Search by property

This page provides a simple browsing interface for finding entities described by a property and a named value. Other available search interfaces include the page property search, and the ask query builder.

List of results

Sundih + (Sundih is a musical composition by the you … Sundih is a musical composition by the young composer I Putu Swaryandana Ichi Oka or fondly called Ryan. Sundih itself is a dry coconut leaf that is burned, usually used during the procession to deliver the body to the setra (grave). Sundih is interpreted as a street light, so as not to be "Kepetengan/in the dark".This composition is a creative percussion that is worked on with the medium of expressing gamelan semarandana. This is the composer's first creative percussion composition. By interpreting the meaning of the sundih, the composer wanted to make this composition a foothold and light on a long, endless journey.hold and light on a long, endless journey.)
Swasti Prapta + (Swasti Prapta is a dance piece created by … Swasti Prapta is a dance piece created by choreographer Dewa Ayu Eka Putri from Banjar Pengosekan, Mas Village, Ubud with composer I Putu Swaryandana Ichi Oka from Banjar Sayan, Ubud, Gianyar. This dance piece was created in 2018 and was first performed at the Cudamani Festival which is held annually from 2016.Swasti means "peaceful" and prapta means "arrival". The piece is an expression of welcome, and was created to welcome and bring joy to goodness from all directions. The movements are simple, but filled with meaning, a quality one needs as one faces lifes many different experiences. The harmonious and dynamic melodic arrangement indicate our readiness and alertness to receive new experiences. Symmetrical and asymmetrical are side by side, and of course, goodness does not always stem from the positive. Good things and important lessons can come from experiences that are painful and difficult. Swasti Prapta, welcome all experiences.t. Swasti Prapta, welcome all experiences.)
Caru Wara + (Tabuh Caru Wara was composed by composer I … Tabuh Caru Wara was composed by composer I Dewa Ketut Alit from Banjar Pengosekan, Mas Village, Ubud. Dewa Alit was born into a family of artists in Bali. As a composer, he is known to have an "avant garde" approach but still considers traditional values. Dewa Alit is often invited to teach and compose Balinese gamelan abroad, including: Boston, Massachusetts, New York, Munich, Frankfurt, and others. In 2007, Dewa Alit founded Gamelan Salukat and has toured America in 2009 and 2010. Tabuh Caru Wara was created in 2005 which has the meaning of harmonizing the complex dynamics of values, friction, clashes, conflicts, opposite directions, the concept of complementarity and complexity contained in the cycle of days based on the Balinese calendar.le of days based on the Balinese calendar.)
Tabuh Kebyar Ding + (Tabuh Kebyar Ding is an old pre-independen … Tabuh Kebyar Ding is an old pre-independence music creation, which was created around 1925 by musician and composer I Made Regog in Belaluan, Denpasar. This percussion has a very important role historically and has a complex composition, full of dynamics, rich in ornamentation and played at a fast tempo. ornamentation and played at a fast tempo.)
Tabuh Kebyar Perak + (Tabuh Kebyar Perak is one of the extraordi … Tabuh Kebyar Perak is one of the extraordinary musical compositions by Balinese gamelan maestro I Wayan Gandera (late) from Peliatan Village, Ubud. This percussion symbolizes a silver flash of light that echoes in the universe. The dynamic melodies and chorus of music make this piece of music timeless and still one of the most interesting musical compositions to learn and perform.musical compositions to learn and perform.)
Tabuh Bebarongan Kepahingan + (Tabuh Kepahingan is a musical composition … Tabuh Kepahingan is a musical composition made by Ida Bagus Anom Mandhara Giri (often called Gus Anom) who comes from Kendran Village, Tegallalang. Gus Anom is a graduate of the Institut Hindu Dharma Negeri Denpasar who is very active in artistic activities as a musician and composer. Kepahingan is a combination of the meanings of the words kepah and ingan. Kepahingan means doing something together or also known as gotong royong (mutual cooperation). In Bali, gotong royong has been cultivated in such a way since a long time ago and has become an irreplaceable foundation of life.This bebarogan music work was created in 2014 based on the desire to unite and work together between Daha Truna Kendran and Kepitu to become one unit in the Sekaa Truna Desa Adat Kendran. Musically, this bebarongan work has a simple rhythmic pattern, depicting the sincerity and simplicity of the desire of young people to unite so that the foundation of life of kepahingan or gotong royong (mutual cooperation) can be maintained. The main purpose of cultivating this music is "ngayah" or a sincere offering without ulterior motives. The simple strains of musical melodies that are easy to hear and understand also illustrate how beautiful the sense of unity is in the implementation of the concept of kepahingan.In 2020, tabuh Kepahingan bebarongan was staged again as a reminder to Sekaa Gong Gurnita Sari of their enthusiasm and desire to unite in one organization, Daha Truna Kendran and Kepitu.ganization, Daha Truna Kendran and Kepitu.)
