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Ida Bagus Made Poleng + (Ida Bagus Made was born in Tebasaya, Ubud, … Ida Bagus Made was born in Tebasaya, Ubud, Bali in 1915. Ida Bagus Made came from a Brahman family of accomplished artists in Tampaksiring, Bali. His Father, Ida Bagus kembeng (1897–1952), was a well-known painter who won the prestigious Silver Medal in 1937 at the International Colonial Art Exposition in Paris. Ida Bagus Made first learned painting and carving from his father. He later studied painting under the guidance of Rudolf Bonnet. Bonnet once wrote that Ida Bagus Made was one of the most talented artist in Bali. He was in his teens when the modernization of Balinese art began in the late 1920s, and only 21 years old when he joined the prestigious Pitamaha Artist Guild, founded in 1936 to preserve Balinese art from the threat of tourism and commercialism. His father, Ida Bagus Kembeng had two wives: Jero Deblog and Ida Ayu Rai. Ida Bagus Made was a child from his second wife. From his marriage with Jero Deblog, Ida Bagus Kembeng had two sons: Ida Bagus Putu Wiri and Ida Bagus Made Belawa. With Ida Ayu Rai, Kembeng had a daughter, Ida Ayu Oka, and two sons: Ida Bagus Made Poleng and Ida Bagus Nyoman Raka. Ida Bagus Made was married to Gusti Niang and had one daughter, Ida Ayu Sadri. Since Ida Bagus Made did not have a son, he adopted Ida Bagus Pudja, a son of his half brother, Ida Bagus Belawa. He was known by the Balinese as a ritual specialist for carving sacred masks imbued with magical powers for the surrounding temples of Ubud. As a traditional painter of the Pitamaha generation, he became known worldwide for his artistic mastery. Ida Bagus Made was a prolific painter who had a profound distrust of art dealers and collectors.He scrutinized his admirers and only a handful of collectors passed his test. The late Indonesian President Sukarno was one of such collectors that Ida Bagus Made revered. His works are well sought after and are in the collection of many museums in the world. He died after an illness in 1999. In 2000, following the artist’s last wish, the widow of Ida Bagus Made loaned over 100 paintings from the artist’s private collection to the Puri Lukisan Museum for safekeeping.o the Puri Lukisan Museum for safekeeping.)
Ida Bagus Wayan Widiasa Keniten + (Ida Bagus Wayan Widiasa Keniten was born i … Ida Bagus Wayan Widiasa Keniten was born in Geria Gelumpang, Karangasem. January 20, 1967. The books he has written in the form of literary works and literary studies include (1) Buduh Nglawang (acquired Rancage); (2) Bangke Matah; (3) Butcher's Inheritance; (4) White Horse; (5) Kania's Novelt; (6) Drill; (7) Sabdaning Lonely; (8) Mekel Paris; (9) Soul Tree; (10) Women of the Night; (11) The Fable of Flip-flops, (12) Genjek Socio-Contextual Perception, (13) Basur's Existence, (14) Jro Lalung Ngutah (Received Widya Pataka Award), (15) Manukan Birds Session.The First Winner of the 2013 National Achievement Teacher and Recipient of the 2013 Education Satyalancana Honorary Award from the President, Dr. H. Susilo Bambang Yudhoyono, Wednesday, November 27, 2013 at Istora Senayan Jakarta. In 2014 he participated in the Benchmarking Program to Germany, then to Paris (France), Belgium, and Amsterdam (Netherlands). Thursday, August 14, 2014 received the Widya Kusuma award from the Governor of Bali. In 2015 he got Widya Pataka for his book Jro Lalung Ngutah.dya Pataka for his book Jro Lalung Ngutah.)
Ida Pedanda Gede Made Gunung + (Ida Pedanda Gede Made Gunung (1952 – 18 Ma … Ida Pedanda Gede Made Gunung (1952 – 18 May 2016) was a Hindu Pedanda (cleric/priest) from Blahbatuh, Gianyar, Bali. He was a legend who had a progressive view far into the future. This Pedanda, who was born in Gria Gede Kemenuh Purnawati, seems to have changed the image of Pedanda (Hindu Priest) from simply leading ceremonies, to becoming a Dharma Discourse preacher.He is very skilled in translating complex Hindu religious philosophy to the general public using simple, clear and straightforward language accompanied by a great sense of humor. It is not surprising that he often appears in various media, both electronic and print media, to provide Dharma Wacana (sacred discourse) to Hindus. Not only in Bali, he also gave dharma discourses outside Bali, from Java to Kalimantan. Apart from actively appearing in various print and electronic media, he is also active in writing in cyberspace via his website.Born with the name Ida Bagus Gede Suamem, he completed his elementary school education at Blahbatuh Elementary School in 1965. Then he continued his junior secondary education at SMPN in Gianyar until graduating in 1968. Then he continued his education at Taman Guru Atas in Sukawati. He worked as a Family Planning Field Officer (PLKB) Gianyar from 1972 to 1974. Then he changed profession to become an elementary school teacher in Banjar Mawang, Lodtunduh, Ubud, from 1975 to 1983, then moved to teach at SD 3 Pering from 1983 to 1985. He was appointed as the Hindu Religious Field Extension Coordinator for Blahbatuh District from 1985 to 1987 and then returned to teaching as a teacher at SD 7 Saba from 1987 to 1994. In 1992 he was ranked as an exemplary teacher for Blahbatuh District.In between his busy teaching activities as a teacher, he continued his education at the Hindu Dharma Institute (now changed to Indonesian Hindu University) until he obtained a Bachelor's degree in 1986. Apart from being a school teacher, he is also a black belt in karate and once joined the DPD Gojukai (Black Belt Council) 1988 – 1991.He was medicalized or became a pedanda in 1994. From 2002 until near the end of his life, he was an extraordinary lecturer at the Faculty of Usada, Indonesian Hindu University. He is also known to be very critical in addressing the problems of carrying out Hindu ritual ceremonies in Bali, especially Human Yadnya and Pitra Yadnya, which have often been held with great pomp and cost a lot of money.d with great pomp and cost a lot of money.)
Ida Pedanda Gede Oka + (Ida Pedanda Gede Oka was born in Banjar Ku … Ida Pedanda Gede Oka was born in Banjar Kualon, Denpasar, 1909. Apart from devoting his life as a priest, he was known as an undagi (traditional Balinese architect). This talent was inherited from his father, Ida Bagus Anom, a famous undagi and sculptor of his time. Since the age of eight he has learned to make sculptures from his father. As an undagi, he really understands the books Asta Kosala-Kosali, Asta Bumi, Wismakarma and the like. He is not only an expert in making traditional Balinese buildings and Hindu sacred buildings, but is also an expert in making vessels, jempana and bulls for the Ngaben ritual., jempana and bulls for the Ngaben ritual.)
Ida Wayan Eka Werdi Putra + (Ida Wayan Eka Werdi Putra or who is often … Ida Wayan Eka Werdi Putra or who is often called Gus Eka is the initiator of SAGARAGIRI Outdoor. SAGARAGIRI comes from the word Sagara/Segara which means sea and Giri which means mountain. Sagara-Giri is a concept of Balinese local wisdom that describes the sacredness of the dimension of space. Sagara (mountain)-Giri (sea), Pasir-Wukir, and upstream-teben (downstream) are other terms that are also symbols of unity and mutual influence.Some traditional Balinese literature mentions that the Kawi Wiku or poet priests wrote their literary works in beautiful places. The priest, poet or author walks along the mountains and coasts to express his visual beauty in the form of literary works as a form of glorification of the Creator.This is what became the inspiration for the establishment of SAGARAGIRI Outdoor. Glorifying nature is one of the ways that Balinese predecessors used to enjoy life, even as a spiritual practice. In this increasingly frenetic era, we want to adapt the concept and practice to invite SaGi's friends back to nature, protect it, and enjoy it from a different perspective.and enjoy it from a different perspective.)
Jalan rusak ring pandak gede + (In Pandak Gede village, Kediri sub-district, Tabanan regency, many roads are damaged. Usually many people fall because the roads have holes. Now I propose to whoever will be the leader of Bali, please fix the roads in my village. Thank You)
Prof. Dr. I Wayan Dibia + (It is an honor for myself to be able to kn … It is an honor for myself to be able to know in detail about the literary works of one of the Artists and at the same time become a writer, namely Prof. Dr. I Wayan Dibia S.ST., MA. He is a writer who wrote Balinese Purwa literature and literature entitled Adhipsungaraature and literature entitled Adhipsungara)
Ni Gusti Raka Rasmi + (It was 1952 in New York and the young danc … It was 1952 in New York and the young dancer’s name was Ni Gusti Ayu Raka Rasmi. She had never before left her home village, Peliatan, with its small, mud-walled houses surrounded by bright green rice fields....Now she was the star of the Bali Dancers, a troupe that had traveled more than 10,000 miles into the alien worlds of the United States and Europe.The troupe included two other female dancers about her age, Oka and Anom, and an accomplished young male dancer named Sampih.Full article at https://www.nytimes.com/2020/03/13/obituaries/ni-gusti-ayu-raka-rasmi-overlooked.htmles/ni-gusti-ayu-raka-rasmi-overlooked.html)
Johan Rudolf Bonnet + (Johan Rudolf Bonnet is a painter and art t … Johan Rudolf Bonnet is a painter and art thinker who was born in Amsterdam, the Netherlands, March 30, 1895. He was interested in the beauty and uniqueness of Balinese culture. Bonnet arrived in Bali in January 1929, briefly settled in Tampaksiring and Peliatan, then settled in Campuhan, Ubud.In Ubud he became acquainted with the German painter and choreographer, Walter Spies, and the King of Ubud, Tjokorda Gede Agoeng Soekawati. Together with his two friends, Bonnet then founded a very famous painter's association, namely Pita Maha in 1936. This association brought together many painters and sculptors from Ubud and outside Ubud. Bonnet and Spies introduced many modern media and techniques in painting to the members of the association, even promoting and selling their works.In 1943, Bonnet was captured by the Japanese army and exiled to Sulawesi (Bolong and Makassar) until 1947. In 1951, Bonnet returned to Ubud, and founded the Ubud Painting Group. However, this community did not run successfully. In 1957, Bonnet returned to the Netherlands. While in the Netherlands, Bonnet spent his time compiling the inventory and catalog of the Puri Painting Museum, which was founded in 1956. In 1972, Bonnet returned to Bali and continued to compose the catalog for the Puri Painting Museum, Ubud.Bonnet died on April 18, 1978 in Laren, Netherlands. Because Bonnet loved Bali so much, in 1979 his body was brought to Ubud and cremated with the body of his best friend, Tjokorda Gede Agoeng Soekawati, who died in the same year.oeng Soekawati, who died in the same year.)
Anak Agung Junni Antara + (Joni Agung, whose real name is Anak Agung … Joni Agung, whose real name is Anak Agung Junni Antara is a reggae musician born in Denpasar, 1973. His love for music has grown since he was a teenager. At first he played music from cafe to cafe around Sanur and Kuta with the band “Sunshine”. In 2002 he met the band "Double T", and in 2003 spawned their debut album entitled "Pocol". The songs entitled "Nyoman Klepon" and "Janjin Beline" are two very popular songs by Joni Agung and Double T. Up to now, Joni Agung and Double T have released seven albums, including "Jero Gede", "Love and Love" , “Semara Ratih”, “Ogoh-ogoh”. Most of the song's lyrics are in Balinese with a tingly humorous tone. Apart from musicians, Joni Agung who has dreadlocks hair is also known as a yoga trainer.ocks hair is also known as a yoga trainer.)
Ni Putu Yuliana + (Jro Putu was born in Mengwi, Badung, Bali, … Jro Putu was born in Mengwi, Badung, Bali, July 4, 1979. She is a balian, a medium, who serves her community through the practice of traditional medicine, the knowledge to heal physical and mental ailments. Balians draw from two worlds, the conscious and visible world we call sekala and the psychic, abstract, and unseen world we call niskala.Clients may ask about a newborn, from whom the baby was reincarnated, or why someone died. To find out, Jro Putu sends the client’s spirit to communicate with their family. Through her work, Jro Putu provides explanations for life’s chaos and comfort to families of her community. Jro Putu was trained in these skills by her aunt and took over her aunt’s practice after she died.She understands that her presence in the community is particularly needed since so few women train to become balians. Jro Putu feels on equal footing as men, even as she understands the need to balance this work with family obligations. The wiki lets more people know about her beyond the word-of-mouth recommendation of people who have benefited from her powers.people who have benefited from her powers.)
Kadek Dedy Sumantra Yasa + (Kadek Dedy Sumantra Yasa, was born in Apua … Kadek Dedy Sumantra Yasa, was born in Apuan, Tabanan, Bali, 7 December 1980. He studied painting at ISI Yogyakarta. He was involved in many joint exhibitions, including the year Glory Fyng Colors Sanggar Dewata Indonesia at the Bali Classical Painting Museum Nyoman Gunarsa (2016). Irony In Paradise, Indonesian Gods Studio at the Agung Rai Museum of Art (2013). In 2016, he held a solo exhibition entitled "Rhythm Impulse" at the Ordinary Gallery, Yogyakarta. Apart from painting, he is also involved in performance art, for example, in 2009 he held the performance art “Undisclosed Teritory #3”, Illusion of Burden, at Padepokan Lemah Putih, Solo. In 2008 he performed Dragon Snake Slaughter (a collaboration with Astrid Reza) at the Jogja National Museum. In 2002 he received the Certificate of Recognition Indonesia Art Award, in 2000 he received the Certificate From ALIF and the Best Watercolor Painting from FSR ISI Yogyakarta. In 2020 he held a solo exhibition and performance art at Jatijagat Kampung Poetry, Denpasar. Now, apart from still painting, he also arranges songs that he sings himself.also arranges songs that he sings himself.)
Kadek Sudiasa + (Kadek Sudiasa is a traditional dancer espe … Kadek Sudiasa is a traditional dancer especially of the Bali Mask Dance, Gamelan musician, wood carver and mask maker. He also has a unique skill in playing and making the Balinese Rebab. Originally from Mas, Ubud, his experience in traditional dance theatre and mask making is a source of wonderful knowledge for Sawidjis’ artist community.I Kadek Sudiasa is member of Sanggar Tirta Sari & Genta Buana Sari, a community of traditional musicians and dancers. It is here that he felt most at home. Presently, Kadek is still active in Peliatan as a musician and dancer. Under the management of Anak Agung Gede Oka Dalem.r the management of Anak Agung Gede Oka Dalem.)
Ida Bagus Wayan Widiasa Keniten + (Karangasem, January 20, 1967, is the date … Karangasem, January 20, 1967, is the date a role model was born into this world; a role model that teaches us the importance of literature in everyday life. Ida Bagus Wayan Widiasa Keniten is a widely known for his expertise in writing literary works word for word. It is evident from his sparkling name that he has won several very brilliant achievements, including the 2013 Satyalancana Education Honorary Award and many others.It is undeniable that his love for Balinese culture is one of the reasons he is passionate about composing a literary work. He has written and marketed dozens of books, one of which is Wang Bang Sunaran's Gaguritan. This gaguritan tellsabout the struggle of life and life. The struggle took place between a spiritual teacher (Sang Dyah) and his students named Jagul Anom, Pucung, Ginanti,Ginada, Kumambang, Sinom, and also Wang Bang Sunaran. The dialogue glue was done by Wang Bang Sunaran. This figure acts as a link between the spiritual teacher and his students. Wang Bang Sunaran's self-image as a student is flawed; he rarely studies, rarely helps others, is difficult to manage, and feels all-knowing. Because of that, he wanted to find the way of truth. The path was found in Sang Dyah, who he thought was an enlightening figure in the darkness of his soul.tening figure in the darkness of his soul.)
Ketut Agus Murdika + (Ketut Agus Murdika is a painter born in Gi … Ketut Agus Murdika is a painter born in Gianyar, December 26, 1989. He completed his art education at ISI Denpasar. Since 2008, he has been active in many joint exhibitions, such as the Retrospective exhibition of the Galang Kangin Community at Bentara Budaya Bali (2018), the Red Thread exhibition at Bentara Budaya Yogyakarta (2016), the Ulu Teben exhibition at Bentara Budaya Bali (2015). He won the Best Sketch Ubud Festival 2006 award.His paintings are abstract. He wrote his concept in painting as follows: An understanding without form, a reflection without words, an understanding of the feelings and feelings of exploring the restlessness of the heart. Creating something intangible into a real work.ing something intangible into a real work.)
Ketut Bimbo + (Ketut Bimbo is a musician and singer of Ba … Ketut Bimbo is a musician and singer of Balinese pop songs born in Banyuatis, Buleleng, 1954. He has been working productively since the 1970s. His songs contain a lot of social criticism wrapped in satirical humor. He started his career as a broadcaster at Radio Massachuset, Singaraja, Buleleng. All of his songs are based on true stories, involving gambling with cock fights, drinking alcohol, etc. His debut album was entitled "Buduh" (1980). A number of his famous songs include: Buduh, Peteng-peteng Mekaca Selem, Announcer, Mebalih Wayang, Ngabut Keladi. Announcer, Mebalih Wayang, Ngabut Keladi.)
Ketut Endrawan + (Ketut Endrawan was born in Klungkung, Marc … Ketut Endrawan was born in Klungkung, March 12, 1974. Completed his fine arts studies at PSSRD Udayana University (now ISI Denpasar) in 1999. Apart from being an artist, he is also a teacher of fine arts. Actively exhibiting together since student. He was a finalist at the Indofood Art Awards 2003 and the Jakarta Art Awards 2008. Endrawan's works tend to be figurative, mixing inner anxiety and social turmoil., mixing inner anxiety and social turmoil.)
Ketut Kaprus Jaya + (Ketut Kaprus Jaya, contemporary artist in … Ketut Kaprus Jaya, contemporary artist in Bali. Born in Budakeling Karangasem Regency Bali, on the 15th July 1970. A veteran of the highs and lows of Balinese Art Industry, he has remained constant to his art with no prevarications. Through three decades of professional art practice, Ketut Kaprus Jaya has maintained and guarded the purity of his creative process. True to self, to the moment, to Nature.As a contemporary artist in Bali today, Kaprus Jaya has two distinct styles that he exercises equally diligently. As a result of the strong commerciality of the art scene locally. The use of watercolour for ‘en plen air’ pieces as he travels and explores different destinations and allows him to teach painting to students. allows him to teach painting to students.)
Ketut Madra + (Ketut Madra has devoted his life to the st … Ketut Madra has devoted his life to the study, preservation, and practice of Bali’s rich cultural arts. Primarily as a painter, but also as a dancer, musician, and community leader, Madra is steeped in the stories and legends at the center of the island’s culture and community. His unique ability to convey action and emotion in a rich and imaginative composition brings the traditional to life for modern audiences, Western and Balinese alike.Originally from Pengosekan, a small community near Ubud, Madra moved to nearby Peliatan as a young man in the late 1950s to work as a painter for the art dealer Wayan Gedah. At that time he also began studying with Tjokorda Oka Gambir, and learned the techniques and conventions of traditional wayang painting, including the specific colors, iconography, and costume for scores of characters.Madra started painting exclusively wayang narratives in the early 1960s, and soon developed a reputation as a skillful and original artist. He works with deliberation, and sells work directly from his studio to people who find him, usually through word-of-mouth. Occasionally, trusted local dealers with galleries catering to serious collectors also buy his work.In 1974, Madra’s work was shown in international exhibitions in the UK and the USA for the first time. In the same year he completed the first bungalow of what would become the Ketut Madra Homestay on his property in Peliatan. Over the next 15 years, he gradually expanded the accommodations for students, travelers, musicians, and artists interested in “a quiet place to learn about Bali.” The homestay has been a central feature in the life of Madra and his family, and has introduced three generations of visitors to his work and to traditional Balinese arts and culture.At the age of 41, having focused up to that point on work and the homestay, Madra needed something more. Nyoman Kakul, a preeminent dancer of Batuan village who admired Madra’s understanding of the stories told in Balinese dance drama, urged him to learn to perform. More than 30 years later than most Balinese dancers take their first lessons, Madra learned the role of topeng keras, the rough prime minister in the king’s court. He continues to dance more than 30 years later, playing a variety of roles for which he is highly regarded.Madra also learned as an adult to play the rebab, the two-stringed bowed lute in the gamelan ensemble. He dances and plays regularly with the Tirta Sari gamelan group in Peliatan. Dance, Madra says, is a near perfect complement to his life as a painter. Performing in stories he had only watched and painted brings new insight to character and deeper understanding of the spiritual and devotional nature of both kinds of work.d devotional nature of both kinds of work.)
Ketut Muliartha, RM + (Ketut Muliartha was born in Denpasar, Janu … Ketut Muliartha was born in Denpasar, January 8, 1956. He has expertise in auditing and strategic management. Graduated in 1984 from undergraduate education at Malang Brawijaya University and continued the Professional Accountant (Ak) program at the same University in 1984. He was appointed as a permanent lecturer in 1985 at Udayana University to the present. He obtained his Master of Management degree in 2000 at Udayana University, completing his 2014 doctoral degree at Brawijaya University, Malang. He often conducts national conferences in his area of expertise.onal conferences in his area of expertise.)
Ketut Putrayasa + (Ketut Putrayasa is an artist born in Kerob … Ketut Putrayasa is an artist born in Kerobokan, Badung, Bali, May 15, 1981. In 2019, for the “Berawa Beach Arts Festival”, he shocked Berawa Beach with his installation of a giant octopus made of bamboo. In the event entitled "Deep Blue Spirit", dozens of artists from across the arts responded to the giant octopus with performances of music, dance, poetry, and video art. Still in 2019, Putrayasa was invited by the Architecture and Interior Design Company to work on the Project Commission Artwork in Paris, France. In 2020, he performed the installation art "Pandora Paradise" at the Puputan Badung square, Denpasar.Ketut Putrayasa studied fine arts at the Indonesian Art Institute (ISI) Denpasar until the Postgraduate Program in Art Creation. He won the Best Final Project (TA) from ISI Denpasar in 2014. He often participates in joint exhibitions, including the “BIASA” group sculpture exhibition at the Pendet Museum, Ubud (2004), “Sign of Art” in Belgium (2008), “ Kuta Art Chromatic” in Kuta (2003), “Articulation” in Kuta (2014), “Chronotope” at Rich Stone Bali (2015), “Skala” sculpture triennale at the Jakarta National Gallery (2017), “Art Unlimited” at the Gas building Negara Bandung (2018), “Bali Megarupa” in Bentara Budaya Bali (2019), and so on. Apart from being active in his work, Putrayasa has also joined “MilitanArt”, an art community that drives the life of fine art in Bali. that drives the life of fine art in Bali.)
Ketut Rodja + (Ketut Rodja was a genius and famous sculpt … Ketut Rodja was a genius and famous sculptor from Mas Village, Ubud, Bali (1902 - 1965). He was born into a family of artists. He was close friends with President Soekarno who collected many of his sculptures. Apart from that, the Tropen Museum in the Netherlands also collects his work. The Krishna statue created by Rodja was once used as a master art by President Soekarno and shown to Indian Prime Minister Jahwal Nehru and Indira Gandhi at a state meeting.Rodja is also known as an art deco pioneer in Bali. Apart from that, he was the founder of the first art gallery in Bali in the 1950s which still exists in Mas Village. He is also an artist who actively contributed to the founding of the Ratna Warta Puri Painting Ubud Foundation and was a member of Pita Maha in 1936. Rodja is close friends with Rudolf Bonnet, one of the founders of Pita Maha. Rodja once served as Chairman of the Pita Maha Mas Village branch which coordinated 12 banjars. He was also active in political movements and was highly respected. His iconic work which is still kept at the Siadja Gallery is an ebony wood sculpture entitled "Ananta Bhoga" (1920). Rodja died (murdered) in the 1965 political tragedy. (murdered) in the 1965 political tragedy.)
I Ketut Sugantika + (Ketut Sugantika alias Lekung was born in S … Ketut Sugantika alias Lekung was born in Singapadu, Gianyar, Bali, 1975. He focused on painting at ISI Denpasar. Many of his works are abstract by taking inspiration from nature. His solo exhibitions are Life Lines, Tadu Contemporary Art, Bangkok, Thailand, 2016; Intimate Bali, Conrad Hotel Nusa Dua, Bali, 2014, Findings Object, Black and White Art Space, Sangeh, Bali, 2010; Sign, Art Center Denpasar, Bali, 2003. In addition, since 1998, he has been diligently involved in joint exhibitions, including the Artfordable Hongkong Art Fair, With Gundang Gambar & 37Tong Gallery, Hong Kong, 2018; Imago Mundi, Bentara Budaya Bali, Yogyakarta, Jakarta, 2016. He is also active in performance arts activities. Now he is active in the Militant Arts Community.w he is active in the Militant Arts Community.)
Ketut Syahruwardi Abbas + (Ketut Syahruwardi Abbas was born in Pegaya … Ketut Syahruwardi Abbas was born in Pegayaman Village, Buleleng, Bali, May 4, 1959. He has written literary works since the 1980s, published in the Bali Post, Nusa Tenggara, Kompas, Republika, and summarized in a number of books together, such as Klungkung: Tanah Tua, Tanah Love (2016). His single book of poetry is titled Between Us (2018). He had long accompanied the young poets in Jatijagat Poetry Village.e young poets in Jatijagat Poetry Village.)
Ketut Teja Astawa + (Ketut Teja Astawa, born in Sanur, Bali, 19 … Ketut Teja Astawa, born in Sanur, Bali, 1971. He completed his art education at ISI Denpasar. He has held many joint exhibitions, both at home and abroad, such as Bali: Return Economy, Fremantle Art Centre, Perth, Australia (2014). His solo exhibitions include: TW(IN)SIDE at Kendra Gallery, Kuta (2013), A Glimpse Back Into The Past: Early Paintings of Ketut Teja Astawa at Art Temporary Space, Plaza Senayan, Jakarta, Indonesia (2012), Fragments of Subconscious Memory at Tonyraka Art Gallery, Ubud (2011), Batman Forever at Sunjin Gallery, Singapore (2009), Works Of Ketut Teja Astawa, Roemah Roepa Gallery, Jakarta (2008). Many of his works depict the lives of animals, puppet characters, which he uses in a naive and colorful way. He combines Kamasan wayang painting techniques with modern techniques. In 2001 his work was included in the Finalist Philip Morris Art Award Indonesia.inalist Philip Morris Art Award Indonesia.)
Ketut Widiyazid Soethama + (Ketut Widiyazid Soethama was born in Denpa … Ketut Widiyazid Soethama was born in Denpasar, December 4, 1960. Since elementary school he has been fond of painting, including the Balinese Kamasan puppet, has been published many times in the children's section of the Kompas daily. Then since he was a teenager he has been writing poetry and has been published in the Bali Post. During his studies at the Faculty of Agriculture, Udayana University, he founded the music group Gress Country, released an album of Balinese pop songs (1987), with his siblings and relatives, while being active in theater performances. While working at the Bali Agricultural Information Center he made several comics on agricultural extension, then spent his days as an agricultural consultant for the European Union and the United Nations Development Program (UNDP) in Papua and East Nusa Tenggara. He died in Denpasar on January 15, 2016.. He died in Denpasar on January 15, 2016.)
Ketut Yuliarsa + (Ketut Yuliarsa was born in 1960 in Denpasa … Ketut Yuliarsa was born in 1960 in Denpasar, Bali.Ketut is a writer, actor and musician and has worked in Indonesia, Australia and New Zealand. He has appeared in television drama, film and toured Australia with a major Australian theatre company. He writes lyrical prose, short stories, poetry, essays and articles and has been published in various newspapers and magazines in Indonesia. He has published two collections of poetry (bilingual), Night Voice/Suara Malam and Falling in Silence/Jatuh Bisu. He has appeared as writer, presenter and moderator at the Ubud Writer’s Festival from 2005 till 2018. Ketut has also worked as the Indonesian Emerging Writers curator for this festival during this time. In 1986 he and his wife Anita, established the first bookshop in Bali, Ganesha Bookshop (www.ganeshabooksbali.com) and it is now into its 32nd year of trading. Ganesha Bookshop has a large range of New, Used, Rare and out-of-print books on Indonesian studies in the English language. In 2004, realising the need to foster literacy, learning and reading for pleasure in the Balinese community, he helped establish the Books for Bali Project which donates books to schools and libraries throughout Bali. to schools and libraries throughout Bali.)
Komang Pramana + (Komang Pramana, Skom, was born on April 26, 1978 in Denpasar. He can be reached about his beautiful photography at pramana.gede@yahoo.co.id.)
I Gusti Agung Mas Rwa Jayantiari + (Lecturer at the Faculty of Law, Udayana Un … Lecturer at the Faculty of Law, Udayana University, who started to become a lecturer since 2010. Graduated from undergraduate studies and became the best graduate in 1999 at the Faculty of Law, Udayana University. Study Masters level at the Notary Masters Program, Universitas Brawijaya in 2007. Furthermore, for the doctoral study completed at the Law Faculty of Law Education at Udayana University in 2019 and returned to be the best graduate. Throughout her career as a lecturer, she actively made studies on legal and community problems, especially studies relating to customary law, indigenous peoples and their natural resources, progressive legal studies related to gender studies in law, legal anthropology, legal sociology as well as law and culture. The thinking that is studied more often is done with a progressive legal perspective. The results of these thoughts are published in international journals, national journals and in the form of textbooks in fulfilling teaching assignments. Participation in scientific meetings is also often done including in the call for papers and also as a resource, moderator and participant in an academic scientific forum.rticipant in an academic scientific forum.)
Made Aripta Wibawa + (Made Aripta Wibawa, born in Singaraja, Mar … Made Aripta Wibawa, born in Singaraja, March 3, 1965. Since high school, he has been interested in literary activities by writing poetry and prose. While studying at the Faculty of Law, Mataram University, NTB, he became increasingly involved in the world of literature. He co-founded the Mataram Literature Studio and the Association of Indonesian Writers, Poets and Authors (HP3N) with an initiator and founder, Putu Arya Tirtawirya. While in Mataram he was often a judge for poetry and short stories reading competitions on Radio Suta Remaja, Sinta Rama and Rinjani with his brother, Agoes Andika As. Aripta's poems have been published in the Bali Post, Nusa Tenggara, Bali Post, Karya Bakti, Simponi, Swadesi and Merdeka newspapers. He is also active in writing for the HP3N bulletin. Now he is a lecturer at Bali Dwipa University.he is a lecturer at Bali Dwipa University.)
Made Mantle Hood + (Made Mantle Hood is professor of ethnomusi … Made Mantle Hood is professor of ethnomusicology, Chair of the Graduate Institute of Ethnomusicology and Director of the Asia-Pacific Music Research Centre at the Tainan National University of the Arts, Taiwan. He serves as Chair (2021-2025) of the ICTM PASEA study group. His previous posts were at Universiti Putra Malaysia (2012–2018), Melbourne University, Australia (2011–2012) and Monash University, Australia (2005–2011). His current research interests include ontologies of sounded movement, endangered forms of vocalisation, tuning systems as well as music and social justice. He is currently the lead researcher in the Taiwan Ministry of Science and Technology-funded project, Towards the Sustainability of Vocal Heritage in the Philippines, Malaysia and Indonesia (2019–2021). He is the author of Triguna: A Hindu-Balinese philosophy for gamelan gong gede music (2010) and co-editor of Music: Ethics and the community (2015).of Music: Ethics and the community (2015).)
I Made Santika + (Made Santika is a student from the Faculty of Cultural Sciences, Udayana University with a Balinese Literature Study Program. He was born on January 4, 2000. He is also the son of a great writer, namely Mr. I Made Degung and Mrs. Ni Ketut Sutarmi.)
I Wayan Langgeng + (Mangku Bajra whose real name is I Wayan La … Mangku Bajra whose real name is I Wayan Langgeng, was born in Sanur Kaja, July 1, 1963. He is in charge of leading and completing the Panca Yadnya ceremony. Prior to becoming a priest, he taught Balinese and Hinduism at an elementary school in Sanur. In his youth, he liked to act in theater and write poetry. His poems have been published in the Bali Post Sunday. In addition, he also likes to write lontar. Because of his passion for writing and reading lontar, he understands the science of traditional Balinese medicine (usada). Apart from being a priest, he is a traditional elder in Sanur Kaja., he is a traditional elder in Sanur Kaja.)
Mark Hobart + (Mark Hobart is Emeritus Professor of Criti … Mark Hobart is Emeritus Professor of Critical Media and Cultural Studies at SOAS, University of London. Mark's research interests include philosophical issues in Anthropology, Cultural and Media Studies. Currently he is running a project on cultural styles of argument and rhetoric entitled 'How Indonesians Argue', which aims to explore the practices that constitute what we usually call 'culture' or 'society'. Having carried out over eight years of intensive ethnography in Indonesia, his interest is driven by awareness of the unappreciated gulf between academic theorizing and concepts on the one hand and how people act, judge and interpret their own actions.Bali-related publications include:Hobart, Mark (2017) 'Bali is a battlefield Or the triumph of the imaginary over actuality'. Jurnal Kajian Bali (Journal of Bali Studies), (7) 1, pp 187-212.Hobart, Mark (2011) 'The relevance of cultural and media studies to theatre and television in Bali'. Jurnal Kajian Bali (Journal of Bali Studies), (1) 2, pp 63-75.Hobart, Mark (2011) 'Bali is a brand: a critical approach'. Jurnal Kajian Bali (Journal of Bali Studies), (1) 1, pp 1-26.Hobart, Mark (2010) 'Rich kids can’t cry: reflections on the viewing subject in Bali'. About Performance, (10), pp 199-222.Hobart, Mark (2007) 'Rethinking Balinese Dance'. Indonesia and the Malay World, (35) 101, pp 107-128.Hobart, Mark (2000) 'The end of the world news: television and a problem of articulation in Bali'. International journal of cultural studies, (3) 1, pp 79-102.Hobart, Mark (1997) 'The missing subject: Balinese time and the elimination of history'. Review of Indonesian and Malaysian Affairs, (31) 1, pp 123-172.and Malaysian Affairs, (31) 1, pp 123-172.)
Ida Bagus Njana + (Master Balinese woodcarver Ida Bagus Njana … Master Balinese woodcarver Ida Bagus Njana (1912-1985).Njana's family descends from Dang Hyang Nirartha, the saint of Balinese Hinduism, who moved to Bali in the 1500s and spread his religious reforms by travelling around the island. In the village of Mas, the local headman gave him one of his daughters. Their son from his marriage, Ida Putu Mas, started the Brahmana Mas line. Like their ancestors, the Mas Brahmins became priests or, like Njana, woodcarvers and architects.r, like Njana, woodcarvers and architects.)
Ni Putu Mira Novianti + (Mira MM Astra is the pen name of Putu Mira … Mira MM Astra is the pen name of Putu Mira Novianti, born in Denpasar, 1978. She studied Philosophy at Charles University Prague and Anglo-American University in Prague, Czech Republic. Her poems have been published in the Bali Post, Kompas, Koran Tempo, and are collected in her poetry book: Pinara Pitu (2016). Apart from writing poetry, she has also been active in theater.etry, she has also been active in theater.)
I Dewa Made Ariawan, S.Ag., M.Pd.H & I Nengah Asrama Juta Ningrat, S.Ag., M.Fil.H + (Mr. I Dewa Made Ariawan, S.Ag., M.Pd.H and … Mr. I Dewa Made Ariawan, S.Ag., M.Pd.H and Mr. I Nengah Asrama Million Nobles, S.Ag., M.Fil.H are the masters of the geguritan Catur Bhujangga Bali Mula. Mr. I Dewa Made Ariawan, S. Ag., M.Pd. H or Pak Dewa Mangku Dalang was born in Serai Hamlet, Penglumbaran Village, Kec. Shrink, Bangli Regency, on August 6, 1986 from the couple I Dewa Nyoman Reka & Jro Nyoman Munet. His daily life is an education staff in the Department of Education, Youth and Sports, Bangli Regency, but in between his busy life outside the father of Dewa Ariawan, he is still active in the field of art, namely Dalang. He also won 2nd place in the Utsawa Dharma Githa adult marriage competition in 2017 in Palembang and 1st place in the adult marriage competition in Bali in 2016.Mr. I Nengah Asrama Juta Ningrat, S.Ag., M.Fil.H is an art actor who is still active in compiling books, many books have been produced. He has also won the achievement of becoming the 1st Winner of an outstanding Hindu Religion Teacher at the Provincial level in 2015. Mr. Million Nobles was born in a clerical environment on the north slope of Mount Batur, Songan A, Kec. Kintamani, Bangli Regency, on June 15, 1980 from the couple Jro Gincang & Jro Suwiti. Apart from compiling books, his daily life is as a teaching staff in the Ministry of Religion of Bangli Regency from 2014 until now.Broadly speaking, this Bhujangga Bali Mula Catur geguritan contains the origin of the Bhujangga Bali Mula breed, precisely the Kayu Selem people in the Hyang Gwa Song tampur. It is hoped that the residents of Kayu Selem who are in Bali and outside Bali should continue to remember their ancestors as guides in carrying out their lives as damuh warih Ida Mpun Semeru.ng out their lives as damuh warih Ida Mpun Semeru.)
I Wayan Phala Suwara S.Pd.H.,M.Pd + (Mr. I Wayan Phala Suwara S.Pd.H.,M.Pd he w … Mr. I Wayan Phala Suwara S.Pd.H.,M.Pd he was born in Denpasar, May 22, 1993. Located on Jalan Gemitir, Gang Suli B Biaung-Denpasar. His parents are I Wayan Sujana and Ni Nyoman Sariani. He works as a teacher at SMA Negeri 3 Denpasar. His last education was S2 at IHDN.npasar. His last education was S2 at IHDN.)
I Wayan Suardika + (Mr. I Wayan Suardika is a pengawi from the … Mr. I Wayan Suardika is a pengawi from the Nusa Penida region, he was born in Pelilit 08 June 1989, he has his address at Pelilit hamlet des Pejukutan Subdistrict Nusa Penida, Klungkung Regency, Mr. I Wayan Suardika studied elementary school at SDN 8 Suana, studying junior high school at SMPN 1 Nusa Penida, attended high school at SMAN 1 Nusa Penida, then took undergraduate and postgraduate education at the Ganesha education university by taking the Balinese language education study program. Since 2017 he has been writing Balinese literature purwahas been writing Balinese literature purwa)
I Wayan Turun + (Mr. I Wayan Turun is a writer who comes fr … Mr. I Wayan Turun is a writer who comes from Kesiman Village, East Denpasar District, Denpasar City, he was born in 1951, as a writer he often creates literary works in the form of geguritan, kidung, Puranas and others.Geguritan Penataran is one of the 108 literary works of Mr. I Wayan Turun. This geguritan is a work on the treatment of lontar which used to use tissue paper. Before writing geguritan Penataran, he had written many other literary works such as Kidung Kidalang Pricek, Geguritan Busana, Geguritan Balian Batur.He has been involved in literary arts since a young age, has become a very bright experience today, such as: being a staff at a Balinese museum, making temples and inscriptions, Gama Sesana researchers Aji Loka Trestih and Aji Loka Kertih and many others.With extraordinary works, he often makes literary works for several temples in Kesiman.From him, I learned that there are still many authors of Balinese literary works around us today, even though they are still located on the modern and bustling side of Denpasar City.modern and bustling side of Denpasar City.)
Ida bagus wiryanatha + (Mr. Ida Bagus Wiryanatha, he was born on M … Mr. Ida Bagus Wiryanatha, he was born on May 19, 1961 in Pejeng village, Gianyar. Is a native of Br Puseh Pejeng Village, Gianyar. Currently, he is a lecturer at the Indonesian HINDU University at the Faculty of Health. He has completed his last education S1 Dr. General at Udayana University and S2 Religion and Culture at the Hindu University of Indonesia. Mr. Ida Bagus Wiryanatha is the son of the late. Ida Peranda Wayan Ngenjung and the late Ida Peranda Istri Bun. Mr. Ida Bagus Wiryanatha has 1 very beautiful wife named Ida Ayu Wimba Ruspawati and from his marriage with his wife, he is blessed with 3 children.h his wife, he is blessed with 3 children.)
Putu Weddha Savitri + (My name is Putu Weddha Savitri and I was b … My name is Putu Weddha Savitri and I was born in Singaraja, 27th February 1981. I graduated from French Department, Padjadjaran University for my bachelor degree, and Lingustic Program, Udayana University for my Master degree. I am a lecturer in English Departement, Faculty of Arts, Udayana University since 2006, and I has interest in French language, linguistics, translation, and language teaching.stics, translation, and language teaching.)
I Gede Anom Ranuara, S.Pd., S.Sn., M.Si., M.Ag. + (Name : I Gede Anom Ranuara, S.Pd., S.Sn., M.Sc., M.Ag. Birthday : September 7, 1968 Occupation: Artist Status : Married)
I Wayan Udiana + (Nanoq da Kansas, real name Wayan Udiana, w … Nanoq da Kansas, real name Wayan Udiana, was born in Moding, Candikusuma, Jembrana, December 2, 1965. He is the founder of Teater Kene, Bali Experimental Theatre, Komunitas Kertas Budaya. He has also been with the Coffee Drink Studio. His literary works have been published in the Bali Post, Kompas, Nusa Tenggara, Karya Bhakti, Swadesi, Nafiri, etc. His published books are: Ladang Angin (1993) and Centuries After Women Hiding in My Body (2006), A Country That Might Not Have Time to Hear, Martabak & Cabinet, Village Children Who Challenge the Ages.inet, Village Children Who Challenge the Ages.)
I Ketut Ngendon + (Ngendon was among the first of the Batuan … Ngendon was among the first of the Batuan painters to try the new art and was very influential on those who followed.Due to the fact that Ngendon was acquainted with both Spies and Bonnet at an early stage, and because he was involved in organising toursist events, his art seems to reach a higher degree of Westernisation than his contemporaries from the Batuan region. Paradoxically it may well be true that it is due to Ngendon's influence and artistic leadership that the Batuan painters as a group preserved their own identity and did not become epigenists of any western artist (unlike some painters from the Ubud region). Illustrative is the example told by I Ketut Tombelos (Margaret Mead's field notes), where it is said that Ngendon had a violent disagreement with Bonnet regarding the paternalistic interventions of the latter towards the style and choice subject of Ngendon. Professor Hildred Geertz perceives a strong taboo against any sign of modernisation evident in the work of Batuan painters (op. cit. p. 17). Still she rightly suggests that it was Western modernity and Western forms of power that fascinated and inspired Ngendon (op. cit. p. 19). The artist was a member of the Pita Maha artists' association.The present lot compares to a picture of the same subject of a pupil by Ngendon: I Made Djata, Collection Bateson & Mead, Princeton University, New Jersey (on loan), inv. no. B-134 (cf. literature: H. Geertz, Images of Power, p. 57, p. 56 illus). For further bibliographical notes see Geertz, pp.5-19; Hohn, pp. 43-51.al notes see Geertz, pp.5-19; Hohn, pp. 43-51.)
