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Putu Oka Sukanta + (Putu Oka Sukanta was born in Singaraja, Ba … Putu Oka Sukanta was born in Singaraja, Bali, 29 July 1939. He is a writer, writer, journalist and health and humanitarian activist. He started writing when he was in middle school. He was a high school teacher in Yogyakarta and Jakarta. Because he was involved in the Lekra organization, he was detained by the New Order government in 1966 - 1976 in Jakarta and Tangerang without ever being tried.His published books include I Belog (Balinese Children's Stories, 1980), Selat Bali (a collection of poems, 1982), Salam or Greetings (a collection of Bilingual Poetry, 1986), Luh Galuh (A Collection of Short Stories, 1987), Tas or Die Tasche (Collection of Short Stories, 1987), Luh Galuh (Collection of Short Stories, 1988), Sweat Pearls (Collection of Short Stories, 1991), Matahari, Berlin Wall (Collection of Poems, 1992), Water Jokes, Air Berjoke (novel, 1999) , Knitting Harkat (novel, 1999), Glittering Mozaik (Novel, 2000), Above the Day Under the Night (Novel, 2004), Missing Hurts (Collection of Short Stories, 2004), Longing for Hurts (Collection of Short Stories, 2005), Pearl Sweat (Short Story Collection, 2006), Lobakan (Stories About the 1965/1966 Tragedy in Bali, 2009), Istana Jiwa (Novel, 2012). Some of his works have also been translated into English, German, French.His works are also published in several international anthologies: Indonesian Contemporary Poetry (Indonesia 1963), This Prison Where I Live (London 1966), Voice of Cosciences (USA 1955), Bali Behind the Scene (Australia 1997), Silences Voices (Hawaii 2000 ), Menagerie IV (Indonesia 1998), Another Kind of Heaven (Boston 2008).Apart from that, he made a documentary on the theme "Social Impact of the Human Tragedy of 1965/66". He also wrote health books and became an activist for the HIV/AIDS Prevention Program.He lives in Jakarta, opening an acupuncture practice. Together with his wife he manages "Taman Sringanis", a cultural movement in the health sector. He was invited several times to countries in Europe, Asia, Australia and America as a writer and humanitarian activist.ica as a writer and humanitarian activist.)
Putu Satria Kusuma + (Putu Satria Kusuma, born in Singaraja, Mar … Putu Satria Kusuma, born in Singaraja, March 28, 1963. His last education was Bachelor of Law. Since he was a teenager he has been involved in the arts, especially theatre, film, and literature. He joined the Coffee Drink Studio. His achievements include 1st Place in the Contest for Modern Drama Manuscripts, UNUD 1986, the best national drama scriptwriter, 1995 Menpen RI, the best national drama scriptwriter in 1997, Menpen RI, Hope I in the national drama script competition at the Jakarta Arts Council 1998, Harapan I The Indonesian Ministry of Tourism's Film Scenario Competition in 2005, an award from the Governor of Bali Widya Pataka 2015, the Bali Jani Nugraha award from the Bali Provincial Government. His works include: Kidung Classical Tanah Bali (a radio play broadcast on RRI Singaraja 20 episodes), Cupak Tanah, Watu Gunung, Sukreni Gadis Bali (adaptation of the novel with the same title by AA Panji Tisna), Revolution in Nusa Damai (adaptation of a novel with the same title) Similar titles by Ktut Tantri), soap operas Adi and Ayu (10 episodes aired on Bali tv), soap opera Memedi (10 episodes aired on Bali TV), soap opera comedy series Wayan Katel (10 episodes aired on Bali tv), soap opera for children Ketut Koran (TVRI Bali) , Slave from Bali Untung Surapati, Short folk drama series about Bung Karno (10 titles), He wrote a number of short stories published in the Bali Post, and short stories anthologies Lobakan, Tower, and the Indonesian Literary Community, etc.nd the Indonesian Literary Community, etc.)
Putu Sedana + (Putu Sedana was born in Pengastulan, Decem … Putu Sedana was born in Pengastulan, December 17, 1932. He completed his education at the Wirabhakti School of Social and Political Sciences, Denpasar. Has been a teaching staff at Panji Sakti University Singaraja. He wrote various kinds of poetry, prose, drama, and radio plays in Balinese or Indonesian. In addition, he also composed Balinese songs and Indonesian songs. His works have been published in newspapers and also broadcast on TVRI's central program, RRI (Yogyakarta, Semarang, Surabaya, Denpasar and Singaraja). His work that has been published and distributed is "Bali Suar Tanah Dumilah" in the form of a collection of Balinese poetry.From his work, he received various awards and prizes, such as:1. In 1945, he won second place at the second level in Buleleng, when a drawing contest for the children of the People's School (now elementary school) entitled "War".2. In 1964, he won the third place in the Buleleng level II area, when the Singa Ambara Raja Statue Design competition was held.3. In 1969, he won first place in the Bali level I area, a modern Balinese poetry writing competition organized by the Singaraja Branch I National Language Institute with the title "Mati Nguda".4. In 1980, he won first place in the first level of Bali, a modern Balinese prose writing competition organized by the Singaraja Branch I National Language Institute, with the title "Mirah".5. In 1980, he won first place in the first level of Bali, a competition to write a poem on the natural beauty of Batur Uang was organized by the Governor of Bali, with the title "Peace is Founded".6. In 1984, he won first place at the first level of Bali, a songwriting competition for the Bali Sandya Gita Festival during the 1984 Bali Arts Festival which was held by the governor of Bali, with the title "Teja Guling".7. In 1985 won first place in creating Balinese folk songs at the Bali Arts Festival with the title "Gumin Titiangé Bali".8. In 1985 he received an award from the Governor of the First Level Region of Bali for creating a song with the title "Pulaki".9. In 1990 won first place in a songwriting competition at the Bali Arts Festival with the title "Hyang Laksmi"10. In 1997, he received the Wija Kusuma Art Award from the Department of Theater Arts from the Buleleng Regional Government.rts from the Buleleng Regional Government.)
Putu Suasta + (Putu Suasta was born in Denpasar, 1960. He … Putu Suasta was born in Denpasar, 1960. He completed his elementary to high school education in his hometown. Then he continued his studies at Gajah Mada University (UGM), majoring in International Relations (HI), graduating in 1985. He then attended post-graduate studies at Cornell University. He also taught at Asian Studies/Dept. Modern Language and Linguistics, Cornell University, 1988.In Bali, Putu is known as a critical activist. He formed a number of discussion forums such as the “Red-White” forum and Non-Governmental Organizations as a means to build people's critical awareness of their rights as citizens. Through these civil institutions, he organized masses to criticize the government for not taking sides with the people and not being transparent in running the government. Through his writings, he is diligent in conveying various ideas and constructive criticism for the government and society.Putu Suasta's long struggle in the civil movement eventually led to the realization that the most effective way to promote change was politics. He increasingly reminded the relationship between government and politics. So to be able to convey and fight for the aspirations of the community, it must be more effective, political channels are entered. He later joined the Democratic Party.Putu Suasta's works have been published in a number of books, both on political, socio-cultural, and artistic themes. These books include: “Idiology, Development and Democracy” (1986), “Made Wianta: His Art and Balinese Culture” (1990), “Bali Living in Two Wold” (Schweben Basel, 2001), “Kembara Budaya ” (Bali Mangsi Foundation, 2001), “Enforcing Democracy, Escorting Change” (Lestari Kiranatama, 2013), “Gung Rai, Sang Mumpuni” (2017), “Sanur: Caring for Traditions in the Midst of Modernization” (2018).ons in the Midst of Modernization” (2018).)
Putu Sucita Yanthy + (Putu Sucita Yanthy is a lecturer at the Fa … Putu Sucita Yanthy is a lecturer at the Faculty of Tourism. She completed her Doctorate Program in 2016 at Udayana University. Her dissertation is titled Kontribusi Perempuan Dalam Mengangkat Kuliner Lokal Untuk Mendukung Pariwisata Bali (Women’s Contribution in Promoting Local Food to Support Tourism in Bali). She actively conducts research and joins activities at Udayana University. Her research interests include women in tourism, gastronomy and culinary fields. She had an opportunity to take part in Mobility for Teaching Staff program at the University of Glasgow, Scotland in 2018. Since 2019-present she doing research postdoctoral program entitled Tourism Education and Women in Bali at University of Angers, France.n in Bali at University of Angers, France.)
