Bali. If not controlled, many jobs will be replaced by technology. Of course, this can threaten the lives of the Balinese people. Advances in AI (Artificial Intelligence) technology are one of the biggest challenges for future leaders of Bali Province. Although the presence of AI provides benefits, especially in providing efficiency in the world of tourism in Bali, this technology can also have negative impacts if not used wisely. To overcome challenges in the tourism sector, the government must increase investment in skills training and technology education. This will help prepare the workforce to face technological developments with greater effectiveness. One of the solutions and strategies that I propose is to strengthen the government's role and responsibility in regulating and supervising the use and impact of AI technology in Bali. The government can provide assistance and facilities, such as capital assistance, subsidies, incentives, training, certification, and others, which can help the community to improve their quality and performance in the tourism sector. The government can also evaluate policies that support the transition of workers from traditional to modern sectors through skills conversion programs and financial support. Therefore, this effort can help optimize the use of technology while reducing losses for the Bali tourism sector in terms of the availability of skilled and quality human resources so that they can continue to compete along with technological developments.ete along with technological developments.)
mr + (Re instigate visa on arrival . Compulsary mask wearing unless in restos .)
Anak Agung Gede Raka Turas + (Related Artists Anak Agung Gede Sobrat Teacher: I Wayan Pendet Relative: I Dewa Ketut Rungun Relative: I Dewa Putu Bedil Relative: Anak Agung Gede Raka Puja)
Jero Mangku Dalem Suci + (Renowned Chef and restaurant owner Jero Ma … Renowned Chef and restaurant owner Jero Mangku Dalem Suci (Gede Yudiawan or Gede Buldog) is from Desa Les and his incredible cooking skills have been recognized by the most acclaimed Indonesian Chef, William Wongso, and he has joined the maestro in introducing Balinese cuisines across several countries in the world.In 2015, he took on the role of pemangku or priest, and has since carried both titles of Chef and Jero Mangku (priest). Having already traveled the world, Chef Jero Yudi believed it was time to return to his village and give back to the place that has helped plant his roots deep into the culinary world. So he opened up, in his ancestral home, Dapoer Bali Moela, a smaller eatery and arak center where he has developed food & beverage products using locally sourced ingredients.Chef Jero Yudi also owns Warung Sunset by Chef Yudi in Kuta, Bali. He also helped developing other restaurants in Nusa Dua, Semarang (Central Java), Jogjakarta and in Les Warung Tasik and Warung Sukun.arta and in Les Warung Tasik and Warung Sukun.)
Richard Horstman + (Richard Horstman, (b 1964 in Melbourne, Au … Richard Horstman, (b 1964 in Melbourne, Australia) has more than 25 years of experience inIndonesia, first visiting Bali in 1986. He spent extended periods in Sumatra and began living inBali in 2004. He has worked in the Bali and Indonesian art worlds since 2008 as an writer,journalist, a co-creator with artists and an art tour presenter to national and international guestsfrom 2014. He has participated intercultural exchange events in Thailand, the Philippines andIndonesia, while regularly attending events in Singapore, Jakarta and Yogyakarta.Richard consults professionally and non-professionally to Indonesian and foreign artists,collectives, galleries and art spaces. Richard is passionate about reporting on developments inthe Bali art infrastructure and innovations in the Bali art world. He previously made andexhibited sculptures and installations and is currently painting in his spare time.During 2022 Richard experienced growth in his writing genres penning his second social culturalobservation piece on Bali, entitled Duality and the Exploitation of the Spirit published inNOW!Bali Magazine in the January/February 2023. He began writing book reviews published inthe Jakarta Post and NOW!Bali with his fourth review Masks of Bali: Between Heaven & Hellpublished in the Post in February.An article for the Australian quarterly hardcopy magazine ArtLink, a special edition onIndonesian art was published in April 2023 and a review of the Bali art scene, post-pandemicwith international tourism open for Singapore magazine Plural Art Mag. He is currently writingarticles for NOWBali Magazine. Unfortunately since July 2023 the Jakarta Post is no longerpublishing its Features section, meaning no more specialized reporting on Indonesian art andculture which is a massive blow for the country and the global audience.In November 2022 Richard began initial steps for his next book, WINDS OF CHANGE: Womenin Balinese Art, the first study into the pioneering women in Balinese art, due to be publishedlater in 2023. This is the follow-up to his first book published late 2019 Ubud Diary: Celebratingthe Ubud School of Painting - the Diversity of the Visual Language launched at the opening ofUbud Diary a new gallery in Lodtunduh, Ubud where he worked as a consultant from June 2019until March 2020 when the pandemic impacted on the Bali and global economy.In the past Richard has been a contributor to the Jakarta Globe newspaper, Ubud Now & Thenonline magazine, the Yak Magazine, Art Republik, NOW! Singapore, NOW!Jakarta,Art&Market, Singapore, the art columnist for UbudLife Magazine, Arti, Art Malaysia, Art OneNation, Indo Expat & Ubud Community News magazines. He have been a regular contributor tothe Jakarta Post for over ten years and am the art columnist for NOW!Bali Magazine.As an art activist Richard has a strong social platform and is passionate sharing ideas andbrainstorming with artists, gallerists, art spaces and collectives about professional structuring,communications, vision, branding, building community and the ongoing development of the Baliart infrastructure. Richard is currently working on a series of geometric paintings for hisupcoming Universal Eye Mandala Art website.Richard’s articles are published:www.lifeasartasia.artwww.lifeasartasia.weebly.comFacebook Page: Bali Art ReviewsInstagram: @lifeasartasiaPrevious art roles:Member of the Board of Directors of the Bali Art Society 2013-2014Art Presenter Artpreciation (2016-2018)AdvisorCata Odata Art House 2014 – 2018 Penestanan, Ubud BaliUbud Diary Jul 2019 – MARCH 2020, Ubud, BaliLodtunduh, Ubud, Balio Ubud Diary is a new art gallery in Ubud with the mission to raise the profile of thehistorical Ubud School of Painting. It is planning its grand opening late inNovember 2019 with a group exhibition of works by senior artists of the UbudSchool, including the launch of the book 'Ubud Diary: Celebrating the Ubud Schoolof Painting - the diversity of the visual language" written by me and translated intoBahasa Indonesian by Richard Nixon Tambalo. Ubud Diary's annual exhibitionprogram will include three solo exhibitions by senior artists, along with one annualevent in Jakarta. The renown Ubud School of Painting which was 'founded' in thelate 1920s - early 1930s in Ubud is destined to die out, through its program ofexhibitions, book and catalogues, and other annual events Ubud Diary's vision isto reignite the genre and encourage regeneration that can lead to its futuresustainability.e regeneration that can lead to its future sustainability.)
Richard Winkler + (Richard Winkler dream of a utopian world w … Richard Winkler dream of a utopian world where man and nature were tightly integrated. and then he woke up in it.Richard, how did your upbringing influence your artistic style?During my childhood, I spent a lot of time with my grandfather, whom I admired. He was enormously talented in drawing and painting, and we spent a lot of time together. He also took me out into Nature, where we walked for hours, and he taught me everything about flora and fauna. He was a great inspiration, and he showed me how to draw and how to appreciate and love the natural world around us. During the same time, I had to spend a lot of time in hospital in order to undergo many surgeries to correct the growth of my bones, as I was suffering from a rare bone disorder. This created an early awareness of the physical body and its limbs. It was fascinating to me when the doctor measured angles and the length of my bones, and how he could open up my body to correct those after drawing lines on my limbs. In summertime, I usually spent a lot of time playing in an old garden and plant nursery near my home, forgetting all the pain I had to go through the rest of the year. I loved all the greenhouses, which were full of exotic plants and trees such as banana and orange trees. It was hot and humid, and I could smell the plants and the soil. This world was magical and full of energy and fertility. This was life, and life wanted to flourish. I often dreamt and fantasized about exotic and tropical worlds where my soul was happy and free, a kind of paradise where you picked fruits from the trees, and life was free from troubles. My early childhood drawings often depicted tropical landscapes with exotic colourful birds and animals.What was your initial impression of Bali, and how did it inspire your art?When I first landed in Bali, I discovered the world I had been dreaming about, a kind of Garden of Eden full of life and colours. The tropical nature was alive and amazing, and the soil so incredibly fertile. People were friendly, and everyone seemed to be able to talk about art and aesthetics. And everyone seemed to be creative in one form or another. Bali was full of life, colours, details, sounds, and smells. It really appealed to all my senses and made me feel incredibly alive. Even the ground was not stable and moved sometimes.I loved the passionate rains and thunderstorms, which were so intense and powerful. Life itself was at maximum in Bali, and I couldn’t feel anything but very alive. I loved it. Over time, I found lots of inspiration in the traditional life at the rice paddies, in Nature, and in markets. I love the simple life of man and nature, tightly integrated. Perhaps it’s still a dream in my mind about a Utopian world free of pain and sorrow. But it’s a beautiful dream, longing for peace and harmony in one’s soul.Can you describe your creative process and how it has evolved over time?During my time in art school, I became more and more fascinated by the human body. I spent countless hours drawing from life models to study the forms and lines of the body. I was especially fascinated by simple lines and how they cut and overlapped each other. I eventually started to play with these forms, stretching them and deconstructing them to my liking, a little bit like an orthopedic doctor rearranging the bones and limbs. The body doesn’t need to look anatomically correct to actually function and feel right. The important thing is that it feels good and works correctly. That’s how I construct the bodies on the canvas.Do you see Bali as a colourful Utopian paradise?I might dream about this Utopian paradise free of pain and sorrow and full of life, love, beauty and harmony. But of course this fantasy world doesn’t exist in reality. Wherever we live, life will always be life including everything from tears to laughter, and that’s how we grow ourselves and our characters. And maybe that is the real beauty and goal of life itself.s the real beauty and goal of life itself.)
Bali 2024: nuju masa depan sané lestari miwah gemuh + (Ring Pemilu 2024 sané jagi rauh, pinaka kr … Ring Pemilu 2024 sané jagi rauh, pinaka krama Bali, iraga maduwé tanggung jawab sané ageng pisan antuk milih pamimpin sané pacang ngawetuang panglimbak miwah karahayuan ring panegara sané tresnain iraga puniki. Bali, pinaka tetujon pariwisata sané kasub ring sajebag jagaté, madué makudang-kudang pikobet sané patut katangkepin olih sang sané pacang dados pamimpin.Silih sinunggil pikobet sané mabuat pisan sané patut urati pisan inggih punika indik palemahan miwah pariwisata sané lestari. Pinaka genah wisata utama, kawéntenan industri pariwisata sané nyansan nglimbak ngawinang dampak sané abot pisan ring palemahan minakadi akéhnyané limbah, rusaknyané terumbu karang, miwah ancaman majeng ring kelestarian alam.Sajabaning punika, isu-isu pendidikan miwah kesejahteraan krama lokal taler dados parindikan sané mabuat. Prioritas patut kaicénin ring nincapang akses pendidikan sané pateh, pemberdayaan masyarakat lokal ring sektor pariwisata, taler upaya antuk nyiptayang peluang kerja sané adil miwah lestari.Pikobet ring sektor kesehatan taler nenten dados kaicalang, utaminnyane ri sampune pandemi global puniki. Patut kemargiang sareng-sareng mangda prasida ngukuhang sistem kesehatan, nincapang akses masyarakat majeng ring pelayanan kesehatan, taler nyiagayang Bali mangda prasida ngarepin pikobet kesehatan ring benjang pungkur.Punika mawinan, titiang nunas majeng ring krama Bali samian mangda milih pamimpin sané madué visi sané jelas rikala ngungkulin pikobet puniki. Pamimpin sané banget mautsaha ngalestariang palemahan, inklusi sosial, miwah kesejahteraan kramané. Ngiring sareng-sareng ngwangun Bali sané sayan becik, nénten wantah pinaka genah wisata sané becik, nanging taler pinaka genah sané madaging dasar sané kukuh sajeroning ngalestariang kasugihan budaya, palemahan sané lestari, miwah kesejahteraan kramané.Suksma, dumogi Bali tetep nglimbak tur dados genah sane becik antuk generasi sane jagi rauh. Ngiring iraga sareng sami mautsaha mangda Bali dados Bali sane adil, lestari, lan gemuh landuh!Bali sane adil, lestari, lan gemuh landuh!)
Robert Kiyosaki + (Robert Kiyosaki is truly a multi-talented … Robert Kiyosaki is truly a multi-talented personality. He is an entrepreneur, investor, motivational speaker, author and also a financial knowledge activist. He is very popular for his series of books called ‘Rich Dad Poor Dad’.His book series ‘Rich Dad Poor Dad’ is an international bestseller. It is basically a comparison between his two ‘dads’; one was his poor biological father and the other ‘fictitious’ rich dad. The poor father was in fact very educated but had no money but the rich father was a high school dropout but was in fact ‘Hawaii’s richest man’. Robert Kiyosaki has appeared on television several times including on Public Broadcasting Service (PBS), KOCE, California, WLIW of New York and New Jersey area and his fund raising drive.ew Jersey area and his fund raising drive.)
Rosvita Flaviana Osin + (Rosvita is a lecturer at the Indonesian Ho … Rosvita is a lecturer at the Indonesian Hospitality Management Community Academy, Triatma Mapindo Badung, Bali. Rosvita completed her bachelor's and master's studies from the Triatma Mulya School of Economics, Denpasar Bali with qualifications in hospitality and tourism management. Rosvita's writing include tourism village development strategies, as well as the role of women and millennials in tourism. role of women and millennials in tourism.)
Rucina Ballinger + (Rucina is one of Bali’s cultural icons. S … Rucina is one of Bali’s cultural icons. She has lived in Bali since 1974 when she did intensive study of dance and its relationship to religion. Her book, co authored with I Wayan Dibia, BALINESE DANCE, DRAMA AND MUSIC: AN INTRODUCTION TO BALINESE PERFORMING ARTS is used in classrooms around the world and by travellers coming to Bali who want to know more about the performing arts in context. She pioneered World Learning’s (ex Experiment in International Living) Bali Academic Semester Abroad program in 1985 and then switched to the other end of the spectrum and ran Elderhostel cultural programs for ten years with her late husband, Anak Agung Gede Putra Rangki.She and Agung were the klian adat or traditional heads of their hamlet in Abianbase, Kapal for 2013; as far as we know she is the only foreigner to have held this position.After the initial Bali bombings in 2002, the non profit sector became her world and she was the director of YKIP for over a decade, assisting survivors of the bomb with scholarships and livelihood programs. She then worked for the Annika Linden Foundation, helping to create the Annika Linden Centre in Denpasar, Bali, dedicated to one of the bomb victims in the spirit of helping those who are economically disadvantaged. Currently, she runs the CSR program of the Amicorp Group via the Amicorp Community Foundation in the village of Les, North Bali, where a Vocational Training Center is set to be built.In 2003, she and three other foreign women of a certain age and size (all married to local men) formed Grup Gedebong Goyang, a comedy group that does song paradies and skits about current affairs in Bali. Their Balinese version of SAKITNYA TOH DISINI has over a million hits!Currently she divides her time between Les village and Ubud, where she resides with her entire family (sons Gung Anom and Gung Prabu; daughter in laws Jero Bahari/Edenie and Gung Tia and grandson Gung Arun and granddaughter Gung Prabha) and three dogs.granddaughter Gung Prabha) and three dogs.)
Rudi Waisnawa + (Rudi Waisnawa was born in Singaraja, Bali, … Rudi Waisnawa was born in Singaraja, Bali, 1976. He graduated from English Literature, Faculty of Letters, Udayana University. He is a photographer who cares about social issues. His eye-catching photos and documentaries are about people with mental disorders who are confined in Bali. These works were exhibited in several places including at Bentara Budaya Bali (2014). In the same year the work was recorded as a photo book entitled “Pasung” and exhibited again at Rafles Hotel Galery Singapore 2015. In October 2017 Rudi was invited to exhibit at the Anti Stigma International Conference Copenhagen, Denmark and continued to exhibit at Die Erste Etage, Hamburg with an exhibition entitled "Approach". Rudi's works have also attracted the attention from people with leprosy in Balinese villages. Apart from being active in the Lingkara Photography Community, Rudi is also active at the Suryani Institute for Mental Health (SIMH), a foundation that assists people with severe mental disorders (ODGJ) in Bali.th severe mental disorders (ODGJ) in Bali.)
I Wayan Suda + (Sadu’s childhood home was in Sayan, a vill … Sadu’s childhood home was in Sayan, a village west of Ubud. Currently he lives in his own house not far from it with his wife, who is Japanese, and their 2 children. Wayan Sadu paints in silence. His paintings also has a silence presence in them that could only be captured by the artists himself.d only be captured by the artists himself.)
