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Prof. Ir. I Nyoman Gelebet + (Prof. Ir. I Nyoman Gelebet is a senior arc … Prof. Ir. I Nyoman Gelebet is a senior architect who cares about traditional Balinese architecture. He is a professor of architecture at Udayana University, Bali. He deeply understands “Asta Kosala Kosali” which is the basis for traditional Balinese architecture. Apart from that, he also understands that “Asta Kosalaning Dewa” relates to the construction of a holy place. He is often involved in building Hindu shrines and renovating temple buildings as well as in designing the master plan for the Nusa Dua tourist area. Apart from being a resource person, he is also diligent in writing articles in the Bali Post newspaper and scientific journals related to architecture and development in Bali. Nyoman Gelebet died on November 2, 2020.. Nyoman Gelebet died on November 2, 2020.)
Putu Desy Apriliani + (Putu Desy Apriliani is one of the young an … Putu Desy Apriliani is one of the young and promising faculty members in the Faculty of Economics and Business Udayana University, Bali - Indonesia. She has been a part of the "Orange Academia," a call for the faculty's students, alumni, and faculty members, since 2006. Her research interests encompass rural economic development, various democratic and community-based associations, and their intersection with gender and race. She primarily teaches undergraduate classes while also becomes a facilitator for various trainings within and beyond the university.Putu Desy Apriliani was a Fulbright Scholarship awardee from 2014-2019 to pursue a doctoral study in the U.S. She holds a Ph.D in Planning, Government, and Globalization from the School of Public and International Affairs, Virginia Polytechnic Institute and State University, Virginia. While pursuing her doctoral degree, Putu was also actively involved in the Indonesian Students Association in the United States (PERMIAS) and led the organization to conduct several fund raising events and cultural exhibitions. She contributed her talents in various efforts in order to introduce Balinese culture together with other Indonesian/Balinese community organizations in the U.S.In her spare time, Putu loves spending time with her husband and her 2-year-old daughter, cooking, and gardening.year-old daughter, cooking, and gardening.)
Putu Edy Asmara + (Putu Edy Asmara is a painter who was born … Putu Edy Asmara is a painter who was born in Tampaksiring, Gianyar, April 5, 1982. He completed his art education at ISI Denpasar. Since 2007 he has been involved in many joint exhibitions, including “The 7th Beijing International Art Biennale China”, National Art Museum China (2017), “Water Civilization”, Bentara Budaya Bali (2016), “Langkawi Art Biennale: IMIGRATION”, Malaysia (2014). In 2008 he held a solo exhibition entitled "Don't Cry For Me Indonesia", Installation and Performing Art, Danes Art Veranda, Denpasar. The awards he has ever won are “The Winner of Storiette Illustration Kompas”, “The Winner of Radar Bali Art Award 2008”, Best Art Work of The Bachelor exam, at ISI Denpasar. Edy's works tend to be surrealistic with social and ecological themes.alistic with social and ecological themes.)
Putu Fajar Arcana + (Putu Fajar Arcana, born in Negara, west Ba … Putu Fajar Arcana, born in Negara, west Bali, July 10, 1965. Now working as editor of Kompas Minggu, part of Kompas Daily in Jakarta, he initiated the Kompas Short Story Workshop which was later transformed into the Kompas Short Story Class. He is now a few of the journalists who have specific coverage of art and lifestyle. It is not uncommon for Putu to become a resource person and jury in various art events and competitions in the country.Apart from pursuing journalism, he is also directly involved in the dynamics of the art world monologue theater scriptwriting and directing the artistic team of theater performances. The monologue text is included in the book Political Monologue (2014). He then directed the monologue show “Dear People's Representatives” with actress Sha Ine Febriyanti (2015) and then “Perempuan Dangdut” with actress Happy Salma (2016). Previously, he made the Garuda Wisnu Kencana repertoire which was staged at the ground breaking of the monument in 2013. This performance involved 500 kecak dancers as well as jazz singer Trie Utami, guitarist Dewa Budjana, and harp artist Maya Hasan.His novel Gandamayu (2012) was staged by Teater Garasi Yogyakarta involving two young directors, Yudi Ahmad Tajuddin and Gunawan Maryanto. The performance took place at the Jakarta Arts Building, which involved big actors such as Landung Simatupang, Whani Darmawan, Ayu Laksmi, and Sha Ine Febriyanti. Her adventure in the world of stage was emphasized by the performance of “#3 Women, Not Flowers Not Men” which involved actresses Happy Salma, Inayah Wahid, and Olga Lydia. Putu has also been on the artistic team for the Indonesia Kita performance series, between the Roman Made in Bali (2016) and Laskar Bayaran (2017) series.The man who likes to sketch has also published several books. These books include the short stories anthology Bunga Jepun (2002), Samsara (2005), and Drupadi (2015). His collection of essays on Bali is included in the book Red Letter for Bali (2007) and his poems are included in Gilimanuk Man (2012). Previously he also published a book of poetry Bilik Cahaya (1997) in Denpasar, Bali.Together with his wife Joan Arcana, in 2011 Putu founded the Arcana Foundation, a non-profit organization that facilitates conservation and advocacy in the field of culture, organizes performances, writes books, and conducts goodwill to various cultural centers in the country. The Arcana Foundation also collaborates with various donor agencies to mobilize the world of culture.agencies to mobilize the world of culture.)
Putu Indrawan + (Putu Indrawan lahir di Denpasar, 18 Septem … Putu Indrawan lahir di Denpasar, 18 September 1960. Setelah lulus dari SLUA 1 Saraswati, ia kuliah di Fakultas Ekonomi, Universitas Udayana. Sejak remaja ia telah menekuni seni musik. Pada awal tahun 1980-an, Indrawan bersama kawan-kawannya membentuk grup band dan sering tampil di bar Kayu Api, Legian, Kuta. Grup band yang kemudian bernama Harley Angels tersebut tampil sebagai juara pertama dalam Festival Musik Rock se-Indonesia yang digelar Log Zhelebour di Surabaya pada tahun 1984. Saat itu, Indrawan dinobatkan sebagai pemain bass terbaik. Pada pertengahan tahun 1990-an, Indrawan membuka dan merintis Warung Tresni di Jalan Drupadi, Denpasar. Warung itu menjadi tempat kongkow dan pementasan seni para seniman lintas seni dan lintas generasi. Indrawan juga ikut menggagas kelahiran beberapa komunitas seni, seperti Dapur Olah Kreatif (DOK), Bali Classic Rock Community, Bali Blues Island, dan Bali PuisiMusik. Dalam dunia seni musik di Bali, Indrawan adalah sosok legendaris yang sangat dihormati dan disegani. Indrawan meninggal pada tanggal 8 November 2022.an meninggal pada tanggal 8 November 2022.)
Putu Vivi Lestari + (Putu Vivi Lestari was born in Tabanan, Nov … Putu Vivi Lestari was born in Tabanan, November 14, 1981. She achieved a Master of Management and works as a lecturer at the Faculty of Economics and Business, Udayana University. Vivi is married to the painter Ketut Endrawan. They have two children: Made Kinandita Radharani and Nyoman Akira Bodhi Pawitra. On April 8, 2017 Vivi died of blood cancer (leukemia).Vivi's poems have been published in the Bali Post, Bali Echo, Kompas, Suara Merdeka, Kalam Culture Journal, PUISI Journal, Coast Lines Magazine, People's Thoughts, Horison Literature Magazine, Media Indonesia, and CAK Cultural Journal.Her poems can also be found in a number of joint anthologies, including Angin (Teater Angin, Denpasar, 1997), Notes of Concern (Jukut Ares, Tabanan, 1999), Ginanti Pelangi (Jineng Smasta, Tabanan, 1999), Art and Peace (Buratwangi , Denpasar, 2000), Anno's Essay & Waves of Poetry 2001 (Kompas, 2001), Green Kelon & Poetry 2002 (Kompas, 2002), Ning: Anthology of Poetry 16 Indonesian Poets (Sanggar Purbacaraka, Denpasar, 2002), The Blue Angel of Hobart City (Logung Pustaka, 2004), Spirit: A Collection of Poetry Poets from Bali-West Java (bukupop, Jakarta, 2005), Because My Name is a Woman (FKY, 2005), Selendang Pelangi (Indonesia Tera, 2006), Herbarium: Anthology of Poetry in 4 Cities (Library Pujangga, Lamongan, 2007), Rainbow (Indonesia Tera, 2008), Couleur Femme (Jakarta-Paris Forum & AF Denpasar, 2010).Vivi has won a number of literary awards, including the "Best Five" small note competition held by the Jukut Ares Tabanan Community (1999), "Ten Best" poetry writing competition for high school students at the national level held by Jineng Smasta-Tabanan (1999), 2nd place in the competition poetry creation in the marine orientation week held by the Faculty of Letters Unud (1999), Art & Peace 1999 "Best Nine Poems", 2nd place in a poetry creation competition with the theme "Bali after the Kuta tragedy" (2003).Vivi had been invited to a number of national literary events, including the 2003 Utan Kayu International Literature Festival in Denpasar, 2004 Indonesian Literature Cakrawala at TIM Jakarta, Ubud Writers and Readers Festival 2004, Yogyakarta XVII Arts Festival 2005, Printemps de Poetes 2006 in Denpasar, The VIII Main Praja Mitra Literature Gathering in Banten (2013).Her book of poetry entitled “Failed Ovulation” was published posthumously by Expression Library, 2017.n” was published posthumously by Expression Library, 2017.)
