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Ni Putu Apriani + (April Artison is the pen name of Ni Putu A … April Artison is the pen name of Ni Putu Apriani. Born in Tuban, Badung, Bali, April 12, 1991. A graduate of Communications and Religious Information from IHDN Denpasar. Since she was a teenager, she has been active in literature and theater. In 2016, she was invited to read poetry at the 5 Asean Countries Poets Gathering in Singapore. Her poetry was published in the book Klungkung: Tanah Tua, Tanah Cinta (2016). Klungkung: Tanah Tua, Tanah Cinta (2016).)
Arif Bagus Prasetyo + (Arif Bagus Prasetyo was born on September … Arif Bagus Prasetyo was born on September 30, 1971, has lived in Denpasar since 1997. He is known as a poet, literary critic, fine arts curator, and book translator. Alumnus of the International Writing Program, University of Iowa, Iowa City, USA. Received a number of awards in the field of writing, including: the Jakarta Arts Council Literary Criticism Prize, the Jakarta Arts Council Fine Arts Criticism Prize, and the Bali Provincial Government Widya Pataka Award. His books: Witness Words: 18 Literary Essays (soon to be published), Memento: Poems (2015), Memento: Poetry Books (2009), Epiphenomenon: Study of Selected Literature (2005), Stephan Spicher: Eternal Line on Paper (2005), Beyond the Forms : A Face of Modern Indonesian Painting (2001), Mangu Putra: Nature, Culture, Tension (2000), and Mahasukka: Book of Poetry (2000).00), and Mahasukka: Book of Poetry (2000).)
Arik Agustina + (Arik Agustina is a lecturer in IPB INTERNASIONAL, she graduated from Udayana University and got the master degree in Chemical Studies.)
Dewi Dian Reich + (Artist and writer. Dewi Dian is founder of … Artist and writer. Dewi Dian is founder of Sawidji Gallery & Co.Dewi Dian Reich was born in Australia of mixed Indonesian and European parentage. Dewi has a deep love for Nature, art, history and the traditions in her Indonesian heritage. She has called Bali her home for nearly 20 years.Dian is a graduate of the Australian National Art School in Fine Arts majoring in Photography and painting disciplines with emphasis on art history and theory. Undertook post graduate studies in Digital Media, Linguistics and Asian Studies.Dian is focused on the ongoing development of Sawidji Gallery and studio. The economic changes brought about by the Covid Pandemic to Bali was a catalyst. There was already a need to reassess the conditions affecting the integrity of Fine Art in Bali. Which is never separate from the intricacies of the culture itself. Sawidji may explore these themes. However, it simply wishes to celebrate the talents, the community and the Nature that we are fortunate to be a part of. Nature that we are fortunate to be a part of.)
Teknologi antuk kelestarian seni miwah budaya + (Arts and culture studies are the result of … Arts and culture studies are the result of work and creativity based on the norms and behavior of the Balinese people who are involved in preserving Bali's cultural heritage through artistic and cultural wisdom. It is hoped that arts and culture can be developed again by using technology to develop and develop works of art. Apart from that, introducing art and culture to the younger generation as a means of providing an understanding of philosophy and the values of the existence of cultural objects. The aim of this activity is to encourage the younger generation to learn about arts and culture in their region as a means of increasing cultural sustainability and as a means of preserving local culture, developing knowledge-oriented activities and as a form of preserving arts and culture. This is important so that the Balinese people, especially young people, can gain better motivation and understanding, and can participate in the process of internalizing these cultural values into their own lives.hese cultural values into their own lives.)
Aryadimas Ngurah Hendratno + (Aryadimas Ngurah Hendratno was born in Den … Aryadimas Ngurah Hendratno was born in Denpasar on September 13, 1975. He has been writing poetry since he was a teenager, was once a part of Teater Angin (SMAN 1 Denpasar), and had contact with Sanggar Minum Kopi. A number of his poems have been published in Bali Post and in the anthologies Ensiklopedi Pejalan Sunyi (2015) and Klungkung: Tanah Tua, Tanah Cinta (2016). He is the "village head" of the Jatijagat Kampung Puisi (Jatijagat Poetry Village), teaches literature and theater at the Tahkta Theater at SMK Saraswati 1 in Denpasar, and manages the Rumah Belajar Seni (Art Study House) in Denpasar.lajar Seni (Art Study House) in Denpasar.)
Strategi Membangkitkan Perekonomian Di Bali + (As for the aspirations that I want to pour … As for the aspirations that I want to pour out to revive the economy in Bali, the points are as follows:There is control of the epidemic itself. The main thing that must be done is to reduce cases of transmission of the Covid-19 virus in Bali through the acceleration of the Covid-19 vaccination program. We can make this the main fortress in the face of the COVID-19 outbreak in Bali. Then the next step is to tighten the procedures (3M) on the island of the gods by involving all elements of society and foreign tourists who will vacation in Bali to participate together in complying with the program. This is done to restore the world's trust in the island of Bali through the discipline of health care, and the addition of health facilities so that they are adequate and suitable for use, such as the construction of self-quarantine rooms, providing Thermal Detectors or rapid tests and ensuring the safety and comfort of tourism, because good Health Tourism actually can increase the interest of tourists to vacation in Bali. Not only in terms of progress: the island of Bali must also optimize all existing fields to participate in supporting the economy, so that this strategy does not only come from the tourism sector but through optimizing all existing sectors, such as the Agriculture Plantation Sector, the Village-Based Digital Empowerment Sector. Customs, Endek and Songket SME Centers, Creative Economy SMEs and others. Through the cooperation of all economic actors, we can slowly revive the economy in Bali. The next step is through the development of the Essential Business Travel Corridor (TCA), the collaboration carried out with several countries for the purposes of Essential Business, Diplomatic and Service which has been initiated by the government. Of all the points above, one point that is no less important is to build a positive image to foreign countries towards tourism in Bali, so that tourists are more interested in vacationing in Bali. This can be done by improving the hospitality sector (through HR training), improve facilities, make tourist attractions more attractive, cheaper rates and others to improve the tourism sector in Bali to make it more attractive to tourists. As we know, the island of Bali is a tourist island that has a variety of interesting tourist attractions, along with culinary and and cultural traditions adding positive points to the tourism sector in Bali.tive points to the tourism sector in Bali.)
Sembrama Wacana Manggala Dinas Pariwisata Provinsi Bali + (As the Head of the Balinese Tourism Minist … As the Head of the Balinese Tourism Ministry, I congratulate and thank you for the fourth Public Participation Wikithon competition organized by BASAbali Wiki. This competition is very useful during the COVID-19 pandemic. Why is this? First, based on the competitions held, the government can get input or suggestions from the Balinese community about what efforts can be made to restore Bali.Please, millennials, help the government. Give us some useful ideas so that we can revive tourism in Bali as it was or even better in the future. Second, teenagers or millennials, do not hesitate to speak out about environmental and cultural issues in Bali. The Balinese government needs your ideas, to resuscitate tourism in Bali. If the young or millennial generation can synergize their ideas with the government through this wikithon competition, then the development of Bali in the Nangun sat kerthi loka Bali” vision will be realized (ie respect for Balinese customs, traditions, art and culture, wisdom and language).ns, art and culture, wisdom and language).)
