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A list of all pages that have property "Biography text" with value "Made Edy Arudi is a poet and a civil servant teacher at SMP Negeri 2 Sukasada - Bali, born October 22, 1978. His poems are often published in the National Bali Post newspaper, his other works can also be read in several poetry anthologies together, such as: Klungkung: Tanah Tua Tanah Cinta (2016), Anthology of Poems of 100 Poets of the Archipelago “When the Birds Have Gone” (2016), Finding Childhood in the Body of Advice (2016), Madah Merdu Kamadhatu (2017), Ijen Valley Smile (2018), and Chewing Furious Against Corruption (2018), etc.". Since there have been only a few results, also nearby values are displayed.

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Ni Luh Putu Wulan Dewi Saraswati + (Ni Luh Putu Wulan Dewi Saraswati, comes fr … Ni Luh Putu Wulan Dewi Saraswati, comes from Busung Biu Village, Buleleng. Born on July 10, 1994, she studied S1 at Undiksha, Department of Indonesian Language and Literature Education, then studied linguistics at the Postgraduate Program at Udayana University. She is now a teacher of Indonesian for foreign speakers at the Cinta Bahasa Foundation and is currently part of the Mahima Community and Theater Circle. Her anthology of poetry entitled A Thousand Mornings of Love was published in 2017.nd Mornings of Love was published in 2017.)
Ni Luh Wida Apriliani, S.Pd + (Ni Luh Wida Apriliani, S.Pd. with the pen … Ni Luh Wida Apriliani, S.Pd. with the pen name Nulus Asih. He is one of the Balinese writers of geguritan who lives on Jl. Raya Semer, Gang Tunjung Mekar no.11, Peliatan Environment, Kerobokan Village, North Kuta District, Badung Regency. She was born in Gelunggang on April 5, 1993. She is the daughter of I Wayan Wiartana and Ni Ketut Sumartini. His current job is as a Balinese language instructor in Tanjung Benua Village.guage instructor in Tanjung Benua Village.)
Ni Made Ayu Marthini, M.Sc. + (Ni Made Ayu Marthini is currently Deputy M … Ni Made Ayu Marthini is currently Deputy Minister for Marketing Ministry of Tourism and Creative Economy. Formerly Bu Made was Director of Bilateral Negotiations, Directorate General of International Trade Negotiations, Ministry of Trade Republic of Indonesia where she oversaw 19 on goings and up-comings Indonesia's bilateral trade negotiations with its trading partners.Previously, Bu Made was the Director for Center of Policy Harmonization and Director for Center of Strategic Issues at the Ministry of Trade and concurrently the Minister's staff for one year (2015-2016). From 2011-2015 she was posted overseas as Indonesian Trade Attaché in Washington D.C., USA.Made started her career in 1996 as a staff to Department of Foreign Affairs of the Republic of Indonesia where she held several positions as Head of Sections of UNCTAD, Directorate of Multilateral Economic Cooperation, Department of Foreign Affairs of the Republic of Indonesia. Later on, she was posted at Permanent Mission of the Republic of Indonesia to the United Nations in New York, United States of America, taken care of Development and Economic affairs. As she returned to Indonesia in 2004, she was positioned as Head of Foreign Trade Agreements Subdivision, Directorate of UN Economy & Environment Development, Department of Foreign Affairs of the Republic of Indonesia.After 10 years career at the Ministry for Foreign Affairs she moved to Ministry of Trade of the Republic of Indonesia in 2006, where she hold several positions as Head of News & Publications, official at Legal Bureau and Head of News & Publication, Public Relations Center, at the same time she was seconded as the Assistant for Minister of Trade at Minister's office for six years, before she was getting posted in the USA. Made holds a Master’s degree in Politics of the World Economy from the London School of Economics and Political Science, London, and Bachelor’s degree in International Relations from Gadjah Mada University,Yogyakarta, Indonesia. In 2015, she joined the Executive Education at Harvard Kennedy School in Boston to master trade policyarvard Kennedy School in Boston to master trade policy)
Ni Made Sri Andani + (Ni Made Sri Andani, born in Bangli, Octobe … Ni Made Sri Andani, born in Bangli, October 10, 1965. She completed her studies at the Faculty of Veterinary Medicine, Udayana University. Currently, she serves as Marketing Director of a Fast Moving Consumer Goods company in Jakarta. Her hobbies are writing, gardening and drawing. Her work in the world of writing began when she was a teenager by filling in school or college magazines with poetry or short stories. In addition, she saves a lot of her writings on her personal blog at https://nimadesriandani.wordpress.com. There are about a thousand of his writings on the blog. She is also diligent in sending her writings to Kompasiana and Balebengong. The types of writings published on blogs are very diverse, mostly about life, inspiration, motivation, gardening, traveling, art and culture. Her published book is "Balanced Life, A Journey For Happiness, 100 Inspirational Stories" (Expression Library, 2021).ional Stories" (Expression Library, 2021).)
Ni Nyoman Tjandri + (Ni Nyoman Tjandri is one of the few female … Ni Nyoman Tjandri is one of the few female puppet masters in Indonesia. Born to an artist father, Tjandri was familiar with and fond of all forms of the Balinese performing arts, especially the arja, a Balinese traditional drama that incorporates music and dance. The talented Tjandri gradually developed superb dance and vocal techniques through interaction with her father, I Made Kredek, and fellow artists. After her father's death, Tjandri decided to learn the Kawi language to continue his efforts to master Balinese literature. She went to the well-known dalang I Nyoman Ganjreng. Instead of giving Kawi lessons, Nyoman Ganjreng gave the girl four puppet figures. The puppet master told her she had to master the Kawi language through wayang stories, mostly derived from Ancient Indian and East Javanese epics and legends. In 1979 Tjandri decided to learn the art of the dalang seriously and intensively. All wayang performances present a story, which is told by a dalang. A dalang must master at least 100 stories and be able to enliven each of the characters portrayed with distinctive vocal sounds. Being a dalang, one must have plenty of physical stamina and a thorough knowledge of both the ancient Kawi language and high and low Balinese language, as well as its literature. Tjandri is frequently invited to perform both on local and overseas stages.perform both on local and overseas stages.)
