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Taman Nusa + (Taman Nusa Bali is located on the land whi … Taman Nusa Bali is located on the land which has 15 hectare in Taman Bali street, Banjar Blahpande Kelod, SIdan Village, Gianyar Regency – about 30 km northeast of Denpasar city. Taman Nusa is a cultural tourism park that provides comprehensive knowledge of the culture of various Indonesian ethnic groups in the natural atmosphere of the island of Bali. It served the panorama of the life time of Indonesia which started in Prehistoric era with the old and primitive natures, Bronze age, and the Kingdom ages which has one of the biggest masterpiece called Candi Bororbudur / Borobudur Temple. Taman Nusa also shown the diversity of cultures and ethnics in Indonesia with the atmosphere of traditional living and served traditional art performance of the cultural village. Moreover, Taman Nusa also describe about the earlier time of Indonesia by the independence era, where there’s a proclamator’s figure Soekarno and Hatta with proclamation text as the background. Then there’s a library and two museums which has many Indonesian cultural heritage such as : wayang, batik, woven, and embroidery. Furthermore, Taman Nusa served the panorama of Gianyar ridge in Bali which combined to the Indonesian architecture in many specific identity from one era to another eras. Start from the ancient vernacular, Hindhu and Buddha, then Islamic architecture and colonial architecture or Indie Style. All of it form a marvelous heavenly realm and witness that the natural environment can be maintained. The mission of it is to make it became means of preservation, tourism and didactics for the visitors, locals and foreigners to understand the cultures of Indonesia by interactive and fascinating way.http://www.taman-nusa.comfascinating way. http://www.taman-nusa.com)
Taman Ujung Sukasada + (Taman Ujung or Taman Ujung Sukasada is loc … Taman Ujung or Taman Ujung Sukasada is located in Banjar Ujung, Tumbu village, Karangasem regency, Karangasem. It was owned by the ancient Balinese Kingdom which used for resting place to the Kingdom’s family of Karangasem. Then, it also used as a place to meditate and for welcoming the kingdom’s guests. It was built by the Karangasem King I Gusti Bagus Jelantik in 1909 by the architect Van Den Hentz a Dutchman and Loto Ang a Tiongkok. The built of Taman Ujung was finished in 1921 an din 1937 it was inaugurated by a marble inscription which written in Latin alphabet and Bali letter also in two languages, Melayu and Balinese. Taman Ujung at the Dutch East Indies was famous in the name of waterpaleis or the water palace. There are 3 big pools in one place. Moreover, there also stairs where on the top of it there’s a building without a roof pillar. From that place the visitors are served with the panorama of the blue ocean and the shore, also the charm of the unique architectures which are mixed by the European medieval and Balinese. Taman Ujung usually used for the pre wedding photo area. The mixed architectures at the wall of the King’s residence building there are colorful windows which are identic with the architectures of the church in Europe made it has the unique of itself.https://www.ujungwaterpalace.comf itself. https://www.ujungwaterpalace.com)
Candi Tebing Tegallinggah + (Tebing Tegallinggah Temple is one of the a … Tebing Tegallinggah Temple is one of the archaeological remains in Tegallinggah Hamlet, Bedulu Village, Blahbatuh District, Gianyar Regency, Bali Province. This Cliff Temple is the southernmost of several remains along the Tukad (River) Pakerisan. Starting from Pegulingan Temple, Tirta Empul Temple, Mangening Temple, Gunung Kawi Temple, Krobokan Cliff Temple, Measuring-Size Temple, Subak Bubugan Temple, and Tegallinggah Cliff Temple. Krijgsman in 1952 when he was still the Head of the Bali National Institute of Antiquities and Heritage. Located approximately 30 km from the center of Bali Province, 5 km from the center of Gianyar City. In general, Tebing Tegallinggah Temple has boundaries, among others, in the northern part bordering land Empty areas in the form of river flows and cliff areas, in the east bordering vacant land used for fields, while in the west it is directly adjacent to an area used as a place for fish cultivation (fishing ponds) and in the south is bordered by vacant land in the form of river flows and cliff areas.n the form of river flows and cliff areas.)
Tenganan Dauh Tukad + (Tenganan Dauh Tukad is a Bali Aga or Bali … Tenganan Dauh Tukad is a Bali Aga or Bali Mula village in the east of Bali, district of Karangasem. The village is a separate entity under the village of Tenganan Pegringsingan.Bali Aga villages are villages that have existed in Bali before the Majapahit kingdom invaded the island.Tenganan Dauh Tukad adheres to a different calendar from the usual Balinese Calendar. The village has a few characteristic ceremonies, nowhere to be found in other villages.es, nowhere to be found in other villages.)
Desa Tenganan Pegringsingan Karangasem + (Tenganan Pegringsingan is a Village that i … Tenganan Pegringsingan is a Village that is located in the eastern part of Bali. Even among the highly spiritual villages in Bali, Tenganan Pegringsingan is still considered as a very unique and secluded one. In fact, this Village is one of the few Aga villages in Bali.Tenganan Pegringsingan is very special in terms of cultural heritage as it is almost free from any outside influence. The villagers are trying to keep their Village pure and clean. As a result, Tenganan Pegringsingan is highly unique, even compared to other exotic villages in Bali....One of the rituals performed by the people of Tenganan village is the Pandan War. Two young men were pitted against each other in a special arena. Each young man carries a weapon; a bunch of thorny pandan leaves which have sharp spines. They try to inflict each other’s bodies with lashes from the leaves’ sharp thorns. This is not a spectacle for those faint of hearts because there will be blood!int of hearts because there will be blood!)
Tenganan Pegringsingan + (Tenganan Pegringsingan is a village in the … Tenganan Pegringsingan is a village in the regency of Karangasem in Bali, Indonesia. Before the 1970s was known by anthropologists to be one of the most secluded societies of the archipelago.Rapid changes have occurred in the village since the 70's, such as the development of local communications by the central government, the opening up to tourism, the breaking of the endogamic rules. Tourists are attracted to Tenganan by its unique Bali Aga culture that still holds to the original traditions, ceremonies and rules of ancient Balinese, and its unique village layout and architecture. It is known for its Gamelan selunding music and geringsing double ikat textiles.Many of the life-cycle rituals of the Tengananes are similar to those of the Balinese in general, but have subtle differences. Some ceremonies are unique. One of the distinguishing features is the use of geringsing. By virtue of their magical qualities geringsing are not only capable of keeping impurities and danger out of the village, but also shield and protect humans from baleful influences during rites of passage as they transition from one phase of life to the next. The Tengananese receive their first geringsing at the hair cutting ritual. His hair is cut and placed in a basket which is placed on a folded geringsing on the balé tengah, on which the Tegananese both enters and leaves the world. In the ceremony that admits a boy or girl to the youth association of the village, they are carried in a geringsing cloth on their father's right shoulder. In the concluding ceremony of teruna nyoma which is the initiation, the candidates wear a geringsing and bear a keris. for the tooth filing ceremony, an essential rite of passage for all Balinese Hindu, the participants pillow is covered by geringsing. After death the grnitals of the deceased are covered by a geringsing hip sash. These cloths may not be used again and so usually ae sold . In the purification of the soul ceremony (muhun) the dead person's presence, which is symbolizes by an inscribed palm leaf, is also arrayed in a geringsing. In the wedding ceremony the groom invites his in-laws to visit his parents home where the couple, dressed in festal geringsing clothing while relatives bring symbolic gifts which are placed on a geringsing cloth.ts which are placed on a geringsing cloth.)
