Search by property

This page provides a simple browsing interface for finding entities described by a property and a named value. Other available search interfaces include the page property search, and the ask query builder.

Search by property

A list of all pages that have property "Biography text" with value "Journalist. One of Australia’s most respected foreign correspondents.". Since there have been only a few results, also nearby values are displayed.

Showing below up to 25 results starting with #1.

View (previous 50 | next 50) (20 | 50 | 100 | 250 | 500)


    

List of results

  • Ida Pedanda Gede Made Gunung  + (Ida Pedanda Gede Made Gunung (1952 – 18 MaIda Pedanda Gede Made Gunung (1952 – 18 May 2016) was a Hindu Pedanda (cleric/priest) from Blahbatuh, Gianyar, Bali. He was a legend who had a progressive view far into the future. This Pedanda, who was born in Gria Gede Kemenuh Purnawati, seems to have changed the image of Pedanda (Hindu Priest) from simply leading ceremonies, to becoming a Dharma Discourse preacher.</br></br>He is very skilled in translating complex Hindu religious philosophy to the general public using simple, clear and straightforward language accompanied by a great sense of humor. It is not surprising that he often appears in various media, both electronic and print media, to provide Dharma Wacana (sacred discourse) to Hindus. Not only in Bali, he also gave dharma discourses outside Bali, from Java to Kalimantan. Apart from actively appearing in various print and electronic media, he is also active in writing in cyberspace via his website.</br></br>Born with the name Ida Bagus Gede Suamem, he completed his elementary school education at Blahbatuh Elementary School in 1965. Then he continued his junior secondary education at SMPN in Gianyar until graduating in 1968. Then he continued his education at Taman Guru Atas in Sukawati. He worked as a Family Planning Field Officer (PLKB) Gianyar from 1972 to 1974. Then he changed profession to become an elementary school teacher in Banjar Mawang, Lodtunduh, Ubud, from 1975 to 1983, then moved to teach at SD 3 Pering from 1983 to 1985. He was appointed as the Hindu Religious Field Extension Coordinator for Blahbatuh District from 1985 to 1987 and then returned to teaching as a teacher at SD 7 Saba from 1987 to 1994. In 1992 he was ranked as an exemplary teacher for Blahbatuh District.</br></br>In between his busy teaching activities as a teacher, he continued his education at the Hindu Dharma Institute (now changed to Indonesian Hindu University) until he obtained a Bachelor's degree in 1986. Apart from being a school teacher, he is also a black belt in karate and once joined the DPD Gojukai (Black Belt Council) 1988 – 1991.</br></br>He was medicalized or became a pedanda in 1994. From 2002 until near the end of his life, he was an extraordinary lecturer at the Faculty of Usada, Indonesian Hindu University. He is also known to be very critical in addressing the problems of carrying out Hindu ritual ceremonies in Bali, especially Human Yadnya and Pitra Yadnya, which have often been held with great pomp and cost a lot of money.d with great pomp and cost a lot of money.)
  • Ida Pedanda Gede Oka  + (Ida Pedanda Gede Oka was born in Banjar KuIda Pedanda Gede Oka was born in Banjar Kualon, Denpasar, 1909. Apart from devoting his life as a priest, he was known as an undagi (traditional Balinese architect). This talent was inherited from his father, Ida Bagus Anom, a famous undagi and sculptor of his time. Since the age of eight he has learned to make sculptures from his father. As an undagi, he really understands the books Asta Kosala-Kosali, Asta Bumi, Wismakarma and the like. He is not only an expert in making traditional Balinese buildings and Hindu sacred buildings, but is also an expert in making vessels, jempana and bulls for the Ngaben ritual., jempana and bulls for the Ngaben ritual.)
  • Ida Poetu Taman  + (Ida Poetu Taman was a sculptor (1873-1953)Ida Poetu Taman was a sculptor (1873-1953) born in Mas Village, Ubud, Bali. He is very skilled in wood carving. He is also an expert in carving rock for the construction of Hindu religious shrines in Bali. Apart from being a sculptor, he is known in the dance drama "Calon Arang" as Patih Pandung who fights against the evil of Nateng Dirah. He once joined the Pitamaha art community.He once joined the Pitamaha art community.)
  • Ida Wayan Eka Werdi Putra  + (Ida Wayan Eka Werdi Putra or who is often Ida Wayan Eka Werdi Putra or who is often called Gus Eka is the initiator of SAGARAGIRI Outdoor. SAGARAGIRI comes from the word Sagara/Segara which means sea and Giri which means mountain. Sagara-Giri is a concept of Balinese local wisdom that describes the sacredness of the dimension of space. Sagara (mountain)-Giri (sea), Pasir-Wukir, and upstream-teben (downstream) are other terms that are also symbols of unity and mutual influence.</br>Some traditional Balinese literature mentions that the Kawi Wiku or poet priests wrote their literary works in beautiful places. The priest, poet or author walks along the mountains and coasts to express his visual beauty in the form of literary works as a form of glorification of the Creator.</br>This is what became the inspiration for the establishment of SAGARAGIRI Outdoor. Glorifying nature is one of the ways that Balinese predecessors used to enjoy life, even as a spiritual practice. In this increasingly frenetic era, we want to adapt the concept and practice to invite SaGi's friends back to nature, protect it, and enjoy it from a different perspective.and enjoy it from a different perspective.)
