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Kaja McGowan + (Kaja M. McGowan’s areas of interest involv … Kaja M. McGowan’s areas of interest involve South and Southeast Asia with emphasis on Indonesia, particularly Java and Bali (both historically Indic in orientation) studied in relation to the subcontinent. Rather than see India and Indonesia, for example, as modes of influence between two points, her scholarly interests encourage studying the reciprocal relationships between neighboring countries in Southeast Asia. Her research explores the flow of ideas and artifacts along this highway -- architecture, bronzes, textiles, ceramics, performance traditions, and visualizations of texts like Panji Malat, the Ramayana, and the Mahabharata -- artifacts that move and those that are locally produced. This accounts for the shaping of ideas and the development of styles across vast geographical and historical distances. Her work is governed by the complex ways in which History of Art and Visual Studies intersect with Anthropology, Material Culture, Colonial and Post-colonial Theory, Performance, Gender and Religious Studies.Having first begun her study of Balinese performing arts as an undergraduate at Wesleyan University, one ongoing project has involved documenting the work of painters in Bali who experiment with depicting musical sound and the rhythmic motion of the dance in their work. She is the author of Ida Bagus Made: Art of Devotion (Ratna Wartha Foundation, 2008) a volume honoring the fiftieth anniversary of the Puri Lukisan Museum in Ubud, Bali, Indonesia, distributed by University of Hawaii Press. Due to its popular reception, she has been invited to write a second volume on the life and art of the world-renowned painter, sculptor and architect (undagi), I Gusti Nyoman Lempad.architect (undagi), I Gusti Nyoman Lempad.)
Ida Bagus Wayan Widiasa Keniten + (Karangasem, January 20, 1967, is the date … Karangasem, January 20, 1967, is the date a role model was born into this world; a role model that teaches us the importance of literature in everyday life. Ida Bagus Wayan Widiasa Keniten is a widely known for his expertise in writing literary works word for word. It is evident from his sparkling name that he has won several very brilliant achievements, including the 2013 Satyalancana Education Honorary Award and many others.It is undeniable that his love for Balinese culture is one of the reasons he is passionate about composing a literary work. He has written and marketed dozens of books, one of which is Wang Bang Sunaran's Gaguritan. This gaguritan tellsabout the struggle of life and life. The struggle took place between a spiritual teacher (Sang Dyah) and his students named Jagul Anom, Pucung, Ginanti,Ginada, Kumambang, Sinom, and also Wang Bang Sunaran. The dialogue glue was done by Wang Bang Sunaran. This figure acts as a link between the spiritual teacher and his students. Wang Bang Sunaran's self-image as a student is flawed; he rarely studies, rarely helps others, is difficult to manage, and feels all-knowing. Because of that, he wanted to find the way of truth. The path was found in Sang Dyah, who he thought was an enlightening figure in the darkness of his soul.tening figure in the darkness of his soul.)
Katharane Edson Mershon + (Katharane Mershon (1892 - 1986), was the d … Katharane Mershon (1892 - 1986), was the daughter of musician, Charles Farwell Edson, originally of Chicago, and a prominent political activist, Katherine Philips Edson. Her mother was an important figure in California's Progressive Party in the early twentieth century, influential on behalf of woman suffrage and industrial and social reforms for women. Katharane did not follow her mother's political and social path, but instead became a dancer. She and her first husband, Harry Gray, toured the United State as a professional ballroom dancing team. She later joined Serge Oukrainsky and Andreas Pavley in Chicago for ballet training, and after divorcing Gray, she married Jack Mershon. Her life was long and full. Among many experiences, she lived in Bali, absorbing the dance rituals there, traveled in Europe and Angkor Wat, danced in Vienna and Paris, taught ballet at the University of California, and administered the Denishawn School. Mershon developed theories on dance and psychology, expressing her idea that there was much to be done in a field she called "corrective psychology". field she called "corrective psychology".)
Ketut Agus Murdika + (Ketut Agus Murdika is a painter born in Gi … Ketut Agus Murdika is a painter born in Gianyar, December 26, 1989. He completed his art education at ISI Denpasar. Since 2008, he has been active in many joint exhibitions, such as the Retrospective exhibition of the Galang Kangin Community at Bentara Budaya Bali (2018), the Red Thread exhibition at Bentara Budaya Yogyakarta (2016), the Ulu Teben exhibition at Bentara Budaya Bali (2015). He won the Best Sketch Ubud Festival 2006 award.His paintings are abstract. He wrote his concept in painting as follows: An understanding without form, a reflection without words, an understanding of the feelings and feelings of exploring the restlessness of the heart. Creating something intangible into a real work.ing something intangible into a real work.)
Ketut Bimbo + (Ketut Bimbo is a musician and singer of Ba … Ketut Bimbo is a musician and singer of Balinese pop songs born in Banyuatis, Buleleng, 1954. He has been working productively since the 1970s. His songs contain a lot of social criticism wrapped in satirical humor. He started his career as a broadcaster at Radio Massachuset, Singaraja, Buleleng. All of his songs are based on true stories, involving gambling with cock fights, drinking alcohol, etc. His debut album was entitled "Buduh" (1980). A number of his famous songs include: Buduh, Peteng-peteng Mekaca Selem, Announcer, Mebalih Wayang, Ngabut Keladi. Announcer, Mebalih Wayang, Ngabut Keladi.)
Ketut Endrawan + (Ketut Endrawan was born in Klungkung, Marc … Ketut Endrawan was born in Klungkung, March 12, 1974. Completed his fine arts studies at PSSRD Udayana University (now ISI Denpasar) in 1999. Apart from being an artist, he is also a teacher of fine arts. Actively exhibiting together since student. He was a finalist at the Indofood Art Awards 2003 and the Jakarta Art Awards 2008. Endrawan's works tend to be figurative, mixing inner anxiety and social turmoil., mixing inner anxiety and social turmoil.)
Ketut Kaprus Jaya + (Ketut Kaprus Jaya, contemporary artist in … Ketut Kaprus Jaya, contemporary artist in Bali. Born in Budakeling Karangasem Regency Bali, on the 15th July 1970. A veteran of the highs and lows of Balinese Art Industry, he has remained constant to his art with no prevarications. Through three decades of professional art practice, Ketut Kaprus Jaya has maintained and guarded the purity of his creative process. True to self, to the moment, to Nature.As a contemporary artist in Bali today, Kaprus Jaya has two distinct styles that he exercises equally diligently. As a result of the strong commerciality of the art scene locally. The use of watercolour for ‘en plen air’ pieces as he travels and explores different destinations and allows him to teach painting to students. allows him to teach painting to students.)
Ketut Madra + (Ketut Madra has devoted his life to the st … Ketut Madra has devoted his life to the study, preservation, and practice of Bali’s rich cultural arts. Primarily as a painter, but also as a dancer, musician, and community leader, Madra is steeped in the stories and legends at the center of the island’s culture and community. His unique ability to convey action and emotion in a rich and imaginative composition brings the traditional to life for modern audiences, Western and Balinese alike.Originally from Pengosekan, a small community near Ubud, Madra moved to nearby Peliatan as a young man in the late 1950s to work as a painter for the art dealer Wayan Gedah. At that time he also began studying with Tjokorda Oka Gambir, and learned the techniques and conventions of traditional wayang painting, including the specific colors, iconography, and costume for scores of characters.Madra started painting exclusively wayang narratives in the early 1960s, and soon developed a reputation as a skillful and original artist. He works with deliberation, and sells work directly from his studio to people who find him, usually through word-of-mouth. Occasionally, trusted local dealers with galleries catering to serious collectors also buy his work.In 1974, Madra’s work was shown in international exhibitions in the UK and the USA for the first time. In the same year he completed the first bungalow of what would become the Ketut Madra Homestay on his property in Peliatan. Over the next 15 years, he gradually expanded the accommodations for students, travelers, musicians, and artists interested in “a quiet place to learn about Bali.” The homestay has been a central feature in the life of Madra and his family, and has introduced three generations of visitors to his work and to traditional Balinese arts and culture.At the age of 41, having focused up to that point on work and the homestay, Madra needed something more. Nyoman Kakul, a preeminent dancer of Batuan village who admired Madra’s understanding of the stories told in Balinese dance drama, urged him to learn to perform. More than 30 years later than most Balinese dancers take their first lessons, Madra learned the role of topeng keras, the rough prime minister in the king’s court. He continues to dance more than 30 years later, playing a variety of roles for which he is highly regarded.Madra also learned as an adult to play the rebab, the two-stringed bowed lute in the gamelan ensemble. He dances and plays regularly with the Tirta Sari gamelan group in Peliatan. Dance, Madra says, is a near perfect complement to his life as a painter. Performing in stories he had only watched and painted brings new insight to character and deeper understanding of the spiritual and devotional nature of both kinds of work.d devotional nature of both kinds of work.)
Ketut Muliartha, RM + (Ketut Muliartha was born in Denpasar, Janu … Ketut Muliartha was born in Denpasar, January 8, 1956. He has expertise in auditing and strategic management. Graduated in 1984 from undergraduate education at Malang Brawijaya University and continued the Professional Accountant (Ak) program at the same University in 1984. He was appointed as a permanent lecturer in 1985 at Udayana University to the present. He obtained his Master of Management degree in 2000 at Udayana University, completing his 2014 doctoral degree at Brawijaya University, Malang. He often conducts national conferences in his area of expertise.onal conferences in his area of expertise.)
Ketut Putrayasa + (Ketut Putrayasa is an artist born in Kerob … Ketut Putrayasa is an artist born in Kerobokan, Badung, Bali, May 15, 1981. In 2019, for the “Berawa Beach Arts Festival”, he shocked Berawa Beach with his installation of a giant octopus made of bamboo. In the event entitled "Deep Blue Spirit", dozens of artists from across the arts responded to the giant octopus with performances of music, dance, poetry, and video art. Still in 2019, Putrayasa was invited by the Architecture and Interior Design Company to work on the Project Commission Artwork in Paris, France. In 2020, he performed the installation art "Pandora Paradise" at the Puputan Badung square, Denpasar.Ketut Putrayasa studied fine arts at the Indonesian Art Institute (ISI) Denpasar until the Postgraduate Program in Art Creation. He won the Best Final Project (TA) from ISI Denpasar in 2014. He often participates in joint exhibitions, including the “BIASA” group sculpture exhibition at the Pendet Museum, Ubud (2004), “Sign of Art” in Belgium (2008), “ Kuta Art Chromatic” in Kuta (2003), “Articulation” in Kuta (2014), “Chronotope” at Rich Stone Bali (2015), “Skala” sculpture triennale at the Jakarta National Gallery (2017), “Art Unlimited” at the Gas building Negara Bandung (2018), “Bali Megarupa” in Bentara Budaya Bali (2019), and so on. Apart from being active in his work, Putrayasa has also joined “MilitanArt”, an art community that drives the life of fine art in Bali. that drives the life of fine art in Bali.)
Ketut Rodja + (Ketut Rodja was a genius and famous sculpt … Ketut Rodja was a genius and famous sculptor from Mas Village, Ubud, Bali (1902 - 1965). He was born into a family of artists. He was close friends with President Soekarno who collected many of his sculptures. Apart from that, the Tropen Museum in the Netherlands also collects his work. The Krishna statue created by Rodja was once used as a master art by President Soekarno and shown to Indian Prime Minister Jahwal Nehru and Indira Gandhi at a state meeting.Rodja is also known as an art deco pioneer in Bali. Apart from that, he was the founder of the first art gallery in Bali in the 1950s which still exists in Mas Village. He is also an artist who actively contributed to the founding of the Ratna Warta Puri Painting Ubud Foundation and was a member of Pita Maha in 1936. Rodja is close friends with Rudolf Bonnet, one of the founders of Pita Maha. Rodja once served as Chairman of the Pita Maha Mas Village branch which coordinated 12 banjars. He was also active in political movements and was highly respected. His iconic work which is still kept at the Siadja Gallery is an ebony wood sculpture entitled "Ananta Bhoga" (1920). Rodja died (murdered) in the 1965 political tragedy. (murdered) in the 1965 political tragedy.)
I Ketut Sugantika + (Ketut Sugantika alias Lekung was born in S … Ketut Sugantika alias Lekung was born in Singapadu, Gianyar, Bali, 1975. He focused on painting at ISI Denpasar. Many of his works are abstract by taking inspiration from nature. His solo exhibitions are Life Lines, Tadu Contemporary Art, Bangkok, Thailand, 2016; Intimate Bali, Conrad Hotel Nusa Dua, Bali, 2014, Findings Object, Black and White Art Space, Sangeh, Bali, 2010; Sign, Art Center Denpasar, Bali, 2003. In addition, since 1998, he has been diligently involved in joint exhibitions, including the Artfordable Hongkong Art Fair, With Gundang Gambar & 37Tong Gallery, Hong Kong, 2018; Imago Mundi, Bentara Budaya Bali, Yogyakarta, Jakarta, 2016. He is also active in performance arts activities. Now he is active in the Militant Arts Community.w he is active in the Militant Arts Community.)
Ketut Syahruwardi Abbas + (Ketut Syahruwardi Abbas was born in Pegaya … Ketut Syahruwardi Abbas was born in Pegayaman Village, Buleleng, Bali, May 4, 1959. He has written literary works since the 1980s, published in the Bali Post, Nusa Tenggara, Kompas, Republika, and summarized in a number of books together, such as Klungkung: Tanah Tua, Tanah Love (2016). His single book of poetry is titled Between Us (2018). He had long accompanied the young poets in Jatijagat Poetry Village.e young poets in Jatijagat Poetry Village.)
Ketut Teja Astawa + (Ketut Teja Astawa, born in Sanur, Bali, 19 … Ketut Teja Astawa, born in Sanur, Bali, 1971. He completed his art education at ISI Denpasar. He has held many joint exhibitions, both at home and abroad, such as Bali: Return Economy, Fremantle Art Centre, Perth, Australia (2014). His solo exhibitions include: TW(IN)SIDE at Kendra Gallery, Kuta (2013), A Glimpse Back Into The Past: Early Paintings of Ketut Teja Astawa at Art Temporary Space, Plaza Senayan, Jakarta, Indonesia (2012), Fragments of Subconscious Memory at Tonyraka Art Gallery, Ubud (2011), Batman Forever at Sunjin Gallery, Singapore (2009), Works Of Ketut Teja Astawa, Roemah Roepa Gallery, Jakarta (2008). Many of his works depict the lives of animals, puppet characters, which he uses in a naive and colorful way. He combines Kamasan wayang painting techniques with modern techniques. In 2001 his work was included in the Finalist Philip Morris Art Award Indonesia.inalist Philip Morris Art Award Indonesia.)
Ketut Widiyazid Soethama + (Ketut Widiyazid Soethama was born in Denpa … Ketut Widiyazid Soethama was born in Denpasar, December 4, 1960. Since elementary school he has been fond of painting, including the Balinese Kamasan puppet, has been published many times in the children's section of the Kompas daily. Then since he was a teenager he has been writing poetry and has been published in the Bali Post. During his studies at the Faculty of Agriculture, Udayana University, he founded the music group Gress Country, released an album of Balinese pop songs (1987), with his siblings and relatives, while being active in theater performances. While working at the Bali Agricultural Information Center he made several comics on agricultural extension, then spent his days as an agricultural consultant for the European Union and the United Nations Development Program (UNDP) in Papua and East Nusa Tenggara. He died in Denpasar on January 15, 2016.. He died in Denpasar on January 15, 2016.)
Ketut Yuliarsa + (Ketut Yuliarsa was born in 1960 in Denpasa … Ketut Yuliarsa was born in 1960 in Denpasar, Bali.Ketut is a writer, actor and musician and has worked in Indonesia, Australia and New Zealand. He has appeared in television drama, film and toured Australia with a major Australian theatre company. He writes lyrical prose, short stories, poetry, essays and articles and has been published in various newspapers and magazines in Indonesia. He has published two collections of poetry (bilingual), Night Voice/Suara Malam and Falling in Silence/Jatuh Bisu. He has appeared as writer, presenter and moderator at the Ubud Writer’s Festival from 2005 till 2018. Ketut has also worked as the Indonesian Emerging Writers curator for this festival during this time. In 1986 he and his wife Anita, established the first bookshop in Bali, Ganesha Bookshop (www.ganeshabooksbali.com) and it is now into its 32nd year of trading. Ganesha Bookshop has a large range of New, Used, Rare and out-of-print books on Indonesian studies in the English language. In 2004, realising the need to foster literacy, learning and reading for pleasure in the Balinese community, he helped establish the Books for Bali Project which donates books to schools and libraries throughout Bali. to schools and libraries throughout Bali.)
Kevin Fairley + (Kevin’s passion is photography, he has bee … Kevin’s passion is photography, he has been a serious photographer for the last 10 years since his retirement. His best loved places to photograph are Bali and the Indonesian Islands. He is self taught and his preferred camera gear is Lumix. His favourite subjects are the Balinese people, Bali Ceremonies and anything else that captures his eye. He has won many international awards and had a successful photo exhibition in Bali. He spends his time spread between Bali and Australia. The Balinese rely on tourists to make their living and during the Covid Pandemic there have been no tourists to the Island. The impact of Covid on the people has caused untold hardship including hunger and loss of income. Profits from the sales of his book will go to Balinese charities, mainly “Plastic for Rice” and the “Bali Tribe” which provide meals for the needy. Tribe” which provide meals for the needy.)
Pikobet Pengolahan Sampah Sane Sayan Rahat + (Klungkung is one of the districts in Bali. … Klungkung is one of the districts in Bali. In 2023, Klungkung district will be led by Mr. Nyoman Suwirta. A program that is viral, well-known and used as a role model among the people of Klungkung is the TOSS (Local Waste Processing Place) program. This program received a lot of praise and positive comments from the Klungkung community, and from outside Klungkung. However, recently the TOSS program has not run according to the initial plan and has been ineffective in solving the waste problem in Klungkung. The acting Regent of Klungkung, I Nyoman Jendrika, said that the main problem in Klungkung is the increase in waste volume by up to 2 times, from previously 16 tonnes now to 32 tonnes a day. In other sources, some say that the cause of this waste problem is a lack of public awareness about the function of a beautiful and clean environment. This is also what causes Klungkung to have a lot of rubbish.Now, what solutions should we take as the young generation of Bali to create a sustainable and clean Klungkung area? The solution that I can convey and recommend is to implement the Tri Hita Karana teachings.Why Tri Hita Karana? What is the relation?Tri Hita Karana is one of the Hindu teachings in Bali. Tri Hita karana means "3 things that cause prosperity", which is divided into 3 parts:1. Parhyangan: Parhyangan is our relationship with Ida Sang Hyang Widhi as the ruler of the universe. I think, if we discuss the word "Parhyangan" we will definitely think of the means of prayer and offerings. However, what I want to discuss is not that, but this parhyangan is about our behavior in holy places such as temples. We should maintain the cleanliness of the temple, by cleaning or offering ngayah. Existing rubbish must not be thrown into rivers or sewers, but must be processed into something more useful. This is also a form of our good relationship with Ida Sang Hyang Widhi.2. Pawongan: Pawongan is our relationship with other humans. As Balinese people, we should help each other and care about human suffering. Based on the waste problem, we can all implement the teachings of Tri Hita Karana by reminding each other about the importance of a clean and healthy environment. I mean, waste processing in Klungkung doesn't have to be done and processed by TOSS and the government alone, but we all have to try to sort or process waste in our homes. If we could sort and process it in our respective homes, the problem of waste piling up in Klungkung would definitely be resolved.3. Palemahan ; This Palemahan is one of the teachings of Tri Hita Karana which is most appropriate to the waste problem above. We as citizens of Bali, especially Hindus, definitely believe that humans, animals and beasts are God's creation. Therefore, our relationship with our environment must be maintained. One way to protect our environment is by processing waste. We as the people of Klungkung certainly already know about this TOSS program, therefore let's work together to sort and process waste from our respective homes so that this TOSS can run smoothly and effectively.In essence, the teachings of Balinese ancestors are things that should be implemented in this era of globalization. Although, it is possible to implement it using modern understanding and methods. We as teenagers or the young generation of Bali should not be lulled by globalization. We must be aware of the latest news, and always preserve Balinese cultural traditions as a role model in our efforts towards a beautiful and clean Bali.fforts towards a beautiful and clean Bali.)
I Komang Alit Juliartha + (Komang Alit Juliartha alias Alit Joule was … Komang Alit Juliartha alias Alit Joule was born in Bekasi, July 15, 1991. He is an alumni of the Balinese Language Education study program at IHDN Denpasar. His Balinese literary works are published in Bali Orti Bali Post, Pos Bali. His works have been recorded under the title Swecan Widhi Wasa (2015) and he won the Literature Rancage prize in 2016. In 2016 he also published a Balinese novel entitled Satyaning Ati.d a Balinese novel entitled Satyaning Ati.)
Komang Ayu Cahya Dewi + (Komang Ayu Cahya Dewi is a Balinese athlet … Komang Ayu Cahya Dewi is a Balinese athlete in the field of badminton. She was born in Denpasar, October 21, 2002. During the 2021 PON in Papua, she qualified for the final round. In the women's singles category. She joined PB Djarum in 2016. Her other achievements are Runner Up Liga PB Djarum II 2020 (Women's Singles U-17 & U-19 & Adults), Semifinalist Italian Junior International Challenge 2020 (Women's Singles U19), Semifinalist Djarum Sirnas Premier West Java Open 2019 (women's adult singles).emier West Java Open 2019 (women's adult singles).)
Komang Ira Puspitaningsih + (Komang Ira Puspitaningsih was born in Denp … Komang Ira Puspitaningsih was born in Denpasar, May 31, 1986. The poems and poems have been published in several mass media, such as: Bali Post, Kompas, Koran Tempo, Journal of Poetry, People's Thoughts, Padang Express. Several times or become a winner in a poetry writing competition. Her poetry has also been compiled in several joint anthologies, al. Pena Kencana's 100 best Indonesian poems in 2008 and the 2009 Pena Kencana version of the 60 best poems. "You're Not the Most Solemn Holy Virgin" is her first single poetry anthology.gin" is her first single poetry anthology.)
Komang Pramana + (Komang Pramana, Skom, was born on April 26, 1978 in Denpasar. He can be reached about his beautiful photography at pramana.gede@yahoo.co.id.)
Sistem Tunnel Nincapang Uyah Khas Kusamba + (Kusamba salt is a traditional Balinese org … Kusamba salt is a traditional Balinese organic salt which is said to be one of the best salts in the world. Salt produced inKusamba village, Klungkung Regency, Bali Province. As an organic salt, Kusamba salt does not use chemical ingredients, Kusambasalt is said to be organic because the way it is made still relies heavily on nature. Sunlight and heat are friends of Kusambasalt farmers. The way it is made is still done in the traditional way. However, now, this traditional business is increasinglythreatened with bankruptcy. The selling price of this high quality salt is less profitable. On average, farmers sell it for IDR1,200 per kilogram, during the rainy season the selling price only reaches IDR 3 thousand per kilogram. Another problem isthat kusamba salt is made traditionally and the production is limited. This is the basis for starting a system that is able toincrease salt production from generation to generation. Then, what is the solution?The solution that can solve this problem is to use a tunnel system. In simple terms, a tunnel system means adding a storagecontainer with the help of a geoisolator and cover, then stringing it together like a tunnel. This system. allowing salt farmersto continue producing during the rainy season. Additionally, with. With this tunnel system, salt farmers are able to producetens or hundreds of kg of salt per tunnel. Apart from that, other benefits such as1. Make salt harvest time faster2. Farmers can carry out the harvest process at night.3. Save energy and time in filling the salt production area with sea water.4. The quality produced is not much different from previous production with mangers.According to salt farmers, through the production of this tunnel system, salt farmers gain many benefits in its production andmarketing. Apart from salt, the water found during the salt harvest can be sold for around Rp. 80,000.00 35 liter jerry cans.This salt water can be used for the thickening process for making tofu production. Please note that the tunnel system used byKusamba salt farmers is a simple technology assisted by the collaboration between the Ministry of Social Affairs and ITS.en the Ministry of Social Affairs and ITS.)
Nincapang Uyah Khas Kusamba + (Kusamba salt is a traditional Balinese org … Kusamba salt is a traditional Balinese organic salt which is said to be one of the best salts in the world. Salt produced inKusamba village, Klungkung Regency, Bali Province. As an organic salt, Kusamba salt does not use chemical ingredients, Kusambasalt is said to be organic because the way it is made still relies heavily on nature. Sunlight and heat are friends of Kusambasalt farmers. The way it is made is still done in the traditional way. However, now, this traditional business is increasinglythreatened with bankruptcy. The selling price of this high quality salt is less profitable. On average, farmers sell it for IDR1,200 per kilogram, during the rainy season the selling price only reaches IDR 3 thousand per kilogram. Another problem isthat kusamba salt is made traditionally and the production is limited. This is the basis for starting a system that is able toincrease salt production from generation to generation. Then, what is the solution?The solution that can solve this problem is to use a tunnel system. In simple terms, a tunnel system means adding a storagecontainer with the help of a geoisolator and cover, then stringing it together like a tunnel. This system. allowing salt farmersto continue producing during the rainy season. Additionally, with. With this tunnel system, salt farmers are able to producetens or hundreds of kg of salt per tunnel. Apart from that, other benefits such as1. Make salt harvest time faster2. Farmers can carry out the harvest process at night.3. Save energy and time in filling the salt production area with sea water.4. The quality produced is not much different from previous production with mangers.According to salt farmers, through the production of this tunnel system, salt farmers gain many benefits in its production andmarketing. Apart from salt, the water found during the salt harvest can be sold for around Rp. 80,000.00 35 liter jerry cans.This salt water can be used for the thickening process for making tofu production. Please note that the tunnel system used byKusamba salt farmers is a simple technology assisted by the collaboration between the Ministry of Social Affairs and ITS.en the Ministry of Social Affairs and ITS.)
Upaya Nincapang Kawentenan Uyah Khas Kusamba + (Kusamba salt is a traditional Balinese org … Kusamba salt is a traditional Balinese organic salt which is said to be one of the best salts in the world. Salt produced inKusamba village, Klungkung Regency, Bali Province. As an organic salt, Kusamba salt does not use chemical ingredients, Kusambasalt is said to be organic because the way it is made still relies heavily on nature. Sunlight and heat are friends of Kusambasalt farmers. The way it is made is still done in the traditional way. However, now, this traditional business is increasinglythreatened with bankruptcy. The selling price of this high quality salt is less profitable. On average, farmers sell it for IDR1,200 per kilogram, during the rainy season the selling price only reaches IDR 3 thousand per kilogram. Another problem isthat kusamba salt is made traditionally and the production is limited. This is the basis for starting a system that is able toincrease salt production from generation to generation. Then, what is the solution?The solution that can solve this problem is to use a tunnel system. In simple terms, a tunnel system means adding a storagecontainer with the help of a geoisolator and cover, then stringing it together like a tunnel. This system. allowing salt farmersto continue producing during the rainy season. Additionally, with. With this tunnel system, salt farmers are able to producetens or hundreds of kg of salt per tunnel. Apart from that, other benefits such as1. Make salt harvest time faster2. Farmers can carry out the harvest process at night.3. Save energy and time in filling the salt production area with sea water.4. The quality produced is not much different from previous production with mangers.According to salt farmers, through the production of this tunnel system, salt farmers gain many benefits in its production andmarketing. Apart from salt, the water found during the salt harvest can be sold for around Rp. 80,000.00 35 liter jerry cans.This salt water can be used for the thickening process for making tofu production. Please note that the tunnel system used byKusamba salt farmers is a simple technology assisted by the collaboration between the Ministry of Social Affairs and ITS.en the Ministry of Social Affairs and ITS.)
Rintihan suara rakyat yang tidak memiliki kuasa tuk memilih + (Ladies and gentlemen, I am present here to … Ladies and gentlemen, I am present here to voice an echoing yet unheard plea, which is the fate of the cries of abandoned and cruelly tortured animals. The Island of Bali is too beautiful to be inhabited by these grim animals.These animals are pets tortured cruelly for personal pleasure, beaten to disability out of hatred, stolen to be eaten. Animals employed like the overworked horses forced to endure harsh conditions. Experimental animals, such as frogs dissected without anesthesia, also suffer unwarranted pain.I appeal to the Bali Province Regional Council to strengthen Regional Regulation No. 1 of 2023 regarding the Protection of Flora and Fauna. I highlight the ambiguity in the rules regarding the definition of "keeping" animals in Article 11 paragraph 1 section c. However, in Article 1 paragraph 9, it states that Wildlife includes all animals living on land, in water, or in the air, retaining their wild nature, whether they live freely or are kept by humans.With clear and robust legal foundations, many positive things will emerge: more people will dare to speak up for animal protection, impart moral lessons to children, and raise awareness of the importance of compassion towards animals, boosting the government's morality in the eyes of the public. Communities or individuals independently rescuing and caring for these animals will also be supported and have continuous collaboration with the government.Together, let us make Bali a safe and comfortable place for the animals living here, following the footsteps of developed countries like Switzerland, the Netherlands, New Zealand, Germany, and Australia in animal protection. Through this speech, what I "HOPE," becoming what "WE" HOPE, and ultimately becoming what "WE ALL" HOPE FOR. With one heart, let us make Bali a paradise for these animals.us make Bali a paradise for these animals.)
PENDIDIKAN SANE BECIK PINAKA PIRANTI ANTUK NINCAPANG KUALITAS SDM BALI + (Ladies and gentlemen, jury and coaches who … Ladies and gentlemen, jury and coaches who I respect, as well as the participants of the BASAbali Wiki Oration competition that I love. Om Sywastyastu. Through a pure and sinless heart, I never cease to express my gratitude to God Almighty, because with His blessings, I can meet with this audience today. In which I participate in the oration competition in today’s Public Participation Wikithon. Hopefully, events like this will continue to grow in the future, making Bali strong. Ladies and gentlemen, the subject of my oration is titled “Good Education as a Tool to Improve the Quality of Bali’s Human Resources”.Ladies and gentlemen, what made me take that title? Because from a lot of what I see I conclude the youth in Bali do not get a good education. This makes it difficult for Balinese human resources to get a job that can develop the economy of the province of Bali. According to data from the Central Bureau of Statistics in 2021, the percentage of Balinese who did not go to school was 1.03 thousand people or 24.04%; then those who did not graduate from elementary school were 377.18 thousand people or 8.83%. Based on these data from the Central Bureau of Statistics, the government and Balinese people, especially students, should try to implement programs that can help Balinese people who have not received proper education. Then, what programs can be implemented? Let’s think together.As a Balinese youth, I will provide solutions or suggestions to the ladies and gentlemen of the DPD Bali as well as the government who is the mouthpiece of the community, to always help provide good knowledge to all Balinese. The first suggestion: pay attention to the quality and quantity of the teachers. Teachers or educators are like the main key that will teach or provide knowledge to students. If teachers’ wages, facilities and accommodation are not good or adequate, it will affect the teaching process. Secondly, school and classroom support facilities should be prioritized. When the learning process takes place, but the facilities used are not complete, of course the teacher and students will have diffulties and the learning process in the classroom will be disrupted. The third suggestion is to provide the youth with positive out-of-school activities or out-of-school learning programs. Good examples are carrying out and participating in competitions, participating in community service programs as well as other useful work. With these activities students do not only to learn at school.Ladies and gentlemen, based on the many things I have talked about, I would like to conclude as follows. The Balinese government and people should not underestimate education. Because through education, we can get a good job to improve the quality of Bali’s underdeveloped human resources. Also the Balinese are expected not to be swayed by the wealth that exists in today’s world, called “Industrial Revolution 4.0”. Let us together help Balinese who have not received a good education through positive and useful programs or activities. Lastly, we should introspect ourselves so as not to forget ourselves and together carry out our religious obligations by strengthening Bali.Well, ladies and gentlemen whom I respect very much, that’s all I can say on this good day. Thank you to those who have witnessed my speech. Hopefully what I have said will be useful. For any shortcomings, let me apologize. In closing, I say paramasanthi. Om Shanti, Shanti, Shanti, Om.ramasanthi. Om Shanti, Shanti, Shanti, Om.)
"WARGA NEGARA ASING NGAWINANG MANAH AJERIH RING KRAMA BALI" + (Ladies and gentlemen, our honorable guest. … Ladies and gentlemen, our honorable guest. Before we start this oration. Allow us to express our gratitude to Ida Sang Hayang Widhi Wasa, for it is through His grace that we gather on this auspicious day. With heartfelt devotion, we begin with panganjali:Om swastyastu our honorable guest, the oration we will deliver today is entitled "Foreign Citizens are disturbing the Balinese people". Recently, foreign tourists or "foreigners" in Bali have been in the public spotlight because they are acting up and making people anxious. Instead of being deterred, foreigners who were found committing various violations in Bali actually resisted when the police took action. Not just one violation but many violations committed by foreigners, such as: 1. Increased Traffic Violations:Statistical data records a dramatic increase in traffic violations committed by a number of foreigners. A lack of concern for road rules and safety not only threatens local communities but also creates significant risks for foreigners themselves. This increase reflects troubling non-compliance, necessitating more effective enforcement actions and more intensive awareness campaigns.2. Adverse Immigration Problems:High levels of overstaying and violations of immigration regulations create a serious burden on the immigration system. The economic and social impacts of this behavior are very real, given the resources that must be allocated to deal with these cases. Increased controls and enhanced immigration enforcement actions are imperative to ensure compliance with existing provisions and maintain the integrity of the immigration system.3. Establishing a Business Without a Permit:The establishment of businesses without proper permits by some foreigners is detrimental to the local economy, creating disproportionate inequality in business competition. This problem not only concerns economic aspects but also raises questions of rights and justice in business. An in-depth evaluation of the economic and social impacts of these practices is needed to determine solutions that can address these problems without harming those who comply with the rules.4. Non-compliance with Environmental Regulations:The behavior of foreigners who do not comply with environmental regulations creates a serious threat to ecological sustainability in Bali. These cases include littering, damage to local plants, and violations of sustainability principles. A thorough evaluation of the long-term impacts of this environmental damage needs to be carried out to understand the implications for the ecosystem and the welfare of local communities.stem and the welfare of local communities.)
