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  • Richard Fox  + (Balinese forms of social organization, colBalinese forms of social organization, collective labor and solidarity are gradually being transformed – and often displaced – by new social institutions and their attendant ideals, desires and pleasures. The rise of the nuclear family, as a new social ideal and institution, is one the more important developments in this connection. This essay examines rival conceptions of the family, and of household economy, that underpinned a debate that took place in a southerly Balinese ward over the provision of neighborly assistance during six-monthly odalan ceremonies. The analysis provides insight into how social and cultural transformation is understood and experienced at the level of day-to-day life.perienced at the level of day-to-day life.)
  • Ni Luh Sutjiati Beratha  + (Balinese people who live at Ubud Village iBalinese people who live at Ubud Village in Gianyar Regency are bilingual because </br>they have mastered more than one language. In the environment of Balinese language, there also live other languages, e.g. the national language, i.e. Indonesian language, foreign languages such as English, Japanese, Mandarin, Korea, etc. Balinese people nowadays have difficulties in using Balinese language so they use mixed languages, namely Balinese language with Indonesian language, with English language, with Mandarin or Korean Language, etc. This phenomenon might indicate that Balinese language appears to be marginalized. This paper aims at investigating what languages are used in Balinese language environment, since by tradition, ecological locality is very important to be explained because it has strong relation to the sustainability of the use of Balinese language, and natural environment with its diversity. Sociocultural approach, i.e. using the concept of language diversity related to the use of language is applied in this paper. In addition, qualitative method is </br>applied by using observation technique and in-depth interview in collecting the data and information. Theories related to the use of language is used to analyze the data.</br>The result of the study shows that the marginalization of Balinese language appears to exist because there are various ethnic groups of immigrants who live in this village. The village of Ubud is already occupied by expatriates who deliberately come to Bali and settle at Ubud. The reasons why they choose Ubud Village, </br>among others is business they own in tourism sector, the occurrence of intermarriages between Balinese people at Ubud and foreigners (such as Italian, Australian, French, Spaniard, etc), Balinese arts and cultures,etc. This condition affects the choice and use of languages.n affects the choice and use of languages.)
  • Brett Hough  + (Bali’s history is made up of many contradiBali’s history is made up of many contradictions. Some of these are intrinsic to Balinese culture and society; others are due to the experience of colonisation by the Dutch and the result of incorporation into the nation-state of Indonesia. Others still stem from forces of modernisation, globalisation, tourism and consumerism. The authors of Bali’s Silent Crisis: Desire, Tragedy and Transition highlight these contradictions to reveal underlying problems that continue to shape, influence and in certain ways, haunt daily life in Bali. They contend that these forces and associated changes have resulted in deep psychological and cultural trauma that remains largely unacknowledged – hence a ‘silent crisis’ – and runs counter to the discourse of Bali as a paradise.</br>The authors have lived and worked in Indonesia over many years, with much of that time in Bali. With academic backgrounds in cultural studies and health promotion they bring an interesting perspective to their subject and display an obvious concern for the long-term psychological health of Balinese caught up in the profound processes of change, violence, and desire that are encapsulated in the subtitle of their book. From the outset we get a very strong sense of their motivation in researching and writing the book and their commitment to Balinese friends and colleagues. It is clear they have a great deal of affection for their subjects and come to their conclusions based on a long-term engagement with Bali.</br>The full review of the book is available in: https://www.insideindonesia.org/review-bali-s-silent-crisis?highlight=WyJiYWxpIiwiYmFsaSdzIiwiJ2JhbGkiLCJiYWxpJyIsImJhbGknLiIsIidiYWxpJ3MiLCJiYWxpJywiLCJiYWxpcycuIl0%3DIidiYWxpJ3MiLCJiYWxpJywiLCJiYWxpcycuIl0%3D)
  • Made Gde Subha Karma Resen  + (Based on the absence of rules that provideBased on the absence of rules that provide certainty to issues of customs in Bali. Such as dispute resolution and Customary Law or Adat Law in Bali, the pattern of the relationship between people and activities within the community, thus requiring legalcertainty. Business activities are activities that require certaintyand good adaptation wherever the place of business is established. This article aims to analyze the legal position of established businesses in communities that are still closely related to rules of Customary Law. Analyzing the legal relationship Desa Pekraman (Pakraman Village) with outsiders/Krama Tamiu and Tamiu (Investor, Businessman), and the rights and obligations of entrants who opened the business. By using juridical studies, this paper will describe legal position, as well as the consequences obtained to businessman in carrying out its business activities in Desa Pekraman. its business activities in Desa Pekraman.)