Tenganan Dauh Tukad + (The Island of Bali is developing fast, in … The Island of Bali is developing fast, in part due to its popularity as a tourist destination. Despite this, there are some villages still occupied by the indigenous people of Bali, where little has changed over the centuries. The rituals of these Bali Aga villages, which lie mostly in the east, are fascinating for foreign travellers and for other Balinese, who come in large numbers to witness these special ceremonies. I arrived around 7 PM in Tenganan Dauh Tukad village the night before the Pandan War. Walking up the nearly deserted main street, I discovered that most of the community members were attending a prayer ritual in the main temple. Soon, however, people started streaming out of the temple and I struck up a conversation with Komang, who very kindly invited me back to his house for coffee and cake. After coffee, Komang and I made our way to a smaller village temple where young people were already filing through the gates. The boys moved to one side while the girls, beautifully adorned in traditional attire, took their place on a small raised platform on the opposite side. Soon enough, the boisterous boys started throwing romantic words in the direction of the ever so bashful girls. A couple of the male suitors were very poetic. Others were less so, trying phrases like, “How about going on my scoopy (motorbike) together, just you and me – yes?” It was highly entertaining, and even the priests were laughing at the young people’s antics. The evening got more and more lively as the suggestions became increasingly inventive. Komang explained that the event was a kind of pre-courtship, where many boys were hoping to impress a future bride. Tenganan Dauh Tukad village.Preparation of Pandan War.Some of the girls threw their own words back or laughed, but the overall intention was clear - for connections to be made. In the end, I was not sure if any of those boys were successful, but it was not for want of trying.After the exchanges, everyone filed out and began to prepare for the next ritual – the race around the village. This involved eight of the younger boys climbing onto the backs of older boys for a piggyback style relay race. The younger boys clung on for dear life as the runners used all their strength and speed to complete three circuits of the village. Somehow these boys managed to keep their traditional finery intact, their krises (sacred dagger with a wavy-edged blade) lodged firmly into their fine double ikat textile sarongs and I did not see one ornate golden crown fall.There were also eight pigs who at times dodged and weaved between the boys and, at times, seemed to be chasing them. The pigs were on poles and hoisted on the shoulders of the male or (strong) female bearers. These pigs had been slow cooked over a coconut shell fire. There were a lot of yells of encouragement from the crowd as these eight boys and eight cooked pigs ran for their lives. The whole affair was incredibly noisy and a lot of fun. After the excitement, I was invited back for a suckling pig feast with Komang’s family. There was a variety of pork dishes, including sate, spare ribs, sausage and a delicious pork stew with banana stems. Over dinner, Komang briefed me on the origin of the Pandan War ritual, known locally as Makare-Kare.The young Balinese boys.He explained that this annual ceremony was to honour the God of War, Indra. Dating from Vedic times, Indra has been seen as the supreme ruler of the gods and hailed as the god of war and of thunder and storms. He is revered as the greatest of all warriors who can defend the gods and mankind alike against the forces of evil.The day of the Pandan War was hot and so I found myself a shady spot well before it was due to start. While waiting, I struck up a conversation with Ayu, from Tabanan, “I have travelled three hours from my village to be here,” Ayu said. “I would not miss this Pandan War for anything. I came last year too. This original Balinese culture is so different from the Balinese culture in my village. The Pandan War ritual is over 1,000 years old, and not found anywhere else in Bali. It is a marvel and I think it’s important for my children to see it.”The War started in the early afternoon under an intense hot blue sky. The gamelan orchestra struck up their gongs, drums and percussion instruments as the first two warriors appeared on the stage holding pandanus leaves with razor sharp spikes. As they engaged in battle, the orchestra’s tempo kept getting faster and faster, eventually reaching fever pitch. Ayu explained the gamelan players were skilfully matching their rhythm with that of the fighting. I was mesmerised by the deep lunges and agile foot movements of the successive pairs of warriors appearing before the crowd. Their fast and furious strikes made the large crowd go into frenzy. The fighting got pretty gruesome at times, with most battles resulting in a bit of bloodletting. The referee had to move as swiftly as the warriors to control the fights, and many had to be broken up. The warriors indeed have to be very brave but, as the afternoon wore on, many more stepped up to take on the challenge. This included rounds with boys as young as eight years old. Despite the drama of the fighting, throughout the ritual there was a wonderful spirit of comradery among the warriors, and smiles were often exchanged between opponents. Ayu’s sister, Putu, nudged me, “I think they are actually dancing. That is the way I explain it to my children, so they don’t get too upset.”Eight of the younger boys climbing onto the backs of older boys for a piggyback style relay race.The event was a kind of pre-courtship, where many boys were hoping to impress a future bride. After each fight, the two opponents left the stage immediately, streaked with blood but giving one another one last smile and then they smeared a yellow paste on each other’s wounds.“I was only eight years old when I started to fight,” Komang said after his round. “I fight every year.” After turning his back to show me his wounds he said, “It’s not so painful. The first time it really hurt. Now I am used to it and can master mind over matter, and I barely feel it. The paste we rub on each other’s backs is turmeric and other herbs. It will be all healed in three days.”As the War raged, demure young village maidens watched from the adjacent bale. They were dressed in sparkling golden crowns and intricately woven double ikat bodices, with pink silk sashes accentuating their tiny waists. They watched the fight with an aloof air which occasionally transformed into a smile. The young women also had the most exquisite makeup and hairstyles. I struck up a conversation with Kadek, who told me it had taken two hours to get ready but assured me that it was worth it. “We have love on our mind all the time. Whether we are swinging on the old Vedic wooden swing ritual or watching the men fight with the pandanus leaves, or at the evening romantic poetry ritual, we are contemplating a suitor.”The Tenganan Duah Tukad villagers preserve their authentic, age-old aga culture with many time-honoured rituals. These villagers are in fact the oldest tribal group in Bali. The village is self-sustaining, with two major productive honey bee enterprises, a thriving Ikat fabric cottage industry and artisan miniature book production from lontar palm leaf. It also produces ata craftwork, weaving ata grass to make placemats, bags and baskets. The village is very welcoming of guests at any time.In Bali, as in all the islands I have travelled to in Indonesia, people always show great respect for visitors, and it is not uncommon to be invited into the homes of villagers for a coffee or a meal. In this deeply traditional village, however, I experienced a special sense of genuine inclusion and openness to me as an outsider.I walked away having made many new friends and felt very privileged to have learnt a little more about the Bali Aga customs and culture.re about the Bali Aga customs and culture.)
Monumen Puputan Badung + (The Puputan Badung Monument which is now k … The Puputan Badung Monument which is now known as Puputan Badung Square I Gusti Ngurah Made Agung is located in the heart of Denpasar, right in front of the Bali Museum. This monument is located on the northern side of Puputan Square, which used to be a battlefield during the Puputan Badung War in 1906 when the Dutch invaded Denpasar.The word puputan means all out. So this monument is a form of commemoration and respect for the Balinese people who fought an all-out war against the Dutch. Now the Puputan Badung monument is a place of recreation for the people of Denpasar. of recreation for the people of Denpasar.)
Pura Batu Pageh + (The location of the temple is in Banjar Ka … The location of the temple is in Banjar Kangin, Ungasan village, South Kuta District, Kab. Badung. The location itself is on a cliff in a cave at a height of 10 meters, so you need to climb stairs.It should also be noted that in this area there are many monkeys roaming around. Pura Dalem Batu Pageh is about 50 minutes drive from Denpasar, under the temple there is a tourist attraction called Batu Pageh beach or Green Bowl beach. The beach is also called Bali Cliff beach, which is one of the beach attractions in the South Bali tourism area.ttractions in the South Bali tourism area.)
