Pelog
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Revision as of 07:04, 29 March 2020 by Wikithon Singaraja3 Weda (talk | contribs)
Root
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Definitions
- E-F-G-B-C-E' en
- there is a jump of two whole tones between G and B and again between C and the next higher E en
- ding-dong-deng-dung-dang-ding. This is the most common mode (saih) of the pelog scale, called selisir. There are two others, tembung and sunaren, in which the starting points of the scale are different. Musical instruments in Bali are not tuned to specific frequencies, and so the above intervals are not exact. It is best to say that pelog is a tuning system in which one octave contains two large intervals and three small interevals. en
- between E and F and between B and C the interval is one-half tone en
- Balinese musicians call these notes ding, dong, deng, dung, and dang en
- the list below shows the intervals between adjacent notes en
- music: sequence of intervals between notes, or tuning, of a musical instrument commonly used for the five or ten-keyed instruments of the gong kebyar en
- actually the pelog scale has 7 notes, but two are almost always omitted: (e) - (1) - (2) - (e) - (2) en
- the intervals are less even than those of the slendro scale and are approximated by the notes of the piano: E, F, G, B, C en
Translation in English
music
Translation in Indonesian
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Synonyms
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Antonyms
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Related words
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Puzzles
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Origin
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Linked pages
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Word audio
Level of Speech Option
Mider
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Kasar
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Andap
pelog
Alus sor
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Alus madya
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Alus mider
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Alus singgih
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Dialects
Bali Dataran
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Bali Aga
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Sentences Example
Balinese
Sehananing gegambelan sané malaras pélog wirasané bungah tur girang, malianan tekén gambelan sané malaras sléndro.
English
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Indonesian
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Usage examples pulled from the Community Spaces
Balinese
Gamelan gong kebyar nganggen saih pelog 5 nada wastanne.
English
Musically gamelan Gong Kebyar uses pelog lima nada /pelog with five tones, the same as the pelog system with five tones in other types of gamelan , such as gamelan Gong Gede, Gong Kebyar and Palegongan, with the sequence of tones as follows : nding, ndong, ndeng, ndung, and ndang.
Indonesian
Hal ini tercermin dalam instrumen-instrumen Gong Kebyar umumnya dibuat dalam bentuk berpasangan ; lanang – wadon atau laki perempuan, istilah ini dipakai dalam penamaan kendang dan gong.
Balinese
Gong kebyar inggih punika silih sinunggil gamelan Bali sane nganggen laras pelog lima nada sane ngametuang gending tetabuhan kekebyaran.
English
Musically gamelan Gong Kebyar uses pelog lima nada /pelog with five tones, the same as the pelog system with five tones in other types of gamelan , such as gamelan Gong Gede, Gong Kebyar and Palegongan, with the sequence of tones as follows : nding, ndong, ndeng, ndung, and ndang.
Indonesian
Hal ini tercermin dalam instrumen-instrumen Gong Kebyar umumnya dibuat dalam bentuk berpasangan ; lanang – wadon atau laki perempuan, istilah ini dipakai dalam penamaan kendang dan gong.
Balinese
Gong kebyar punika manados barungan gegambelan Bali sane panglimbakyane madasar ring gong gede, nganggen laras pelog lima nada sekadi nding, ndong, ndeng, ndung, ndang taler nenten ka sarengin antuk instrumen terompong.
English
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Indonesian
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