  • Putu Dyatmikawati  + (Based on the absence of rules that provideBased on the absence of rules that provide certainty to issues of customs in Bali. Such as dispute resolution and Customary Law or Adat Law in Bali, the pattern of the relationship between people and activities within the community, thus requiring legalcertainty. Business activities are activities that require certaintyand good adaptation wherever the place of business is established. This article aims to analyze the legal position of established businesses in communities that are still closely related to rules of Customary Law. Analyzing the legal relationship Desa Pekraman (Pakraman Village) with outsiders/Krama Tamiu and Tamiu (Investor, Businessman), and the rights and obligations of entrants who opened the business. By using juridical studies, this paper will describe legal position, as well as the consequences obtained to businessman in carrying out its business activities in Desa Pekraman. its business activities in Desa Pekraman.)
  • Made Sarjana  + (Basically, agritourism is to place the priBasically, agritourism is to place the primary sector (agricultural sector) in the tertiary sector (tourism sector) to increase farmer's income. Farmers in the agricultural sector have to get some benefits from agritourism activities. Besides that, agritourism can secure agricultural sustainability and avoid the agricultural sector from the marginalization process. There are some reasons why tourists like to see natural activities and agritourism activities. In Bali, there are some agritourism regions with several different management models. This article discusses the general model of agritourism development in Bali and is hopefully useful for agritourism development in other areas in Indonesia.m development in other areas in Indonesia.)
  • Wayan Windia  + (Basically, agritourism is to place the priBasically, agritourism is to place the primary sector (agricultural sector) in the tertiary sector (tourism sector) to increase farmer's income. Farmers in the agricultural sector have to get some benefits from agritourism activities. Besides that, agritourism can secure agricultural sustainability and avoid the agricultural sector from the marginalization process. There are some reasons why tourists like to see natural activities and agritourism activities. In Bali, there are some agritourism regions with several different management models. This article discusses the general model of agritourism development in Bali and is hopefully useful for agritourism development in other areas in Indonesia.m development in other areas in Indonesia.)
  • Robert Lemelson  + (Batuan Interactive, is a multi-modal websiBatuan Interactive, is a multi-modal website intended to widen access to and provide an engagement with the Mead/Bateson collection of paintings and their legacy while amplifying the voices of Balinese painters and visually connecting the artwork to ongoing ethnographic explorations of Bali.ongoing ethnographic explorations of Bali.)
  • I Wayan Bendi  + (Bendi is considered by other Batuan artistBendi is considered by other Batuan artists to be something of an outsider, due to his unconventional use of caricatures and sketches, which can be drawn quicker than the elaborate detail which is present in other works by Batuan artists. His works primarily depict the modern history of Indonesia and the behaviour of tourists. (Hohn 1997: 161) </br>The eldest of the sons of Wayan Tawang to start painting. -- The Virtual Museum of Balinese Painting-- The Virtual Museum of Balinese Painting)
  • Arya Lawa Manuaba, Ida Bagus  + (Biography of Professor Gede Sri Darma, who used to be the youngest professor in Indonesia.)
  • Wayan Suastama  + (Bisikan Pada Awan. by Wayan Suastama. OrigBisikan Pada Awan. by Wayan Suastama. Original artwork, acrylic on canvas. Exhibited in ‘World Without Sound, an Anthology’ at Sawidji Gallery April – May 2023.</br></br>About the artist Wayan Suastama.</br></br>‘Bisikan Pada Awan’ translates as ‘Whispers to the Clouds’ is a new work by Wayan Suastama. Since 1995 he has exhibited his works in joint and solo exhibitions, both at home and abroad. Suastamas’ works often feature female figures, a wide range of colours and textures, as a symbol of the regenerative and creative force. His new series which includes ‘Whispers to the Clouds,’ explores in detail the philosophical theme of ‘upstream and downstream’ in our relationship to the balance in Nature.</br></br>“In the quiet, these are the moments we can reflect. As a person who loves nature, I think of these whispers in Nature. When there is a change in the seasons.. the clouds still are messengers.. without language or words the clouds are messengers of nature that tell us that it is going to rain. The World Without Sound is perhaps where we see Nature’s language more clearly. It brings us back to our true selves.rly. It brings us back to our true selves.)