Ni Ketut Reneng + (Ni Ketut Reneng is a maestro of Balinese d … Ni Ketut Reneng is a maestro of Balinese dance. She was born in Banjar Kedaton, Denpasar, 1909. Both of her parents died when Reneng was young. Then she devoted himself to Geria Punia. She learned to dance when she was a child to A.A. Ngurah Jambe, Salit Rengis and Nyarikan Sriada. Reneng had learned to dance leaning with Ida Bagus Bodha from Kaliungu Kelod and A.A. Rai Perit from Sukawati. She is one of the creators of Pendet Dance. Together with I Wayan Rindi, they decided to make a dance by taking the standard of the Pendet Wali Dance as the spirit of the dance. The Legong Keraton group, which was formed in 1919, became big thanks to Reneng's services. At that time she also mastered various types of palegongan dances such as the Condong Pelayon Dance, Legong Pelayon, Lasem, Kuntul, Jobog, Goak Macok and Legod Bawa. She was also a member of the Janger Dance group in Banjar Keton in 1928 and recalled her in Batavia (Jakarta) in 1929. Together with her colleague Ni Pollok, Reneng had worked as a model for a Le Mayeur who lived in Sanur. Reneng has also been a fare teacher on the shores of Lake Batur at the request of the writer and humanist Sutan Takdir Alisyahbana.ter and humanist Sutan Takdir Alisyahbana.)
Ni Luh Putu Wulan Dewi Saraswati + (Ni Luh Putu Wulan Dewi Saraswati, comes fr … Ni Luh Putu Wulan Dewi Saraswati, comes from Busung Biu Village, Buleleng. Born on July 10, 1994, she studied S1 at Undiksha, Department of Indonesian Language and Literature Education, then studied linguistics at the Postgraduate Program at Udayana University. She is now a teacher of Indonesian for foreign speakers at the Cinta Bahasa Foundation and is currently part of the Mahima Community and Theater Circle. Her anthology of poetry entitled A Thousand Mornings of Love was published in 2017.nd Mornings of Love was published in 2017.)
Ni Luh Wida Apriliani, S.Pd + (Ni Luh Wida Apriliani, S.Pd. with the pen … Ni Luh Wida Apriliani, S.Pd. with the pen name Nulus Asih. He is one of the Balinese writers of geguritan who lives on Jl. Raya Semer, Gang Tunjung Mekar no.11, Peliatan Environment, Kerobokan Village, North Kuta District, Badung Regency. She was born in Gelunggang on April 5, 1993. She is the daughter of I Wayan Wiartana and Ni Ketut Sumartini. His current job is as a Balinese language instructor in Tanjung Benua Village.guage instructor in Tanjung Benua Village.)
Ni Nyoman Srayamurtikanti + (Ni Nyoman Srayamurtikanti is a gamelan mus … Ni Nyoman Srayamurtikanti is a gamelan musician and is also pursuing her career as a composer. Sraya was born on October 3, 1996 and is the daughter of an artist from Celuk Village, Sukawati, Gianyar. She has studied gamelan since she was in elementary school. She was educated at SMKN 3 Sukawati (KOKAR/SMKI Bali) majoring in Karawitan, Indonesian Art Institute Denpasar majoring in Karawitan, and is currently pursuing a Masters Study Program at the Indonesian Art Institute Surakarta. Sraya is the head of the Sanggar S'mara Murti which was founded by her father, which was then continued by Sraya. This studio is engaged in traditional arts, especially Balinese Gamelan and also its development. Sraya started to compose music in 2017 with the guidance of her father who is also a composer and singer. The musical works created by Sraya are based on tradition and innovation.Sraya had the opportunity to represent Indonesia in the ASEAN Youth Camp event in Sagada, Philippines (2015), Student Exchange AIM Program at University Malaya (2016-2017), became a composer in the Komponis Kini - Tribute to Wayan Beratha event (2019), became a composer in the National Cultural Parade (2019) representing Bali, being the 5th best composer in the Creative Music Competition – Taksapala Festival, Badung Bali, collaborating with a choreographer from Mexico (2021), and most recently being one of the composers in the Southeast Asia Music Session Indonesia Edition (2021). The compositions that have been created are: Kangkat (2017), SoS (2017), Love is God (2017), Rain-Ly (2017), Krepetan (2018), Selaka (2018), A Ketel (2018), Lango Wangi (2019), Titik Nol (2019), Candra Buana (2019), Speech Delay (2020), Padma Semarandhana (2020), Gelung (2020), Resing Langit (2020), Garba (2020), Empowerment (2021), Nyikzag (2021), Mulat Sarira (2021), etc. Nyikzag (2021), Mulat Sarira (2021), etc.)
Ni Putu Devy Gita Augustina + (Ni Putu Devy Gita Augustina, with the pen … Ni Putu Devy Gita Augustina, with the pen name Devy Gita, was born in Singaraja. She graduated from Ganesha Education University, Singaraja in English. She teaches at Bali Kiddy Elementary School and joined the Mahima Community, Teater Kalangan, Kacak-Kicak Puppet Theater. Her poems are published on Saatkala.co and summarized in the book Sang Guru (2019).d summarized in the book Sang Guru (2019).)
Ni Putu Putri Suastini + (Ni Putu Putri Suastini was born in Denpasa … Ni Putu Putri Suastini was born in Denpasar, January 27, 1966. Since she was a teenager, she has been active in literature and theater. She has joined the Wind Theater, Tiger Tutul Studio, Badung Mini Theatre, August Theater, White Studio. She published poetry books are Bunga Merah (2017) and Rumah Merah (2018). Ni Putu Putri Suastini Koster is well known among local Balinese and Indonesian artists.ong local Balinese and Indonesian artists.)
Ni Putu Rastiti + (Ni Putu Rastiti, currently works as a nurs … Ni Putu Rastiti, currently works as a nurse at the Bali Mandara Hospital, Sanur. Her works have been published in local and national media and have been included in several anthologies. Her first collection of short stories was titled The Tree of Wishes. Several times she was invited to the National Writers' Meeting. She was last invited as a young writer at the Ubud Writers and Festival 2016. Her poetry has been translated into French and her short stories into English.French and her short stories into English.)
Ni Wayan Murni + (Ni Wayan Murni was born in Penestanan, Bal … Ni Wayan Murni was born in Penestanan, Bali. Murni is a well-known and much loved personality on the Bali scene and a pioneer of Balinese tourism.Shops and RestaurantDuring her extraordinary life Murni has lived in Sanur and Ubud and hastravelled widely. By the early 1970s she owned 4 shops on Sanur beach andhad opened Ubud’s first real restaurant, Murni’s Warung, overlooking theCampuan River. Since then thousands of people have enjoyed her food andhospitality. She is still very active in the restaurant.There are YouTube videos on youtube.com/watch?v=zf3VVj7gx8g andyoutube.com/watch?v=KWTgnXtOlpAAsian Antiques and TextilesDuring her adult life Murni has been busy collecting and becoming an experton Asian antiques and textiles and many of them are to be found in Murni’sWarung Shop beside the restaurant. She was the first person in Ubud to havea proper gallery of antiques, textiles, costumes, old beads, tribal jewelry,stone carvings, masks and other ethnic pieces. Many of her pieces aremuseum quality and her fine arts credentials are impeccable. Murni is amember of the Thai Textile Society.ExhibitionsIn 2007 and 2009 Murni exhibited part of her collection at the prestigiousshows, Arts of Pacific Asia and Tribal Arts & Textiles, in San Francisco andgave a lecture on Balinese textiles to the Textile Arts Council at the de YoungMuseum. Murni understands and participates in Balinese culture on a dailybasis and plays in a women’s gamelan group at important religiousceremonies.Articles and BooksMurni has written numerous articles on Balinese art and culture and the bookSecrets of Bali, Fresh Light on the Morning of the World by JonathanCopeland and Ni Wayan Murni published by Orchid Press in 2010 is in itssecond print run. It is also available as an ebook on its own web site:www.secretsofbali.com and www.murnis.comMurni’s Very Personal Guide to Ubud by Ni Wayan Murni and photographs byJonathan Copeland was published in October 2011 and is available as anebook on www.murnis.com and all online retailers.Ni Wayan Murni and Jonathan Copeland wrote From Tattoos to Textiles,Murni’s Guide to Asian Textiles, All You Need to Know ... And More, which isan ebook available on www.murnis.com and all online retailers.Murni’s Bali Tours, Where to go, What to Do and How to Do It is an ebook of7 special tours was written and designed for guests staying at Murni’s Housesto bring with them on the tours It is an ebook available on www.murnis.comand all online retailers.Murni’s HousesIn the early 1980s Murni started to construct Murni’s Houses in Ubud, acomplex of seven extraordinary residences and open-air pavilions amid agarden full of flowers, statues, fountains, trees and shrubs lying all by itselfnext to open fields. It is a wonderful introduction for first timers to Bali and adependable refuge for her many guests who return each year. Just 5 minuteswalk from the main road and accessed through a traditional Balinese roofedgate, it’s a place of tranquility. Residential photography tours and Spapackages are available. There are YouTube videos onyoutube.com/watch?v=Cd1A2xgNlDc andyoutube.com/watch?v=3vCnSMavfRkTamarind Spa at Murni’s HousesMurni’s latest venture is the creation of Tamarind Spa at Murni’s Houses,which was listed as the top spa in Ubud on Trip Advisor within 3 months of itsopening. Tamarind Spa brings all these aspects of Balinese art, luxury, andculture together in one healing experience. There is a YouTube video onyoutube.com/watch?v=h4IscHN4dqoHousesShe also has houses in Penestanan for long-term rent.Anniversary of Murni’s WarungTo celebrate the 40th anniversary of Murni’s Warung, Forty Delicious Years,Murni’s Warung, Ubud, Bali, 1974–2014, From Toasted Sandwiches toBalinese Smoked Duck was published in 2014.It has its own web site: www.fortydeliciousyears.com and YouTube videowww.youtube.com/watch?v=YFq22MYP-_s. It is also available as an ebookon www.murnis.com and all online retailers.BlogMurni and Jonathan Copeland have a joint blogAn eclectic blog concentrating on Bali but taking in the WorldSocial MediaMurni’s Warung, Murni’s Warung Shop, Murni’s Houses and Tamarind Spaare on Trip Advisor, Facebook and Google+ and Murni is on Twitter andLinkedin.Books and Ebooks• Secrets of Bali, Fresh Light on the Morning of the World• Murni’s Bali Tours, Where to go, What to do and How to do it• Forty Delicious Years, 1974-2014, Murni's Warung, Ubud, Bali• Murni's Very Personal Guide to Ubud• From Tattoos to Textiles, Murni's Guide to Asian Textiles, All You Need toKnow…And More Asian Textiles, All You Need to Know…And More)
Nyoman Suradnya + (Nyoman Suradnya was a Balinese painter fro … Nyoman Suradnya was a Balinese painter from Ubud. He specialized in three main media: batik, oil, and watercolor. Nyoman was an established artist in residence in Sydney, Melbourne, and Singapore. Nyoman's artwork has been featured all over the world in such countries as Switzerland, Australia, Italy, and Guam (USA). He was also a strong advocate for sustainable tourism that protected the culture and environment of Ubud. With his friend, Tjok Raka Kerthyasa, he founded Bina Watasa, which roughly translates as "guiding tourism." Their goal was to educate tourists about enriching and environmentally sustainable practices that allowed them to experience all of Ubud in a responsible way. Nyoman is remembered for his "larger-than-life" personality and as an important advocate for the preservation of the culture and environment of Ubud.on of the culture and environment of Ubud.)
Mantle Hood + (Obituary LA Times: Professor, Pioneer in … Obituary LA Times: Professor, Pioneer in Studying World’s Music and Cultures(1918-2005)“Mantle Hood was the first scholar to take seriously the study of what was then called nonWestern music, in the 1950s,” said Christopher Waterman, dean of UCLA’s school of arts and architecture and an ethnomusicologist. Hood joined the UCLA faculty in 1956 and created what is now the department of ethnomusicology in 1960. He envisioned a complete approach to the study of his field. He wanted students to learn at least two music traditions, their own and that of a culture new to them. He also urged them to learn to play a native instrument, drums for a student of West African music, for example. Common practice now, it was considered novel when he introduced the idea, which he referred to as bi-musicality. By learning several music traditions, Hood proved that the two could exist in harmony, according to Jacqueline Cogdell DjeDje, chairwoman of UCLA’s ethnomusicology department. (...) "Hood saw it as a way to teach students respect and understanding for “people and cultures different from their own,” DjeDje said. Hood also expected his graduate students to see and hear the music they studied as it was performed in its native setting. “Hood taught that the music comes out of the culture,” said Robert Garfias, professor of anthropology at UC Irvine and one of Hood’s first graduate students at UCLA. “His idea was to study the music as part of the culture.” Hood had been traveling the world from the time he graduated from UCLA in 1951 after earning a bachelor’s and a master’s degree in music. He received his doctorate from the University of Amsterdam, where he wrote a dissertation on Javanese music. After joining the faculty at UCLA, he was granted a Ford fellowship that allowed him to live in Indonesia for two years and study its music. He later studied in India on a Fulbright fellowship. An expert in the music of Java and Bali, Hood played all the instruments in a gamelan, an Indonesian symphony that consists of percussions, winds, strings and other instruments. During gamelan performances with his students, he played the rebab, a type of lute that is the lead instrument in the ensemble. Dozens of his UCLA students went on to teach ethnomusicology. Several of them founded programs at universities, including UC Berkeley. “Hood had a very powerful impact on how ethnomusicology is taught,” said Garfias, who founded a program at the University of Washington, Seattle, before moving to UC Irvine. Hood was born in Springfield, Ill., and moved to Los Angeles with his mother in the 1930s after his father died. He played piano and later learned the saxophone but didn’t expect a career in music. After high school, he worked at various jobs including as a draftsman at McDonnell Douglas. He also played saxophone in jazz bands. He served in the Army during World War II and returned to Los Angeles in 1945. After a false start as an agriculture student at UCLA, he found his true calling. Before he left the university in 1975, he wrote several books about his field, including “The Ethnomusicologist” (1971), which outlined research issues and questions related to what was then considered a new subject of study. An ethnomusicologist, Hood wrote, “is inclined to be highly sensitive to other human beings, to respect their scales of values and their behavior, even if these are not compatible with his own.” Hood moved from Los Angeles to Hawaii in 1973 and began to write self-published novels. “As a young man, he had his heart set on being a writer,” Marlowe Hood said. “As a teenager, he loved pulp fiction.” He set his potboilers in countries he had visited over the years. “Just a Stone’s Throw” is set in Bali. “The Keepers” is set in Hawaii and Japan. In 1980, he relocated to Maryland where he established an ethnomusicology program at the University of Maryland, Baltimore County. He wrote several more books about ethnomusicology and continued teaching until 1996. (...) He has four sons.Amazon: Author of fiction:Mantle Hood is the published author of seminal works in the field of ethnomusicology, study of the musical cultures of the world. A pre-eminent international scholar, he is the principal author/co-author of more than 20 books, was member of the Board of editors for the prestigious New Grove Dictionary of Music and Musicians (6th ed.) and has contributed to music dictionaries in four languages. Along the way, he has served as Distinguished Professor of Music from West Coast (UCLA) to East Coast (Harvard, Yale, Wesleyan Universities, and the University of Maryland), University of Hawaii, and institutions in Europe, Africa an Asia. He is a fellow of the East-West Center of Arts and Sciences. He has studied the music of peoples the world over, including Asia and the Pacific Islands. As a resident of Hawaii and visitor to Japan he developed an idea based on a newspaper article, one that blossomed into his first suspense novel, The Keepers. One agent described Hood's suspense fiction as a combination of John Grisham and James Michener.nation of John Grisham and James Michener.)
Money Politic + (Oh swastyastu Dear sir/madam jury And my r … Oh swastyastuDear sir/madam juryAnd my respected audienceBefore I start my oration, I want to first express my thanks to the Almighty God (Ida Sang Hyang Widhi Wasa) because it is with His grace that I can give an oration now.Related to the Balinese leadership election which will be held in 2024 in Bali.with this oration I would like to convey that I hope this election can be carried out fairly, without any coercion, one of which is without money politics, because this is very vulnerable to things happening where prospective leaders bribe their people with money to obtain money. leadership, and the same goes for individuals who carry out elections, because there are certain payments or results that will be obtained after holding elections, individuals often choose leaders not based on justice and honesty, but choose leaders with the aim of getting rewards.Apart from that, Article 22E of the Constitution also states that elections are held publicly, freely, confidentially, honestly and fairly.Not only is it stated in the constitution that governs us, but elections also concern people's lives in the future, it is also hoped that prospective leaders will be able to carry out elections fairly and without cheating by engaging in money politics.Let us carry out elections fairly and honestly, because carrying out elections intelligently will create a prosperous society in the future.That's all the speech I can deliver, I hope the speech I deliver can be useful. I'm sorry if I made a mistake, at the end I close with Parama Santhi, Om Santhi, Santhi, Santhi Om.rama Santhi, Om Santhi, Santhi, Santhi Om.)
Ida Ayu Oka Rusmini + (Oka Rusmini's full name is Ida Ayu Oka Rus … Oka Rusmini's full name is Ida Ayu Oka Rusmini, born in Jakarta, July 11, 1967. She writes poetry, short stories, essays, novels. She is also a journalist. In 2014, she was awarded the Kusala Khatulistiwa Award for the poetry book Saiban. Her figures and works are phenomenal and often controversial because they raise a number of issues of ancient Balinese customs and traditions that are detrimental to women, especially in the griya, the home of the Brahmins.Oka also straightforwardly broke taboos, exposed issues of sex and erotica in a clear way. All of this can be clearly seen in the novel Tarian Bumi (2000) which has been reprinted and published in German under the title Erdentanz (2007). The novel is also heavily inspired by the art of Joged Bumbung, a social dance full of erotic movements that is very popular in Bali.He has been invited several times to literary events at home and abroad. In 1992 he was invited as a guest poet in the IV Yogya Arts Festival. Participated in the 21st Century Poetry Minbar at TIM, Jakarta, 1996. Represented Indonesia at the ASEAN-wide writers' meeting in October 1997 entitled ASEAN Creative Writing Workshop in Jakarta. In 2002 and 2003 he was invited to the International Poetry Festival in Surabaya and Denpasar He was an invited guest at the Winternachten Festival held in Haque and Amsterdam in 2003. He was also a guest writer at the University of Hamburg, Germany, 2003.A number of his poems and short stories have appeared in various mass media and cultural journals, including Matra, Kalam, Horison, and Ulumul Quran. His short story "Putu Menolong God" won the best short story award for Femina magazine in 1994. His novel Sagra received the best novelet award for Femina in 1998, and the best short story award in 1990 - 2000 from the literary magazine Horison for his work Pemahat Abad. His novel Tarian Bumi won the 2003 Literary Writing Award from the Language Center, Jakarta.His works are Monologue Tree (poem, 1997), Earth Dance (novel, 2000), Sagra (short story, 2001), Kenanga (novel, 2003), Patiwangi (poetry, 2003), Color Kita (poetry, 2007), Pandora (poetry, 2008), Shell (novel, 2010). His novel Tarian Bumi has been translated into English entitled Earth Dance, and German under the title Erdentanz.nce, and German under the title Erdentanz.)
Ngirangin kemacetan ring bali + (Om Swastyastu Thank you for the time given … Om Swastyastu Thank you for the time given to the three of us. Pinihryin meshow my name is I Gede Berlin Renaldi and my two friends areThis is Kadek Junior and I Made and my son Sujana from SMA Negeri 2 Abiansemal. HealthNow let's discuss the role of leaders in managing congestion.is a traffic suspension caused by the number of passing vehicles.more than the short road capacity of Bisnis.com, DENPASAR Promotion AgencyBali Regional Tourism says there are two things that must be considered in order to be successful.currently facing traffic jam problems in Bali. Tjokorda Oka Artha Ardhana Sukawati, Chair of BPPD Bali and Chair of PHRI Bali, said that to overcome current traffic jams, discipline is needed forfor road users and law enforcement. Like traffic jams in the PB road areaSudirman Denpasar is not only a scientific discipline that uses roads, but also the future.A thriving society requires law enforcement. "Two things are truethe most important concern," he told media at the Bali Tourism Board, the day of the flightthe thirtieth day of the month, two thousand and seventeen. He added, for timeIn the long term, Bali develops as a service industry, not manufacturingTransportation must be considered. If this is ignored, a cultural approach is used.in our transportation, I am sure this will be wasteful. Although several modes of transportation are available, none is available."They use it because it doesn't suit the needs of society," he said. He explained that until now his party had not seen the implementation of these two things in society.maximum because there is a feeling of unwillingness from the police, considering that the customer is doing itLocal people have adjacent houses and parking spaces in front of the houses. If this is moreEven better, the government could provide more parking, which could help.solve the traffic jam problem that is behind. If there are words that I don't like, I apologize, I would like to thank Uncle Santhi Santhi Santhi Uncle.to thank Uncle Santhi Santhi Santhi Uncle.)
Hak Masyarakat Adat Baik Kemajuan dan Kelestarian Adat Terjaga + (Om Swastyastu, My deepest respect to all t … Om Swastyastu,My deepest respect to all the judges.My respects to the BASAbali Wiki teamMy respects to all participants of the Public Participation Wikithon,Allow me to speak a little on the issue of indigenous peoples’ rights. My name is I Komang Sapa. I am from the lava world of Karangasem, I live on the slopes of Bali’s most majestic Mount Agung, in Jungutan Village.As Indonesian citizens, indigenous peoples should have equal rights in terms of land ownership, economic activities, as well as social rights. However, the Job Creation Law (Undang-Undang Cipta Kerja), especially the article on investment ownership as a step to opening new jobs, could backfire on the rights of indigenous peoples or people living in villages.The Indigenous Peoples Alliance of the Archipelago (AMAN) believes that the Job Creation Law (Undang-Undang Cipta Kerja) can pave the way for investors who will run their businesses and process natural resources. However, it will be a problem that can make the people in the village lose. Because people in indigenous villages still make a living through customary land, forests, rice fields and others. Not only is it used as a place to make a living, there are also those who live, make pindik (a local dish), or use the land as a place to build a house. What’s more, since the process of creating the Job Creation Bill started, indigenous peoples have not been included in discussions, even though the people in the village are the most affected.Well, people, because there are different interests here, between indigenous peoples and investors, the government faces a dilemma, when passing this Indigenous Peoples Bill. For example, in the case of the Natural Tourism Park (TWA) in Batur, Kintamani, Bangli, there are still parties from the indigenous community or in the village who feel disadvantaged by the arrival of investors.Ladies and gentlemen, why do we have to speak out about this situation? It is because, as the next generation of the nation, we must participate in preserving the culture, cultural values that have long been the identity of the nation. Especially in the current times, it is very important that we participate and agree in preserving traditional values. This is not just about preserving our traditional heritage, but also about educating our character and morals as human beings who are easily exposed to foreign influences. Also, we must strengthen adat (indigenous laws), recognize the rights of these indigenous peoples, protect, respect and fulfill their human rights.My hope is for prospective leaders to solve this problem quickly through policies that really make the Indigenous Village sustainable even though there are investors who come in to participate in developing the area so that it becomes stronger. Likewise, the government must come to the Indigenous Village, discuss with the community there before issuing permits, let alone policies.Okay, that’s all I can say to all of you. If there are any mistakes in my speech, please forgive me. In closing, I end with parama santhi.Om Santih, Santih, Santih, Om.ma santhi. Om Santih, Santih, Santih, Om.)
HARMONI "RATRIBRASKITA" NYUJUR KERAHAYUAN + (Om Swastyastu, Namo Budaya, Om Awighnam As … Om Swastyastu, Namo Budaya, Om Awighnam Astu Namo Sidham.Bali Island is an island that already has many natural resources. These natural resources attract tourists to come to Bali. The island of Bali is well known abroad. The island of Bali which is growing in tourism is what causes many investors to build buildings in Bali. Different from before, the island of Bali has many rice fields and plants, as well as clear water that makes the mind drift away. In the past, Balinese people easily got agricultural products such as chilies, vegetables and others.After the rice fields in Bali were converted into buildings, little land was used as a place to grow these plants. This is because the prices of our basic necessities in Bali are increasing. If we remember, we should be in Bali who bring in a lot of guests, making Bali Island an island that has high regional income. However, we have all felt that now the prices of basic necessities in Bali are increasing. Natural resources in Bali are increasingly scarce, rice fields in Bali are increasingly depleted. Who can be blamed if it's like this? Not just natural resources, but technological developments that increasingly want to make us spoiled or dependent on technology. Different from before, Balinese people at home each have rice fields that can be used to grow plants that are useful for the Balinese people, such as chili plants, banana trees, tomato plants, vegetables and others. Now, are there any of you who plant these plants? Does anyone still have rice fields?Now in Bali, many people have houses that have been influenced by foreign culture. This is because few have rice fields or plants that can be used for basic needs or coral reefs. If it is related to the increase in prices of basic commodities in Bali, it is appropriate that the Kitri coral can restore the fulfillment of our basic needs in our respective homes. If every yard or yard in Bali had coral reefs, basic prices on the market would definitely not increase because there would be no shortage of basic necessities. This Kitri coral can be included in traditional village regulations so that the community can all develop Kitri coral in their own homes and in traditional villages make sekeha which are taken by each family head in each coral to get information about the Kitri coral and Kitri coral in their respective homes. Each can be sold at the Pekraman village level. Immediately, it became a Ratribraskita movement which means Digital Based Kitri Coral, which has the aim of preserving Kitri Coral even when they become extinct and bringing greenery to the household.Hopefully this RATRIBRASKITA program can provide good benefits.I apologize if there are any shortcomings, I will close with Parama Santih.Om Santih, Santih, Santih Omrama Santih. Om Santih, Santih, Santih Om)
Pikobet Kawigunan lahan ring Bali + (Om Swastyastu, honorable judges of the Wik … Om Swastyastu, honorable judges of the Wikithon Public Participation Oration, and all Oration participants that I am proud of. I, Putu Bayu Yudha Oka Pratama from SMAN 2 Sukawati will deliver an oration entitled "Pikenoh lahan ring bali ngawit masa ke masa" which discusses an issue that has long been a problem in Bali. Bali is known as a global tourism destination, but behind that, there are serious challenges related to the erosion of green land.Land change in Bali from time to time is certainly a very important issue and must be addressed immediately, seeing the state of the increasingly eroded land. According to an article in Neliti, land use change in Bali is very important to note because land use change has a major impact on the physical and social environment. In this case, satellite imagery and GIS data were used to determine land use change in Bali. The results showed that land use has changed drastically between 2003 and 2008. Settlements and irrigated rice fields are where the most extensive land use change occurred, at 2,553 hectares. While salt land use did not change at all. This change has led to the development of villas, hotels, shopping centers that are irregular and haphazard.Irregular and indiscriminate land use change can cause negative impacts on the environment, Balinese people, and even Bali Tourism. Some of the negative impacts that can occur are environmental damage and loss of natural habitat for flora and fauna. In addition, irregular land use change can also cause flooding and landslides. And the most problematic, namely the impact on Bali Tourism. Where, foreign tourists have no interest in coming because it is too full of buildings and little green land left.To overcome these problems, the future leaders of Bali 2024 must take appropriate and effective action. One solution that can be done is to conduct strict supervision of land use changes in Bali. There must be clear procedures and permits related to land use change. In addition, Bali 2024 leaders should also introduce programs that aim to promote sustainable and environmentally friendly land use. These programs could include the development of organic farming, the use of renewable energy, and waste reduction.Ladies and gentlemen of the jury, that's all I have to say about land use issues in Bali. I hope that this oration can be useful so as to realize that the Government and the Community must work together to deal with this problem, Finally, I Bayu say Parama Santhi. Om Santhi, Santhi, Santhi, Om.ama Santhi. Om Santhi, Santhi, Santhi, Om.)
Pariwisata Bali Metangi Antuk Sport Tourism + (Om Swastyastu, the Covid-19 pandemic has h … Om Swastyastu, the Covid-19 pandemic has had a huge impact on Indonesia. Not only in the health sector, but also in the economic sector. The island of Bali is no exception, all of which are very dependent on tourism so that the Balinese economy has slumped during the pandemic. The Government has implemented the policy of Enforcement of Community Activity Restrictions or PPKM (Pemberlakuan Pembatasan Kegiatan Masyarakat) to limit the spread of the Covid-19 virus. However, this strategy has caused negative impacts such as the suspension of tourism. Likewise, tourism workers have been fired. The government and related parties must seek procedures to stimulate Bali tourism. Examples include the strict application of health protocols to the community, as well as the application of CHSE (Cleanliness, Health, Safety, and Environment Sustainability) to tourist destinations or other means of supporting tourist destinations. The number of Balinese people who have received the first dose of Covid-19 vaccine is around 99% and the second dose is around 90%. With this preparation, Bali tourism is ready to rise again. What is needed is public information that Bali is ready to receive domestic and international tourists. Sports Tourism is one of the strategies that should be implemented. Even though it's a new idea, sports tourism has great potential to generate tourism in Bali. Sports events are of great interest both nationally and internationally. This can be seen from the major sporting events held in Bali such as the 2021 BWF World Tour, BRI Liga 1, U-20 World Cup, and so on. The Government can provide support to improve infrastructure and facilities relating to sports so that Bali's potential can be realized and Bali's tourism and Bali's economy can be revived. Om Shanti, Shanti, Shanti, Om.be revived. Om Shanti, Shanti, Shanti, Om.)
Ngamolihang Kasejahteraan Sosial ring Bali + (Om Swastyastu. Before I present this orati … Om Swastyastu. Before I present this oration, let us all give thanks to Ida Sang Hyang Parama Kawi, because thanks to His grace I, Ni Kadek Diah Ayu Paramitha from SMA Negeri 1 Kerambitan, can present the oration text entitled “Ngamolihang Kasejahteraan Sosial ring Bali”.A leader is a person who influences others in order to carry out a common goal. Therefore, leaders have the obligation to complete and implement all the aspirations of the community and have a responsibility for community welfare and social welfare. Talking about social welfare, it can be seen from various aspects such as economy, education, health, and socio-culture. Today, I will discuss social welfare in Bali from the economic point of view. One of the economic problems in Bali is the economic gap, which is very important to find a solution to. The economic gap is closely related to the unbalanced infrastructure development in each region. This can lead to urbanization - people living in villages are displaced to cities - which then makes economic growth in Bali unbalanced. Poverty and unemployment rates are also important to note, because if you look at the distribution of subsidies for the lower middle class, it has not been well targeted, so the poverty rate has not shown a significant reduction in the number of people living in poverty.We know that Bali is very strong because of tourism which until now has benefited as much as 60% of Bali’s economic structure. In my opinion, providing tourism sites like this, especially in villages can be one of the solutions to relieve the economic gap in Bali, such as the Tenganan Tourism Village program, Jatiluwih, Terunyan, and others. However, we cannot guess what will happen in the future, such as the Covid-19 outbreak in 2020 which causes an economy decline, especially in Bali because it still relies on tourism. However, if you look again, Bali actually has other potentials such as MSMEs. These MSMEs should be considered so that they remain strong. Bali’s leaders have a role to help MSMEs in Bali so that they can improve Bali’s economic development, such as providing facilities and assistance in the form education, socialization, subsidies and rules that can encourage the existence of MSMEs and provide legal protection for MSME actors. Not only these MSMEs can help the Balinese economy. Social welfare is not just the responsibility of leaders, but the responsibility of the entire community. However, the role of leaders here is very important to lead the community to get social welfare, the leader should use resources as well as possible, and also build good buildings in order to provide people’s welfare.This is the text of the oration that I can convey. If any of my words are not pleasing to you, I apologize profusely, finally I close with paramasantih, Om Santih Santih Santih Om. paramasantih, Om Santih Santih Santih Om.)
ogoh-ogoh bali 2024 sane katinggalin + (Om Swastysatu, Om Awighnam Astu Nama Sidha … Om Swastysatu, Om Awighnam Astu Nama Sidham, the Queen who smells so good to all of us. Today I would like to convey that Ogoh-ogoh 2024 announced by the Bali Provincial Government will be held in the series of Nyepi Day 2024. However, Balinese people are still allowed to roam around. Head of the Bali Cultural Service, I Gede Arya Sugiartha, explained that holding the provincial level ogoh-ogoh competition was to maintain security until the 2024 elections. According to him, bad race was the cause of all relations. He showed that horseplay could be played again after years of politics. However, people were still allowed to play ball the following night. Group meetings can only be held within their respective traditional village areas. Then he ordered them not to talk about it on the street. I apologize if there is something wrong with what I said, so I will call it Prama Shanti. Uncle Shanti, Santhi, Shanti Uncle.hanti. Uncle Shanti, Santhi, Shanti Uncle.)
Stop Money politic + (Om swastyastu Dear sir/madam jury And my r … Om swastyastuDear sir/madam juryAnd my respected audienceBefore I start my oration, I want to first express my thanks to the Almighty God (Ida Sang Hyang Widhi Wasa) because it is with His grace that I can give an oration now.Related to the Balinese leadership election which will be held in 2024 in Bali.with this oration I would like to convey that I hope this election can be carried out fairly, without any coercion, one of which is without money politics, because this is very vulnerable to things happening where prospective leaders bribe their people with money to obtain money. leadership, and the same goes for individuals who carry out elections, because there are certain payments or results that will be obtained after holding elections, individuals often choose leaders not based on justice and honesty, but choose leaders with the aim of getting rewards.Apart from that, Article 22E of the Constitution also states that elections are held publicly, freely, confidentially, honestly and fairly.It doesn't stop there, the reality is that choosing the right leader is the path to prosperity for the nation, there are many problems in Bali which also cause us to really have to choose the right leader, such as the increasing problem of poverty, such as due to inadequate minimum wages, so there are lots of beggars on the streets, then there is also the problem of utilizing natural resources, ecosystems are often destroyed due to not being able to utilize natural resources properly, resulting in a decrease in income, there is also the problem of the large amount of waste that is not managed in Bali which is due to the large number of people who don't care about it. the surrounding environment, to the point of eliminating the unique beauty of Bali.So can our future leaders overcome this problem? I hope that these problems can be overcome by our future leaders.So it can be concluded that,Not only is it stated in the constitution that governs us, but elections also concern people's lives in the future, it is also hoped that prospective leaders will be able to carry out elections fairly and without cheating by engaging in money politics.Let us carry out elections fairly and honestly, because carrying out elections intelligently will create a prosperous society in the future.That's all the speech I can deliver, I hope the speech I deliver can be useful. I'm sorry if I made a mistake, at the end I close with Parama Santhi, Om Santhi, Santhi, Santhi Om.rama Santhi, Om Santhi, Santhi, Santhi Om.)
Etika Wisatawan Di Tempat Sakral Di Bali + (Om swastyastu, the jury that I respect and … Om swastyastu, the jury that I respect and the Bahasabali wiki team that I am proud of. On this occasion, I will deliver an oration on "Tourist Ethics in Sacred Places in Bali".Bali Island is the most popular tourist destination in Indonesia. Bali has very diverse tourist attractions, both natural tourism, cultural tourism and marine tourism. Bali and tourism cannot be separated. A tourist attraction that is no less interesting is the culture of the people. The life of the Balinese people is very closely related to the Hindu religion so that every religious ceremony is a very unique object. Temples are interesting places of worship for Hindus spread throughout Bali. Therefore, Bali also has the nickname Thousand Temple Island.However, the beauty of tourist attractions in Bali is still often threatened, one of which is sacred places. The presence of foreign tourists visiting sacred places still has a negative influence on the island of Bali. The case that we often hear is that tourist etiquette is still lacking, both in terms of clothing and the morals of the tourists themselves. As happened at Pura Dalem Prajapati Banjar Dadakan, Kelaci Kelod Traditional Village, Abiantuwung Village, Kediri District, Tabanan Regency. The tourist climbed a sacred tree, it is suspected that the tourist did not know that this place was a sacred place.This often happens, the causes are freedom of association and clothing in many tourist attractions, the need for commercial content and, ignorance of foreign tourists about sacred places in Bali. With this, we hope that Bali's leaders in 2024 will tighten the existing regulations in this place with efforts that can be taken, namely,1. Form a community for tighter security at this place.2. The management should provide information about the meaning of signs and holy places.3. Give sanctions to visitors who prohibit these rules, both moral sanctions and social sanctions.4. Tourists are expected to be accompanied by a tour guide who has a permit/license (understanding the natural conditions, customs, traditions and local wisdom of the Balinese people} when visiting tourist attractions.That's all we can say, hopefully it will be useful, and this oration can be realized by Balinese leaders in 2024 so that sacred places in Bali are always maintained and preserved. Sorry if there are any wrong words, we thank you. Om Shanti, Shanti, Shanti Om.e thank you. Om Shanti, Shanti, Shanti Om.)
Etika Wisatawan ring genah suci ring Bali + (Om swastyastu, the jury that I respect and … Om swastyastu, the jury that I respect and the Bahasabali wiki team that I am proud of. On this occasion, I will deliver an oration on "Tourist Ethics in Sacred Places in Bali".Bali Island is the most popular tourist destination in Indonesia. Bali has very diverse tourist attractions, both natural tourism, cultural tourism and marine tourism. Bali and tourism cannot be separated. A tourist attraction that is no less interesting is the culture of the people. The life of the Balinese people is very closely related to the Hindu religion so that every religious ceremony is a very unique object. Temples are interesting places of worship for Hindus spread throughout Bali. Therefore, Bali also has the nickname Thousand Temple Island.However, the beauty of tourist attractions in Bali is still often threatened, one of which is sacred places. The presence of foreign tourists visiting sacred places still has a negative influence on the island of Bali. The case that we often hear is that tourist etiquette is still lacking, both in terms of clothing and the morals of the tourists themselves. As happened at Pura Dalem Prajapati Banjar Dadakan, Kelaci Kelod Traditional Village, Abiantuwung Village, Kediri District, Tabanan Regency. The tourist climbed a sacred tree, it is suspected that the tourist did not know that this place was a sacred place.This often happens, the causes are freedom of association and clothing in many tourist attractions, the need for commercial content and, ignorance of foreign tourists about sacred places in Bali. With this, we hope that Bali's leaders in 2024 will tighten the existing regulations in this place with efforts that can be taken, namely,1. Form a community for tighter security at this place.2. The management should provide information about the meaning of signs and holy places.3. Give sanctions to visitors who prohibit these rules, both moral sanctions and social sanctions.4. Tourists are expected to be accompanied by a tour guide who has a permit/license (understanding the natural conditions, customs, traditions and local wisdom of the Balinese people} when visiting tourist attractions.That's all we can say, hopefully it will be useful, and this oration can be realized by Balinese leaders in 2024 so that sacred places in Bali are always maintained and preserved. Sorry if there are any wrong words, we thank you. Om Shanti, Shanti, Shanti Om.e thank you. Om Shanti, Shanti, Shanti Om.)
Anak Agung Made Gelogor + (One of a number of female artists in Sanur … One of a number of female artists in Sanur identified by Bateson and Mead via the Neuhauses.From a family of painters in Sanur during the 1930s. Worked with Agung Raka, her son by Gusti Sodang (and thus is probably also the mother of Gusti Putu).Also spelt GelogorRelated ArtistsHusband: I Gusti Putu Raka SodangSon: Agung Raka: I Gusti Putu Raka Sodang Son: Agung Raka)
I Dewa Ngakan Gede Keramas + (One of the Balinese writers who came from … One of the Balinese writers who came from Bangli, namely in Guliang Kangin - Taman Bali, was I Dewa Ngakan Gede Keramas. Has given birth to a gaguritan literary work entitled TIRTHA HARUM in 2000. In gaguritan Tirtha Harum uses several pupuh including, Pupuh Sinom, Pupuh Durma, Pupuh Ginada, Pupuh Kumambang. And in it tells or tells how the naming of Tirtha Harum and the initial milestones of the Taman Bali kingdom.tial milestones of the Taman Bali kingdom.)
Anak Agung Gede Alit + (Only one picture in Bateson and Mead colle … Only one picture in Bateson and Mead collection, purchased Jan. 17, 1937 — crudeMember of the ruling family of Batuan. Bateson-Mead information: Age: about 12-13 Son of the highest status and most powerful man in Batuan of the time, Anak Agung Gede Ngurah, who was juru tulis to the Punggawa of the region, which was centered in Pliatan in the late 1930s, was just finishing up 5th year of elementary school in Sukawati, and was about to go on to become an apprentice civil servant (magang) in the Pliatan office that very same year. Survey information: MARGINAL EARLY TEEN UNSKILLED THIRD WAVE LITERATE SPEAKS MALAYUNSKILLED THIRD WAVE LITERATE SPEAKS MALAY)
Ni Wayan Eka Pranita Dewi + (Pranita Dewi, full name Ni Wayan Eka, was … Pranita Dewi, full name Ni Wayan Eka, was born in Denpasar, June 19, 1987. She writes poetry, prose kris and short stories. A number of his poems have been published by Kompas, Koran Tempo, Media Indonesia, Suara Merdeka, Suara Pembaruan, Bali Post, Horison Literature Magazine, Block-Not Poetry Journal. In August 2003, the 1st winner of the Poetry Declamation Contest and the 1st Winner of the Bali Student Poetry Writing Competition were held at the Wind Theater of SMU 1 Denpasar. several books of poetry collection together with “Jendela” (2003), God of the Sky so Empty (2004), and Herbarium (2007). A collection of poems with “Made Patih (2003), “Titian” (2008).She received a scholarship “A Weekend Creative Workshop: Sound Poetry from Different Faiths” (2003) at the Utan Kayu International Literature Festival in Kuta, Bali. Nominee for Krakatau Award for National Poetry Writing Competition (2004) – Lampung Arts Council.Her poetry has been included in the anthology of the 100 Best Poems of the Pena Kencana Sastra 2008. Her single poetry book is “The Prostitute of the Gods” (2006).ok is “The Prostitute of the Gods” (2006).)
Prof. Dr. I Wayan Adnyana, S.Sn., M.Sn. + (Prof. Dr. I Wayan Adnyana, S.Sn., M.Sn. Bo … Prof. Dr. I Wayan Adnyana, S.Sn., M.Sn. Born in Bangli, April 4, 1976. He is a painter, fine art writer, lecturer in fine arts at ISI Denpasar, and Head of the Bali Provincial Culture Service. He received his art education at ISI Denpasar and ISI Yogyakarta. In 2003 he co-founded the Bali Art Society and held the grand exhibition at Bali Art Now. Many art writings appear to be published in Kompas, Media Indonesia, and various art journals/magazines. His published art books are Nalar Rupa Perpa (2007), Yeh Pulu's Multinarrative Relief (2017), Pita Maha: The 1930s Balinese Painting Movement (2018). Apart from being a writer, he is also known as a curator of fine arts. Meanwhile, as a painter, his works have been exhibited jointly or singly, at home and abroad. He was awarded the Finalist UOB Painting of The Year Competition (2014, 2012, 2011), Widya Pataka 2007 from the Governor of Bali.dya Pataka 2007 from the Governor of Bali.)