Helen Creese + (Associate Professor Helen Creese's researc … Associate Professor Helen Creese's research interests include Balinese textual and literary traditions, Balinese history and historiography and gender. Her research spans historical and contemporary periods. It draws extensively on indigenous textual traditions written in Indonesian, Balinese, Old Javanese as well as colonial sources in Dutch and French. Her publications include translations of both classical and modern texts.She is the author of Bali in the Early Nineteenth Century: The Ethnographic Accounts of Pierre Dubois (2016); Women of the Kakawin World: Marriage and Sexuality in the Indic Courts of Java and Bali (2004); Guide and Index to the Hooykaas-Ketut Sangka Balinese Manuscript Collection in the Australian National University Library (2004); and Parthayana: The Journeying of Partha. An Eighteenth-Century Balinese Kakawin (1998). She has co-edited 'The Stigmatisation of Widows and Divorcees (janda) in Indonesian Society,' Special Issue of Indonesia and the Malay World (with Lyn Parker, 2016); From Langka Eastwards: The Ramayana in the Literature and Visual Arts of Indonesia (with Andrea Acri and Arlo Griffiths, 2011); 'Gender, Text, Performance and Agency in Asian Cultural Contexts,' Special Issue of Intersections: Gender and Sexuality in Asia and the Pacific (with Rosie Roberts, 2008); Seabad Puputan Bali: Perspektif Belanda dan Bali (with Henk Schulte Nordholt and Darma Putra 2006); and 'Old Javanese Texts and Culture,' Special Issue of Bijdragen tot de Taal , Land- en Volkenkunde (with Willem Van der Molen, 2001).Her current research projects include an investigation into textual traditions, identity and cultural production in contemporary Bali, a literary history of Bali, and a number of projects on precolonial Balinese history.She was elected as a Fellow of the Academy of Humanities of Australia in 2007. She serves on an number of editorial advisory boards including the Southeast Asian Publications Series of the Asian Studies Association of Australia, Asian Studies Review, Intersections: Gender and Sexuality in Asia and the Pacific and Indonesia and the Malay World.Pacific and Indonesia and the Malay World.)
Augusta de Wit + (Augusta de Wit (25 November 1864 – 9 February 1939) was a Dutch writer, born in the Dutch East Indies and best known for writing about Java and Bali.)
John Stowell + (Australian scholar known for his comprehensive biography of German artist Walter Spies whose influence on Balinese art is reknowned.)
I Wayan Sadha + (Author and cartoonist I Wayan Sadha was bo … Author and cartoonist I Wayan Sadha was born in Jimbaran, on July 29, 1948. He attended guard school until grade 2 of Sekolah Rakyat. I Wayan Sadha has a lot of experiences having worked as a fisherman, laborer, tradesman, gardener, traveling photographer, until he became a journalist and most recently, a cartoonist and author. He created the dog cartoon character "Somprét" which is unique with satirical elements regarding Balinese social and cultural problems.He often participates in cartoon exhibitions with artists in Denpasar, has been invited to exhibit with Prakarti at the ARMA Muséum, Ubud, Bali Biénnalé and others. Won 3rd place in Photo “Bali Tourism 1981” and the 2010 Rancagé Literature prize with his book entitled “Léak Pamoroan”. His cartoons and short stories have been published in The Archipélago magazine, English Corner, Bali cho, Nusra Daily, Sarad Magazine, Poléng Magazine, and Taksu Magazine. He was a resource person at the event Sandyakala Sastra #5 in 2010 with Ida Bagus Wayan Widiasa Kenintén at Bentara Budaya Bali. He died on January 28, 2015.His published books are:Bali in the Eyes of the Somprét (Cartoon, 1994),The dog of Bali Somprét Celotéh Dog Bali (Cartoon, 2008),Léak Pemoroan (short story collection, 2009),Paruman Betara (short story collection, 2014).man Betara (short story collection, 2014).)
Ayu Diah Cempaka + (Ayu Diah Cempaka was born in Gianyar, July … Ayu Diah Cempaka was born in Gianyar, July 18 1993. She graduated in French Literature, Faculty of Cultural Sciences, Gajah Mada University, Yogyakarta. Apart from writing literature (poetry), he is a writer & film festival programmer. Became a programmer at the Yogyakarta Documentary Film Festival (FFD) (2015-2019) and Balinale – Bali International Film Festival (2022). He served on the Asian short film selection committee (2022) and community jury (2017) at the Jogja NETPAC Asian Film Festival (JAFF), jury team at the 2018 Indonesian Film Festival (FFI), as well as guest lecturer on 'Film Aesthetics', Film & Television Department, Art Institute Indonesia (ISI) Denpasar 2021. The film review was published in several media such as Cinema Poetica, Film Criticism Collective – Yamagata International Film Festival, Goethe Institut Indonesien, Ruang Journal, Bali Post, and Balebengong. In 2016 – now he is Cultural & Communication Officer at Alliance Francaise Bali.amp; Communication Officer at Alliance Francaise Bali.)
I Gusti Ayu Laksmiyani + (Ayu Laksmi full name I Gusti Ayu Laksmiyan … Ayu Laksmi full name I Gusti Ayu Laksmiyani, born in Singaraja, Bali, November 25, 1967. She is a singer, songwriter, dancer, film and theater actress. Was known as a lady rocker in the early 90's. In 2011, twenty years since his first album was released, she re-emerged with her latest album, Svara Semesta. Currently, Ayu Laksmi is active again in various local, national and international music events/festivals.Ayu grew up in a family that loves art, especially music. Since getting to know the world of the stage at the age of 4 years, Ayu began to actively participate in various art festivals, both on a local, national, and even international scale.Ayu Laksmi's name became known since she won BRTV at the Bali Province level in 1983 for the Trio version with her two sisters Ayu Weda and Ayu Partiwi in the Trio, "Ayu Sisters", which later in the same year won an award as Third Place and at the same time as the Best Appearance Trio. BRTV for the National Level.Ayu Laksmi is also known as one of the lady rockers in the national music scene in the era of 1984-1993 where Ayu is also one of the singers from Bali who managed to penetrate the national music industry. Indonesian music at that time.In 1989 Ayu contributed to the compilation album Indonesia's Top 10 with the single Not Always Gemilang created by Didi AGP, the sound track of the film Note Si Boy 2 with the song Hello Sobat created by Harry Sabar. In 1991 published her first album entitled The Lost Palace with arranger Raidy Noor. However, after the album was circulated his name immediately disappeared from the Indonesian music industry. Ayu returned to Bali in 1992 to continue her studies at the Faculty of Law, Udayana University, and graduated as a Law Degree in 1993ity, and graduated as a Law Degree in 1993)
Ayu Putu Feny Abrina Putri + (Ayu Putu Feny Abrina Putra, born in Penest … Ayu Putu Feny Abrina Putra, born in Penestanan Kelod, Ubud, October 5th, 1992. She graduated from Fine Art Education in ISI Denpasar. She has exhibited in "Ekspresi Indonesiaku" in Nasional Indonesia Museum (2014), "Brutal Art Work" in dolf Bonnet Tjampuhan Ubud Studi (2016), "Merdeka dalam Ekspresi" in Taman Budaya Bali (2019)alam Ekspresi" in Taman Budaya Bali (2019))
Ayu Weda + (Ayu Weda fully named I Gusti Ayu Made Weda … Ayu Weda fully named I Gusti Ayu Made Wedayanti. She was born in Singaraja, September 1 1963. She is alumi of Airlangga University, Surabaya. In era of 1980s, she was well known as lady rocker singer. Her achievement in vocal and stage field, such as in 1981 she gained The third champion in Radio Star award and TV (BRTV) in National Level. Moreover, She got award as the best performance in group category with her two sisters in Trio Ayu Sisters, who are I Gusti Ayu Partiwi and I Gusti Ayu Laksmi. In that year, Ayu Weda as representative of Bali in Puteri Remaja Indonesia award which was held by Majalah Gadis. in 1982, she successfully released album "Rindu Teman Sehati" arranged by national muse Adriadie. Meanwhile in 1987, she released album "Memetik Bintang" arranged by Deddy Dores. Besides singing, she also liked to write. Her short stories compilation "Badriyah" was published by Gambang Publisher in 2016. That book most told story of woman's life in happy and sad situation.f woman's life in happy and sad situation.)