  • Pande Putu Widya Okta Pratama, S.Kom  + (BTW Edutech is a digital education company that has a big mission to help students pass the selection to enter official colleges, universities state, CPNS, and TNI or POLRI.)
  • Dewi Dian Reich  + (Cappucino and Croissants, 2023 Dewi Dian RCappucino and Croissants, 2023</br>Dewi Dian Reich</br>Fine Art Giclee Print</br>60cm x 100cm</br></br>Cappucino and Croissants is part of a series that take Topeng Tua across different social and urban landscapes. There are references here to traditional identity, suggested tones of displacement and estrangement. The layers of meaning we can unravel here to reflect upon is truly open ended. You may even find humor here. open ended. You may even find humor here.)
  • Mario Blanco  + (Coconuts and Oranges)
  • Dewi Dian Reich  + (Collection of Photographs of the WildfloweCollection of Photographs of the Wildflowers in Ubud's Hills and Rice Fields.</br>A reflection of the gentle, quiet nature of fortitude. Our blossoming hills and rambling terraces. Here, the overlooked and the neglected survive and thrive. They blossom beautifully as well. thrive. They blossom beautifully as well.)
  • Dewa Ayu Posmaningsih  + (Community participation is a contributing Community participation is a contributing factor to the success of waste management. Behavioral changes must be instilled from an early age. The Booklet is a suitable medium used for changes in the behavior of elementary school students. The waste sorting material can be more easily explained by using text messages and pictures. Quasi-experimental research with one group pretest and posttest design. The sampling method is Multistage Random sampling large sample taken for research is 90 people at 65 elementary school in South Denpasar. The instrument of this research is a questionnaire, with data retrieval technique done through interview analysis compare mean paired sample t-test. There is the difference of knowledge, attitude, and action before and after counseling method of self- evaluation by media booklet with a value of (p <0.001). Health promotion efforts by optimizing the role of School Health Services. For further research can be done research on the role of teachers and parents in health promotion activities.s and parents in health promotion activities.)
  • Arya Lawa Manuaba, Ida Bagus  + (Company biography of Perkumpulan Pendidikan Nasional, Denpasar, a famous institution that gave birth to Undiknas University, SMP Nasional Denpasar and more.)
  • Putu Eka Guna Yasa  + (Dasaksara Hanoman Baligraphy consists of tDasaksara Hanoman Baligraphy consists of two forms, namely Kayonan and Hanoman. Dasaksara is described in Kayonan. The Dasaksara are the ten wijaksara that connect the human self (microcosm) and the universe (macrocosm). Dasaksara consists of ten wijaksara, namely Sang, Bang, Tang, Ang, Ing, Nang, Mang, Śing, Wang, Yang. The ten wijaksara come from the eight wianjana characters (sa, ba, ta, na, ma, si, wa, and ya) and two sound characters (a and i). If these ten wijaksara are strung together they form a sentence: sabatai nama siwaya which is a prayer to glorify Dewa Siwa. However, only a few Dasaksara are visible in the kayonan because they are covered by Hanoman's body. Wijaksara seen is Ong, Ang, Ung, Mang, Sang, Bang, miwah Tang.</br></br>Hanoman is a character in the epic Ramayana. Hanuman is the son of Dewi Anjani. Dewi Anjani is an angel who was cursed and born into the world as a female vanara. The curse ends when she gives birth to an incarnation of Siwa's son. Dewi Anjani is married to Kesari. Kesari and Dewi Anjani performed intense meditation to beget Dewa Siwa as their son. Because Kesari and Dewi Anjani were firm in their asceticism, Dewa Siwa granted their request and descended to earth as Hanoman.</br></br>If interpreted, Dasaksara Hanoman Baligraphy is a form of glorification of Dewa Siwa which is manifested in the figure of Hanoman.ch is manifested in the figure of Hanoman.)