Luh Gede Saraswati Putri + (Saras Dewi, whose full name is Luh Gede Sa … Saras Dewi, whose full name is Luh Gede Saraswati Putri, was born in Denpasar, Bali, September 16, 1983. Since she was a teenager, Saras has loved singing and writing poetry. In 2002, she released an album titled "Chrysan" with the single "Lembayung Bali". This album was nominated for the Anugerah Musik Indonesia (AMI) Award in the categories of Best Ballad and Best Single. In 2014, Saras and other Balinese artists sang together for the Bali Reject Reclamation movement.Saras has also published a number of books. His first book of poetry, entitled “Jiwa Putih” was published in 2004. The second is a non-fiction book on Human Rights published in 2006 by UI Press in collaboration with the European Union, while the third book entitled “Love Not Chocolate” was published in 2010, the fourth book was published in 2015 entitled “Ekophenomenology”, and the fifth book is an anthology of poetry entitled “Kekasih Teluk” (2017). His writings in the form of essays/articles with social, cultural, ecological, political themes were published in various mass media, including Media Indonesia, Jawa Pos, Bali Post.Saras is an environmental activist who is very concerned about the Movement to Reject the Reclamation of Benoa Bay. She is also involved in the feminist movement and the defense of women's rights. Saras successfully completed her doctoral program at the University of Indonesia at the age of 29 in July 2013. Apart from continuing to write and being an activist, Saras teaches philosophy and is the Head of the Philosophy Study Program at the Faculty of Cultural Sciences, University of Indonesia.ultural Sciences, University of Indonesia.)
Scion Charlotte Spence + (Scion Charlotte Spence has a plan for all … Scion Charlotte Spence has a plan for all you luxury, globe-trotting party vagabonds. Behold the House of Karma.Charlotte, can you give us a brief background of who you are, and what brings you here today?Hey, of course! This feels like a first date. I’m a 26 year-old Brit, currently based between Sydney and Bali (the dream!); I moved over to Australia for university about six years ago and have been lapping up the sunshine ever since. I’m really excited to be chatting to you today and keen to share a fun new project I think you’ll like the sound of . . .What are your current passions?I take after the rest of my family, so travel is really important to me and has been a big part of my life for as long as I can remember. Nothing excites me more than exploring new cultures. I’m also a drama kid at heart so I love the theatre, live music, fine dining . . . or just a good old party to be honest.IG @Atomic.Blonde_ Who is she and when did you discover her?Haha! Atomic Blonde is my latex-wearing, tech house playing, DJ alter ego! I discovered her about four years ago, when I realised I could turn ‘playing my favourite music to my friends’ into a viable side hustle. Since then, I’ve been lucky enough to play a whole host of my favourite events in Australia, alongside my DJ partner ‘Dutch Kiss’. We’re all about self-expression, uplifting music and high camp fun.You are about to launch House of Karma. Briefly, tell us what it is?House of Karma is an U35 members’ collective for the world of luxury travel and experiences. Drawing on the beauty of Karma’s current resorts, we’ll soon bring this to the next generation of ‘luxury rebels’, with pop-up festivals, wellness retreats, out-of-the-box experiences and networking events, both at Karma destinations and in our members’ home cities.You are finally working for your father?I am, and it’s really quite lovely so far! Dad and I have a lot in common in that we both have that entrepreneurial streak, and see Karma more as an entertainment industry than a hospitality one, so it’s great to have that initial common ground with my ‘boss’. I’m also massively inspired by him and have been my whole life, so working alongside him is a privilege I don’t take lightly. Pitching to him is still rather scary though – he’s tough!Do you have any other siblings joining the ranks?Yes! My sister and brother are both a bit younger so still at Uni and school but I have every confidence that they’ll be joining me soon. My sister is heading to do her first Karma sales training in India in a couple of months and I’m sure my brother will follow suit – once he finishes tearing it up on the school cricket pitch of course!What are the strengths and touches that you, as a woman, will bring to what is typically seen as a male dominated service, a members club?Oh, good one. I firmly believe that everyone should have a seat at the table or a foot in the door, and so I’d like to think that what I’ll bring to the world of members clubs is a whole heap of inclusivity. Yes, of course, there is an element of ‘selection’ involved, but I actually like to refer to House of Karma as a ‘collective’ rather than a ‘club’. Essentially, if you’re ambitious, open-minded, and down for one hell of a party, then we’d love to have you at our place.What type of person would a HoK member be?A House of Karma member is someone just like me; a luxury rebel, pampered vagabond, or hedonist who craves the unexpected and the reprieve from routine. We’re chatty, ambitious, and always looking for the next big adventure . . . with a side of fabulous!Can you tell us more about the Bali launch?Absolutely. We’re planning a huge party down at Karma Beach to celebrate our big launch on 13th June. After a VIP long lunch we’ll be opening the beach up to the masses, with drag queens, international DJs, signature ‘House of Karma’ cocktails and a whole lot of dancing in the sand. Come by and get a sense of what we’re all about!And the international roll out?Following this, we’ll be hosting our first ‘Founding Member’ networking events in Sydney and Perth, taking that signature Karma experience to Australia, before expanding across the globe later in 2023.House of Karma is highly inclusive. Can you tell us about some of the LGBTQIA+ events you have in the planning?Inclusion is something I am hugely passionate about and will never stop fighting for, and so at the heart of the House of Karma will be HEAPS of events for my LGBTQIA+ icons and allies. Think ‘detox and retox’ retreats at Karma destinations post-Mardi Gras, LGBTQIA+ networking nights and hot parties co-hosted by queer clubs all over the world.More bang for your buck. Can you tell us what perks and privileges members can enjoy on joining?It’s honestly a bit of a ‘too good to be true’ thing! Our members will benefit from nights of free accommodation at our resort destinations, huge discounts across spa, F&B and rooms year round, a bespoke ‘pimp my villa’ package, and invites to exclusive events both at Karma resorts and in their own cities! And that’s not even to mention all the members-only experiences we’ll be curating – think boat parties on the Nile, party weeks in Mykonos and a glamping festival on Gili Meno…How does the House of Karma benefit from the global aspect of the original Karma brand?I think that is what makes us unique. Karma already has so many breathtaking destinations, so half my work is done in that respect! Now it’s just about leveraging those locations and turning them into the perfect playground for all my like-minded House of Karma souls.And vice versa, how does the group benefit?To quote my father, “any great company recognises the need to evolve as new generations emerge” and I think that is just what we are doing here; moving with the times and bringing a whole new tribe of ambitious, experience-seeking young vagabonds into the Karma fold.Lastly, you are looking to create global FOMO around HoK member’s wristbands. Any hints at how you intend to achieve this?This is something I’m excited to see evolve. Let’s just say I hope to see House of Karma memberships soon become a must-have fashion statement. Get ready to see an influx of ‘HoK’ bracelets hitting the wrists of those around you soon . . .Tel: +62 361 848 2202; +62 811 38203360 IG: @wearehouseofkarmawww.houseofkarma.com.auhouseofkarma@karmagroup.comuseofkarma.com.au houseofkarma@karmagroup.com)
Shelly Lapre + (Shelly tells stories about her parents and … Shelly tells stories about her parents and ancestors in original travel trunks from the Dutch East Indies. For example, the old travel suitcase, which was used by her mother on her boat trip with her family from the Indies to the Netherlands in 1950, has been transformed with antique batik fabrics and nostalgic old family photos into a work of art. The travel suitcase is no longer tucked away in the attic, but is now displayed as a sort of sound box of memories of her family's life in the Dutch East Indies.er family's life in the Dutch East Indies.)
Silakan tulis judul disini + (Silakan mengisi disini)
Bali Virtual Explorer: Media Melancaran lan Metumbasan Produk Bali ring Era New Normal. + (Since 2020, the world has been reported as … Since 2020, the world has been reported as a pandemic. Covid-19 is the name of the virus that causes a worldwide pandemic. This pain is not only a physical attack. Economy, education, tourism, and other aspects also die. Bali is famous for good tourism. If tourism dies, Bali is also called dead. It's not good, let alone until it continues. Therefore, in the new normal era, there are innovations that the government can carry out to rebuild tourism in Bali. The innovation is called the website Bali Virtual Explorer.Bali Virtual Explorer is a solution that can wake up Bali in the new normal era. On this website, travelers can see Bali as if they were visiting but online. This is because the website is equipped with a 360-degree video feature. 360-degree video is very good as a tool in the new normal era because its implementation is by health protocols where human mobility is not what it used to be. This website is equipped with online shopping facilities for authentic Balinese products so that traditional products are famous such as endek and songket, woven, masks, silver jewelry, and others. Online shopping is not difficult, people can have authentic Balinese products even if they can't go to Bali. This is also good for UMKM. This website is also equipped with complete information about Bali such as tourist attractions, historical places, temple information, and other information about Bali so that many people know interesting information in Bali. The Bali Virtual Explorer website is only one website, but various features such as 360 videos, online shopping, and interesting information make this website a good tool. In the era of the internet of things, online promotions are very popular in the world. That's why Bali Virtual Explorer is a good website for tourism and cultural promotion so that Bali rises.and cultural promotion so that Bali rises.)
Idanna Pucci + (Since leaving her ancestral home in Floren … Since leaving her ancestral home in Florence, Italy, Idanna pursued her interest in diverse cultures through far-flung travels. First she worked in New York for her uncle, Emilio Pucci, when his designs ushered vibrant colors into fashion.She later settled in Indonesia and began her studies of Balinese culture with particular emphasis on myth and the oral tradition. She became especially intrigued by the traditional court of justice in the ancient royal capital of Bali. Its ceiling paintings narrate a sacred epic hauntingly similar to Dante’s Divine Comedy. The quest gave birth to her first book, The Epic of Life: A Balinese Journey of the Soul (Van der Mark Editions, NY), a classic on Balinese culture.Various writing assignments for the Hong-Kong based Asia Magazine enabled her to travel throughout the Indonesian Archipelago, South East Asia, Japan and across the Soviet Union on the last steam engine of the Trans-Siberian railway.She returned to New York to pursue her degree in Comparative Literature at Columbia University. During this time, she obtained a grant from the Margaret Mead Institute of Intercultural Studies for a project entitled The Prince and the Pauper: Two Balinese Portraits.Her focus then turned to the life of her American great-grandmother, Cora Slocomb, who shocked New York’s Gilded Age by launching the first nation-wide campaign against the death penalty in 1895 to save a young Italian immigrant from execution–the first woman sentenced to the electric chair. Her research gave birth to The Trials of Maria Barbella (Vintage, NY, 1996).After she obtained the International Diploma in Humanitarian Assistance in Geneva, she served in the UN Mission to East Timor as an electoral officer during the referendum for independence in 1999. Later, she collaborated with the Burma Project (Open Society Foundations) on a special mission to Myanmar.In film, Idanna produced the Italian segment of the TV series Amazing Games (ABC/Kane Productions) for which she received the Ultimo Novecento award from the City of Pisa. She also co-produced Leonardo’s Legacy, a Discovery Channel special. She then produced and directed Eugenia of Patagonia, a documentary-feature on the pioneering life in Chile of her maternal aunt who served for thirty years as mayor of a vast municipality at the end of world, battling for the people and the environmentHer following work, Brazza in Congo: A Life and Legacy (Umbrage Editions, NY) is an illustrated biography of another ancestor, the explorer Pierre Savorgnan de Brazza, after whom the capital of the Republic of Congo, Brazzaville, is named, and who is still remembered for his pioneering struggle on behalf of the rights of the people. On the same theme, she curated exhibitions at The National Arts Club in New York and La Casa Italiana of NYU.Idanna conceived and narrated the documentary Black Africa White Marble, which recounts her battle against the ruler of Congo-Brazzaville. It won the Grand Prix at the Festival of Annecy 2012 (France), the Audience Award at the Cambridge Film Festival 2013 (UK), and Best Documentary at the Berlin Independent Film Festival 2014.She was also responsible for the donation to the National Museum of Cameroon in Yaoundé and permanent installation of a sixty-foot masterpiece of contemporary art by the Poto Poto School of Painting in Brazzaville, Republic of Congo. In 2015, she produced The Transformative Power of Art, an exhibition at the United Nations in New York.With her husband, Terence Ward, she then produced Talk Radio Tehran, a documentary by Mahtab Mansour that follows high-spirited Iranian women as they fulfill their aspirations in spite of the gender-apartheid system that dominates daily life in Teheran.In a collection of true stories between East and West, The World Odyssey of a Balinese Prince (Tuttle, 2020), she narrates the extraordinary life of a cultural visionary and medical doctor whose daring adventures transcend borders.The Lady of Sing Sing: an American Countess, an Italian Immigrant, and their Epic Battle for Justice in New York’s Gilded Age (Simon & Schuster, Tiller Press, 2020) is a new expanded edition of her earlier work, The Trials of Maria Barbella.Idanna serves as an ambassador of Religions for Peace, the world’s largest interfaith organization. She speaks fluent Italian, English and French, and reasonable Bahasa Indonesia. She resides with her husband between Florence and New York.ith her husband between Florence and New York.)
Ida Bagus Sindu Putra + (Sindu Putra, whose full name is Ida Bagus … Sindu Putra, whose full name is Ida Bagus Sindu Putra, was born in Sanur, Bali, July 31, 1968. Now he lives in Lombok, NTB. He wrote poetry as a teenager and has been active in the Coffee Drink Studio. His poems were published by the Bali Post, Kompas, Koran Tempo, Kalam, etc. He won the Kusala Sastra Khatulistiwa award for his poetry book Tales of the Fire Dog. Other poetry books that have been published are the Night of the Night Birds Camp (2000), The Weed House (with IAO Suwati Sideman, 2003), Segara Anak, Origami Birds, Tales of the Fire Dog, In Lombok I Get Poetry (2018).e Fire Dog, In Lombok I Get Poetry (2018).)
Soekarmen + (Soekarmen was born in Blitar, East Java, 3 … Soekarmen was born in Blitar, East Java, 30 May 1925. He was the Governor of Bali who led Bali for two terms of office, namely between 1967–1971 and 1971–1978. He was elected governor on November 1, 1967, and ratified by Decree of the President of the Republic of Indonesia No.203/1967 to replace the previous official, namely I Gusti Putu Martha. Previously, he was Commander of Korem 163/Wirasatya in Denpasar with the final rank of Brigadier General TNI. Soekarmen is the only Governor of Bali who is non-Hindu and not of Balinese ethnicity. He died in Malang, East Java, 10 September 1988.d in Malang, East Java, 10 September 1988.)
Soemantri Widagdo + (Soemantri has been an avid researcher in B … Soemantri has been an avid researcher in Balinese visual art tradition since 1994. He gained his knowledge of the Balinese aesthetic through a six-year apprenticeship with the celebrated Balinese Master Ida Bagus Made (1915-1999). He is the co-author of several Balinese art books. He was the international liaison and chief foreign curator at the Museum Puri Lukisan, Ubud (1995-2015).Soemantri is the founder of the TiTian Bali Foundation (2016); a non-profit organization whose mission is to discover, nurture and develop Balinese artists. Presently, Soemantri serves as the founding chairman on the advisory board of TiTian. chairman on the advisory board of TiTian.)
Sri Jayantini (I Gusti Agung Sri Rwa Jayantini) + (Sri Jayantini, whose full name is I Gusti … Sri Jayantini, whose full name is I Gusti Agung Sri Rwa Jayantini. Born in Denpasar, January 15, 1977. He graduated from English Literature, Faculty of Letters, Udayana University. Her poetic journey started from junior high school by participating in the Sanggar Cipta Budaya in 1989. At that time, Jayantini had already published her poetry in the Bali Post. Now she is a lecturer in the English Literature Study Program at the Faculty of Foreign Languages (FBA) Mahasaraswati University (Unmas) Denpasar. Creative since junior high school, Jayantini combines the potential of writing in a career as an educator. In the midst of teaching obligations and often being a part-time translator, she is still quite active in the field of literature. “Flower Travel” is one of her poetry and prose books published in 2015, in addition to participating in anthologies with other poets. A number of academic works in the field of translation have also been published, including “The Art of Translating” (2016), “Practice Makes Perfect” (2015), “Scientific Translation; Techniques and Phenomena” (2018). Jayantini still provides time to enjoy the sensation of poetry as a break from producing academic works. as a break from producing academic works.)