  • Ketut Ika Inggas  + (Ika has over15-year experience in coordinaIka has over15-year experience in coordinating development cooperation projects for several international institutions and aid agencies. She successfully managed over 30 human rights, environmental, democracy and development projects across Indonesia, and the Southeast Asia region, totaling 12.5 million dollars. </br></br>Ika is the chairperson of Banjar Bali USA, the Balinese community in Washington, DC, and surrounding areas. Before she moved to the US in 2011, Ika worked as a development specialist on democracy and human rights projects with institutions.d human rights projects with institutions.)
  • PIKOBET SANE KAWETUANG OLIH ALIH FUNGSI LAHAN MAJENG RING KAURIPAN KRAMA BALI  + (IMPACTS CAUSED BY LAND USE CHANGE ON THE SIMPACTS CAUSED BY LAND USE CHANGE ON THE SUSTAINABILITY OF BALINESE COMMUNITIES</br>Om Swastyastu</br> Honorable judging team, as well as beloved friends, let us first offer our prayers and gratitude to Ida Sang Hyang Widhi Wasa for His blessings, allowing us to gather here for the Wikhiton Public Participation event, Bali Orates. On this auspicious occasion, allow me to deliver a speech titled “Issues Arising from Land Use Change in the Life of the Balinese Community.”</br> Ladies and gentlemen, land use change refers to a shift in the function of land from its previous purpose. Land use change in the Bali region has become increasingly prevalent lately, marked by phenomena such as the reduction of productive agricultural land. Indonesia is an agrarian country, and a significant portion of its population works as farmers. What will happen if agricultural land, the source of basic necessities for the Balinese people, continues to be converted into residential areas, coupled with an influx of newcomers requiring them to build dwellings? Another observable phenomenon is the decrease in water catchment areas. Soil is a powerful rainwater absorber. If land with soil is converted into housing, buildings using concrete and paving will indirectly reduce water catchment areas. This becomes hazardous when the rainy season arrives, and the increased use of concrete and paving reduces water catchment areas, leading to higher water volumes and flooding in certain areas. In the last rainy season in Bali, there were numerous flood disasters that resulted in residents losing their homes. Such events will undoubtedly have a negative impact on sustainability, as if left unchecked, the relatively small island of Bali, combined with the increasing trend of land use change, can cause discomfort in the surrounding environment, a decline in food productivity, global warming, and many other terrifying consequences of land use change.</br> Based on these issues, I hope that the future leaders in 2024 can provide solutions to address the escalating land use change. Bali’s leaders are expected to be faithful custodians, safeguarding the land of Bali and enacting regulations that prioritize and champion the land, customs, and culture of Bali.</br> To all my friends, let us protect the land of Bali from the dangers of land use change so that Bali’s land remains sustainable. That is all I can convey; I apologize for any shortcomings. I conclude with Parama Santhi, Om Santhi, Santhi Om. with Parama Santhi, Om Santhi, Santhi Om.)
  • Ngelawan Gelombang: Tantangan Banjir ring Kabupaten Badung  + (In Bali Province, as in many other tropicaIn Bali Province, as in many other tropical regions, floods have become a serious issue that often disrupts the daily lives of residents. One of these areas, Badung Regency, faces similar problems, and several solutions can be proposed to address them. Firstly, the construction of a better drainage system is an important step in flood mitigation. Efficient drainage can help facilitate the flow of rainwater and prevent waterlogging on roads and residential areas. Regular cleaning and maintenance are also necessary to keep the drainage system functioning optimally.</br></br>Furthermore, vegetation planting and land rehabilitation can be long-term solutions to strengthen soil absorption capacity. By increasing vegetation such as trees and shrubs, rainwater can be more easily absorbed by the soil, reducing the risk of erosion. Afforestation and restoration programs can help improve the ecosystem and reduce the risk of future floods. Additionally, better spatial planning is key to preventing floods. Local governments need to ensure that development takes into account environmental aspects and flood risk potentials. Mapping flood-prone areas and controlling development in those areas can reduce vulnerability to floods.</br></br>Increasing public awareness is also crucial in efforts to address floods. Through education and campaigns, residents can be informed about the importance of environmental conservation and eco-friendly behaviors, such as proper waste disposal and vegetation preservation. The more people involved in environmental conservation, the lower the risk of floods. Moreover, technology can be an effective tool in flood anticipation. Early warning systems connected to weather monitoring can provide quick and accurate information about potential floods, enabling early evacuation and other mitigation measures.</br></br>Furthermore, the use of technology in drainage management and flood control can improve the efficiency and effectiveness of these efforts. With a combination of various solutions, it is hoped that the flood risk in Badung Regency can be reduced. It is important for the government, the community, and other stakeholders to collaborate in implementing these solutions to create a safer and more sustainable environment for everyone.more sustainable environment for everyone.)