I Gusti Putu Hardi Yudana + (Lecturer at STIKOM Bali College of Informatics and Computer Management)
I Gusti Ngurah Ady Kusuma + (Lecturer at the College of Computer Management and Informatics STIKOM Bali)
I Gusti Agung Mas Rwa Jayantiari + (Lecturer at the Faculty of Law, Udayana Un … Lecturer at the Faculty of Law, Udayana University, who started to become a lecturer since 2010. Graduated from undergraduate studies and became the best graduate in 1999 at the Faculty of Law, Udayana University. Study Masters level at the Notary Masters Program, Universitas Brawijaya in 2007. Furthermore, for the doctoral study completed at the Law Faculty of Law Education at Udayana University in 2019 and returned to be the best graduate. Throughout her career as a lecturer, she actively made studies on legal and community problems, especially studies relating to customary law, indigenous peoples and their natural resources, progressive legal studies related to gender studies in law, legal anthropology, legal sociology as well as law and culture. The thinking that is studied more often is done with a progressive legal perspective. The results of these thoughts are published in international journals, national journals and in the form of textbooks in fulfilling teaching assignments. Participation in scientific meetings is also often done including in the call for papers and also as a resource, moderator and participant in an academic scientific forum.rticipant in an academic scientific forum.)
Ida Bagus Gede Wirawibawa + (Lecturer in the Architecture Study Program … Lecturer in the Architecture Study Program of the Faculty of Engineering, Udayana University, born on May 2, 1961 in Denpasar, Bali. Elementary to high school education was completed in Jakarta (1968-1981). Bachelor of Engineering (S1) was completed in the Department of Architecture, Faculty of Engineering, Udayana University in 1988 and was appointed as a lecturer in the same department since 1991.In 1995, he received a BPPS scholarship to continue his Master's degree and obtained a Masters in Architecture-Settlement in the Postgraduate Program, FTSP-ITS Surabaya in 1997. He completed his Cultural Studies S3 at the Udayana University Postgraduate Program and obtained his Doctorate degree in 2012. He once served as Assistant Dean III of the Faculty of Engineering, Udayana University, 2003-2007 period.Aside from actively teaching in the Architecture Undergraduate Program, the Master of Architecture Program and the Doctoral Engineering Study Program at the Faculty of Engineering at Udayana University, he currently also serves as the Head of the Balinese Traditional Architecture Laboratory at the Architecture Study Program at the Faculty of Engineering, Udayana University.aculty of Engineering, Udayana University.)
Leslie Anne Franklin + (Leslie Anne Franklin was born in Newport B … Leslie Anne Franklin was born in Newport Beach, California, and first visited Bali in 1982. During the 33 years she lived in Bali, she has witnessed social, environmental developments over time. Leslie's love for Bali includes the fervent spirituality of the Balinese and their endearing hospitality, which has remained steadfast and unchanged. Leslie founded the Facebook group Lost Bali, which, at the time of this submission, has over 28,000 active members. The group shares memories and photographs that have captured a time before 1990 before mass tourism affected the island. The collective stories and images have served as inspiration for the book. Leslie currently resides in her wood cabin in the mountain town of Big Bear, California. She is the mother of four children and four grandchildren. This is her first anthology.randchildren. This is her first anthology.)
Ngwangun malih titi pengancan kewagedan + (Libraries are often thought of as a bridge … Libraries are often thought of as a bridge to knowledge, a place where individuals can find lessons, inspiration, and entertainment. However, in the city of Denpasar, Bali, libraries face a number of problems that impede public access to this valuable intellectual resource. With the experiences and stories of local people, we can understand how important it is to overcome these challenges and rebuild the foundation of libraries as inclusive and effective learning centers. One of the major problems faced by libraries in the City of Denpasar is inconsistent operational schedules. Many libraries are only open during normal business hours, even on weekdays, making it difficult for workers or students with busy schedules to visit. In fact, some libraries even close on weekends, when many people have free time to study or enjoy reading. This causes frustration and reduces the public's interest in using library facilities. In addition, unresponsive service and lack of effective communication are also constraints. Many visitors feel that library staff are unfriendly and unwilling to help. The experience of Sekar, a local resident, reflects a common experience where simple requests such as finding a wifi password or a membership registration procedure are not responded to well. This results in a difficult experience and less motivation to return to the library. In addition, the lack of information about the operational schedule and library services is also a problem. Many libraries do not actively update their information on online platforms such as Google Maps, making it difficult for the public to know when the library is open or closed. This causes confusion and uncertainty, especially for those who do not live near libraries or have limited access to the internet. To address these problems, concrete steps need to be taken by governments and stakeholders. First, libraries need to expand their operating schedules, including opening on weekends and at night to reach more people. This will provide an opportunity for individuals with busy schedules to access library resources. In addition, training for library staff in customer service and effective communication is also important. Library staff should be equipped with the necessary skills to provide friendly and responsive assistance to visitors. This will help create a more welcoming environment and encourage people to use library facilities more comfortably. Equally important, libraries should increase their efforts in disseminating information about their services and operating schedules. This can be done through a variety of communication channels, including social media and library websites. By providing clear and easily accessible information, libraries can rebuild public trust and increase their participation. With these steps, the libraries in the City of Denpasar can play a more effective role in providing access to knowledge and supporting lifelong learning for its community. By improving their systems and services, libraries can become inclusive and inspiring centers of learning, helping to build a brighter future for future generations. a brighter future for future generations.)
Bandana Tewari + (Lifestyle journalist and sustainability ac … Lifestyle journalist and sustainability activist Bandana Tewari believes storytelling and personal responsibility have a huge part to play in the reformation of the fashion industry.When you were starting out in fashion, what were the issues facing the industry, and at what point do you think attitudes to fashion and especially fast fashion started to change to incorporate ideas of sustainability?I worked at Vogue India for thirteen years. It was a time when the Indian market opened up to a deluge of international luxury brands. There was much optimism and excitement about the massive aspirational population of India, the cynosure of multinational companies eager to conduct business in the Indian subcontinent. At this point, conspicuous consumerism was applauded and encouraged – signalling a modern India that was willing to spend money, display affluence, and be the sartorial arbiter of a young nation. There was no awareness of conscious consumption, of sustainability and environmental impact of the incredible waste and excess that plagues the fashion industry today.In all honesty, the risks of over-consumption and the perils of fast fashion, as we now know of them, came into our collective consciousness only recently. The Rana Plaza disaster of 2013 in Bangladesh was the most brutal symbol of a global fashion industry gone wrong. It exposed a terrible truth: a multi-trillion-dollar industry was systemically plagued by unimaginable inequalities, both economic and social. This Rana Plaza disaster – when five garment factories collapsed killing more than 1,100 people, mostly women – created a global uproar. The world woke up to a fashion industry that pays some of the lowest wages, conducts business in such unsafe work environments, it creates untold disregard for human life. And then the environmental issues ensued which saw rivers and farms in developing nations being clogged and degraded with industry waste creating irreparable harm to people and the planet.It is through the exposé of the extraordinary pains of ordinary people who make our clothes that led to a monumental change in the way we perceive the business of fashion.How seriously do fast fashion brands like, let’s say H&M, really take the concept of waste within the industry? Are these efforts to improve sustainability just an exercise in greenwashing?We are drowning in clothes – many of the approximately100 billion garments sold each year go into landfills or are incinerated – both harmful to the environment. According to Fast Company, H&M produces three billion garments a year and till 2019 was sitting on $4.1 billion worth of unsold clothes, some of which, we are told, became fuel for a power plant in Sweden. While many initiatives are underway to address the problems of production and consumption, it seems too little at a time when we have swiftly moved from climate change to climate crisis. The fashion industry generates 10 percent of global carbon emission, 20 percent of all waste water, and pollutes the oceans with half a million tons of microplastics. So, if big changes do not propel a big impact – it is, simply, greenwashing.Given the magnitude of the problem, whatever solutions provided by fast fashion companies, thus far, seem perfunctory. The velocity with which garments are being manufactured, bought and tossed away is horrendous, to say the least. One garbage truck of clothes is either burnt or dumped in landfills every second! So whatever Zara, H&M or other fast fashion brands are doing to rectify the system is too little. Governments and policies need to intervene to limit the greed and speed of overproduction. More investments in R&D for solutions in recycling, alternative fabrics, etc, are crucial. Consumers need to play an important role in disarming the consumerist agenda of globalisation that fuels the ‘marketing need’ for more and more, bigger and bigger. Every human being should know how they choose to spend their hard-earned money really does matter!To what extent do you think consumers really care about what happens in the rivers and seas thousands of miles away that are affected by the processes used to create our fashionable clothes?Consumers do care about rivers, seas and every aspect of nature, provided they are shown the truth – truth about human beings’ role in the degradation of nature that comes from corporate greed, mindless consumption and governmental apathy. There is not a single human being who doesn’t want their children to grow up in an environment that is nurturing and nourished. Who amongst us wants to live in the filth of pollution?The problem is that consumers have been ‘sold’ only one part of the story – the part that says when clothes glitter and automobiles shine and you own them then you have made it. When in fact, the process of making – what irreplaceable natural resources are harnessed to make things, the number of hands that go into making even a simple t-shirt – is excluded from the narrative, the inequalities in the system and the harm perpetrated on our environment will remain invisible. When you are never shown the problem, why would you seek a solution?Tell us about your latest project…I am a writer. Sadly, I don’t have any big projects to boast of. However, my personal commitment as a storyteller is to always follow the four fundamental principles of authentic storytelling: Product, People, Process, Purpose. If any one of these ‘Ps’ are unfulfilled or unaddressed by a company or brand, I will not write about it. Every media person should pay heed to the power of the pen.What advice would you give to young designers starting out now?I would request every designer starting out today to read Small is Beautiful, a book written by the hallowed global economist E.F. Shumacher. In this book there is a chapter called ‘Buddhist Economy’ which throws light on the need for mindfulness in business. It is a guide to making one’s daily work – a noble act of humanity. It points to our present-day crisis in the way leaders are raised or made to pillage the earth, as if humans are the only sentient beings in this world. It points to correcting an era that seems so disconnected with our inner and outer divinity – that we have made human-force into labour-force.What is the future of fashion?The future of fashion is compassionate; how else will we survive? There is no business to be done on a dead planet. So, I feel confident that we will rise to address the challenges of waste, greed and environmental degradation. With a generation of young people born in this era of climate crisis, they will, without any doubt, only choose industry leaders who lead with a ‘monk mentality’, leaders who reinforce the crucible of compassion and conscious consumption. I believe that the future of fashion will have storytellers, producers and creators who will show the interconnectedness of everything around us – the magic of coexistence and biodiversity. They will tell us the story of our t-shirts – made from a seed of life that blossomed into cotton; the same cotton that clothes us also thrives when it grows alongside other diverse plants, on a land rich in soil nutrients. The future of fashion will have great teachers who will tell us that what we ingest into our bodies and what we put on our bodies must both honour the sacredness of nature.IG & Twitter: @behavebandanaur the sacredness of nature. IG & Twitter: @behavebandana)
Kapiambeng ring sejeroning pariwisata + (like what happened on Kuta beach there are … like what happened on Kuta beach there are some sellers who force tourists to sit or buy food or goods from them.what makes some tourists restless is the way they offer it seems to be pushy and chases so that some tourists want to use their services or buy food/drinks or goods from them.and some tourists have spoken up on twitter/instagram and some other social media about this. please fix this problem because it makes some tourists afraid to travel here and assume that in all tourist attractions there will be sellers like them.and it is necessary to promote new tourism tourism which has the opportunity to generate a lot of profit, in every tourist place it must be clean and hygienic like a clean bathroom. clean and hygienic like a clean bathroom.)
Lilik Mulyadi + (Lilik Mulyadi was born in Bogor, August 23 … Lilik Mulyadi was born in Bogor, August 23, 1961. He has written poetry since 1978 and has been widely published in the Bali Post and several media outside Bali. Often wins local and national poetry writing competitions. His poetry is also summarized in the Magical Paintings of Bali Land, Dendang Denpasar Nyiur Sanur, Klungkung: Old Land, Land of Love, etc. His single book of poetry: Jatijagat Pedukuhan Magical Poetry (2017). He worked as a judge and wrote many books on law.ed as a judge and wrote many books on law.)
Listya Wahyuni + (Listya Wahyuni, born in Denpasar, March 1, … Listya Wahyuni, born in Denpasar, March 1, 1984. Graduated from art education at ISI Denpasar. Since 2004 she has been active in various joint exhibitions, including “The New World” at Bentara Budaya Bali (2016), “The Fertile Period” at Karja Art Space, Ubud (2018), “Eruption” at Galeri Raos, Batu, Malang (2019). Her work has been a finalist for UOB Painting Of The Year (2013). She is a member of the Militant Arts Community.s a member of the Militant Arts Community.)
Literasi Bahasa Bali dan Pengaruhnya pada Gen Z + (Lorem ipsum dolor sit amet, consectetur ad … Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Urna condimentum mattis pellentesque id. Gravida dictum fusce ut placerat orci. Eleifend donec pretium vulputate sapien nec sagittis. Ac placerat vestibulum lectus mauris ultrices eros in cursus. Nunc congue nisi vitae suscipit tellus. Risus in hendrerit gravida rutrum quisque non tellus orci ac. Neque viverra justo nec ultrices dui sapien. Eget velit aliquet sagittis id consectetur purus. Massa id neque aliquam vestibulum morbi blandit. Etiam tempor orci eu lobortis elementum nibh tellus molestie.Nullam non nisi est sit amet facilisis magna. Tellus in metus vulputate eu scelerisque felis. Euismod nisi porta lorem mollis aliquam ut. Dignissim cras tincidunt lobortis feugiat vivamus at augue eget arcu. Condimentum mattis pellentesque id nibh. Aenean vel elit scelerisque mauris pellentesque pulvinar pellentesque habitant morbi. Consectetur lorem donec massa sapien faucibus et molestie. Rhoncus est pellentesque elit ullamcorper dignissim. Tortor dignissim convallis aenean et tortor. Convallis posuere morbi leo urna molestie at elementum. Mattis ullamcorper velit sed ullamcorper morbi. Pellentesque habitant morbi tristique senectus. Ultrices tincidunt arcu non sodales.ctus. Ultrices tincidunt arcu non sodales.)
Wijaya Test + (Lorem ipsum dolor sit amet, consectetur ad … Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.ficia deserunt mollit anim id est laborum.)
Louise Garrett Koke + (Louise Garret Koke (1897-1993; New York Ci … Louise Garret Koke (1897-1993; New York City, New York, U.S.A), born Louise Gignox, studied at Columbia University in New York City, U.S.A., and designed theatre stage sets. She first came to Bali in 1936 while on a world tour to the Far East. With her husband Robert Koke, she set up the first hotel on Kuta Beach (which she describes in her book "Our Hotel in Bali") and stayed until early 1942 before the Japanese invansion of World War II. She made many humorous ink drawings and romantic paintings of the Balinese people. Exhibitions Alliance Francaise (Shanghai, China, 1947), Neka Art Museum (Ubud, Bali, 1993).1947), Neka Art Museum (Ubud, Bali, 1993).)
Made Adnyana Ole + (Made Adnyana Ole was born in Tabanan, now … Made Adnyana Ole was born in Tabanan, now lives in Singaraja, Bali, while managing Mahima Institute Indonesia which is engaged in arts and culture education. His poetry and short stories have been published in various media such as Bali Post, Jawa Pos, Horison, and Kompas. His single book collection of poems “Fairy Tales from the North” (2014). Her single collection of short stories, “Padi Dumadi” (2007) and “Sacred Girl Painting Sacred Signs in Sacred Places” (2018). A number of his short stories are included in the Compass Choice Short story book.ed in the Compass Choice Short story book.)
Made Agus Janardana + (Made Agus Janardana, S.Pd., Gr., M.Kom., a … Made Agus Janardana, S.Pd., Gr., M.Kom., also known as Made Oplas, is the creator of the creative artwork of Wajah Plastik (The Plastic Face) who is also the author of the book “Wajah Plastik: A Pigment of Imagination” (2023). Agus Janar as he is known, was born in Singaraja, Buleleng, Bali, on January 23, 1990. He grew up in Bungkulan Village, Sawan District, and is considered an energetic young man. People know him as a creative figure, always having a million creative ideas, especially since he is basically a designer. Since his Wajah Plastik “Plastic Face” was introduced to public, Agus Janar has become increasingly famous. He is even often invited to give workshops on Plastic Faces. Plastic face seems to have become a legacy in his life. For him, sharing or doing good is his next life mission.ng or doing good is his next life mission.)
Made Aripta Wibawa + (Made Aripta Wibawa, born in Singaraja, Mar … Made Aripta Wibawa, born in Singaraja, March 3, 1965. Since high school, he has been interested in literary activities by writing poetry and prose. While studying at the Faculty of Law, Mataram University, NTB, he became increasingly involved in the world of literature. He co-founded the Mataram Literature Studio and the Association of Indonesian Writers, Poets and Authors (HP3N) with an initiator and founder, Putu Arya Tirtawirya. While in Mataram he was often a judge for poetry and short stories reading competitions on Radio Suta Remaja, Sinta Rama and Rinjani with his brother, Agoes Andika As. Aripta's poems have been published in the Bali Post, Nusa Tenggara, Bali Post, Karya Bakti, Simponi, Swadesi and Merdeka newspapers. He is also active in writing for the HP3N bulletin. Now he is a lecturer at Bali Dwipa University.he is a lecturer at Bali Dwipa University.)
Made Astawa + (Made Astawa, also known as "Dollar", is a … Made Astawa, also known as "Dollar", is a painter born in Gianyar, August 22, 1972. He studied art at SMSR Denpasar. Since 2001, he has been involved in many joint exhibitions, such as the exhibition at Tony Hogart Australia (2012), the MilitanArt exhibition "Land Remember" at Santrian Galeri Sanur, Bali (2017), the joint exhibition "nir (virtual) visuals" at Lv8 Resort Hotel Berawa, Badung , Bali (2018). His works tend to be abstract in nature by exploring the icons of the back. Apart from being a painter, he also manages the Griya Santrian Gallery and the Cactus Art Gallery in Sanur.llery and the Cactus Art Gallery in Sanur.)
Made Astika + (Made Astika was born in Karangasem-Bali, M … Made Astika was born in Karangasem-Bali, May 13, 1983. His undergraduate studies at the Singaraja State IKIP took the Department of Language, Indonesian and Regional Literature Education. During college, he served as Chair of HMJ Jurdik BSID 2005/2006 and Deputy Chair of the Student Senate of the Faculty of Language and Arts for the 2004/2005 period. He was also trusted to be the Coordinator of IMABSII (Indonesian Language and Literature Student Association) for the Bali Region in 2005/2006. He studied Literature, Gadjah Mada University in 2011. His short writings were published in the daily Bali Post and Bali Orti. A number of his published books are Oral Literature: Theory and Its Application (Teaching Books), Text Genre (Teaching Books), Before Hari Anniversary Wins (Lyric Prose Anthology), Historia Senja (Poetry Anthology) and several works in joint poetry anthologies. Now, he teaches at Ganesha University of Education, and is also the Coordinator of the Indonesian Language and Literature Education Study Program.ge and Literature Education Study Program.)
Made Budhiana + (Made Budhiana was born in Denpasar, Bali, … Made Budhiana was born in Denpasar, Bali, 27 March 1959. He studied painting at ISI Yogyakarta. He has exhibited his works in various countries, such as Germany, Switzerland, Singapore, Malaysia, Australia, and the Netherlands. Had solo exhibitions at The Northern Territory Museum of Arts and Sciences, Darwin, Australia (1989), Cemeti Modern Art Gallery, Yogyakarta (1989), Bali Hilton, Nusa Dua (1991), Ganesha Gallery, Jimbaran (1998), and Sika Gallery , Ubud (2001). He has won various awards, including the “Best Painting Bali Art Award” (1997), “Pratisara Affandi Adhi Karya” from ISI Yogyakarta (1985 and 1986), and so on. Budhiana's works tend to be abstract by playing with lines and colors that are full of feelings. Apart from painting, he also had an interest in literature, theater, and music.nterest in literature, theater, and music.)
Made Duatmika + (Made Duatmika, born in Jembrana, May 19, 1 … Made Duatmika, born in Jembrana, May 19, 1970. He is a painter who graduated from ISI Denpasar. His work has won the Philip Morris Art Award (1998). Since he was a student, he has been diligent in participating in joint exhibitions. Among them are the “Force of 93” exhibition at the Bali Cultural Park (1996), the Philip Morris Indonesia Awards Exhibition in Jakarta (1998), the Joint Exhibition at the Hendra Gallery in Prana, Jakarta (2010), etc. He is a member of the art community Militanarts. His works tend to present a social atmosphere that is dominated by bright colors.sphere that is dominated by bright colors.)
Made Edy Arudi + (Made Edy Arudi is a poet and a civil serva … Made Edy Arudi is a poet and a civil servant teacher at SMP Negeri 2 Sukasada - Bali, born October 22, 1978. His poems are often published in the National Bali Post newspaper, his other works can also be read in several poetry anthologies together, such as: Klungkung: Tanah Tua Tanah Cinta (2016), Anthology of Poems of 100 Poets of the Archipelago “When the Birds Have Gone” (2016), Finding Childhood in the Body of Advice (2016), Madah Merdu Kamadhatu (2017), Ijen Valley Smile (2018), and Chewing Furious Against Corruption (2018), etc.ng Furious Against Corruption (2018), etc.)
Made Galung Wiratmaja + (Made Galung Wiratmaja is a painter born in … Made Galung Wiratmaja is a painter born in Sukawati, Gianyar, Bali, May 31, 1972. He completed his art education at PSSRD Udayana University. Since 1993 he has diligently displayed his work in many joint exhibitions, such as the “Retrospective” exhibition at Bentara Budaya Bali (2018). His solo exhibitions are “Silent Nature” at Ganesha Gallery, Jimbaran (2007) and “Landscapes” at Griya Santrian Gallery, Sanur (2006). He has won awards from the Indonesian Fine Arts Foundation (2000), the German Der Weltkulturen Museum (2006) and the Mandiri Art Award (2015). Galung's works tend to combine abstract and figurative patterns with captivating color plays.ive patterns with captivating color plays.)
Made Gunawan + (Made Gunawan is a painter born in Apuan, T … Made Gunawan is a painter born in Apuan, Tabanan, Bali, July 14, 1973. He is a fine arts graduate from ISI Denpasar. His latest works with decorative patterns talk a lot about ecology which is associated with the concept of Tri Hita Karana, the harmonious relationship between humans and God, with fellow humans, with nature (animals and plants).Since 1995, Gunawan has been actively involved in joint exhibitions, both at home and abroad. Meanwhile, since 1999, he has held solo exhibitions. These include the “Nungkalik” Sketch and Painting Exhibition at the boarding house, the exhibition at the Hadiprana Gallery Jakarta (2002), “Women” at Jenggala Ceramics Jimbaran Bali, “Melody & Beauty From the Paradise Island at the Hadiprana Gallery Jakarta (2004), an exhibition at Montiq Galery Jakarta (2007), exhibition “Third Solo Exhibition” at Galeri Hadiprana Jakarta (2008), exhibition at Art Village Gallery Malaysia (2009), Tree Of Life at Hadiprana Gallery Jakarta (2014), “Garis Bali” at AMBIENTE Jakarta (2015) ), Tree of Life at Hadiprana Gallery Jakarta (2018).Gunawan also made several performing art works. Among other things, the "Golden Chair" which was staged at the Bali Cultural Park (1997). In 2000, Wayang Visual Arts, the Culture of Violence, Returned to Emptiness in the parking lot of Udayana University. Puppets of Fine Arts Ngaben Culture of Violence Return to Emptiness at Ciputra Mall Semarang Indonesia. In 2001, the Silhouette of Collaborative Women performed at STSI Denpasar.Gunawan's awards in fine arts are Best Sketch from STSI Dps (1997), Top Ten Best Artwork from STSI Dps (2001), As the initiator of 1000 boxes of Painting (Women & Flowers) from the Indonesian Record Museum (2003).Flowers) from the Indonesian Record Museum (2003).)
Made 'Kaek' Dharma Susila + (Made Kaek in His Own Words,.. a biography. … Made Kaek in His Own Words,.. a biography..A contemporary artist residing in Banjar Palak Sukawati Bali. A graduate of law and a self-taught artist. Made Kaek is a creative pillar with pivotal contributions to the landscape of contemporary Indonesian art. Excerpt "Background and EducationIn high school, I liked drawing and doing things like making wall art. I studied in a regular high school. When it was time to continue my studies I was advised to go to Yogyakarta to do law. So I did. In Yogya I found that law is a little conflicted in my life. Perhaps with my character and perception. But I also thought it could be something good in my life and continued with the study of law.You can say I went to Yogya to study law but in Yogya I became an artist. I met Nyoman Gunarsa.. he lived near the campus and we often met at his house. There are many places where Balinese students from ISI would gather. I would say that I found my true self there. It was a long process, going through two extremes. On the one side, there is the law and on the other is art."Read the full article on Made Kaek https://sawidji.com/about-sawidji/artists-sawidji-gallery/made-kaek/sawidji/artists-sawidji-gallery/made-kaek/)
Made Karyana + (Made Karyana, born in Batuan, Sukawati, Gi … Made Karyana, born in Batuan, Sukawati, Gianyar, January 28, 1981. He completed his art education at ISI Denpasar. Since 2005 he has been diligently involved in joint exhibitions, such as Tanda Dalam Jejak, Dewangga Gallery Ubud (2006), Joint Exhibition with the “PIJAR” group at Santrian Gallery Sanur (2011), Joint Exhibition with Baturulangun at the ARMA Museum Ubud (2012), Joint Exhibition with Baturulangun in Ubud Painting Museum (2015), Joint exhibition “Amasing Think” at LV 8 Canggu (2016). His paintings are made using traditional Batuan style techniques, but with contemporary themes. techniques, but with contemporary themes.)
Made Kenak Dwi Adnyana + (Made Kenak Dwi Adnyana, born in Kintamani, … Made Kenak Dwi Adnyana, born in Kintamani, May 10, 1985. He completed his art education at ISI Yogyakarta. He has participated in various joint exhibitions. Among other things, the exhibition "One step Back" at the Sono Budoyo Museum, Jogjakarta (2018), "Abstract is...?" at Bentara Budaya Bali (2017), Legend of the Archipelago at KOI Galeri Kemang, Jakarta (2016), “From Time to Taste” at ORASIS Galeri Surabaya (2015), ARTE Indonesia Art Festival 2014, at JCC Jakarta. He received the Jakarta International Art Award Nominee (2010) and Best Sketch Class of 2004 from ISI Yogyakarta. His works tend to display abstractions of nature with distinctive coloring.tions of nature with distinctive coloring.)
Made Mantle Hood + (Made Mantle Hood is professor of ethnomusi … Made Mantle Hood is professor of ethnomusicology, Chair of the Graduate Institute of Ethnomusicology and Director of the Asia-Pacific Music Research Centre at the Tainan National University of the Arts, Taiwan. He serves as Chair (2021-2025) of the ICTM PASEA study group. His previous posts were at Universiti Putra Malaysia (2012–2018), Melbourne University, Australia (2011–2012) and Monash University, Australia (2005–2011). His current research interests include ontologies of sounded movement, endangered forms of vocalisation, tuning systems as well as music and social justice. He is currently the lead researcher in the Taiwan Ministry of Science and Technology-funded project, Towards the Sustainability of Vocal Heritage in the Philippines, Malaysia and Indonesia (2019–2021). He is the author of Triguna: A Hindu-Balinese philosophy for gamelan gong gede music (2010) and co-editor of Music: Ethics and the community (2015).of Music: Ethics and the community (2015).)
Made Muliana + (Made Muliana alias Bayak is a contemporary … Made Muliana alias Bayak is a contemporary Indonesian artist from Bali. He was born in Gianyar, June 27, 1980. He studied fine arts at the Indonesian Art Institute (ISI) Denpasar from 1999 to 2005. Apart from painting on canvas, he also creates murals, performs performing arts, plays music, and is active in environmental conservation movements. As a form of concern for the environment, he processes a lot of plastic waste into works of art.Bayak has held many art exhibitions, both at home and abroad. His solo exhibitions include Art For Artists Sake (Sika Gallery Ubud, 2008), Artists Don't Lies (Griya Santrian Gallery Sanur, 2012), Plasticology Reissue (Arys Warung Ubud, 2013).The fine arts awards he has won include: Top 20 Finalist of Nokia Art Award 2000, Top 20 Finalist of Nokia Art Award 2001, Finalist of Bazaar Art Award 2010, Top 20 Sovereign Art Price 2013 at Espace Louis Vuitton Singapore.ce 2013 at Espace Louis Vuitton Singapore.)
I Made Santika + (Made Santika is a student from the Faculty of Cultural Sciences, Udayana University with a Balinese Literature Study Program. He was born on January 4, 2000. He is also the son of a great writer, namely Mr. I Made Degung and Mrs. Ni Ketut Sutarmi.)
Made Sugianto + (Made Sugianto was born in Tabanan, Bali, A … Made Sugianto was born in Tabanan, Bali, April 19, 1979. He writes literature in Balinese and Indonesian languages. In 2009 he founded the publisher Pustaka Expression which publishes many literary books in Balinese and Indonesian languages. In addition, he also created Expression magazine, Kukuh TV, and became a journalist.His published works include Bikul (2010), Preman (2010), Sundel Tanah (2010), Bunga Valentine (2011), Sentana (2011), Meong Garong (2012), Sing Match (2013), Sentana Cucu Marep (2014), Ratna Tribanowati (2014), Ki Baru Gajah (2015). In 2012 he won the Rancage Literary Prize for his services in the development of modern Balinese literature and 2013 for his Balinese novel, Sentana.Now he serves in his village in Kukuh, Marga, Tabanan.s in his village in Kukuh, Marga, Tabanan.)
Made Sukada + (Made Sukada, born in Denpasar, April 23, 1 … Made Sukada, born in Denpasar, April 23, 1938. Apart from being a writer and writer, he is a lecturer in Indonesian Language and Literature at the Faculty of Letters (now FCS) Udayana University, Bali. He is a graduate of the Faculty of Letters, Gadjah Mada University, Yogyakarta (1982). He has been writing literature since junior high school, published in various local and national print media, such as Bali Post, Kompas, etc. His published books are Several Aspects of Literature (1987), The Development of Several Indonesian Literary Critics: Systematic Problems of Analysis of Fiction Structures (1987 and 1991), An Illusion (poetry; 1971), The Lost Morning Sun (essay; 1971), The Development of National Literature in Bali (1972), A Little About Drama (1973), and so on. He was the chairman of the Indonesian-Bali Artists Institute (Lesiba). In addition, he also worked as cultural editor of the Suluh Marhaen Daily (now Bali post).f the Suluh Marhaen Daily (now Bali post).)
I Made Surita + (Made Surita was born July 27, 1951 in the … Made Surita was born July 27, 1951 in the village of Payangan. His father, a Hindu official, specialized in painting wayang (puppet) figures. In 1965, after finishing primary school, he started to draw zealously, picturing nature and people with cult functions.In 1968 he enrolled at the Sekolah Seni Rupa Indonesia (School of Fine Arts Indonesia, or SMSR) in Denpasar. After two years there, he was able to finance his study through the paintings he was selling. During this period, the artist Nyoman Darsana, also from Payangan, helped him master batik techniques.The years between 1971 and 1988 represented a period of doubt for him, a quest for his own soul. From time to time he sought comfort in other occupations and professions, concentrating more on batik, or working as a journalist for various newspapers. In 1988, he eventually discovered his own personal painting style based on Balinese culture.A style of his own? He discovered it by combining the different existing wayang styles – the 'Kamasan Klungkung' style and the 'Young Artist' style as it had been developed and taught by the Dutch painter Arie Smit.Elements of both styles were subordinated to his own subject matter – the culture of Bali or daily life as it is determined by religion. In his most recent paintings, he links up even more stylistic elements than before. The compositions refer to the 'Young Artist' painting style, the figures and trees to 'Wayang Kulit' (shadow puppet), the colors to 'Wayang Kamasan' and the technical finish to the traditional Ubud style.Since 1970, Surita's work has been widely exhibited throughout Indonesia as well as in galleries in Singapore (1993, 1994, 1996, 1998, 1999), Australia's Darwin Museum (1996) and the Darwin Parliament House (1997).6) and the Darwin Parliament House (1997).)
Made Susanta Dwitanaya + (Made Susanta Dwitanaya, born in Tampaksiri … Made Susanta Dwitanaya, born in Tampaksiring, July 22, 1987. He studied fine arts at Undiksha, Singaraja. He started writing and curating art exhibitions since his college days in 2009. Then in 2013 he joined the Gurat Institute, an independent institution engaged in curatorial, research, and documentation of visual arts and visual culture in Bali. Until now, he has actively curated a number of art exhibitions, including the Megarupa (2019) art exhibition. Together with the Gurat Institute he was involved in writing several books on fine arts, such as Lempad for the World (2014). In 2017 he became one of the authors of a series of art heritage books about six Indonesian artists initiated by the Director General of Art at the Indonesian Ministry of Education and Culture.onesian Ministry of Education and Culture.)
Made Taro + (Made Taro was born in Bali and has always … Made Taro was born in Bali and has always loved traditional stories, games and children’s songs. He has been a story teller since 1973 and has performed in Indonesia, Darwin, Pretoria and at the Ubud Writers’ and Readers’ Festival.Made Taro is very passionate about promoting traditional games and believes that engaging in such games teach children valuable lessons such as patience, respect for others and keeps them out of trouble. For the past 35 years he has run Kukuruyuk, a children’s group for 8 – 12 year olds, where he educates children through stories and traditional games such as the gasing (top spinning) and mecungklik (game played with bamboo). Made has worked with disadvantaged and underprivileged children throughout Indonesia. Made believes that play is important for children, and thus he incorporates games and play in his Storytelling performances. His storytelling sessions also include singing and traditional percussion accompaniment. He has written more than 30 books about traditional games, children’s songs and folktales. A recipient of many awards as an outstanding teacher, preserver of culture, storyteller and writer, he was recently bestowed the prestigious Anugerah Kebudayaan (Cultural Medallion) from the President of the Republic of Indonesia in 2009.https://sisf.bookcouncil.sg/2012/pages/storyteller-made.htmlIn 2019, at the age of 80, he received a Lifetime Achievement Award from the Ubud Writers and Readers Festival.rom the Ubud Writers and Readers Festival.)