Tabuh Lemayung + (Tabuh Lemayung was created by I Dewa Putu … Tabuh Lemayung was created by I Dewa Putu Berata, a traditional music composer whose abilities are well known globally. Currently he is the chairman of Sanggar Seni Cudamani, a non-profit arts foundation located in Banjar Pengosekan, Mas Village, Ubud which has a mission to preserve, preserve and reconstruct ancient music and dances that are almost forgotten and create many new works of art which are innovative both in the field of Balinese music and dance. Tabuh Lemayung is one of Dewa Berata's works that has received tremendous appreciation from both Balinese and foreign musicians.Lemayung was created by Dewa Berata during the 2004 General Election period. The inspiration for this work stemmed from political parties in the general election attempting to attract people's sympathy. A campaign full of promises and interests confused people, giving birth to the term "Lemayung" which has the meaning of 'uncertain feelings'. Lemayung then poured into the language of music with the parable of "little people" expressed in the weak rhythm and the ruler in a strong rhythm. All forms of differences and promises are transformed into melodies and dynamics of music that are beautiful and pleasant to hear as if to seduce and win the sympathy of the little people. But those who are observant and understanding will not be easily swayed by promises. Lemayung's musical compositions also narrate the spirit of honesty and foresight in choosing the best through out-of-the-box melodies and musical concepts.-of-the-box melodies and musical concepts.)
Tari Porosan + (Tari Porosan (2019) is inspired by Tri Sak … Tari Porosan (2019) is inspired by Tri Sakti, the power of three in Balinese Hindu philosophy. Porosan is one of the elements in canang sari, a daily offering made by Balinese Hindus to praise the Sang Hayang Widhi Wasa (God Almighty). Porosan is symbolic of the three major Balinese Hindu Gods: Siwa, the destroyer; Wisnu, the preserver; and Brahma, the creator.u, the preserver; and Brahma, the creator.)
Tari Tani + (Tari Tani Bali (Farming Dance) is created … Tari Tani Bali (Farming Dance) is created by I Wayan Beratha in 1957. This dance emerges along with the Tari Tenun (Weaving Dance) and Tari Nelayan (Fishing Dance) in the era of 1950s. Tani dance showing the everyday life of Balinese, particularly the work or activities of farmer in Bali.Tani dance usually performed in groups by male and female dancers. The movements in this dance depict the activities of farmers from preparing the land, plant the seeds, up to take care of their plants. This dance is indeed present a beautiful and elegant movements.During the era of the 1960s, the three dances (tani / farming, weaving, and fishing) emerged due to the influence of socialism and become a standard at that time. Then in 1965, the political situation is unstable and the third this dance immediately lost favor.After all, these three dances remain a distinct marker of a crucial time in Indonesia's modern history and today are performed simply for their aesthetic purposes.Costumes and makeup plays an important role in the performing arts. The harmony and beauty of color will further enhance the look of the dance during performances.Male. In Tani (farming dance), male dancers using costumes such as: headdress (udeng), badong, tutup dada, sabuk stagen, gelang kana, ampok-ampok and kamen (sarong) with prada motif.Female. While the female dancers use "Lelunakan" or head-cloth at the top. Lelunakan is the development of "tengkuluk", in the form of shawl by decorative motifs.On the top, lelunakan shawl wraps the hair, is formed in such a way, adorned with gonjer (golden flowers), sandat flowers and red flowers.On the bottom, female dancers use tapih, kamen (sarong), and sabuk stagen bandaged from the waist to the chest. On the outside is wrapped by colored scarf with decorative motifs of prada.red scarf with decorative motifs of prada.)
