Gambaran

No definitions available in this language.
Media
Gambaran
Kasar
Unknown [edit]
Halus
Unknown [edit]
Northern Form
Unknown [edit]

Usage Examples

Oh, nika, sane biasane marupa gambaran wawayangan, sakadi sane wenten ring Kertagosa, Klungkung.
[example 1]
Oh, that, they are usually the pictures of puppetry that you see in Kertagosa, Klungkung.

⚙ Usage examples pulled from the Virtual Library


In Balinese:   Museum Renaissance kaanggén nyihnayang pakardin gambaran saking maestro Blanco lan Mario sane dados kacingakin oleh makasami parajanané.

In English:   The Blanco Renaissance Museum is now open to the public, exposing both the maestro's and Mario's art works.

In Indonesian:  

In Balinese:   Dané nénten kadaut ngambar sarwa mambu dekoratif sane medal saking gambaran tradisional.

In English:   Mokoh has broken through the Pengosekan or traditional style of painting that tends to be static and patterned.

In Indonesian:   Karakter personal sangat kuat muncul pada lukisan-lukisan Mokoh yang seringkali dianggap nyeleneh.

In Balinese:   Sakémaon, malarapan antuk usap-usapan alus, dane prasida nebek ring unteng gambaran (subyek matter) sané kadartayang malarapan antuk indik sané banyol, polos tur dikenkene ngawinang kagiat.

In English:   Using this ability with traditional painting techniques, he processed ideas and themes that were modern or even contemporary on his canvases.

In Indonesian:   Dia tidak tertarik melukis hal-hal dekoratif yang biasa muncul dalam seni lukis tradisional.

In Balinese:   Dewa Mokoh sampun makardi panglimbak anyar ring stil gambaran Pangosékan utawi seni gegambaran tradisional sané sampun madué gaguat lan wangun.

In English:   However, frequently there are no traces of traditional painting techniques to be found in his paintings.

In Indonesian:   Namun, dengan sapuan-sapuan lembut, dia langsung menukik pada pokok persoalan (subject matter) yang disampaikannya lewat narasi-narasi yang jenaka, polos, dan seringkali mengejutkan.

In Balinese:   Bonnet raris sane ngurukang Dewa Mokoh guat-guat gambaran modern.

In English:   Bonnet always suggested that Mokoh search for his own creativity rather than follow in the footsteps of Kobot and Beret who focussed on traditional themes.

In Indonesian:   Kepada Bonnet, Mokoh rajin menunjukkan gambar atau lukisan yang dipelajarinya dari Kobot dan Baret.

In Balinese:   Bonnet setata nglémékin mangda Dewa mokoh ngarereh kreasi gambaran, néntén setata nulad pamargin Gusti Kobot lan Gusti Baret sané seneng ring tema tradisional.

In English:   His confidence grew.

In Indonesian:   Antara lain teknik pengenalan warna, mencampur warna, komposisi, penggalian kreativitas, dan prinsip kebebasan dalam melukis.

In Balinese:   Gelisan enggal, tematik gambaran Dewa Mokoh ngalimbak tur akéh.

In English:   In the context of art in Bali, Mokoh is an anomaly.

In Indonesian:   Seorang pelukis harus berani melukis dengan gaya dan objek yang berbeda, harus berani menggali berbagai kemungkinan baru.

In Balinese:   Inggian pamerannyane wantah pameran sketsa lan gambaran “nungkalik” ring umah kos, pemeran ring Galery Hadiprana Jakarta (2002), “Perempuan” ring Jenggala Keramik Jimbaran Bali, “Melody & Beauty From the Paradise Island ring Galery Hadiprana Jakarta (2004), pameran ring Montiq Galery Jakarta (2007), pameran “ Third Solo Exhibition” ring Galery Hadiprana Jakarta (2008), pameran ring Art Village Gallery Malaysia (2009), “Tree Of Life” ring Hadiprana Gallery Jakarta (2014), “Garis Bali” ring AMBIENTE Jakarta (2015), “Tree of Life” ring Hadiprana Gallery Jakarta (2018).

In English:  

In Indonesian:   Antara lain Pameran Sketsa dan Lukisan “Nungkalik” di rumah kos, pameran di Galery Hadiprana Jakarta (2002), “Perempuan” di Jenggala Keramik Jimbaran Bali, “Melody & Beauty From the Paradise Island di Galery Hadiprana Jakarta (2004), pameran di Montiq Galery Jakarta (2007), pameran “ Third Solo Exhibition” di Galery Hadiprana Jakarta (2008), pameran di Art Village Gallery Malaysia (2009), Tree Of Life di Hadiprana Gallery Jakarta (2014), “Garis Bali “ di AMBIENTE Jakarta (2015), Tree of Life at Hadiprana Gallery Jakarta (2018).

In Balinese:   Gaya Kamasan inggih punika wangun estetik sane ngambil satua wira carita wayang sekadi wayang kulit anggen bantang gambaran, sane akehan mawit saking satua Mahabrata lan Ramayana.

In English:  

In Indonesian:   Gaya Kamasan adalah bentuk estetik dari lukisan yang menggunakan cerita pewayangan seperti wayang kulit, kebanyakan dari epos Mahabrata dan Ramayana.

In Balinese:   Duk alit dane nyarengin bapannyane ngambar lan ngewarnen gambaran khas wayang ring Desa Kamasan, Klungkung.

In English:  

In Indonesian:   Sejak kecil ia mengikuti ayahnya melukis dengan mewarnai lukisan khas wayang di Desa Kamasan, Klungkung.

In Balinese:   Daweg warsa 2016, pakardinnyane kapamerang ring pameran “ Bali Art Intervention #1” ngamolihang panilik duaning nyihnayang gambaran anak istri sane niman endas celeng, nyihnayang imaji kahuripan tradisi anak istri Bali kaduga pikayunan lan sosialnyane, sekadi murdan pameranne punika sane nyihnayang pakardi-pakardi anyar kristis ngenenin indik kakirangan pulo Baline.

In English:  

In Indonesian:   Pada tahun 2016, karyanya yang dipamerkan pada pameran "Bali Art Intervention #1" mendapat sorotan karena menghadirkan figur perempuan yang mencium kepala babi, menghadirkan imaji kehidupan kultural perempuan Bali dalam tekanan psikologis dan sosial, sebagaimana tajuk dari pameran tersebut yang menghadirkan karya-karya kritis mengenai sisi gelap pulau Bali.
  1. BASAbali Software