Dewa Gede Purwita

Dewa Gede Purwita is a lecturer in the field of Visual Communication Design at the Bali Design and Business Institute. Dewa is also a painter and writer known by the pen name Purwita Sukahet. He expressed his deep interest in the work of I Ketut Gede Singaraja in a solo exhibition dissecting the works of this painter from Buleleng who is famous for his pictorial realism style in 2019.

In Balinese

Dewa Gede Purwita inggih punika dos n ring widang Desain Komunikasi Visual ring Institut Desain lan Bisnis Bali. Dewa taler dados pelukis miwah pangawi san kasub antuk wastan pena Purwita Sukahet. Kapinterannyan san dahat ngulangunin ring pakaryan I Ketut Gede Singaraja punika kawedar ring sajeroning pameran tunggal san ngambarang karya-karya pelukis saking Buleleng puniki san kasub antuk gaya pictorial realism ring warsa 2019.

In Indonesian

Dewa Gede Purwita adalah dosen pada bidang Visual Communication Design di Institut Desain dan Bisnis Bali. Dewa adalah juga seorang pelukis dan penulis yang dikenal dengan nama pena Purwita Sukahet. Ketertarikannya yang mendalam terhadap karya I Ketut Gede Singaraja dituangkannya dalam sebuah pameran tunggal membedah karya-karya pelukis asal Buleleng ini yang terkenal dengan gaya pictorial realism pada tahun 2019.

https://stdbali.academia.edu/DewaGedePurwita

Examples of work

Book I Gusti Made Deblog: Master Seni Lukis Naturalis dalam Medan Seni Rupa Denpasar-Bali

Scholars Room The Effect of Narrative on Balinese Traditional Painting: A Study of Fine Language in Kamasan Puppet Painting and I Ketut Gede Singaraja

Traditional Balinese painting elements contain narrative, illustrative, figurative, functional, these formed the structure of Balinese art which is closely related to the existence of the text as the background of its creation. This study aims to read the influence caused by narrative as things that affect the “wimba” and the “cara wimba” in traditional Balinese painting which is focused on Sutasoma's painting in the Kamasan painting style in Bale Kambang Kerta Gosa, Klungkung and the painting of Prabu Salya by I Ketut Gede Singaraja. This research method uses a qualitative art research with analytical descriptive, the theory used as an analysis is the system namely Ruang-Waktu-Datar from the theory of Bahasa Rupa. The results of the analysis show that the narrative forms a system of procedures for depicting traditional Balinese paintings which can be seen from the way the perspective is applied from various sides, the pattern of depiction of figures that replace facial expressions with gestures, as well as the presence of a symbolic time dimension. Through reading with the Ruang-Waktu-Datar, it is found that traditional Balinese paintings are influenced by narratives that are very strongly reflected in their language of appearance.

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