Bali Virtual Tour & Ngonthel Halal + (Bali is a beautiful island. Affected by Co … Bali is a beautiful island. Affected by Covid-19, of course, it reduces the income of the population. Are there alternative steps forward? We provide alternative solutions, namely virtual tours and ngonthel halal and are presented in the form of questions and answers.What is a virtual tour ?Answer: Virtual tourism activities via the internet with media in the form of videosThe reason for choosing virtual tours ?Answer: Not everyone can go to Bali for various reasons such as: unable to take leave, still working, wife is pregnant, being treated at the hospital, pandemic, visas and passports have expired or have not been issued.Media used ?Answer: Did you know Netflix, Viu? Site / website subscription to watch movies by streaming. Yes, we adopt a method like Netflix with internet and video media. People who will access will be charged a fee or "pay"The mechanism of action ?Answer: As explained above, subscribing is like watching a movie on Netflix. Of course the videos presented must be fun, informal and rigid, like vloggers and youtubers making video tours, mukbang, inviting having fun in an exciting and fun wayIs it Ngonthel Halal?Answer: Sports activities while traveling around Bali by focusing on MuslimsReasons for choosing ?Answer: The relentless popularity of cycling during the pandemic. Complaints about halal food both in terms of the type of food, looking for Bali tourism that does not have an open genitalia element, are tired of the same kind of tourism, so traveling around Bali by bicycle can become a new tourist destination. Target : Local & Middle Eastern MuslimsApplication in the field?Answer: Participants are invited to tour by bicycle around Bali to several destinations with beautiful panoramas, serving halal food, prayer times can go to mosques. So this shows that Bali has good religious tolerance. shows that Bali has good religious tolerance.)
Ngiring Jaga Budaya Baline Saking Turis Sane Ten Bermoral + (Bali is a cultural tourism island that is … Bali is a cultural tourism island that is well known abroad. This causes many foreign tourists and tourists to come to Bali to walk around. The arrival of tourists to Bali is actually welcomed by the Balinese people because they can help the Balinese people whose field of work is in the tourism sector and introduce world progress to the community. However, it turns out that tourist behavior in Bali is not as beautiful as we think. Instead of walking around enjoying the beauty of the island of Bali, they are destroying the beauty of the island of Bali, behaving as they please and trampling on our cultural heritage. The behavior of naughty tourists is indeed infuriating and this also happens in various popular destinations in the world. Not long ago it went viral that a pair of foreign tourists became angry and clashed with Pecalang in Bali. This was because a pair of foreign tourists felt unacceptable because they were prohibited from crossing a road, because there was a Melasti ceremony procession to welcome Nyepi Day in Bali.We as Balinese citizens should not allow this to continue to happen to our ancestral heritage on the island of Bali. If this continues, it can of course cause discomfort to the people of Bali. To overcome this incident, the government has actually made various efforts starting from socialization, efforts to give tickets to foreign tourists who violate it and even many influencers who have made the tourists' actions viral on social media with captions that vilify them. By making this viral, actually we are just as bad as them, why should we vilify people on social media who haven't even changed anything and the tourists are still doing the same thing. A lot of shouting is useless, but try to make the tourist stop breaking Balinese rulesAs a government in a new era, it would be better, apart from setting an example of good travel behavior, one of the efforts that continues to be made is to socialize what can and cannot be done (do's and don'ts) by all tourists or foreign tourists who vacation in Indonesia, especially in Bali. and Lombok. Apart from that, the Ministry of Tourism and Creative Economy/Tourism and Creative Economy Agency (Kemenparekraf/Baparekraf) also continues to move quickly together with the provincial government (Pemprov) to handle cases of foreign tourists acting up. So, in the future it won't just be about increasing the number of foreign tourists visiting Indonesia. But it can also improve the quality of tourists, can also improve the quality of tourists,)
Pesta Kesenian Daerah Wisata (PKDW) + (Bali is an island of the gods which is wel … Bali is an island of the gods which is well known in foreign countries for its natural beauty. During a pandemic like this, many foreign and domestic tourists are reluctant to travel for fear of being exposed to the corona virus, especially since there is a new variant of the virus, namely Omicron. This pandemic has made everything difficult with the economy in a drastic decline. The main reason for the drastic decline in the economy is the decrease in the number of tourists coming to Bali. Therefore, it is necessary to plan to increase tourist visits to Bali and revive the economyCarry out the performance of the Regional Arts Festival (PKDW). The main purpose of implementing PKDW is to revive the economy. The implementation of this party is well carried out in tourist areas with large and strategic areas with favorable weather conditions. The advantage that can be obtained if PKDW is implemented is to preserve, develop and promote Balinese arts. Almost the same as PKB but PKDW is carried out at tourist sites and the implementation time is every 6 months. The reason it is held every 6 months is because it coincides with the semester holidays. Another advantage is that tourists get vacation satisfaction at the same time, because apart from seeing the natural scenery, tourists also see Balinese art and Balinese souvenirs. Its just that the implementation of PKDW must find the right and strategic place as well as sudden changes in the weather.Here the governmets role is really needed. However, in carrying out the governments plan so that it runs smoothly and according to expectations, the community has a very important and much needed role here. Therefore, lets cultivate a sense of concern among others and the level of self-awareness to raise the countrys economy for the sake of mutual survival.s economy for the sake of mutual survival.)
PRAKARSA PEMIMPIN BALI 2024: NGUBAH LELUU DADOS PAICA + (Bali is an island that is famous for its b … Bali is an island that is famous for its beautiful natural charm, customs, culture and traditions. Thus, Bali has become one of the islands that has become a tourist destination because it is rich in tourism areas, both religious tourism and recreational tourism. It is not surprising that many visitors come to enjoy the beautiful charm of the island of Bali.Being a tourism destination island, of course it is a challenge for Bali to maintain environmental sustainability so that the level of tourism in Bali is maintained. As we know, Bali's biggest income comes from the tourism sector. However, in carrying out something there are certainly problems that can hinder the development process of the tourism area.The waste problem is a serious problem, because it can reduce the image of Bali tourism, both for domestic and foreign visitors. The presence of waste in the tourism environment can be very worrying if it is not immediately addressed and managed well.In the concept of conscious tourism, which we know as Sapta Pesona, it requires the role of the community as host of the destination in an effort to create a conducive environment and atmosphere. One of the important parts of Sapta Pesona is clean. When we can maintain the cleanliness of tourist destinations, the other six aspects can be achieved. Cleanliness will create safety, comfort and bring happy memories to visitors.For this reason, the waste problem must be handled immediately by leaders in 2024. Bali 2024 leaders must have effective strategies to overcome the waste problem in Bali which is increasingly disturbing the community. Bali 2024 leaders are obliged to make breakthroughs in turning waste into blessings. Because it is impossible to avoid the existence of waste from people's lives, what Bali 2024 leaders need to do is a strategy or way to turn waste into blessings.ategy or way to turn waste into blessings.)
