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A list of all pages that have property "Page text" with value "'Lost Signal' is part of Photography Series of the same name by Dewi Dian Reich. Writer, artist and photographer. "My Grandfather speaks and walks these streets. He use to hold my hand, My Grandfather is ageless, his vision sharp and wisdom deep, Where is our playground? Why does he stumble? Is it my eyes that are careless of the nails and broken glass that would cut his feet? Or my ears that mute out his voice? Did you not know there are sharp nails and broken glass that would cut his naked feet?". Since there have been only a few results, also nearby values are displayed.

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  • Tutur Kumara Tattwa  + (Tutur Kumara Tattwa is an ancient JavaneseTutur Kumara Tattwa is an ancient Javanese text that tells about the birth of Bhatara Kumara, a god who always takes the form of a child. Bhatara Kumara (or Sang Hyang Kemara) is believed by Balinese as a guardian deity for children.</br></br>It is told in this lontar that Bhatara Siwa has a child named Bhatara Kala. Because Bhatara Kala likes to prey on humans, he is given the right to eat children born in Wuku Wayang (the 27th week of Balinese 30-week calendar). Coincidentally, Bhatara Kala's younger brother, Bhatara Kumara, was born in Wuku Wayang, so Bhatara Kala really wanted to eat his younger brother.</br></br>When Bhatara Kala wanted to eat his younger brother, Bhatara Shiva intervened them and said that Bhatara Kumara was still young so he could not be eaten. Then, Bhatara Shiva gave a blessing to Bhatara Kumara so that he would always take the form of a child so that his brother would not eat him.</br></br>Bhatara Kumara was then assigned to herd cattle, but he quickly grew bored. It was there then that Bhatara Shiva gave a lecture on spiritual teachings.</br></br>The important teachings in this Lontar Kumara Tattwa include the nature of the ten faculties which can cause the ten kinds of defilements in one's body and mind (dasamala). This defilement causes eight delusions called astamaya-dewi.</br></br>These eight delusions can be eradicated by the eight types of restraint, which are called Astalingga. In this Tutur Kumara Tattwa lontar it is also stated that there are eight qualities of glory.</br></br>This lontar also discusses liberation and spiritual perfection. Perfection of life can be achieved by observing dasa niyama brata, which is ten actions that reflect one's austerities and self-restraint, namely giving, respecting those who deserve respect, exercising self-restraint, carrying out obligations, controlling lust, eating holy food, fasting, not speaking. carelessly, studying the scriptures and doing holy bathing.ing the scriptures and doing holy bathing.)
  • Mabudaya, magama lan makulawarga  + (Under Pancasila, we have our culture, we hUnder Pancasila, we have our culture, we have our religion, and have a family. We have many differences—you like to play kites, I like playing cards, you live in Nusa Penida, I live in Sanur, you preserve Balinese culture by playing gamelan, I take part in competitions in sports to make the name of Bali Province proud. Even though our story was cut short due to the pandemic, in 2022, we have recovered faster and rose stronger, continuing the story that was paused for a moment.ng the story that was paused for a moment.)
  • PRESERVING INTANGIBLE CULTURAL HERITAGE  + (Until now the province of Bali is still weUntil now the province of Bali is still well-known to foreign countries, life in the province of Bali has been mixed with life in the west, because of the large number of foreign tourists who vacation in Bali. Many Balinese people work in the tourism sector. Life in the province of Bali seems to depend on the tourism sector, even though it exists like this, the Balinese still maintain life like a Hindu community.</br></br>Even though the people work diligently, their daily life and obligations as a Hindu community never disappear, for example when a ceremony or piodalan is coming, the Balinese people will definitely be present and work together to work on the preparations. This is an intangible cultural heritage from their ancestors. which we should preserve so that the province of Bali can continue to be sustainable, as well as starting from ourselves prioritizing a life based on compassion and love for others. So that the intangible cultural heritage of our ancestors is not lost in Bali, and can explain to foreign tourists why and how we as Balinese must implement the concept of mutual cooperation.plement the concept of mutual cooperation.)
  • Clean beach, beautiful Bali  + (Until now, the problem on earth in Bali isUntil now, the problem on earth in Bali is not far from plastic waste on the beach, there are still many beaches that should be beautiful, but because of human activity, the beaches have become dirty with plastic pollution. That makes many animals and plants on the beach die. In order not to cause more problems, let's all be the younger generation, we must continue to maintain and preserve the cleanliness of the beach so that it is beautiful and not damaged. However, now many children have taken part in keeping the beach clean from school and agency activities, but there are still many people who litter on the beach. That makes the government have to make rules for the community so that people are orderly and no longer throw trash on the beach.ly and no longer throw trash on the beach.)
