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  • Farmer by Wayan Suastama  + (Wayan Suastama. Farmer series expresses a Wayan Suastama. Farmer series expresses a sentimental nostalgia about the artists’ childhood memories in an agricultural village.</br></br>As a son of a farmer, I miss the simplicity of that environment. These memories play a large part in who we become. Everyday things and routines are typical in the life of a farmer like helping our parents in the fields after we finish school. These memories are the theme of these works. It comes from missing my childhood. Coming from Tabanan,. an area that is known for ‘lumbung beras’ rice agriculture.</br></br>~Wayan Suastama beras’ rice agriculture. ~Wayan Suastama)
  • Preserve Balinese culture through tourism and technology  + (What I hope for Bali in the future, I hopeWhat I hope for Bali in the future, I hope Bali can maintain the preservation of culture and customs. To preserve Balinese culture, the Balinese people and government can take advantage of tourist attractions, tourists and technology.</br></br> Many guests who visit Bali feel more special if they manage to get exciting moments by watching traditional ceremonies in Bali. Generally, these traditional ceremonies can be witnessed by tourists to simply witness or document them. That is what will make Bali more well-known, so that the Balinese people will be proud and realize how important it is to preserve Balinese culture.</br></br> Not only that, the Balinese government must also pay attention to dance studios so that they are more attractive to the public, especially the Balinese. We can help by utilizing social media to promote dance studios so that they are of interest to the public. So that Bali continues to progress according to the times without eliminating the characteristics of Bali itself.nating the characteristics of Bali itself.)
  • Preserve Balinese culture through tourism and technology  + (What I hope for Bali in the future, I hopeWhat I hope for Bali in the future, I hope Bali can maintain the preservation of culture and customs. To preserve Balinese culture, the Balinese people and government can take advantage of tourist attractions, tourists and technology.</br></br>Many guests who visit Bali feel more special if they manage to get exciting moments by watching traditional ceremonies in Bali. Generally, these traditional ceremonies can be witnessed by tourists to simply witness or document them. That is what will make Bali more known, so that the Balinese people will be proud and realize how important it is to preserve Balinese culture.</br></br>Not only that, the Balinese government must also pay attention to dance studios so that they are more attractive to the public, especially the Balinese. We can help by utilizing social media to promote dance studios so that they are of interest to the public. So that Bali continues to progress according to the times without eliminating the characteristics of Bali itself.nating the characteristics of Bali itself.)
  • Literature MENGUATKAN PRODUK LOKAL BALI  + (What I would like to say in this one-day iWhat I would like to say in this one-day in Bali Wikithon is about sustainable Balinese fashion. My idea is about combining Balinese culture and environment with sustainable fashion industry. I dream about creating a platform that can connect local fashion designers to utilize their talents and resources to create sustainable fashion products. I really want to see Bali as the world’s center of sustainable fashion that contributes significantly to environmental preservation and social welfare. We can study unique ideas from this Wikithon that concern reusing or recycling materials, introducing eco-friendly coloring techniques, or new approaches to durable fashion designs. Its relevance is very notable since tourism and fashion industries have created significant drawbacks to the island’s environment. We hope to find the best solutions to reduce the negative impacts. One of the ideas relevant to the future of Bali is to strengthen cooperation among local designers and traditional artists’ communities to increase traditional skills and local economy. </br>In this Wikithon, I would like to put emphasis on our awareness towards the significance of buying sustainable fashion products and supporting local eco-friendly brands. I also hope to create innovative production ideas for less-trash fashion products and renewable energy uses. Bali’s uniqueness in culture and arts can be an inspiration for unique fashion designs and motives related to the island’s identity. In the scope of idea uniqueness, perhaps we can combine digital technology such as blockchain to be able to manage the supply chain and to prove the sustainability of Balinese fashion. This Wikithon can also be an opportunity to manage ethics and social responsibility in fashion industry, including to stop children labors and to strengthen employees’ work justice.</br> </br>I hope this Wikithon also involves local stakeholders such as the government, enterprises, and the people so that they can create synergy for sustainable Balinese fashion. In the far future, I hope Bali can be an example for other tourist destinations in developing sustainable fashion industry by considering beauty, culture, and environment. By strong cooperation and collaboration, I believe that Bali will be the leader in shaping the future of sustainable fashion in which the beauty of nature and cultural heritage are combined.nature and cultural heritage are combined.)
  • The existence of Balinese Language Wiki in cyberspace as a medium/means for storing Balinese language, script and literature.  + (When viewed from the development of the erWhen viewed from the development of the era, Balinese is no longer in demand and is rarely used by the speaking community, many people at home are embarrassed to speak Balinese for fear of being called old-fashioned and uncool. Parents who are young or who have just become parents speak Indonesian more in their respective homes. This is because they no longer live in the village but have urbanized/moved to a city near where they work. Some rent boarding houses, rent or buy BTN in Denpasar, Surabaya, Jakarta and other big cities. That is why in friendship or in daily life they definitely communicate using Indonesian.</br>That is what causes the existence of Balinese language, script and literature to gradually become extinct.</br>In my opinion, it is already very difficult to find young children or teenagers who are really fluent in Balinese and understand and pay attention to the existence of Balinese script.</br></br>The existence of Bali Wiki, if I liken it to water in the desert, is very beneficial because it can quench thirst when we are thirsty. Especially in today's technological developments, many people already know and are smart in using cyberspace/social media tools, you will see how important the existence of BALI WIKI is in its position as a cultural root which is one of the main weapons that can and is able to maintain and preserving Balinese language, script and literature.</br></br>BALI WIKI has carried out many efforts or activities, such as making posts in Balinese, in Balinese script, which are uploaded on social media such as: IG, FB, Youtube, etc.</br>Making opinions/headlines in print media.</br>As well as holding competitions related to maintaining and preserving the existence of Balinese language, script and literature for those who are always active in cyberspace.</br></br>From the many efforts that have been made, it is hoped that the presence of BALI WIKI will always exist and be strong and more advanced/developing for all Indonesian people, the world and most importantly for the Balinese people. most importantly for the Balinese people.)