Rangrang + (The composition of Rangrang was created b … The composition of Rangrang was created by composer I Dewa Putu Rai from Banjar Pengosekan, Mas, Ubud. The word rangrang refers to that which is intertwined or knit together, just as we are interwoven with one another and the universe around us. Balinese gamelan often starts with a section called a peng-rangrang, a flowing abstraction of the core melody, 'benang merah' or ‘red thread’ that -weaves through the fabric of the composition. The piece is inspired by and a tribute to master composers of our ancestors, such as the late Wayan Lotring (master of dance, musician and composer of Gamelan Bali), and the belief that each sound, each note has a sacred resonance, each pattern an intrinsic beauty. Beauty and inspiration is brought together in a way that is rooted in those heirlooms of artistry that we have inherited and is joyfully relevant to the young generations of today.elevant to the young generations of today.)
Legong Markandeya Lango + (The dance created by one of the young choreographers from Ubud, Gede Agus Krisna Dwipayana or more familiarly called Gede Krisna, tells of the spiritual journey of Rsi Markandeya to Bali.)
Cerita Perjalanan Luh Ayu Manik Mas Pahlawan Putri Bali + (The forest has been laid bare. The trees h … The forest has been laid bare. The trees have been cut down and the wood taken away. Luh Ayu Manik and her friends are deeply saddened to see the forest destroyed. There is a police post in the middle of the forest but, despite this, the thieves are still able to steal wood. Luh Ayu Manik and her friends have come up with a plan to catch the thieves. But unfortunately, their plan has been foiled. And now the thieves are chasing them with a chainsaw. What will happen to Luh Ayu Manik and her friends?l happen to Luh Ayu Manik and her friends?)
Kebyar Duduk + (The Kebyar Duduk dance, created by dance m … The Kebyar Duduk dance, created by dance maestro I Ketut Mario in 1925, is one of the most technically challenging dances of the Balinese repertoire, the movements are inspired by nature and connect the dancer to the Earth. Imbued with elements of great refinement, precision and strength, the dance is a reflection of our own human path seeking a balance between masculine/feminine; strength/softness; bravery/caution. The ability of the solo dancer to match and augment the powerful music of the full gamelan is one of the most demanding and impressive aspects of this dance.ding and impressive aspects of this dance.)
Legong Keraton Lasem + (The name Legong comes from the Balinese la … The name Legong comes from the Balinese language, Leg (flexible movement) and gong (gamelan) which blend into Legong which means flexible movements accompanied by gamelan.The Legong Keraton dance emerged around the early 19th century AD. This dance emerged from the idea of a King Sukawati named I Dewa Agung Made Karna.Initially this dance is sacred. This dance is only performed in temples to accompany Hindu religious ceremonies. In 1928, the King allowed this dance to be performed outside the palace for the people to enjoy.In 1931 this dance began to be displayed widely to support tourism. Many hotels in Bali stage this dance to entertain tourists.One of the palaces that owns and maintains the Legong Keraton dance is Puri Agung Peliatan. This palace used to often perform the Legong Keraton dance on certain occasions, such as Hindu religious ceremonies.A Legong Keraton performance always carries historical stories. One of the most popular stories is Lasem, which tells the love story of Prabu Lasem to Princess Rankesari.The dancer who appeared first was the Condong (emban) who wore a dominant red costume. Then followed by two Legong dancers who wore green costumes.In the story of Prabu Lasem, which is based on the Panji/Malat story, the two Legongs play Prabu Lasem and Princess Langkesari, respectively.The Legong Keraton Dance was designated as an intangible world cultural heritage by The United Nations Educational, Scientific and Cultural Organization (UNESCO) in 2015. The Legong Keraton Dance is one of nine Balinese dances that received similar awards in addition to the Barong Ket Dance, Rejang Dance, Dance Joged Bumbung, Wayang Wong Dance Drama, Gambuh Dance Drama, Sidha Karya Mask, Ceremonial Bari Dance and Sang Hyang Dedari Danceial Bari Dance and Sang Hyang Dedari Dance)
Tari Puspa Wresti + (The Puspawresti dance was created by chore … The Puspawresti dance was created by choreographer I Wayan Dibia and the music by I Nyoman Windha, both Balinese artists who have created many amazing dances and musical compositions. Puspawresti dance is a dance that is inspired by the pependetan dance in temples in the Bali Region.Puspawresti dance which comes from the words Puspa which means flower and wresti which means rain, was created following the movements of the Pendet, Gabor, Rejang and Baris Gede dances. Usually danced by 4 female dancers and 4 male dancers. The female dancers carry bowls filled with colorful flowers, which are escorted by male dancers carrying spears. escorted by male dancers carrying spears.)