Putu Sudjana + (Putu Sudjana started writing poetry in the … Putu Sudjana started writing poetry in the 1970s and only published it in the Bali Post in the 1980s. In addition, he also writes short stories, essays, drama scripts / plays. Often wins in poetry and drama script writing competitions. He performed many of his drama scripts at the Banjar Hall and TVRI Denpasar. He used to work at the Bali Regional Office for Transmigration. His solo book of poetry is entitled "Sajak-sajak Kecil dari Langit" (1985). His poetry is also summarized in the book "Lukisan Magis Tanah Bali (2000)the book "Lukisan Magis Tanah Bali (2000))
I Putu Sutawijaya + (Putu Sutawijaya (1970)studied art at Indon … Putu Sutawijaya (1970)studied art at Indonesia Institute of Fine Art (ISI) Yogyakarta. He currently lives and works in Yogyakarta and Bali. As a painter, sculptor and performance artist, he is hailed as one of the most important young artists to watch out for. His canvases are highly charged with the energy, or qi, that is suggestive of Chinese calligraphy masters. While Chinese calligraphy influences his technique, his subject matter captures the essence of Balinese religious and tribal rituals. The visual impact of his canvases is explosive yet contemplative. They reflect the mutual desire for harmony in order and chaos, a oneness with the universe. Man as the centrifugal figure in paintings is distinctively Sutawijaya and continues to be prominent in his works.Putu Sutawijaya draws his inspirations from the various Balinese religious rituals. He is especially fascinated with the way communion takes place, where spiritual enlightenment is attained through trance, intoxication and even violence.Movement, energy and trance are the three most powerful stimuli in his canvases. The movements and stance of the kecak dance are symbolic of the Great Gods (sanghyang). The kecak dance is an intense spiritual dance by a large group of people.A mental and spiritual climax is reached when the soul suddenly rises to a level of experience much more profound than daily consciousness. At that moment appears a peak of self confidence and extraordinary bliss like a trance, followed by enlightenment. Out of these are born paintings of such intense expression that they reach the farthest limits of universal concepts.the farthest limits of universal concepts.)
I Putu Tangkas Adi Hiranmayena + (Putu Tangkas Adi Hiranmayena is an artist- … Putu Tangkas Adi Hiranmayena is an artist-scholar currently holding positions as faculty member at Metropolitan State University of Denver and the University of Colorado, Colorado Springs. His research interrogates discursive conceptions of “noise” in Bali and the United States as they intersect with Cosmology, Indigeneity, and Performance. He focuses on how people in places with long colonial histories reclaim Indigenous identity through popular idioms. As a music practitioner and composer, Hiranmayena continues to perform in improvisation/noise ensembles and creates contemporary works for Gamelan and Heavy Metal. He is co-founder of Balinese experimental project, ghOstMiSt and artistic director of Denver, Colorado’s non-profit organization, Gamelan Tunas Mekar.-profit organization, Gamelan Tunas Mekar.)
Putu Vivi Lestari + (Putu Vivi Lestari was born in Tabanan, Nov … Putu Vivi Lestari was born in Tabanan, November 14, 1981. She achieved a Master of Management and works as a lecturer at the Faculty of Economics and Business, Udayana University. Vivi is married to the painter Ketut Endrawan. They have two children: Made Kinandita Radharani and Nyoman Akira Bodhi Pawitra. On April 8, 2017 Vivi died of blood cancer (leukemia).Vivi's poems have been published in the Bali Post, Bali Echo, Kompas, Suara Merdeka, Kalam Culture Journal, PUISI Journal, Coast Lines Magazine, People's Thoughts, Horison Literature Magazine, Media Indonesia, and CAK Cultural Journal.Her poems can also be found in a number of joint anthologies, including Angin (Teater Angin, Denpasar, 1997), Notes of Concern (Jukut Ares, Tabanan, 1999), Ginanti Pelangi (Jineng Smasta, Tabanan, 1999), Art and Peace (Buratwangi , Denpasar, 2000), Anno's Essay & Waves of Poetry 2001 (Kompas, 2001), Green Kelon & Poetry 2002 (Kompas, 2002), Ning: Anthology of Poetry 16 Indonesian Poets (Sanggar Purbacaraka, Denpasar, 2002), The Blue Angel of Hobart City (Logung Pustaka, 2004), Spirit: A Collection of Poetry Poets from Bali-West Java (bukupop, Jakarta, 2005), Because My Name is a Woman (FKY, 2005), Selendang Pelangi (Indonesia Tera, 2006), Herbarium: Anthology of Poetry in 4 Cities (Library Pujangga, Lamongan, 2007), Rainbow (Indonesia Tera, 2008), Couleur Femme (Jakarta-Paris Forum & AF Denpasar, 2010).Vivi has won a number of literary awards, including the "Best Five" small note competition held by the Jukut Ares Tabanan Community (1999), "Ten Best" poetry writing competition for high school students at the national level held by Jineng Smasta-Tabanan (1999), 2nd place in the competition poetry creation in the marine orientation week held by the Faculty of Letters Unud (1999), Art & Peace 1999 "Best Nine Poems", 2nd place in a poetry creation competition with the theme "Bali after the Kuta tragedy" (2003).Vivi had been invited to a number of national literary events, including the 2003 Utan Kayu International Literature Festival in Denpasar, 2004 Indonesian Literature Cakrawala at TIM Jakarta, Ubud Writers and Readers Festival 2004, Yogyakarta XVII Arts Festival 2005, Printemps de Poetes 2006 in Denpasar, The VIII Main Praja Mitra Literature Gathering in Banten (2013).Her book of poetry entitled “Failed Ovulation” was published posthumously by Expression Library, 2017.n” was published posthumously by Expression Library, 2017.)
Raechelle Rubinstein + (Raechelle Rubinstein is a writer of several books and journal articles about Bali including the latest in 2022 entitled Beyond the Realm of Senses: The Balinese Ritual of Kekawin Composition.)
Panglalah teknologi ring kawéntenan lapangan kerja + (Rapid technological developments have brou … Rapid technological developments have brought many advances in various areas of life, including the world of work. In the current era, we cannot be separated from the influence of technology in the world of work. The government can play an important role in overcoming this problem and creating policies that can control technological developments so that they do not replace and threaten people's jobs. The most important problem currently is technological progress which poses a major threat to employment opportunities, especially in Bali. If not controlled, many jobs will be replaced by technology. Of course, this can threaten the lives of the Balinese people. Advances in AI (Artificial Intelligence) technology are one of the biggest challenges for future leaders of Bali Province. Although the presence of AI provides benefits, especially in providing efficiency in the world of tourism in Bali, this technology can also have negative impacts if not used wisely. To overcome challenges in the tourism sector, the government must increase investment in skills training and technology education. This will help prepare the workforce to face technological developments with greater effectiveness. One of the solutions and strategies that I propose is to strengthen the government's role and responsibility in regulating and supervising the use and impact of AI technology in Bali. The government can provide assistance and facilities, such as capital assistance, subsidies, incentives, training, certification, and others, which can help the community to improve their quality and performance in the tourism sector. The government can also evaluate policies that support the transition of workers from traditional to modern sectors through skills conversion programs and financial support. Therefore, this effort can help optimize the use of technology while reducing losses for the Bali tourism sector in terms of the availability of skilled and quality human resources so that they can continue to compete along with technological developments.ete along with technological developments.)
mr + (Re instigate visa on arrival . Compulsary mask wearing unless in restos .)
Anak Agung Gede Raka Turas + (Related Artists Anak Agung Gede Sobrat Teacher: I Wayan Pendet Relative: I Dewa Ketut Rungun Relative: I Dewa Putu Bedil Relative: Anak Agung Gede Raka Puja)
Jero Mangku Dalem Suci + (Renowned Chef and restaurant owner Jero Ma … Renowned Chef and restaurant owner Jero Mangku Dalem Suci (Gede Yudiawan or Gede Buldog) is from Desa Les and his incredible cooking skills have been recognized by the most acclaimed Indonesian Chef, William Wongso, and he has joined the maestro in introducing Balinese cuisines across several countries in the world.In 2015, he took on the role of pemangku or priest, and has since carried both titles of Chef and Jero Mangku (priest). Having already traveled the world, Chef Jero Yudi believed it was time to return to his village and give back to the place that has helped plant his roots deep into the culinary world. So he opened up, in his ancestral home, Dapoer Bali Moela, a smaller eatery and arak center where he has developed food & beverage products using locally sourced ingredients.Chef Jero Yudi also owns Warung Sunset by Chef Yudi in Kuta, Bali. He also helped developing other restaurants in Nusa Dua, Semarang (Central Java), Jogjakarta and in Les Warung Tasik and Warung Sukun.arta and in Les Warung Tasik and Warung Sukun.)