Stephanie Brookes + (Stephanie Brookes is a Bali resident. She … Stephanie Brookes is a Bali resident. She has lived in Indonesia since 2001. In 2014 Stephanie together with her husband, David Metcalf published a cultural travel book, "Indonesia's Hidden Heritage - Cultural Journey's of Discovery", which covers 12 stories, 12 islands and 12 different ethnic tribes. A specialist Bali based Indonesian travel writer for over ten years, Stephanie searches out some of the more remote destinations in Indonesia. Her work has been published in NowJakarta, Garuda Colours, KLM Holland Herald and Forbes Travel. Her latest project involves supporting a cultural connection community initiative in Ubud, Bali called Ubud Village Plate, where travellers join a Balinese host family for dinner, in a Balinese home and cook together with the family. A great supporter of education and literacy projects in Bali and Kalimantan. Please check out www.ubudvillageplate.comwww.travelwriter.wswww.facebook.com/stephtravelwriterwww.Instagram.com/stephtravelwriterwriter www.Instagram.com/stephtravelwriter)
Memargi Sareng-sareng, Prajaya Gunungan Leluu Nuju Bali Resik Riwekas + (Stepping Together, Conquering the Mountain … Stepping Together, Conquering the Mountains of Waste towards a Sustainable Clean BaliOm SwastyastuThank you for the opportunity that has been given to me so that I can contribute to voicing aspirations at the Wikithon Oration.Dear the jury and the BASAbali Wiki team, as well as all the happy readersAs we know, soon we will be faced with the 2024 elections. Elections are an important moment in our democracy. This is not only about choosing leaders, but also us giving them the mandate to overcome various problems facing society. Answering the topic raised in this oration is "What is the most urgent problem to be addressed by Bali's prospective leaders?".First of all, we cannot ignore environmental problems, especially since Bali is known as Paradise Island because of its natural beauty. There is one thing that in my opinion really needs serious attention from potential Balinese leaders, namely the waste problem which will soon be over. Bali faces big challenges in waste management because the system is inefficient so it is unable to handle large volumes of waste. This situation was further exacerbated by fires that occurred at the Sarbagita Suwung Regional Landfill in Denpasar City, the Mandung Landfill in Tabanan Regency, and the Temesi Landfill in Gianyar Regency during the dry season, causing environmental damage and negative impacts on daily air quality. This problem is not only a local issue, but also an urgent reminder for us to take action because it impacts many aspects of people's lives. Therefore, the government's presence plays an important role in handling this case.I am sure that so far the government has always tried its best, but Bali's leaders must then improve and re-examine the preparation of a strategy for handling potential waste that can be investigated from the roots to the end. It is important to note that the success of a waste management program is very dependent on existing infrastructure and technology. If waste management plants, landfills, or recycling facilities are inadequate, then the program may not produce the expected results. The success of the waste management program is also closely related to the level of community participation. If there is not enough awareness or support from the public in waste scanning, recycling, or waste reduction, the program may experience difficulties. Apart from that, policies that are inappropriate or unable to overcome the waste problem can become an obstacle. Sometimes, unsupportive policies or weak implementation can hinder program effectiveness. Prospective Balinese leaders must have a clear vision about how to protect and preserve Bali's environment for future generations. Prospective leaders, Bali must have a concrete action plan that involves economic, social and environmental aspects. A thorough evaluation of the waste management program needs to be carried out to identify core problems and adjust the strategies implemented. Close collaboration with various parties is the key to creating holistic solutions. Senuma's active involvement, parties, including the government, private sector and the community, will ensure environmental sustainability in Bali for future generations. No less important, awareness of the importance of recycling and reducing waste needs to be instilled more deeply,Thank you to Mrs/Mr. Candidate Leader, Bali for your attention and cooperation to make Bali clean from mountains of rubbish. Let us all work together to be agents of change for a clean Bali.Om Shanti, Shanti, Shanti, Omclean Bali. Om Shanti, Shanti, Shanti, Om)
Sthiraprana Duarsa + (Sthiraprana Duarsa was born in Denpasar. H … Sthiraprana Duarsa was born in Denpasar. He is one of the founders of Sanggar Drinking Coffee, Bali. His solo poetry collections: Part of the World (1994), Homecoming Village (2007), and A collection of short stories Rumah Memories (2014). Apart from writing poetry, he is active in theater. Now he works as a doctor, and is busy preparing his new poetry book.and is busy preparing his new poetry book.)
I Wayan Sudarna Putra Nano + (Sudarna Putra was born in Ubud, Bali on 15 … Sudarna Putra was born in Ubud, Bali on 15 April 1976. He studied art from 1994 – 2004 in ISI Yogyakarta and has lived there since until earthquake in Yogyakarta in May 2006 then he returned home to Ubud. Interpreting the paintings, sculptures and installations of Sudarna Putra is like being reminded of the richness of contemporary aesthetics that refues a single code in the framework of opening opportunities for combining various systems into an eclectic code.He has been doing many solo and group exhibition since 2005, and some of is notable achievements are: 10 Winners of Philip Morris Indonesia Art Award VI (1999) and Best Artwork of Lustrum IV ISI Yogyakarta (2004). His duo exhibition with I Made Arya Palguna “NOSTALGIA” was held at Komaneka Fine Art Gallery in 2007.held at Komaneka Fine Art Gallery in 2007.)
Sugi Lanus + (Sugi Lanus was born in Singaraja, Bali. He … Sugi Lanus was born in Singaraja, Bali. He is the curator of the Lontar Museum, Karangasem, Bali. Since studying at the Department of Balinese Literature, Udayana University has been actively working part-time as a research assistant from Princeton University, UCLA, Murdoch University, Leiden University, Osaka University, etc. He has participated in dozens of international workshops and trainings, and attended post-graduate education in several disciplines: Cultural Studies, Tourism Studies, and Theology. He was selected as a participant in the ASEAN-Japan youth exchange (1997) through sponsorship from the Prime Minister of Japan.He has experience as a consultant for various international institutions, such as: GTZ, AusAID, UNICEF, WHO, British Council. In the field of journalism, he worked as a correspondent for Tempo Magazine (1998-2000), fixer for ABC TV, BBC, Arte TV, National Geographic, Smithsonian Magazine. He is also active as a consultant and provides workshops for DPRD and local governments throughout Indonesia (2005-2012) and an independent political consultant for several national politicians (2012 - present).In 2006 he founded the Hanacaraka Society to research Balinese and Lombok lontar. 'Puja Tri Sandhyā: Indian Mantras Recomposed and Standardized in Bali', is one of the results of his research on various lontar mantras published in the Journal of Hindu Studies, 2014, Vol. 7(2), Oxford Center for Hindu Studies, Oxford University Press. Actively invited to speak in various cultural meetings, including: Cultural Congress V (2003), Ubud Writers and Readers Festival (2004-2017), International Conference on Tagore, Hanoi, Vietnam (2011), Frankfurt Book Fair (2015), etc., and various Hindu clerical discussions. Previously served as Commissioner of a national company (2004-2006), and Corporate Relations Executive of an international company based in London (2014-2016).He has written hundreds of articles in various online and print media, such as tatakala.co, Bali Post, etc. Currently conducting research on reliefs related to lontar manuscripts at Borobudur, and the Herbalian Project, a project for mapping herbs in Balinese and Old Javanese lontar.herbs in Balinese and Old Javanese lontar.)
Wayan Sujana Suklu + (Sujana Suklu is known as a progressive thi … Sujana Suklu is known as a progressive thinker of contemporary art in Bali. With a pioneering vision that reflects a universal philosophy. Sujana Suklus’ contributions are vast in scope, encompassing multi-disciplinary fields within fine arts, academic and community platforms. Suklus’ academic research explores ways to bring art methodologies into communities cultivating and preserving local wisdom whilst expanding existing skill sets. The beauty of this research is that it has been applied and is actively growing in communities today.He was born in Lepang, Klungkung, Bali, February 6, 1967. His works have been shown in a number of joint exhibitions at home and abroad, including: Beijing International Art Biennale. Bangladesh XI Biennale. His solo exhibitions include: "Panji, Between Body and Shadow" at the IMF International Art Event, Nusa Dua Bali (2018), "Intermingle Art Project, Light Pattern at Bentara Budaya Bali (2017), "Wings and Time" at Komaneka Fine Art Gallery (2016). The awards he has won are "The Winner of the Indofood Art Awards Competition on Abstract Category" (2003), "The Best 10 Indonesia Competition of the Philip Morris Art Awards (2003). Suklu has also been one of the curators of the exhibition “Bali Megarupa” (2019). of the exhibition “Bali Megarupa” (2019).)
I Wayan Sukra + (Sukra had originally composed the music [f … Sukra had originally composed the music [for Tumulilingan Mengisap Sari, The Bumblebee Sips Honey, a danced by famed kebyar choreographer I Mario) for a gamelan in Marga, Tabanan, but as it had not been performed, he taught it to the Peliatan group for three weeks. After Sukra returned home, the Peliatan group “polished and rearranged” the music more to their taste, also renaming it. In many ways this was the showpiece of the tour, featured in John Coast’s book, Dancing Out of Bali, and an audio visual recording survives on a kinescope. Sukra is also credited with composing the music for Igel Trompong and Igel Jongkok (later called Kebyar Duduk) in 1915. https://sckool.org/lindstrom-in-bali-1928-part-2-gamelan-gong-kebyar.html?page=2928-part-2-gamelan-gong-kebyar.html?page=2)
Luh Ketut Suryani + (Suryani was born in Singaraja, Bali in 194 … Suryani was born in Singaraja, Bali in 1944 and raised in modest surroundings with six children. Her father was a nurse and an integral part of Indonesia’s struggle against the Dutch. Suryani’s mother was a successful business woman who supported the family’s finances.Motivated by a strong will to treat her young sick mother, Suryani learned meditation when she was only 14. While many of her family members initially doubted her abilities, they were surprisingly convinced to see her mother cured. Suryani then began treating sick people in her community through meditation.After graduating from high school, Suryani studied medicine at Udayana University in Bali, where she specialized in psychiatry. In 1982, she received her degree as a psychiatrist—a profession she chose out of an innate curiosity to understand her upbringing and its effects on her current personality. In 1988 Suryani attained her Ph.D. from Airlangga University, Surabaya.While working as the head psychiatrist at Udayana University in Bali, Suryani introduced a more efficient standard operational procedure to manage mentally ill patients. The procedure decreased the treatment from one month to six days in the residency hospital. While the procedure was initially accepted and did result in numerous adjustments, the hospital chief of staff eventually rejected it and discontinued its use.Through her academic and clinical practices, Suryani has been resilient in her attempts to bridge indigenous spirituality with Western psychiatry and psychology. While many have criticized her findings, Suryani’s approach is widely considered a breakthrough in the field of psychiatry. To further develop the field, Suryani retired from her position as the Head Psychiatrist at Udayana University and is now dedicating all her time to leading the Suryani Institute of Mental Health and the Committee Against Sexual Abuse.th and the Committee Against Sexual Abuse.)
Suzy Hutomo + (Suzy Hutomo co-founded The Body Shop Indon … Suzy Hutomo co-founded The Body Shop Indonesia with her husband in 1992, where she is now Chairwoman.Parallel to her successful career in business, she is a committed environmental activist. Suzy is a presenter in Al Gore’s Climate Reality Project, and serves as a member on various boards of reputable NGOs such as Greenpeace South East Asia (2008-), Yayasan KEHATI (2012-present), Yayasan Lensa Masyarat Nusantara (LMN) (2014-), and Yayasan Kopernik (2016-).For Suzy, the well-being of the environment, threatened by climate change, lies at the interface of her identities as a businesswoman and activist.Suzy’s goal is to help and inspire others to develop a green and sustainable lifestyle whilst also proving that being mindful of the environment can be easy, fun and effortless.vironment can be easy, fun and effortless.)
Sylvine Pickel-Chevalier + (Sylvine Pickel-Chevalier is a lecturer and … Sylvine Pickel-Chevalier is a lecturer and research director in geography (HDR) at the UFR ESTHUA Tourism and Culture at the University of Angers, ESO CNRS 6590 lab. She is specialized in socio-economic, cultural and environmental aspects of tourism, questioning the notion of sustainable development, in France and Indonesia. Also specializing in sports tourism and more particularly the equine sector. President of the scientific committee of the French Equestrian Culture Mission. About forty international publications.n. About forty international publications.)
CHEF DAIJIRO HORIKOSHI + (TAKUMI’S CHEF Daijiro Horikoshi is a maste … TAKUMI’S CHEF Daijiro Horikoshi is a master artisan who has devoted his life to perfecting Kaiseki cuisine.Chef Daijiro San … with respect you don’t sound like any ‘normal’ kind of Chef to us … what’s your story and how did you end up in Bali? Did you train in a Japanese kitchen, and did it involve years of internship under a Master?I am the son of the third generation of a tempura restaurant located in Osaka. The restaurant had a 62-year history before it closed. My grandmother started the restaurant, and my mom took over before I eventually took over from her. I ran the restaurant for over 16 years, and in 2012, I moved to Bali. When I was 13 years old, I had the opportunity to travel with my stepfather, who was a Native American leader from the United States named Dennis Banks. We travelled to 23 countries around the world, and this experience exposed me to different cultures, religions, and people. When I decided to move to Bali, it was because my wife had a dream of living on a tropical island. We wanted our children to have a global experience and learn English, so we chose Bali as it offered a mix of different cultures. It was the perfect balance for us, and we couldn’t find it anywhere else in the world.Tell us first about KOHAKU, and your journey to making edible crystals…Although I don’t have a pastry background, I grew up in a traditional Japanese environment due to my grandmother’s influence. She was a geisha and introduced me to various aspects of Japanese art, tradition, and confections. When I moved to Bali, I missed Japanese sweets, as they were not readily available, so I started making Japanese confections on my own. I never thought about turning it into a business until a friend suggested it. Together with another friend, we started the business, and my wife encouraged me to pursue it further. That’s how our Japanese confection brand, KOHAKU, came to be.How does this relate to cuisine in Japan?Kohakuto, which means ‘amber sugar’ in Japanese, has a connection to Japanese tea ceremonies. Japanese confectionery has always been closely associated with tea and tea ceremonies. The tea ceremony involves not only tea but also meals, and it holds a deep relationship with Japanese cuisine.There are two types of kaiseki, one for parties and the other for tea ceremonies. Both have a connection with tea and confections. So, the idea of creating edible crystals relates to the long-standing tradition of Japanese traditions.Why does Japanese cuisine appear so different and innovative to Westerners, compared to more traditional styles, like say classic French, or Italian? Should the Old School be more innovative?I don’t see a big difference between Japanese cuisine and other traditional styles like French or Italian. Each cuisine reflects its own history, culture, and region. I don’t think one is more innovative than the other. It’s difficult to answer whether the old school should be more innovative because innovation is subjective. What may seem innovative today might become traditional in the future. As chefs, we are always learning and trying to create dishes that make people happy. We focus on making something good rather than just being innovative. Our job is an ongoing journey of learning and creating.Where does innovation go too far, and when should we recognize and respect classic cooking practices?From my perspective, innovation goes too far when it becomes disconnected from our everyday lives and focuses solely on being different for the sake of standing out. Some chefs get caught up in trying to show how they are different from others, losing sight of the true essence of cooking. It’s like we lose our direction and wander aimlessly. Whether it’s in cooking or any aspect of life, we need to take a moment to pause, reflect on where we stand, and look back at our past and the processes that brought us here. It’s essential to respect the ingredients we use and show appreciation to everyone involved, not just for the sake of being different.Tell us about Takumi, your restaurant, and the inspiration behind it.Takumi is a restaurant where we currently serve Kaiseki-style Japanese cuisine. We offer a choice of nine-course or six-course degustation menus, and we will soon be launching vegan courses as well. Our focus is on traditional and authentic Japanese cuisine. The inspiration behind Takumi is unique. We are not simply importing Japan to Bali; instead, we are creating Japan here. We utilize the amazing local ingredients available in Bali and Indonesia, embracing the wealth of flavours they offer. As a Japanese chef, I incorporate Japanese culinary techniques and strive to express the true essence of Japanese cuisine. Additionally, I am passionate about training young chefs in Bali, sharing my knowledge, skills, and the history and philosophy of Japanese cuisine, in order to elevate the level of Japanese culinary expertise in the region.Why is great service such an important part of the culinary experience?Great service is crucial because it enhances the overall dining experience. When customers pay a significant amount for their meals, they should be able to enjoy them fully. It’s important to create an atmosphere where people can feel happy and comfortable. The emotions and atmosphere in a restaurant can significantly impact the perception of the food. Service acts as an additional spice that complements the dishes coming out of the kitchen. It’s not just about the food; it’s about the complete experience – from the moment guests enter the restaurant until they leave. We aim to leave a lasting memory and ensure that our guests have a truly enjoyable time at our restaurant.Who are your heroes in the world of cooking?Although it may sound cliché, my heroes in the world of cooking are my grandmother and my mother. However, my true heroes are the young chefs working in the Takumi kitchen. Each of them brings their unique experiences, which I have never had. Their willingness to learn and their different perspectives make them admirable and worthy of respect. These young chefs are my heroes because they challenge themselves and strive to become respected in the culinary industry.What knives do you use?I primarily use a small petty knife. I don’t have a specific brand preference. I own several Japanese knives, but my favourite is the small petty knife, which I use for personal use at home. I don’t typically use large knives in my cooking.What’s the most exciting new ingredient you are incorporating into your food?Well, every week brings new and exciting ingredients to our kitchen, even if they are the same vegetables we’ve used before. Each batch has its own unique qualities, and that’s what makes it thrilling. We have conversations with the ingredients, exploring their potential and listening to what they have to say. When they arrive in the kitchen, we greet them and get to know them. ‘Hello, my name is blah blah blah, who are you?’ We might say to a red radish. It’s a delightful way to engage with the ingredients and understand their desires. Do they want to be a sauce, a garnish, or simply shine on their own? We listen to their aspirations and help them become what they want to be. It’s the chef’s job, and it’s the most enjoyable and exciting aspect of our work.What motto inspires your life as a chef?Well, I’ve touched on this in previous answers, but it’s a question worth pondering. As a chef, I find immense joy and satisfaction in working with ingredients and creating dishes. It’s the happiness and fun that come from this process. There are many people involved in the culinary world, from suppliers to farmers, fisherman, and even drivers. My motto is simple: I want to make people happy. I strive to bring joy to others through my creations and my work. It’s not just about the guests; it’s about everyone who is connected to food and to me. I want to contribute to a collective happiness and create a positive impact within this circle. As a chef, I am just one part of a larger ecosystem, and my goal is to make everyone in this circle happy.IG & FB: @kohakubaliwww.kohakubali.comIG: @takumibaliFB: @Takumi Baliwww.takumibali.comkumibali FB: @Takumi Bali www.takumibali.com)
Tan Lioe Ie + (Tan Lioe Ie was born in Denpasar, Bali, Ju … Tan Lioe Ie was born in Denpasar, Bali, June 1, 1958. He kept the Chinese name even though during the New Order era there was some pressure to replace the ethnic Chinese name with an indigenous name. He is familiarly called Yoki.Yoki is one of the Indonesian poets who explores Chinese rituals and mythology in Indonesian poetry. Despite the strong ethnic nuances, his poems still have an allure for the wider community. His works have been published in various mass media such as; Bali Post, Horizon, Buana News, Kompas, Media Indonesia.Yoki graduated from the Faculty of Economics, Udayana University. His introduction to poetry began when he was involved in the Denpasar Coffee Drink Center (SMK). He is also known as a pioneer of poetry musicalization activities in Bali. One of his poetry musical albums is entitled “Kuda Putih” which contains many Umbu Landu Paranggi poems that he sings.His published anthology of poetry, “Kita Bersaudara” (1991), has been translated into English as “We Are All One” (1996) by Dr. Thomas Hunter Jr. In addition, the book of poetry “Night Cahaya Lampion” (2005) has also been translated into Dutch entitled “Nach Van De Lampionen” by Linde Voute. His latest poetry book is entitled “Ciam Si” (2015). Yoki is often invited to national and international literary activities.nal and international literary activities.)