Made Wianta + (Made Wianta is an international class arti … Made Wianta is an international class artist who was born in Apuan, Tabanan, Bali, December 20, 1949. He is a graduate of ISI Yogyakarta. In 1976, he studied European art in Brussels, Belgium, while visiting art galleries and museums. His works have been exhibited in various countries, including America, France, the Netherlands, Italy, Singapore, and elsewhere. His works number in the thousands, in the form of sketches, drawings, graphics, paintings, sculptures, and even visual poetry. Some of these works are documented in several books, including “Made Wianta” (1990), “Made Wianta: Universal Balinese Artist” (1999), “Made Wianta: Art and Peace” (2000), “Wild Dogs in Bali: The Art of Made Wianta” (2005). Made Wianta died on November 13, 2020.5). Made Wianta died on November 13, 2020.)
Michael White (Made Wijaya) + (Made Wijaya was born Michael White in Sydn … Made Wijaya was born Michael White in Sydney, Australia. He arrived in Bali in 1973, having jumped ship and swum ashore in a rainstorm. A student of architecture, he first of all intended the visit as a short break from his studies, but his fascination with Bali's rich culture and tradition led him to move in with a Brahman family in South Bali. After various jobs teaching tennis and English, working as a tourist guide and photo-journalist, he began contributing to guide books before being asked to design the gardens of the legendary Bali Oberoi.More than 600 gardens later, Wijaya is a world renowned tropical garden designer whose company, P.T. Wijaya Tribwana International, has a 500–strong team of artisans and "garden commandos," as he calls them. He travels between his Bali base and Singapore, India, Spain, Morocco, Hawaii, Australia and Mexico to weave his magic.A recognized authority on tropical gardens and South East Asian architecture, he has published five books, The Complete Stranger in Paradise; Balinese Architecture: Towards an Encyclopaedia; Tropical Garden Design (Archipelago Press and Wijaya Words, 1999); At Home in Bali (Abbeville Press, 2000); and Architecture of Bali – A Source Book of Traditional and Modern Forms (Archipelago Press and Wijaya Words, 2002). He also contributed to Tropical Asian Style and was the main author of a pocket guidebook to Bali.His signature column "Stranger in Paradise–Diary of an expatriate in Bali” at (www.strangerinparadise.com) and Hello Bali monthly magazine and Jakarta Post for trightly) and "Poleng" magazine and as well are much loved across the landMade Wijaya passed away on 28 August 2016.Websites:http://www.strangerinparadise.comhttp://www.ptwijaya.comhttp://www.novustamanbebek.comhttp://www.wijayajournal.blogspot.comhttp://www.baliluwih.blogspot.comhttps://www.youtube.com/channel/UCwWwiI_UtuLDgPfSMhKXL8wutube.com/channel/UCwWwiI_UtuLDgPfSMhKXL8w)
Made Wiradana + (Made Wiradana was born in Denpasar, Octobe … Made Wiradana was born in Denpasar, October 27, 1968. He graduated from the Faculty of Fine Arts at the Indonesian Art Institute, Yogyakarta. Since 1989 he has held joint exhibitions at home and abroad. While his solo exhibitions include “Ancient Imagination” (Yogyakarta, 1999), “Ancient Forms” (The Chedi, Ubud, 2000), “The Final Declaration of Art 2001” (ARMA Museum, Ubud, 2001), “Canvas is Round. ” (Mon Décor Gallery, Jakarta, 2003), “Global Convention on Peace”(Asoka Hotel, Belgium, 2004), “Art of Wiradana” (Bidadari Gallery, Ubud, 2005), “Bali is My Life” (2006), “Animal Exodus” (Srissasanti Gallery, Jakarta, 2009), “Enjoy” (Ambiente Gallery, Jakarta, 2010), “Sensibility Line” (Griya Santrian Gallery, Sanur, 2018).ne” (Griya Santrian Gallery, Sanur, 2018).)
Nyoman Butur Suantara + (ManButur Suantara is a Fine Art Photograph … ManButur Suantara is a Fine Art Photographer. An artist, teacher and mentor in the Industry for over a decade his contributions into the many genres of photography is vast. His love for Nature does not only inspire his art but also his environmental and wildlife documentation projects. Considerable in scope and dedication as his way of giving back to Mother Nature.Born in Amlapura, a small town in the east part of Bali Island. ManButur Suantara is a freelance photographer with a strong passion for Landscape Photography. For years now he has explored Nature scapes through extensive travel.Besides Landscape Photography, Nyoman has been for many years active in different areas of Commercial Photography as well. A veteran of several genres including architectural, food, events as well as macro photography.Bali is Nyoman’s home base. With its rich natural beauty and culture. Providing Nyoman with ample themes in which his Landscape and Cultural Photography can truly be seen for its artistic depth.ManButur Suantara is also associated with MY TRIP INDONESIA. Through this project he actively travels to many parts of Indonesia. Providing training and mentoring for clients who wish to learn Photography with a more customised and tailored personal program.Environmental Wildlife Project mostly with the documentation of bird species which are found in Bali. Either they are endemic or migrating birds, Nyoman is contributing significant time to explore and capture images of them in their habitat as record for their species.their habitat as record for their species.)
I Wayan Langgeng + (Mangku Bajra whose real name is I Wayan La … Mangku Bajra whose real name is I Wayan Langgeng, was born in Sanur Kaja, July 1, 1963. He is in charge of leading and completing the Panca Yadnya ceremony. Prior to becoming a priest, he taught Balinese and Hinduism at an elementary school in Sanur. In his youth, he liked to act in theater and write poetry. His poems have been published in the Bali Post Sunday. In addition, he also likes to write lontar. Because of his passion for writing and reading lontar, he understands the science of traditional Balinese medicine (usada). Apart from being a priest, he is a traditional elder in Sanur Kaja., he is a traditional elder in Sanur Kaja.)
Mangku Muriati + (Mangku Muriati was born in Klungkung, Bali … Mangku Muriati was born in Klungkung, Bali, 1967. She is a female Balinese artist who paints in the traditional classic Kamasan style. The Kamasan style is an aesthetic form of painting that uses wayang stories such as wayang kulit, mostly from the Mahabrata and Ramayana epics.Mangku Muriati is the daughter of Mangku Mura (1920-1999), one of the prominent Kamasan painters. Since childhood, she followed her father to paint by coloring typical wayang paintings in Kamasan Village, Klungkung.Then she studied at the Art and Design Study Program (PSSRD), Udayana University Denpasar, Bali and after graduating returned to painting the Kamasan style at his home. The number of female artists who pursue Kamasan style painting is not as many as men.In 1990 at the age of 32, Muriati became a ritual leader or Pemangku at the temple, a sacred place where she lived, Banjar Siku, Kamasan.Kamasan is the only village in Bali where this traditional art form has not been replaced by a new style. Although loyal to the classical Kamasan art tradition, in his work he also mentions social and political developments in Bali.Murniati chose to live in her house in Banjar Siku, not Banjar Sangging, which is the place where Kamasan painters generally work. He is considered to have proven that he can move his banjar because his works are ordered and collected by many parties from within and outside the country.rties from within and outside the country.)
Manila Ayupijaya + (Manila Ayupijaya is a government staff member in the field of human resources who is currently serving at the Manpower and Energy Mineral Resources Service of Bali Province.)
Fred Eiseman Jr. + (Many decades Eiseman Jr. spend in his seco … Many decades Eiseman Jr. spend in his second home Bali, but his stunning biography shows a curious explorer far beyond Bali.Born in Mark Twains Missouri 1926, nature and indigenous culture soon became his passion. 11 years old he visited the Great Canyon the first time in 1937. At the age of 12 he joined Prairie Trek Expeditions in the South West in his summer school holidays.In war time he completed his studies and became a highly acclaimed teacher in the 50s, teaching Earth science, chemistry, and physics, publishing on these topics and receiving a a nation-wide teacher award 1959. In school holidays he would continue to explore the Grand Canyon, becoming an experienced river guide and a good friend of Hopi and Navajo Indians.In the 70s he came to Bali his first time, to stay here almost the rest of his life.Fred Eiseman Jr. died April 6, 2013 in Arizona, his ashes have been returned to Bali.ona, his ashes have been returned to Bali.)
Margaret Coldiron + (Margaret Coldiron is currently Deputy Head … Margaret Coldiron is currently Deputy Head of the BA in World Performance at East 15 Acting School, University of Essex and a member of Gamelan Lila Cita and Lila Bhawa dance troupe. She has studied and performed Balinese topéng since 1997 and has led workshops throughout the United Kingdom and Europe. Trained as an actress at the Drama Centre London, Margaret Coldiron toured the United States with the National Shakespeare Company and has taught and directed for professional theatre programmes in the United States and United Kingdom.s in the United States and United Kingdom.)
Margaret Mead + (Margaret Mead (December 16, 1901 – Novembe … Margaret Mead (December 16, 1901 – November 15, 1978) was an American cultural anthropologist who featured frequently as an author and speaker in the mass media during the 1960s and the 1970s.She earned her bachelor's degree at Barnard College of Columbia University and her M.A. and Ph.D. degrees from Columbia. Mead served as President of the American Association for the Advancement of Science in 1975.Mead was a communicator of anthropology in modern American and Western culture and was often controversial as an academic.Her reports detailing the attitudes towards sex in South Pacific and Southeast Asian traditional cultures influenced the 1960s sexual revolution.She was a proponent of broadening sexual conventions within the context of Western cultural traditions.Together with her third husband (1936-1950), Gregory Bateson, she did research on Balinese culture.son, she did research on Balinese culture.)
Mark Hobart + (Mark Hobart is Emeritus Professor of Criti … Mark Hobart is Emeritus Professor of Critical Media and Cultural Studies at SOAS, University of London. Mark's research interests include philosophical issues in Anthropology, Cultural and Media Studies. Currently he is running a project on cultural styles of argument and rhetoric entitled 'How Indonesians Argue', which aims to explore the practices that constitute what we usually call 'culture' or 'society'. Having carried out over eight years of intensive ethnography in Indonesia, his interest is driven by awareness of the unappreciated gulf between academic theorizing and concepts on the one hand and how people act, judge and interpret their own actions.Bali-related publications include:Hobart, Mark (2017) 'Bali is a battlefield Or the triumph of the imaginary over actuality'. Jurnal Kajian Bali (Journal of Bali Studies), (7) 1, pp 187-212.Hobart, Mark (2011) 'The relevance of cultural and media studies to theatre and television in Bali'. Jurnal Kajian Bali (Journal of Bali Studies), (1) 2, pp 63-75.Hobart, Mark (2011) 'Bali is a brand: a critical approach'. Jurnal Kajian Bali (Journal of Bali Studies), (1) 1, pp 1-26.Hobart, Mark (2010) 'Rich kids can’t cry: reflections on the viewing subject in Bali'. About Performance, (10), pp 199-222.Hobart, Mark (2007) 'Rethinking Balinese Dance'. Indonesia and the Malay World, (35) 101, pp 107-128.Hobart, Mark (2000) 'The end of the world news: television and a problem of articulation in Bali'. International journal of cultural studies, (3) 1, pp 79-102.Hobart, Mark (1997) 'The missing subject: Balinese time and the elimination of history'. Review of Indonesian and Malaysian Affairs, (31) 1, pp 123-172.and Malaysian Affairs, (31) 1, pp 123-172.)
Mary S. Zurbuchen + (Mary S. Zurbuchen’s research interests inc … Mary S. Zurbuchen’s research interests include Southeast Asian humanities, the study of historical memory, and social justice in international education. She is the author of The Language of Balinese Shadow Theater (Princeton 1987), and her edited works include Beginning to Remember: The Past in the Indonesian Present (Washington/Singapore 2005), as well as Origins, Journeys and Returns: Social Justice in International Higher Education (Social Science Research Council 2009). Zurbuchen has long worked in philanthropy, serving as the Ford Foundation’s Representative based in Jakarta from 1992‐2000, overseeing grant programs and field offices in Southeast Asia. Her work with Ford Foundation included assignments as Program Officer for Culture in Indonesia (1984‐87) and India (1988‐91). Since 2004 she has served as Director for Asia and Russia with the Ford Foundation International Fellowships Program. From 2000‐2003, Zurbuchen was appointed Visiting Professor at the International Institute, University of California, Los Angeles, and also served as Acting Director of UCLA’s Center for Southeast Asian Studies. She received the Ph.D. in Linguistics and M.A. in Southeast Asian Studies from the University of Michigan, Ann Arbor, and the B.A. (Honors in Literature) from the University of California, Santa Cruz. the University of California, Santa Cruz.)
Mas Ruscitadewi + (Mas Ruscitadewi was born in Kesiman, Denpa … Mas Ruscitadewi was born in Kesiman, Denpasar. She holds a Bachelor of Arts in archeology and a Master's in Hindu philosophy. Since elementary school she has been actively writing poetry, short stories, and drama. Her literary work is collected in the book "Hana Bira," her short stories in the book "Penari Sanghyang" (Indonesian), "Luh Jalir" (Balinese), her dramatic scripts in the books "Rumah Bunga" and "Nyanyian Hitam" (monologue), as well as in a few collected volumes of poetry and short stories together. She was one of the forces behind Bali Orta, the Balinese language section of Bali Post.Mas Ruscitadewi studied archeology, philosophy and religion at the Denpasar State Hindu Dharma Institute.As well as writing poetry, songs, and short stories, she teaches philosophy in the form of theatre to prisoners who’ve been sentenced to death at Kerobokan Prison.She also teaches children with HIV/AIDS at Yayasan Kerti Praja, and is a curator for Gelar Seni Bali Mandara Nawanatya, a year-long arts event series. Nawanatya, a year-long arts event series.)
Ida Bagus Njana + (Master Balinese woodcarver Ida Bagus Njana … Master Balinese woodcarver Ida Bagus Njana (1912-1985).Njana's family descends from Dang Hyang Nirartha, the saint of Balinese Hinduism, who moved to Bali in the 1500s and spread his religious reforms by travelling around the island. In the village of Mas, the local headman gave him one of his daughters. Their son from his marriage, Ida Putu Mas, started the Brahmana Mas line. Like their ancestors, the Mas Brahmins became priests or, like Njana, woodcarvers and architects.r, like Njana, woodcarvers and architects.)
KEMISKINAN ANCAMAN MASA DEPAN PULAU DEWATA + (Matur suksema majeng ring pengater acara, … Matur suksema majeng ring pengater acara,santukang galahe sane becik punika kapaicang ring pasikian titiang. sedurung titiang unigayang atur pinih rihin lugrayang, ngiring sareng sareng ngastiti ring ida sang hyang widhi wasa. titiang antung nguncarang panganjali umat OM Swastiastu para angga panurakse sane wanggiang titiang timBASABALI Wiki sane kusumayang titiangg timBASABALI Wiki sane kusumayang titiang)
Melati dan Isabel Wijsen + (Melati and Isabel Wijsen are young Balines … Melati and Isabel Wijsen are young Balinese women. Since 2013, they have been very concerned about fighting plastic waste. They established a Non-Governmental Organization (NGO) called “Bye Bye Plastic Bag” with a vision and mission to free Bali from plastic waste. The effect is enormous for the global community. As of January 2016, thirteen countries have shown interest in joining and implementing Bye Bye Plastic Bags in their respective countries. Three months later the NGO spread its wings to the capital city of Jakarta. Also, Bye Bye Plastic Bags managed to involve around twelve thousand volunteers to collect 40 tons of garbage across beaches on the island of Bali in February 2017 in an event entitled One Island One Voice. The NGO also marks shops and stalls that are no longer using plastic bags on its social media.Melati and Isabel are young girls who made Indonesia famous internationally. They won the “Bambi” Award in Germany thanks to the Bye Bye Plastic Bags program. They are two teenagers who are very inspirational to the international community, and are the youngest recipients of the Bambi award.They are admirers of Nelson Mandela, Lady Diana, and Mahatma Gandhi. They then took the initiative to do useful things for the world at a young age. Through the NGO Bye Bye Plastic Bags, they realized their mission and were invited to London to speak at TED Talks and also to New York to be a speaker at the United Nations during the commemoration of World Oceans Day 2017.he commemoration of World Oceans Day 2017.)
Ni Putu Mira Novianti + (Mira MM Astra is the pen name of Putu Mira … Mira MM Astra is the pen name of Putu Mira Novianti, born in Denpasar, 1978. She studied Philosophy at Charles University Prague and Anglo-American University in Prague, Czech Republic. Her poems have been published in the Bali Post, Kompas, Koran Tempo, and are collected in her poetry book: Pinara Pitu (2016). Apart from writing poetry, she has also been active in theater.etry, she has also been active in theater.)
Iseng Bali Sane Kuna + (MISSING THE FIRST BALI The prolonged Covid … MISSING THE FIRST BALIThe prolonged Covid-19 pandemic has forced the Government to limit visits from local or foreign tourists, this has caused Bali to be still empty of visits, this situation is due to various reasons, ranging from the increasing number of positive cases of Covid-19 in Indonesia to permits that have been issued. considered burdensome for visitors.Talking about Bali tourism means that we focus on the cultural and natural sectors which are the main selling points. Looking at the current problems and situation, it is hoped that the government will take advantage of the condition of Bali which is still empty of tourists by focusing on preserving nature and strengthening its cultural values. How, namely by taking big steps in limiting the construction of instructors that are unnecessary and have no impact in attracting foreign tourists. We all know Bali is even better known in the international world than our own country, we are known for the unique culture and beautiful nature it has to offer.I was looking for some information around, both from tour guides or from tourists who have settled in Bali, I gave some questions about what foreign tourists usually like and make them comfortable in Bali, their answers are almost the same in essence, namely culture and nature offered, not in terms of technology or the splendor of the modern buildings that are here. some interesting things that I found in the answers given by the speakers who I asked questions, namely they missed the old Bali atmosphere, they missed the traditional Balinese culture and nature when they came to Bali for the first time.My biggest hope as a millennial generation who has never experienced what “Bali of the past” is, who only knows from parents' stories, pictures from Google and videos from Youtube, hopefully the Government can prioritize and create programs that are able to shape the longed for Traditional Bali, because what tourists are looking for is not Bali with advanced technology or magnificent infrastructure, but a beautiful Bali with a friendly environment.eautiful Bali with a friendly environment.)
I Nyoman Marsa + (Modern and ontemporary painter who was born in 1952.)
I Dewa Made Ariawan, S.Ag., M.Pd.H & I Nengah Asrama Juta Ningrat, S.Ag., M.Fil.H + (Mr. I Dewa Made Ariawan, S.Ag., M.Pd.H and … Mr. I Dewa Made Ariawan, S.Ag., M.Pd.H and Mr. I Nengah Asrama Million Nobles, S.Ag., M.Fil.H are the masters of the geguritan Catur Bhujangga Bali Mula. Mr. I Dewa Made Ariawan, S. Ag., M.Pd. H or Pak Dewa Mangku Dalang was born in Serai Hamlet, Penglumbaran Village, Kec. Shrink, Bangli Regency, on August 6, 1986 from the couple I Dewa Nyoman Reka & Jro Nyoman Munet. His daily life is an education staff in the Department of Education, Youth and Sports, Bangli Regency, but in between his busy life outside the father of Dewa Ariawan, he is still active in the field of art, namely Dalang. He also won 2nd place in the Utsawa Dharma Githa adult marriage competition in 2017 in Palembang and 1st place in the adult marriage competition in Bali in 2016.Mr. I Nengah Asrama Juta Ningrat, S.Ag., M.Fil.H is an art actor who is still active in compiling books, many books have been produced. He has also won the achievement of becoming the 1st Winner of an outstanding Hindu Religion Teacher at the Provincial level in 2015. Mr. Million Nobles was born in a clerical environment on the north slope of Mount Batur, Songan A, Kec. Kintamani, Bangli Regency, on June 15, 1980 from the couple Jro Gincang & Jro Suwiti. Apart from compiling books, his daily life is as a teaching staff in the Ministry of Religion of Bangli Regency from 2014 until now.Broadly speaking, this Bhujangga Bali Mula Catur geguritan contains the origin of the Bhujangga Bali Mula breed, precisely the Kayu Selem people in the Hyang Gwa Song tampur. It is hoped that the residents of Kayu Selem who are in Bali and outside Bali should continue to remember their ancestors as guides in carrying out their lives as damuh warih Ida Mpun Semeru.ng out their lives as damuh warih Ida Mpun Semeru.)
I Wayan Phala Suwara S.Pd.H.,M.Pd + (Mr. I Wayan Phala Suwara S.Pd.H.,M.Pd he w … Mr. I Wayan Phala Suwara S.Pd.H.,M.Pd he was born in Denpasar, May 22, 1993. Located on Jalan Gemitir, Gang Suli B Biaung-Denpasar. His parents are I Wayan Sujana and Ni Nyoman Sariani. He works as a teacher at SMA Negeri 3 Denpasar. His last education was S2 at IHDN.npasar. His last education was S2 at IHDN.)
I Wayan Suardika + (Mr. I Wayan Suardika is a pengawi from the … Mr. I Wayan Suardika is a pengawi from the Nusa Penida region, he was born in Pelilit 08 June 1989, he has his address at Pelilit hamlet des Pejukutan Subdistrict Nusa Penida, Klungkung Regency, Mr. I Wayan Suardika studied elementary school at SDN 8 Suana, studying junior high school at SMPN 1 Nusa Penida, attended high school at SMAN 1 Nusa Penida, then took undergraduate and postgraduate education at the Ganesha education university by taking the Balinese language education study program. Since 2017 he has been writing Balinese literature purwahas been writing Balinese literature purwa)
I Wayan Turun + (Mr. I Wayan Turun is a writer who comes fr … Mr. I Wayan Turun is a writer who comes from Kesiman Village, East Denpasar District, Denpasar City, he was born in 1951, as a writer he often creates literary works in the form of geguritan, kidung, Puranas and others.Geguritan Penataran is one of the 108 literary works of Mr. I Wayan Turun. This geguritan is a work on the treatment of lontar which used to use tissue paper. Before writing geguritan Penataran, he had written many other literary works such as Kidung Kidalang Pricek, Geguritan Busana, Geguritan Balian Batur.He has been involved in literary arts since a young age, has become a very bright experience today, such as: being a staff at a Balinese museum, making temples and inscriptions, Gama Sesana researchers Aji Loka Trestih and Aji Loka Kertih and many others.With extraordinary works, he often makes literary works for several temples in Kesiman.From him, I learned that there are still many authors of Balinese literary works around us today, even though they are still located on the modern and bustling side of Denpasar City.modern and bustling side of Denpasar City.)
Ida bagus wiryanatha + (Mr. Ida Bagus Wiryanatha, he was born on M … Mr. Ida Bagus Wiryanatha, he was born on May 19, 1961 in Pejeng village, Gianyar. Is a native of Br Puseh Pejeng Village, Gianyar. Currently, he is a lecturer at the Indonesian HINDU University at the Faculty of Health. He has completed his last education S1 Dr. General at Udayana University and S2 Religion and Culture at the Hindu University of Indonesia. Mr. Ida Bagus Wiryanatha is the son of the late. Ida Peranda Wayan Ngenjung and the late Ida Peranda Istri Bun. Mr. Ida Bagus Wiryanatha has 1 very beautiful wife named Ida Ayu Wimba Ruspawati and from his marriage with his wife, he is blessed with 3 children.h his wife, he is blessed with 3 children.)
Catharina Widjaja + (Ms. Catharina Widjaja is Executive Vice Pr … Ms. Catharina Widjaja is Executive Vice President at Gajah Tunggal Group. From 2004 till recently, she held the position as Director for Corporate Communication and Investor Relations at PT Gajah Tunggal Tbk.Prior to joining the Gajah Tunggal Group, Ms. Widjaja worked for various multinational companies including Deutsche Bank AG, Jakarta, as a Foreign Exchange Dealer for two years from 1986 to 1988, and HSBC Indonesia, for nine years, where she last held the position of Country Treasurer. She received a Master of Science in Control Engineering from the University of Bradford in 1986 and also an alumni of MIT Sloan School of Management for the Executive program.Ms. Widjaja is also the Director of Alun Alun Indonesia, an Indonesian retail concept which promotes Indonesian products and artisans. In addition, Ms. Widjaja is active in several social activities including the United in Diversity Foundation, CCPHI, IBCA, IBCWE, YCAB and Yayasan Mitra Museum Jakarta. Ms. Widjaja was recognized as Global Trade Ambassador Indonesia by WIT-LA in 2019 and received TOP Leader on CSR Commitment by Business News Indonesia in 2018 and was nominated in the 2017 Telstra Business Women Awards.Cath also serves on the Board of BASAbali.Cath also serves on the Board of BASAbali.)
Muda Wijaya + (MUDA WIJAYA is a poet and theater actor wh … MUDA WIJAYA is a poet and theater actor who was born in 1974 in Kecicang, Karangasem, Bali. He completed education in Denpasar equivalent to high school in 1993.He was active in the Got Denpasar Theater and was involved in a number of performances in several places in Bali. Together with the Satu Kosong Elapan group, they played the script Death of A Salesman (2004) at Taman Ismail Marzuki in the Indonesian Realist Theater Stage. One of his poems was included in the Ten Best Poetry Writing Contest in Bali (2002) which was held at Udayana University Orok Theater.Winner of a poetry and short story writing competition at Balai Bahasa in Bali (2004). A number of his poems have been published in local and national mass media, including: Media Indonesia, Bali Post. Warta Bali, Cultural Traces Magazine (Banyuwangi), GM – Independent. His poetry has also been included in the poetry anthology with God of the Sky So Empty (Denpasar Language Center – 2004), short story nomination in the Tower anthology book (Denpasar Language Center – 2004), the anthology with Maha Duka Aceh published by PDS. HB. Jassin (2005), anthology of poetry from the Spirit of the Poets of Bali – West Java (Bukupop 2005), Jogja 5.9 Rithcer Scale (Bentang – 2006), Herbarium Poetry Anthology 4 Cities (Pustaka Pujangga – 2007).He has performed as a single performance art in the Gigir Manuk Multicultural Camp (2002) in KubuAddan, Buleleng, Bali. And was involved in a collaboration with William Miranda from Canada in the Eidepus Dance Drama which was played at the 2006 Bali Arts Festival.His book of poetry is entitled "Kalimah". Now he is active in Jatijagat Poetry Village, Bali. active in Jatijagat Poetry Village, Bali.)
Penanganan pemanasan global ring bali + (My esteemed judges, my beloved Basabali wi … My esteemed judges, my beloved Basabali wiki team, and my beloved brothers and sisters. Before I continue I would like to congratulate the Om Swastiastu community. I feel very fortunate to be able to participate in this activity, thank God, I can give my opinion on this Wikithon Contest on this beautiful day, allow me to express my opinion on the most important issue for our country. It's the problem of global warming. The Earth is getting hotter, as we feel in Bali, so we have to try to address global warming in Bali. Bali as a small island, but as a major tourist destination in the world should provide a powerful energy for the future. The development of global warming has become increasingly apparent. Increased pollution is one of the causes of global warming. Other causes are global warming and forest fires. In Hinduism, there is what is called the Tri Hita Karana, the three signs of happiness as man's relationship with God, man with man, and man with nature. The third point, the relationship between humans and the environment, is that the movement of planting trees is already taking place, but how do we develop a culture of caring for and maintaining these trees? That's all I can suggest. Let's consider this as a priority and the foundation of the main work program of the candidate leader who will be elected in 2024. I close with Parama santih, Om santih santih om.e with Parama santih, Om santih santih om.)
Putu Weddha Savitri + (My name is Putu Weddha Savitri and I was b … My name is Putu Weddha Savitri and I was born in Singaraja, 27th February 1981. I graduated from French Department, Padjadjaran University for my bachelor degree, and Lingustic Program, Udayana University for my Master degree. I am a lecturer in English Departement, Faculty of Arts, Udayana University since 2006, and I has interest in French language, linguistics, translation, and language teaching.stics, translation, and language teaching.)
keamanan daerah + (Nama: inyoman darma putra Absen :11 ORASI … Nama: inyoman darma putraAbsen :11ORASIom Swastiastu, perkenalkan wastan titiang i Nyoman darma putra,titiang saking br,samu, mekar Bhuana, Abiansemal -badungmasalah sane patut selesaiang teken pemerintah,masalah begal ring desa mekar Bhuana,ring jalan tingas ke sedangdrike biasane Wenten ade begal lan trek trek an,krane jalane drike sepi lan lampu penerangan Ten akehe drike sepi lan lampu penerangan Ten akeh)
I Gede Anom Ranuara, S.Pd., S.Sn., M.Si., M.Ag. + (Name : I Gede Anom Ranuara, S.Pd., S.Sn., M.Sc., M.Ag. Birthday : September 7, 1968 Occupation: Artist Status : Married)
Nancy Tingley + (Nancy Tingley is an independent art histor … Nancy Tingley is an independent art historian and consultant with a specialty in Asian art. She has worked extensively in the art world and as a museum curator. Nancy has written literary fiction in the closet for decades and has only just come out with the publication of the Jenna Murphy Mysteries. A Head in Cambodia (Swallow Press, 2017), which was nominated for a Lefty Award for best debut mystery, is the first in the series, and A Death in Bali (Swallow Press, March 2018) is the second.(Swallow Press, March 2018) is the second.)
I Wayan Udiana + (Nanoq da Kansas, real name Wayan Udiana, w … Nanoq da Kansas, real name Wayan Udiana, was born in Moding, Candikusuma, Jembrana, December 2, 1965. He is the founder of Teater Kene, Bali Experimental Theatre, Komunitas Kertas Budaya. He has also been with the Coffee Drink Studio. His literary works have been published in the Bali Post, Kompas, Nusa Tenggara, Karya Bhakti, Swadesi, Nafiri, etc. His published books are: Ladang Angin (1993) and Centuries After Women Hiding in My Body (2006), A Country That Might Not Have Time to Hear, Martabak & Cabinet, Village Children Who Challenge the Ages.inet, Village Children Who Challenge the Ages.)
I Putu Adhyaksa Narendra Krishna + (Narend was born on 14 April 2012. He has s … Narend was born on 14 April 2012. He has shown an interest in the art of shadow puppet from the age of two. He started performing as a puppeteer when he was only six years old. He includes environmental issues in his stories.He has his own YouTube channel: https://www.youtube.com/channel/UC_ckePCK__4GypMOw4_QzWgDuring his performances the gamelan gender is played by I Nyoman Yudi Artawiguna.der is played by I Nyoman Yudi Artawiguna.)
I Ketut Ngendon + (Ngendon was among the first of the Batuan … Ngendon was among the first of the Batuan painters to try the new art and was very influential on those who followed.Due to the fact that Ngendon was acquainted with both Spies and Bonnet at an early stage, and because he was involved in organising toursist events, his art seems to reach a higher degree of Westernisation than his contemporaries from the Batuan region. Paradoxically it may well be true that it is due to Ngendon's influence and artistic leadership that the Batuan painters as a group preserved their own identity and did not become epigenists of any western artist (unlike some painters from the Ubud region). Illustrative is the example told by I Ketut Tombelos (Margaret Mead's field notes), where it is said that Ngendon had a violent disagreement with Bonnet regarding the paternalistic interventions of the latter towards the style and choice subject of Ngendon. Professor Hildred Geertz perceives a strong taboo against any sign of modernisation evident in the work of Batuan painters (op. cit. p. 17). Still she rightly suggests that it was Western modernity and Western forms of power that fascinated and inspired Ngendon (op. cit. p. 19). The artist was a member of the Pita Maha artists' association.The present lot compares to a picture of the same subject of a pupil by Ngendon: I Made Djata, Collection Bateson & Mead, Princeton University, New Jersey (on loan), inv. no. B-134 (cf. literature: H. Geertz, Images of Power, p. 57, p. 56 illus). For further bibliographical notes see Geertz, pp.5-19; Hohn, pp. 43-51.al notes see Geertz, pp.5-19; Hohn, pp. 43-51.)
Ngurah Adil Widana + (Ngurah Adil Widana, was born in Negara, Ba … Ngurah Adil Widana, was born in Negara, Bali, September 14, 1963. Graduated from high school in Kota Negara, continued his education at the Health Academy and continued to the Faculty of Communication Studies in Denpasar. Then he worked at the Ministry of Health in Jembrana, at the Public Relations of the Jembrana Regency Government and finally worked at the Jembrana General Election Commission. learn to write literature self-taught. Several writings in the form of poetry and also cultural notes have been published in the Bali Post and other newspapers in Bali. The book of poetry with him is “Blengbong” (2021). Now he still works at the Jembrana General Election Commission office.mbrana General Election Commission office.)
Ni Kadek Anggreni + (Ni Kadek Anggreni, S.Pd. is the author of … Ni Kadek Anggreni, S.Pd. is the author of the book Trilingual Illustrated Dictionary (Bali-Indonesia-English) which she compiled based on her thesis research. Since childhood, she has been pursuing poetry and dreams of becoming a teacher who is loved by his students. Anggreni was born and raised in the highlands of Bangli and is eager to change the life of herself and his family for the better with proper education. She finished her undergraduate study at STKIP Suar Bangli (now ITP Markandeya Bali) in 2021. Bangli (now ITP Markandeya Bali) in 2021.)
Ni Kadek Novi Sumariani + (Ni Kadek Novi Sumariani, born in Karangase … Ni Kadek Novi Sumariani, born in Karangasem, 15 November 1996. She studied art at the Bali Design College. Since 2010 she has been active in many joint exhibitions, including “Parchment” at New Media (2015), Installation exhibition (ART I) at the Puri Painting Museum (2018), Balinese Women Artists exhibition (PBB) at Bali Cultural Park (2018), Merdeka in Expressions at the Bali Cultural Park (2019).ressions at the Bali Cultural Park (2019).)