Ni Putu Putri Suastini + (Ni Putu Putri Suastini was born in Denpasa … Ni Putu Putri Suastini was born in Denpasar, January 27, 1966. Since she was a teenager, she has been active in literature and theater. She has joined the Wind Theater, Tiger Tutul Studio, Badung Mini Theatre, August Theater, White Studio. She published poetry books are Bunga Merah (2017) and Rumah Merah (2018). Ni Putu Putri Suastini Koster is well known among local Balinese and Indonesian artists.ong local Balinese and Indonesian artists.)
PENGARUH OLIGARKI TERHADAP CALON PEMIMPIN + (Om Swastiastu Peace be upon us all, allow … Om Swastiastu Peace be upon us all, allow me, Kadek Wisnu Artana, a student from SMA Negeri 1 Penebel to deliver an oration on the influence of oligarchy on future leaders in this country.The DPD must listen, pay attention and follow up on the aspirations I expressed todayBrothers and sisters, it has been 115 years since Indonesia has risen from adversity, precisely when Budi Utomo was founded, 78 years since Indonesia has been independent and the Red and White Sangsaka has flown freely on Indonesia's motherland, reform has been underway, but what is going on with educational resources for the nation's generation, what is it? This generation is simply silenced as if it were dumb and deaf and does not flinch from voicing various aspirations. Here I invite everyone to voice their aspirations regarding government in this nation which is still shackled by the shadow of the Oligarchy, and today the Oligarchy has become very free to wreak havoc on power both in the upper elite and in the lower elite, the Oligarchy has a big influence on the nation's future leaders. , oligarchy has a very bad impact on leaders.The problem caused by the existence of Oligarchy in our government system is that power is centralized, Oligarchy only controls leaders who have sovereignty in their own hands.Second, there is widespread corruption in this nation by unscrupulous officials as evidenced by the many reports on social media and various other press media. Oligarchs really need tactical funds to fulfill their own interests.The third is injustice by the government or authorities in the interests of the Oligarchy and society which are not fulfilled according to the Values of Truth that have been determined by law.The fourth is political instability where the government is controlled by oligarchs, social inequality in power is only controlled by oligarchs and worsens social and economic inequality within the scope of society.The six unrepresentative leaders controlled by Oligarchs tend not to represent the interests of all the people, but only a handful of groups called Oligarchs.The seven things that are most rooted in all of these problems are that the gap for legislative candidates who are not touched by the Oligarchs, is very narrow and there is minimal space and budget to channel their vision and mission to the general public in all regions of this country.All the problems that occur as a result of leaders being controlled by oligarchic interests are rooted in two problems that boil down to very serious legislation,Firstly, there is no regulation on budget provisions, space, opportunities and forums for all legislative candidates at the regional level. This causes the public to only take the perspective of leaders who are seeking votes under the pretext of donations which, without them even knowing, are funds given by oligarchs to candidates. We need to understand that this is the forerunner to the birth of Oligarchy at the regional government level, this is because when regional legislative candidates enter the community they need very large "tactical funds" to seek votes in their respective electoral districts. What must also be understood is that This Tactical Fund is what causes the leader's debt of gratitude to the Oligarchs. So that they can be controlled even as if they were Puppets of the Oligarchs, and the shadow of the Oligarchy will continue to exist for the next generation. If we as the current generation are still deaf and mute about what is happening, it's time for us to change the regulatory system so that budget provisions, opportunities, facilities and forums for all legislative candidates are fair and closely monitored by the government, so that these Oligarchs will not have a gap to enter the ideology of the leaders in this country.Secondly, at the central level there is still a Presidential Threshold which is the place for the Oligarchs in this nation to breed. Come, my fellow countrymen and brothers, let's abolish the laws and regulations that cause the Oligarchy in this nation to become increasingly uncontrollable. If the Oligarchy does not have rules that improve their welfare or support their interests, and suppresses the leaders of this nation, then the Oligarchy does not have the opportunity to make the leaders of this nation into their puppets. This is what we must fix together in order to make this nation more advanced. It's time for us to urge the elite of this country so that the legislation that causes the oligarchy in Indonesia can no longer develop or even perish, and if this aspiration is not heard by the elite and is only silenced, it's time for us to take to the streets to voice our aspirations to the government elite and the parliamentary elite. so that this legislation can stop and be replaced with regulations that are more prosperous for the people and not just for the welfare of the Oligarchs in this nation. "In our belief everywhere is Tyranny must fall!" said WIDJI TUKUL. So let's fight together to prevent the detrimental influence of the Oligarchy in the process of selecting leadership candidates and ensure that the elected leadership candidates truly represent the interests of the people and have high integrity. I, we, all of you have the same role in ensuring that the elected leaders are leaders who truly serve the people and not only prioritize the interests of the Oligarchs.Bung Karno once said, "My struggle is easier because it expelled the invaders, but your struggle will be more difficult because it is against your own people."Therefore, let us as future generations be sensitive to the social environment, so that this nation can progress in the international arena by changing the rules that mislead Indonesian politics so that this nation advances, come on...!!! Let's make Bung Karno's words come true, participate in voicing the aspirations of the young generation in this country so that we are sensitive to social problems in our environment, especially regarding the election of leaders. Good leaders produce a good environment and human resources whose quality is guaranteed and equitable and prosperous for all the nation's children. Greetings 0% (Threshold).tion's children. Greetings 0% (Threshold).)