  • The existence of Balinese Language Wiki in cyberspace as a medium/means for storing Balinese language, script and literature.  + (When viewed from the development of the erWhen viewed from the development of the era, Balinese is no longer in demand and is rarely used by the speaking community, many people at home are embarrassed to speak Balinese for fear of being called old-fashioned and uncool. Parents who are young or who have just become parents speak Indonesian more in their respective homes. This is because they no longer live in the village but have urbanized/moved to a city near where they work. Some rent boarding houses, rent or buy BTN in Denpasar, Surabaya, Jakarta and other big cities. That is why in friendship or in daily life they definitely communicate using Indonesian.</br>That is what causes the existence of Balinese language, script and literature to gradually become extinct.</br>In my opinion, it is already very difficult to find young children or teenagers who are really fluent in Balinese and understand and pay attention to the existence of Balinese script.</br></br>The existence of Bali Wiki, if I liken it to water in the desert, is very beneficial because it can quench thirst when we are thirsty. Especially in today's technological developments, many people already know and are smart in using cyberspace/social media tools, you will see how important the existence of BALI WIKI is in its position as a cultural root which is one of the main weapons that can and is able to maintain and preserving Balinese language, script and literature.</br></br>BALI WIKI has carried out many efforts or activities, such as making posts in Balinese, in Balinese script, which are uploaded on social media such as: IG, FB, Youtube, etc.</br>Making opinions/headlines in print media.</br>As well as holding competitions related to maintaining and preserving the existence of Balinese language, script and literature for those who are always active in cyberspace.</br></br>From the many efforts that have been made, it is hoped that the presence of BALI WIKI will always exist and be strong and more advanced/developing for all Indonesian people, the world and most importantly for the Balinese people. most importantly for the Balinese people.)
  • Paplajahan Ané Bakatang Tiang Uli Bali  + (While people visit Bali for a multitude ofWhile people visit Bali for a multitude of reasons this island is special to me as I have called it home for the last 3 years. Bali has taught me some lessons that I will keep with me in other stages of life.</br></br>An important lesson I’ve learned is that every place presents you with an opportunity to grow, you just need the courage to say yes! Bali gives everyone the opportunity to explore the outdoors (either in the mountains or underwater), and this gives everyone the chance to gain a new skill, make new friends or develop a love for the natural world. Recently, I have gotten the courage and determination to say yes to become a certified Open Water Diver.</br>This experience has been incredibly rewarding, as I pushed myself out of my comfort zone, my friendships grew with those I trained with and my eyes were opened to the beauty of the underwater world. With this opportunity, I realised how pressing the issues of coral bleaching and unsustainable fishing actually are and am now more determined to be a part of the solution. From this, I will join a coral restoration project in Les Village because no matter how small we contribute, every action makes a difference. We must think about the global implications yet, take action locally.</br></br>The Balinese open up their island to all of us, foreigners and Indonesians so we can experience the island’s beauty and it is crucial for us to not take this for granted. I realise that a society which hugely depends on tourism has a risk, therefore respecting the customs and traditions in Bali should be a no brainer, as we would hope and expect the same of others if they are visiting our home. As of 25th March 2023, 76 foreigners have been deported from</br></br>Bali for reasons that range from overstaying visas to committing crimes. Although this is a small percentage compared to the number of tourists, in this digital era, their actions go viral and can harm the image of Bali. While Bali is well-known for its tourism because of its beauty, kindness and approachability, I believe that rules should be enforced in order to maintain the quality of tourism that this island offers.</br></br>Moreover, during my time here I’ve come to realise that it’s important to diversify and not put all our eggs in the same basket. During the pandemic, tourism was at a standstill which hit the people and local economy dramatically. Therefore, the Balinese have adapted to diversify their work portfolio such as farming, establishing small businesses or fishing. This lesson will carry on with me in the future, because it has shown me that trying different opportunities will help us to continue growing and adapting to an ever changing world.</br></br>I will continue to learn more lessons in Bali and am grateful for all the opportunities and experiences that I’ve gotten alongside the lessons that have come with it.ngside the lessons that have come with it.)
  • Wisata kayu putih  + (White wood tourism is at br. Bayan, old viWhite wood tourism is at br. Bayan, old village, kec. Marga, kab. Tabanan. This eucalyptus tree is estimated to be 700 years old, towering about 75 meters high and 60 meters in diameter. This tree is located behind the Babakan temple which was built during the time of Raja Perean. was built during the time of Raja Perean.)
  • Sustainable Balinese Culture with TikTok  + (Who doesn’t know TikTok today? This short Who doesn’t know TikTok today? This short video platform is now gaining popularity in Indonesia, used by people of all levels. Bali as the world’s tourist destination is also inevitably influenced by the popularity of this app. Many Balinese are actively creating content on TikTok. Some create ‘a day in my life’ contents, dance covers, cinematic video, musics, or just scrolling and sharing videos or links to others. Seen from the technological perspective, the contents in TikTok is very helpful in spreading information and entertainment. However, have you ever wondered if TikTok would gradually diminish the local culture and tradition in Bali? We know that Bali has a lot of culture and traditions that need to be preserved. Gradually, however, many Balinese people no longer are concerned with or learn about their own culture. For example, today’s younger generation prefer following TikTok’s dance trends to learning Balinese dance. If continued, it will influence the existence of Balinese culture because Bali is well-known for its unique culture, not for TikTok trends. It is important, therefore, for us Balinese to always remember to preserve our culture that has been flourishing since olden times. It’s okay if people want to follow TikTok trends, but it would be better if we Balinese join by setting new trends on it with our own Balinese cultural touches. For instance, we can show how Balinese dance is performed, how Balinese music is played, how Balinese make-up is done, and other cultural contents. Let’s preserve Balinese arts and culture on digital platforms such as TikTok so that everyone in world knows more about the beauty and uniqueness of our Balinese culture by adapting to the current developments.e by adapting to the current developments.)
  • Ogoh-Ogoh, a culture that need to be developed and more highlighted  + (Who is not familiar with this Balinese culWho is not familiar with this Balinese culture. In this era of globalization there are many cultures that have begun to follow the course of The Times, well, one of them is Ogoh-Ogoh! Today's youth are using machine inside The Ogoh-Ogoh to make it seem more "alive," which is an innovation in developing a culture. But there are still some who reject this, on the other hand, Ogoh-Ogoh parade is sometimes less conducive to some who cause a riot. I hope the village government will be able to educate the people on the matter, as life will no doubt become a separate attraction for many foreign tourists.rate attraction for many foreign tourists.)