Richard Horstman + (Richard Horstman, (b 1964 in Melbourne, Au … Richard Horstman, (b 1964 in Melbourne, Australia) has more than 25 years of experience inIndonesia, first visiting Bali in 1986. He spent extended periods in Sumatra and began living inBali in 2004. He has worked in the Bali and Indonesian art worlds since 2008 as an writer,journalist, a co-creator with artists and an art tour presenter to national and international guestsfrom 2014. He has participated intercultural exchange events in Thailand, the Philippines andIndonesia, while regularly attending events in Singapore, Jakarta and Yogyakarta.Richard consults professionally and non-professionally to Indonesian and foreign artists,collectives, galleries and art spaces. Richard is passionate about reporting on developments inthe Bali art infrastructure and innovations in the Bali art world. He previously made andexhibited sculptures and installations and is currently painting in his spare time.During 2022 Richard experienced growth in his writing genres penning his second social culturalobservation piece on Bali, entitled Duality and the Exploitation of the Spirit published inNOW!Bali Magazine in the January/February 2023. He began writing book reviews published inthe Jakarta Post and NOW!Bali with his fourth review Masks of Bali: Between Heaven & Hellpublished in the Post in February.An article for the Australian quarterly hardcopy magazine ArtLink, a special edition onIndonesian art was published in April 2023 and a review of the Bali art scene, post-pandemicwith international tourism open for Singapore magazine Plural Art Mag. He is currently writingarticles for NOWBali Magazine. Unfortunately since July 2023 the Jakarta Post is no longerpublishing its Features section, meaning no more specialized reporting on Indonesian art andculture which is a massive blow for the country and the global audience.In November 2022 Richard began initial steps for his next book, WINDS OF CHANGE: Womenin Balinese Art, the first study into the pioneering women in Balinese art, due to be publishedlater in 2023. This is the follow-up to his first book published late 2019 Ubud Diary: Celebratingthe Ubud School of Painting - the Diversity of the Visual Language launched at the opening ofUbud Diary a new gallery in Lodtunduh, Ubud where he worked as a consultant from June 2019until March 2020 when the pandemic impacted on the Bali and global economy.In the past Richard has been a contributor to the Jakarta Globe newspaper, Ubud Now & Thenonline magazine, the Yak Magazine, Art Republik, NOW! Singapore, NOW!Jakarta,Art&Market, Singapore, the art columnist for UbudLife Magazine, Arti, Art Malaysia, Art OneNation, Indo Expat & Ubud Community News magazines. He have been a regular contributor tothe Jakarta Post for over ten years and am the art columnist for NOW!Bali Magazine.As an art activist Richard has a strong social platform and is passionate sharing ideas andbrainstorming with artists, gallerists, art spaces and collectives about professional structuring,communications, vision, branding, building community and the ongoing development of the Baliart infrastructure. Richard is currently working on a series of geometric paintings for hisupcoming Universal Eye Mandala Art website.Richard’s articles are published:www.lifeasartasia.artwww.lifeasartasia.weebly.comFacebook Page: Bali Art ReviewsInstagram: @lifeasartasiaPrevious art roles:Member of the Board of Directors of the Bali Art Society 2013-2014Art Presenter Artpreciation (2016-2018)AdvisorCata Odata Art House 2014 – 2018 Penestanan, Ubud BaliUbud Diary Jul 2019 – MARCH 2020, Ubud, BaliLodtunduh, Ubud, Balio Ubud Diary is a new art gallery in Ubud with the mission to raise the profile of thehistorical Ubud School of Painting. It is planning its grand opening late inNovember 2019 with a group exhibition of works by senior artists of the UbudSchool, including the launch of the book 'Ubud Diary: Celebrating the Ubud Schoolof Painting - the diversity of the visual language" written by me and translated intoBahasa Indonesian by Richard Nixon Tambalo. Ubud Diary's annual exhibitionprogram will include three solo exhibitions by senior artists, along with one annualevent in Jakarta. The renown Ubud School of Painting which was 'founded' in thelate 1920s - early 1930s in Ubud is destined to die out, through its program ofexhibitions, book and catalogues, and other annual events Ubud Diary's vision isto reignite the genre and encourage regeneration that can lead to its futuresustainability.e regeneration that can lead to its future sustainability.)
Richard Winkler + (Richard Winkler dream of a utopian world w … Richard Winkler dream of a utopian world where man and nature were tightly integrated. and then he woke up in it.Richard, how did your upbringing influence your artistic style?During my childhood, I spent a lot of time with my grandfather, whom I admired. He was enormously talented in drawing and painting, and we spent a lot of time together. He also took me out into Nature, where we walked for hours, and he taught me everything about flora and fauna. He was a great inspiration, and he showed me how to draw and how to appreciate and love the natural world around us. During the same time, I had to spend a lot of time in hospital in order to undergo many surgeries to correct the growth of my bones, as I was suffering from a rare bone disorder. This created an early awareness of the physical body and its limbs. It was fascinating to me when the doctor measured angles and the length of my bones, and how he could open up my body to correct those after drawing lines on my limbs. In summertime, I usually spent a lot of time playing in an old garden and plant nursery near my home, forgetting all the pain I had to go through the rest of the year. I loved all the greenhouses, which were full of exotic plants and trees such as banana and orange trees. It was hot and humid, and I could smell the plants and the soil. This world was magical and full of energy and fertility. This was life, and life wanted to flourish. I often dreamt and fantasized about exotic and tropical worlds where my soul was happy and free, a kind of paradise where you picked fruits from the trees, and life was free from troubles. My early childhood drawings often depicted tropical landscapes with exotic colourful birds and animals.What was your initial impression of Bali, and how did it inspire your art?When I first landed in Bali, I discovered the world I had been dreaming about, a kind of Garden of Eden full of life and colours. The tropical nature was alive and amazing, and the soil so incredibly fertile. People were friendly, and everyone seemed to be able to talk about art and aesthetics. And everyone seemed to be creative in one form or another. Bali was full of life, colours, details, sounds, and smells. It really appealed to all my senses and made me feel incredibly alive. Even the ground was not stable and moved sometimes.I loved the passionate rains and thunderstorms, which were so intense and powerful. Life itself was at maximum in Bali, and I couldn’t feel anything but very alive. I loved it. Over time, I found lots of inspiration in the traditional life at the rice paddies, in Nature, and in markets. I love the simple life of man and nature, tightly integrated. Perhaps it’s still a dream in my mind about a Utopian world free of pain and sorrow. But it’s a beautiful dream, longing for peace and harmony in one’s soul.Can you describe your creative process and how it has evolved over time?During my time in art school, I became more and more fascinated by the human body. I spent countless hours drawing from life models to study the forms and lines of the body. I was especially fascinated by simple lines and how they cut and overlapped each other. I eventually started to play with these forms, stretching them and deconstructing them to my liking, a little bit like an orthopedic doctor rearranging the bones and limbs. The body doesn’t need to look anatomically correct to actually function and feel right. The important thing is that it feels good and works correctly. That’s how I construct the bodies on the canvas.Do you see Bali as a colourful Utopian paradise?I might dream about this Utopian paradise free of pain and sorrow and full of life, love, beauty and harmony. But of course this fantasy world doesn’t exist in reality. Wherever we live, life will always be life including everything from tears to laughter, and that’s how we grow ourselves and our characters. And maybe that is the real beauty and goal of life itself.s the real beauty and goal of life itself.)
Bali 2024: nuju masa depan sané lestari miwah gemuh + (Ring Pemilu 2024 sané jagi rauh, pinaka kr … Ring Pemilu 2024 sané jagi rauh, pinaka krama Bali, iraga maduwé tanggung jawab sané ageng pisan antuk milih pamimpin sané pacang ngawetuang panglimbak miwah karahayuan ring panegara sané tresnain iraga puniki. Bali, pinaka tetujon pariwisata sané kasub ring sajebag jagaté, madué makudang-kudang pikobet sané patut katangkepin olih sang sané pacang dados pamimpin.Silih sinunggil pikobet sané mabuat pisan sané patut urati pisan inggih punika indik palemahan miwah pariwisata sané lestari. Pinaka genah wisata utama, kawéntenan industri pariwisata sané nyansan nglimbak ngawinang dampak sané abot pisan ring palemahan minakadi akéhnyané limbah, rusaknyané terumbu karang, miwah ancaman majeng ring kelestarian alam.Sajabaning punika, isu-isu pendidikan miwah kesejahteraan krama lokal taler dados parindikan sané mabuat. Prioritas patut kaicénin ring nincapang akses pendidikan sané pateh, pemberdayaan masyarakat lokal ring sektor pariwisata, taler upaya antuk nyiptayang peluang kerja sané adil miwah lestari.Pikobet ring sektor kesehatan taler nenten dados kaicalang, utaminnyane ri sampune pandemi global puniki. Patut kemargiang sareng-sareng mangda prasida ngukuhang sistem kesehatan, nincapang akses masyarakat majeng ring pelayanan kesehatan, taler nyiagayang Bali mangda prasida ngarepin pikobet kesehatan ring benjang pungkur.Punika mawinan, titiang nunas majeng ring krama Bali samian mangda milih pamimpin sané madué visi sané jelas rikala ngungkulin pikobet puniki. Pamimpin sané banget mautsaha ngalestariang palemahan, inklusi sosial, miwah kesejahteraan kramané. Ngiring sareng-sareng ngwangun Bali sané sayan becik, nénten wantah pinaka genah wisata sané becik, nanging taler pinaka genah sané madaging dasar sané kukuh sajeroning ngalestariang kasugihan budaya, palemahan sané lestari, miwah kesejahteraan kramané.Suksma, dumogi Bali tetep nglimbak tur dados genah sane becik antuk generasi sane jagi rauh. Ngiring iraga sareng sami mautsaha mangda Bali dados Bali sane adil, lestari, lan gemuh landuh!Bali sane adil, lestari, lan gemuh landuh!)