Jane Belo Tannenbaum + (Tannenbaum, Jane Belo (1904–1968) American anthropological photographer. Name variations: Jane Belo. Born Jane Belo, Nov 3, 1904, in TX; died 1968. Traveler, artist, photographer and fieldworker, was noted as pioneer in anthropological photography.)
Nepasin Narkoba di Buléléng + (Taruna Goak is the name for Buleleng Youth … Taruna Goak is the name for Buleleng Youth/War Troops under the leadership of Raja Ki Barak Panji Sakti. Goak cadets were known to be very strong, never give up, had superior character and were specially formed so they were able to attack and defeat Blambangan (East Java) at that time. The toughness of the Goak Cadets is still known today, as a symbol of the greatness of the Buleleng Youth.However, what is the current situation of Buleleng Youth? Are still as tough as Taruna Goak?The character of Buleleng Youth today is inversely proportional to the Character of Buleleng Youth in the past. Currently, quite a few Buleleng youth are caught in promiscuity and cases of drug abuse and illegal drugs.At the end of December 2023, BNN stated that Buleleng Regency was included in the Red Zone for drug abuse cases and the most widespread was crystal methamphetamine. The Head of the Buleleng BNNK also stated that over the last 5 years as many as 397 people have been rehabilitated, who of course also come from various groups such as students, university students and others. Of course, this is a serious problem and must be resolved and handled together.Several things that influence drug abuse include; firstly, the growth of curiosity and a sense of wanting to try, secondly, the influence and association of the surrounding environment which is not good, thirdly it is caused by depression or excessive stress, as well as many other reasons.Regarding this problem, of course there are several solutions that can be offered apart from the government's efforts in making related regulations, namely; First, young people must get rid of their desire to try and try to think about the negative impacts of drug use. Second, try to find positive activities to avoid promiscuity and drug abuse. Third, support from family and those closest to you will also be very influential. And the important thing for young people to pay attention to is maintaining mental health to avoid depression or severe stress which can trigger drug and illegal drug abuse.If this effort is carried out, young people will definitely be able to avoid drug abuse and grow into active, productive and superior young people, just like Taruna Goak in the past.people, just like Taruna Goak in the past.)
Tombak Perjuangan Rakyat Indonesia + (Teenagers are the Nations only hope for development)
Ni luh Komang wahyuni + (Teks orasi)
test bio mar 7 + (test bio mar 7)
test GA + (test EN)
Utsaha Ngrajegang Basa bali Malarapan PERGUB No.80 tahun 2018 + (thank you)
Dadalan Sejarah Wangunan Monumen Perjuangan Rakyat Bali + (THE BACKGROUND OF THE ESTABLISHMENT OF THE … THE BACKGROUND OF THE ESTABLISHMENT OF THE MONUMENT OF BALINESE STRUGGLESporadic struggles for independence against the Dutch Colonial Government emerged in most parts of Indonesia. The violent oppressions by the Dutch resulted many rebellions in various dominions of kingdoms and sultanates under the Dutch colonialism. But unfortunately, the Dutch could easily suppress them by applying their divide et impera (divide and rule) tactic to break the strength of those kingdoms and sultanates by playing off against each other, between a king and the other, between the royal family and the king, the king and his people, and between people as well.The long war experiences and also the more and more Indonesian youth got academic education had aroused the spirit of unity among various social strata and ethnic groups and the awareness to defend their country and to drive away the colonizers. It was initiated by a number of intellectual youths from various regions that on October 28th, 1928, for the firsttime, the Indonesian youth held a conference in which they declared the so called the Sumpah Pemuda or the Youth Pledge. They swore that they were of one mother country: Indonesia, one nationality: Indonesian, and of one language: Bahasa Indonesia or the Indonesian language. This declaration was simultaneously participated by many youth organizations from various islands and ethnics in Indonesia such as, Jong Java of Central and East Java, Jong Pasundan of West Java, Jong Minahasa of North Sulawesi, Jong Ambon of Maluku, Jong Celebes of Sulawesi, Jong Madura, Jong Sumatranen, Jong Batak of Batak ethnic group, etc which later on resulted an idea to form the Jong Indonesia to accomodate all ethnics in Indonesia.This spirit of Sumpah Pemuda has also awakened various youth organizations in Indonesia.One well-known organization, among others, is Sarekat Islam, which was originally as a mere religious movement, then developed into the first popular movement in Indonesia, then the Indische Partij party which also moved in politics. At that time on the island of Java nationalist figures emerged such as dr. Soetomo, HOS. Cokroaminoto, Suwardi Suryaningrat (Ki Hadjar Dewantoro), Douwes Dekker, Tjipto Mangunkusumo, Agus Salim, Soekarno, Muhammad Hatta, and so on. Their pioneering work eventually also inspired other regions to do the same, namely to unite the regions in expelling the Dutch occupation, one of which was a struggle carried out by the Balinese people.Bali Island is one of the bases of the struggle against the Dutch, among which the famous is the Jagaraga War of 1848-1849 in Buleleng, the Kusamba War of 1849, the Banjar People’s Resstance in 1868, the Puputan Badung War of 1906 launched by the King of Badung, Puputan Klungkung in 1908 and also the Puputan Margarana War in the Marga Village of Tabanan conducted by Liutenant Colonel I Gusti Ngurah Rai along with Laskar Ciung Wanara who had waged in all-out war (Puputan) against the Dutch in 1946.The struggle performed by I Gusti Ngurah Rai has left deep memories for the people of Bali, so as to commemorate his services, a monument, street name, airport name, and so on were erected. The awarding of his services is solely because he has set an example to the younger generation in the struggle for independence which is done unconditionally. The government’s attention to the services of the fighters in Bali was realized by the construction of a grand monument located in the Niti Mandala area, Denpasar known as the the Monument of Balinese Struggle.What is presented in this monument is to recall all the struggles of the Balinese heroes before and after independence. It is also hoped that this monument will also has some benefit in an effort to increase the appreciation of the younger generation in living up to the patriotic values demonstrated by the heroes who sacrifice all his body and soul in defending the dignity of his people without ever expecting retribution.The monument was designed by Mr. Ida Bagus Gede Yadnya, a young man who was at that time was a student in the Department of Architecture, Faculty of Engineering, Udayana University, Denpasar. He succeeded in winning and becoming a champion in the design competition of the the Monument of Balinese Struggle which was carried out in 1981 by setting aside his senior architects in Bali.After the design and drawing improvements were made, in August 1988 through the budget of the Provincial Government of Bali a groundbreaking was carried out, as a sign of the start of the construction of the monument. After going through various obstacles and trials due to the depreciation of the Rupiah in 1997, finally this monument could be completed also in 2001. After that, the development was continued with the making of dioramas that depicted the life history of the Balinese from time to time. In addition to the dioramas, a park was also built to add the beauty and comfort of this monument, which as a whole could be completed in 2003. On June 14, 2003, in conjunction with the Opening of the 25th Bali Arts Festival in 2003, Indonesian President Megawati Soekarnoputri had the pleasure of inaugurating the Monument of Balinese Struggle. Since then the monument has been officially opened for public.PURPOSE AND OBJECTIVESThe purpose of making dioramas that tells a story of the struggle of the Balinese people is to reconstruct important historical events that have occured in Bali, so that what is implied in them will be more easily appreciated by younger generation.The aim is to perpetuate the spirit of the struggle of the Balinese people from time to time and pass down the spirit of patriotism in the form of self-sacrifice, love of the motherland, love of unity and love of peace, togetherness to the next generation of the nation, and the main thing is to maintain the integrity of the Unitary Republic of Indonesia (Homeland).THE PHILOSOPHICAL BASIC OF THE MONUMENT OF BALINESE STRUGGLEThis monument is an embodiment of lingga and yoni. Lingga is male symbol (purusa), while yoni is female symbol (pradana). The meeting between the two elements is a symbol of fertility and well-being. In addition to the Lingga-Yoni philosophy, this monument is also based on the philosophy of the Mandara mountain screening (Mandara Giri) in ocean of milk (Ksirarnawa). This story comes from the Adi Parwa book, the first chapter (parwa) of the Mahabarata epic. It is said that the gods and giants (daitya) sought the water of eternal life (tirtha amertha) by turning around Mandara mountain in the ocean of milk. The implementation of the screening of mount Mandara is regulated as follows:1. Turtles (akupa) as the base of mount Mandara2. Besuki Dragon (Naga Besuki) as a strap and turning mount.3. The gods hold the dragon’s tail and the daitya hold the head, while at the top of the mountain sits God Shiva.After working with great difficulty turning the Mandara mountain then successively came out: crescent (Ardha Chandra), Goddess Sri and Laksmi, flying horse (kuda Ucaisrawah), tree of happiness (Kastuba Mani), and the last came out Goddess Dhanwantari who brought Tirta Amertha. The story of searching for Amertha water is then reflected in the shape of this monument, with the following explanation:1. The earthen pitcher containing tirta amertha was symbolized by a kind of pot (swamba), which is located on the top of the monument.2. Naga Besuki’s tail is realized near the pot.3. The head of the dragon is manifested in the entrance gate (Kori Agung).4. Turtle (Bedawang Nala/ akupa) as the foundation of the monument is located on the edge of the lake and its head on Kori Agung.5. The pond that surrounds the monument as the symbol of Ocean of milk (Ksirarnawa).6. Mandara mountain (Mandara Giri) as the overall shape of the monument building.Philosophically, the initiators of this monument wish to give a message to the younger generation that the struggle to achieve success can only be done with hard work, perseverance, and mutual cooperation as told when the Gods and Daitya together seek eternal life.Another symbol depicting the power of God Almighty (Ida Sang Hyang Widhi Wasa) contained in this building is a building plan in the shape of an octagon and an eight-leaf lotus. The eight-leaf lotus is called Asta Dala as a symbol of the omnipotence of God Almighty called Asta Aiswarya, namely:1. Anima : the mildness nature like atom.2. Lagima : the lightness nature like ether.3. Mahima : the great nature that fills all places.4. Prapti : the nature of reaching all desired places.5. Prakamya : all wills are achieved by Him.6. Isitawa : the nature of dominating everything and the most important One.7. Wasitwa : the most powerful character.8. Yatrakama Wasayitwa : His nature and His will cannot be challenged.The symbol of patriotism and nationalism can be found in the 17 number of foot steps towards the main entrance, 8 main pillars of the building and the height of the monument is 45 meters. If these figures are strung together, the numbers 17, 8, and 45 are arranged which show the date, month, and year of the Proclamation of Indonesian Independence, August 17, 1945. Indonesian Independence, August 17, 1945.)
Bali Matangi anggen Pariwisata Digital Berbasis NFT + (The Covid-19 pandemic that has hit almost … The Covid-19 pandemic that has hit almost the entire world, including Bali, has had a significant impact, especially on the tourism sector, which is the mainline in the Balinese economy. This is supported by a decrease in the number of tourists to Bali in 2020 by 82.96%, which causes the tourism industry managers to be unable to develop the tourism business line that is being built.However, this should not dampen the enthusiasm of various components of Balinese society in generating Bali tourism. One alternative that can be done is the adaptation of the tourism industry to the technology that is currently being discussed, the Non-Fungible Token (NFT). NFT exists as a representation of individual or group assets or ownership that has unique, non-exchangeable, and valuable properties. This technology adaptation is expected to be an answer to tourist concerns, security and convenience.The workings of the tourism business model with the NFT platform are almost similar to the voucher system in the tourism industry. However, to ensure the security and convenience of users, this platform will be supported by blockchain technology. Blockchain is expected to be able to provide a sense of security thanks to the concept of decentralization which requires validation from various parties who become the blockchain server itself.The government especially Bali Government Tourism Office can act as a validator for tourism industry managers (lodging, accommodation, culinary, etc.) who are committed to building a digital-based Bali tourism ecosystem. For tourists, this NFT can be purchased as a coupon that can be purchased and exchanged at a time frame determined by the tourism industry manager.It is time we move together to restore the glory of Bali tourism by familiarizing ourselves with technology. Of course, it's not just about government policy, but me, you and all of us!ernment policy, but me, you and all of us!)
Polusi Plastik Dan Pemanasan Global + (The environmental problems we face today i … The environmental problems we face today include everything from deforestation to plastic pollution and global warming. Solutions to overcome this problem require comprehensive joint action. It is important to reduce carbon emissions by switching to renewable energy sources, promoting recycling and the use of environmentally friendly products, and protecting natural habitats through conservation and reforestation efforts. Additionally, broader education about environmental protection and policies that support environmentally friendly practices are also needed. Through collaboration between governments, companies and individuals, we can create the positive changes needed to maintain environmental sustainability for future generations.tal sustainability for future generations.)
Bali Akan Bangkit Lagi + (The government of the island of Bali, whic … The government of the island of Bali, which is the Deputy Governor of Bali Prof. Dr. Tjokorda Oka Artha Ardhana Sukawati once said that indeed Bali agrees if the tourism sector is experiencing a decrease in the effects of the Covid-19 pandemic. But we as a people on this island can't say anything more. For the public should follow the directions of the government, such as vaccinating, using masks every day when meeting with others, paying attention and implementing a healthy lifestyle and other things. Actually from my personal side does not want to be so opinion more but we ourselves who should be aware of what is being faced at this time. The first thing is certainly from yourself who must carry out, secondly there is a family that is closest to ourselves and then start doing this healthy lifestyle to the surrounding community. If all parties have done so, believe me all will be healthy and free from this plague. But this pandemic teaches us to be more grateful to be aware of the circumstances that occur and what will happen. Let us together take care of ourselves first to be healthy, if we have done so believe me all will definitely come back over time.e all will definitely come back over time.)
Lingkungan dan ekonomi bali + (The most pressing issues in Bali currently … The most pressing issues in Bali currently include environmental management, sustainable tourism, and economic inequality. Prospective leaders need to focus on solutions that promote balanced and sustainable development while enhancing the overall well-being of the community.g the overall well-being of the community.)