PRAKARSA PEMIMPIN BALI 2024: NGUBAH LELUU DADOS PAICA + (Bali is an island that is famous for its b … Bali is an island that is famous for its beautiful natural charm, customs, culture and traditions. Thus, Bali has become one of the islands that has become a tourist destination because it is rich in tourism areas, both religious tourism and recreational tourism. It is not surprising that many visitors come to enjoy the beautiful charm of the island of Bali.Being a tourism destination island, of course it is a challenge for Bali to maintain environmental sustainability so that the level of tourism in Bali is maintained. As we know, Bali's biggest income comes from the tourism sector. However, in carrying out something there are certainly problems that can hinder the development process of the tourism area.The waste problem is a serious problem, because it can reduce the image of Bali tourism, both for domestic and foreign visitors. The presence of waste in the tourism environment can be very worrying if it is not immediately addressed and managed well.In the concept of conscious tourism, which we know as Sapta Pesona, it requires the role of the community as host of the destination in an effort to create a conducive environment and atmosphere. One of the important parts of Sapta Pesona is clean. When we can maintain the cleanliness of tourist destinations, the other six aspects can be achieved. Cleanliness will create safety, comfort and bring happy memories to visitors.For this reason, the waste problem must be handled immediately by leaders in 2024. Bali 2024 leaders must have effective strategies to overcome the waste problem in Bali which is increasingly disturbing the community. Bali 2024 leaders are obliged to make breakthroughs in turning waste into blessings. Because it is impossible to avoid the existence of waste from people's lives, what Bali 2024 leaders need to do is a strategy or way to turn waste into blessings.ategy or way to turn waste into blessings.)
Pemimpin Bali 2024: Patut Tangar Teken Krama Tamiu + (Bali is famous as an island with friendly … Bali is famous as an island with friendly and innocent people. Therefore, many migrant residents come to Bali looking for work and making a fortune in Bali. If there are no clear regulations regarding the migrant population, over time Bali will become a densely populated island and the crime rate will increase due to the difficulty of finding work.Problems like this must be handled by the Balinese Leader who is elected in 2024. Whoever becomes the Balinese Leader in that year must be firm with the migrant population so that there are clear and firm rules. These rules are binding and can be used as guidance by migrant residents so that they do not do anything wrong when they come to Bali.Bali 2024 leaders must have a commitment to limit the population of immigrants to Bali considering that Bali is a small island. With the large number of migrant residents without clear restrictions, it cannot be denied that in the future the ratio of the immigrant population to the native population could be that there are more immigrant residents. This is what Bali 2024 leaders need to anticipate and be aware of so that Bali 2024 leaders have a firm policy regarding this matter. have a firm policy regarding this matter.)
"MAI MELALI: Solusi Pariwisata Bali Metangi Berbasis Digital Rikala Pandemi" + (Bali is famous for tourism with a very str … Bali is famous for tourism with a very strong religious title. However, when the Covid-19 pandemic struck, it caused all aspects of the community's economic support, especially in the tourism sector, to experience suspended animation. Not only Indonesia, but also similar things are experienced by all countries in the world. As the next generation, we should not only dare to criticize but also dare to innovate in order to create a collaboration that can revive Bali's tourism as before.A world that is completely digital, makes us have to strive to be in tune with cultural and technological tourism. Therefore, a solution that can be created is a website called 'Mai Melali' with the use of VR (Virtual Reality) which carries the theme of revitalizing Bali tourism with a digital theme. VR are conceptualized to be enjoyed especially for tourists who have missed Bali since the last time they visited the Island of the Gods. Besides that, this utilization will use several tourist destinations, such as Kuta Beach and religious tourism destinations such as Tirta Empul. By bringing Bali out, it’s hoped that a sense of longing for Bali will arise which will later make the feeling of wanting to visit Bali more volatile.Being motivated by the tourism sector alone can be likened to a double-edged sword. Besides being profitable because Bali has great potential, it can also be detrimental because during the current pandemic, all aspects of life have weakened. With the presence of Mai Melali, it’s hoped that all connoisseurs of Bali tourism destinations can feel the atmosphere that was previously felt but was forced to leave for a while due to the Covid-19 pandemic. With the help of VR technology, it is easier for us to collaborate with today's globalization. Therefore, let's create Bali tourism with the theme of technology, in order to awaken and revitalize tourism and the Balinese economy. Because we believe, Bali will come back.. Because we believe, Bali will come back.)
I Gusti Nyoman Lempad + (BALI'S MOST WELL-KNOWN ARTIST, I Gusti Nyo … BALI'S MOST WELL-KNOWN ARTIST, I Gusti Nyoman Lempad (1862-1978), was born in the village of Bedahulu in Gianyar, south-central Bali. He was a master artisan, carver, and architect. His ink drawings on paper, many with touches of color, are internationally famous. Their clarity, expression, composition, and form are unmatched to this very day.Lempad's narrative works focus on figures, movements, and details. The blank backgrounds, a feature seen in traditional drawings for amulets, death shrouds, and some styles of manuscript illustrations, evoke the appearance of wayang kulit (leather puppets) figures against a plain white screen.Lempad illustrated famous and lesser known episodes from Indian epic mythology and Balinese folklore. He often added erotic and humorous elements. Many of his drawings were done as a series of narrative episodes, the traditional manner of doing prasi (illustrations for stories) on dried lontar (palmyra palm) leaves or paper.The artist lived most of his very long and productive life in Ubud, where his family, due to political problems during the late 1800s, had moved to when he still was a young child. Lempad designed a part of the royal residence and a temple in Ubud. He knew most of the famous foreigners who lived in or visited Bali from the 1920s until his death in 1978.Many of Lempad's works were collected by the artist Walter Spies (German, 1895-1942). When Nazi Germany invaded Holland in 1940, Spies and other German nationals living in the Dutch East Indies (Indonesia) were arrested by the colonial authorities. Spies brought along with him to Batavia (Jakarta) a series of ten drawings by Lempad of the Brayut folk tale, which he left for safekeeping with his friend M. Bruyns.Spies was killed during World War II when the ship Van Imhoff transferring him to a detention camp in ceylon (Sri Lanka) was hit and sunk by a Japanese bomb. Before Bruyns died in 1980 he gave the works which Spies had left with him to Dr. Jacob Vredenbreght. In 1984, Vredenbreght presented these ten drawings to the Neka Museum. Along with seven other pieces, the Neka Art Museum now has one of the largest single collections of works by Lempad.Awards:Piagam Anugerah Seni (Indonesia, 1970)Wijaya Kusuma (Indonesia , 1975)Dharma Kusuma (Bali, 1982)donesia , 1975) Dharma Kusuma (Bali, 1982))
Pencemaran lingkungan di pesisir pantai bali + (Bali, as a famous tourist destination thro … Bali, as a famous tourist destination throughout the world, has very attractive natural charm. One of the attractions is the beautiful and clean beaches. However, recently, beaches in Bali have experienced very disturbing environmental pollution problems. This case raises the question, who is actually responsible for this problem? Environmental pollution on the coast of Bali has been occurring for several years. Some of the causes are waste from the tourism industry, household waste, and fishing activities that are not well managed. Many local residents and environmental activists have tried hard to overcome this problem, but until now it still continues to occur.but until now it still continues to occur.)

