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List of results

• Mamargi  + (Tomorrow will walk to the beach at 5 in the morning.)
• Ramban  + (Tomorrow's Galungan penampahan is enough to make ramban vegetables (from leaves or fruit with sweet spices from grated coconut).)
• Ramban  + (Tomorrow's Galungan penampahan is enough to make ramban vegetables (from leaves or fruit with sweet spices from grated coconut).)
• Kurungang  + (Tomorrow's event is cancelled.)
• Kurungang  + (Tomorrow's event is cancelled.)
• Acara  + (Tomorrow, I will attend graduation event.)
• Mendem  + (Tomorrow, he will held a offering's burried ceremony)
• Pendah  + (Tomorrow, me and father will keeping our promises)
• Ngaak  + (Tomorrow, on the night of Nyepi, look at the sky, there are many stars.)
• Don  + (Use: If there is a building, the building … Use: If there is a building, the building is taken, sir? It contains sandstone.</br>Nengah: That ... this is the work of the crow used only in ..anu .. in the palinggih (where to pray and pray prayer). Palinggih, temple, whatever there is. Home, so.</br>Use: Mm. Bale, sir, how are you?</br>Nengah: Yes yes.</br>Use: Mm..ya. How much, how much, sir, can it be a day to take this project?</br>Nengah: Depending on this content. If you like this ... e ... these three leaves, two ... can, be. Sometimes it is possible that four energy is good, then.</br>Use: How much today, why?</br>Nengah: It can be about a hundred and fifty, so.: It can be about a hundred and fifty, so.)
• Pragina  + (Villagers deep in a state of Trance surround the archetypical "evil witch mother" Rangda during the annual Ngusaba Pusa ceremony held at the main Pura (temple) in the low-mountain village of Selumbung, Karangasem Regency, Bali, Indonesia)
• Nyineb  + (Villagers will close the religious ceremony tomorrow.)
• Darma  + (We always have to do good to others. Now his wife is a Hindu religion. Facing children today, we must always be patient.)
• Purnama  + (Well, it is Purnama today, to all my friends, let's pray at each of our houses, thank you.)
• Réntétan  + (What are series events's today?)
• Réntétan  + (What are series events's today?)
• Kajengitin  + (What is it that is held very tightly in the hand, yet it smiles? Drinking water jar.)
• Wastan  + (What is the name of this area?)
• Paseban  + (It was said that the Madurese Prabhu held a grand trial regarding the whereabouts of his son, Raden Mantri.)
• Ke  + (When do you plan to pray at the ancestor temple ? Will there be a ceremony tomorrow?)
• Nangkil  + (When do you plan to pray at the ancestor temple ? Will there be a ceremony tomorrow?)
• Baga  + (Wikithon is a competition that pays attention to public issues in the environmental, economic, health and other fields.)
• Baga  + (Wikithon is a competition that pays attention to public issues in the environmental, economic, health and other fields.)
• Sami  + (Wishing everyone health, prosperity, and peace. Om Shanti Shanti Shanti Om)
• Yakti  + (Yes, true, tomorrow I plan to go there. That’s why I am going to purchase various fruits to be used for the offerings.)
• Pangruyagan  + (the offerings maker makes offerings for tomorrow.)

• Éédan  + (Today's workshop is a series of events from the Public Participation Wikithon which will be held tomorrow.)
• Éédan  + (Today's workshop is a series of events from the Public Participation Wikithon which will be held tomorrow.)