  • Fitri Amalia Rhamadani  + (Deviations in the behavior of foreign tourDeviations in the behavior of foreign tourists often occur in Badung Regency. Forms of deviant behavior include aggressive behavior, behavior against authority, disrespectful behavior and stupid behavior. The need for a preventive social control effort in anticipating the occurrence of deviations in the behavior of foreign tourists in the future. Determination of informants using purposive sampling and snowball sampling. Data collection is done by observation, interviews, literature study, and documentation. Data analysis techniques using qualitative analysis with the creditability test and the dependability test. The discussion resulted in a model of the construction display framework of preventive social control in Badung Regency, which was formed based on facts or the phenomenon of behavior deviations that often occur. In the introduction of the forms of deviant behavior of foreign tourists there are 4 forms and have a total of 17 behaviors and the total forms of such deviations require social control with a preventive approach. In the preventive approach there are 10 ways that can control foreign tourists to deviate. The role of tourism stakeholders (local communities, government and tourism entrepreneurs) is needed to distribute Do's and Don't's in Bali brochures. The brochure will later contain supporting pictures or illustrations to attract the reader's interest, understand the meaning in each sentence. Preventive social control material by dividing 3 material is presented, namely: Do's in Bali, Do's in Bali, and Why in Bali. After the mechanism for distributing brochures is carried out by stakeholders and there is still a deviation of tourist behavior, the next stage of violators will be subject to sanctions.of violators will be subject to sanctions.)
  • Ni Made Ayu Marthini, M.Sc.  + (Director of Bilateral Negotiations, Ni MadDirector of Bilateral Negotiations, Ni Made Ayu Marthini won the title of the Best Three in the Exemplary Pratama High Leadership Officer (PPT) Category in the 2021 State Civil Apparatus (ASN) Award. This event was organized by the Ministry of State Apparatus Empowerment and Bureaucratic Reform.ratus Empowerment and Bureaucratic Reform.)
  • Wayan Sujana Suklu  + (Epilogue by Suklu. Acrylic on Canvas, 2023. Explore the collection of contemporary art at Sawidji Gallery. Epilogue by Suklu is part of his Mata Kerta Gosa Series.)
  • John Darling  + (Episode 1: between the mountain and the seEpisode 1: between the mountain and the sea. This is the first part of Bali Triptych, a film by John Darling (1988). </br>This film explores the geological and cultural influences which have contributed to the evolution of Balinese cosmology, that is dominated by ancestor worship. </br>The film also narrates the turbulent history of the Balinese people. turbulent history of the Balinese people.)
  • Dewi Dian Reich  + (Explores what lies within the character ofExplores what lies within the character of ‘Topeng Keras’. One of the sacred Masks that appear in Topeng Babad. One of Bali’s oldest and most sacred Dance Mask Rituals. A series of portraits exploring the character that resonates within the Mask 'Topeng Keras', the dance and the dancer. And the realtionship between the three.r. And the realtionship between the three.)
  • Kadek Sudiasa  + (Explores what lies within the character ofExplores what lies within the character of ‘Topeng Keras’. One of the sacred Masks that appear in Topeng Babad. One of Bali’s oldest and most sacred Dance Mask Rituals. A chapter in our series The Living Masks of Bali.</br></br>Topeng Keras is one of 5 characters that appear in the Topeng Babad Ceremonial Dance (refer to ‘Topeng Babad Today‘). Amongst these are Topeng Ratu (the Kings’ Mask) Topeng Tua (Old Mask) Topeng Sidakarya (Sidakarya Mask) Topeng Bondres (Common Peoples’ Mask). Kadek explains that according to the rules of mask making in Bali, the first mask is Topeng Keras. Topeng Keras is a ‘Patih’ (Minister of the King) The word Patih or Pepatih is a regent title that was traditionally used among Austronesian polities of insular Southeast Asia. In the first place, it denoted the chief minister of a kingdom or a traditional regency. The word originates from the Sanskrit word Patih meaning maintainer, master or guide.Patih meaning maintainer, master or guide.)
