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Ketut Agus Murdika + (Ketut Agus Murdika is a painter born in Gi … Ketut Agus Murdika is a painter born in Gianyar, December 26, 1989. He completed his art education at ISI Denpasar. Since 2008, he has been active in many joint exhibitions, such as the Retrospective exhibition of the Galang Kangin Community at Bentara Budaya Bali (2018), the Red Thread exhibition at Bentara Budaya Yogyakarta (2016), the Ulu Teben exhibition at Bentara Budaya Bali (2015). He won the Best Sketch Ubud Festival 2006 award.His paintings are abstract. He wrote his concept in painting as follows: An understanding without form, a reflection without words, an understanding of the feelings and feelings of exploring the restlessness of the heart. Creating something intangible into a real work.ing something intangible into a real work.)
Ketut Bimbo + (Ketut Bimbo is a musician and singer of Ba … Ketut Bimbo is a musician and singer of Balinese pop songs born in Banyuatis, Buleleng, 1954. He has been working productively since the 1970s. His songs contain a lot of social criticism wrapped in satirical humor. He started his career as a broadcaster at Radio Massachuset, Singaraja, Buleleng. All of his songs are based on true stories, involving gambling with cock fights, drinking alcohol, etc. His debut album was entitled "Buduh" (1980). A number of his famous songs include: Buduh, Peteng-peteng Mekaca Selem, Announcer, Mebalih Wayang, Ngabut Keladi. Announcer, Mebalih Wayang, Ngabut Keladi.)
Ketut Endrawan + (Ketut Endrawan was born in Klungkung, Marc … Ketut Endrawan was born in Klungkung, March 12, 1974. Completed his fine arts studies at PSSRD Udayana University (now ISI Denpasar) in 1999. Apart from being an artist, he is also a teacher of fine arts. Actively exhibiting together since student. He was a finalist at the Indofood Art Awards 2003 and the Jakarta Art Awards 2008. Endrawan's works tend to be figurative, mixing inner anxiety and social turmoil., mixing inner anxiety and social turmoil.)
Ketut Kaprus Jaya + (Ketut Kaprus Jaya, contemporary artist in … Ketut Kaprus Jaya, contemporary artist in Bali. Born in Budakeling Karangasem Regency Bali, on the 15th July 1970. A veteran of the highs and lows of Balinese Art Industry, he has remained constant to his art with no prevarications. Through three decades of professional art practice, Ketut Kaprus Jaya has maintained and guarded the purity of his creative process. True to self, to the moment, to Nature.As a contemporary artist in Bali today, Kaprus Jaya has two distinct styles that he exercises equally diligently. As a result of the strong commerciality of the art scene locally. The use of watercolour for ‘en plen air’ pieces as he travels and explores different destinations and allows him to teach painting to students. allows him to teach painting to students.)
Ketut Madra + (Ketut Madra has devoted his life to the st … Ketut Madra has devoted his life to the study, preservation, and practice of Bali’s rich cultural arts. Primarily as a painter, but also as a dancer, musician, and community leader, Madra is steeped in the stories and legends at the center of the island’s culture and community. His unique ability to convey action and emotion in a rich and imaginative composition brings the traditional to life for modern audiences, Western and Balinese alike.Originally from Pengosekan, a small community near Ubud, Madra moved to nearby Peliatan as a young man in the late 1950s to work as a painter for the art dealer Wayan Gedah. At that time he also began studying with Tjokorda Oka Gambir, and learned the techniques and conventions of traditional wayang painting, including the specific colors, iconography, and costume for scores of characters.Madra started painting exclusively wayang narratives in the early 1960s, and soon developed a reputation as a skillful and original artist. He works with deliberation, and sells work directly from his studio to people who find him, usually through word-of-mouth. Occasionally, trusted local dealers with galleries catering to serious collectors also buy his work.In 1974, Madra’s work was shown in international exhibitions in the UK and the USA for the first time. In the same year he completed the first bungalow of what would become the Ketut Madra Homestay on his property in Peliatan. Over the next 15 years, he gradually expanded the accommodations for students, travelers, musicians, and artists interested in “a quiet place to learn about Bali.” The homestay has been a central feature in the life of Madra and his family, and has introduced three generations of visitors to his work and to traditional Balinese arts and culture.At the age of 41, having focused up to that point on work and the homestay, Madra needed something more. Nyoman Kakul, a preeminent dancer of Batuan village who admired Madra’s understanding of the stories told in Balinese dance drama, urged him to learn to perform. More than 30 years later than most Balinese dancers take their first lessons, Madra learned the role of topeng keras, the rough prime minister in the king’s court. He continues to dance more than 30 years later, playing a variety of roles for which he is highly regarded.Madra also learned as an adult to play the rebab, the two-stringed bowed lute in the gamelan ensemble. He dances and plays regularly with the Tirta Sari gamelan group in Peliatan. Dance, Madra says, is a near perfect complement to his life as a painter. Performing in stories he had only watched and painted brings new insight to character and deeper understanding of the spiritual and devotional nature of both kinds of work.d devotional nature of both kinds of work.)
Ketut Muliartha, RM + (Ketut Muliartha was born in Denpasar, Janu … Ketut Muliartha was born in Denpasar, January 8, 1956. He has expertise in auditing and strategic management. Graduated in 1984 from undergraduate education at Malang Brawijaya University and continued the Professional Accountant (Ak) program at the same University in 1984. He was appointed as a permanent lecturer in 1985 at Udayana University to the present. He obtained his Master of Management degree in 2000 at Udayana University, completing his 2014 doctoral degree at Brawijaya University, Malang. He often conducts national conferences in his area of expertise.onal conferences in his area of expertise.)
Ketut Putrayasa + (Ketut Putrayasa is an artist born in Kerob … Ketut Putrayasa is an artist born in Kerobokan, Badung, Bali, May 15, 1981. In 2019, for the “Berawa Beach Arts Festival”, he shocked Berawa Beach with his installation of a giant octopus made of bamboo. In the event entitled "Deep Blue Spirit", dozens of artists from across the arts responded to the giant octopus with performances of music, dance, poetry, and video art. Still in 2019, Putrayasa was invited by the Architecture and Interior Design Company to work on the Project Commission Artwork in Paris, France. In 2020, he performed the installation art "Pandora Paradise" at the Puputan Badung square, Denpasar.Ketut Putrayasa studied fine arts at the Indonesian Art Institute (ISI) Denpasar until the Postgraduate Program in Art Creation. He won the Best Final Project (TA) from ISI Denpasar in 2014. He often participates in joint exhibitions, including the “BIASA” group sculpture exhibition at the Pendet Museum, Ubud (2004), “Sign of Art” in Belgium (2008), “ Kuta Art Chromatic” in Kuta (2003), “Articulation” in Kuta (2014), “Chronotope” at Rich Stone Bali (2015), “Skala” sculpture triennale at the Jakarta National Gallery (2017), “Art Unlimited” at the Gas building Negara Bandung (2018), “Bali Megarupa” in Bentara Budaya Bali (2019), and so on. Apart from being active in his work, Putrayasa has also joined “MilitanArt”, an art community that drives the life of fine art in Bali. that drives the life of fine art in Bali.)