  • Walakiri Tree  + (Walakiri Tree is part of the series ‘TreesWalakiri Tree is part of the series ‘Trees’ in Black and White by ManButur Suantara. Walakiri Tree is released as Limited Edition prints and signed by the artist. </br>Trees in Black and White by ManButur Suantara. The beauty and poetic vision of ManButur in a series of captures across the Indonesian landscapes. What do you feel when you see a trees’ shadow? When you look upon their reflections and silhouettes. There is something intrinsically human about them.</br></br>A Trees’ Reflection</br></br>Perhaps you can say, it may be that it is the other way around. There is something intrinsically tree like about human beings. Why we see our own reflection in the Earth’s oldest children. For of the oldest living things on this Earth, trees are amongst them. They carry the memories and earths’ blood in their veins.</br></br>There is this basic truth that trees bring life to others. From the time they are a seed, to their stems and flowers, there is no waste. From the beginning to the end of their life, they are givers to the world.</br></br>Nyoman ‘Butur’ Suantaraers to the world. Nyoman ‘Butur’ Suantara)
  • Farmer by Wayan Suastama  + (Wayan Suastama. Farmer series expresses a Wayan Suastama. Farmer series expresses a sentimental nostalgia about the artists’ childhood memories in an agricultural village.</br></br>As a son of a farmer, I miss the simplicity of that environment. These memories play a large part in who we become. Everyday things and routines are typical in the life of a farmer like helping our parents in the fields after we finish school. These memories are the theme of these works. It comes from missing my childhood. Coming from Tabanan,. an area that is known for ‘lumbung beras’ rice agriculture.</br></br>~Wayan Suastama beras’ rice agriculture. ~Wayan Suastama)
  • Literature Kualitas Pariwisata di Ujung Tanduk  + (We all know that Bali relies heavily on toWe all know that Bali relies heavily on tourism as the axis of its economy. Therefore, the tourism sector needs to be treated specially and carefully so that the life of this sector can be maintained and run smoothly. However, lately we can find a lot of foreign guests who come to Bali, they behave arbitrarily and do not seem to respect the laws in Bali. This is certainly a negative signal regarding the quality of tourism in Bali that not only radiates in Bali, but certainly outside Bali. This signal can certainly then have a major effect on the image of Bali tourism which shows the wider world how the quality of tourism in Bali today.</br></br>So, what are the steps that might be taken to restore the image and quality of tourism in Bali related to this phenomenon? In my opinion, there are two perspectives that we need to understand and do to overcome the above phenomenon. First, we look at it using an inside perspective that we must admit that migrants or visitors will imitate how their hosts behave. So, this perspective leads to us as hosts to be able to set a good example and be a role model for those who come to Bali to travel or to stay. The second perspective is to look from the outside. In this perspective, it is the government that then has the responsibility of making the right regulations to filter tourists who will enter Indonesia. There must be concrete regulations that can require tourists who can enter Indonesia who may be selected regarding their quality. These two things then are not easy, but will be beautiful in the future if we slowly succeed in doing so. And again, how we are able to maintain it, then causally, it will also be able to support us which in this case is the tourism sector in Bali.n this case is the tourism sector in Bali.)
  • NOT JUST BECAUSE OF LOOKING FOR CHAMPIONS  + (When February arrives, surely many people When February arrives, surely many people are busy preparing for a big event called the Balinese Language Month (Bulan Bahasa Bali). Based on a circular letter from the provincial government, all villages and schools throughout Bali, are to carry out the Balinese Language Month (Bulan Bahasa Bali). There are various activities that can be carried out, such as competitions, festivals, seminars, literary appreciation stages related to Balinese language, literature and script. Usually the activities that are definitely held by the community are competitions. there are competitions for telling stories, giving speeches, developing mates, writing scripts, writing lontar, singing Balinese pop songs, and others. Through this competition, we can find out the potentials of the Balinese people in learning the Balinese language, especially children and teenagers. They are very skilled at speaking Balinese, so they can win the championship. Do people want to learn Balinese because they are asked to take part in a competition or is it just for the sake of winning? Hopefully not only because of that. The thing that is expected, the people of Bali want to learn Balinese language everyday, not just to get a champion. So that after winning, you don't stop learning Balinese. The most important thing is that we, as Balinese, do have an obligation so that the Balinese language, which is the root of Balinese culture, can be stable in the future. How to? The trick is that we want to be Balinese speakers.k is that we want to be Balinese speakers.)
  • Paplajahan Ané Bakatang Tiang Uli Bali  + (While people visit Bali for a multitude ofWhile people visit Bali for a multitude of reasons this island is special to me as I have called it home for the last 3 years. Bali has taught me some lessons that I will keep with me in other stages of life.</br></br>An important lesson I’ve learned is that every place presents you with an opportunity to grow, you just need the courage to say yes! Bali gives everyone the opportunity to explore the outdoors (either in the mountains or underwater), and this gives everyone the chance to gain a new skill, make new friends or develop a love for the natural world. Recently, I have gotten the courage and determination to say yes to become a certified Open Water Diver.</br>This experience has been incredibly rewarding, as I pushed myself out of my comfort zone, my friendships grew with those I trained with and my eyes were opened to the beauty of the underwater world. With this opportunity, I realised how pressing the issues of coral bleaching and unsustainable fishing actually are and am now more determined to be a part of the solution. From this, I will join a coral restoration project in Les Village because no matter how small we contribute, every action makes a difference. We must think about the global implications yet, take action locally.</br></br>The Balinese open up their island to all of us, foreigners and Indonesians so we can experience the island’s beauty and it is crucial for us to not take this for granted. I realise that a society which hugely depends on tourism has a risk, therefore respecting the customs and traditions in Bali should be a no brainer, as we would hope and expect the same of others if they are visiting our home. As of 25th March 2023, 76 foreigners have been deported from</br></br>Bali for reasons that range from overstaying visas to committing crimes. Although this is a small percentage compared to the number of tourists, in this digital era, their actions go viral and can harm the image of Bali. While Bali is well-known for its tourism because of its beauty, kindness and approachability, I believe that rules should be enforced in order to maintain the quality of tourism that this island offers.</br></br>Moreover, during my time here I’ve come to realise that it’s important to diversify and not put all our eggs in the same basket. During the pandemic, tourism was at a standstill which hit the people and local economy dramatically. Therefore, the Balinese have adapted to diversify their work portfolio such as farming, establishing small businesses or fishing. This lesson will carry on with me in the future, because it has shown me that trying different opportunities will help us to continue growing and adapting to an ever changing world.</br></br>I will continue to learn more lessons in Bali and am grateful for all the opportunities and experiences that I’ve gotten alongside the lessons that have come with it.ngside the lessons that have come with it.)
