UPGRADE IN PROCESS - PLEASE COME BACK MID JUNE

Search by property

From BASAbaliWiki

This page provides a simple browsing interface for finding entities described by a property and a named value. Other available search interfaces include the page property search, and the ask query builder.

Search by property

A list of all pages that have property "Description en" with value "Garuda Wisnu Kencana menceritakan tentang perjuangan Dewa Wisnu (Dewa Wisnu) yang dibantu oleh burung Garuda sebagai tunggangannya untuk merebut Tirta Amerta (air kehidupan) melawan kekuatan raksasa. Melalui perang yang sangat mematikan, Tirta Amerta dapat direbut oleh Dewa Wisnu. Tirta Amerta kemudian digunakan untuk mempertahankan kehidupan.". Since there have been only a few results, also nearby values are displayed.

Showing below up to 17 results starting with #1.

View (previous 50 | next 50) (20 | 50 | 100 | 250 | 500)


    

List of results

    • Garuda Wisnu Kencana  + (Garuda Wisnu Kencana menceritakan tentang Garuda Wisnu Kencana menceritakan tentang perjuangan Dewa Wisnu (Dewa Wisnu) yang dibantu oleh burung Garuda sebagai tunggangannya untuk merebut Tirta Amerta (air kehidupan) melawan kekuatan raksasa. Melalui perang yang sangat mematikan, Tirta Amerta dapat direbut oleh Dewa Wisnu. Tirta Amerta kemudian digunakan untuk mempertahankan kehidupan. digunakan untuk mempertahankan kehidupan.)
    • Buru  + (Buru is a contemporary dance work by artisBuru is a contemporary dance work by artists Dewa Ayu Eka Putri and I Putu Tangkas Adi Hiranmayena, both of whom created an experimental duo team known as ghOstMiSt. Buru is one of their works in 2021, this work is inspired by the novel of the legendary Indonesian writer Pramoedya Ananta Toer in the Tetralogy Pulau Buru. Although in this dance work the focus is more on feelings of isolation, the ability to fight and survive the feelings of anxiety, fear and death, when political prisoners are exiled on Buru Island.tical prisoners are exiled on Buru Island.)
    • When I open my door  + (Dewa Alit's latest album is called "when iDewa Alit's latest album is called "when i OPEN MY DOOR".</br></br>This album includes three of Dewa Alit's non-gamelan compositions including "Open My Door" played by Ensemble Modern. "Ngejuk Memedi" by Gamelan Salukat is also in this album.</br>https://www.dewaalitsalukat.com/is album. https://www.dewaalitsalukat.com/)
    • Garuda Wisnu Kencana  +
    • Tari Cilinaya  + (In Balinese tradition, Cili is a symbol ofIn Balinese tradition, Cili is a symbol of beauty. This dance depicts a group of beautiful women with graceful movements, dancing with joy to show their beauty. In contrast to many other Balinese dances that highlight the sharpness of the eye, this dance is performed cheerfully and full of smiles. This dance also emphasizes the graceful side of the movements of the dancers. Inspired by the "cili" ornament found in Balinese lamak which is used when there are traditional or religious ceremonies. This dance was created by I Wayan Dibia for Sekaa Gong Putra Kencana Singapadu-Gianyar in 1986.g Putra Kencana Singapadu-Gianyar in 1986.)
    • Kenapa Legong JAPATWAN  + (Japatwan's 'Why Legong' dance is the work Japatwan's 'Why Legong' dance is the work of an extraordinary Balinese female choreographer Ida Ayu Wayan Arya Satyani. This work was created as a manifestation of his admiration for the creation of the Legong dance, both for the complexity of the technique or for the timelessness of the Legong dance. Japatwan dance is also a way for Dayu Ani to contemplate the process of creation that she has gone through. As well as a way to objectify her dream to exploring the body. The extent to which body exploration can be carried out, how the body respects its body and soul, navigates emotion or responds to shackles, questions about tradition or modern, ignores male or female gender, because dancing is not about gender, but is soul. The soul that appears through the body, whether he is male or female, to bring out the true character.</br></br>Japatwan was inspired by the Japatwan text geguritan which tells the adventures of Gagak Turas and Japatwan when following Ratnaningrat to Shiva Loka, Japatwan also describes the essence of literature in human life. Knowledge (jnana) that should be embodied in order to always meet good karma. The beginning of the story of the journey was the loss of Japatwan who was left by Ratnaningrat, his beloved wife "sakeng ngredani". Ratnaningrat is a grace from Dewa Indra who apparently was sent to test Japatwan's intelligence in carrying out his abilities and knowledge regarding "the entry and exit of the soul in the body, the path to kamoksan (liberation)".</br></br>In a matter of seven days after the joyous period of marriage, Ratnaningrat returned to Indraloka, supposedly to ‘ngayah ngelegong’. In the gaguritan chant, and the nuances of palegongan drum music, hopefully this simple dance gets the beauty of the story that has been poured by the writers in gaguritan texts. poured by the writers in gaguritan texts.)
    • Legong Pawisik  + (Legong Pawisik was created by choreographeLegong Pawisik was created by choreographer I Nyoman Cerita and composer I Dewa Putu Berata in Sanggar Seni Çudamani. Pawisik is a sign that the universe whispers to humans about the past, present and future. Pawisik provides an opportunity for humans to understand the natural surroundings. A knowledge that if deeply understood will make humans realize that they are only a small part of the universe. That everything is bound and intertwined with one another.is bound and intertwined with one another.)