Rejang Pala + (The Rejang Pala dance is an ancient dance … The Rejang Pala dance is an ancient dance that was created in Nongan Village, Rendang District, Karangasem Regency, has undergone two reconstructions in 1984 and 2019. In 2019 the local village carried out a reconstruction which refers to the results of a study entitled Continuity and Changes in Rejang Balang Tamak Dance in Nongan Village , Rendang District, Karangasem Regency, 2017. In addition to referring to ancient lontar palms stored in Leiden, the Netherlands, it also refers to the instructions of Ida Pedanda Istri Ratna Kania from Griya Budha Alang Kajeng, that she remembers danced the rejang with various fruit decorations on her head. The Rejang Pala dance is a sacred dance in the Usaba Desa ceremony, to welcome Ida Betara Dalem to a ‘memasar’ procession at Pura Pesamuhan Agung. The dancers are divided into three age classifications, namely: (1) children are called Rejang Alit; (2) young women are called Rejang Daha; and (3) Mothers are called Rejang Lingsir. The primary function of the Rejang Pala Dance is as a medium of ritual, as well as a medium of personal entertainment, and as an aesthetic presentation. Its secondary function, as a binder of solidarity and as a means of communication. The uniqueness of the Rejang Pala Dance can be seen in its headdress, which is decorated with various kinds of fruits.The symbol of the fruit on the head is remembering the history where the children of Ida Bhatara Balang Tamak were working in the fields and they always had lots of fruit tied on their heads. Ida Bhatara Balang Tamak is revered by the local community as a pioneer figure in Subak Abian and an intelligent figure who was feared by ancient kings. He was also a figure who opposed the feudal system which was detrimental to society at that time. Perhaps because of this, some historical versions depict him as an antagonist because of political interests. With the return of the Rejang Pala at the Balang Tamak Temple, apart from being a reconstruction of ancient dances of ancestral heritage, it is also a form of revision of the history of great figures on the ancient island of Bali.eat figures on the ancient island of Bali.)
Tari Oleg Tamulilingan Ngisep Sari + (The Tamulilingan Ngisep Sari is a duet da … The Tamulilingan Ngisep Sari is a duet dance created by I Ketut Mario in 1952 in Peliatan Village. He is a Balinese dance maestro who is famous for his extraordinary dance work. Mario invited I Wayan Sukra, a percussionist from Marga Village, Tabanan to compose his musical accompaniment. In addition, three percussion experts from Gong Peliatan were also involved in working on the music, namely Gusti Kompyang, A.A Gde Mandera, and I Wayan Lebah.The interdependence of life inspires this dance where the beauty of the flower attracts the bee to collect nectar and in return pollinate the flowers. The relationship is completely symbiotic each nurturing the other in a gentle cycle filled with love and care. This rarely performed version has its home in the Peliatan region of Bali. Taught to Sanggar Çudamani in 2015 by the original dancer of the piece late Ni Gusti Ayu Raka Rasmi who, in her 70s, is still a stunning performer and dedicated teacher. stunning performer and dedicated teacher.)
NGOLAH LELUU KADADOSANG PIRANTI SANE MABUAT ANGGEN NGARDI JAGAT INDONESIA BERSIH SAKING SAMPAH + (The video and this work were made in SMP D … The video and this work were made in SMP Dwijendra Denpasar on September 20, 2021, involved 3 people, namely Satya, Kirana, and Ayu. From the video and the work that we made, we recycled organic and inorganic waste and also revived the Balinese economy by making handicrafts from waste that had a sale value. As we know Bali being a tourism island, the lack of community initiatives to reduce and recycle the use of organic and inorganic waste, can lead to the accumulation of waste. By recycling organic and inorganic waste into handicrafts that are more useful and have a selling value, it will simultaneously preserve nature, especially Bali.aneously preserve nature, especially Bali.)