Anak Agung Gede Raka Turas + (Related Artists Anak Agung Gede Sobrat Teacher: I Wayan Pendet Relative: I Dewa Ketut Rungun Relative: I Dewa Putu Bedil Relative: Anak Agung Gede Raka Puja)
Richard Horstman + (Richard Horstman, (b 1964 in Melbourne, Au … Richard Horstman, (b 1964 in Melbourne, Australia) has more than 25 years of experience inIndonesia, first visiting Bali in 1986. He spent extended periods in Sumatra and began living inBali in 2004. He has worked in the Bali and Indonesian art worlds since 2008 as an writer,journalist, a co-creator with artists and an art tour presenter to national and international guestsfrom 2014. He has participated intercultural exchange events in Thailand, the Philippines andIndonesia, while regularly attending events in Singapore, Jakarta and Yogyakarta.Richard consults professionally and non-professionally to Indonesian and foreign artists,collectives, galleries and art spaces. Richard is passionate about reporting on developments inthe Bali art infrastructure and innovations in the Bali art world. He previously made andexhibited sculptures and installations and is currently painting in his spare time.During 2022 Richard experienced growth in his writing genres penning his second social culturalobservation piece on Bali, entitled Duality and the Exploitation of the Spirit published inNOW!Bali Magazine in the January/February 2023. He began writing book reviews published inthe Jakarta Post and NOW!Bali with his fourth review Masks of Bali: Between Heaven & Hellpublished in the Post in February.An article for the Australian quarterly hardcopy magazine ArtLink, a special edition onIndonesian art was published in April 2023 and a review of the Bali art scene, post-pandemicwith international tourism open for Singapore magazine Plural Art Mag. He is currently writingarticles for NOWBali Magazine. Unfortunately since July 2023 the Jakarta Post is no longerpublishing its Features section, meaning no more specialized reporting on Indonesian art andculture which is a massive blow for the country and the global audience.In November 2022 Richard began initial steps for his next book, WINDS OF CHANGE: Womenin Balinese Art, the first study into the pioneering women in Balinese art, due to be publishedlater in 2023. This is the follow-up to his first book published late 2019 Ubud Diary: Celebratingthe Ubud School of Painting - the Diversity of the Visual Language launched at the opening ofUbud Diary a new gallery in Lodtunduh, Ubud where he worked as a consultant from June 2019until March 2020 when the pandemic impacted on the Bali and global economy.In the past Richard has been a contributor to the Jakarta Globe newspaper, Ubud Now & Thenonline magazine, the Yak Magazine, Art Republik, NOW! Singapore, NOW!Jakarta,Art&Market, Singapore, the art columnist for UbudLife Magazine, Arti, Art Malaysia, Art OneNation, Indo Expat & Ubud Community News magazines. He have been a regular contributor tothe Jakarta Post for over ten years and am the art columnist for NOW!Bali Magazine.As an art activist Richard has a strong social platform and is passionate sharing ideas andbrainstorming with artists, gallerists, art spaces and collectives about professional structuring,communications, vision, branding, building community and the ongoing development of the Baliart infrastructure. Richard is currently working on a series of geometric paintings for hisupcoming Universal Eye Mandala Art website.Richard’s articles are published:www.lifeasartasia.artwww.lifeasartasia.weebly.comFacebook Page: Bali Art ReviewsInstagram: @lifeasartasiaPrevious art roles:Member of the Board of Directors of the Bali Art Society 2013-2014Art Presenter Artpreciation (2016-2018)AdvisorCata Odata Art House 2014 – 2018 Penestanan, Ubud BaliUbud Diary Jul 2019 – MARCH 2020, Ubud, BaliLodtunduh, Ubud, Balio Ubud Diary is a new art gallery in Ubud with the mission to raise the profile of thehistorical Ubud School of Painting. It is planning its grand opening late inNovember 2019 with a group exhibition of works by senior artists of the UbudSchool, including the launch of the book 'Ubud Diary: Celebrating the Ubud Schoolof Painting - the diversity of the visual language" written by me and translated intoBahasa Indonesian by Richard Nixon Tambalo. Ubud Diary's annual exhibitionprogram will include three solo exhibitions by senior artists, along with one annualevent in Jakarta. The renown Ubud School of Painting which was 'founded' in thelate 1920s - early 1930s in Ubud is destined to die out, through its program ofexhibitions, book and catalogues, and other annual events Ubud Diary's vision isto reignite the genre and encourage regeneration that can lead to its futuresustainability.e regeneration that can lead to its future sustainability.)
Rudi Waisnawa + (Rudi Waisnawa was born in Singaraja, Bali, … Rudi Waisnawa was born in Singaraja, Bali, 1976. He graduated from English Literature, Faculty of Letters, Udayana University. He is a photographer who cares about social issues. His eye-catching photos and documentaries are about people with mental disorders who are confined in Bali. These works were exhibited in several places including at Bentara Budaya Bali (2014). In the same year the work was recorded as a photo book entitled “Pasung” and exhibited again at Rafles Hotel Galery Singapore 2015. In October 2017 Rudi was invited to exhibit at the Anti Stigma International Conference Copenhagen, Denmark and continued to exhibit at Die Erste Etage, Hamburg with an exhibition entitled "Approach". Rudi's works have also attracted the attention from people with leprosy in Balinese villages. Apart from being active in the Lingkara Photography Community, Rudi is also active at the Suryani Institute for Mental Health (SIMH), a foundation that assists people with severe mental disorders (ODGJ) in Bali.th severe mental disorders (ODGJ) in Bali.)
Luh Gede Saraswati Putri + (Saras Dewi, whose full name is Luh Gede Sa … Saras Dewi, whose full name is Luh Gede Saraswati Putri, was born in Denpasar, Bali, September 16, 1983. Since she was a teenager, Saras has loved singing and writing poetry. In 2002, she released an album titled "Chrysan" with the single "Lembayung Bali". This album was nominated for the Anugerah Musik Indonesia (AMI) Award in the categories of Best Ballad and Best Single. In 2014, Saras and other Balinese artists sang together for the Bali Reject Reclamation movement.Saras has also published a number of books. His first book of poetry, entitled “Jiwa Putih” was published in 2004. The second is a non-fiction book on Human Rights published in 2006 by UI Press in collaboration with the European Union, while the third book entitled “Love Not Chocolate” was published in 2010, the fourth book was published in 2015 entitled “Ekophenomenology”, and the fifth book is an anthology of poetry entitled “Kekasih Teluk” (2017). His writings in the form of essays/articles with social, cultural, ecological, political themes were published in various mass media, including Media Indonesia, Jawa Pos, Bali Post.Saras is an environmental activist who is very concerned about the Movement to Reject the Reclamation of Benoa Bay. She is also involved in the feminist movement and the defense of women's rights. Saras successfully completed her doctoral program at the University of Indonesia at the age of 29 in July 2013. Apart from continuing to write and being an activist, Saras teaches philosophy and is the Head of the Philosophy Study Program at the Faculty of Cultural Sciences, University of Indonesia.ultural Sciences, University of Indonesia.)