Robert Kiyosaki + (Robert Kiyosaki is truly a multi-talented … Robert Kiyosaki is truly a multi-talented personality. He is an entrepreneur, investor, motivational speaker, author and also a financial knowledge activist. He is very popular for his series of books called ‘Rich Dad Poor Dad’.His book series ‘Rich Dad Poor Dad’ is an international bestseller. It is basically a comparison between his two ‘dads’; one was his poor biological father and the other ‘fictitious’ rich dad. The poor father was in fact very educated but had no money but the rich father was a high school dropout but was in fact ‘Hawaii’s richest man’. Robert Kiyosaki has appeared on television several times including on Public Broadcasting Service (PBS), KOCE, California, WLIW of New York and New Jersey area and his fund raising drive.ew Jersey area and his fund raising drive.)
Rosvita Flaviana Osin + (Rosvita is a lecturer at the Indonesian Ho … Rosvita is a lecturer at the Indonesian Hospitality Management Community Academy, Triatma Mapindo Badung, Bali. Rosvita completed her bachelor's and master's studies from the Triatma Mulya School of Economics, Denpasar Bali with qualifications in hospitality and tourism management. Rosvita's writing include tourism village development strategies, as well as the role of women and millennials in tourism. role of women and millennials in tourism.)
Rucina Ballinger + (Rucina is one of Bali’s cultural icons. S … Rucina is one of Bali’s cultural icons. She has lived in Bali since 1974 when she did intensive study of dance and its relationship to religion. Her book, co authored with I Wayan Dibia, BALINESE DANCE, DRAMA AND MUSIC: AN INTRODUCTION TO BALINESE PERFORMING ARTS is used in classrooms around the world and by travellers coming to Bali who want to know more about the performing arts in context. She pioneered World Learning’s (ex Experiment in International Living) Bali Academic Semester Abroad program in 1985 and then switched to the other end of the spectrum and ran Elderhostel cultural programs for ten years with her late husband, Anak Agung Gede Putra Rangki.She and Agung were the klian adat or traditional heads of their hamlet in Abianbase, Kapal for 2013; as far as we know she is the only foreigner to have held this position.After the initial Bali bombings in 2002, the non profit sector became her world and she was the director of YKIP for over a decade, assisting survivors of the bomb with scholarships and livelihood programs. She then worked for the Annika Linden Foundation, helping to create the Annika Linden Centre in Denpasar, Bali, dedicated to one of the bomb victims in the spirit of helping those who are economically disadvantaged. Currently, she runs the CSR program of the Amicorp Group via the Amicorp Community Foundation in the village of Les, North Bali, where a Vocational Training Center is set to be built.In 2003, she and three other foreign women of a certain age and size (all married to local men) formed Grup Gedebong Goyang, a comedy group that does song paradies and skits about current affairs in Bali. Their Balinese version of SAKITNYA TOH DISINI has over a million hits!Currently she divides her time between Les village and Ubud, where she resides with her entire family (sons Gung Anom and Gung Prabu; daughter in laws Jero Bahari/Edenie and Gung Tia and grandson Gung Arun and granddaughter Gung Prabha) and three dogs.granddaughter Gung Prabha) and three dogs.)
Rudi Waisnawa + (Rudi Waisnawa was born in Singaraja, Bali, … Rudi Waisnawa was born in Singaraja, Bali, 1976. He graduated from English Literature, Faculty of Letters, Udayana University. He is a photographer who cares about social issues. His eye-catching photos and documentaries are about people with mental disorders who are confined in Bali. These works were exhibited in several places including at Bentara Budaya Bali (2014). In the same year the work was recorded as a photo book entitled “Pasung” and exhibited again at Rafles Hotel Galery Singapore 2015. In October 2017 Rudi was invited to exhibit at the Anti Stigma International Conference Copenhagen, Denmark and continued to exhibit at Die Erste Etage, Hamburg with an exhibition entitled "Approach". Rudi's works have also attracted the attention from people with leprosy in Balinese villages. Apart from being active in the Lingkara Photography Community, Rudi is also active at the Suryani Institute for Mental Health (SIMH), a foundation that assists people with severe mental disorders (ODGJ) in Bali.th severe mental disorders (ODGJ) in Bali.)
I Wayan Suda + (Sadu’s childhood home was in Sayan, a vill … Sadu’s childhood home was in Sayan, a village west of Ubud. Currently he lives in his own house not far from it with his wife, who is Japanese, and their 2 children. Wayan Sadu paints in silence. His paintings also has a silence presence in them that could only be captured by the artists himself.d only be captured by the artists himself.)
Luh Gede Saraswati Putri + (Saras Dewi, whose full name is Luh Gede Sa … Saras Dewi, whose full name is Luh Gede Saraswati Putri, was born in Denpasar, Bali, September 16, 1983. Since she was a teenager, Saras has loved singing and writing poetry. In 2002, she released an album titled "Chrysan" with the single "Lembayung Bali". This album was nominated for the Anugerah Musik Indonesia (AMI) Award in the categories of Best Ballad and Best Single. In 2014, Saras and other Balinese artists sang together for the Bali Reject Reclamation movement.Saras has also published a number of books. His first book of poetry, entitled “Jiwa Putih” was published in 2004. The second is a non-fiction book on Human Rights published in 2006 by UI Press in collaboration with the European Union, while the third book entitled “Love Not Chocolate” was published in 2010, the fourth book was published in 2015 entitled “Ekophenomenology”, and the fifth book is an anthology of poetry entitled “Kekasih Teluk” (2017). His writings in the form of essays/articles with social, cultural, ecological, political themes were published in various mass media, including Media Indonesia, Jawa Pos, Bali Post.Saras is an environmental activist who is very concerned about the Movement to Reject the Reclamation of Benoa Bay. She is also involved in the feminist movement and the defense of women's rights. Saras successfully completed her doctoral program at the University of Indonesia at the age of 29 in July 2013. Apart from continuing to write and being an activist, Saras teaches philosophy and is the Head of the Philosophy Study Program at the Faculty of Cultural Sciences, University of Indonesia.ultural Sciences, University of Indonesia.)