  • Pemberantasan Korupsi Demi Kelancaran Program Nangun Sat Kerthi Loka Bali  + (Who doesn't know that Bali is one of the rWho doesn't know that Bali is one of the regions with the largest tourism revenue in Indonesia. Even in 2023 Bali began planning a development called Nangun Sat Kerthi Loka Bali which means as 6 main developments for the welfare and happiness of human life. Nangun sat kerthi loka bali itself has goals related to advancing Bali tourism, where there are 6 main sources, namely, atma kerthi, segara kerthi, danu kerthi, wana kerthi, jana kerthi, jagat kerthi which means for the welfare of human life in each part.</br>But development in Bali will not be able to run well if there are still many unscrupulous people who utilize development funds for personal gain or can be referred to as corruption. Examples such as the case of corruption of Paibon Wargi Temple development funds in Klungkung Regency and the case of corruption of SPI funds at the Udayana Campus. This is one of the factors inhibiting development in Bali. Even those who are supposed to investigate corruption cases turn a blind eye and are mute to all these incidents.</br>Therefore, it is hoped that the Bali Provincial Government can take these problems seriously. So that the Nangun Sat Kerthi Loka Bali program runs well without any cases of corruption in the development.ny cases of corruption in the development.)
  • Laksana Dewi Uma  + (Who here just talks a lot, but there is noWho here just talks a lot, but there is no evidence? There used to be a story that Dewi Uma was in love with Bhatara Shiva. But his love for Lord Shiva is not nonsense. Dewi Uma wanted to lose her chastity in order to get medicine for a stomach ache in the form of an ox gill to be handed over to Lord Shiva. The government should imitate Dewi Uma's behavior, be willing to do good and be willing to sacrifice to defend the people, so that our country is beautiful, just and prosperous. We are citizens of a silent country is that so? uh no! we also have to imitate the good behavior of Dewi Uma.</br>Don't just say that you are willing to sacrifice, but remember to prove it!ng to sacrifice, but remember to prove it!)
  • World Without Sound  + (World Without Sound is an Anthology of artWorld Without Sound is an Anthology of art and thought.With contributions from Putu Suasta, Warih Wisatsana, Made Kaek, Putu Bonuz, Ellen Lane, Made Artawa, Wayan Suastama, Agung Putra, Made Delo Budiarta, Nyoman Handi, Tjandra Hutama, Made Somadita, David Hopkins, Kadek Sudiasa, ManButur Suantara, Sun Rong Fang, Wayan Juniari, Dewi Dian Reich.</br></br>Sawidji has collated together a series of artworks and poetry for this special presentation. It is an anthology. This theme of ‘World Without Sound’ was inspired by the wonderful experiences we had in working together with the Sushrusa Deaf School Community. Not simply about raising awareness about those with differences in our community and sign language. Perhaps even more remarkable, is experiencing the reality of the nature of inclusivity. As a powerful value that nurtures a growing collective empathy.</br></br>Most art exhibitions have one primary objective and that is to feature and highlight artworks and artists. This is by no means very different. However, perhaps the spirit of which this was put together is a little different. Somewhat experimental that it could not be foreseen what will be the result. We invited those in our community, whether it be social, digital or local to participate in a contemplation. To contemplate the concept of ‘Dunia Tanpa Suara’. This translates to ‘World Without Sound’ (though may also be translated to ‘World without voice’). To contribute to this reflection using a creative piece.</br></br>The Spirit of Inclusivity</br></br>Our invitation was done in the spirit of inclusivity. It was not only artists but also other members of the community who felt reflections on this theme were worthwhile. With the time and space, we have available we can only say a heartfelt thank you to everyone. Those whose works and contributions made it possible for us to present this anthology. One for all of our community to enjoy. It is so so very rich with insight and learning. One that is deep with life lessons from all directions of life experiences.</br></br>With such personal freedom and intimacy, everyone came to their private message about their imagine ‘World Without Sound’. For each realisation in every individual, it is a lesson of wisdom, empathy or simply of beauty that we can partake in. </br>ur heartfelt gratitude to everyone who opened themselves and generously shared their time, creations and thoughts with us. We are honoured by the generosity of the talented artists and writers who have come together in this anthology of art and thought, living the very spirit of inclusivity.</br></br>Online Exhibition available for viewing at Sawidji.com https://sawidji.com/2023/04/16/world-without-sound-an-anthology/23/04/16/world-without-sound-an-anthology/)
  • Motor cycle modification  + (Yesterday I took part in a motorbike conteYesterday I took part in a motorbike contest at the motor plaza, then I was very excited to modify my motorbike to make it look even better, then I brought my motorbike to the contest venue, I cleaned it and was assessed by the judges, and the results of my modifications won 5th place in the contest.odifications won 5th place in the contest.)
  • 5s  + (Yesterday I was praying at the temple. I oYesterday I was praying at the temple. I only saw children nowadays busy with their cellphones, even though it was in the temple pants, we had to focus on praying. When I prayed, when Jero Mangku was setting up a spell to pray for offerings, Mangku Yang's voice was lost to the sound of a small child's cellphone. while playing a game, even when praying, the sound of his cell phone is getting louder. Meanwhile, foreigners who travel to the temple really appreciate the people who are in the temple who are worshiping. Our time as people who live in Bali cannot respect people, even foreigners can be polite in the temples. Our time in Bali cannot be polite and respect people who pray. I hope that in the future people in Bali can appreciate people who worship more and we can be polite in temples.ship more and we can be polite in temples.)
  • Putru Saji Tarpana  + ([EN] One of the most interesting ancient t[EN] One of the most interesting ancient texts in Bali is probably Putru Saji Tarpana. If you have used GPS as a guide, then Putru Saji Tarpana is a collection of directions for the spirits of people who have died. The contents of this text is written in ancient Javanese language, mixed with ordinary Balinese, perhaps made and copied from the fifteenth century, and until now must be read during cremation ceremonies or at Atma Wedana (Ngarorasin) ceremony.</br></br>The first and last part of the manuscript does not indicate in which year and during the reign of which king the script was made. From the beginning to the end, this text contains clues about the magical places the spirit of the deceased will pass before finally reaching Yamaloka. Yamaloka is the gate of the court of spirit, where every deed will be weighed according to the provisions of the Dharma law.</br></br>According to this ejection, the spirit of the deceased will encounter many strange things during the journey to Yamaloka. The magical places are in the form of forests on clouds, highways, wells, darkness, strange creatures, to deep rivers and mud. The spirit will also cross a bridge. If his actions during his life are good, all those terrible things will be passed over easily. If his actions are evil for life, the spirit will be trapped in those strange places.</br></br>In order for the spirit to pass through strange places easily, Putru Saji Tarpana gave directions to the road and supplies that the spirit had to carry. These road directions also contain provisions that must be given by the spirit to the astral creatures he encounters.</br></br>But this does not mean that only with a large ceremony of death can the spirit be freed from all sins. The death ceremony can only help the spirit journey to reach Yamaloka's court, but it cannot erase his bad deeds during life. Food ingredients and water offered to the spirits of the dead aims to give them a new body in the new nature, but not to wash away their sins.w nature, but not to wash away their sins.)