ARMA Agung Rai Museum of Art + (The owner and founder, Agung Rai: After I … The owner and founder, Agung Rai:After I saw the collections of The Puri Lukisan Museum and The Neka Museum I knew that my future was determined. I was fortunate in buying and selling paintings and starting to collect. That must have been around 1980. I trained myself in seeking paintings that moved me, paintings I really connected to and that reflected the depth and sensitivity of the artist’s soul. I always felt a spiritual connection to the art I bought.The result of my collecting passion is now on display in the Museum that carries my name: Museum Seni Agung Rai / Agung Rai Museum of Art (ARMA) and includes works not only by leading Balinese artists like Ida Bagus Made Poleng, AA Gede Sobrat, I Gusti Nyoman Lempad, I Gusti Ketut Kodo, AA Gde Meregeg and Nyoman Meja, but by artists from all over the Indonesian archipelago. You will find renowned names as Affandi, Sudjono, Srihadi Soedarsono, Raden Saleh and many others, but also work of upcoming masters I put my faith in like Putu Wirantawan. Since the beginning of the 20th century the culture and natural beauty of Bali moved and inspired numerous foreign artists to produce great works of art. Some of them stayed for a few months, others spent their entire life on the island. The ARMA collection includes works by Rudolph Bonnet, Arie Smit, Le Majeur de Merpres, Willem Dooijewaard, Willem Hofker, Hans Snel and Donald Friend. Walter Spies was a visionary who build bridges between The Western and Balinese culture and has therefore a special place in our collection.To guarantee and sustain its continuity, the Museum is managed by The ARMA Foundation. The funds raised by the Foundation (including your welcome contribution) are used to contribute to our efforts in treasuring, promoting and developing the Arts and Culture, not only of Bali, but of all Indonesia. For me, what has been accomplished up till now is just a beginning. My dream of continuously being able to contribute in preserving and growing the art of Bali. In particular of Ubud, is still very much alive. I am delighted that your visit to ARMA helps you to share my dream with me. May Ubud remain the artistic centre of Bali for generations to come.ic centre of Bali for generations to come.)
TiTian Art Space + (The painting shows two boys attacking two … The painting shows two boys attacking two trees with axes. The trees, one still standing and one already felled, have suffering faces.Batuan artist I Made Sujendra explains the work with the simple question: “how does it feel to be a tree?”In the background two ogres with prison tattoos hold a small human figure’s arms outstretched with a wood saw poised to lop them off.This is one of nine acrylic paintings in Sujendra’s first solo exhibition at Ubud’s TiTian Art Space, each showing scenes of sin and punishment like 15th Century Dutch painter Hieronymus Bosch’s visions of hell. However the artist says he is not familiar with the Bosch. Instead, his inspiration comes from the hundreds of small paintings on the ceiling of Bali’s former supreme court building, the Kerta Ghosa.This long and ornate open-sided shed on the former Royal Palace grounds at Klungkung was the final court of appeal in pre-colonial Bali. Evidence was not given under oath, but after the judgement either plaintif or accused would be required to give the “oath of truth”. Depending on the seriousness of the crime, the liar would face greater or lesser karmic penalties.While the judges sat at their tables and heard evidence, both plaintif and accused sat on the floor where they would gaze at hundreds of small paintings showing scenes of misfortune and torture, each being a penalty for perjury. In severe cases you and your family would spend several lifetimes working off this karma. As a legal system, it worked so well the Dutch kept it in place and it survived until Indonesian courts came to Bali with the modern Republic.Sujendra says the painting was prompted by people destroying a tree wantonly, not for building or carving, and without planting and carefully nurturing a new tree in its place. He had not considered, for example, slash and burn agriculture to establish palm oil plantations in the forests of Sumatra and Kalimantan. Sujendra is an intensely Balinese artist with Balinese concerns.His style is also largely Balinese in scope, although not in the same traditional Kamisan style of the Kerta Ghosa paintings. Kamisan was a graphic style already well-developed in the 19th Century, based on Wayang Kulit puppets. Sujendra did not grow up studying this style, but the more modern and secular Batuan style he learned from his father.Typical Batuan paintings have myriad brightly-coloured figures on a black background, and leave the eye to wander from figure to figure with no clear centre of interest. Without departing from this formula, Sujendra has simplified and intensified the effect of the Batuan style by showing fewer figures on a much larger canvas and returning to religious themes. Two of the paintings in this show are black and white.You can see Sujendra’s paintings for a few more days if you are in Ubud, before the exhibition closes on January 20. Staff and members will then prepare to celebrate TiTian’s third anniversary on January 31. TiTian’s third anniversary on January 31.)
Desa Kekeran + (The vast rice fields are a comfort for tou … The vast rice fields are a comfort for tourists who like natural beauty. For tourists who like trekking in rice fields and rivers, Busungbiu can be made the main destination as a tourist destination. This terrace has several gazebos that can be used to sit with the family.s that can be used to sit with the family.)
Ped + (There are five temple locations that are u … There are five temple locations that are united in the Penataran Agung Ped Temple area. The first prayer is the Segara Temple, as the place where Bhatara Baruna resides, which is located in the northernmost part close to the shoreline of the Nusa Strait ocean. The second prayer is Pura Taman which is located to the south of Pura Segara with a pond around the shrine inside which functions as a place of purification. Then the third prayer, which is to the west again, there is the main temple, namely Penataran Ratu Gede Mecaling as a symbol of the supernatural power of the Nusa rulers of his day. The last prayer is to the east there is Ratu Mas. Finally in the middle jaba there is Bale Agung who is the linggih of the Bhatara-bhatara at the time of ngusaba.he Bhatara-bhatara at the time of ngusaba.)
Pura Desa + (This temple is called Pura Desa because th … This temple is called Pura Desa because this temple is placed in the center of the village, which is at one corner of the catuspata (great crossroads). Pura Desa is the center for carrying out ceremonies for the benefit of the village such as Ngusaba Desa, pasamuhan batara after melis which was held before Panyepian. In some areas in Bali, Pura Desa is also known as Pura Bale Agung. This name is probably taken from the name of the Bale Agung building which is found on the first page of the temple. is found on the first page of the temple.)
Pura Lempuyang Madya + (This temple is positioned at the top of Mount Lempuyang, in the eastern part of the island of Bali. Lempuyang Temple is precisely located at an altitude of 1,175 m above sea level.)
Pura Gumang (Bukit Juru) + (This temple stands on the top of a hill called Bukit Gumang or Bukit Juru. Pura Bukit Gumang has been handed down by five villages, namely Bugbug, Bebandem, Datah, Jasri, and Ngis villages.)
Desa Tista Tabanan + (Tista was originally from the word "Ngetis … Tista was originally from the word "Ngetis". The name stems from the wanderings of a son of the king of Tabanan. His wanderings crossed many mountainous areas with hilly terrain and crossed many rivers because at that time there were no open roads like today. On the way he met a powerful ascetic. Then, on the instructions of the hermit, he continued his journey south and finally he arrived at a destination. Because of that place the terrain was bumpy so he returned to the North to look for a flat place to build a palace, then he chose a place which is now called Kerambitan.se a place which is now called Kerambitan.)
Pura Tuluk Biyu Batur + (Tuluk Biyu Temple, which is often called Batur Kanginan Temple or formerly called Leather Biyu.)
Desa Buitan Manggis + (Warung Made)
Wisata Berkuda Ring Sisin Tukad + (With tourism on the island of Bali, it bec … With tourism on the island of Bali, it becomes an economic generator for the Balinese people. Not only Balinese people, but people who migrate from outside the island of Bali are also looking for work on this island of a thousand temples. But many tourist attractions and rides in remote villages are unknown to tourists. This is what causes existing tourist attractions to not be famous and develop in Balinese society. However, the young man from a village where there are few tourists helps his community by "taking friends for a walk to the village". This is what makes tourist attractions known and can be developed by young people who like to travel looking for new tourist attractions in the villages.There is one tourist spot that is not yet known by many people, namely horseback riding on the banks of Tukad Badung, East Fishing Park Area, South Denpasar. This equestrian tour comes from a private service provider for horse riding groups, one of the providers is Mr. Makdi. This equestrian tourism has applied for an official permit from the government, but so far it has not received official permission from the government. However, Mr. Makdi and his friends always keep the tourist spot clean. Before closing the horse riding tour, Mr. Makdi and his friends cleaned up the environment that was used as a horse riding tour. Efforts were made to make the place beautiful and clean. This equestrian tour starts at 16.00 WITA until 19.00 WITA every day. The fare for this horse riding tour is very cheap. For adults, you will be charged Rp. 20,000, if you are a small child, you must pay Rp. 10,000.From the head of the equestrian department, he hopes that the Taman Pancing riverbank area can be operated as a tourist spot. “We from the group have already applied for a permit to the village office. We hope to get official permission. This area can be used as a horse-riding tourist spot,” he said.That's it, friends, if you want to experience horse riding but the cost is expensive, let's take a trip to the Fishing Park. There are cheap horse riding tours. Invite friends and relatives at home yaa...nvite friends and relatives at home yaa...)