Prof. Dr. Ni Nyoman Padmadewi, M.A + (Prof. Dr. Ni Nyoman Padmadewi, M.A., is a … Prof. Dr. Ni Nyoman Padmadewi, M.A., is a professor in English education at Ganesha Education University, Singaraja, Bali Indonesia. Padmadewi completed his master's studies at Macquarei University, N.S.W Australia and received his doctorate from Udayana University. Padmadewi's research covers various topics related to pedagogy, development of competency standards, and assessment of English language learning at various levels of education. Apart from being active in teaching and researching, Padmadewi is also actively involved and organizes various social activities in the context of community development in rural areas.t of community development in rural areas.)
Prof. Ir. I Nyoman Gelebet + (Prof. Ir. I Nyoman Gelebet is a senior arc … Prof. Ir. I Nyoman Gelebet is a senior architect who cares about traditional Balinese architecture. He is a professor of architecture at Udayana University, Bali. He deeply understands “Asta Kosala Kosali” which is the basis for traditional Balinese architecture. Apart from that, he also understands that “Asta Kosalaning Dewa” relates to the construction of a holy place. He is often involved in building Hindu shrines and renovating temple buildings as well as in designing the master plan for the Nusa Dua tourist area. Apart from being a resource person, he is also diligent in writing articles in the Bali Post newspaper and scientific journals related to architecture and development in Bali. Nyoman Gelebet died on November 2, 2020.. Nyoman Gelebet died on November 2, 2020.)
Wayan Windia + (Professor Wayan Windia is Head of the Suba … Professor Wayan Windia is Head of the Subak Research Centre at Universitas Udayana in Bali, Indonesia. He obtained his PhD in 2002 at Universitas Gadjah Mada, Yogyakarta, Indonesia, which his dissertation concerning subak system in Bali. He involved on preparations, in order to get UNESCO acknowledgement, for subak system in Bali, on 2012. His articles has been published widely in journals and books, such as : Subak Irrigation System Transformation Based on Tri Hita Karana Concept; Subak : The World Cultural Heritage; Subak : Study from Social Perspective; and Subak as Agrotourism. Over the last five years, he has been actively working on developing subak into agro-tourism sites, and introducing economical activities at subak organization. The goal of those activities is how to help increasing the revenue of farmers as subak members. Now he actively supervise the site of subak that has been recognized by UNESCO as world cultural heritage. And also introducing the values of subak to the students in Bali, and for other guests and foreigners who coming to Bali, especially to Udayana University. He is working also as an expert group coordinator at Gianyar Regency on Heritage City, as a member of expert group at Denpasar City on Subak Sustainability, and also as an expert team member at Bali Province, since this year (2018). He has been involved in some national NGO in order to sustain of Bali culture.l NGO in order to sustain of Bali culture.)
Putu Desy Apriliani + (Putu Desy Apriliani is one of the young an … Putu Desy Apriliani is one of the young and promising faculty members in the Faculty of Economics and Business Udayana University, Bali - Indonesia. She has been a part of the "Orange Academia," a call for the faculty's students, alumni, and faculty members, since 2006. Her research interests encompass rural economic development, various democratic and community-based associations, and their intersection with gender and race. She primarily teaches undergraduate classes while also becomes a facilitator for various trainings within and beyond the university.Putu Desy Apriliani was a Fulbright Scholarship awardee from 2014-2019 to pursue a doctoral study in the U.S. She holds a Ph.D in Planning, Government, and Globalization from the School of Public and International Affairs, Virginia Polytechnic Institute and State University, Virginia. While pursuing her doctoral degree, Putu was also actively involved in the Indonesian Students Association in the United States (PERMIAS) and led the organization to conduct several fund raising events and cultural exhibitions. She contributed her talents in various efforts in order to introduce Balinese culture together with other Indonesian/Balinese community organizations in the U.S.In her spare time, Putu loves spending time with her husband and her 2-year-old daughter, cooking, and gardening.year-old daughter, cooking, and gardening.)
Putu Dyatmikawati + (Putu Dyatmikawati is one of the few leadin … Putu Dyatmikawati is one of the few leading researchers in the field of law who focuses her research on the issue of customary law and its influence on the lives of women in society. The topics that are often studied are the marriage system in the gelahang and the dynamics of the gender roles of Balinese women. Dyatmikawati is also active as a lecturer at Dwijendra University and has served as Chancellor of Dwijendra University.ved as Chancellor of Dwijendra University.)
Putu Edy Asmara + (Putu Edy Asmara is a painter who was born … Putu Edy Asmara is a painter who was born in Tampaksiring, Gianyar, April 5, 1982. He completed his art education at ISI Denpasar. Since 2007 he has been involved in many joint exhibitions, including “The 7th Beijing International Art Biennale China”, National Art Museum China (2017), “Water Civilization”, Bentara Budaya Bali (2016), “Langkawi Art Biennale: IMIGRATION”, Malaysia (2014). In 2008 he held a solo exhibition entitled "Don't Cry For Me Indonesia", Installation and Performing Art, Danes Art Veranda, Denpasar. The awards he has ever won are “The Winner of Storiette Illustration Kompas”, “The Winner of Radar Bali Art Award 2008”, Best Art Work of The Bachelor exam, at ISI Denpasar. Edy's works tend to be surrealistic with social and ecological themes.alistic with social and ecological themes.)
Putu Eka Guna Yasa + (Putu Eka Guna Yasa was born on January 6, … Putu Eka Guna Yasa was born on January 6, 1990 in Banjar Selat Tengah, Susut, Bangli. Completed his undergraduate education at the Balinese Literature Study Program, the Faculty of Cultural Sciences, Udayana University in 2012 and a master's degree in the Linguistics Masters Program with Pure Linguistic Concentration, Faculty of Cultural Sciences, Udayana University in 2017. He also attended the International Intensive Course in Old Javanese organized by the National Library in 2018 and 2019. Since 2013 he has worked as a staff at the Center for Lontar Studies at Udayana University. Actively writes articles in various media such as Bali Post, Post Bali, and Tribun Bali both in Balinese and Indonesian. A number of his articles were published in Prabhajnyana Book: The Study of Lontar Literature such as (1) The Meeting of Natural Beauty and the Beauty of Language in Kidung Dampati Lelangon; (2) Water Image in Ancient Javanese and Balinese Literary Library Temples; (3) Kidung Bhuwana Wisana: Aesthetic Heritage by Ida Padanda Ngurah; and (4) Sarira Devotees and Explorers. Gedong Kirtya published books about the world of Balinese literacy, including the Brata Term Dictionary in the Bali Lontar Library and the Synonym Dictionary in the Dasa Nama Lontar. Putu Eka Guna Yasa received an award as a Literacy Activist Youth from the Bali Language Center in 2018. Since that year, he has been appointed as a lecturer at the Balinese Literature Study Program, Faculty of Cultural Sciences, Unud. Since 2020 as executive director at the BASAbali Wiki foundation. director at the BASAbali Wiki foundation.)
Putu Fajar Arcana + (Putu Fajar Arcana, born in Negara, west Ba … Putu Fajar Arcana, born in Negara, west Bali, July 10, 1965. Now working as editor of Kompas Minggu, part of Kompas Daily in Jakarta, he initiated the Kompas Short Story Workshop which was later transformed into the Kompas Short Story Class. He is now a few of the journalists who have specific coverage of art and lifestyle. It is not uncommon for Putu to become a resource person and jury in various art events and competitions in the country.Apart from pursuing journalism, he is also directly involved in the dynamics of the art world monologue theater scriptwriting and directing the artistic team of theater performances. The monologue text is included in the book Political Monologue (2014). He then directed the monologue show “Dear People's Representatives” with actress Sha Ine Febriyanti (2015) and then “Perempuan Dangdut” with actress Happy Salma (2016). Previously, he made the Garuda Wisnu Kencana repertoire which was staged at the ground breaking of the monument in 2013. This performance involved 500 kecak dancers as well as jazz singer Trie Utami, guitarist Dewa Budjana, and harp artist Maya Hasan.His novel Gandamayu (2012) was staged by Teater Garasi Yogyakarta involving two young directors, Yudi Ahmad Tajuddin and Gunawan Maryanto. The performance took place at the Jakarta Arts Building, which involved big actors such as Landung Simatupang, Whani Darmawan, Ayu Laksmi, and Sha Ine Febriyanti. Her adventure in the world of stage was emphasized by the performance of “#3 Women, Not Flowers Not Men” which involved actresses Happy Salma, Inayah Wahid, and Olga Lydia. Putu has also been on the artistic team for the Indonesia Kita performance series, between the Roman Made in Bali (2016) and Laskar Bayaran (2017) series.The man who likes to sketch has also published several books. These books include the short stories anthology Bunga Jepun (2002), Samsara (2005), and Drupadi (2015). His collection of essays on Bali is included in the book Red Letter for Bali (2007) and his poems are included in Gilimanuk Man (2012). Previously he also published a book of poetry Bilik Cahaya (1997) in Denpasar, Bali.Together with his wife Joan Arcana, in 2011 Putu founded the Arcana Foundation, a non-profit organization that facilitates conservation and advocacy in the field of culture, organizes performances, writes books, and conducts goodwill to various cultural centers in the country. The Arcana Foundation also collaborates with various donor agencies to mobilize the world of culture.agencies to mobilize the world of culture.)
Putu Herry Hermawan Priantara + (Putu Herry Hermawan Priantara is a student … Putu Herry Hermawan Priantara is a student of the Accounting Department, Faculty of Economics, Mahasaraswati University Denpasar. Herry actively writes and researches on various topics related to Bali and Hinduism including his work on Balinese Arak entitled "Hidden Potential of Balinese Arak to be the World's Seventh Spirit, from Religious Purpose to Negative Investment List."ious Purpose to Negative Investment List.")
Putu Indrawan + (Putu Indrawan lahir di Denpasar, 18 Septem … Putu Indrawan lahir di Denpasar, 18 September 1960. Setelah lulus dari SLUA 1 Saraswati, ia kuliah di Fakultas Ekonomi, Universitas Udayana. Sejak remaja ia telah menekuni seni musik. Pada awal tahun 1980-an, Indrawan bersama kawan-kawannya membentuk grup band dan sering tampil di bar Kayu Api, Legian, Kuta. Grup band yang kemudian bernama Harley Angels tersebut tampil sebagai juara pertama dalam Festival Musik Rock se-Indonesia yang digelar Log Zhelebour di Surabaya pada tahun 1984. Saat itu, Indrawan dinobatkan sebagai pemain bass terbaik. Pada pertengahan tahun 1990-an, Indrawan membuka dan merintis Warung Tresni di Jalan Drupadi, Denpasar. Warung itu menjadi tempat kongkow dan pementasan seni para seniman lintas seni dan lintas generasi. Indrawan juga ikut menggagas kelahiran beberapa komunitas seni, seperti Dapur Olah Kreatif (DOK), Bali Classic Rock Community, Bali Blues Island, dan Bali PuisiMusik. Dalam dunia seni musik di Bali, Indrawan adalah sosok legendaris yang sangat dihormati dan disegani. Indrawan meninggal pada tanggal 8 November 2022.an meninggal pada tanggal 8 November 2022.)
Putu Nomy Yasintha + (Putu Nomy Yasintha was born in Denpasar, 3 … Putu Nomy Yasintha was born in Denpasar, 30 April 1987. She received her bachelor's degree in Public Administration at the University of Indonesia. She took her Master in Public Administration at the University of Northumbria, Newcastle, UK. In 2015, She join the teaching team at Udayana University, Bali. She teaches several courses related to Public Policy, Tourism Development, Comparative Public Administration, and Accountability in the Public Sector. She manages youtube channel for the compilation of Public Administration's student at Udayana University. The channel is here AP Student Project Udayana. She actively involve in guiding student who is doing the research competition, debate competition, and also actively helps student activities.nd also actively helps student activities.)
Putu Oka Sukanta + (Putu Oka Sukanta was born in Singaraja, Ba … Putu Oka Sukanta was born in Singaraja, Bali, 29 July 1939. He is a writer, writer, journalist and health and humanitarian activist. He started writing when he was in middle school. He was a high school teacher in Yogyakarta and Jakarta. Because he was involved in the Lekra organization, he was detained by the New Order government in 1966 - 1976 in Jakarta and Tangerang without ever being tried.His published books include I Belog (Balinese Children's Stories, 1980), Selat Bali (a collection of poems, 1982), Salam or Greetings (a collection of Bilingual Poetry, 1986), Luh Galuh (A Collection of Short Stories, 1987), Tas or Die Tasche (Collection of Short Stories, 1987), Luh Galuh (Collection of Short Stories, 1988), Sweat Pearls (Collection of Short Stories, 1991), Matahari, Berlin Wall (Collection of Poems, 1992), Water Jokes, Air Berjoke (novel, 1999) , Knitting Harkat (novel, 1999), Glittering Mozaik (Novel, 2000), Above the Day Under the Night (Novel, 2004), Missing Hurts (Collection of Short Stories, 2004), Longing for Hurts (Collection of Short Stories, 2005), Pearl Sweat (Short Story Collection, 2006), Lobakan (Stories About the 1965/1966 Tragedy in Bali, 2009), Istana Jiwa (Novel, 2012). Some of his works have also been translated into English, German, French.His works are also published in several international anthologies: Indonesian Contemporary Poetry (Indonesia 1963), This Prison Where I Live (London 1966), Voice of Cosciences (USA 1955), Bali Behind the Scene (Australia 1997), Silences Voices (Hawaii 2000 ), Menagerie IV (Indonesia 1998), Another Kind of Heaven (Boston 2008).Apart from that, he made a documentary on the theme "Social Impact of the Human Tragedy of 1965/66". He also wrote health books and became an activist for the HIV/AIDS Prevention Program.He lives in Jakarta, opening an acupuncture practice. Together with his wife he manages "Taman Sringanis", a cultural movement in the health sector. He was invited several times to countries in Europe, Asia, Australia and America as a writer and humanitarian activist.ica as a writer and humanitarian activist.)
Putu Satria Kusuma + (Putu Satria Kusuma, born in Singaraja, Mar … Putu Satria Kusuma, born in Singaraja, March 28, 1963. His last education was Bachelor of Law. Since he was a teenager he has been involved in the arts, especially theatre, film, and literature. He joined the Coffee Drink Studio. His achievements include 1st Place in the Contest for Modern Drama Manuscripts, UNUD 1986, the best national drama scriptwriter, 1995 Menpen RI, the best national drama scriptwriter in 1997, Menpen RI, Hope I in the national drama script competition at the Jakarta Arts Council 1998, Harapan I The Indonesian Ministry of Tourism's Film Scenario Competition in 2005, an award from the Governor of Bali Widya Pataka 2015, the Bali Jani Nugraha award from the Bali Provincial Government. His works include: Kidung Classical Tanah Bali (a radio play broadcast on RRI Singaraja 20 episodes), Cupak Tanah, Watu Gunung, Sukreni Gadis Bali (adaptation of the novel with the same title by AA Panji Tisna), Revolution in Nusa Damai (adaptation of a novel with the same title) Similar titles by Ktut Tantri), soap operas Adi and Ayu (10 episodes aired on Bali tv), soap opera Memedi (10 episodes aired on Bali TV), soap opera comedy series Wayan Katel (10 episodes aired on Bali tv), soap opera for children Ketut Koran (TVRI Bali) , Slave from Bali Untung Surapati, Short folk drama series about Bung Karno (10 titles), He wrote a number of short stories published in the Bali Post, and short stories anthologies Lobakan, Tower, and the Indonesian Literary Community, etc.nd the Indonesian Literary Community, etc.)
Putu Sedana + (Putu Sedana was born in Pengastulan, Decem … Putu Sedana was born in Pengastulan, December 17, 1932. He completed his education at the Wirabhakti School of Social and Political Sciences, Denpasar. Has been a teaching staff at Panji Sakti University Singaraja. He wrote various kinds of poetry, prose, drama, and radio plays in Balinese or Indonesian. In addition, he also composed Balinese songs and Indonesian songs. His works have been published in newspapers and also broadcast on TVRI's central program, RRI (Yogyakarta, Semarang, Surabaya, Denpasar and Singaraja). His work that has been published and distributed is "Bali Suar Tanah Dumilah" in the form of a collection of Balinese poetry.From his work, he received various awards and prizes, such as:1. In 1945, he won second place at the second level in Buleleng, when a drawing contest for the children of the People's School (now elementary school) entitled "War".2. In 1964, he won the third place in the Buleleng level II area, when the Singa Ambara Raja Statue Design competition was held.3. In 1969, he won first place in the Bali level I area, a modern Balinese poetry writing competition organized by the Singaraja Branch I National Language Institute with the title "Mati Nguda".4. In 1980, he won first place in the first level of Bali, a modern Balinese prose writing competition organized by the Singaraja Branch I National Language Institute, with the title "Mirah".5. In 1980, he won first place in the first level of Bali, a competition to write a poem on the natural beauty of Batur Uang was organized by the Governor of Bali, with the title "Peace is Founded".6. In 1984, he won first place at the first level of Bali, a songwriting competition for the Bali Sandya Gita Festival during the 1984 Bali Arts Festival which was held by the governor of Bali, with the title "Teja Guling".7. In 1985 won first place in creating Balinese folk songs at the Bali Arts Festival with the title "Gumin Titiangé Bali".8. In 1985 he received an award from the Governor of the First Level Region of Bali for creating a song with the title "Pulaki".9. In 1990 won first place in a songwriting competition at the Bali Arts Festival with the title "Hyang Laksmi"10. In 1997, he received the Wija Kusuma Art Award from the Department of Theater Arts from the Buleleng Regional Government.rts from the Buleleng Regional Government.)
Putu Suasta + (Putu Suasta was born in Denpasar, 1960. He … Putu Suasta was born in Denpasar, 1960. He completed his elementary to high school education in his hometown. Then he continued his studies at Gajah Mada University (UGM), majoring in International Relations (HI), graduating in 1985. He then attended post-graduate studies at Cornell University. He also taught at Asian Studies/Dept. Modern Language and Linguistics, Cornell University, 1988.In Bali, Putu is known as a critical activist. He formed a number of discussion forums such as the “Red-White” forum and Non-Governmental Organizations as a means to build people's critical awareness of their rights as citizens. Through these civil institutions, he organized masses to criticize the government for not taking sides with the people and not being transparent in running the government. Through his writings, he is diligent in conveying various ideas and constructive criticism for the government and society.Putu Suasta's long struggle in the civil movement eventually led to the realization that the most effective way to promote change was politics. He increasingly reminded the relationship between government and politics. So to be able to convey and fight for the aspirations of the community, it must be more effective, political channels are entered. He later joined the Democratic Party.Putu Suasta's works have been published in a number of books, both on political, socio-cultural, and artistic themes. These books include: “Idiology, Development and Democracy” (1986), “Made Wianta: His Art and Balinese Culture” (1990), “Bali Living in Two Wold” (Schweben Basel, 2001), “Kembara Budaya ” (Bali Mangsi Foundation, 2001), “Enforcing Democracy, Escorting Change” (Lestari Kiranatama, 2013), “Gung Rai, Sang Mumpuni” (2017), “Sanur: Caring for Traditions in the Midst of Modernization” (2018).ons in the Midst of Modernization” (2018).)
Putu Sucita Yanthy + (Putu Sucita Yanthy is a lecturer at the Fa … Putu Sucita Yanthy is a lecturer at the Faculty of Tourism. She completed her Doctorate Program in 2016 at Udayana University. Her dissertation is titled Kontribusi Perempuan Dalam Mengangkat Kuliner Lokal Untuk Mendukung Pariwisata Bali (Women’s Contribution in Promoting Local Food to Support Tourism in Bali). She actively conducts research and joins activities at Udayana University. Her research interests include women in tourism, gastronomy and culinary fields. She had an opportunity to take part in Mobility for Teaching Staff program at the University of Glasgow, Scotland in 2018. Since 2019-present she doing research postdoctoral program entitled Tourism Education and Women in Bali at University of Angers, France.n in Bali at University of Angers, France.)
Putu Sudjana + (Putu Sudjana started writing poetry in the … Putu Sudjana started writing poetry in the 1970s and only published it in the Bali Post in the 1980s. In addition, he also writes short stories, essays, drama scripts / plays. Often wins in poetry and drama script writing competitions. He performed many of his drama scripts at the Banjar Hall and TVRI Denpasar. He used to work at the Bali Regional Office for Transmigration. His solo book of poetry is entitled "Sajak-sajak Kecil dari Langit" (1985). His poetry is also summarized in the book "Lukisan Magis Tanah Bali (2000)the book "Lukisan Magis Tanah Bali (2000))
I Putu Sutawijaya + (Putu Sutawijaya (1970)studied art at Indon … Putu Sutawijaya (1970)studied art at Indonesia Institute of Fine Art (ISI) Yogyakarta. He currently lives and works in Yogyakarta and Bali. As a painter, sculptor and performance artist, he is hailed as one of the most important young artists to watch out for. His canvases are highly charged with the energy, or qi, that is suggestive of Chinese calligraphy masters. While Chinese calligraphy influences his technique, his subject matter captures the essence of Balinese religious and tribal rituals. The visual impact of his canvases is explosive yet contemplative. They reflect the mutual desire for harmony in order and chaos, a oneness with the universe. Man as the centrifugal figure in paintings is distinctively Sutawijaya and continues to be prominent in his works.Putu Sutawijaya draws his inspirations from the various Balinese religious rituals. He is especially fascinated with the way communion takes place, where spiritual enlightenment is attained through trance, intoxication and even violence.Movement, energy and trance are the three most powerful stimuli in his canvases. The movements and stance of the kecak dance are symbolic of the Great Gods (sanghyang). The kecak dance is an intense spiritual dance by a large group of people.A mental and spiritual climax is reached when the soul suddenly rises to a level of experience much more profound than daily consciousness. At that moment appears a peak of self confidence and extraordinary bliss like a trance, followed by enlightenment. Out of these are born paintings of such intense expression that they reach the farthest limits of universal concepts.the farthest limits of universal concepts.)
I Putu Tangkas Adi Hiranmayena + (Putu Tangkas Adi Hiranmayena is an artist- … Putu Tangkas Adi Hiranmayena is an artist-scholar currently holding positions as faculty member at Metropolitan State University of Denver and the University of Colorado, Colorado Springs. His research interrogates discursive conceptions of “noise” in Bali and the United States as they intersect with Cosmology, Indigeneity, and Performance. He focuses on how people in places with long colonial histories reclaim Indigenous identity through popular idioms. As a music practitioner and composer, Hiranmayena continues to perform in improvisation/noise ensembles and creates contemporary works for Gamelan and Heavy Metal. He is co-founder of Balinese experimental project, ghOstMiSt and artistic director of Denver, Colorado’s non-profit organization, Gamelan Tunas Mekar.-profit organization, Gamelan Tunas Mekar.)
Putu Vivi Lestari + (Putu Vivi Lestari was born in Tabanan, Nov … Putu Vivi Lestari was born in Tabanan, November 14, 1981. She achieved a Master of Management and works as a lecturer at the Faculty of Economics and Business, Udayana University. Vivi is married to the painter Ketut Endrawan. They have two children: Made Kinandita Radharani and Nyoman Akira Bodhi Pawitra. On April 8, 2017 Vivi died of blood cancer (leukemia).Vivi's poems have been published in the Bali Post, Bali Echo, Kompas, Suara Merdeka, Kalam Culture Journal, PUISI Journal, Coast Lines Magazine, People's Thoughts, Horison Literature Magazine, Media Indonesia, and CAK Cultural Journal.Her poems can also be found in a number of joint anthologies, including Angin (Teater Angin, Denpasar, 1997), Notes of Concern (Jukut Ares, Tabanan, 1999), Ginanti Pelangi (Jineng Smasta, Tabanan, 1999), Art and Peace (Buratwangi , Denpasar, 2000), Anno's Essay & Waves of Poetry 2001 (Kompas, 2001), Green Kelon & Poetry 2002 (Kompas, 2002), Ning: Anthology of Poetry 16 Indonesian Poets (Sanggar Purbacaraka, Denpasar, 2002), The Blue Angel of Hobart City (Logung Pustaka, 2004), Spirit: A Collection of Poetry Poets from Bali-West Java (bukupop, Jakarta, 2005), Because My Name is a Woman (FKY, 2005), Selendang Pelangi (Indonesia Tera, 2006), Herbarium: Anthology of Poetry in 4 Cities (Library Pujangga, Lamongan, 2007), Rainbow (Indonesia Tera, 2008), Couleur Femme (Jakarta-Paris Forum & AF Denpasar, 2010).Vivi has won a number of literary awards, including the "Best Five" small note competition held by the Jukut Ares Tabanan Community (1999), "Ten Best" poetry writing competition for high school students at the national level held by Jineng Smasta-Tabanan (1999), 2nd place in the competition poetry creation in the marine orientation week held by the Faculty of Letters Unud (1999), Art & Peace 1999 "Best Nine Poems", 2nd place in a poetry creation competition with the theme "Bali after the Kuta tragedy" (2003).Vivi had been invited to a number of national literary events, including the 2003 Utan Kayu International Literature Festival in Denpasar, 2004 Indonesian Literature Cakrawala at TIM Jakarta, Ubud Writers and Readers Festival 2004, Yogyakarta XVII Arts Festival 2005, Printemps de Poetes 2006 in Denpasar, The VIII Main Praja Mitra Literature Gathering in Banten (2013).Her book of poetry entitled “Failed Ovulation” was published posthumously by Expression Library, 2017.n” was published posthumously by Expression Library, 2017.)
Anak Agung Gede Raka Turas + (Related Artists Anak Agung Gede Sobrat Teacher: I Wayan Pendet Relative: I Dewa Ketut Rungun Relative: I Dewa Putu Bedil Relative: Anak Agung Gede Raka Puja)
Jero Mangku Dalem Suci + (Renowned Chef and restaurant owner Jero Ma … Renowned Chef and restaurant owner Jero Mangku Dalem Suci (Gede Yudiawan or Gede Buldog) is from Desa Les and his incredible cooking skills have been recognized by the most acclaimed Indonesian Chef, William Wongso, and he has joined the maestro in introducing Balinese cuisines across several countries in the world.In 2015, he took on the role of pemangku or priest, and has since carried both titles of Chef and Jero Mangku (priest). Having already traveled the world, Chef Jero Yudi believed it was time to return to his village and give back to the place that has helped plant his roots deep into the culinary world. So he opened up, in his ancestral home, Dapoer Bali Moela, a smaller eatery and arak center where he has developed food & beverage products using locally sourced ingredients.Chef Jero Yudi also owns Warung Sunset by Chef Yudi in Kuta, Bali. He also helped developing other restaurants in Nusa Dua, Semarang (Central Java), Jogjakarta and in Les Warung Tasik and Warung Sukun.arta and in Les Warung Tasik and Warung Sukun.)
Rucina Ballinger + (Rucina is one of Bali’s cultural icons. S … Rucina is one of Bali’s cultural icons. She has lived in Bali since 1974 when she did intensive study of dance and its relationship to religion. Her book, co authored with I Wayan Dibia, BALINESE DANCE, DRAMA AND MUSIC: AN INTRODUCTION TO BALINESE PERFORMING ARTS is used in classrooms around the world and by travellers coming to Bali who want to know more about the performing arts in context. She pioneered World Learning’s (ex Experiment in International Living) Bali Academic Semester Abroad program in 1985 and then switched to the other end of the spectrum and ran Elderhostel cultural programs for ten years with her late husband, Anak Agung Gede Putra Rangki.She and Agung were the klian adat or traditional heads of their hamlet in Abianbase, Kapal for 2013; as far as we know she is the only foreigner to have held this position.After the initial Bali bombings in 2002, the non profit sector became her world and she was the director of YKIP for over a decade, assisting survivors of the bomb with scholarships and livelihood programs. She then worked for the Annika Linden Foundation, helping to create the Annika Linden Centre in Denpasar, Bali, dedicated to one of the bomb victims in the spirit of helping those who are economically disadvantaged. Currently, she runs the CSR program of the Amicorp Group via the Amicorp Community Foundation in the village of Les, North Bali, where a Vocational Training Center is set to be built.In 2003, she and three other foreign women of a certain age and size (all married to local men) formed Grup Gedebong Goyang, a comedy group that does song paradies and skits about current affairs in Bali. Their Balinese version of SAKITNYA TOH DISINI has over a million hits!Currently she divides her time between Les village and Ubud, where she resides with her entire family (sons Gung Anom and Gung Prabu; daughter in laws Jero Bahari/Edenie and Gung Tia and grandson Gung Arun and granddaughter Gung Prabha) and three dogs.granddaughter Gung Prabha) and three dogs.)
I Wayan Suda + (Sadu’s childhood home was in Sayan, a vill … Sadu’s childhood home was in Sayan, a village west of Ubud. Currently he lives in his own house not far from it with his wife, who is Japanese, and their 2 children. Wayan Sadu paints in silence. His paintings also has a silence presence in them that could only be captured by the artists himself.d only be captured by the artists himself.)
Luh Gede Saraswati Putri + (Saras Dewi, whose full name is Luh Gede Sa … Saras Dewi, whose full name is Luh Gede Saraswati Putri, was born in Denpasar, Bali, September 16, 1983. Since she was a teenager, Saras has loved singing and writing poetry. In 2002, she released an album titled "Chrysan" with the single "Lembayung Bali". This album was nominated for the Anugerah Musik Indonesia (AMI) Award in the categories of Best Ballad and Best Single. In 2014, Saras and other Balinese artists sang together for the Bali Reject Reclamation movement.Saras has also published a number of books. His first book of poetry, entitled “Jiwa Putih” was published in 2004. The second is a non-fiction book on Human Rights published in 2006 by UI Press in collaboration with the European Union, while the third book entitled “Love Not Chocolate” was published in 2010, the fourth book was published in 2015 entitled “Ekophenomenology”, and the fifth book is an anthology of poetry entitled “Kekasih Teluk” (2017). His writings in the form of essays/articles with social, cultural, ecological, political themes were published in various mass media, including Media Indonesia, Jawa Pos, Bali Post.Saras is an environmental activist who is very concerned about the Movement to Reject the Reclamation of Benoa Bay. She is also involved in the feminist movement and the defense of women's rights. Saras successfully completed her doctoral program at the University of Indonesia at the age of 29 in July 2013. Apart from continuing to write and being an activist, Saras teaches philosophy and is the Head of the Philosophy Study Program at the Faculty of Cultural Sciences, University of Indonesia.ultural Sciences, University of Indonesia.)
Ida Bagus Sindu Putra + (Sindu Putra, whose full name is Ida Bagus … Sindu Putra, whose full name is Ida Bagus Sindu Putra, was born in Sanur, Bali, July 31, 1968. Now he lives in Lombok, NTB. He wrote poetry as a teenager and has been active in the Coffee Drink Studio. His poems were published by the Bali Post, Kompas, Koran Tempo, Kalam, etc. He won the Kusala Sastra Khatulistiwa award for his poetry book Tales of the Fire Dog. Other poetry books that have been published are the Night of the Night Birds Camp (2000), The Weed House (with IAO Suwati Sideman, 2003), Segara Anak, Origami Birds, Tales of the Fire Dog, In Lombok I Get Poetry (2018).e Fire Dog, In Lombok I Get Poetry (2018).)
Soekarmen + (Soekarmen was born in Blitar, East Java, 3 … Soekarmen was born in Blitar, East Java, 30 May 1925. He was the Governor of Bali who led Bali for two terms of office, namely between 1967–1971 and 1971–1978. He was elected governor on November 1, 1967, and ratified by Decree of the President of the Republic of Indonesia No.203/1967 to replace the previous official, namely I Gusti Putu Martha. Previously, he was Commander of Korem 163/Wirasatya in Denpasar with the final rank of Brigadier General TNI. Soekarmen is the only Governor of Bali who is non-Hindu and not of Balinese ethnicity. He died in Malang, East Java, 10 September 1988.d in Malang, East Java, 10 September 1988.)
Sri Jayantini (I Gusti Agung Sri Rwa Jayantini) + (Sri Jayantini, whose full name is I Gusti … Sri Jayantini, whose full name is I Gusti Agung Sri Rwa Jayantini. Born in Denpasar, January 15, 1977. He graduated from English Literature, Faculty of Letters, Udayana University. Her poetic journey started from junior high school by participating in the Sanggar Cipta Budaya in 1989. At that time, Jayantini had already published her poetry in the Bali Post. Now she is a lecturer in the English Literature Study Program at the Faculty of Foreign Languages (FBA) Mahasaraswati University (Unmas) Denpasar. Creative since junior high school, Jayantini combines the potential of writing in a career as an educator. In the midst of teaching obligations and often being a part-time translator, she is still quite active in the field of literature. “Flower Travel” is one of her poetry and prose books published in 2015, in addition to participating in anthologies with other poets. A number of academic works in the field of translation have also been published, including “The Art of Translating” (2016), “Practice Makes Perfect” (2015), “Scientific Translation; Techniques and Phenomena” (2018). Jayantini still provides time to enjoy the sensation of poetry as a break from producing academic works. as a break from producing academic works.)
Memargi Sareng-sareng, Prajaya Gunungan Leluu Nuju Bali Resik Riwekas + (Stepping Together, Conquering the Mountain … Stepping Together, Conquering the Mountains of Waste towards a Sustainable Clean BaliOm SwastyastuThank you for the opportunity that has been given to me so that I can contribute to voicing aspirations at the Wikithon Oration.Dear the jury and the BASAbali Wiki team, as well as all the happy readersAs we know, soon we will be faced with the 2024 elections. Elections are an important moment in our democracy. This is not only about choosing leaders, but also us giving them the mandate to overcome various problems facing society. Answering the topic raised in this oration is "What is the most urgent problem to be addressed by Bali's prospective leaders?".First of all, we cannot ignore environmental problems, especially since Bali is known as Paradise Island because of its natural beauty. There is one thing that in my opinion really needs serious attention from potential Balinese leaders, namely the waste problem which will soon be over. Bali faces big challenges in waste management because the system is inefficient so it is unable to handle large volumes of waste. This situation was further exacerbated by fires that occurred at the Sarbagita Suwung Regional Landfill in Denpasar City, the Mandung Landfill in Tabanan Regency, and the Temesi Landfill in Gianyar Regency during the dry season, causing environmental damage and negative impacts on daily air quality. This problem is not only a local issue, but also an urgent reminder for us to take action because it impacts many aspects of people's lives. Therefore, the government's presence plays an important role in handling this case.I am sure that so far the government has always tried its best, but Bali's leaders must then improve and re-examine the preparation of a strategy for handling potential waste that can be investigated from the roots to the end. It is important to note that the success of a waste management program is very dependent on existing infrastructure and technology. If waste management plants, landfills, or recycling facilities are inadequate, then the program may not produce the expected results. The success of the waste management program is also closely related to the level of community participation. If there is not enough awareness or support from the public in waste scanning, recycling, or waste reduction, the program may experience difficulties. Apart from that, policies that are inappropriate or unable to overcome the waste problem can become an obstacle. Sometimes, unsupportive policies or weak implementation can hinder program effectiveness. Prospective Balinese leaders must have a clear vision about how to protect and preserve Bali's environment for future generations. Prospective leaders, Bali must have a concrete action plan that involves economic, social and environmental aspects. A thorough evaluation of the waste management program needs to be carried out to identify core problems and adjust the strategies implemented. Close collaboration with various parties is the key to creating holistic solutions. Senuma's active involvement, parties, including the government, private sector and the community, will ensure environmental sustainability in Bali for future generations. No less important, awareness of the importance of recycling and reducing waste needs to be instilled more deeply,Thank you to Mrs/Mr. Candidate Leader, Bali for your attention and cooperation to make Bali clean from mountains of rubbish. Let us all work together to be agents of change for a clean Bali.Om Shanti, Shanti, Shanti, Omclean Bali. Om Shanti, Shanti, Shanti, Om)
Sugi Lanus + (Sugi Lanus was born in Singaraja, Bali. He … Sugi Lanus was born in Singaraja, Bali. He is the curator of the Lontar Museum, Karangasem, Bali. Since studying at the Department of Balinese Literature, Udayana University has been actively working part-time as a research assistant from Princeton University, UCLA, Murdoch University, Leiden University, Osaka University, etc. He has participated in dozens of international workshops and trainings, and attended post-graduate education in several disciplines: Cultural Studies, Tourism Studies, and Theology. He was selected as a participant in the ASEAN-Japan youth exchange (1997) through sponsorship from the Prime Minister of Japan.He has experience as a consultant for various international institutions, such as: GTZ, AusAID, UNICEF, WHO, British Council. In the field of journalism, he worked as a correspondent for Tempo Magazine (1998-2000), fixer for ABC TV, BBC, Arte TV, National Geographic, Smithsonian Magazine. He is also active as a consultant and provides workshops for DPRD and local governments throughout Indonesia (2005-2012) and an independent political consultant for several national politicians (2012 - present).In 2006 he founded the Hanacaraka Society to research Balinese and Lombok lontar. 'Puja Tri Sandhyā: Indian Mantras Recomposed and Standardized in Bali', is one of the results of his research on various lontar mantras published in the Journal of Hindu Studies, 2014, Vol. 7(2), Oxford Center for Hindu Studies, Oxford University Press. Actively invited to speak in various cultural meetings, including: Cultural Congress V (2003), Ubud Writers and Readers Festival (2004-2017), International Conference on Tagore, Hanoi, Vietnam (2011), Frankfurt Book Fair (2015), etc., and various Hindu clerical discussions. Previously served as Commissioner of a national company (2004-2006), and Corporate Relations Executive of an international company based in London (2014-2016).He has written hundreds of articles in various online and print media, such as tatakala.co, Bali Post, etc. Currently conducting research on reliefs related to lontar manuscripts at Borobudur, and the Herbalian Project, a project for mapping herbs in Balinese and Old Javanese lontar.herbs in Balinese and Old Javanese lontar.)
Dadalan Sejarah Wangunan Monumen Perjuangan Rakyat Bali + (THE BACKGROUND OF THE ESTABLISHMENT OF THE … THE BACKGROUND OF THE ESTABLISHMENT OF THE MONUMENT OF BALINESE STRUGGLESporadic struggles for independence against the Dutch Colonial Government emerged in most parts of Indonesia. The violent oppressions by the Dutch resulted many rebellions in various dominions of kingdoms and sultanates under the Dutch colonialism. But unfortunately, the Dutch could easily suppress them by applying their divide et impera (divide and rule) tactic to break the strength of those kingdoms and sultanates by playing off against each other, between a king and the other, between the royal family and the king, the king and his people, and between people as well.The long war experiences and also the more and more Indonesian youth got academic education had aroused the spirit of unity among various social strata and ethnic groups and the awareness to defend their country and to drive away the colonizers. It was initiated by a number of intellectual youths from various regions that on October 28th, 1928, for the firsttime, the Indonesian youth held a conference in which they declared the so called the Sumpah Pemuda or the Youth Pledge. They swore that they were of one mother country: Indonesia, one nationality: Indonesian, and of one language: Bahasa Indonesia or the Indonesian language. This declaration was simultaneously participated by many youth organizations from various islands and ethnics in Indonesia such as, Jong Java of Central and East Java, Jong Pasundan of West Java, Jong Minahasa of North Sulawesi, Jong Ambon of Maluku, Jong Celebes of Sulawesi, Jong Madura, Jong Sumatranen, Jong Batak of Batak ethnic group, etc which later on resulted an idea to form the Jong Indonesia to accomodate all ethnics in Indonesia.This spirit of Sumpah Pemuda has also awakened various youth organizations in Indonesia.One well-known organization, among others, is Sarekat Islam, which was originally as a mere religious movement, then developed into the first popular movement in Indonesia, then the Indische Partij party which also moved in politics. At that time on the island of Java nationalist figures emerged such as dr. Soetomo, HOS. Cokroaminoto, Suwardi Suryaningrat (Ki Hadjar Dewantoro), Douwes Dekker, Tjipto Mangunkusumo, Agus Salim, Soekarno, Muhammad Hatta, and so on. Their pioneering work eventually also inspired other regions to do the same, namely to unite the regions in expelling the Dutch occupation, one of which was a struggle carried out by the Balinese people.Bali Island is one of the bases of the struggle against the Dutch, among which the famous is the Jagaraga War of 1848-1849 in Buleleng, the Kusamba War of 1849, the Banjar People’s Resstance in 1868, the Puputan Badung War of 1906 launched by the King of Badung, Puputan Klungkung in 1908 and also the Puputan Margarana War in the Marga Village of Tabanan conducted by Liutenant Colonel I Gusti Ngurah Rai along with Laskar Ciung Wanara who had waged in all-out war (Puputan) against the Dutch in 1946.The struggle performed by I Gusti Ngurah Rai has left deep memories for the people of Bali, so as to commemorate his services, a monument, street name, airport name, and so on were erected. The awarding of his services is solely because he has set an example to the younger generation in the struggle for independence which is done unconditionally. The government’s attention to the services of the fighters in Bali was realized by the construction of a grand monument located in the Niti Mandala area, Denpasar known as the the Monument of Balinese Struggle.What is presented in this monument is to recall all the struggles of the Balinese heroes before and after independence. It is also hoped that this monument will also has some benefit in an effort to increase the appreciation of the younger generation in living up to the patriotic values demonstrated by the heroes who sacrifice all his body and soul in defending the dignity of his people without ever expecting retribution.The monument was designed by Mr. Ida Bagus Gede Yadnya, a young man who was at that time was a student in the Department of Architecture, Faculty of Engineering, Udayana University, Denpasar. He succeeded in winning and becoming a champion in the design competition of the the Monument of Balinese Struggle which was carried out in 1981 by setting aside his senior architects in Bali.After the design and drawing improvements were made, in August 1988 through the budget of the Provincial Government of Bali a groundbreaking was carried out, as a sign of the start of the construction of the monument. After going through various obstacles and trials due to the depreciation of the Rupiah in 1997, finally this monument could be completed also in 2001. After that, the development was continued with the making of dioramas that depicted the life history of the Balinese from time to time. In addition to the dioramas, a park was also built to add the beauty and comfort of this monument, which as a whole could be completed in 2003. On June 14, 2003, in conjunction with the Opening of the 25th Bali Arts Festival in 2003, Indonesian President Megawati Soekarnoputri had the pleasure of inaugurating the Monument of Balinese Struggle. Since then the monument has been officially opened for public.PURPOSE AND OBJECTIVESThe purpose of making dioramas that tells a story of the struggle of the Balinese people is to reconstruct important historical events that have occured in Bali, so that what is implied in them will be more easily appreciated by younger generation.The aim is to perpetuate the spirit of the struggle of the Balinese people from time to time and pass down the spirit of patriotism in the form of self-sacrifice, love of the motherland, love of unity and love of peace, togetherness to the next generation of the nation, and the main thing is to maintain the integrity of the Unitary Republic of Indonesia (Homeland).THE PHILOSOPHICAL BASIC OF THE MONUMENT OF BALINESE STRUGGLEThis monument is an embodiment of lingga and yoni. Lingga is male symbol (purusa), while yoni is female symbol (pradana). The meeting between the two elements is a symbol of fertility and well-being. In addition to the Lingga-Yoni philosophy, this monument is also based on the philosophy of the Mandara mountain screening (Mandara Giri) in ocean of milk (Ksirarnawa). This story comes from the Adi Parwa book, the first chapter (parwa) of the Mahabarata epic. It is said that the gods and giants (daitya) sought the water of eternal life (tirtha amertha) by turning around Mandara mountain in the ocean of milk. The implementation of the screening of mount Mandara is regulated as follows:1. Turtles (akupa) as the base of mount Mandara2. Besuki Dragon (Naga Besuki) as a strap and turning mount.3. The gods hold the dragon’s tail and the daitya hold the head, while at the top of the mountain sits God Shiva.After working with great difficulty turning the Mandara mountain then successively came out: crescent (Ardha Chandra), Goddess Sri and Laksmi, flying horse (kuda Ucaisrawah), tree of happiness (Kastuba Mani), and the last came out Goddess Dhanwantari who brought Tirta Amertha. The story of searching for Amertha water is then reflected in the shape of this monument, with the following explanation:1. The earthen pitcher containing tirta amertha was symbolized by a kind of pot (swamba), which is located on the top of the monument.2. Naga Besuki’s tail is realized near the pot.3. The head of the dragon is manifested in the entrance gate (Kori Agung).4. Turtle (Bedawang Nala/ akupa) as the foundation of the monument is located on the edge of the lake and its head on Kori Agung.5. The pond that surrounds the monument as the symbol of Ocean of milk (Ksirarnawa).6. Mandara mountain (Mandara Giri) as the overall shape of the monument building.Philosophically, the initiators of this monument wish to give a message to the younger generation that the struggle to achieve success can only be done with hard work, perseverance, and mutual cooperation as told when the Gods and Daitya together seek eternal life.Another symbol depicting the power of God Almighty (Ida Sang Hyang Widhi Wasa) contained in this building is a building plan in the shape of an octagon and an eight-leaf lotus. The eight-leaf lotus is called Asta Dala as a symbol of the omnipotence of God Almighty called Asta Aiswarya, namely:1. Anima : the mildness nature like atom.2. Lagima : the lightness nature like ether.3. Mahima : the great nature that fills all places.4. Prapti : the nature of reaching all desired places.5. Prakamya : all wills are achieved by Him.6. Isitawa : the nature of dominating everything and the most important One.7. Wasitwa : the most powerful character.8. Yatrakama Wasayitwa : His nature and His will cannot be challenged.The symbol of patriotism and nationalism can be found in the 17 number of foot steps towards the main entrance, 8 main pillars of the building and the height of the monument is 45 meters. If these figures are strung together, the numbers 17, 8, and 45 are arranged which show the date, month, and year of the Proclamation of Indonesian Independence, August 17, 1945. Indonesian Independence, August 17, 1945.)