Ni Kadék Widiasih + (Ni Kadek Widiasih was born in Banjar Magat … Ni Kadek Widiasih was born in Banjar Magatelu, Tista Village, Abang Subdistrict, Karangasem on June 14, 1984. She has studied composing since 2007. Her works are in the form of poetry and prose and have been published in Bali Orti (Bali Post) and Mediaswari (Pos Bali) since November 2007. In 2015 Widiasih received the Widya Pataka award from the Governor of Bali for her collection of poems entitled “Sang Kinasih”. A collection of her published works are:“Gurit Pangawit” (Poetry Collection, 2008)."The Kinasih" (Poetry Collection, 2015).. "The Kinasih" (Poetry Collection, 2015).)
Ni Ketut Reneng + (Ni Ketut Reneng is a maestro of Balinese d … Ni Ketut Reneng is a maestro of Balinese dance. She was born in Banjar Kedaton, Denpasar, 1909. Both of her parents died when Reneng was young. Then she devoted himself to Geria Punia. She learned to dance when she was a child to A.A. Ngurah Jambe, Salit Rengis and Nyarikan Sriada. Reneng had learned to dance leaning with Ida Bagus Bodha from Kaliungu Kelod and A.A. Rai Perit from Sukawati. She is one of the creators of Pendet Dance. Together with I Wayan Rindi, they decided to make a dance by taking the standard of the Pendet Wali Dance as the spirit of the dance. The Legong Keraton group, which was formed in 1919, became big thanks to Reneng's services. At that time she also mastered various types of palegongan dances such as the Condong Pelayon Dance, Legong Pelayon, Lasem, Kuntul, Jobog, Goak Macok and Legod Bawa. She was also a member of the Janger Dance group in Banjar Keton in 1928 and recalled her in Batavia (Jakarta) in 1929. Together with her colleague Ni Pollok, Reneng had worked as a model for a Le Mayeur who lived in Sanur. Reneng has also been a fare teacher on the shores of Lake Batur at the request of the writer and humanist Sutan Takdir Alisyahbana.ter and humanist Sutan Takdir Alisyahbana.)
Ni Komang Ariani + (Ni Komang Ariani was born in Bali, May 19, … Ni Komang Ariani was born in Bali, May 19, 1978. She is a very prolific writer of short stories and novels. Hershort stories have been published in Kompas, Jawa Pos, Media Indonesia, etc. His published books include: Lidah (2008), Senjakala (2010), Not the Empress (2012), Jas Putih (2014), Marigold (2019). In 2008 she became the first winner of the Femina Continuing Story Writing Competition through the novel “Nyanyi Sunyi Galang Tebing”. Her works have also been included in the short stories of Kompas' Choices. Now she lives in Jakarta.Kompas' Choices. Now she lives in Jakarta.)
Ni Komang Atmi Kristiadewi + (Ni Komang Atmi Kristiadewi was born in Den … Ni Komang Atmi Kristiadewi was born in Denpasar on June 24th, 1990. She studied art at a fine arts high school (Sukawati State Vocational High School 1), graduating in 2008. She later continued her education at the Republic of Indonesia Teachers Association of Bali Institute of Teacher Training and Pedagogy choosing Fine Arts as a field of study. Then she continued and finished her education at the Denpasar Postgraduate Institute of Indonesian Art with a course of study in Art Composition in 2015.Atmi became involved in the art world owing to inspiration from Japanese animation and taking it up as a hobby. Her uncle worked as an artist and greatly inspired Atmi to become an artist. Atmi's images are in the naive style using bright colors. The strength of these naive images emerges through a lengthy process which is created due to her efforts to put herself in the position of children and the experience of interacting with the students she teaches.In 2011, Atmi held her inaugural solo exhibition at Ten Art Gallery, Sanur, under the theme “Polusi Rasa”. In 2015 she held her second solo exhibition entitled “Apah” in Sudakara Art Space, Sanur. In addition, she also actively holds exhibitions with others, both at home and abroad. Through her artwork, Atmi hopes to share her experiences about the world of children interwoven with wider subject matters, such as environmental, technological, cultural, social criticisms, and so on. Visually, Atmi chooses naivism to express her inner anxieties. In 2014, Atmi’s work successfully entered the ranks of works in Kompas’s 2014 Short Story Illustration Exhibition. 2014 Short Story Illustration Exhibition.)
Ni Luh Gde Vony Dewi Sri Partani + (Ni Luh Gde Vony Dewi Sri Partani, born in … Ni Luh Gde Vony Dewi Sri Partani, born in Denpasar, June 28, 1978. She studied painting on her own. Since 2012 she has been actively displaying her work in various joint exhibitions, such as the Kartini Day exhibition at Warung Yaya, Sanur (2012), Pararelissmo at Farabi Bali (2013), "Alignment" at Bidadari Art Gallery, Ubud (2013), Bali Art Fair at Maha Art Gallery (2013), I Love My Mom at Seniwati Artspace, Ubud (2016), She Paint Her Sky at Krisnalila Foundation (2018), Jabuik Tabao Padang at Bentara Budaya Bali (2018), Luwih Utamaning Luh at Bali Cultural Park (2018 ), Indonesia Satu at the Pullman Hotel, Jakarta (2019), Vidya Diva at the Bali Cultural Park (2019). She held her first solo exhibition in 2011 entitled “Women” at Serambi Arts Antida, Denpasar, and in 2012 held an exhibition of Make Up Artist Graffiti at Yaya Artspace. Apart from painting, she pursues the art of makeup and hair styling.ursues the art of makeup and hair styling.)
Ni Luh Putu Wulan Dewi Saraswati + (Ni Luh Putu Wulan Dewi Saraswati, comes fr … Ni Luh Putu Wulan Dewi Saraswati, comes from Busung Biu Village, Buleleng. Born on July 10, 1994, she studied S1 at Undiksha, Department of Indonesian Language and Literature Education, then studied linguistics at the Postgraduate Program at Udayana University. She is now a teacher of Indonesian for foreign speakers at the Cinta Bahasa Foundation and is currently part of the Mahima Community and Theater Circle. Her anthology of poetry entitled A Thousand Mornings of Love was published in 2017.nd Mornings of Love was published in 2017.)
Ni Luh Wida Apriliani, S.Pd + (Ni Luh Wida Apriliani, S.Pd. with the pen … Ni Luh Wida Apriliani, S.Pd. with the pen name Nulus Asih. He is one of the Balinese writers of geguritan who lives on Jl. Raya Semer, Gang Tunjung Mekar no.11, Peliatan Environment, Kerobokan Village, North Kuta District, Badung Regency. She was born in Gelunggang on April 5, 1993. She is the daughter of I Wayan Wiartana and Ni Ketut Sumartini. His current job is as a Balinese language instructor in Tanjung Benua Village.guage instructor in Tanjung Benua Village.)
Ni Made Ayu Marthini, M.Sc. + (Ni Made Ayu Marthini is currently Deputy M … Ni Made Ayu Marthini is currently Deputy Minister for Marketing Ministry of Tourism and Creative Economy. Formerly Bu Made was Director of Bilateral Negotiations, Directorate General of International Trade Negotiations, Ministry of Trade Republic of Indonesia where she oversaw 19 on goings and up-comings Indonesia's bilateral trade negotiations with its trading partners.Previously, Bu Made was the Director for Center of Policy Harmonization and Director for Center of Strategic Issues at the Ministry of Trade and concurrently the Minister's staff for one year (2015-2016). From 2011-2015 she was posted overseas as Indonesian Trade Attaché in Washington D.C., USA.Made started her career in 1996 as a staff to Department of Foreign Affairs of the Republic of Indonesia where she held several positions as Head of Sections of UNCTAD, Directorate of Multilateral Economic Cooperation, Department of Foreign Affairs of the Republic of Indonesia. Later on, she was posted at Permanent Mission of the Republic of Indonesia to the United Nations in New York, United States of America, taken care of Development and Economic affairs. As she returned to Indonesia in 2004, she was positioned as Head of Foreign Trade Agreements Subdivision, Directorate of UN Economy & Environment Development, Department of Foreign Affairs of the Republic of Indonesia.After 10 years career at the Ministry for Foreign Affairs she moved to Ministry of Trade of the Republic of Indonesia in 2006, where she hold several positions as Head of News & Publications, official at Legal Bureau and Head of News & Publication, Public Relations Center, at the same time she was seconded as the Assistant for Minister of Trade at Minister's office for six years, before she was getting posted in the USA. Made holds a Master’s degree in Politics of the World Economy from the London School of Economics and Political Science, London, and Bachelor’s degree in International Relations from Gadjah Mada University,Yogyakarta, Indonesia. In 2015, she joined the Executive Education at Harvard Kennedy School in Boston to master trade policyarvard Kennedy School in Boston to master trade policy)
Ni Made Budi Utami + (Ni Made Budi Utami was born on May 19, 197 … Ni Made Budi Utami was born on May 19, 1979 in Denpasar, Bali. She completed her undergraduate education at the Agro food Technology, Udayana University. She has some experience in editing and journalism. She became junior editor at SALAM Magazine, published by VECO Indonesia in 2005 – 2006, as an editor at SALAM Magazine, published by VECO Indonesia (2007—2009), editor at PETANI Magazine, published by Indonesian Organic Alliance (2010), editorial team of Core Function Analysis Facilitation Manual—MAP Timor Leste & GIZ (2011) and became freelance journalist (2011-2012). Since 2019 she has joined BASAbali Wiki as Administration and Financial Director. She has participated in Investigative Reporting Training, held by Yayasan Pantau and as a participation in The Climate Change Action Training, held by The Climate Project Indonesia and Yayasan Pembangunan Berkelanjutan in 2010.and Yayasan Pembangunan Berkelanjutan in 2010.)
Ni Made Frischa Aswarini + (Ni Made Frischa Aswarini. Born on October … Ni Made Frischa Aswarini. Born on October 17, 1991. She studied History at Udayana University, Bali and writes journalistic works, scientific works, essays, poetry and short stories. Her poems have been published in various media including translated into French for the journal Le Banian (2016) and the poetry anthology Couleur Femme (Jakarta-Paris Forum and AF Denpasar, 2010); translated to English in Happiness anthology,The Delight-Tree 2 (United Nations SRC Society of Writers, 2016). Two of her poetry books are entitled Portraits on the Table (2012) and Signs for Questions (GPU, 2017). Because of her poetic imprint, he became one of the speakers at the 2013 Ubud Writers & Readers Festival, as well as a cultural dialogue speaker at Publica, Kuala Lumpur. She was selected to participate in Canada World Youth (Kemenpora RI, 2014-2015) and helped compose a biography of the artist Made Wianta entitled God's Time (2008). Tanda for Tanya (2017) is a collection of poetry that is included in the top 10 categories of First or Second Work, Kusala Sastra Khatulistiwa 2017-2018. Now, she works as a historical research assistant and presenter at TVRI Bali. Active in the Sahaja Community, Denpasar. Instagram account: @frischa_aswarini.enpasar. Instagram account: @frischa_aswarini.)
Ni Made Purnama Sari + (Ni Made Purnama Sari was born in Klungkung … Ni Made Purnama Sari was born in Klungkung, Bali, March 22, 1989. Graduated from the Department of Anthropology at Udayana University, then continued to Masters in Social Development Management, University of Indonesia. She wrote poetry, short stories and essays and was published in a number of newspapers, including Kompas, Koran Tempo, Media Indonesia, Jawa Pos, Bali Post. Her poetry was translated into English and French.Since 2007, she has won various writing awards, including 2nd place in the short story competition at Balai Bahasa in Bali, 3rd place in Short Story Writing at the Jakarta Language Center, General Winner of the 2007 Sampoerna AGRO Poetry Writing and Reading Contest in Indonesia and 2nd Place in the National Poetry Writing Competition of the Semarang Arts Council. 2007. Her essay won first place in the Kompas Gramedia Essay Competition (2007). He has often won various poetry reading competitions, and read short stories since he was in junior high school.His poetry has been included in the anthology of the 100 Best Indonesian Poems, the Pena Kencana Sastra Award (2007), the anthology book of the 5 Cities Poetry Gathering in Payakumbuh “Kampung Dalam Diri” (2008), and the Best Indonesian Poetry Anthology of the Pena Kencana Sastra Award (2008 and 2009), the Gathering Indonesian Literature (2010 and 2011), Ubud Writers and Readers Festival Anthology (2010), 'Couleur Femme' Anthology: A Collection of Indonesian-French Poetry published by the Alliance Francaise Denpasar and the Jakarta Paris Forum (2010) and so on. In addition, her work (biographical essay) has also been published under the title 'Time of God: Wianta' (2007). She also took part in the Folklore Writing program of the Jakarta Language Center in 2010.Ni Made Purnama Sari has been invited to various events, both literary performances and discussions, in Bali as well as in several other areas in Indonesia, including Malang, Surabaya, Yogyakarta, Padang and Jakarta, including the Discussion and Launch of the Short Story Anthology Book 'Lobakan' which discusses the relationship between between literature and the history of the 1965 events in Bali (2009) at the Goethe Institute Jakarta. In addition, she was also invited to the Southeast Asian Assembly Writing Program (MASTERA): Essays organized by the Jakarta Language Center (2009), Mentor of the Tempo-Institute Essay Writing Program and Leadership Workshop (2010), Literature Gathering Mitra Praja Utama (MPU) in 2010, the international literary festival Ubud Writers and Readers Festival (2010), the IV Indonesian Sastrawan Gathering in Ternate (2011), the Writers Journey program with Australian writers (2012), and the 2014 Padang Literary Biennale. Her first poetry anthology, “Bali – Borneo” (2014), received an award from the 2014 Indonesian Poetry Day Foundation.the 2014 Indonesian Poetry Day Foundation.)
Ni Made Rai Sri Artini + (Ni Made Rai Sri Artini. She was born in Ke … Ni Made Rai Sri Artini. She was born in Kerobokan, Badung, Bali, November 17, 1978. She has been writing poetry and short stories since he was a teenager. Her works have been published in Bali Post, Denpost, Pos Bali, Tatakala.co, and so on. Some of her poems are also collected in joint books, such as “Ning” (2001), Mengmunyah Geram (2017).as “Ning” (2001), Mengmunyah Geram (2017).)
Ni Made Sri Andani + (Ni Made Sri Andani, born in Bangli, Octobe … Ni Made Sri Andani, born in Bangli, October 10, 1965. She completed her studies at the Faculty of Veterinary Medicine, Udayana University. Currently, she serves as Marketing Director of a Fast Moving Consumer Goods company in Jakarta. Her hobbies are writing, gardening and drawing. Her work in the world of writing began when she was a teenager by filling in school or college magazines with poetry or short stories. In addition, she saves a lot of her writings on her personal blog at https://nimadesriandani.wordpress.com. There are about a thousand of his writings on the blog. She is also diligent in sending her writings to Kompasiana and Balebengong. The types of writings published on blogs are very diverse, mostly about life, inspiration, motivation, gardening, traveling, art and culture. Her published book is "Balanced Life, A Journey For Happiness, 100 Inspirational Stories" (Expression Library, 2021).ional Stories" (Expression Library, 2021).)
Ni Made Sri Purnami + (Ni Made Sri Purnami, S.Sos, known as Kadek … Ni Made Sri Purnami, S.Sos, known as Kadek Purnami, was born in Ubud, Bali, 19 April 1981. She is one of the initiators of the Ubud Writers & Readers Festival (UWRF), an international festival founded in 2004 by Janet de Neefe. Her position in the festival was Community Development Manager, then General Manager in 2014 - 2020. She was also involved in establishing the Mudra Swari Saraswati Foundation which oversees UWRF. In addition, she is also often involved in organizing visual art exhibitions, installations and videos (2005 -2006). She has worked in a production house in Bali and worked on a TV program entitled “Jejak Niaga”, which reviews the success profile stories that were broadcast on TVRI Bali (2003-2004). She graduated from the Faculty of Social and Political Sciences, majoring in Communication majoring in Public Relations, Atmajaya University, Jogjakarta and Diploma in Management, majoring in marketing. She also likes to fill her time by painting, writing short stories and poetry which is occasionally published in local print media. In 2012, She published a collection of short stories entitled "Because of Love" which contains 12 short stories about life in Bali. contains 12 short stories about life in Bali.)
Ni Nengah Mega Risna Dewi + (Ni Nengah Mega Risna Dewi was born in Denp … Ni Nengah Mega Risna Dewi was born in Denpasar, September 12, 1995. She graduated from art education at ISI Denpasar. Since 2013 she has been active in many joint exhibitions, including the exhibition "Human Space" at the Bali Cultural Park (2016), "Repositioning" at Discovery Mall Kuta (2018), "A Good Life For Orangutans" at the Jogja National Museum (2019), " X-TION” at Bentara Budaya Bali (2019), and “Freedom in Expression” at Bali Cultural Park (2019). Expression” at Bali Cultural Park (2019).)
Ni Nengah Widiasih + (Ni Nengah Widiasih was born in Kubu, Karan … Ni Nengah Widiasih was born in Kubu, Karangasem, Bali, December 12, 1992. She finished her schooling at SMA Dwijendra, Nusa Dua. Since she was a teenager, she was known as a para-powerlifting athlete who made Indonesia proud. She became paralyzed at the age of three and had to use a wheelchair. But she was not discouraged. She has studied weightlifting since elementary school. In junior high school, she won the National Weightlifting Championship by obtaining a Gold Medal in 2006. In addition, she won the ASEAN Paragame Bronze Medal in Thailand (2008), the ASEAN Paragames Silver Medal in Malaysia (2009), the ASEAN Paragames Gold Medal in Solo (2011), Silver Medal at the Asia Open in Malaysia (2013), Gold Medal at the ASEAN Paragames in Myanmar (2013), Silver Medal at the Asian Paragames in Incheon (2014), Bronze Medal at the Paralympic Games in Brazil (2016), Silver Medal at the Asian Paragames in Jakarta (2014), Tokyo Paralympic Silver Medal (2020).14), Tokyo Paralympic Silver Medal (2020).)
Ni Nyoman Polok + (Ni Nyoman Pollok was a Balinese dancing le … Ni Nyoman Pollok was a Balinese dancing legend from Kelandis.In the 1930s, Belgian artist, Adrien Jean Le Mayeur, saw Ni Pollok dance the Legong Keraton. He asked her to become a model for his paintings. Le Mayeur eventually married Ni Pollok and together they build a house in Sanur which later became a museum.ouse in Sanur which later became a museum.)
Ni Nyoman Sani + (Ni Nyoman Sani was born in Sanur, Bali, Au … Ni Nyoman Sani was born in Sanur, Bali, August 10, 1975. She graduated from the fine arts department of ISI Denpasar. Apart from painting, she is also interested in photography, poetry, and fashion. Sani's paintings talk a lot about women in the context of the world of fashion shows. The colors of the paintings are soft and very feminine.Since 1995, Sani has been actively displaying her work in joint exhibitions, both at home and abroad. Her solo exhibitions include Life Style at the Seniwati Gallery (Ubud, 1997), Pose at the Amankila Hotel (Candidasa, 1999), All About Women at Kiri Desa Gallery (Singapore, 2002), The Pleasure of Looking at Griya Santrian Gallery (Sanur, 2002). 2003), Between Two Worlds at O House Gallery (Jakarta, 2007), Women at Curiocity Nafa Me Fashion Gallery (Singapore, 2008), Residency in Haarlem (Netherlands, 2009), The Adventure of My Soul at Bentara Budaya Bali (2011) , Enigma in Fusion Style (Ubud, 2012). In 2000, a painting by Sani was included in the 100 Finalist of Philip Morris, Jakarta.he 100 Finalist of Philip Morris, Jakarta.)
Ni Nyoman Srayamurtikanti + (Ni Nyoman Srayamurtikanti is a gamelan mus … Ni Nyoman Srayamurtikanti is a gamelan musician and is also pursuing her career as a composer. Sraya was born on October 3, 1996 and is the daughter of an artist from Celuk Village, Sukawati, Gianyar. She has studied gamelan since she was in elementary school. She was educated at SMKN 3 Sukawati (KOKAR/SMKI Bali) majoring in Karawitan, Indonesian Art Institute Denpasar majoring in Karawitan, and is currently pursuing a Masters Study Program at the Indonesian Art Institute Surakarta. Sraya is the head of the Sanggar S'mara Murti which was founded by her father, which was then continued by Sraya. This studio is engaged in traditional arts, especially Balinese Gamelan and also its development. Sraya started to compose music in 2017 with the guidance of her father who is also a composer and singer. The musical works created by Sraya are based on tradition and innovation.Sraya had the opportunity to represent Indonesia in the ASEAN Youth Camp event in Sagada, Philippines (2015), Student Exchange AIM Program at University Malaya (2016-2017), became a composer in the Komponis Kini - Tribute to Wayan Beratha event (2019), became a composer in the National Cultural Parade (2019) representing Bali, being the 5th best composer in the Creative Music Competition – Taksapala Festival, Badung Bali, collaborating with a choreographer from Mexico (2021), and most recently being one of the composers in the Southeast Asia Music Session Indonesia Edition (2021). The compositions that have been created are: Kangkat (2017), SoS (2017), Love is God (2017), Rain-Ly (2017), Krepetan (2018), Selaka (2018), A Ketel (2018), Lango Wangi (2019), Titik Nol (2019), Candra Buana (2019), Speech Delay (2020), Padma Semarandhana (2020), Gelung (2020), Resing Langit (2020), Garba (2020), Empowerment (2021), Nyikzag (2021), Mulat Sarira (2021), etc. Nyikzag (2021), Mulat Sarira (2021), etc.)
Ni Nyoman Tjandri + (Ni Nyoman Tjandri is one of the few female … Ni Nyoman Tjandri is one of the few female puppet masters in Indonesia. Born to an artist father, Tjandri was familiar with and fond of all forms of the Balinese performing arts, especially the arja, a Balinese traditional drama that incorporates music and dance. The talented Tjandri gradually developed superb dance and vocal techniques through interaction with her father, I Made Kredek, and fellow artists. After her father's death, Tjandri decided to learn the Kawi language to continue his efforts to master Balinese literature. She went to the well-known dalang I Nyoman Ganjreng. Instead of giving Kawi lessons, Nyoman Ganjreng gave the girl four puppet figures. The puppet master told her she had to master the Kawi language through wayang stories, mostly derived from Ancient Indian and East Javanese epics and legends. In 1979 Tjandri decided to learn the art of the dalang seriously and intensively. All wayang performances present a story, which is told by a dalang. A dalang must master at least 100 stories and be able to enliven each of the characters portrayed with distinctive vocal sounds. Being a dalang, one must have plenty of physical stamina and a thorough knowledge of both the ancient Kawi language and high and low Balinese language, as well as its literature. Tjandri is frequently invited to perform both on local and overseas stages.perform both on local and overseas stages.)
Ni Putu Devy Gita Augustina + (Ni Putu Devy Gita Augustina, with the pen … Ni Putu Devy Gita Augustina, with the pen name Devy Gita, was born in Singaraja. She graduated from Ganesha Education University, Singaraja in English. She teaches at Bali Kiddy Elementary School and joined the Mahima Community, Teater Kalangan, Kacak-Kicak Puppet Theater. Her poems are published on Saatkala.co and summarized in the book Sang Guru (2019).d summarized in the book Sang Guru (2019).)
Ni Putu Putri Suastini + (Ni Putu Putri Suastini was born in Denpasa … Ni Putu Putri Suastini was born in Denpasar, January 27, 1966. Since she was a teenager, she has been active in literature and theater. She has joined the Wind Theater, Tiger Tutul Studio, Badung Mini Theatre, August Theater, White Studio. She published poetry books are Bunga Merah (2017) and Rumah Merah (2018). Ni Putu Putri Suastini Koster is well known among local Balinese and Indonesian artists.ong local Balinese and Indonesian artists.)
Ni Putu Rastiti + (Ni Putu Rastiti, currently works as a nurs … Ni Putu Rastiti, currently works as a nurse at the Bali Mandara Hospital, Sanur. Her works have been published in local and national media and have been included in several anthologies. Her first collection of short stories was titled The Tree of Wishes. Several times she was invited to the National Writers' Meeting. She was last invited as a young writer at the Ubud Writers and Festival 2016. Her poetry has been translated into French and her short stories into English.French and her short stories into English.)
Ni Wayan Murni + (Ni Wayan Murni was born in Penestanan, Bal … Ni Wayan Murni was born in Penestanan, Bali. Murni is a well-known and much loved personality on the Bali scene and a pioneer of Balinese tourism.Shops and RestaurantDuring her extraordinary life Murni has lived in Sanur and Ubud and hastravelled widely. By the early 1970s she owned 4 shops on Sanur beach andhad opened Ubud’s first real restaurant, Murni’s Warung, overlooking theCampuan River. Since then thousands of people have enjoyed her food andhospitality. She is still very active in the restaurant.There are YouTube videos on youtube.com/watch?v=zf3VVj7gx8g andyoutube.com/watch?v=KWTgnXtOlpAAsian Antiques and TextilesDuring her adult life Murni has been busy collecting and becoming an experton Asian antiques and textiles and many of them are to be found in Murni’sWarung Shop beside the restaurant. She was the first person in Ubud to havea proper gallery of antiques, textiles, costumes, old beads, tribal jewelry,stone carvings, masks and other ethnic pieces. Many of her pieces aremuseum quality and her fine arts credentials are impeccable. Murni is amember of the Thai Textile Society.ExhibitionsIn 2007 and 2009 Murni exhibited part of her collection at the prestigiousshows, Arts of Pacific Asia and Tribal Arts & Textiles, in San Francisco andgave a lecture on Balinese textiles to the Textile Arts Council at the de YoungMuseum. Murni understands and participates in Balinese culture on a dailybasis and plays in a women’s gamelan group at important religiousceremonies.Articles and BooksMurni has written numerous articles on Balinese art and culture and the bookSecrets of Bali, Fresh Light on the Morning of the World by JonathanCopeland and Ni Wayan Murni published by Orchid Press in 2010 is in itssecond print run. It is also available as an ebook on its own web site:www.secretsofbali.com and www.murnis.comMurni’s Very Personal Guide to Ubud by Ni Wayan Murni and photographs byJonathan Copeland was published in October 2011 and is available as anebook on www.murnis.com and all online retailers.Ni Wayan Murni and Jonathan Copeland wrote From Tattoos to Textiles,Murni’s Guide to Asian Textiles, All You Need to Know ... And More, which isan ebook available on www.murnis.com and all online retailers.Murni’s Bali Tours, Where to go, What to Do and How to Do It is an ebook of7 special tours was written and designed for guests staying at Murni’s Housesto bring with them on the tours It is an ebook available on www.murnis.comand all online retailers.Murni’s HousesIn the early 1980s Murni started to construct Murni’s Houses in Ubud, acomplex of seven extraordinary residences and open-air pavilions amid agarden full of flowers, statues, fountains, trees and shrubs lying all by itselfnext to open fields. It is a wonderful introduction for first timers to Bali and adependable refuge for her many guests who return each year. Just 5 minuteswalk from the main road and accessed through a traditional Balinese roofedgate, it’s a place of tranquility. Residential photography tours and Spapackages are available. There are YouTube videos onyoutube.com/watch?v=Cd1A2xgNlDc andyoutube.com/watch?v=3vCnSMavfRkTamarind Spa at Murni’s HousesMurni’s latest venture is the creation of Tamarind Spa at Murni’s Houses,which was listed as the top spa in Ubud on Trip Advisor within 3 months of itsopening. Tamarind Spa brings all these aspects of Balinese art, luxury, andculture together in one healing experience. There is a YouTube video onyoutube.com/watch?v=h4IscHN4dqoHousesShe also has houses in Penestanan for long-term rent.Anniversary of Murni’s WarungTo celebrate the 40th anniversary of Murni’s Warung, Forty Delicious Years,Murni’s Warung, Ubud, Bali, 1974–2014, From Toasted Sandwiches toBalinese Smoked Duck was published in 2014.It has its own web site: www.fortydeliciousyears.com and YouTube videowww.youtube.com/watch?v=YFq22MYP-_s. It is also available as an ebookon www.murnis.com and all online retailers.BlogMurni and Jonathan Copeland have a joint blogAn eclectic blog concentrating on Bali but taking in the WorldSocial MediaMurni’s Warung, Murni’s Warung Shop, Murni’s Houses and Tamarind Spaare on Trip Advisor, Facebook and Google+ and Murni is on Twitter andLinkedin.Books and Ebooks• Secrets of Bali, Fresh Light on the Morning of the World• Murni’s Bali Tours, Where to go, What to do and How to do it• Forty Delicious Years, 1974-2014, Murni's Warung, Ubud, Bali• Murni's Very Personal Guide to Ubud• From Tattoos to Textiles, Murni's Guide to Asian Textiles, All You Need toKnow…And More Asian Textiles, All You Need to Know…And More)
Nick Burgoyne + (Nick Burgoyne has been living in Bali, on … Nick Burgoyne has been living in Bali, on and off, since 1990 with his Balinese wife and two children, to a small village where I am the only foreigner.Writes Nick: "We love to walk the small lanes and paths through the rice paddies and I love to shoot what I see there, especially local farmers, whose faces so accurately and poignantly chronicle their lives. I shoot with a Canon 5D mk III and use Nik plugins for post-processing." and use Nik plugins for post-processing.")
Nigel Simmonds + (Nigel has more than 30 years experience as a writer and content creator with a 16 year old daughter who has taught him more than he cares to admit about social media marketing and digital mastery. Nigel is ... mrcontent.)

Bali Metangi + (Nnn)

Suara tan Kapireng + (Nowadays young people often argue about th … Nowadays young people often argue about the problems faced today regarding the advancement of existing infrastructure and facilities by speaking according to their abilities but not listened to by the government and sometimes ignoredSo we also have to improve our courage by learning and being serious about creating work and studying so that we can move forwardk and studying so that we can move forward)
Suara Remaja + (Nowadays young people often argue about th … Nowadays young people often argue about the problems faced today regarding the advancement of existing infrastructure and facilities by speaking according to their abilities but not listened to by the government and sometimes ignoredSo we also have to improve our courage by learning and being serious about creating work and studying so that we can move forwardk and studying so that we can move forward)
Nur Wahida Idris + (Nur Wahida Idris was born in Ketugtug, Eas … Nur Wahida Idris was born in Ketugtug, East Loloan, Negara, April 28, 1976. She completed her studies at the Department of Crafts/Textiles, Faculty of Fine Arts, ISI Yogyakarta. In addition to the Bali Post, her poetry has been published in Kompas, Koran Tempo, Suara Merdeka, Jawa Pos, Bernas, Sunday Morning, Prince Claus Fund Journal and Horison Literature Magazine, as well as in joint anthologies, including Kidung Kawijayan, Philanthropy, Pedas Lada Pasir Quarsa, Lingua Franca Conversation and Living Together. Her poetry received awards from the Indonesian Ministry of Education and Culture, the Lampung Arts Council and the Yogyakarta Language Center. Her single book of poetry, Springs of Roots of Trees (2008). She was invited to read his poetry at the Yogyakarta Arts Festival XVII/2005, the 2005 International Literary Biennale in Bandung and the Jakarta Arts Council, 2006. As the Director of Akar Indonesia, she also manages the Yogyakarta Rumahlebah Community.nages the Yogyakarta Rumahlebah Community.)
Nuryana Asmaudi SA + (Nuryana Asmaudi SA was born in Jepara, Cen … Nuryana Asmaudi SA was born in Jepara, Central Java, March 10, 1965. He writes poetry, short stories, essays, art reviews, Kalon scripts, etc. His writings have been published in a number of local and national media. His poems are summarized in a number of joint anthologies, including Travel (1990). Since 1996, he has been living in Bali, managing the TenSutBeh Literature House with Umbu Landu Paranggi, Raudal Tanjung Banua, Riki Dhamparan Putra, et al (1996 – 2008). Together with Umbu Landu Paranggi, he participated in fostering literary appreciation activities for students around Bali (1997 until the early 2000s). Apart from writing literature, he also worked as a journalist, having joined the Bali Post Media Group. Since 2011 until now, he has worked as an Editor at the Bali Tribune. Since 2008 he has lived and co-managed the Snerayuza Art Studio with the painter Made Budhiana. His single book of poetry is “The Moon Prayer for Pungguk (2016), “Taman Perkap Bulan” (2018). The third book of poetry is ready to be published.d book of poetry is ready to be published.)
Nyoman Diwarupa + (Nyoman Diwarupa, born in Bali, April 7th. … Nyoman Diwarupa, born in Bali, April 7th. He completed his art education at ISI Denpasar in 1998. Since 1992 he has been actively participating in joint painting exhibitions, such as the “Force of 92” exhibition at the Art Center (1992), “Sebelas Art Group” at Darga Gallery, Sanur (1996), “Kuta Art Cromatic” in Kuta (2013), and so on. His works tend to be abstract. He joined the founding community of Galang Kangin and Militanart.community of Galang Kangin and Militanart.)
Nyoman Gunarsa + (Nyoman Gunarsa was born in Klungkung, Apri … Nyoman Gunarsa was born in Klungkung, April 15, 1944. He graduated from ASRI Yogyakarta. He is one of the founders and important figures of Sanggar Dewata Indonesia. In 1989, he founded the Nyoman Gunarsa Indonesian Museum of Contemporary Painting in Yogyakarta and in 1994 founded the Nyoman Gunarsa Balinese Classical Painting Museum in Klungkung. He has exhibited his works at home and abroad. Many of his works feature figures of Legong dancers with expressive strokes. He won the Dharma Kusuma award from the Provincial Government of Bali in 1994. In 2017, Gunarsa passed away.ali in 1994. In 2017, Gunarsa passed away.)