  • Naga Gombang  + (Why do Balinese shout "Alive, Alive" when Why do Balinese shout "Alive, Alive" when there is an earthquake?</br></br>Once upon a time, when there still kingdoms in Bali, there was a widow with two children, a boy and a girl. At that time Lake Bratan did not yet exist. Long story short, the mother had a secret affair with a dragon snake that dwelled in a rice barn near her house. The children started to get suspicious; why does mother every time she comes home from the forest go up into the barn? At one point, when mother went into the forest again, the children climbed into the barn. Inside the barn they saw a pile of eggs larger than chicken eggs. In the middle of the pile of eggs there was a strange egg. They took the egg home and cooked it. Then the boy ate it. Instantly the boy turned into a snake. Because they were worried about causing commotion in the village, the boy and girl decided to go into the forest looking for their mother. The sister carried her brother. They met their mother deeply in love with a dragon. They were angry, because they thought that because of the dragon the brother had become like that. He challenged the dragon snake to fight. In the end, the brother who had been transformed into a snake defeated the dragon. But unfortunately their mother also died in the fight. The siblings went up to Bukit Lesung. Arriving there, the brother thought he must enter the bowels of the earth, because he had become a dragon, named Naga Gombang. So as not to upset his sister, he told her to get water with a basket. While his sister was getting water, the brother entered the mountain crater. When his sister returned from getting water, the brother had already disappeared into the bowels of the earth. The brother said, “Don't you cry, I was destined to live below”. Arriving below, the brother took the position of a sleeping snake, curled up in a circle.</br>It is said that if he is anxious to know how is sister is doing above, he would move, which results in the earth moving. That is why when there is an earthquake, Balinese people will shout "alive, alive" while sounding a bamboo bell, to let the brother that his sister is still alive above, and he can stop moving about.alive above, and he can stop moving about.)
  • Heroine  + (Women are great figures whose struggles arWomen are great figures whose struggles are extraordinary and difficult. The woman in this photo gives a message to the younger generation to knock on the door of their heart to preserve traditions and culture which are the responsibility of the next generation. It is depicted with the figure of an old woman cutting wood to be used as a material for coloring Geingsing cloth in Tenganan Village, Karangasem, Bali.oth in Tenganan Village, Karangasem, Bali.)
  • Analysis of Factors that Affect Women’s Quality of Life in Abiansemal, Badung Regency  + (Women, as housewives, join the workforce tWomen, as housewives, join the workforce to help their families finance. The quality of life of women in this study was influenced by factors of education, work ethic and age. This study aims to analyze the influence of educational factors, work ethic and age on the quality of life of women. This research takes place in three locations in Bongkasa Village, Bongkasa Pertiwi Village and Sangeh Village, Badung Regency. Utilizing both primary and secondary data collected from 98 samples and some techniques analyzes this study finds that the factors of education, work ethic, and age simultaneously influence the quality of life of women in the three villages in Abiansemal District, Badung Regency. Education and work ethic partially have a positive and significant effect on the quality of life of women. Meanwhile, age does not affect the quality of life of women in the villages of Bongkasa, Bongkasa Pertiwi, and Sangeh, Abiansemal District, Badung Regency.ngeh, Abiansemal District, Badung Regency.)
  • Cultural Capital of Local Yoga Teachers in Facing Global Competition in Yoga Tourism in Bali  + (Yoga tourism in Bali has been running fromYoga tourism in Bali has been running from the 1980s to the present day, initially created by overseas yoga teachers. In the 2000s, however, local Balinese yoga teachers began to emerge and compete with overseas yoga teachers. This article analyzes the ability of local yoga teachers to compete in the business of yoga tourism against foreign yoga teachers. The analysis focuses on the cultural capital owned by local yoga teachers and the role of that cultural capital in business competition of yoga tourism. Data was collected by literature study, non-participatory observation, in-depth interviews, and surveys. They were nalyzed by habitus theory and the product planning theory. This article concludes that the unique cultural capital possessed by Balinese yoga teachers is a provision for them to face competition in the yoga tourism business which eventually becomes a way for them to preserve that cultural capital.or them to preserve that cultural capital.)
  • Babad Brahmana Catur  + ([EN] Sometimes many people still consider [EN] Sometimes many people still consider Babad Brahmana Catur text and Dwijendra Tattwa text are the same, but these lontar texts belong to two different categories. The Babad Brahmana Catur tells about the journey of Dang Hyang Nirartha, a Hindu priest from the late Majapahit era (1489 A.D.). He came to Bali and became an advisor to the Balinese kingdom in Waturenggong era. This chronicle mainly describes about the places that he had visited in Java, Bali, Lombok and Sumbawa, until finally he reached spiritual elevation on the crest of Uluwatu. Not only that, this chronicle also tells the miracles that he had made and various holy places built by him and by some of his descendants.</br></br>The Babad Brahmana Catur text is an important genealogical source for descendants of the brahmana clan (soroh) in Bali. Copied several times by different authors, this manuscript still survives to the present time in the form of palm-leaf manuscripts and latin transliteration. Fortunately, Indonesian translation is available, too.</br></br>Broadly speaking, this chronicle gives a glimpse about the situation when Majapahit collapsed—it had a major influence on the development of literacy in Java and Bali. As a Hindu religious leader, Dang Hyang Nirartha had a mission to defend the sacred teachings from extinction. In a unique way, he finally managed to maintain this religious system in Bali with its religious and cultural foundations that can be seen today.ltural foundations that can be seen today.)