Idanna Pucci + (Since leaving her ancestral home in Floren … Since leaving her ancestral home in Florence, Italy, Idanna pursued her interest in diverse cultures through far-flung travels. First she worked in New York for her uncle, Emilio Pucci, when his designs ushered vibrant colors into fashion.She later settled in Indonesia and began her studies of Balinese culture with particular emphasis on myth and the oral tradition. She became especially intrigued by the traditional court of justice in the ancient royal capital of Bali. Its ceiling paintings narrate a sacred epic hauntingly similar to Dante’s Divine Comedy. The quest gave birth to her first book, The Epic of Life: A Balinese Journey of the Soul (Van der Mark Editions, NY), a classic on Balinese culture.Various writing assignments for the Hong-Kong based Asia Magazine enabled her to travel throughout the Indonesian Archipelago, South East Asia, Japan and across the Soviet Union on the last steam engine of the Trans-Siberian railway.She returned to New York to pursue her degree in Comparative Literature at Columbia University. During this time, she obtained a grant from the Margaret Mead Institute of Intercultural Studies for a project entitled The Prince and the Pauper: Two Balinese Portraits.Her focus then turned to the life of her American great-grandmother, Cora Slocomb, who shocked New York’s Gilded Age by launching the first nation-wide campaign against the death penalty in 1895 to save a young Italian immigrant from execution–the first woman sentenced to the electric chair. Her research gave birth to The Trials of Maria Barbella (Vintage, NY, 1996).After she obtained the International Diploma in Humanitarian Assistance in Geneva, she served in the UN Mission to East Timor as an electoral officer during the referendum for independence in 1999. Later, she collaborated with the Burma Project (Open Society Foundations) on a special mission to Myanmar.In film, Idanna produced the Italian segment of the TV series Amazing Games (ABC/Kane Productions) for which she received the Ultimo Novecento award from the City of Pisa. She also co-produced Leonardo’s Legacy, a Discovery Channel special. She then produced and directed Eugenia of Patagonia, a documentary-feature on the pioneering life in Chile of her maternal aunt who served for thirty years as mayor of a vast municipality at the end of world, battling for the people and the environmentHer following work, Brazza in Congo: A Life and Legacy (Umbrage Editions, NY) is an illustrated biography of another ancestor, the explorer Pierre Savorgnan de Brazza, after whom the capital of the Republic of Congo, Brazzaville, is named, and who is still remembered for his pioneering struggle on behalf of the rights of the people. On the same theme, she curated exhibitions at The National Arts Club in New York and La Casa Italiana of NYU.Idanna conceived and narrated the documentary Black Africa White Marble, which recounts her battle against the ruler of Congo-Brazzaville. It won the Grand Prix at the Festival of Annecy 2012 (France), the Audience Award at the Cambridge Film Festival 2013 (UK), and Best Documentary at the Berlin Independent Film Festival 2014.She was also responsible for the donation to the National Museum of Cameroon in Yaoundé and permanent installation of a sixty-foot masterpiece of contemporary art by the Poto Poto School of Painting in Brazzaville, Republic of Congo. In 2015, she produced The Transformative Power of Art, an exhibition at the United Nations in New York.With her husband, Terence Ward, she then produced Talk Radio Tehran, a documentary by Mahtab Mansour that follows high-spirited Iranian women as they fulfill their aspirations in spite of the gender-apartheid system that dominates daily life in Teheran.In a collection of true stories between East and West, The World Odyssey of a Balinese Prince (Tuttle, 2020), she narrates the extraordinary life of a cultural visionary and medical doctor whose daring adventures transcend borders.The Lady of Sing Sing: an American Countess, an Italian Immigrant, and their Epic Battle for Justice in New York’s Gilded Age (Simon & Schuster, Tiller Press, 2020) is a new expanded edition of her earlier work, The Trials of Maria Barbella.Idanna serves as an ambassador of Religions for Peace, the world’s largest interfaith organization. She speaks fluent Italian, English and French, and reasonable Bahasa Indonesia. She resides with her husband between Florence and New York.ith her husband between Florence and New York.)
Soekarmen + (Soekarmen was born in Blitar, East Java, 3 … Soekarmen was born in Blitar, East Java, 30 May 1925. He was the Governor of Bali who led Bali for two terms of office, namely between 1967–1971 and 1971–1978. He was elected governor on November 1, 1967, and ratified by Decree of the President of the Republic of Indonesia No.203/1967 to replace the previous official, namely I Gusti Putu Martha. Previously, he was Commander of Korem 163/Wirasatya in Denpasar with the final rank of Brigadier General TNI. Soekarmen is the only Governor of Bali who is non-Hindu and not of Balinese ethnicity. He died in Malang, East Java, 10 September 1988.d in Malang, East Java, 10 September 1988.)
Stephanie Brookes + (Stephanie Brookes is a Bali resident. She … Stephanie Brookes is a Bali resident. She has lived in Indonesia since 2001. In 2014 Stephanie together with her husband, David Metcalf published a cultural travel book, "Indonesia's Hidden Heritage - Cultural Journey's of Discovery", which covers 12 stories, 12 islands and 12 different ethnic tribes. A specialist Bali based Indonesian travel writer for over ten years, Stephanie searches out some of the more remote destinations in Indonesia. Her work has been published in NowJakarta, Garuda Colours, KLM Holland Herald and Forbes Travel. Her latest project involves supporting a cultural connection community initiative in Ubud, Bali called Ubud Village Plate, where travellers join a Balinese host family for dinner, in a Balinese home and cook together with the family. A great supporter of education and literacy projects in Bali and Kalimantan. Please check out www.ubudvillageplate.comwww.travelwriter.wswww.facebook.com/stephtravelwriterwww.Instagram.com/stephtravelwriterwriter www.Instagram.com/stephtravelwriter)
Sthiraprana Duarsa + (Sthiraprana Duarsa was born in Denpasar. H … Sthiraprana Duarsa was born in Denpasar. He is one of the founders of Sanggar Drinking Coffee, Bali. His solo poetry collections: Part of the World (1994), Homecoming Village (2007), and A collection of short stories Rumah Memories (2014). Apart from writing poetry, he is active in theater. Now he works as a doctor, and is busy preparing his new poetry book.and is busy preparing his new poetry book.)
Sugi Lanus + (Sugi Lanus was born in Singaraja, Bali. He … Sugi Lanus was born in Singaraja, Bali. He is the curator of the Lontar Museum, Karangasem, Bali. Since studying at the Department of Balinese Literature, Udayana University has been actively working part-time as a research assistant from Princeton University, UCLA, Murdoch University, Leiden University, Osaka University, etc. He has participated in dozens of international workshops and trainings, and attended post-graduate education in several disciplines: Cultural Studies, Tourism Studies, and Theology. He was selected as a participant in the ASEAN-Japan youth exchange (1997) through sponsorship from the Prime Minister of Japan.He has experience as a consultant for various international institutions, such as: GTZ, AusAID, UNICEF, WHO, British Council. In the field of journalism, he worked as a correspondent for Tempo Magazine (1998-2000), fixer for ABC TV, BBC, Arte TV, National Geographic, Smithsonian Magazine. He is also active as a consultant and provides workshops for DPRD and local governments throughout Indonesia (2005-2012) and an independent political consultant for several national politicians (2012 - present).In 2006 he founded the Hanacaraka Society to research Balinese and Lombok lontar. 'Puja Tri Sandhyā: Indian Mantras Recomposed and Standardized in Bali', is one of the results of his research on various lontar mantras published in the Journal of Hindu Studies, 2014, Vol. 7(2), Oxford Center for Hindu Studies, Oxford University Press. Actively invited to speak in various cultural meetings, including: Cultural Congress V (2003), Ubud Writers and Readers Festival (2004-2017), International Conference on Tagore, Hanoi, Vietnam (2011), Frankfurt Book Fair (2015), etc., and various Hindu clerical discussions. Previously served as Commissioner of a national company (2004-2006), and Corporate Relations Executive of an international company based in London (2014-2016).He has written hundreds of articles in various online and print media, such as tatakala.co, Bali Post, etc. Currently conducting research on reliefs related to lontar manuscripts at Borobudur, and the Herbalian Project, a project for mapping herbs in Balinese and Old Javanese lontar.herbs in Balinese and Old Javanese lontar.)
Suzy Hutomo + (Suzy Hutomo co-founded The Body Shop Indon … Suzy Hutomo co-founded The Body Shop Indonesia with her husband in 1992, where she is now Chairwoman.Parallel to her successful career in business, she is a committed environmental activist. Suzy is a presenter in Al Gore’s Climate Reality Project, and serves as a member on various boards of reputable NGOs such as Greenpeace South East Asia (2008-), Yayasan KEHATI (2012-present), Yayasan Lensa Masyarat Nusantara (LMN) (2014-), and Yayasan Kopernik (2016-).For Suzy, the well-being of the environment, threatened by climate change, lies at the interface of her identities as a businesswoman and activist.Suzy’s goal is to help and inspire others to develop a green and sustainable lifestyle whilst also proving that being mindful of the environment can be easy, fun and effortless.vironment can be easy, fun and effortless.)