  • Dewi Dian Reich  + (Five artists from various fields of art acFive artists from various fields of art active in the Sawidji Artist Collective explore the question ‘what makes us human?’ This is a collaboration titled “Manus, a Conscious Journey” which opened on December 15, 2023, and will be open to the public until February 3, 2024. The exhibition is a Sawidji Collaboration working in partnership with Sudakara Art Space, Sanur, Bali, Indonesia.</br></br>The artists involved in the Manus collaboration are Dibal Ranuh, Made Kaek, Nyoman Butur Suantara, Tjandra Hutama, and Dian Dewi. The five artists who have strong, militant and proven “colours” in their respective fields unite and dissolve in “Manus”.</br></br>Multi-disciplinary art collaboration including painting, sculpture, photography, digital media and film installation art., digital media and film installation art.)
  • Aldwin Yusgiantoro  + (Frequent blackouts in Jakarta have a multiFrequent blackouts in Jakarta have a multiplier effect on the country’s national and economic security, as well as Jakarta’s development toward becoming a smart city. Two policy options for the government explained in this article would be to reform PLN management and introduce smart grid technology.ement and introduce smart grid technology.)
  • Dodit Artawan  + (From Exhibition LINES UPON RHYTHM DecemberFrom Exhibition LINES UPON RHYTHM December 2022 at Vin Gallery Vietnam:</br>He took his focus in a unique way by highlighting the shapes and designs of mass products that are available in the market. Those commodities are commonly found</br>and displayed everywhere with bright colours which can also be found in his artwork characteristics producing wonderful compositions.</br></br>“Lines” will be the main feature in this show, to present how he’s adopting and appropriating the lifestyle of contemporary society closely related to consumerism. Creating lines with rhythm and drawing with bright colours while at the same time, he’s playfully criticising and celebrating contemporary society often becomes</br>irrational when lured by consumerism. And the rhythm composition of colours and lines will reenact fantasies that capitalism has done to their products.hat capitalism has done to their products.)
  • Agus Teja Sentosa  + (From the album Flute for Love https://www.youtube.com/watch?v=HGpI5718rp4)
  • Agus Teja Sentosa  + (From the album Rhythm of Paradise https://www.youtube.com/watch?v=L2I7hZqC7lY)
  • Agus Teja Sentosa  + (From the album Sundara https://www.youtube.com/watch?v=qfnJ43JSawQ)
  • Agus Teja Sentosa  + (From the album Ulah Egar https://www.youtube.com/watch?v=PjLnOM2KPSA)
  • Duo Saraswati  + (Gamelan music composed by Colin McPhee played on cello and piano)
  • I Made Lasmawan  + (Gamelan Tunas Mekar performing Pekeling ("Gamelan Tunas Mekar performing Pekeling ("Remembrance"), composed by I Made Lasmawan, at DecorAsian in Denver, Colorado on February 27, 2010. Pekeling is a contemporary composition that, in Pak Made's words, "Is a reflection on the Gods that give me direction in this life." </br></br>This video features Tunas Mekar performing using the gamelan angklung and ceng-ceng kopyak instruments.angklung and ceng-ceng kopyak instruments.)
  • Drs. I Wayan Selat Wirata  + (Geguritan literary works that tell the meaning and philosophy of matatah)
  • Ida Ketut Djelantik  + (Geguritan Sucita-Subudi is one of his workGeguritan Sucita-Subudi is one of his works that is known to many people, why is that? Because this geguritan contains Balinese cultural concepts such as Dharma, Tri Hita Karana, Kala Patra Village, Rwa Bhineda, and Karmaphala. </br></br>Dharma is one of the important concepts in Hinduism. Dharma is often equated with truth, virtue or duty and law. Dharma is likened to a smooth and very cool path that can protect and help people who follow that path from disaster. One who practices the Dharma is called "Dharmika". People who practice dharma only want one thing that is eternal and eternal happiness not the false happiness caused by worldly things. </br></br>Tri Hita Karana is the concept of harmonious relationship that can bring happiness. The harmony of the relationship includes three things, namely the harmony of human relations with God, the harmony of human relations with fellow humans and the harmony of human relations with the surrounding natural environment. In the Geguritan Sucita-Subudi, the concept of harmony between humans and God is called an unreal or spiritual relationship, while the concept of harmony between humans and humans and the relationship between humans and the natural environment. </br></br>Rwa Bhineda is a dualistic concept that reflects two opposite categories in life, such as good and bad or positive and negative. In the Geguritan Sucita-Subudhi, this concept is explained implicitly or indirectly in the expression in something called "Byakta" or something that exists always contains two things that unite. This concept implies that in this world nothing is perfect except God. Everything has advantages and disadvantages at the same time.</br></br>Karmaphala is one of the five belief systems in Hinduism called Panca Sradha. Karmaphala comes from the words karma 'action' and phala 'fruit' which is defined as the result of one's actions. The essence of the notion of karmaphala is that a cause will produce an effect. </br></br>Geguritan Sucita-Subudi consists of 1841 stanzas. Of the many stanzas that are formed by 11 kinds of pupuh. The eleven kinds of pupuh are Sinom, Pangkur, Durma, Ginanda, Ginanti, Kumambang, Warga-sari, Pucung, Semarandhana, and Sadpada Ngisep Sekar. Among these pupuh the most frequently used is the Sinom pupuh, which is 15 times. The use of these pupuhs in the Geguritan Sucita-Subudi is selected and adjusted between the duties or character of each pupuh.een the duties or character of each pupuh.)