Anak Agung Gede Alit + (Only one picture in Bateson and Mead colle … Only one picture in Bateson and Mead collection, purchased Jan. 17, 1937 — crudeMember of the ruling family of Batuan. Bateson-Mead information: Age: about 12-13 Son of the highest status and most powerful man in Batuan of the time, Anak Agung Gede Ngurah, who was juru tulis to the Punggawa of the region, which was centered in Pliatan in the late 1930s, was just finishing up 5th year of elementary school in Sukawati, and was about to go on to become an apprentice civil servant (magang) in the Pliatan office that very same year. Survey information: MARGINAL EARLY TEEN UNSKILLED THIRD WAVE LITERATE SPEAKS MALAYUNSKILLED THIRD WAVE LITERATE SPEAKS MALAY)
Pande Ketut Taman + (Pande was born into an artistic, religious … Pande was born into an artistic, religious family. A gifted artist since childhood, he studied painting at the Indonesia Institute of the Arts (Institut Seni Indonesia) in Yogyakarta. He later moved with his wife and family to the small town of Muntilan in Central Java, where he lives and works within sight of both the ancient Buddhist temple of Borododur and of Mount Merapi, an active volcano. Both of these majestic and powerful sites—one man-made and celebrating the spirit, the other natural and conveying the beauty and awesome power of Nature—have strongly influenced Pande’s art. A deeply spiritual connection to the earth is a tangible element of Pande’s sculptures and paintings, and the naturalism of his style reflects his interest in the forms and materials of nature in their most fundamental state. His carved wood sculptures, many of them monumental in size, are often fashioned from the trunks or roots of trees, and depict innumerable, expressively carved human figures that seem to be emerging from the tree itself, like figures in some ancient mythological tale.For Pande, art is a daily-life practice, like taichi or meditation, that allows him to both be nourished by and to celebrate the earth and the spirit, moving from the center outwards just like a mandala–from the microcosm of the body, to his family, his town, the forests and mountains that surround him, the society to which he belongs, and the cosmos which encompasses all of us.nd the cosmos which encompasses all of us.)
Polenk Rediasa + (Polenk Rediasa. Born in Tambakan, Buleleng … Polenk Rediasa. Born in Tambakan, Buleleng, March 18, 1979. His full name is I Nyoman Rediasa, an artist and lecturer at Undiksha, Singaraja. He studied art at SMSR Denpasar, ISI Denpasar, and postgraduate in Cultural Studies, Udayana University, Denpasar. He has had joint and solo exhibition since 2004 at home and abroad. His solo exhibitions include "Body Exploration" (National Gallery, Jakarta, 2008), "Installation Exhibition and Performance Art" (2007), "Body Study" (Popo Danes Gallery, 2005), "Signs" (Retro Resto and Gallery, Sanur, 2004) He was awarded in the Beijing Biennale in 2008. His works are widely used by Kompas as short story illustrations.ed by Kompas as short story illustrations.)
I Wayan Suda + (Sadu’s childhood home was in Sayan, a vill … Sadu’s childhood home was in Sayan, a village west of Ubud. Currently he lives in his own house not far from it with his wife, who is Japanese, and their 2 children. Wayan Sadu paints in silence. His paintings also has a silence presence in them that could only be captured by the artists himself.d only be captured by the artists himself.)
Suzy Hutomo + (Suzy Hutomo co-founded The Body Shop Indon … Suzy Hutomo co-founded The Body Shop Indonesia with her husband in 1992, where she is now Chairwoman.Parallel to her successful career in business, she is a committed environmental activist. Suzy is a presenter in Al Gore’s Climate Reality Project, and serves as a member on various boards of reputable NGOs such as Greenpeace South East Asia (2008-), Yayasan KEHATI (2012-present), Yayasan Lensa Masyarat Nusantara (LMN) (2014-), and Yayasan Kopernik (2016-).For Suzy, the well-being of the environment, threatened by climate change, lies at the interface of her identities as a businesswoman and activist.Suzy’s goal is to help and inspire others to develop a green and sustainable lifestyle whilst also proving that being mindful of the environment can be easy, fun and effortless.vironment can be easy, fun and effortless.)
Jane Belo Tannenbaum + (Tannenbaum, Jane Belo (1904–1968) American anthropological photographer. Name variations: Jane Belo. Born Jane Belo, Nov 3, 1904, in TX; died 1968. Traveler, artist, photographer and fieldworker, was noted as pioneer in anthropological photography.)
Program KIP ring Kabupaten Bangli kari Salah Sasaran. + (The Smart Indonesia Card (KIP) is also cal … The Smart Indonesia Card (KIP) is also called the Smart Indonesia Program (PIP). This is the Jokowi government's first program which is part of the Healthy Indonesia Card (KIS) and the Prosperous Family Card (KKS). The Smart Indonesia program aims to increase access for school-age children from poor families to school. KIP is a card intended for poor and vulnerable families who want to send their children (aged 7-18 years) to school for free. KIP recipients are given regular cash funds from the government which are stored in the KIP card function to attend school for free, both those who have registered and those who have not yet registered in schools or madrasas so that the dropout rate can drop drastically.So, the target of KIP is for students who excel and are less fortunate. But in fact its implementation is not in line with expectations, many cases occur regarding KIP being mistargeted. One of them occurred in Bangli Regency. A real example is in my own village, namely Banua Village. Those who are entitled to get KIP (Smart Indonesia Card) are children or students whose families are on the line or in the Poor Family Card (KK) group so that at first glance the KIP program is right on target, but if you look more deeply In fact, the KIP or PIP program still finds errors in its implementation. There are many students in my village whose families are not in the poor family, but in fact these students are underprivileged students. And because of the implementation of the poor KK, students who are not included in the poor KK, who are in fact less well off, cannot make KIP. Even though these students are students who excel and really need the KIP. An example of a student who experiences KIP inaccuracies is myself. I'm not in the poor KK line so I can't get the KIP, even though in fact I really need the card myself. Not to mention that the KIP cannot be made because I am not a poor family member, but in reality my family and I are not someone who can afford it. So, that was the inaccuracy of KIP in Bangli Regency, so what about the wrong target? I have also experienced this wrong KIP target. At that time, I was in junior high school, one of my friends from Trunyan Village had a KIP and received a scholarship even though he himself was someone who was capable and quite rich, had a nice house and had no economic difficulties. This is what makes me feel that KIP in Bangli is still not on target and its implementation tends to be inappropriate and even unfair. Then what solution should the government take? In my opinion, what the government must do to overcome the problem of inaccuracy and wrong targeting of the KIP is, first to do research on the students who receive the KIP, whether they are really underprivileged students? We can see this from the condition of their homes, their parents' jobs, their parents' income every month and so on, well if someone fulfills the things that make them get KIP as I explained above and they are a smart and outstanding student then in my opinion they are worthy of getting KIP. In short, the Bangli Regency Government must be more careful in recruiting students who are worthy of receiving the KIP.dents who are worthy of receiving the KIP.)