  • Sabha Parwa  + ([EN] Sabha Parwa is the second of the eigh[EN] Sabha Parwa is the second of the eighteen Parwas (great chapters) of Mahabharata. Narration in Sabha Parwa begins with the invitation of the five Pandavas to Hastinapur to play dice. Hastinapur is located about 45 minutes from Delhi, so the distance is not too far. Keep in mind that all events in the Mahabharata are real. However, when the Mahabharata entered into various cultures in the world, this historical record was rewritten in the form of poetry, folktales and songs. In Indonesia itself, the Mahabharata was much changed its story to suit the interests at that time. This causes kakawin tobe unreliable as a source of history, but a literary work.</br></br>Mahabharata was written by Maharsi Krishna Dwaipayana Vyasa, the greatest and most respected sage by all Hindus.</br></br>In Sabha Parwa, the saddest story is when Drupadi, the wife of the Pandavas, was dragged into the courtroom because her husbands lost bets. When Drupadi was almost stripped naked by Dussasana, Sri Krishna, who was Lord Vishnu himself, protected her by giving a very long string of saris to cover her body.</br></br>Sabha Parwa is historical evidence that God is always present for anyone who surrenders to Him and becomes His faithful devotees. to Him and becomes His faithful devotees.)
  • Adi Parwa  + ([EN] The battle between Pandava and the Ka[EN] The battle between Pandava and the Kauravas took place some 5,000 years ago in India and was recorded by Rsi Wedawyasa as the Epic of the Mahabharata. There are 100,000 verses in this book which are divided into 18 Parwas (big chapters). Each Parwa has a section called Kanda.</br></br>Adi Parwa is the first part of the Mahabharata which tells about the ancestral lineage of the Pandavas and Kauravas. It was stated that they were descendants of the Lunar Dynasty. In ancient times, humanity was ruled by the great kings of two dynasties, namely the Sun and the Moon. The two dynasties began from Lord Surya (the sun-god) and Lord Candra (the moon-god), so the quality of the kings of their descendants far exceeded those of ordinary humans.</br></br>Adi Parwa mainly tells about the creation of the universe in four stages, the appearance of the divine incarnations (avataras) of God in the previous eras, the birth of Pandavas and Kauravas and the birth of Maharsi Krishna Dwaipayana Wyasa who is the incarnation of God and the most respected sage for the Hindus around the world. The most important part of Adi Parwa is the story of the appearance of Sri Krishna, God Almighty, into this mortal world to speak the Bhagavad-gita which is considered one of the most important Vedic scriptures for Hindus.</br></br>At the time of Dharmawangsa reign in the Panjalu kingdom, Adi Parwa was translated into ancient Javanese together with other parwas by the Javanese poets at that time. Some names of places in Sanskrit are distorted during translations. Because of this massive literacy project in Dharmawangsa era, many names of places in the Mahabharata were used as names of places in Java until now.used as names of places in Java until now.)
  • A simple way to preserve culture  + (egun to be replaced with western culture. egun to be replaced with western culture. Because we have to keep trying to preserve culture by introducing the younger generation that we have an extraordinary culture. The simple thing in preserving culture is to become a part of cultural activists. With this simple thing, it is hoped that the existing local culture will become more widely known and become the main attraction for local and foreign communities.raction for local and foreign communities.)
  • A simple way to preserve culture  + (egun to be replaced with western culture. egun to be replaced with western culture. Because we have to keep trying to preserve culture by introducing the younger generation that we have an extraordinary culture. The simple thing in preserving culture is to become a part of cultural activists. With this simple thing, it is hoped that the existing local culture will become more widely known and become the main attraction for local and foreign communities.raction for local and foreign communities.)
  • Toleransi budaya Bali ne  + (hello friends today is the 77th independenhello friends today is the 77th independence day I am very happy to be able to take part in the competition. And you can see above left that there is a caricature with the theme of independence day. And you can see that there are people of other religions who come to visit Bali. There we also saw that there were Balinese people who explained about Balinese culture. And we can see that they really respect our traditions, and our culture. That includes a good example.Now we also have to respect their culture, because they also respect our cultureure, because they also respect our culture)
  • Burung Camar dan Kokokan  + (ince 2009, almost 2500 of Clean Bali Serieince 2009, almost 2500 of Clean Bali Series book 2 (trilingual) have been distributed free of charge to local schools mostly around the villages and towns in Bali.</br></br>Trilingual: English, Balinese, Indonesian.</br>Clean Bali Series team members, Author Maggie Dunkle and artist Margiyono have created the second in the series of three environmental children’s books.</br></br>This hardback three language picture-story book (Seagull and Heron) picks up where the first book left off with Seagull continuing inland from the beach and befriending Heron and Kingfisher along the way. The trio discover a whole new set of environmental problems faced by the children and animals in the cities and surrounding countryside. Readers are also introduced to the local “Pemulung” or scrap collectors in an attempt to explain their very simple and essential role in the process of scrap collecting and recycling on the island.ap collecting and recycling on the island.)
  • Danu Bratan Temple  + (pura Beratan or Bratan Pura is a large watpura Beratan or Bratan Pura is a large water temple and temple in Bali, Indonesia - the other main water temple being Pura Ulun Danu Batur. This temple complex is located on the northwest bank of Lake Bratan in the mountains near Bedugul, Tabanan Regency. Water temples fill the entire area in the watershed; on the downstream bank there are many small water temples specific to each irrigation association (subak). This temple is actually used for offering ceremonies for the goddess Dewi Danu, the goddess of water, lakes and rivers. Lake Bratan is one of the important lakes in terms of irrigation.he important lakes in terms of irrigation.)