Dinor Gen + (Balinese photographer)

Tim BASAbali Wiki + (BASAbali Wiki strengthens languages, cultu … BASAbali Wiki strengthens languages, culture and the ecosystems they thrive in by engaging communities to take action. BASAbali is a collaboration of linguists, anthropologists, students, and laypeople, from within and outside of Bali, who are collaborating to keep Balinese strong and sustainable.g to keep Balinese strong and sustainable.)
Kirangnyane Efektivitas Program Bus Trans Metro Dewata antuk Ngentasin Pikobet Macet ring Bali + (Based on an article from the Denpasar City … Based on an article from the Denpasar City Government website, the Trans Metro Dewata Bus is a mass transportation which is one of the Bali Provincial Government's efforts to improve public services in the land transportation sector in urban areas, especially Denpasar City and covers several areas outside Denpasar City. The aim of the Bali Provincial Government in creating this program is none other than to reduce traffic jams and individual vehicle pollution. Trans Metro Dewata buses have now spread to various areas in Bali Province. However, its implementation over time is not in accordance with what the government hoped or planned. Most Trans Metro Dewata buses are currently empty without carrying passengers. Most people are reluctant to use public transportation because the stopping points are limited and far away, so it requires more effort to reach them. This also causes the majority of residents to prefer to use online motorcycle taxi applications rather than public transportation. The lack of public awareness of the existence of public transportation also causes a lack of passengers. Payment methods that can only be cashless can be a problem, especially for people who don't have or haven't made electronic money. According to interviews with 15 sources that the author conducted regarding the effectiveness of the Trans Metro Dewata Bus program, 9 out of 15 sources were of the opinion that the implementation of the Trans Metro Dewata Bus program was still not effective, which according to the experience of the sources was caused by several bus drivers who were a little impatient when driving their buses. so that when a motorbike passes in front of the Trans Metro Dewata Bus, the bus driver will honk at the motorbike rider. Then there were also sources who said that the terminal was far away, and there were also those who regretted the fact that the existing Trans Metro Dewata buses were currently empty and did not carry passengers due to a lack of public awareness regarding the use of this public transportation. On the other hand, 6 out of 15 interviewees believed that this program was effective because it could reduce traffic jams, pollution and save petrol costs. However, in reality there are still more sources who say that this program is not effective than those who say that this program is effective. Therefore, the government must pay more attention to this matter, because if it is not handled further it will have an impact on the Trans Metro Dewata Bus program which has been implemented by the government. Several sources also expressed their hope that this problem would be resolved and better in the future, that the government should be able to increase the effectiveness of this program with better solutions so that people would be interested and have the desire to use the Trans Metro Dewata Bus. desire to use the Trans Metro Dewata Bus.)
I Ketut Tombelos + (Batuaninteractive.com : "Tombelos was rais … Batuaninteractive.com :"Tombelos was raised by a poor stonecutter and didn't go to school, though he could read and write Balinese. About fifteen years old in 1938, Tombelos had been drawing since about 1934 or1935. He studied art with Ngendon, who was a close relative, and was a member of Pita Maha. There are twenty-three pictures by Tombelos in the collection."e pictures by Tombelos in the collection.")
I Made Jata + (Batuaninteractive.com: "About fifteen year … Batuaninteractive.com:"About fifteen years old at the time of making the pictures in the collection, Djata had been painting about two or three years. He said that he was self-taught be he had watched Ngendon at work. He visited the homes of the Western painters Bonnet and Spies, and showed them his work for criticism. He was a member of their group, Pita Maha. Djata was the son of a very poor carpenter. He hadnot been to school but could speak a littleMalay. Djata was an apprentice to a shadow puppet maker in Batuan, Dewa Putu Kebes, and the details of the headdresses and clothing in his drawings are taken from puppets. He was also close to Ngendon, who demonstrated how to draw rounded human bodies, especially nudes. In 1948, Connect appointed Djata teacher of art in a short-lived artisan's school established by the colonial government in Batuan. In the 1980s Djata was still painting, in much the samestyle as these pictures. His son also become a fine painter in the late 1970s. Djata produced twenty-seven pictures in this collection."twenty-seven pictures in this collection.")
Ida Bagus Made Djatasoera + (Batuaninteractive.com: "Djatasoera's fathe … Batuaninteractive.com:"Djatasoera's father died when he was twelve, leaving him no land. He did not go to school and worked as a migrant laborer on coffee plantations, as well as dancing the gambuh and playing in the tourist orchestra. He studiedpainting with Ngendon, Togog, and Djata for a number of years. Djatasoera was Mead and Bateson's favorite artist. Bateson published one of his pictures in anarticle on "Style, Grace, and Information on Primitive Art," under the name of Djatisoera. Mead and Bateson filmed him at work andcollected nearly all the pictures he made during their research period. Nineteen of his pictures are in the collection.After World War II, Djatasoera went into nationalist guerrilla combat against the Dutch government with Ngendon. He was captured, beaten severely, and died in prison in 1948."ten severely, and died in prison in 1948.")
Ida Bagus Nyoman Tjeta + (Batuaninteractive.com: "Tjeta was the youn … Batuaninteractive.com:"Tjeta was the younger brother of Ida Bagus Teroewi, the headman of Batuan and Mead and Bateson's host. Their father was a renowned dancer who also painted cloth for dancers' costumes and funeral shrouds. Tjeta assisted him and also himself danced in the gambuh.Tjeta was about twenty-two years old when he began to study painting with Togog, and was among the first Batuan painters who learned to use colored paint and pastel. He produced twenty-nine pictures in the collection."d twenty-nine pictures in the collection.")
Drs. I Wayan Selat Wirata + (Behind the beauty of a literary work, of c … Behind the beauty of a literary work, of course there is an author / writer who made it. A person who is able to produce literary works must have reasons and origins that make him successful in making literary works. It is possible, starting from a sense of awe, someone can produce an extraordinary literary work and attract many people.One of the writers who succeeded in producing literary works that came from a sense of awe and interest in the world of literature, namely Drs. Wayan Wirata Strait. He was born in Badung, July 20, 1959. He is the son of Mr. I Ketut Ordin (late) and Mrs. Ni Nyoman Rajug (late). He has his address at Br. Umakepuh, Ds. Buduk, District. Mengwi, Kab. Badung. He currently serves as the Chairman of the Widya Sabha, Badung Regency. The awards he has ever won include: 1st prize winner of the Palawakya District Competition. Badung, 2nd Place in Palawakya Prov. Bali, Kerti Budaya Kab. Badung.The literary works that he made include: Poems (Besakih, Kisi-Kisi Pasisi Seseh), Short Stories (Cetik Dadong Tanggu), Geguritan (Matatah, Melasti, Sri Tatwa). Of all his literary works, he is more interested in his Geguritan entitled Geguritan Melasti, because in his work he can give tattwa about melasti, pengrupukan/tawur agung, nyepi and ngembak geni. Then there is Geguritan Matatah which contains the meaning and philosophy of matatah/cutting teeth, and Geguritan Sri Tattwa which contains agriculture in the fields. He created literary works because of his own desire, who likes to study literature and wants to create literary works like his predecessors.eate literary works like his predecessors.)