Ketut Rodja + (Ketut Rodja was a genius and famous sculpt … Ketut Rodja was a genius and famous sculptor from Mas Village, Ubud, Bali (1902 - 1965). He was born into a family of artists. He was close friends with President Soekarno who collected many of his sculptures. Apart from that, the Tropen Museum in the Netherlands also collects his work. The Krishna statue created by Rodja was once used as a master art by President Soekarno and shown to Indian Prime Minister Jahwal Nehru and Indira Gandhi at a state meeting.Rodja is also known as an art deco pioneer in Bali. Apart from that, he was the founder of the first art gallery in Bali in the 1950s which still exists in Mas Village. He is also an artist who actively contributed to the founding of the Ratna Warta Puri Painting Ubud Foundation and was a member of Pita Maha in 1936. Rodja is close friends with Rudolf Bonnet, one of the founders of Pita Maha. Rodja once served as Chairman of the Pita Maha Mas Village branch which coordinated 12 banjars. He was also active in political movements and was highly respected. His iconic work which is still kept at the Siadja Gallery is an ebony wood sculpture entitled "Ananta Bhoga" (1920). Rodja died (murdered) in the 1965 political tragedy. (murdered) in the 1965 political tragedy.)
I Ketut Sugantika + (Ketut Sugantika alias Lekung was born in S … Ketut Sugantika alias Lekung was born in Singapadu, Gianyar, Bali, 1975. He focused on painting at ISI Denpasar. Many of his works are abstract by taking inspiration from nature. His solo exhibitions are Life Lines, Tadu Contemporary Art, Bangkok, Thailand, 2016; Intimate Bali, Conrad Hotel Nusa Dua, Bali, 2014, Findings Object, Black and White Art Space, Sangeh, Bali, 2010; Sign, Art Center Denpasar, Bali, 2003. In addition, since 1998, he has been diligently involved in joint exhibitions, including the Artfordable Hongkong Art Fair, With Gundang Gambar & 37Tong Gallery, Hong Kong, 2018; Imago Mundi, Bentara Budaya Bali, Yogyakarta, Jakarta, 2016. He is also active in performance arts activities. Now he is active in the Militant Arts Community.w he is active in the Militant Arts Community.)
Ketut Syahruwardi Abbas + (Ketut Syahruwardi Abbas was born in Pegaya … Ketut Syahruwardi Abbas was born in Pegayaman Village, Buleleng, Bali, May 4, 1959. He has written literary works since the 1980s, published in the Bali Post, Nusa Tenggara, Kompas, Republika, and summarized in a number of books together, such as Klungkung: Tanah Tua, Tanah Love (2016). His single book of poetry is titled Between Us (2018). He had long accompanied the young poets in Jatijagat Poetry Village.e young poets in Jatijagat Poetry Village.)
Ketut Teja Astawa + (Ketut Teja Astawa, born in Sanur, Bali, 19 … Ketut Teja Astawa, born in Sanur, Bali, 1971. He completed his art education at ISI Denpasar. He has held many joint exhibitions, both at home and abroad, such as Bali: Return Economy, Fremantle Art Centre, Perth, Australia (2014). His solo exhibitions include: TW(IN)SIDE at Kendra Gallery, Kuta (2013), A Glimpse Back Into The Past: Early Paintings of Ketut Teja Astawa at Art Temporary Space, Plaza Senayan, Jakarta, Indonesia (2012), Fragments of Subconscious Memory at Tonyraka Art Gallery, Ubud (2011), Batman Forever at Sunjin Gallery, Singapore (2009), Works Of Ketut Teja Astawa, Roemah Roepa Gallery, Jakarta (2008). Many of his works depict the lives of animals, puppet characters, which he uses in a naive and colorful way. He combines Kamasan wayang painting techniques with modern techniques. In 2001 his work was included in the Finalist Philip Morris Art Award Indonesia.inalist Philip Morris Art Award Indonesia.)
Ketut Widiyazid Soethama + (Ketut Widiyazid Soethama was born in Denpa … Ketut Widiyazid Soethama was born in Denpasar, December 4, 1960. Since elementary school he has been fond of painting, including the Balinese Kamasan puppet, has been published many times in the children's section of the Kompas daily. Then since he was a teenager he has been writing poetry and has been published in the Bali Post. During his studies at the Faculty of Agriculture, Udayana University, he founded the music group Gress Country, released an album of Balinese pop songs (1987), with his siblings and relatives, while being active in theater performances. While working at the Bali Agricultural Information Center he made several comics on agricultural extension, then spent his days as an agricultural consultant for the European Union and the United Nations Development Program (UNDP) in Papua and East Nusa Tenggara. He died in Denpasar on January 15, 2016.. He died in Denpasar on January 15, 2016.)
Ketut Yuliarsa + (Ketut Yuliarsa was born in 1960 in Denpasa … Ketut Yuliarsa was born in 1960 in Denpasar, Bali.Ketut is a writer, actor and musician and has worked in Indonesia, Australia and New Zealand. He has appeared in television drama, film and toured Australia with a major Australian theatre company. He writes lyrical prose, short stories, poetry, essays and articles and has been published in various newspapers and magazines in Indonesia. He has published two collections of poetry (bilingual), Night Voice/Suara Malam and Falling in Silence/Jatuh Bisu. He has appeared as writer, presenter and moderator at the Ubud Writer’s Festival from 2005 till 2018. Ketut has also worked as the Indonesian Emerging Writers curator for this festival during this time. In 1986 he and his wife Anita, established the first bookshop in Bali, Ganesha Bookshop (www.ganeshabooksbali.com) and it is now into its 32nd year of trading. Ganesha Bookshop has a large range of New, Used, Rare and out-of-print books on Indonesian studies in the English language. In 2004, realising the need to foster literacy, learning and reading for pleasure in the Balinese community, he helped establish the Books for Bali Project which donates books to schools and libraries throughout Bali. to schools and libraries throughout Bali.)
Kevin Fairley + (Kevin’s passion is photography, he has bee … Kevin’s passion is photography, he has been a serious photographer for the last 10 years since his retirement. His best loved places to photograph are Bali and the Indonesian Islands. He is self taught and his preferred camera gear is Lumix. His favourite subjects are the Balinese people, Bali Ceremonies and anything else that captures his eye. He has won many international awards and had a successful photo exhibition in Bali. He spends his time spread between Bali and Australia. The Balinese rely on tourists to make their living and during the Covid Pandemic there have been no tourists to the Island. The impact of Covid on the people has caused untold hardship including hunger and loss of income. Profits from the sales of his book will go to Balinese charities, mainly “Plastic for Rice” and the “Bali Tribe” which provide meals for the needy. Tribe” which provide meals for the needy.)