Nyoman Rasta Sindhu + (Nyoman Rasta Sindhu is a writer and journa … Nyoman Rasta Sindhu is a writer and journalist who was born on August 31, 1943 in Denpasar and died on August 14, 1972. For his dedication to literature, he received the "Dharma Kusuma Madya" Award from the Governor of Bali, Ida Bagus Mantra.He studied at the Faculty of Letters and Culture, Gajah Mada University, then moved to Udayana University majoring in Antiquities. He became a journalist and editorial staff of the Balinese edition of “Suluh Marhaen” art and culture (now Bali Post). In addition, he is also one of the editors of the Bali Courier magazine (1971).His works are spread in various mass media, including Kompas, Sinar Harapan, Horison literary magazine, Indonesian pulpit, Basis, Sastra. One of his most famous short stories, “When Kentongan was Beaten at Bale Banjar”, was published in the German anthology of Indonesian prose, Perlen im Reisfeld, Indonesia (1971). The short story was published in Horison magazine No.1 Th.IV January 1969 and won the Horizon Literature Prize.Most of his works contain opposition to the orthodoxy of Balinese views or beliefs. His social protests are not out of hatred, but rather because he loves Bali so much. However, until now there has been no publisher who has compiled his works as a whole, so that we have difficulty being able to enjoy his literary works.ty being able to enjoy his literary works.)
Nyoman Sujana + (Nyoman Sujana alias Kenyem is a painter bo … Nyoman Sujana alias Kenyem is a painter born in Sayan, Ubud, September 9, 1972. He completed his art education at ISI Denpasar. Since 1992 he has been active in many joint exhibitions. Meanwhile, since 1996 he has displayed his works in solo exhibitions at home and abroad. These include “A Place Behind The House”, Komaneka Gallery, Ubud (2016), “Highest”, Philo Art Space, Jakarta (2013); G13 Gallery, Kelana Jaya, Selangor, Malaysia (2013); “The Bicycle Diaries”, Komaneka Art Gallery, Ubud, Bali (2011), “The Bridges of Nature”, D'Peak Art Space, Singapore (2009). Kenyem's works display the concept of balance (harmony) in the context of human relations with humans, nature, and God. Kenyem works in a meticulously detailed manner, often with calligraphic fields. Iconic to his paintings are small androgynous figures that appear to be dancing. Trees and especially leaves are a recurrent visual motif, as are large hovering rocks. Everything is carefully shadowed to givethe impression of floating. Kenyem is one of the founders of the Militant Arts community of artists.of the Militant Arts community of artists.)
Nyoman Sukaya Sukawati + (Nyoman Sukaya Sukawati was born on Februar … Nyoman Sukaya Sukawati was born on February 9, 1960. He has been actively writing poetry since the 1980s in the literary section of the Bali Post Sunday newspaper under the care of the poet Umbu Landu Paranggi. Apart from writing poetry, he is also diligent in writing short stories, articles, painting, and other artistic activities.He knows the world of writing by being active in the world of journalism. He started this activity as a teenager by diligently writing reports on the potential of the village. Then he studied more seriously and became a journalist for the Bali Post, Nusa Tenggara, Karya Bhakti newspapers, as well as a number of other media. He has been active as a television reporter for RCTI. He also does a lot of periodical publications in Denpasar, including tourism magazines and economic tabloids. In 1993 he became the editor of the book Bali, Socio-Cultural Problems and Modernization, written by Prof. I.B. spell. In 2007 his book entitled Seeking Heaven in the Bali Bombing was published thanks to the assistance of the Widya Pataka program of the Regional Library of Bali Province in collaboration with the Arti Foundation, Denpasar.ration with the Arti Foundation, Denpasar.)
Nyoman Suradnya + (Nyoman Suradnya was a Balinese painter fro … Nyoman Suradnya was a Balinese painter from Ubud. He specialized in three main media: batik, oil, and watercolor. Nyoman was an established artist in residence in Sydney, Melbourne, and Singapore. Nyoman's artwork has been featured all over the world in such countries as Switzerland, Australia, Italy, and Guam (USA). He was also a strong advocate for sustainable tourism that protected the culture and environment of Ubud. With his friend, Tjok Raka Kerthyasa, he founded Bina Watasa, which roughly translates as "guiding tourism." Their goal was to educate tourists about enriching and environmentally sustainable practices that allowed them to experience all of Ubud in a responsible way. Nyoman is remembered for his "larger-than-life" personality and as an important advocate for the preservation of the culture and environment of Ubud.on of the culture and environment of Ubud.)
Nyoman Tingkat + (Nyoman Tingkat is a writer and high school … Nyoman Tingkat is a writer and high school teacher. He diligently writes book reviews, essays, and articles. His writings are widely published in local mass media, such as the Bali Post. He has also won awards as an outstanding teacher and various writing competitions. His published books are: Studying in the Footprint of Literature (Arti Foundation, 2007), Depending on the Teacher (Arti Foundation, 2009), etc. the Teacher (Arti Foundation, 2009), etc.)
Nyoman Tjokot + (Nyoman Tjokot is a sculptor who was born i … Nyoman Tjokot is a sculptor who was born in Banjar Jati, Sebatu, Tegalalang, Gianyar, Bali, in 1886. He is an intelligent self-taught sculptor. In his work he uses a lot of unused logs or tree roots that drift in the river. He carves the found woods to his heart's content, following the grooves of the wood and his intuition. The result is sculptures/sculptures that were considered unusual in their time, eccentric, archaic, absurd. His sculptures tend to be rough but contain the honesty of his artistic soul. His unique style of sculpture/sculpture is often referred to as the "Tjototisme" school which is now being passed on by his descendants. In his day, Tjokot's works were not highly appreciated in Bali. However, his works have been widely appreciated abroad. In the 1960s, Tjokot's works were well known in the United States and he was already called a maestro in the field of sculpture. In 1969 the Indonesian government awarded Tjokot in the form of the Wijaya Kusuma Art Award. Tjokot died in October 1971.ma Art Award. Tjokot died in October 1971.)
I Nyoman Tusthi Eddy + (Nyoman Tusthi Eddy was born in Pidpid, Kar … Nyoman Tusthi Eddy was born in Pidpid, Karangasem, Bali, December 12, 1945. He studied at the Faculty of Teacher Training and Education, FKIP Singaraja, graduating from 1969. Apart from being a teacher, he writes poetry, short stories, essays, articles, literary criticism, both in Balinese and in English. Indonesia. His works have been published in the Bali Post, Kompas, Suara Karya, Horizon, Basis, Warta Hindu Dhrama, Sarad, and so on. He received a number of awards, including the Bali Sastra Sabha (1999), the Modern Balinese Literature Penatar Charter from the Karangasem Education Office (2002), the Rancage Literature Prize (2004 and 2009). In addition, he also translated Indonesian and English literature into Balinese. His published books: Memories for the sake of Memories (1981), Poems Around the World (1984), Far East Poems (1985), Murmurs About Literary Appreciation: A Number of Essays and Notes (1985), Comparison of Words and Terms in Malay- Indonesia (1987), Introduction to Modern Balinese Literature (1991), Dictionary of Indonesian Literary Terms (1991), The Face of God in the Eyes of a Poet (1994), Folklore from Bali (1997), Duh Ratnayu: Tembang Kawi Mendamba Cinta (2001), Tafsir The symbolic story of Bagus Diarsa (2002), Ning Brahman (2002), SungaiMu (2004), Somah (2008).man (2002), SungaiMu (2004), Somah (2008).)
Nyoman Wijaya + (Nyoman Wijaya is a painter born in Tabanan … Nyoman Wijaya is a painter born in Tabanan, Bali, November 1971. He studied painting at the Sanggar Senin Kemis Studio in Sanur, Bali, from 1998 to 2003. In 2018 he won the Nomination of Akili Museum of Art Award (AMAA). His first solo exhibition was held in 2009 entitled "AS. SENT" at Kendra Gallery, Seminyak, Bali. Since 1998, he has also been frequently involved in joint exhibitions, including BEAUTY MYTH at Green Art Space (Jakarta, 2010), MOTION & REFLECTION at the National Gallery (Jakarta, 2010), FASCINATION at Andi's Gallery (Jakarta, 2009), etc. He focuses on Balinese cows and women. For him, cows are sacred animals that are full of tenderness and become friends of farmers.l of tenderness and become friends of farmers.)
Nyoman Wirata + (Nyoman Wirata was born in Denpasar, 1953. … Nyoman Wirata was born in Denpasar, 1953. He studied at the Indonesian Fine Arts School (SSRI) Denpasar until he graduated in 1972. He started writing poetry in 1975 and worked as an arts teacher since 1980, retired in 2013 and continues his artistic activities. In 2011 he won an Award from the Principal of SMPN 5 Denpasar as a Literature and as the School Magazine Supervisor for 14 years. In the field of literature, he won 1st Place in Poetry Writing in Bali held by the Bali Provincial Government (1977), 10 Best Poetry in Bali held by the Bali Post (1978), 3rd Place in the National Level Reading Book Writing Competition among Teachers which organized by the Ministry of Education and Culture (1993), 2nd place in a novel writing competition held by the Bali Post (2003). His poems have been published in various mass media, such as Bali Post, Kalam, etc. Also included in the books Tutur Batur (2019), Chewing Furious (2018), Marriage Poetry (2017), Klungkung Tanah Tua Tanah Cinta (2016), Dendang Denpasar Nyiur Sanur (2012), Hram (1988). His only poetry book is Celebrating Trees in the Poetry Garden (2007). He received the Widya Pataka Award (2007) and Bali Jani Nugraha (2020) from the Bali Provincial Government. Apart from studying literature, he is also active in painting.literature, he is also active in painting.)
Mantle Hood + (Obituary LA Times: Professor, Pioneer in … Obituary LA Times: Professor, Pioneer in Studying World’s Music and Cultures(1918-2005)“Mantle Hood was the first scholar to take seriously the study of what was then called nonWestern music, in the 1950s,” said Christopher Waterman, dean of UCLA’s school of arts and architecture and an ethnomusicologist. Hood joined the UCLA faculty in 1956 and created what is now the department of ethnomusicology in 1960. He envisioned a complete approach to the study of his field. He wanted students to learn at least two music traditions, their own and that of a culture new to them. He also urged them to learn to play a native instrument, drums for a student of West African music, for example. Common practice now, it was considered novel when he introduced the idea, which he referred to as bi-musicality. By learning several music traditions, Hood proved that the two could exist in harmony, according to Jacqueline Cogdell DjeDje, chairwoman of UCLA’s ethnomusicology department. (...) "Hood saw it as a way to teach students respect and understanding for “people and cultures different from their own,” DjeDje said. Hood also expected his graduate students to see and hear the music they studied as it was performed in its native setting. “Hood taught that the music comes out of the culture,” said Robert Garfias, professor of anthropology at UC Irvine and one of Hood’s first graduate students at UCLA. “His idea was to study the music as part of the culture.” Hood had been traveling the world from the time he graduated from UCLA in 1951 after earning a bachelor’s and a master’s degree in music. He received his doctorate from the University of Amsterdam, where he wrote a dissertation on Javanese music. After joining the faculty at UCLA, he was granted a Ford fellowship that allowed him to live in Indonesia for two years and study its music. He later studied in India on a Fulbright fellowship. An expert in the music of Java and Bali, Hood played all the instruments in a gamelan, an Indonesian symphony that consists of percussions, winds, strings and other instruments. During gamelan performances with his students, he played the rebab, a type of lute that is the lead instrument in the ensemble. Dozens of his UCLA students went on to teach ethnomusicology. Several of them founded programs at universities, including UC Berkeley. “Hood had a very powerful impact on how ethnomusicology is taught,” said Garfias, who founded a program at the University of Washington, Seattle, before moving to UC Irvine. Hood was born in Springfield, Ill., and moved to Los Angeles with his mother in the 1930s after his father died. He played piano and later learned the saxophone but didn’t expect a career in music. After high school, he worked at various jobs including as a draftsman at McDonnell Douglas. He also played saxophone in jazz bands. He served in the Army during World War II and returned to Los Angeles in 1945. After a false start as an agriculture student at UCLA, he found his true calling. Before he left the university in 1975, he wrote several books about his field, including “The Ethnomusicologist” (1971), which outlined research issues and questions related to what was then considered a new subject of study. An ethnomusicologist, Hood wrote, “is inclined to be highly sensitive to other human beings, to respect their scales of values and their behavior, even if these are not compatible with his own.” Hood moved from Los Angeles to Hawaii in 1973 and began to write self-published novels. “As a young man, he had his heart set on being a writer,” Marlowe Hood said. “As a teenager, he loved pulp fiction.” He set his potboilers in countries he had visited over the years. “Just a Stone’s Throw” is set in Bali. “The Keepers” is set in Hawaii and Japan. In 1980, he relocated to Maryland where he established an ethnomusicology program at the University of Maryland, Baltimore County. He wrote several more books about ethnomusicology and continued teaching until 1996. (...) He has four sons.Amazon: Author of fiction:Mantle Hood is the published author of seminal works in the field of ethnomusicology, study of the musical cultures of the world. A pre-eminent international scholar, he is the principal author/co-author of more than 20 books, was member of the Board of editors for the prestigious New Grove Dictionary of Music and Musicians (6th ed.) and has contributed to music dictionaries in four languages. Along the way, he has served as Distinguished Professor of Music from West Coast (UCLA) to East Coast (Harvard, Yale, Wesleyan Universities, and the University of Maryland), University of Hawaii, and institutions in Europe, Africa an Asia. He is a fellow of the East-West Center of Arts and Sciences. He has studied the music of peoples the world over, including Asia and the Pacific Islands. As a resident of Hawaii and visitor to Japan he developed an idea based on a newspaper article, one that blossomed into his first suspense novel, The Keepers. One agent described Hood's suspense fiction as a combination of John Grisham and James Michener.nation of John Grisham and James Michener.)
Pemulihan Ekonomi Bali Usan Covid-19 + (Of course, we are already familiar with Co … Of course, we are already familiar with Covid-19. Who would have thought that this small virus could make such a big change in the last 2 years. Because of this virus we were made to stay at home for 2 years, imagine starting from the activities we initially did outside the home such as going to school, working and traveling abroad that had to stop because of this virus, we were made to stay at home for 2 years. Which of course brings a lot of changes in our lives. An example is tourism in Bali. Bali is an island in Indonesia which is often visited by tourists from various countries because it has its own charm. With the stay-at-home policy, of course the economic sector in Bali will decline. During the pandemic, tourism sites and access to Bali were closed. Community activity at tourist attractions in Bali has decreased. This caused Bali's economy to decline. With the closure of various tourist attractions in Bali, many people have become unemployed, this is compounded by policies at home. This has made people confused about finding money. Hundreds of thousands of people lost their jobs and sources of income. In the end, the poverty level in Bali has increased.And without realizing it, now we have entered 2023, where there has been a recovery of various sectors in society which have been stalled for the past 2 years. From here we have to restore Bali's economy. Regional governments need to pay attention to Bali's current economic conditions to revive Bali's economy which has been declining for the past 2 years.The Covid-19 pandemic has hit Bali's economy hard. Bali's economy is very dependent on the tourism sector, so when there are mobility restrictions such as the stay at home policy, the tourism sector is paralyzed. Bali's economy also slumped. Therefore, the government needs to determine a concept for economic development that is not always based on the tourism sector. Bali's economic development must be directed to be more balanced, not only dependent on the tourism sector. Moreover, tourism areas are very vulnerable to changes in external factors. Both from security factors, natural and non-natural disasters that cannot be controlled. So every sector in Bali must also be considered, such as; agricultural, marine and fisheries sectors, manufacturing industry and industries based on Balinese branding culture, MSMEs and cooperatives, creative and digital economy, as well as the tourism sector. So by reviving all these sectors in Bali, it is hoped that Bali's economy can recover after Covid-19. So that Bali will always be prosperous.9. So that Bali will always be prosperous.)
Money Politic + (Oh swastyastu Dear sir/madam jury And my r … Oh swastyastuDear sir/madam juryAnd my respected audienceBefore I start my oration, I want to first express my thanks to the Almighty God (Ida Sang Hyang Widhi Wasa) because it is with His grace that I can give an oration now.Related to the Balinese leadership election which will be held in 2024 in Bali.with this oration I would like to convey that I hope this election can be carried out fairly, without any coercion, one of which is without money politics, because this is very vulnerable to things happening where prospective leaders bribe their people with money to obtain money. leadership, and the same goes for individuals who carry out elections, because there are certain payments or results that will be obtained after holding elections, individuals often choose leaders not based on justice and honesty, but choose leaders with the aim of getting rewards.Apart from that, Article 22E of the Constitution also states that elections are held publicly, freely, confidentially, honestly and fairly.Not only is it stated in the constitution that governs us, but elections also concern people's lives in the future, it is also hoped that prospective leaders will be able to carry out elections fairly and without cheating by engaging in money politics.Let us carry out elections fairly and honestly, because carrying out elections intelligently will create a prosperous society in the future.That's all the speech I can deliver, I hope the speech I deliver can be useful. I'm sorry if I made a mistake, at the end I close with Parama Santhi, Om Santhi, Santhi, Santhi Om.rama Santhi, Om Santhi, Santhi, Santhi Om.)
Ida Ayu Oka Rusmini + (Oka Rusmini's full name is Ida Ayu Oka Rus … Oka Rusmini's full name is Ida Ayu Oka Rusmini, born in Jakarta, July 11, 1967. She writes poetry, short stories, essays, novels. She is also a journalist. In 2014, she was awarded the Kusala Khatulistiwa Award for the poetry book Saiban. Her figures and works are phenomenal and often controversial because they raise a number of issues of ancient Balinese customs and traditions that are detrimental to women, especially in the griya, the home of the Brahmins.Oka also straightforwardly broke taboos, exposed issues of sex and erotica in a clear way. All of this can be clearly seen in the novel Tarian Bumi (2000) which has been reprinted and published in German under the title Erdentanz (2007). The novel is also heavily inspired by the art of Joged Bumbung, a social dance full of erotic movements that is very popular in Bali.He has been invited several times to literary events at home and abroad. In 1992 he was invited as a guest poet in the IV Yogya Arts Festival. Participated in the 21st Century Poetry Minbar at TIM, Jakarta, 1996. Represented Indonesia at the ASEAN-wide writers' meeting in October 1997 entitled ASEAN Creative Writing Workshop in Jakarta. In 2002 and 2003 he was invited to the International Poetry Festival in Surabaya and Denpasar He was an invited guest at the Winternachten Festival held in Haque and Amsterdam in 2003. He was also a guest writer at the University of Hamburg, Germany, 2003.A number of his poems and short stories have appeared in various mass media and cultural journals, including Matra, Kalam, Horison, and Ulumul Quran. His short story "Putu Menolong God" won the best short story award for Femina magazine in 1994. His novel Sagra received the best novelet award for Femina in 1998, and the best short story award in 1990 - 2000 from the literary magazine Horison for his work Pemahat Abad. His novel Tarian Bumi won the 2003 Literary Writing Award from the Language Center, Jakarta.His works are Monologue Tree (poem, 1997), Earth Dance (novel, 2000), Sagra (short story, 2001), Kenanga (novel, 2003), Patiwangi (poetry, 2003), Color Kita (poetry, 2007), Pandora (poetry, 2008), Shell (novel, 2010). His novel Tarian Bumi has been translated into English entitled Earth Dance, and German under the title Erdentanz.nce, and German under the title Erdentanz.)
Fenomena Kendaraan Listrik + (Om Swastiastu Praise and gratitude to Ida … Om SwastiastuPraise and gratitude to Ida Sang Hyang Widhi Wasa who has bestowed the blessing of health to all of us. Today, with great pride, I would like to discuss a phenomenon that is increasingly prevalent in Indonesia, namely the use of electric vehicles. This phenomenon is not just a change in trend, but also reflects our concern for the environment, especially in addressing the problem of air pollution.As the country with the worst air quality in Southeast Asia, the decision to use electric vehicles is a wise step to reduce emissions, carbon footprint, and face the challenges of climate change. However, while we support this positive initiative, we need to face the reality that its implementation is not yet optimal. Given that Indonesia still relies on coal and natural gas for power generation, and the mining of raw materials such as lithium, nickel, and cobalt also has environmental consequences if not properly regulated. In addition, the limited lifetime of batteries, around 10-20 years, poses a potential risk of battery waste accumulation in the absence of adequate waste management facilities.Therefore, I encourage the government to improve electric vehicle charging infrastructure, address the potential risk of battery waste accumulation, and find alternative solutions to environmentally friendly batteries. We recognize that the development of this technology needs greater support to become an effective solution in reducing air pollution in Indonesia.Therefore, let us together encourage the government to accelerate the development of charging infrastructure, provide solutions and proper handling for the worst risks of using electric motors, and offer further support for the adoption of electric vehicles. Thus, we can move towards a cleaner, healthier, and more sustainable Indonesia.Thank you.Om Shanti Shanti Shanti Omia. Thank you. Om Shanti Shanti Shanti Om)
Kesuksesan proses kepemimpinan + (Om Swastiastu Titiang ngaturang rasa pang … Om SwastiastuTitiang ngaturang rasa pangayubagia majeng ring Ida Sang Hyang Widhi Wasa antuk asung kerta wara nugraha Ida titiang prasuda nyurat orasi puniki. Pulau Bali antuk destinasi wisata internasional yang memiliki reputasi positif. Akeh wisatawan sane terkesan nikmatin kaluungan alam dan budaya Bali, olih karna ento Bali mrasidayang bersaing dados destinasi wisata populer ngalahin negara sane lianan. Menteri Pariwisata lan Ekonomi Kreatif (Parekraf) Sandiaga Salahudin Uno ngorahang Pulau Bali dados penyumbang devisa negara terakeh antuk Indonesia, terakeh kedua setelah industri Minyak dan Gas."Bali ini masih menjadi top of mind untuk pariwisata Indonesia.Nanging dibalik kemegahan pariwisata ring Bali, upami akeh pisan hotel-hotel, vila, restoran lan sane lianan. Ring galahe sane mangkin liu pesan pikobet sane mrasidayang kaon ring jagat Baline. Pinaka pikobet korupsi olih pejabat pemerintah, pikobet ring pendidikan, pikobet ring kesehatan upami penyakit menular sane akeh lan kualitas pelayanan kesehatan.Inggih ida dane sareng sami nika wantah orasi titiang antuk pikobet kesenjangan ekonomi sane patut kautamang olih calon pemimpin Bali. Astungkara calon pemimpin Bali sane kapilih antuk Pemilu 2024 mrasidayang nanganin indik pikobet kesenjangan ekonomi ring Bali.Ida dane sareng sami titiang ngaturang pangampura yening titiang wenten pelih rikala nyurat teks orasi puniki. Sareng titiang ngaturang parasuksma majeng ring pamiarsa sane sampun ngewacen teks orasi karya titiang niki. Inggih puput titiang teks orasi niki antuk ngaturang paramasanthi.Om Santhi Santhi Santhi Om. paramasanthi. Om Santhi Santhi Santhi Om.)
PEMILU 2024, Mangda Memilih Pemimpin Bali Sane Tepat! + (Om Swastiastu Om Awignamastu Namo Sidham R … Om SwastiastuOm Awignamastu Namo SidhamRahayu, Rahayu, RahayuFor the honorable adjudicators, the principals and teachers of senior high schools and vocational high schools in Bali and all the audiences and senior high schools and vocational high schools’ students in Bali, good morning. Let’s thank to the almighty God because of his grace we can gather here this morning. In this occasion, I am Wira as an orator will deliver an oration entitled "Election in 2024, Must Choose the Right Leader for Bali”. Ladies and gentlemen...Elections or General Elections can be referred to as voting or elections, where we have determined our right to vote by choosing the right leaders. From this election, we know that whether Bali has evolved or not! Therefore, I will discuss some urgent issues that must be addressed for Bali's future leaders.Ladies and gentlemen...Time by time... The months have passed...Year by year... Have you ever been to an urban area like Denpasar? If you have ever gone and seen a child begging for a bite of rice, do you feel their pain? Ladies and gentlemen, I want to invite you to choose leaders who are more precise, wise, and certainly honest!Then another problem is the environment. Yes... Environment... Bali is known as the "Heaven of the World" which itself has a variety of beautiful natural attractions! If we can't take care of the environment, Bali will undoubtedly experience an economic downturn.Before I end my talk today, I would like to ask all of you to clap your hands and raise them above your heads! Are you going to throw Bali to the wrong leader? Therefore, let’s choose leaders who are responsible, competent, honest, and of course fair. Najwa Shihab once said, "leaders are not born by diplomas, but by hard work and care that continues to be honed."That's all I can say, hopefully of course Bali will be led by the right leader. Sincerely to the island of Bali, I end with parama santhi.Om Santi, Santi, Santi OmRahayu, Rahayu, Rahayuti, Santi, Santi Om Rahayu, Rahayu, Rahayu)
Masalah Mendesak + (Om Swastiastu Om Awighman Astu The fragran … Om Swastiastu Om Awighman Astu The fragrant name of shidam, ladies and gentlemen, and dear brothers and sisters, we say Angayubagia to Sang Hyang Parama Wisesa, Therefore from asung kerta wara nugraha because we will convey information today about the 2024 Election. I invite the public Indonesia to work together to make our election a success, the Election of 24 February 2024. Because the election is not just about changing leadership, but the election is our effort to prevent the people from getting worse. Elections are an opportunity for us to evaluate this government. I will explain what the most pressing problems need to be addressed by potential Balinese leaders. The first problem that was considered very urgent to be resolved was controlling the prices of basic necessities, which was chosen by 36.9% of the total respondents. Controlling the prices of basic necessities is the most prominent problem according to residents. Then there are the issues of unemployment, poverty and eradicating corruption, wrote Political Indicators in its report. The respondents involved were all Indonesian citizens who had the right to vote in general elections, namely those who were 17 years of age or older, or were married when the survey was conducted. Sampling used the multistage random sampling method. So I can conclude that we should choose a leader who is firm, honest and responsible for the island of Bali. Thank you, hopefully we will all be given guidance and wisdom in choosing the right leader. Our tribute to Bali, the island we love Om Shanti, Shanti, Shanti Omsland we love Om Shanti, Shanti, Shanti Om)
Permasalah Mendesak + (Om Swastiastu Om Awighman Astu The fragran … Om Swastiastu Om Awighman Astu The fragrant name of shidam, ladies and gentlemen, and dear brothers and sisters, we say Angayubagia to Sang Hyang Parama Wisesa, Therefore from asung kerta wara nugraha because we will convey information today about the 2024 Election. I invite the public Indonesia to work together to make our election a success, the Election of 24 February 2024. Because the election is not just about changing leadership, but the election is our effort to prevent the people from getting worse. Elections are an opportunity for us to evaluate this government. I will explain what the most pressing problems need to be addressed by potential Balinese leaders. The first problem that was considered very urgent to be resolved was controlling the prices of basic necessities, which was chosen by 36.9% of the total respondents. Controlling the prices of basic necessities is the most prominent problem according to residents. Then there are the issues of unemployment, poverty and eradicating corruption, wrote Political Indicators in its report. The respondents involved were all Indonesian citizens who had the right to vote in general elections, namely those who were 17 years of age or older, or were married when the survey was conducted. Sampling used the multistage random sampling method. So I can conclude that we should choose a leader who is firm, honest and responsible for the island of Bali. Thank you, hopefully we will all be given guidance and wisdom in choosing the right leader. Our tribute to Bali, the island we love Om Shanti, Shanti, Shanti Omsland we love Om Shanti, Shanti, Shanti Om)
PENGARUH OLIGARKI TERHADAP CALON PEMIMPIN + (Om Swastiastu Peace be upon us all, allow … Om Swastiastu Peace be upon us all, allow me, Kadek Wisnu Artana, a student from SMA Negeri 1 Penebel to deliver an oration on the influence of oligarchy on future leaders in this country.The DPD must listen, pay attention and follow up on the aspirations I expressed todayBrothers and sisters, it has been 115 years since Indonesia has risen from adversity, precisely when Budi Utomo was founded, 78 years since Indonesia has been independent and the Red and White Sangsaka has flown freely on Indonesia's motherland, reform has been underway, but what is going on with educational resources for the nation's generation, what is it? This generation is simply silenced as if it were dumb and deaf and does not flinch from voicing various aspirations. Here I invite everyone to voice their aspirations regarding government in this nation which is still shackled by the shadow of the Oligarchy, and today the Oligarchy has become very free to wreak havoc on power both in the upper elite and in the lower elite, the Oligarchy has a big influence on the nation's future leaders. , oligarchy has a very bad impact on leaders.The problem caused by the existence of Oligarchy in our government system is that power is centralized, Oligarchy only controls leaders who have sovereignty in their own hands.Second, there is widespread corruption in this nation by unscrupulous officials as evidenced by the many reports on social media and various other press media. Oligarchs really need tactical funds to fulfill their own interests.The third is injustice by the government or authorities in the interests of the Oligarchy and society which are not fulfilled according to the Values of Truth that have been determined by law.The fourth is political instability where the government is controlled by oligarchs, social inequality in power is only controlled by oligarchs and worsens social and economic inequality within the scope of society.The six unrepresentative leaders controlled by Oligarchs tend not to represent the interests of all the people, but only a handful of groups called Oligarchs.The seven things that are most rooted in all of these problems are that the gap for legislative candidates who are not touched by the Oligarchs, is very narrow and there is minimal space and budget to channel their vision and mission to the general public in all regions of this country.All the problems that occur as a result of leaders being controlled by oligarchic interests are rooted in two problems that boil down to very serious legislation,Firstly, there is no regulation on budget provisions, space, opportunities and forums for all legislative candidates at the regional level. This causes the public to only take the perspective of leaders who are seeking votes under the pretext of donations which, without them even knowing, are funds given by oligarchs to candidates. We need to understand that this is the forerunner to the birth of Oligarchy at the regional government level, this is because when regional legislative candidates enter the community they need very large "tactical funds" to seek votes in their respective electoral districts. What must also be understood is that This Tactical Fund is what causes the leader's debt of gratitude to the Oligarchs. So that they can be controlled even as if they were Puppets of the Oligarchs, and the shadow of the Oligarchy will continue to exist for the next generation. If we as the current generation are still deaf and mute about what is happening, it's time for us to change the regulatory system so that budget provisions, opportunities, facilities and forums for all legislative candidates are fair and closely monitored by the government, so that these Oligarchs will not have a gap to enter the ideology of the leaders in this country.Secondly, at the central level there is still a Presidential Threshold which is the place for the Oligarchs in this nation to breed. Come, my fellow countrymen and brothers, let's abolish the laws and regulations that cause the Oligarchy in this nation to become increasingly uncontrollable. If the Oligarchy does not have rules that improve their welfare or support their interests, and suppresses the leaders of this nation, then the Oligarchy does not have the opportunity to make the leaders of this nation into their puppets. This is what we must fix together in order to make this nation more advanced. It's time for us to urge the elite of this country so that the legislation that causes the oligarchy in Indonesia can no longer develop or even perish, and if this aspiration is not heard by the elite and is only silenced, it's time for us to take to the streets to voice our aspirations to the government elite and the parliamentary elite. so that this legislation can stop and be replaced with regulations that are more prosperous for the people and not just for the welfare of the Oligarchs in this nation. "In our belief everywhere is Tyranny must fall!" said WIDJI TUKUL. So let's fight together to prevent the detrimental influence of the Oligarchy in the process of selecting leadership candidates and ensure that the elected leadership candidates truly represent the interests of the people and have high integrity. I, we, all of you have the same role in ensuring that the elected leaders are leaders who truly serve the people and not only prioritize the interests of the Oligarchs.Bung Karno once said, "My struggle is easier because it expelled the invaders, but your struggle will be more difficult because it is against your own people."Therefore, let us as future generations be sensitive to the social environment, so that this nation can progress in the international arena by changing the rules that mislead Indonesian politics so that this nation advances, come on...!!! Let's make Bung Karno's words come true, participate in voicing the aspirations of the young generation in this country so that we are sensitive to social problems in our environment, especially regarding the election of leaders. Good leaders produce a good environment and human resources whose quality is guaranteed and equitable and prosperous for all the nation's children. Greetings 0% (Threshold).tion's children. Greetings 0% (Threshold).)
Pemilihan Umum 2024. Pilihlah pemilu yang tidak korup + (Om Swastiastu, Om Awighnam astu namo sidha … Om Swastiastu,Om Awighnam astu namo sidhamI thank the event organizers for the opportunity given to me to convey the Celebration to all of you.whom I respect the competition juryI respect the guests who have attended this event, Mr/Mrs accompanying teachers who have accompanied the students who took part in this competition.Ratu Idane is very sane, fragrant titiang sinamian. I am now a student in Badung. Today I want to talk about "General Election 2024".O people of Indonesia, I invite you all to join together to make our elections a success, the Election of 24 February 2024. Because elections are not just about changing leadership, elections are also not just about power. Because elections are our effort to prevent people from getting worse. It is our goal to start a government.Ladies and gentlemen, let us strengthen human resources for implementation at all levels. I am sure this has been done and indeed this time I saw from the applause the spirit of optimism. From the lowest level to the top, provide the knowledge, skills and other abilities needed, so that all equipment and officers are able to carry out their duties well. All levels of the KPU must realize the magnitude and importance of the task of starting our nation's democratic party. A valuable moment to show commitment and integrity, showing dedication and best abilities for the future of our nation and state.Thus, I can conclude that let us choose an election that can advance the island of Bali. Let's not vote for elections that are ex-corrupt. Choose elections that can be committed to holding them well so that democracy remains alive and of higher quality, giving birth to a government that has strong legitimacy.That's all I can say, sorry if there are wrong words, I thank you. Om Santhi, Santhi, Santhi Om.I thank you. Om Santhi, Santhi, Santhi Om.)