Legong Jobog + (This dance is based on the story of two br … This dance is based on the story of two brothers, the Kings – Subali and Sugriwa, who were turned into monkeys. The two lived in peace until they both desired a black magic brought by Dewi Anjani. Dewi Anjani’s father threw this magic into a river that transforms humans into monkeys. Subali and Sugriwa not realizing this jumped into the river and were transformed into monkeys. Not recognizing each other, they fought. Neither brother won the fight but finally they recognized each other and were sad.y they recognized each other and were sad.)
Legong Kuntir + (This dance is based on the story of two br … This dance is based on the story of two brothers, Raja – Subali and Sugriwa, who turned into monkeys. Previously Subali and Sugriwa had the names Arya Bang and Arya Kuning and a younger sister named Dewi Anjani. One day his father gave bracelets to each of Arya Bang and Arya Kuning and cupu manik (a magic mirror that can show the past, present and future) to Dewi Anjani.They lived in peace until they both wanted cupu manik owned by Dewi Anjani. Both fight cupu manik, and snatch it by force. Seeing the incident his father became very angry with his two sons and threw cupu manik to the bottom of the lake. Finally the two sons scrambled to dive and look for the cupu bead to the bottom of the lake but ultimately failed. But what happened, after they both came out of the bottom of the pool the faces of the two sons turned into monkeys.faces of the two sons turned into monkeys.)
Janger Dance + (This is a very popular dance in the villag … This is a very popular dance in the villages whose origins go back to the 1930’s. Also called the Love dance, it is performed by 10 young (unmarried) couples, and involves singing and dancing to the Gamelon and flirtatious movements. Janger means infatuation, so the young ladies and men flirt with each other during the dance creating a happy, fun and sometimes humorous connection.The performers had practised this dance in Pesalakan village , a traditional village about 15 minutes from Ubud centre, for many months before, as many had never danced before.So this was a revival of the culture through dance which is so important to witness with the many modern influencers impacting culture on the island of the gods.One of the main aims of the Togetherness Project is to preserve and revive the culture among the younger generation, and this dance is a wonderful example of togetherness, as it brought the youth together to practise and express their culture.her to practise and express their culture.)
Sumanasa Jayantaka + (This piece tells about death, which is always next to us. It's the final gate, but it is also a door to a new life.)
Musik Puisi Suryak Siu + (This poetry music is titled Suryak Siu whi … This poetry music is titled Suryak Siu which is performed by group of young people from the Sastra Lentera Community.Lead by Ida Bagus Pawanasuta, this community succeeded in performing a very beautiful musical poetry.Singed by Sinta and Dayu Tri and musical instruments played by Ryan and Tjok Mas, their performances greatly entertained everyone in the midst of the Covid-19 pandemic.one in the midst of the Covid-19 pandemic.)
Garbha + (This work was created in 2020 as part of t … This work was created in 2020 as part of the Ubud Performing Arts festival by two young artists, Dewa Ayu Eka Putri and Ni Nyoman Srayamurtikanti.Garba was the beginning of the creation of life. A space where a micro universe is formed. The womb of women is none other than Brahman himself, the Creator of the universe.This work is dedicated to all the wombs of the universe. And to all the great women in the world.. And to all the great women in the world.)