Pikobet Pengolahan Sampah Sane Sayan Rahat + (Klungkung is one of the districts in Bali. … Klungkung is one of the districts in Bali. In 2023, Klungkung district will be led by Mr. Nyoman Suwirta. A program that is viral, well-known and used as a role model among the people of Klungkung is the TOSS (Local Waste Processing Place) program. This program received a lot of praise and positive comments from the Klungkung community, and from outside Klungkung. However, recently the TOSS program has not run according to the initial plan and has been ineffective in solving the waste problem in Klungkung. The acting Regent of Klungkung, I Nyoman Jendrika, said that the main problem in Klungkung is the increase in waste volume by up to 2 times, from previously 16 tonnes now to 32 tonnes a day. In other sources, some say that the cause of this waste problem is a lack of public awareness about the function of a beautiful and clean environment. This is also what causes Klungkung to have a lot of rubbish.Now, what solutions should we take as the young generation of Bali to create a sustainable and clean Klungkung area? The solution that I can convey and recommend is to implement the Tri Hita Karana teachings.Why Tri Hita Karana? What is the relation?Tri Hita Karana is one of the Hindu teachings in Bali. Tri Hita karana means "3 things that cause prosperity", which is divided into 3 parts:1. Parhyangan: Parhyangan is our relationship with Ida Sang Hyang Widhi as the ruler of the universe. I think, if we discuss the word "Parhyangan" we will definitely think of the means of prayer and offerings. However, what I want to discuss is not that, but this parhyangan is about our behavior in holy places such as temples. We should maintain the cleanliness of the temple, by cleaning or offering ngayah. Existing rubbish must not be thrown into rivers or sewers, but must be processed into something more useful. This is also a form of our good relationship with Ida Sang Hyang Widhi.2. Pawongan: Pawongan is our relationship with other humans. As Balinese people, we should help each other and care about human suffering. Based on the waste problem, we can all implement the teachings of Tri Hita Karana by reminding each other about the importance of a clean and healthy environment. I mean, waste processing in Klungkung doesn't have to be done and processed by TOSS and the government alone, but we all have to try to sort or process waste in our homes. If we could sort and process it in our respective homes, the problem of waste piling up in Klungkung would definitely be resolved.3. Palemahan ; This Palemahan is one of the teachings of Tri Hita Karana which is most appropriate to the waste problem above. We as citizens of Bali, especially Hindus, definitely believe that humans, animals and beasts are God's creation. Therefore, our relationship with our environment must be maintained. One way to protect our environment is by processing waste. We as the people of Klungkung certainly already know about this TOSS program, therefore let's work together to sort and process waste from our respective homes so that this TOSS can run smoothly and effectively.In essence, the teachings of Balinese ancestors are things that should be implemented in this era of globalization. Although, it is possible to implement it using modern understanding and methods. We as teenagers or the young generation of Bali should not be lulled by globalization. We must be aware of the latest news, and always preserve Balinese cultural traditions as a role model in our efforts towards a beautiful and clean Bali.fforts towards a beautiful and clean Bali.)
I Komang Alit Juliartha + (Komang Alit Juliartha alias Alit Joule was … Komang Alit Juliartha alias Alit Joule was born in Bekasi, July 15, 1991. He is an alumni of the Balinese Language Education study program at IHDN Denpasar. His Balinese literary works are published in Bali Orti Bali Post, Pos Bali. His works have been recorded under the title Swecan Widhi Wasa (2015) and he won the Literature Rancage prize in 2016. In 2016 he also published a Balinese novel entitled Satyaning Ati.d a Balinese novel entitled Satyaning Ati.)
Komang Ayu Cahya Dewi + (Komang Ayu Cahya Dewi is a Balinese athlet … Komang Ayu Cahya Dewi is a Balinese athlete in the field of badminton. She was born in Denpasar, October 21, 2002. During the 2021 PON in Papua, she qualified for the final round. In the women's singles category. She joined PB Djarum in 2016. Her other achievements are Runner Up Liga PB Djarum II 2020 (Women's Singles U-17 & U-19 & Adults), Semifinalist Italian Junior International Challenge 2020 (Women's Singles U19), Semifinalist Djarum Sirnas Premier West Java Open 2019 (women's adult singles).emier West Java Open 2019 (women's adult singles).)
Komang Ira Puspitaningsih + (Komang Ira Puspitaningsih was born in Denp … Komang Ira Puspitaningsih was born in Denpasar, May 31, 1986. The poems and poems have been published in several mass media, such as: Bali Post, Kompas, Koran Tempo, Journal of Poetry, People's Thoughts, Padang Express. Several times or become a winner in a poetry writing competition. Her poetry has also been compiled in several joint anthologies, al. Pena Kencana's 100 best Indonesian poems in 2008 and the 2009 Pena Kencana version of the 60 best poems. "You're Not the Most Solemn Holy Virgin" is her first single poetry anthology.gin" is her first single poetry anthology.)
Komang Pramana + (Komang Pramana, Skom, was born on April 26, 1978 in Denpasar. He can be reached about his beautiful photography at pramana.gede@yahoo.co.id.)
Sistem Tunnel Nincapang Uyah Khas Kusamba + (Kusamba salt is a traditional Balinese org … Kusamba salt is a traditional Balinese organic salt which is said to be one of the best salts in the world. Salt produced inKusamba village, Klungkung Regency, Bali Province. As an organic salt, Kusamba salt does not use chemical ingredients, Kusambasalt is said to be organic because the way it is made still relies heavily on nature. Sunlight and heat are friends of Kusambasalt farmers. The way it is made is still done in the traditional way. However, now, this traditional business is increasinglythreatened with bankruptcy. The selling price of this high quality salt is less profitable. On average, farmers sell it for IDR1,200 per kilogram, during the rainy season the selling price only reaches IDR 3 thousand per kilogram. Another problem isthat kusamba salt is made traditionally and the production is limited. This is the basis for starting a system that is able toincrease salt production from generation to generation. Then, what is the solution?The solution that can solve this problem is to use a tunnel system. In simple terms, a tunnel system means adding a storagecontainer with the help of a geoisolator and cover, then stringing it together like a tunnel. This system. allowing salt farmersto continue producing during the rainy season. Additionally, with. With this tunnel system, salt farmers are able to producetens or hundreds of kg of salt per tunnel. Apart from that, other benefits such as1. Make salt harvest time faster2. Farmers can carry out the harvest process at night.3. Save energy and time in filling the salt production area with sea water.4. The quality produced is not much different from previous production with mangers.According to salt farmers, through the production of this tunnel system, salt farmers gain many benefits in its production andmarketing. Apart from salt, the water found during the salt harvest can be sold for around Rp. 80,000.00 35 liter jerry cans.This salt water can be used for the thickening process for making tofu production. Please note that the tunnel system used byKusamba salt farmers is a simple technology assisted by the collaboration between the Ministry of Social Affairs and ITS.en the Ministry of Social Affairs and ITS.)
Nincapang Uyah Khas Kusamba + (Kusamba salt is a traditional Balinese org … Kusamba salt is a traditional Balinese organic salt which is said to be one of the best salts in the world. Salt produced inKusamba village, Klungkung Regency, Bali Province. As an organic salt, Kusamba salt does not use chemical ingredients, Kusambasalt is said to be organic because the way it is made still relies heavily on nature. Sunlight and heat are friends of Kusambasalt farmers. The way it is made is still done in the traditional way. However, now, this traditional business is increasinglythreatened with bankruptcy. The selling price of this high quality salt is less profitable. On average, farmers sell it for IDR1,200 per kilogram, during the rainy season the selling price only reaches IDR 3 thousand per kilogram. Another problem isthat kusamba salt is made traditionally and the production is limited. This is the basis for starting a system that is able toincrease salt production from generation to generation. Then, what is the solution?The solution that can solve this problem is to use a tunnel system. In simple terms, a tunnel system means adding a storagecontainer with the help of a geoisolator and cover, then stringing it together like a tunnel. This system. allowing salt farmersto continue producing during the rainy season. Additionally, with. With this tunnel system, salt farmers are able to producetens or hundreds of kg of salt per tunnel. Apart from that, other benefits such as1. Make salt harvest time faster2. Farmers can carry out the harvest process at night.3. Save energy and time in filling the salt production area with sea water.4. The quality produced is not much different from previous production with mangers.According to salt farmers, through the production of this tunnel system, salt farmers gain many benefits in its production andmarketing. Apart from salt, the water found during the salt harvest can be sold for around Rp. 80,000.00 35 liter jerry cans.This salt water can be used for the thickening process for making tofu production. Please note that the tunnel system used byKusamba salt farmers is a simple technology assisted by the collaboration between the Ministry of Social Affairs and ITS.en the Ministry of Social Affairs and ITS.)