Pikobet Luu Ring Jl. Wana Giri Jimbaran + (Om Swastiastu. I respect the jury, and all … Om Swastiastu.I respect the jury, and all my friends whom I love. Firstly, let us express our gratitude to God Almighty, because thanks to His grace, we can all follow this Basabali Wiki.All Yowana, trash in this day and age can bring disaster to the Balinese ring, in my neighborhood there is trash piled up like mountains. That's what causes outbreaks of flooding, and mosquitoes breed, causing dengue fever. Evidence that this waste has an impact is that many Balinese people are affected by diseases due to this waste, such as dengue fever, skin infections and other diseases.What caused the pile of rubbish was because the landfill in Suwung was hit by a fire outbreak due to Bali's hot climate and the community could not accommodate the rubbish at the Suwung landfill, this caused people to throw rubbish in their respective homes. In this outbreak, I hope that the leaders in Bali 2024 will pay more attention to waste in Bali, so that they can provide a clean and comfortable place for the Balinese people.Come on, all Yowana, we have to protect and preserve the Balinese environment, don't throw rubbish in places that are not places to throw rubbish, we have to preserve the 3M steps (Closing water storage places), (Draining the bathtub once every 7 days), (Reusing things used).That's all I can say, more or less I apologize, at the end I say sorry, I close with Parama Shanti, Om Shanti, Shanti, Shanti, Om.ama Shanti, Om Shanti, Shanti, Shanti, Om.)
Turis Asing Yang Nakal + (Om Swastiastu. First of all, let's give th … Om Swastiastu. First of all, let's give thanks to the presence of God Almighty because, by His grace, we can gather at the Bali public participation Wikithon event to give speeches. Distinguished guests, allow me, Kadek Khristina Cantika Putri, I am from the SMK N 2 Seririt school, and I am delivering a speech about "Naughty Foreign Tourists".Tourism in Bali is growing, so many foreign tourists come to Bali to enjoy their holidays. Tourists who come from various countries. As is known, various news reports show the bad behavior of foreign tourists. For example, when there was a dance performance at a temple in the Ubud, Gianyar area, there was a female tourist from Germany who was not wearing clothes or was naked. There are also tourists who violate traffic in the Bali area, and there are many more mischiefs done by tourists while on holiday in Bali. The Ministry of Tourism and creative economy must issue regulations regarding procedures for traveling in Indonesia, and all relevant government agencies must collaborate more intensively with the Indonesian embassy in the country of origin of tourists regarding the provisions for traveling in Indonesia.This naughty behavior is what the government must be wary of, and the government must increase tourist control so that similar incidents do not happen again and Bali tourism continues to run well and many tourists come. That's all I can say. If there are errors, please forgive them and thank you for your attention. Om shanti shanti shanti om.our attention. Om shanti shanti shanti om.)
Uratian I Krama Pemilih Ring Pemilu 2024 + (Om Swastiastu. The judges I respect as wel … Om Swastiastu. The judges I respect as well as the friends I love. First of all, let's together express our happiness to Ida Sang Hyang Widhi Wasa, thanks to his grace we can gather together here for the Bali Oration Public Participation Wikithon event. On this occasion, allow me to deliver a speech that I have made.In the 2024 election, there are still many problems, one of which is the problem of lack of participation from people who have voting rights in the 2024 election.Therefore, I ask all people who are able to vote or who have the right to vote in the 2024 election to use their voting rights so that the election runs well, honestly and fairly so that we get a good leader and what we all want.That's all I can say, more or less I apologize.Om santhi, santhi, santhi, Om I apologize.Om santhi, santhi, santhi, Om)
SIRBATA (Sistem Parkir Bawah Tanah) : sebagai Solusi Penataan Lahan Parkir di Pulau Bali + (Om Swastyastu Dear Sirs and Madams of the … Om SwastyastuDear Sirs and Madams of the juryHonorable candidate for DPD RI 2024As well as all the finalist participants who I am proud ofWe would like to express our gratitude to Ida Sang Hyang Widhi Wasa for Asung Kertha Wara Nugraha. We can gather in good health at the WIKITHON Public Participation event with the theme Bali Oration.Dear audience,On this occasion, allow me to deliver an oration entitled SIRBATA (Underground Parking System) as a Solution for Arranging Parking Lots on the Island of Bali.Parking can be interpreted as the activity of placing a vehicle in a certain place for a certain period of time. Parking lots are facilities used to support the parking needs of vehicle users. Parking lots can be divided into two, on-street parking and off-street parking.The majority of Indonesian people, especially on the island of Bali, use private vehicles as the main transportation. As time goes by, the use of private vehicles by Balinese people continues to increase. Based on data from the Bali Province Central Statistics Agency, total private vehicle users in 2022 will increase to 4,079,617 for motorbikes and 493,887 for passenger cars. This increase will certainly have an impact on the community's need for arranging parking spaces to accommodate the increasing number of private vehicles.As we know, several areas in Bali often find inappropriate use of land as parking spaces, such as roads and sidewalks. This will of course give rise to various problems, namely worsening the road structure and narrowing the traffic area. This is a result of the lack of parking arrangement. Therefore, we propose a system that can be used to overcome parking lot management problems, namely SIRBATA.SIRBATA (Underground Parking System) is a solution that can be used regarding the problem of arranging parking lots on the island of Bali. This system utilizes the potential of the underground area as a parking area. SIRBATA also optimizes the parking capacity of a space, because of course the use of underground parking will be more focused on one function without disturbing other functions such as the use of parking spaces on roads and sidewalks. The underground parking system has several advantages compared to using open parking lots, namely, parked vehicles can be protected from hot or rainy weather conditions and of course vehicle safety is better maintained.This system may sound difficult to realize because of the costs and various permits required to ensure the safety of its users, but it is the government's duty to help overcome this problem. The government must be able to work on all factors that support the realization of this system. Imagine if this was not realized from now on. As time goes by and the use of private vehicles continues to increase, we will reach a condition where many things will have their function disrupted due to a lack of good parking arrangements. For example, roads will become increasingly congested because many people park on the road, sidewalks that should function as a place to walk are used as parking spaces. Therefore, SIRBATA (Underground Parking System) can be used as a solution for arranging parking lots in Bali.Let's work together to create better arrangements for the realization of a safe, comfortable and conducive Bali. Through the cooperation of various parties, we can definitely realize an underground parking system.Om Santhi Santhi Santhi Omarking system. Om Santhi Santhi Santhi Om)
Toya Pinaka Dasar Kauripan sane Sayan Cemer + (Om Swastyastu Good morning ladies and gen … Om SwastyastuGood morning ladies and gentlemen. First of all, let us give thanks to The God because of the grace, all of us can gather today to take part in the Wikithon Public Participation Balinese Oration in good health. Today I will explain water problems in Indonesia.If we talk about water for the Indonesian people, it is no longer strange. The Indonesian nation is a maritime country whose territory is surrounded by water. If calculated using numbers, around 75% (seventy five percent) of Indonesia's territory is surrounded by water. Therefore, many people make a living from the waters. Water is the basis of life for all living creatures on earth. Because water has enormous uses for life, many problems arise involving water. Based on a report from the Indonesian Ministry of Environment, it is remembered that the water deficit in Bali has been visible since 1995 at a total of 1.5 billion cubic meters/year. This deficit continued to increase to 7.5 billion cubic meters/year in 2000. Then, in 2015 Bali had a water shortage of 27.6 billion cubic meters/year. Water demand in Bali in 2021 will reach 5951.92 liters per second and it is estimated that in 2025 it will increase to 7991.29 liters per second. Meanwhile, water availability from infrastructure will reach 6939.38 liters per second or a deficit in 2025.The problem of the water crisis which is gradually increasing is caused by two factors, namely global warming and human activities. Global warming causes several problems that are the main characteristics of marine problems. Such as flash floods or tidal floods. There is also an increase in sea levels which causes erosion on beaches. Things like that are very important to pay attention to. Increasingly rising waters cause more and more land areas to be covered by sea water, while the human population on earth is increasing day by day. This creates a new problem, namely the transition of land and forests into residential areas. This land transition will cause the high temperature on earth and the narrowing of water catchment areas to increase.The second cause is because of humans. Tourism in Bali is like a double-edged sword, on the one hand it really helps encourage the progress of Bali's economy, on the other hand the impact of this causes more and more land to be used for tourism, so that water catchment areas which should be able to be used as water reserves when the summer slowly narrows and eventually disappears. Apart from that, in this era of development, a lot of household waste and industrial waste are simply thrown into nature, causing pollution. Like the phenomenon of the Badung River water turning red in November four years ago, this proves that liquid waste that is disposed of without processing is very dangerous for the environment. If the waste is disposed of on a large scale, the results will immediately look like the Badung River phenomenon. However, what if the waste is disposed of on a small scale, such as household detergent waste? We need to realise that little by little this liquid waste will start to accumulate and in the end it will also trigger pollution in large rivers. You also give attention about rubbish, because many people throw rubbish in inappropriate places, causing environmental damage. Polluted river water will return to the sea. If this problem is not addressed immediately, it is possible that humans will become extinct due to various diseases that arise from dirty water.Before the water problem gets worse and causes loss of life, it is hoped that the leaders of Bali in 2024 will immediately prevent this. One way that can be done is training and guidance in creating home wastewater treatment installations so that the water is safe when discharged into the environment. Apart from that, the importance of understanding waste sorting and processing is also needed by the people in Bali. Let's work together to protect our earth for a sustainable future. That's all I can say, sorry if there are any wrong words. Om Santhi, Santhi, Santhi, Omong words. Om Santhi, Santhi, Santhi, Om)
Stop Money politic + (Om swastyastu Dear sir/madam jury And my r … Om swastyastuDear sir/madam juryAnd my respected audienceBefore I start my oration, I want to first express my thanks to the Almighty God (Ida Sang Hyang Widhi Wasa) because it is with His grace that I can give an oration now.Related to the Balinese leadership election which will be held in 2024 in Bali.with this oration I would like to convey that I hope this election can be carried out fairly, without any coercion, one of which is without money politics, because this is very vulnerable to things happening where prospective leaders bribe their people with money to obtain money. leadership, and the same goes for individuals who carry out elections, because there are certain payments or results that will be obtained after holding elections, individuals often choose leaders not based on justice and honesty, but choose leaders with the aim of getting rewards.Apart from that, Article 22E of the Constitution also states that elections are held publicly, freely, confidentially, honestly and fairly.It doesn't stop there, the reality is that choosing the right leader is the path to prosperity for the nation, there are many problems in Bali which also cause us to really have to choose the right leader, such as the increasing problem of poverty, such as due to inadequate minimum wages, so there are lots of beggars on the streets, then there is also the problem of utilizing natural resources, ecosystems are often destroyed due to not being able to utilize natural resources properly, resulting in a decrease in income, there is also the problem of the large amount of waste that is not managed in Bali which is due to the large number of people who don't care about it. the surrounding environment, to the point of eliminating the unique beauty of Bali.So can our future leaders overcome this problem? I hope that these problems can be overcome by our future leaders.So it can be concluded that,Not only is it stated in the constitution that governs us, but elections also concern people's lives in the future, it is also hoped that prospective leaders will be able to carry out elections fairly and without cheating by engaging in money politics.Let us carry out elections fairly and honestly, because carrying out elections intelligently will create a prosperous society in the future.That's all the speech I can deliver, I hope the speech I deliver can be useful. I'm sorry if I made a mistake, at the end I close with Parama Santhi, Om Santhi, Santhi, Santhi Om.rama Santhi, Om Santhi, Santhi, Santhi Om.)
Punapi kawentenan Guru Wisesane ring Pemilu 2024? II + (OM SWASTYASTU Suksma aturang titiang maje … OM SWASTYASTUSuksma aturang titiang majeng ring Dinas Pendidikan Kepemudaan dan Olahraga Provinsi Bali sane sampun ngawentenang pacentokan Bali Berorasi puniki,naler Wikiton.Ring kawentenan sane becik puniki titiang jagi nyihnanyang angga,Wastan titiang Ni Kadek Mia Juniarti saking SMKN 1 Kuta Selatan ring kawentenan puniki jagi ngungayang indik kawentenang ring Masyarakat sane mamurda “ Punapi kawentenan Guru Wisesane ring Pemilu 2024?”Guru wisesa silih sinunggil pahan saking Catur Guru sane wenten ring Sastra Agama Hindune.Jangkep nyane Catur Guru kasobyahang wenten Guru Swadhyaya pinaka Ida Sang Hyang Widi Wasa, Guru Wisesa pinaka pemerintah, Guru Pengajian pinaka guru sekolah, lan kaping untat Guru Rupaka pinaka rerama.Ring galah puniki titian jagi maosang indik guru Wisesa.Napike Guru Wisesa wantah ngatur karamane manten?Cawisane pastikan nenten,liananken punika pamerintah patut ngemuhan masyaraktne,ngayahin masyakatne mangda adil miwah mirengang pikobet sane nibenin masyarakatne. Pikobet ring pamerintah nenten je asiki nanging akeh pisan silih sinunggil nyane kawentenan Pemilu.Pemilu akeh ngamedalang pikobet minakadi Politik Uang miwah Orti Hoax utawi Hate Speech ritatkala kampanyeKawentenan punika prasida katambakin mangda kawentenan pemilune mamargai antar manut ring tata aturan sane kacumawisang antuk kesadaran lan tanggung jawab sami Masyarakat indik kawentenan Pemilu .Nika krana yening cingak sane sampun liwat Pendidikan politik lan sosialisasi politik nenten mamargi sinarengan,kawentenan punika wantah dados tugas penyelenggara kemanten.Partai politik lan pemerintah patut menyarengin pakaryane punika.Iraga makasami naler nguratiang hak-hak konstitusi Masyarakat sumangdane kajaga tur ter akomodir ring Pemilu.Ngiring !! Sinamian suksesang Pemilu 2024 antuk nyagra saking daya-daya jele sane wenten saking Pemilu sane dumunan mangda pasida Pemilu warsa 2024 puniki mamargi antar.Inggih wantah asapunika ngenenin indik daging manah titiang manados Masyarakat,titian mapinunas napi sane kasobyahang prasida kapinehin tur karesepang olih para pemangku kebijakan minakadi guru wisesane sane madue wewenang tur kebijakan sumangdane kawentenan Gumi Baline ngangsan becik tur trepti.Sineb titiang antuk Parama SantihOm Santih,Santih,Santih Om Parama Santih Om Santih,Santih,Santih Om)
"Be Kelih Kan? Nu Deen Demen Ngae Uyut" + (Om Swastyastu Good morning, best wishes … Om Swastyastu Good morning, best wishes to all of us.First, let us offer praise and thanks to Ida Sabg Hyang Widhi Wasa for giving so many blessings and opportunities for all of us, so that we can gather at this happy event.On this occasion, I will deliver a fairly short oration about tourism responsiveness. Because basically tourism is travel undertaken for recreation and entertainment.We all know that the island of Bali is an island of a thousand islands, which is famous in foreign countries for the beauty of its flora and fauna.But behind all that there is a problem that the government must find a solution for in the future regarding tourists who come to tourist attractions in the area of holy places that are arbitrary. Like many tourists taking photos at the temple by climbing the temple pelinggih, not being responsive to Balinese culture, insulting Balinese culture such as committing adultery in a holy place, being reckless on the road, not wearing a helmet, changing motorbike plates and hiding his identity visa so he can work in Bali .And it's no surprise that the presence of tourists disturbs local communities.This is a serious problem that leaders must address in the future, enforcing the rules for tourism to Bali. Give more consideration to tourists who work in Bali, because as far as I know there are still many local people who are unemployed, perhaps the existence of these wise regulations can help local people get jobs and be more considerate of tourists who open jobs in Bali even though they are not citizens.in Bali even though they are not citizens.)
Ngirangin kemacetan ring bali + (Om Swastyastu Thank you for the time given … Om Swastyastu Thank you for the time given to the three of us. Pinihryin meshow my name is I Gede Berlin Renaldi and my two friends areThis is Kadek Junior and I Made and my son Sujana from SMA Negeri 2 Abiansemal. HealthNow let's discuss the role of leaders in managing congestion.is a traffic suspension caused by the number of passing vehicles.more than the short road capacity of Bisnis.com, DENPASAR Promotion AgencyBali Regional Tourism says there are two things that must be considered in order to be successful.currently facing traffic jam problems in Bali. Tjokorda Oka Artha Ardhana Sukawati, Chair of BPPD Bali and Chair of PHRI Bali, said that to overcome current traffic jams, discipline is needed forfor road users and law enforcement. Like traffic jams in the PB road areaSudirman Denpasar is not only a scientific discipline that uses roads, but also the future.A thriving society requires law enforcement. "Two things are truethe most important concern," he told media at the Bali Tourism Board, the day of the flightthe thirtieth day of the month, two thousand and seventeen. He added, for timeIn the long term, Bali develops as a service industry, not manufacturingTransportation must be considered. If this is ignored, a cultural approach is used.in our transportation, I am sure this will be wasteful. Although several modes of transportation are available, none is available."They use it because it doesn't suit the needs of society," he said. He explained that until now his party had not seen the implementation of these two things in society.maximum because there is a feeling of unwillingness from the police, considering that the customer is doing itLocal people have adjacent houses and parking spaces in front of the houses. If this is moreEven better, the government could provide more parking, which could help.solve the traffic jam problem that is behind. If there are words that I don't like, I apologize, I would like to thank Uncle Santhi Santhi Santhi Uncle.to thank Uncle Santhi Santhi Santhi Uncle.)
MIARA MONUMEN MONUMEN SANE MABUAT + (Om Swastyastu, Dear Ladies and Gentlemen, … Om Swastyastu,Dear Ladies and Gentlemen,Today, we are gathered to discuss something of invaluable historical, cultural and aesthetic value: the preservation of important monuments. These monuments are not just stone structures or historical buildings, but are a legacy from the past that we must guard with devotion.Maintaining important monuments is our duty as protectors of cultural and historical heritage. They are silent witnesses to important events that shape our identity. Caring for them is not just about remembering the past, but also building a better future.Monuments are windows into the past. They reflect the glory, courage, art and culture of different eras. However, without proper care, they are susceptible to time and natural elements which can damage their beauty and integrity.Through careful maintenance, we ensure that the story the monument is intended to tell lives on and can be passed on to future generations. They not only belong to us, but also to those who will come after us.It is important to remember that maintaining monuments is not just about preserving their physical structures but also the meaning, values, and stories behind every detail. Studying, understanding and caring for monuments is our duty to ensure this heritage does not fade from our memories.In appreciating monuments, we also respect our own identity, values and cultural roots. By getting involved in the maintenance of monuments, we strengthen our ties with the past and bring the message about the importance of cultural heritage to the world.Therefore, let us join hands in protecting this important monument. By doing so, we provide tangible evidence that we are responsible stewards of our cultural heritage, and we preserve an invaluable part of history for all future generations to enjoy.Om Shanti Shanti Shanti Omions to enjoy. Om Shanti Shanti Shanti Om)
Utamayang Bansos Nenten Medsos + (Om Swastyastu, Poverty is a social proble … Om Swastyastu,Poverty is a social problem that needs to be addressed so that all people can get at least a decent living. As written in article 33 paragraph 1 of the 1945 Constitution which states that "the poor and neglected children are cared for by the state". However, in reality there are still many poor people, homeless people and underprivileged people who still live below the poverty line and do not even receive proper assistance. Gianyar Regency is one of the regions that has a relatively high poverty rate of 1.38 percent, while in Bali province the poverty rate is 0.54 percent.It has been proven that there are still many beggars begging around shops, some of them even carry small children around to get money. Apart from that, there are small children selling tissue along the main road without proper supervision. Of course, this endangers the order and comfort of society and themselves. So, further treatment is needed regarding the problem of poverty. one of the efforts offered is providing social assistance evenly, social assistance is assistance in the form of money, goods or services to individuals, families, groups and poor communities who are unable and vulnerable to social risks. Even though the provision of social assistance from the government has been implemented, its distribution has not been carried out evenly, as evidenced by the still high level of community poverty in Gianyar district.So the step that can be taken is to initiate open inspections when social assistance is distributed from the central government to underprivileged communities so that the assistance provided is not just a symbolic or image attempt by irresponsible individuals. These individuals often use assistance measures as an effort to get attention and praise from the public via social media without thinking about the truth of what is happening on the ground. If the provision of social assistance is uneven, of course there is something that is not right in the process. For example, in December 2023, hundreds of proposals for social assistance grants submitted by the community to the 2023 Gianyar Regency Government had not been disbursed, even though representatives of the community whose social assistance proposals had not been disbursed had visited the Gianyar Regency Government but did not receive clear follow-up action, so the disbursement of the social assistance had not occurred. accomplished.By holding open or transparent inspections, it is hoped that the entire process of distributing social assistance will be known to the community clearly, rather than being an empty effort and hope for the community. Apart from that, social institutions can visit communities in remote areas that are far from the reach of information so that they also receive equal and equitable assistance. It is appropriate for institutions with authority in the social sector to take action against problems that occur in society appropriately and must be accountable. Don't just prioritize your image on social media to get attention and votes from the public.Om Santih, Santih, Santih Om.the public. Om Santih, Santih, Santih Om.)
Krisis Petani Muda Di Bali + (Om swastyastu, I respect you, Mr/Madam, th … Om swastyastu,I respect you, Mr/Madam, the jury and the 2024 DPD RI candidates, and I am proud of all the participants of the Bali Public Participation Wikhiton Speech.First of all, let us express our praise and gratitude to Ida Sang Hyang Widhi Wasa because of His blessing and grace this morning we were able to gather and carry out a series of activities for the Bali Public Participation Wikhiton oration competition, here, allow me to deliver a speech or oration entitled The Young Farmer Crisis in BaliDistinguished guests, the food that we consume and enjoy every day is the result of processing ingredients from agricultural products. Agricultural products in Bali are very diverse, starting from staple foods, fruit and others. However, currently there is a crisis of young farmers in Bali, there are several factors causing it, such as:1). limited access to capital, technology and skilled human resources, thus hampering the ability of young farmers to increase agricultural productivity and increase their income.2). The high level of urbanization and increasing education in rural areas has made many young people prefer to work in the non-agricultural sector, such as industry or services.3). the lack of attractiveness of the farming profession in the eyes of the younger generation, which is considered less prestigious and has the potential to generate low income compared to jobs in other sectors.I hope that from this problem the Balinese leadership candidates who will be elected in 2024 can provide solutions and provide real action and evidence for this problem.So let's raise the status of farmers, so that there is no premature extinction, that's all I can say, if there is an error in delivering my oration, I apologize for this. I close by delivering Parama SanthiOm Santhi, Santhi, Santhi om.arama Santhi Om Santhi, Santhi, Santhi om.)
Sentuhan Kritis: Menolak Penyatuan Budaya dan Politik demi kebebasan Identitas + (OM Swastyastu, Let us reflect together on … OM Swastyastu,Let us reflect together on the impact of forced cultural and political unification, especially in the context of the ban on celebrating the Balinese holiday of Pengrupukan during elections. This coercion can create outrage by harming cultural practices that are integral to people's lives. So, to what extent should we give up cultural celebrations in favor of often questionable political interests? Governments, especially local governments, should be smarter in understanding and protecting cultural heritage as a community right. Only with wiser policies, considering cultural values, can we create true harmony and genuine peace.The prohibition of historic culture is not simply a religious or cultural matter, but involves the right of communities to practice their traditions without intrusive interference. I strongly emphasize the urgency of incisive dialogue, unequivocal respect, and a policy full of sarcasm to respond to issues like the Pengrupukan ban. Only through this approach can harmony between culture and politics be truly realized. The government should not only listen, but also act swiftly for the survival of such a precious cultural heritage. Whoever is elected, let them not only drown in the pleasure of being in power, but also introspect that cultural diversity is not a toy that can be trampled on. A wise leader is not just good at talking, but is able to defend the cultural wealth of the homeland, not destroy it for the sake of narcissistic personal ambition. So, let's choose leaders who not only know how to play politics, but also understand the art of maintaining harmony in diversity.Thank you, OM Santhi, Santhi, Santhi OM. Thank you, OM Santhi, Santhi, Santhi OM.)
Hak Masyarakat Adat Baik Kemajuan dan Kelestarian Adat Terjaga + (Om Swastyastu, My deepest respect to all t … Om Swastyastu,My deepest respect to all the judges.My respects to the BASAbali Wiki teamMy respects to all participants of the Public Participation Wikithon,Allow me to speak a little on the issue of indigenous peoples’ rights. My name is I Komang Sapa. I am from the lava world of Karangasem, I live on the slopes of Bali’s most majestic Mount Agung, in Jungutan Village.As Indonesian citizens, indigenous peoples should have equal rights in terms of land ownership, economic activities, as well as social rights. However, the Job Creation Law (Undang-Undang Cipta Kerja), especially the article on investment ownership as a step to opening new jobs, could backfire on the rights of indigenous peoples or people living in villages.The Indigenous Peoples Alliance of the Archipelago (AMAN) believes that the Job Creation Law (Undang-Undang Cipta Kerja) can pave the way for investors who will run their businesses and process natural resources. However, it will be a problem that can make the people in the village lose. Because people in indigenous villages still make a living through customary land, forests, rice fields and others. Not only is it used as a place to make a living, there are also those who live, make pindik (a local dish), or use the land as a place to build a house. What’s more, since the process of creating the Job Creation Bill started, indigenous peoples have not been included in discussions, even though the people in the village are the most affected.Well, people, because there are different interests here, between indigenous peoples and investors, the government faces a dilemma, when passing this Indigenous Peoples Bill. For example, in the case of the Natural Tourism Park (TWA) in Batur, Kintamani, Bangli, there are still parties from the indigenous community or in the village who feel disadvantaged by the arrival of investors.Ladies and gentlemen, why do we have to speak out about this situation? It is because, as the next generation of the nation, we must participate in preserving the culture, cultural values that have long been the identity of the nation. Especially in the current times, it is very important that we participate and agree in preserving traditional values. This is not just about preserving our traditional heritage, but also about educating our character and morals as human beings who are easily exposed to foreign influences. Also, we must strengthen adat (indigenous laws), recognize the rights of these indigenous peoples, protect, respect and fulfill their human rights.My hope is for prospective leaders to solve this problem quickly through policies that really make the Indigenous Village sustainable even though there are investors who come in to participate in developing the area so that it becomes stronger. Likewise, the government must come to the Indigenous Village, discuss with the community there before issuing permits, let alone policies.Okay, that’s all I can say to all of you. If there are any mistakes in my speech, please forgive me. In closing, I end with parama santhi.Om Santih, Santih, Santih, Om.ma santhi. Om Santih, Santih, Santih, Om.)
Pikobet Peplajahan ring Sisya Tuli + (OM Swastyastu, OM Ano Bhadrah Kratavo Vyān … OM Swastyastu,OM Ano Bhadrah Kratavo Vyāntu Vicva Taḥ’“May auspicious thoughts come from all directions.”Dear future leaders of Bali.Education is the initial provision for achieving goals. Every citizen has the right to education in accordance with Article 31 Paragraph 1 of the 1945 Constitution. The citizens in question are everyone without exception, men, women, children, adults, the elderly, and people with disabilities. Obtaining the right to education is the responsibility of all parties. Parents are obliged to provide basic education to their children. The implementation of education is carried out by the government through the Education Office, both general, special and inclusive education. Now the question is, has the government provided proper access for people with disabilities? The answer is no, brothers and sisters.I invite you to focus on deafness. There are so many obstacles for deaf people when continuing their education in higher education because access is not properly provided. Campuses accept deaf students, but do not provide appropriate access, so they cannot study properly. Another contributing factor is the use of SIBI (Indonesian Sign Language System) in primary and secondary education. SIBI is confusing for deaf learners and not deaf culture. SIBI is made by hearing people who use Indonesian vocabulary patterns so that deaf people cannot understand the context discussed. According to Ade Wirawan, a deaf activist in Bali, the forced use of SIBI results in Language Deprivation which has an impact on the cognitive development of deaf children and students.The solution to the forced use of SIBI is to use Bisindo (Indonesian Sign Language) which is a natural language that emerges and develops in the deaf community. Bisindo is a representation of deaf culture so it is strongly fought for by deaf communities, organizations and activists. Regarding the use of Bisindo in educational units, the government has played a role in deaf education with the issuance of Government Regulation No. 13 of 2020 concerning proper accommodation for students with disabilities, especially for deaf or hard of hearing disabilities listed in Article 15. Furthermore there is a Circular Letter from the Directorate General of Community Education and Special Education on September 23, 2021, regarding the widespread use of Bisindo in special education units for the deaf or deaf community in the wider community. PP No. 13/2020 and the above circular are in accordance with Law No. 8/2016 on disability. However, the implementation has not gone according to its purpose. Many have not provided proper accommodation for students or teachers who master sign language in a complex manner.Things that Bali’s future leaders should realize for equal access to education for deaf students are:1. Adjust the curriculum according to the needs of the deaf.2. Provide an introduction to deaf disabilities to teachers at the elementary school level to serve as a guideline in order to provide teaching in an appropriate manner. 3. Provide training to improve complex sign language skills and linguistic understanding of sign language for teachers.Bali’s future leaders, let’s work together to address these barriers to education, and fix them immediately. Otherwise, the chain of problems will continue to take root and create more complex barriers. Elections are the perfect venue to fix this long-standing problem. Are you the right person to lead Bali? Are you able to approach the deaf community? Can you fulfill the demands of the deaf community?OM Shantih Santhi Santhi OMaf community? OM Shantih Santhi Santhi OM)
Sapunapi utsaha pamerintah antuk nepasin pikobet macet ring Bali? + (Om Swastyastu, Assalamualaikum Wr. Wb., Pe … Om Swastyastu, Assalamualaikum Wr. Wb., Peace be upon us all, Shalom, Namo Buddhaya, Greetings of Virtue, Thank you to all readers who will read this speech of mine. I, Cellin Aulia Nur Shendi Ansyah, a second year student of SMA Negeri 2 Abiansemal, will give a speech about the steps the government must take to overcome the congestion problem in Bali.The problem of congestion is a condition that often occurs in various places, especially in Bali. This can cause public discomfort. But it is also undeniable that this congestion can also have an impact on something else such as the economy and the environment.Traffic jams that occur in several places cause wasted time of road users because in traffic jams it takes several minutes or even hours to be able to cross the road to their destination. Not only that, if a businessman experiences congestion problems on his way to his client, it is possible for conflicts between the businessman and clients who want to cooperate. Thus, the economic impact is also affected by the problem of traffic jams. Even if using public transportation will also cause problems in time efficiency because, public transportation will stop at many stops (Halte) so it is considered by some people that the use of public transportation will only slow down the journey to the destination.The second environment, congestion if it occurs for a long period of time will cause pollution pollution in the air due to vehicle fumes used by motorists, both motorbikes and cars. This is because vehicle exhaust fumes emit gases that are harmful to the environment, namely in the form of CO gas or carbon monoxide which is one of several types of greenhouse gases. This gas can not only pollute the environment and respiratory organs of humans or living things but can deplete the ozone layer in the earth's atmosphere.To overcome congestion we must actively participate in maintaining the impact of congestion by helping government programs. However, the prohibition on people to buy vehicles is not a solution for people to use public transportation, because in the past Bali had had Trans Sarbagita public transportation, then now Trans Metro Dewata and some services that are not in such a form. However, public transportation did not go well as expected. So, the government should let people buy as many vehicles as possible, but only one is used. Thus the government still gets vehicle taxes. So, it is actually not a problem for people to buy many vehicles but their use must be regulated. In addition, the government must also plan sustainable programs for smart urban planning and develop alternative routes and widening roads as an effort to overcome congestion problems so that traffic flow is more efficient. In addition, the government has the right to build other public transportation systems such as LRT (Light Rail Transit) as an effort to solve congestion problems.This important way should also not be forgotten is to provide socialization to the community about the importance of minimizing the use of private transportation because using it can have a big impact on other drivers, the environment, and even globally. The public, allowed to have many vehicles, it's just that in their use they must follow the rules, which is enough for one to be used.Then, what about foreign tourists who are traveling to Bali? The government is expected to plan sustainable and efficient programs so that the opportunity to get to know the island of Bali is greater if infrastructure development, completion of LRT construction and alternative routes are also the best solution so that foreign tourists can easily access routes to get to their tourist destinations.In conclusion, the most appropriate way to overcome congestion problems requires encouragement from various engagements ranging from government initiatives, community participation, and responsibility and awareness from each individual. This is a big challenge for the entire community, especially in Bali, so efforts that can be made to produce sustainable solutions are long-term we must work hand in hand in a collaborative way. Let's show cooperation to build solutions to the problems faced by all of us in the form of traffic jams, and so that we all get comfort while enjoying a sustainable and harmonious lifestyle.Well, to the readers I thank you for reading my speech. I apologize if there is a mistake that is not pleasing to the heart of the speech I gave about the steps that must be taken by the government to overcome the congestion problem in Bali. I cover with paramasantihOm Santih, Santih, Santih Om, Assalamualaikum Wr. Wb., Peace be upon us all, Shalom, Namo Buddhaya, Greetings of Virtue.halom, Namo Buddhaya, Greetings of Virtue.)