Pikobet Ring Desa Gesing Rikala Nincapang Potensi Desa + (om swastyastu, my name is Nyoman Suandewi, … om swastyastu, my name is Nyoman Suandewi, I live in Gesing Village, Banjar District, Buleleng Regency, BaliGesing village has a very beautiful natural panorama, in this village there is a lot of potential available. as a tourist spot that is often visited by tourists. For example, the Tirta cheerful swimming pool, Gesing Village waterfall, a camping site called the Waru Kaja Camping, and there are circuits and villas for tourists who will stay overnight. On average, the people in Gesing Village work as farmers such as clove, coffee, and vegetable farmers and some people work as goat and cattle breeders. I as a villager of Gesing feel proud of my village because it has a lot of village potential. but behind all these potentials there are problems that are still being experienced by the people in the village of Gesing, these problems are problems with road infrastructure. The current condition of the roads in Gesing Village can be said to be damaged and some are still using soil, as shown in the video footage, such is the condition of the roads in Gesing Village. Therefore, I hope for assistance from the government in helping the Gesing village community through improving road infrastructure, so it is hoped that the community will be able to increase all the potential of the existing village so that it can be used optimally and sustainably. it can be used optimally and sustainably.)
Badung + (Badung is a regency which includes Kuta an … Badung is a regency which includes Kuta and Nusa Dua, famous destinations in Bali. Badung regency borders Buleleng regency on the north and Tabanan regency on the west, the Indian Ocean on the south, and Bangli, Gianyar, and Denpasar on the east. There are many interesting destinations in Badung, such as Kuta Beach, Dreamland Beach, Batubolong Beach with its exotic views, Dukuh campground which is the heritage of the Mengwi Kingdom, and much more.Badung regency was called Nambangan before I Gusti Ngurah Made Pamecutan became king of Badung in the last 18th century. In olden times, Denpasar, now the capital of Bali, was the capital city of Badung regency, but in 1992, Denpasar became a separate municipality and the capital city of the Badung regency was moved to Mengwi. With the enactment of government regulation no. 67 in 2009, the capital was moved to a new city in Badung regency called Mangupura which includes 4 villages and 5 areas. November 16th is the anniversary of the Badung regency, which is held to celebrate the anniversary of Mangupura city being made the capital of the Regency by former president Susilo Bambang Yudhoyono.In Badung, there was a famous historical event knowns as the Puputan Badung War which took place on September 20, 1906. This war was triggered when a Chinese-flagged Chinese ship named Sri Komala ran aground on the Sanur coast in 1904, which was then part of Badung’s empire. The Dutch East Indies government accused the local community of disarming and destroying the contents of the Sri Komala ship and demanded that the King of Badung be responsible for all damages by paying compensation of 3000 silver dollars and punishing those who damaged the ship. However, the King of Badung refused to pay any compensation. Because of his refusal, the Dutch East Indies government carried out a military expedition to Bali on September 20, 1906. They landed three infantry battalions and two artillery battalions to attack Badung. When the Dutch military entered the city gate, they were confronted by a crowd of people dressed in white who were ready to attack. A war broke out between the Badung people led by the King of Badung and the Dutch East Indies military. It was called the Puputan War which means war to the point of death.War which means war to the point of death.)
Pura Puncak Tedung + (Based on Dwijendra Tattwa's ejection, name … Based on Dwijendra Tattwa's ejection, namely the historical story of Dang Hyang Nirartha, which in Balinese narratives it is mentioned that the Dang Kahyangan temple was built on the instructions of Dang Hyang Nirartha or was awakened by sons, grandchildren, great-grandchildren, or the wider community to honor and remember the dharmayatra (journey of God). holy religious broadcasting) Dang Hyang Nirartha mentioned a number of 34 pieces. One of them is Puncak Tedung Temple. Puncak Tedung Temple is located in the Banjar Kertha area, Petang Village about 51 km from I Gusti Ngurah Rai International Airport and at an altitude of 730.77 meters above sea level. According to history, when the Reverend Dang Hyang Nirartha traveled from Pulaki to the eastern part of Bali, he rested on the top of a plateau in the village of Petang. When he continued his journey, he left his umbrella, by the people and ordered by King Mengwi to finally build a holy place in Meru as a tribute to the kindness of Dang Hyang Nirartha.te to the kindness of Dang Hyang Nirartha.)
Pura Jaya Prana + (For Hindus, Jayaprana's tomb is no strange … For Hindus, Jayaprana's tomb is no stranger, because this place is one of the historical attractions in Bali with a love story that ended tragically with the couple Nyoman Jayaprana and Ni Layonsari. This legendary romantic story is like the story of Romeo - Juliet in Europe and Sampek - Engthai in China. Jayaprana's tomb was made a temple, located on a hill. The location of Jayaprana's grave or tomb is in the Teluk Accept forest area, Sumber Klampok Village, Kec. Gerokgak, Kab. Buleleng is about 67 km west of Singaraja City.eng is about 67 km west of Singaraja City.)
Pura Sada + (Purusada Kapal Temple has quite a lot of a … Purusada Kapal Temple has quite a lot of archaeological remains, one of which is Prasada which has a height of about 17.20 meters made of brick. The function of prasada itself is as a place of worship as well as a place to store sacred objects (pratima). Besides prasada, there are also Manifestation Statues, Animal Statues, Puppet Statues, Candi Bentar, Bala Satya Monument, and Mekel Satya.tar, Bala Satya Monument, and Mekel Satya.)

Desa Bugbug + (During this ritual a drawing of a giant is made on the ground using flour. This is part of the ceremonies for the 10th month called Usaba Manggung.)

Selumbung + (A Kris dance is performed during the ceremonies of the 4th month (sasih kapat).)
Patung Brahma Lerare/Patung Bayi Sakah + (A baby statue sitting cross-legged at the … A baby statue sitting cross-legged at the intersection of Jalan Raya Sakah, Batuan Kaler Village, Sukawati District, Gianyar. The statue which is symbolic of Sang Hyang Shiva Buddha is actually called Sang Hyang Brahma Lelare. The idea to build the statue originated from the intention of former Gianyar Regent Cokorda Darana in 1989. The Brahma Lerare statue reminds Gianyar Regency as an art area that artistic creations begin with pure creative works, starting from small then growing and developing.ng from small then growing and developing.)
Puri Kesiman + (According to Gora Sirikan, the presence of … According to Gora Sirikan, the presence of Puri Kesiman began with the political stance of I Gusti Ngurah Made. He is one of the grandsons of I Gusti Gde Oka alias I Gusti Ngurah, a Manca Puri Kaleran Kawan, who is a high official under a courtier in the Badung kingdom. In 1813 the founder of the King of Denpasar I Gusti Ngurah Made Pemecutan died. After his departure there was a change in the political constellation in the Badung kingdom which began with the decision of the eldest son of I Gusti Gde Kesiman to leave the palace and build a new palace in Kesiman (in Puri Agung Kesiman now) and at the same time become king with the title I Gusti Gde Ngurah Kesiman.with the title I Gusti Gde Ngurah Kesiman.)