Nepasin Narkoba di Buléléng + (Taruna Goak is the name for Buleleng Youth … Taruna Goak is the name for Buleleng Youth/War Troops under the leadership of Raja Ki Barak Panji Sakti. Goak cadets were known to be very strong, never give up, had superior character and were specially formed so they were able to attack and defeat Blambangan (East Java) at that time. The toughness of the Goak Cadets is still known today, as a symbol of the greatness of the Buleleng Youth.However, what is the current situation of Buleleng Youth? Are still as tough as Taruna Goak?The character of Buleleng Youth today is inversely proportional to the Character of Buleleng Youth in the past. Currently, quite a few Buleleng youth are caught in promiscuity and cases of drug abuse and illegal drugs.At the end of December 2023, BNN stated that Buleleng Regency was included in the Red Zone for drug abuse cases and the most widespread was crystal methamphetamine. The Head of the Buleleng BNNK also stated that over the last 5 years as many as 397 people have been rehabilitated, who of course also come from various groups such as students, university students and others. Of course, this is a serious problem and must be resolved and handled together.Several things that influence drug abuse include; firstly, the growth of curiosity and a sense of wanting to try, secondly, the influence and association of the surrounding environment which is not good, thirdly it is caused by depression or excessive stress, as well as many other reasons.Regarding this problem, of course there are several solutions that can be offered apart from the government's efforts in making related regulations, namely; First, young people must get rid of their desire to try and try to think about the negative impacts of drug use. Second, try to find positive activities to avoid promiscuity and drug abuse. Third, support from family and those closest to you will also be very influential. And the important thing for young people to pay attention to is maintaining mental health to avoid depression or severe stress which can trigger drug and illegal drug abuse.If this effort is carried out, young people will definitely be able to avoid drug abuse and grow into active, productive and superior young people, just like Taruna Goak in the past.people, just like Taruna Goak in the past.)
I Ketut Rida + (The senior poet I Ketut Rida was born in B … The senior poet I Ketut Rida was born in Banjar Kanginan, Sulang Village, Dawan District, Klungkung, September 11, 1939. He finished school at SGA Stella Duce/ Kanisius Yogyakarta in 1958, then continued his B1 Indonesian Language at Dénpasar, but did not finish.From 1960 to 1987 he was appointed a teacher at an elementary school. For about 20 years, I Ketut Rida has served as the Principal of an Elementary School. In addition, he was appointed as a supervisor for kindergarten, elementary and SDLB. In the village, it was also believed to be the traditional bendésa of Sulang VillageKetut Rida said that he has been pursuing writing or composing since he was a child. Every day Ketut Rida gets stories from his grandmother. That's why Ketut Rida is feeling happy. After completing his B1 Language Department, his attention to writing activities grew, focusing on studying the Kawi language, especially in Adiparwa.He has produced several new literary works of Balinese and Indonesian literature and has received several award certificates, such as:In 1977–1978, Ketut Rida became the second winner of the Indonesian Language Writing Competition for Elementary School Teachers at the Bali Province. In 1979, he became the first winner of a prose writing competition at the Bali Arts Festival (PKB). In 1980, he won first place in the Balinese Novel Writing Competition in the framework of Language Month. In 1982, he became the second winner of Composing Geguritan at PKB. In 1991, he won first place in the Balinese Short Story Competition in the Bali Post daily. In 1995, he won the first prize in the Balinese Short Story Competition at PKB.From 1970 to 1980, many of Ketut Rida's essays were published in the Bali Post. His collection of poems entitled “Nyiksik Bulu” was published by the Dénpasar Language Center in 2004. His Balinese novel entitled “Sunari” was published by the Obor Foundation, Jakarta in 1999. This novel “Sunari” earned I Ketut Rida the Rancagé Literature Prize from the Rancagé Cultural Foundation in Bandung in 2000. In 2014 Ketut Rida received Widya Pataka from the Governor of Bali with his book entitled “Lawar Goak”. Bali with his book entitled “Lawar Goak”.)
I Wayan Westa + (The writer and humanist who won the 2014 R … The writer and humanist who won the 2014 Rancage Literature Prize with a collection of essays entitled "Tutur Bali" (2013) named I Wayan Westa. A graduate of FKIP, Dwijendra University Denpasar, Department of Balinese Language and Literature Education, he was born in Klungkung, January 27, 1965. From 1889-1993 he became a teacher at SLUA Saraswati Klungkung and a lecturer at various private universities.In 1999 he worked at the Ford Foundation, he was also the editor of Gumi Bali SARAD Magazine in 2000-2009, and in 2010-2012 he was the Chief Editor of SABDA Magazine. His essays were published in various mass media, such as: Karya Bakti Weekly, Nusa Daily, Bali Post, Kompas, Pos Bali and Radar Bali. As editor of various articles published by the Indonesian Obor Foundation, Wulan Sedhuwuring Geni (Anthology of Short Stories and Regional Poetry), A Thousand Fireflies in Manhatan (translations into 13 Regional Languages), and Sunari (Balinese Novels by Ketut Rida), and Rabindranath Tagore , Poetry Throughout the Ages, Publisher of the Darma Sastra Foundation, 2002. He was also a speaker at Sadyakala Sastra #39 Wayan Westa: Nationalism and Glorification of Regional Languages on March 14, 2014 and Sandyakala Sastra #43 Obituary I Wayan Sadha on March 12, 2015 at Bentara Budaya Bali. on March 12, 2015 at Bentara Budaya Bali.)
Tjokorda Raka Sukawati + (Tjokorda Raka Sukawati (3 May 1931 – 11 No … Tjokorda Raka Sukawati (3 May 1931 – 11 November 2014) was an engineer from Ubud, Bali who discovered Sosrobahu construction technology. This construction makes it easier to build flyovers without disrupting traffic flow during construction.He earned an engineering degree in Civil Engineering at the Bandung Institute of Technology (ITB) in 1962. He co-founded the Faculty of Engineering at Udayana University, Bali. He obtained his doctorate in Civil Engineering from the Faculty of Engineering, Gajah Mada University, Yogyakarta, 1996.He pursued a career at PT Hutama Karya which operates in the construction and infrastructure services sector, which is a State-Owned Enterprise (BUMN) under the Department of Public Works. Sosrobahu's technology was discovered when he was working on the flyover project between Cawang and Tanjung Priok, Jakarta, in 1988. The technology he invented is used in many countries.In 2021, his biography written by Nyoman Wijaya entitled "Stepping Without Tires" was published by Pustaka Larasan.t Tires" was published by Pustaka Larasan.)
Wayan Jengki Sunarta + (WAYAN JENGKI SUNARTA was born in Denpasar, … WAYAN JENGKI SUNARTA was born in Denpasar, Bali, June 22nd, 1975. He is a graduate of Udayana University, Cultural Anthropology, Faculty of Letters, and studied painting at ISI Denpasar. Jenkgi has been writing poetry since the early 1990s, and later also wrote lyrical prose, short stories, features, essays/art and culture articles, critics/art reviews, and novels.His writings are published in various local and national mass media, among them Kompas, Koran Tempo, Media Indonesia, Republika, Suara Pembaruan, The Jakarta Post, Jawa Post, Pikiran Rakyat, Bali Post, Jurnal Kebudayaan Kalam, Jurnal Cerpen Indonesia, Majalah Sastra Horison, Majalah Gong, Majalah Visual Arts, Majalah Arti, and Majalah Sarasvati.Arts, Majalah Arti, and Majalah Sarasvati.)
Walter Spies + (Walter Spies is a German artist born in Mo … Walter Spies is a German artist born in Moscow, September 15, 1895. Apart from being a painter, he was also a music and dance artist. In 1923 he came to Java and settled in Yogyakarta. He worked as a court pianist and was asked to help with the palace's artistic activities. He was the first to introduce numerical notation for gamelan in the Yogyakarta palace. This notation was later developed in other palaces and is used today.After his contract was completed in Yogyakarta, Spies moved to Ubud, Bali, in 1927. He was close friends with the King of Ubud, Tjokorda Gede Agoeng Soekawati. Spies also got to know many local artists and was very impressed with Balinese art. He collaborated with Wayan Limbak, polishing the sacred Cak dance into Kecak.With the support of the King of Ubud, together with the Dutch painter, Rudolf Bonnet, Spies founded Pita Maha, a community of Balinese artists in 1936. Spies also introduced many modern artist techniques to Balinese artists. There are still quite a lot of followers of Walter Spies' painting style in the Ubud area.Spies died on January 19, 1942 when his ship Van Imhoff was bombed by Japanese forces during World War II.ed by Japanese forces during World War II.)
Ketut Swardana + (Was born in 1969 in Singaraja. He graduat … Was born in 1969 in Singaraja. He graduated in 1990 from "Fine Arts School" in Denpasar, bali. He's an active painter who keeps searching for professional painters as his teacher and companion. In the past he has worked through a joint system with "Pierre Poretti", an artist from Lugano, Switzerland.Most of Ketut Swardana's works are an expression of creativeness on canvas. The quality of his work improves with each passing day. For Swardana, the most important factor to his art is satisfaction to his feelings.o his art is satisfaction to his feelings.)
Wayan Dastra + (Wayan Dastra, born in Ubud, 7 June 1980. H … Wayan Dastra, born in Ubud, 7 June 1980. He is a painter who graduated from ISI Denpasar. Since the 2000s, he has been diligent in participating in joint exhibitions, including the joint exhibition of the Cambodian Studio at the Jakarta Cultural Center (2018), “Spirit Barong” at the Jakarta Cultural Center (2010), “Absolute” at the Archade of Kuta Galeria Bali (2006). Many of his works take the theme of everyday life of ordinary people who are possessed something magical-mystical. are possessed something magical-mystical.)
Wayan Djiwa + (Wayan Djiwa was born in Banjar Binoh Kaja, … Wayan Djiwa was born in Banjar Binoh Kaja, Denpasar, 1906. He is a Palegongan gamelan maestro. Based on the mastery of the Gender percussion, he studied the gamelan Legong Keraton in 1915 which was pioneered in Banjar Binoh. Apart from being an expert in the art of karawitan, he is also known as undagi, a skilled traditional Balinese architect. a skilled traditional Balinese architect.)
Wayan Eka Mahardika Suamba + (Wayan Eka Mahardika Suamba was born in Bat … Wayan Eka Mahardika Suamba was born in Batuan, August 17, 1985. He started studying painting when he was 10 years old, his grandfather I Wayan Taweng and his uncles I Wayan Bendi, I Ketut Sadia, I Wayan Diana. He has exhibited together such as “Mother Rupa Batuan” at Bentara Budaya Bali (2019), Endih Batur at Taman Budaya Bali (2018), “Experience Rudolf Bonet's Home” in Ubud (2016), “Golden Generation” at Arma Museum, Ubud ( 2018), "The Dynamic Heritage" at the Santrian Gallery, Sanur (2018). He has won nine TITIAN PRIZE Finalists (2018).as won nine TITIAN PRIZE Finalists (2018).)
Wayan Gde Yudane + (Wayan Gde Yudane was born in Kaliungu, Den … Wayan Gde Yudane was born in Kaliungu, Denpasar, 1964. He graduated from Karawitan Arts at ISI Denpasar. He has worked on many musical works for concerts, theater/performance arts, literature, and films. He won the Melbourne Age Criticism award for Creative Excellent at the Adelaide Festival, Australia (2000). He performed at the Wangarata Jazz Festival, Australia (2001), toured Europe with the Temps Fort Theatre, the France and Cara Bali Group, as well as the Munich and La Batie Festivals. His works include the music for the films Sacred and Secret (2010), Laughing Water and Terra-Incognita, and Arak (2004), and so on. Crossroads of Denpasar is one of his works that was ordered by radio New Zealand and later purchased by radio Australia and BBC London. Another work, Paradise Regained, which was inspired by the 2002 Bali bombings, was played by pianist Ananda Sukarlan in various international performances. His collaborated with Paul Grabowsky, The Theft of Sita, performed at the Next Wave Festival, New York City, 2011.e Next Wave Festival, New York City, 2011.)
Wayan Gunasta + (Wayan Gunasta alias Gungun, was born in Ny … Wayan Gunasta alias Gungun, was born in Nyuh Kuning, Ubud. He has written poetry since he was a teenager and has been featured in many articles in the Bali Post. In addition to poetry, he pursued the art of cartoons, vignettes, sketches, painting. He has studied "character design and animation" in Japan. Since 1979 he has been diligent in exhibiting his works at home and abroad, such as Balai Budaya Jakarta (1979), Frementale Art Gallery (Australia, 1994), Oriental City (London, England, 2004), V Gallery (Yogya, 2007), etc. His published cartoon and comic books include Mahabhrata Comic Series (1992), Bali in Cartoon (1997), Gunasta Sketsa Rhythm (1999), Bali Pulau Cartoon (2004), Propoor Tourism (2006), Balinese Coloring Book Series (2008). He initiated and published a collection of poems by eighty-one Balinese poets whose works were published in the Bali Post, entitled Edition Hitam Putih (Wayan Pendet Foundation, 2006).tam Putih (Wayan Pendet Foundation, 2006).)
Wayan Suastama + (Wayan Suastama is a painter born in Lalang … Wayan Suastama is a painter born in Lalanglinggah, Tabanan, Bali, 1972. He studied fine arts at ISI Denpasar. Since 1995 he has been diligent in displaying his works in joint and solo exhibitions, both at home and abroad, such as the Bali Megarupa (2019) exhibition. In 2000, his work entered the final of the Philip Morris Art Award. In general, his works often feature female figures with soft and charming colors. He is active in the art community Militanarts.Read Full article in Sawidji Artist BiographyWayan Suastama and the Art of IntrospectionIn pursuit of art, I wished to have a better understanding, so I went to SMSR Batubulan Denpasar. I didn’t have the ambition to be a painter or this or that, I just wanted to understand art better. In fact, in SMSR I chose to study graphics and communications. This was a study of typography and graphics.https://sawidji.com/about-sawidji/artists-sawidji-gallery/wayan-suastama/ji/artists-sawidji-gallery/wayan-suastama/)
I Wayan Suja + (Wayan Suja was born in Batubulan, 8 Decemb … Wayan Suja was born in Batubulan, 8 December 1975. He was graduated from the Indonesian Art Institute in Denpasar in year 2001. He started to have exhibition in year 1994. He was awarded Finalist of 7th Phillip Morris Art Award in year 2000 and awarded Best Sketch and Best Work in the previous years. His artwork was one of the best 30 in The 2005 Sovereign Art Prize, Hongkong.in The 2005 Sovereign Art Prize, Hongkong.)
Wayan Sumahardika + (Wayan Sumahardika was born in Denpasar, Ma … Wayan Sumahardika was born in Denpasar, May 11, 1992. He obtained a Masters degree at Undiksha Language Education Study Program, Singaraja. He became a director, scriptwriter and founder of Teater Kalangan. His manuscript won first place in the Indonesian Monologue Script Contest at the UIN Jakarta Festival, first place in the Traditional Drama Script Writing Competition for the Bali Provincial Culture Service 2018, and 1st Place in the Modern Drama Script Writing Competition for the Bali Provincial Culture Office 2017. Some of his performances were staged at the event. Indonesia V Theater pulpit, Bali Emerging Writers Festival, Bali Arts Festival, Bali Mandara Nawanatya, 100 Putu Wijaya Monologue Festival, Canasta Theater Parade, North Bali Young Theater Parade, Jembrana Hamlet Festival and Bali Language Month Festival in Bali Province. Writings in the form of poetry, short stories, essays, and theater reviews have been published in a number of media such as Indopos, Media Indonesia, Bali Post, Bali Tribune, Tribune Bali, Tatakala.co, Bale Bengong and have been compiled in several anthologies.have been compiled in several anthologies.)
Wayan Turun + (Wayan Turun was born in Banjar Kedaton, Ke … Wayan Turun was born in Banjar Kedaton, Kesiman, Denpasar, 17 July 1950. He completed his formal education at SR I Kesiman, in 1966. He graduated from SMEPN in 1969 in Denpasar, and he completed SSRI in 1971 in the same city. Since childhood he has loved the arts. Artistic blood flows from his mother, a janger dancer. He is known as a skilled undagi (traditional Balinese building architect), and is also skilled at making bade (corpse towers). He studied Asta Kosala Kosali (basic rules of traditional Balinese architecture) from Pekak Kenjing, Anak Agung Mel, and Ida Pedanda Oka. Apart from that, he studied philosophy about art and religion from Ida Pedanda Kekeran, Ida Pedanda Made Sidemen, Ida Pedanda Bajing, Ida Rsi Agung Penatih and Ida Dalem Pemanyun. Because of his expertise in Balinese and Old Javanese literature, he was often trusted to write inscriptions and copy lontar. He also wrote literary works, such as kidung and kakawin. For his services in the field of arts and culture, he was awarded the Cultural Upakara Charter from the Mayor of Denpasar in 1995.harter from the Mayor of Denpasar in 1995.)
I Wayan Januariawan + (Wayan was born in Jauary 1986. He is a gra … Wayan was born in Jauary 1986. He is a graduate of the Indonesian Institute of the Arts in Denpasar. Donal wishes to revive and embody the “tradition” of painting in the history of the development of modern art through the method of painting on the spot. He returns to nature and tries to appreciate and permeate the phenomenon of form, where aspects of light play a vital role in the absorption of objects by the eye and are then transferred to the canvas plane.The choice of objects painted by Donal on the spot is also an object in the surrounding environment that is familiar in his daily life as a Balinese. Thus, what appears visibly to Donal’s works is the painting of landscapes, trees, or parts of certain plants that are painted close-up, or a collection of natural objects.Donal views painting as part of the culture of society. He wants to present things that might look simple, natural, and beautiful (in the eyes of ordinary people) in the hope that this will be the entrance for them to be able to respond to even deeper things, that is, the ideas in each of his paintings.Based on Donal’s view of his creative process as serious and intense, painting on the spot with impasto techniques, we can read this as Donal’s effort to celebrate and give meaning to painting as a way of presenting beauty and peace of mind through the elements of art—especially colors, which all support light. Donal puts painting as mainstream in his creative process. His struggle and his trust in the power of painting is an inseparable part of a human being’s sense of beauty.He joined in group exhibitions from 2005, and had solo exhibitions from 2014. 2005, and had solo exhibitions from 2014.)
Peran Krama Bali Kaanggen Ngwangun Pariwisata Bali Mangkin lan Selanturnyane + (We all know how the condition of Bali tour … We all know how the condition of Bali tourism is after the Covid-19 pandemic. Tourists are not allowed to go to Bali so that Covid-19 virus does not spike again. This causes Bali tourism to decline. Balinese people who work in the tourism sector do not get jobs. The Bali government has issued a policy that is used to suppress the spread of the Corona Virus. One of the policies is the implementation of restrictions on community activities or what is known as PPKM (Pemberlakuan Pembatasan Kegiatan Masyarakat). This causes the spread of Covid-19 to decrease. Because the government already has efforts to reduce the spread of the Corona Virus, we as the next generation can help the government to improve Bali tourism. There are many procedures that can be used to improve Balinese tourism. The first way is to promote Balinese tourist destinations using social media. This requires the participation of the Balinese people. Those who like to upload photos while on vacation to tourist destinations in Bali can also help develop and improve Bali tourism. Indonesia has a website that is used to promote Indonesian tourism. Second, the public can help provide tourist destinations in accordance with health protocols related to government policies, as well as maintaining the cleanliness of tourism places. This causes a sense of security. Third, Bali has many cultural works that are popular abroad, for example, such as carvings, paintings, sculptures, and so on. Maybe Balinese artists can provide counseling to the younger generation on how to make art. This can foster a sense of love for domestic products and can encourage Balinese cultural works with the younger generation.Well, that's a little bit about the procedure to restore Bali tourism during the pandemic. We should always remember our identity as Balinese people, namely to develop Balinese culture.eople, namely to develop Balinese culture.)
Pemberantasan Korupsi Demi Kelancaran Program Nangun Sat Kerthi Loka Bali + (Who doesn't know that Bali is one of the r … Who doesn't know that Bali is one of the regions with the largest tourism revenue in Indonesia. Even in 2023 Bali began planning a development called Nangun Sat Kerthi Loka Bali which means as 6 main developments for the welfare and happiness of human life. Nangun sat kerthi loka bali itself has goals related to advancing Bali tourism, where there are 6 main sources, namely, atma kerthi, segara kerthi, danu kerthi, wana kerthi, jana kerthi, jagat kerthi which means for the welfare of human life in each part.But development in Bali will not be able to run well if there are still many unscrupulous people who utilize development funds for personal gain or can be referred to as corruption. Examples such as the case of corruption of Paibon Wargi Temple development funds in Klungkung Regency and the case of corruption of SPI funds at the Udayana Campus. This is one of the factors inhibiting development in Bali. Even those who are supposed to investigate corruption cases turn a blind eye and are mute to all these incidents.Therefore, it is hoped that the Bali Provincial Government can take these problems seriously. So that the Nangun Sat Kerthi Loka Bali program runs well without any cases of corruption in the development.ny cases of corruption in the development.)
Widi Widiana (I Ketut Widiana) + (Widi Widiana whose real name is I Ketut Wi … Widi Widiana whose real name is I Ketut Widiana is a Balinese pop singer born in 1974. Most of his songs are about love. He was born into a family of artists. His father is a song teacher and dancer, his mother (Ni Made Kibik) is also a dancer. Widi and his brothers formed a band called the Diana Band. Since 1991, the band has performed from banjar to banjar, hotel to hotel, event to event.As a single singer, Widi started his career in 1994 with the album "Tungan Tiang", which is a compilation album with other Balinese pop singers. His first solo album appeared in 1996, "Sesapi Putih", followed by a compilation album, "Tresna Kaping Siki", in 1996. the same year. The second solo album was born in 1997 with the label "Sampek Ing Tay". Then the next album titled "Special Fried Rice" (2015), "Formalin Sik Luh" (2017). In 2005 he won the best male singer version of the "Bali Music Award I". He has since given birth to more than ten solo albums. given birth to more than ten solo albums.)
Cokorda Ngurah + (Worked with Lempad. Of Puri Saren Kauh. Related Artists I Gusti Nyoman Lempad Father: Cokorda Oka)
Wayan Sila + (“The very first night I slept over at my n … “The very first night I slept over at my new studio an owl flew into the garden. It wasn’t a coincidence that I noticed it perched in a tree,” says Balinese artist Wayan Sila. “This was aspecial experience and powerful omen. A gift from the Gods to me.”The owl is much revered by indigenous cultures and in folklore around the world as aguardian spirit, as well as a wise creature capable of extraordinary sight. Balinesemythology reveals that if an owl visits a family compound while a female member ispregnant this is indeed a positive sign. Burung Hantu literally translates from bahasaIndonesia into the English language as ghost bird; or the owl, the mysterious bird of thenight.“I have a unique connection with owls. It is a potent image that resonates with my heart. Iwas intuitively led to draw the owl and then I began to include it in my works. It has nowmanifested into a personal symbolic image, equivalent to the Barong. The owl alsoencourages me to reflect on the joy that I derive from my family life,” says Wayan.Born in Ubud, 1970, Wayan Silawasinspired by his grandfather, well known local artistWayan Barwa. From an early age he regularly visited Barwa’sstudio and gallery,surrounded by the paintings of his Balinese heritage, this was the perfect scenario for achild to learn to draw and paint.Wayan soon became adept in the “Ubud Style” of modern traditional Balinese painting. Inthe evolution of Balinese painting during the last century, from its origins of the ClassicalKamasan style that concerned teachings from the Hindu Epics, each village then began tocreate their own distinctive style.The Ubud style moved away from the religious and began to be characterized bynarratives that involve daily village life and depictions of rural and environmentallandscapes. The artists from Ubud were quick to adopt western influences in the 1930’s,depth of field, shades of color, localized narratives and the development of the humanfigure. The Kamasan style was originally a collective work and never signed by anindividual. The new personalized and expressive form of Balinese painting has its rootsfirmly entrenched here in Ubud.Wayan’s canvases are beautifully composed and resound with an overwhelming sense ofbalance and harmony. His highly detailed works are first sketched in pencil then outlinedin black Chinese ink, finally they are rendered in acrylic paint with a fine kaus bamboo, asmall piece of bamboo crafted with a tiny point to apply the medium. A large canvas, 100 x80 cms, may take up to six months to complete. “In 1997 I was inspired to include owls in my compositions after seeing a wonderful sketch by a Japanese child.”Wayan’s relationship with the burung hantu then activated an endearing association withthe people of Japan, to whom the owl is symbolic of happiness. He first visited Japan in2002 and his premiere solo exhibition there was in 1998. Every year since then Wayan has enjoyed the privilege of exhibiting work in galleries, department stores, even in theIndonesian Consulate in Tokyo. He has held over 15 solo exhibitions in Japan, andnumerous other exhibitions in Bali, Jakarta, Spain and also at the prestigious Agung RaiMuseum of Art in Ubud.“It’s an honor for me to be invited on intercultural exchange programs teaching youngJapanese students traditional Balinese painting techniques. I do this each year when I visitJapan.” Wayan has since developed a healthy market for his works there and continues toell to the Japanese tourists who often visit his Ubud studio/gallery.Wayan Sila, acrylic on Canvas, 2012,45x 60cm.Wayan SilaGarden + Bale studio of Wayan Sila.Wayan Sila. 2012, chinese ink +acrylic on canvas, 60x80cm.Wayan’s cooperative works with Japanese poet Yoko Jatiasih have been the focus of two books. They initiallycollaborated in 1998 to create music and poetry for his paintings. In 2004 their first book “Kata Kata” Echoes From TheWoods, and then in 2010 “Pelan Pelan” were published.Browsing through these books, the creative synergy between the two is easy to recognize. Yoko’s short poems, no morethan 6 lines, resonate with an uncomplicated intelligence. Upon the opposing page to the text are Wayan’scomplimentary images created especially to accompany each poem.As you contemplate the words essence, as well as study Wayan’s images, the mysterious bird of the nights’full roundeyes are firmly transfixed upon you. The fusion of words along with the images perplex the imagination, and then defyyou to believe their medium is the owl’s silent and alluring gaze.In 2011 Wayan relocated to his new studio gallery in Jalan Bisma in Ubud. Journey 400 meters along Jalan Bisma until theroadside urban development gives way to the effervescence of the padis. Down on the right hand side nestled in thesawah you will find his small abode. Look for the sign on the road then follow the narrow path that divides the greenswaying fields to his studio/gallery encircled by the bamboo fence.Wayan has created a personal space that reflects the elements that enrich and sustain him. Situated in the middle of theyard he has built a bamboo bale which functions as his studio, yet also as a place of quiet retreat. The surroundinggarden is abundant with organic vegetables, fruit trees, medicinal herbs, ornamental shrubs and flowers. Indeed, Wayanhas created his special own oasis.As you enter his two Bali dogs are quick to offer enthusiastic toothy greetings. The verdant vegetation is soothing andinviting. I discover two rabbits, four exotic birds and frogs and snakes frequent visitors, so Wayan tells me. Stonecarvings covered with brilliant green moss hide among the foliage, shrines and small Hindu temples are adorned withofferings and the sweet sent of burning incense seduces the senses. An outhouse serves as a simple kitchen and two rooms contain Wayan’s gallery painting collection and books for sale.When we observe Wayan’s paintings we enter into a beautiful and extraordinarily tranquil world. His owls’ peer outfrom within forests and lush scenes, their big eyes possess a magnetic pull and communicate a language that isdeciphered in our hearts. Wayan Sila is a painter of immense sensitivity and his works are vehicles of healing qualities and love.re vehicles of healing qualities and love.)

(Related Artists Anak Agung Gede Sobrat Teacher:_I Wayan Pendet Relative:_I Dewa Ketut Rungun Relative:_I Dewa Putu Bedil Relative:_Anak Agung Gede Raka Puja)

Louis Nagelkerke + ("Indonesia, and Bali in particular, has lo … "Indonesia, and Bali in particular, has lots of beauty to offer. Louis Nagelkerke is not only fascinated by the beauty of the people, but also by all the wonderful things religion has brought the country, such as temples and buddha statues. During his many journeys through Indonesia, Louis noticed that it is a very rich country in many ways. Louis believes that this has a lot to do with the fact that the Indonesian people are proud of their country. When Louis travels through Bali to take pictures for his paintings, the local people enjoy that. Meanwhile, it is not special for them. They live with all that beauty, their rich culture, and traditions every day. They are used to it. When Louis paints Balinese people, he tries to show them how beautiful and rich their culture is, how beautiful they are themselves. For Louis personal[ly], it is important that he, while photographing and painting the people, can make a part of their personality his own. It is a search for beauty, mysticism, culture, folklore, very much related to daily life; the folklore our modern western society lost over the years.Born February 3, 1949, in EindhovenEducation in ceramics, window dressing, drawings, and paintingsWell known since the '80s through many exact portraitsHis paintings are unique through the expression of mysticism and sphere. His inspirations Louis Nagelkerke finds almost through his vivid relation to the eastern culture and people. Musicians and dancers, especially from the wonderful island Bali. Besides that, his paintings are also influenced through the theatre.Louis is an outstanding artist and always open-minded to new ideas.rtist and always open-minded to new ideas.)
BALI DAKI NAPI BALI MEWALI? + ("OM SWASTYASTU" "OM AWIGHNAM ASTU NAMO SID … "OM SWASTYASTU""OM AWIGHNAM ASTU NAMO SIDHAM""OM ANO BADRAH KRATAWO YANTU WISWATAH"I would like to express my thanks to the presenter, for the time given to me, the honorable ladies and gentlemen of the jury and prospective members of the Bali Province DPD, as well as my fellow participants, whom I am proud of. Before that, let us pray to the presence of Almighty God. Thanks to Him, we can gather here with happiness at the Bali Public Participation Wikithon with orations, which carries the theme, Election 2024: what are the most urgent problems to be addressed by Bali's prospective leaders ? Hopefully events like this can be held frequently to develop a threatening Bali.Happy guests, as we know, Bali is known as the island of a thousand temples with its very beautiful environment, which is often visited by foreign tourists, because Bali is one of the focuses of tourism in Indonesia. This is what drives many foreign tourists to come to Bali. Even though Bali is a tourist destination, this is not the main topic of discussion, but there are problems that have a significant impact on Bali. As we know, this so-called era of destruction, if we talk about the problems in Bali, will cause Bali to collapse. Unfortunately, the problems in Bali have not received treatment that is useful for the island of Bali.Happy guests, if you look at life now it is certainly different from previous life, especially with the problems, the most important problem is related to the environment and land of the island of Bali which has been built up and used as a tourist attraction, this is what will make the island of Bali In terms of land and environment, it will become increasingly narrow, if all the land and environment in Bali is made into a tourist attraction, where will we (humans), animals and others live and live our daily lives? Talking about the land environment that has been converted into a tourist spot, of course there are many daily activities carried out to produce plastic waste for society, this is what will become Bali's next problem. The existence of rubbish in Bali is very sad and gets very little attention, this is what creates big dangers, for example: floods, dengue fever and others. Moreover, as has recently been reported, the rubbish bins or Suwung landfills in Bali are very full and cause fires, giving rise to smoke pollution which causes disease. Are we all willing to live and do activities in dirty places? Of course, many of you are reluctant to live in a dirty place. Happy attendees, if I conclude it is related to the problems in Bali, so that Balinese leaders can provide solutions related to problems: the transfer of land or the environment to become tourist attractions and the rampant waste which has not received special attention from the government. Based on these problems, if we don't work together from now on as the front guard, it is certain that the island of Bali will gradually collapse. The island of Bali, which has been nicknamed a thousand temples, will lose its sanctity. Based on these problems, my hope is that the elected leader of Bali 2024 will be able to find a solution so that the Balinese people can implement the noble values that exist in Bali, namely TRI HITA KARANA, because these problems are related. with the TRI HITA KARANA value, so that Bali can return to the way it was before.Happy guests, that is the speech I can deliver, I hope you all are aware of the current condition of Bali.re aware of the current condition of Bali.)
Robert Lemelson + ("Robert Lemelson is a cultural anthropolog … "Robert Lemelson is a cultural anthropologist, ethnographie filmmaker and philanthropist. Lemelson received his M.A. from the University of Chicago and Ph.D. from the Department of Anthropology at the University of California Los Angeles. Lemelson’s area of specialty is transcultural psychiatry; Southeast Asian Studies, particularly Indonesia; and psychological and medical anthropology. Lemelson currently is a research anthropologist in the Semel Institute of Neuroscience UCLA, an adjunct professor of Anthropology at UCLA, and a visiting professor at USC. His scholarly work has appeared in numerous journals and books. Lemelson founded Elemental Productions in 2007, a documentary film company. He has directed and produced over a dozen ethnographic films related to culture, psychology and personal experience. He is also the founder and president of the Foundation for Psychocultural Research, which supports research and training in the social and neurosciences."training in the social and neurosciences.")
I Made Nanda Adi Saputera + ("Small but full", is the appropriate expre … "Small but full", is the appropriate expression to introduce a student of SMP Negeri 1 Selemadeg who comes from the foot of the mountain. I Made Adi Saputera, who is familiarly called Nanda, was born in Mendek, October 8, 2004. This class VIII B student likes to organize. He is included in the OSIS board for the 2017-2018 term and has just been inaugurated as the OSIS board for the 2018-2019 term. As a student council administrator, he has never reneged in carrying out his obligations. Apart from that, Nanda also participates in extracurricular Nyastra Bali. He also has hobbies of football and drawing. The second child of Ida Ayu Komang Yunika with I Wayan Merdana from Banjar Mendek, Wanagiri Kauh Village, Selemadeg Tabanan District, is very fond of studying literature, especially writing Balinese script. According to Nanda, writing Balinese script is an art based on feelings. He taught himself this hobby. His teacher noticed his aptitude and provided guidance to participate in competitions. When he was in elementary school, he won first place in the Balinese script writing competition at the Selemadeg district level in 2017 and first place in the Balinese script writing competition at the Tabanan level in the framework of Porsenijar 2017.When he was in junior high school, he started by learning to write Balinese script in lontar. Thanks to his perseverance in learning, he won 1st place in writing Balinese script at the Tabanan regency level papyrus at Porsenijar in 2018, the 1st place writing the Tabanan regency invitation lontar at the Balipost Goes to School event in 2018 and at the Tabanan district ambassador at the Balinese script writing competition at Bali Arts Festival (PKB) in 2018. Like other smart students, after graduating from SMP Nanda intends to continue his education at SMA Negeri 1 Tabanan. He also wants to continue his education at top universities such as the University of Indonesia (UI) or the Bandung Institute of Technology (ITB). This 14-year-old student who has dreams of becoming a painter said that his achievements are inseparable from the motivation of his parents and teachers. He emphasized that every child has the right to learn, regardless of who, from where, and wherever they go to school. In essence, EDUCATION IS A RIGHT, BUSINESS IS A RESPONSIBILITY. IS A RIGHT, BUSINESS IS A RESPONSIBILITY.)
Arie Smit + (15 April 1916 – 23 March 2016. Dutch-born … 15 April 1916 – 23 March 2016. Dutch-born Indonesian painter who lived on Bali.Smit was the third of eight children of a trader in cheese and confectionery in Zaandam. His family moved in 1924 to Rotterdam, where Smit eventually studied graphic design at the Academy of Arts. In his youth he was most inspired by the work of three artists named Paul (Signac, Gauguin and Cézanne). In 1938 he joined the Royal Netherlands East Indies Army. After three months he was sent to the Dutch East Indies , where he worked as a lithographer for the Dutch army's Topographical Service in Batavia, engraving relief maps of the archipelago. Etching Balinese mountains onto maps ignited his desire to one day go to Bali.In early 1942 Smit was transferred to the infantry in East Java, but was soon captured by the invading Japanese forces. He spent three and a half years in forced labor camps building roads, bridges, and railways on the Burma Railway in Thailand, and Burma. After the Japanese capitulation in August 1945, Smit convalesced in Bangkok until January 1946. After being stationed in Denpasar, Bali as a staff writer for the infantry, he returned to the Topographical Service in Batavia in September. Until its discontinuation in 1950, he remained employed at this service, eventually becoming head of the drawing department, but in his spare time he criss-crossed Java as a painter and in October 1948 had his first exhibition in Batavia/Jakarta.[5] After Indonesian Independence on December 27, 1949, all Dutch nationals had to choose between Dutch or Indonesian citizenship within two years. Smit briefly considered emigrating to South Africa, but decided to stay; he became an Indonesian citizen late in 1951. In the following years he taught graphics and lithography at the Institut Teknologi Bandung in West Java.BaliOn invitation by the Dutch artist Rudolf Bonnet he visited Bali in 1956, together with Dutch artist Auke Sonnega. He soon met art dealer James (Jimmy) Clarence Pandy, who ran a gallery and souvenir shop. Pandy invited Smit to stay in a house on stilts at the beach of Sanur. Smit and Pandy remained friends and formed a partnership. Pandy was well-connected; Sukarno would sometimes bring his state guests to his gallery. With his love for bright colors, Smit was captured by the Balinese landscapes in its 'riotous light', and soon decided to stay to depict its villages, rice terraces, palm trees and temples.In 1960, while touring the village of Penestanan in the Ubud District where he then lived, he came upon some boys drawing in the sand. Impressed by their talent, Smit invited them to his studio, where they became the first of a growing number of students. With minimal instruction but lots of encouragement and material support, his pupils created a naive style of genre painting that became known as the 'Young Artists' style, which at its peak had 300-400 followers. Though he is considered the father of the movement, its style is quite different than any of Smit's own styles over the years.From the time of his arrival in Bali, Smit moved some 40 times, "to see what is beyond the next hill". He stayed longest in his favorite areas of Karangasem and Buleleng. He finally settled in 1992 in the village of Sanggingan near Ubud under the patronage of Pande Wayan Suteja Neka, founder of the Neka Art Museum. In recognition for his role in the development of painting on the island, Smit received the Dharma Kusama (Flower of Devotion, a Balinese cultural award) in 1992 from the government of Bali. The Arie Smit Pavilion was opened at the Neka Art Museum in 1994 to display his works and those of contemporary Balinese artists. The Museum Bali in Denpasar and the Penang Museum in Malaysia also have collections of his work. Smit further had exhibits in Jakarta, Singapore, Honolulu and Tokyo. Smit lived near Ubud for the rest of his life, but died on 23 March 2016 in a hospital Denpasar at three weeks before turning 100.enpasar at three weeks before turning 100.)
Anak Agung Cukit + (1930s Batuan artist who continued to work in the 1950s. Also a gambuh dancer. A portrait of him has been painted by Bonnet. Also known as "Dewa Cukit" and "Dewa Gede Cukit".)
Agung Raka + (1930s Sanur painter. Bateson and Mead note … 1930s Sanur painter. Bateson and Mead notes refer to Gusti Gede Raka and Gusti Putu Raka co-painting a work.May be the same person as Gusti Putu Raka (and/or Gusti Gede Raka); in Bateson's catalogue, described as the son of Gusti SodangRelated ArtistsAlso known as: I Gusti Putu RakaMother: Anak Agung Made Glogori Putu Raka Mother: Anak Agung Made Glogor)
A.A. Raka Sidan + (A A. Raka Sidan's real name is A.A. Gede R … A A. Raka Sidan's real name is A.A. Gede Raka Partana. He is a songwriter and Balinese pop singer who was born June 27, 1979. He studied at UNHI Denpasar and produced a number of albums, including "Suud Memotoh" (2005), "At-Pada Ngalih Makan" (2007), "Pak Boss" (2009), "Song Brerong" (2012), "Kenceng" (2015). The songs contain a lot of moral messages and social criticism wrapped in humorous nuances.ial criticism wrapped in humorous nuances.)