Peralihan Potensi Lapangan Pariwisata untuk Mengembangkan UMKM + (The Potential Transition of Tourism Resour … The Potential Transition of Tourism Resources to Develop UMKMGreetings, Om Swastyastu, Assalamualaikum Warohmatullohi Wabarokatuh, Shalom, Namoh Buddhaya. Goodwill and peace to all. We express our gratitude and thanks to the One Almighty God for allowing us to participate in the "Provincial Bali Oratory Competition" with the theme "Bali Orates" and the topic "2024 Election: What is the most pressing issue to be addressed by Bali's future leaders?". In this regard, we present arguments focusing on "how the management of tourism, by harnessing the potential shift of employment towards UMKM, can coexist with the progress of tourism for Bali's future leaders."Post-Covid-19, Bali is assessed as unable to rely solely on the tourism sector as the sole backbone of the regional economy. Serious resource exploration is needed so that Bali has a number of alternative sources of economic income. This consideration is essential for Bali to withstand crises and global challenges. It is an opportunity to organize and pay attention to the development of UMKM in Bali, potentially redirecting the economic base from the tourism sector.The negative impact of the current tourism sector chaos in Bali stems from arbitrary behavior by tourists towards the Balinese people. Bali's residents are disturbed by reprehensible actions by tourists, whether permanent residents or just visitors. Examples include religious desecration, inappropriate behavior in sacred areas, disturbances in public areas, land grabbing from Balinese residents, and various other disturbances, all of which have a detrimental impact on the lives of the Balinese people.The government of the Bali Regional People's Representative Council (DPRI), a politician from the Indonesian Democratic Party of Struggle (PDI-Perjuangan) faction, outlines several potential economic resources that can be seriously explored in Bali, including agriculture, marine, and creative economy sectors. Strengthening each sector, he notes, will contribute to economic equality in the Island of the Gods.Recognizing that UMKM are a sector capable of sustaining Bali in times of crisis, support for regulations and education for the empowerment and protection of UMKM is crucial. It is emphasized that diversifying beyond the tourism sector is essential. Chairman of the Bali Hotel and Restaurant Association (PHRI), Tjok. Oka Sukawati, sees this as a significant moment for Bali's UMKM to learn from other UMKM, especially those outside Bali, fostering innovation and product quality development.In response to Prof. Ramantha's statements, Ny Putri Koster, as the Head of the Regional Craft Council (Dekranasda), considers her actions as part of her responsibility to bridge UMKM with consumers. She builds synergy with relevant government agencies, such as the Bali Provincial Trade and Industry Office.In conclusion, we hope that future government candidates prioritize programs in the UMKM sector over tourism, yet maintaining attention to Bali's tourism. This oration serves as a reference for future programs. In closing, we express our gratitude. Om Santih, Santih, Santih Om, Wassalamualaikum Warohmatullohi Wabarokatuh, Shalom, Namoh Buddhaya. Goodwill and peace to all.Namoh Buddhaya. Goodwill and peace to all.)
Bali Akan Bangkit Lagi + (The government of the island of Bali, whic … The government of the island of Bali, which is the Deputy Governor of Bali Prof. Dr. Tjokorda Oka Artha Ardhana Sukawati once said that indeed Bali agrees if the tourism sector is experiencing a decrease in the effects of the Covid-19 pandemic. But we as a people on this island can't say anything more. For the public should follow the directions of the government, such as vaccinating, using masks every day when meeting with others, paying attention and implementing a healthy lifestyle and other things. Actually from my personal side does not want to be so opinion more but we ourselves who should be aware of what is being faced at this time. The first thing is certainly from yourself who must carry out, secondly there is a family that is closest to ourselves and then start doing this healthy lifestyle to the surrounding community. If all parties have done so, believe me all will be healthy and free from this plague. But this pandemic teaches us to be more grateful to be aware of the circumstances that occur and what will happen. Let us together take care of ourselves first to be healthy, if we have done so believe me all will definitely come back over time.e all will definitely come back over time.)
I Ketut Rida + (The senior poet I Ketut Rida was born in B … The senior poet I Ketut Rida was born in Banjar Kanginan, Sulang Village, Dawan District, Klungkung, September 11, 1939. He finished school at SGA Stella Duce/ Kanisius Yogyakarta in 1958, then continued his B1 Indonesian Language at Dénpasar, but did not finish.From 1960 to 1987 he was appointed a teacher at an elementary school. For about 20 years, I Ketut Rida has served as the Principal of an Elementary School. In addition, he was appointed as a supervisor for kindergarten, elementary and SDLB. In the village, it was also believed to be the traditional bendésa of Sulang VillageKetut Rida said that he has been pursuing writing or composing since he was a child. Every day Ketut Rida gets stories from his grandmother. That's why Ketut Rida is feeling happy. After completing his B1 Language Department, his attention to writing activities grew, focusing on studying the Kawi language, especially in Adiparwa.He has produced several new literary works of Balinese and Indonesian literature and has received several award certificates, such as:In 1977–1978, Ketut Rida became the second winner of the Indonesian Language Writing Competition for Elementary School Teachers at the Bali Province. In 1979, he became the first winner of a prose writing competition at the Bali Arts Festival (PKB). In 1980, he won first place in the Balinese Novel Writing Competition in the framework of Language Month. In 1982, he became the second winner of Composing Geguritan at PKB. In 1991, he won first place in the Balinese Short Story Competition in the Bali Post daily. In 1995, he won the first prize in the Balinese Short Story Competition at PKB.From 1970 to 1980, many of Ketut Rida's essays were published in the Bali Post. His collection of poems entitled “Nyiksik Bulu” was published by the Dénpasar Language Center in 2004. His Balinese novel entitled “Sunari” was published by the Obor Foundation, Jakarta in 1999. This novel “Sunari” earned I Ketut Rida the Rancagé Literature Prize from the Rancagé Cultural Foundation in Bandung in 2000. In 2014 Ketut Rida received Widya Pataka from the Governor of Bali with his book entitled “Lawar Goak”. Bali with his book entitled “Lawar Goak”.)
I Wayan Westa + (The writer and humanist who won the 2014 R … The writer and humanist who won the 2014 Rancage Literature Prize with a collection of essays entitled "Tutur Bali" (2013) named I Wayan Westa. A graduate of FKIP, Dwijendra University Denpasar, Department of Balinese Language and Literature Education, he was born in Klungkung, January 27, 1965. From 1889-1993 he became a teacher at SLUA Saraswati Klungkung and a lecturer at various private universities.In 1999 he worked at the Ford Foundation, he was also the editor of Gumi Bali SARAD Magazine in 2000-2009, and in 2010-2012 he was the Chief Editor of SABDA Magazine. His essays were published in various mass media, such as: Karya Bakti Weekly, Nusa Daily, Bali Post, Kompas, Pos Bali and Radar Bali. As editor of various articles published by the Indonesian Obor Foundation, Wulan Sedhuwuring Geni (Anthology of Short Stories and Regional Poetry), A Thousand Fireflies in Manhatan (translations into 13 Regional Languages), and Sunari (Balinese Novels by Ketut Rida), and Rabindranath Tagore , Poetry Throughout the Ages, Publisher of the Darma Sastra Foundation, 2002. He was also a speaker at Sadyakala Sastra #39 Wayan Westa: Nationalism and Glorification of Regional Languages on March 14, 2014 and Sandyakala Sastra #43 Obituary I Wayan Sadha on March 12, 2015 at Bentara Budaya Bali. on March 12, 2015 at Bentara Budaya Bali.)
Tjokorda Rai Sudharta + (Tjokorda Rai Sudharta was born in Ubud, Gi … Tjokorda Rai Sudharta was born in Ubud, Gianyar, Bali. He earned a Bachelor of Arts at Banaras Hindu University (1957) and a Master of Arts at Panjab University (1961). He earned a doctorate in literature at the University of Indonesia. He wrote many books about the advancement of Hinduism and Balinese culture. These books include Upadesa (1967), Sarasamuscaya (1976), Slokantara (1982), Asta Brata in Development (1998), Sri Rama's Advice to the Present (1990), Hindu Man (1993), Meeting God Within (1993), 2005), Bhagawadgita in Bhishma Parwa (2010), Between Plato's Greek Philosophy and Upanisad Indian Philosophy Bhagawadgita (2010).sad Indian Philosophy Bhagawadgita (2010).)
Tjokorda Raka Sukawati + (Tjokorda Raka Sukawati (3 May 1931 – 11 No … Tjokorda Raka Sukawati (3 May 1931 – 11 November 2014) was an engineer from Ubud, Bali who discovered Sosrobahu construction technology. This construction makes it easier to build flyovers without disrupting traffic flow during construction.He earned an engineering degree in Civil Engineering at the Bandung Institute of Technology (ITB) in 1962. He co-founded the Faculty of Engineering at Udayana University, Bali. He obtained his doctorate in Civil Engineering from the Faculty of Engineering, Gajah Mada University, Yogyakarta, 1996.He pursued a career at PT Hutama Karya which operates in the construction and infrastructure services sector, which is a State-Owned Enterprise (BUMN) under the Department of Public Works. Sosrobahu's technology was discovered when he was working on the flyover project between Cawang and Tanjung Priok, Jakarta, in 1988. The technology he invented is used in many countries.In 2021, his biography written by Nyoman Wijaya entitled "Stepping Without Tires" was published by Pustaka Larasan.t Tires" was published by Pustaka Larasan.)
Walter Spies + (Walter Spies is a German artist born in Mo … Walter Spies is a German artist born in Moscow, September 15, 1895. Apart from being a painter, he was also a music and dance artist. In 1923 he came to Java and settled in Yogyakarta. He worked as a court pianist and was asked to help with the palace's artistic activities. He was the first to introduce numerical notation for gamelan in the Yogyakarta palace. This notation was later developed in other palaces and is used today.After his contract was completed in Yogyakarta, Spies moved to Ubud, Bali, in 1927. He was close friends with the King of Ubud, Tjokorda Gede Agoeng Soekawati. Spies also got to know many local artists and was very impressed with Balinese art. He collaborated with Wayan Limbak, polishing the sacred Cak dance into Kecak.With the support of the King of Ubud, together with the Dutch painter, Rudolf Bonnet, Spies founded Pita Maha, a community of Balinese artists in 1936. Spies also introduced many modern artist techniques to Balinese artists. There are still quite a lot of followers of Walter Spies' painting style in the Ubud area.Spies died on January 19, 1942 when his ship Van Imhoff was bombed by Japanese forces during World War II.ed by Japanese forces during World War II.)