Anak Agung Gede Sobrat + (The principal artist of the Ubud school, c … The principal artist of the Ubud school, continued working after World War II. Works in all major collections, including the Sana-Budaya Musuem, Jogjakarta.Worked closely with Bonnet and Spies. Described by Bateson and Mead as having a lively and intelligent mind he is versatile and a distinguished colourist. (PM 72). Puri Lukisan has alternative birth date of 1917Lukisan has alternative birth date of 1917)
Macet Ring Canggu + (The road is not only traversed by tourism, but by commuters. This means residents who work in the Tabanan area, Nusa Dua, Tanah Lot, or Denpasar or vice versa)
Anak Agung Gede Oka + (There seem to be a number of A.A. Okas, and there may be confusion between the 1930s Batuan artist (one work int he Bateson-Mead collection), an artist from Mas, and the Batuan artist born in 1955.)
Uuk Paramahita + (Uuk Paramahita was born in Denpasar, April … Uuk Paramahita was born in Denpasar, April 17, 1978. He completed his art education at ISI Denpasar. Since 2001 he has been involved in many joint exhibitions at home and abroad, including exhibiting at “20 Finalists of Nokia Art Award in Jakarta, 2001; The faces at Junge Gesichter at Agon. e.V Passau, Germany, 2012; The Fourth Silk Road International Art, Shaanxi Provencial Museum of Fine Art, Xian China, 2017. Many of Uuk's works feature tiny figures combined with the surrounding issues. He processes many childhood memories into interesting works of art.od memories into interesting works of art.)
Bart Verheijen + (Verheijen is a post-doc in History in the … Verheijen is a post-doc in History in the University of Amsterdam. He holds a PhD in Napoleonic history from Radboud Universiteit Nijmegen. His works focusing on the age of revolutions, political theory in the 19th century, colonial citizenship and Indonesian history and culture. He lived and worked in South East Asia including Myanmar and Indonesia for three years and affiliated with Hasanuddin University in Makassar, Sulawesi.sanuddin University in Makassar, Sulawesi.)
Wayan Djiwa + (Wayan Djiwa was born in Banjar Binoh Kaja, … Wayan Djiwa was born in Banjar Binoh Kaja, Denpasar, 1906. He is a Palegongan gamelan maestro. Based on the mastery of the Gender percussion, he studied the gamelan Legong Keraton in 1915 which was pioneered in Banjar Binoh. Apart from being an expert in the art of karawitan, he is also known as undagi, a skilled traditional Balinese architect. a skilled traditional Balinese architect.)
I Wayan Suja + (Wayan Suja was born in Batubulan, 8 Decemb … Wayan Suja was born in Batubulan, 8 December 1975. He was graduated from the Indonesian Art Institute in Denpasar in year 2001. He started to have exhibition in year 1994. He was awarded Finalist of 7th Phillip Morris Art Award in year 2000 and awarded Best Sketch and Best Work in the previous years. His artwork was one of the best 30 in The 2005 Sovereign Art Prize, Hongkong.in The 2005 Sovereign Art Prize, Hongkong.)
Wayan Turun + (Wayan Turun was born in Banjar Kedaton, Ke … Wayan Turun was born in Banjar Kedaton, Kesiman, Denpasar, 17 July 1950. He completed his formal education at SR I Kesiman, in 1966. He graduated from SMEPN in 1969 in Denpasar, and he completed SSRI in 1971 in the same city. Since childhood he has loved the arts. Artistic blood flows from his mother, a janger dancer. He is known as a skilled undagi (traditional Balinese building architect), and is also skilled at making bade (corpse towers). He studied Asta Kosala Kosali (basic rules of traditional Balinese architecture) from Pekak Kenjing, Anak Agung Mel, and Ida Pedanda Oka. Apart from that, he studied philosophy about art and religion from Ida Pedanda Kekeran, Ida Pedanda Made Sidemen, Ida Pedanda Bajing, Ida Rsi Agung Penatih and Ida Dalem Pemanyun. Because of his expertise in Balinese and Old Javanese literature, he was often trusted to write inscriptions and copy lontar. He also wrote literary works, such as kidung and kakawin. For his services in the field of arts and culture, he was awarded the Cultural Upakara Charter from the Mayor of Denpasar in 1995.harter from the Mayor of Denpasar in 1995.)
I Wayan Januariawan + (Wayan was born in Jauary 1986. He is a gra … Wayan was born in Jauary 1986. He is a graduate of the Indonesian Institute of the Arts in Denpasar. Donal wishes to revive and embody the “tradition” of painting in the history of the development of modern art through the method of painting on the spot. He returns to nature and tries to appreciate and permeate the phenomenon of form, where aspects of light play a vital role in the absorption of objects by the eye and are then transferred to the canvas plane.The choice of objects painted by Donal on the spot is also an object in the surrounding environment that is familiar in his daily life as a Balinese. Thus, what appears visibly to Donal’s works is the painting of landscapes, trees, or parts of certain plants that are painted close-up, or a collection of natural objects.Donal views painting as part of the culture of society. He wants to present things that might look simple, natural, and beautiful (in the eyes of ordinary people) in the hope that this will be the entrance for them to be able to respond to even deeper things, that is, the ideas in each of his paintings.Based on Donal’s view of his creative process as serious and intense, painting on the spot with impasto techniques, we can read this as Donal’s effort to celebrate and give meaning to painting as a way of presenting beauty and peace of mind through the elements of art—especially colors, which all support light. Donal puts painting as mainstream in his creative process. His struggle and his trust in the power of painting is an inseparable part of a human being’s sense of beauty.He joined in group exhibitions from 2005, and had solo exhibitions from 2014. 2005, and had solo exhibitions from 2014.)
Anak Agung Meregeg + (With his cousins, including Soberat, A.A. Meregeg was one of the defining artists of the Ubud style. Dermawan (2006: 148) has his year of birth as 1908 and states that he was born in Padangtegal, rather than Batuan.)
Yong Sagita + (Yong Sagita, born in Buleleng, November 30 … Yong Sagita, born in Buleleng, November 30, 1961. He is a Balinese pop singer who triumphed in the 1980s – 1990s. He started his career as a singer in 1985 through Aneka Records. At that time, through the group 2S (Sagita and Sayup), he launched his first album titled "Madu signed Tuba". Then in 1986 launched the album "Ngipi Lucut". In 1987, Yong Sagita moved to Maharani Records and released the album "Karmina". His popularity rose when he released the album "Drooling" in 1988 with his hit song titled "Jaje Kakne". The album sold well in the market. In 1989 he released the album "Karmina III" with his hit song "Ciri-Character", which was also a bestseller in the market.which was also a bestseller in the market.)