  • Danu Bratan Temple  + (pura Beratan or Bratan Pura is a large watpura Beratan or Bratan Pura is a large water temple and temple in Bali, Indonesia - the other main water temple being Pura Ulun Danu Batur. This temple complex is located on the northwest bank of Lake Bratan in the mountains near Bedugul, Tabanan Regency. Water temples fill the entire area in the watershed; on the downstream bank there are many small water temples specific to each irrigation association (subak). This temple is actually used for offering ceremonies for the goddess Dewi Danu, the goddess of water, lakes and rivers. Lake Bratan is one of the important lakes in terms of irrigation.he important lakes in terms of irrigation.)
  • Rajawali dan Anak-anak  + (tri-lingual: English, Balinese, Indonesiantri-lingual: English, Balinese, Indonesian. </br>In the last, and third book in the series, Author Maggie Dunkle and artist Margiyono take its readers high up to the volcanic mountains of Bali, where the Rajawali, a Crested Eagle, can be seen soaring in the clouds. The great bird, who is most intimate with the island’s problems, calls the local children to attend a conference of the birds to find a solution. The children soon realize that it falls upon them to make the changes for a more sustainable future.the changes for a more sustainable future.)
  • Dragonfly  + (“Magic is seeing wonder in nature's every “Magic is seeing wonder in nature's every little thing, seeing how wonderful the fireflies are and how magical are the dragonflies.” </br>― Ama H.Vanniarachchy</br>Photography by ManButur Suantara that explores Macro photography, specifically only using natural light in natural environments with no staging.</br></br>The dictionary definition of Macro Photography is simply taking a picture extremely close up, bigger than life-size. </br></br>Macro photography is all about showcasing a subject larger than it is in real life — an extreme close-up of something small. A full-frame insect in a five-by-seven-inch photo and a four-inch product shot of a cornflake go well above life-size: both are examples of macro photography. - both are examples of macro photography. -)
  • Lost Signal  + ('Lost Signal' is part of Photography Serie'Lost Signal' is part of Photography Series of the same name by Dewi Dian Reich. Writer, artist and photographer.</br>"My Grandfather speaks and walks these streets. He use to hold my hand,</br>My Grandfather is ageless, his vision sharp and wisdom deep,</br>Where is our playground? Why does he stumble?</br>Is it my eyes that are careless of the nails and broken glass that would cut his feet? Or my ears that mute out his voice?</br>Did you not know there are sharp nails and broken glass that would cut his naked feet?roken glass that would cut his naked feet?)
  • traditional art  + ("Balinese traditional art" Art is the work of human art that expresses beauty and is an expression of the soul and culture of its creators. Art is part of culture and We must preserve it)
  • The Guardian  + ("Guardian II" is part of a series of black"Guardian II" is part of a series of black and white photographs by ManButur Suantara exploring Water. </br></br>When one hears ‘Water’, immediately our minds go to all the things that are sensory and visual. We think of the colour blue and we associate the feeling ‘wet’. Around us, Water is ocean, lake, rain, and dew. In feelings, we may associate coolness, wetness, thirst, and by association dryness. In ManButur’s Water series, its most interesting that those associations are the least pronounced.</br></br>We are inadvertently guided to experience Water, in a different way. Here, Water is present, but as a quiet supporting role. A presence that does not scream out. Yet, its presence transports us to a place quite different. Here, Water have merged together the earth and the sky.ave merged together the earth and the sky.)
  • Spirit of Legong  + ("My memories of the Legong dance.. growing"My memories of the Legong dance.. growing up I see a lot of paintings of a dancer in costume. I tried to create a photograph of the dance that is like a painting.. but still has the spirit and movement of the dance.." ~Nyoman ‘Butur’ Suantara</br></br>Excerpt from article "Legong Rhapsody, a Dance Through Time" by Dewi Dian Reich.</br></br>We have a series of works by ManButur Suantara that singularly looks at one particular dance. The Legong Dance of Bali, 'Tari Legong Bali'. Balinese culture is full of beauty in so many respects. Wherever you turn you will find something rich and sumptuous in colour and also mystery. Its rituals and ceremony are profoundly deep. It draws the attention of the world. This is not the first time the dances of Bali is the object of art. Images depicting our culture is saturating mainstream media due to its power of influence towards a profitable industry. Tourism. </br></br>On the positive side this means the beauty of Balinese culture is recognised by many. I mention this because I wish to draw attention to something that might be overlooked. There is something really special to reflect on here that would be remiss not to point out. Purely for our artistic discussion. As a series in photography there are interesting aspects that we can learn from.</br></br>Read full article in image reference link.Read full article in image reference link.)
  • Generazi Z Menuju Bangkit  + ("Rising from the Ballad of Silence" Curre"Rising from the Ballad of Silence"</br></br>Currently, we are not just gathered as individuals but as part of a generation, a generation that plays a significant role in shaping our future, Generation Z.</br></br>Rise, oh Generation Z, from the ballad of silence that often silences our voices. In the dynamics of social and political complexity, we are called not to be passive spectators but active participants. This is a call to assert our identity, express opinions, and advocate for social justice values.</br></br>For too long, we have been trapped in silence, feeling restrained by norms that may not always align with our aspirations. It's time to understand that our right to speak and express opinions is unquestionable. Rise above the fear, fear of conflict, or rejection. Now is the time to transform silence into constructive rebellion.</br></br>Let's stop the apathetic attitude and allow social and political issues to grow without genuine responses. Remember, the policies and decisions made by the generations before us will shape the world we inherit. Don't let those above us determine our path without scrutiny from below.</br></br>I invite us all to embrace differences, to listen without prejudice, and to speak with integrity. We are voices capable of shaking the foundations of inequality and injustice. In openness and courage, let's together create the change we envision.</br></br>Be pioneers of change, Generation Z. Rise from the ballad of silence, speak up, and show the world that we are change agents capable of bringing social and political justice. Thank you.g social and political justice. Thank you.)