I Wayan Januariawan + (Wayan was born in Jauary 1986. He is a gra … Wayan was born in Jauary 1986. He is a graduate of the Indonesian Institute of the Arts in Denpasar. Donal wishes to revive and embody the “tradition” of painting in the history of the development of modern art through the method of painting on the spot. He returns to nature and tries to appreciate and permeate the phenomenon of form, where aspects of light play a vital role in the absorption of objects by the eye and are then transferred to the canvas plane.The choice of objects painted by Donal on the spot is also an object in the surrounding environment that is familiar in his daily life as a Balinese. Thus, what appears visibly to Donal’s works is the painting of landscapes, trees, or parts of certain plants that are painted close-up, or a collection of natural objects.Donal views painting as part of the culture of society. He wants to present things that might look simple, natural, and beautiful (in the eyes of ordinary people) in the hope that this will be the entrance for them to be able to respond to even deeper things, that is, the ideas in each of his paintings.Based on Donal’s view of his creative process as serious and intense, painting on the spot with impasto techniques, we can read this as Donal’s effort to celebrate and give meaning to painting as a way of presenting beauty and peace of mind through the elements of art—especially colors, which all support light. Donal puts painting as mainstream in his creative process. His struggle and his trust in the power of painting is an inseparable part of a human being’s sense of beauty.He joined in group exhibitions from 2005, and had solo exhibitions from 2014. 2005, and had solo exhibitions from 2014.)
Yong Sagita + (Yong Sagita, born in Buleleng, November 30 … Yong Sagita, born in Buleleng, November 30, 1961. He is a Balinese pop singer who triumphed in the 1980s – 1990s. He started his career as a singer in 1985 through Aneka Records. At that time, through the group 2S (Sagita and Sayup), he launched his first album titled "Madu signed Tuba". Then in 1986 launched the album "Ngipi Lucut". In 1987, Yong Sagita moved to Maharani Records and released the album "Karmina". His popularity rose when he released the album "Drooling" in 1988 with his hit song titled "Jaje Kakne". The album sold well in the market. In 1989 he released the album "Karmina III" with his hit song "Ciri-Character", which was also a bestseller in the market.which was also a bestseller in the market.)

(Tjokorda Raka Sukawati (3 May 1931 – 11 November 2014) was an engineer f)

Jean Couteau + ("...apart from Bali on which his many book … "...apart from Bali on which his many books focus — like Time Rites and Festivals in Bali Today I, Bali Today II, Bali Inspires and Lempad ( 2014 ) — he has written numerous books on Indonesian artists, such as Affandi, Arifien Neif, Srihadi Sudarsono, Walter Spies, Made Wiante and many more.He is indeed a learned man. But his demeanor displays a humility that can be too much, even for his close Indonesian friends. They say he is more Javanese than the Javanese. He would never stand up, for instance, to demand his due, leaving himself victim to people’s manipulative tendencies.Yet he is held in high respect. ..."full piece at https://www.thejakartapost.com/life/2018/03/05/jean-couteau-self-critique-as-a-way-of-criticizing.htmlself-critique-as-a-way-of-criticizing.html)
Caesilia Nina Yanuariani + ("Reina Caesilia" was the pen name given to … "Reina Caesilia" was the pen name given to Caesilia Nina Yanuariani by Umbu Landu Paranggi. This reclusive poet was born in Surakarta on January 29, 1965. She grew up in Singaraja, Bali and attended school at SMAN 1 in Singaraja and then studied in the Faculty of Literature at Udayana University. She worked as a journalist with both Bali Post and Nusa. She wrote poetry since she was a teenager and has been published in the Bali Post, and her poetry has been included in a number of anthologies, such as, Pedas Lada Pasir Kuarsa (2009), Dendang Denpasar Nyiur Sanur (2012), Negeri Poci 6: Laut Negeri (2015), Klungkung: Tanah Tua, Tanah Cinta (2016), and Saron (2018). Her poem entitled "Women Who Become Sailors" was nominated for an award in the national poetry writing competition held by the Leon Agusta Institute in 2014. She went into a coma after falling off her motorcycle and died on April 2, 2019 due to a severe cerebral haemorrhage.2019 due to a severe cerebral haemorrhage.)
Will Goldfarb + ("Will Goldfarb’s culinary journey is a lon … "Will Goldfarb’s culinary journey is a long story that deserves its own book. It stretches from his time at culinary school—Le Cordon Bleu—more than 20 years ago to stints in the kitchens of Gerard Mulot in Paris, Tetsuya Wakuda in Sydney and the legendary El Bulli in Catalonia, Spain. The master pastry chef launched the original Room4Dessert 15 years ago, at 17 Cleveland Place in New York City. He was nominated as Outstanding Pastry Chef at the prestigious James Beard Foundation Awards. After closing the original New York establishment, Chef Goldfarb arrived in the beautiful island of Bali. He worked with the teams at Ku De Ta and Potato Head, before opening Room4Dessert in Ubud in 2014." Winner of The World's Best Pastry Chef 2021.nner of The World's Best Pastry Chef 2021.)
Agung Raka + (1930s Sanur painter. Bateson and Mead note … 1930s Sanur painter. Bateson and Mead notes refer to Gusti Gede Raka and Gusti Putu Raka co-painting a work.May be the same person as Gusti Putu Raka (and/or Gusti Gede Raka); in Bateson's catalogue, described as the son of Gusti SodangRelated ArtistsAlso known as: I Gusti Putu RakaMother: Anak Agung Made Glogori Putu Raka Mother: Anak Agung Made Glogor)
A.A. Raka Sidan + (A A. Raka Sidan's real name is A.A. Gede R … A A. Raka Sidan's real name is A.A. Gede Raka Partana. He is a songwriter and Balinese pop singer who was born June 27, 1979. He studied at UNHI Denpasar and produced a number of albums, including "Suud Memotoh" (2005), "At-Pada Ngalih Makan" (2007), "Pak Boss" (2009), "Song Brerong" (2012), "Kenceng" (2015). The songs contain a lot of moral messages and social criticism wrapped in humorous nuances.ial criticism wrapped in humorous nuances.)
Symon + (A stylistic heir to Walter Spies, Le Mayeu … A stylistic heir to Walter Spies, Le Mayeur and his mentor, the Indonesian-Dutch painter Arie Smit, Symon was among the last in the lineage of foreign artists who have helped raise Bali’s international profile as an exotic destination for art and design. Renowned for his vivid pop style with new iconic motifs, he was born on April 13, 1947, as Ronald Thomas Bierl in Detroit, Michigan, the United States, and made Bali his home in 1978. He was installed in the Puri Kaler of Ubud Palace by the Ubud royal family, who had for decades been patrons of foreign artists. Symon later took over Arie Smit’s cottage in nearby Campuhan, where his studio grew into local landmark. In 2014, he moved full-time to his other destination studio at Alas Sari in North Bali, Art Zoo, which he had founded in 1998.Symon, who passed away on April 15, 2020 of natural causes from sepsis, was incredibly prolific and successful, creating many thousands of artworks in several countries.His work was widely collected by tastemakers like former minister Joop Ave, especially during the 1990s and 2000s trend for Asian neotraditional style. Many collectors built submersive Symon environments, as at Qunci Villas in Lombok, West Nusa Tenggara. A book series on Southeast Asian interiors had to swap some paintings in many of its featured homes because too many of their architects and owners had put Symons on their walls.Symon’s art is cherished for its vivid color, strong outlines and exuberant energy. His figurative paintings and sculpture project a friendly, fantastical appeal, combining the rawness of real-life models and scenes within compositions from mythology and lesser-known Bali history. His sense of line, hue and witty slogans draw from his origins as a cartoonist in the 1960s American counter-culture.Raised in a house at the corner of Detroit’s Normal Road and Common Street, he was far from normal or common and yearned to escape convention. He was an exciting personality to be around, popping with fresh ideas. An outrageous showman, he would tell wild anecdotes and burst into rhyming raps. As a precocious teen under the pseudonym John Ka, he wrote to Beat Generation poets like Allen Ginsburg, William Burroughs and William Carlos Williams, who sent him new poems to illustrate. He soon became an artist in underground zines like Fifth Estate and got to know New York legends like Frank Zappa and Andy Warhol.Until making Bali his permanent home, he kept trying new locations. As a youth, he twice ran away to Rome, where he studied under the sculptor Emilio Greco and got the attention of film director Federico Fellini, who dubbed him “the magician of the air”. On the overland route from Amsterdam to India, a road accident in Turkey broke his hip. While recovering he renamed himself Simon White. He finally made it to India and then went north to Nepal.Over eight years in Kathmandu, Simon helped preserve the traditional art of Tibetan woodblock printing. With three partners he opened Himalayan antique shops in London, Amsterdam and New York. Like many “Easties”, he became expert in Asian traditional knowledge, which later infused his artworks. In the mid-1970s, Simon spent periods in the New York art scene, Colombia and Wales, England. In each new location, his studios echoed Warhol’s Factory in being a networking hub and a venue for arty “happenings”. He formed several creative teams, from the Psychic League in Rome and Fantabulous Group in Nepal to the Levitation League in Legian, Bali. In his Ubud garden, he staged theatrical productions at the amphitheater designed by the futuristic architect R. Buckminster Fuller. In each location, he trained up teams of local artisans. In Nepal he hired Tibetan refugees to carve new and replacement woodblocks to the old ones he printed from. He brought screen printing to Bali in the 1980s and then to Cambodia in Minefield Studios at Siem Reap in the early 1990s. His most famous breakthrough was JakPak, a range of convertible clothing co-created with Annie Anderson and Kiyoshi Okuda, in which pop-hued jackets and hats could turn into bags through hidden pockets. JakPak became Bali’s first clothing export and an international phenomenon collected by the likes of Mick Jagger.Symon kept ahead of the curve, since his aim in life was constant reinvention under a motto “towards a functional reality”. Many of his creations were practical as well as fun, from JakPak to his Toyniture — quirky furnishings like his Lady Chairs and giant dining table. He conjured outlandish architecture, like his key-hole windowed pagoda at Art Zoo, which he filled with sculptures and oddities. The maximalist effect of all these “studio atmospherics” beguiled visitors and in turn became props for his paintings. The Art Zoo remains visually stunning. Symon’s heir and Art Zoo’s Balinese manager aim to reopen it as a destination where locals and tourists can continue to appreciate Symon’s distinctive art of Bali.ppreciate Symon’s distinctive art of Bali.)