  • Bank Sampah Legian Aksi Nyata  + (carry out waste bank activity in legian village)
  • Developing Bali as a Tourist Destination  + (developing Bali as a tourist destination developing Bali as a tourist destination</br></br>Bali is one of the most popular tourist destinations in the world. In order to make Bali the most popular tourist destination, it is necessary to take care of the sustainability of the land, improve the quality of infrastructure and public services, and improve the culture and art of Bali.</br></br>Efforts should be made to preserve the natural environment in order to limit the number of visitors, reduce plastic waste, and promote tourism based on local knowledge. Therefore, improving the quality of infrastructure and public services such as roads, clean water, sanitation, and electricity are necessary to ensure that tourists feel comfortable and safe while visiting Bali.</br></br>The culture and art of Bali has become a tourist attraction in Matiosan from Tiosan's tourist destination. The government and the Balinese people are planning to organize cultural and artistic events such as traditional ceremonies, Balinese dances, traditional music, and Balinese fine arts. In order to make Bali the most popular tourist destination, it is necessary to pay attention to the well-being of local customs and to preserve their rights. The government and the tourism businessmen are willing to work and promote local customs and produce local products so that they can improve their economic well-being.</br></br>During this time, Bali has become a sustainable tourism destination that promotes natural beauty, culture, and well-being. It's time to be loud, it's the best place to visit Bali, and the local people are silent on the other side.local people are silent on the other side.)
  • Smile  + (girls watching dancing while smiling at the Manik Liu village temple, Kintamani.)
  • Not Buried Not Burned  + (in Bali province, Bangli district, Kintamain Bali province, Bangli district, Kintamani district, Trunyan village. Trunyan village has a very unique burial tradition and is different from the villages in Bali, where the bodies are not buried and not burned, but are only placed on the ground covered with bamboo filled with white cloth, but the corpses do not emit an unpleasant odor. A corpse that is placed under a tarumenyan tree will not emit an odor because the tree can neutralize the odor arising from the corpse. And what's unique is that the tarumenyan tree can only grow well in the traditional village of Bali Aga Trunyan and this tree is believed to have existed since 500 years ago. With the unique tradition that belongs to the Balinese Aga tradition, Trunyan Village attracts many tourists to visit there to see the Balinese Aga traditional traditions and see tarumenyan trees that have been around for a long time and can feel the effects of tarumenyan trees first hand.he effects of tarumenyan trees first hand.)
  • Monkey forest  + (monkey forest attractions or Sangeh monkeymonkey forest attractions or Sangeh monkey forest.</br>The monkey forest is located in the village of Sangeh, Abian Semal District, Badung Regency.</br>The forest-dwelling monkeys in the Sangeh monkey forest are quite tame.</br>in the monkey forest area in Sangeh there is a temple called Pura Bukit Sari.The existence of the holy place indicates that this place is sacred.place indicates that this place is sacred.)
  • Literature Ulun subak bukit jati bangli  + (uaning asapunika, kehipun payungsung templuaning asapunika, kehipun payungsung temple Bukit Jati sane taler active kirang langkung 776 people. Krama sane taler is active in Irika Wit Papat, Inggih Punika Bebalang Village, Tamanbali Village, Bunutin and Demulih. So mawon krama ne ten active wit so samian subak dry utawi abian ring Bangli. samian subak dry utawi abian ring Bangli.)
  • Literature bukit jati bangli  + (uaning asapunika, kehipun payungsung templuaning asapunika, kehipun payungsung temple Bukit Jati sane taler active kirang langkung 776 people. Krama sane taler is active in Irika Wit Papat, Inggih Punika Bebalang Village, Tamanbali Village, Bunutin and Demulih. So mawon krama ne ten active wit so samian subak dry utawi abian ring Bangli. samian subak dry utawi abian ring Bangli.)
  • Bank Sampah Mukti Cempaka Asri Singapadu  + (waste bank activities carried out in Banjar Samu, Singapadu Kaler Village, Sukawati)
  • Bank Sampah Santhi Pertiwi Pratama  + (waste bank activities carried out in banjar kancil, Kerobokan village)
  • Bank Sampah Kerta Lestari Mandiri  + (waste bank activity at Penatih Dangin Puri Village, Denpasar)
  • Maiab Jempana  + (Maiab Jempana is a sacred and unique tradition in the Tiingtali Karangasem Traditional Village.)
  • traditional art  + ("Balinese traditional art" Art is the work of human art that expresses beauty and is an expression of the soul and culture of its creators. Art is part of culture and We must preserve it)
  • Infrastruktur Jalan  + ("Om Swastyastu, Thank you for the time giv"Om Swastyastu, Thank you for the time given to me. My name is Ni Luh Ari Purnama Yanti from SMA Negeri 1 Tabanan. To the judges who I really respect and the audience who I really love. I feel very happy to be able to deliver the oration entitled "Road infrastructure"</br></br>Ladies and gentlemen, as we know, road infrastructure greatly influences the economy today. If there is no road infrastructure or the roads are in disrepair, what else is there to earn a living nowadays? How do I take merchandise abroad? In this millennial era and era of globalization, road infrastructure is very necessary in today's life. Many people today earn a living on the streets, some become Ojols, some become traders and others; Candidates for leadership in 2024 should be able to see the condition of their people in villages and cities, so that they do not create social inequality. So that the roads in villages and cities are the same, so that the materials are good and can last a long time and people can earn a living on smooth roads. And for the 2024 Leader Candidates to be honest about the road and development assistance, so that it doesn't happen that the funds are disbursed but the roads and construction are not completed, let alone non-existent? Don't prospective leaders feel sorry when they see their people earning a living through damaged roads? On a rocking bridge to pass east to west over rivers and seas? there are also those who cannot leave the village because the roads are damaged but in the city the roads are good. However, there are also damaged roads in the city, which makes it difficult for large trucks to pass and causes traffic jams. The 2024 Leader Candidates should now be fair and honest with all their people. 2024 Leader Candidates so that they can pay more attention to their people, so that during the campaign they don't just make sweet promises to their people so that they are not called Sweet Promises of Leader Candidates.</br></br>OK, that's all my speech, I hope what I say can be heard by the 2024 Leader Candidates. Thank you for your attention, everyone present. "Meli bungkung aba to the temple Sambilang ngayah, Kirang Langkung nunas ampura titiang sisya wawu melajah". I end with the paramashanti "Om Shanti Shanti Shanti Om".paramashanti "Om Shanti Shanti Shanti Om".)
  • Condong and Inclination  + ('Dance is an ancient art that is intrinsic'Dance is an ancient art that is intrinsic to Balis’ creative spirit. One of the many forms of worship its people offer to the Creator. This is something we have in common with many cultures across the world. Forms of traditional dance are a natural and perhaps inevitable manifestation of human creativity. Modelled and tempered to embody our thoughts and philosophies.'</br></br>Looking at the rich heritage in traditional Balinese dance whilst discussing the impacts caused by a primarily commercial audience. Writing an article is one part, but it would not be possible without the full-hearted contributions of those who give fully to a collaboration for this type of project. Sri Apriani shares her experiences and performs the Tari Condong in Sawidji Studio whilst being a muse for a series of portraits by Dewi Dian Reich Exploring faces behind the dance.an Reich Exploring faces behind the dance.)
