In your opinion, what impacts will the massive construction of large malls have on the local Balinese community? Post your comments here or propose a question.

Bacakan

bacakan

bckn/
  • figuring; calculation; counting; something counted (Noun) en
  • perhitungan; sesuatu yang dihitung/diperhitungkan (Noun) id
Andap
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Kasar
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Alus sor
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Alus mider
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Alus madya
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Alus singgih
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Mider
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Bali dataran dialect
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Bali aga dialect
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Usage Examples

Pegaen tiange tusing masuk bacakan.
My work does not count.

⚙ Usage examples pulled from the Community Spaces


In Balinese:   Puniki sekar sane tan kapatut pacang kaatur ring Ida Betara, inggih punika : sekar sane uledan, sekar sane ulung sangkaning tan kalontek, sekar sane layu sane sampun sue kembang (sekar sane aas), sekar sane mentik ring setra, punika sami bacakan sekar sane tan kapatut angge aturan, olih sang sane wicaksana.

In English:   Agastya Parwa literally means "Maharsi Agastya's Chapter".

In Indonesian:   Agastya Parwa secara umum berarti "Buku Maharsi Agastya".

In Balinese:   Panyuratan puniki kawiwilin riantuk kakirang uratian Perusahaan ring Kabupaten Badung ritepengan nampi sang katiben disabilitas ring makudang baga wiyadin bacakan pekaryan ring Nusa Dua Beach Hotel & Spa.

In English:   This research is motivated by the lack of company attention in Badung Regency which absorbing workers with disabilities and the diversity of work placements also the different types of disabilities among employees at Nusa Dua Beach Hotel and Spa which have different job characteristics.

In Indonesian:   Pada penelitian ini dilatarbelakangi oleh adanya kurangnya perhatian perusahaan di Kabupaten Badung dalam menyerap tenaga kerja penyandang disabilitas serta keragaman penempatan kerja dan perbedaan jenis disabilitas pada karyawan di Nusa Dua Beach Hotel and Spa yang memiliki karakteristik pekerjaan yang berbeda adanya keragaman ini memberikan peran dalam melakukan pekerjaan.

In Balinese:   Film “Under The Tree” ngranjing ring bacakan internasional film festival ring Tokyo.

In English:   In 1991 published her first album entitled The Lost Palace with arranger Raidy Noor.

In Indonesian:   Ia kembali meluncurkan album solo bertajuk Svara Semesta.

In Balinese:   Yening ring Ramayana, bacakan Astabratane wantah Indra, Yama, Agni, Bayu, Surya, Kuwera, Yama, miwah Candrabrata, sajroning Brata Nem Belas wenten sane mauwah miwah maweweh sakadi Giri, Indra, Mreta, Yama, Geni, Lawana, Mrega, Singa, tur brata-brata sane lianan.

In English:  

In Indonesian:  

In Balinese:   Bacakan Dharma Yuddha inggih punika Singamaharata, Suramaharata, Jayamaharata, Surasrirata, Bamamarata, Jayakramamaharata, Jayawraksingharata, Jayakasalastra, Jayakawadawarta.

In English:  

In Indonesian:  

In Balinese:   Sesampune punika, Ida raris nlatarang indik solas bacakan solah para ratu sane sampun madeg nata sakadi asih ring warga daridra (miskin), asih ring sang pandita, bakti ring Widhi, nenten surud ring sasana, nyelehin wadwa bala rauhing anak-rabinipun mangda suka lila, wibhuhing mretha sakala pinaka ajengan balane sami, miwah sane lian-lianan.

In English:  

In Indonesian:  

In Balinese:   Ring warsa 2014, pakaryan Atmi prasida ngranjing ring bacakan pakaryan-pakaryan ilustrator cerpen kompas 2014.

In English:   Atmi became involved in the art world owing to inspiration from Japanese animation and taking it up as a hobby.

In Indonesian:   Ni Komang Atmi Kristiadewi lahir di Denpasar, 24 Juni 1990.

In Balinese:   Nganutin gagambaran sane gumanti ketah mitatasang inggian kantun arang para istri sane nyolahang makadi wentuk seni puniki tur karuntutin bacakan makudang pare istrine sane manados pamucuk sane mucukin paobahan.

In English:   Following an overview explaining women’s traditional absence from this form and noting the pioneering women who have been at the forefront of change, the authors discuss how, as non-Balinese female performers and researchers, they discovered that they shared many similar stories, curiosities, and challenges relating to their training and experiences.

In Indonesian:   Mengikuti gambaran umum yang menjelaskan masih jarangnya perempuan tampil dalam bentuk kesenian ini yang disertai catatan sejumlah perempuan perintis yang telah berada di garis depan perubahan, penulis membahas bagaimana, sebagai pemain dan peneliti non-Bali, mereka menemukan sejumlah cerita, rasa penasaran, dan tantangan yang tidak jauh berbeda dengan pelatihan dan pengalaman mereka sendiri.
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