Upaya Nincapang Kawentenan Uyah Khas Kusamba + (Kusamba salt is a traditional Balinese org … Kusamba salt is a traditional Balinese organic salt which is said to be one of the best salts in the world. Salt produced inKusamba village, Klungkung Regency, Bali Province. As an organic salt, Kusamba salt does not use chemical ingredients, Kusambasalt is said to be organic because the way it is made still relies heavily on nature. Sunlight and heat are friends of Kusambasalt farmers. The way it is made is still done in the traditional way. However, now, this traditional business is increasinglythreatened with bankruptcy. The selling price of this high quality salt is less profitable. On average, farmers sell it for IDR1,200 per kilogram, during the rainy season the selling price only reaches IDR 3 thousand per kilogram. Another problem isthat kusamba salt is made traditionally and the production is limited. This is the basis for starting a system that is able toincrease salt production from generation to generation. Then, what is the solution?The solution that can solve this problem is to use a tunnel system. In simple terms, a tunnel system means adding a storagecontainer with the help of a geoisolator and cover, then stringing it together like a tunnel. This system. allowing salt farmersto continue producing during the rainy season. Additionally, with. With this tunnel system, salt farmers are able to producetens or hundreds of kg of salt per tunnel. Apart from that, other benefits such as1. Make salt harvest time faster2. Farmers can carry out the harvest process at night.3. Save energy and time in filling the salt production area with sea water.4. The quality produced is not much different from previous production with mangers.According to salt farmers, through the production of this tunnel system, salt farmers gain many benefits in its production andmarketing. Apart from salt, the water found during the salt harvest can be sold for around Rp. 80,000.00 35 liter jerry cans.This salt water can be used for the thickening process for making tofu production. Please note that the tunnel system used byKusamba salt farmers is a simple technology assisted by the collaboration between the Ministry of Social Affairs and ITS.en the Ministry of Social Affairs and ITS.)
Rintihan suara rakyat yang tidak memiliki kuasa tuk memilih + (Ladies and gentlemen, I am present here to … Ladies and gentlemen, I am present here to voice an echoing yet unheard plea, which is the fate of the cries of abandoned and cruelly tortured animals. The Island of Bali is too beautiful to be inhabited by these grim animals.These animals are pets tortured cruelly for personal pleasure, beaten to disability out of hatred, stolen to be eaten. Animals employed like the overworked horses forced to endure harsh conditions. Experimental animals, such as frogs dissected without anesthesia, also suffer unwarranted pain.I appeal to the Bali Province Regional Council to strengthen Regional Regulation No. 1 of 2023 regarding the Protection of Flora and Fauna. I highlight the ambiguity in the rules regarding the definition of "keeping" animals in Article 11 paragraph 1 section c. However, in Article 1 paragraph 9, it states that Wildlife includes all animals living on land, in water, or in the air, retaining their wild nature, whether they live freely or are kept by humans.With clear and robust legal foundations, many positive things will emerge: more people will dare to speak up for animal protection, impart moral lessons to children, and raise awareness of the importance of compassion towards animals, boosting the government's morality in the eyes of the public. Communities or individuals independently rescuing and caring for these animals will also be supported and have continuous collaboration with the government.Together, let us make Bali a safe and comfortable place for the animals living here, following the footsteps of developed countries like Switzerland, the Netherlands, New Zealand, Germany, and Australia in animal protection. Through this speech, what I "HOPE," becoming what "WE" HOPE, and ultimately becoming what "WE ALL" HOPE FOR. With one heart, let us make Bali a paradise for these animals.us make Bali a paradise for these animals.)
PENDIDIKAN SANE BECIK PINAKA PIRANTI ANTUK NINCAPANG KUALITAS SDM BALI + (Ladies and gentlemen, jury and coaches who … Ladies and gentlemen, jury and coaches who I respect, as well as the participants of the BASAbali Wiki Oration competition that I love. Om Sywastyastu. Through a pure and sinless heart, I never cease to express my gratitude to God Almighty, because with His blessings, I can meet with this audience today. In which I participate in the oration competition in today’s Public Participation Wikithon. Hopefully, events like this will continue to grow in the future, making Bali strong. Ladies and gentlemen, the subject of my oration is titled “Good Education as a Tool to Improve the Quality of Bali’s Human Resources”.Ladies and gentlemen, what made me take that title? Because from a lot of what I see I conclude the youth in Bali do not get a good education. This makes it difficult for Balinese human resources to get a job that can develop the economy of the province of Bali. According to data from the Central Bureau of Statistics in 2021, the percentage of Balinese who did not go to school was 1.03 thousand people or 24.04%; then those who did not graduate from elementary school were 377.18 thousand people or 8.83%. Based on these data from the Central Bureau of Statistics, the government and Balinese people, especially students, should try to implement programs that can help Balinese people who have not received proper education. Then, what programs can be implemented? Let’s think together.As a Balinese youth, I will provide solutions or suggestions to the ladies and gentlemen of the DPD Bali as well as the government who is the mouthpiece of the community, to always help provide good knowledge to all Balinese. The first suggestion: pay attention to the quality and quantity of the teachers. Teachers or educators are like the main key that will teach or provide knowledge to students. If teachers’ wages, facilities and accommodation are not good or adequate, it will affect the teaching process. Secondly, school and classroom support facilities should be prioritized. When the learning process takes place, but the facilities used are not complete, of course the teacher and students will have diffulties and the learning process in the classroom will be disrupted. The third suggestion is to provide the youth with positive out-of-school activities or out-of-school learning programs. Good examples are carrying out and participating in competitions, participating in community service programs as well as other useful work. With these activities students do not only to learn at school.Ladies and gentlemen, based on the many things I have talked about, I would like to conclude as follows. The Balinese government and people should not underestimate education. Because through education, we can get a good job to improve the quality of Bali’s underdeveloped human resources. Also the Balinese are expected not to be swayed by the wealth that exists in today’s world, called “Industrial Revolution 4.0”. Let us together help Balinese who have not received a good education through positive and useful programs or activities. Lastly, we should introspect ourselves so as not to forget ourselves and together carry out our religious obligations by strengthening Bali.Well, ladies and gentlemen whom I respect very much, that’s all I can say on this good day. Thank you to those who have witnessed my speech. Hopefully what I have said will be useful. For any shortcomings, let me apologize. In closing, I say paramasanthi. Om Shanti, Shanti, Shanti, Om.ramasanthi. Om Shanti, Shanti, Shanti, Om.)