  • Red Chair and the White Room  + ('Red Chair and the White Room is a mixed m'Red Chair and the White Room is a mixed media presentation by exploring social and cultural changes through a symbolic portrait narrative. A Sawidji Collaboration that looks upon current social and cultural changes through a symbolic portrait narrative. With art and photography by D.D Reich and ManButur Suantara. With additional costume and installation support by Juniari and Meliani.</br></br>Excerpt:</br></br>This is not a story about a boy and a girl.. Our portrait story is one of all of us. Each portrait takes us through a transformation. Transformations that are connected and represents a collective reality that we face as a traditional community. Enjoy the Online Narration of this exhibition. </br>https://sawidji.com/2022/08/17/red-chair-and-the-white-room-a-collaboration/-chair-and-the-white-room-a-collaboration/)
  • TPS 3R Darma Winangun Tangkas  + (A 3R (Reduce, Reuse, Recycle) based waste management site in the Tangkas village area, Klungkung)
  • The Red Chair and White Room, a Collaborative Online Exhibition  + (A Sawidji Collaboration "This is not a stA Sawidji Collaboration</br></br>"This is not a story about a boy and a girl.. Our portrait story is one of all of us. Each portrait takes us through a transformation. Transformations that are connected and represents a collective reality that we face as a traditional community."</br></br>A mixed photography and multi media presentation exploring social and cultural identity and its changes. Through a symbolic portrait narrative. By Dewi Dian Reich, ManButur Suantara, Ketut Kaprus Jaya.</br></br>In the purity of arts’ expressions, it is needed now even more desperately than before, to serve as a bridge. A bridge to connect people, connect minds as well as to touch hearts. Providing a catalyst. Even perhaps like a conduit that may lead people to raise important questions. To inspire learning and better understanding. Not only for ourselves. But to a wider community as well as the environment in which we live and receive Natures’ many gifts.</br></br>On this note Sawidji Artists invite you to join us, on this day of Independence 17th August, for the online version of our exhibition ‘Red Chair and the White Room’. An exploration of changes social behaviours and its potential impact on cultural identity. Through symbolic representation via a portrait narrative. The Online Exhibition is available below in both English and Bahasa Indonesia.elow in both English and Bahasa Indonesia.)
  • Self Discovery Through Unexpected Redundancy  + (A photographer’s reflections in the process of an art collaboration, with ManButur Suantara. Discussing the works Human Imprints and Sacred Mimicry, as exhibited in the Manus, a Conscious Journey Art Collaboration.)
  • The Sleeping White Wood  + (A series of photographs exploring a differA series of photographs exploring a different, subtler side of the White Wood of Banyan. The fearsomeness of time evident in the turns and creases of this beautiful Sacred Tree.</br></br>Botanical Notes..</br>The White Wood Tree of Banyan was thought to be a ‘Bunut’ Tree or ‘Banyan Tree. Like many similar Ancient Trees in Bali. However, statements from local residents confirm that the genus of the tree has not yet been expressly confirmed. By the Ministry of Forestry or any University research teams. Their reluctance to confirm the genus of the tree is due to some particularities.</br>It is said the White Wood does not flower but bears fruit (we were a direct witness to the abundance of fruit on The White Wood). It has also been said that the White Wood will shed all its leaves every few months. Though Banyan Trees may shed leaves to retain moisture, it is unusual for a tree to shed leaves this regularly in a moist climate. So for all these reasons, the villagers have continued to call this tree Pohon Kayu Putih Bayan (the White Wood of Banyan).yu Putih Bayan (the White Wood of Banyan).)
  • The Balinese language is increasingly extinct among Balinese teenagers  + (Above, I used a photo of a traditional Balinese dress (kebaya), like preserving Balinese culture)
  • Namtamin Kalanguan Jagat Bali ring Ambaralaya  + (According to Mr. Sandiaga Salahudin Uno asAccording to Mr. Sandiaga Salahudin Uno as Minister of Tourism and Creative Economy of the Republic of Indonesia, Bali is the province that contributes the most foreign exchange from the tourism sector in Indonesia. However, since Covid-19 has wreaked havoc on the world, tourists no longer travel to Bali. Likewise, Bali's tourism life is dead. This has a bad influence on the economic, social, and psychological aspects of the Balinese people. Balinese people who work in tourism currently do not have a livelihood, this causes problems in the economic field. Because everything that is needed must be purchased using money, it makes people sad, problems arise in the psyche. Under these circumstances, there are now many beggars and buskers at crossroads who wear Balinese traditional clothes, problems arise in the social sector. Because the death of Bali tourism has a bad effect, it is necessary to find a way out so that tourism can bounce back.</br></br>Since the arrival of the Covid-19 pandemic, digital technology or in the network is growing. This digital technology can generate Bali tourism. How to? In my opinion, currently, the government can sell the existence of art, culture, and natural beauty to the world market through the website. The website can also be filled with virtual exhibitions using 360-degree technology, such as digital exhibitions that have often been carried out by people abroad. With one website, you can fill in several videos and virtual exhibitions from art museums throughout Bali. Through this website, tourists do not need to come to Bali, but only with digital experience, they can enjoy the natural beauty of Bali.</br></br>Now what can also be developed is the performing arts or performing arts which can be recorded and shared online or digitally. Balinese people who have not got jobs can be embraced to learn together performing arts such as Kecak and other colossal dances. It needs to be noted, those who want to watch every video on the website must buy a ticket in advance.</br></br>From some of the opinions I conveyed above, the development of digital technology can be a bridge to awaken Bali tourism while preserving Balinese art and culture. In addition, currently, each tourist spot must prepare health protocol equipment so that anyone who wants to travel to these tourist attractions still pays attention to health protocols to prevent the spread of the Covid-19 pandemic. Hopefully, the pandemic can disappear soon, the world will return to normal, and Bali tourism can rise and stand strong.nd Bali tourism can rise and stand strong.)