Scion Charlotte Spence + (Scion Charlotte Spence has a plan for all … Scion Charlotte Spence has a plan for all you luxury, globe-trotting party vagabonds. Behold the House of Karma.Charlotte, can you give us a brief background of who you are, and what brings you here today?Hey, of course! This feels like a first date. I’m a 26 year-old Brit, currently based between Sydney and Bali (the dream!); I moved over to Australia for university about six years ago and have been lapping up the sunshine ever since. I’m really excited to be chatting to you today and keen to share a fun new project I think you’ll like the sound of . . .What are your current passions?I take after the rest of my family, so travel is really important to me and has been a big part of my life for as long as I can remember. Nothing excites me more than exploring new cultures. I’m also a drama kid at heart so I love the theatre, live music, fine dining . . . or just a good old party to be honest.IG @Atomic.Blonde_ Who is she and when did you discover her?Haha! Atomic Blonde is my latex-wearing, tech house playing, DJ alter ego! I discovered her about four years ago, when I realised I could turn ‘playing my favourite music to my friends’ into a viable side hustle. Since then, I’ve been lucky enough to play a whole host of my favourite events in Australia, alongside my DJ partner ‘Dutch Kiss’. We’re all about self-expression, uplifting music and high camp fun.You are about to launch House of Karma. Briefly, tell us what it is?House of Karma is an U35 members’ collective for the world of luxury travel and experiences. Drawing on the beauty of Karma’s current resorts, we’ll soon bring this to the next generation of ‘luxury rebels’, with pop-up festivals, wellness retreats, out-of-the-box experiences and networking events, both at Karma destinations and in our members’ home cities.You are finally working for your father?I am, and it’s really quite lovely so far! Dad and I have a lot in common in that we both have that entrepreneurial streak, and see Karma more as an entertainment industry than a hospitality one, so it’s great to have that initial common ground with my ‘boss’. I’m also massively inspired by him and have been my whole life, so working alongside him is a privilege I don’t take lightly. Pitching to him is still rather scary though – he’s tough!Do you have any other siblings joining the ranks?Yes! My sister and brother are both a bit younger so still at Uni and school but I have every confidence that they’ll be joining me soon. My sister is heading to do her first Karma sales training in India in a couple of months and I’m sure my brother will follow suit – once he finishes tearing it up on the school cricket pitch of course!What are the strengths and touches that you, as a woman, will bring to what is typically seen as a male dominated service, a members club?Oh, good one. I firmly believe that everyone should have a seat at the table or a foot in the door, and so I’d like to think that what I’ll bring to the world of members clubs is a whole heap of inclusivity. Yes, of course, there is an element of ‘selection’ involved, but I actually like to refer to House of Karma as a ‘collective’ rather than a ‘club’. Essentially, if you’re ambitious, open-minded, and down for one hell of a party, then we’d love to have you at our place.What type of person would a HoK member be?A House of Karma member is someone just like me; a luxury rebel, pampered vagabond, or hedonist who craves the unexpected and the reprieve from routine. We’re chatty, ambitious, and always looking for the next big adventure . . . with a side of fabulous!Can you tell us more about the Bali launch?Absolutely. We’re planning a huge party down at Karma Beach to celebrate our big launch on 13th June. After a VIP long lunch we’ll be opening the beach up to the masses, with drag queens, international DJs, signature ‘House of Karma’ cocktails and a whole lot of dancing in the sand. Come by and get a sense of what we’re all about!And the international roll out?Following this, we’ll be hosting our first ‘Founding Member’ networking events in Sydney and Perth, taking that signature Karma experience to Australia, before expanding across the globe later in 2023.House of Karma is highly inclusive. Can you tell us about some of the LGBTQIA+ events you have in the planning?Inclusion is something I am hugely passionate about and will never stop fighting for, and so at the heart of the House of Karma will be HEAPS of events for my LGBTQIA+ icons and allies. Think ‘detox and retox’ retreats at Karma destinations post-Mardi Gras, LGBTQIA+ networking nights and hot parties co-hosted by queer clubs all over the world.More bang for your buck. Can you tell us what perks and privileges members can enjoy on joining?It’s honestly a bit of a ‘too good to be true’ thing! Our members will benefit from nights of free accommodation at our resort destinations, huge discounts across spa, F&B and rooms year round, a bespoke ‘pimp my villa’ package, and invites to exclusive events both at Karma resorts and in their own cities! And that’s not even to mention all the members-only experiences we’ll be curating – think boat parties on the Nile, party weeks in Mykonos and a glamping festival on Gili Meno…How does the House of Karma benefit from the global aspect of the original Karma brand?I think that is what makes us unique. Karma already has so many breathtaking destinations, so half my work is done in that respect! Now it’s just about leveraging those locations and turning them into the perfect playground for all my like-minded House of Karma souls.And vice versa, how does the group benefit?To quote my father, “any great company recognises the need to evolve as new generations emerge” and I think that is just what we are doing here; moving with the times and bringing a whole new tribe of ambitious, experience-seeking young vagabonds into the Karma fold.Lastly, you are looking to create global FOMO around HoK member’s wristbands. Any hints at how you intend to achieve this?This is something I’m excited to see evolve. Let’s just say I hope to see House of Karma memberships soon become a must-have fashion statement. Get ready to see an influx of ‘HoK’ bracelets hitting the wrists of those around you soon . . .Tel: +62 361 848 2202; +62 811 38203360 IG: @wearehouseofkarmawww.houseofkarma.com.auhouseofkarma@karmagroup.comuseofkarma.com.au houseofkarma@karmagroup.com)
Shelly Lapre + (Shelly tells stories about her parents and … Shelly tells stories about her parents and ancestors in original travel trunks from the Dutch East Indies. For example, the old travel suitcase, which was used by her mother on her boat trip with her family from the Indies to the Netherlands in 1950, has been transformed with antique batik fabrics and nostalgic old family photos into a work of art. The travel suitcase is no longer tucked away in the attic, but is now displayed as a sort of sound box of memories of her family's life in the Dutch East Indies.er family's life in the Dutch East Indies.)

Silakan tulis judul disini + (Silakan mengisi disini)

Bali Virtual Explorer: Media Melancaran lan Metumbasan Produk Bali ring Era New Normal. + (Since 2020, the world has been reported as … Since 2020, the world has been reported as a pandemic. Covid-19 is the name of the virus that causes a worldwide pandemic. This pain is not only a physical attack. Economy, education, tourism, and other aspects also die. Bali is famous for good tourism. If tourism dies, Bali is also called dead. It's not good, let alone until it continues. Therefore, in the new normal era, there are innovations that the government can carry out to rebuild tourism in Bali. The innovation is called the website Bali Virtual Explorer.Bali Virtual Explorer is a solution that can wake up Bali in the new normal era. On this website, travelers can see Bali as if they were visiting but online. This is because the website is equipped with a 360-degree video feature. 360-degree video is very good as a tool in the new normal era because its implementation is by health protocols where human mobility is not what it used to be. This website is equipped with online shopping facilities for authentic Balinese products so that traditional products are famous such as endek and songket, woven, masks, silver jewelry, and others. Online shopping is not difficult, people can have authentic Balinese products even if they can't go to Bali. This is also good for UMKM. This website is also equipped with complete information about Bali such as tourist attractions, historical places, temple information, and other information about Bali so that many people know interesting information in Bali. The Bali Virtual Explorer website is only one website, but various features such as 360 videos, online shopping, and interesting information make this website a good tool. In the era of the internet of things, online promotions are very popular in the world. That's why Bali Virtual Explorer is a good website for tourism and cultural promotion so that Bali rises.and cultural promotion so that Bali rises.)
Idanna Pucci + (Since leaving her ancestral home in Floren … Since leaving her ancestral home in Florence, Italy, Idanna pursued her interest in diverse cultures through far-flung travels. First she worked in New York for her uncle, Emilio Pucci, when his designs ushered vibrant colors into fashion.She later settled in Indonesia and began her studies of Balinese culture with particular emphasis on myth and the oral tradition. She became especially intrigued by the traditional court of justice in the ancient royal capital of Bali. Its ceiling paintings narrate a sacred epic hauntingly similar to Dante’s Divine Comedy. The quest gave birth to her first book, The Epic of Life: A Balinese Journey of the Soul (Van der Mark Editions, NY), a classic on Balinese culture.Various writing assignments for the Hong-Kong based Asia Magazine enabled her to travel throughout the Indonesian Archipelago, South East Asia, Japan and across the Soviet Union on the last steam engine of the Trans-Siberian railway.She returned to New York to pursue her degree in Comparative Literature at Columbia University. During this time, she obtained a grant from the Margaret Mead Institute of Intercultural Studies for a project entitled The Prince and the Pauper: Two Balinese Portraits.Her focus then turned to the life of her American great-grandmother, Cora Slocomb, who shocked New York’s Gilded Age by launching the first nation-wide campaign against the death penalty in 1895 to save a young Italian immigrant from execution–the first woman sentenced to the electric chair. Her research gave birth to The Trials of Maria Barbella (Vintage, NY, 1996).After she obtained the International Diploma in Humanitarian Assistance in Geneva, she served in the UN Mission to East Timor as an electoral officer during the referendum for independence in 1999. Later, she collaborated with the Burma Project (Open Society Foundations) on a special mission to Myanmar.In film, Idanna produced the Italian segment of the TV series Amazing Games (ABC/Kane Productions) for which she received the Ultimo Novecento award from the City of Pisa. She also co-produced Leonardo’s Legacy, a Discovery Channel special. She then produced and directed Eugenia of Patagonia, a documentary-feature on the pioneering life in Chile of her maternal aunt who served for thirty years as mayor of a vast municipality at the end of world, battling for the people and the environmentHer following work, Brazza in Congo: A Life and Legacy (Umbrage Editions, NY) is an illustrated biography of another ancestor, the explorer Pierre Savorgnan de Brazza, after whom the capital of the Republic of Congo, Brazzaville, is named, and who is still remembered for his pioneering struggle on behalf of the rights of the people. On the same theme, she curated exhibitions at The National Arts Club in New York and La Casa Italiana of NYU.Idanna conceived and narrated the documentary Black Africa White Marble, which recounts her battle against the ruler of Congo-Brazzaville. It won the Grand Prix at the Festival of Annecy 2012 (France), the Audience Award at the Cambridge Film Festival 2013 (UK), and Best Documentary at the Berlin Independent Film Festival 2014.She was also responsible for the donation to the National Museum of Cameroon in Yaoundé and permanent installation of a sixty-foot masterpiece of contemporary art by the Poto Poto School of Painting in Brazzaville, Republic of Congo. In 2015, she produced The Transformative Power of Art, an exhibition at the United Nations in New York.With her husband, Terence Ward, she then produced Talk Radio Tehran, a documentary by Mahtab Mansour that follows high-spirited Iranian women as they fulfill their aspirations in spite of the gender-apartheid system that dominates daily life in Teheran.In a collection of true stories between East and West, The World Odyssey of a Balinese Prince (Tuttle, 2020), she narrates the extraordinary life of a cultural visionary and medical doctor whose daring adventures transcend borders.The Lady of Sing Sing: an American Countess, an Italian Immigrant, and their Epic Battle for Justice in New York’s Gilded Age (Simon & Schuster, Tiller Press, 2020) is a new expanded edition of her earlier work, The Trials of Maria Barbella.Idanna serves as an ambassador of Religions for Peace, the world’s largest interfaith organization. She speaks fluent Italian, English and French, and reasonable Bahasa Indonesia. She resides with her husband between Florence and New York.ith her husband between Florence and New York.)