I Gusti Agung Wijaya Utama + (A photography graduate from the Indonesian … A photography graduate from the Indonesian Art Institute (ISI), Denpasar.Balinese photographer I Gusti Agung Wijaya Utama S. Sn has a unique vision to raise awareness of the past through distinct, eye-catching fine art and reconstruction portrait photographs. Gung Ama, as he is known, does not use digital technology, but a process from the past; the Afghan Box Camera. As the name suggests, the camera is linked with Afghanistan, being first used in villages by travelling photographers before there were any photography studios.“Digital technology and the modern mindset desiring immediate outcomes and satisfaction are impacting upon the art of photography and contributing to the erosion of traditional Balinese values,” said Gung Ama, born in Batubulan Gianyar in 1988, whose interest is photography began in 2006. “Nowadays, smartphones equipped with sophisticated cameras are affordable and an essential modern icon and tool. Moreover, social media and selfies dramatically impact lifestyles and alter our concept of identity. By recreating the nostalgia and curiosity of old Bali through manual, handmade photos, my objective is to reignite cultural memory while inspiring awareness and discussion among all the generations.”“My photography reflects the growing sentiment within the Balinese seeking a return to the wisdom of the past,” Gung Ama said. “In the face of modernity and the homogenisation of cultures, I believe it is important to celebrate and embrace cultural icons to help reinforce our identity. In addition, it’s essential to be reminded of our forefather’s messages, culture lost and the wisdom of the past.”Article by Richard Horstmanof the past.” Article by Richard Horstman)
Agoes Andika + (Agoes Andika was born in Banjar Baleagung, … Agoes Andika was born in Banjar Baleagung, Buleleng, March 5, 1963. In 1981 he settled in Mataram, Lombok. He studied writing a lot with Putu Arya Tirtawirya and Umbu Landu Paranggi at the Bali Post. In 1985 he was invited to Taman Ismail Marzuki Jakarta with several Balinese poets and other Indonesian poets to read poetry. Literary works have been published in the Bali Post, Karya Bhakti, Nusa Tenggara, Simponi, Swadesi, Nova, Buana News, Suara Karya, Suara Nusa, Horizon, and several bulletins in Mataram, Pontianak. Now living in Singaraja.taram, Pontianak. Now living in Singaraja.)
Agung Bawantara + (Agung Bawantara was born in Klungkung on J … Agung Bawantara was born in Klungkung on January 30, 1968. He graduated from the Faculty of Animal Husbandry at the University of Mataram, NTB. He has been writing poetry since the 1980s in Bali Post, Karya Bakti, Nova, Berita Buana, Swadesi, Media Indonesia, etc. His collected poems can be found in Sahayun (1994), and in Klungkung: Tanah Tua, Tanah Cinta (2016). He initiated the Denpasar Film Festival. He has also written short stories, children's stories, fairy tales, and novels.ildren's stories, fairy tales, and novels.)
Agung Wiyat S. Ardhi + (Agung Wiyat S. Ardhi was born in Puri Anya … Agung Wiyat S. Ardhi was born in Puri Anyar Keramas Gianyar on February 3, 1946. He passed away on 24 Februay 2020. He graduated with a degree from ASTI and a Bachelor of Hindu Religion and worked as a teacher at PR Saraswati Gianyar. He also served as Head of the SPG Saraswati Gianyar, was Head of Saraswati Gianyar High School, was a Gianyar Regency Associate Member. As well he was a member of the Gianyar Regency Wija Kusuma Award Selection Team, the Gianyar Regency Extension Team, the Gianyar Regency Gita Main Supervisory Team, and the Gianyar Kabupatén Gianyar Development Team. In addition, he is also well-known as a Drama Gong player / dancer. He received Rancage Literary Awards in 2001 for a work entitled "Gang Girang Sisi Pakerisan" and in 2010 for his services to the field of Modern Balinese literature. In 2015, he received a Widya Pataka from the Governor of Bali for a Balinese play entitled "Bogolan" .i for a Balinese play entitled "Bogolan" .)
Alit S. Rini + (Alit S.Rini was born and live in Denpasar … Alit S.Rini was born and live in Denpasar with the name Ida Ayu Putu Alit Susrini. She wrote poems in the Bali Post newspaper which afterwards become her workspace. Then she was promoted to the culture, religion, education, opinion desk and 1998 as performance editor, and then moved to the opinion desk until she retired in 2015. "Karena Aku Perempuan Bali" (Since I am a Balinese Woman) 2003 is her single poem compilation. Her poem was compiled in book "Cinta Disucikan Kehidupan Dirayakan", "Bali Living in Two World" (2002), "Dendang Denpasar Nyiur Sanur" (2016), "Klungkung: Tanah Tua Tanah Cinta" (2017) is a compilation of her poems published in 2017. She later collaborated with Nyoman Wirata with a book entitled "Pernikahan Puisi".a with a book entitled "Pernikahan Puisi".)
Gede Kresna + (An Architect by profession, Gede designed … An Architect by profession, Gede designed and built Rumah Intaran - home of Pengalaman Rasa. His brings extensive knowledge of local produces and a keen eye for potential business opportunities to Pengalaman Rasa. He is passionate about diving into the richness of Northern Balinese culture and natural produces to find the best ingredients, products, and experiences.https://www.pengalamanrasa.com/"Working out of Rumah Intaran (the House of the Neem Tree), architect Gede Kresna has transformed the northern Bali village of Bengkala into a learning mecca for students and farmers – and it all centres around the kitchen...“I often wonder why rich people can afford to pay for a private doctor or a private architect but never think of paying a private farmer to produce their own healthy food?” he (Gede Kresna) asks. “Food can be called healthy if it has a balanced cycle that comes from local farmers who grow from local seeds; only then can we actually solve our food problems, including many economic problems facing the country.”...Full article at https://www.gaiadiscovery.com/latest-people/gede-and-ayu-kitchen-missionariest-people/gede-and-ayu-kitchen-missionaries)
Anak Agung Ayu Bulantrisna Djelantik + (Anak Agung Ayu Bulantrisna Djelantik was b … Anak Agung Ayu Bulantrisna Djelantik was born in Deventer, the Netherlands on September 8, 1947. She is the eldest daughter of Dr. Anak Agung Made Jelantik (UN Doctor). She has loved dance since childhood and is now a Legong dance maestro. Besides being known as a dancer, she works as an ENT specialist and lecturer at the Faculty of Medicine, Padjadjaran University, Bandung. Bulantrisna is the granddaughter of Anak Agung Anglurah Djelantik who was the last king of the Karangasem Kingdom, Bali. At the age of ten, Bulantrisna was invited by President Soekarno to the Presidential Palace in Tampaksiring, Gianyar, Bali to entertain Palace guests. Her main mentors are Anak Agung Mandera and Gusti Made Sengog, the first generation of Legong dancers. Besides Legong dance, Bulan also mastered other dances, such as Oleg. Dancing for the Moon is a release of emotion, creativity, joy, moving with soul, and as a means of prayer. Her love for dance is not only limited to movement, but she also founded a dance studio called "Ayu Bulan" in 1994. One of her dance creations is the Legong Asmarandana dance. Bulantrisna died on February 24, 2021 at Siloam Hospital, Semanggi, Jakarta due to pancreatic cancer she suffered.rta due to pancreatic cancer she suffered.)
Anak Agung Bagus Sutedja + (Anak Agung Bagus Sutedja, the governor of … Anak Agung Bagus Sutedja, the governor of Bali who headed the island twice, was born in 1923 and vanished on July 27, 1966. His first term as head of Bali's executive body, from 1950 to 1958, was determined by the Regional Government Council, while the legislative body, Paruman Agung, which was composed of delegates from Bali's eight kingdoms, was superseded by the Temporary Regional People's Representative Council (DPRDS). He was re-elected as Bali's governor in December 1959, having served as the island's temporary regional head from 1958 to 1959 before being ousted by I Gusti Bagus Oka. His second term of office ended in 1965, a few months after the G30S/PKI. His second term of office ended several months after the G30S/PKI occurred in 1965. He was then replaced by I Gusti Putu Martha. He "disappeared" on July 29 1966 in Jakarta, thought to be a victim of political kidnapping that occurred at that time.cal kidnapping that occurred at that time.)
Anak Agung Gde Mandera Erawan + (Anak Agung Gde Mandera Erawan (Agung Bangl … Anak Agung Gde Mandera Erawan (Agung Bangli) is a traditional dance maestro from Puri Kaleran Peliatan, Ubud. He was born in artist family, son of Gung Kak Mandera, maestro of traditional music the founder of Kelompok Musik and Tari Gunung Sari and a dancer mother. Gung Kak Mandera was one of artist of Bali that travel arround in Europe and performed in Paris in 1930s. Almost all of countries had already visited by Gung Aji to perform Balinese dance to the world. it can be said that his life was dedicated for traditional dance and music arts of Bali. Maintain and preserve it to keep this culture existed. He inherited his late father role to lead group of Gunung Sari Peliatan, which hold a performance in every week in Balerung Peliatan. Legong Nandira is Tari Legong with male dancer is one of his creations. with male dancer is one of his creations.)
Anak Agung Gde Rai + (Anak Agung Gde Rai or usually called as Ag … Anak Agung Gde Rai or usually called as Agung Rai, born in Peliatan, Ubud, on July 17th, 1955. He is a humanist (cultural practitioner) and an artist who has big role in preserving and promoting arts of Indonesia, particularly Bali. He is the founder of ARMA (Agung Rai Museum of Art). The poverty during his childhood motivated him to change their family life to make it better by continuously work hard. When he was young, he has ever become “merchant” of artistic goods for tourists in Bali. Agung Rai has a dream to become a teacher, but he has to burry it since cant afford the tuition. Then, he learned to paint. But, he realized his skill is yet sufficient as painter. Otherwise, he took a course of English and became a tour guid. From his interaction with the tourists, he got sense of business to try as seller of artistics goods made by his neighbors in his hometown. Since then, he is becoming a merchant in arround Sanur, Kuta until Padangbai. As a merchant, his sense of business and arts was developed. Then he mad friend with many arts collectors. He followed his friend to be a collector of maestro’s artwork. From a collector, he became a currator for artwork exhibition. Such as, in 1989, Agung Rai went to Japan and took a hundred of artworks from fifty painters that joined a group of Sanggar Seniman Agung Rai (Agung Rai Artists Group). This paintings then was shown in Japan for two months. Anxiety and worry for his country’s cultural preservation mainly in field of arts make him obssessed to establish a museum and arts galery. Then, with wonderful effort of him, in June 9th 1996, ARMA Museum officially opened by Prof. Dr. Ing. Wardiman Djojonegoro while at that time have position as Minister of Education and Culture. ARMA is one of museums with most complete collection in Indonesia. From classical artwork until contemporary, even artwork of local artist and other countries. Moreover, ARMA periodically held an exhibition of artworks. The popularity of ARMA is masively increasing since it often held various cultural event such as music performance, theatre, providing bookroom with various collection for visitors, held seminar of culture and art. Events in ARMA mostly in international scale and often were hold by various artworkers and culture from many countries. With various arrangement of these kind of event, ARMA achieved predicate as most popular museum and the best museum in Indonesia based on tourist as how it was compiled by world travelling site, TripAdvisor. For his effort to preserve arts, Agung Rai was awarded many awards. Such as, in 2002 he was awarded by Indonesia Government as “The pioneer in advancing the fine arts”. In 2012 he was chosen as Chief of Himusba (Himpunan Museum Bali) 2012-2017. In 2016 “TripAdvisor” awarded ARMA as the best museum in Indonesia. The choice was determined by the tourists who has visited the various museums in Indonesia. The Books of Agung Rai and ARMA can be read in “Gung Rai, Kisah Sebuah Museum // Gung Rai, A Story of Museum” (KPG, 2013), “Saraswati in Bali: A Temple, A Museum and A Mas” (BAB Publishing Indoneisa, 2015”, “Agung Rai, Sang Mumpuni // Agung Rai, The Maestro” (Lestari Kiranatama, 2017)., The Maestro” (Lestari Kiranatama, 2017).)
Anak Agung Gede Ngurah Puspayoga + (Anak Agung Gede Ngurah Puspayoga was born … Anak Agung Gede Ngurah Puspayoga was born in Denpasar, 7 July 1965. He completed his Bachelor's degree at Ngurah Rai University, Denpasar, in 1991. He is Minister of Cooperatives and Indonesian Small and Medium Enterprises in President Joko Widodo's Working Cabinet. He served from 2014 to 2019. Before becoming a minister, he served as Mayor of Denpasar for two periods, namely 1999-2004 and 2005-2010. In the second period, halfway through, he was elected Deputy Governor of Bali for the 2008-2013 period.Governor of Bali for the 2008-2013 period.)
Anak Agung Made Cakra + (Anak Agung Made Cakra was born in Denpasar … Anak Agung Made Cakra was born in Denpasar, November 11, 1928. He is a musician and Balinese pop songwriter who was very popular in his time. He taught himself music at the age of seven. In 1943, when he was still a SR (People's School), he participated in a Japanese song competition in Singaraja, and managed to get the attention of a Japanese musician who was present at that time. The Japanese musician then mentored and employed him.In 1950 he collected music in Denpasar and formed an orchestra group and in 1953 the group performed around Denpasar. He also joined the kroncong orchestra group Puspa Teruna led by Ida Made Rai. Then he joined the Melati Kusuma keroncong orchestra led by Merta Suteja, the Merta Kota keroncong orchestra and the Cendrawasih keroncong orchestra. He is also involved in routine musical activities at RRI Denpasar Station. He then formed and led the New Dawn keroncong orchestra group.In addition to performing music, Gung Cakra also writes songs and musical compositions. One of his most famous songs is entitled "Kusir Dokar". In 1963, the song was often played by the band Putra Dewata founded by Gung Cakra and his colleagues. The band's musical instruments were made by Gung Cakra himself with easily available materials. In 1976, Gung Cakra began to enter the recording studio through Bali Record. Apart from "Coach Dokar", his popular songs are "Bungan Sandat" and "Ada Kene Ada Keto".e "Bungan Sandat" and "Ada Kene Ada Keto".)
Anak Agung Pandji Tisna + (Anak Agung Pandji Tisna (11 February 1908 … Anak Agung Pandji Tisna (11 February 1908 – 2 June 1978), also known as Anak Agung Nyoman Pandji Tisna, I Gusti Nyoman Pandji Tisna, or just Pandji Tisna, was the 11th descendant of the Pandji Sakti dynasty of Buleleng, Singaraja, which is in the northern part of Bali, Indonesia. He succeeded his father, Anak Agung Putu Djelantik, in 1944.On the last page of Pandji Tisna's book, I Made Widiadi, written in 1955, he wrote his life story in chronological order. He was a writer and a novelist. He refused to be the king of Buleleng, but being the eldest son, the Japanese occupancy troops forced him to be "syucho" after the death of his father in 1944.During his reign, he became the leader of the Council of Kings of all of Bali from 1946 to 1947 (Paruman Agung) and the Regent of Buleleng. In 1947, because his uniquely Christian faith did not fit in with the predominant Hindu religion, Pandji Tisna surrendered the throne to his younger brother, Anak Agung Ngurah Ketut Djelantik or I Gusti Ketut Djelantik, also known as Meester Djelantik, until 1949.He died 2 June 1978 and was buried in the graveyard on the eastern side of his land near the chapel he built years before.There is a museum in Lovina dedicated to AA Pandji Tisna and his family: https://www.facebook.com/pg/The-Little-Museum-Anak-Agung-Panji-Tisna-KM-0-Lovina-Bali-1402058299856241/about/a-KM-0-Lovina-Bali-1402058299856241/about/)
I Ketut Angga Wijaya + (Angga Wijaya is the pen name of I Ketut An … Angga Wijaya is the pen name of I Ketut Angga Wijaya. Born in Negara, Bali, February 14, 1984. Learned to write poetry since high school when he joined the Cultural Paper Community under the care of the poet Nanoq da Kansas. His poems have been published in Warta Bali, Jembrana Post, Independent News, Riau Pos, Bali Post, Jogja Review, Serambi Indonesia, Denpost, Tribun Bali, tatakala.co, balebengong.id, qureta.com, gallerybukujakarta.com, simalaba. net and Dian Sastro's Poetry Anthology for President! End of Trilogy (INSIST Press, 2005) and Chewing Geram (One Hundred Poems Against Corruption) published by the Manikaya Kauci Foundation, the Corruption Eradication Commission (KPK) and Jatijagat Kampung Poetry (2017). His poetry collection entitled “Notes Pulang” was launched in January 2018. Angga works as a journalist in Denpasar.. Angga works as a journalist in Denpasar.)
James Danandjaja + (April 13, 1934 - October 21, 2013. James … April 13, 1934 - October 21, 2013.James Danandjaja obtained a bachelor's degree in Anthropology in 1963 from the Faculty of Letters, University of Indonesia. He also obtained a doctorate in Psychological Anthropology from the University of Indonesia in 1977. For the writing of his scientific work he conducted research for approximately a year in the Trunyan area of Bali, and produced the book Culture of the Trunyan Village Farmers in Bali, which was published in 1980. James Danandjaja who whose real name is James Tan, with the nickname Jimmy, was appointed Professor of the University of Indonesia in 1983.He was the first Indonesian folklorist, starting to pursue the science since he studied at the University of California, Berkeley, in 1969. His mentor at that time was Alan Dundes, a prominent folklorist from the United States. With a paper entitled An Annotated Bibliography of Javanese Folklore, which was later made into a book, he obtained a master's degree in folklore from the university in 1971.Upon his return to Indonesia, in 1972, he taught the science at the Department of Anthropology, FISIP, University of Indonesia. According to him, folklore which is part of culture in the form of folk language, traditional expressions, puzzles, legends, fairy tales, jokes, folk songs, fine arts, etc., is closely related to the culture of a society. For this reason, he assigned his students to collect various folklores in the country. These writing materials were later made into a book with the title Indonesian Folklore (1984). In addition, he also wrote several other books related to folklore, such as Guidance on How to Collect Folklore for Archiving (1972), and Some Problems with Folklore (1980).), and Some Problems with Folklore (1980).)
Ni Putu Apriani + (April Artison is the pen name of Ni Putu A … April Artison is the pen name of Ni Putu Apriani. Born in Tuban, Badung, Bali, April 12, 1991. A graduate of Communications and Religious Information from IHDN Denpasar. Since she was a teenager, she has been active in literature and theater. In 2016, she was invited to read poetry at the 5 Asean Countries Poets Gathering in Singapore. Her poetry was published in the book Klungkung: Tanah Tua, Tanah Cinta (2016). Klungkung: Tanah Tua, Tanah Cinta (2016).)
Helen Creese + (Associate Professor Helen Creese's researc … Associate Professor Helen Creese's research interests include Balinese textual and literary traditions, Balinese history and historiography and gender. Her research spans historical and contemporary periods. It draws extensively on indigenous textual traditions written in Indonesian, Balinese, Old Javanese as well as colonial sources in Dutch and French. Her publications include translations of both classical and modern texts.She is the author of Bali in the Early Nineteenth Century: The Ethnographic Accounts of Pierre Dubois (2016); Women of the Kakawin World: Marriage and Sexuality in the Indic Courts of Java and Bali (2004); Guide and Index to the Hooykaas-Ketut Sangka Balinese Manuscript Collection in the Australian National University Library (2004); and Parthayana: The Journeying of Partha. An Eighteenth-Century Balinese Kakawin (1998). She has co-edited 'The Stigmatisation of Widows and Divorcees (janda) in Indonesian Society,' Special Issue of Indonesia and the Malay World (with Lyn Parker, 2016); From Langka Eastwards: The Ramayana in the Literature and Visual Arts of Indonesia (with Andrea Acri and Arlo Griffiths, 2011); 'Gender, Text, Performance and Agency in Asian Cultural Contexts,' Special Issue of Intersections: Gender and Sexuality in Asia and the Pacific (with Rosie Roberts, 2008); Seabad Puputan Bali: Perspektif Belanda dan Bali (with Henk Schulte Nordholt and Darma Putra 2006); and 'Old Javanese Texts and Culture,' Special Issue of Bijdragen tot de Taal , Land- en Volkenkunde (with Willem Van der Molen, 2001).Her current research projects include an investigation into textual traditions, identity and cultural production in contemporary Bali, a literary history of Bali, and a number of projects on precolonial Balinese history.She was elected as a Fellow of the Academy of Humanities of Australia in 2007. She serves on an number of editorial advisory boards including the Southeast Asian Publications Series of the Asian Studies Association of Australia, Asian Studies Review, Intersections: Gender and Sexuality in Asia and the Pacific and Indonesia and the Malay World.Pacific and Indonesia and the Malay World.)
I Wayan Sadha + (Author and cartoonist I Wayan Sadha was bo … Author and cartoonist I Wayan Sadha was born in Jimbaran, on July 29, 1948. He attended guard school until grade 2 of Sekolah Rakyat. I Wayan Sadha has a lot of experiences having worked as a fisherman, laborer, tradesman, gardener, traveling photographer, until he became a journalist and most recently, a cartoonist and author. He created the dog cartoon character "Somprét" which is unique with satirical elements regarding Balinese social and cultural problems.He often participates in cartoon exhibitions with artists in Denpasar, has been invited to exhibit with Prakarti at the ARMA Muséum, Ubud, Bali Biénnalé and others. Won 3rd place in Photo “Bali Tourism 1981” and the 2010 Rancagé Literature prize with his book entitled “Léak Pamoroan”. His cartoons and short stories have been published in The Archipélago magazine, English Corner, Bali cho, Nusra Daily, Sarad Magazine, Poléng Magazine, and Taksu Magazine. He was a resource person at the event Sandyakala Sastra #5 in 2010 with Ida Bagus Wayan Widiasa Kenintén at Bentara Budaya Bali. He died on January 28, 2015.His published books are:Bali in the Eyes of the Somprét (Cartoon, 1994),The dog of Bali Somprét Celotéh Dog Bali (Cartoon, 2008),Léak Pemoroan (short story collection, 2009),Paruman Betara (short story collection, 2014).man Betara (short story collection, 2014).)
Ayu Putu Feny Abrina Putri + (Ayu Putu Feny Abrina Putra, born in Penest … Ayu Putu Feny Abrina Putra, born in Penestanan Kelod, Ubud, October 5th, 1992. She graduated from Fine Art Education in ISI Denpasar. She has exhibited in "Ekspresi Indonesiaku" in Nasional Indonesia Museum (2014), "Brutal Art Work" in dolf Bonnet Tjampuhan Ubud Studi (2016), "Merdeka dalam Ekspresi" in Taman Budaya Bali (2019)alam Ekspresi" in Taman Budaya Bali (2019))
I Made Jata + (Batuaninteractive.com: "About fifteen year … Batuaninteractive.com:"About fifteen years old at the time of making the pictures in the collection, Djata had been painting about two or three years. He said that he was self-taught be he had watched Ngendon at work. He visited the homes of the Western painters Bonnet and Spies, and showed them his work for criticism. He was a member of their group, Pita Maha. Djata was the son of a very poor carpenter. He hadnot been to school but could speak a littleMalay. Djata was an apprentice to a shadow puppet maker in Batuan, Dewa Putu Kebes, and the details of the headdresses and clothing in his drawings are taken from puppets. He was also close to Ngendon, who demonstrated how to draw rounded human bodies, especially nudes. In 1948, Connect appointed Djata teacher of art in a short-lived artisan's school established by the colonial government in Batuan. In the 1980s Djata was still painting, in much the samestyle as these pictures. His son also become a fine painter in the late 1970s. Djata produced twenty-seven pictures in this collection."twenty-seven pictures in this collection.")
Drs. I Wayan Selat Wirata + (Behind the beauty of a literary work, of c … Behind the beauty of a literary work, of course there is an author / writer who made it. A person who is able to produce literary works must have reasons and origins that make him successful in making literary works. It is possible, starting from a sense of awe, someone can produce an extraordinary literary work and attract many people.One of the writers who succeeded in producing literary works that came from a sense of awe and interest in the world of literature, namely Drs. Wayan Wirata Strait. He was born in Badung, July 20, 1959. He is the son of Mr. I Ketut Ordin (late) and Mrs. Ni Nyoman Rajug (late). He has his address at Br. Umakepuh, Ds. Buduk, District. Mengwi, Kab. Badung. He currently serves as the Chairman of the Widya Sabha, Badung Regency. The awards he has ever won include: 1st prize winner of the Palawakya District Competition. Badung, 2nd Place in Palawakya Prov. Bali, Kerti Budaya Kab. Badung.The literary works that he made include: Poems (Besakih, Kisi-Kisi Pasisi Seseh), Short Stories (Cetik Dadong Tanggu), Geguritan (Matatah, Melasti, Sri Tatwa). Of all his literary works, he is more interested in his Geguritan entitled Geguritan Melasti, because in his work he can give tattwa about melasti, pengrupukan/tawur agung, nyepi and ngembak geni. Then there is Geguritan Matatah which contains the meaning and philosophy of matatah/cutting teeth, and Geguritan Sri Tattwa which contains agriculture in the fields. He created literary works because of his own desire, who likes to study literature and wants to create literary works like his predecessors.eate literary works like his predecessors.)
I Gusti Putu Windya + (Biography Name : I Gusti Putu Windya. lat … Biography Name : I Gusti Putu Windya. late. He died in 2010. Wife : Gusti Ayu Nyoman Date He has 6 children, one of his children has died and I got this information from his 4th child named Gusti Ayu Agustini. His address is at the market banjar, Yehembang village, Mendoyo sub-district, Jembrana district. Performance : He has won many awards, the highest of which is the Kusuma Madya award (1990), with his most famous work being Geguritan Cangak. In addition, he also composed several geguritan including Geguritan KB which brought him to become the 2nd winner of the provincial level geguritan competition. In addition, he also has many other works, but many of his works claim that they do not have copyright. Work : Apart from composing geguritan, he is also active in painting and carving, and he has also established a painting and carving studio, and he is self-taught in literature. He was also previously offered a work contract in Germany to teach painting but was refused. And he was a member of the assessment team for the awarding of the Dharma Kusuma art award at the level I province of Bali in the 1994/1995 fiscal year. Special note : I got this information from a resource person, namely Gusti Ayu Agustini who is his 4th child who is also the heir of the late. Gusti putu windya. He said that alm. Mr. Gusti Putu Windya has a biographical book, but it is not in place at this time because it was brought to Germany and has not been returned as well as several documents related to his work which were also borrowed and have not been returned until now. In addition, in 2015 the geguritan cangak was adapted by Malaysia by making the cartoon character 'stork and crab' in animation in ancient times without the permission of the late heir. Gusti putu windya.ssion of the late heir. Gusti putu windya.)
I Gusti Putu Windya + (Biography Name : I Gusti Putu Windya. lat … Biography Name : I Gusti Putu Windya. late. He died in 2010. Wife : Gusti Ayu Nyoman Date He has 6 children, one of his children has died and I got this information from his 4th child named Gusti Ayu Agustini. His address is at the market banjar, Yehembang village, Mendoyo sub-district, Jembrana district. Performance : He has won many awards, the highest of which is the Kusuma Madya award (1990), with his most famous work being Geguritan Cangak. In addition, he also composed several geguritan including Geguritan KB which brought him to become the 2nd winner of the provincial level geguritan competition. In addition, he also has many other works, but many of his works claim that they do not have copyright. Work : Apart from composing geguritan, he is also active in painting and carving, and he has also established a painting and carving studio, and he is self-taught in literature. He was also previously offered a work contract in Germany to teach painting but was refused. And he was a member of the assessment team for the awarding of the Dharma Kusuma art award at the level I province of Bali in the 1994/1995 fiscal year. Special note : I got this information from a resource person, namely Gusti Ayu Agustini who is his 4th child who is also the heir of the late. Gusti putu windya. He said that alm. Mr. Gusti Putu Windya has a biographical book, but it is not in place at this time because it was brought to Germany and has not been returned as well as several documents related to his work which were also borrowed and have not been returned until now. In addition, in 2015 the geguritan cangak was adapted by Malaysia by making the cartoon character 'stork and crab' in animation in ancient times without the permission of the late heir. Gusti putu windya.ssion of the late heir. Gusti putu windya.)
I Made Arya Palguna + (Born in 1976 in Ubud, Bali, he first learn … Born in 1976 in Ubud, Bali, he first learned painting under his father, I Ketut Sudana, a well-known painter in his own right. He received his Bachelors degree from ISI Yogyakarta in 1996 and he has lived in Yogyakarta since. A versatile artist, his distinctive style appears in his paintings, sculptures and other three-dimensional objects, and installation art, even performance art and murals. He has exhibited extensively in Indonesia and abroad.He has received many commissions (for murals and performance art works) and has been invited to various workshops, fellowships, and residency programs, most recently at Muong’s Cultural Museum, Vietnam (2012). He is a two-time finalist of the Philip Morris Art Awards (2011, 2012) and finalist at the Indofood Art Awards (2002).inalist at the Indofood Art Awards (2002).)
Ni Wayan Idayati + (Born in Denpasar, April 14, 1990, Ni Wayan … Born in Denpasar, April 14, 1990, Ni Wayan Idayati writes poetry, essays and journalistic news. Her poetry has been published in the People's Mind, Bali Post, Lombok Post, Bali Sruti Journal, Le Banian Journal (Published in France). Her essays were published in Tempo, the Bali Tribune, Esensi & Nuansa Magazine (published by the Language Agency) and the Bali Tribune. Together with the Denpasar Sahaja Community, they are active in arts, culture, and literary discussions, as well as fostering creative communities and now they are part of the program at Bentara Budaya Bali (the cultural space of Kompas Gramedia).In 2018, her poems passed the curation number for poetry anthologies and poet gatherings, including: Poet Gathering “From the Land of Poci 8: Negeri Bahari” in Tegal, Central Java; the anthology “Smile of the Valley of Ijen” and the National Literature Camp in Banyuwangi; Southeast Asian Poets Meeting 2018 in Padang Panjang; National Poets Meeting in Pematangsiantar; a poetry anthology with “Women Seeing the World” by the Sangkar Buku Community in Mojokerto and a poetry anthology with “Perempuan Bahari” (soon to be published).She was invited to the VI Nusantara Poets Meeting (PPN) in Jambi (2012) and the 2015 Bali Emerging Writers Festival (BEWF), an annual literary festival that is part of the Ubud Writers and Readers Festival (UWRF) program. Entered in 175 Poets Selected Poetry Anthology From Negei Poci 6: Land of the Sea (2015), 39 Poets Chosen Poetry Writing Contest “Under the Black Umbrella” Indonesian Art Project Mourning (2015), 50 Poetry Chosen Poetry Competition for Andalas Coffee Community National (2013), the Top 5 of the Best Poetry Contest in the Archipelago (SCKS), and the Top 6 of the Best Poetry RBSCKS (2012) which were held at the Udayana Faculty of Letters (2012).Her poems are also collected in the Book of Joint Poetry Anthology “Dendang Denpasar, Nyiur Sanur” (2012), Poetry Anthology of the VI Nusantara Poets Meeting “Sauk Seloko” (2012), Joint Poetry Anthology of Andalas Coffee Community Poetry Competition (2013), Poetry Anthology From the Land of Poci 6: The Land of the Sea (2015), The Anthology Book “From Fear to Be Strong” The Indonesian Art of Mourning Community Berkabung (2015), The Anthology of Poetry Books “Klungkung” (2016), The 2016 Indonesian Poetry Day Anthology Book 'Matahari Cinta Samudera Kata' , Anthology of Spiritual and Social Poems "Cavalry Night", published by Abdurrahman Wahid Center UI (2017).blished by Abdurrahman Wahid Center UI (2017).)
I Dewa Ketut Alit + (Born to a family of artists in Pengosekan … Born to a family of artists in Pengosekan village in Bali, Dewa Ketut Alit was immersed in Balinese gamelan from early childhood. His father Dewa Nyoman Sura and his oldest brother Dewa Putu Berata were the most influential teachers in his life. He began performing at age 11, and by age 13 was playing ugal (the leading instrument) in his village’s adult group, Tunas Mekar Pengosekan. 1988-1995 he played in the internationally acclaimed Gamelan Semara Ratih of Ubud village, touring internationally.In 1997, a year before graduating from Academy of Indonesian Performing Arts in Denpasar (STSI Denpasar), Dewa Alit and his brothers founded Çudamani which immediately acknowledged as one of the best gamelan groups and went on their own international tours. Seeking a wider path for expressing his approach to new music in gamalen, Dewa Alit founded his own gamelan group in 2007, Gamelan Salukat, performing on a new set of instruments of Alit’s own tuning and design.As a composer, Dewa Alit is generally acknowledged as the leading figure of his generation in Bali. His “Geregel” (2000) was influential both in Bali and abroad, and was the subject of a 50 page analysis in the “Perspectives on New Music”. One of his compositions written for a Boston-base gamelan group Galak Tika, “Semara Wisaya” was performed at New York Carnegie in 2004 and another composition “Pelog Slendro” appeared at Bang on a Can Marathon in June 2006.The list of his compositions for non-gamelan ensembles includes music for MIT's Gamelan Electrika, Talujon Percussion (USA) and Ensemble Modern (Frankfurt, Germany). As a collaborator, Dewa Alit has worked with musicians and dancers from around the world. These include a contemporary theater production Theatre Annees Folles (director: Alicia Arata Kitamura, Tokyo), a butoh dancer Ko Murobushi, contemporary dancers Min Tanaka and Kaiji Moriyama, and Noh master Reijiro Tsumura. Moriyama, and Noh master Reijiro Tsumura.)
Made Gede Wiguna Valasara + (Born: 1983 Hometown: Gianyar, Bali Based … Born: 1983Hometown: Gianyar, BaliBased In: Gianyar, BaliMade Gede Wiguna Valasara is an artist who deeply engages in painting and sculpture, his most known works are the ones with stuffed canvas technique. His subject matter varied from his reinterpretation on Bali Traditional Painting to appropriation on Renaissance and Modern Paintings. He completed his studies at FSR ISI Yogyakarta (2007). He has participated in no less than 29 group exhibitions and three solo shows. His solo exhibitions include Animal Behaved, MonDecor Art Space, Jakarta, and Selasar Sunaryo Art Space, Bandung (2010); as well as Marshalling Lines and Colors, Galeri Canna, Jakarta (2009). His works won a number of awards, including finalist at the UOB Painting of the Year (2012); finalist at the 2010 Indonesian Art Award; Best Painting at ISI Yogyakarta’s 23rd Dies Natalis (2007). In 2011, he was artist-in-residence at Selasar Sunaryo Artspace, Bandung.ence at Selasar Sunaryo Artspace, Bandung.)
Catur Yudha Hariani + (Catur Yudha Hariani was born on September … Catur Yudha Hariani was born on September 14 in Trawas, Mojokerto, East Java. After graduating from High School (SMA) in 1990, she became an environmental activist and joined the Seloliman Center for Environmental Education (PPLH) in Trawas. In 1997, PPLH Bali established a branch in Sanur where Catur worked on a casual basis. Then in 2002, she was appointed Director. Catur handles a number of environment-related programs. Among these are waste management, education and community facilitation for dealing with the self-management of waste, and waste management workshops for students. Catur is very much devoted to her life as an environmental activist. She is also known as one of the activists in the movement rejecting the reclamation of Benoa Bay.nt rejecting the reclamation of Benoa Bay.)
Chandra Yowani + (Chandra Yowani, born in Denpasar, February … Chandra Yowani, born in Denpasar, February 10, 1971. She has been writing poetry since 1981. She has joined the Sanggar Cipta Budaya under the guidance of Gm Sukawidana. Her poems have been published in the Bali Post, Nusa Tenggara, and Gadis Magazine, as well as in the books Rindu Anak Mendlang Kasih, Yarns of Bianglala, Di Tangkai Mawar Mana, and Peladang Kata. Now she is a permanent lecturer at Udayana University. permanent lecturer at Udayana University.)
Ni Putu Citra Sasmita + (Citra Sasmita, whose full name is Ni Putu … Citra Sasmita, whose full name is Ni Putu Citra Sasmita, was born in Tabanan, Bali, March 30, 1990. Her name has become known in Indonesian fine arts through her paintings, installation art and performance art which have been exhibited at home and abroad. Citra is one of the recipients of the Gold Award Winner in the 2017 UOB Painting of The Year painting competition for the professional artist category. Citra's works often represent women's issues, especially regarding cultural identity, the position of women in patriarchal culture and social and cultural realities.Citra grew up in a family of traditional performing artists who often performed from village to village in Hindu ritual ceremonies in Bali. That's when she became interested in the world of art. Citra studied at the Faculty of Letters, Udayana University (2008) and the Faculty of Mathematics and Natural Sciences, Ganesha Education University (2009), because her desire to continue her painting studies was not approved by her late father, who was then a Chemistry teacher.However, her dream as an artist grew again when she joined a campus theater group and became a short story illustrator in the Bali Post daily. It was when she became a short story illustrator that she began to explore the world of art on a self-taught and actively participates in exhibitions in Bali and outside Bali. The two fields of science (literature and science) that she has studied have guided her work in formulating ideas and social issues.In 2016, her work which was exhibited at the exhibition "Bali Art Intervention #1" was highlighted because it presented a female figure kissing a pig's head, presenting images of Balinese women's cultural life under psychological and social pressure, as the title of the exhibition presented critical works. about the dark side of the island of Bali. Then in 2016 in the exhibition “Merayakan Murni”, an exhibition dedicated to the painter Murniasih (1966-2006), Citra presented an installation of 100 pieces of ceramics combined with the hanging scales “Mea Vulva, Maxima Vulva” which represents the inequality of social class and people's habits. Some of her works have also been exhibited in Melbourne in an exhibition entitled Crossing Beyond Baliseering.tion entitled Crossing Beyond Baliseering.)
Gede Suanda + (Contemporary art is an empowering communic … Contemporary art is an empowering communication platform allowing artists to give a visible presence to the invisible. The artist’s role is often to highlight important socio-political and environmental issues to create awareness and hopefully change. Gede ‘Sayur’ Suanda is a multi-talented contemporary Balinese artist who expresses statements about the rapid changes engulfing Bali in both 3-dimensional works as well as paintings. In 2015 Sayur’s landmark installation ‘Last Defence’ was presented in ‘Violent Bali’, a group exhibition by sixty of Bali’s finest contemporary artists at the Tony Raka Gallery in Ubud. The towering 3-metre-high impression of the ‘rook’ chess piece made from bamboo, dried rice stalks and husks was his comment concerning the rapid transformation of rice fields in Bali for modern development. According to the artist, the rice fields are vital to the Balinese way of life, which is constantly under threat and the last defence of the culture, which is increasingly vulnerable to change.More recently, Sayur has channelled his creativity into contemporary paintings. As a child, he learned the technical aspects of Balinese painting passed down through the generations. Drawing is the basic fundamental of Balinese painting and the initial process of rendering the composition details. The application of paint with small hand-crafted bamboo brushes follows various technical, traditional guidelines. The physical action is similar to drawing or colouring in.The ancient classical Balinese religious paintings that decorate the temples throughout the island function as a collective expression of ideas from the community to the Balinese Gods and ancestors. During the last century, technical aspects of these sacred paintings merged with western painting techniques and individual ideas. As a result, various village styles or “schools” of painting evolved from the 1920s onwards, catering to new tourist markets.A distinct aspect of traditional Balinese painting is that all visual information is contained within black outlines. When observing these paintings, flowing lines and rhythms entertain our eyes as we traverse the composition from left to right and from the top down. Natural universal rhythms are inseparable from daily life and determine the timing of the many Balinese religious ceremonies and cultural practices. Visual rhythms, therefore, are a unique and essential essence of Balinese painting.From 1999 – 2006, Sayur studied fine art at the Indonesian Institute of the Arts of Yogyakarta. Living and learning outside the cultural restraints of his village opened him to new ideas, creative influences and time to explore different artistic possibilities. Such an experience is instrumental for the Balinese to help them break free from the rules and collective mindset that define Balinese painting. In doing so, they may create compositions to express personal ideas constructed with modern western painting techniques. Sayur’s time living within a foreign culture allowed him to perceive his upbringing and the ever-changing dynamics of modern Bali through a new lens. Richard Horstman@lifeasartasiaw lens. Richard Horstman @lifeasartasia)
I Gusti Putu Sudharta + (Dalang (shadow master) I Gusti Putu Sudart … Dalang (shadow master) I Gusti Putu Sudarta PhD, was born into a family of artists in Bedulu village and has been performing music, dance, and shadow theater since he was six years old. He is a permanent faculty member in the theater department at Indonesian Institute of the Arts (Bali) and holds a masters and PhD in theater from the National Institute of Arts in Solo, Java. He regularly performs various forms of traditional Balinese music, mask dance and wayang kulit (shadow theater) in ceremonial contexts and has taken part in several international tours and inter-cultural experimental music and theater projects.l experimental music and theater projects.)
Jalan Rusak di Kabupaten Buleleng Penghubung Desa Bukti dan Desa Tanjung Perlu Perhatian Pemerintah Bali + (Damaged Roads in Buleleng Regency Connecti … Damaged Roads in Buleleng Regency Connecting Evidence Village and Tanjung Village Need Attention from the Bali Government.Om Swastyastu,We respect Mr. Teacher and brothers and sisters who we love very much.First of all, we would like to express our gratitude to Ida Sang Hyang Widhi Wasa, because it is thanks to Him that we can express opinions regarding issues that must be paid attention to by the Bali government. Where you can see that there are lots of damaged roads in Bali, such as Jalan Merak, Buleleng Regency, which is precisely the link between Evidence Village and Tanjung Village.From the information we got, this road has been damaged for quite a long time, even for years, according to residents there. Local residents said that this street had already been patched using cement with the residents' limited funds, but it was damaged again, and local residents even said that this street had gone viral before, until it was planted with banana trees.The roads are so damaged that residents feel like they are riding horses. Due to the damaged roads, residents often fall and fall, especially when it rains, the roads are slippery.Evidence Village Head, Gede Wardana, said the road had been damaged for a long time. The village cannot repair the road because it is not within their authority.The solution to this problem is that the government promises that the roads will be repaired by 2024.That's all we can say. More or less sorry. We close with paramasanthi.Om Santhi, Santhi, Santhi Om.aramasanthi. Om Santhi, Santhi, Santhi Om.)
Dewa Ayu Carma Citrawati + (Dewa Ayu Carma Citrawati, born in Getakan, … Dewa Ayu Carma Citrawati, born in Getakan, Klungkung, Bali, February 24 1990. Completed undergraduate studies at the Bali Literature Study Program FIB Udayana University in 2011. In 2017 completed master's studies at the Postgraduate Pure Linguistics program FIB Udayana University. He has published several books such as Smarareka (2014), Sumanasa Sekuntum Liberation (Adaptation of Kekawin Sumanasantaka, 2019), Aud Kelor (2019). He received the highest award in the field of Balinese Literature from the Rancage Cultural Foundation in 2017 for his short story collection entitled Kutang Sayang Gemel Madui (2016). Experienced in teaching, was a Balinese language teacher at SMPN 3 Denpasar (2011-2018), Balinese Language Instructor in Klungkung Regency (2016-2017). Until now, he is still actively involved in various development activities related to Balinese language, literature and script. From 2018 until now, he has been actively writing Balinese language articles on Wikipedia Bali under the auspices of the Wikimedia Denpasar community. For his dedication to the Wikimedia community, the development of Balinese language and script, the Wikimedia Foundation awarded him the Wikimedian of the year award, as The Newcomer of the year 2021.r award, as The Newcomer of the year 2021.)
Dewa Ayu Eka Putri + (Dewa Ayu Eka Putri is an artist-anthropolo … Dewa Ayu Eka Putri is an artist-anthropologist and is currently a dance instructor at the critically acclaimed arts organization, Sanggar Cudamani. She received her B.A. from Universitas Udayana in cultural anthropology and is a leading figure in women’s gamelan ensembles all around Bali. Born into a family of artists, Dewa Ayu is internationally known for her collaborations of traditional and contemporary works in theater, music, and dance while actively working as a freelance research assistant. The majority of her work advocates for the legal protection of women and children which is highlighted in various discursive artistic modalities.in various discursive artistic modalities.)