  • Episode 08 - Nyoman Sunarta, Petani di Bayung Gede  + (After the company totally cut his work houAfter the company totally cut his work hours, Nyoman Sunarta is now actively farming in Bayung Gede, his village in Kintamani. He used to work at a hotel. Even though the agricultural sector was also affected by COVID-19, he still has time to share stories... and a sack of oranges.to share stories... and a sack of oranges.)
  • Strengthening social capital for agricultural development, lessons from Guama, Bali, Indonesia  + (Agriculture plays a significant role in thAgriculture plays a significant role in the economic development of Indonesia. In Bali province, the government has been implementing agricultural development programs through subaks, which are customary communities that manage the traditional irrigation system. However, subaks now face some problems due to low farmers’ income from paddy farming. This paper describes the social capital performance of the subak system and attempts to identify ways to strengthen the social capital for agricultural development. The study selected the subak of Guama as its site because the government implemented a pilot project on agribusiness development in this subak in 2002. Key informants and samples were drawn during the survey and observation for data collection. Data were analyzed using descriptive methods. Results showed that social capital within the subak system consisted of mutual trust, social norms,</br>and social networking. The three elements run simultaneously for the agricultural, irrigation, and</br>agribusiness activities, including ritual ceremonies within the subak system. The social capital in the subak system for agricultural development, particularly rice farming, can be strengthened by: (1) conducting intensive extension and training activities using participatory approaches; (2) providing economic stimulants to encourage farmers to sustain their agribusiness activities; and (3) facilitating partnership activities between the subak and other agribusiness institutions.subak and other agribusiness institutions.)
  • Aji Janantaka  + (Aji Janantaka is a mythical lontar which tAji Janantaka is a mythical lontar which tells the origin of wood in Bali. This lontar tells about woods that have a hierarchy like a royal system among humans. Based on the story in Aji Janantaka, Balinese people determine the types of wood that can be used to build shrines, house buildings, or make utensils and masks. There are sacred types of wood that can only be used to build holy places and may not be used for ordinary building materials.</br></br>The story in this lontar begins with a king named Pratipa who ruled in the land of Janantaka. The king had five ministers namely Matwa, Rangga, Tumenggung, Arya and Kadeyan. In addition, he had five other officials, namely Punggawa, Manca, Perbekel, Pecalang, Kelihan Banjar, and Kasinoman. They were all attacked by a plague of leprosy which could not be cured by any means. It is said that this plague was originated from Lord Shiva who displeased King Pratipa because the king had made an offense.</br></br>King Pratipa then sent Matwa to go to Lord Dharma in heaven to ask for healing. According to Lord Dharma, the entire kingdom had to be moved from Janantaka to Wanapringga. Dewa Dharma then gave them purification for their ailments. However, this purification meant that they would all be dissolved and be reborn into trees.</br></br>All types of trees originating from the king, Arya, Rangga, Demung, Tumenggung, pecalang, Perbekel, kliyan and kasinoman cannot be used for building holy buildings because they had previously been affected by leprosy (known as “cukil daki” or “ila” disease). The trees that are considered contaminated include the Bengkulitan, Taru Brokan (deformed tree due to being eaten by pests), Embud Hati tree, Soca Menengan Sunduk tree, and Soca Nyuwun Lambang tree.</br></br>This lontar can be referred to as a simple botanical taxonomic palm-leaf manuscript centered on local trees that grew in Bali in the past. There are also Brahmin tree class and Taru Sari tree class. Both types of trees can be used as sacred building materials. There are also jempini, bayur and bentawa trees belonging to the taru sakama-kama class, which can be used for any purpose.</br></br>Apart from the types of trees, Lontar Aji Janantaka also describes types of fragrant flowers that can be used for ceremonies. These fragrant flowering trees are classified as sekar madewi, namely cananga, frangipani, canigara, tigaron, sebita, kembang kuning, kemoning, tigakancu, tampak bela, katrangan, nagasari, jasmine, jempiring, pudak sari, pudak cinaga, pudak kalasa, sekar gambir, chrysanthemum, magnolia, ratna, and gadung kasturi.emum, magnolia, ratna, and gadung kasturi.)
  • Aji Pari  + (Aji Pari means ‘the spell of rice'. This lAji Pari means ‘the spell of rice'. This lontar is written in ancient Javanese and is one of the lontars which contains teachings about traditional agriculture. Aji Pari is in the same category as agricultural lontars such as Usada Taru Pramana, Aji Janantaka, Usada Carik, and so on.</br></br>Aji Pari in general contains mantras about the greatness of rice from the time it is planted to post-harvest. This lontar is closely related to the Subak organization, which is thought to have existed since the ninth century. Within the Subak organization, there are many special ceremonies for rice starting from before planting to after harvest. In other words, rice is treated like a human undergoing developmental phases.</br></br>Lontar Aji pari likens rice to a sacred tree which is a form of the goddess Sri (the goddess of prosperity) as a tree. Therefore, in each phase of rice development, it is given different names. Lontar Aji Pari revealed that traditional Balinese and Javanese people highly respect rice plants as the main source of food in an agrarian society.</br></br>Based on what is contained in Aji Pari's lontar, it can be assumed that the rice seeds in Bali came from Java, to be precise during the Airlangga era or before. Perhaps at that time there were native Balinese rice species, but in allegory this lontar states that Bhatara Sri came from Kamulan (East Java). This indicates that there was a better breeding of rice species in East Java at that time, which was later developed in Bali as well.which was later developed in Bali as well.)
  • Prasasti Sembiran A1  + (Apart from lontar manuscripts, ancient BalApart from lontar manuscripts, ancient Balinese literacy remains also exist in the form of copper inscriptions. Most of the inscriptions that still exist today are made of copper plates which were most likely made on the shores of Lake Tamblingan during the reign of ancient Balinese kings. One of the important groups of inscriptions about the socio-political situation of ancient Bali is the Sembiran inscription found in Sembiran Village, Tejakula District, Buleleng, Bali.</br></br>This inscription consists of 10 groups made between 922 to 1181 AD (more than 200 succession). This proves that the ancient Balinese kingdom under the Warmadewa dynasty was a safe and stable kingdom for approximately 400 years (until 1343 AD). The ten inscriptions were issued by different kings and mostly contain social regulations, regional boundaries, taxes and government administration.</br></br>The A1 Sembiran inscription dates to 844 Saka (922 AD) and was issued by King Ugrasena. It contains information about Julah Village which is one of the oldest villages in northern Bali. This Sembiran inscription proves that the residents of Sembiran Village were originally refugees from Julah. They fled to mountainous area possibly because of attacks from the direction of the coast.</br></br>The Sembiran inscription belongs to the type of inscription known as the "Yumu Pakatahu" group because the first sentence in the inscription reads this way. Similar inscriptions were found in Gobleg and Sukawana, which also fall into the same category.a, which also fall into the same category.)