  • Condong and Inclination  + ('Dance is an ancient art that is intrinsic'Dance is an ancient art that is intrinsic to Balis’ creative spirit. One of the many forms of worship its people offer to the Creator. This is something we have in common with many cultures across the world. Forms of traditional dance are a natural and perhaps inevitable manifestation of human creativity. Modelled and tempered to embody our thoughts and philosophies.'</br></br>Looking at the rich heritage in traditional Balinese dance whilst discussing the impacts caused by a primarily commercial audience. Writing an article is one part, but it would not be possible without the full-hearted contributions of those who give fully to a collaboration for this type of project. Sri Apriani shares her experiences and performs the Tari Condong in Sawidji Studio whilst being a muse for a series of portraits by Dewi Dian Reich Exploring faces behind the dance.an Reich Exploring faces behind the dance.)
  • Doa  + ('Doa' is part of a series of images in 'Ka'Doa' is part of a series of images in 'Kala and the Guardians'. A Conceptual Art Collaboration.</br>Reflecting on the nature of Time and our relationship to Earth and Spirit through a conceptual mixed media narrative. A collaborative exhibition with the works of Dewi Dian, ManButur Suantara, Nyoman Handi.</br>Kala & the Guardians Limited Editions presents a selection of works from the second project presented by Sawidji in what has become our conceptual narrative way. Our story grew together from its initial theme to its installation-focused process in Sawidji Studio. From costume design to studio staging, the documentation of its process carries as much of its meaning for us as the final images that we present.ng for us as the final images that we present.)
  • Lost Signal  +
  • Red Chair and the White Room  + ('Red Chair and the White Room is a mixed m'Red Chair and the White Room is a mixed media presentation by exploring social and cultural changes through a symbolic portrait narrative. A Sawidji Collaboration that looks upon current social and cultural changes through a symbolic portrait narrative. With art and photography by D.D Reich and ManButur Suantara. With additional costume and installation support by Juniari and Meliani.</br></br>Excerpt:</br></br>This is not a story about a boy and a girl.. Our portrait story is one of all of us. Each portrait takes us through a transformation. Transformations that are connected and represents a collective reality that we face as a traditional community. Enjoy the Online Narration of this exhibition. </br>https://sawidji.com/2022/08/17/red-chair-and-the-white-room-a-collaboration/-chair-and-the-white-room-a-collaboration/)
  • Silent Wings  + ('Silent Wings' is a sculptural work by con'Silent Wings' is a sculptural work by contemporary artist Putu 'Bonuz' Sudiana accompanied by a verse of poetry. Photography collaboration with Dewi Dian Reich Sawidji Gallery. Artwork is part of group Anthologyy 'World Without Sound' at Sawidji GAllery April 2023. </br>"Silent wings fly through the darkness of the night... stringing hymns on the face of the moon together with silence.." face of the moon together with silence..")
  • Rahina Kemerdekaan antuk Ngelestariang Bahasa lan Budaya Bali  + (77 years since the Indonesian state has be77 years since the Indonesian state has been independent, it is none other than our ancestors, therefore we must have a sense of devotion to the heroes who have fought on the battlefield. One of the efforts we must carry out is to preserve the language of art and culture that we have so that they are not extinct and lost art and culture that has been passed down by our ancestors now it is not difficult to learn Balinese language and culture because now there is a nali language, the wiki is complete about Balinese script language and culture and the Balinese language Wiki is very important for learning Balinese and very good to preserve Balinese language and culture.to preserve Balinese language and culture.)
  • The Red Chair and White Room, a Collaborative Online Exhibition  + (A Sawidji Collaboration "This is not a stA Sawidji Collaboration</br></br>"This is not a story about a boy and a girl.. Our portrait story is one of all of us. Each portrait takes us through a transformation. Transformations that are connected and represents a collective reality that we face as a traditional community."</br></br>A mixed photography and multi media presentation exploring social and cultural identity and its changes. Through a symbolic portrait narrative. By Dewi Dian Reich, ManButur Suantara, Ketut Kaprus Jaya.</br></br>In the purity of arts’ expressions, it is needed now even more desperately than before, to serve as a bridge. A bridge to connect people, connect minds as well as to touch hearts. Providing a catalyst. Even perhaps like a conduit that may lead people to raise important questions. To inspire learning and better understanding. Not only for ourselves. But to a wider community as well as the environment in which we live and receive Natures’ many gifts.</br></br>On this note Sawidji Artists invite you to join us, on this day of Independence 17th August, for the online version of our exhibition ‘Red Chair and the White Room’. An exploration of changes social behaviours and its potential impact on cultural identity. Through symbolic representation via a portrait narrative. The Online Exhibition is available below in both English and Bahasa Indonesia.elow in both English and Bahasa Indonesia.)
  • Survivor  + (A collection images in black and white by A collection images in black and white by ManButur dedicated to the meaning and value of Trees. ManButur Suantara interviewed by Sawidji Gallery for the article 'I Hear You Tree'. Part of several discussions regarding the power and contribution of Trees into human lives. As started by artist Made Budiarta in 'Inauguration of Trees'. Made Budiarta in 'Inauguration of Trees'.)
  • Indomitable Beings  + (A conceptual mixed media series by artist A conceptual mixed media series by artist and writer Dian Dewi Reich for Sawidji Collaboration Manus, a Conscious Journey. </br></br>Australian-Indonesian painter and photographer, Dian Dewi Reich, the founder of the Sawidji Artist Collective, finds herself at the very cross-section of Manus, a Conscious Journey’s creative process. As she claims to be equally attracted to the bizarre world depicted by Hieronymus Bosch and the visuals demonstrating philosophical narratives of Balinese religion, we can say that she embodies the spirit of this collective exhibition through her work Indomitable Beings. Presented in three separate themes all interconnected: plants, animals, and humans. Three categories of living creatures on planet Earth, are separated by biological classifications but united in destiny.cal classifications but united in destiny.)