  • Ni Luh Wida Apriliani, S.Pd  + (Geguritan Tamba Sastra was created at the Geguritan Tamba Sastra was created at the Literary Creation event, Sastra Saraswati Sewana Pamarisuddha Gering Agung at Puri Kauhan, Ubud. Geguritan Tamba Sastra by Ni Luh Wida Apriliani S.Pd. this is included in the 5 best works in the geguritan category at the Literary Creation event. Geguritan Tamba Sastra is bound by 8 Pupuhs, which include pupuh sinom, pupuh sembaradana, pupuh maskumambang, pupuh pucung, pupuh pangkur, pupuh ginanti, pupuh ginada and also pupuh durma.</br>This geguritan is very interesting because it tells about the beginning of the Corona virus that hit the world, especially in Indonesia where Mother Earth experienced a very deep sorrow that was hit by Covid-19. Various ways have been done to prevent this virus but because for so long this virus has caused the condition of society to be increasingly destroyed due to not working, according to the economy, many people have committed crimes because of the many criminal acts that have occurred in Indonesia. And in the end, the President of Indonesia, Mr. Jokowi, remembered one very important thing in life, where these guidelines are the main key to literature, namely Pancasila, which is the 5 foundations of the Republic of Indonesia. The Corona virus is actually a medicine, not a disease because it makes us aware of the 5 important things contained in the 5 basic principles of our country, namely Pancasila.</br></br>The values contained in Geguritan Tamba Sastra are religious values, social values and also human values.lues, social values and also human values.)
  • Dewi Dian Reich  + (Getting to know the Sacred Masks of Bali, Getting to know the Sacred Masks of Bali, through the perspectives of the artists whose lives are intimately intertwined. The character of the 'Hard Mask' and a Mask Makers' and dancers experiences with it.. excerpt from article..</br> </br>"Topeng Keras is one of 5 characters that appear in the Topeng Babad Ceremonial Dance (refer to ‘Topeng Babad Today‘). Amongst these are Topeng Ratu (the Kings’ Mask) Topeng Tua (Old Mask) Topeng Sidakarya (Sidakarya Mask) Topeng Bondres (Common Peoples’ Mask). Kadek explains that according to the rules of mask making in Bali, the first mask is Topeng Keras. Topeng Keras is a ‘Patih’ (Minister of the King) The word Patih or Pepatih is a regent title that was traditionally used among Austronesian polities of insular Southeast Asia. In the first place, it denoted the chief minister of a kingdom or a traditional regency. The word originates from the Sanskrit word Patih meaning maintainer, master or guide."atih meaning maintainer, master or guide.")