  • Solusi dari penumpukan sampah yang tidak terpilah di Denpasar  + (In daily life, there is a disposal processIn daily life, there is a disposal process involving materials such as leftover food that becomes waste. Waste is the residue of human daily activities and/or natural processes that is solid in form. Waste often refers to unwanted or unbeneficial residual materials for humans.</br></br>Denpasar, as one of the leading tourist cities in Bali, faces a serious challenge in managing waste accumulation. With the increasing number of residents and tourists each year, this problem becomes increasingly urgent to address. However, amidst this challenge, there is a glimmer of hope through the Zero Waste initiative carried out by SMK Negeri 3 Denpasar.</br>Waste accumulation in Denpasar has become a primary concern for the local government and community. Amidst its natural beauty, waste piles can damage the environment and disrupt tourism. However, SMK Negeri 3 Denpasar has taken proactive steps by introducing the Zero Waste concept to its students.</br></br>Zero Waste is a lifestyle philosophy aimed at reducing, reusing, and recycling all produced waste, so that nothing is disposed of in landfills. This initiative has changed students' perceptions of waste, from something to be discarded to a resource that can be reused.</br>One of the activities carried out in the Zero Waste program at SMK Negeri 3 Denpasar is the management of organic waste. Students learn to compost organic waste into fertilizer, which is then used to produce green plants in the school environment. Thus, not only reducing the amount of waste entering landfills, but also producing positive benefits for the environment.</br>Additionally, the school encourages students to use eco-friendly products and reduce the use of single-use plastics. They practice using tumblers and cloth shopping bags as alternatives to plastic bottles and plastic shopping bags. These small steps have a significant impact on reducing the amount of plastic waste polluting the environment.</br>Moreover, SMK Negeri 3 Denpasar is also active in environmental cleanup campaigns. Students participate in activities cleaning beaches, rivers, and other public areas as part of their social responsibility. They not only clean up existing waste but also raise awareness among the community about the importance of maintaining environmental cleanliness.</br>The Zero Waste initiative from SMK Negeri 3 Denpasar not only helps reduce waste accumulation in Denpasar but also serves as an inspirational example for other schools across Indonesia. By educating the younger generation about the importance of the environment, we can ensure a more sustainable future.</br></br>Through collaboration between the government, community, and educational institutions like SMK Negeri 3 Denpasar, we can achieve the dream of having a clean and sustainable Denpasar. Every small step has a significant impact in our fight against waste accumulation and preserving the beauty of nature for future generations.e beauty of nature for future generations.)
  • "BUDI DAYA MAGGOT ANGGEN NEPASIN PIKOBET LUU RING KOTA DENPASAR"  + (In Denpasar City, which is the capital, goIn Denpasar City, which is the capital, government and economic center of Bali Province, I see that flooding is the main problem in this city. It is not surprising that one hundred tons of waste is collected in Denpasar City every day. This is very dangerous if you don't pay attention, because it can make the damaged area worse. As a result, many other problems arise in the city of Denpasar because of this disease.</br></br>This problem cannot be left to the government alone, but the active role of society is needed. There are many ways that can be done to overcome the problem of blindness, one of which is by increasing public awareness of the importance of the problem of blindness. As a student, even in high school I was still taught by teachers to always care about the environment through the P5 program implemented at school. Through this program I think that this stupid problem can be solved by cultivating Magot. "Maggot Power Culture to Overcome the Lice Problem in Denpasar City" The City Government has helped overcome this flea problem with advanced technology, every citizen can help the government in this flea problem by cultivating maggots because maggot cultivation can break down organic waste into fertilizer or in Bali is often called nyanyad. Maggots come from Black Soldier Fly (BSF) flies, cultivation only uses board/wooden cages that have gaps and are covered with cloth, a small space to press maggot eggs and a rack for maggot growth, in the maggot growth process, it is placed in a place exposed to light. sun.</br></br>Organic waste such as nut shells, fruit remains and grass in the garden can be placed in this place. Magot to break down organic waste or dirt into fertilizer or manure. 1 Kg of Maggot can decompose 4 Kg of organic waste or rubbish every two days. If every city resident had 1 kg of fat, there would be no more organic waste in this city. The remaining plastic waste must be handed over to the government which has sophisticated equipment for recycling. </br></br>The following are the benefits of maggot cultivation: </br></br>1. Reduce the volume of waste in landfill because organic waste is used to feed maggots </br></br>2. Maggot fruit can be used as animal feed which contains high protein because maggots consume organic waste such as vegetables and fruit </br></br>3. Maggots which can dispose of waste will produce Kasgot (Maggot Residue) which can be used as organic fertilizer</br></br>Maggot cultivation is very profitable for the environment and maggot caretakers, because apart from being able to grow organic waste, fertilizer and maggot waste can be used or sold at a higher price, it can be said that maggot cultivation is easier and has a higher functional value. easier and has a higher functional value.)
  • "Pil KB yening engsap jek langsung jadi, Pilkada yen suba jadi jek langsung engsap"  + (In fact, being a leader in parliament was In fact, being a leader in parliament was very difficult, because you had to protect the slaves and always stick to political promises during the campaign. Currently it is. season for political party candidates to wrestle and campaign. This is symbolized by pilgrims dangling banners along the sidewalks and catus pata, aiming for everyone to see themselves as ELECTORAL. He himself also considers all these things with his vision and mission if he is elected by the people's party. If you look at it, actually there are only people's representatives who carry out programs and fulfill their political promises and there are also those who forget their promises like nuts that forget their shells. As proof that I, who is in northern Bali, feel like I have been a victim of political promises, promises to build an airport so that the economy in Bali is stable, but up to now all of this is just discourse that wanders around during the campaign season. Well, that's what I feel myself, maybe the people's representatives have other considerations that maybe the airport hasn't realized until now, it's just that being a people's representative is very difficult to make decisions because there are so many. considerations and work to be done. We as the people only. asked the fathers and mothers who were giving birth not to break promises that were difficult to fulfill so that slaves or people would not be offended by the promises. It's just that, if there is a mistake, I'm sorry. It is true that being a leader as a people's representative is difficult, because as a people's representative you must always protect the people and must remember your political promises during the campaign period. Now is the season for nominating people's representatives and the campaign period. This is indicated by the large number of legislative candidates who put up billboards facing the sidewalk and catas death.oards facing the sidewalk and catas death.)