Belinda Lewis + (Belinda holds a PhD and Honours degree in … Belinda holds a PhD and Honours degree in Health Promotion from Deakin University and a Bachelor of Science and Postgraduate Diploma in Education from Melbourne University, Australia. She has worked as a researcher, practitioner and health promotion consultant with a wide range of government, NGO, professional and community organisations. These include community health services, local governments, health advocacy groups, environmental protection activists, Royal Women's Hospital, VICFIT, Heart Foundation, Diabetes Australia, Cancer Council and the Victorian Government Department of Human Services. She is a member of the Australian Health Promotion Association and the Public Health Association of Australia. Belinda has also worked in a range of international settings on key global health issues. She collaborates with researchers in Indonesia (Bali, Java, West Timor), Sri Lanka, Turkey and Canada to research: health promotion and health communication; communication for social change; cultural politics of health; community recovery after crisis, disasters & conflict; community capacity building; disability, diversity and discrimination; maternal and child health; sexual and reproductive health; HIV/AIDS; drugs, prisons and rehabilitation; abolition of the death penalty; peace-building and violence prevention.Her work is published widely in Australia and internationally. She is an active participant in media interviews, features, public speaking and community workshops covering aspects of her research. Belinda has authored 3 books. The most recent, in 2015, is co-authored with Jeff Lewis (Professor of Media and Cultural Studies, RMIT University)f Media and Cultural Studies, RMIT University))
Diana Darling + (Beloved writer about Balinese culture and society who has published numerous essays in books and periodicals.)
Genah sané ageng mawit saking genah sané alit. + (BIG THINGS COME FROM LITTLE THINGS Indone … BIG THINGS COME FROM LITTLE THINGSIndonesia is a very diverse country in terms of ethnicity, in terms of religion, in terms of race and in terms of inter-group diversity, which makes Indonesia a very rich country in terms of natural resources. There is a lot of variety, which is a good thing, but the problems are also a lot of people who lack early education, nowadays there are a lot of parents who don't go to school up to high school and some don't even go to school, so a lot of parents can't bring up their children properly, so parents bring up their children in their own way, for example they shout at the children and even hit them, a lot of students copy and follow the behaviour of their parents and do the same in school, which causes the education in Indonesia to go down.This is why education is important for everyone in Indonesia, almost every student relationship throughout Indonesia both between students and teachers or teachers can also be between friends, this student relationship is going to shape the identity of the student both in shaping the student customs but not every student follow the rules well, it might be that the student identity is harmed because of the atmosphere or society at school that is not well many students throughout Indonesia, according to data published by WorldTop20. Org published the ranking of education in Indonesia is very alarming Indonesia is ranked 67th out of 209 countries around the world, with many problems encountered, we need to explore why students become less intelligent and many fight teachers and why the government should pay attention to this. With the many problems in Indonesia, we as students of the school are aware that if we are left like this, then we as the younger generation need to implement the national programme, namely Golden Indonesia 2045, it doesn't have to be with big things, we just need to start with small things. A lot of programmes can be implemented starting from very small things that are common in homes, schools and communities, which is rubbish, rubbish is a waste or an item that has no functional value anymore, or you can say unusable items, a lot of students who have no brains choose to throw rubbish, starting from under the desk, The number of students who do this makes our environment unhealthy, dirty, especially with the large number of students in the school environment making the garbage swell at the same time, even though they have been warned not to litter. In the face of so many issues, we as citizens of SMA Negeri 3 Kuta Selatan have taken action to create a waste free team by sorting waste by category, hoping to make all students aware to dispose waste in the right place and according to the respective category, but due to the lack of good education and the mindset of the students when they were brought up in the family, this project is not going well, many students simply throw waste and don't sort it properly, such as putting organic waste in non-organic waste, With this, we as a team appealed and acted directly in waste processing, with the behaviour we did, we succeeded in empathizing students to separate waste according to its category in order to create cleanliness in the environment around us, residents of SMA Negeri 3 Kuta Selatan in cooperation with Plastic Exchange Kuta Selatan to help us in waste processing properly, we as school residents were not able to process waste, especially organic waste into compost. With the many problems that exist in Indonesia, we have been able to solve the problem of garbage, although it is not perfect, there is still a lot of garbage scattered around, but we are with the awareness to dispose of garbage by first sorting it before it reaches the landfill and processed properly, we also want to create a disciplined school both in terms of education and ethics, especially in the disposal of garbage, with this behaviour we want to realise the Golden Indonesia 2045, because if you don't start with small things then big things can't happen.small things then big things can't happen.)
I Gusti Putu Windya + (Biography Name : I Gusti Putu Windya. lat … Biography Name : I Gusti Putu Windya. late. He died in 2010. Wife : Gusti Ayu Nyoman Date He has 6 children, one of his children has died and I got this information from his 4th child named Gusti Ayu Agustini. His address is at the market banjar, Yehembang village, Mendoyo sub-district, Jembrana district. Performance : He has won many awards, the highest of which is the Kusuma Madya award (1990), with his most famous work being Geguritan Cangak. In addition, he also composed several geguritan including Geguritan KB which brought him to become the 2nd winner of the provincial level geguritan competition. In addition, he also has many other works, but many of his works claim that they do not have copyright. Work : Apart from composing geguritan, he is also active in painting and carving, and he has also established a painting and carving studio, and he is self-taught in literature. He was also previously offered a work contract in Germany to teach painting but was refused. And he was a member of the assessment team for the awarding of the Dharma Kusuma art award at the level I province of Bali in the 1994/1995 fiscal year. Special note : I got this information from a resource person, namely Gusti Ayu Agustini who is his 4th child who is also the heir of the late. Gusti putu windya. He said that alm. Mr. Gusti Putu Windya has a biographical book, but it is not in place at this time because it was brought to Germany and has not been returned as well as several documents related to his work which were also borrowed and have not been returned until now. In addition, in 2015 the geguritan cangak was adapted by Malaysia by making the cartoon character 'stork and crab' in animation in ancient times without the permission of the late heir. Gusti putu windya.ssion of the late heir. Gusti putu windya.)
I Gusti Putu Windya + (Biography Name : I Gusti Putu Windya. lat … Biography Name : I Gusti Putu Windya. late. He died in 2010. Wife : Gusti Ayu Nyoman Date He has 6 children, one of his children has died and I got this information from his 4th child named Gusti Ayu Agustini. His address is at the market banjar, Yehembang village, Mendoyo sub-district, Jembrana district. Performance : He has won many awards, the highest of which is the Kusuma Madya award (1990), with his most famous work being Geguritan Cangak. In addition, he also composed several geguritan including Geguritan KB which brought him to become the 2nd winner of the provincial level geguritan competition. In addition, he also has many other works, but many of his works claim that they do not have copyright. Work : Apart from composing geguritan, he is also active in painting and carving, and he has also established a painting and carving studio, and he is self-taught in literature. He was also previously offered a work contract in Germany to teach painting but was refused. And he was a member of the assessment team for the awarding of the Dharma Kusuma art award at the level I province of Bali in the 1994/1995 fiscal year. Special note : I got this information from a resource person, namely Gusti Ayu Agustini who is his 4th child who is also the heir of the late. Gusti putu windya. He said that alm. Mr. Gusti Putu Windya has a biographical book, but it is not in place at this time because it was brought to Germany and has not been returned as well as several documents related to his work which were also borrowed and have not been returned until now. In addition, in 2015 the geguritan cangak was adapted by Malaysia by making the cartoon character 'stork and crab' in animation in ancient times without the permission of the late heir. Gusti putu windya.ssion of the late heir. Gusti putu windya.)