    • Swasti Prapta  + (Swasti Prapta is a dance piece created by Swasti Prapta is a dance piece created by choreographer Dewa Ayu Eka Putri from Banjar Pengosekan, Mas Village, Ubud with composer I Putu Swaryandana Ichi Oka from Banjar Sayan, Ubud, Gianyar. This dance piece was created in 2018 and was first performed at the Cudamani Festival which is held annually from 2016.</br></br>Swasti means "peaceful" and prapta means "arrival". The piece is an expression of welcome, and was created to welcome and bring joy to goodness from all directions. The movements are simple, but filled with meaning, a quality one needs as one faces lifes many different experiences. The harmonious and dynamic melodic arrangement indicate our readiness and alertness to receive new experiences. Symmetrical and asymmetrical are side by side, and of course, goodness does not always stem from the positive. Good things and important lessons can come from experiences that are painful and difficult. Swasti Prapta, welcome all experiences.t. Swasti Prapta, welcome all experiences.)
    • Caru Wara  + (Tabuh Caru Wara was composed by composer ITabuh Caru Wara was composed by composer I Dewa Ketut Alit from Banjar Pengosekan, Mas Village, Ubud. Dewa Alit was born into a family of artists in Bali. As a composer, he is known to have an "avant garde" approach but still considers traditional values. Dewa Alit is often invited to teach and compose Balinese gamelan abroad, including: Boston, Massachusetts, New York, Munich, Frankfurt, and others. In 2007, Dewa Alit founded Gamelan Salukat and has toured America in 2009 and 2010. Tabuh Caru Wara was created in 2005 which has the meaning of harmonizing the complex dynamics of values, friction, clashes, conflicts, opposite directions, the concept of complementarity and complexity contained in the cycle of days based on the Balinese calendar.le of days based on the Balinese calendar.)
    • Tabuh Lemayung  + (Tabuh Lemayung was created by I Dewa Putu Tabuh Lemayung was created by I Dewa Putu Berata, a traditional music composer whose abilities are well known globally. Currently he is the chairman of Sanggar Seni Cudamani, a non-profit arts foundation located in Banjar Pengosekan, Mas Village, Ubud which has a mission to preserve, preserve and reconstruct ancient music and dances that are almost forgotten and create many new works of art which are innovative both in the field of Balinese music and dance. Tabuh Lemayung is one of Dewa Berata's works that has received tremendous appreciation from both Balinese and foreign musicians.</br></br>Lemayung was created by Dewa Berata during the 2004 General Election period. The inspiration for this work stemmed from political parties in the general election attempting to attract people's sympathy. A campaign full of promises and interests confused people, giving birth to the term "Lemayung" which has the meaning of 'uncertain feelings'. Lemayung then poured into the language of music with the parable of "little people" expressed in the weak rhythm and the ruler in a strong rhythm. All forms of differences and promises are transformed into melodies and dynamics of music that are beautiful and pleasant to hear as if to seduce and win the sympathy of the little people. But those who are observant and understanding will not be easily swayed by promises. Lemayung's musical compositions also narrate the spirit of honesty and foresight in choosing the best through out-of-the-box melodies and musical concepts.-of-the-box melodies and musical concepts.)
    • Tari Porosan  + (Tari Porosan (2019) is inspired by Tri SakTari Porosan (2019) is inspired by Tri Sakti, the power of three in Balinese Hindu philosophy. Porosan is one of the elements in canang sari, a daily offering made by Balinese Hindus to praise the Sang Hayang Widhi Wasa (God Almighty). Porosan is symbolic of the three major Balinese Hindu Gods: Siwa, the destroyer; Wisnu, the preserver; and Brahma, the creator.u, the preserver; and Brahma, the creator.)
    • Rangrang  + (The composition of Rangrang was created bThe composition of Rangrang was created by composer I Dewa Putu Rai from Banjar Pengosekan, Mas, Ubud. The word rangrang refers to that which is intertwined or knit together, just as we are interwoven with one another and the universe around us. </br></br>Balinese gamelan often starts with a section called a peng-rangrang, a flowing abstraction of the core melody, 'benang merah' or ‘red thread’ that -weaves through the fabric of the composition. The piece is inspired by and a tribute to master composers of our ancestors, such as the late Wayan Lotring (master of dance, musician and composer of Gamelan Bali), and the belief that each sound, each note has a sacred resonance, each pattern an intrinsic beauty. Beauty and inspiration is brought together in a way that is rooted in those heirlooms of artistry that we have inherited and is joyfully relevant to the young generations of today.elevant to the young generations of today.)