  • Nyoman Butur Suantara  + (Green Lizard by ManButur Suantara, exploreGreen Lizard by ManButur Suantara, explores macro photography using only natural light in natural surrounds.</br>The wonderful, beautiful sometimes fearsome world of Nature under the Macro lens is one that is astounding in its own right. To look so closely upon Natures private little gardens that we did not have the privilege to see so closely until recently in history. Visit the macro gallery at https://sawidjistudio.com/gallery/macro-gallery///sawidjistudio.com/gallery/macro-gallery/)
  • Richard Fox  + (Grounded in ethnographic and archival reseGrounded in ethnographic and archival research on the Indonesian island of Bali, More Than Words challenges conventional understandings of textuality and writing as they pertain to the religious traditions of Southeast Asia. Through a nuanced study of Balinese script as employed in rites of healing, sorcery, and self-defense, Richard Fox explores the aims and desires embodied in the production and use of palm-leaf manuscripts, amulets, and other inscribed objects.</br></br>Balinese often attribute both life and independent volition to manuscripts and copperplate inscriptions, presenting them with elaborate offerings. Commonly addressed with personal honorifics, these script-bearing objects may become partners with humans and other sentient beings in relations of exchange and mutual obligation. The question is how such practices of "the living letter" may be related to more recently emergent conceptions of writing—linked to academic philology, reform Hinduism, and local politics—which take Balinese letters to be a symbol of cultural heritage, and a neutral medium for the transmission of textual meaning. More than Words shows how Balinese practices of apotropaic writing—on palm-leaves, amulets, and bodies—challenge these notions, and yet coexist alongside them. Reflecting on this coexistence, Fox develops a theoretical approach to writing centered on the premise that such contradictory sensibilities hold wider significance than previously recognized for the history and practice of religion in Southeast Asia and beyond. of religion in Southeast Asia and beyond.)
  • I Nengah Jati  + (He has one of the kidung literary works enHe has one of the kidung literary works entitled tungtung urip, tungtung urip himself tells how the situation and conditions from the covid-19 pandemic are, how the condition of the community in dealing with the virus must always think positively and always comply with health protocols.y and always comply with health protocols.)
  • Putu Dyatmikawati  + (Hindu society in Bali still retaining a paHindu society in Bali still retaining a patrilineal culture in social life. There are differences in inheritance rights between men and women in patrilineal culture system. Women did not have any right to inherit from their parents. While the issue of equality, fairness, the right to inherit their parents and etc., urged the patrilineal culture is more flexible and gives the right to women to inherit property from their parents. The development of knowledge, the law and the influence of new paradigms that are present in society, pressing the old system order to be able to accept the development of society. The Assembly of Pakraman Village(Majelis Desa Pakraman) Bali No. III of 2010 has taken the initiative to give women the right to inherit, limited tojoint property of her parents. This paper aims to analyze the development of customary law in Bali on, setting the women's right to inherit,because the constitution guarantees every citizen equal treatment before the law and society. By using the juridical research, will be examined how national laws and customary laws in Bali positioned the women, the right to inherit from their parentsn, the right to inherit from their parents)
  • Nyoman Butur Suantara  + (Hope)
  • Rio Helmi  + (http://dictionary.basabali.org/Melasti)
  • I Gde Nala Antara  + (I Gede Nala Antara pinaka Development TeamI Gede Nala Antara pinaka Development Team Governor of Bali pinaka Keynotespeech maosang indik Bali madué the potential of sané ageng civilization. Silih sinunggil, based on sané ngawinang, Balinese madué, based on panglimbak kawagedan, manusané, sané, strong santukan, Balinese madué, soang-soang script. So akéh local language sané wénten ring Indonesia, Balinese language wantah silih tunggil base sané madué script. "Wantah script silih single means of communication, mawinan digital application innovation ngengén Balinese script prasida kalimbakang ring sajeroning Balinese script education ring sajeroning Balinese script education)
  • I Gusti Putu Windya  + (I got this information from a resource perI got this information from a resource person, namely Gusti Ayu Agustini who is his 4th child who is also the heir of the late. Gusti putu windya. He said that alm. Mr. Gusti Putu Windya has a biographical book, but it is not in place at this time because it was brought to Germany and has not been returned as well as several documents related to his work which were also borrowed and have not been returned until now. In addition, in 2015 the geguritan cangak was adapted by Malaysia by making the cartoon character 'stork and crab' in animation in ancient times without the permission of the late heir. Gusti putu windya.ssion of the late heir. Gusti putu windya.)