SAYAN AKIDIK LAHAN CARIK RING BALI, SANE NGAWINANG SISTEM SUBAK RERED, PARIWISATA MAJU + (THE NARROWING AREAS OF RICE LAND IN BALI C … THE NARROWING AREAS OF RICE LAND IN BALI CAUSE THE SUBAK SYSTEM TO BE THREATENED, TOURISM IS ADVANCED.Om SwastyastuI respect the jury. And also, the audience I am proud of.I express my gratitude to Ida Sang Hyang Widhi Wasa, because with His blessing and grace, we can gather in the same place on this good day. Ladies and gentlemen who have gathered here at the Bali Public Participation Speech Wikithon event. Today, let me present an oration entitled "The Narrowing of Rice Field Areas in Bali, Causing the Subak System to Be Threatened, Tourism to Advance"OK, ladies and gentlemen.Subak is a Balinese irrigation system which functions to regulate the distribution of irrigation flows that irrigate each plot of rice field area according to the customs of Balinese society. The Subak system has been recognized by UNESCO as a world cultural heritage. This is what causes Bali to become fertile because of the subak system, which means that the rice fields in Bali do not lack water. Making rice fields in Bali into natural tourist attractions that are in great demand in Bali, for example in Jatiluwih, Tegalalang Rice Terrace.Currently, Bali is famous for its very beautiful tourist attractions, because of this, Bali is nicknamed "Paradise Island". However, the impact of tourism in Bali which is increasingly developing has caused many rice fields to be converted into Bali tourism infrastructure and converted into housing complexes, especially now that Bali is being hit by a long drought which is causing farmers to fail to harvest, such as in Penebel, Tabanan, Farmers failed to harvest up to 107 hectares. And the status of Subak land changed to empty land. Then this land can be used as tourism infrastructure and a housing complex in Bali. Of course, this must be taken into account, because now people are becoming less aware of Balinese traditions, customs and culture due to the great influence of today's increasingly advanced technology.I have said a lot, and I have made many mistakes. Hopefully the tradition of the subak system in Bali will remain sustainable and the Balinese people will still remember this ancestral heritage. I hereby apologize profusely, if any of my words do not match what the audience thinks. I close with Parama Santhi.Om Santhi Santhi Santhi Om.Parama Santhi. Om Santhi Santhi Santhi Om.)
Peralihan Potensi Lapangan Pariwisata untuk Mengembangkan UMKM + (The Potential Transition of Tourism Resour … The Potential Transition of Tourism Resources to Develop UMKMGreetings, Om Swastyastu, Assalamualaikum Warohmatullohi Wabarokatuh, Shalom, Namoh Buddhaya. Goodwill and peace to all. We express our gratitude and thanks to the One Almighty God for allowing us to participate in the "Provincial Bali Oratory Competition" with the theme "Bali Orates" and the topic "2024 Election: What is the most pressing issue to be addressed by Bali's future leaders?". In this regard, we present arguments focusing on "how the management of tourism, by harnessing the potential shift of employment towards UMKM, can coexist with the progress of tourism for Bali's future leaders."Post-Covid-19, Bali is assessed as unable to rely solely on the tourism sector as the sole backbone of the regional economy. Serious resource exploration is needed so that Bali has a number of alternative sources of economic income. This consideration is essential for Bali to withstand crises and global challenges. It is an opportunity to organize and pay attention to the development of UMKM in Bali, potentially redirecting the economic base from the tourism sector.The negative impact of the current tourism sector chaos in Bali stems from arbitrary behavior by tourists towards the Balinese people. Bali's residents are disturbed by reprehensible actions by tourists, whether permanent residents or just visitors. Examples include religious desecration, inappropriate behavior in sacred areas, disturbances in public areas, land grabbing from Balinese residents, and various other disturbances, all of which have a detrimental impact on the lives of the Balinese people.The government of the Bali Regional People's Representative Council (DPRI), a politician from the Indonesian Democratic Party of Struggle (PDI-Perjuangan) faction, outlines several potential economic resources that can be seriously explored in Bali, including agriculture, marine, and creative economy sectors. Strengthening each sector, he notes, will contribute to economic equality in the Island of the Gods.Recognizing that UMKM are a sector capable of sustaining Bali in times of crisis, support for regulations and education for the empowerment and protection of UMKM is crucial. It is emphasized that diversifying beyond the tourism sector is essential. Chairman of the Bali Hotel and Restaurant Association (PHRI), Tjok. Oka Sukawati, sees this as a significant moment for Bali's UMKM to learn from other UMKM, especially those outside Bali, fostering innovation and product quality development.In response to Prof. Ramantha's statements, Ny Putri Koster, as the Head of the Regional Craft Council (Dekranasda), considers her actions as part of her responsibility to bridge UMKM with consumers. She builds synergy with relevant government agencies, such as the Bali Provincial Trade and Industry Office.In conclusion, we hope that future government candidates prioritize programs in the UMKM sector over tourism, yet maintaining attention to Bali's tourism. This oration serves as a reference for future programs. In closing, we express our gratitude. Om Santih, Santih, Santih Om, Wassalamualaikum Warohmatullohi Wabarokatuh, Shalom, Namoh Buddhaya. Goodwill and peace to all.Namoh Buddhaya. Goodwill and peace to all.)
Anak Agung Gede Sobrat + (The principal artist of the Ubud school, c … The principal artist of the Ubud school, continued working after World War II. Works in all major collections, including the Sana-Budaya Musuem, Jogjakarta.Worked closely with Bonnet and Spies. Described by Bateson and Mead as having a lively and intelligent mind he is versatile and a distinguished colourist. (PM 72). Puri Lukisan has alternative birth date of 1917Lukisan has alternative birth date of 1917)
Macet dijalan sempit + (The problem is that on narrow roads, many … The problem is that on narrow roads, many large cars such as gas station cars - Trucks - Boso pass through narrow roads, until the road is damaged. My suggestion is that large cars or gas station cars - Trucks - Boso pass along the road used by large cars, it can be called the main road.arge cars, it can be called the main road.)
Tepasin luu plastik ring bali + (The problem that must be resolved by the f … The problem that must be resolved by the future leader of Bali is the rubbish in Bali. As we can see in the surrounding environment, there is still a lot of rubbish scattered on the roads, in rivers and also in ditches. If the rubbish in the gutter is not cleaned it will make the gutter full of rubbish and during the rainy season it will cause flooding because there is no waterway.Prospective Balinese leaders must be firm with people who throw rubbish carelessly. The most important waste that must be resolved is plastic waste. Plastic waste in landfills has overflowed. If this plastic waste is embedded in the ground, it will prevent plants from getting good water. Moreover, if the plastic is burned it will cause pollution. Bali's prospective leaders must solve this waste problem. Maybe elected leaders can create an association or training to recycle plastic waste. What started as plastic waste became crafts such as flowers from used plastic, pencil cases, flower pots, and others. These crafts can be sold and people who don't have jobs can make money.This solution might help reduce waste in Bali, and at the same time help the government with the waste problem. Prospective Balinese leaders must pay attention to the surrounding environment so that it remains clean and beautiful.nt so that it remains clean and beautiful.)
Macet Ring Canggu + (The road is not only traversed by tourism, but by commuters. This means residents who work in the Tabanan area, Nusa Dua, Tanah Lot, or Denpasar or vice versa)
I Ketut Rida + (The senior poet I Ketut Rida was born in B … The senior poet I Ketut Rida was born in Banjar Kanginan, Sulang Village, Dawan District, Klungkung, September 11, 1939. He finished school at SGA Stella Duce/ Kanisius Yogyakarta in 1958, then continued his B1 Indonesian Language at Dénpasar, but did not finish.From 1960 to 1987 he was appointed a teacher at an elementary school. For about 20 years, I Ketut Rida has served as the Principal of an Elementary School. In addition, he was appointed as a supervisor for kindergarten, elementary and SDLB. In the village, it was also believed to be the traditional bendésa of Sulang VillageKetut Rida said that he has been pursuing writing or composing since he was a child. Every day Ketut Rida gets stories from his grandmother. That's why Ketut Rida is feeling happy. After completing his B1 Language Department, his attention to writing activities grew, focusing on studying the Kawi language, especially in Adiparwa.He has produced several new literary works of Balinese and Indonesian literature and has received several award certificates, such as:In 1977–1978, Ketut Rida became the second winner of the Indonesian Language Writing Competition for Elementary School Teachers at the Bali Province. In 1979, he became the first winner of a prose writing competition at the Bali Arts Festival (PKB). In 1980, he won first place in the Balinese Novel Writing Competition in the framework of Language Month. In 1982, he became the second winner of Composing Geguritan at PKB. In 1991, he won first place in the Balinese Short Story Competition in the Bali Post daily. In 1995, he won the first prize in the Balinese Short Story Competition at PKB.From 1970 to 1980, many of Ketut Rida's essays were published in the Bali Post. His collection of poems entitled “Nyiksik Bulu” was published by the Dénpasar Language Center in 2004. His Balinese novel entitled “Sunari” was published by the Obor Foundation, Jakarta in 1999. This novel “Sunari” earned I Ketut Rida the Rancagé Literature Prize from the Rancagé Cultural Foundation in Bandung in 2000. In 2014 Ketut Rida received Widya Pataka from the Governor of Bali with his book entitled “Lawar Goak”. Bali with his book entitled “Lawar Goak”.)
Program KIP ring Kabupaten Bangli kari Salah Sasaran. + (The Smart Indonesia Card (KIP) is also cal … The Smart Indonesia Card (KIP) is also called the Smart Indonesia Program (PIP). This is the Jokowi government's first program which is part of the Healthy Indonesia Card (KIS) and the Prosperous Family Card (KKS). The Smart Indonesia program aims to increase access for school-age children from poor families to school. KIP is a card intended for poor and vulnerable families who want to send their children (aged 7-18 years) to school for free. KIP recipients are given regular cash funds from the government which are stored in the KIP card function to attend school for free, both those who have registered and those who have not yet registered in schools or madrasas so that the dropout rate can drop drastically.So, the target of KIP is for students who excel and are less fortunate. But in fact its implementation is not in line with expectations, many cases occur regarding KIP being mistargeted. One of them occurred in Bangli Regency. A real example is in my own village, namely Banua Village. Those who are entitled to get KIP (Smart Indonesia Card) are children or students whose families are on the line or in the Poor Family Card (KK) group so that at first glance the KIP program is right on target, but if you look more deeply In fact, the KIP or PIP program still finds errors in its implementation. There are many students in my village whose families are not in the poor family, but in fact these students are underprivileged students. And because of the implementation of the poor KK, students who are not included in the poor KK, who are in fact less well off, cannot make KIP. Even though these students are students who excel and really need the KIP. An example of a student who experiences KIP inaccuracies is myself. I'm not in the poor KK line so I can't get the KIP, even though in fact I really need the card myself. Not to mention that the KIP cannot be made because I am not a poor family member, but in reality my family and I are not someone who can afford it. So, that was the inaccuracy of KIP in Bangli Regency, so what about the wrong target? I have also experienced this wrong KIP target. At that time, I was in junior high school, one of my friends from Trunyan Village had a KIP and received a scholarship even though he himself was someone who was capable and quite rich, had a nice house and had no economic difficulties. This is what makes me feel that KIP in Bangli is still not on target and its implementation tends to be inappropriate and even unfair. Then what solution should the government take? In my opinion, what the government must do to overcome the problem of inaccuracy and wrong targeting of the KIP is, first to do research on the students who receive the KIP, whether they are really underprivileged students? We can see this from the condition of their homes, their parents' jobs, their parents' income every month and so on, well if someone fulfills the things that make them get KIP as I explained above and they are a smart and outstanding student then in my opinion they are worthy of getting KIP. In short, the Bangli Regency Government must be more careful in recruiting students who are worthy of receiving the KIP.dents who are worthy of receiving the KIP.)
Partisipasi Untuk Meningkatkan Pariwisata Bali. + (the steps that must be taken now and in th … the steps that must be taken now and in the future regarding what needs to be done to revive tourism in Bali during the pandemic. That is the mandatory vaccination, which is one of the efforts to support the recovery of tourism in Bali, build spirit and commitment with all Bali tourism stakeholders in reviving the tourism sector during the COVID-19 pandemic by seriously implementing disciplined health protocols to restore world trust. not only that, it is hoped that for the government to restore tourism in Bali, it will take several stages, as I know and I have read first by increasing the domestic market. The second is opening the essential business travel, in order to open international flights because it is felt that Bali is ready to accept international arrivals.is ready to accept international arrivals.)
Satya Cipta + (The struggles of Balinese women take on a … The struggles of Balinese women take on a new life in the art work of Lombok-born Balinese artist, Satya Cipta.“My approach to every artwork revolves around a question to myself and mostly other women,” she said. “What is a woman in Bali? Are we ‘complementary’ beings? Are we social creatures made to accompany men live their lives?”Her work draws on social reality with a strong substance of feminism. She does this whilst preserving artistic teachings from Balinese traditional techniques, which she believes should be a national asset, in hopes to imbue an authentic Balinese spirit in full, sans western influence.Read more about Satya's work and women of Bali here: https://online.fliphtml5.com/uwtp/svwc/#p=26tps://online.fliphtml5.com/uwtp/svwc/#p=26)
I Wayan Westa + (The writer and humanist who won the 2014 R … The writer and humanist who won the 2014 Rancage Literature Prize with a collection of essays entitled "Tutur Bali" (2013) named I Wayan Westa. A graduate of FKIP, Dwijendra University Denpasar, Department of Balinese Language and Literature Education, he was born in Klungkung, January 27, 1965. From 1889-1993 he became a teacher at SLUA Saraswati Klungkung and a lecturer at various private universities.In 1999 he worked at the Ford Foundation, he was also the editor of Gumi Bali SARAD Magazine in 2000-2009, and in 2010-2012 he was the Chief Editor of SABDA Magazine. His essays were published in various mass media, such as: Karya Bakti Weekly, Nusa Daily, Bali Post, Kompas, Pos Bali and Radar Bali. As editor of various articles published by the Indonesian Obor Foundation, Wulan Sedhuwuring Geni (Anthology of Short Stories and Regional Poetry), A Thousand Fireflies in Manhatan (translations into 13 Regional Languages), and Sunari (Balinese Novels by Ketut Rida), and Rabindranath Tagore , Poetry Throughout the Ages, Publisher of the Darma Sastra Foundation, 2002. He was also a speaker at Sadyakala Sastra #39 Wayan Westa: Nationalism and Glorification of Regional Languages on March 14, 2014 and Sandyakala Sastra #43 Obituary I Wayan Sadha on March 12, 2015 at Bentara Budaya Bali. on March 12, 2015 at Bentara Budaya Bali.)