Made Edy Arudi + (Made Edy Arudi is a poet and a civil serva … Made Edy Arudi is a poet and a civil servant teacher at SMP Negeri 2 Sukasada - Bali, born October 22, 1978. His poems are often published in the National Bali Post newspaper, his other works can also be read in several poetry anthologies together, such as: Klungkung: Tanah Tua Tanah Cinta (2016), Anthology of Poems of 100 Poets of the Archipelago “When the Birds Have Gone” (2016), Finding Childhood in the Body of Advice (2016), Madah Merdu Kamadhatu (2017), Ijen Valley Smile (2018), and Chewing Furious Against Corruption (2018), etc.ng Furious Against Corruption (2018), etc.)

Marko Randelovic + ("Marko Randelovic is an award winning film … "Marko Randelovic is an award winning filmmaker and photographer from West Yorkshire, United Kingdom and is of mixed British and Serbian heritage.Marko travels and works nomadically, often collaborating with charities and organisations to tell interesting cultural stories through the eyes of local people.He tries to provide an insight into the inspiring lives of people from across the world, the problems they face and how they strive to overcome such challenges." they strive to overcome such challenges.")
Infrastruktur Jalan + ("Om Swastyastu, Thank you for the time giv … "Om Swastyastu, Thank you for the time given to me. My name is Ni Luh Ari Purnama Yanti from SMA Negeri 1 Tabanan. To the judges who I really respect and the audience who I really love. I feel very happy to be able to deliver the oration entitled "Road infrastructure"Ladies and gentlemen, as we know, road infrastructure greatly influences the economy today. If there is no road infrastructure or the roads are in disrepair, what else is there to earn a living nowadays? How do I take merchandise abroad? In this millennial era and era of globalization, road infrastructure is very necessary in today's life. Many people today earn a living on the streets, some become Ojols, some become traders and others; Candidates for leadership in 2024 should be able to see the condition of their people in villages and cities, so that they do not create social inequality. So that the roads in villages and cities are the same, so that the materials are good and can last a long time and people can earn a living on smooth roads. And for the 2024 Leader Candidates to be honest about the road and development assistance, so that it doesn't happen that the funds are disbursed but the roads and construction are not completed, let alone non-existent? Don't prospective leaders feel sorry when they see their people earning a living through damaged roads? On a rocking bridge to pass east to west over rivers and seas? there are also those who cannot leave the village because the roads are damaged but in the city the roads are good. However, there are also damaged roads in the city, which makes it difficult for large trucks to pass and causes traffic jams. The 2024 Leader Candidates should now be fair and honest with all their people. 2024 Leader Candidates so that they can pay more attention to their people, so that during the campaign they don't just make sweet promises to their people so that they are not called Sweet Promises of Leader Candidates.OK, that's all my speech, I hope what I say can be heard by the 2024 Leader Candidates. Thank you for your attention, everyone present. "Meli bungkung aba to the temple Sambilang ngayah, Kirang Langkung nunas ampura titiang sisya wawu melajah". I end with the paramashanti "Om Shanti Shanti Shanti Om".paramashanti "Om Shanti Shanti Shanti Om".)
Generazi Z Menuju Bangkit + ("Rising from the Ballad of Silence" Curre … "Rising from the Ballad of Silence"Currently, we are not just gathered as individuals but as part of a generation, a generation that plays a significant role in shaping our future, Generation Z.Rise, oh Generation Z, from the ballad of silence that often silences our voices. In the dynamics of social and political complexity, we are called not to be passive spectators but active participants. This is a call to assert our identity, express opinions, and advocate for social justice values.For too long, we have been trapped in silence, feeling restrained by norms that may not always align with our aspirations. It's time to understand that our right to speak and express opinions is unquestionable. Rise above the fear, fear of conflict, or rejection. Now is the time to transform silence into constructive rebellion.Let's stop the apathetic attitude and allow social and political issues to grow without genuine responses. Remember, the policies and decisions made by the generations before us will shape the world we inherit. Don't let those above us determine our path without scrutiny from below.I invite us all to embrace differences, to listen without prejudice, and to speak with integrity. We are voices capable of shaking the foundations of inequality and injustice. In openness and courage, let's together create the change we envision.Be pioneers of change, Generation Z. Rise from the ballad of silence, speak up, and show the world that we are change agents capable of bringing social and political justice. Thank you.g social and political justice. Thank you.)
Duo Saraswati + ('Music is making connection' Duo Saraswati … 'Music is making connection'Duo Saraswati is a cello-piano duo consisting of brothers Jan and Kris van der Plas. Whilst they both grew up and had their education in The Netherlands, they make the connection between traditional Indonesian music and the classicalmusic from Europe through their Balinese background. They performed in the Concertgebouw during a live radio performance and in April 2023 they will go on tour to Indonesia and perform in Jakarta, Medan, Surabaya and Denpasar.Equality through differenceIn a world that tends to think more in contrasts, the duo embraces their differences because that is what defines them. The combination of two cultures is a way for them to bring people from various cultures together.Indonesia and The Netherlands unitedThe repertoire of Duo Saraswati is varied and always tries to find connection between European and Indonesian music. Examples of this is gamelan music composed by Colin McPhee played on cello and piano, and bringing together songs of Mochtar Embut and the Sonata of Francis Poulenc.Jan van der Plas (1997) was a guest player at the Amsterdam Sinfonietta and during his studies he performed multiple contemporary works. Young composers are eager to work together with Jan. He studied at the Conservatorium van Amsterdam with Gideon den Herder and Jelena Očić, with whom he graduated his master's in 2021. Jan plays a cello made in 1967, built by Jaap Bolink, made available by the National Instrument Fund.Kris van der Plas (2002) is a young pianist with a strong motivation to make chamber music. In 2020 he was the first prizewinner of the regional final of the Princess Christina Concours in which he also became national finalist.Kris is regularly asked to play by singers and instrumentalist because of his flexibility and broad knowledge of the repertoire.Currently Kris is studying with Frank Peters at the Conservatorium van Amsterdam.eters at the Conservatorium van Amsterdam.)