Dewa Gede Purwita + (Dewa Gede Purwita is a lecturer in the fie … Dewa Gede Purwita is a lecturer in the field of Visual Communication Design at the Bali Design and Business Institute. Dewa is also a painter and writer known by the pen name Purwita Sukahet. He expressed his deep interest in the work of I Ketut Gede Singaraja in a solo exhibition dissecting the works of this painter from Buleleng who is famous for his pictorial realism style in 2019.s for his pictorial realism style in 2019.)
Dewa Made Beratha + (Dewa Made Beratha was born in Gianyar, Bal … Dewa Made Beratha was born in Gianyar, Bali, 12 July 1941. He is a former Governor of Bali who served two terms, namely 1998-2003 and 2003-2008. Long before that he served as Regent of Bangli for the 1968-1970 period.He completed his education in Social and Political Sciences at Gadjah Mada University, Yogyakarta. He began his career in 1967 as regional staff secretary for Bangli Regency, and one year later was elected Regent of Bangli. Then he became a member of the Bali DPRD from 1970 to 1998, before finally becoming Governor of Bali. before finally becoming Governor of Bali.)
Dewa Putu Bedil + (Dewa Putu Bedil was born in Ubud, Bali, in … Dewa Putu Bedil was born in Ubud, Bali, in 1921. Died in 1999. Bedil was one of the youngest members of the Pita Maha group he joined in 1936. With the encouragement and direction of Rudolf Bonnet, he developed a unique painting style with color - elegant color. He often depicts daily life, rituals, or dance in his paintings. The figures in his paintings are sleek and surreal. His works have been collected by the Bali Cultural Park (Denpasar, Bali), Tropen Museum (Amsterdam, Netherlands), Rijksmuseum voor Volkenkunde (Leiden, Holland), the National Museum (Jakarta), and many world-class collectors. He has exhibited his works at home and abroad, such as at the Jakarta National Museum and at the Indonesia-Japan Friendship Festival (Morioka, Tokyo, 1997).riendship Festival (Morioka, Tokyo, 1997).)
Dewa Putu Kantor + (Dewa Putu Kantor, born in Sukawati, Gianya … Dewa Putu Kantor, born in Sukawati, Gianyar, 1957. He is a traditional painter who adheres to the Batuan painting style. He learned to paint the Batuan technique from the painters Dewa Putu Mangku, Dewa Made Jaya, and Made Body. For more than nine years he has absorbed the famous Batuan style painting technique with the concept of a picture space that is full, complicated, dark in color and without a clear focus.He then simplified the complex style into the pulling and twisting of lines that form a certain shape without any Chinese ink coating process. The drawings rely solely on the strength of the lines that affect the integrity of the work. The themes of his works have also changed, from wayang stories to the daily themes of rural communities. He became known as a neo-traditional painter because he portrayed the daily life of Balinese rural people in the contemporary era. He returns the power of Balinese painting to its core, namely, lines. At first glance, his drawings remind people of the works of I Gusti Nyoman Lempad.The wholeness and strength of his work rests on the simplicity and sharpness of the lines. Using Chinese ink and a small bamboo brush, he draws the atmosphere of the market, the penggak stall, the tajen, the ceremony at the temple, the village youth playing the gamelan, the car with its cargo, the children with their games, folklore, the girl bathing in the river, and various activities. village life. The subject matter he works on is funny, naive, ridiculous, satire, full of irony and of course, refreshing.His works have been exhibited singly or together in a number of galleries, including a solo exhibition at the Duta Fine Arts Gallery, Jakarta (1999), a joint exhibition “Mother Rupa Batuan” at Bentara Budaya Bali (2019).upa Batuan” at Bentara Budaya Bali (2019).)
I Dewa Putu Mokoh + (Dewa Putu Mokoh was the first of six child … Dewa Putu Mokoh was the first of six children. He was born in Pengosekan, Ubud in 1936. His father, Dewa Rai Batuan, was an undagi (traditional Balinese architect) and famous gamelan musician. His mother, Gusti Niang Rai, was an expert in making lamak (decoration for offerings). Mokoh only had three years of education at the People's School (SR), equivalent to elementary school. Mokoh began to study drawing when he was about 15. However, his desire to become a painter had troubled his heart since childhood. Unfortunately, his father strongly opposed his desire to become a painter and rather wanted him to work in the fields, husbanding ducks and cows. For his father, painting was just a waste of time and didn’t generate any income. However the teenage Mokoh had plenty of initiative. Though he was busy working in the rice fields, he often managed to find time to play at the home of his uncles, I Gusti Ketut Kobot and I Gusti Made Baret. He loved watching and admiring them while they were painting and he also learned a lot of traditional art techniques from them: such as sketching, colour blocking, shading, highlighting, and gradation.*Mokoh later met Rudolf Bonnet (1895-1978), a Dutch painter who had lived in Ubud since 1929. Bonnet was one of the initiators and founders of Pita Maha (1936) and the Ubud Painters’ Group (1951). Mokoh was keen to show Bonnet the drawings and paintings that he had learned to create from his uncles.Bonnet taught Mokoh the principles of modern painting. These included techniques for color recognition, mixing colors, composition, discovering one’s own creativity, as well the principle of freedom in painting. Bonnet always suggested that Mokoh search for his own creativity rather than follow in the footsteps of Kobot and Beret who focused on traditional themes. As a result of this contact with Bonnet, Mokoh experienced enlightenment. His confidence grew. He began to realize that good paintings did not have to have Ramayana and Mahabarata themes with complicated compositions filling the image area. Mokoh felt that the purpose of such paintings was to disguise the lack of ability of the painter to work on images. For Mokoh, good paintings can also be based on objects around the painter, or created based on fantasy and imagination, with simple coloring techniques and image processing. A painter must dare to paint with different styles and objects, must dare to explore new possibilities. Over time, the themes of Mokoh’s paintings became quite diverse. He painted about everyday life, flora and fauna, folklore, the world of children, fantasy, erotica, or simple things that attracted his attention.In the context of art in Bali, Mokoh is an anomaly. By studying with Kobot and Baret, he was born into the realm of traditional painting. However, the advice of Bonnet and his friendship with Mondo opened his horizons to further develop himself in the thinking of modern art. Personal character is very strong in Mokoh's paintings which are often considered eccentric. He was not interested in painting the decorative things that usually appeared in traditional painting. However, with gentle strokes, he swooped straight onto on the subject matter that he portrayed through humorous, innocent, and often surprising narratives. Mokoh has broken through the Pengosekan or traditional style of painting that tends to be static and patterned. Using this ability with traditional painting techniques, he processed ideas and themes that were modern or even contemporary on his canvases. However, frequently there are no traces of traditional painting techniques to be found in his paintings. Mokoh is an innovator, a reformer, as well as a breaker of Pengosekan's style of painting. In addition to domestic exhibitions, Mokoh's paintings have appeared in many joint exhibitions abroad, including America, Australia, Denmark, Finland, the Netherlands, Germany, Italy, Venice. In 1995, Mokoh’s paintings were exhibited at a solo exhibition at Fukoaka Art Museum, Japan.* The original Balinese terms are: nyeket, ngabur, ngasir, nyigar, ngontur.: nyeket, ngabur, ngasir, nyigar, ngontur.)
Dewa Putu Sahadewa + (Dewa Putu Sahadewa was born in Denpasar on … Dewa Putu Sahadewa was born in Denpasar on February 23 1969. Since his youth, he has been active in the areas of literature, journalism, and theatre. He was active in the Sanggar Minum Kopi and helped initiate the Jatijagat Kampung Puisi. The anthologies of this poems are 69 Puisi di Rumah Dedari (69 Poems at Dedari's House) (2015) and Penulis Mantra (The Mantra Writer) (2016). He currently lives in Kupang and works as an obstetrician.es in Kupang and works as an obstetrician.)
Dewi Pradewi + (Dewi Pradewi (originally Ni Putu Dewi Aria … Dewi Pradewi (originally Ni Putu Dewi Ariantini) was born in Denpasar, Bali January 12th 1987. She is one of famous Bali Pop singer who started her career since 2000s. Her albums were "Bungan Tresna" (2001), “Muani Buaya” (2015), “Bermain Cantik” (2017, duet with Dek Arya). She is often invited to sing or become the master of ceremony (MC) in various grand events in Bali. Her other activities are Assistant of PHRI Bali chairman and Yoga instructor. During her teenage years, she actively joined poem reading competition. She has contributed to musical poetry event. She was graduated from Cultural Studies, Post Graduate School of Udayana University with thesis entitled "Konstruksi Stigma pada Perempuan Bali Bertato di Kota Denpasar” (Stigma Construction on Tattooed Balinese Woman in Denpasar City).Tattooed Balinese Woman in Denpasar City).)
Dr. Anak Agung Gde Alit Geria, M.Si. + (Dr. Anak Agung Gde Alit Geria, M.Sc., was … Dr. Anak Agung Gde Alit Geria, M.Sc., was born in Br. Petak, Petak Kaja Village, Gianyar Bali, on April 21, 1963. He completed his undergraduate education (Balinese Language and Literature) at the Faculty of Letters at Udayana University (1987) and earned a Master of Cultural Studies at the Postgraduate Program at Udayana University (2004). In 2012, he earned a Doctorate in Linguistics with a Concentration of Literary Discourse at the Udayana University Postgraduate Program with the dissertation title "Shiva-Buddhist Discourse in Kakawin Nilacandra: Reception Analysis". He worked in the Manuscripts section of the National Library of Indonesia, Jakarta (1990-1996). In addition, he was an Extraordinary Lecturer at the Faculty of Letters, University of Indonesia Jakarta (1990-1996). In addition, the Bali Provincial Library was also the place where he served in 1997-2005. Since 2006, he has been a PNS Dpk Lecturer at the Faculty of Language and Arts Education, Indonesian and Regional Language Education Study Program, IKIP PGRI Bali, LLDIKTI Region VIII. He has researched a number of lontar manuscripts. Not only researching, he also cataloged, transliterated, and translated them. He has written several books. Among others, Geguritan Uwug Kengetan (2014), Musala Parwa (2015), Prastanika Parwa (2016), Bhomakawya (2017), Shiva-Buddhist Discourse in Kakawin Nilacandra (2018), Ala-ayuning Dina Mwah Sasih (2018), and Kakawin Nilacandra XX Century (2019). and Kakawin Nilacandra XX Century (2019).)
Made Gde Subha Karma Resen + (Dr. Made Gde Subha Karma Resen, SH.,M.Kn i … Dr. Made Gde Subha Karma Resen, SH.,M.Kn is a faculty member in the Department of Law, Udayana University, Bali Indonesia. His expertise includes Agrarian Law, Health Law, and Environmental Law. Besides teaching, Dr. Resen also actively publishes academic papers, including one that is featured in the Scholar's shelf entitled The Legal Status of Established Business in the Pakraman Village (From the perspective of customary law in Bali Province), co-written with Putu Dyatmikawati, the former Rector of Dwijendra University, Bali Indonesia.r of Dwijendra University, Bali Indonesia.)
Ni Putu Tirka Widanti + (Dr. Ni Putu Tirka Widanti is a faculty mem … Dr. Ni Putu Tirka Widanti is a faculty member in Ngurah Rai University, Bali, Indonesia. Her expertise are public administration and public policy. She earned her doctoral degree in 2009 from Universitas 17 Agustus 1945 Surabaya with a dissertation entitled Model Kebijakan Pemberdayaan Perempuan Bali. Dr. Widanti is also the president of Yayasan Kul Kul, Green School Bali. She was also the former president of Universitas Ngurah Rai, Denpasar, Bali.of Universitas Ngurah Rai, Denpasar, Bali.)
Putu Ayu Sani Utami + (Dr. Ns. Putu Ayu Sani Utami, S.Kep., M.Kep … Dr. Ns. Putu Ayu Sani Utami, S.Kep., M.Kep., Sp.Kep.Kom is a lecturer in the Nursing and Ners Profession Undergraduate Study Program, Faculty of Medicine, Universitas Udayana. Her area of expertise is gerontic nursing which focuses on elderly health care, community empowerment, family self-care, Long-term care, rehabilitation, social work and capacity building. Aside from being a lecturer, she is also involved as a clinical instructor, conducting researchs, scientific publications, community services, student creativity programs and developing health education media related to the elderly healthcare. Her area of research is related to the promotion of elderly health, Long-term care and community empowerment. Long-term care and community empowerment.)
Putu Sabda Jayendra + (Dr. Putu Sabda Jayendra, S.Pd.H., M.Pd.H. … Dr. Putu Sabda Jayendra, S.Pd.H., M.Pd.H. was born in Singaraja, Buleleng, Bali on August 14, 1987. He is the first son of three children of the husband and wife couple, Drs. I Made Nuada, M.Pd. and Ni Ketut Suryaning. He completed Kindergarten education at Mutiara Singaraja Kindergarten in 1993, elementary school at SD Negeri 2 Banyuasri, Singaraja up to grade 4, (due to following his parents’ job mutation) and continued his study at SD Negeri 2 Pekutatan, Jembrana until graduating in 1999. After, he went to junior high school at SMP Negeri 1 Pekutatan, Jembrana and graduated in 2002. He went to high school at SMA Negeri 1 Pekutatan until the second year (following his parents' job mutation) and continued his study at State High School 1 Mendoyo, Jembrana until graduated in 2005. He took undergraduate until doctoral levels at the Denpasar State Hindu Dharma Institute (IHDN Denpasar) majoring Hindu Religion Study and Education. Dr. Putu Sabda Jayendra is an active author of several scientific publications and books. Most of his works explore educational practices in religious traditions and local wisdom (ethnopedagogy), some of which are “Barong Brutuk, Guardians of the Soul from the Land of Ancient Bali” (published in 2019) and “Mongah, Learning the Value of Life from Fern Men” (published in 2020). Currently, he is actively registered as a permanent lecturer at the International Institute of Tourism and Business in Denpasar Bali, and has also been teaching as a guest lecturer at several other universities, such as IHDN Denpasar, IKIP PGRI Bali, Mahasaraswati University Denpasar, STIE BIITM Denpasar, Bali State Polytechnic, Bali International Polytechnic, STAHN Mpu Kuturan Singaraja, and The London School of Public Relations (LSPR) Jakarta.In the activities of professional organizations and the socio-cultural sector, he is also actively involved. He becomes a member of the Indonesian Lecturer Association (2017-2022), an assessor of Tri Hita Karana Awards (2020) and the Indonesian Public Relations Association (PERHUMAS) with the position of Deputy Chairman I of BPC Denpasar.tion of Deputy Chairman I of BPC Denpasar.)
Drs. I Nyoman Aris + (Drs. I Nyoman Aris is a writer from Banjar … Drs. I Nyoman Aris is a writer from Banjar Kebayan, Tangeb Village, Abianbase Village, Mengwi District, Badung Regency. Drs. I Nyoman Aris was born on September 19, 1984. He is the son of the late. I Wayan Lanus and Alm. Ni Nyoman Namrug. His educational history is that he took the People's School (SR) in 1962, junior high school in 1965, KPG in 1978, PGSLP in 1980 and S1 majoring in Balinese Language and Literature in 1990. Drs. I Nyoman Aris is an educator at the Tangeb Carving Art Vocational School. In addition, he is also a farmer and often serves as a judge as well as a coach in the Utsawa Dharma Gita competition. He won many awards, one of which was the 1st place in Mekidung/Makakawin. His greatest work is Kidung Yadnya, other works such as the imba tembang (pupuh), the malajah makakawin guide, and the malajah makidung guide, complete with scales and notation, making it easier for us to learn makidung.making it easier for us to learn makidung.)
Drs. Ida Bagus Ratu Sanca, M.si + (Drs. Ida Bagus Ratu Sanca, M.Si is a Balin … Drs. Ida Bagus Ratu Sanca, M.Si is a Balinese writer from Karangasem. He was born on Friday Pon Julungwangi on April 4, 1952. He is the son of the late couple. Ida Pedanda Wayan Pidada and Ida Pedanda Istri Agung.Here I will discuss his geguritan work which he composed himself entitled "Geguritan Gering Agung Pandemi Covid Sembilan Belas". The contents of this geguritan are about the current Covid-19 situation. Where did this covid come from and how to prevent it. This geguritan contains 4 types of pupuh, namely Pupuh Dandang Gula (2 baits), Pupuh Sinom (11 baits), Pupuh Ginada (11 baits) and Pupuh Durma (11 baits).ada (11 baits) and Pupuh Durma (11 baits).)
Gumi Jani + (Dynastic politics is political power exerc … Dynastic politics is political power exercised by a group of people who are related by family ties (MK 10 July 2015). This is also a threat for us as a democratic nation to maintain the ideals of reform in 1998, with the issue of dynastic politics carried out by the 7th president of the Republic of Indonesia, namely Mr. Ir. Joko Widodo, who made his son a candidate for vice president and also chairman of a political party in Indonesia, is the basis for the issue that emerged in the form of the political dynasty he built. not to mention the marriage between Jokowi's younger brother and the MK's curtness that has created public perception regarding Jokowi's dynastic politics.The policy made by the Constitutional Court regarding the age limit for presidential and vice presidential candidates has become an issue that strengthens the issue of dynastic politics. Jokowi's appointment of Prabowo as defense minister was also beneficial for him (trempo magazine). This issue continues to be a hot topic during this political year. Defending the constitution to overcome the threat of dynastic politics is very important, especially under the supervision of the KPU, so for the sustainability of democracy it is very important that we implement democracy with true democracy.e implement democracy with true democracy.)
Elizabeth McLean Macy + (Elizabeth McLean Macy holds a PhD in Ethno … Elizabeth McLean Macy holds a PhD in Ethnomusicology from UCLA, an MA in Ethnomusicology from UC Riverside, and a BA in Music from Colorado College. Her dissertation researchaddressed the function of music tourism in post-disaster economies; in particular, it focused onthe function of music tourism in the recovery and rebuilding of post-Katrina New Orleans and inBali, Indonesia after the 2002 and 2005 terrorist bombings. Dr. Macy's current and ongoingresearch focuses on Balinese master musician I Made Lasmawan and his wife Ni Ketut Marniand the music and dance traditions of the village of Bangah di Baturiti in Bali. Currently aperforming member and secretary of Denver's Gamelan Tunas Mekar (https://tunasmekar.org/), she began studying the music of Indonesia with Lasmawan in 1996.She is a founding member of Sanggar Manik Galih (https://www.sanggarmanikgalih.org/), atransnational music and dance studio based in Bali and Colorado, the founder and manager ofGamelan Anak Manik Galih – the Denver Children’s Gamelan (https://www.sanggarmanikgalih.org/gamelan-anak-manik-galih-colorado), and teaches studyabroad courses in Bali on Balinese music, arts, and culture.Dr. Macy has previously held positions at the University of Denver, Skidmore College, ColoradoCollege, UCLA, Chapman University and CalArts, and was the founder and director of SkidmoreCollege's Gamelan Banyu Wali (an extension of Sanggar Manik Galih). She has taught courses onmusics of the world, global pop, music of Southeast Asia, music and disaster, tourism, hip hopand the blues, music, race, and class, and African American musical heritage.In her current position as Assistant Professor of Ethnomusicology at Metropolitan StateUniversity of Denver, Dr. Macy serves as Area Coordinator of Musicology and the department’sGlobal Music Ensembles. In Summer 2020 she developed a Visiting Artist Series on Music, Race,and Social Justice (https://msudenver.edu/music/events/mrsjvas/), which highlights the workof BIPOC musicians, performers, and scholars. Dr. Macy teaches courses on music and culture,global popular musics, and Black music in the United States.ics, and Black music in the United States.)
Ema Sukarelawanto + (Ema Sukarelawanto. Born in Tulungagung, Ea … Ema Sukarelawanto. Born in Tulungagung, East Java, July 2 1965. After graduating from the Faculty of Animal Husbandry, Udayana University in 1990, he became a journalist for the Bali Post until 1994. Then he became an editor at the NUSA Daily (1994-1998) and managed the Bali Tribune tourism magazine until it was closed after the Bali bombing tragedy. 2002. Next he joined the Indonesian Business Daily and became editor of Bisnis.com until he retired from this media group.Apart from being a journalist, he has been actively involved in several fine arts projects since 1993 as well as book publishing, both as a writer and packaging layout and graphic design. Some of them are Various Dimensions of Made Wianta's Artistry (Collection of Essays, 1998), The Holy Book Hanging on the Side of the Road in New York (Collection of Poems Made Wianta, 2003), The Sound of Calligraphy Made Wianta (2001), Dreamland-Made Wianta (2003), Calligraphy in Song-Made Wianta (2005), 4+1=Venezia (Panji Tisna, Made Kaek, Suklu, Made Wianta, 2003), Eternal Line-Stephan Spicher (2005), To Be World Class Services, Metamorphosis Process of PLN Bali Distribution (2006); Bali Tourism Pioneer Couple (Nyoman Darma Putra, 2012), Hadi Taryoto: Making Dreams Come True through Tourism (Nyoman Darma Putra, 2014), Culinary Tourism: New Attributes of Ubud Destinations (Putu Diah Sastri Pitanatri & Nyoman Darma Putra, 2016), and Tjokorda Gde Putra Sukawati: Carrying the Ancestor's Speech (Nyoman Darma Putra, 2016).Now he is active in the Rice Paper Community, Nitirupa Community, and building the news sites inibali.com and katarupa.id.ng the news sites inibali.com and katarupa.id.)
Luh Gede Gita Sangita Yasa + (Emerging female Balinese contemporary pain … Emerging female Balinese contemporary painter Luh Gede Gita Sangita Yasa has seemingly materialised from anonymity and appeared on the Bali art scene. After five years living in West Java, studying fine art at the Institute of Technology Bandung, she returned in 2020 to live in Batubulan, Bali. However, media exposure in international magazines and exhibitions in Java and Singapore preceded her. In 2021, her presence had become more “localised” by exhibiting in Bali. Refreshing and powerful suggestive Luh’De’s pictures captivate and reveal a fascinating lens upon life.Vibrant, yet unusual mindscapes depict alternative realities: Luh’De expresses a Gen-Z experience of dwelling in both the digital and natural worlds. As the first generation having grown up with immediate Internet and mobile digital technology access, members of Gen-Z are dubbed “digital natives”. Luh’De’s sensitivity pieces together seemingly unrelated, contrasting imagery into balanced compositions introducing the audience to fresh narrative realms she refers to as “fragments of memories”.For most people, the concept of existing simultaneously in parallel universes may be too abstract to process. Not for Luh’De. Curiosity infused with ingenuity is harnessed into images of the past, present and future which are unique within the Indonesian contemporary art world. Light years beyond the conventional Balinese painter, Luh’De never references traditional icons, narratives and techniques. Instead, she boldly investigates her potential and intuitive trajectory.Merging Pop Art, abstract and semi-realism styles often with a minimalist sense of space, blank areas on the canvas create interludes that allow us to pause and think. The outcomes are contemplative and uber-chic. Luh’De is the first Balinese woman artist to establish an identity upon such a compelling aesthetic formula.“My creative process begins by sourcing images from the Internet, screenshots from the online simulation game The Sims and other images I have collected. I then photoshop combinations into compositions I call ‘happy incidents’,” said Luh’De, who was born in Bali in July 1997 and worked briefly as a graphic designer. “At university I found myself working best in oil paints. I like that it takes around 8 hours for the paint to dry giving me time to manipulate my compositions into shape. This process helps me understand more about what I’m going through. I’ll connect everything, asking myself why this is here? This is where my instincts draw connections and make assumptions. The results are impossible to preconceive and often without meaning or explanation.” One of the greatest challenges for Balinese artist’s is to grow and to introduce change. Some settle on a formula which sells and then remain in a comfort zone, yet creatively stagnant. Others lack courage to break free and experiment and over time new horizons become increasingly difficult to achieve. Luh’De is a driven artist, whose work has technically and thematically evolved. From 2016-2018 she worked developing ideas and arranging different components to uncover a functional formula. During 2019-2020 she explored ‘PARADISO: On Fragments of Times’, a series inspired by beach scenes and people at leisure. “I grew tired of painting figures and beach themes. There was nothing more to dig and it was time to move on,” she told me. In 2020 Luh’De was diagnosed with depression and bipolar disorder and temporarily stopped painting. “When I began painting again, my old subject matter – the Paradiso Series– no longer represented me. I developed a liking towards sweets to help stabilise my moods, and I spent more time playing Sims as a form of escapism. I created a new ‘ideal’ personal painting reality I called my Sweet and Sour Series,” said Luh’De who was nominated in 2021 as a Finalist UOB Indonesian Painting of the Year – Established Artist Category.Richard HorstmanNOW Balirtist Category. Richard Horstman NOW Bali)
Putu Sayoga + (From The Phala, https://www.thephala.com/t … From The Phala, https://www.thephala.com/the-artist-photographer-putu-sayoga/Only a handful of photographers in Indonesia are into documentary photography. Compared to hard news photography, documentary requires more length of time when it comes to the creative process. Therefore, it demands work consistency and usually more production cost.With all those challenges, Putu Sayoga, a Bali based photographer, is still in love with this unique style of photography. As a self-taught, he started his career from scratch in 2009, when he was a college student in Gadjah Mada University, Jogjakarta. During that initial period, documentary photography was already appealing for him. This form allows him to be acquainted with his photo subjects and has a longer interaction with them, so later he could present works that are narratively and visually more powerful.Documentary opens up a wider horizon for Sayoga to expand his ideas and aspirations. It gives more space for him to tell the thorough stories of his photo subjects. Most of his photographs give a voice to the unheard inspirational figures and stories that are not yet sufficiently covered by the media. His works not only thought-provoking but poetically captured the genuineness and complexity of human beings.One of his intriguing projects is “Library with the Horse,” (2015). It is a touching story about Ridwan Sururi, a horse caretaker who dedicates his time to create a small mobile library called “Kuda Pustaka” that is attached to his horse. Every week Sururi and his horse go around his village in Purbalingga, Central Java, giving free access for kids to read books. This documentary has been published in international media such as The New York Times and Aljazeera. Surprisingly, following the publication, many people around the world contacted Sayoga and donated books for Sururi’s library. It is definitely an example of how powerful storytelling can be!Currently Sayoga has two ongoing projects. The first one started in 2013, encompasses the change caused by modernization at his own village that is located in a rural area in Bali. The other one entitled, “Living under the Volcanoes,” begins in 2017. This long-term project tells stories about the life of societies who over generations settle near the volcanoes in Indonesia; how they are living with the danger and their culture.There are more than 150 volcanoes in this country. For his ambitious project, Sayoga has explored 6 of them including Mount Agung, Mount Ijen, Bromo, Dieng Plateau, Sinabung, and Gamalama. He went from Sumatera, Bali, Java, to Moluccas to search for and experience authentic stories. This project has been published in various media like ZEIT Magazine, Post Magazine, and GEO.ike ZEIT Magazine, Post Magazine, and GEO.)
Gede Benny Setia Wirawan + (Gede Benny Setia WIrawan is a researcher i … Gede Benny Setia WIrawan is a researcher in Center for Public Health Innovation, a research unit in Udayana University, Bali, Indonesia. His current works mostly involve social determinants of health and health behavior, especially on HIV related risk behaviors. Since the COVID-19 pandemic he has work on projects related to mental health, HIV, and COVID-19 preventive behaviors.h, HIV, and COVID-19 preventive behaviors.)
Gede Geruh + (Gede Geruh, born in Pedungan, Denpasar, Ba … Gede Geruh, born in Pedungan, Denpasar, Bali, July 17, 1915. He is the maestro of the Gambuh dance. He has been pursuing dance since the age of six. Even though he was illiterate, he can master all kinds of songs in Old Javanese (Kawi) that accompany the Gambuh performance. Gambuh is estimated to have entered from Java to Bali since the reign of King Udayana in Bali, around the 10th century AD. In the mid-1960s, the Indonesian Dance Academy (ASTI, now ISI) Denpasar, made Geruh an important resource for researching and reconstructing the rare Gambuh dance. Geruh was once appointed as an Extraordinary Lecturer at ASTI Denpasar. From this Geruh, ASTI was then able to combine Gambuh with Gong Semar Pagulingan as an accompaniment so that the term Gambuh Anyar was born. Originally, the Gambuh dance was often accompanied by rabab and flute instruments.ccompanied by rabab and flute instruments.)
Gede Gunada + (Gede Gunada is a painter who was born in A … Gede Gunada is a painter who was born in Ababi Village, Karangasem, Bali, April 11, 1979. He studied art at SMSR Negeri Denpasar, then continued his studies at STKIP Amlapura, Karangasem. Since 1995 he has been involved in many joint exhibitions, including: Exhibition of Gebyar Art High Schools (SMK) throughout Indonesia (1995), Exhibition of Lempuyang Community Groups at Hilton Hotel, Surabaya (1999), "Sensitive" Exhibition of Lempuyang Community at Danes Art Veranda , Denpasar (2006). He won the 2002 Best Painting Award in the “Art is Peaceful” Painting Competition in Sanur, Bali; The Best Calligraphy Painting 2009 in the Calligraphy Painting Competition throughout Indonesia at the UNHI Denpasar campus. Many of his works are about humans and nature in an expressive style. humans and nature in an expressive style.)
GN Surya Hadinata + (Gede Ngurah Surya Hadinata is the chairman … Gede Ngurah Surya Hadinata is the chairman of the Indonesian Philatelist Association for the Regional Board of Bali as well as a member of the Indonesian Philatelist Association Center. He has been active for more than twenty years in the world of stamps. Apart from being one of the foremost philatelists in Bali, he also founded a vocational high school in his hometown of Nusa Lembongan. He is also active as a Scout coach which he has been practicing since he was a child.Pak Surya, or Kak Surya, as he is familiarly known in the world of scouting, regularly organizes philatelic exhibitions on a local, regional, national and international scale.egional, national and international scale.)
Gede Prama + (Gede Prama (Guruji Gede Prama) is a spirit … Gede Prama (Guruji Gede Prama) is a spiritual book writer, speaker, motivator and meditation guide from Bali. He was born in Tajun Village, Buleleng, March 2 1963. In 1993, he earned a Master of Arts degree in Human Behavioral Science from Lancaster University, England and attended a top management course at INSEAD Fontainebleau, France. He was a lecturer at the MBA School of Management at Prasetiya Mulya University (1990-1993), worked at PT Air Mancur Solo as a member of the Board of Commissioners, as HR director and finally as CEO (president director) with thousands of employees (1997-2002). In 2002 he withdrew from the business world and began a spiritual journey. In 2008 he went to India and studied with the Dalai Lama.He has published more than a hundred books, dozens of audio books, thousands of articles published in well-known media in Indonesia such as Kompas, Media Indonesia. He is often invited as a motivator, both in the corporate, educational and religious worlds. For several years he provided meditation guidance to the public at Brahma Vihara Arama, Buleleng, teaching love and spreading the message of peace. From his residence, known as Ashram Avalokiteshvara, he provides meditation guidance services without ever charging a fee. Other services that have been in place for years include a 24-hour free telephone service center. These include P3A (Service and Care Center for Children with Special Needs), P3B (Suicide Prevention and Service Center), P3C (Divorce Prevention and Service Center).His published books include Leadership Practices Based on Water (1997), Innovation or Death (2000), Leading with the Heart (2001), Love Makes Us Wings (2003), Rich Forever (2003), Full Streets Beauty (2004), Believe in Love Believe in Miracles (2004), Traces of Meaning (2004), House of Life Full of Luck (2005), Liberating Happiness (2006), Enlightenment on the Journey (2006), With Heart to the Highest Place (2007 ), Symphony Within (2009), Enlightenment on the Journey (2010), Compassion (2013), Songs of Peace (2015). Compassion (2013), Songs of Peace (2015).)
Gedong Bagoes Oka + (Gedong Bagoes Oka was born in Karangasem, … Gedong Bagoes Oka was born in Karangasem, Bali, October 2 1921. He is a figure, intellectual, scholar in Hindu reform and the anti-violence movement in Indonesia. He was born with the name Ni Wayan Gedong to I Komang Layang and Ni Komang Pupuh. Gedong studied in Yogyakarta. In that city he was forged many values of democracy and diversity. Then he continued his studies at a Christian high school in Bogor. In 1941, Gedong returned to Bali and taught at a high school in Singaraja. In 1964, Gedong received a bachelor's degree from Udayana University, Bali. He then taught English at the Faculty of Letters, Udayana University from 1965 – 1992.Gedong is married to I Gusti Bagoes Oka. She received a lot of support and spiritual assistance from her husband, who was both an admirer and follower of Gandhi's teachings. Gedong very consistently applies Mahatma Gandhi's teachings in his life. He then founded the Gandhi Ashram in Denpasar and Candidasa, Karangasem, Bali. Gedong was good friends with Gus Dur and Father Mangunwijaya who both fought for peace and humanitarian values. Gedong died on November 14 2002. His face was immortalized on an Indonesian postage stamp.mortalized on an Indonesian postage stamp.)
Alih Fungsi Lahan Pertanian + (Good morning,everyone. First of all, let's … Good morning,everyone.First of all, let's offer thanks to the presence of God Almighty. Here I would like to thank you for the opportunity that has been given to me, allow me to introduce myself. My name is Ni Kadek Feby Dhiyo Dharma Yanthi, I am from SMK Negeri 2 Seririt. Here I will deliver an oration about the conversion of agricultural land. This is one of the problems that must be overcome by potential Balinese leaders. As we know, the population of Bali is increasing and more and more foreign tourists are visiting, therefore a lot of agricultural land is being converted into housing, hotels, restaurants and other buildings that support the tourism industry. Therefore, there are no farmers in Bali who own large areas of land. Head of the Bali Agriculture and Food Security Service, I Wayan Sunada, explained that currently the largest farmer's land area in Bali is around 75 are/0.75 ha, it is very rare for farmers to have land above one hectare. "The weakness of farmers in Bali currently is that their land is limited, some are 25 hectares, the maximum is 75 hectares. "This is the result of land conversion that occurs every year." said Sunada to Bisnis, Wednesday (22/6/2022). Based on these problems, the Government or prospective Bali Provincial Government must really pay attention to the problem of Land Conversion by ensuring the welfare of farmers, for example: 1. During the planting season, attention must be paid to the distribution of subsidized and non-subsidized fertilizers to avoid fertilizer shortages. 2. During the harvest season, the Government must help farmers market their agricultural products. If the government really paid attention to the welfare of farmers, land conversion could be prevented because people and the younger generation would want to become farmers. In this way, the national food security program can be achieved. That is the speech that I can convey, if there are any sentences that are not acceptable, I apologize profusely. I would like to express my gratitudeely. I would like to express my gratitude)
Gregory Bateson + (Gregory Bateson (9 May 1904 – 4 July 1980) … Gregory Bateson (9 May 1904 – 4 July 1980) was an English anthropologist, social scientist, linguist, visual anthropologist, semiotician, and cyberneticist whose work intersected that of many other fields.Bateson travelled to Bali with his second wife (1936-1950) Margaret Mead to study the people of the village Bajoeng Gede. In the short history of ethnographic fieldwork, film was used both on a large scale and as the primary research tool. Bateson took 25,000 photographs of their Balinese subjects.He discovered that the people of Bajoeng Gede raised their children very unlike children raised in Western societies. Instead of attention being paid to a child who was displaying a climax of emotion (love or anger), Balinese mothers would ignore them. Bateson notes, "The child responds to [a mother's] advances with either affection or temper, but the response falls into a vacuum. In Western cultures, such sequences lead to small climaxes of love or anger, but not so in Bali. At the moment when a child throws its arms around the mother's neck or bursts into tears, the mother's attention wanders". This model of stimulation and refusal was also seen in other areas of the culture. Bateson later described the style of Balinese relations as stasis instead of schismogenesis. Their interactions were "muted" and did not follow the schismogenetic process because they did not often escalate competition, dominance, or submission.ate competition, dominance, or submission.)
Agus Teja Sentosa + (Gus Teja is a flute (Suling) maestro from … Gus Teja is a flute (Suling) maestro from a small village near Ubud, Bali. He is the youngest of four children from his parents I Nyoman Kadjil and Ni Wayan Darpini. He began playing the flute while attending elementary school, yet spent a lot of time during this period practicing the gamelan (Balinese traditional instrument). As the years progressed, his interest in wind instruments increased. This sparked the obsession in learning all there was about wind instruments from around the world.Since childhood Gus Teja is excited to be a flute player. Flute is an instrument with melodious voice that represents the voice of peace. He feels free when everytime playing flute as well as a form of meditation in his devotion to God.Gus Teja continued to challenge himself by creating new instruments to go along with his passion of flutes. Ranging from whittled wood instruments to full fledged bamboo flutes. He is always experimenting with creating new works of music by incorporating musical instruments from modern instruments with traditional sounds. After years of patience and practice, Gus Teja finally formed a world music band named Gus Teja World Music.Musical works that have been created not only represent an expression of his feeling from the deepest part of his heart, but also reflects peace, serenity, and a strong bond of brotherhood regardless of cultural background or a different race. Gus Teja said, “Music is universal … therefore through music let’s bring peace and love to the world.c let’s bring peace and love to the world.)
Gusti Agung Bagus Ari Maruta + (Gusti Agung Bagus Ari Maruta, a third-gene … Gusti Agung Bagus Ari Maruta, a third-generation Ubud painter. Born in 1991 near the Ubud market, Bagus was raised in a family of artists. His uncle was an undagi, a traditional sculptor and architect responsible for creating ceremonial artefacts and objects. His extended family boasts well-known painters. They have excelled in the highly technical landscape style accredited to the famous, pioneering German expatriate Walter Spies (1895-1942). In addition, Bagus’ grandfather, Gusti Agung Purga, has the distinction of one of his pictures within the collection of the Tropenmuseum in the Netherlands.In 2009, Bagus moved to Java to study at the Indonesian Art Institute (ISI), Yogyakarta. From 2009 to 2014, he pursued the Bachelor of Fine Arts and the post-graduate program from 2014 to 2016. Bagus was awarded ‘Best Painting of 2009’ from the Fine Arts faculty at ISI. The university city was bustling with students from across the archipelago, an intersection of Indonesian youth culture. As a fledgling painter thirsty for knowledge and experience, it was exciting to be in Yogyakarta. However, Bagus’ challenge was to break from his cultural programming of collective artistic identity and discover a creative voice distinguishing him within his family and community.Bagus was first exhibited in 2007 in Museum Puri Lukisan, Ubud and since has participated in numerous group shows in Yogyakarta, Surabaya, Jakarta and South Korea. In 2019 he was selected to show in the UOB Painting of the Year exhibition at Museum Nasional, Jakarta. by Richard Horstman. Nasional, Jakarta. by Richard Horstman.)