ULUWATU LACE + (The Yak spoke with Ajit Khatai, ceo of Ulu … The Yak spoke with Ajit Khatai, ceo of Uluwatu handmade Balinese lace – the 50-year-old true Bali legacy fashion brand – about life in Bali, the journey so far and the future for the brand.How has Bali been for you?Been here since the beginning of the 2020 pandemic. I think one word for life here would be: healing.What does Uluwatu Handmade Balinese Lace mean to you?Magical and challenging on so many levels. A fashion business in Bali. A brand that’s core skill-set is lace. Only two colours (white and black) to the range planning. Tourists as primary customer. Language barrier. An immensely talented pool, which is aging.How is it that sophistication and simplicity exists seamlessly in Uluwatu Lace? We know it’s not easy. How do you manage to achieve it?It looks easy, because ours is a story of Bali. We carry the soul of everything that’s beautiful here. By layering simplicity over and over, we are able to create sophistication. Our pursuit is perfection. Our founder Ni Made Jati focussed on love for creating great designs. She was inspired by modern women who are independent and rebellious. Over the years, we have redefined this modern woman. I think these three elements, Bali, Simplicity and Perfection are our secrets.How did the brand start…In the 1970s it seemed a good business proposition. Bali had an abundance of lace skills. An influx of foreigners was allowing exploration of new silhouettes (before lace was predominately used on Kebayas). Our founder saw the possibilities. Those were times when Bali was getting started on its lasting reputation of being heaven; of secret idyllic beaches where seekers and hippies found the surf, sand and beads, and loads of sunshine to tan their skin. She adapted the lace to the new world, from airy over layers to breezy gowns for the evening fire. The Bohemian spirit has been alive ever since.Uniquely, the Uluwatu Lace brand is cemented deeply in Bali’s history and colonial past. Can you briefly tell us more…No-one starts out to make history. Our journey gave us two rights: time and place. Bali’s lace tradition of krawang or Lobang is a rich living craft. Earliest evidence showing its use is in the 10CE, during the end of the Majapahit reign. Almost 1,000 odd years of existence. There is an unsubstantiated belief that Kerawang is the classic crochet lace of Northern Europe. Said to be carried by missionaries who travelled with the Dutch East India Company (VOC). The timeline could be anywhere around 1600CE. But the real impact can be attributed to after 1796, when the VOC was abolished and the Dutch government gained control over Indonesia, which continued until 1941.And then there was the modern journey…Yes. Somewhere around mid ’70s, Kebaya was getting its space as a classic apparel which was introduced as modesty. Lace got incorporated into the Kebaya. We have been trying to perfect the art form ever since then. This evolved into the temple culture, to exactly the same clothing culture we witness in Bali today. We have managed to transform it into something desirable globally. Breaking the limitations of design was the tipping point. With just two colors, white and black, it was a sure recipe for disaster. The fact that we are still here is something bigger than a miracle. But here we are…Why white and black?Our journey was for excellence. I suppose we reached this point naturally. It is difficult to reason why in a 50-year journey. An intelligent guess is, white was preferred due to the tropical climate and black was easy to handle. In the early years, consistent yarns in colors was not an easy proposition. Whatever the reason, we are memorable because of the two colours.How many people are involved in making your designs?Our family is around 500 individuals. More than three quarters of this number are involved in the design creation and the rest are in support operations. Each person in our ecosystem is a lifelong partner to creation of these exclusive designs.What makes this brand click?Love and Bali. You immerse in this paradise. In return the paradise diktats that you respond with honesty. That’s what we give. We do not dilute our principles to suit business obligations. Our products are made in the old fashioned way. We have steered clear of shortcuts. Each and every piece is made in the same traditional method of bamboo hoops and slow needle whirring to make the lace. Love has its own karmic journey. Maybe it’s the love that’s responding back.What are the attitudes in fashion changing over the decades? Where is fashion’s future for designs with your niche?Look at the fashion around the world. Lace and crochet are consistent. Lace is here to stay. That speaks loads on the future of lace in fashion. It’s a classic embellishment in fashion. Women love it. It’s not going away anytime soon. We are a lace brand. We need one purchase to happen in a thousand in our market to stay in business. That’s a simple logic for excellence. We have to keep creating the most simple, sophisticated designs with the same passion. Great designs don’t need volume. We are content right now.What does high thread count mean to you and why is it important to your company?Yarn is the key. Our yarn goes through immense stress, which makes it absolutely essential to have a unique tensile strength, which is stable in the lace making process, avoiding brittleness. We have conjured up a specific blend of rayon yarns to achieve this over the years. It stays unbroken for the longest stretch of action. That brings the unique sheen to our lace.How has the Covid Pandemic affected your brand?It’s been a kind of blessing in disguise. We found time for course correction. Our focus diverted from sales to being janitors (cleaning up the brand). We found scope to refine our skills. Created a data-bank of designs. Refined the skills that had been acquired over 50 years. We updated software and improved processes. Basically we did a lot of clean-up. We had to ensure our designs remain heirloom pieces. Creating possibilities of engagement to lace designs. We conceptualized a Balinese Lace Museum and initiated the process of getting nominated as a heritage craft. It was a long list.Which design will be your all-time superstar creation? Is there a story in its creation?We love almost all our ’70s designs. The decade when chic, colour and pool parties were the epitome. The age of revolution … styles that clicked. Then we were busy making something revolutionary to be loved. We got our foothold in fashion in the ’70s.How are you involved in the creative community in Bali?As the flag bearer of Balinese Lace Fashion, we are the finest on the block. Both the founder and myself are pretty much very private people. Our direct visible engagement remains slower than we would like. However, we engage with artists, graphic artists, photographers, musicians and actors. We love to be the support to young creative talents.What are the current design projects at Uluwatu Lace?This year we are engaging in a lot of very interesting projects … I like to call in non-invasive cross-innovation, where we identify non-parallel creative techniques to come together in an organic symbiotic visual extravagance. Our designers are busy rejecting designs to arrive at acceptable designs. For example, imagine trying to combine lighter Endek fabric with Balinese lace. Both techniques cannot overpower each other. The balance of weight, colour and flow is an absolutely challenging experience.Which particular Indonesian / international celebrities could wear your designs and embody what they mean?For us, Happy Salma is the epitome of what Uluwatu Lace is supposed to mean. She is the purity of how our design should be expressed. In the case of Hollywood, I would love our designs on Alicia Vikander. Her athletic features and Grecian expression are timeless. And of course, Priyanka Jonas Chopra’s dusky exoticism. If they are reading this … we love you!What’s next for Uluwatu Lace?Short-Term: make our mark on the Paris, New York, London and Tokyo fashion scenes. Medium Term: Get listed in UNESCO heritage craft category. Long Term: hopefully keep creating inspiring designs. We have a goal to make the brand 100% sustainable with minimum carbon footprint. Engage with blockchain technology to track the impact of our brand. We also hope to have a community fingerprint, where we go beyond our business obligations and leave lasting imprints within the community that defines us.IG: @uluwatu_handmade_balinese_laceFB: @uluwatulacebaliwww.uluwatu.co.ide FB: @uluwatulacebali www.uluwatu.co.id)
Theo Meier + (Theo Meier was born in 1908 in Basle, Swit … Theo Meier was born in 1908 in Basle, Switzerland. He was educated in the arts at the Basle School of the Arts. He had worked as a portrait painter for the University of Basle. He made his first trip to Berlin, where he met Liebermann and Hofer at the Berlin Academy, as well as Emil Nolde, one of the contemporary painters he admired most. He studied with Otto Dix who influenced him greatly.Meier left Europe for the South Pacific at the age of 24. To finance his travels, he founded a club, where each member promised a monthly fee in exchange for which they could choose one of Meier's paintings upon his return. He sailed to Papeete via Guadeloupe, Martinique, and the Panama Canal, inspired by the beauty he encountered, but also disillusioned by the presence of Western influence.After returning briefly to Basel, he went to Bali where his life was changed forever. In Bali, he found an innocence that he did not find in Tahiti. He befriended the German painter Walter Spies, and later moved into the German artist's bamboo house. He married his first Balinese wife in 1936. When the Japanese arrived in Bali in 1941, Meier was granted permission to stay in Bali, unlike his friend Walter Spies who met his death aboard a prisoner of war ship crossing the Indian Ocean. Unfortunately, many of his paintings were lost, some of which were given to Japanese sailors. After the war, Meier remarried, fathering a daughter.After 15 years in Southeast Asia, Meier briefly returned to Switzerland, but then returned to Bali, followed by Thailand. In 1957, he married Laiad, his third wife. In 1961, Meier moved to Chiang Mai, Northern Thailand, where he lived with Laiad in a beautiful teak house on the banks of the Ping River. He was a prolific artist and continued to paint until his death in Thailand in 1982.paint until his death in Thailand in 1982.)
Pengelolaan sampah + (There is a lot of waste that is difficult … There is a lot of waste that is difficult to manage or recycle in BaliAs a result, many TPAs and TPSs are full/overloadedTherefore, there is a need for a solution that can handle the waste problem in Bali. I hope that the prospective leaders of Bali can handle this case well so that there is comfort and peace in social life and I also hope that Bali can be free from waste cases that are difficult to manage.Thank you, I apologize if there are any bad word.ou, I apologize if there are any bad word.)
Anak Agung Gede Oka + (There seem to be a number of A.A. Okas, and there may be confusion between the 1930s Batuan artist (one work int he Bateson-Mead collection), an artist from Mas, and the Batuan artist born in 1955.)
Harga sembako naik, tidak ada tanda-tanda akan turun lagi! + (This year, the prices of basic necessities … This year, the prices of basic necessities are rising, and there are no signs of them returning to normal or decreasing from their usual prices. Is it due to many crop failures in the current season causing the prices to skyrocket? Or is it because fertilizer prices are rising?If indeed there are crop failures and rising fertilizer prices, I would like the local government to take immediate action to address the increasing prices of basic necessities. This could include subsidizing fertilizers and encouraging farmers and the community to utilize small plots for farming using hydroponic methods.The implementation of a hydroponic farming program by the local government would assist the entire community in Karangasem and beyond, possibly throughout Indonesia, in addressing the ongoing rise in basic necessities prices.Hydroponic farming does not require significant costs or extensive land; it only requires consistency in creating the necessary tools. The tools needed don't have to be new; recycled items like unused but still functional pipes and buckets or old paint cans can be utilized.Therefore, I hope the implementation of a program like this can address the rising prices of basic necessities. This program could also contribute to reducing poverty rates in Karangasem and its surrounding areas.s in Karangasem and its surrounding areas.)
Tjokorda Rai Sudharta + (Tjokorda Rai Sudharta was born in Ubud, Gi … Tjokorda Rai Sudharta was born in Ubud, Gianyar, Bali. He earned a Bachelor of Arts at Banaras Hindu University (1957) and a Master of Arts at Panjab University (1961). He earned a doctorate in literature at the University of Indonesia. He wrote many books about the advancement of Hinduism and Balinese culture. These books include Upadesa (1967), Sarasamuscaya (1976), Slokantara (1982), Asta Brata in Development (1998), Sri Rama's Advice to the Present (1990), Hindu Man (1993), Meeting God Within (1993), 2005), Bhagawadgita in Bhishma Parwa (2010), Between Plato's Greek Philosophy and Upanisad Indian Philosophy Bhagawadgita (2010).sad Indian Philosophy Bhagawadgita (2010).)
Tjokorda Raka Sukawati + (Tjokorda Raka Sukawati (3 May 1931 – 11 No … Tjokorda Raka Sukawati (3 May 1931 – 11 November 2014) was an engineer from Ubud, Bali who discovered Sosrobahu construction technology. This construction makes it easier to build flyovers without disrupting traffic flow during construction.He earned an engineering degree in Civil Engineering at the Bandung Institute of Technology (ITB) in 1962. He co-founded the Faculty of Engineering at Udayana University, Bali. He obtained his doctorate in Civil Engineering from the Faculty of Engineering, Gajah Mada University, Yogyakarta, 1996.He pursued a career at PT Hutama Karya which operates in the construction and infrastructure services sector, which is a State-Owned Enterprise (BUMN) under the Department of Public Works. Sosrobahu's technology was discovered when he was working on the flyover project between Cawang and Tanjung Priok, Jakarta, in 1988. The technology he invented is used in many countries.In 2021, his biography written by Nyoman Wijaya entitled "Stepping Without Tires" was published by Pustaka Larasan.t Tires" was published by Pustaka Larasan.)
Putu Krisna Pratama + (Together against pollution, create good roads in the environment so they can be used until later)
Menerapkan Konsep Pariwisata Berbasis Masyarakat + (Tourism has a significant impact in terms … Tourism has a significant impact in terms of employment and local income. However, dependence and wrong management can make tourism one of the causes of over-exploitation of nature and make Bali's condition even worse during the COVID-19 emergency. People are increasingly choosing to work in the hospitality sector rather than the domestic sector, namely agriculture and plantations, so that during a pandemic the agricultural sector also becomes difficult due to the lack of land, good systems and human resources. Though this sector can be a solution to improve the economy of Bali.One solution that can be done without choosing one of these two sectors is to apply the concept of community-based tourism or CBT. This concept can be developed by forming a tourist village so that it can become a forum or economic stimulus for rural communities. The concept of a tourist village that is widely developed in the Java area itself focuses on rural life and natural conditions that are a tourist attraction. Community activities in farming and farming can be an alternative attraction for tourists from outside the region, especially because Bali itself has a unique agricultural system. By implementing this system, the level of sustainability or sustainability of tourism and nature will be better. Of course, when there are disasters or natural phenomena that affect mass tourism like what Bali currently has, the concept of tourism planning is a good solution. If tourist visits decline, there is still a reliable agricultural sector. In addition, this concept can then become the new face of tourism in Bali with the growing trend of the hospitality business, beach panorama and hedonistic, while cultural attractions are starting to be abandoned. This CBT concept requires a good master plan so that its development is right on target. In addition, this concept can also be a solution to achieve the SDGs or Sustainable Development Goals and avoid excessive exploitation, especially to nature.essive exploitation, especially to nature.)
CWAN + (Tourism is one of the important factors in … Tourism is one of the important factors in the nation's economy, especially for the Balinese people. The occurrence of the Covid-19 pandemic has had a huge impact on the community, especially in the tourism sector in Bali. The emergence of Covid 19 resulted in a drastic drop in tourism income in Bali, starting from small traders, large businesses such as hotels, resorts, villas, drivers, luxury restaurants.In an effort to revive Bali's tourism at this time after being affected by Covid 19, there are several ways that need to be input between implementing CWAN (Cheap, Work Together, Available, Negotiation).Cheap in the sense of lowering or lowering the price of the main conditions for traveling in Bali such as swab tests or PCR, and quarantine will be very influential for the interest of visitors to visit Bali because they do not spend more money than they should and do not reduce the money prepared for the holiday.Work Together requires relations between one country and another, regional relations with other regions as well as groups and individuals need to work together, commitment and the right policies. Cooperating with the foreign minister, the tourism minister, and the health minister to vaccinate their citizens before giving travel permits so that those who visit and those who visit are safe from the COVID-19 virus.Available can be interpreted as providing facilities such as referrals regarding COVID-19 that is happening in Bali so that tourists know the latest Covid-19 situation in Bali. Able to provide information, health care and appropriate follow-up so as to provide a sense of security and comfort.Negotiation, giving tourists additional services at prices that have been negotiated, for example, there are tourists who hold birthdays, weddings, etc. in Bali, so the place, decoration, consumption, can negotiate the price that will be given to the customer. tourists with complete health protocols at affordable prices and always improving the quality of service balanced with national and international events.With the above stages, we hope to be able to make changes to make Bali tourism worldwide again, improve the economy so that it contributes greatly to the country's foreign exchange income. to the country's foreign exchange income.)
Jaga Bali: tindak tegas bule tidak beretika + (Tourists are foreigners who travel, who co … Tourists are foreigners who travel, who come to enter another country that is not the country where the person lives with the aim of finding popular and famous places including beaches, mountains, hills, restaurants, cafes and various other attractions.But unfortunately tourists who come to Bali are now increasingly making Balinese people uneasy because of tourists who use the road recklessly, enter the sacred area with dirty conditions (menstruation), occupy the holy place, naked in the middle of the art performance, there are even tourists who take indecent photos in the sacred area.Strict action is needed for foreigners who come to Bali, it is hoped that the government will appoint subordinates to be more strict in guarding the sacred areas visited by foreign tourists, give assignments to the police to maintain traffic security if they see irresponsible foreigners must be followed up directly and provide sanctions / punishments.Not only officials who can take firm action, in the future it is also authorized for Balinese citizens who see the behavior of irresponsible tourists.ee the behavior of irresponsible tourists.)
Tyra Kleen + (Tyra Kleen (29 June 1874 - 17 September 19 … Tyra Kleen (29 June 1874 - 17 September 1951) was a Swedish artist, author and women's rights activist. Her paintings, illustrations, lithographs and publications were important to the Swedish fin de siècle art movement. But above all she was an independent ethnographical researcher.In 1919, after WWI, she traveled to Java and Bali on a Swedish cargo ship. In Solo (Surakarta), Kleen worked with Beata van Helsdingen-Schoevers to write an anthropological study on the ritual court dances of Solo. Both also participated in the dance lessons. Kleen felt that dancing not only involved making the right movements on the sound of music, but that it also involved the transition into an altered state of mind to become in harmony not only with oneself, but with the Universe.Unfortunately, this project ended in July 1920 in turmoil due to clashing personalities, and van Helsdingen-Schoevers died 17 August 1920 of an unknown disease. The project was finished in 1925 with help from "Volkslectuur" (the commission of folk literature), Mabel Fowler and miss Gobée, wife of the Head of the Office for Internal Affairs, titled "The Serimpi and Bedojo Dances at the Court of Surakarta", with 16 pages of text. In July 1925 there appeared a new edition with 30 pages of text. The coloured plates were reproductions made by the Topographic Service of Kleen's drawings. For everyone involved, but especially Kleen, the result was very disappointing, because she wanted to participate in this project in order to result in a standard reference work that could be presented worldwide.When she arrived in Bali in 1920, she started a new project on the mudras, or ritual hand poses, of the Balinese Hindu priests with the assistance of the Rajah of Karangasem, Gusti Bagus Djilantik, whom she had met in Solo the year before, and of Piet de Kat Angelino. This was a turning point in her career because de Kat Angelino was able to explain to her the mudras and also encouraged the priests to cooperate. He was district-officer (controleur) of Gianjar and Klungklung for over a decade and had been collecting material on Balinese priests for years in his home in Gianjar. At his home, she could draw priests and their mudras. Their work together is presented in the book Mudras, with text and illustrations by Kleen, who acknowledged that much of the technical information about the poses and ceremonies came from de Kat Angelino and later on from R.Ng. Poerbatjaraka. Kleen spent the whole of 1921 in Java, working on the material collected in Bali the year before. She exhibited her pictures of the priests at the Art Society in Batavia. Collaboration with de Kat Angelino continued and she met him in Amsterdam on her way home. With his help an exhibition was arranged at the Colonial Institute in Amsterdam. The exhibition was favorably reviewed by de Kat Angelino in the magazine Nederlandsch Indië, Oud en Nieuw. What was the reaction at that time in the Netherlands on her work in Bali? Anne Hallema, a Dutch journalist and art-criticus wrote a critical and extensive article on the Mudra's which appeared Elseviers Geïllustreerd Maandschrift, Jaargang 34, 1924 pp. 145–147. He disqualified her work as an artist but praised her for her scientific contribution. He ends his article with stating that we have to be grateful that this stranger from the land of Selma Lagerlöf toke the initiativ to study the mudra's of the Balinese priests in performing his Hinduistic rituals. Specially the Indologists and Orientalists should be happy with the appearance of this publication.Another crucial exhibition was Två vittberesta damer (Two Travelling Ladies) at Liljevalch's Public Art Gallery in Stockholm 1922, where she showed art and artifacts from Java and Bali together with Swedish photographer and author Ida Trotzig contributing works from Japan. This exhibition was the starting point for the "Bali-fever" in Sweden. Kleen's depictions of mudras were shown at the Victoria and Albert Museum in 1923.Besides Mudras, Kleen published two other books about Bali: Ni-Si-Pleng, a story about black children written for white children (1924), and, seven years later, Tempeldanser och musikinstrument pa Bali, printed in 300 numbered copies, translated in 1936 as The Temple Dances in Bali.Kleen's study on the mudras, the exhibition in Amsterdam at the Colonial Institute and the publication of her books made her internationally known. For her scientific ethnographic work on Bali, Kleen was awarded the Johan August Wahlberg silver medal in April 1938, given to individuals who have "promoted anthropological and geographical science through outstanding efforts".Walter Spies was the central figure in the circle of artists residing on the island in Ubud, Klungklung and Karangasem. He was considered to be the greatest expert on Balinese dance and drama. Together with the British dance critic Beryl de Zoete, he wrote the standard 1938 work Dance and Drama in Bali. Spies was jealous of the international success of Kleen[citation needed] and wrote a very critical nine-page review of the Temple Dances in Bali in the journal Djawa (1939). He complained, "the text and the depictions are filled with so many mistakes, errors and incorrect statements that one must shake one's head." Spies claims that as an ethnographic document the book has no value. As a result, there were nearly no references to the work of Kleen in any ethnographic periodicals or publications after this critical review. It is only in 1962 that C. Hooykaas in his article "Saiva-Siddhanta in Java and Bali" supported the importance of the study on mudras by de Kat Angelino and Kleen.Kleen contributed work to various European magazines, including Sluyters' Monthly, Nederlandsch Indië Oud en Nieuw, Ord och Bild and Inter-Ocean, between 1920 and 1925 and influenced in this way the perception and expectations of foreign visitors to Bali. Furthermore, she influenced with her colourful, vivid and dynamic art-deco drawing style the development of painting by local artists in Bali, not in a one-way influence but more a kind of mutual influence.Mostly these local paintings were made for the touristic market and depicted daily life instead of exclusively being concerned with gods, demons and the Ramayana and Mahabharata epics. In this way, she took part in the marketing of "the last paradise". This also meant that she became associated with this type of magazine drawing instead of her more important ethnographic publications. more important ethnographic publications.)