Fitri Amalia Rhamadani + (.Rhamadani completed her undergraduate studies in the Travel Industry study program, Faculty of Tourism, Udayana University. Currently, Rhamadani works as a marketer at a tourism services company in line with her previous experience.)
Ida Bagus Ketut Diding + (1911/1914 - 1990. Batuaninteractive.com: " … 1911/1914 - 1990.Batuaninteractive.com:"About twenty-two years old at the time of making the pictures in the collection, Diding probably had been painting since 1935. His teacher was Ngendon, and he in turn taught Bala. He met Spies and Bonnet, watched them work, and brought them work for theirciriticism. He was a member of the group they founded, Pita Maha. One of the Western artists suggested that he make a picture like Djatasoera's of the ende ritual in Karangasem.Diding had not been to school but could speak a little Malay. He played in a gamelan orchestra and danced in the gambuh, and wasthe only artist interviewed who said that he had been possessed and gone into trance. His father was dead, and he had no land to work.He and his wife supported themselves by painting, raising chickens, and dyeing cloth.They had no children. Sixteen pictures by Diding are in the collection."pictures by Diding are in the collection.")
Agung Raka + (1930s Sanur painter. Bateson and Mead note … 1930s Sanur painter. Bateson and Mead notes refer to Gusti Gede Raka and Gusti Putu Raka co-painting a work.May be the same person as Gusti Putu Raka (and/or Gusti Gede Raka); in Bateson's catalogue, described as the son of Gusti SodangRelated ArtistsAlso known as: I Gusti Putu RakaMother: Anak Agung Made Glogori Putu Raka Mother: Anak Agung Made Glogor)
A.A. Raka Sidan + (A A. Raka Sidan's real name is A.A. Gede R … A A. Raka Sidan's real name is A.A. Gede Raka Partana. He is a songwriter and Balinese pop singer who was born June 27, 1979. He studied at UNHI Denpasar and produced a number of albums, including "Suud Memotoh" (2005), "At-Pada Ngalih Makan" (2007), "Pak Boss" (2009), "Song Brerong" (2012), "Kenceng" (2015). The songs contain a lot of moral messages and social criticism wrapped in humorous nuances.ial criticism wrapped in humorous nuances.)
Ida Bagus Putra Adnyana + (A Balinese from a Brahmana priestly family … A Balinese from a Brahmana priestly family, I. B. Adnyana is considered a first-rate classicist. Born in 1958 in Denpasar, he grew up attending Balinese rituals and brings an insider’s knowledge to his subjects. As is evident in his images, he has been given special unimpeded access and privileged positions and angles. It’s highly unlikely that a Western photographer would ever be allowed to enter sacred inner courtyards and get this close to a venerable high priest.His subjects appear at ease and revealing of their inner emotions. It is as if his subjects are family members relaxed in the presence of another Balinese. He always seems to be in the right place at the right time to photograph with the greatest possible empathy and intimacy. Amidst all the confusion, he knows what is going on and is able to anticipate what is going to happen next. While other photographers are fiddling with their camera settings, he is ready to record the climax, the significant gesture or the moment when the trance state takes hold.e moment when the trance state takes hold.)
Adrian Vickers + (Adrian Vickers is an Australian author, hi … Adrian Vickers is an Australian author, historian and professor of Southeast Asian Studies at the University of Sydney. He has studied and documented Gambuh dance traditions, Panji (prince) stories, and other Indonesian art and cultural subjects as well as historiography and colonialism. He has a BA and PhD from the University of Sydney, is the Professor of Southeast Asian Studies (Personal Chair) and Director of the Asian Studies Program. Vickers' most recent book, The Pearl Frontier, co-written with Julia Martínez, won the University of Southern Queensland History Book Award at the 2016 Queensland Literary Awards.rd at the 2016 Queensland Literary Awards.)
Andrew Clay McGraw + (Andy McGraw received his Ph.D. in ethnomus … Andy McGraw received his Ph.D. in ethnomusicology from Wesleyan University in 2005. Dr. McGraw has published several articles and a monograph (on Oxford) concerning traditional and experimental music in Southeast Asia and has written articles on jazz, music in American jails and Cuban music. He is an active performer and directs a Balinese gamelan orchestra for the Richmond community.elan orchestra for the Richmond community.)
Genah sané ageng mawit saking genah sané alit. + (BIG THINGS COME FROM LITTLE THINGS Indone … BIG THINGS COME FROM LITTLE THINGSIndonesia is a very diverse country in terms of ethnicity, in terms of religion, in terms of race and in terms of inter-group diversity, which makes Indonesia a very rich country in terms of natural resources. There is a lot of variety, which is a good thing, but the problems are also a lot of people who lack early education, nowadays there are a lot of parents who don't go to school up to high school and some don't even go to school, so a lot of parents can't bring up their children properly, so parents bring up their children in their own way, for example they shout at the children and even hit them, a lot of students copy and follow the behaviour of their parents and do the same in school, which causes the education in Indonesia to go down.This is why education is important for everyone in Indonesia, almost every student relationship throughout Indonesia both between students and teachers or teachers can also be between friends, this student relationship is going to shape the identity of the student both in shaping the student customs but not every student follow the rules well, it might be that the student identity is harmed because of the atmosphere or society at school that is not well many students throughout Indonesia, according to data published by WorldTop20. Org published the ranking of education in Indonesia is very alarming Indonesia is ranked 67th out of 209 countries around the world, with many problems encountered, we need to explore why students become less intelligent and many fight teachers and why the government should pay attention to this. With the many problems in Indonesia, we as students of the school are aware that if we are left like this, then we as the younger generation need to implement the national programme, namely Golden Indonesia 2045, it doesn't have to be with big things, we just need to start with small things. A lot of programmes can be implemented starting from very small things that are common in homes, schools and communities, which is rubbish, rubbish is a waste or an item that has no functional value anymore, or you can say unusable items, a lot of students who have no brains choose to throw rubbish, starting from under the desk, The number of students who do this makes our environment unhealthy, dirty, especially with the large number of students in the school environment making the garbage swell at the same time, even though they have been warned not to litter. In the face of so many issues, we as citizens of SMA Negeri 3 Kuta Selatan have taken action to create a waste free team by sorting waste by category, hoping to make all students aware to dispose waste in the right place and according to the respective category, but due to the lack of good education and the mindset of the students when they were brought up in the family, this project is not going well, many students simply throw waste and don't sort it properly, such as putting organic waste in non-organic waste, With this, we as a team appealed and acted directly in waste processing, with the behaviour we did, we succeeded in empathizing students to separate waste according to its category in order to create cleanliness in the environment around us, residents of SMA Negeri 3 Kuta Selatan in cooperation with Plastic Exchange Kuta Selatan to help us in waste processing properly, we as school residents were not able to process waste, especially organic waste into compost. With the many problems that exist in Indonesia, we have been able to solve the problem of garbage, although it is not perfect, there is still a lot of garbage scattered around, but we are with the awareness to dispose of garbage by first sorting it before it reaches the landfill and processed properly, we also want to create a disciplined school both in terms of education and ethics, especially in the disposal of garbage, with this behaviour we want to realise the Golden Indonesia 2045, because if you don't start with small things then big things can't happen.small things then big things can't happen.)