Ida Bagus Sindu Putra + (Sindu Putra, whose full name is Ida Bagus … Sindu Putra, whose full name is Ida Bagus Sindu Putra, was born in Sanur, Bali, July 31, 1968. Now he lives in Lombok, NTB. He wrote poetry as a teenager and has been active in the Coffee Drink Studio. His poems were published by the Bali Post, Kompas, Koran Tempo, Kalam, etc. He won the Kusala Sastra Khatulistiwa award for his poetry book Tales of the Fire Dog. Other poetry books that have been published are the Night of the Night Birds Camp (2000), The Weed House (with IAO Suwati Sideman, 2003), Segara Anak, Origami Birds, Tales of the Fire Dog, In Lombok I Get Poetry (2018).e Fire Dog, In Lombok I Get Poetry (2018).)
Soekarmen + (Soekarmen was born in Blitar, East Java, 3 … Soekarmen was born in Blitar, East Java, 30 May 1925. He was the Governor of Bali who led Bali for two terms of office, namely between 1967–1971 and 1971–1978. He was elected governor on November 1, 1967, and ratified by Decree of the President of the Republic of Indonesia No.203/1967 to replace the previous official, namely I Gusti Putu Martha. Previously, he was Commander of Korem 163/Wirasatya in Denpasar with the final rank of Brigadier General TNI. Soekarmen is the only Governor of Bali who is non-Hindu and not of Balinese ethnicity. He died in Malang, East Java, 10 September 1988.d in Malang, East Java, 10 September 1988.)
Soemantri Widagdo + (Soemantri has been an avid researcher in B … Soemantri has been an avid researcher in Balinese visual art tradition since 1994. He gained his knowledge of the Balinese aesthetic through a six-year apprenticeship with the celebrated Balinese Master Ida Bagus Made (1915-1999). He is the co-author of several Balinese art books. He was the international liaison and chief foreign curator at the Museum Puri Lukisan, Ubud (1995-2015).Soemantri is the founder of the TiTian Bali Foundation (2016); a non-profit organization whose mission is to discover, nurture and develop Balinese artists. Presently, Soemantri serves as the founding chairman on the advisory board of TiTian. chairman on the advisory board of TiTian.)
Sri Jayantini (I Gusti Agung Sri Rwa Jayantini) + (Sri Jayantini, whose full name is I Gusti … Sri Jayantini, whose full name is I Gusti Agung Sri Rwa Jayantini. Born in Denpasar, January 15, 1977. He graduated from English Literature, Faculty of Letters, Udayana University. Her poetic journey started from junior high school by participating in the Sanggar Cipta Budaya in 1989. At that time, Jayantini had already published her poetry in the Bali Post. Now she is a lecturer in the English Literature Study Program at the Faculty of Foreign Languages (FBA) Mahasaraswati University (Unmas) Denpasar. Creative since junior high school, Jayantini combines the potential of writing in a career as an educator. In the midst of teaching obligations and often being a part-time translator, she is still quite active in the field of literature. “Flower Travel” is one of her poetry and prose books published in 2015, in addition to participating in anthologies with other poets. A number of academic works in the field of translation have also been published, including “The Art of Translating” (2016), “Practice Makes Perfect” (2015), “Scientific Translation; Techniques and Phenomena” (2018). Jayantini still provides time to enjoy the sensation of poetry as a break from producing academic works. as a break from producing academic works.)
Stephanie Brookes + (Stephanie Brookes is a Bali resident. She … Stephanie Brookes is a Bali resident. She has lived in Indonesia since 2001. In 2014 Stephanie together with her husband, David Metcalf published a cultural travel book, "Indonesia's Hidden Heritage - Cultural Journey's of Discovery", which covers 12 stories, 12 islands and 12 different ethnic tribes. A specialist Bali based Indonesian travel writer for over ten years, Stephanie searches out some of the more remote destinations in Indonesia. Her work has been published in NowJakarta, Garuda Colours, KLM Holland Herald and Forbes Travel. Her latest project involves supporting a cultural connection community initiative in Ubud, Bali called Ubud Village Plate, where travellers join a Balinese host family for dinner, in a Balinese home and cook together with the family. A great supporter of education and literacy projects in Bali and Kalimantan. Please check out www.ubudvillageplate.comwww.travelwriter.wswww.facebook.com/stephtravelwriterwww.Instagram.com/stephtravelwriterwriter www.Instagram.com/stephtravelwriter)
Memargi Sareng-sareng, Prajaya Gunungan Leluu Nuju Bali Resik Riwekas + (Stepping Together, Conquering the Mountain … Stepping Together, Conquering the Mountains of Waste towards a Sustainable Clean BaliOm SwastyastuThank you for the opportunity that has been given to me so that I can contribute to voicing aspirations at the Wikithon Oration.Dear the jury and the BASAbali Wiki team, as well as all the happy readersAs we know, soon we will be faced with the 2024 elections. Elections are an important moment in our democracy. This is not only about choosing leaders, but also us giving them the mandate to overcome various problems facing society. Answering the topic raised in this oration is "What is the most urgent problem to be addressed by Bali's prospective leaders?".First of all, we cannot ignore environmental problems, especially since Bali is known as Paradise Island because of its natural beauty. There is one thing that in my opinion really needs serious attention from potential Balinese leaders, namely the waste problem which will soon be over. Bali faces big challenges in waste management because the system is inefficient so it is unable to handle large volumes of waste. This situation was further exacerbated by fires that occurred at the Sarbagita Suwung Regional Landfill in Denpasar City, the Mandung Landfill in Tabanan Regency, and the Temesi Landfill in Gianyar Regency during the dry season, causing environmental damage and negative impacts on daily air quality. This problem is not only a local issue, but also an urgent reminder for us to take action because it impacts many aspects of people's lives. Therefore, the government's presence plays an important role in handling this case.I am sure that so far the government has always tried its best, but Bali's leaders must then improve and re-examine the preparation of a strategy for handling potential waste that can be investigated from the roots to the end. It is important to note that the success of a waste management program is very dependent on existing infrastructure and technology. If waste management plants, landfills, or recycling facilities are inadequate, then the program may not produce the expected results. The success of the waste management program is also closely related to the level of community participation. If there is not enough awareness or support from the public in waste scanning, recycling, or waste reduction, the program may experience difficulties. Apart from that, policies that are inappropriate or unable to overcome the waste problem can become an obstacle. Sometimes, unsupportive policies or weak implementation can hinder program effectiveness. Prospective Balinese leaders must have a clear vision about how to protect and preserve Bali's environment for future generations. Prospective leaders, Bali must have a concrete action plan that involves economic, social and environmental aspects. A thorough evaluation of the waste management program needs to be carried out to identify core problems and adjust the strategies implemented. Close collaboration with various parties is the key to creating holistic solutions. Senuma's active involvement, parties, including the government, private sector and the community, will ensure environmental sustainability in Bali for future generations. No less important, awareness of the importance of recycling and reducing waste needs to be instilled more deeply,Thank you to Mrs/Mr. Candidate Leader, Bali for your attention and cooperation to make Bali clean from mountains of rubbish. Let us all work together to be agents of change for a clean Bali.Om Shanti, Shanti, Shanti, Omclean Bali. Om Shanti, Shanti, Shanti, Om)
Sthiraprana Duarsa + (Sthiraprana Duarsa was born in Denpasar. H … Sthiraprana Duarsa was born in Denpasar. He is one of the founders of Sanggar Drinking Coffee, Bali. His solo poetry collections: Part of the World (1994), Homecoming Village (2007), and A collection of short stories Rumah Memories (2014). Apart from writing poetry, he is active in theater. Now he works as a doctor, and is busy preparing his new poetry book.and is busy preparing his new poetry book.)
I Wayan Sudarna Putra Nano + (Sudarna Putra was born in Ubud, Bali on 15 … Sudarna Putra was born in Ubud, Bali on 15 April 1976. He studied art from 1994 – 2004 in ISI Yogyakarta and has lived there since until earthquake in Yogyakarta in May 2006 then he returned home to Ubud. Interpreting the paintings, sculptures and installations of Sudarna Putra is like being reminded of the richness of contemporary aesthetics that refues a single code in the framework of opening opportunities for combining various systems into an eclectic code.He has been doing many solo and group exhibition since 2005, and some of is notable achievements are: 10 Winners of Philip Morris Indonesia Art Award VI (1999) and Best Artwork of Lustrum IV ISI Yogyakarta (2004). His duo exhibition with I Made Arya Palguna “NOSTALGIA” was held at Komaneka Fine Art Gallery in 2007.held at Komaneka Fine Art Gallery in 2007.)