"WARGA NEGARA ASING NGAWINANG MANAH AJERIH RING KRAMA BALI" + (Ladies and gentlemen, our honorable guest. … Ladies and gentlemen, our honorable guest. Before we start this oration. Allow us to express our gratitude to Ida Sang Hayang Widhi Wasa, for it is through His grace that we gather on this auspicious day. With heartfelt devotion, we begin with panganjali:Om swastyastu our honorable guest, the oration we will deliver today is entitled "Foreign Citizens are disturbing the Balinese people". Recently, foreign tourists or "foreigners" in Bali have been in the public spotlight because they are acting up and making people anxious. Instead of being deterred, foreigners who were found committing various violations in Bali actually resisted when the police took action. Not just one violation but many violations committed by foreigners, such as: 1. Increased Traffic Violations:Statistical data records a dramatic increase in traffic violations committed by a number of foreigners. A lack of concern for road rules and safety not only threatens local communities but also creates significant risks for foreigners themselves. This increase reflects troubling non-compliance, necessitating more effective enforcement actions and more intensive awareness campaigns.2. Adverse Immigration Problems:High levels of overstaying and violations of immigration regulations create a serious burden on the immigration system. The economic and social impacts of this behavior are very real, given the resources that must be allocated to deal with these cases. Increased controls and enhanced immigration enforcement actions are imperative to ensure compliance with existing provisions and maintain the integrity of the immigration system.3. Establishing a Business Without a Permit:The establishment of businesses without proper permits by some foreigners is detrimental to the local economy, creating disproportionate inequality in business competition. This problem not only concerns economic aspects but also raises questions of rights and justice in business. An in-depth evaluation of the economic and social impacts of these practices is needed to determine solutions that can address these problems without harming those who comply with the rules.4. Non-compliance with Environmental Regulations:The behavior of foreigners who do not comply with environmental regulations creates a serious threat to ecological sustainability in Bali. These cases include littering, damage to local plants, and violations of sustainability principles. A thorough evaluation of the long-term impacts of this environmental damage needs to be carried out to understand the implications for the ecosystem and the welfare of local communities.stem and the welfare of local communities.)

I Gusti Putu Hardi Yudana + (Lecturer at STIKOM Bali College of Informatics and Computer Management)

I Gusti Ngurah Ady Kusuma + (Lecturer at the College of Computer Management and Informatics STIKOM Bali)
I Gusti Agung Mas Rwa Jayantiari + (Lecturer at the Faculty of Law, Udayana Un … Lecturer at the Faculty of Law, Udayana University, who started to become a lecturer since 2010. Graduated from undergraduate studies and became the best graduate in 1999 at the Faculty of Law, Udayana University. Study Masters level at the Notary Masters Program, Universitas Brawijaya in 2007. Furthermore, for the doctoral study completed at the Law Faculty of Law Education at Udayana University in 2019 and returned to be the best graduate. Throughout her career as a lecturer, she actively made studies on legal and community problems, especially studies relating to customary law, indigenous peoples and their natural resources, progressive legal studies related to gender studies in law, legal anthropology, legal sociology as well as law and culture. The thinking that is studied more often is done with a progressive legal perspective. The results of these thoughts are published in international journals, national journals and in the form of textbooks in fulfilling teaching assignments. Participation in scientific meetings is also often done including in the call for papers and also as a resource, moderator and participant in an academic scientific forum.rticipant in an academic scientific forum.)
Ida Bagus Gede Wirawibawa + (Lecturer in the Architecture Study Program … Lecturer in the Architecture Study Program of the Faculty of Engineering, Udayana University, born on May 2, 1961 in Denpasar, Bali. Elementary to high school education was completed in Jakarta (1968-1981). Bachelor of Engineering (S1) was completed in the Department of Architecture, Faculty of Engineering, Udayana University in 1988 and was appointed as a lecturer in the same department since 1991.In 1995, he received a BPPS scholarship to continue his Master's degree and obtained a Masters in Architecture-Settlement in the Postgraduate Program, FTSP-ITS Surabaya in 1997. He completed his Cultural Studies S3 at the Udayana University Postgraduate Program and obtained his Doctorate degree in 2012. He once served as Assistant Dean III of the Faculty of Engineering, Udayana University, 2003-2007 period.Aside from actively teaching in the Architecture Undergraduate Program, the Master of Architecture Program and the Doctoral Engineering Study Program at the Faculty of Engineering at Udayana University, he currently also serves as the Head of the Balinese Traditional Architecture Laboratory at the Architecture Study Program at the Faculty of Engineering, Udayana University.aculty of Engineering, Udayana University.)
Leslie Anne Franklin + (Leslie Anne Franklin was born in Newport B … Leslie Anne Franklin was born in Newport Beach, California, and first visited Bali in 1982. During the 33 years she lived in Bali, she has witnessed social, environmental developments over time. Leslie's love for Bali includes the fervent spirituality of the Balinese and their endearing hospitality, which has remained steadfast and unchanged. Leslie founded the Facebook group Lost Bali, which, at the time of this submission, has over 28,000 active members. The group shares memories and photographs that have captured a time before 1990 before mass tourism affected the island. The collective stories and images have served as inspiration for the book. Leslie currently resides in her wood cabin in the mountain town of Big Bear, California. She is the mother of four children and four grandchildren. This is her first anthology.randchildren. This is her first anthology.)
Ngwangun malih titi pengancan kewagedan + (Libraries are often thought of as a bridge … Libraries are often thought of as a bridge to knowledge, a place where individuals can find lessons, inspiration, and entertainment. However, in the city of Denpasar, Bali, libraries face a number of problems that impede public access to this valuable intellectual resource. With the experiences and stories of local people, we can understand how important it is to overcome these challenges and rebuild the foundation of libraries as inclusive and effective learning centers. One of the major problems faced by libraries in the City of Denpasar is inconsistent operational schedules. Many libraries are only open during normal business hours, even on weekdays, making it difficult for workers or students with busy schedules to visit. In fact, some libraries even close on weekends, when many people have free time to study or enjoy reading. This causes frustration and reduces the public's interest in using library facilities. In addition, unresponsive service and lack of effective communication are also constraints. Many visitors feel that library staff are unfriendly and unwilling to help. The experience of Sekar, a local resident, reflects a common experience where simple requests such as finding a wifi password or a membership registration procedure are not responded to well. This results in a difficult experience and less motivation to return to the library. In addition, the lack of information about the operational schedule and library services is also a problem. Many libraries do not actively update their information on online platforms such as Google Maps, making it difficult for the public to know when the library is open or closed. This causes confusion and uncertainty, especially for those who do not live near libraries or have limited access to the internet. To address these problems, concrete steps need to be taken by governments and stakeholders. First, libraries need to expand their operating schedules, including opening on weekends and at night to reach more people. This will provide an opportunity for individuals with busy schedules to access library resources. In addition, training for library staff in customer service and effective communication is also important. Library staff should be equipped with the necessary skills to provide friendly and responsive assistance to visitors. This will help create a more welcoming environment and encourage people to use library facilities more comfortably. Equally important, libraries should increase their efforts in disseminating information about their services and operating schedules. This can be done through a variety of communication channels, including social media and library websites. By providing clear and easily accessible information, libraries can rebuild public trust and increase their participation. With these steps, the libraries in the City of Denpasar can play a more effective role in providing access to knowledge and supporting lifelong learning for its community. By improving their systems and services, libraries can become inclusive and inspiring centers of learning, helping to build a brighter future for future generations. a brighter future for future generations.)