• Tri sandhya  + ("The Balinese Hindus did not have a ‘stand … "The Balinese Hindus did not have a ‘standardised mantra’ for daily prayer until the1950s. The followers of Balinese Hinduism did not recite Sanskrit mantras—mantras were privileges of the priests—and their religious practices only relied on prayers in Balinese language while presenting offerings at temple festivals and other special occasions of the Balinese calendar. The publication of two booklets containing the Puja Tri Sandhya (henceforth PTS)—a series of Sanskrit mantras performed three times a day as a daily prayer—in the 1950s changed the religious practices in Bali." changed the religious practices in Bali.")
• Eteh-eteh  + (1. Penjor equipment is a lot. 2. Exceed the purchase of ceremonial equipment for tomorrow.)
• Topeng  + (A Mask Dance in Bali is performed as an of … A Mask Dance in Bali is performed as an offering during the ceremony held in honor of the God Dewa Yadna </br>The Mask Dance known as Sidakarya is performed at the end of a ceremony. The performance of the Sidakarya Dance indicates that the ceremony has run smoothly and faultlessly.ceremony has run smoothly and faultlessly.)
• Gangsing  + (A top (gasing or also known as gangsing) i … A top (gasing or also known as gangsing) is a kind of toy that spins on its axis and balances on a point. A top is the oldest kind of toy that has been found in archaeological sites and is still used today. As well as being a toy for children, it is also used by adults.y for children, it is also used by adults.)
• Manusa Yadnya  + (According to Hinduism, if the age of the womb has stepped on seven months, then the Magedong-Gedongan ceremony must be held, which is one of the rituals of Manusa Yadnya.)
• Plelubangan  + (According to the 'plelubangan', tomorrow is not good as the day begins to plant rice.)
• Karepotang  + (All of his friends are troubled by Made. But Made never forgets the help of his friends. If tomorrow the friend asks for help, he is willing to help.)
• Gandeng  + (Banjar people are riding together to held melasti ceremony to the beach.)
• Magebag  + (Banjar people held guard activities.)
• Batuan  + (Batuan paintings are remarkably dense with … Batuan paintings are remarkably dense with deeply saturated tones. Their images are often dark and sometimes macabre, but they are always carefully made and carefully balanced. The forms in the paintings swirl and intertwine, they repeat each other and expand outwards until they transform into new shapes and new patterns. They create labyrinths of pulsating light that leave very little room for either the mind or the eye to rest.</br></br>These paintings are characterised by high levels of energy in both form and content. The subject matter is vivid, indeed many of the subjects portrayed seem to have been chosen for their sensational qualities. There are mythical creatures engaged in titanic struggles, there are murders by decapitation, demons attacking women during childbirth, kidnappings, heroic deeds. But even when the artists choose to portray the mundane details of everyday life, the scenes are infused with a kind of super ordinariness, even the routines of life end up looking extraordinary and shimmering with energy.</br></br>The sheer number of objects and situations depicted in Batuan paintings is staggering, almost encyclopaedic in its range. We might identify most easily with the people portrayed, the full cast of characters that could be found in any south Bali village. These people are shown in the contexts they have created for themselves, the built environments of the house compounds and the village temples. They are shown involved in their typical activities, their ritual life, their passions and obsessions. They are shown with the plants they cultivate, the animals they domesticate, and sometimes with the oceans</br>-where they fish.</br></br> The natural world, on the other hand, is shown as an entirely distinct environment with its own laws and qualities. These wild places seem unstable and incomprehensible, only the very brave or very reckless would spend much time there. The spirit world occupies a special place in the Balinese psyche, and there are many portrayals of its subtle complexities. There are countless types of spiritual beings depicted, they appear, disappear, change form and then appear again in another place. They exercise their powers at will and only allow themselves to be marginally affected by human concerns, changing their minds often to become an ally one day, and then an enemy the next.</br></br>And then there are Bali’s visitors, from the earliest travellers in the 1930s to the mass influx of tourists in the present day. The paintings show these visitors belonging to neither the known world of the village nor the unknown world of nature, they arrive from beyond any comprehensible world, like space aliens wandering around in the painting.</br></br>Aesthetically speaking, each painting is made up of countless individual shapes, carefully delineated and discrete, almost as if each shape could be lifted out of the painting like a single piece of a jigsaw puzzle. These individual forms relate to each other in two different ways, they are either repeated as similar shapes creating areas of rhythm, or they are used in opposition to each other creating contrasts and visual tension. Most Batuan paintings contain thousands of these forms either working together or in opposition to create complex fields of pulsating energy, this is what gives them their unique visual sparkle. This same love of multiplicity also gives Batuan paintings a tendency towards baroque over elaboration, the viewer can become tangled up in this mass of jostling forms and be left with only a memory of collected minutiae. But the best paintings don’t get lost in their details, the most successful works focus all of the individual elements towards to a single goal of pictorial unity. Seen from across the room, the hundreds or thousands of forms that make up a Batuan painting create one single unified image, shifting and swaying and held in an uneasy balance.</br></br>In spite of this robust bristling energy, these paintings are not the product of a hot-blooded expressiveness. The artists of Batuan do not lunge at their paper in a creative fury, painting for them is more like playing chess. Paintings are developed step by step in a very calculated manner and rendered meticulously, nothing is blurred, nothing is out of place, and nothing is left to chance. Painting in Batuan is nothing like a bull rampaging through a china shop, it is more a matter of rendering a wild raging bull in fine delicate porcelain. In fact one source of dynamism in these paintings lies precisely in the way such vigorous subjects and forms are so carefully rendered. </br></br>Serialised from the book</br>Inventing Art, The Paintings Of Batuan Bali</br>A book by Bruce Granquists Of Batuan Bali A book by Bruce Granquist)
• Makiis  + (Before Nyepi day, a ceremonial purification ceremony was held on the beach or lake.)
• Ngarepang  + (Benah's heart is very happy today. He asked his mother and friends. But no one remembers what day it is now?)
• Melancaran  + (Can we hang out tomorrow ?)
• Pangilingan  + (Daddy's mill is broken. Now it will be fixed in the workshop.)
• Bale mandapa  + (Deliberation will be held at the mandapa hall.)
• Limbakang  + (Develop Balinese as your mother tongue to be sustainable today.)
• Pisuna  + (Do not believe in slander, today many people like to say a fake news.)
• Jumunin  + (Don't be too disappointed, let's try again tomorrow.)
• Engsap  + (Don't forget to wear a yellow shirt tomorrow.)
• Natab  + (Don't go anywhere later, Yan! Remember to natab (waft hand in otonan ceremony) later. Today is your otonan (balinese birthday eve).)
• Marebahan  + (Due to a multi-purpose hall will build in this place, tomorrow there will be logging held by residents here.)
• Panca Wali Krama  + (Every ten years a Panca Wali Krama ceremony is held at Besakih Temple.)
• Ngrapuh  + (Father has leveled the land. Tomorrow he will plant peanuts at there.)
• Naan  + (Father held back the penjor bamboo, then I will build it.)