Arya Tegeh Kori + (HISTORY OF ARYA DALEM BENCULUK TEGEHKORI … HISTORY OF ARYA DALEM BENCULUK TEGEHKORIChapter oneOnce upon a time in the past, there is a king, Arya Dalem Bansuluk Tegehkori is his name. He is the son of the king Dalem Shri Aji Kresna Kepakisan from Gelgel Klungkung kingdom. He rules the the land of Badeng kingdom. Badeng (or Badung) means dark. Because the land soil at this region is darker than other region. This is the story of his life journey.King Ida Dalem Shri Aji Kresna Kepakisan is located at Puri Linggarsapura in Samprangan, Gianyar area. The castle was the former stronghold post of Mahapatih (the great prime minister) Gajahmada’s from Majapahit empire of Java to invade King Bedahulu of Bali kingdom. After Bali kingdom defeated, Ida Dalem Shri Aji Kresna Kepakisan was crowned King of Bali in 1352 AD by Queen Majapahit Tribhuana Tunggadewi. the new king Bali king then separate Bali into few small kingdoms lead by his war generals. He reigned until 1380 AD.One day when full moon, king Ida Dalem Shriaji Kresna Kepakisan, took place in the royal hall, was meeting with the prime minister ministers and all his war general. Notable among them are Arya Kenceng son of Arya Damar who was made the ruler in Tabanan, Arya Sentong in Pacung, Arya Beleteng in Pinatih, Arya Kutawaringin in Kapal, Arya Binculu in Tangkas, Arya Pakisan in Abiansemal, Arya Belog in Kaba-kaba, and three knight named Tan Kober, Tan Kawur and Tan Mundur.At that time, Arya Kenceng wore chrysanthemum green flowers at his hat. Ida Dalem's heart was shocked when he found out that Arya Kenceng was wearing the green chrysanthemum flower. Immediately his anger rose, due to the slander launched by Arya Pengalasan Jelantik. It is said that Arya Kenceng put magic on the king, so that the king would love and submit to him. Immediately Shri Raja punished Patih Arya Kenceng from war general into gardener with the obligation to clean the hall every day. The commotion at the Puri Dalem Samprangan Hall is thought to have occurred in 1360.From that moment on, Arya Kenceng felt very deep sadness and often cried when he remembered his favorite son named Ngurah Tabanan. The son was given the name Ngurah Tabanan, because Arya Kenceng participated in conquering (naban) this Balinese country after fighting against Si Pasung Grigis, the governor of Raja Bedahulu.After a long time, it was time for Arya Kenceng to receive God's grace. It was mentioned that the king Ida Dalem had a son who was only eleven months old to crawl. The boy was crawling very fast. The caretaker is named Ni Dasa Dasih. The prince is also getting closer to Arya Kenceng because he often carried out by him. Until one day, Arya Kenceng intention appeared to make efforts to get himself free from punishment. One time when Ida Dalem was sitting in front of his ministers, suddenly the son was released from behind the King. Crawling swiftly and then reaching for king's shoulder. Then approached by Arya Kenceng while lifting the son higher than Ida Dalem's back while apologizing from behind the King. As soon as the king turned his head, he saw the height behind him. The king was furious, then said: "You are very clever at making a ploy. Now, because my son has made a mistake grabbing my shoulder, as written in Niti Sloka (The Kingdom rule), when the king is dressed in his royal dress as the leader of the country, nobody is allowed to touch the king. The rule said whoever touch the king must be execute. But I can’t execute him because he is my son. So, Arya Kenceng, take my son, make him your adopted son, the ceremony with a bonfire on top of which is filled with a buffalo head. Brother him with your son I Ngurah Tabanan. Now I give the name to him Arya Dalem Bansuluk Tegehkuri. (Tegeh mean tall or high and Kori or Kuri mean behind, because he was taller from behind when he touch the king’s shoulder)”. Immediately, Arya Kenceng was unbelievably happy to have a son who was handsome and very smart. Then respectfully excuse himself to bring the prince to his castle at Tabanan, make him brother to Ngurah Tabanan. This tale is also written at Prasasti Babad Dalem Tabanan Tegehkori manuscript. Arya Kenceng then carried out the adopted ceremony according to the mandate of Ida Dalem. The blood that flows in prince Arya Dalem Bansuluk Tegehkori from generation to generation remains the blood of Ida Dalem Shri Aji Kresna Kepakisan. Now more than six centuries have passed, all of his genetic descendants remember to always come to offer devotion before The king Ida Bhatara Kawitan Dalem Shri Aji Kresna Kepakisan at his family temple at Mother Temple Besakih.Time pass by and the 2 kids now become young men. Between Arya Tegehkori and Ngurah Tabanan, a misunderstanding and conflict arise. Arya Tabanan has a wife, he is jealous that he thinks his wife have an affair with Arya Tegehkori. He always try to harm him in many waysFeeling uneasy, Arya Tegehkori decide to leave the Tabanan kingdom then went to get rid of himself to Mount Batur to meditation. After some time meditating there, he got a gift from the god of Mount Batur in the form of a whiting box. If Arya Tegeh Kori wanted to put himself in it, the power of the whiting box would shrink. Whenever it comes out of the box, he can return his body to normal size. That is the magic of the whiting box, a gift from the goddess of Mount Batur, then the god said to Arya Tegehkori: “I gave you the magic box. Now you have to go to Tonjayu Village at the dark land (Badeng). There are some clans inhabit the area like Pasek Bendesa, Pasek Kubayan, Dangka, Ngukuhin, Tangkas and they don't have a king yet. These days they have big ceremony, use this magic box there. Of course you will be appointed king in the Badeng or Badung area. Be a ruler, be a king!“.As the command of Ida Batara Dewi Danu, the goddess of Batur lake and mountain, then Arya Tegehkori left for the Badeng or Badung area. When he arrived in the Badung area, it was already evening, so he to the chief’s village house at Tonja. There he concentrated his spiritual power so that he could enter the container of magic whiting boxthat he had placed on the gate. His body shrunk and able to fit in the box perfectly. The next day, when the sun rise, the village chief saw that there was a box on the gate. Then while opening the lid. Seen a small child in the container of whiting box. The chief mind was amazed to see this strange and miraculous event. Immediately Ihe worshiped and said: "My noble Lord". Having just finished saying this, the little boy who was in the box immediately came out. Back in its original form as as a man. Looks good, handsome and dignified. The longer it was seen, the more amazed the chief's feelings. Then Arya Tegehkori then himself. He explained that he was the son of the Bali king Ida Dalem Kresna Kepakisan at the Swecapura Gelgel castle. He was the brother of Arya Tabanan in the country of Tambangan (Tabanan). He also explained clearly how the adventure that he experienced from beginning to end. The chief is amazed and ask him to rest at his house. After the chief carried out the piodalan ceremony, he immediately held discussions with his clan brothers, such as Pasek Gaduh, Kebayan, Dangka, Ngukuhin, Tangkas, about the need to make him a palace and prepare for his coronation to become king as ruler in the Badeng or Badung region, and report to the King of Bali kingdom Shriaji Kresna Kepakisan at the Swecapura Gelgel castle. The king at Gelgel was very agreeable because anyway Arya Tegehkori is his son. At the age of a toddler he was banished from the family. At a young age with the blessing of the goddess Ida Bhatari Ulun Danu Batur and thanks to the approval of the King of Bali who was also his father and for the support of the people, he ascended the throne to become the first King of Badung kingdom.In order for him to truly become a noble king in the Land of Badung, the chief again held a deliberation to build a palace worthy of him. The palace was built in the upper reaches of the village or in the north. After the palace was completed, it was there that the king Arya Tegeh Kori resided. After some time as king, he built two holy temple. The temple to worship the God of Agung mountainwas built to the east of the palace. The place for worshiping the goddes Bhatara Dewi Danu Batur is made to the west of the palace called Pura Batursari.After a while the king then married. Then his son (2nd dinasty) built another palace, also still in the Badung area, because more and more people live in the Badung area and the condition of the land is fertile. After the second palace was built, it was named Puri Satria (Satria palace), as a characteristic that he was a descendant of Knights. Meanwhile, the Tegehkori palace (1st dinasty) in Tonja was named Puri Dalem Benculuk. In the recently completed castle, a pair of very tall palace gates were also built, none of which were on par in all of Bali. The disadvantage is that if it is broken, it is rather difficult to repair it, presumably that is His wish to build a very high gate at Puri Satria, so that it is in accordance with the name of his father in Tegehkori. The Tegehkori dynasty is ruling the kingdom from 1378 - 1687.Chapter TwoMeanwhile at Tambangan (Tabanan) kingdom, after king Arya Kenceng passed away, his son Arya Tabanan replace him as king. He have crown prince name Ngurah Rangong. The old king Arya Tabanan suffered a seriuos illness, then moved to live at the village of Kebon Tingguh. Ngurah Rangong intention was to wait for the throne to become the king of Tabanan kingdom. The old king Arya Tabanan was served by a woman named Luh Bendesa from Buahan village. During the service, the king touched Luh Bendesa and become pregnant. From this relationship, Luh Bendesa then gave birth to a son who was named I Gusti Pucangan. Later on the king is passed away. After Arya Tabanan died, Ngurah Rangong become next king. But he is afraid that Pucangan someday will also claim his territory. Ngurah Rangong made efforts so that Pucangan would soon meet his death. Outside the Tambangan palace, there is a very sacred banyan tree. King Ngurah Rangong then ordered his younger brother, Pucangan, to cut the tree branches. However, to the great surprise of the brother, it turned out that the younger brother was still safe. Since then I Gusti Pucangan has been named Gusti Bagus Alit Notor Wandira. The king never stop to try to kill his brother. Unable to stand it, Pucangan then left Tambangan palace to Mount Batur. On the shores of Lake Batur appeared the goddes Ida Bhatari Tolangkir who said: "Hi Pucangan, what are you looking for here alone?".Gusti Pucangan replied: "Oh dear goddess, this servant is too troubled. I have a half brother who was made king by my father. Besides, my brother I Gusti Rangong was hostile to. ” Ida Batari again said: "If you are devoted to me, uphold me through the lake water, take me to Mount Batur". Pucangan replied: "I will do, even if it make myself sinking”. By the magical power of goddess Ida Bhatari, Pucangan walked safely across the lake to Mount Batur will upheld the goddess.Goddes Ida Bhatari said: "O Pucangan, you truly devote to me, now I give you a whip and a tulup (a traditional Bali weapon made by bamboo) You must go to Gelgel palace and kill the king’s enemies in the form of raven, because they often ruin the king’s food. It is this whip and dipper that you used to kill that evil raven. After it is successful, someday you Pucangan will become king in the Land of Badung ”.This incident occurred when the Balinese Kingdom, which was centered in Klungkung, was led by King Dalem Anom Sagening (1580-1665) who was residing at Puri Swecapura palace at Gelgel. Meanwhile, the King of Badung at that time was I Gusti Tegehkori V. The blessing of goddess Ida Bhatari and the approval of the King of Bali were the main assets obtained by Pucangan in achieving success of gaining power.Prince Pucangan continued his journey, accompanied by a follower named Tambiak from Mount Batur to the Swecapura Palace at Gelgel. It was mentioned that Ida Dalem was in the hall faced by his prime minister. I Gusti Pucangan then confronted him and declared that he was able to kill the crow, who often ruined the king's food. King Ida Dalem was surprised, then asked: "Where are you from son and what is your name?". Pucangan replied: “Master, this servant is named is Pucangan from Buahan Village, son of the late king Arya Tabanan. I just came from Mount Batur ”, then he explained his life from the beginning until now. Immediately he also remembered Ida Dalem about the past stories and he was very happy about the arrival of someone who would help to destroy the crow.The next day, the prime minister had gathered to meet Ida Dalem. In the afternoon the crow came who was going to spoil King's meal. Prince Pucangan quickly shoot the tulup, hitting the raven’s wing until it broke. After being hit and falling, King ordered to hit it with a whip, so that the crow met his death immediately. Ravens are often used as symbols of darkness, anger and death.After that, the king was very happy. "Now, because of your great devotion to me," he was then presented with a set of clothes. He continued saying: "what else do you ask for?". Prince Pucangan remember with the words of goddess Ida Bhatari Tolangkir when he met on Mount Batur who would grant the area in Badung. Then the prince Gusti Pucangan asked to be given a place in the Badung area. With pleasure the King granted, then said: “I granted your request Pucangan, after all there at the land of badung, your family Arya Tegehkori at the Satria Palace ruled. You better get there, go ". Pucangan then go to Badung kingdom to be precise at the house of the chief of Lumintang Village.Furthermore, the chief of Lumintang informed the king about the arrival of the prince Pucangan. The king Gusti Tegehkori IV was very happy to accept the arrival of his family, prince Pucangan. The king then give him 250 people to build a palace to the southwest of Puri Satria palace. The new palace was named Puri Jambe palace. The king then appointed him as punggawa (guardian knight) of Badung kingdom. After king Tegeh Kori IV passed away, his son Tegeh Kori V replace him as king and have beautiful 15 years daughter named Ayu Genjot and handsome 13 year boy named Ngurah Raden. Prince Pucangan request the king to allowed his son to marry her daughter. But at other hand, the old king of Mengwi kingdom also propose the princess to marry his crown prince. At that time, Mengwi kingdom become more powerful and have larger troops than peaceful Badung kingdom. So the king decide to accept the Mengwi king’s propose. Prince Pucangan is furious to hear that. Night before the Mengwi’s prince arrive to marry the princess, Pucangan with his troops storming the Satria palace. Pucangan is the guardian knight of Badung kingdom. He knows the palace so well and most of the troops is loyal to him. The palace is chaos and burn down. Considering the safety of his family, the king then decide to escape from the palace. Only five of them on that dark night Arya Dalem Tegehkori V (I Gusti Made Tegeh) escaped with the empress and her two sons and an in-law named Munang. His departure did not carry anything, only a box of inscriptions which was the heirloom of Puri Satria palace that he carried. All his cousins and other family also escape and scatter into many directions around Bali. The Tegehkori dynasty at Badung kingdom is fallen.Chapter 3Year 1724, During the five days he retreated in the mountain & forest, his children almost died because they did not eat anything. The group of Gusti Made Tegeh family arrived at a Village and went straight to the house of a village chief named I Pengkoh. It is very respectful that chief Pengkoh and his family entertain the guest of honor. For twenty days Gusti Made Tegeh group stayed at the house of the chief. One time, it was the middle of the dry season, so in a short time the rice supply in the barn ran out. What remains is only rat droppings mixed with grain skin, chief Pengkoh's wife only found that out. Chief Pengkoh prepared a pot in the kitchen to cook rice. Until the water in the pot was boiling, his wife did not get a grain of rice. Chief Pengkoh's anger rise, he then poured the hot water and scold his wife. Gusti Made Tegeh witnessed this very unpleasant incident, which made him feel very embarrassed.After a discussion with his brother-in-law, I Munang, the former King and his brother-in-law went to hunt some food to the mountains. Meanwhile his wife and two children were left at chief’s house. After Gusti Made Tegeh left for the mountain, chief Pengkoh's evil thought occurred. His two children were ask to permission to his mother to accompany him to find rice. His mother agreed, so they left. In the middle of their journey, the children of Gusti Made Tegeh were tricked into making their way to the Denbukit area (later called Buleleng). When he arrived in Kalianget Village, his two kids were sold by chief Pengkoh to Ngurah Kalianget for 150 pieces of belongings plus a number of cloths.After 10 days Gusti Made Tegeh and his brother-in-law went to the mountains for hunting, finally they back to chief’s house. They asked her the whereabouts of his children to his wife. She explained that their children was taken to the mountain by the chief. It's been 10 days yet to come back. When Gusti Made Tegeh heard his wife's answer, he was shocked and realized the misery they were experiencing. While shedding tears, he then told his wife and I Munang that the two of them would look for their children to Karangasem area. He himself looked to Denbukit. From there they parted ways, his wife and his brother went to Karangasem and he went to Denbukit.After crossing Denbukit land, he arrived at Ambengan Hamlet. From that hamlet the journey to Sangket Village. From there he disguised himself to investigate the whereabouts of his children who had no news.On that time Gusti Made Singaraja, the descendants of Gusti Panji Sakti is the King Denbukit kingdom and resides at Puri Sukasada palace. That's where he headed. It happened that King Denbukit was watching the Gambuh dance training. Those 2 person than talk and feel like each other. After some happy talk, he was asked to participate in Gambuh dance performance. It is difficult to find a comparison with the greatness of Gusti Made Tegeh in the art of Gambuh. Day and night the performance of Gambuh is joyful, which is why the king's palace was named Puri Sukasada.After some period of time in clever disguise, Gusti Made Tegeh was very dear and trusted to King Denbukit. He was rewarded with as many as two hundred followers, including forty of whom were teenagers. He then assign into the sedahan agung (treasurer of the king) and also his war advisor. Nobody equals the wisdom of King Denbukit, so that it is respected by anyone, has the authority as a descendant of the warrior king of the gods. No one dared to oppose his orders. It could be said that the prosperity of the kingdom which was centered at the Sukasada Palace. Under his command, Denbukit kingdom spreading their teritory by invading many village to knee under Denbukit authority. Gusti Made Tegeh did this in order to find his children. Half of Bali island then become the territory of Denbukit kingdom. Now it is told that the chief of Kalianget village name Ngurah Sindhuwedang have Gusti Made Tegeh sons and daughter and made them into servant at his house. The village of Kalianget has a population of 1,450 people. Ngurah Kalianget, who had a haughty heart and was very jealous of Denbukit King decided to fight the Denbukit kingdom. But the king quickly heard of him, and ordered Gusti Made Tegeh to beat Ngurah Kalianget before he could gather his strength. Quickly, Gusti Made Tegeh brought 200 elite warrior on their way to Kalianget Village.When Gusti Made Tegeh troops arrived and recon the Kalianget Village, they found out that Ngurah Kalianget 1.000 soldiers were also on preparation to attack Sukasada palace. Gusti Made Tegeh and his 200 elite warriors prepare to attack at night. The attack was carried out suddenly at night made the Ngurah Kalianget soldiers shocked and confuse, they feel like stormed by thousands of enemies accompanied by spirits. Ngurah Kalianget soldier lost and surrendered. Ngurah Kalianget was taken prisoner, the whole house and its young and old residents were seized and taken to Puri Sukasada that dawn. By order of the king, Ngurah Kalianget was sentenced to death. Then he bring all other prisoners to kingdom prison. They were mixed up, including Gusti Made Tegeh children who had been sold and hidden in Kalianget. Until the end of the attack on Kalianget, he did not know the whereabouts of his children. Suddenly Gusti Made Tegeh hear 2 young teenager cried heartbreaking among the prisoners, calling out her father and mother: "O the holy king of Tegehkori, look at me, it's been such a long time now that we haven't met my father and mother, I hope God Ida Sang Hyang Widhi will bring them together as soon as possible". Because the boy's lamentation and mention his ancestor Tegehkori, attracted enough attention and immediately approached the two young teenager. He shock that they are his children, Ayu Genjot and Ngurah Raden. The father and children finally reunite again Meanwhile his wife and her brother who had been traveling for a long time looking for their sons and daughters in the Karangasem area, then heard the news that Gusti Made Tegeh had gathered with their children at his place at Puri Sukasada palace. They hurriedly came to Denbukit and headed for the Sukasada Palace and there they reunite together, He was very happy. After awhile, he order his son Ngurah Raden & his brother in law to return to Badung kingdom to meet the new king Pucangan. Arriving in Badung, since the Satria palace had been occupied by I Gusti Pucangan who later ascended the throne to become the king of Badung, he faced Ngurah Raden to his castle, claiming to be ordered back by his father Gusti Made Tegeh because anyway they are still family and understand why Pucangan furious and raid him. He hold no grudge. Pucangan love and care Ngurah Raden since he’s a baby and always carry him everywhere when he was act as the guardian knight of Badung. Ngurah Raden also childhood friend and like brother to his sons. Gusti Made Tegeh know that Pucangan will never have the heart to kill Ngurah Raden. Because Pucangan felt himself reunited with his nephew, he gladly presented 200 people and 40 plots of rice fields to Ngurah Raden. At the king's orders, he built a palace on the west side of the river on a forest plot. After completion, the palace was given the name Jro Kuta palace. King Pucangan have 2 sons. The older ones were given a place to live in the east of the river and given an inheritance weapon. Later the palace was called Puri Denpasar palace (because it was located north of the market). Meanwhile, his younger brother was made a place to live in the west of the river and was given an heirloom weapon, therefore the palace was later called Puri Pamecutan. After a long period of time when king Gusti Pucangan ruled in the Badung Kingdom, he died, then he was replaced by his two sons who both competed to become king to replace their father to become king in Badung State.For a long time Gusti Made Tegeh lived in the vicinity of the Sukasada Denbukit Palace. He was very active in helping the king prosper the country, so that the king loved him very much. Her daughter Ayu Genjot also became a dancer and was later married to a nobleman from the village of Petandakan.Someday the king Gusti Agung Gede of Mengwi Kingdom wants to visit Denbukit kingdom. Considering that King Mengwi was very famous for his supernatural power, the Denbukit king intended to try to test if it was true as the news was. He order Gusti Made Tegeh to ambush the Mengwi king’s parade. He bring 40 elite warriors to ambush under the kepuh tree in the Banyuning cemetery.Then came the moment he had been waiting for, Mengwi king’s parade arrive. The king was carried and accompanied by 200 of his people. When he was close, then king Mengwi who was being carried on a stretcher, was intercepted by Gusti Made Tegeh, and he was speared violently. However, he was not hurt in the slightest because his body was so invincible. King Mengwi said to his companions: "send me down, O soldier". Then He got down from the stretcher and immediately took a meditative stance. In an instant he changed his form into resemble Bhuta Sungsang, a giant with six eyes, six arms, six legs and six heads. It seems that no one will be able to match His supernatural powers in this world. There the troops brought by Gusti Made Tegeh felt fear and all of them ran helter-skelter. Meanwhile, Gusti Made Tegeh himself retreated and hid himself far enough to the west in the forest hills of Pedawa.Returning to king of Mengwi, the assassination attempt he had just experienced did not dampen his steps towards the Sukasada Palace. On arrival at Puri Sukasada palace, laughing out loud, he received a warm welcome from King Denbukit whom asking for forgiveness. King Mengwi said: “Okay, son, there's no need to extend this issue because I already know that you only want to test my supernatural power. Now this old man only asks you son, to search the person that order to attack me. This old man was very surprised of the courage of this man and also his loyalty to was amazing. You have never met someone like that, I have a feeling that he is a descendant of a famous knights ".Then the king of Denbukit ordered his troops to look for Gusti Made Tegeh. However, even though they traces or days, they still cannot be found Gusti Made Tegeh. He was hiding at the top of a millet tree. When the troops approaching, there are some doves perch at the millet branch. Gusti Made Tegeh pray and begging to doves the millet tree to let him stay there. Normally, dove bird will fly away if there are people around it. But suddenly these doves singing. The troops saw it and assume that nobody there and passing by. Gusti Made Tegeh then make an oath that none of his descendant will eat millet fruit or harm any dove. Until 7 days he remained there. With a sluggish body, emaciated and very dirty, then he walked slowly leaving the millet field towards the west, taking refuge in the village of Patemon. The situation when he arrived at the village indicated that it was already evening. He headed for the rice trading house, wife of the puppeteer Patemon. He was very pity for her to see that his condition was very tired and emaciated, so she was invited him to their house and served with food. The pupetter's family sympathy for Gusti Made Tegeh for being chased by royal soldiers. The pupetter's family then making a well hole for him to take shelter in. Everyday afternoon he hid himself in a foxhole. When night fell, He was taken out of the shelter. He made friends with the villagers. It has been for 15 days since he stay there and very uncomfortable and don’t want the helper family involve in trouble. He excused himself from pupetter’s house and then left to Bubunan Village. In that village, he also made friends with the villagers. For about a month in Bunbunan Village, Arya Dalem's mind grew more restless. He is thinking about his family that might be executed because he failed the king’s order. Then he decide to go back to Sukasada palace to prepare his death sentence but will beg for his family life to spare. 10 of villagers accompany him.Arriving at Puri Sukasada, the two kings were sitting rejoicing in the palace facing the royal servants. They was surprised to see people who had just arrived dressed all in white. The white cloth a sign that they will be willing to die if something unwanted happens. So Gusti Made Tegeh and his ten followers presented a bow while begging for mercy in front of the two kings if they were judged to have done something wrong. The king of mengwi then ask Gusti Made Tegeh who he really is. Who is his true identity. He then said that he is the descendant of Arya Tegehkori, the founder of Badung kingdom. He tell them all his journey. King Mengwi then said: "O Arya, in my opinion, what you did to me was absolutely innocent. I thought, you only carrying out your loyalty towards the king of Denbukit, carrying out orders to attack. Now, my son the king of Denbukit, from now on never ever forget the loyalty and sincerity of the sacrifices that Gusti Made Tegeh has given to you forever ”.After saying this, King Mengwi summoned a servant of his companion to take a keris and a spear at the place of his bed. After king Mengwi order that, Gusti Made Tegeh and all of his 10 followers immediately experienced extreme anxiety and fear. Of course they think that this is the time when the death sentence start. The servant then handed over a keris and a spear, and was accepted by the King of Mengwi, saying: "O Arya, this is my gift in the form of a keris and a spear. This keris is called Carita Belebang, its usefulness is to maintain safety and the enemy doesn't dare see it. This spear is called Lelemon, it has great authority. This is proof so that from now on down from generation to generation, from life to death, never forget the descendants of King Denbukit, and also for my son the king of Denbukit, never forget Gusti Made Tegeh descendants forever. You must always help and support each other. Remember, whoever forgets this mandate of mine will find misery and heartbreak”Thus again said the King of Mengwi: "And now, O Arya, which land that you will request ?”.Hearing the words of King Mengwi which greatly pleased Gusti Made Tegeh, then he said: "If it is allowed, Bubunan Village is my request, because they are very loyal to me when I find trouble”.Thus, Bubunan, Sulanyah, Tanguwisia Village was awarded to Gusti Made Tegeh. Then Gusti Made Tegeh and his family is allowed to return with his followers to Bubunan Village. For about 3 years he lived in Bubunan Village, because the land there was uneven. then they moved to Muntis Village ( later on change its name to Pengastulan village).EpilogueAt Pengastulan, Gusti Made Tegeh became punggawa (guardian knight) and stay at a house name Jero Lingsir. Right to the west of his house he built an ancestral temple which was named Pura Badung as a honor to his ancestors whom was the King of Badung. He wrote all his extra ordinary journey into a manuscript called Prasasti Pura Badung. This prasasti is then passed through generations, along with his family tree. He and his descendant swear that they will always serve to Denbukit (Buleleng) kingdom forever.Until later Dutch invade the kingdom and fall after the Great Battle of Jagaraga on 1849.d fall after the Great Battle of Jagaraga on 1849.)
Ida Ketut Djelantik + (He is Ida Ketut Djelantik, a writer from B … He is Ida Ketut Djelantik, a writer from Buleleng who is located in Geria Tegeha Banjar, Tegeha Village, Banjar District. He was born in 1905 in Tegeha Village and is a descendant of the couple Ida Ketut Manggis and Ida Ayu Putu Tangi.As a child he was raised in the Gria environment where his daily life tends to be busy with social activities, he has a desire to study religion and philosophy as well as moral encouragement for the village environment where he grew up.His education level was only up to SR or Sekolah Rakyat (People's School) and it was not finished, with his desire to explore tattwa, ethics and philosophy he studied it self-taught until he got recognition from local residents and the Dutch Government at that time.Because of his high achievements and abilities, in 1938 he was appointed to work in the Religious Staff at the Religious Office of the Lesser Sunda Province at that time in Singaraja.He was also assigned by the Governor-General of the Netherlands to Bogor to translate Sanskrit books and manuscripts into Indonesian and Kawi of his literary abilities.In 1950 he worked at the Kodam Raksa Buana which is now known as Kodam 11 Udayana as the Hindu Rohdam, he also participated in compiling the emblem of the Pataka Kodam Udayana.Then, he passed away in 1961 to be exact on the 18th of Novembern 1961 to be exact on the 18th of November)
Pande Putu Widya Okta Pratama, S.Kom + (His full name is Pande Putu Widya Okta Pra … His full name is Pande Putu Widya Okta Pratama, S.Kom. This young Balinese from Dadap Putih Village, Busungbiu District, Buleleng Regency is usually known as Pande. He is an alumnus of ITB STIKOM Bali batch 2015. Currently, Pande is active as a co-founder and CTO (Chief Technology Officer) at BTW Edutech, a digital education company that has a big mission to help students pass the selection to enter official colleges, universities state, CPNS and TNI or POLRI.The digital startup which was founded in 2018 in Denpasar has the Smart BTW application which has been accessed by 180,000 users in Indonesia. In addition, this startup already has 15 branch offices in 12 major cities throughout Indonesia in just 2 years.While in college, this former student with the best thesis degree started his career in digital entrepreneurship. Pande gained a lot of valuable experience when he was active in student organizations and took several side jobs as a web developer. After graduating, Pande started his career in IT as a back-end programmer and team of IT experts in the construction of the LAPERON system (online licensing service) in Badung Regency. Then, Pande focused on development and operations as a DevOps engineer and took on enterprise systems development projects in several government agencies. Finally, Pande and his friends managed to build a startup BTW Edutech which continues to grow until now.Pande also informed the achievements of BTW Edutech to the BASAbali Wiki team. "Namely, the Top 10 HATCH programs for the 1000 Digital Startup Movement. We also provide 402 scholarships for 3T and non-3T regional PTK registrants as well as 1500 scholarships for CPNS 2021 registrants," he explained. In addition, his proud startup has held various training and learning assistance through the platform. "We have thousands of alumni in PTN, PTK, CPNS, TNI, and POLRI throughout Indonesia," he concluded.As a digital entrepreneur who has many achievements, Pande was invited to be a guest speaker on the “NGOPI” talk show on Kompas TV. He is currently developing a pilot Edition XI: “STARTUP PROFILE” for his company.ion XI: “STARTUP PROFILE” for his company.)
Ketut Sidia + (His name is Ketut Sidia, from Jero Lingsir … His name is Ketut Sidia, from Jero Lingsir family lineage of Tegeh Kuri clan. Born 1901 at Pengastulan village Buleleng Bali. He’s a well known Silat martial art teacher at Seririt district Buleleng. Some old villagers tales that he’s an excellent fighter. Able to jump to 3 meters wall, kill a mouse by throwing a sate skewers from 2 meters distance, able to kill people with just bare hand. During Dutch colonialism, he become dutch driver to spy them with his son, Putu Mangku. They both were fluent speaking Dutch and Japanese language This is his photo with the dutch car as driver. His son's duty is passing crucial information to Balinese guerillas. Sometimes he also join the guerrillas to ambush the military convoy. But mostly he did some sabotage and silent assassination as spy. After Indonesia independence, he and his son become member of LVRI (Legiun Veteran Republik Indonesia). Later on both of them then work as teachers at Sekolah Rakyat at Seririt district Buleleng and his son also work as photographer and journalist for Bali Post newspaper. During his old days, he become priest of Pura Pabean Pengastulan village. He passed away 1990 with military honors as member of LVRI.90 with military honors as member of LVRI.)
Pande Putu Abdi Jaya Prawira + (His name is Pande Putu Abdi Jaya Prawira, … His name is Pande Putu Abdi Jaya Prawira, born in Denpasar, January 20, 1998. He is the eldest son of the couple Ketut Suparjaya and Ni Wayan Sukarni, currently he lives in the Pande Permai penitentiary housing block D 20, Tulikup Kelod, Gianyar. At a glance his educational history is that he has received Kindergarten education at the Grand Bali Beach Sanur Kindergarten Around 2003-2004, then continued to the Elementary School level, namely SD Negeri 2 Sanur in 2004-2010, then at the Junior High School level. he was educated at the Bangli 3 Junior High School in 2010-2013, continued at the Senior High School level, namely at the Bangli 1 State High School in 2013-2016, and finally his education was at the lecture level he chose the Old Javanese study program , Faculty of Humanities, Udayana University, which later graduated in 2016-2020. His current job is to be a journalist in the Balinese media. Of course he has a myriad of achievements including: 2nd Winner of National Scientific Articles at IPDB Bogor in 2019 1st Winner of the Hindu Religion Quiz Competition at ITB Bandung in 2019 The Best Kidung Works in Saraswati Sewana's Literature in 2021 Some of his works include: The works that have been published in the Saraswati Sewana Literature are:Kidung Panglarad LaraKakawin Pranawisa SomyaGeguritan Pramudita Kaya Caru Unpublished there are a few geguritan:Geguritan Kandara BangGeguritan Satriya Tiga. His first career as a Young Pengawi started from the Saraswati Sewana Literature competition. After the event ended with enthusiastic support from those closest to him, and positive input from the judges at that time, including one of his own lecturers, namely Mr. Putu Eka Guna Yasa, S.S., M.Hum, who encouraged him to create other literary works. excited. Until finally one of his valuable literary works was born, because it was the first time he created a literary work with 234 stanzas in it and this work could be completed within 5 days.his work could be completed within 5 days.)
Penertiban WNA + (Honorable, Bali's future leaders, Mr. / Mr … Honorable, Bali's future leaders, Mr. / Mrs. jury and the audience that I am proud of.Om Swastiastu, Before I begin my speech, let us offer our puja and praise to God Almighty, because thanks to His grace and grace we can carry out this activity well. As we all know, one of the problems on the island of Bali is the number of foreigners who work illegally and are not recorded on the island of Bali. According to the BBC Indonesia website, a number of posts mention foreign tourists in Bali working illegally by offering photography services, motorcycle training, surfing, haircuts, and selling vegetables. This has made a number of Balinese residents worried that their income space is getting narrower. So how can prospective leaders overcome this? The leaders can conduct routine data collection of every business and MSME in their area of power, if necessary, a comprehensive and routine population data collection is carried out so that illegal elements are immediately caught and followed up. From the sources I read, the central government plans to implement a rule that requires foreigners entering tourism islands such as Bali to pay a non-tax rate of 10$. That way, foreigners who enter Bali can be recorded without exception. That's all my speech, sorry for my mistakes, and last I'd say Om Shanti Shanti Shanti Om.d last I'd say Om Shanti Shanti Shanti Om.)
IDK Raka Kusuma + (I Dewa Nyoman Raka Kusuma or who is often … I Dewa Nyoman Raka Kusuma or who is often known as IDK Raka Kusuma in his writings, was born in Getakan Klungkung, November 21, 1957. IDK Raka Kusuma has had a passion for writing literature since he started as a teacher in elementary school. He is one of the senior authors of modern Balinese literature. He wrote various kinds of poetry in Balinese, short stories, essays in Balinese, and novelets in Balinese. In addition, he also writes poetry, short stories and essays in Indonesian. His Balinese writings have been published in Bali Orti (Bali Post), Mediaswari (Pos Bali), Bali Aga, Kawi Journal, and Canang Sari. His essays in Indonesian have been published in the Bali Post, Nusa Tenggara, Karya Bakti, Bali News, Nafiri, Warta Hindu Dharma, Sunday Morning, Sovereignty of the People, Indonesian Pulpit, Suara Nusa, People's Thoughts, Suara Karya, Sinar Harapan, Buana News, Republika, Singgalang, Analysis, Cak, Kolong and Romana. In an effort to compose Indonesian poetry, he learned from Umbu Landu Paranggi, and he learned to compose stories from Putu Arya Tirtawirya.His essays that have been printed into books are as follows:Kidung I Lontar Rograg (Balinese Lyrical Prose, 1991, 2001),I Balar (2006),Drawing the Moon (Short Stories, 2006),Sang Lelana (Lyric Prose, 2010),Rasti (Novelet, 2010),Bégal (Short Stories, 2012),Ngantih Moon (Poetry, 2013),Batan Moning (Poetry, 2014).In 2002 he received the Literary Rancage award for his services in the development of Balinese literature through the media of Buratwangi magazine and in 2011 with his essay entitled “Sang Lelana”. He also received the Widya Petaka award from the Governor of Bali in 2012 with his essay entitled “Bégal”. Synergizing with authors from Karangasem, he built a studio called Sanggar Buratwangi, and became one of the managers of the studio. Currently, he lives at BTN Kecicang Amlapura and works as a teacher at SD Saraswati Amlapura.rks as a teacher at SD Saraswati Amlapura.)
I Gede Ardhika + (I Gede Ardhika was born in Singaraja, Bali … I Gede Ardhika was born in Singaraja, Bali, 15 February 1945. He was Minister of Culture and Tourism of the Republic of Indonesia in the Gotong Royong Cabinet (2001-2004). It is the alma mater of STIA LAN, Bandung. Before becoming minister, he worked as Academic Director of Sahid Hospitality and Tourism (1988-1991), Secretary of the Directorate General of Tourism (1996-1998), Director General of Tourism, Department of Tourism, Arts and Culture (1998-2000), Deputy Chairman of the Tourism Development Agency and Arts (2000). He received the Mahaputra Adipradana Star Award from the Indonesian Government. He died in Bandung, February 20 2021.ent. He died in Bandung, February 20 2021.)
I Gede Ari Astina + (I Gede Ari Astina alias Jerinx is a musici … I Gede Ari Astina alias Jerinx is a musician and activist related to social and environmental issues. He was born in Kuta, February 10, 1977. He is the drummer for the music group "Superman is Dead" (SID) which was founded in 1995. This rock band has released seven albums, including "Angels and the Outsiders" (2010) which made SID invited to the “Warped Tour Festival” to hold concerts in several cities in the United States. SID is the only Indonesian band and the second band in Asia to have performed at the festival. Popular songs from SID include “Sunset in the Land of Anarchy” (2013), “Be a Legend” (2013). Not only active in the world of music, Jerinx also only pays attention to environmental and social issues. In 2015, he visited President Jokowi to explain about the reclamation policy in Tanjung Benoa, Bali. In addition, Jerinx is also a successful entrepreneur and brand ambassador of several streetwear brands.d ambassador of several streetwear brands.)
I Gede Aries Pidrawan + (I Gede Aries Pidrawan is a teacher and wri … I Gede Aries Pidrawan is a teacher and writer born in Pidpid, Karangasem, April 2, 1987. He is a teacher at SMA PGRI 1 Amlapura. He wrote literature in Balinese and Indonesian. His published books are "The Guru" (a collection of joint works published in 2020), "Nyujuh Langit Duur Bukit" (joint work, Expression Library, 2019), "Women Worshiping Stone" (short anthology, Mahima, 2019), " Caterpillars in Mother's Womb” (short anthology, Mahima, 2019), “Gerubug” (children's story, Bali Language Center, 2018), “Bidadari Telaga Emas” (children's story, Balinese Language Center, 2017). He also often wins literary writing competitions. often wins literary writing competitions.)
I Gede Robi Supriyanto + (I Gede Robi Supriyanto is a musician and s … I Gede Robi Supriyanto is a musician and singer born in Palu, Central Sulawesi, April 7, 1979. He is one of the founders of the band Navicula. Robi is also known as a social and environmental activist. He is one of the supporters of the movement to reject the reclamation of Benoa Bay. He also fills his time by pursuing organic farming. Robi represented Indonesia in the Asia 21 Young Leaders organized by the Asia Society in 2016 to discuss his activities in the field of organic agriculture. Albums of songs that have been born with the band Navicula, among others, Self Portrait (1999), Alchemist (2005), Beautiful Rebel (2007), Love Bomb (2013), Face to face (2015).7), Love Bomb (2013), Face to face (2015).)
I Gede Robi Supriyanto + (I Gede Robi Supriyanto was born in Palu, C … I Gede Robi Supriyanto was born in Palu, Central Sulawesi, 7 April 1979. He is a musician, social and environmental activist, and organic farmer. He is the vocalist and one of the founders of the music group Navicula. Robi once represented Indonesia in the Asia 21 Young Leader event organized by the Asia Society in 2016 to discuss his activities in the field of organic agriculture. In the field of music, he launched several singles, including the Story of a Cup of Coffee (2014), Freedom Skies (2014), Kids (2016), Metamorfosa Kata (2016), Open Road (2018), Let It Happen (2018), Wujud Cinta (2018), 2021). Happen (2018), Wujud Cinta (2018), 2021).)
I Gedé Gita Purnama Arsa Putra + (I Gedé Gita Purnama Arsa Putra was born in … I Gedé Gita Purnama Arsa Putra was born in Denpasar on October 29th, 1985. In 2008 he finished his bachelors degree in Balinese Language and Literature at Udayana University, continuing on to postgraduate studies in linguistics specializing in literary discourse also at Udayana University. He is now a lecturer at Hindu Dharma State Institute of Denpasar. He has enjoyed writing poetry, short stories, and essays since junior high school. His works are published in Bali Orti (Bali Post), Bali Post, and Mediaswari (Pos Bali). Gita Purnama is the author of the poetry collections "Dendang Denpasar Nyiur Sanur," "Denpasar lan Donpasar," and "Angripta Rum." His now published book is collection of short stories entitled "Smara Reka" written together with his wife in 2014. Additionally, he is a member of the team of writers of the biography "I Wayan Beratha: Seniman Kelas Dunia." In 2016 he received the Rancage Literary Award for his service in preserving and developing modern Balinese literature.Below is a link to one of his short stories called "Ngalih Sampi Galang Bulan" taken from the book "Smara Reka."g Bulan" taken from the book "Smara Reka.")
I Gedé Putra Ariawan + (I Gedé Putra Ariawan was born in Désa Banj … I Gedé Putra Ariawan was born in Désa Banjar Anyar Kediri, Tabanan, on June 16th, 1988. He completed his bachelor's degree at Ganesha University of Education in Singaraja majoring in Education of Indonesian Language and Literature in 2010 and in 2014 completed his master's degree in the Ganesha University of Education Postgraduate Program. He now works as an Indonesian language teacher at Kediri State High School 1.His works, which take the form of short stories, opinion pieces, articles, and poetry, have been published in Bali Orti (Bali Post), Media Swari (Pos Bali), Majalah Éksprési, and Majalah Satua. He has released a book in the form of a compilation of short stories entitled "Ngurug Pasih" in 2014 and received the 2015 Rancage Literary Award. On January 30th, 2016, he became speaker at the event Sandyakala #49 organized by Bentara Budaya Bali.kala #49 organized by Bentara Budaya Bali.)
I Gusti Ayu Agung Mas Triadnyani + (I Gusti Ayu Agung Mas Triadnyani was born … I Gusti Ayu Agung Mas Triadnyani was born in Jakarta, December 2, 1967. She is a poet who is also a lecturer at the Faculty of Cultural Sciences, Udayana University. She holds a master's and doctoral degrees in Literature at the University of Indonesia (UI). In addition to writing poetry, she also conducts studies on modern literature, such as Balinese Women in Mata Oka Rusmini: A Study of Her Creative Works (Research on Women's Studies, 2008) and the Collaboration of Traditional Community Culture with Modern Culture in WSRendra's Drama Tuyul Anakku (Research Indonesian Literature Study Program, 2012). She is often invited as a jury for various literary events, such as the Bali Province Language Ambassador Jury, as well as various writing competitions. Her published books include “Book Seeking Temples” (2011), “Book I See Bali” (2015).Temples” (2011), “Book I See Bali” (2015).)
I Gusti Ayu Putu Mahindu Dewi Purbarini + (I Gusti Ayu Putu Mahindu Déwi Purbarini, S … I Gusti Ayu Putu Mahindu Déwi Purbarini, SS, was born in Tabanan, October 28, 1977. She studied Indonesian Literature at the Faculty of Letters at Udayana University Denpasar until she graduated and received a bachelor's degree in Indonesian literature, 8 May 2004. Her poems were published in the Tabloids Wiyata Mandala, Bali Post, Buratwangi Magazine, Canang Sari. She has been on the cover of the Bali Gumi magazine “Sarad” (édition no.19, July 2001) and published in the book "Bali Tikam Bali" by Gdé Aryanatha Soéthama on page 86 entitled 'Cuntaka' Luwes Only (p.87). Now a lecturer in Indonesian Literature at IKIP PGRI Denpasar and FKIP Mahasaraswati Denpasar. She also takes care of being the manager of the youth literary magazine “Akasa”, the Indonesian Youth Literature Studio (SSRI) Bali in Tabanan.“Apang ja Bisa Maschool”, her short story won the first prize in the Bali Unity Writing Competition throughout Bali (1994). “Lombok Yang Bali”, a short story about sightseeing, competitions at the Bali Post, won 2nd place (1995). “Dara in a Boat Bottle”, the first runner-up in the poetry writing competition in Bali in the 'Sea Orientation Week' Dénpasar (1999). His poem “The Moon in a Transparent Room” was included in the “Anthology of Vibrating Poetry II”, Kota Batu, Malang (1996). In addition, a collection of her poems with the title “The Moon in a Transparent Room” was published by the Center for Language Center Dénpasar (2006). Followed by a collection of modern Balinese poetry entitled "Taji", which was in demand by the modern Balinese literary magazine "Buratwangi"She has written Indonesian literature in the form of poetry and short stories since Era magazine at SMP Negeri 2 Tabanan (1989-1991). Chief Editor of Widya magazine, SMA Negeri 2 Tabanan (1994-1995). Served as editorial staff for Kanaka magazine, Faculty of Letters and the UKM Academic tabloid, Udayana University Dénpasar (1996-1997). Participated in journalistic training in the ring Dénpasar, Yogyakarta and Malang (1995, 1996, 1997). Besides that, he was with Sanggar Purbacaraka. The most fun part was whens he was in kindergarten and elementary school (1982-1988) often dancing on TVRI Denpasar in the program "Aneka Ria Safari for the Children of the Archipelago.afari for the Children of the Archipelago.)
I Gusti Ayu Raka Rasmi + (I Gusti Ayu Raka Rasmi is a Balinese dance … I Gusti Ayu Raka Rasmi is a Balinese dancer born in Peliatan, Ubud, Gianyar, March 10, 1939. Raka Rasmi was the first to dance the Oleg Tamulilingan dance which was created by I Ketut Maria, a choreographer from Tabanan, Bali, at the request of John Coast. Raka Rasmi introduced this romantic dance to foreign countries through her first art tour to Paris, Europe and the United States in 1953. Raka Rasmi has been dancing since the age of twelve by joining Sekaha Gong Peliatan, Ubud. John Coast named Raka Rasmi as a star dancer, thanks to her stunning performance when dancing. Raka Rasmi has danced in various parts of the world, such as China (1959), Pakistan (1964), Japan (1964), Australia (1971), Europe (1971), USA (1982), and Singapore (1996). Raka Rasmi dedicated her life to the art of dance, especially the famous Oleg Tamulilingan dance. She has many disciples from within and outside the country. Raka Rasmi passed away on March 17, 2018. Raka Rasmi passed away on March 17, 2018.)