  • Strategi Membangkitkan Perekonomian Di Bali  + (As for the aspirations that I want to pourAs for the aspirations that I want to pour out to revive the economy in Bali, the points are as follows:</br></br>There is control of the epidemic itself. The main thing that must be done is to reduce cases of transmission of the Covid-19 virus in Bali through the acceleration of the Covid-19 vaccination program. We can make this the main fortress in the face of the COVID-19 outbreak in Bali. </br></br>Then the next step is to tighten the procedures (3M) on the island of the gods by involving all elements of society and foreign tourists who will vacation in Bali to participate together in complying with the program. This is done to restore the world's trust in the island of Bali through the discipline of health care, and the addition of health facilities so that they are adequate and suitable for use, such as the construction of self-quarantine rooms, providing Thermal Detectors or rapid tests and ensuring the safety and comfort of tourism, because good Health Tourism actually can increase the interest of tourists to vacation in Bali. Not only in terms of progress: the island of Bali must also optimize all existing fields to participate in supporting the economy, so that this strategy does not only come from the tourism sector but through optimizing all existing sectors, such as the Agriculture Plantation Sector, the Village-Based Digital Empowerment Sector. Customs, Endek and Songket SME Centers, Creative Economy SMEs and others. Through the cooperation of all economic actors, we can slowly revive the economy in Bali. </br></br>The next step is through the development of the Essential Business Travel Corridor (TCA), the collaboration carried out with several countries for the purposes of Essential Business, Diplomatic and Service which has been initiated by the government. </br></br>Of all the points above, one point that is no less important is to build a positive image to foreign countries towards tourism in Bali, so that tourists are more interested in vacationing in Bali. This can be done by improving the hospitality sector (through HR training), improve facilities, make tourist attractions more attractive, cheaper rates and others to improve the tourism sector in Bali to make it more attractive to tourists. As we know, the island of Bali is a tourist island that has a variety of interesting tourist attractions, along with culinary and and cultural traditions adding positive points to the tourism sector in Bali.tive points to the tourism sector in Bali.)
  • Jaja Uli  + (At first glance, this traditional BulelengAt first glance, this traditional Buleleng snack looks like Jadah or glutinous rice in general. However, what sets them apart is that Jaje Uli is served in a thin and flat form that is dry, not wet like jadah although some make it wet. Usually, this food is used as a complementary dish that must be present at certain religious ceremonies. Jaje Uli is made from glutinous rice dough or rice flour that is pounded until the texture turns smooth.</br>When used as a dry snack, the dough will be shaped in such a way that it becomes flat and thin, usually shaped like a circle. Meanwhile, if it is used as a wet snack, the dough that has been pounded can only be shaped using a fist until it reaches the desired shape. Both versions of Jaje Uli have a simple form and can be enjoyed directly when they are finished. Because it tastes a little bland, this snack will be more delicious when eaten with a sprinkling of tape or grated coconut.</br></br>Besides being found during religious ceremonies, you can also find this food easily on a daily basis at traditional markets around the Buleleng area. With a friendly price, this dish is also very suitable to be eaten together while drinking coffee.o be eaten together while drinking coffee.)
  • Tolerance  + (At that time my family and I returned to mAt that time my family and I returned to my village to Buleleng. Buleleng is my village. My house in Buleleng is close to the beach. On the edge of the beach there are villas and there are Asimh people who live there. Torist has been in Bali for 5 years. The torist is friendly and fluent in Balinese. So at that time my cousin got married and he was invited by my uncle because he was familiar with my family and he also often traveled to my house. Surprised, I saw the torist, he was very diligent in helping me, even though he had no relationship with my family. There, I was stunned to see and I talked to my brother. "Torit is very tolerant, he is very diligent in helping with work even though he is not our family." In short, I have hope or hope that we will be tolerant of each other with people we know or people we don't know because tolerance is important in our life in society.rance is important in our life in society.)
  • Ngelaksanayang Kegiatan Positif Anggen Ngisi Kemerdekaan  + (August 17 is the Independence Day of the RAugust 17 is the Independence Day of the Republic of Indonesia. Many people carry out activities to commemorate independence day such as carrying out flag ceremonies at schools and at the office, holding competitions, holding performances in the banjars (community village halls) or in the local environment. Usually these events to fill this independence are carried out by students, employees, and young people in their respective banjars. This activity aims to help people get along and remember the independence day.t along and remember the independence day.)
  • Dewasa Ayu Macukur (Ngetep Bok)  + (Auspicious days to have a haircut accordinAuspicious days to have a haircut according to Balinese astrology.</br></br>Sunday: could be good or bad, frequent sickness</br></br>Monday: most auspicious, fortunate</br></br>Tuesday: inauspicious, creates mental fluctuation</br></br>Wednesday: auspicious, loved by partners or friends</br></br>Thursday: inauspicious, creates enemies</br></br>Friday: so-so, short-lasting friendship or relationship</br></br>Saturday: not good, creates frequent disease</br></br></br>Full moon's day: most auspicious, long-age and healthy</br></br>New moon's day: good, long age.</br></br>WHY HAVING A HAIRCUT ON MONDAYS AND WEDNESDAYS?</br>According to Wariga Gemet and several other types of wariga (Balinese astrological texts), Monday and Wednesday are considered the best days for haircuts. Monday is a day ruled by watery element and coolness, so it is hoped that when someone cuts their hair on Monday, their life will be as safe and prosperous as water. Wednesday is a day associated with Lord Wisnu and Goddess Sri, because on Buda Cemeng (a special Wednesday where Balinese five-day week and seven-day week cycles meet), Hindus in Java and Bali worship Goddess Sri for prosperity.</br></br>Cutting hair is a sacred activity for the Hindus, especially for virgin women. Virgin hair is often used to decorate barong and rangda, because virginity symbolizes purity and is highly valued in Hinduism. Therefore, cutting one’s hair can mean something like cutting one’s crown and honor. If this is done on inauspicious days, then the growth of the hair (honor, reputation, prosperity, health) will be disrupted. Because of that, the day chosen should have nourishing element (water element), namely Monday and Wednesday.</br></br>Full moon’s day and new moon’s day are also good days for cutting hair because they are closely related to the water cycle in the world. Due to the moon’s gravity, tides happen on Earth. Because water is the main element in life, the full moon and tilem are also related to life and nature’s coolness. It is hoped that the hair cut on the right day will grow well along with the growth of one’s welfare, health and fortune.owth of one’s welfare, health and fortune.)