  • Self Discovery Through Unexpected Redundancy  + (A photographer’s reflections in the process of an art collaboration, with ManButur Suantara. Discussing the works Human Imprints and Sacred Mimicry, as exhibited in the Manus, a Conscious Journey Art Collaboration.)
  • Suklu a Portrait #1  + (A portrait of artist Sujana Suklu in a colA portrait of artist Sujana Suklu in a collaboration with Dewi Dian Reich. Exploring the Three Rooms of Art. Art by Interaction in the studio.</br>Sujana Suklu is known as a progressive thinker of contemporary art in Bali. With a pioneering vision that reflects a universal philosophy. Sujana Suklus’ contributions are vast in scope, encompassing multi-disciplinary fields within fine arts, academic and community platforms. Suklus’ academic research explores ways to bring art methodologies into communities cultivating and preserving local wisdom whilst expanding existing skill sets. The beauty of this research is that it has been applied and is actively growing in communities today. is actively growing in communities today.)
  • The Sleeping White Wood  + (A series of photographs exploring a differA series of photographs exploring a different, subtler side of the White Wood of Banyan. The fearsomeness of time evident in the turns and creases of this beautiful Sacred Tree.</br></br>Botanical Notes..</br>The White Wood Tree of Banyan was thought to be a ‘Bunut’ Tree or ‘Banyan Tree. Like many similar Ancient Trees in Bali. However, statements from local residents confirm that the genus of the tree has not yet been expressly confirmed. By the Ministry of Forestry or any University research teams. Their reluctance to confirm the genus of the tree is due to some particularities.</br>It is said the White Wood does not flower but bears fruit (we were a direct witness to the abundance of fruit on The White Wood). It has also been said that the White Wood will shed all its leaves every few months. Though Banyan Trees may shed leaves to retain moisture, it is unusual for a tree to shed leaves this regularly in a moist climate. So for all these reasons, the villagers have continued to call this tree Pohon Kayu Putih Bayan (the White Wood of Banyan).yu Putih Bayan (the White Wood of Banyan).)
  • Peken Bali  + (A: Excuse, me. Where can I get some lawar here? B: Oh, just over there, the most delicious one is at the west part of the Bali market. A: Over there? Thank you, very much. B: Yes, there. anytime, brother!)
  • MARGA SENGKALA  + (Accidents are the most inevitable thing, wAccidents are the most inevitable thing, who wants injuries to themselves? Who wants to go home in name only? No one wants to hurt themselves because of circumstances.</br></br>Look at the beautiful carvings on the asphalt. It's as if her beauty has turned into a very dangerous threat, we often hear about accidents caused by potholes, damaged roads or so on. Many victims have fallen and even lost their lives. The carvings on the road are left until a fatality occurs before it is justified, how long are you going to wait for the victim to fall?</br></br>This should be very important if you look at it, not only are the roads damaged, there is no street lighting, who should you report to? Do you have to wait for fatalities to prove that this situation is very dangerous to life? The Sengkala clan has become a shadowy threat to life. We often encounter damaged roads, potholes that cause accidents for us.</br></br>Let's be sensitive to our surroundings, how long are we going to wait for many fatalities to be justified? This shouldn't just be looked down upon, we need street lighting. We need smooth roads, not just smooth government salaries but roads that have not been repaired.ies but roads that have not been repaired.)
  • Agastya Parwa  + (Agastya Parwa literally means "Maharsi AgaAgastya Parwa literally means "Maharsi Agastya's Chapter". This palm manuscript is an adaptation of Weda Agastya Samhita in Sanskrit. It describes dialogs bewteen Maharsi Agastya and hs son, Dridhasyu. The content of their dialogs is split into seven parts. The first part tells about creation of the universe. Th second part tells about maintenance and dissolution of the cosmic manifestation, including the existence of heaven and hell. The second part also describes sinful and pious activities. This part also contains lists of merits one gets from doing certain pious activities. The third part discuses about the life of the demigods and the demons (asuras) as well as genealogy of the Manus. In the fourth part, Rsi Agastya teaches about self-realization and spiritual advancement (moksa). In the fifth part there are family trees of pious kings and great sages in the past. In the sixth part, there is a description about prescribed duties of mankind especially regarding sacrifice, atonement and self-restrain. In the seventh part, there is a description about duties of each varna (division) in the human society.ach varna (division) in the human society.)
  • Dewi Dian Reich, There is Intellectual Stagnation in Balinese Art  + (An interview with Dewi Dian Reich, Founder of Sawidji Artist Collective and Gallery by Mas Ruscita Dewi. May 17th 2023 Bali Post. Looking at the challenges faced by Balinese artists in the face of a changing global and local markets.)
  • the application of Tat Twam Asi in everyday life  + (As Hindus, we have a strong bond with one As Hindus, we have a strong bond with one another. We are all part of Hyang Widhi who resides in the soul which is called atman. Therefore, it is not appropriate for us to be silent, peaceful, while our brothers are calming down, in trouble, and miserable. As social beings, of course we cannot live alone, we always need help from others. Likewise other people, need help from us. This is in line with one of the basic concepts in Hinduism, namely Tat Twam Asi. This teaching can be implemented in everyday life in the form of caring. Humans in their lives have various kinds of necessities of life that are driven by the desires (kama) of the human being concerned. It is at this time that humans need to recognize and carry out a sense of togetherness or known as gotong royong and mutual help, so that no matter how hard the problems they face, they will feel light. Tat Twam Asi means that 'it is you, you are him'. The word 'that' means Brahman or the Source of all life. While the word 'you' is the Atman or soul that supports all beings. Thus we can interpret that the soul that resides in every human being comes from the same source, namely Brahman or God Himself. The teachings of Tat Twan Asi are the basis of the Hindu Ethics in the effort to achieve moral improvement. Susila is good and noble behavior to foster harmonious and balanced relationships and harmony among people. Cultivating an attitude of tolerance among people can create a harmonious and peaceful life, tolerance, and not hurting the feelings of others. The noble value of Tat Twam Asi in the Javanese philosophy of life is manifested through the attitude of Tepa Slira, which means that we must be able to feel what other people are feeling. Of course we should not hurt other people, if we also do not want to feel the same pain. Tepa slira has the same goal as the values of Tat Twam Asi, namely the creation of harmony and harmony in life. Differences in ethnicity, religion, race, or class, are not a barrier to living together in a peaceful atmosphere, respecting each other, and understanding each other for all the differences that exist. The most important thing is how we can be self-aware, able to control ourselves not to force all wills on others, respect and appreciate the differences between us.and appreciate the differences between us.)