I Dewa Putu Berata + (Born and raised in the village of Pengosek … Born and raised in the village of Pengosekan, son of a great drummer, Berata was immersed in Balinese performing arts from birth. His creative talents, teaching capabilities and leadership qualities make him a noted figure in the Balinese music world. He is renowned for his compositional skills in both traditional and innovative styles and a rare ability to communicate a diverse knowledge of Balinese arts to both Balinese and international artists. He is the founder and director of Çudamani, and has lead Çudamani, on tours to venues including a nine-city tour with Arts Midwest 2012-13, Jazz at Lincoln Center (NY), the World Festival of Sacred Music-(LA), the Cultural Olympiad (Greece), EXPO (Japan) and the Tong Tong Festival (Holland) among others. As a result of Berata’s vision and commitment, Çudamani, has become an important artistic center in Bali, endeavoring to study and preserve rare classic forms of Balinese arts and also provide a space that nurtures the creative energies of young artists in Bali. Frequently he serves a the Music Director for the USA Bay Area based Gamelan Sekar Jaya. He is a graduate of STSI, Denpasar (Bali’s National Academy of the Arts).sar (Bali’s National Academy of the Arts).)
Rio Helmi + (Born in 1954 to an Indonesian diplomat fat … Born in 1954 to an Indonesian diplomat father and a Turkish mother, Indonesian photographer and writer Rio Helmi has been capturing images of Asia and writing since 1978. His work can be seen in magazines, documentaries and more than 20 large format photographic books. Solo exhibitions of Rio’s still photography have been held in Bali, Jakarta, Madrid, Miyazaki, Palo Alto, San Francisco, and Sydney, and his works are held in private collections around the world including in London, Rome, Boston, Washington and Tokyo. Rio has been based in Bali for more than three decades, and speaks five languages fluently. He writes in Indonesian and English, and blogs about a wide range of topics including for the Huffington Post and the website ubudnowandthen.com dedicated to his hometown Ubud. He has also moderated panel sessions and conducted public interviews at the Ubud Writers and Readers Festival which is now an annual event of international repute. In 2010 Rio launched his book called “Book Memories of the Sacred” a retrospective portfolio of Bali over the last 30 years. His latest book is “Travels on Two Wheels, a Broader Perspective of Bali” a series of eclectic panoramas taken during nearly 30,000 kilometers of motorcycle trips around the island.ers of motorcycle trips around the island.)
I Made Arya Palguna + (Born in 1976 in Ubud, Bali, he first learn … Born in 1976 in Ubud, Bali, he first learned painting under his father, I Ketut Sudana, a well-known painter in his own right. He received his Bachelors degree from ISI Yogyakarta in 1996 and he has lived in Yogyakarta since. A versatile artist, his distinctive style appears in his paintings, sculptures and other three-dimensional objects, and installation art, even performance art and murals. He has exhibited extensively in Indonesia and abroad.He has received many commissions (for murals and performance art works) and has been invited to various workshops, fellowships, and residency programs, most recently at Muong’s Cultural Museum, Vietnam (2012). He is a two-time finalist of the Philip Morris Art Awards (2011, 2012) and finalist at the Indofood Art Awards (2002).inalist at the Indofood Art Awards (2002).)
I Nyoman Erawan + (Born in 27 May 1958 in Banjar Dlodtangluk, … Born in 27 May 1958 in Banjar Dlodtangluk, Sukawati, Gianyar, Bali. He was raised in the neighborhood of artists, painters, sculptors, dancers and musicians. He was conciously choose to follow the path of art during his teenager years and enrolled in the High School of Arts in Denpasar. Soon after, he travelled to Yogyakarta in Central Java and pursuing bachelor degree in Fine Arts at the Indonesian Art Institute. The two schools shaped his perception in arts and expand his realm in understanding the relations between the visual of traditional art in Bali and the technique and approach of Western art. The dialog betweenn the two world is evident in Erawan’s works up until now.He begun working and living as an artist since 1983. For about 25 years he has been working in different fields of art as he is as much as talented in visual and performance art. His works are mainly inspired by the philosophy of life in Balinese-Hindu perspective called Trimurti, in which the cosmic functions of creation, maintenance, and destruction are personified by the forms of Brahma the creator, Visnu the maintainer or preserver, and Siva the destroyer or transformer. The form or destruction and incarnation, life and death, chaos and order, traditional and modern. He creates paintings and installation, video art and body art performance in many exhibitions in Indonesia and abroad. many exhibitions in Indonesia and abroad.)
Dodit Artawan + (Born in Batubulan, Gianyar Bali, in 1978, … Born in Batubulan, Gianyar Bali, in 1978, based in Bali, contemporary Indonesian artist Dodit Artawan studied fine art at the Indonesian Art Institute Denpasar Bali. Dodit is an artist whose focus is on the breakaway from the dominance of traditional Balinese art on the contemporary art scene in order to seek new expressions for contemporary art in Bali. Dodit Artawan has been widely exhibited in numerous solo and group exhibitions in Indonesia, Singapore, Malaysia, Japan, Italy and the USA. Dodit won the prestigious Bronze Award at the IWS Malaysia 1st International Watercolour Biennale (KL) in 2018.https://vingallery.com/Dodit-Artawanhttps://www.nowbali.co.id/dodit-artawan-from-photorealism-to-pop-art/odit-artawan-from-photorealism-to-pop-art/)
Aditya Parama Setiaboedi + (Born in Denpasar in 2000. 2020: MSc in Dat … Born in Denpasar in 2000.2020: MSc in Data Analytics and Business Economics (MScDABE) Programme in Hong Kong Baptist University (HKBU). Free lance 3D artist based in Bali.Aditya’s earlier works focused upon his cultural ideas of beauty. His recent works, however, consider culture and tourism and their possible future ramifications.m and their possible future ramifications.)
Putu Marmar Herayukti + (Born in Denpasar, 13 September 1982. Tatto … Born in Denpasar, 13 September 1982.Tattoo and visual artist who owns the studio Hellmonk Tattoo. He is a prominent Ogoh-Ogoh artist and gained a following for use of eco-friendly materials. (https://www.famousbirthdays.com/people/marmar-herayukti.html)About the statue in the profile picture:‘Waruna’ Marmar’s recycled paper, rattan and bamboo installation is suspended from the ceiling on the second level of Wishingwell. It features the mythical guardian of the ocean surfing a wave. Part human part beast, the fantastic creature has a powerful upper torso and elongated octopus tentacles for legs. “I set out to make an artwork which included sustainable materials along with rubbish from the ocean,” Marmar said.with rubbish from the ocean,” Marmar said.)