Morning Happiness + (Track from the Rhythm of Paradise album. T … Track from the Rhythm of Paradise album. This track is the most famous title by Gus Teja played in shops, restaurants and spas all over Bali. In April 2020 Gus Teja challenged his followers to record their version of this song : https://www.facebook.com/268366302583/posts/10157202460987584/.com/268366302583/posts/10157202460987584/)

Trash Hero + (Trash Hero Chapters in Bali)

Truna Jaya + (Trunajaya Dance is one of Bali's new dance … Trunajaya Dance is one of Bali's new dance creations, precisely from Buleleng Regency, North Bali. This dance art was originally created in 1915 by Pan Wandres in the form of Kebyar Legong, then refined by I Gede Manik.Trunajaya dance or also Terunajaya describes the movements of young people who are growing up, very emotional where their behavior is always trying to attract women's hearts.Although referred to as a depiction of a youth, this dance is categorized as a hard male dance which is generally danced by female dancers.Trunajaya dance is an entertainment dance whose performance can be anywhere. Including in the temple yard, field, closed or open stage, or in places other than that.Initially, this dance was a solo dance which also called “babancihan dance” because it presented characters between men and women. But along with its development, Trunajaya Dance is also performed by more than one dancer.In terms of duration, this dance is very flexible, it can be short or long. The shortest dance duration generally ranges from 11 minutes from start to finish.Historically, Trunajaya Dance is inseparable from the Kakebyaran Dance which is closely related to kebyar. It is called like that, because it is not only accompanied by Gamelan Gong Kebyar, but the movements are also very dynamic and breathe kebyar.The Trunajaya dancers use subtle male make-up. Using yellow, red and blue eyeshadow stage makeup and using slightly high eyebrows from princess dance makeup. Another characteristic of the bebancihan dance is also seen in terms of costumes, dancers wear kamen or kancut in purple prada with diamond motifs. Worn like the use of bebancihan cloth in general, there is a remnant of kamen on the left which will later be used as a kancut, besides that the dancers also wear the typical udeng, garuda mungkur (on the back), one gold flower, ear flowers (red flowers and white flowers) as well as rumbing (earing)white flowers) as well as rumbing (earing))
Tabuh Telu Udahani + (Udahani's percussion is a musical composit … Udahani's percussion is a musical composition by I Dewa Putu Berata which was specially created for female musicians from Sanggar Seni Çudamani in the performance of the Bali Arts Festival in 2015 as the Gianyar Regency Ambassador.Udahani has the meaning of the ocean, this musical composition is inspired by the calm nature of the ocean but at times it can show terrible turmoil but still has its own beauty.ible turmoil but still has its own beauty.)
Tabuh Wak Jayati + (Wak Jayati was created by composer I Dewa … Wak Jayati was created by composer I Dewa Putu Rai from Pengosekan Village, Ubud. Wak Jayati comes from the ancient Javanese language Wak which means voice or sound and Jayati means women's victory. This percussion is inspired by the strength, determination and beauty of women. This musical composition aims to describe the deeper meaning of women, as creators, leaders, and protectors.men, as creators, leaders, and protectors.)
Koreografi Pose (COVID19 Dalam Teologi Hindu) + (Wanting to show another way to enjoy dance … Wanting to show another way to enjoy dance, this piece was created specifically in the Art of Photography. Featuring choreographed poses that tell the story of COVID19 in Hindu theology.Pose choreography is a photo illustration or visual depiction of a piece of writing using a photographic technique that emphasizes the relationship between the object of the photo and the text.In Hindu theology, there is no hatred of Hyang Widhi. No curses. There is a cycle. The cycle of seasons, the cycle of flowering to fruiting, the cycle that makes life and the universe move. Hyang Widhi regulates all cycles and cosmic order through the intelligence behind the motion of this universe, called rta. Rta is the "highest consciousness" that regulates the heartbeat of the universe, the breath of humans, animals, photosynthesis of plants, until the emergence of viruses and all kinds of germs that are present as part of the completeness of the universe.This work was first conceived by an academic dance artist named Ni Km. Ayu Anantha Putri S.SN., M.Sn who deliberately creates dance works that are enjoyed through photo collages telling stories. One person who has succeeded in realizing this work in the form of a photographic work is an academic photographer named Adhitya Pratama S.Tr.Sn, the sharp and at first glance like paintings are made to give a more artistic impression and prioritize color sharpness. This work does not only contain moving photo collages but is also accompanied by musical accompaniment which was created directly by an academic musician named Komang Srayamurtikanti S.Sn. Hopefully this work will get positive appreciation from performing arts lovers and be able to provide a new spectacle that is entertaining and inspiring.This work was performed by 18 women with professional dancer backgrounds. This work was made directly 1 day during the shooting process only. There is no cost for costumes, only using typical Indonesian batik cloth, batik shawls and black scarves that each dancer already has. The shooting location is at Puri Painting Ubud, Gianyar, Bali. There is no training process, considering that Covid19 has severely restricted community activities. This work was initiated 1 month before the shooting process. The dancers who have supported this work have undergone a self-quarantine process from the end of March to June 2020, so the health of the dancers is of utmost priority.alth of the dancers is of utmost priority.)