AG Pramono + (AG Pramono was born in Negara, Bali on Mar … AG Pramono was born in Negara, Bali on March 23, 1973. He has been involved in theatre and literary arts since 1990. He founded Sanggar Susur Jembrana in 1991. His writings in the form of short stories, poems and cultural articles have been published in several media. A number of his poems can be found in the following anthologies: Poetry 19 (1995), Kidung Kawijayan (1996), Detak (1997), Indonesian Poetry Anthology (KSI) Jakarta in 1997, Serambi Hening (1998) and Stopping Short Stories in Rumahmu (2014). Since 1993, he has been active in Bali Experimental Theater and in 1998 participated in the Komunitas Kertas Budaya. He is currently working as a journalist in one of the local newspapers in Bali and lives in a small house named Serambi Hening in Loloan Timur, Jembrana, Bali.bi Hening in Loloan Timur, Jembrana, Bali.)
I Made Mahendra Mangku + (Abstract became the visual language that M … Abstract became the visual language that Made Mahendra Mangku chose to express. Various abstract explorations are presented, such as the play of lines, colors, and splashes. As an artist who grew up in Sanggar Dewata Indonesia (SDI), his work tends to be different from those of the Eleven Group; a group of eleven members from SDI's 90s generation. He doesn't fill his canvases with brushstrokes of paint, nor does the boisterous Balinese icons and symbols appear absent in Mangku's work. In his paintings, Mangku tends to use one color as a base and then fill it with several colors and lines. Sometimes he also crashes contrasting colors with certain compositions that are still calming. It presents a silence that feels sentimental, like spaces of contemplation in the midst of worldly life. No matter how dark the colors he uses, Mangku's works are still sweet, calming and meditative, and he is often referred to as the “Poetic Painter”. Although now known for his abstract works, Mangku had time to explore in a realist and figurative style while still in college. Even in his first year at ISI, he has won two awards at once for best sketch and best watercolor painting. Meanwhile, while attending SMSR Denpasar, he was more focused on watercolor with the splash technique which earned him the nickname Mangku (a priest in Balinese tradition who sprinkles holy water when giving blessings, ed.). His choice to pursue abstract began in 1993, because abstracts provide more space for improvisation and exploration. Since graduating from ISI Yogyakarta, Mangku has returned to Sukawati and is actively working in his personal studio, De'carik Art Studio. He recently exhibited 15 paintings and watercolors at the Singapore International Artist Fair (SIAF) 2018 on 10-13 May in Suntec City, Singapore. It is planned that Mangku will hold a solo exhibition in August 2018 at Art:1 Gallery, Jakarta and Komaneka Art Gallery, Ubud.Born in Sukawati, 30 December 1972Education1988-1992 SMSR Denpasar1992-1997 ISI YogyakartaAwards:1998 Award from the Minister of Arts and Culture of the Republic of Indonesia;1997 Best Painting Dies Natalis ISI Yogyakarta; 1996 Finalist Philip Morris Indonesia Art Award 1992 Best Watercolor Painting ISI Yogyakarta; 1992 Best Sketch ISI Yogyakarta Milestones:1992 In his first year of college, Mangku received two awards for the best watercolor painting and the best sketch at ISI Yogyakarta1998 Graduated from college, Mangku returned and settled in Bali. This year he also held a duet exhibition with Toris Mahendra at Sika Gallery.2000 His first solo exhibition Between Two Side, Arisma Gallery, Ubud.2018 Singapore International Artist Fair (SIAF), Suntec City, Singapore.rtist Fair (SIAF), Suntec City, Singapore.)
Anak Agung Gede Ngurah Puspayoga + (Anak Agung Gede Ngurah Puspayoga was born … Anak Agung Gede Ngurah Puspayoga was born in Denpasar, 7 July 1965. He completed his Bachelor's degree at Ngurah Rai University, Denpasar, in 1991. He is Minister of Cooperatives and Indonesian Small and Medium Enterprises in President Joko Widodo's Working Cabinet. He served from 2014 to 2019. Before becoming a minister, he served as Mayor of Denpasar for two periods, namely 1999-2004 and 2005-2010. In the second period, halfway through, he was elected Deputy Governor of Bali for the 2008-2013 period.Governor of Bali for the 2008-2013 period.)
Anak Agung Made Cakra + (Anak Agung Made Cakra was born in Denpasar … Anak Agung Made Cakra was born in Denpasar, November 11, 1928. He is a musician and Balinese pop songwriter who was very popular in his time. He taught himself music at the age of seven. In 1943, when he was still a SR (People's School), he participated in a Japanese song competition in Singaraja, and managed to get the attention of a Japanese musician who was present at that time. The Japanese musician then mentored and employed him.In 1950 he collected music in Denpasar and formed an orchestra group and in 1953 the group performed around Denpasar. He also joined the kroncong orchestra group Puspa Teruna led by Ida Made Rai. Then he joined the Melati Kusuma keroncong orchestra led by Merta Suteja, the Merta Kota keroncong orchestra and the Cendrawasih keroncong orchestra. He is also involved in routine musical activities at RRI Denpasar Station. He then formed and led the New Dawn keroncong orchestra group.In addition to performing music, Gung Cakra also writes songs and musical compositions. One of his most famous songs is entitled "Kusir Dokar". In 1963, the song was often played by the band Putra Dewata founded by Gung Cakra and his colleagues. The band's musical instruments were made by Gung Cakra himself with easily available materials. In 1976, Gung Cakra began to enter the recording studio through Bali Record. Apart from "Coach Dokar", his popular songs are "Bungan Sandat" and "Ada Kene Ada Keto".e "Bungan Sandat" and "Ada Kene Ada Keto".)
Augusta de Wit + (Augusta de Wit (25 November 1864 – 9 February 1939) was a Dutch writer, born in the Dutch East Indies and best known for writing about Java and Bali.)
I Wayan Sadha + (Author and cartoonist I Wayan Sadha was bo … Author and cartoonist I Wayan Sadha was born in Jimbaran, on July 29, 1948. He attended guard school until grade 2 of Sekolah Rakyat. I Wayan Sadha has a lot of experiences having worked as a fisherman, laborer, tradesman, gardener, traveling photographer, until he became a journalist and most recently, a cartoonist and author. He created the dog cartoon character "Somprét" which is unique with satirical elements regarding Balinese social and cultural problems.He often participates in cartoon exhibitions with artists in Denpasar, has been invited to exhibit with Prakarti at the ARMA Muséum, Ubud, Bali Biénnalé and others. Won 3rd place in Photo “Bali Tourism 1981” and the 2010 Rancagé Literature prize with his book entitled “Léak Pamoroan”. His cartoons and short stories have been published in The Archipélago magazine, English Corner, Bali cho, Nusra Daily, Sarad Magazine, Poléng Magazine, and Taksu Magazine. He was a resource person at the event Sandyakala Sastra #5 in 2010 with Ida Bagus Wayan Widiasa Kenintén at Bentara Budaya Bali. He died on January 28, 2015.His published books are:Bali in the Eyes of the Somprét (Cartoon, 1994),The dog of Bali Somprét Celotéh Dog Bali (Cartoon, 2008),Léak Pemoroan (short story collection, 2009),Paruman Betara (short story collection, 2014).man Betara (short story collection, 2014).)