Umbu Wulang Landu Paranggi + (Umbu Wulang Landu Paranggi, born in Kanang … Umbu Wulang Landu Paranggi, born in Kananggar, Waingapu, East Sumba, East Nusa Tenggara, August 10, 1943. His poems have been published in many mass media, including the Indonesian Pulpit, Basis, Pusara Magazine, Arena, Yogya Pioneer, Bali Post, Journal CAK, Kolong Magazine. Some of his poems are also summarized in joint anthologies, including Manifes (1968), Milestone III (1987), The Ginseng (1993), Saron (2018), Tutur Batur (2019). Umbu used to take care of the literature room at the Pelopor Yogya weekly, which was headquartered on Jalan Malioboro. On March 5, 1969, together with several other figures, Umbu founded the literary community Persada Studi Klub (PSK). At that time Umbu was dubbed the President of Malioboro. The pioneers of Yogya and PSK gave birth to hundreds or even thousands of poets scattered throughout Indonesia.Since 1978 Umbu lived in Bali and in July 1979 was asked to become the literary editor of the Bali Post daily. As he did in Pioneer Yogya, Umbu faithfully, diligently, and painstakingly, nurtured the seeds of writers to grow into well-known figures in Indonesian literature.For his dedication to the world of literature, Umbu was awarded a number of awards. These include the 2018 Cultural Award from the Faculty of Cultural Sciences, University of Indonesia, the 2018 Dharma Kusuma Award from the Bali Provincial Government, the Literature Service Award from the Language and Book Development Agency in 2019, and the Jakarta Academy Award (2019). Umbu died on April 6, 2021y Award (2019). Umbu died on April 6, 2021)
I Gusti Bagus Rai Utama + (Universitas Dhyana Pura Asst. Professor of Tourism at Dhyana Pura University, Bali Br. Tegaljaya, Dalung, Kuta Utara Badung, Bali Denpasar, Bali 80351 Indonesia http://www.undhirabali.ac.id)
Uuk Paramahita + (Uuk Paramahita was born in Denpasar, April … Uuk Paramahita was born in Denpasar, April 17, 1978. He completed his art education at ISI Denpasar. Since 2001 he has been involved in many joint exhibitions at home and abroad, including exhibiting at “20 Finalists of Nokia Art Award in Jakarta, 2001; The faces at Junge Gesichter at Agon. e.V Passau, Germany, 2012; The Fourth Silk Road International Art, Shaanxi Provencial Museum of Fine Art, Xian China, 2017. Many of Uuk's works feature tiny figures combined with the surrounding issues. He processes many childhood memories into interesting works of art.od memories into interesting works of art.)
Bart Verheijen + (Verheijen is a post-doc in History in the … Verheijen is a post-doc in History in the University of Amsterdam. He holds a PhD in Napoleonic history from Radboud Universiteit Nijmegen. His works focusing on the age of revolutions, political theory in the 19th century, colonial citizenship and Indonesian history and culture. He lived and worked in South East Asia including Myanmar and Indonesia for three years and affiliated with Hasanuddin University in Makassar, Sulawesi.sanuddin University in Makassar, Sulawesi.)
W. Mustika + (W. Mustika was born in Kuta, Bali, Septemb … W. Mustika was born in Kuta, Bali, September 11, 1970. He pioneered the Rumah Semesta Community since the publication of his 4th book: When the Universe Talks (2013). To date, he has written and published 11 books on life and spirituality. He has also written the poem "Klungkung, Tanah Tua Tanah Cinta" (2016) which was included in the poetry anthology book with the same title. Rumah Semesta is a community that, apart from working in the field of humanity, also focuses on being a shared learning space to understand life, as a place for people to release the inner burdens of the joys and sorrows of life and also as a place to learn together to understand one's spirituality.together to understand one's spirituality.)
W.O.J. Nieuwenkamp + (W.O.J. Nieuwenkamp (27 July 1874 – 23 Apri … W.O.J. Nieuwenkamp (27 July 1874 – 23 April 1950) was an artist from the Netherlands who once lived in Bali. He studied art at the Amsterdamse Kunstnijverheidsschool. Between 1917 – 1919 he toured Sumatra, Java, Bali, Lombok. He did many works of art, including paintings, etchings, lithographs, book cover designs. Apart from that, he is also known as an architect, ethnologist, explorer, writer, art/antique collector. He was the first European artist to visit Bali. He arrived in Bali in 1906. He came to visit Bali again from 1917 to 1919 and finally in 1936/1937. He painted a lot about the natural, social and cultural beauty of Bali.tural, social and cultural beauty of Bali.)
Walter Spies + (Walter Spies is a German artist born in Mo … Walter Spies is a German artist born in Moscow, September 15, 1895. Apart from being a painter, he was also a music and dance artist. In 1923 he came to Java and settled in Yogyakarta. He worked as a court pianist and was asked to help with the palace's artistic activities. He was the first to introduce numerical notation for gamelan in the Yogyakarta palace. This notation was later developed in other palaces and is used today.After his contract was completed in Yogyakarta, Spies moved to Ubud, Bali, in 1927. He was close friends with the King of Ubud, Tjokorda Gede Agoeng Soekawati. Spies also got to know many local artists and was very impressed with Balinese art. He collaborated with Wayan Limbak, polishing the sacred Cak dance into Kecak.With the support of the King of Ubud, together with the Dutch painter, Rudolf Bonnet, Spies founded Pita Maha, a community of Balinese artists in 1936. Spies also introduced many modern artist techniques to Balinese artists. There are still quite a lot of followers of Walter Spies' painting style in the Ubud area.Spies died on January 19, 1942 when his ship Van Imhoff was bombed by Japanese forces during World War II.ed by Japanese forces during World War II.)
Ketut Swardana + (Was born in 1969 in Singaraja. He graduat … Was born in 1969 in Singaraja. He graduated in 1990 from "Fine Arts School" in Denpasar, bali. He's an active painter who keeps searching for professional painters as his teacher and companion. In the past he has worked through a joint system with "Pierre Poretti", an artist from Lugano, Switzerland.Most of Ketut Swardana's works are an expression of creativeness on canvas. The quality of his work improves with each passing day. For Swardana, the most important factor to his art is satisfaction to his feelings.o his art is satisfaction to his feelings.)
Wayan Dastra + (Wayan Dastra, born in Ubud, 7 June 1980. H … Wayan Dastra, born in Ubud, 7 June 1980. He is a painter who graduated from ISI Denpasar. Since the 2000s, he has been diligent in participating in joint exhibitions, including the joint exhibition of the Cambodian Studio at the Jakarta Cultural Center (2018), “Spirit Barong” at the Jakarta Cultural Center (2010), “Absolute” at the Archade of Kuta Galeria Bali (2006). Many of his works take the theme of everyday life of ordinary people who are possessed something magical-mystical. are possessed something magical-mystical.)
Wayan Djiwa + (Wayan Djiwa was born in Banjar Binoh Kaja, … Wayan Djiwa was born in Banjar Binoh Kaja, Denpasar, 1906. He is a Palegongan gamelan maestro. Based on the mastery of the Gender percussion, he studied the gamelan Legong Keraton in 1915 which was pioneered in Banjar Binoh. Apart from being an expert in the art of karawitan, he is also known as undagi, a skilled traditional Balinese architect. a skilled traditional Balinese architect.)
Wayan Eka Mahardika Suamba + (Wayan Eka Mahardika Suamba was born in Bat … Wayan Eka Mahardika Suamba was born in Batuan, August 17, 1985. He started studying painting when he was 10 years old, his grandfather I Wayan Taweng and his uncles I Wayan Bendi, I Ketut Sadia, I Wayan Diana. He has exhibited together such as “Mother Rupa Batuan” at Bentara Budaya Bali (2019), Endih Batur at Taman Budaya Bali (2018), “Experience Rudolf Bonet's Home” in Ubud (2016), “Golden Generation” at Arma Museum, Ubud ( 2018), "The Dynamic Heritage" at the Santrian Gallery, Sanur (2018). He has won nine TITIAN PRIZE Finalists (2018).as won nine TITIAN PRIZE Finalists (2018).)
Wayan Gde Yudane + (Wayan Gde Yudane was born in Kaliungu, Den … Wayan Gde Yudane was born in Kaliungu, Denpasar, 1964. He graduated from Karawitan Arts at ISI Denpasar. He has worked on many musical works for concerts, theater/performance arts, literature, and films. He won the Melbourne Age Criticism award for Creative Excellent at the Adelaide Festival, Australia (2000). He performed at the Wangarata Jazz Festival, Australia (2001), toured Europe with the Temps Fort Theatre, the France and Cara Bali Group, as well as the Munich and La Batie Festivals. His works include the music for the films Sacred and Secret (2010), Laughing Water and Terra-Incognita, and Arak (2004), and so on. Crossroads of Denpasar is one of his works that was ordered by radio New Zealand and later purchased by radio Australia and BBC London. Another work, Paradise Regained, which was inspired by the 2002 Bali bombings, was played by pianist Ananda Sukarlan in various international performances. His collaborated with Paul Grabowsky, The Theft of Sita, performed at the Next Wave Festival, New York City, 2011.e Next Wave Festival, New York City, 2011.)
Wayan Gunasta + (Wayan Gunasta alias Gungun, was born in Ny … Wayan Gunasta alias Gungun, was born in Nyuh Kuning, Ubud. He has written poetry since he was a teenager and has been featured in many articles in the Bali Post. In addition to poetry, he pursued the art of cartoons, vignettes, sketches, painting. He has studied "character design and animation" in Japan. Since 1979 he has been diligent in exhibiting his works at home and abroad, such as Balai Budaya Jakarta (1979), Frementale Art Gallery (Australia, 1994), Oriental City (London, England, 2004), V Gallery (Yogya, 2007), etc. His published cartoon and comic books include Mahabhrata Comic Series (1992), Bali in Cartoon (1997), Gunasta Sketsa Rhythm (1999), Bali Pulau Cartoon (2004), Propoor Tourism (2006), Balinese Coloring Book Series (2008). He initiated and published a collection of poems by eighty-one Balinese poets whose works were published in the Bali Post, entitled Edition Hitam Putih (Wayan Pendet Foundation, 2006).tam Putih (Wayan Pendet Foundation, 2006).)
Wayan Jengki Sunarta + (WAYAN JENGKI SUNARTA was born in Denpasar, … WAYAN JENGKI SUNARTA was born in Denpasar, Bali, June 22nd, 1975. He is a graduate of Udayana University, Cultural Anthropology, Faculty of Letters, and studied painting at ISI Denpasar. Jenkgi has been writing poetry since the early 1990s, and later also wrote lyrical prose, short stories, features, essays/art and culture articles, critics/art reviews, and novels.His writings are published in various local and national mass media, among them Kompas, Koran Tempo, Media Indonesia, Republika, Suara Pembaruan, The Jakarta Post, Jawa Post, Pikiran Rakyat, Bali Post, Jurnal Kebudayaan Kalam, Jurnal Cerpen Indonesia, Majalah Sastra Horison, Majalah Gong, Majalah Visual Arts, Majalah Arti, and Majalah Sarasvati.Arts, Majalah Arti, and Majalah Sarasvati.)
Wayan Suastama + (Wayan Suastama is a painter born in Lalang … Wayan Suastama is a painter born in Lalanglinggah, Tabanan, Bali, 1972. He studied fine arts at ISI Denpasar. Since 1995 he has been diligent in displaying his works in joint and solo exhibitions, both at home and abroad, such as the Bali Megarupa (2019) exhibition. In 2000, his work entered the final of the Philip Morris Art Award. In general, his works often feature female figures with soft and charming colors. He is active in the art community Militanarts.Read Full article in Sawidji Artist BiographyWayan Suastama and the Art of IntrospectionIn pursuit of art, I wished to have a better understanding, so I went to SMSR Batubulan Denpasar. I didn’t have the ambition to be a painter or this or that, I just wanted to understand art better. In fact, in SMSR I chose to study graphics and communications. This was a study of typography and graphics.https://sawidji.com/about-sawidji/artists-sawidji-gallery/wayan-suastama/ji/artists-sawidji-gallery/wayan-suastama/)
I Wayan Suja + (Wayan Suja was born in Batubulan, 8 Decemb … Wayan Suja was born in Batubulan, 8 December 1975. He was graduated from the Indonesian Art Institute in Denpasar in year 2001. He started to have exhibition in year 1994. He was awarded Finalist of 7th Phillip Morris Art Award in year 2000 and awarded Best Sketch and Best Work in the previous years. His artwork was one of the best 30 in The 2005 Sovereign Art Prize, Hongkong.in The 2005 Sovereign Art Prize, Hongkong.)
Wayan Sumahardika + (Wayan Sumahardika was born in Denpasar, Ma … Wayan Sumahardika was born in Denpasar, May 11, 1992. He obtained a Masters degree at Undiksha Language Education Study Program, Singaraja. He became a director, scriptwriter and founder of Teater Kalangan. His manuscript won first place in the Indonesian Monologue Script Contest at the UIN Jakarta Festival, first place in the Traditional Drama Script Writing Competition for the Bali Provincial Culture Service 2018, and 1st Place in the Modern Drama Script Writing Competition for the Bali Provincial Culture Office 2017. Some of his performances were staged at the event. Indonesia V Theater pulpit, Bali Emerging Writers Festival, Bali Arts Festival, Bali Mandara Nawanatya, 100 Putu Wijaya Monologue Festival, Canasta Theater Parade, North Bali Young Theater Parade, Jembrana Hamlet Festival and Bali Language Month Festival in Bali Province. Writings in the form of poetry, short stories, essays, and theater reviews have been published in a number of media such as Indopos, Media Indonesia, Bali Post, Bali Tribune, Tribune Bali, Tatakala.co, Bale Bengong and have been compiled in several anthologies.have been compiled in several anthologies.)
Wayan Turun + (Wayan Turun was born in Banjar Kedaton, Ke … Wayan Turun was born in Banjar Kedaton, Kesiman, Denpasar, 17 July 1950. He completed his formal education at SR I Kesiman, in 1966. He graduated from SMEPN in 1969 in Denpasar, and he completed SSRI in 1971 in the same city. Since childhood he has loved the arts. Artistic blood flows from his mother, a janger dancer. He is known as a skilled undagi (traditional Balinese building architect), and is also skilled at making bade (corpse towers). He studied Asta Kosala Kosali (basic rules of traditional Balinese architecture) from Pekak Kenjing, Anak Agung Mel, and Ida Pedanda Oka. Apart from that, he studied philosophy about art and religion from Ida Pedanda Kekeran, Ida Pedanda Made Sidemen, Ida Pedanda Bajing, Ida Rsi Agung Penatih and Ida Dalem Pemanyun. Because of his expertise in Balinese and Old Javanese literature, he was often trusted to write inscriptions and copy lontar. He also wrote literary works, such as kidung and kakawin. For his services in the field of arts and culture, he was awarded the Cultural Upakara Charter from the Mayor of Denpasar in 1995.harter from the Mayor of Denpasar in 1995.)