Sugi Lanus + (Sugi Lanus was born in Singaraja, Bali. He … Sugi Lanus was born in Singaraja, Bali. He is the curator of the Lontar Museum, Karangasem, Bali. Since studying at the Department of Balinese Literature, Udayana University has been actively working part-time as a research assistant from Princeton University, UCLA, Murdoch University, Leiden University, Osaka University, etc. He has participated in dozens of international workshops and trainings, and attended post-graduate education in several disciplines: Cultural Studies, Tourism Studies, and Theology. He was selected as a participant in the ASEAN-Japan youth exchange (1997) through sponsorship from the Prime Minister of Japan.He has experience as a consultant for various international institutions, such as: GTZ, AusAID, UNICEF, WHO, British Council. In the field of journalism, he worked as a correspondent for Tempo Magazine (1998-2000), fixer for ABC TV, BBC, Arte TV, National Geographic, Smithsonian Magazine. He is also active as a consultant and provides workshops for DPRD and local governments throughout Indonesia (2005-2012) and an independent political consultant for several national politicians (2012 - present).In 2006 he founded the Hanacaraka Society to research Balinese and Lombok lontar. 'Puja Tri Sandhyā: Indian Mantras Recomposed and Standardized in Bali', is one of the results of his research on various lontar mantras published in the Journal of Hindu Studies, 2014, Vol. 7(2), Oxford Center for Hindu Studies, Oxford University Press. Actively invited to speak in various cultural meetings, including: Cultural Congress V (2003), Ubud Writers and Readers Festival (2004-2017), International Conference on Tagore, Hanoi, Vietnam (2011), Frankfurt Book Fair (2015), etc., and various Hindu clerical discussions. Previously served as Commissioner of a national company (2004-2006), and Corporate Relations Executive of an international company based in London (2014-2016).He has written hundreds of articles in various online and print media, such as tatakala.co, Bali Post, etc. Currently conducting research on reliefs related to lontar manuscripts at Borobudur, and the Herbalian Project, a project for mapping herbs in Balinese and Old Javanese lontar.herbs in Balinese and Old Javanese lontar.)
Wayan Sujana Suklu + (Sujana Suklu is known as a progressive thi … Sujana Suklu is known as a progressive thinker of contemporary art in Bali. With a pioneering vision that reflects a universal philosophy. Sujana Suklus’ contributions are vast in scope, encompassing multi-disciplinary fields within fine arts, academic and community platforms. Suklus’ academic research explores ways to bring art methodologies into communities cultivating and preserving local wisdom whilst expanding existing skill sets. The beauty of this research is that it has been applied and is actively growing in communities today.He was born in Lepang, Klungkung, Bali, February 6, 1967. His works have been shown in a number of joint exhibitions at home and abroad, including: Beijing International Art Biennale. Bangladesh XI Biennale. His solo exhibitions include: "Panji, Between Body and Shadow" at the IMF International Art Event, Nusa Dua Bali (2018), "Intermingle Art Project, Light Pattern at Bentara Budaya Bali (2017), "Wings and Time" at Komaneka Fine Art Gallery (2016). The awards he has won are "The Winner of the Indofood Art Awards Competition on Abstract Category" (2003), "The Best 10 Indonesia Competition of the Philip Morris Art Awards (2003). Suklu has also been one of the curators of the exhibition “Bali Megarupa” (2019). of the exhibition “Bali Megarupa” (2019).)
I Wayan Sukra + (Sukra had originally composed the music [f … Sukra had originally composed the music [for Tumulilingan Mengisap Sari, The Bumblebee Sips Honey, a danced by famed kebyar choreographer I Mario) for a gamelan in Marga, Tabanan, but as it had not been performed, he taught it to the Peliatan group for three weeks. After Sukra returned home, the Peliatan group “polished and rearranged” the music more to their taste, also renaming it. In many ways this was the showpiece of the tour, featured in John Coast’s book, Dancing Out of Bali, and an audio visual recording survives on a kinescope. Sukra is also credited with composing the music for Igel Trompong and Igel Jongkok (later called Kebyar Duduk) in 1915. https://sckool.org/lindstrom-in-bali-1928-part-2-gamelan-gong-kebyar.html?page=2928-part-2-gamelan-gong-kebyar.html?page=2)
Luh Ketut Suryani + (Suryani was born in Singaraja, Bali in 194 … Suryani was born in Singaraja, Bali in 1944 and raised in modest surroundings with six children. Her father was a nurse and an integral part of Indonesia’s struggle against the Dutch. Suryani’s mother was a successful business woman who supported the family’s finances.Motivated by a strong will to treat her young sick mother, Suryani learned meditation when she was only 14. While many of her family members initially doubted her abilities, they were surprisingly convinced to see her mother cured. Suryani then began treating sick people in her community through meditation.After graduating from high school, Suryani studied medicine at Udayana University in Bali, where she specialized in psychiatry. In 1982, she received her degree as a psychiatrist—a profession she chose out of an innate curiosity to understand her upbringing and its effects on her current personality. In 1988 Suryani attained her Ph.D. from Airlangga University, Surabaya.While working as the head psychiatrist at Udayana University in Bali, Suryani introduced a more efficient standard operational procedure to manage mentally ill patients. The procedure decreased the treatment from one month to six days in the residency hospital. While the procedure was initially accepted and did result in numerous adjustments, the hospital chief of staff eventually rejected it and discontinued its use.Through her academic and clinical practices, Suryani has been resilient in her attempts to bridge indigenous spirituality with Western psychiatry and psychology. While many have criticized her findings, Suryani’s approach is widely considered a breakthrough in the field of psychiatry. To further develop the field, Suryani retired from her position as the Head Psychiatrist at Udayana University and is now dedicating all her time to leading the Suryani Institute of Mental Health and the Committee Against Sexual Abuse.th and the Committee Against Sexual Abuse.)
Suzy Hutomo + (Suzy Hutomo co-founded The Body Shop Indon … Suzy Hutomo co-founded The Body Shop Indonesia with her husband in 1992, where she is now Chairwoman.Parallel to her successful career in business, she is a committed environmental activist. Suzy is a presenter in Al Gore’s Climate Reality Project, and serves as a member on various boards of reputable NGOs such as Greenpeace South East Asia (2008-), Yayasan KEHATI (2012-present), Yayasan Lensa Masyarat Nusantara (LMN) (2014-), and Yayasan Kopernik (2016-).For Suzy, the well-being of the environment, threatened by climate change, lies at the interface of her identities as a businesswoman and activist.Suzy’s goal is to help and inspire others to develop a green and sustainable lifestyle whilst also proving that being mindful of the environment can be easy, fun and effortless.vironment can be easy, fun and effortless.)
Sylvine Pickel-Chevalier + (Sylvine Pickel-Chevalier is a lecturer and … Sylvine Pickel-Chevalier is a lecturer and research director in geography (HDR) at the UFR ESTHUA Tourism and Culture at the University of Angers, ESO CNRS 6590 lab. She is specialized in socio-economic, cultural and environmental aspects of tourism, questioning the notion of sustainable development, in France and Indonesia. Also specializing in sports tourism and more particularly the equine sector. President of the scientific committee of the French Equestrian Culture Mission. About forty international publications.n. About forty international publications.)