PARISOLAH WISATAWAN + (Om Swastyastu, Best wishes for continued s … Om Swastyastu, Best wishes for continued success,Respected judges.Dear participants,And beloved attendees.Before I offer my greetings, let’s express our gratitude to Ida Sang Hyang Widhi Wasa, for His grace which allows us to gather at this great event, “Wikithon Public Participation Bali speaks”.Ladies and gentlemen, you probably know that Bali is called Indonesia’s world-famous tourist destination. Bali has established Cultural Tourism as the most important attraction for tourists, which is why many foreign tourists and local tourists travel to Bali. However, we should remember, the land of Bali is a sacred land. There are rules, principles, and regulations in each region that should be implemented, maintained, and preserved so that the island of Bali can remain strong, sturdy, and sustainable. The rules are not only implemented by the Balinese people but all parties in the tourism sector and also the people who live in Bali as well as domestic and foreign tourists. Tourists should also abide by the rules. They should not violate them, let alone behave violently or arbitrarily. If there are tourists like this, it will definitely make things bad for the life of this Balinese earth.In the current state of Bali’s tourism sector, which has just risen from the impact of Covid-19, there are many behaviors of tourists from abroad that are not in accordance with the rules in Bali. For example, the case of tourists who damaged the Goa Raja Temple, Besakih. Tourists from South Korea damaged facilities in the temple area, such as tedung (umbrella), sangku (holy water container), jug, donation box, and cloth mounted on the monument. This made the temple area polluted. Then the Goa Raja Temple management carried out a simple prayascita (cleaning) ceremony so that the temple area could return to purity. The behavior of tourists causes a big loss for the surrounding community and indigenous people. It has definitely polluted the Balinese customs and traditions. There are many other examples, such as tourists who do not wear appropriate clothes during Pendet Dance performances at Saraswati Temple and Gunung Batur Temple, tourists who take pictures naked at Taru Kayu Putih Suci in Tabanan Regency, tourists who sit on the Teratai Bang Temple monument, tourists who meditate naked in Denpasar. Apart from not wearing clothes at temples, there are also tourists displaying the same behavior in public places, for example in South Kuta.Based on the above-mentioned problems, the Balinese government has actually made a circular letter of the Governor of Bali Number 04 of 2023 concerning the new order for foreign tourists who visit Bali. The stipulation of regulations on tourist behavior is in accordance with Balinese cultural norms but the implementation has not been maximized. There are still many tourists who behave not according to Balinese customs, destroying the principles that have been inherited on this Balinese earth. This makes me hope that the leaders who will be elected in 2024 will be firm with the rules that have been issued, truly loyal to protecting Bali from the bad influence of globalization and all people, especially protecting Balinese youth, so that they are not exposed to bad influences. In addition, Bali leaders should require tourists to be accompanied by a guide. The goal is that there is no more wrong and deviant tourist behavior. Tourists do bad behavior because no one is watching. In order to be implemented, the 2024 leader can provide guide services under the auspices of the government that can be used by tourists.Come on, brothers and sisters, take care of this Balinese earth, take care of the tourists who come to Bali, so that Balinese customs and culture as an ancestral heritage are not polluted and abused. Well, that’s all I can say. If there are any mistakes in my speech, I ask for forgiveness. I close with paramasanthi. Om Santih, Santih, Santih, Om.ramasanthi. Om Santih, Santih, Santih, Om.)
Pikobet Kawigunan lahan ring Bali + (Om Swastyastu, honorable judges of the Wik … Om Swastyastu, honorable judges of the Wikithon Public Participation Oration, and all Oration participants that I am proud of. I, Putu Bayu Yudha Oka Pratama from SMAN 2 Sukawati will deliver an oration entitled "Pikenoh lahan ring bali ngawit masa ke masa" which discusses an issue that has long been a problem in Bali. Bali is known as a global tourism destination, but behind that, there are serious challenges related to the erosion of green land.Land change in Bali from time to time is certainly a very important issue and must be addressed immediately, seeing the state of the increasingly eroded land. According to an article in Neliti, land use change in Bali is very important to note because land use change has a major impact on the physical and social environment. In this case, satellite imagery and GIS data were used to determine land use change in Bali. The results showed that land use has changed drastically between 2003 and 2008. Settlements and irrigated rice fields are where the most extensive land use change occurred, at 2,553 hectares. While salt land use did not change at all. This change has led to the development of villas, hotels, shopping centers that are irregular and haphazard.Irregular and indiscriminate land use change can cause negative impacts on the environment, Balinese people, and even Bali Tourism. Some of the negative impacts that can occur are environmental damage and loss of natural habitat for flora and fauna. In addition, irregular land use change can also cause flooding and landslides. And the most problematic, namely the impact on Bali Tourism. Where, foreign tourists have no interest in coming because it is too full of buildings and little green land left.To overcome these problems, the future leaders of Bali 2024 must take appropriate and effective action. One solution that can be done is to conduct strict supervision of land use changes in Bali. There must be clear procedures and permits related to land use change. In addition, Bali 2024 leaders should also introduce programs that aim to promote sustainable and environmentally friendly land use. These programs could include the development of organic farming, the use of renewable energy, and waste reduction.Ladies and gentlemen of the jury, that's all I have to say about land use issues in Bali. I hope that this oration can be useful so as to realize that the Government and the Community must work together to deal with this problem, Finally, I Bayu say Parama Santhi. Om Santhi, Santhi, Santhi, Om.ama Santhi. Om Santhi, Santhi, Santhi, Om.)
Masa Depan Bali + (Om Swastyastu, Let's all pray to Ida Sang … Om Swastyastu, Let's all pray to Ida Sang Hyang Widhi Wasa, because we all can stand here to talk about "Pemilu : Apa masalah yang paling mendesak untuk ditangani para calon pemimpin Bali?", or in English "2024 Election: What are the most pressing issues for Bali's leadership candidates to address". Dear the Listeners, the 2024 Election is approaching, and the Island of the Gods; Bali is tightening the calendar that must be paid attention to by those who will become leaders. Currently a number of bad tourists, foreigners and ofc residents in bali are breaking the rules, even though it is known as a beautiful tourist destination, Bali has rules and sanctions that can still be bad for the environment, Balinese and foreigners. Examples are corruption, land investment by outsiders, tourists who do not respect Balinese culture, there are no proper procedures for disposing of rubbish in Bali, and there are no sanctions for people who violate it. I hope that those of you who will serve as leaders can develop and handle these problems well. Let's all provide a better opportunity for Bali's future.de a better opportunity for Bali's future.)
HARMONI "RATRIBRASKITA" NYUJUR KERAHAYUAN + (Om Swastyastu, Namo Budaya, Om Awighnam As … Om Swastyastu, Namo Budaya, Om Awighnam Astu Namo Sidham.Bali Island is an island that already has many natural resources. These natural resources attract tourists to come to Bali. The island of Bali is well known abroad. The island of Bali which is growing in tourism is what causes many investors to build buildings in Bali. Different from before, the island of Bali has many rice fields and plants, as well as clear water that makes the mind drift away. In the past, Balinese people easily got agricultural products such as chilies, vegetables and others.After the rice fields in Bali were converted into buildings, little land was used as a place to grow these plants. This is because the prices of our basic necessities in Bali are increasing. If we remember, we should be in Bali who bring in a lot of guests, making Bali Island an island that has high regional income. However, we have all felt that now the prices of basic necessities in Bali are increasing. Natural resources in Bali are increasingly scarce, rice fields in Bali are increasingly depleted. Who can be blamed if it's like this? Not just natural resources, but technological developments that increasingly want to make us spoiled or dependent on technology. Different from before, Balinese people at home each have rice fields that can be used to grow plants that are useful for the Balinese people, such as chili plants, banana trees, tomato plants, vegetables and others. Now, are there any of you who plant these plants? Does anyone still have rice fields?Now in Bali, many people have houses that have been influenced by foreign culture. This is because few have rice fields or plants that can be used for basic needs or coral reefs. If it is related to the increase in prices of basic commodities in Bali, it is appropriate that the Kitri coral can restore the fulfillment of our basic needs in our respective homes. If every yard or yard in Bali had coral reefs, basic prices on the market would definitely not increase because there would be no shortage of basic necessities. This Kitri coral can be included in traditional village regulations so that the community can all develop Kitri coral in their own homes and in traditional villages make sekeha which are taken by each family head in each coral to get information about the Kitri coral and Kitri coral in their respective homes. Each can be sold at the Pekraman village level. Immediately, it became a Ratribraskita movement which means Digital Based Kitri Coral, which has the aim of preserving Kitri Coral even when they become extinct and bringing greenery to the household.Hopefully this RATRIBRASKITA program can provide good benefits.I apologize if there are any shortcomings, I will close with Parama Santih.Om Santih, Santih, Santih Omrama Santih. Om Santih, Santih, Santih Om)
Pariwisata Bali Metangi Antuk Sport Tourism + (Om Swastyastu, the Covid-19 pandemic has h … Om Swastyastu, the Covid-19 pandemic has had a huge impact on Indonesia. Not only in the health sector, but also in the economic sector. The island of Bali is no exception, all of which are very dependent on tourism so that the Balinese economy has slumped during the pandemic. The Government has implemented the policy of Enforcement of Community Activity Restrictions or PPKM (Pemberlakuan Pembatasan Kegiatan Masyarakat) to limit the spread of the Covid-19 virus. However, this strategy has caused negative impacts such as the suspension of tourism. Likewise, tourism workers have been fired. The government and related parties must seek procedures to stimulate Bali tourism. Examples include the strict application of health protocols to the community, as well as the application of CHSE (Cleanliness, Health, Safety, and Environment Sustainability) to tourist destinations or other means of supporting tourist destinations. The number of Balinese people who have received the first dose of Covid-19 vaccine is around 99% and the second dose is around 90%. With this preparation, Bali tourism is ready to rise again. What is needed is public information that Bali is ready to receive domestic and international tourists. Sports Tourism is one of the strategies that should be implemented. Even though it's a new idea, sports tourism has great potential to generate tourism in Bali. Sports events are of great interest both nationally and internationally. This can be seen from the major sporting events held in Bali such as the 2021 BWF World Tour, BRI Liga 1, U-20 World Cup, and so on. The Government can provide support to improve infrastructure and facilities relating to sports so that Bali's potential can be realized and Bali's tourism and Bali's economy can be revived. Om Shanti, Shanti, Shanti, Om.be revived. Om Shanti, Shanti, Shanti, Om.)
Etika Wisatawan ring genah suci ring Bali + (Om swastyastu, the jury that I respect and … Om swastyastu, the jury that I respect and the Bahasabali wiki team that I am proud of. On this occasion, I will deliver an oration on "Tourist Ethics in Sacred Places in Bali".Bali Island is the most popular tourist destination in Indonesia. Bali has very diverse tourist attractions, both natural tourism, cultural tourism and marine tourism. Bali and tourism cannot be separated. A tourist attraction that is no less interesting is the culture of the people. The life of the Balinese people is very closely related to the Hindu religion so that every religious ceremony is a very unique object. Temples are interesting places of worship for Hindus spread throughout Bali. Therefore, Bali also has the nickname Thousand Temple Island.However, the beauty of tourist attractions in Bali is still often threatened, one of which is sacred places. The presence of foreign tourists visiting sacred places still has a negative influence on the island of Bali. The case that we often hear is that tourist etiquette is still lacking, both in terms of clothing and the morals of the tourists themselves. As happened at Pura Dalem Prajapati Banjar Dadakan, Kelaci Kelod Traditional Village, Abiantuwung Village, Kediri District, Tabanan Regency. The tourist climbed a sacred tree, it is suspected that the tourist did not know that this place was a sacred place.This often happens, the causes are freedom of association and clothing in many tourist attractions, the need for commercial content and, ignorance of foreign tourists about sacred places in Bali. With this, we hope that Bali's leaders in 2024 will tighten the existing regulations in this place with efforts that can be taken, namely,1. Form a community for tighter security at this place.2. The management should provide information about the meaning of signs and holy places.3. Give sanctions to visitors who prohibit these rules, both moral sanctions and social sanctions.4. Tourists are expected to be accompanied by a tour guide who has a permit/license (understanding the natural conditions, customs, traditions and local wisdom of the Balinese people} when visiting tourist attractions.That's all we can say, hopefully it will be useful, and this oration can be realized by Balinese leaders in 2024 so that sacred places in Bali are always maintained and preserved. Sorry if there are any wrong words, we thank you. Om Shanti, Shanti, Shanti Om.e thank you. Om Shanti, Shanti, Shanti Om.)
Etika Wisatawan Di Tempat Sakral Di Bali + (Om swastyastu, the jury that I respect and … Om swastyastu, the jury that I respect and the Bahasabali wiki team that I am proud of. On this occasion, I will deliver an oration on "Tourist Ethics in Sacred Places in Bali".Bali Island is the most popular tourist destination in Indonesia. Bali has very diverse tourist attractions, both natural tourism, cultural tourism and marine tourism. Bali and tourism cannot be separated. A tourist attraction that is no less interesting is the culture of the people. The life of the Balinese people is very closely related to the Hindu religion so that every religious ceremony is a very unique object. Temples are interesting places of worship for Hindus spread throughout Bali. Therefore, Bali also has the nickname Thousand Temple Island.However, the beauty of tourist attractions in Bali is still often threatened, one of which is sacred places. The presence of foreign tourists visiting sacred places still has a negative influence on the island of Bali. The case that we often hear is that tourist etiquette is still lacking, both in terms of clothing and the morals of the tourists themselves. As happened at Pura Dalem Prajapati Banjar Dadakan, Kelaci Kelod Traditional Village, Abiantuwung Village, Kediri District, Tabanan Regency. The tourist climbed a sacred tree, it is suspected that the tourist did not know that this place was a sacred place.This often happens, the causes are freedom of association and clothing in many tourist attractions, the need for commercial content and, ignorance of foreign tourists about sacred places in Bali. With this, we hope that Bali's leaders in 2024 will tighten the existing regulations in this place with efforts that can be taken, namely,1. Form a community for tighter security at this place.2. The management should provide information about the meaning of signs and holy places.3. Give sanctions to visitors who prohibit these rules, both moral sanctions and social sanctions.4. Tourists are expected to be accompanied by a tour guide who has a permit/license (understanding the natural conditions, customs, traditions and local wisdom of the Balinese people} when visiting tourist attractions.That's all we can say, hopefully it will be useful, and this oration can be realized by Balinese leaders in 2024 so that sacred places in Bali are always maintained and preserved. Sorry if there are any wrong words, we thank you. Om Shanti, Shanti, Shanti Om.e thank you. Om Shanti, Shanti, Shanti Om.)
"Pangelumbungan Sampah Menyuarakan Kepedulian, Menyemai Perubahan" + (Om Swastyastu. In managing this waste, th … Om Swastyastu.In managing this waste, the Tim Basa Bali committee and all of us extend our respect to the Supreme God. This waste affects our earth and has become a collective burden for humanity.The regulations written in 1975 regarding the preservation, writing, and development of the Balinese script have been in place, but they are not consistently followed. Waste disposal should not be a mere ritual but a continuous thread of our lives.This waste is harmful, and we, the people, should be sacred citizens who do not directly contribute to the pollution of our surroundings. The waste, which has been increasing, is affecting Bali's environment. Nevertheless, we must continue to live in harmony with nature and uphold our responsibilities.We need to transform our habits in waste disposal immediately. Moreover, we must offer our support to fellow Balinese and play our roles as responsible citizens. The fear looms large over our tourism, economic stability, and global reputation. Together, let us unite, be humble, and work collectively in managing this waste. Thank you. Om Peace, Peace, Peace, Om.te. Thank you. Om Peace, Peace, Peace, Om.)
NGIRANGIN SAMPAH PLASTIK ANTUK PULAU BALI SANE BECIK + (Om Swastyastu. Sincerely all my beloved g … Om Swastyastu.Sincerely all my beloved guests,Currently, the island of Bali is faced with serious challenges that threaten the environmental sustainability and beauty of the island of Bali as a tourism destination. Namely, the problem of piles of plastic waste.Every day, we witness an uncontrolled growth in the volume of plastic waste, polluting oceans, damaging ecosystems and threatening health. Plastic waste is not just waste, but also a symbol of our irresponsible behavior towards the environment. It is important for all of us to be aware of the negative impacts and take concrete action. There needs to be a joint effort to reduce the use of single-use plastics, support recycling, and encourage environmentally friendly technological innovation.Through collective awareness and action, we can create a cleaner, healthier and more sustainable environment for future generations. Thank You.Om Shanti Shanti Shanti Omns. Thank You. Om Shanti Shanti Shanti Om)
Pikobet Leluu Sane Magenah Ring Tukad-tukad Ring Bali + (Om Swastyastu. Distinguished guests, first … Om Swastyastu.Distinguished guests, first of all, let us say our thanks giving to Ida Sang Hyang Widhi Wasa, because it is thanks to his grace that we can gather here. On this happy occasion, I would like to deliver a speech about the problem of rubbish in rivers. This problem is one of the problems that exist in Bali, and must be handled by the future leaders of Bali.We all know that rivers are natural resources that are very important for human life. Rivers provide water for drinking, irrigation and other daily needs. However, unfortunately, our rivers are currently facing a serious problem, namely rubbish pollution.One of the main reasons why there is a lot of rubbish in rivers is the lack of public awareness about the importance of disposing of rubbish in the right place. Many people still throw rubbish carelessly, including into rivers.Garbage thrown into rivers can cause various environmental and health problems. This rubbish can clog river flows, causing flooding. Garbage can also pollute river water, endangering human and animal health. Apart from that, rubbish in rivers can damage river ecosystems and reduce natural beauty.To overcome the problem of waste in rivers, cooperation from all parties is needed, including the government, society and the business world.The government must provide adequate facilities and infrastructure for waste management, such as rubbish bins, waste transport fleets and final waste disposal sites.People must have awareness not to throw rubbish carelessly, especially into rivers.The business world must also play a role in reducing the use of materials that are difficult to decompose, as well as supporting sustainable waste management programs.I hope that the future leader of Bali who is elected will have a commitment to solving the problem of rubbish in rivers.The prospective leader must have a clear vision and mission in waste management, as well as a work program that is measurable and can be implemented.I am sure, if we all work together, we can solve the problem of rubbish in rivers and make Bali a clean, beautiful and healthy island.Distinguished guests, that's all I can say. If there is an error I apologize. I close with Parama Santih.Om Santih, Santih, Santih, Om.ama Santih. Om Santih, Santih, Santih, Om.)
Ngamolihang Kasejahteraan Sosial ring Bali + (Om Swastyastu. Before I present this orati … Om Swastyastu. Before I present this oration, let us all give thanks to Ida Sang Hyang Parama Kawi, because thanks to His grace I, Ni Kadek Diah Ayu Paramitha from SMA Negeri 1 Kerambitan, can present the oration text entitled “Ngamolihang Kasejahteraan Sosial ring Bali”.A leader is a person who influences others in order to carry out a common goal. Therefore, leaders have the obligation to complete and implement all the aspirations of the community and have a responsibility for community welfare and social welfare. Talking about social welfare, it can be seen from various aspects such as economy, education, health, and socio-culture. Today, I will discuss social welfare in Bali from the economic point of view. One of the economic problems in Bali is the economic gap, which is very important to find a solution to. The economic gap is closely related to the unbalanced infrastructure development in each region. This can lead to urbanization - people living in villages are displaced to cities - which then makes economic growth in Bali unbalanced. Poverty and unemployment rates are also important to note, because if you look at the distribution of subsidies for the lower middle class, it has not been well targeted, so the poverty rate has not shown a significant reduction in the number of people living in poverty.We know that Bali is very strong because of tourism which until now has benefited as much as 60% of Bali’s economic structure. In my opinion, providing tourism sites like this, especially in villages can be one of the solutions to relieve the economic gap in Bali, such as the Tenganan Tourism Village program, Jatiluwih, Terunyan, and others. However, we cannot guess what will happen in the future, such as the Covid-19 outbreak in 2020 which causes an economy decline, especially in Bali because it still relies on tourism. However, if you look again, Bali actually has other potentials such as MSMEs. These MSMEs should be considered so that they remain strong. Bali’s leaders have a role to help MSMEs in Bali so that they can improve Bali’s economic development, such as providing facilities and assistance in the form education, socialization, subsidies and rules that can encourage the existence of MSMEs and provide legal protection for MSME actors. Not only these MSMEs can help the Balinese economy. Social welfare is not just the responsibility of leaders, but the responsibility of the entire community. However, the role of leaders here is very important to lead the community to get social welfare, the leader should use resources as well as possible, and also build good buildings in order to provide people’s welfare.This is the text of the oration that I can convey. If any of my words are not pleasing to you, I apologize profusely, finally I close with paramasantih, Om Santih Santih Santih Om. paramasantih, Om Santih Santih Santih Om.)
Upaya Mangda SDM ring Bali nenten Fokus ring Sektor Pariwisata kemanten + (Om Swastyastu. Dear readers, and participa … Om Swastyastu. Dear readers, and participants of the competition that we are proud of. Praise and gratitude are due to God Almighty because by His grace we were given the opportunity to be participants in the Wikithon Basa Bali competition with the theme "Election 2024: What are the most urgent issues to be handled by Bali's prospective leaders?" Tourism has long been the most popular sector for Balinese people. Natural resources and customs are two of the factors that make tourists, both from within and outside the country, interested in visiting the island of the Gods, Bali. However, reflecting from 3 years ago where most of the people's economy in Bali was hampered due to a prolonged pandemic. It can be seen from one of the tourist attractions in Bali, namely "Taman Nusa", where this tourist spot focuses on preserving customs and culture in Indonesia, such as traditional houses, dances and traditional weapons, ended up 'closing' or in other words 'going bankrupt'. Now that the economy in Bali has started to grow and improve, we can take a lesson to not depend on one sector, especially the dynamic Tourism sector. Our question now is, how can we make the human resources in Bali not only focus on the tourism sector? This problem starts with the stereotype that working in the tourism sector can raise the family's status. Although in reality this is true, given the dynamic nature of the tourism sector, it is unlikely that the sector will always promise a good economy. Whereas, on the other hand, agriculture, health, trade, construction and so on have ample job opportunities but with less promising income, so in the opinion of young people now. We ask for solutions from the government regarding this sector that 'actually' has ample job opportunities with less promising income.Finally, let's all work together to protect and do our best for Bali's economy in the future. That's all we can say, if there are shortcomings we apologize and for your attention we say Parama Santih. Om Santhi, Santhi, Santhi Om.rama Santih. Om Santhi, Santhi, Santhi Om.)
BALI RESIK, TAN KATIBEN GUNUNG LELUU + (Om Swastyastu. Dear the juries and all rea … Om Swastyastu. Dear the juries and all readers. From the theme of this oration, the urgent topic we raised was the Bali government's steps in dealing with the surge in waste on the Island of the Gods, which can cause various problems in life. For this reason, the title of our oration is “Clean and Spotless Bali, Without Mountains of Rubbish” or "Bali Resik, Bali Tan Katiben Gunung Leluu". Bali Island is nicknamed the world's tourism paradise. However, behind that sentence, this island is facing an urgent crisis due to piles of rubbish. It has become increasingly complicated and more transparent after fires recently occurred at several final disposal sites (TPA) in Bali. How would we feel if every day we had to live amidst piles of rubbish, followed by burning pollution like this? As a foreign tourism area, the urgency of this problem must be addressed immediately because it can cause other issues that could be detrimental to the Balinese people. Therefore, the presence of the government as a pioneer leading society is vital in responding to this urgency. Prospective leaders should be responsible for developing steps to overcome this emergency. We need significant investment in waste management infrastructure with modern, environmentally friendly technology. We also need policy designs encouraging active community participation in waste sorting and recycling programs. We encourage prospective Balinese leaders to work with various parties, including the private sector and environmental organizations, to create collaborative solutions to this waste problem. By integrating ideas and resources from multiple sectors, we can achieve more significant progress in maintaining Bali's sustainability. This is a call for all of us to act together and ensure that Bali remains beautiful and sustainable for future generations. Thank you, ladies and gentlemen, prospective leaders of Bali in the 2024 elections, for your attention and commitment to facing this urgent challenge. Together, let's create a clean, green, and sustainable Bali without mountains of rubbish. Om Santih, Santih, Santih, Om.of rubbish. Om Santih, Santih, Santih, Om.)
Menuju Bali Clean And Green + (Om Swastyatu I thank the committee,the a … Om Swastyatu I thank the committee,the audience that I am prouded and the team from my beloved BASAbali Wiki.On this happy day I will present the tittle “ Towards a clean and green Bali’’instead of giving to mucht advise . As for all the smart attendees,I am here to help convey the government teacher’s messege from what has been spread by the government in the Balinese community.A very good progam aimed at keeping Bali clean and beautiful. Some people of the programs tht have beesn implemented include Denpasar Go 2011( two thousand eleven),car free day,planting a million trees and others progam again.this is government progam tht can be a seed to prevent air pollution from landslide, and maintain the beauty and fresh of all Balinese people who alredy have mindnest of preserving Bali,this aims to ensure that Bali is always clean. Well, dear listeners, let’s ask ourself. Have we carried out business efforts aimed at preserving the Balinese word if not us who else? If not now,when again? So that all of you can unite yourself, roll up your sleeve, maintain cleanline and beauty Bali as well. That’s all I can say more or less I am sorry I closed it with parama santhiOM SANTHI SANTHI SANTHI OMh parama santhi OM SANTHI SANTHI SANTHI OM)
ogoh-ogoh bali 2024 sane katinggalin + (Om Swastysatu, Om Awighnam Astu Nama Sidha … Om Swastysatu, Om Awighnam Astu Nama Sidham, the Queen who smells so good to all of us. Today I would like to convey that Ogoh-ogoh 2024 announced by the Bali Provincial Government will be held in the series of Nyepi Day 2024. However, Balinese people are still allowed to roam around. Head of the Bali Cultural Service, I Gede Arya Sugiartha, explained that holding the provincial level ogoh-ogoh competition was to maintain security until the 2024 elections. According to him, bad race was the cause of all relations. He showed that horseplay could be played again after years of politics. However, people were still allowed to play ball the following night. Group meetings can only be held within their respective traditional village areas. Then he ordered them not to talk about it on the street. I apologize if there is something wrong with what I said, so I will call it Prama Shanti. Uncle Shanti, Santhi, Shanti Uncle.hanti. Uncle Shanti, Santhi, Shanti Uncle.)
Collin McPhee + (On February 15, 1900, Collin McPhee was bo … On February 15, 1900, Collin McPhee was born in Montreal, Quebec, Canada. He passed away on January 7, 1964, in Los Angeles, California, USA. He was a writer, pianist, and composer who composed music for traditional Balinese dances. He was a resident of Bali. In addition, he writes a lot of music inspired by Balinese traditional music.For the remainder of his life, Collin McPhee studied Balinese music. He made a significant contribution to the advancement of Balinese music as well. He brought Balinese music to the attention of various American music universities. The orchestral percussion piece he composed for Carlos Chavez's 1936 summer tour to Mexico is his most well-known composition. Balinese gongs and cymbals are among the musical instruments used in McPhee's percussion piece.Balinese Ceremonial Music (1934), Concerto for piano and wind octet (1928), Concerto for wind orchestra (1960), Kambing Slem (1960) for flute and piano, Lagoe Sesoeloelingan Ardja (1960) for flute and piano, Lagu Délem (1960), Tabuh-tabuhan (1936) for two pianos and orchestra, Tabuh-Tabuhan, toccata for orchestra (1936), Transitions for orchestra (1954), etc. are some of Collin McPhee's compositions. are some of Collin McPhee's compositions.)
Daniel Bahari + (On March 23, 1948, Daniel Bahari was born … On March 23, 1948, Daniel Bahari was born in Denpasar. He is a renowned boxing manager, promoter, and trainer. He started the Cakti Bali gym (Candradimuka Boxing Bali) and developed amateur and professional boxers on a national and worldwide scale. Adi Swandana, Francisco Lisboa, Pino Bahari, Nemo Bahari, and Daudy Bahari are among the boxers that came from his family. He has also faced off against the renowned boxer Ellyas Pical, the former junior bantamweight champion of the IBF. He was a boxing athlete before he became a trainer. His accomplishments weren't all that remarkable, though. He is more renowned for being a golden-handled boxing coach. On March 16, 2015, Daniel Bahari passed away in Denpasar.15, Daniel Bahari passed away in Denpasar.)
WISATA MELANCARAN RING BALI + (On Swastyastu I would like to express my … On SwastyastuI would like to express my gratitude to the presence of God Almighty for his generous support in being able to deliver an oration entitled "TOURISM UNDER THE BALI RING" The island of Bali or the island of a thousand temples is famous for its unique tourism and culture. The island of Bali has many tourist attractions that attract local guests as well as tourists from foreign countries who come to Bali for a holiday and enjoy the natural beauty of Bali. The tourist attraction in Bali that is most often crowded with tourists is Ubud. In Ubud there are many tourist attractions such as the Ubud monkey forest, Bali bird walks, the Ubud art market, the Blanco Renaissance Museum and others. Sometimes when we cross the road in Ubud, we often get stuck in traffic jams due to the crowds of tourists walking around. There are so many tourists on holiday in Bali that we are overwhelmed by the behavior of tourists who carry out actions that exceed the limits set by the local community. However, tourism activities help revive the community's economy. Also, the culture and tourist attractions in Bali are becoming more famous on the world stage, and can attract tourists to vacation in Bali. That's all my oration that I explained, forgive me if there are any statements that are offensive or not pleasing to your heart. I say thank you, at the end I close with parama santih. Om santih, santih, santih omama santih. Om santih, santih, santih om)
Jalan sane usak + (On the damaged highway in Mambal, the Mambal highway is located on the road that passes through the Mambal market which is very damaged, many people say the road is suitable for trekking because it is damaged)
Ngicenin kebebasan majeng ring yowana mangda makarya sapakayunan ipun, miwah memfasilitasi sajeroning pencapaian minat bakat kramanyane + (On this occasion, allow me to share some t … On this occasion, allow me to share some thoughts on the importance of giving teenagers the freedom to express themselves and work on their interests and talents. And how we as a society can facilitate this.The young generation is the future of this nation. They are the ones who will continue the baton of leadership in this beloved country. Therefore, we should give them the widest possible freedom to explore and develop their potential. Often, we get stuck in the mindset that children should follow in their parents' footsteps. In fact, every child has their own passions and talents. Our job is to support and facilitate their self-discovery, not impose our will.By giving young people the freedom to work in areas of interest, we help them find purpose and meaning in life. This is important so that they do not get lost and fall into negativity. In addition, young people who are supported to pursue their dreams will grow up to be confident and optimistic. They know that the community supports their efforts to achieve their goals. This will spur enthusiasm and a high work ethic.Therefore, let us embrace young people with empathy. Give them the confidence to pursue their dreams, even if they are different from our expectations. As parents and society, we must support our young people. Thus, they will grow into an excellent generation and bring progress to this nation. That's all for my short speech, thank you for your attention.hort speech, thank you for your attention.)
Anak Agung Made Gelogor + (One of a number of female artists in Sanur … One of a number of female artists in Sanur identified by Bateson and Mead via the Neuhauses.From a family of painters in Sanur during the 1930s. Worked with Agung Raka, her son by Gusti Sodang (and thus is probably also the mother of Gusti Putu).Also spelt GelogorRelated ArtistsHusband: I Gusti Putu Raka SodangSon: Agung Raka: I Gusti Putu Raka Sodang Son: Agung Raka)
Cameron Forbes + (One of Australia’s most respected foreign correspondents.)
I Dewa Ngakan Gede Keramas + (One of the Balinese writers who came from … One of the Balinese writers who came from Bangli, namely in Guliang Kangin - Taman Bali, was I Dewa Ngakan Gede Keramas. Has given birth to a gaguritan literary work entitled TIRTHA HARUM in 2000. In gaguritan Tirtha Harum uses several pupuh including, Pupuh Sinom, Pupuh Durma, Pupuh Ginada, Pupuh Kumambang. And in it tells or tells how the naming of Tirtha Harum and the initial milestones of the Taman Bali kingdom.tial milestones of the Taman Bali kingdom.)
NGELISIN GALAH KARANTINA + (Ong Swastyastu … Ong Swastyastu since the COVID-19 pandemic hit the whole world. It's been two years of this pandemic situation. some regulations have been implemented. but not getting the desired result, for the purpose to be achieved. I am not a tourism actor, let alone one who knows about the state of tourism, but I feel what the impact of this covid-19 pandemic is. I wrote this article from the input of my friends and relatives who work in the tourism sector. When viewed from the development of tourism in the past, generally 100% of guests traveled to Bali, now only 30% of foreign guests come to Bali, another 70% are mostly local guests, even though the airport has opened domestic flights and international flights. But still few foreign guests come to Bali for sightseeing, even though most of the guests are local. Now, as now, there has been an increase from before, unlike in the past, hotels, villas, resorts, restaurants, tourist attractions were mostly closed. We all know that Bali is the biggest foreign exchange earner in Indonesia. If Bali tourism is paralyzed, let alone to death, what can you do, what causes it? Most of the people work in the tourism sector. Health-based tourism must be applied to be used as a solution/urgent situation in the current state of tourism and in the future. Many foreign guests don't want to go to Bali because the quarantine period is too long and the rapid production of antigen tests and PCR swabs is too expensive. The hope of the people is that the government is right to reduce the quarantine period which used to be 14 days, to only 7 days, what is the reason?, So that the quarantine period for guests is not too long, just like a leech habit (too long) staying or traveling to Bali, so as not to too long quarantine before traveling quickly lost the desire of guests to travel. For example, a guest who came to Bali only two weeks ago had a 14-day quarantine period, cutting the guest's vacation time by 14 days after the quarantine period was used up, the guest lost his time to Bali or the quarantine period was used up only. Also accompanied by promotion and maintaining Balinese culture so that traditional tourism attractions such as the ogoh-ogoh parade can be used as an inducement for foreign guests to visit Bali. Ong, Santhi, Santhi, Santhi, Ongsit Bali. Ong, Santhi, Santhi, Santhi, Ong)
Anak Agung Gede Alit + (Only one picture in Bateson and Mead colle … Only one picture in Bateson and Mead collection, purchased Jan. 17, 1937 — crudeMember of the ruling family of Batuan. Bateson-Mead information: Age: about 12-13 Son of the highest status and most powerful man in Batuan of the time, Anak Agung Gede Ngurah, who was juru tulis to the Punggawa of the region, which was centered in Pliatan in the late 1930s, was just finishing up 5th year of elementary school in Sukawati, and was about to go on to become an apprentice civil servant (magang) in the Pliatan office that very same year. Survey information: MARGINAL EARLY TEEN UNSKILLED THIRD WAVE LITERATE SPEAKS MALAYUNSKILLED THIRD WAVE LITERATE SPEAKS MALAY)
TULIS JUDUL DI SINI (BAHASA BALI) + (OPTIONAL)
KRAMA WIKAN NGICEN SUARA RING CALON SANE PATUT KAPILIH + (OPTIONAL)
baya sampah antuk gumi pariwasata Bali + (OPTIONAL)
Goverment Macet ring Bali, Pikobet Tanpa Solusi + (OPTIONAL)
TUSING NYAMAN ULIAN LUU + (OPTIONAL)
KEBERSIHAN LINGKUNGAN RING LUU PLASTIK + (OPTIONAL)
Marak,WNA Ngrusak Bali + (Optional)
Pikobet Macet Miwah Parkir + (OPTIONAL)
Kemiskinan Ekstrem Ring Bali Sayan Nincap + (OPTIONAL)
Palemahan kacemerin olih luu + (OPTIONAL)
Kasus Bunuh Diri Ulian Penyakit Mental + (OPTIONAL)
Kasus Rabies Ring Bali + (OPTIONAL)
NGUYAH RING BALI SAYAN NGREREDANG + (OPTIONAL)
WAJIB DIISI JUDUL BERBAHASA BALI + (OPTIONAL)
KENAKALAN REMAJA + (OPTIONAL)
Ical Pikobet Perundungan Pinaka Pinunas Genersi Muda + (OPTIONAL)
UMK BULELENG SANE KARI ALIT + (OPTIONAL)
PETANI NGELING ULIAN KONVENSI + (OPTIONAL.)