  • Wisatawan Asing Tidak Menghargai Budaya Bali  + (In my opinion, the most urgent problem thaIn my opinion, the most urgent problem that needs to be addressed by prospective Balinese leaders, namely regarding foreign tourists which has gone viral recently, let us together reflect and dig deeper into the problems involving these foreign tourists. As we know, Bali is a charming tourist paradise, but unfortunately, there are several problems that arise along with the increase in visits by foreign tourists to this island.</br>First of all, we cannot close our eyes to the social and cultural impacts caused by the presence of foreigners in Bali. Sometimes, there is a misunderstanding between foreign tourists and local people regarding the cultural norms that apply here. Several incidents such as the use of clothing that is considered inappropriate, the large number of foreign tourists who do not respect Balinese culture or behavior that is not in accordance with Balinese customs and traditions often cause tension between the two parties, therefore, as Balinese leaders who care about the future The future of this island needs to look at this problem further, both among local communities and foreign tourists, regarding the importance of maintaining social, economic and environmental harmony. Let's invite foreign tourists to better understand and respect local culture, and contribute to sustainable development that involves all levels of society.</br>By working together to solve this problem, we can maintain the beauty of Bali not only as a tourist destination, but also as a home for all of us. Thank You." also as a home for all of us. Thank You.")
  • Jalan rusak ring pandak gede  + (In Pandak Gede village, Kediri sub-district, Tabanan regency, many roads are damaged. Usually many people fall because the roads have holes. Now I propose to whoever will be the leader of Bali, please fix the roads in my village. Thank You)
  • “Ngulah Pati Boya Ja Melananin Diri”  + (In this beautiful moment, we will deliver In this beautiful moment, we will deliver our oration with the title of "Ngulah Pati Boya Ja Melananin Diri". Before we deliver our oration, let us offer thanksgiving to Ida Sang Hyang Widhi Wasa with Om Swastiastu. </br></br>In recent years, the cases of suicide in Indonesia has become increasingly worrying. Indonesia, as a country that adheres to a collectivistic culture, also has a fairly high number of suicide cases. WHO estimates that in 2020 the suicide rate in Indonesia could reach 2.4 percent of 100,000 people if it does not receive serious attention from various parties. Bali Province is one of the provinces in Indonesia that has a fairly high number of suicide cases. Most suicide cases in Bali are committed by teenagers in young adulthood. One of the factors that influences the emergence of behavior, including suicidal behavior and suicide attempts, is self-concept. Self-concept is an individual's perception of himself, his perception of his social environment, and his perception of other people's views of him. Apart from that, the environment where you live also has a big influence on a person's mental health. If someone is in a positive environment, of course their mental health will be better maintained. However, if someone is in a bad environment, it can have a negative impact on that person's mental health. One of them is that it can cause suicidal thoughts. Therefore, suicide cases really need attention from the public so that they understand and are more open about mental health for teenagers. </br></br>But unfortunately, suicide cases are often underestimated by most of society. People think that mental health is not important to pay attention to. In fact, someone who has mental health problems really needs the attention of the people around them to continue to receive encouragement and attention. With all the existing problems, attention and encouragement are needed from the community and government in dealing with suicide cases in Bali.</br></br>In an effort to overcome these cases, the government can optimize mental health screening by providing outreach to the public to create awareness of the importance of mental health for humans, especially teenagers. Apart from that, society and the government can also build an anti-suicide community for teenagers to minimize the existing death rate and teenagers can also express the feelings they have. By adopting this solution, it is hoped that society and the government will become more aware of the importance of mental health. In this way, it is hoped that society can build a positive environment so that the death rate caused by suicide cases will decrease. Let's care about the importance of mental health! </br></br>That's the speech we can deliver. If there are something wrong in words or writing, please forgive us. We close with Paramasantih. Om Santih, Santih, Santih, Om.ramasantih. Om Santih, Santih, Santih, Om.)
  • Pentingnyane mebaosan sane becik anggen generasi milenial  + (In today's millennial era, many young peopIn today's millennial era, many young people cannot speak the language well. Soft language is rarely used in the current generation due to the influence of social interactions and technology in the current era. Many children today use harsh language.</br> If you look at society, children are starting to speak harsh language towards their parents, therefore this must be handled quickly because children are now increasingly using abusive language.</br> Due to this problem, I ask for help so that the government emphasizes to the public that it is important to limit the use of technology among minors and monitor their interactions.ong minors and monitor their interactions.)