  • Babad Indu Gobed  + (Babad Indu Gobed is a chronological recordBabad Indu Gobed is a chronological record of an ancient village on the shores of Lake Tamblingan named Indu Gobed. The name Indu probably means water or an association of people living on the bank of the lake. Gobed itself in modern Balinese means "to grate". It is possible that Indu Gobed Village has now become Gobleg Village and three other villages known as Catur Desa Tamblingan, namely Gobleg, Munduk, Gesing and Umajero.</br></br>One interesting thing in Babad Indu Gobed is about the legend of Tamblingan Lake which was used to cure various types of diseases. Tamblingan comes from the words 'tamba' (medicine) and 'elingang' (remember). This means that Tamblingan Lake water was once used as medicine. This babad also briefly mentions Lesung volcano which erupted around the ninth or tenth century, then became inactive until today. Some historians assume that at that time the people of Indu Gobed Village fled to higher areas because of the volcanic eruption down the caldera.</br></br>Then, in the Gobleg inscription (see entry "Prasasti Gobleg") it is stated that in the tenth century there was a village on the shores of Lake Tamblingan called Desa Tamblingan. This village lasted until the fourteenth century. It is possible that Tamblingan Village is an evolution of Indu Gobed Village in the previous period. Tamblingan Village was apparently said to be a weaponry asembly site of the ancient Bali. The village was then invaded by Majapahit in the fourteenth century and was eventually abandoned.enth century and was eventually abandoned.)
  • Kawentenan Anak Istri Ngwarnin Sajeroning Gegaen Ring Banjar Sekadi Gegaen Nglestariang Budaya Bali Miwah Kader Kesehatan Krama Banjar  + (Bale banjar is a place used by Balinese peBale banjar is a place used by Balinese people as a place for gathering and deliberation. Having a bale banjar is very useful for Balinese people, because with a bale banjar, Balinese people have a place to channel creativity such as sports, magambel, dancing, meetings and others. What is characteristic of bale banjar is that there is a kulkul. Kulkul is similar to kentongan as a communication tool used by the banjar community.</br>In Denpasar City, there are many banjars, one of which is the Pekandelan Banjar which is located in Pemecutan Klod Village. In Banjar Pekandelan, many activities are carried out such as; magambel, gymnastics, table tennis, social gathering, meetings and there is a kindergarten in this banjar.</br></br>Based on interviews that have been conducted with the three sources, there are creative ideas so that the bale banjar is used as a place for nyacal training (making jaja cacal), running waste bank activities, magambel training for PKK mothers and there are also activities in the health sector, namely adolescent health cadres with the hope of the health of the youth of the banjar can be monitored. That's a creative idea from Banjar Pekandelan women, how about in your banjar?ekandelan women, how about in your banjar?)
  • Bale banjar nganggèn konsep Tri Hita Karana dados genah kreativitas para istri.  + (Bale banjars in Bali generally apply the cBale banjars in Bali generally apply the concept of Tri Hita Karana in arranging wantilan bale banjar buildings, namely Parhyangan which reflects the human relationship with God, Palemahan which reflects the relationship between humans and the surrounding environment, and Pawongan which reflects human relationships with other humans. By applying this concept, the banjar bale has a role as a gathering place for the residents of the banjar. However, currently in the modern urban era, the traditional bale banjar undergoes various changes in function, form, and appearance in the embodiment of the building. Bale banjar adat which has a dual function, which is no longer just a place for deliberation but is a place for various kinds of additional activities such as economic activities, education, health, art. According to one resident, there are many activities that women can do to protect their creative ideas in contributing to utilizing the bale banjar as a space for women's creativity. banjar as a space for women's creativity.)
  • Bale banjar nganggèn konsep tri hita karana dados genah kreativitas para istri  + (Bale banjars in Bali generally apply the cBale banjars in Bali generally apply the concept of Tri Hita Karana in arranging wantilan bale banjar buildings, namely Parhyangan which reflects the human relationship with God, Palemahan which reflects the relationship between humans and the surrounding environment, and Pawongan which reflects human relationships with other humans. By applying this concept, the banjar bale has a role as a gathering place for the residents of the banjar. However, currently in the modern urban era, the traditional bale banjar undergoes various changes in function, form, and appearance in the embodiment of the building. Bale banjar adat which has a dual function, which is no longer just a place for deliberation but is a place for various kinds of additional activities such as economic activities, education, health, art. According to one resident, there are many activities that women can do to protect their creative ideas in contributing to utilizing the bale banjar as a space for women's creativity. banjar as a space for women's creativity.)
  • Bale banjar nganggèn konsep Tri Hita Karana dados genah kreativitas para istri  + (Bale banjars in Bali generally apply the cBale banjars in Bali generally apply the concept of Tri Hita Karana (balance of people, the environment, and the spiritual world) in community buildings, including "Parhyangan" which reflects the human relationship with God, "Palemahan" which reflects the relationship between humans and the surrounding environment, and "Pawongan" which reflects human relationships with other humans. </br></br>By applying this concept, the bale banjar has a role as a gathering place for the residents of the banjar area. Currently, in the modern urban era, the traditional bale banjar has undergone various changes in function, form, and the appearance of the building. Bale banjar adat (customary) which has a dual function, is no longer just a place for meetings but is a place for various kinds of additional activities such as economic activities, education, health, and art. According to residents, there are many activities that women can do to share their creative ideas in utilizing the bale banjar as a space for women's creativity. banjar as a space for women's creativity.)