I Gusti Ayu Laksmiyani + (Ayu Laksmi full name I Gusti Ayu Laksmiyan … Ayu Laksmi full name I Gusti Ayu Laksmiyani, born in Singaraja, Bali, November 25, 1967. She is a singer, songwriter, dancer, film and theater actress. Was known as a lady rocker in the early 90's. In 2011, twenty years since his first album was released, she re-emerged with her latest album, Svara Semesta. Currently, Ayu Laksmi is active again in various local, national and international music events/festivals.Ayu grew up in a family that loves art, especially music. Since getting to know the world of the stage at the age of 4 years, Ayu began to actively participate in various art festivals, both on a local, national, and even international scale.Ayu Laksmi's name became known since she won BRTV at the Bali Province level in 1983 for the Trio version with her two sisters Ayu Weda and Ayu Partiwi in the Trio, "Ayu Sisters", which later in the same year won an award as Third Place and at the same time as the Best Appearance Trio. BRTV for the National Level.Ayu Laksmi is also known as one of the lady rockers in the national music scene in the era of 1984-1993 where Ayu is also one of the singers from Bali who managed to penetrate the national music industry. Indonesian music at that time.In 1989 Ayu contributed to the compilation album Indonesia's Top 10 with the single Not Always Gemilang created by Didi AGP, the sound track of the film Note Si Boy 2 with the song Hello Sobat created by Harry Sabar. In 1991 published her first album entitled The Lost Palace with arranger Raidy Noor. However, after the album was circulated his name immediately disappeared from the Indonesian music industry. Ayu returned to Bali in 1992 to continue her studies at the Faculty of Law, Udayana University, and graduated as a Law Degree in 1993ity, and graduated as a Law Degree in 1993)
Ayu Putu Feny Abrina Putri + (Ayu Putu Feny Abrina Putra, born in Penest … Ayu Putu Feny Abrina Putra, born in Penestanan Kelod, Ubud, October 5th, 1992. She graduated from Fine Art Education in ISI Denpasar. She has exhibited in "Ekspresi Indonesiaku" in Nasional Indonesia Museum (2014), "Brutal Art Work" in dolf Bonnet Tjampuhan Ubud Studi (2016), "Merdeka dalam Ekspresi" in Taman Budaya Bali (2019)alam Ekspresi" in Taman Budaya Bali (2019))
I Nyoman Erawan + (Born in 27 May 1958 in Banjar Dlodtangluk, … Born in 27 May 1958 in Banjar Dlodtangluk, Sukawati, Gianyar, Bali. He was raised in the neighborhood of artists, painters, sculptors, dancers and musicians. He was conciously choose to follow the path of art during his teenager years and enrolled in the High School of Arts in Denpasar. Soon after, he travelled to Yogyakarta in Central Java and pursuing bachelor degree in Fine Arts at the Indonesian Art Institute. The two schools shaped his perception in arts and expand his realm in understanding the relations between the visual of traditional art in Bali and the technique and approach of Western art. The dialog betweenn the two world is evident in Erawan’s works up until now.He begun working and living as an artist since 1983. For about 25 years he has been working in different fields of art as he is as much as talented in visual and performance art. His works are mainly inspired by the philosophy of life in Balinese-Hindu perspective called Trimurti, in which the cosmic functions of creation, maintenance, and destruction are personified by the forms of Brahma the creator, Visnu the maintainer or preserver, and Siva the destroyer or transformer. The form or destruction and incarnation, life and death, chaos and order, traditional and modern. He creates paintings and installation, video art and body art performance in many exhibitions in Indonesia and abroad. many exhibitions in Indonesia and abroad.)
Gede Suanda + (Contemporary art is an empowering communic … Contemporary art is an empowering communication platform allowing artists to give a visible presence to the invisible. The artist’s role is often to highlight important socio-political and environmental issues to create awareness and hopefully change. Gede ‘Sayur’ Suanda is a multi-talented contemporary Balinese artist who expresses statements about the rapid changes engulfing Bali in both 3-dimensional works as well as paintings. In 2015 Sayur’s landmark installation ‘Last Defence’ was presented in ‘Violent Bali’, a group exhibition by sixty of Bali’s finest contemporary artists at the Tony Raka Gallery in Ubud. The towering 3-metre-high impression of the ‘rook’ chess piece made from bamboo, dried rice stalks and husks was his comment concerning the rapid transformation of rice fields in Bali for modern development. According to the artist, the rice fields are vital to the Balinese way of life, which is constantly under threat and the last defence of the culture, which is increasingly vulnerable to change.More recently, Sayur has channelled his creativity into contemporary paintings. As a child, he learned the technical aspects of Balinese painting passed down through the generations. Drawing is the basic fundamental of Balinese painting and the initial process of rendering the composition details. The application of paint with small hand-crafted bamboo brushes follows various technical, traditional guidelines. The physical action is similar to drawing or colouring in.The ancient classical Balinese religious paintings that decorate the temples throughout the island function as a collective expression of ideas from the community to the Balinese Gods and ancestors. During the last century, technical aspects of these sacred paintings merged with western painting techniques and individual ideas. As a result, various village styles or “schools” of painting evolved from the 1920s onwards, catering to new tourist markets.A distinct aspect of traditional Balinese painting is that all visual information is contained within black outlines. When observing these paintings, flowing lines and rhythms entertain our eyes as we traverse the composition from left to right and from the top down. Natural universal rhythms are inseparable from daily life and determine the timing of the many Balinese religious ceremonies and cultural practices. Visual rhythms, therefore, are a unique and essential essence of Balinese painting.From 1999 – 2006, Sayur studied fine art at the Indonesian Institute of the Arts of Yogyakarta. Living and learning outside the cultural restraints of his village opened him to new ideas, creative influences and time to explore different artistic possibilities. Such an experience is instrumental for the Balinese to help them break free from the rules and collective mindset that define Balinese painting. In doing so, they may create compositions to express personal ideas constructed with modern western painting techniques. Sayur’s time living within a foreign culture allowed him to perceive his upbringing and the ever-changing dynamics of modern Bali through a new lens. Richard Horstman@lifeasartasiaw lens. Richard Horstman @lifeasartasia)
DG Kumarsana + (DG Kumarsana was born in Denpasar. He has … DG Kumarsana was born in Denpasar. He has been writing poems since adolescent and it was published in various media and compiled in a book. besides poem, he also write short stories, novel and essay, even in Indonesian or Balinese. He has been active in Sanggar Minum Kopi. His books that has been published are Komedi Birokrat (2010), Senggeger (2010), Kabinet Ngejengit (2012), Mata Dadu (2014). Now living in the village of Telagawaru, Labuapi, West Lombok.llage of Telagawaru, Labuapi, West Lombok.)
Dewa Ayu Carma Citrawati + (Dewa Ayu Carma Citrawati, born in Getakan, … Dewa Ayu Carma Citrawati, born in Getakan, Klungkung, Bali, February 24 1990. Completed undergraduate studies at the Bali Literature Study Program FIB Udayana University in 2011. In 2017 completed master's studies at the Postgraduate Pure Linguistics program FIB Udayana University. He has published several books such as Smarareka (2014), Sumanasa Sekuntum Liberation (Adaptation of Kekawin Sumanasantaka, 2019), Aud Kelor (2019). He received the highest award in the field of Balinese Literature from the Rancage Cultural Foundation in 2017 for his short story collection entitled Kutang Sayang Gemel Madui (2016). Experienced in teaching, was a Balinese language teacher at SMPN 3 Denpasar (2011-2018), Balinese Language Instructor in Klungkung Regency (2016-2017). Until now, he is still actively involved in various development activities related to Balinese language, literature and script. From 2018 until now, he has been actively writing Balinese language articles on Wikipedia Bali under the auspices of the Wikimedia Denpasar community. For his dedication to the Wikimedia community, the development of Balinese language and script, the Wikimedia Foundation awarded him the Wikimedian of the year award, as The Newcomer of the year 2021.r award, as The Newcomer of the year 2021.)