Candi Gunung Kawi + (Ancient Buddhist Monastery that is build i … Ancient Buddhist Monastery that is build in the 10th century in Bali Island, Indonesia. It's a big place consist of 5 main area. Build by King Anak Wungsu, the youngest son and Crown Prince of the famous King Udayana Warmadewa and Queen Gunapriya Dharmapatni of ancient Kingdom of Bali. The original name of this place is Katyagan Amarawati [Amarawati Monastery], but in the 16th centry the name changed into Candi Gunung Kawi [Poet Mountain Temple]... It's start to build as Buddhist Monastery in 989 AD by King Udayana and Queen Gunapriya Dharmapatni. When the King and Queen passed away [Queen Gunapriya Dharmapatni in 1007 AD and King Udayana in 1011 AD] the "monument" for both of them are in Banu Wka [now Pura Mangening]. Then in 1049 AD, King Anak Wungsu moved his mother Queen Gunapriya Dharmapatni "monument" to Mpungkwing Kutihanar [now Pura Bukit Dharma Durga Kutri]. The development of the monastery are continuosly build until finished by King Anak Wungsu. There are Kingdom of Bali officer that their duty are responsible to take care, maintenance and finance the monastery namely "Samgat Wilang Petapan". When King Anak Wungsu passed away, the "monument" in Candi Gunung Kawi are actually for King Anak Wungsu and others. actually for King Anak Wungsu and others.)
Anturan + (Anturan village was once part of the Pandan Banten area (Selat Village) called Banjar Asatan. This place is a resting place (Bebaturan) for the royal entourage before arriving at Puri Buleleng. http://anturan-buleleng.desa.id/)
Puri Denpasar + (As a castle and eventually a royal city, D … As a castle and eventually a royal city, Denpasar was inaugurated in 1788. The founder of Puri Denpasar was I Gusti Ngurah Made Pemecutan, a descendant of Puri Pemecutan from the Puri Kaler Kawan line. However, the name Denpasar appeared before 1788, when the area which was then called Badung was ruled by two twin kingdoms: Puri Pemecutan and Puri Jambe Ksatrya.Denpasar emerged as the center of power when I Gusti Ngurah Made Pemecutan who took over the power of Kyai Jambe Ksatrya chose Denpasar Park as the location of the castle. When Cokorda Alit Ngurah was named the regent of Badung in 1929, a castle was built named Puri Satria. The reason is that Puri Denpasar was destroyed by the Dutch during Puputan Badung and when the Dutch came to power, the former Puri Denpasar was used as the office of the Assistant Resident of South Bali and the Controller of Badung. The new castle built by Cokorda Alit Ngurah was actually named Puri Denpasar. However, because of its location in the former location of Puri Jambe Ksatrya, people know it better as Puri Satria.rya, people know it better as Puri Satria.)
Sangeh + (As a millennial generation, I am ready to … As a millennial generation, I am ready to build a village through the BASAbali Wikithon Public Participation activity #5: Ngwangun Desa.Om Swastyastu, Sangeh tourist spot is located on Brahmin Street, Sangeh, Abiansemal District, Badung Regency, Bali. Sangeh tourist attractions are a fun tourist spot. In this place we will find there are many monkeys and many big trees called nutmeg trees. Sangeh tourist attractions have been prepared by the government since 1971, as evidenced by the making of Sangeh as a natural tourist park. But now a problem arises, because the spread of Covid-19 has caused this tourist spot to be increasingly quiet. The lack of visitors also raises problems in financing the maintenance of this place. What's more, maintenance costs come from the sale of visiting tickets. This should be considered by the government so that it can help with the cost of maintaining the place and re-socializing it for tourists visiting Sangeh. If you are going to visit Sangeh, don't forget to maintain health protocols. Om Shanti Shanti Shanti OmName : MAHASABA 3-I GUSTI NGURAH AGUNG DIVAYANA-NI UNIQUE KADEK JAYANTI@wikibasabali@pasikianyowana.bali@mamedwedanta@guna.yasa@mahasabaudayana@unikjayantii#basabaliwiki #wikitonparticipationpublik #ngewangundesa#wikitonparticipationpublik #ngewangundesa)
PANG SING POCOL NGANGGO SKINCARE + (As a millennial, I am ready to develop my … As a millennial, I am ready to develop my village through the Wikithon Public Participation #5 BASAbali Wiki. Let's look at to my village.Hello friends, I am Dewa Ayu Manis and these are my friends, Desak Maharani and Yuli Setiawati. I would like to introduce you to the potential of villages in Banjar Pemenang, Nyalian Village, Banjarangkan District, Klungkung Bali.Friends, don't you know? In Nyalian Village, there are craftspeople who make “capil” hats, which are made from the leaves of a young “demela” coconut tree. The way to make them is a bit complicated, but the price of this capil hat is very low. This business has existed for generations in the village, and no other village makes them.I will let you know, there are problems felt by these craftspeople. The raw materials are difficult to find and the hats are not well promoted. The hope of the craftspeople is that the price of these capil hats can be increased so that they can help develop them as small-medium enterprises at the provincial level and also make them a village icon.Hopefully from this video, the government can help in developing villages, especially in fostering the potential of working groups. Hopefully the government can help provide financial assistance or or other support to village development such as promoting this product overseas.Ong Santi, Santi, Santi Ong.ct overseas. Ong Santi, Santi, Santi Ong.)
NGWANGUN DESA ANTUK TERBEBASNYANE RING SAMPAH PLASTIK + (As a millennial, I am willing to develop m … As a millennial, I am willing to develop my village through BASAbali Village Wikithon Public Participation Program. Let's see what is in my village.Friends, do you know a place called Art Village? This is my village, Desa Mas, which is located in the sub-district of Ubud, Gianyar Regency. In my village, there is a program for converting plastic waste into cash or rice. This program is very good for building the beauty of the village and helping the village community.That's how it is, my friends. Hopefully the government will help or support programs like this by providing assistance in the form of operational budget funds.Hopefully this video will entertain all of you. If there is a wrong word please forgive. (Klungkung Semarapura, Kirang langkung nunas ampura). Thank you, basabaliwiki.org (@wikibasabali), Yowana and Mamed Wedanta.(@wikibasabali), Yowana and Mamed Wedanta.)
Ubung Kaja + (At first, Ubung Village consisted of Tradi … At first, Ubung Village consisted of Traditional Villages covering an area of 10 Banjar Adat which at that time was called the Dauh Tukad Badung area. In further developments since 1951, Ubung Village has encompassed 17 Customary Banjars, because there have been additional 7 Banjar Adat, namely: Banjar Binoh Kaja, Banjar Binoh Kelod, Banjar Dauh Kutuh, Banjar Pohgading, Banjar Anyar-Anyar, Banjar Batu Mekaem, and Banjar Tulang Ampyang. which was previously the area of Peguyangan Village. Despite the addition of Banjar Adat, Ubung Village is still divided into two Traditional Villages, namely: Ubung Traditional Village and Pohgading Traditional Village. Decree of the Governor of the First Level Region of Bali dated April 1, 1980 Number: 7/Pem/IIa/2-57/1980 concerning the establishment of Preparatory Villages in the Denpasar Administrative City Area. Since then, Ubung Village has been divided into two, namely: Ubung Induk Village (hereinafter referred to as Ubung Village) and Ubung Kaja Preparation Village (hereinafter referred to as Ubung Kaja Village).nafter referred to as Ubung Kaja Village).)
Bayung Gede + (Bayunggede which comes from the word "Bayu … Bayunggede which comes from the word "Bayung" which means "Bayu", or energy while the word "Gede" can be personified as "strong". So when translated, the word Bayunggede means "strong power". Before it was named Bayunggede village, it used to be a small residential area in Bali called padukuhan which was located in the middle of a forest with a very small population (unmentioned). This Padukuhan is led and managed by a customary government structure called the "Ulu Apad" or tribal chief with the main duties and functions of organizing activities and the interests of carrying out traditional ceremonies and ceremonies.out traditional ceremonies and ceremonies.)