I Gusti Bagus Sugriwa + (I Gusti Bagus Sugriwa was born in Bungkula … I Gusti Bagus Sugriwa was born in Bungkulan, Buleleng, Bali, March 4 1900. He is a figure who fought for Hinduism in Bali and was recognized by the Government of the Republic of Indonesia. He became a role model and father of Hindu civilization. Thanks to his struggle, Hinduism in Bali was officially recognized by the government on September 5 1958 based on the Decree of the Minister of Religion of the Republic of Indonesia.He also cares about educational progress. He once taught at the People's School in Bungkulan, then taught at the People's School in Jinengdalem, Buleleng, 1921. He was the Principal of the Vervogcshool School in Kubucepatn in 1935. He has also taught Japanese at a number of schools.In 1946 he became a member of the Indonesian Republic's Struggle Council. His concern for Indonesian independence resulted in him being arrested by the Dutch in 1948. In 1950, he was elected as a member of the Bali Regional Government Council.He was once the editor-in-chief of Damai Magazine published by the Fighters' Service Foundation in Denpasar. In 1957, he was appointed by President Soekarno to become a member of the National Council which was formed as an advisory body to the president's cabinet and a member of the DPA representing Balinese Hindus.In 1970, he taught at the Dwijendra Education Institute, Saraswati People's College, State Hindu Religious Teacher Education (PGAHN) which later became IHDN Denpasar. Apart from being a teacher, he also wrote a number of books related to Hinduism, such as Sutasoma, Dwijendra Tatwa, Balinese Hindu Religion Lessons, Puppetry/Puppetry Science.He died in 1973. To commemorate his great services, his name was immortalized as the campus of the I Gusti Bagus Sugriwa State Hindu University Denpasar (formerly IHDN Denpasar). His figure was also immortalized in a statue which now stands in front of the campus.e which now stands in front of the campus.)
I Gusti Gde Raka + (I Gusti Gde Raka is an Indonesian politici … I Gusti Gde Raka is an Indonesian politician from Bali. During the Japanese period, he worked in the Prosperity section and then in the Treasury. In September 1945, he was appointed as Head of the Lesser Sunda Province Treasury for the Government of the Republic of Indonesia. From March 1946 to July 1949, he was held prisoner by the Dutch army. In July 1949, he was released, went to Yogyakarta and worked as Head of Finance at the Indonesian Ministry of Finance. From November 1949 to February 1950, he was appointed as Chief Inspector of Finance and member of the Financial and Development Supervisory Agency representing the Lesser Sunda Group.gency representing the Lesser Sunda Group.)
I Gusti Gedé Djelantik Santha + (I Gusti Gedé Djelantik Santha is one of th … I Gusti Gedé Djelantik Santha is one of the senior writers who has championed modern Balinese literature. He was born in Désa Selat Karangasem on August 12th, 1941. He had already come to enjoy writing while attending elementary school (Sekolah Rakyat, 1949). Djelantik Santha writes many kinds of poetry, short stories, and novels, and has released a few books in the form of novels and collections of short stories.In 1979 his story entitled "Gamia Gamana" placed second in story composition during the Bali Arts Festival. In 2001 he received the "CAKEPAN" award from Majalah Sarad for his dedication in the field of modern Balinese literature. In 2002 he received the Rancage Literary Award for the novel "Sembalun Rinjani". In 2003 he also got second place as a contender in a novel writing competition held by Bali Post for the novel entitled "Di Bawah Letusan Gunung Agung".His published books are:Tresnané Lebur Ajur Setondén Kembang (Novel, 1981), Sembalun Rinjani (Novel, 2000), Gitaning Nusa Alit (Novel, 2002),Di Bawah Letusan Gunung Agung (Indonesian-languuge novel, 2003), Suryak Suwung Mangmung (Novel, 2005), Benang-Benang Samben (Novel, 2014), Vonis Belahan Jiwa (Indonesian-language novel, 2015), Kacunduk ring Besakih (collection of short stories, 2015).The following link connects to one of his essays, a short story entitled "Majogjag".essays, a short story entitled "Majogjag".)
I Gusti Ketut Jelantik + (I Gusti Ketut Jelantik was born in Tukadmu … I Gusti Ketut Jelantik was born in Tukadmungga, Buleleng, 1800. He came from Karangasem, Bali. He became governor of the Buleleng Kingdom. He led the Buleleng army against Dutch colonialism in the First Bali War, the Jagaraga War, and the Third Bali War, which occurred in 1846 – 1849. The war started because the Dutch East Indies colonial government wanted to abolish the Tawan Karang Rights that were in effect in Bali, namely the rights of the kings. who is in charge of Bali to retrieve ships that have run aground in its waters and all their contents.I Gusti Ketut Jelantik died in the Third Bali War. He died in the Bale Pundak Hills, Kintamani, Bali, in 1849. For his services against the Dutch colonialists, he was declared an Indonesian National Hero on September 14 1993.nesian National Hero on September 14 1993.)
I Gusti Ketut Pudja + (I Gusti Ketut Pudja (19 May 1908 – 4 May 1 … I Gusti Ketut Pudja (19 May 1908 – 4 May 1977) was an Indonesian national hero from Bali. He participated in the formulation of the Indonesian state through the Preparatory Committee for Indonesian Independence (PPKI) representing Lesser Sunda (currently Bali and Nusa Tenggara). He was also present at the drafting of the text of the proclamation at Admiral Maeda's house. He was then appointed by Soekarno as Governor of Lesser Sunda on August 22 1945.Pudja was born on May 19 1908 in Singaraja, Bali. In 1934, he graduated from his studies at the Rechtshoogeschool in Batavia (Jakarta). In 1935, he started working at the Bali and Lombok Resident's Office. A year later, he was placed at Raad Van Kerta, which at that time was a court office in Bali. He joined the struggle to expel the Japanese invaders. He ordered the youths to disarm the Japanese, some of whom were still in Bali at that time. He was captured by Japanese troops at the end of 1945.Pudja died on May 4 1977 in Jakarta. For his services, President Soeharto awarded Pudja the Bintang Mahaputera Utama award. In 2011, the Government of the Republic of Indonesia designated Pudja as a national hero. On December 19 2016, for his services, the Government of the Republic of Indonesia immortalized Pudja on a thousand rupiah denomination coin.ja on a thousand rupiah denomination coin.)
I Gusti Komang Sugiartha + (I Gusti Komang Sugiartha, He was born in S … I Gusti Komang Sugiartha, He was born in Subamia Tabanan Village, Bali on April 24, 1949. His educational history is, in 1962 he graduated from SD Subamia, in 1965 he graduated from SMP Negeri 1 in Mataram, in 1969 he graduated from Agricultural School ( SPMA) Mataram State. In 1970 he worked at the Bali Provincial Agriculture Service, the Industrial Plants section which officially separated itself to become the Bali Provincial Plantation Service in 1973.Since elementary school he has studied art from his father Gst.Kd. Dibya and once felt the touch of the hands of I Ketut Maryo, a legendary artist in Tabanan. He often won the Sekar Alit song at the elementary level. Until now, he is still actively participating in pesantren activities at the Bali Government, at the Basutalina Bali Getar Art Studio, North Kuta District, being the coach of Santi in Subamia Village, and Santi Ambara Santha Budhi, Tabanan Regency.He has completed several Geguritan with the title Lubdhaka, Bima Dados Caru, Angling Darma, Kedis Cacetrung, Pan Balang Greed, Pandawa Swarga, Ulam Agung (Matsya Awatara), Waraha Awatara, Dharma Udyoga, Dwarawati Pralaya, Senapati Abimanyu, Dyah Sri Tanjung, Babad Pande, Manteri Jajar Pikat and Aji Pelayon.ande, Manteri Jajar Pikat and Aji Pelayon.)
I Gusti Ngurah Made Agung + (I Gusti Ngurah Made Agung (5 April 1876 – … I Gusti Ngurah Made Agung (5 April 1876 – 22 September 1906) was the King of Badung VII and a fighter who helped the Dutch East Indies government who was appointed a National Hero of Indonesia by President Joko Widodo on November 5, 2015. His literature, such as Geguritan Dharma Sasana, Geguritan Niti Raja Sasana, Geguritan Nengah Jimbaran, Kidung Loda, Kakawin Atlas, and Geguritan Hredaya Sastraakawin Atlas, and Geguritan Hredaya Sastra)
I Gusti Ngurah Putu Buda + (I Gusti Ngurah Putu Buda is an artist born … I Gusti Ngurah Putu Buda is an artist born in Sangeh, Badung, Bali. He completed his art education at ISI Denpasar. Since 2002 he has been active in many joint exhibitions, at home and abroad, including TANDA HATI at Tony Raka Gallery Mas Ubud (2012), Ten Years After at Sinsin Fine Art Anex Villa Hongkong (2013), Ulu Teben art Bentara Budaya Bali ( 2015). His solo exhibitions include Time is like to Bomb at kiridesa the Gallery Singapore (2006), Black and White world Copsa Gallery London (2006), Mystical Spirit II at Kiridesa The Gallery & Oorja zone, Dubai (2007), Seizing A Space at 6 Point Cafe-Shop-Office, Sanur Bali (2013). In 2004, he Reached Top Finalist in 2004 Sovereign Annual Contemporary Asian Art Prize Hongkong. Currently, he is active in the Militans Arts Community., he is active in the Militans Arts Community.)
I Gusti Ngurah Putu Wijaya + (I Gusti Ngurah Putu Wijaya or better known … I Gusti Ngurah Putu Wijaya or better known as Putu Wijaya, is an Indonesian literary icon from Bali, who has produced approximately 30 novels, 40 drama scripts, about a thousand poems, hundreds of essays, freelance articles, and drama criticism. Putu Wijaya also writes screenplays for films and soap operas.Putu himself is actually the youngest of five siblings. He lives in a large housing complex, which houses about 200 people, whose family members are all near and far, and have a habit of reading. The humanist with his white pet hat was expected to become a doctor by his father, I Gusti Ngurah Raka, a retired courtier who was strict in educating children. However, Putu is more familiar with the world of literature, language, and earth science. Putu's first short story entitled "Etsa" was published in the Indonesian daily Suluh, Bali.The first drama Putu played was when he was in high school. Putu directed and played the drama himself with the group he founded in Yogyakarta. After 7 years in Yogyakarta, he then moved to Jakarta and joined Teater Kecil. Next with the Mandiri Theater which was founded in 1971, with the concept of "Starting from What's Existing".Putu's style of writing novels is not much different from his style of writing drama. As in his drama works, in his novels he tends to use an objective style in the center of the story and a style that is full of fragments of events that are dense, intense in choice, and expressive language. Putu is more concerned with reflection than history.A fan of dangdut, rock, classical music by Bach or Vivaldi, and jazz, he writes and directs films, soap operas, and theatre. Putu has performed dozens of plays at home and abroad and has won dozens of awards for his literary works.n dozens of awards for his literary works.)
I Gusti Putu Bawa Samar Gantang + (I Gusti Putu Bawa Samar Gantang was born i … I Gusti Putu Bawa Samar Gantang was born in Tabanan, Tegal Belodan on September 27th, 1949. His father was named I Gusti Gedé Pegug and his mother Gusti Ayu Nyoman Rerep. His father was a dancer and in the Dutch colonial era he became a soldier in the Gajah Merah (Red Elephant) division of the Netherlands Indies Civil Administration (NICA). Samar Gantang attended elementary school (Sekolah Rakyat) in 1955 in Pengabetan, Dauh Pala, Tabanan, and graduated in 1963. He continued on to Tabanan Junior High School 1, and beginning at that time he delighted in reading literary books. He began to write modern Balinese and Indonesian literature in 1968 while still in Tabanan High School (now Tabanan State High School 1). In 1973 he became an honorary teacher at Harapan Junior High School, and he also became a teacher at Junior High School TP 45 (no longer in existence), State Junior High School 3, Pemuda Junior High School, Dharma Bhakti Junior High School, Tabanan State Junior High School 2. In 1974, he became a permanent teacher at Tabanan State Junior High School 2 and taught painting.His works are published in the newspapers Bali Post, Nusa Tenggara, DenPost, Warta Minggu, Santan Simponi, Swadesi, Suara Karya, Sinar Harapan, Media Indonesia, Karya Bhakti, Suara Nusa, Fajar, Zaman, Top, Aktuil, Sarwa Bharata Eka, Varianada, Canangsari, Buratwangi, Merdeka Minggu, Baliaga, Taksu, and Majalah Éksprési.For 10 years he has contributed to broadcasts reading poetry on RRI Studio Denpasar, Menara Studio Broadcasting, Cassanova, and Kini Jani Tabanan. He always travels from Tabanan to Denpasar by riding a roadster bicycle. Furthermore, he has also received invitations from LIA Surabaya or PPIA, Bali Museum, IKIP Saraswati, Balai Budaya Denpasar, STSI Surakarta, STSI Denpasar, ISI Yogyakarta, Taman Izmail Marzuki, the Jakarta National Gallery, and Yayasan Hari Puisi. He was invited to read his poetry in Malaysia and Singapore in 1986. In Tabanan he founded Sanggar Pelangi (Rainbow Studio) in 1976 and now has changed the name to Sanggar Sastra Remaja Indonesia (SSRI, Indonesian Teenage Literature Studio) of Bali, which disseminates modern Balinese and Indonesian literature to students at elementary, junior high, and vocational/high schools and young adolescents who enjoy literature.He received first place in Bali-wide poetry writing in 1979, the national championship of poetry writing in Yogyakarta in 1982, top eight in literary performance at Taman Ismail Marzuki in 1989, and first place in tourism poetry writing which was held by Yayasan Komindo Jakarta in 1991. In the field of Balinese literature he received the Satya Lencana Karya Satya award, first place in Bali-wide poetry writing, essays, and poetry recitation in 2000 and 2001. He earned the "CAKEPAN" award in 2001 from Majalah Sarad and released a book of collected poems entitled "Aab Jagat". He was also honored with the 2003 Rancage Literary Award.Books which have been released containing his work include Hujan Tengah Malam (1974), Kisah Sebuah Kota Pelangi (1976), Kabut Abadi (1979) bersama Diah Hadaning, Antologi Puisi Pendapa Taman Siswa Sebuah Episode (1982), Antologi Puisi Asean (1983), Antologi Puisi LIA (1979), Kalender Puisi (1981), Antologi Festival Puisi XI PPIA (1990), Spektrum (1988), Taksu (1991), Antologi Potret Pariwisata dalam Puisi (1991), Antologi Puisi Kebangkitan Nusantara I (1994), Antologi Puisi Kebangkitan Nusantara II (1995), Antologi Puisi Kidung Kawijayan (1995), Antologi Puisi Kebangkitan Nusantara III (1996), Antologi Puisi Pos Nusantara Lokantara (1999), Aab Jagat (2001), Perani Kanti (2002), Onyah (2002), Somya (2002), Sagung Wah (2002), Macan Radén (2002), Berkah Gusti (2002), Sang Bayu Telah Mengiringi Kepergiannya (2002), Puisi Modré Samar Gantang (2002), Antologi Puisi HP3N Nuansa Tatwarna Batin (2002), Bali Sané Bali (Pupulan Durmanggala, 2004), Awengi ring Hotél Séntral (2004), Pakrabatan Puisi Tegal DIHA Tebawutu (2004), Kesaksian Tiga Kutub (puisi lan cerpén, 2004), Léak Raré (2004), Léak di Bukit Pecatu (2005), Léak Satak Dukuh (2006), Ketika Tuhan Menyapaku (2006), Dipuncakmu Aku Bertemu (2008), and Jangkrik Maénci (2009).He is famous for modern poetry and keeping audiences on the edge of their seats. His work mostly uses mystical themes like "léak" (a person/spirit who practices black magic), and this can be seen in his Balinese-language books such as in the book Léak Kota Pala, Puisi Modré Samar Gantang, Léak Bukit Pecatu, Jangkrik Maénci, and others.Bukit Pecatu, Jangkrik Maénci, and others.)
I Gusti Putu Gede Wedhasmara + (I Gusti Putu Gede Wedhasmara was born in D … I Gusti Putu Gede Wedhasmara was born in Denpasar, September 10, 1932. He is a songwriter from Bali. His songs were popular in the 1960s and 1970s and are still widely enjoyed by his fans. The magazine "Rolling Stone Indonesia" in its February 2014 issue included Wedhasmara in the "100 Best Indonesian Songwriters".Wedhasmara since childhood loved the world of singing. After completing his junior high school education in Denpasar Bali, Wedhasmara continued his education at Santo Thomas High School in Yogyakarta City. In 1956-1963, Wedhasmara worked at the Jakarta Agriculture Bureau.Wedhaswara was recorded to have joined various musical groups such as the Denpasar Joint Orchestra, Denpasar Keroncong Orchestra, the Mulyana Sutedja Quartet Yogyakarta, the Keroncong Orchestra led by Sukmini Yogyakarta, the Malay Orchestra Ria Bluntas, Zaenal Combo, and Empat Nada.Wedhasmara's well-known songs “Senja di Batas Kota” and “You are always in my heart” were popularized by singer Ernie Djohan. "Carolus” was popularized by singer Lilis Surjani. These songs are timeless songs that will always be remembered, and to this day they are still often played on the radio in their original versions.In 2011, Wedhasamara received an Art Award from the Minister of Culture and Tourism of the Republic of Indonesia. Previously, Wedhasamara also received awards from the Mayor of Denpasar (2003), Governor of Bali (2003). and the Minister of Health of the Republic of Indonesia (1982). Wedhasmara died in Denpasar on April 17, 2017.asmara died in Denpasar on April 17, 2017.)
I Ketut Alon + (I Ketut Alon (1932 – 1993) was a sculptor … I Ketut Alon (1932 – 1993) was a sculptor born in Banjar Tarukan, Mas Village, Ubud, Bali. He studied carving from the sculptor Ida Bagus Nyana. He makes many wooden statues with puppet themes (Mahabarata and Ramayana) and also humanist themes of daily life. Many of his works are collected by foreign tourists. He was invited to exhibit in Japan in 1981, 1982 and 1985.In 1968, he founded "I Ketut Alon Balinese Art Shop & Wood Carver" which later changed to "Alon Gallery" in 1991. The gallery is located on Jalan Raya Mas, Ubud and is managed by one of his sons, I Kadek Ariasa. In the gallery there is also the Githa Ariswara Studio which was founded in 2000 and operates in the field of dance and percussion under the I Ketut Alon Foundation. The foundation also established the Sarin Rare Education Park, which is heavily involved in art education for children.eavily involved in art education for children.)
I Ketut Aryawan Kenceng + (I Ketut Aryawan Kenceng was born in Banjar … I Ketut Aryawan Kenceng was born in Banjar Bendul, Klungkung, December 22, 1959. He completed elementary to high school in Klungkung and studied at the English Faculty of Udayana University for five semesters. He then worked in the tourism sector in Denpasar and wrote literature in Balinese and Indonesian. His Indonesian poems were published in the Bali Post, Simfoni, Swadesi. His Balinese poetry was published in Bali Orti Bali Post and Pos Bali. His collection of Balinese poetry has been published under the titles Beruk (2014), Bikul (2014), Bubu (2015), Rwa Bhineda (2015).l (2014), Bubu (2015), Rwa Bhineda (2015).)
I Ketut Suasana + (I Ketut Atmosphere alias Kabul, was born i … I Ketut Atmosphere alias Kabul, was born in Apuan, Tabanan, December 30, 1978. He completed his art education at ISI Denpasar. Kabul's works have a lot to say about the life of bees/wasps. For Kabul, the bee is a metaphor to describe human life. Since 2003, Kabul has been diligently involved in many joint exhibitions, both at home and abroad. His solo exhibitions include "Bee Atmosphere" at Sudana Gallery, Ubud, Bali (2009) and "Suhu Bee" at Maha Art Gallery, Renon, Bali (2010). Apart from painting, Kabul is also diligent in holding performance art and murals.ent in holding performance art and murals.)
I Ketut Eriadi Ariana + (I Ketut Eriadi Ariana was born in Bangli, … I Ketut Eriadi Ariana was born in Bangli, 1994. Currently completing postgraduate studies at the Linguistics Masters Study Program, Literary Discourse Concentration, Faculty of Cultural Sciences, Udayana University. His daily life is as a journalist and singer at Ulun Danu Batur Temple, Batur Traditional Village, Bangli (since January 8 2020). A number of his Balinese language poems and essays were published in mass media such as Tatkala.co, Media Bali, Pos Bali, Suara Saking Bali, and Nuansa Bali Magazine. Balinese poetry was published in the single anthology Ulun Danu (2019). His writings have also been published in books such as Prabhajnyana: Mosaic of Lontar Library Studies, Udayana University (2020), Gocara Literary Journal, Ancient Javanese Literature Study Program, Udayana University, and Sarasastra: Balinese Cultural Thought Center (2020). Meanwhile, his first book of single essays is entitled Ecologisme Batur (2020). He once served as Secretary of the DPK Peradah Indonesia Badung (2016-2017), before being entrusted with the duties as Chair of the DPK Peradah Indonesia Bangli (2018-2021). DPK Peradah Indonesia Bangli (2018-2021).)
I KETUT MARIO + (I Ketut Mario is thought to have been born … I Ketut Mario is thought to have been born in Belaluan village, Denpasar, and later grew up in Banjar Lebah, Tabanan. An aristocrat named Anak Agung Ngurah Made Kaleran, who loved the arts and gave much support to artists in his region, has been identified as his adopted father.Mario first became a dancer for the Pangkung Gong club in Tabanan. In 1958 he went with the group to Paris, Holland, England, America and Canada, and in 1962 they toured America.Mario was not only a dancer, he was a choreographer as well. His monumental creation Kebyar Duduk, or if danced with trompong, Kebyar Trompong, stirred a revolution in Balinese dance. These creations contrasted greatly with other dancers of the time, being performed for the most part in a stooped sitting position. The birth of Kebyar Duduk in 1925 drew an enourmous influence from gamelan gong kebyar when Mario became accidentally entranced by the music he heard played by the musicians of Bantiran village. Another Mario's choreography is Oleg Tamulilingan, which he did in 1952. It also gave a contribution for the development of the Balinese dance.for the development of the Balinese dance.)
I Ketut Sadia + (I Ketut Sadia is from Batuan, Sukawati, Gi … I Ketut Sadia is from Batuan, Sukawati, Gianyar, Bali. He studied painting with I Wayan Taweng (father) and I Wayan Bendi (brother). He actively exhibits at home and abroad, including at the Arma Museum, Puri Painting Museum, Neka Museum, Jakarta National Museum, Singapore Art Museum, Tempera Art Museum, Finland, Fukuoka Art Museum, and the Indonesian Embassy in Washington DC. Has won the 2008 Jakarta Art Award, Jakarta Art Award Finalist (2010, 2012), UOB Painting Of The Year Finalist (2012, 2013, 2014).g Of The Year Finalist (2012, 2013, 2014).)
I Ketut Sandika + (I Ketut Sandika was born in Nyalian Villag … I Ketut Sandika was born in Nyalian Village, Klungkung, Bali, February 11 1988. He studied at IHDN Denpasar. He wrote books about local wisdom and culture of the archipelago, especially Bali. He likes studying Balinese mysticism through studies of ancient texts, especially Old Javanese texts. The results of his studies were outlined in several books, including "Tantra, Ancient Science of the Archipelago", "Siwa Tattwa, Spiritual Teachings of the Ancestors of the Archipelago", "Sedulur Papat, Kalima Pancer, The Secret Science of Birth and Death", "Education According to the Vedas".eath", "Education According to the Vedas".)
I Ketut Soki + (I Ketut Soki (1946-2022) was a successful … I Ketut Soki (1946-2022) was a successful artist from Bali. As a boy, he was one of the first two children to receive art lessons from the famous artist Arie Smit, and so one of the founders of the "Young Artists" movement.In 1960, Arie Smit went for a walk through the rice fields in Penestanan, Bali, and found a young boy drawing pictures in the sand. Smit invited the boy to his studio and gave him crayons and paper. The name of the young boy was I Nyoman Cakra. As a true Balinese, Nyoman didn't want to be alone, so he asked, "Can my nephew come too?" His nephew was I Ketut Soki and these two youths became Smit's first pupils.ese two youths became Smit's first pupils.)
I Ketut Sudarsana + (I Ketut Sudarsana was born in Ulakan Villa … I Ketut Sudarsana was born in Ulakan Village, Manggis, Karangasem, Bali on September 4, 1982. He is the youngest of three children born to I Ketut Derani (late) and Ni Ketut Merta. Married to Adi Purnama Sari and has four children; Saraswati Cetta Sudarsana, Kamaya Narendra Sudarsana, Ganaya Rajendra Sudarsana and Gayatri Metta Sudarsana. He obtained a Bachelor (S1) Education in Hindu Religion at STAHN Denpasar (2004), and Masters (S2) in Hindu Religious Education at IHDN Denpasar (2009). In 2014 he completed his Doctoral (S3) education in Extension Education at the Graduate School of the Indonesian University of Education in Bandung. On January 1, 2005 he became a permanent lecturer at the Hindu State University I Gusti Bagus Sugriwa Denpasar.University I Gusti Bagus Sugriwa Denpasar.)
I Ketut Sumarta + (I Ketut Sumarta wrote poetry as a teenager … I Ketut Sumarta wrote poetry as a teenager under the pen name Dommy Lavawan and was widely published in the Bali Post. He then diligently performed theater and wrote essays in the mass media, to pursue the world of journalism. He joined the EDITOR Weekly News Magazine in Jakarta—which was finally banned by the New Order regime in 1994. After returning to Bali in 1995, he was asked to serve as the Managing Editor of the daily NUSA until he was entrusted as Director. Since early 2000, together with his friends in Bali, he has published as well as leading the monthly Balinese culture magazine, SARAD. His writings on Balinese culture, among others, have been published in Kompas, Gatra Magazine, BASIS Culture Magazine. His published books include: The Figure of the Artist and the Denpasar Arts Association (1999), Batur: The Heart of Bali's Water Civilization (2015), etc. of Bali's Water Civilization (2015), etc.)
I Ketut Suwidiarta + (I Ketut Suwidiarta was born in Bongkasa, B … I Ketut Suwidiarta was born in Bongkasa, Badung, Bali on 24 November 1976 and had just finished his study on Fine Arts Faculty of Indonesian Art Institute in Jogja. After finishing High School in Denpasar, Suwidiarta studied Japanese for a year. In 1998, he moved to Jogjakarta and there his artistic exploration begun. He was living in Gunarsa’s house in Jogjakarta while sketching and drawing Simbok Nah, the servant at the house. That’s when he was painted the bloated and dwarfed bodies.In the recent years, Suwidiarta’s works are far more contemplative and universal in concept as he started the series in which Buddha’s figure appeared. His works are full with mockery and irony on people’s life, with a shifting to spiritual issues. I Ketut Suwidiarta currently lives and works in Jogjakarta.a currently lives and works in Jogjakarta.)
I Ketut Suwidja + (I Ketut Suwidja was born in Singaraja, Nov … I Ketut Suwidja was born in Singaraja, November 20, 1939. He is a writer from Bali who writes in Balinese and Indonesian. He also wrote on palm leaves. Many of his poems have been published in the Bali Post, Karya Bakti, Nusa, etc. Also collected in a number of joint anthologies, such as “Hram” (1988). His solo poetry anthology in Balinese is “Panah Surya” (2000) published by Sanggar Buratwangi and Balai Bahasa Bali. He has won various awards, including the Listibiya Award (1982), the Bali Provincial Government Award (1998), the Bali Literature Award from the Rancage Foundation (2001). He worked at the Gedong Kertya lontar museum in Singaraja and died in 2009.ntar museum in Singaraja and died in 2009.)
I Ketut Tjekeg + (I Ketut Tjekeg, born in Banjar Tarukan, Ma … I Ketut Tjekeg, born in Banjar Tarukan, Mas Village, Ubud, January 25 1942. He was an important figure in Mas Village, Ubud, who contributed a lot to the progress of the village. Since childhood, he has been active in the arts, including performing in dramas, making statues and carvings, and being active in various organizations. He graduated from the Dwijendra Hindu PGAA school in 1962. He was an honorary Hindu religion teacher at Gianyar State Middle School. Then he became a journalist at the newspaper "Suara Indonesia" which is now the "Bali Post". He also worked at the Bali Beach Hotel, Sanur. In the 1960s he was active as an administrator for the PNI/Front Marhaenis Ranting Mas. He was involved in the birth of many organizations in Mas Village, including the Mas Student Association (P.P.M.), Sekaa Teruna/Karang Taruna, Janger arts organization, and so on. He published the book Autobiography and Physical & Mental Spiritual Development (2022) which contains many stories of his life and the history of the development and development of Mas Village, Ubud.elopment and development of Mas Village, Ubud.)
I Ketut Wiana + (I Ketut Wiana, born in Denpasar, 14 Septem … I Ketut Wiana, born in Denpasar, 14 September 1945. He was once a lecturer at the Denpasar State Hindu Dharma Institute (IHDN). He is also active in the Hindu PHDI institution and is often invited to give dharma discourses to Hindus in various corners of Indonesia. Apart from diligently filling in the Hindu Religion Pulpit column at the Bali Post, he has published many books related to Hinduism, including "Suksmaning Banten", "Maintaining the Vedic Tradition", "Religion in the Kali Era", "Tri Hita Karana According to Hindu Concepts", " Caste in Hinduism”. He died in Denpasar on April 19 2023.sm”. He died in Denpasar on April 19 2023.)
I Made Supena + (I Made Supena was born in Singapadu, Giany … I Made Supena was born in Singapadu, Gianyar, January 12, 1970. He studied fine arts at the Art and Design Program (PSRD) of Udayana University (1991-1997). He is the son of the legendary sculptor I Ketut Mudja. Supena's works are abstract by taking inspiration from nature. In addition to painting, he also makes sculpture, installation art, and works on performance art. Supena is also active in the visual arts groups “Galang Kangin” and “MilitanArts”.Since 1991 Supena has been diligently involved in joint art exhibitions, both at home and abroad. While his solo exhibition was in 1998 at The Chedi Payangan Gallery, Bali. Then the exhibition Reality of Abstract Painting (Art Center Bali, 1999), Landscape und Abstraction (with Susena, Frankfrut, Germany, 2000), New painting (Suli Art Gallery, Denpasar, 2002), About Hature (Gallery Mon Décor, Jakarta, 2002 ), The Likeness of Nature (Ganesha Gallery, Bali, 2004), Studi Alam Supena (Danes Art Veranda Denpasar, 2005), Made Supena Landscape (Gracia Gallery, Surabaya, 2007), Emotion (Santrian Gallery Sanur, 2008), Genealogy (Jogja Gallery , Yogyakarta, 2010), Solitude of Child (Kubu Kopi Denpasar, 2015), Ritus Mountain (Maya Gallery, Sanur, 2017), Interpreting Feelings (Griya Santrian, Sanur, 2018).Supena has won a number of awards including the Award for Sculpture Museum Bali, Denpasar (1991), Award of the Governor of Bali (1994), Award of the Embassy of Peru in Jakarta (1995), Award of Phillip Morris Arts Foundation (1997), Finalist of the Winsor-Newton Competition, Jakarta (2000), Certificate of Ownership, Wellculturen Frankfurt Museum, Germany (2010), Certificate Art Work Golden Land, BIAB Bejing, China (2015), Top 9 Titian Art Foundation ( 2017). On April 16, 2019 Supena died at Sanglah Hospital. He had severe bleeding in the brain due to an attack of hypertension. Bali lost one of its best artists.ension. Bali lost one of its best artists.)
I Nyoman Kaler + (I Nyoman Kaler was born in 1892 in Pamogan … I Nyoman Kaler was born in 1892 in Pamogan Village, South Denpasar District. His father, I Gde Bakta, was a versatile artist in his day. His mother, Ni Ketut Taro, owns the art of his grandfather, I Gde Salin. Kaler himself studied with his grandfather and father, who later passed on to him the nandhir dance, butterfly row, Sisia Calonarang, wayang wong, and parwa. Kaler never received formal education, because as he recalled, until 1900 in Denpasar there were no schools opened. However, his ability to both read and write Balinese script and Latin script cannot be doubted. This skill is obtained from non-formal education on the sidelines of his busy life deepening the arts of dance and percussion. In mastering pagambuhan dance and percussion, he was educated by I Gusti Gede Opium, I Made Sariada, and I Made Nyankan (all from Denpasar) and I Made Sudana from Tegal Taniu. In 1918, at the age of 26, I Nyoman Kaler deepened the Legong Kraton dance with his teacher, Ida Bagus Boda from Kaliungu Klod, Denpasar. In 1924, he studied dance and percussion with Anak Agung Rai Pahang from Sukawati, Gianyar. Kaler was very impressed with this one teacher. His teacher's extraordinary way of teaching allowed Nyoman Kaler to understand the intricacies and movements of dance in depth. Kaler also became a favorite student because of his amazing talent. Kaler can play almost all Balinese gamelan instruments and understands very well all pegongan music, gender, angklung, semar pagulingan, and so on. Nyoman Kaler started teaching in1918. on. Nyoman Kaler started teaching in1918.)
Nyoman Ngendon + (I Nyoman Ngendon (1920-1947) was a painter … I Nyoman Ngendon (1920-1947) was a painter from Banjar Dentiyis, Batuan, Sukawati, Gianyar. He first learned to paint the Kamasan wayang style from Dewa Nyoman Mura in the early 1930s. He was an influential figure in Rock painting and had many students. He is fluent in Malay, Dutch and English. During the Japanese occupation, he went to Yogyakarya, and met with Soekarno, Affandi, Soedjojono, and joined Persagi. Besides being known as a painter, he was a guerrilla figure under the leadership of I Gusti Ngurah Rai to help defend the independence of the Republic of Indonesia. He was captured by Nica's soldiers in Ketewel, tortured and executed.Ngendon is indeed an intelligent Batuan painter who is very anxious to develop himself in painting. In addition to painting in the Batuan style, Ngendon does many portraits using modern techniques. Ngendon is also a painting teacher who is very idealistic and visionary. For Ngendon, each student must be able to draw different shapes, not just copying things that already exist. Ngendon gave birth to a generation of Batuan painters who are able to explore and develop strong thematics.Batuaninteractive.com:"One of the first from Batuan to start painting about 1933 or 1934, along with Togo Djatasoera, and Tjeta. Ngendon learned his skillsfrom his cousin, Patera, who was the first to contact the Westerners Spies and Bonnet. In addition to painting and woodcarving, Patera organized dance troupes and orchestras for tourist performances, and after he died in 1935, Ngendon, took over that role. By the time Mead and Bateson began collecting, Ngendon was not making many pictures. He taught a large number of the Batuan people. Nine pictures by him are in the collection. According to Kaler, Ngendon had been to school for five years, could read, write, and speak Malay and some Dutch and English. He frequented the homes of Westerners and was a member of Pita Maha, the artists' cooperative set up by Spies and Bonnet. At one point he was Spies' favorite Batuan painter. His father was a moderately well-off farmer, and his mother an active merchant. During the Japanese occupation he went to Java to study painting and learned naturalist ideas, which he brought back to Bali. After the Japanese surrendered, Ngendon became a local leader in the nationalist struggle against the returned Dutch colonial presence but was captured and executed in 1948."ce but was captured and executed in 1948.")
I Putu Eka Prayoga,S.Pd.H.,M.Pd + (I Putu Eka Prayoga, S.Pd.H., M.Pd is a tea … I Putu Eka Prayoga, S.Pd.H., M.Pd is a teacher at SD Negeri 26 Pemecutan who has been teaching since 2018 until now. He comes from Pakraman Ubung Village, Denpasar City and he was born on March 23, 1994. He studied and completed S1 Pendidikan Agama Hindu at IHDN Denpasar then he completed his S2 Masters in Pendidikan Agama Hindu at IHDN Denpasar Postgraduate Agama Hindu at IHDN Denpasar Postgraduate)
I Putu Gedé Raka Prama Putra + (I Putu Gedé Raka Prama Putra or commonly k … I Putu Gedé Raka Prama Putra or commonly known as Tudékamatra from his works was born in Gianyar, on Tuesday, 18 December 1990. Although still young, he is one of the authors who maintains modern Balinese literature. The author, who graduated from the Faculty of Economics, Mahéndradatta University, has studied writing since he was still in school at SMAN 1 Blahbatuh. His articles have been published in ksprési Magazine, Satua Magazine, Bali Orti (Bali Post), Bali Post, Pos Bali, Médiaswari (Pos Bali), and Dénpost. His published books are:Padang Tuh (Poetry, 2013),Belog (Collection of Short Stories, 2014),Raré Bali waves (Poetry, 2015).Now he works as a journalist at Pos Bali and is the editor of the Gema Siswa at Pos Bali. the editor of the Gema Siswa at Pos Bali.)
I Putu Karang Adi Saputra + (I Putu Karang Adi Saputra was born in Abia … I Putu Karang Adi Saputra was born in Abiansemal, June 9, 1985. Since 2003 he has been active in a number of joint exhibitions, including the joint exhibition “Bali Painting Maestro” at the Bali Post, Denpasar (2007); “Group of 72” at Paros Gallery, Sukawati (2007), exhibition “With Lecturers of ISI Denpasar” at Neka Art Museum Ubud (2008), exhibition at LV 8 Hotel with Sanggar Mangu Rupa Badung (2018), “Freedom in Expression” in Taman Balinese Culture (2019).ression” in Taman Balinese Culture (2019).)
I Putu Sudiana Bonuz + (I Putu Sudiana alias Bonuz is an artist bo … I Putu Sudiana alias Bonuz is an artist born in Nusa Penida, Klungkung, Bali, December 30, 1972. Since childhood he has been interested in painting. While in his village, he was often asked to paint the walls of the fishing boats (jukung). After completing junior high school in his hometown, he continued his education at the Fine Arts Middle School (SMSR) in Batubulan, Bali. In 1995, he continued his art education at ISI Denpasar, until he graduated. Apart from painting, he also makes installation art, plays music, and writes poetry. Bonuz has exhibited many of his abstract-style paintings, including:Solo exhibitions2018 A Land to Remember. Santrian Gallery, Sanur Bali2017 Tetabuhan-tatabumi, Bidadari Art Space. Mas, Ubud-Bali1015 Because Life is Delicious at Kubu Art Space. Ubud.2014 Magic Sound at Maya Gallery. Singapore.2013 Be Happy, water color paintings at Sand Fine Art Gallery. Sanur-Bali.2012 Harmony, at Rumah Seni Maestro Art Space. Sanur-Bali2011 Inside of Bonuz at Tony Raka Gallery. Mas, Ubud-Bali2011 Breath Reflection, at Hitam-White art Space. Sangeh-Bali.2008 Pleading Life's Tenacity at Kemang Village. Jakarta.2006 Journey of the Soul at Relish Café and Pool. Jakarta.2003 Abstract Essence at Art Center Denpasar. Bali.2003 Universal Spirit at Jenggala Ceramic Jimbaran. Bali.2000 Crossing Borders at Red-White Forum. Denpasar Bali.Borders at Red-White Forum. Denpasar Bali.)
I Putu Sukreta Suranta + (I Putu Sukreta Suranta was born in Klungku … I Putu Sukreta Suranta was born in Klungkung, 11 April 1938. He was a high-ranking army officer from Bali and a government official. He is one of the figures of the Parisada Hindu Dharma Indonesia organization and Paguyuban Ngesti Tunggal. After graduating from high school, he continued to the National Military Academy in Magelang. After graduating, he was appointed a second lieutenant in 1961.Throughout his career in the military, he held various strategic positions such as Deputy Commander of the Garuda VII Contingent and Operations Assistant to the Chief of Staff of Kodam Jaya. He achieved the rank of brigadier general around 1986 and became Deputy Assistant for Operations to the Army Chief of Staff. He was promoted to major general about two years later and became Operations Assistant to the Army Chief of Staff on 17 March 1988. He was then appointed Commander of the ABRI Command and Staff College on 21 October 1989. He was replaced from his position on 16 April 1993 and retired from the military some months later.After retiring from the military, he was appointed Inspector General of the Department of Defense Security on April 24, 1993.] His appointment as the department's inspector general was unusual, as this position is usually held by active three-star military officers. Because after retiring from the military, the government decided to raise his rank to honorary lieutenant general on September 1 1997. He was replaced by Farid Zainuddin in 1998.He was then appointed by President BJ Habibie to become a member of the Supreme Advisory Council (DPA) on 13 June 1998 and became Deputy Chair of the People's Welfare Commission at DPA.He was elected as Daily Chair of Parisada Hindu Dharma Indonesia (PHDI) at the 7th PHDI Mahasabha which took place in September 1996. Previously, since 1992, he had represented PHDI in the MPR. He is also an advisor to the Indonesian Hindu Youth Association and Prajaniti Hindu Indonesia. Apart from that, he was also a member of the spiritual organization Paguyuban Ngesti Tunggal (Pangestu).He died in South Jakarta on Friday, September 16 2022 and was buried at the Kalibata Heroes' Cemetery (TMP), South Jakarta.ata Heroes' Cemetery (TMP), South Jakarta.)
I Putu Swaryandana Ichi Oka + (I Putu Swaryandana Ichi Oka or familiarly … I Putu Swaryandana Ichi Oka or familiarly called Ryan grew up in Banjar Pande, Sayan Village, Ubud. Ryan is a young composer who is currently pursuing a master's degree at the Indonesian Art Institute, Denpasar. This young composer is active in the arts at the Sanggar Seni Cudamani, Pengosekan, Ubud. Most of Ryan's works reflect traditional styles such as Swasti Prapta (for dance compositions) and Sundih, but there are some more contemporary works such as Su3lim (instrumental) and Kalatalaraga (body music). Ryan's works can be seen on YouTube Channel: Ryan Swaryandana.seen on YouTube Channel: Ryan Swaryandana.)
I Putu Tangkas Adi Hiranmayena + (I Putu Tangkas Adi Hiranmayena is an Indon … I Putu Tangkas Adi Hiranmayena is an Indonesian artist and scholar. Putu’s interests are rooted in gamelan, improvisation, and metal music, while dealing primarily with high adrenaline activity, embodiment, and cosmology theories. His musical works directly highlight exigency of performance in peak physical states, which provoke praxis of micro-temporality. Putu has performed with gamelan and improvisation ensembles around the United States and Indonesia; most recently with Gamelan Pandan Arum from Los Angeles, Gamelan Tunas Mekar in Denver, and Sanggar Manik Galih in Bali. He has also acted as gamelan ensemble director at the Museum School of San Diego as well as the University of San Diego. Putu holds a B.A. from the University of Colorado Colorado Springs in Visual and Performing Arts and an M.A. from the University of California San Diego in Integrative Studies. He has recently started a Ph.D. program at the University of Illinois Urbana-Champaign in ethnomusicology where he plans to continue his studies in new music and gamelan.inue his studies in new music and gamelan.)
I Wayan Aris Sarmanta + (I Wayan Aris Sarmanta, born in Gianyar, Ap … I Wayan Aris Sarmanta, born in Gianyar, April 8, 1995. Since 2011, he has been actively exhibiting, including at the Puri Painting Museum, Arma Museum, Allcaps Gallery, Bentara Budaya Bali, Titian Artspace Ubud, Paradiso Ubud, Griya Santrian Gallery, Bale Banjar Sangkring Jogja. In 2017 he held a solo exhibition “Rebirth” at Titian Art Space, Ubud. He won the 2017 Titian Prize Nine Finalist and 2018 Titian Prize Winner.ine Finalist and 2018 Titian Prize Winner.)