Ni Wayan Idayati + (Born in Denpasar, April 14, 1990, Ni Wayan … Born in Denpasar, April 14, 1990, Ni Wayan Idayati writes poetry, essays and journalistic news. Her poetry has been published in the People's Mind, Bali Post, Lombok Post, Bali Sruti Journal, Le Banian Journal (Published in France). Her essays were published in Tempo, the Bali Tribune, Esensi & Nuansa Magazine (published by the Language Agency) and the Bali Tribune. Together with the Denpasar Sahaja Community, they are active in arts, culture, and literary discussions, as well as fostering creative communities and now they are part of the program at Bentara Budaya Bali (the cultural space of Kompas Gramedia).In 2018, her poems passed the curation number for poetry anthologies and poet gatherings, including: Poet Gathering “From the Land of Poci 8: Negeri Bahari” in Tegal, Central Java; the anthology “Smile of the Valley of Ijen” and the National Literature Camp in Banyuwangi; Southeast Asian Poets Meeting 2018 in Padang Panjang; National Poets Meeting in Pematangsiantar; a poetry anthology with “Women Seeing the World” by the Sangkar Buku Community in Mojokerto and a poetry anthology with “Perempuan Bahari” (soon to be published).She was invited to the VI Nusantara Poets Meeting (PPN) in Jambi (2012) and the 2015 Bali Emerging Writers Festival (BEWF), an annual literary festival that is part of the Ubud Writers and Readers Festival (UWRF) program. Entered in 175 Poets Selected Poetry Anthology From Negei Poci 6: Land of the Sea (2015), 39 Poets Chosen Poetry Writing Contest “Under the Black Umbrella” Indonesian Art Project Mourning (2015), 50 Poetry Chosen Poetry Competition for Andalas Coffee Community National (2013), the Top 5 of the Best Poetry Contest in the Archipelago (SCKS), and the Top 6 of the Best Poetry RBSCKS (2012) which were held at the Udayana Faculty of Letters (2012).Her poems are also collected in the Book of Joint Poetry Anthology “Dendang Denpasar, Nyiur Sanur” (2012), Poetry Anthology of the VI Nusantara Poets Meeting “Sauk Seloko” (2012), Joint Poetry Anthology of Andalas Coffee Community Poetry Competition (2013), Poetry Anthology From the Land of Poci 6: The Land of the Sea (2015), The Anthology Book “From Fear to Be Strong” The Indonesian Art of Mourning Community Berkabung (2015), The Anthology of Poetry Books “Klungkung” (2016), The 2016 Indonesian Poetry Day Anthology Book 'Matahari Cinta Samudera Kata' , Anthology of Spiritual and Social Poems "Cavalry Night", published by Abdurrahman Wahid Center UI (2017).blished by Abdurrahman Wahid Center UI (2017).)
Tjandra Hutama + (Born in Gianyar in 1981, his interest in … Born in Gianyar in 1981, his interest in visual arts and design led to the study of Visual Communication design at the Institute of Technology Surabaya in 2000. As an out-of-state student from Bali, he worked part-time to support his studies. Jobs involving photography and graphic design began in these early stages. He graduated in 2005 and set out to start his own business in Graphic Design and Digital printing in 2006. His business channel exposed him to many content creators, photographers, writers and artists. Providing a wide network within Balis’ artist community. Although Tjandra focused these days on establishing his business, regular involvement in creative projects inspired him to develop his potential through photography. Through involvement with Bali Photographers Association. During this period of self-development and creative soul-searching Tjandra participated in many photography competitions and exhibitions with many notable awards and titles from 2010.The calibre of his work and leadership skills consequently earned him the trust of the community to serve as Head of the Bali Photographers’ Association for two terms, from 2016 until 2022. He is still an active member of the Federation Indonesia Photo Art Association.ederation Indonesia Photo Art Association.)
A.A. Ngurah Anom Kumbara + (Born in Klungkung 14 February 1957, he com … Born in Klungkung 14 February 1957, he completed his Bachelor of Anthropology in 1982 at Udayana University, completed his Masters degree at Indonesia University in 1990, and doctoral degree at Gadjah Mada University in 2008. Becoming a lecturer at Faculty of Cultural Knowledge Udayana University since 1983 until now. He was on charge as the head of the anthropology department in 1997-2000, as the head of Hindu Indonesia University's S3 program of Religion and Culture in 2008-2011, as a secretary of the field of service in Institute for Research and Community Service Udayana University in 2011-2015, as the head of doctoral program (S3) Cultural Studies, Faculty of Cultural Knowledge, Udayana University from 2018 until 2022. He actively participates in seminars and writes accredited national and international journals, and has written several books.l journals, and has written several books.)
I Ketut Budiana + (Born into a family of master artisans in t … Born into a family of master artisans in the village of Padang Tegal, Ubud in 1950 Budiana is highly skilled as a sculptor and architect, and specializes in making scared temple images, ceremonial masks and sarcophagus for ritual cremations. A former art teacher, he studied art at SSRI, the Indonesian School of Art in Denpasar and briefly with renowned Dutch painter and architect Rudolf Bonnet (1895-1978).Budiana began painting in the early 70’s and exhibiting from 1974 and has shown his work in many foreign countries while he has won a string of local and international awards. He has been active as a curator at Ubud’s Museum Puri Lukisan from 1986 – 1990 while serving in 1990 as a curator at ARMA museum, and has contributed numerous articles and essays to various publications. Budiana has regularly exhibited at Bentara Budaya Bali while also exhibiting at Bentara Budaya Jakarta and Yogyakarta. at Bentara Budaya Jakarta and Yogyakarta.)
I Dewa Ketut Alit + (Born to a family of artists in Pengosekan … Born to a family of artists in Pengosekan village in Bali, Dewa Ketut Alit was immersed in Balinese gamelan from early childhood. His father Dewa Nyoman Sura and his oldest brother Dewa Putu Berata were the most influential teachers in his life. He began performing at age 11, and by age 13 was playing ugal (the leading instrument) in his village’s adult group, Tunas Mekar Pengosekan. 1988-1995 he played in the internationally acclaimed Gamelan Semara Ratih of Ubud village, touring internationally.In 1997, a year before graduating from Academy of Indonesian Performing Arts in Denpasar (STSI Denpasar), Dewa Alit and his brothers founded Çudamani which immediately acknowledged as one of the best gamelan groups and went on their own international tours. Seeking a wider path for expressing his approach to new music in gamalen, Dewa Alit founded his own gamelan group in 2007, Gamelan Salukat, performing on a new set of instruments of Alit’s own tuning and design.As a composer, Dewa Alit is generally acknowledged as the leading figure of his generation in Bali. His “Geregel” (2000) was influential both in Bali and abroad, and was the subject of a 50 page analysis in the “Perspectives on New Music”. One of his compositions written for a Boston-base gamelan group Galak Tika, “Semara Wisaya” was performed at New York Carnegie in 2004 and another composition “Pelog Slendro” appeared at Bang on a Can Marathon in June 2006.The list of his compositions for non-gamelan ensembles includes music for MIT's Gamelan Electrika, Talujon Percussion (USA) and Ensemble Modern (Frankfurt, Germany). As a collaborator, Dewa Alit has worked with musicians and dancers from around the world. These include a contemporary theater production Theatre Annees Folles (director: Alicia Arata Kitamura, Tokyo), a butoh dancer Ko Murobushi, contemporary dancers Min Tanaka and Kaiji Moriyama, and Noh master Reijiro Tsumura. Moriyama, and Noh master Reijiro Tsumura.)
Made Gede Wiguna Valasara + (Born: 1983 Hometown: Gianyar, Bali Based … Born: 1983Hometown: Gianyar, BaliBased In: Gianyar, BaliMade Gede Wiguna Valasara is an artist who deeply engages in painting and sculpture, his most known works are the ones with stuffed canvas technique. His subject matter varied from his reinterpretation on Bali Traditional Painting to appropriation on Renaissance and Modern Paintings. He completed his studies at FSR ISI Yogyakarta (2007). He has participated in no less than 29 group exhibitions and three solo shows. His solo exhibitions include Animal Behaved, MonDecor Art Space, Jakarta, and Selasar Sunaryo Art Space, Bandung (2010); as well as Marshalling Lines and Colors, Galeri Canna, Jakarta (2009). His works won a number of awards, including finalist at the UOB Painting of the Year (2012); finalist at the 2010 Indonesian Art Award; Best Painting at ISI Yogyakarta’s 23rd Dies Natalis (2007). In 2011, he was artist-in-residence at Selasar Sunaryo Artspace, Bandung.ence at Selasar Sunaryo Artspace, Bandung.)