Bentara Budaya Bali + (Bentara Budaya Bali (BBB) is a place for a … Bentara Budaya Bali (BBB) is a place for art and culture show which is located on Professor Ida Bagus Mantra Street, no.88A, Ketewel, Sukawati, Gianyar Region, Bali 80237, Tel. (0361) 294029.BBB was built on September 9, 2009 as part of Kompas - Gramedia. BBB regularly holds painting exhibitions, performances, book discussions, film screenings, etc.s, book discussions, film screenings, etc.)
Buleleng + (Buleleng Regency is located in northern Ba … Buleleng Regency is located in northern Bali and its capital city is Singaraja. Buleleng Regency’s history began when Ki Gusti Ngurah Panji Sakti founded the kingdom of Buleleng in the 1600s. Before that, the Buleleng area was known as “Den Bukit”. Buleleng was named after the palace that was built by Ki Gusti Ngurah Panji Sakti on March 30, 1604 in the middle of the moorings of sprouted corn, a plant widely found in that area at the time. The corn was called “buleleng” and the palace became known as “buleleng” instead of its former name of “Singaraja” meaning "the king's haven". In exchange, the Buleleng Regency Government set March 30, 1604 as the birthday of the city of Singaraja. Buleleng Regency is known as the largest agricultural producing area in Bali with the production of the salak fruit and Tejakula tangerines. Buleleng Regency is bordered by the Java Sea in the north, the Bali Strait in the west, Karangasem in the east, and Jembrana, Bangli, Tabanan and Badung Regencies in the south. In Buleleng there are also tourist attractions including Lake Buyan, Lake Tamblingan and Lake Beratan which comprise three twin lakes formed inside a large caldera; Lovina beach with dolphins; and Menjangan Island with its underwater beauty and various kinds of natural attractions. and various kinds of natural attractions.)
Desa Buwit + (Buwit village is located in Tabanan regenc … Buwit village is located in Tabanan regency. This village has a lot of potential in the fields of tourism and agriculture, and besides that there is also a jogging track in the middle of the rice fields. The rice fields are beautiful and large, which can be used as a tourism area and an area for exercising. But unfortunately, there are problems with road access to get to that place. That's what prevents people from knowing about Buwit Village. The policies that should be made by the government to overcome these problems are as follows:1. The government should provide assistance to build an access road to the jogging track.2. The government should put up regulatory signs around the rice fields.3. There is promotion in Buwit Village so that more people know about a good jogging track and more people will visit the jogging track in Buwit Village.Hopefully the government can make policies to overcome these problems to improve traditional villages in Bali.s to improve traditional villages in Bali.)
Pura Campuhan Windhu Segara + (Campuhan Windhu Segara Temple is located o … Campuhan Windhu Segara Temple is located on the beach because campuhan itself means a mixture and in this case is a mixture of sea and river water. Campuhan Windhu Segara Temple is relatively new, this temple started from the story of a priest named Jro Mangku Gede Alit Adnyana. Campuhan Windhu Segara Temple was established on July 7, 2005, by Mahaguru Aitreya Narayana as well as the initiator, and inaugurated on September 9, 2016, by the Governor of Bali I Made Mangku Pastika and also known by Ida Dalem Semaraputra as the representative of Puri Klungkung.There are several facilities needed when you want to pray and have a holy bath at Campuhan Windhu Segara Temple, first is a pejati offering, at least one set at the worship place for Lord Wisnu and one young coconut. If you bring more pejati offering (or at least a set of canang sari), you can offer it at the next holy bathing place, namely the Beji Temple and the main temple.To access this place is also quite easy, from the intersection of Ngurah Rai Boulevard Sanur – Waribang, you go to the Padang Galak beach road (the former Bali Festival Park), until at the end of the road you will find Padang Galak beach in Sanur, which is still in the Kesiman village area, Denpasar. At the end of the road, turn left about 300 meters. You will arrive at the temple. In this area, there are at least 3 temple complexes. The first is the Segara Taman Ayung Temple, the Campuhan Windhu Segara Temple, and the Ratu Niang Temple in the west.le, and the Ratu Niang Temple in the west.)
Desa Wisata Carangsari + (Carang Sari Village is located in the Sout … Carang Sari Village is located in the Southern part of Petang District, North Badung Regency. Carang Sari Village is well known as the origin of the national hero from Bali I Gusti Ngurah Rai. At the northern end of the village, in the local cemetery, there is the Bali People's Struggle Monument. As a tourist village, in Carangsari Village, there are rafting activities on the Ayung River and elephant tourism attractions.ng River and elephant tourism attractions.)
Pura Dalem Pingit Sebatu + (Dalem Pingit Sebatu Temple is located in B … Dalem Pingit Sebatu Temple is located in Banjar Sebatu, Sebatu Village, Tegallalang District, Gianyar, Bali. In this place, there is a sacred waterfall called Pasiraman Sebatu.This place was first discovered on November 19, 2007, by foreign guests who intended to enjoy the hidden beauty of nature in Sebatu Village. Together with their guide, they arrived at a waterfall that was not that high with a flow of refreshing crystal clear water.The distance between this place from Denpasar is about 45 minutes. The cool air and views of cliffs, rice fields, forests, and mountains add to the sacred atmosphere around it.The waterfall in this temple complex is believed to be able to melt magic that enters a person's body. To reach this waterfall, people have to descend the stairs leading to the bottom of the cliff where the river flows.bottom of the cliff where the river flows.)
Desa Budaya Kertalangu + (Desa Kesiman is located in East Denpasar … Desa Kesiman is located in East Denpasar on the north coast of Sanur. City life is usually bustling and densely populated, but Kertalangu Cultural Village still has many green empty spaces that offers views of nature and a suitable place if you want to enjoy another side of city life.Located in the middle of a rice field area on an area of about 80 hectares consisting of housing, rice fields and gardens, the Kertalangu Cultural Village looks green and spacious. Kertalangu Village itself was created in 2005 and dedicated to an awareness of peace, culture and living with a green perspective.Interestingly, there is a charm in the middle of the Kertalangu Cultural Village, namely the World Peace Monument surrounded by statues of world figures. At the World Peace Monument, there are also many national flags from countries that support peace and there are symbols of the nine religions in the world.At the Kertalangu Cultural Village, there are various activities that visitors can do, including: riding around the village, making their own soap that you can take home, trying to grow rice, weaving, painting kites, coloring statues, dancing and many others.But the main attraction of Kertalangu Village is the natural beauty. When visitors enter the village area, they will be greeted by views of residents' houses with Balinese architectural buildings. Then along the rice fields with the right and left planted with green rice. There are many gazebos that can be used for resting or for recreational activities. All the scenery that is presented in this village is like a painting.In Kertalangu Village, there are also quite a lot of hand made handicraft industries that can be used as souvenirs or souvenirs. There is also a fishing pond with fishing rods for rent and fish that can be cooked right away. For visitors who want to exercise, there is a jogging track located around the rice fields. Children can also have fun exercising with the outbound area. In Kertalangu, there are also artistic and cultural performances that are adjusted to the visitor's visit schedule. In addition, there are also other complementary facilities, such as the Kertalangu park, the square, rice fields coffee, Ganesha park and others.ce fields coffee, Ganesha park and others.)