Dewa Putu Kantor + (Dewa Putu Kantor, born in Sukawati, Gianya … Dewa Putu Kantor, born in Sukawati, Gianyar, 1957. He is a traditional painter who adheres to the Batuan painting style. He learned to paint the Batuan technique from the painters Dewa Putu Mangku, Dewa Made Jaya, and Made Body. For more than nine years he has absorbed the famous Batuan style painting technique with the concept of a picture space that is full, complicated, dark in color and without a clear focus.He then simplified the complex style into the pulling and twisting of lines that form a certain shape without any Chinese ink coating process. The drawings rely solely on the strength of the lines that affect the integrity of the work. The themes of his works have also changed, from wayang stories to the daily themes of rural communities. He became known as a neo-traditional painter because he portrayed the daily life of Balinese rural people in the contemporary era. He returns the power of Balinese painting to its core, namely, lines. At first glance, his drawings remind people of the works of I Gusti Nyoman Lempad.The wholeness and strength of his work rests on the simplicity and sharpness of the lines. Using Chinese ink and a small bamboo brush, he draws the atmosphere of the market, the penggak stall, the tajen, the ceremony at the temple, the village youth playing the gamelan, the car with its cargo, the children with their games, folklore, the girl bathing in the river, and various activities. village life. The subject matter he works on is funny, naive, ridiculous, satire, full of irony and of course, refreshing.His works have been exhibited singly or together in a number of galleries, including a solo exhibition at the Duta Fine Arts Gallery, Jakarta (1999), a joint exhibition “Mother Rupa Batuan” at Bentara Budaya Bali (2019).upa Batuan” at Bentara Budaya Bali (2019).)
Didon Kajeng + (Didon Kajeng (originally Dwi Ari Swandana) … Didon Kajeng (originally Dwi Ari Swandana) was born in Denpasar, March 5, 1976. Since childhood he has been active in various artistic activities, such as reading poetry, singing, playing drama/theatre. He often wins poetry reading competitions, singing, poetry musicals. He is also good at flower arrangement and has published a flower arranging art book entitled “Bali Bloom, Inspirational Balinese Floral Art”. Around 2013 he lost his sight due to glaucoma. Later he had to undergo dialysis twice a week. But he never gave up on life. He can still act, for example, he appeared at Bentara Budaya Bali with the monologue “Orgil” in 2014, he read poetry at Graha Bhakti Budaya, Taman Ismail Marzuki, Jakarta, 2016. He fosters visually impaired children in Denpasar in art, theater , sing, write poetry. He is a teacher, friend, role model for blind children in Denpasar. Together with blind children he founded the Bali Lotus Art Community (Kostra). Didon died August 10, 2021.nity (Kostra). Didon died August 10, 2021.)
Dr. Anak Agung Gde Alit Geria, M.Si. + (Dr. Anak Agung Gde Alit Geria, M.Sc., was … Dr. Anak Agung Gde Alit Geria, M.Sc., was born in Br. Petak, Petak Kaja Village, Gianyar Bali, on April 21, 1963. He completed his undergraduate education (Balinese Language and Literature) at the Faculty of Letters at Udayana University (1987) and earned a Master of Cultural Studies at the Postgraduate Program at Udayana University (2004). In 2012, he earned a Doctorate in Linguistics with a Concentration of Literary Discourse at the Udayana University Postgraduate Program with the dissertation title "Shiva-Buddhist Discourse in Kakawin Nilacandra: Reception Analysis". He worked in the Manuscripts section of the National Library of Indonesia, Jakarta (1990-1996). In addition, he was an Extraordinary Lecturer at the Faculty of Letters, University of Indonesia Jakarta (1990-1996). In addition, the Bali Provincial Library was also the place where he served in 1997-2005. Since 2006, he has been a PNS Dpk Lecturer at the Faculty of Language and Arts Education, Indonesian and Regional Language Education Study Program, IKIP PGRI Bali, LLDIKTI Region VIII. He has researched a number of lontar manuscripts. Not only researching, he also cataloged, transliterated, and translated them. He has written several books. Among others, Geguritan Uwug Kengetan (2014), Musala Parwa (2015), Prastanika Parwa (2016), Bhomakawya (2017), Shiva-Buddhist Discourse in Kakawin Nilacandra (2018), Ala-ayuning Dina Mwah Sasih (2018), and Kakawin Nilacandra XX Century (2019). and Kakawin Nilacandra XX Century (2019).)
I Nyoman Cerita + (Dr. I Nyoman Cerita SST, MFA is an artist … Dr. I Nyoman Cerita SST, MFA is an artist and academic of performing arts, especially dance in Bali, from Banjar Sengguan, Singapadu Village, Sukawati District, Gianyar Regency, Bali. He has been able to build an effort to develop the arts, especially dance in Bali. Various works that until now have provided important notes on the development of the art of dance, I Nyoman Cerita is able to create dance works in the Nyeraki way. The term Nyeraki means all-rounder. The ability of nyeraki referred to here is the ability of Nyoman Cerita to create musical compositions (dance accompaniment music), create dance moves, and be able to create costume concepts. The ability of nyeraki is very rarely possessed by dance artists in general.I Nyoman Cerita is also an innovative artist, he brings up many new ideas such as processing dance properties that can be used in various functions. In one his dance work Satya Brasta, dancers carry a pajeng (umbrella) and a fan property, the pajeng can function as a spear, chariot wheel, and cloud symbol, while the fan property can be used as a mace and golden chariot. His Balinese dance works are the inspiration for teaching materials in the studio and as a presentation of performing arts. and as a presentation of performing arts.)
Ema Sukarelawanto + (Ema Sukarelawanto. Born in Tulungagung, Ea … Ema Sukarelawanto. Born in Tulungagung, East Java, July 2 1965. After graduating from the Faculty of Animal Husbandry, Udayana University in 1990, he became a journalist for the Bali Post until 1994. Then he became an editor at the NUSA Daily (1994-1998) and managed the Bali Tribune tourism magazine until it was closed after the Bali bombing tragedy. 2002. Next he joined the Indonesian Business Daily and became editor of Bisnis.com until he retired from this media group.Apart from being a journalist, he has been actively involved in several fine arts projects since 1993 as well as book publishing, both as a writer and packaging layout and graphic design. Some of them are Various Dimensions of Made Wianta's Artistry (Collection of Essays, 1998), The Holy Book Hanging on the Side of the Road in New York (Collection of Poems Made Wianta, 2003), The Sound of Calligraphy Made Wianta (2001), Dreamland-Made Wianta (2003), Calligraphy in Song-Made Wianta (2005), 4+1=Venezia (Panji Tisna, Made Kaek, Suklu, Made Wianta, 2003), Eternal Line-Stephan Spicher (2005), To Be World Class Services, Metamorphosis Process of PLN Bali Distribution (2006); Bali Tourism Pioneer Couple (Nyoman Darma Putra, 2012), Hadi Taryoto: Making Dreams Come True through Tourism (Nyoman Darma Putra, 2014), Culinary Tourism: New Attributes of Ubud Destinations (Putu Diah Sastri Pitanatri & Nyoman Darma Putra, 2016), and Tjokorda Gde Putra Sukawati: Carrying the Ancestor's Speech (Nyoman Darma Putra, 2016).Now he is active in the Rice Paper Community, Nitirupa Community, and building the news sites inibali.com and katarupa.id.ng the news sites inibali.com and katarupa.id.)
Gde Artawan + (GDE ARTAWAN was born in Klungkung on Febru … GDE ARTAWAN was born in Klungkung on February 20 1959. He is currently a lecturer in the Department of Indonesian Language and Literature at Undiksha (Universitas Pendidikan Ganesha). He has a Ph D in Linguistics from Universitas Udayana. He contributes essays, poems and short stories to several mass media outlets. He is often invited to be a speaker in literary activities and scientific gatherings and has acted as a jury member in literary reading and writing activities. He has twice been awarded the Wija Kusuma Art Award by the Buleleng government, in 1999 and 2007. In Singaraja he is the coordinator of the Buleleng Art Pier (Dermaga Seni Buleleng) which often holds literary appreciation activities and which has, on several occasions, held a Bali-wide poetry writing competition for the Singa Ambara Raja Award as part of the birthday of the city of Singaraja. A collection of his short stories ‘Petarung Jambul’ received the Widya Pataka Art Award from the Provincial Government of Bali in 2008. His collected literary works can be found in ‘Kaki Langit’ (1984). Other works include 'Buleleng dalam Sajak' (1996), ‘Kesaksian Burung Suksma’ (1996), ‘Spektrum’ (1997), ‘Tentang Putra Fajar’ (2001), ‘Puisi Penyair Bali’ (2006), and ‘Dendang Denpasar, Nyiur Sanur’ (2012). His only anthology of poems is “Tubuhku Luka Pesisir, Tubuhmu Luka Pegunungan” (2014). Pesisir, Tubuhmu Luka Pegunungan” (2014).)
Gde Dharna + (Gde Dharna was born in Sukasada, October 2 … Gde Dharna was born in Sukasada, October 27, 1931. He is a retired civil servant from the Buleleng Trade office. Since 1953 he has written poetry and stage plays, radio dramas, and television dramas in both Indonesian and Balinese languages. Apart from that, he also wrote short stories, songs in Indonesian and Balinese languages, songs Janger, Genjek, Dolanan, Geguritan and Choir songs.enjek, Dolanan, Geguritan and Choir songs.)