I Ketut Tombelos + (Batuaninteractive.com : "Tombelos was rais … Batuaninteractive.com :"Tombelos was raised by a poor stonecutter and didn't go to school, though he could read and write Balinese. About fifteen years old in 1938, Tombelos had been drawing since about 1934 or1935. He studied art with Ngendon, who was a close relative, and was a member of Pita Maha. There are twenty-three pictures by Tombelos in the collection."e pictures by Tombelos in the collection.")
I Made Jata + (Batuaninteractive.com: "About fifteen year … Batuaninteractive.com:"About fifteen years old at the time of making the pictures in the collection, Djata had been painting about two or three years. He said that he was self-taught be he had watched Ngendon at work. He visited the homes of the Western painters Bonnet and Spies, and showed them his work for criticism. He was a member of their group, Pita Maha. Djata was the son of a very poor carpenter. He hadnot been to school but could speak a littleMalay. Djata was an apprentice to a shadow puppet maker in Batuan, Dewa Putu Kebes, and the details of the headdresses and clothing in his drawings are taken from puppets. He was also close to Ngendon, who demonstrated how to draw rounded human bodies, especially nudes. In 1948, Connect appointed Djata teacher of art in a short-lived artisan's school established by the colonial government in Batuan. In the 1980s Djata was still painting, in much the samestyle as these pictures. His son also become a fine painter in the late 1970s. Djata produced twenty-seven pictures in this collection."twenty-seven pictures in this collection.")
Ida Bagus Made Djatasoera + (Batuaninteractive.com: "Djatasoera's fathe … Batuaninteractive.com:"Djatasoera's father died when he was twelve, leaving him no land. He did not go to school and worked as a migrant laborer on coffee plantations, as well as dancing the gambuh and playing in the tourist orchestra. He studiedpainting with Ngendon, Togog, and Djata for a number of years. Djatasoera was Mead and Bateson's favorite artist. Bateson published one of his pictures in anarticle on "Style, Grace, and Information on Primitive Art," under the name of Djatisoera. Mead and Bateson filmed him at work andcollected nearly all the pictures he made during their research period. Nineteen of his pictures are in the collection.After World War II, Djatasoera went into nationalist guerrilla combat against the Dutch government with Ngendon. He was captured, beaten severely, and died in prison in 1948."ten severely, and died in prison in 1948.")
Diana Darling + (Beloved writer about Balinese culture and society who has published numerous essays in books and periodicals.)
Putu Marmar Herayukti + (Born in Denpasar, 13 September 1982. Tatto … Born in Denpasar, 13 September 1982.Tattoo and visual artist who owns the studio Hellmonk Tattoo. He is a prominent Ogoh-Ogoh artist and gained a following for use of eco-friendly materials. (https://www.famousbirthdays.com/people/marmar-herayukti.html)About the statue in the profile picture:‘Waruna’ Marmar’s recycled paper, rattan and bamboo installation is suspended from the ceiling on the second level of Wishingwell. It features the mythical guardian of the ocean surfing a wave. Part human part beast, the fantastic creature has a powerful upper torso and elongated octopus tentacles for legs. “I set out to make an artwork which included sustainable materials along with rubbish from the ocean,” Marmar said.with rubbish from the ocean,” Marmar said.)
A.A. Ngurah Anom Kumbara + (Born in Klungkung 14 February 1957, he com … Born in Klungkung 14 February 1957, he completed his Bachelor of Anthropology in 1982 at Udayana University, completed his Masters degree at Indonesia University in 1990, and doctoral degree at Gadjah Mada University in 2008. Becoming a lecturer at Faculty of Cultural Knowledge Udayana University since 1983 until now. He was on charge as the head of the anthropology department in 1997-2000, as the head of Hindu Indonesia University's S3 program of Religion and Culture in 2008-2011, as a secretary of the field of service in Institute for Research and Community Service Udayana University in 2011-2015, as the head of doctoral program (S3) Cultural Studies, Faculty of Cultural Knowledge, Udayana University from 2018 until 2022. He actively participates in seminars and writes accredited national and international journals, and has written several books.l journals, and has written several books.)
I Made Gunarta + (Co-Founder of The Yoga Barn, Director of C … Co-Founder of The Yoga Barn, Director of Community Relations & Co-Founder of The BaliSpirit FestivalPak Dek, has been a fundamental component of The Yoga Barn’s vision to connect with the Community. Dek is an accomplished architect and is the vision behind the aesthetic Balinese style of The Yoga Barn, which is all created with reclaimed wood and hand-crafted elements.Dek comes from a long lineage of socially minded Balinese; his great-grandfather, the Head of The Sacred Monkey Forest restoration project in the early ‘70’s, and his mother, a school principal for over 30 years, are just two of his role models.In 2010 Dek took revitalization of the Monkey Forest into his own hands and launched a reforestation project planting hundreds of trees and creating a safer and leafier home for the indigenous and sacred macaque monkeys. Along with his wife, Meg, Dek is also the co-founder of Yayasan Kryasta Guna, a not-for-profit environmental, arts and cultural organization with a mission to inspire local youths in Ubud to invest in their environment and community while learning about their Balinese traditions.In 2016 Dek started an organic farming initiative 45mins north of Ubud and spends much of his time working on the land.d spends much of his time working on the land.)