Les + (Desa Les is a seaside village of 8,000 on … Desa Les is a seaside village of 8,000 on the northeast coast of Bali. A Bali Moela village, it differs from its neighbors in that there is no caste and ceremonies, while still Hindu, are much simpler than in other parts of Bali.Les is an agricultural village where mangoes, coconuts, and rambutan flourish, and the sea of course provides a bounty of fish and salt. The Yeh Mampeh waterfall provides the precious water needed by people in Les, but it is not enough to cover daily needs and irrigation.Due to its location being north of the mountains ergo little rainfall comeshere, the soil can be quite dry. Many of the men (pre pandemic) went down south to work in the construction industry, and several of the young people went to work on cruiseships. The majority of the people here live day to day, in simple houses with not too many amenities. The education level reached by many is only at the Junior High (SMP) level.In spite of all this, it is a wonderful place to visit. There is a boardwalk by the sea where one can walk past the working salt farms and see the colorful boats of the fishermen and the underwater life is still stunning.and the underwater life is still stunning.)
Komaneka Fine Art Gallery + (During the covid19 period the 'Livingin-ga … During the covid19 period the 'Livingin-gallery' was set up.(Ubud, Bali – November 2021) Komaneka Fine Art Gallery is excited to invite their roster of Bali-based artists to “check-in” and work inside at the Gallery space in the ‘Living in Gallery’ program. Komaneka Fine Art Gallery was founded by Koman Suteja in 1998 and its mission is to showcase the richness of Indonesian art with a focus on emerging and established Balinese painters.Koman Suteja and his wife Mansri Trisniawati started this ‘Living in Gallery’ after the Covid-19 lockdown that restricted the gallery from opening to the public. It affected the artists as well because it halted their exhibition plans. Because the Gallery had to close, Koman says it “brought back memories to the original ideas of the space in the gallery and why it was created. Why don’t we invite the artists to use the Gallery?”‘Living in Galery’ program invites artists to ‘reside’ and create in the Gallery’s second floor, which is 200m2 wide. The artist is allowed a total of 24 hours to work, which can be split into different days. Because each artist has different styles and processes, they are able to customize the space to look like their studio, play the music they want and have the gallery open or closed to the public.Each artist was briefed beforehand so they came to the Gallery with a set of ideas specifically, which excited the artists because the lockdown halted a lot of their projects and exhibitions. The artists responded well to the initiative as it gave them a good challenge that pushed them to do something different during this pandemic.After the artist’s ‘residency’ at the Gallery, the paintings are displayed in the gallery space. Once a month Koman’s wife Mansri arranges ‘The Artist Lunch’ which allows art lovers, connoisseurs and collectors to come together to the Gallery, admire the art, talk to the artist personally and have lunch together at Komaneka Rasa Sayang.Each ‘Living in Gallery’ session will utilize the technology and showcase the gallery digitally. The Gallery website will be updated with new paintings every month and the process will be recorded live on social media.The purpose of this program is close to Koman’s heart. “I was born in a family who are very close to art and the center of the Indonesian art movement. It started from my grandparents, I Wayan Neka, who was a sculptor and my father, Wayan Suteja Neka, who was the patron of modern art in Indonesia.My father invited a lot of Indonesian master artists to live in Ubud, rent them a house and work closely together with my father Wayan Suteja Neka. I met all of the master Indonesian artists which is a special opportunity. With this program, I want to share the experience of working closely with artists of my generation.”(Ubud, Bali – November 2021) Komaneka Fine Art Gallery is excited to invite their roster of Bali-based artists to “check-in” and work inside at the Gallery space in the ‘Living in Gallery’ program. Komaneka Fine Art Gallery was founded by Koman Suteja in 1998 and its mission is to showcase the richness of Indonesian art with a focus on emerging and established Balinese painters.Koman Suteja and his wife Mansri Trisniawati started this ‘Living in Gallery’ after the Covid-19 lockdown that restricted the gallery from opening to the public. It affected the artists as well because it halted their exhibition plans. Because the Gallery had to close, Koman says it “brought back memories to the original ideas of the space in the gallery and why it was created. Why don’t we invite the artists to use the Gallery?”‘Living in Galery’ program invites artists to ‘reside’ and create in the Gallery’s second floor, which is 200m2 wide. The artist is allowed a total of 24 hours to work, which can be split into different days. Because each artist has different styles and processes, they are able to customize the space to look like their studio, play the music they want and have the gallery open or closed to the public.Each artist was briefed beforehand so they came to the Gallery with a set of ideas specifically, which excited the artists because the lockdown halted a lot of their projects and exhibitions. The artists responded well to the initiative as it gave them a good challenge that pushed them to do something different during this pandemic.After the artist’s ‘residency’ at the Gallery, the paintings are displayed in the gallery space. Once a month Koman’s wife Mansri arranges ‘The Artist Lunch’ which allows art lovers, connoisseurs and collectors to come together to the Gallery, admire the art, talk to the artist personally and have lunch together at Komaneka Rasa Sayang.Each ‘Living in Gallery’ session will utilize the technology and showcase the gallery digitally. The Gallery website will be updated with new paintings every month and the process will be recorded live on social media.The purpose of this program is close to Koman’s heart. “I was born in a family who are very close to art and the center of the Indonesian art movement. It started from my grandparents, I Wayan Neka, who was a sculptor and my father, Wayan Suteja Neka, who was the patron of modern art in Indonesia.My father invited a lot of Indonesian master artists to live in Ubud, rent them a house and work closely together with my father Wayan Suteja Neka. I met all of the master Indonesian artists which is a special opportunity. With this program, I want to share the experience of working closely with artists of my generation.”(Ubud, Bali – November 2021) Komaneka Fine Art Gallery is excited to invite their roster of Bali-based artists to “check-in” and work inside at the Gallery space in the ‘Living in Gallery’ program. Komaneka Fine Art Gallery was founded by Koman Suteja in 1998 and its mission is to showcase the richness of Indonesian art with a focus on emerging and established Balinese painters.Koman Suteja and his wife Mansri Trisniawati started this ‘Living in Gallery’ after the Covid-19 lockdown that restricted the gallery from opening to the public. It affected the artists as well because it halted their exhibition plans. Because the Gallery had to close, Koman says it “brought back memories to the original ideas of the space in the gallery and why it was created. Why don’t we invite the artists to use the Gallery?”‘Living in Galery’ program invites artists to ‘reside’ and create in the Gallery’s second floor, which is 200m2 wide. The artist is allowed a total of 24 hours to work, which can be split into different days. Because each artist has different styles and processes, they are able to customize the space to look like their studio, play the music they want and have the gallery open or closed to the public.Each artist was briefed beforehand so they came to the Gallery with a set of ideas specifically, which excited the artists because the lockdown halted a lot of their projects and exhibitions. The artists responded well to the initiative as it gave them a good challenge that pushed them to do something different during this pandemic.After the artist’s ‘residency’ at the Gallery, the paintings are displayed in the gallery space. Once a month Koman’s wife Mansri arranges ‘The Artist Lunch’ which allows art lovers, connoisseurs and collectors to come together to the Gallery, admire the art, talk to the artist personally and have lunch together at Komaneka Rasa Sayang.Each ‘Living in Gallery’ session will utilize the technology and showcase the gallery digitally. The Gallery website will be updated with new paintings every month and the process will be recorded live on social media.The purpose of this program is close to Koman’s heart. “I was born in a family who are very close to art and the center of the Indonesian art movement. It started from my grandparents, I Wayan Neka, who was a sculptor and my father, Wayan Suteja Neka, who was the patron of modern art in Indonesia.My father invited a lot of Indonesian master artists to live in Ubud, rent them a house and work closely together with my father Wayan Suteja Neka. I met all of the master Indonesian artists which is a special opportunity. With this program, I want to share the experience of working closely with artists of my generation.”