  • M Andika Dwi Putra, Rizki Pratama, Azri illyas  + (Indonesian independence)
  • Prof. Dr. I Wayan Dibia  + (It is an honor for myself to be able to knIt is an honor for myself to be able to know in detail about the literary works of one of the Artists and at the same time become a writer, namely Prof. Dr. I Wayan Dibia S.ST., MA. He is a writer who wrote Balinese Purwa literature and literature entitled Adhipsungaraature and literature entitled Adhipsungara)
  • Ni Gusti Raka Rasmi  + (It was 1952 in New York and the young dancIt was 1952 in New York and the young dancer’s name was Ni Gusti Ayu Raka Rasmi. She had never before left her home village, Peliatan, with its small, mud-walled houses surrounded by bright green rice fields....</br></br>Now she was the star of the Bali Dancers, a troupe that had traveled more than 10,000 miles into the alien worlds of the United States and Europe.</br></br>The troupe included two other female dancers about her age, Oka and Anom, and an accomplished young male dancer named Sampih.</br></br>Full article at https://www.nytimes.com/2020/03/13/obituaries/ni-gusti-ayu-raka-rasmi-overlooked.htmles/ni-gusti-ayu-raka-rasmi-overlooked.html)
  • Jalan abiansemal usak  + (Jalan di abiansemal usak Wastan titiang IJalan di abiansemal usak</br></br>Wastan titiang I Gusti Ngurah Putra Merta Yoga titiang saking krobokan tiyang megenah masuk ring smk pgri 2 badung </br></br>Di abiansemal nika polih kabel pln jalanan sane ten becik cingakin wantah ten beraturan utawi di mekacakan </br>Solisi :menata kabel pln agar lebih rapi ,tidak acak acakan ,dan tidak membahayakan masyarakat</br> </br>Di Abiansemal jalane usak,sane ngeranang jalane usak punika ulian banjir lan trek sane makte beban baat lewat</br>Solusi:pemerintah pantesne menin jalan nike seenggal mungkin,sekonden wentel kecelakaan.enggal mungkin,sekonden wentel kecelakaan.)
  • Jamie James  + (Jamie James lived as an expatriate author Jamie James lived as an expatriate author in Indonesia since 1999, after leaving a nearly 25-year career as a freelance critic and travel writer in New York City.</br></br>Much in demand by leading publications in the USA, Jamie James’ criticism and travel essays have appeared in some of the most august publications including The American Scholar, Atlantic Monthly, New Yorker, Wall Street Journal, New York Times, National Geographic Traveler, Condé Nast Traveler and Men’s Journal. His literary criticism has been notably featured in Parnassus and Lapham’s Quarterly.</br></br>While still in the USA, James wrote two books on archaeology, Pop Art and The Music of the Spheres: Music, Science, and the Natural Order of the Universe (Grove Press, 1993) that was lauded by Robert Saxton in the Times Literary Supplement as “an important and well-researched book—essential reading.”</br></br>With Jamie James' migration to Asia in 1999, he began publishing novels reflecting his new Asian home. In 2002, he published a ground-breaking novel Andrew & Joey: A Tale of Bali (Kensington, 2002) written almost entirely in a series of exchanged e-mails. The Java Man (Metafor, 2004) saw James author a hilarious novel in a style reminiscent of Evelyn Waugh relating how an Indonesian poet takes up residence in a contemporary English country village causing confusion and havoc along the way. Four years later, James published a biography about the ill-fated Asian exploits of famed American herpetologist Joe Slowinski - The Snake Charmer (Hyperion, 2008).</br></br>Mixing literary criticism, biography, and fiction James wrote Rimbaud in Java: The Lost Voyage (EDM, 2011) retelling how an iconoclastic and incomparably gifted French poet abandoned Paris to explore the Indonesian archipelago. In a review of the book written for Harper’s, Zadie Smith said James' book presented “the spectacle of reading someone write beautifully about something he finds, well, beautiful.”</br></br>Most recently, Jamie James love of historical and biographical investigation was presented in full display in The Glamour of Strangeness (Farrar, Straus and Giroux, 2016) delving into untold stories of a collection of expatriate artists who, like himself, migrated to newfound homes in foreign lands with oftentimes highly unique and remarkable results. </br></br>Jamie James was born in 1951 in Texas where he completed High School before pursuing a tertiary degree at the prestigious Williams College in Williamstown, Massachusetts, graduating in 1973. After college, some of his earliest assignment were with Andy Warhol’s avant-garde Interview Magazine, Rolling Stone, and Time Magazine. James passed away in Bali on 8 February 2020. James passed away in Bali on 8 February 2020.)
  • Janet DeNeefe  + (Janet DeNeefe is a literary expert who enjJanet DeNeefe is a literary expert who enjoys Java and Balinese culture. She has recently given the Lifetime Achievement Award to writers such as Nh. Dini. Additionally, she is the founder and director of the Ubud Writers & Readers Festival. A brilliant writer, she enjoys compiling recipes and stories into cookbooks. compiling recipes and stories into cookbooks.)
  • Jeff Lewis  + (Jeff Lewis is Professorial Fellow in the GJeff Lewis is Professorial Fellow in the Global Cities Institute and School of Media and Communication. He is Co-director of the Human Security and Disasters Research Program in the Global Cities Research Institute. Jeff Lewis focuses on cultural interface, conflict and conditions of crisis. With a particular expertise on Indonesia and the Asian region, Professor Lewis examines issues around social development and change. He is author of 'Cultural Studies' (2002, 2008), 'Language Wars' (2005), 'Crisis in the Global Mediasphere' (2011), 'Global Media Apocalypse' (2013, and 'Culture, Media and Human Violence' (2015). Withe Dr Belinda Lewis, he is also author of of 'Bali's Silent Crisis' (2009) and 'Health Communication: A Media and Cultural Studies Approach' (2015). His current ARC Discovery Grant is titled 'After the Apocalypse'. It is a study of the ways in which culture and cultural consciousness shape contemporary conditions of conflict and violence.orary conditions of conflict and violence.)
  • Jero Mangku Liyer  + (Jero Mangku Liyer was born in Banjar PengoJero Mangku Liyer was born in Banjar Pengosekan Kaja, Ubud, Bali, 1922. He died in 2016. Liyer is a stakeholder, astrologer, and balian usada. In addition, he also pursues painting, especially rerajahan for the benefit of Hindu-Balinese rituals. Liyer's name is getting more and more famous thanks to him being featured in the film "Eat, Pray, Love" (2010) which is based on the novel of the same name by Elisabeth Gilbert. The film stars Julia Robert. Thanks to the film, many foreign tourists visited Mangku Liyer's house for the purpose of spiritual consultation.for the purpose of spiritual consultation.)
