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A list of all pages that have property "Word example text en" with value "I once prayed during the eka dasa rudra ceremony. Eka dasa rudra is held once every hundred years. Eka dasa rudra was held in Besakih.". Since there have been only a few results, also nearby values are displayed.

Showing below up to 26 results starting with #1.

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List of results

  • Makenyem  + (When she danced Swan Lake it was fit for the Queen! After years pirouetting, it was time to be seen! She took to the stage, leaping, twirling about, with everyone smiling! They clap and they shout!)
  • Nyuh sudamala  + (When there is a Manusa Yadnya ceremony or Dewa Yadnya, the complementary facilities of the Sudamala coconut are very much needed.)
  • Madam  + (When there is a ceremony at the temple, the men make madam spices in the kitchen.)
  • Madam  + (When there is a ceremony at the temple, the men make madam spices in the kitchen.)
  • Matempung  + (When there was a mass tooth-cutting ceremony in the village, I was there.)
  • Tedung  + (When was a hinduisme ceremony one of people gives religious umbrella.)
  • Cerik  + (Where is the pool for children?)
  • Engken  + (Which shoes you bought yesterday?)
  • Misa  + (White buffalo is used as a means of ceremony at temples.)
  • Satusan  + (Who has a hundred currency (money)?)
  • Panyanggra  + (Who is the organizer of this ceremony?)
  • Abenang  + (Whoever you are responsible for, make a ngaben ceremony first.)
  • Abenang  + (Whoever you are responsible for, make a ngaben ceremony first.)
  • Ngangsek  + (Work (ceremony) is very near time)
  • Ketipat  + (Wow… my neighbor on the east, if Ramadan he/she brings ketupat (diamond shape rice cake), dates.)
  • Krama  + (Yes … that too . I act as the representative of the people … it’s been about 5 years. It’s about … er … how do I put it? … er … my position in the village.)
  • Tiban  + (Yes … that too . I act as the representative of the people … it’s been about 5 years. It’s about … er … how do I put it? … er … my position in the village.)
  • Indik  + (Yes … that too . I act as the representative of the people … it’s been about 5 years. It’s about … er … how do I put it? … er … my position in the village.)
  • Sajeroning  + (Yes, when we talk about art, there is no such thing as the best or the worst.)
  • Tirta yatra  + (Yesterday I went on a spiritual journey for self-purification to Besakih Temple)
  • Karauhan  + (Yesterday at the ceremony, He is possessed before praying.)
  • Kulkul  + (You can hear the sound of the "kulkul" during a temple ceremony.)
  • Pitung  + (bili schooled for seven years)
  • Pohos  + (six groups took part in the ligya ceremony)
  • Pohos  + (six groups took part in the ligya ceremony)
  • Sanghyang dedari  + (“Angelic God,” is a sacred dance which is “Angelic God,” is a sacred dance which is only performed inside the temple as part of a sacred ceremony aiming to plead for the welfare of the village and its people. For the sacred ceremony, two very young girls, who must be virgins, partake in a holy ceremony invoking the angels to enter their bodies. When the two girls faint, it symbolises the angels taking control of their bodies...e angels taking control of their bodies...)
  • Eka Dasa Rudra  + (I once prayed during the eka dasa rudra ceremony. Eka dasa rudra is held once every hundred years. Eka dasa rudra was held in Besakih.)
  • Eka Dasa Rudra  + (I once prayed during the eka dasa rudra ceremony. Eka dasa rudra is held once every hundred years. Eka dasa rudra was held in Besakih.)
  • Manresti  + ("According to Balinese Hindu beliefs, the cremation ceremony, or ngaben, is one of the most important steps in a person’s spiritual life. It is through cremation that the soul is released from the body to ascend to heaven to be reincarnated.")
  • Ngetohang  + (114 years ago, on September 20, 1906, the 114 years ago, on September 20, 1906, the Balinese people in the Badung kingdom, which is now located in the center of Denpasar, fought, risking body and soul against the Dutch troops. Many people died in battle. Of course, after the war Bali became silent and silent without a sound. But what was the real cause of the war?d. But what was the real cause of the war?)
  • Lintang  + (114 years ago, on September 20, 1906, the 114 years ago, on September 20, 1906, the Balinese in the Badung kingdom, which is now located in the center of Denpasar, fought, risking body and soul against the Dutch troops. Many people died in battle. Of course, after the war Bali became silent and silent without a sound. But what was the real cause of the war?d. But what was the real cause of the war?)
  • Mayuda  + (114 years ago, on September 20, 1906, the 114 years ago, on September 20, 1906, the Balinese people in the Badung kingdom, which is now located in the center of Denpasar, fought, risking body and soul against the Dutch troops. Many people died in battle. Of course, after the war Bali became silent and silent without a sound. But what was the real cause of the war?d. But what was the real cause of the war?)
  • Topeng  + (A Mask Dance in Bali is performed as an ofA Mask Dance in Bali is performed as an offering during the ceremony held in honor of the God Dewa Yadna </br>The Mask Dance known as Sidakarya is performed at the end of a ceremony. The performance of the Sidakarya Dance indicates that the ceremony has run smoothly and faultlessly.ceremony has run smoothly and faultlessly.)
  • Akeh  + (A lot of people goes to besakih tample)
  • Sengkui  + (A sengkui used during a ceremony filled with several offerings, including a chicken.)
  • Moton  + (A six month and hair cutting ceremony.)
  • Ngaben  + (According to Balinese Hindu beliefs, the cAccording to Balinese Hindu beliefs, the cremation ceremony, or ngaben, is one of the most important steps in a person’s spiritual life. It is through cremation that the soul is released from the body to ascend to heaven to be reincarnated.</br></br>Ngaben: Emotion and Restraint in a Balinese Heart takes an impressionistic look at the ngaben from the perspective of a mourning son, Nyoman Asub, and reveals the intimacy, sadness, and tenderness at the core of this funerary ritual. Amidst ample historical, interpretive, and political takes on the cremation ceremony, the film provides a personal and poetic glimpse of the exquisite cultural tradition and the complex emotions involved. (16 min)</br></br>Elemental Productions: https://vimeo.com/51166200l Productions: https://vimeo.com/51166200)