CHEF DAIJIRO HORIKOSHI + (TAKUMI’S CHEF Daijiro Horikoshi is a maste … TAKUMI’S CHEF Daijiro Horikoshi is a master artisan who has devoted his life to perfecting Kaiseki cuisine.Chef Daijiro San … with respect you don’t sound like any ‘normal’ kind of Chef to us … what’s your story and how did you end up in Bali? Did you train in a Japanese kitchen, and did it involve years of internship under a Master?I am the son of the third generation of a tempura restaurant located in Osaka. The restaurant had a 62-year history before it closed. My grandmother started the restaurant, and my mom took over before I eventually took over from her. I ran the restaurant for over 16 years, and in 2012, I moved to Bali. When I was 13 years old, I had the opportunity to travel with my stepfather, who was a Native American leader from the United States named Dennis Banks. We travelled to 23 countries around the world, and this experience exposed me to different cultures, religions, and people. When I decided to move to Bali, it was because my wife had a dream of living on a tropical island. We wanted our children to have a global experience and learn English, so we chose Bali as it offered a mix of different cultures. It was the perfect balance for us, and we couldn’t find it anywhere else in the world.Tell us first about KOHAKU, and your journey to making edible crystals…Although I don’t have a pastry background, I grew up in a traditional Japanese environment due to my grandmother’s influence. She was a geisha and introduced me to various aspects of Japanese art, tradition, and confections. When I moved to Bali, I missed Japanese sweets, as they were not readily available, so I started making Japanese confections on my own. I never thought about turning it into a business until a friend suggested it. Together with another friend, we started the business, and my wife encouraged me to pursue it further. That’s how our Japanese confection brand, KOHAKU, came to be.How does this relate to cuisine in Japan?Kohakuto, which means ‘amber sugar’ in Japanese, has a connection to Japanese tea ceremonies. Japanese confectionery has always been closely associated with tea and tea ceremonies. The tea ceremony involves not only tea but also meals, and it holds a deep relationship with Japanese cuisine.There are two types of kaiseki, one for parties and the other for tea ceremonies. Both have a connection with tea and confections. So, the idea of creating edible crystals relates to the long-standing tradition of Japanese traditions.Why does Japanese cuisine appear so different and innovative to Westerners, compared to more traditional styles, like say classic French, or Italian? Should the Old School be more innovative?I don’t see a big difference between Japanese cuisine and other traditional styles like French or Italian. Each cuisine reflects its own history, culture, and region. I don’t think one is more innovative than the other. It’s difficult to answer whether the old school should be more innovative because innovation is subjective. What may seem innovative today might become traditional in the future. As chefs, we are always learning and trying to create dishes that make people happy. We focus on making something good rather than just being innovative. Our job is an ongoing journey of learning and creating.Where does innovation go too far, and when should we recognize and respect classic cooking practices?From my perspective, innovation goes too far when it becomes disconnected from our everyday lives and focuses solely on being different for the sake of standing out. Some chefs get caught up in trying to show how they are different from others, losing sight of the true essence of cooking. It’s like we lose our direction and wander aimlessly. Whether it’s in cooking or any aspect of life, we need to take a moment to pause, reflect on where we stand, and look back at our past and the processes that brought us here. It’s essential to respect the ingredients we use and show appreciation to everyone involved, not just for the sake of being different.Tell us about Takumi, your restaurant, and the inspiration behind it.Takumi is a restaurant where we currently serve Kaiseki-style Japanese cuisine. We offer a choice of nine-course or six-course degustation menus, and we will soon be launching vegan courses as well. Our focus is on traditional and authentic Japanese cuisine. The inspiration behind Takumi is unique. We are not simply importing Japan to Bali; instead, we are creating Japan here. We utilize the amazing local ingredients available in Bali and Indonesia, embracing the wealth of flavours they offer. As a Japanese chef, I incorporate Japanese culinary techniques and strive to express the true essence of Japanese cuisine. Additionally, I am passionate about training young chefs in Bali, sharing my knowledge, skills, and the history and philosophy of Japanese cuisine, in order to elevate the level of Japanese culinary expertise in the region.Why is great service such an important part of the culinary experience?Great service is crucial because it enhances the overall dining experience. When customers pay a significant amount for their meals, they should be able to enjoy them fully. It’s important to create an atmosphere where people can feel happy and comfortable. The emotions and atmosphere in a restaurant can significantly impact the perception of the food. Service acts as an additional spice that complements the dishes coming out of the kitchen. It’s not just about the food; it’s about the complete experience – from the moment guests enter the restaurant until they leave. We aim to leave a lasting memory and ensure that our guests have a truly enjoyable time at our restaurant.Who are your heroes in the world of cooking?Although it may sound cliché, my heroes in the world of cooking are my grandmother and my mother. However, my true heroes are the young chefs working in the Takumi kitchen. Each of them brings their unique experiences, which I have never had. Their willingness to learn and their different perspectives make them admirable and worthy of respect. These young chefs are my heroes because they challenge themselves and strive to become respected in the culinary industry.What knives do you use?I primarily use a small petty knife. I don’t have a specific brand preference. I own several Japanese knives, but my favourite is the small petty knife, which I use for personal use at home. I don’t typically use large knives in my cooking.What’s the most exciting new ingredient you are incorporating into your food?Well, every week brings new and exciting ingredients to our kitchen, even if they are the same vegetables we’ve used before. Each batch has its own unique qualities, and that’s what makes it thrilling. We have conversations with the ingredients, exploring their potential and listening to what they have to say. When they arrive in the kitchen, we greet them and get to know them. ‘Hello, my name is blah blah blah, who are you?’ We might say to a red radish. It’s a delightful way to engage with the ingredients and understand their desires. Do they want to be a sauce, a garnish, or simply shine on their own? We listen to their aspirations and help them become what they want to be. It’s the chef’s job, and it’s the most enjoyable and exciting aspect of our work.What motto inspires your life as a chef?Well, I’ve touched on this in previous answers, but it’s a question worth pondering. As a chef, I find immense joy and satisfaction in working with ingredients and creating dishes. It’s the happiness and fun that come from this process. There are many people involved in the culinary world, from suppliers to farmers, fisherman, and even drivers. My motto is simple: I want to make people happy. I strive to bring joy to others through my creations and my work. It’s not just about the guests; it’s about everyone who is connected to food and to me. I want to contribute to a collective happiness and create a positive impact within this circle. As a chef, I am just one part of a larger ecosystem, and my goal is to make everyone in this circle happy.IG & FB: @kohakubaliwww.kohakubali.comIG: @takumibaliFB: @Takumi Baliwww.takumibali.comkumibali FB: @Takumi Bali www.takumibali.com)
Tan Lioe Ie + (Tan Lioe Ie was born in Denpasar, Bali, Ju … Tan Lioe Ie was born in Denpasar, Bali, June 1, 1958. He kept the Chinese name even though during the New Order era there was some pressure to replace the ethnic Chinese name with an indigenous name. He is familiarly called Yoki.Yoki is one of the Indonesian poets who explores Chinese rituals and mythology in Indonesian poetry. Despite the strong ethnic nuances, his poems still have an allure for the wider community. His works have been published in various mass media such as; Bali Post, Horizon, Buana News, Kompas, Media Indonesia.Yoki graduated from the Faculty of Economics, Udayana University. His introduction to poetry began when he was involved in the Denpasar Coffee Drink Center (SMK). He is also known as a pioneer of poetry musicalization activities in Bali. One of his poetry musical albums is entitled “Kuda Putih” which contains many Umbu Landu Paranggi poems that he sings.His published anthology of poetry, “Kita Bersaudara” (1991), has been translated into English as “We Are All One” (1996) by Dr. Thomas Hunter Jr. In addition, the book of poetry “Night Cahaya Lampion” (2005) has also been translated into Dutch entitled “Nach Van De Lampionen” by Linde Voute. His latest poetry book is entitled “Ciam Si” (2015). Yoki is often invited to national and international literary activities.nal and international literary activities.)
Jane Belo Tannenbaum + (Tannenbaum, Jane Belo (1904–1968) American anthropological photographer. Name variations: Jane Belo. Born Jane Belo, Nov 3, 1904, in TX; died 1968. Traveler, artist, photographer and fieldworker, was noted as pioneer in anthropological photography.)
Nepasin Narkoba di Buléléng + (Taruna Goak is the name for Buleleng Youth … Taruna Goak is the name for Buleleng Youth/War Troops under the leadership of Raja Ki Barak Panji Sakti. Goak cadets were known to be very strong, never give up, had superior character and were specially formed so they were able to attack and defeat Blambangan (East Java) at that time. The toughness of the Goak Cadets is still known today, as a symbol of the greatness of the Buleleng Youth.However, what is the current situation of Buleleng Youth? Are still as tough as Taruna Goak?The character of Buleleng Youth today is inversely proportional to the Character of Buleleng Youth in the past. Currently, quite a few Buleleng youth are caught in promiscuity and cases of drug abuse and illegal drugs.At the end of December 2023, BNN stated that Buleleng Regency was included in the Red Zone for drug abuse cases and the most widespread was crystal methamphetamine. The Head of the Buleleng BNNK also stated that over the last 5 years as many as 397 people have been rehabilitated, who of course also come from various groups such as students, university students and others. Of course, this is a serious problem and must be resolved and handled together.Several things that influence drug abuse include; firstly, the growth of curiosity and a sense of wanting to try, secondly, the influence and association of the surrounding environment which is not good, thirdly it is caused by depression or excessive stress, as well as many other reasons.Regarding this problem, of course there are several solutions that can be offered apart from the government's efforts in making related regulations, namely; First, young people must get rid of their desire to try and try to think about the negative impacts of drug use. Second, try to find positive activities to avoid promiscuity and drug abuse. Third, support from family and those closest to you will also be very influential. And the important thing for young people to pay attention to is maintaining mental health to avoid depression or severe stress which can trigger drug and illegal drug abuse.If this effort is carried out, young people will definitely be able to avoid drug abuse and grow into active, productive and superior young people, just like Taruna Goak in the past.people, just like Taruna Goak in the past.)
Tombak Perjuangan Rakyat Indonesia + (Teenagers are the Nations only hope for development)
Ni luh Komang wahyuni + (Teks orasi)
test bio mar 7 + (test bio mar 7)
test GA + (test EN)
Utsaha Ngrajegang Basa bali Malarapan PERGUB No.80 tahun 2018 + (thank you)