  • Joged bumbung  + (Joged bumbung is a cultural dance that oriJoged bumbung is a cultural dance that originates from Bali. Joged bumbung has been around for a long time.</br></br>But in today's modern era, many people use this dance incorrectly, and it is more like pornography.</br></br>This makes Balinese culture, which was initially labeled as good, but is now labeled as a culture that is originary. The government that manages culture in the Bali area must be firm in providing sanctions and action against citizens who use Balinese culture incorrectly.zens who use Balinese culture incorrectly.)
  • Johan Rudolf Bonnet  + (Johan Rudolf Bonnet is a painter and art tJohan Rudolf Bonnet is a painter and art thinker who was born in Amsterdam, the Netherlands, March 30, 1895. He was interested in the beauty and uniqueness of Balinese culture. Bonnet arrived in Bali in January 1929, briefly settled in Tampaksiring and Peliatan, then settled in Campuhan, Ubud.</br></br>In Ubud he became acquainted with the German painter and choreographer, Walter Spies, and the King of Ubud, Tjokorda Gede Agoeng Soekawati. Together with his two friends, Bonnet then founded a very famous painter's association, namely Pita Maha in 1936. This association brought together many painters and sculptors from Ubud and outside Ubud. Bonnet and Spies introduced many modern media and techniques in painting to the members of the association, even promoting and selling their works.</br></br>In 1943, Bonnet was captured by the Japanese army and exiled to Sulawesi (Bolong and Makassar) until 1947. In 1951, Bonnet returned to Ubud, and founded the Ubud Painting Group. However, this community did not run successfully. In 1957, Bonnet returned to the Netherlands. While in the Netherlands, Bonnet spent his time compiling the inventory and catalog of the Puri Painting Museum, which was founded in 1956. In 1972, Bonnet returned to Bali and continued to compose the catalog for the Puri Painting Museum, Ubud.</br></br>Bonnet died on April 18, 1978 in Laren, Netherlands. Because Bonnet loved Bali so much, in 1979 his body was brought to Ubud and cremated with the body of his best friend, Tjokorda Gede Agoeng Soekawati, who died in the same year.oeng Soekawati, who died in the same year.)
  • Anak Agung Junni Antara  + (Joni Agung, whose real name is Anak Agung Joni Agung, whose real name is Anak Agung Junni Antara is a reggae musician born in Denpasar, 1973. His love for music has grown since he was a teenager. At first he played music from cafe to cafe around Sanur and Kuta with the band “Sunshine”. In 2002 he met the band "Double T", and in 2003 spawned their debut album entitled "Pocol". The songs entitled "Nyoman Klepon" and "Janjin Beline" are two very popular songs by Joni Agung and Double T. Up to now, Joni Agung and Double T have released seven albums, including "Jero Gede", "Love and Love" , “Semara Ratih”, “Ogoh-ogoh”. Most of the song's lyrics are in Balinese with a tingly humorous tone. Apart from musicians, Joni Agung who has dreadlocks hair is also known as a yoga trainer.ocks hair is also known as a yoga trainer.)
 (Journalist. One of Australia’s most respected foreign correspondents.)
  • Ni Putu Yuliana  + (Jro Putu was born in Mengwi, Badung, Bali,Jro Putu was born in Mengwi, Badung, Bali, July 4, 1979. She is a balian, a medium, who serves her community through the practice of traditional medicine, the knowledge to heal physical and mental ailments. Balians draw from two worlds, the conscious and visible world we call sekala and the psychic, abstract, and unseen world we call niskala.</br></br>Clients may ask about a newborn, from whom the baby was reincarnated, or why someone died. To find out, Jro Putu sends the client’s spirit to communicate with their family. Through her work, Jro Putu provides explanations for life’s chaos and comfort to families of her community. Jro Putu was trained in these skills by her aunt and took over her aunt’s practice after she died.</br></br>She understands that her presence in the community is particularly needed since so few women train to become balians. Jro Putu feels on equal footing as men, even as she understands the need to balance this work with family obligations. The wiki lets more people know about her beyond the word-of-mouth recommendation of people who have benefited from her powers.people who have benefited from her powers.)
  • K.Landras Syaelendra  + (K. Landras Syaelendra was born in Banjar PK. Landras Syaelendra was born in Banjar Pengembungan, Pejeng Kangin, 1959. He studied writing since he was a teenager. He was active at the Bali Coffee Drink Center. His works were published in Merdeka Minggu, Tabloid Nova, Bali Post, Nusa Tenggara, Bali Echo, Horison Sastra Magazine, Bernas, Sunday Morning, Nafiri, Karya Bakti, Tribun Bali. In 1987, he entered the top ten short story competitions in Bali – West Nusa Tenggara organized by the Bali Post in collaboration with PERADAH. In 1990, he won the second place in the short story writing competition in Indonesia for the anniversary of the Bali Post. In 1994 he won the Taraju Award. Some of his poems are collected in the book Taksu, Ginseng Tea, Poetry Kembang Rampai Bali, Bali Morning After Morning, Morning Bonsai, Dendang Denpasar Nyiur Sanur, Sahayun, etc. Now he works as a civil servant in Denpasar.w he works as a civil servant in Denpasar.)