I Wayan Januariawan + (Wayan was born in Jauary 1986. He is a gra … Wayan was born in Jauary 1986. He is a graduate of the Indonesian Institute of the Arts in Denpasar. Donal wishes to revive and embody the “tradition” of painting in the history of the development of modern art through the method of painting on the spot. He returns to nature and tries to appreciate and permeate the phenomenon of form, where aspects of light play a vital role in the absorption of objects by the eye and are then transferred to the canvas plane.The choice of objects painted by Donal on the spot is also an object in the surrounding environment that is familiar in his daily life as a Balinese. Thus, what appears visibly to Donal’s works is the painting of landscapes, trees, or parts of certain plants that are painted close-up, or a collection of natural objects.Donal views painting as part of the culture of society. He wants to present things that might look simple, natural, and beautiful (in the eyes of ordinary people) in the hope that this will be the entrance for them to be able to respond to even deeper things, that is, the ideas in each of his paintings.Based on Donal’s view of his creative process as serious and intense, painting on the spot with impasto techniques, we can read this as Donal’s effort to celebrate and give meaning to painting as a way of presenting beauty and peace of mind through the elements of art—especially colors, which all support light. Donal puts painting as mainstream in his creative process. His struggle and his trust in the power of painting is an inseparable part of a human being’s sense of beauty.He joined in group exhibitions from 2005, and had solo exhibitions from 2014. 2005, and had solo exhibitions from 2014.)
Peran Krama Bali Kaanggen Ngwangun Pariwisata Bali Mangkin lan Selanturnyane + (We all know how the condition of Bali tour … We all know how the condition of Bali tourism is after the Covid-19 pandemic. Tourists are not allowed to go to Bali so that Covid-19 virus does not spike again. This causes Bali tourism to decline. Balinese people who work in the tourism sector do not get jobs. The Bali government has issued a policy that is used to suppress the spread of the Corona Virus. One of the policies is the implementation of restrictions on community activities or what is known as PPKM (Pemberlakuan Pembatasan Kegiatan Masyarakat). This causes the spread of Covid-19 to decrease. Because the government already has efforts to reduce the spread of the Corona Virus, we as the next generation can help the government to improve Bali tourism. There are many procedures that can be used to improve Balinese tourism. The first way is to promote Balinese tourist destinations using social media. This requires the participation of the Balinese people. Those who like to upload photos while on vacation to tourist destinations in Bali can also help develop and improve Bali tourism. Indonesia has a website that is used to promote Indonesian tourism. Second, the public can help provide tourist destinations in accordance with health protocols related to government policies, as well as maintaining the cleanliness of tourism places. This causes a sense of security. Third, Bali has many cultural works that are popular abroad, for example, such as carvings, paintings, sculptures, and so on. Maybe Balinese artists can provide counseling to the younger generation on how to make art. This can foster a sense of love for domestic products and can encourage Balinese cultural works with the younger generation.Well, that's a little bit about the procedure to restore Bali tourism during the pandemic. We should always remember our identity as Balinese people, namely to develop Balinese culture.eople, namely to develop Balinese culture.)
BALI MELALI: Nangiang Pariwisata Ring Bali + (Who doesn't know about the island of Bali? … Who doesn't know about the island of Bali? The island is already famous to foreign countries. Tourism in Bali is the source of the economy that supports most Balinese people. But as it is now, Bali tourism has dimmed since the Covid-19 virus is endemic in the world. It has been two years since the Covid-19 virus has attacked our beloved earth. Several policies have been implemented. However, Bali tourism has not been able to return to normal. We as citizens, especially as young Balinese, should provide and carry out creative efforts that can stimulate tourism in Bali.In this era of globalization, everything is digital and sophisticated. We can use this advanced technological development as a tool to generate tourism in Bali. One of the creative businesses that can generate tourism in Bali is an application called BALI MELALI. This application uses technology in the form of VR or Virtual Reality. In the BALI MELALI application, it displays tourism destinations in Bali. If you use this VR technology, tourists or anyone who has downloaded the BALI MELALI application can see the tourism places that we want. Using this VR, tourism destinations in Bali can be seen for real, this can foster a sense of longing for Bali and cause tourists to want to come again to Bali.In the BALI MELALI application, it not only displays well-known tourism destinations, but should also display places that are not widely known. In Bali, there are actually many tourist destinations that are not well known. If you only show places like Kuta Beach, Pandawa Beach, many tourists will already know. That's why in this application it is very good if it shows places that are not known by many people. Not only that, the BALI MELALI application does not only display virtual or images, but can be filled with sounds that are in that place. For example at Candikuning Waterfall, if we travel to waterfalls, there are definitely sounds like the sound of gurgling water, the sound of trees blowing by the wind, the sound of birds and so on.The presence of images and sounds in the BALI MELALI ibi application can certainly cause longing from tourists and travel to Bali. Hopefully the business in the form of the BALI MELALI application can help Bali tourism return to normal. Hopefully Bali tourism will rise soon.al. Hopefully Bali tourism will rise soon.)
Pemberantasan Korupsi Demi Kelancaran Program Nangun Sat Kerthi Loka Bali + (Who doesn't know that Bali is one of the r … Who doesn't know that Bali is one of the regions with the largest tourism revenue in Indonesia. Even in 2023 Bali began planning a development called Nangun Sat Kerthi Loka Bali which means as 6 main developments for the welfare and happiness of human life. Nangun sat kerthi loka bali itself has goals related to advancing Bali tourism, where there are 6 main sources, namely, atma kerthi, segara kerthi, danu kerthi, wana kerthi, jana kerthi, jagat kerthi which means for the welfare of human life in each part.But development in Bali will not be able to run well if there are still many unscrupulous people who utilize development funds for personal gain or can be referred to as corruption. Examples such as the case of corruption of Paibon Wargi Temple development funds in Klungkung Regency and the case of corruption of SPI funds at the Udayana Campus. This is one of the factors inhibiting development in Bali. Even those who are supposed to investigate corruption cases turn a blind eye and are mute to all these incidents.Therefore, it is hoped that the Bali Provincial Government can take these problems seriously. So that the Nangun Sat Kerthi Loka Bali program runs well without any cases of corruption in the development.ny cases of corruption in the development.)
Widi Widiana (I Ketut Widiana) + (Widi Widiana whose real name is I Ketut Wi … Widi Widiana whose real name is I Ketut Widiana is a Balinese pop singer born in 1974. Most of his songs are about love. He was born into a family of artists. His father is a song teacher and dancer, his mother (Ni Made Kibik) is also a dancer. Widi and his brothers formed a band called the Diana Band. Since 1991, the band has performed from banjar to banjar, hotel to hotel, event to event.As a single singer, Widi started his career in 1994 with the album "Tungan Tiang", which is a compilation album with other Balinese pop singers. His first solo album appeared in 1996, "Sesapi Putih", followed by a compilation album, "Tresna Kaping Siki", in 1996. the same year. The second solo album was born in 1997 with the label "Sampek Ing Tay". Then the next album titled "Special Fried Rice" (2015), "Formalin Sik Luh" (2017). In 2005 he won the best male singer version of the "Bali Music Award I". He has since given birth to more than ten solo albums. given birth to more than ten solo albums.)
W.O.J. Nieuwenkamp + (Wijnand Otto Jan Nieuwenkamp (Amsterdam, J … Wijnand Otto Jan Nieuwenkamp (Amsterdam, July 27, 1874 – Fiesole, April 23, 1950), was a Dutch multi-faceted autodidact. As an artist he was active as a painter, draftsman, sculptor, etcher, lithographer, and designer of book covers and of ex-libris. In addition, he was also known as a writer, architect, explorer, ethnologist and collector of East Asian art.He is said to be the first European artist to visit Bali (note: not verified), being greatly influenced by and himself influencing the island's art and culture, and making it better known in wider world. He was also deeply involved with various other parts of the then Dutch East Indies.other parts of the then Dutch East Indies.)
Anak Agung Meregeg + (With his cousins, including Soberat, A.A. Meregeg was one of the defining artists of the Ubud style. Dermawan (2006: 148) has his year of birth as 1908 and states that he was born in Padangtegal, rather than Batuan.)
Cokorda Ngurah + (Worked with Lempad. Of Puri Saren Kauh. Related Artists I Gusti Nyoman Lempad Father: Cokorda Oka)
Thomas Wright + (Wright is a Ph.D candidate in Anthropology … Wright is a Ph.D candidate in Anthropology from The University of Queensland, Australia. He held a bachelor of journalism majoring in Anthropology and International Relations from the same university. His research interests include Bali, Indonesia, ethnography, political ecology, water, tourism, pollution and knowledge., water, tourism, pollution and knowledge.)
Yong Sagita + (Yong Sagita, born in Buleleng, November 30 … Yong Sagita, born in Buleleng, November 30, 1961. He is a Balinese pop singer who triumphed in the 1980s – 1990s. He started his career as a singer in 1985 through Aneka Records. At that time, through the group 2S (Sagita and Sayup), he launched his first album titled "Madu signed Tuba". Then in 1986 launched the album "Ngipi Lucut". In 1987, Yong Sagita moved to Maharani Records and released the album "Karmina". His popularity rose when he released the album "Drooling" in 1988 with his hit song titled "Jaje Kakne". The album sold well in the market. In 1989 he released the album "Karmina III" with his hit song "Ciri-Character", which was also a bestseller in the market.which was also a bestseller in the market.)
Wayan Sila + (“The very first night I slept over at my n … “The very first night I slept over at my new studio an owl flew into the garden. It wasn’t a coincidence that I noticed it perched in a tree,” says Balinese artist Wayan Sila. “This was aspecial experience and powerful omen. A gift from the Gods to me.”The owl is much revered by indigenous cultures and in folklore around the world as aguardian spirit, as well as a wise creature capable of extraordinary sight. Balinesemythology reveals that if an owl visits a family compound while a female member ispregnant this is indeed a positive sign. Burung Hantu literally translates from bahasaIndonesia into the English language as ghost bird; or the owl, the mysterious bird of thenight.“I have a unique connection with owls. It is a potent image that resonates with my heart. Iwas intuitively led to draw the owl and then I began to include it in my works. It has nowmanifested into a personal symbolic image, equivalent to the Barong. The owl alsoencourages me to reflect on the joy that I derive from my family life,” says Wayan.Born in Ubud, 1970, Wayan Silawasinspired by his grandfather, well known local artistWayan Barwa. From an early age he regularly visited Barwa’sstudio and gallery,surrounded by the paintings of his Balinese heritage, this was the perfect scenario for achild to learn to draw and paint.Wayan soon became adept in the “Ubud Style” of modern traditional Balinese painting. Inthe evolution of Balinese painting during the last century, from its origins of the ClassicalKamasan style that concerned teachings from the Hindu Epics, each village then began tocreate their own distinctive style.The Ubud style moved away from the religious and began to be characterized bynarratives that involve daily village life and depictions of rural and environmentallandscapes. The artists from Ubud were quick to adopt western influences in the 1930’s,depth of field, shades of color, localized narratives and the development of the humanfigure. The Kamasan style was originally a collective work and never signed by anindividual. The new personalized and expressive form of Balinese painting has its rootsfirmly entrenched here in Ubud.Wayan’s canvases are beautifully composed and resound with an overwhelming sense ofbalance and harmony. His highly detailed works are first sketched in pencil then outlinedin black Chinese ink, finally they are rendered in acrylic paint with a fine kaus bamboo, asmall piece of bamboo crafted with a tiny point to apply the medium. A large canvas, 100 x80 cms, may take up to six months to complete. “In 1997 I was inspired to include owls in my compositions after seeing a wonderful sketch by a Japanese child.”Wayan’s relationship with the burung hantu then activated an endearing association withthe people of Japan, to whom the owl is symbolic of happiness. He first visited Japan in2002 and his premiere solo exhibition there was in 1998. Every year since then Wayan has enjoyed the privilege of exhibiting work in galleries, department stores, even in theIndonesian Consulate in Tokyo. He has held over 15 solo exhibitions in Japan, andnumerous other exhibitions in Bali, Jakarta, Spain and also at the prestigious Agung RaiMuseum of Art in Ubud.“It’s an honor for me to be invited on intercultural exchange programs teaching youngJapanese students traditional Balinese painting techniques. I do this each year when I visitJapan.” Wayan has since developed a healthy market for his works there and continues toell to the Japanese tourists who often visit his Ubud studio/gallery.Wayan Sila, acrylic on Canvas, 2012,45x 60cm.Wayan SilaGarden + Bale studio of Wayan Sila.Wayan Sila. 2012, chinese ink +acrylic on canvas, 60x80cm.Wayan’s cooperative works with Japanese poet Yoko Jatiasih have been the focus of two books. They initiallycollaborated in 1998 to create music and poetry for his paintings. In 2004 their first book “Kata Kata” Echoes From TheWoods, and then in 2010 “Pelan Pelan” were published.Browsing through these books, the creative synergy between the two is easy to recognize. Yoko’s short poems, no morethan 6 lines, resonate with an uncomplicated intelligence. Upon the opposing page to the text are Wayan’scomplimentary images created especially to accompany each poem.As you contemplate the words essence, as well as study Wayan’s images, the mysterious bird of the nights’full roundeyes are firmly transfixed upon you. The fusion of words along with the images perplex the imagination, and then defyyou to believe their medium is the owl’s silent and alluring gaze.In 2011 Wayan relocated to his new studio gallery in Jalan Bisma in Ubud. Journey 400 meters along Jalan Bisma until theroadside urban development gives way to the effervescence of the padis. Down on the right hand side nestled in thesawah you will find his small abode. Look for the sign on the road then follow the narrow path that divides the greenswaying fields to his studio/gallery encircled by the bamboo fence.Wayan has created a personal space that reflects the elements that enrich and sustain him. Situated in the middle of theyard he has built a bamboo bale which functions as his studio, yet also as a place of quiet retreat. The surroundinggarden is abundant with organic vegetables, fruit trees, medicinal herbs, ornamental shrubs and flowers. Indeed, Wayanhas created his special own oasis.As you enter his two Bali dogs are quick to offer enthusiastic toothy greetings. The verdant vegetation is soothing andinviting. I discover two rabbits, four exotic birds and frogs and snakes frequent visitors, so Wayan tells me. Stonecarvings covered with brilliant green moss hide among the foliage, shrines and small Hindu temples are adorned withofferings and the sweet sent of burning incense seduces the senses. An outhouse serves as a simple kitchen and two rooms contain Wayan’s gallery painting collection and books for sale.When we observe Wayan’s paintings we enter into a beautiful and extraordinarily tranquil world. His owls’ peer outfrom within forests and lush scenes, their big eyes possess a magnetic pull and communicate a language that isdeciphered in our hearts. Wayan Sila is a painter of immense sensitivity and his works are vehicles of healing qualities and love.re vehicles of healing qualities and love.)
I Nyoman Popo Priyatna Danes + (“What the modern architecture is still try … “What the modern architecture is still trying to achieve today has been implemented in the traditional Balinese architecture for centuries now, where the concepts of energy conservation and environmental preservation are amongst the fundamental elements in every design.” – Popo DanesFrom private homes and restaurants to starred hotels and luxury resorts, the renowned Balinese architect Nyoman Popo Danes is known for his exemplary designs that showcase a distinct flair of being in harmony with the local culture and nature. This green-conscientious architect always integrates eco-friendly aspects of Bali’s traditional architecture into his designs.“While some architects are very focused on making their buildings look stunning from the outside, my main concern has always been the functionality of each aspect of the building. I always make sure that my designs are in harmony with their natural surroundings; that each room has a function; that a strong connection between the architecture, landscape, and interior is established. I don’t care if my architecture is not photogenic, as long as it serves its function well.”As an international destination, Bali attracts people from all corners of the world with its uniqueness. Therefore, Popo believes that every building on the island needs to be able to help these people feel that they are in Bali. “When you travel, you want to be immersed in the local atmosphere. In Bali, a building should exude the feeling of locality so when you enter it, you know you’re not in Jakarta, Hong Kong, or anywhere else.”The works of the two-time ASEAN Energy Award winner (in the category of Best Practice in Tropical Architecture) are known as some of the most striking in design, functionality, and environmental consciousness. Air conditioners take up the biggest energy consumption in a building, and Popo’s eco-friendly creations have the ability to ‘communicate’ with nature to lessen energy consumption through the overuse of air conditioners.“I create buildings that have open pavilions (just like in typical Balinese buildings) to allow breeze to blow in, and I don’t put too many glass windows. Then again, air circulation or heat is not the only reason why air conditioners are overused. People also tend to turn their air conditioners on to escape from the noise pollution outside their buildings. When all windows and doors are shut, it’s quiet inside. This is where nature steps in. Towering trees can be a great noise filter, and they also serve as a fresh, cool air provider.”From Indonesia to India and China to the Philippines, most of Popo’s architecture projects involve challenging landscapes. “It’s never easy. A lot of projects i’ve been doing so far (especially for luxury resorts) involve slanted soil, hilly surfaces and everything else not flat. Of course I can always take the easy job; for example in Bali, I get so many offers to design a building on a flat surface. The thing is, in order for me to build it, I have to get rid of a rice field. I will never build anything on a rice field. Rice field is a symbol of prosperity for the Balinese, and is home to the goddess of prosperity, Dewi Sri.”e to the goddess of prosperity, Dewi Sri.”)