Bandana Tewari + (Lifestyle journalist and sustainability ac … Lifestyle journalist and sustainability activist Bandana Tewari believes storytelling and personal responsibility have a huge part to play in the reformation of the fashion industry.When you were starting out in fashion, what were the issues facing the industry, and at what point do you think attitudes to fashion and especially fast fashion started to change to incorporate ideas of sustainability?I worked at Vogue India for thirteen years. It was a time when the Indian market opened up to a deluge of international luxury brands. There was much optimism and excitement about the massive aspirational population of India, the cynosure of multinational companies eager to conduct business in the Indian subcontinent. At this point, conspicuous consumerism was applauded and encouraged – signalling a modern India that was willing to spend money, display affluence, and be the sartorial arbiter of a young nation. There was no awareness of conscious consumption, of sustainability and environmental impact of the incredible waste and excess that plagues the fashion industry today.In all honesty, the risks of over-consumption and the perils of fast fashion, as we now know of them, came into our collective consciousness only recently. The Rana Plaza disaster of 2013 in Bangladesh was the most brutal symbol of a global fashion industry gone wrong. It exposed a terrible truth: a multi-trillion-dollar industry was systemically plagued by unimaginable inequalities, both economic and social. This Rana Plaza disaster – when five garment factories collapsed killing more than 1,100 people, mostly women – created a global uproar. The world woke up to a fashion industry that pays some of the lowest wages, conducts business in such unsafe work environments, it creates untold disregard for human life. And then the environmental issues ensued which saw rivers and farms in developing nations being clogged and degraded with industry waste creating irreparable harm to people and the planet.It is through the exposé of the extraordinary pains of ordinary people who make our clothes that led to a monumental change in the way we perceive the business of fashion.How seriously do fast fashion brands like, let’s say H&M, really take the concept of waste within the industry? Are these efforts to improve sustainability just an exercise in greenwashing?We are drowning in clothes – many of the approximately100 billion garments sold each year go into landfills or are incinerated – both harmful to the environment. According to Fast Company, H&M produces three billion garments a year and till 2019 was sitting on $4.1 billion worth of unsold clothes, some of which, we are told, became fuel for a power plant in Sweden. While many initiatives are underway to address the problems of production and consumption, it seems too little at a time when we have swiftly moved from climate change to climate crisis. The fashion industry generates 10 percent of global carbon emission, 20 percent of all waste water, and pollutes the oceans with half a million tons of microplastics. So, if big changes do not propel a big impact – it is, simply, greenwashing.Given the magnitude of the problem, whatever solutions provided by fast fashion companies, thus far, seem perfunctory. The velocity with which garments are being manufactured, bought and tossed away is horrendous, to say the least. One garbage truck of clothes is either burnt or dumped in landfills every second! So whatever Zara, H&M or other fast fashion brands are doing to rectify the system is too little. Governments and policies need to intervene to limit the greed and speed of overproduction. More investments in R&D for solutions in recycling, alternative fabrics, etc, are crucial. Consumers need to play an important role in disarming the consumerist agenda of globalisation that fuels the ‘marketing need’ for more and more, bigger and bigger. Every human being should know how they choose to spend their hard-earned money really does matter!To what extent do you think consumers really care about what happens in the rivers and seas thousands of miles away that are affected by the processes used to create our fashionable clothes?Consumers do care about rivers, seas and every aspect of nature, provided they are shown the truth – truth about human beings’ role in the degradation of nature that comes from corporate greed, mindless consumption and governmental apathy. There is not a single human being who doesn’t want their children to grow up in an environment that is nurturing and nourished. Who amongst us wants to live in the filth of pollution?The problem is that consumers have been ‘sold’ only one part of the story – the part that says when clothes glitter and automobiles shine and you own them then you have made it. When in fact, the process of making – what irreplaceable natural resources are harnessed to make things, the number of hands that go into making even a simple t-shirt – is excluded from the narrative, the inequalities in the system and the harm perpetrated on our environment will remain invisible. When you are never shown the problem, why would you seek a solution?Tell us about your latest project…I am a writer. Sadly, I don’t have any big projects to boast of. However, my personal commitment as a storyteller is to always follow the four fundamental principles of authentic storytelling: Product, People, Process, Purpose. If any one of these ‘Ps’ are unfulfilled or unaddressed by a company or brand, I will not write about it. Every media person should pay heed to the power of the pen.What advice would you give to young designers starting out now?I would request every designer starting out today to read Small is Beautiful, a book written by the hallowed global economist E.F. Shumacher. In this book there is a chapter called ‘Buddhist Economy’ which throws light on the need for mindfulness in business. It is a guide to making one’s daily work – a noble act of humanity. It points to our present-day crisis in the way leaders are raised or made to pillage the earth, as if humans are the only sentient beings in this world. It points to correcting an era that seems so disconnected with our inner and outer divinity – that we have made human-force into labour-force.What is the future of fashion?The future of fashion is compassionate; how else will we survive? There is no business to be done on a dead planet. So, I feel confident that we will rise to address the challenges of waste, greed and environmental degradation. With a generation of young people born in this era of climate crisis, they will, without any doubt, only choose industry leaders who lead with a ‘monk mentality’, leaders who reinforce the crucible of compassion and conscious consumption. I believe that the future of fashion will have storytellers, producers and creators who will show the interconnectedness of everything around us – the magic of coexistence and biodiversity. They will tell us the story of our t-shirts – made from a seed of life that blossomed into cotton; the same cotton that clothes us also thrives when it grows alongside other diverse plants, on a land rich in soil nutrients. The future of fashion will have great teachers who will tell us that what we ingest into our bodies and what we put on our bodies must both honour the sacredness of nature.IG & Twitter: @behavebandanaur the sacredness of nature. IG & Twitter: @behavebandana)
Kapiambeng ring sejeroning pariwisata + (like what happened on Kuta beach there are … like what happened on Kuta beach there are some sellers who force tourists to sit or buy food or goods from them.what makes some tourists restless is the way they offer it seems to be pushy and chases so that some tourists want to use their services or buy food/drinks or goods from them.and some tourists have spoken up on twitter/instagram and some other social media about this. please fix this problem because it makes some tourists afraid to travel here and assume that in all tourist attractions there will be sellers like them.and it is necessary to promote new tourism tourism which has the opportunity to generate a lot of profit, in every tourist place it must be clean and hygienic like a clean bathroom. clean and hygienic like a clean bathroom.)
Lilik Mulyadi + (Lilik Mulyadi was born in Bogor, August 23 … Lilik Mulyadi was born in Bogor, August 23, 1961. He has written poetry since 1978 and has been widely published in the Bali Post and several media outside Bali. Often wins local and national poetry writing competitions. His poetry is also summarized in the Magical Paintings of Bali Land, Dendang Denpasar Nyiur Sanur, Klungkung: Old Land, Land of Love, etc. His single book of poetry: Jatijagat Pedukuhan Magical Poetry (2017). He worked as a judge and wrote many books on law.ed as a judge and wrote many books on law.)
Listya Wahyuni + (Listya Wahyuni, born in Denpasar, March 1, … Listya Wahyuni, born in Denpasar, March 1, 1984. Graduated from art education at ISI Denpasar. Since 2004 she has been active in various joint exhibitions, including “The New World” at Bentara Budaya Bali (2016), “The Fertile Period” at Karja Art Space, Ubud (2018), “Eruption” at Galeri Raos, Batu, Malang (2019). Her work has been a finalist for UOB Painting Of The Year (2013). She is a member of the Militant Arts Community.s a member of the Militant Arts Community.)