Wayang Sapuh Leger + (Wayang Sapuh Leger is a ritual with a shad … Wayang Sapuh Leger is a ritual with a shadow puppet show that aims to cleanse or purify a person.In Bali until now it is believed that children born in the wuku Wayang must perform a cleansing ceremony called Sapuh Leger. This is intended to avoid being chased by Kala and not being afflicted with disaster.It is said that two sons of Bhatara Shiva or Bhatara Guru have the same otonan, which is both born at Wuku Wayang. They are both named Bhatara Kala and Sang Hyang Rare Kumara. Long before Rare Kumara was born, Lord Shiva had given permission to Bhatara Kala to catch or prey on creatures who have the same otonan as him.Because his own brother had the same otonan, Bhatara Kala asked Lord Shiva for permission to eat Rare Kumara. However, Kala was asked to wait for his brother to grow up. Because Shiva was afraid of his son being eaten, Rare Kumara was cursed so that he never grew up.After feeling that his brother has grown up, Kala meets Rare Kumara and intends to eat him. However, on the orders of Lord Shiva, Rare Kumara was asked to run towards the Kertanegara Kingdom.Knowing his brother ran away, Kala chased after him. He smelled Rare Kumara's footprints and followed him and saw his little brother running. After hiding in several places, namely thick bamboo reeds, behind firewood, and a fireplace, Rare Kumara arrived at Kertanegara.Kertanegara was attacked by Bhatara Kala, and Rare Kumara ran until late at night when he arrived at the puppet show. The puppeteer Rare Kumara was asked to hide in the gamelan gender resonator.So hungry, Kala came to the puppet show and ate the offerings. Seeing this, the puppeteer reprimanded Kala to return the offerings he had eaten. Being cornered, Kala is in debt to the puppeteer and to the puppeteer, he casts a magical spell. The spell enables the dalang to free all living beings from defilements.The dalang then offered offerings as a substitute for the child born to Tumpek Wayang, so that Rare Kumara was safe. Rare Kumara was brought back to heaven by Lord Shiva.That is the brief story behind the implementation of Sapuh Leger on children born as Wuku Wayang. This story is taken from the Lontar Kidung Sapuh Leger. taken from the Lontar Kidung Sapuh Leger.)
Wayang Wong Tejakula + (Wayang Wong in Tejakula Village, Buleleng … Wayang Wong in Tejakula Village, Buleleng has received UNESCO recognition as an intangible cultural heritage. Wayang Wong is an ancient mask art dating back to the Middle Ages. In Tejakula itself, the Wayang Wong standard uses Ramayana characters. There is also another kind of wayang wong called Wayang Parwa.Wayang Wong art in Tejakula Village is a sacred art which is only performed at certain times. These Wayang Wong masks are masks over three centuries old, totaling 175 masks. All the masks are kept at Pamaksan Temple, Tejakula.Whenever there is a temple ceremony at Kahyangan Tiga Temples, Pamaksan Temple, Ratu Gede Sambangan Temple and Pura Dangka Temple (several ancient temples in Tejakula), this Wayang Wong Mask dance will be performed. Wayang Wong dancers are chosen from generation to generation based on lineage.You can also watch this Wayang Wong performance outside of holy days. However, the masks used in this performance are duplicate masks, not the original, purified masks.This Wayang Wong performance is usually held on Galungan Day or on the day of the local temple ceremony. At that time, the nomads usually returned to their hometowns so that the performance of this sacred Wayang Wong will be watched by many people. Because this performance is a combination of medieval Parwa and Gambuh arts, the languages used are Kawi and Sanskrit. the languages used are Kawi and Sanskrit.)