  • Problems in online learning during the pandemic  + (As a millennial generation, we have to protect our local cultural heritage. Regional languages are the cultural heritage of the Nusantara. Don't let the cultural heritage be lost because of our ignorance)
  • The Importance of Preserving the Existence of the Balinese Language as the Cultural Center of Bali  + (As we know, Balinese is the mother tongue As we know, Balinese is the mother tongue which must be preserved. Along with the development of globalization, the use of Balinese language is decreasing. This decline is causing concern to many parties because the Balinese language is one of the roots of Balinese culture. The Balinese language as the mother tongue or first language for most Balinese people has an important role, namely as a symbol of pride, a symbol of identity, and is widely used as a means of communication in various activities within the household and outside the household which includes various social life activities Balinese people. But now of course this is not the case, because precisely what becomes the mother tongue for Balinese children is Indonesian, while Balinese is a second foreign language for them. The use of Balinese among young people now seems to have started to decrease interest because it is considered difficult and tends to be old-fashioned so that the interest is decreasing. This is of course a problem where the Balinese language is now getting less portion and attention from its users, shifted by languages that are considered modern. This objective condition certainly shows that the Balinese language has an important role as a means of communication in the Bali area which should be maintained and preserved. The preservation and development of the Balinese language certainly receives significant attention considering that language is part of culture, especially Balinese culture. In the Balinese language, it is not enough just a mere discourse, but there needs to be action and efforts from various circles of society, both from the government and itself.iety, both from the government and itself.)
  • Responding to Civil Issues and Preserving the Balinese Language by Participating in the “Wikithon Partisipasi Publik” Competition Organized by BASAbali Wiki  + (BASAbali Wiki is a forum for developing BaBASAbali Wiki is a forum for developing Balinese language and culture through Balinese language content, and also contains a community space about Balinese customs and culture that can be accessed by all Balinese people. BASAbali Wiki is a digital platform that is very useful, especially for preserving the Balinese language. In this platform there is a lot of content that uses Balinese language. One of them is the Balinese Language Dictionary. With the Balinese Language Dictionary, Balinese people will find it easier to learn Balinese. In addition to the Balinese people, local and foreign tourists who are interested in learning the Balinese language will also find it easier to learn Balinese. For example, the Balinese language is the root and soul of the island of Bali, which makes the island of Bali have “Taksu”. As a characteristic of the island of Bali that can attract the attention of tourists, and also as a noble heritage of the Indonesian state.</br></br>Besides being useful for preserving the Balinese language, BASAbali Wiki can also encourage public interest in participating in civil issues. One of them is by holding this “Wikithon Partisipasi Publik” competition with prizes of millions of rupiah. Wikithon as a safe place to share the essence of Balinese people's thoughts related to issues that are developing in the world. By holding this “Wikithon Partisipasi Publik” competition, the Balinese people will certainly be interested in participating in civil issues, because the prizes are quite large. Apart from that, indirectly when the Balinese participate in this “Wikithon Partisipasi Publik” competition, they will also help preserve the Balinese language through Balinese language opinions written in this “Wikithon Partisipasi Publik” competition.</br></br>The programs run by BASAbali Wiki are in line with Bali Governor Regulation No. 80 of 2018 concerning "Protection and Use of Balinese Language, Script and Literature, and holding the Balinese Language Month". Apart from that, community participation in civil issues will also increase through the programs organized by BASAbali Wiki. Community responses regarding civil issues are urgently needed in order to achieve the vision and mission of the island of Bali, known as "Nangun Sat Kerthi Loka Bali", in order to build a New Era of Bali, which is based on the "Tri Sakti Bung Karno Principle". Bung Karno's Tri Sakti principle is divided into 3 parts, namely: "Sovereign politically, economically independent, and has a personality in culture through development in a patterned, comprehensive, planned, directed, and integrated manner within the framework of the Unitary State of the Republic of Indonesia". Therefore, let us, as Balinese people, take part in this “Wikithon Partisipasi Publik” competition with opinions in Balinese so that we can preserve the Balinese language and build “Bali Dwipa Jaya”.</br></br>Hopefully BASAbali Wiki will always implement and improve Balinese language programs that are useful and make login easier for users, so that people can more easily use the features available on the BASAbali Wiki platform. And also we, as the younger generation, hope that BASAbali Wiki will always have a good influence on the Balinese people by preserving Balinese language and culture and always holding competitions like the “Wikithon Partisipasi Publik” competition more often. So that the Balinese language which is the root and soul of the island of Bali does not become extinct and remains sustainable.ot become extinct and remains sustainable.)
  • My opinion about BASAbali Wiki.  + (BASAbali Wiki is a media that presents creBASAbali Wiki is a media that presents creative content that can encourage people to see it. In my opinion, the topics that being discussed are quite heavy because they involve politics, educations, and issues that are hotly discussed in society. However, BASAbali Wiki can package these topics into interesting content in a creative way. For example, by making it in the form of a video where they place a famous figure as part of it so that it encourages the public to watch the video. BASAbali Wiki also provides content in English and Indonesian languages that making it easier for people who do not speak Balinese to understand what is being said in the content. This can help introduce Bali to the world. With creative and quality content, I hope that in the future BASAbali Wiki can present even more interesting content that can be seen by all people and is good at delivering so that the information conveyed can be accepted by the public.on conveyed can be accepted by the public.)