Literasi Bahasa Bali dan Pengaruhnya pada Gen Z + (Lorem ipsum dolor sit amet, consectetur ad … Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Urna condimentum mattis pellentesque id. Gravida dictum fusce ut placerat orci. Eleifend donec pretium vulputate sapien nec sagittis. Ac placerat vestibulum lectus mauris ultrices eros in cursus. Nunc congue nisi vitae suscipit tellus. Risus in hendrerit gravida rutrum quisque non tellus orci ac. Neque viverra justo nec ultrices dui sapien. Eget velit aliquet sagittis id consectetur purus. Massa id neque aliquam vestibulum morbi blandit. Etiam tempor orci eu lobortis elementum nibh tellus molestie.Nullam non nisi est sit amet facilisis magna. Tellus in metus vulputate eu scelerisque felis. Euismod nisi porta lorem mollis aliquam ut. Dignissim cras tincidunt lobortis feugiat vivamus at augue eget arcu. Condimentum mattis pellentesque id nibh. Aenean vel elit scelerisque mauris pellentesque pulvinar pellentesque habitant morbi. Consectetur lorem donec massa sapien faucibus et molestie. Rhoncus est pellentesque elit ullamcorper dignissim. Tortor dignissim convallis aenean et tortor. Convallis posuere morbi leo urna molestie at elementum. Mattis ullamcorper velit sed ullamcorper morbi. Pellentesque habitant morbi tristique senectus. Ultrices tincidunt arcu non sodales.ctus. Ultrices tincidunt arcu non sodales.)
Wijaya Test + (Lorem ipsum dolor sit amet, consectetur ad … Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.ficia deserunt mollit anim id est laborum.)
Louise Garrett Koke + (Louise Garret Koke (1897-1993; New York Ci … Louise Garret Koke (1897-1993; New York City, New York, U.S.A), born Louise Gignox, studied at Columbia University in New York City, U.S.A., and designed theatre stage sets. She first came to Bali in 1936 while on a world tour to the Far East. With her husband Robert Koke, she set up the first hotel on Kuta Beach (which she describes in her book "Our Hotel in Bali") and stayed until early 1942 before the Japanese invansion of World War II. She made many humorous ink drawings and romantic paintings of the Balinese people. Exhibitions Alliance Francaise (Shanghai, China, 1947), Neka Art Museum (Ubud, Bali, 1993).1947), Neka Art Museum (Ubud, Bali, 1993).)
Made Adnyana Ole + (Made Adnyana Ole was born in Tabanan, now … Made Adnyana Ole was born in Tabanan, now lives in Singaraja, Bali, while managing Mahima Institute Indonesia which is engaged in arts and culture education. His poetry and short stories have been published in various media such as Bali Post, Jawa Pos, Horison, and Kompas. His single book collection of poems “Fairy Tales from the North” (2014). Her single collection of short stories, “Padi Dumadi” (2007) and “Sacred Girl Painting Sacred Signs in Sacred Places” (2018). A number of his short stories are included in the Compass Choice Short story book.ed in the Compass Choice Short story book.)
Made Agus Janardana + (Made Agus Janardana, S.Pd., Gr., M.Kom., a … Made Agus Janardana, S.Pd., Gr., M.Kom., also known as Made Oplas, is the creator of the creative artwork of Wajah Plastik (The Plastic Face) who is also the author of the book “Wajah Plastik: A Pigment of Imagination” (2023). Agus Janar as he is known, was born in Singaraja, Buleleng, Bali, on January 23, 1990. He grew up in Bungkulan Village, Sawan District, and is considered an energetic young man. People know him as a creative figure, always having a million creative ideas, especially since he is basically a designer. Since his Wajah Plastik “Plastic Face” was introduced to public, Agus Janar has become increasingly famous. He is even often invited to give workshops on Plastic Faces. Plastic face seems to have become a legacy in his life. For him, sharing or doing good is his next life mission.ng or doing good is his next life mission.)
Made Aripta Wibawa + (Made Aripta Wibawa, born in Singaraja, Mar … Made Aripta Wibawa, born in Singaraja, March 3, 1965. Since high school, he has been interested in literary activities by writing poetry and prose. While studying at the Faculty of Law, Mataram University, NTB, he became increasingly involved in the world of literature. He co-founded the Mataram Literature Studio and the Association of Indonesian Writers, Poets and Authors (HP3N) with an initiator and founder, Putu Arya Tirtawirya. While in Mataram he was often a judge for poetry and short stories reading competitions on Radio Suta Remaja, Sinta Rama and Rinjani with his brother, Agoes Andika As. Aripta's poems have been published in the Bali Post, Nusa Tenggara, Bali Post, Karya Bakti, Simponi, Swadesi and Merdeka newspapers. He is also active in writing for the HP3N bulletin. Now he is a lecturer at Bali Dwipa University.he is a lecturer at Bali Dwipa University.)
Made Astawa + (Made Astawa, also known as "Dollar", is a … Made Astawa, also known as "Dollar", is a painter born in Gianyar, August 22, 1972. He studied art at SMSR Denpasar. Since 2001, he has been involved in many joint exhibitions, such as the exhibition at Tony Hogart Australia (2012), the MilitanArt exhibition "Land Remember" at Santrian Galeri Sanur, Bali (2017), the joint exhibition "nir (virtual) visuals" at Lv8 Resort Hotel Berawa, Badung , Bali (2018). His works tend to be abstract in nature by exploring the icons of the back. Apart from being a painter, he also manages the Griya Santrian Gallery and the Cactus Art Gallery in Sanur.llery and the Cactus Art Gallery in Sanur.)
Made Astika + (Made Astika was born in Karangasem-Bali, M … Made Astika was born in Karangasem-Bali, May 13, 1983. His undergraduate studies at the Singaraja State IKIP took the Department of Language, Indonesian and Regional Literature Education. During college, he served as Chair of HMJ Jurdik BSID 2005/2006 and Deputy Chair of the Student Senate of the Faculty of Language and Arts for the 2004/2005 period. He was also trusted to be the Coordinator of IMABSII (Indonesian Language and Literature Student Association) for the Bali Region in 2005/2006. He studied Literature, Gadjah Mada University in 2011. His short writings were published in the daily Bali Post and Bali Orti. A number of his published books are Oral Literature: Theory and Its Application (Teaching Books), Text Genre (Teaching Books), Before Hari Anniversary Wins (Lyric Prose Anthology), Historia Senja (Poetry Anthology) and several works in joint poetry anthologies. Now, he teaches at Ganesha University of Education, and is also the Coordinator of the Indonesian Language and Literature Education Study Program.ge and Literature Education Study Program.)