Wayang Wong + (Wayang Wong is one of the classical Baline … Wayang Wong is one of the classical Balinese theatre dances where all the dancers wear masks. Wayang Wong at Taman Pule Temple, Mas-Ubud village, takes on the Ramayana play with the main character Rama and an army of monkeys preparing to recapture his wife Dewi Sita.Pura Taman Pule is a Temple in the village of Mas, Ubud in Bali. This mask dance is unique and is only performed here in this Temple. It is not performed outside of its grounds. A set of masks of the characters from the Ramayana and Mahabharata epics are kept in the Temple.No one can say for certain where these masks originated. There are no certain records of the mask carver or how they came to be in the safekeeping of the Temple. That information perhaps has been lost as a result of conflict or war in history. ..The Sacred Wayang Wong of Pura Taman Pule is closely related to ceremonial rituals at the Temple. It is also considered ‘Pemuput Karya’. The dance indicates that the ceremony undertaken at the Temple is complete. Another such Dance is the Tari Topeng Sidakarya.r such Dance is the Tari Topeng Sidakarya.)
Cerita Perjalanan Luh Ayu Manik Mas Pahlawan Putri Bali + (When walking home after watching ogoh-ogoh … When walking home after watching ogoh-ogoh, Luh Ayu Manik and Putu Nita were surprised to see the young people falling up and running around, and screaming in fear accompanied by asking for help. "Tulung-tulung ..." shouted Wayan. There are people who can walk. the body is tall and made of all kinds of plastic and cork. Instantly Luh Ayu Manik remembered I Wayan's behavior with and I Made who liked to throw away the trash when making ogoh-ogoh into the river this morning.ing ogoh-ogoh into the river this morning.)
Wiranjaya + (Wiranjaya dance was created by I Putu Sumi … Wiranjaya dance was created by I Putu Sumiasa, an artist from West Bali in 1957. Wiranjaya dance is an androgynous/bebancihan dance created as a competitor to Truna Jaya dance. Before 1965 this dance was called Kebyar Buleleng Dauh Njung, the beginning of this dance was created because the artist Pan Wandres had already created Kebyar Buleleng Dangin Njung, namely Terunajaya. These two works are a form of competition by two great Buleleng artists.But after 1965, this dance was developed again by Putu Sumiasa and renamed Wiranjaya. The Wiranjaya dance tells the story of two sons of Pandu, Nakula and Sahadewa from the epic Mahabharata who are learning archery at the Pasraman led by Bhagawan Tamba Petra.The development of Wiranjaya dance is very rapid because this dance is very energetic with beautiful dynamic movements that make dancers or art lovers really appreciate Wiranjaya dance. lovers really appreciate Wiranjaya dance.)
Cerita Perjalanan Luh Ayu Manik Mas Pahlawan Putri Bali + (Without warning, a fierce wind sprang up i … Without warning, a fierce wind sprang up in Room 21. The book that Luh Ayu Manik and her friends were reading shook and then flew about the room. And from the pages of the dirty, torn and tattered book, horrid demons appeared. Luh and her friends wanted to run away but they couldn't move ... they were like statues. I Wayan and I Made wanted to scream ... but their lips were sealed shut and they couldn't speak. were sealed shut and they couldn't speak.)
Tari Kreasi Laku + (“Laku”: the active behaviors of a person; … “Laku”: the active behaviors of a person; direction indicative of demand. It also describes the aura of availability. This is a new piece composed as a welcome dance embodying the idea of behavioral changes. The movements simultaneously follow and depart from the musical sensibilities, but unlike traditional “penyambutan” dances which tend to be in compact motion, within Lelaku, dynamic and asymmetrical movements become normal. As the popularity of travel becomes normalized, how do the behaviors of humans change? How do we welcome people that seem to be intruding our space? Does humanity change in in tandem with what resources are available? The answer lies within the juxtaposition of co-motion.ies within the juxtaposition of co-motion.)
Arja Muani 'Ki Ratna Kepakisan' + (⏤)
Baris Gede + (⏤)
Bapang Barong + (⏤)
Baris Demang Demung + (⏤)
Catur Guru + (⏤)
Bajra + (⏤)
Hyang + (⏤)
Kangkat + (⏤)
Penting + (⏤)
Genjek Karangasem + (⏤)
Kembang Kuning + (⏤)
Baris Cang Long Leng + (⏤)
Legong Kupu-Kupu Tarum + (⏤)
Baris Pendet + (⏤)