  • Manusa Yadnya  + (According to Hinduism, if the age of the womb has stepped on seven months, then the Magedong-Gedongan ceremony must be held, which is one of the rituals of Manusa Yadnya.)
  • Mamadik  + (After accompanying the proposal Ceremony to Tabanan, the invited guests returned to their homes.)
  • Ngruntutang  + (After negotiating about the time and place of the ceremony, residents sorted the schedule of the program.)
  • Kangin  + (After you are in the East, Pak, about...eh..one hundred meters, one hundred meters, to the east are many art shops.)
  • Ngrisakin  + (Already since two years ago Pak Wayan and his wife cleaned my plantation.)
  • Panyatakan  + (At that time there were around two hundred people present.)
  • Resi Bujangga  + (At this ceremony, I invite a ‘resi bujangga’.)
  • Gandeng  + (Banjar people are riding together to held melasti ceremony to the beach.)
  • Magebag  + (Banjar people held guard activities.)
  • Batuan  + (Batuan paintings are remarkably dense withBatuan paintings are remarkably dense with deeply saturated tones. Their images are often dark and sometimes macabre, but they are always carefully made and carefully balanced. The forms in the paintings swirl and intertwine, they repeat each other and expand outwards until they transform into new shapes and new patterns. They create labyrinths of pulsating light that leave very little room for either the mind or the eye to rest.</br></br>These paintings are characterised by high levels of energy in both form and content. The subject matter is vivid, indeed many of the subjects portrayed seem to have been chosen for their sensational qualities. There are mythical creatures engaged in titanic struggles, there are murders by decapitation, demons attacking women during childbirth, kidnappings, heroic deeds. But even when the artists choose to portray the mundane details of everyday life, the scenes are infused with a kind of super ordinariness, even the routines of life end up looking extraordinary and shimmering with energy.</br></br>The sheer number of objects and situations depicted in Batuan paintings is staggering, almost encyclopaedic in its range. We might identify most easily with the people portrayed, the full cast of characters that could be found in any south Bali village. These people are shown in the contexts they have created for themselves, the built environments of the house compounds and the village temples. They are shown involved in their typical activities, their ritual life, their passions and obsessions. They are shown with the plants they cultivate, the animals they domesticate, and sometimes with the oceans</br>-where they fish.</br></br> The natural world, on the other hand, is shown as an entirely distinct environment with its own laws and qualities. These wild places seem unstable and incomprehensible, only the very brave or very reckless would spend much time there. The spirit world occupies a special place in the Balinese psyche, and there are many portrayals of its subtle complexities. There are countless types of spiritual beings depicted, they appear, disappear, change form and then appear again in another place. They exercise their powers at will and only allow themselves to be marginally affected by human concerns, changing their minds often to become an ally one day, and then an enemy the next.</br></br>And then there are Bali’s visitors, from the earliest travellers in the 1930s to the mass influx of tourists in the present day. The paintings show these visitors belonging to neither the known world of the village nor the unknown world of nature, they arrive from beyond any comprehensible world, like space aliens wandering around in the painting.</br></br>Aesthetically speaking, each painting is made up of countless individual shapes, carefully delineated and discrete, almost as if each shape could be lifted out of the painting like a single piece of a jigsaw puzzle. These individual forms relate to each other in two different ways, they are either repeated as similar shapes creating areas of rhythm, or they are used in opposition to each other creating contrasts and visual tension. Most Batuan paintings contain thousands of these forms either working together or in opposition to create complex fields of pulsating energy, this is what gives them their unique visual sparkle. This same love of multiplicity also gives Batuan paintings a tendency towards baroque over elaboration, the viewer can become tangled up in this mass of jostling forms and be left with only a memory of collected minutiae. But the best paintings don’t get lost in their details, the most successful works focus all of the individual elements towards to a single goal of pictorial unity. Seen from across the room, the hundreds or thousands of forms that make up a Batuan painting create one single unified image, shifting and swaying and held in an uneasy balance.</br></br>In spite of this robust bristling energy, these paintings are not the product of a hot-blooded expressiveness. The artists of Batuan do not lunge at their paper in a creative fury, painting for them is more like playing chess. Paintings are developed step by step in a very calculated manner and rendered meticulously, nothing is blurred, nothing is out of place, and nothing is left to chance. Painting in Batuan is nothing like a bull rampaging through a china shop, it is more a matter of rendering a wild raging bull in fine delicate porcelain. In fact one source of dynamism in these paintings lies precisely in the way such vigorous subjects and forms are so carefully rendered. </br></br>Serialised from the book</br>Inventing Art, The Paintings Of Batuan Bali</br>A book by Bruce Granquists Of Batuan Bali A book by Bruce Granquist)
  • Laksana  + (Because of I Komang Baglur's habits who always gets drunk and creates chaos in the villages of others, the whole villagers where he lived was marked as trouble makers. Just like there are two hundred people, all of them lead by the nose.)
  • Recedana  + (Because the cemetery is very far from here, many residents carry out the recedana ceremony.)
  • Makiis  + (Before Nyepi day, a ceremonial purification ceremony was held on the beach or lake.)
  • Besakih  + (Besakih Temple)
  • Jinah  + (Boni: Here is my money one hundred thousands (100,000). Ketut: Yes, thank you.)