  • Kadek Dedy Sumantra Yasa  + (Kadek Dedy Sumantra Yasa, was born in ApuaKadek Dedy Sumantra Yasa, was born in Apuan, Tabanan, Bali, 7 December 1980. He studied painting at ISI Yogyakarta. He was involved in many joint exhibitions, including the year Glory Fyng Colors Sanggar Dewata Indonesia at the Bali Classical Painting Museum Nyoman Gunarsa (2016). Irony In Paradise, Indonesian Gods Studio at the Agung Rai Museum of Art (2013). In 2016, he held a solo exhibition entitled "Rhythm Impulse" at the Ordinary Gallery, Yogyakarta. </br></br>Apart from painting, he is also involved in performance art, for example, in 2009 he held the performance art “Undisclosed Teritory #3”, Illusion of Burden, at Padepokan Lemah Putih, Solo. In 2008 he performed Dragon Snake Slaughter (a collaboration with Astrid Reza) at the Jogja National Museum. In 2002 he received the Certificate of Recognition Indonesia Art Award, in 2000 he received the Certificate From ALIF and the Best Watercolor Painting from FSR ISI Yogyakarta. In 2020 he held a solo exhibition and performance art at Jatijagat Kampung Poetry, Denpasar. Now, apart from still painting, he also arranges songs that he sings himself.also arranges songs that he sings himself.)
  • Kadek Desi Nurani Sari  + (Kadek Desi Nurani Sari, was born in Sanih,Kadek Desi Nurani Sari, was born in Sanih, Buleleng, December 31, 1995. She graduated from the Department of Indonesian Language and Literature Education, Undiksha, Singaraja. She started writing poetry and prose since high school. Her works have been published in many joint anthologies, such as “Gift to the Sky” (2012), “Ginanti Tanah Bali” (2013), “Lingga” (2015), “Gita Candra Nyanyian Bulan” (2018”, “Wiwaha” (2019) Her first published collection of short stories is "Manisan Gula Merah Half Bite" (2020). Apart from writing, she is active in theater activities, such as the Ilalang Theater, Banyuning Art Village Theater, Thousand Window Campus Theater, Cemara Angin Community, Mahima Community Now she works as a teacher of Indonesian Language and Literature.her of Indonesian Language and Literature.)
  • Kadek Eko  + (Kadek Eko, born in Gianyar, Bali, NovemberKadek Eko, born in Gianyar, Bali, November 11, 1989. He completed his art education at ISI Denpasar. Since 2008 he has been actively displaying his works in joint exhibitions, including the 2009 “NuansaAlam” exhibition at the Kriya Art Center Building, “Bali On the Move” (at Maha Art Gallery, Denpasar, 2013), “Tat Twam Asi” (at Ubud Writers and Readers Festival, 2016), “ATUH” (Griya Santrian Gallery, Sanur, Bali 2017). His paintings combine traditional and modern styles with the themes of nature and everyday life. He is a member of the art community Militanarts.a member of the art community Militanarts.)
  • Kadek Sonia Piscayanti  + (Kadek Sonia Piscayanti was born in SingaraKadek Sonia Piscayanti was born in Singaraja, March 4, 1984. She is a Lecturer in the Department of English, Ganesha University of Education where she teaches poetry, prose, and drama. </br></br>She has been invited as a speaker at the Ubud Writers and Readers Festival (2012-2013), Creative Writing Program, Griffith University, Gold Coast, Australia (2011-2012), and at the OzAsia Festival, Adelaide Australia (2013). She wrote and directed the script for “Layonsari” in the Netherlands and France at the Culture Grant event from the Indonesian Directorate of Higher Education (2014). She has also published several books including, “Because I Want to Run I Want to Run” (Akar Indonesia, Yogyakarta, 2007), Literature is Fun” (Pustaka Expression, 2012), “The Story of A Tree” (Mahima Institute) Indonesia, 2014), Dramatic Arts, Art of Life (Graha Ilmu, 2014), Women Without a Name” (Mahima Institute Indonesia, 2015).</br></br>Sonia was the mentor for the 6th Luh Ayu Manik Mas adventure book. the 6th Luh Ayu Manik Mas adventure book.)
  • Kadek Sudiasa  + (Kadek Sudiasa is a traditional dancer espeKadek Sudiasa is a traditional dancer especially of the Bali Mask Dance, Gamelan musician, wood carver and mask maker. He also has a unique skill in playing and making the Balinese Rebab. Originally from Mas, Ubud, his experience in traditional dance theatre and mask making is a source of wonderful knowledge for Sawidjis’ artist community.</br>I Kadek Sudiasa is member of Sanggar Tirta Sari & Genta Buana Sari, a community of traditional musicians and dancers. It is here that he felt most at home. Presently, Kadek is still active in Peliatan as a musician and dancer. Under the management of Anak Agung Gede Oka Dalem.r the management of Anak Agung Gede Oka Dalem.)
  • Kadek Surya Kencana  + (Kadek Surya Kencana, born in Dalung, BadunKadek Surya Kencana, born in Dalung, Badung, Bali, January 24, 1986. In 2005, he won second place in a national poetry writing competition held by the Ministry of National Education. He was once a teacher and principal at a school in Singaraja. Now he is pursuing the world of journalism. He has participated in the cultural mission “Bali Kanaya International Art Week” in Chiba, Japan, 2014. And since 2015 he has joined Radar Bali (Java Pos group) as a journalist. Some of his poems have been published in the Bali Post and are summarized in the poetry book Saron (2018).ummarized in the poetry book Saron (2018).)