Made Budhiana + (Made Budhiana was born in Denpasar, Bali, … Made Budhiana was born in Denpasar, Bali, 27 March 1959. He studied painting at ISI Yogyakarta. He has exhibited his works in various countries, such as Germany, Switzerland, Singapore, Malaysia, Australia, and the Netherlands. Had solo exhibitions at The Northern Territory Museum of Arts and Sciences, Darwin, Australia (1989), Cemeti Modern Art Gallery, Yogyakarta (1989), Bali Hilton, Nusa Dua (1991), Ganesha Gallery, Jimbaran (1998), and Sika Gallery , Ubud (2001). He has won various awards, including the “Best Painting Bali Art Award” (1997), “Pratisara Affandi Adhi Karya” from ISI Yogyakarta (1985 and 1986), and so on. Budhiana's works tend to be abstract by playing with lines and colors that are full of feelings. Apart from painting, he also had an interest in literature, theater, and music.nterest in literature, theater, and music.)
Made Duatmika + (Made Duatmika, born in Jembrana, May 19, 1 … Made Duatmika, born in Jembrana, May 19, 1970. He is a painter who graduated from ISI Denpasar. His work has won the Philip Morris Art Award (1998). Since he was a student, he has been diligent in participating in joint exhibitions. Among them are the “Force of 93” exhibition at the Bali Cultural Park (1996), the Philip Morris Indonesia Awards Exhibition in Jakarta (1998), the Joint Exhibition at the Hendra Gallery in Prana, Jakarta (2010), etc. He is a member of the art community Militanarts. His works tend to present a social atmosphere that is dominated by bright colors.sphere that is dominated by bright colors.)
Made Edy Arudi + (Made Edy Arudi is a poet and a civil serva … Made Edy Arudi is a poet and a civil servant teacher at SMP Negeri 2 Sukasada - Bali, born October 22, 1978. His poems are often published in the National Bali Post newspaper, his other works can also be read in several poetry anthologies together, such as: Klungkung: Tanah Tua Tanah Cinta (2016), Anthology of Poems of 100 Poets of the Archipelago “When the Birds Have Gone” (2016), Finding Childhood in the Body of Advice (2016), Madah Merdu Kamadhatu (2017), Ijen Valley Smile (2018), and Chewing Furious Against Corruption (2018), etc.ng Furious Against Corruption (2018), etc.)
Made Galung Wiratmaja + (Made Galung Wiratmaja is a painter born in … Made Galung Wiratmaja is a painter born in Sukawati, Gianyar, Bali, May 31, 1972. He completed his art education at PSSRD Udayana University. Since 1993 he has diligently displayed his work in many joint exhibitions, such as the “Retrospective” exhibition at Bentara Budaya Bali (2018). His solo exhibitions are “Silent Nature” at Ganesha Gallery, Jimbaran (2007) and “Landscapes” at Griya Santrian Gallery, Sanur (2006). He has won awards from the Indonesian Fine Arts Foundation (2000), the German Der Weltkulturen Museum (2006) and the Mandiri Art Award (2015). Galung's works tend to combine abstract and figurative patterns with captivating color plays.ive patterns with captivating color plays.)
Made Gunawan + (Made Gunawan is a painter born in Apuan, T … Made Gunawan is a painter born in Apuan, Tabanan, Bali, July 14, 1973. He is a fine arts graduate from ISI Denpasar. His latest works with decorative patterns talk a lot about ecology which is associated with the concept of Tri Hita Karana, the harmonious relationship between humans and God, with fellow humans, with nature (animals and plants).Since 1995, Gunawan has been actively involved in joint exhibitions, both at home and abroad. Meanwhile, since 1999, he has held solo exhibitions. These include the “Nungkalik” Sketch and Painting Exhibition at the boarding house, the exhibition at the Hadiprana Gallery Jakarta (2002), “Women” at Jenggala Ceramics Jimbaran Bali, “Melody & Beauty From the Paradise Island at the Hadiprana Gallery Jakarta (2004), an exhibition at Montiq Galery Jakarta (2007), exhibition “Third Solo Exhibition” at Galeri Hadiprana Jakarta (2008), exhibition at Art Village Gallery Malaysia (2009), Tree Of Life at Hadiprana Gallery Jakarta (2014), “Garis Bali” at AMBIENTE Jakarta (2015) ), Tree of Life at Hadiprana Gallery Jakarta (2018).Gunawan also made several performing art works. Among other things, the "Golden Chair" which was staged at the Bali Cultural Park (1997). In 2000, Wayang Visual Arts, the Culture of Violence, Returned to Emptiness in the parking lot of Udayana University. Puppets of Fine Arts Ngaben Culture of Violence Return to Emptiness at Ciputra Mall Semarang Indonesia. In 2001, the Silhouette of Collaborative Women performed at STSI Denpasar.Gunawan's awards in fine arts are Best Sketch from STSI Dps (1997), Top Ten Best Artwork from STSI Dps (2001), As the initiator of 1000 boxes of Painting (Women & Flowers) from the Indonesian Record Museum (2003).Flowers) from the Indonesian Record Museum (2003).)
Made 'Kaek' Dharma Susila + (Made Kaek in His Own Words,.. a biography. … Made Kaek in His Own Words,.. a biography..A contemporary artist residing in Banjar Palak Sukawati Bali. A graduate of law and a self-taught artist. Made Kaek is a creative pillar with pivotal contributions to the landscape of contemporary Indonesian art. Excerpt "Background and EducationIn high school, I liked drawing and doing things like making wall art. I studied in a regular high school. When it was time to continue my studies I was advised to go to Yogyakarta to do law. So I did. In Yogya I found that law is a little conflicted in my life. Perhaps with my character and perception. But I also thought it could be something good in my life and continued with the study of law.You can say I went to Yogya to study law but in Yogya I became an artist. I met Nyoman Gunarsa.. he lived near the campus and we often met at his house. There are many places where Balinese students from ISI would gather. I would say that I found my true self there. It was a long process, going through two extremes. On the one side, there is the law and on the other is art."Read the full article on Made Kaek https://sawidji.com/about-sawidji/artists-sawidji-gallery/made-kaek/sawidji/artists-sawidji-gallery/made-kaek/)
Made Karyana + (Made Karyana, born in Batuan, Sukawati, Gi … Made Karyana, born in Batuan, Sukawati, Gianyar, January 28, 1981. He completed his art education at ISI Denpasar. Since 2005 he has been diligently involved in joint exhibitions, such as Tanda Dalam Jejak, Dewangga Gallery Ubud (2006), Joint Exhibition with the “PIJAR” group at Santrian Gallery Sanur (2011), Joint Exhibition with Baturulangun at the ARMA Museum Ubud (2012), Joint Exhibition with Baturulangun in Ubud Painting Museum (2015), Joint exhibition “Amasing Think” at LV 8 Canggu (2016). His paintings are made using traditional Batuan style techniques, but with contemporary themes. techniques, but with contemporary themes.)
Made Kenak Dwi Adnyana + (Made Kenak Dwi Adnyana, born in Kintamani, … Made Kenak Dwi Adnyana, born in Kintamani, May 10, 1985. He completed his art education at ISI Yogyakarta. He has participated in various joint exhibitions. Among other things, the exhibition "One step Back" at the Sono Budoyo Museum, Jogjakarta (2018), "Abstract is...?" at Bentara Budaya Bali (2017), Legend of the Archipelago at KOI Galeri Kemang, Jakarta (2016), “From Time to Taste” at ORASIS Galeri Surabaya (2015), ARTE Indonesia Art Festival 2014, at JCC Jakarta. He received the Jakarta International Art Award Nominee (2010) and Best Sketch Class of 2004 from ISI Yogyakarta. His works tend to display abstractions of nature with distinctive coloring.tions of nature with distinctive coloring.)