(Ubud, Bali – November 2021) Komaneka Fine Art Gallery is excited to invite their roster of Bali-based artists to “check-in” and work inside at the Gallery space in the ‘Living in Gallery’ program. Komaneka Fine Art Gallery was founded by Koman Suteja in 1998 and its mission is to showcase the richness of Indonesian art with a focus on emerging and established Balinese painters.Koman Suteja and his wife Mansri Trisniawati started this ‘Living in Gallery’ after the Covid-19 lockdown that restricted the gallery from opening to the public. It affected the artists as well because it halted their exhibition plans. Because the Gallery had to close, Koman says it “brought back memories to the original ideas of the space in the gallery and why it was created. Why don’t we invite the artists to use the Gallery?”‘Living in Galery’ program invites artists to ‘reside’ and create in the Gallery’s second floor, which is 200m2 wide. The artist is allowed a total of 24 hours to work, which can be split into different days. Because each artist has different styles and processes, they are able to customize the space to look like their studio, play the music they want and have the gallery open or closed to the public.Each artist was briefed beforehand so they came to the Gallery with a set of ideas specifically, which excited the artists because the lockdown halted a lot of their projects and exhibitions. The artists responded well to the initiative as it gave them a good challenge that pushed them to do something different during this pandemic.After the artist’s ‘residency’ at the Gallery, the paintings are displayed in the gallery space. Once a month Koman’s wife Mansri arranges ‘The Artist Lunch’ which allows art lovers, connoisseurs and collectors to come together to the Gallery, admire the art, talk to the artist personally and have lunch together at Komaneka Rasa Sayang.Each ‘Living in Gallery’ session will utilize the technology and showcase the gallery digitally. The Gallery website will be updated with new paintings every month and the process will be recorded live on social media.The purpose of this program is close to Koman’s heart. “I was born in a family who are very close to art and the center of the Indonesian art movement. It started from my grandparents, I Wayan Neka, who was a sculptor and my father, Wayan Suteja Neka, who was the patron of modern art in Indonesia.My father invited a lot of Indonesian master artists to live in Ubud, rent them a house and work closely together with my father Wayan Suteja Neka. I met all of the master Indonesian artists which is a special opportunity. With this program, I want to share the experience of working closely with artists of my generation.”(Ubud, Bali – November 2021) Komaneka Fine Art Gallery is excited to invite their roster of Bali-based artists to “check-in” and work inside at the Gallery space in the ‘Living in Gallery’ program. Komaneka Fine Art Gallery was founded by Koman Suteja in 1998 and its mission is to showcase the richness of Indonesian art with a focus on emerging and established Balinese painters.Koman Suteja and his wife Mansri Trisniawati started this ‘Living in Gallery’ after the Covid-19 lockdown that restricted the gallery from opening to the public. It affected the artists as well because it halted their exhibition plans. Because the Gallery had to close, Koman says it “brought back memories to the original ideas of the space in the gallery and why it was created. Why don’t we invite the artists to use the Gallery?”‘Living in Galery’ program invites artists to ‘reside’ and create in the Gallery’s second floor, which is 200m2 wide. The artist is allowed a total of 24 hours to work, which can be split into different days. Because each artist has different styles and processes, they are able to customize the space to look like their studio, play the music they want and have the gallery open or closed to the public.Each artist was briefed beforehand so they came to the Gallery with a set of ideas specifically, which excited the artists because the lockdown halted a lot of their projects and exhibitions. The artists responded well to the initiative as it gave them a good challenge that pushed them to do something different during this pandemic.After the artist’s ‘residency’ at the Gallery, the paintings are displayed in the gallery space. Once a month Koman’s wife Mansri arranges ‘The Artist Lunch’ which allows art lovers, connoisseurs and collectors to come together to the Gallery, admire the art, talk to the artist personally and have lunch together at Komaneka Rasa Sayang.Each ‘Living in Gallery’ session will utilize the technology and showcase the gallery digitally. The Gallery website will be updated with new paintings every month and the process will be recorded live on social media.The purpose of this program is close to Koman’s heart. “I was born in a family who are very close to art and the center of the Indonesian art movement. It started from my grandparents, I Wayan Neka, who was a sculptor and my father, Wayan Suteja Neka, who was the patron of modern art in Indonesia.My father invited a lot of Indonesian master artists to live in Ubud, rent them a house and work closely together with my father Wayan Suteja Neka. I met all of the master Indonesian artists which is a special opportunity. With this program, I want to share the experience of working closely with artists of my generation.”ng closely with artists of my generation.”)
Desa Bugbug +
Pura Erjeruk + (Erjeruk Temple is called the Dang Kahyangan Temple because in this temple there is Manjangan Saluwang as a worship of the holy man Mpu Kuturan and also Meru Tumpang Tiga as a worship of Dang Hyang Nirartha.)
Pura Gaduh + (Gaduh Temple is part of the Kahyangan Jagat Temple.)
Garuda Wisnu Kencana (GWK) + (Garuda Wisnu Kencana (GWK) is the largest … Garuda Wisnu Kencana (GWK) is the largest cultural park in Bali. It is located approximately 40 kilometers from the city of Denpasar, in the village of Ungasan, Bukit Jimbaran, South Kuta. GWK extends over 240 hectares and regularly features traditional art performances (kecak dance, barong dance etc.) and modern art (Viral Fest Asia, Soundrenaline, Dreamfields etc.). GWK Cultural Park is one of the tourist attractions in Bali which is currently a favorite non-coastal destination. The statue of the God Vishnu statue riding a Garuda (Statue of GWK) has become a magnet for tourists from abroad. The Statue of GWK was made with almost 3000 tons of copper by Balinese artist, I Nyoman Nuarta, at a budget of around Rp 450 billion. The GWK statue was conceived of in 1989, but the laying of the first stone only began in 1997 in Ungasan Village, Bukit Jimbaran by I Nyoman Nuarta and Joob Ave. Technically, the GWK statue was completed on August 1, 2018, but welding was still needed as a 'finishing' so that the 754 pieces of copper-bronze plates would be completely integrated. The GWK Statue was finally completed a few days later and was inaugurated on September 22, 2018 by President Jokowidodo. The statue reaches 121 meters wide by 64 meters. Reputedly, this statue is the third tallest statue in the world today. According to Nyoman Nuarta, the statue is a symbol of the goal of saving the environment: Wisnu is the inspiration for preserving nature and harmony while Garuda is a symbol of sacrifice and glory. Humans promise to nurture, develop and protect the environment. Humans can destroy and improve it.nment. Humans can destroy and improve it.)
Gianyar + (Gianyar is one of the 9 regions / cities i … Gianyar is one of the 9 regions / cities in Bali, it's located between 08°-18'48"-08°38'58" latitude 13'29"-115°22'23" longitude. Bordering the regency of Badung and Denpasar city on the left, Bangli regency on the north, Bangli and Klungkung regency on the east, Badung strait, and Indonesian ocean on the south.Gianyar is famous for the art and culture also for the beautiful panorama. The cultural heritage which relates to the archaeological remains are the most popular and interesting places to visit, for example there's a Goa Gajah temple and Gunung Kawi temple. The arts and the traditions of the people made it becomes the unique parts and convenience to the tourists who visit Ubud for example. There are also some handcrafts which can be found in the Sukawati market as a gift. The history of the city is determined by regional regulations no. 9 in 2004, April 2nd 2004 about the anniversary of the Gianyar. 245 years ago, in April 1771, when Gianyar was chosen to be the name of a palace. Ever since that day and after the Gianyar Kingdom role, it contributed to the history of Balinese Kingdoms which has 9 kingdoms, in Klungkung, Karangasem, Buleleng, Mengwi, Bangli, Payangan, Badung, Tabanan, and Gianyar.Administratively based on the conditions in 2016, this city divided into seven sub-districts, Sukawati district (12 villages, 11 environment banjar), Blahbatuh district (9 villages, 67 environment banjar), Gianyar district (17 villages, 67 environment banjar), Tampaksiring district (8 villages, 70 environment banjar), Tegalalang district (7 villages, 65 environment banjar), and Payangan district (9 villages, 59 environment banjar).trict (9 villages, 59 environment banjar).)