    • Legong Keraton Lasem  + (The name Legong comes from the Balinese laThe name Legong comes from the Balinese language, Leg (flexible movement) and gong (gamelan) which blend into Legong which means flexible movements accompanied by gamelan.</br></br>The Legong Keraton dance emerged around the early 19th century AD. This dance emerged from the idea of a King Sukawati named I Dewa Agung Made Karna.</br></br>Initially this dance is sacred. This dance is only performed in temples to accompany Hindu religious ceremonies. In 1928, the King allowed this dance to be performed outside the palace for the people to enjoy.</br></br>In 1931 this dance began to be displayed widely to support tourism. Many hotels in Bali stage this dance to entertain tourists.</br></br>One of the palaces that owns and maintains the Legong Keraton dance is Puri Agung Peliatan. This palace used to often perform the Legong Keraton dance on certain occasions, such as Hindu religious ceremonies.</br></br>A Legong Keraton performance always carries historical stories. One of the most popular stories is Lasem, which tells the love story of Prabu Lasem to Princess Rankesari.</br></br>The dancer who appeared first was the Condong (emban) who wore a dominant red costume. Then followed by two Legong dancers who wore green costumes.</br></br>In the story of Prabu Lasem, which is based on the Panji/Malat story, the two Legongs play Prabu Lasem and Princess Langkesari, respectively.</br></br>The Legong Keraton Dance was designated as an intangible world cultural heritage by The United Nations Educational, Scientific and Cultural Organization (UNESCO) in 2015. The Legong Keraton Dance is one of nine Balinese dances that received similar awards in addition to the Barong Ket Dance, Rejang Dance, Dance Joged Bumbung, Wayang Wong Dance Drama, Gambuh Dance Drama, Sidha Karya Mask, Ceremonial Bari Dance and Sang Hyang Dedari Danceial Bari Dance and Sang Hyang Dedari Dance)
    • Garbha  + (This work was created in 2020 as part of tThis work was created in 2020 as part of the Ubud Performing Arts festival by two young artists, Dewa Ayu Eka Putri and Ni Nyoman Srayamurtikanti.</br></br>Garba was the beginning of the creation of life. A space where a micro universe is formed. The womb of women is none other than Brahman himself, the Creator of the universe.</br>This work is dedicated to all the wombs of the universe. And to all the great women in the world.. And to all the great women in the world.)
    • Truna Jaya  + (Trunajaya Dance is one of Bali's new danceTrunajaya Dance is one of Bali's new dance creations, precisely from Buleleng Regency, North Bali. This dance art was originally created in 1915 by Pan Wandres in the form of Kebyar Legong, then refined by I Gede Manik.</br>Trunajaya dance or also Terunajaya describes the movements of young people who are growing up, very emotional where their behavior is always trying to attract women's hearts.</br></br>Although referred to as a depiction of a youth, this dance is categorized as a hard male dance which is generally danced by female dancers.</br>Trunajaya dance is an entertainment dance whose performance can be anywhere. Including in the temple yard, field, closed or open stage, or in places other than that.</br>Initially, this dance was a solo dance which also called “babancihan dance” because it presented characters between men and women. But along with its development, Trunajaya Dance is also performed by more than one dancer.</br>In terms of duration, this dance is very flexible, it can be short or long. The shortest dance duration generally ranges from 11 minutes from start to finish.</br></br>Historically, Trunajaya Dance is inseparable from the Kakebyaran Dance which is closely related to kebyar. It is called like that, because it is not only accompanied by Gamelan Gong Kebyar, but the movements are also very dynamic and breathe kebyar.</br></br>The Trunajaya dancers use subtle male make-up. Using yellow, red and blue eyeshadow stage makeup and using slightly high eyebrows from princess dance makeup. Another characteristic of the bebancihan dance is also seen in terms of costumes, dancers wear kamen or kancut in purple prada with diamond motifs. Worn like the use of bebancihan cloth in general, there is a remnant of kamen on the left which will later be used as a kancut, besides that the dancers also wear the typical udeng, garuda mungkur (on the back), one gold flower, ear flowers (red flowers and white flowers) as well as rumbing (earing)white flowers) as well as rumbing (earing))
    • Tabuh Telu Udahani  + (Udahani's percussion is a musical compositUdahani's percussion is a musical composition by I Dewa Putu Berata which was specially created for female musicians from Sanggar Seni Çudamani in the performance of the Bali Arts Festival in 2015 as the Gianyar Regency Ambassador.</br></br>Udahani has the meaning of the ocean, this musical composition is inspired by the calm nature of the ocean but at times it can show terrible turmoil but still has its own beauty.ible turmoil but still has its own beauty.)
    • Tabuh Wak Jayati  + (Wak Jayati was created by composer I Dewa Wak Jayati was created by composer I Dewa Putu Rai from Pengosekan Village, Ubud. Wak Jayati comes from the ancient Javanese language Wak which means voice or sound and Jayati means women's victory. This percussion is inspired by the strength, determination and beauty of women. This musical composition aims to describe the deeper meaning of women, as creators, leaders, and protectors.men, as creators, leaders, and protectors.)