Tourists Satisfaction towards Museum in Tourism Industry: A Perspective in Postmodernism

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Title of article (Indonesian)
Kepuasan Wisatawan terhadap Museum dalam Industri Pariwisata: Sebuah Perspektif dalam Postmodernisme
Title of article (Balinese)
Kasenengan para wisatawane ngeninin museum ring industri pariwisata,marupa perspektif ring postmodernisme.
Original title language
English
Title (other local language)
Author(s)
Subjects
  • tourist
  • satisfaction
  • museum
  • postmodernism
Title of Journal
International Journal of Cultural Studies Indonesia
Volume and Issue number
1,1
Date of Publication
Page Numbers
28-33
Link to whole article
http://ijocsi.fib.unand.ac.id/index.php/ijocsi/article/view/6/2
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        Abstract


        In English

        Bali, including museums, is involved in the millennial era tourism industry. Museum management can no longer be inclusive without borderless and out of the box analysis and application. The museum is one of the means of communication in the middle of millennial society today that must be examined its benefits in the tourism industry. The research method is qualitative, using research instruments in the form of questionnaires, interviews, documentation studies, with a population of museum visitors in Bali. The results showed that most of the visitors who visited the museum were people who had studied museum related

        information first, namely 52 percent, 52 percent would write the story of their trip to visit the museum, 80 percent would promote the existence of the museum through the internet, 92 percent knew the museum's history that would visited and its

        founder, 60 percent will promote back to others. 40 percent will return to visit the same museum.

        In Balinese

        Bali, rumasuk museum gumanti rumaket ring industri pariwisata era milenial. Maridabdab museum nenten sandang malih inklusif lempas ring analisis lan aplikasi tan pawates tan pakungkung. Museum marupa silih sinunggil sarana komunikasi ri telenging prejana milenial sekadi mangkin, inggihan patut katulengin kawigunannyane ring industri pariwisata. Metode panyuratan inggih punika kualitatif antuk ngawigunayang instrumen panyuratan mawentuk angket, saur pitaken, dokumentasi panyuratan antuk para panodia museum ring Bali. Pikolih panyuratan mitatasang inggihan makehan panodia museum sane sampun ngawit riwekas nyelehin museum inucap mawilang 52 persen, taler mawilang 52 persen pacang nyuratang pemargin ipune rikala nodia museum, 80 persen pacang nyobyahang kawentenan museum majalaran antuk internet,92 persen sampun tatas ring kawentenan museum sane pacang katodia tur sapa sira sana ngawangun, 60 persen pacang nyobyahang malih mantuka ring prajana siosan, 40 persen pacang mewali nodia museum inucap.

        In Indonesian

        Seni pertunjukan pariwisata Bali merupakan suatu bentuk seni yang sengaja diolah untuk disajikan kepada wisatawan. Seni ini memiliki karakteristik teatrikal dan spektakuler yang lebih menonjolkan daya tarik visual daripada nilai ketakutan, magis, dan simbolis. Beberapa jenis kesenian seperti Tari Legong, Sendratari Ramayana, Tari Barong dan Keris, Tari Kera, Tari Topeng Wajah, dan Tari Wayang Kulit telah menjadi menu utama tontonan seni di Bali. Seni pertunjukan pariwisata Bali muncul dalam kemasan baru sejak tahun 1980. Konsep ini dominan dipengaruhi oleh ciri-ciri estetika pos-modern seperti: Pastiche, Parodi, Kitsch, Camp, dan Skizofrenia. Tujuannya agar seni pertunjukan menjadi lebih eksotik yang berkaitan dengan kepentingan ekonomi. Oleh karena itu, banyak aktivitas seni budaya Bali termasuk nilai sakralnya yang tergerus oleh proses sekularisasi yang cepat dan fantastis baik secara kualitas maupun kuantitas.