DG Kumarsana + (DG Kumarsana was born in Denpasar. He has … DG Kumarsana was born in Denpasar. He has been writing poems since adolescent and it was published in various media and compiled in a book. besides poem, he also write short stories, novel and essay, even in Indonesian or Balinese. He has been active in Sanggar Minum Kopi. His books that has been published are Komedi Birokrat (2010), Senggeger (2010), Kabinet Ngejengit (2012), Mata Dadu (2014). Now living in the village of Telagawaru, Labuapi, West Lombok.llage of Telagawaru, Labuapi, West Lombok.)
WUJUD DEMOKRASI DALAM PEMILU + (Democracy is a 'surrogate election' by inc … Democracy is a 'surrogate election' by incompetent parties in which many agreements are perverted.Democracy has now been greatly eroded by the current of globalization, even democracy itself has become a pioneer which has resulted in our country being influenced by foreign or western countries. In fact, it can be said that currently Indonesian democracy reflects more on external democracy so that the meaning of democracy itself has been erased or even faded. In fact, if Indonesia wants, we can make this democracy a forum for making the country developed. The cultivation of democracy itself should also have started from an early age so that the understanding contained therein can become a motivation for a good state life. And the nation's next generation will be able to implement a good and correct democratic system.Indeed, it can be said that Indonesia is a democratic country, but in fact that democracy has been eroded and even polluted by foreign countries that have entered our country. Especially at this time, after I read and quoted from detik.com there it was explained that former Indonesian President Megawati Soekarnoputri confirmed that the validity of democracy in Indonesia was being tested. Because there are still citizens who cannot accept diversity in Indonesia. Many people differentiate between religion, race, or who they are. Leaders should be able to erase all of that, not just make promises.With these differences, it is clear that Indonesia is not a democratic country because Indonesia has been oppressed by the current of globalization which is becoming more and more rampant among society. Even if we look at the government system, Indonesia has adopted a western country system. reflecting on rural areas that have never been reached by the government and are thought to be forgotten by the government. So here it will give rise to discrimination that the village is not the State of Indonesia because it is never considered. And young people who will succeed the nation will never be instilled with a spirit of democracy because their parents are reluctant to see a president who has treated the villages unfairly.This will be a great opportunity for other countries to develop business and make rural residents think better of foreign countries.In my opinion, there are several things that make democracy possible so that it can be implemented well, democracy provides the opportunity to enable citizens to participate directly or through their agents, in the formulation, development and making of laws. And the most important thing is, Indonesian citizens must be able to implement cooperation not only with the government but also with the people. Because good democracy is created by the government for the people and back to the people.ent for the people and back to the people.)
Dewa Putu Sahadewa + (Dewa Putu Sahadewa was born in Denpasar on … Dewa Putu Sahadewa was born in Denpasar on February 23 1969. Since his youth, he has been active in the areas of literature, journalism, and theatre. He was active in the Sanggar Minum Kopi and helped initiate the Jatijagat Kampung Puisi. The anthologies of this poems are 69 Puisi di Rumah Dedari (69 Poems at Dedari's House) (2015) and Penulis Mantra (The Mantra Writer) (2016). He currently lives in Kupang and works as an obstetrician.es in Kupang and works as an obstetrician.)
Drs. I Nyoman Aris + (Drs. I Nyoman Aris is a writer from Banjar … Drs. I Nyoman Aris is a writer from Banjar Kebayan, Tangeb Village, Abianbase Village, Mengwi District, Badung Regency. Drs. I Nyoman Aris was born on September 19, 1984. He is the son of the late. I Wayan Lanus and Alm. Ni Nyoman Namrug. His educational history is that he took the People's School (SR) in 1962, junior high school in 1965, KPG in 1978, PGSLP in 1980 and S1 majoring in Balinese Language and Literature in 1990. Drs. I Nyoman Aris is an educator at the Tangeb Carving Art Vocational School. In addition, he is also a farmer and often serves as a judge as well as a coach in the Utsawa Dharma Gita competition. He won many awards, one of which was the 1st place in Mekidung/Makakawin. His greatest work is Kidung Yadnya, other works such as the imba tembang (pupuh), the malajah makakawin guide, and the malajah makidung guide, complete with scales and notation, making it easier for us to learn makidung.making it easier for us to learn makidung.)
Drs. Ida Bagus Ratu Sanca, M.si + (Drs. Ida Bagus Ratu Sanca, M.Si is a Balin … Drs. Ida Bagus Ratu Sanca, M.Si is a Balinese writer from Karangasem. He was born on Friday Pon Julungwangi on April 4, 1952. He is the son of the late couple. Ida Pedanda Wayan Pidada and Ida Pedanda Istri Agung.Here I will discuss his geguritan work which he composed himself entitled "Geguritan Gering Agung Pandemi Covid Sembilan Belas". The contents of this geguritan are about the current Covid-19 situation. Where did this covid come from and how to prevent it. This geguritan contains 4 types of pupuh, namely Pupuh Dandang Gula (2 baits), Pupuh Sinom (11 baits), Pupuh Ginada (11 baits) and Pupuh Durma (11 baits).ada (11 baits) and Pupuh Durma (11 baits).)
Gumi Jani + (Dynastic politics is political power exerc … Dynastic politics is political power exercised by a group of people who are related by family ties (MK 10 July 2015). This is also a threat for us as a democratic nation to maintain the ideals of reform in 1998, with the issue of dynastic politics carried out by the 7th president of the Republic of Indonesia, namely Mr. Ir. Joko Widodo, who made his son a candidate for vice president and also chairman of a political party in Indonesia, is the basis for the issue that emerged in the form of the political dynasty he built. not to mention the marriage between Jokowi's younger brother and the MK's curtness that has created public perception regarding Jokowi's dynastic politics.The policy made by the Constitutional Court regarding the age limit for presidential and vice presidential candidates has become an issue that strengthens the issue of dynastic politics. Jokowi's appointment of Prabowo as defense minister was also beneficial for him (trempo magazine). This issue continues to be a hot topic during this political year. Defending the constitution to overcome the threat of dynastic politics is very important, especially under the supervision of the KPU, so for the sustainability of democracy it is very important that we implement democracy with true democracy.e implement democracy with true democracy.)