  • I Ketut Budiana  + (I Ketut Budiana’s code of life is - SwadhaI Ketut Budiana’s code of life is - Swadharma</br>To do Swadharma(duties) means to do it without expecting anything in return, because the return will come by itself following the karma. To do, to work, and to search for something is a noble and valuable life. Never waste your life."</br></br>from Usada Bali. Never waste your life." from Usada Bali)
  • Ida Ayu Komang Sartika Dewi  + (I must admit it. Being human in the materI must admit it. Being human in the material world, like it or not, we must make ourselves as attractive as possible. Either by improving yourself or….even self-exploitation?</br></br>Like sweets, even without tasting it, we know for sure it tastes sweet. Right? But with an attractive appearance, it will be faster to take the viewer’s heart, which ultimately determines their future (the sweets). But unfortunately, they only have two fates.</br></br>They are sold out or wasted, becoming rotten.</br></br>This is my first work inspired by life; instead of talking about my illness, using the object of my body and face as a representation. The reason? I am also human and have experienced this for myself. Young women need to make themselves attractive; otherwise, you will be left out.tractive; otherwise, you will be left out.)
  • Nyoman Butur Suantara  + (I See Fire. ManButur Suantara shares his eI See Fire. ManButur Suantara shares his experience and photography of the Ter-Teran fire ritual in the village of Jasri, Karangasem Bali on March 21st 2023. The full account and series of works by ManButur Suantara is published online at sawidjistudio.com/2023/03/31/i-see-fire/ </br></br>This ritual is known as Ter-Teran held in the village of Jasri in Karangasem Regency Bali. This ritual is held to keep the evil spirits away so that the silent day of Nyepi will be able to pass peacefully, quietly and with blessing...</br>Ter Teran is held only once every two years. and this is spontaneous without staging or planning. In other villages, this type of fire war enactment is ritualised whereas the process is a little bit more free-flowing, here in Ter Teran in Jasri. The atmosphere is truly mystical. It is not something planned or scripted. There are not many tourists as this is not a common attraction. There is a wildness about it. It does not look like a demonstration set up to cater to an audience. The sacred energy of this ritual still feels very strong.gy of this ritual still feels very strong.)
  • Mary S. Zurbuchen  + (In Bali: 50 Years of Changes: A ConversatiIn Bali: 50 Years of Changes: A Conversation with Jean Couteau, Eric Buvelot and Jean Couteau have produced an intricate, sweeping, and controversial picture of Balinese consciousness, social patterns, and religious life, as well as Bali’s place within the national framework of Indonesia. It is doubtless the most ambitious attempt to present a holistic view of the island since Fred Eiseman, Jr.’s Bali: Sekala and Niskala (1990), or Adrian Vickers’ Bali: A Paradise Created (1989). Yet this is not a historical narrative, or the culmination of years of comprehensive research on a particular topic. Instead we find a series of transcribed conversations between two expatriates: Buvelot, a journalist based on the island since 1995, and Couteau, a renowned writer, social observer and commentator intimately involved with Bali since the 1970s.mately involved with Bali since the 1970s.)
  • I Gusti Putu Hardi Yudana  + (In Bali’s regency called Tabanan, nowadaysIn Bali’s regency called Tabanan, nowadays there are emerging home industries producing the Kerupuk Ladrang. Kerupuk Ladrang is crispy chips made of wheat flour with some eggs and spices. For our project, we have chosen two home industries as our partner industries. The first one is the “Biang Bagus” home industry which is owned and managed by Mrs. Gusti Ayu Putu Sukarini and the second one is the “Bu Gusti” home industry which is owned and managed by Ni Gusti Ayu Komang Niri. This project, namely Program Kemitraan Masyarakat, aims in improving the production process by solving the problems that are faced by the two partners. The given solutions are by providing the better production tools and equipment, facilitating the two partners with modern marketing skills (eg. for marketing in the social medias) with some training programs, as well as providing them an Android based software application to be used as a tool in purchase-order process. In short, there are four</br>main things done for the partners: providing them with new and better tools and equipment, services, training and guidance. The results shown the two partners have improved their production process which is now become more efficient and faster. Both of the partners are now having broader views, especially in using the modern technologies, which in this case the social medias and the Android based application software. The project is hoped to be continued so that the revenue of the two partners is increased. revenue of the two partners is increased.)