Reinventing Bali Tourism - A Vision of Creativity, Education and Entrepreneurship + (Original article printed in BALI!Now The … Original article printed in BALI!NowThe rebranding and reconfiguration of the Bali tourism industry from Desa Wisata to Desa Kreatif (tourism village to creative village) is essential. Tourism products shift from vacation leisure activities to learning and innovation experiences up-skilling people as entrepreneurs within the 21st-century global creative economy. Demographics have changed from the leisure-focused baby boomers to the X, Y, Z, and millennial generations who tend to be orientated towards creative and entrepreneurial adventures. The market evolves from internationals to a mixed domestic and international audience. The emphasis changes from ‘trading’ to instilling innovative and entrepreneurial knowledge...The rebranding of tourism transforms Bali into a global centre of innovation and learning. Desa Kreatif preserves the ‘gotong-royong’ village model of shared collective responsibilities. The environment is a decentralised, fully distributed, unified infrastructure providing equal opportunity and enhanced diversification. A sustainable ecosystem eliminates competition, empowered by the abundance philosophy and the entrepreneurial spirit. A renewed sense of shared values and belonging motivates stakeholders to collaborate to serve the whole’s best interests.See whole piece at https://bit.ly/3pD43p9, originally published in NOW!Bali, April 1, 2021 by Richard Horstman.W!Bali, April 1, 2021 by Richard Horstman.)
Puputang Kemiskinan, Wikanang Bali + (OTIONAL)
Wisatawan Sane Arogan + (OTIONAL)
Mario Blanco + (Our Young Master Mario Blanco, the second … Our Young Master Mario Blanco, the second child of the famous artist Antonio Blanco, was born in Ubud - Bali on the 4th of July 1962. He was surrounded by art from early childhood. Without doubt, his father Antonio Blanco was regarded throughout his life as the most famous artist of the island of Bali. When Mario was very young, the elder Blanco invited him into his studio in Campuan to share in his great enthusiasm for art. Mario painted his first oil at the tender age of five and later chose to study art at the University of Udayana in Denpasar where he successfully graduated.Inevitably, Mario's art drew its inspiration from two different origins. His Spanish father introduced him to the techniques of European art and his native artistic feelings come from his Mother Ni Ronji, a famous Balinese dancer. Mario has developed this intensively through his paintings which expose a definite preference for a romantic impressionistic style.Being the son of the "Fabulous Blanco", Mario faces a strong challenge but, as he inevitably sheds his father's influence, his own talent is expressed through an elaborated landscape where his own visions of Balinese culture gradually emerge.ions of Balinese culture gradually emerge.)
Agus Putu Pranayoga + (Owner and Founder at Hotel & Villa Photo, Photographer at Bali Family Photography and Photographer at Visual Food Photographer)
P.L.Dronkers + (P.L. Dronkers, born 19 August 1917, comple … P.L. Dronkers, born 19 August 1917, completed his education in Leiden in September 1941 and became Dutch colonial government administrator (Indisch bestuursambtenaar) and in July 1945 he was one of the first members of the contingent of Dutch colonial administrators to be sent out from The Netherlands to the Netherlands-Indies, at that time still occupied [by the Japanese]. Via Australia and a temporary assignment in Batavia with the Netherlands Government Information Service (Regerings Voorlichtingsdienst, RVD), in the first months of 1946, he was granted a post with the landing forces, which were to bring Bali back under regular [Dutch colonial] administration. Initially, Internal Affairs Administration was militarised with the name Allied Military Administration, Civil Affairs Branch (AMACAB), something which was undone in the course of 1946. In 1947, civil administrators were added to the local self-government as civil advisors (bestuursadviseurs). Mid 1948, these administration advisors were put together at the office of the Balinese 'Rajadom Council' (vorstenraad) Dewan Radja-Radja in Den Pasar. The reason for this was, also at local level, to melt into changed political relations within the Negara Indonesia Timur, to which daerah Bali belonged. The transfer of sovereignty in December 1949 formally ended the interference of Dutch [colonial] Civil Administration with local administration.Dronkers held the following positions in Bali:  junior controller (aspirant-controleur) in Boeleleng and Djembrana, March-May 1946; junior-controller in Djembrana, May-December 1946; controller/administration advisor in Tabanan, January 1947 - June 1948; head of the Political Affairs Department with the Dewan Radja-Radja in Den Pasar, June 1948 - March 1949; head of the Economic Affairs Department with the Dewan Radja-Radja in Den Pasar, June 1949 - April 1950. April 1950, Dronkers together with his family repatriated to the Netherlands.In the course of his administrative duties he made some 7,000 photographs of Balinese cultural life.000 photographs of Balinese cultural life.)
Pande Alit Wijaya Suta + (Pande Alit Wijaya Suta, born in Denpasar, … Pande Alit Wijaya Suta, born in Denpasar, August 29, 1984. He completed his art education at ISI Yogyakarta. Since 2008 he has been active in many joint exhibitions, including “Merdeka in Expression” at the Bali Cultural Park (2019), “Nitibumi” at Bentara Budaya Bali (2016), Beijing International Art Biennale, China (2015), “Colek Pamor” at the Museum Arma, Ubud (2014). He is a member of the Militant Arts Community. His works tend to explore the decorative arts of tribalism into a unique visual treat. Every detail of his work is built from archaic symbols arranged in such a way as to become a unified whole.n such a way as to become a unified whole.)
Pande Paramartha + (Pande Paramartha, born in Karangasem, Nove … Pande Paramartha, born in Karangasem, November 23, 1975. He studied fine arts at ISI Denpasar. Since 1994, he has diligently included his books in various joint exhibitions. Among them are the exhibition "Evolution" at Bharata Gallery Ubud (2003), "Hitman" at Danes Art Veranda, Denpasar (2011), "Bali Art Fair" at Tonyraka Gallery (2013). His solo exhibition was “The Creature in Action” at TEN Fine Art, Sanur Bali (2010). In 2000 he won the "Best Oil Painting" award from ISI Denpasar. In his work he often finds inspiration from childhood memories, a world full of play and imagination.ies, a world full of play and imagination.)
Pande Ketut Taman + (Pande was born into an artistic, religious … Pande was born into an artistic, religious family. A gifted artist since childhood, he studied painting at the Indonesia Institute of the Arts (Institut Seni Indonesia) in Yogyakarta. He later moved with his wife and family to the small town of Muntilan in Central Java, where he lives and works within sight of both the ancient Buddhist temple of Borododur and of Mount Merapi, an active volcano. Both of these majestic and powerful sites—one man-made and celebrating the spirit, the other natural and conveying the beauty and awesome power of Nature—have strongly influenced Pande’s art. A deeply spiritual connection to the earth is a tangible element of Pande’s sculptures and paintings, and the naturalism of his style reflects his interest in the forms and materials of nature in their most fundamental state. His carved wood sculptures, many of them monumental in size, are often fashioned from the trunks or roots of trees, and depict innumerable, expressively carved human figures that seem to be emerging from the tree itself, like figures in some ancient mythological tale.For Pande, art is a daily-life practice, like taichi or meditation, that allows him to both be nourished by and to celebrate the earth and the spirit, moving from the center outwards just like a mandala–from the microcosm of the body, to his family, his town, the forests and mountains that surround him, the society to which he belongs, and the cosmos which encompasses all of us.nd the cosmos which encompasses all of us.)
Remaja Influencer Pariwisata di Bali + (Pandemic Covid-19 which start from 2020 and also 2021 cause many effect,especially tourism in Bali have not visited as usually. Tourism in Bali who have not visited as usually must)
PEMILU 2024 "ANTI GOLONGAN PUTIH" + (PEMILU 2024 "ANTI GOLONGAN PUTIH" Dear my … PEMILU 2024 "ANTI GOLONGAN PUTIH"Dear my fellow countrymenThe general election to be held in 2024, Indonesia will be faced with many Political changes which will come in early 2024 with many general elections covering legislative elections that will proceed with new presidential elections that have many major changes to Indonesian people, especially in the 2024 election will be marked by millennials and the generation Z that will contribute most to the general election which will be held in 2024.As a generation of millennials and generations of gen Z who will also color the general elections carried out in 2024, be voters who have a sense of responsibility for our choices and do not choose a candidate as long as well as memiliih without any forcedness or sogo from the candidates for election 2024. But in the present, many millennials and generations of GEN Z don't understand things about politics and laws that make many millennials a neutral or commonly called GOGPUT (White Class) because the many issues of prospective elections that have miscompatible with the course, make many youth of the millennial generation or gen Z doubt with the mission conveyed by the millennial generation, many white generation in the future.With the doubts and neutral groups, this makes many Indonesian youth that will participate in coloring the general election which will be carried out in 2024 make the many choices carelessly without the basis of choice according to their hearts or according to the criteria needed by the Indonesian nation in the next 5 years. This will be a lot of bribery or sogon-sogons from candidates to citizens, especially millennials and generations of GEN Z who do not understand anything about politics, this will make many negative influences the course of the 2024 election.Thus, with the 2024 election, which will be colored by millennials and the generation of Z will also color the general election in the year with their choice. Because every choice of your voice to advance the Indonesian nation which is better in the future. By choosing without being a white group, because the White Group is not cool.Thank you, hopefully with the oration I said. Hopefully, with this generation of millennials or generation GEN Z can choose a candidate with a vision and mission in accordance with the required State of Indonesia. So that no more will become a white or neutral group in the 2024 election later. neutral group in the 2024 election later.)
NARYA ABHIMATA + (Photographer Narya Abhimata – who shot our … Photographer Narya Abhimata – who shot our cover and fashion spreads this issue – is doing exactly what he wants to do, thank you very much. Interview Nigel Simmonds.Narya, we’re all interested in how you grew up and how you became a visual artist. What’s the story?I was pretty much given the freedom of expressing my artistic side from a very young age. My parents fully supported that by getting me drawing books, crayons and paints so that I would stop using their bedroom walls as my canvas. I’ve always been that weird, artistic kid … I’ve never really been into sports or super-masculine things. I played with both my Ninja Turtle figurines and my sister’s American Girls dolls. I loved custom building things with my Lego … I’ve built theme parks with fully working cable cars that take my little Lego people up and down a steep hill. I love playing video games that need me to manage cities and zoos. I guess I like things that need problem-solving skills, which contributes fully to what I am doing now. As a visual artist I have to problem-solve and to constantly think of creative ways to achieve things.When you were growing up, is this the life that you envisaged for yourself?Truthfully I cannot imagine myself doing anything other than what I’m doing now. Me as an accountant? Never in a million years.How did you find being an Indonesian in Sydney, when you studied there? Or London?I find going or living overseas very eye-opening and inspiring. For me, Indonesia is more restrictive when it comes to creative expression and freedom, especially in Jakarta. When I lived in Sydney and London, my creative mojo was constantly brewing. Ideas can be found anywhere, museums, galleries are abundant. People are strange, beautiful and unapologetic. The energy is powerful and is constantly around and it makes you want to create things every single day.Did you spend much time as an assistant, or intern? Did you learn your trade from someone awesome, and are you still in touch with them?I have never assisted, I just went out there with courage and a bit of delusion, ha ha ha! But I have interned once as a graphic designer at an agency back in Jakarta in 2008, after that I’ve been taking on the world solo. However, I believe that I am always a student, so I don’t think I will stop learning . . . it’s easier to do this nowadays since everything is basically online; seminars, tutorials . . . you name it and the internet has it. I also learn from my friends, fellow photographers and artists that I met here as well as overseas . . . and yes I am still in touch with some of them.You seem so well educated internationally, how has that journey been for you?It has been very special and I feel super grateful to have been able to do that. My view of the world as well as how I creatively approach my work were shaped during those years overseas. I learned, struggled and achieved a lot, and I wouldn’t be who I am today without those experiences.What’s most important to you today about visual imagery, and how you deal with it?Character, point of view and the ability to tell a story are very important to create any kind of visual. These are the three things I’m constantly improving with my own work.What equipment do you use?Canon 5DmkIVfor stills and Sony A7SIII / FX3 / FX60 / Arri Alexa for videos (also depends on client’s budget!)Who is the best client you ever worked for (apart from The Yak he he)?Edward Hutabarat.What does fashion mean to you?Fashion is a lifestyle choice. Most people think that fashion is just clothes, but almost all your lifestyle choices count as fashion: the way you dress, the food you eat, the devices you use daily . . . all the desirable things you choose to own and use to present yourself to the world as an individual . . . those things count as fashion!How do you stay consistently fresh with your ideas and concepts in photography and videography?I try to get outside my comfort zone. I work in fashion most of the time so I try to find inspiration and references outside of that world. Also, never stop learning new ways to give your work variety. Experiment with things you never tried before!What’s the most frequent phrase you hear from clients that pisses you off?‘Could you make (whatever I’m making for them) pop more?’How can clients be better at being clients?Knowing what they want is always a good start.Are you threatened at all about the potential of Artificial Intelligence?Not at all. No amount of technological advances can replace an artist’s soul.What makes you happy?Good food. Good company. DOGS!If you were to die tomorrow, what would be the last thought in your head?‘What’s for dinner?’Where can we meet you, or see your work?I am now residing in Bali, mostly staying at home with my two French bulldogs ordering take outs from cheap eateries around Kerobokan. You can see my work on my website www.naryaabhimata.com and my Instagram @naryaabhimatahimata.com and my Instagram @naryaabhimata)
Ade Irgha + (Photographer; Concept Photography)
How to avoid sexual abuses in Bali's educational communities? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_to_avoid_sexual_abuses_in_Bali%27s_educational_communities%3F)
How can the government best promote literacy in Bali? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_can_the_government_best_promote_literacy_in_Bali%3F)
What could we do to reduce traffic jams? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_What_could_we_probably_do_to_reduce_traffic_jam%3F)
How should we respond to Russian Villages in Bali? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_Russian_Village_in_Bali,_how_should_we_get_cope_with_it%3F)
How to reduce waste at school canteen? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_to_reduce_waste_at_school_canteen%3F)
How should billboards be regulated to save the environment? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_should_billboards_be_regulated_to_save_the_environment%3F)
How can the ocean be used to help our economy in an environmentally sustainable way? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_How_can_the_ocean_be_used_to_help_our_economy_in_an_environmentally_sustainable_way%3F)
What can you set as an example from Bung Karno in this millenial era? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_What_can_you_set_as_an_example_from_Bung_Karno_in_this_millenial_era%3F)
Many foreign tourists have violated Nyepi regulations in Bali. What should we do? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_Many_foreign_tourists_have_violated_Nyepi_regulations_in_Bali._What_should_we_do%3F)
In your opinion, what impacts will the massive construction of large malls have on the local Balinese community? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_In_your_opinion,_what_impact_will_the_massive_construction_of_large_malls_have_on_the_local_Balinese_community%3F)
What do you think about the new facilities at Besakih Temple? + (Please see comments from our What's Up feature: https://dictionary.basabali.org/Question_What_do_you_think_about_the_new_facilities_at_Besakih_Temple%3F)
Polenk Rediasa + (Polenk Rediasa. Born in Tambakan, Buleleng … Polenk Rediasa. Born in Tambakan, Buleleng, March 18, 1979. His full name is I Nyoman Rediasa, an artist and lecturer at Undiksha, Singaraja. He studied art at SMSR Denpasar, ISI Denpasar, and postgraduate in Cultural Studies, Udayana University, Denpasar. He has had joint and solo exhibition since 2004 at home and abroad. His solo exhibitions include "Body Exploration" (National Gallery, Jakarta, 2008), "Installation Exhibition and Performance Art" (2007), "Body Study" (Popo Danes Gallery, 2005), "Signs" (Retro Resto and Gallery, Sanur, 2004) He was awarded in the Beijing Biennale in 2008. His works are widely used by Kompas as short story illustrations.ed by Kompas as short story illustrations.)
Ni Wayan Eka Pranita Dewi + (Pranita Dewi, full name Ni Wayan Eka, was … Pranita Dewi, full name Ni Wayan Eka, was born in Denpasar, June 19, 1987. She writes poetry, prose kris and short stories. A number of his poems have been published by Kompas, Koran Tempo, Media Indonesia, Suara Merdeka, Suara Pembaruan, Bali Post, Horison Literature Magazine, Block-Not Poetry Journal. In August 2003, the 1st winner of the Poetry Declamation Contest and the 1st Winner of the Bali Student Poetry Writing Competition were held at the Wind Theater of SMU 1 Denpasar. several books of poetry collection together with “Jendela” (2003), God of the Sky so Empty (2004), and Herbarium (2007). A collection of poems with “Made Patih (2003), “Titian” (2008).She received a scholarship “A Weekend Creative Workshop: Sound Poetry from Different Faiths” (2003) at the Utan Kayu International Literature Festival in Kuta, Bali. Nominee for Krakatau Award for National Poetry Writing Competition (2004) – Lampung Arts Council.Her poetry has been included in the anthology of the 100 Best Poems of the Pena Kencana Sastra 2008. Her single poetry book is “The Prostitute of the Gods” (2006).ok is “The Prostitute of the Gods” (2006).)
Prof. Dr. I Wayan Adnyana, S.Sn., M.Sn. + (Prof. Dr. I Wayan Adnyana, S.Sn., M.Sn. Bo … Prof. Dr. I Wayan Adnyana, S.Sn., M.Sn. Born in Bangli, April 4, 1976. He is a painter, fine art writer, lecturer in fine arts at ISI Denpasar, and Head of the Bali Provincial Culture Service. He received his art education at ISI Denpasar and ISI Yogyakarta. In 2003 he co-founded the Bali Art Society and held the grand exhibition at Bali Art Now. Many art writings appear to be published in Kompas, Media Indonesia, and various art journals/magazines. His published art books are Nalar Rupa Perpa (2007), Yeh Pulu's Multinarrative Relief (2017), Pita Maha: The 1930s Balinese Painting Movement (2018). Apart from being a writer, he is also known as a curator of fine arts. Meanwhile, as a painter, his works have been exhibited jointly or singly, at home and abroad. He was awarded the Finalist UOB Painting of The Year Competition (2014, 2012, 2011), Widya Pataka 2007 from the Governor of Bali.dya Pataka 2007 from the Governor of Bali.)
Ni Luh Sutjiati Beratha + (Prof. Dr. Ni Luh Sutjiati Beratha, M.A. is … Prof. Dr. Ni Luh Sutjiati Beratha, M.A. is a professor in Semantics at the English Department Faculty of Arts Udayana University. She was completed her master program at the Department of Linguistics, Monash University Melbourne Australia in 1989, and received her Ph.D degree from the Australian National University (ANU) Canberra Australia in 1992. She has occupied positions as: Secretary of Udayana University Language Centre in 1996 – 1997; the in 1998 – 2000 as the Secretary of School of Graduate Studies Udayana University; from 2000 – 2006 she was the Deputy Director of Financial Affair of School of Graduate Studies Udayana University, and from 2006 – January 2010 was a Deputy Director of Academic Affair of School of Graduate Studies Udayana University. She was the Dean of the Faculty of Arts Udayana University from 2015 until 2019, and has published books, dictionaries, and other publications. Her interest is conducting research on ‘New Englishes’ used by tourism workers in Bali. She was selected as the best lecturer at Udayana University in 1994, and as the best presenter in research in 2011 by Directorate general of National Research Centre and Social Services of Indonesian Republic.nd Social Services of Indonesian Republic.)
Prof. Dr. Ni Nyoman Padmadewi, M.A + (Prof. Dr. Ni Nyoman Padmadewi, M.A., is a … Prof. Dr. Ni Nyoman Padmadewi, M.A., is a professor in English education at Ganesha Education University, Singaraja, Bali Indonesia. Padmadewi completed his master's studies at Macquarei University, N.S.W Australia and received his doctorate from Udayana University. Padmadewi's research covers various topics related to pedagogy, development of competency standards, and assessment of English language learning at various levels of education. Apart from being active in teaching and researching, Padmadewi is also actively involved and organizes various social activities in the context of community development in rural areas.t of community development in rural areas.)
Prof. Ir. I Nyoman Gelebet + (Prof. Ir. I Nyoman Gelebet is a senior arc … Prof. Ir. I Nyoman Gelebet is a senior architect who cares about traditional Balinese architecture. He is a professor of architecture at Udayana University, Bali. He deeply understands “Asta Kosala Kosali” which is the basis for traditional Balinese architecture. Apart from that, he also understands that “Asta Kosalaning Dewa” relates to the construction of a holy place. He is often involved in building Hindu shrines and renovating temple buildings as well as in designing the master plan for the Nusa Dua tourist area. Apart from being a resource person, he is also diligent in writing articles in the Bali Post newspaper and scientific journals related to architecture and development in Bali. Nyoman Gelebet died on November 2, 2020.. Nyoman Gelebet died on November 2, 2020.)
Brigitta Hauser-Schäublin + (Professor Dr. Brigitta Hauser-Schäublin wa … Professor Dr. Brigitta Hauser-Schäublin was born in Switzerland, namely in Riehen near Basel. There she spent her childhood and youth. Her father was a tradesman running an international import-export company and furthermore took part in the local politics. Hauser-Schäublin had an early encounter with the topic of gender when being confronted with the female role in society and the difficulties for women to study. In order to take different directions she moved to Zurich when being a young woman, did several internships and took language classes. She also lived in London for half a year. After her return she started an apprenticeship at the local newspaper in Basel to become a journalist. In this period Hauser-Schäublin also undertook her first journey to India, an experience which had a huge impact on her. When returning to Basel she not only worked as a journalist and finished her high school graduation but in 1969 also began her studies. After a brief phase taking courses on Religious studies Hauser-Schäublin focussed on studying Anthropology and Sociology. Alfred Bühler and Meinhard Schuster were among her teachers. In 1971 Hauser-Schäublin studied in Munich for a semester and after her return also took up an assistant position at the Ethnographic Museum in Basel, combining her growing anthropological knowledge with her skills as a journalist. A year later she joined a research project founded by Meinhard Schuster, regionally focussing on the Sepik region in New Guinea. Hauser-Schäublin took part in the expeditions and collected data on gender aspects, a work that 1975 culminated in her graduation thesis.After graduation Hauser-Schäublin fully took up her work at the Ethnographic Museum in Basel, organizing a various number of exhibitions while trying out new conceptions as well as working in the public relations. She moreover did further research projects, e.g. on house-building in Papa New Guinea. In 1985 she completed her habilitation thesis. She gave academic lectures at the University in Basel and also worked on the Ethnographic Collection in Fribourg.After being a visiting professor at the Department of Cultural and Social Anthropology in Cologne, Hauser-Schäublin in 1991/92 became a full professor at the Institute for Cultural and Social Anthropology in Göttingen, being the successor of Prof. Dr. em. Erhard Schlesier. There she not only gave various courses (e.g. on Gender and Religion) but also started to restructure the basic uni lectures. Furthermore the Institute joined the Department of Social Sciences. Her own scientific focus shifted from an early interest in Material Culture towards a closer look on theories and discourses. At the same time Hauser-Schäublin emphasized the importance of field research and did several of them herself, e.g. in Bali, Indonesia and Cambodia.elf, e.g. in Bali, Indonesia and Cambodia.)
Gordon D. Jensen + (Professor of Psychiatry, School of Medicine, University of California, Davis.)
Wayan Windia + (Professor Wayan Windia is Head of the Suba … Professor Wayan Windia is Head of the Subak Research Centre at Universitas Udayana in Bali, Indonesia. He obtained his PhD in 2002 at Universitas Gadjah Mada, Yogyakarta, Indonesia, which his dissertation concerning subak system in Bali. He involved on preparations, in order to get UNESCO acknowledgement, for subak system in Bali, on 2012. His articles has been published widely in journals and books, such as : Subak Irrigation System Transformation Based on Tri Hita Karana Concept; Subak : The World Cultural Heritage; Subak : Study from Social Perspective; and Subak as Agrotourism. Over the last five years, he has been actively working on developing subak into agro-tourism sites, and introducing economical activities at subak organization. The goal of those activities is how to help increasing the revenue of farmers as subak members. Now he actively supervise the site of subak that has been recognized by UNESCO as world cultural heritage. And also introducing the values of subak to the students in Bali, and for other guests and foreigners who coming to Bali, especially to Udayana University. He is working also as an expert group coordinator at Gianyar Regency on Heritage City, as a member of expert group at Denpasar City on Subak Sustainability, and also as an expert team member at Bali Province, since this year (2018). He has been involved in some national NGO in order to sustain of Bali culture.l NGO in order to sustain of Bali culture.)
Perbaikan jalan + (Promblem The road in Mengwi's Sembung village is damaged and accidents continue to occur. I am making a suggestion that if I become the leader of Bali, please repair the road in my village.)
Promote domestic tourism and address infrastructure gaps + (Promote domestic tourism and address infra … Promote domestic tourism and address infrastructure gapsIn 2019, about 16 million foreign visitors came to Indonesia. The sector contributed $20 billion in foreign exchange revenue and employed about 13 million people or around 10 percent of the total workforce. The COVID-19 pandemic hit the industry hard. In the first half of 2020, arrivals to Indonesia were off by almost 60 percent, the industry is expected to lose $10 billion in foreign exchange revenues for the full year, and more than 90 percent of the workers in the sector have been furloughed indefinitely without pay.Even when the world begins recovering from the pandemic, it remains unclear how quickly travelers will be willing to jump onto planes and visit the beaches of Bali, the forests of Borneo, and other popular destinations. In addition, countries dependent on tourism will all be competing for smaller groups of travelers for a while. Recovery in the tourist sector is likely to lag behind that of others.Looking forward, we expect travelers will, at least initially, avoid in-person contact in booking, traveling, and even staying at their destinations. They will prefer shorter trips to outdoor destinations and flexible cancellation policies. In addition, those staying at hotels and other large accommodations will put a premium on visible evidence of greater cleanliness and hygiene than in the past.To help the tourist sector rebound as quickly as possible, Indonesia should focus on two crucial areas. The first is promoting domestic tourism. Evidence from many markets has shown that domestic travel has recovered more quickly than international travel, especially among young tourists who see themselves as less vulnerable. In China, for instance, domestic air travel reached 90 percent of 2019 levels by August 2020, while international travel was still lagging well behind.Unlike international tourists, who concentrate in Bali and East Nusa Tenggara, the majority of domestic tourists in Indonesia visit Java. To push rates of domestic tourism, the government and operators should promote lesser-known domestic attractions, like the Lake Toba region in North Sumatra, the Mandalika area in East Nusa Tenggara, and Likupang Beach in North Sulawesi. Discounts and other incentives could also help ignite domestic travel.The country can also use the unintended lull in visitors to beef up its tourist infrastructure. The disruption provides an opportunity, for example, to improve airports, accommodations, and other facilities. The jump in digital activity brought by the pandemic can also be used to accelerate the adoption of new technologies by operators in the sector, from online booking systems to advanced analytics that can offer real-time information on tourist activities and behaviors.ation on tourist activities and behaviors.)
Putu Desy Apriliani + (Putu Desy Apriliani is one of the young an … Putu Desy Apriliani is one of the young and promising faculty members in the Faculty of Economics and Business Udayana University, Bali - Indonesia. She has been a part of the "Orange Academia," a call for the faculty's students, alumni, and faculty members, since 2006. Her research interests encompass rural economic development, various democratic and community-based associations, and their intersection with gender and race. She primarily teaches undergraduate classes while also becomes a facilitator for various trainings within and beyond the university.Putu Desy Apriliani was a Fulbright Scholarship awardee from 2014-2019 to pursue a doctoral study in the U.S. She holds a Ph.D in Planning, Government, and Globalization from the School of Public and International Affairs, Virginia Polytechnic Institute and State University, Virginia. While pursuing her doctoral degree, Putu was also actively involved in the Indonesian Students Association in the United States (PERMIAS) and led the organization to conduct several fund raising events and cultural exhibitions. She contributed her talents in various efforts in order to introduce Balinese culture together with other Indonesian/Balinese community organizations in the U.S.In her spare time, Putu loves spending time with her husband and her 2-year-old daughter, cooking, and gardening.year-old daughter, cooking, and gardening.)
Putu Dyatmikawati + (Putu Dyatmikawati is one of the few leadin … Putu Dyatmikawati is one of the few leading researchers in the field of law who focuses her research on the issue of customary law and its influence on the lives of women in society. The topics that are often studied are the marriage system in the gelahang and the dynamics of the gender roles of Balinese women. Dyatmikawati is also active as a lecturer at Dwijendra University and has served as Chancellor of Dwijendra University.ved as Chancellor of Dwijendra University.)
Putu Edy Asmara + (Putu Edy Asmara is a painter who was born … Putu Edy Asmara is a painter who was born in Tampaksiring, Gianyar, April 5, 1982. He completed his art education at ISI Denpasar. Since 2007 he has been involved in many joint exhibitions, including “The 7th Beijing International Art Biennale China”, National Art Museum China (2017), “Water Civilization”, Bentara Budaya Bali (2016), “Langkawi Art Biennale: IMIGRATION”, Malaysia (2014). In 2008 he held a solo exhibition entitled "Don't Cry For Me Indonesia", Installation and Performing Art, Danes Art Veranda, Denpasar. The awards he has ever won are “The Winner of Storiette Illustration Kompas”, “The Winner of Radar Bali Art Award 2008”, Best Art Work of The Bachelor exam, at ISI Denpasar. Edy's works tend to be surrealistic with social and ecological themes.alistic with social and ecological themes.)
Putu Eka Guna Yasa + (Putu Eka Guna Yasa was born on January 6, … Putu Eka Guna Yasa was born on January 6, 1990 in Banjar Selat Tengah, Susut, Bangli. Completed his undergraduate education at the Balinese Literature Study Program, the Faculty of Cultural Sciences, Udayana University in 2012 and a master's degree in the Linguistics Masters Program with Pure Linguistic Concentration, Faculty of Cultural Sciences, Udayana University in 2017. He also attended the International Intensive Course in Old Javanese organized by the National Library in 2018 and 2019. Since 2013 he has worked as a staff at the Center for Lontar Studies at Udayana University. Actively writes articles in various media such as Bali Post, Post Bali, and Tribun Bali both in Balinese and Indonesian. A number of his articles were published in Prabhajnyana Book: The Study of Lontar Literature such as (1) The Meeting of Natural Beauty and the Beauty of Language in Kidung Dampati Lelangon; (2) Water Image in Ancient Javanese and Balinese Literary Library Temples; (3) Kidung Bhuwana Wisana: Aesthetic Heritage by Ida Padanda Ngurah; and (4) Sarira Devotees and Explorers. Gedong Kirtya published books about the world of Balinese literacy, including the Brata Term Dictionary in the Bali Lontar Library and the Synonym Dictionary in the Dasa Nama Lontar. Putu Eka Guna Yasa received an award as a Literacy Activist Youth from the Bali Language Center in 2018. Since that year, he has been appointed as a lecturer at the Balinese Literature Study Program, Faculty of Cultural Sciences, Unud. Since 2020 as executive director at the BASAbali Wiki foundation. director at the BASAbali Wiki foundation.)
Putu Fajar Arcana + (Putu Fajar Arcana, born in Negara, west Ba … Putu Fajar Arcana, born in Negara, west Bali, July 10, 1965. Now working as editor of Kompas Minggu, part of Kompas Daily in Jakarta, he initiated the Kompas Short Story Workshop which was later transformed into the Kompas Short Story Class. He is now a few of the journalists who have specific coverage of art and lifestyle. It is not uncommon for Putu to become a resource person and jury in various art events and competitions in the country.Apart from pursuing journalism, he is also directly involved in the dynamics of the art world monologue theater scriptwriting and directing the artistic team of theater performances. The monologue text is included in the book Political Monologue (2014). He then directed the monologue show “Dear People's Representatives” with actress Sha Ine Febriyanti (2015) and then “Perempuan Dangdut” with actress Happy Salma (2016). Previously, he made the Garuda Wisnu Kencana repertoire which was staged at the ground breaking of the monument in 2013. This performance involved 500 kecak dancers as well as jazz singer Trie Utami, guitarist Dewa Budjana, and harp artist Maya Hasan.His novel Gandamayu (2012) was staged by Teater Garasi Yogyakarta involving two young directors, Yudi Ahmad Tajuddin and Gunawan Maryanto. The performance took place at the Jakarta Arts Building, which involved big actors such as Landung Simatupang, Whani Darmawan, Ayu Laksmi, and Sha Ine Febriyanti. Her adventure in the world of stage was emphasized by the performance of “#3 Women, Not Flowers Not Men” which involved actresses Happy Salma, Inayah Wahid, and Olga Lydia. Putu has also been on the artistic team for the Indonesia Kita performance series, between the Roman Made in Bali (2016) and Laskar Bayaran (2017) series.The man who likes to sketch has also published several books. These books include the short stories anthology Bunga Jepun (2002), Samsara (2005), and Drupadi (2015). His collection of essays on Bali is included in the book Red Letter for Bali (2007) and his poems are included in Gilimanuk Man (2012). Previously he also published a book of poetry Bilik Cahaya (1997) in Denpasar, Bali.Together with his wife Joan Arcana, in 2011 Putu founded the Arcana Foundation, a non-profit organization that facilitates conservation and advocacy in the field of culture, organizes performances, writes books, and conducts goodwill to various cultural centers in the country. The Arcana Foundation also collaborates with various donor agencies to mobilize the world of culture.agencies to mobilize the world of culture.)