  • Kaja McGowan  + (Kaja M. McGowan’s areas of interest involvKaja M. McGowan’s areas of interest involve South and Southeast Asia with emphasis on Indonesia, particularly Java and Bali (both historically Indic in orientation) studied in relation to the subcontinent. Rather than see India and Indonesia, for example, as modes of influence between two points, her scholarly interests encourage studying the reciprocal relationships between neighboring countries in Southeast Asia. Her research explores the flow of ideas and artifacts along this highway -- architecture, bronzes, textiles, ceramics, performance traditions, and visualizations of texts like Panji Malat, the Ramayana, and the Mahabharata -- artifacts that move and those that are locally produced. This accounts for the shaping of ideas and the development of styles across vast geographical and historical distances. Her work is governed by the complex ways in which History of Art and Visual Studies intersect with Anthropology, Material Culture, Colonial and Post-colonial Theory, Performance, Gender and Religious Studies.</br></br>Having first begun her study of Balinese performing arts as an undergraduate at Wesleyan University, one ongoing project has involved documenting the work of painters in Bali who experiment with depicting musical sound and the rhythmic motion of the dance in their work. She is the author of Ida Bagus Made: Art of Devotion (Ratna Wartha Foundation, 2008) a volume honoring the fiftieth anniversary of the Puri Lukisan Museum in Ubud, Bali, Indonesia, distributed by University of Hawaii Press. Due to its popular reception, she has been invited to write a second volume on the life and art of the world-renowned painter, sculptor and architect (undagi), I Gusti Nyoman Lempad.architect (undagi), I Gusti Nyoman Lempad.)
  • Ida Bagus Wayan Widiasa Keniten  + (Karangasem, January 20, 1967, is the date Karangasem, January 20, 1967, is the date a role model was born into this world; a role model that teaches us the importance of literature in everyday life. Ida Bagus Wayan Widiasa Keniten is a widely known for his expertise in writing literary works word for word. It is evident from his sparkling name that he has won several very brilliant achievements, including the 2013 Satyalancana Education Honorary Award and many others.</br>It is undeniable that his love for Balinese culture is one of the reasons he is passionate about composing a literary work. He has written and marketed dozens of books, one of which is Wang Bang Sunaran's Gaguritan. This gaguritan tells</br>about the struggle of life and life. The struggle took place between a spiritual teacher (Sang Dyah) and his students named Jagul Anom, Pucung, Ginanti,</br>Ginada, Kumambang, Sinom, and also Wang Bang Sunaran. The dialogue glue was done by Wang Bang Sunaran. This figure acts as a link between the spiritual teacher and his students. Wang Bang Sunaran's self-image as a student is flawed; he rarely studies, rarely helps others, is difficult to manage, and feels all-knowing. Because of that, he wanted to find the way of truth. The path was found in Sang Dyah, who he thought was an enlightening figure in the darkness of his soul.tening figure in the darkness of his soul.)
  • Katharane Edson Mershon  + (Katharane Mershon (1892 - 1986), was the dKatharane Mershon (1892 - 1986), was the daughter of musician, Charles Farwell Edson, originally of Chicago, and a prominent political activist, Katherine Philips Edson. Her mother was an important figure in California's Progressive Party in the early twentieth century, influential on behalf of woman suffrage and industrial and social reforms for women. </br></br>Katharane did not follow her mother's political and social path, but instead became a dancer. She and her first husband, Harry Gray, toured the United State as a professional ballroom dancing team. She later joined Serge Oukrainsky and Andreas Pavley in Chicago for ballet training, and after divorcing Gray, she married Jack Mershon. Her life was long and full. </br></br>Among many experiences, she lived in Bali, absorbing the dance rituals there, traveled in Europe and Angkor Wat, danced in Vienna and Paris, taught ballet at the University of California, and administered the Denishawn School. Mershon developed theories on dance and psychology, expressing her idea that there was much to be done in a field she called "corrective psychology". field she called "corrective psychology".)
  • Ketut Agus Murdika  + (Ketut Agus Murdika is a painter born in GiKetut Agus Murdika is a painter born in Gianyar, December 26, 1989. He completed his art education at ISI Denpasar. Since 2008, he has been active in many joint exhibitions, such as the Retrospective exhibition of the Galang Kangin Community at Bentara Budaya Bali (2018), the Red Thread exhibition at Bentara Budaya Yogyakarta (2016), the Ulu Teben exhibition at Bentara Budaya Bali (2015). He won the Best Sketch Ubud Festival 2006 award.</br></br>His paintings are abstract. He wrote his concept in painting as follows: An understanding without form, a reflection without words, an understanding of the feelings and feelings of exploring the restlessness of the heart. Creating something intangible into a real work.ing something intangible into a real work.)
  • Ketut Bimbo  + (Ketut Bimbo is a musician and singer of BaKetut Bimbo is a musician and singer of Balinese pop songs born in Banyuatis, Buleleng, 1954. He has been working productively since the 1970s. His songs contain a lot of social criticism wrapped in satirical humor. He started his career as a broadcaster at Radio Massachuset, Singaraja, Buleleng. All of his songs are based on true stories, involving gambling with cock fights, drinking alcohol, etc. His debut album was entitled "Buduh" (1980). A number of his famous songs include: Buduh, Peteng-peteng Mekaca Selem, Announcer, Mebalih Wayang, Ngabut Keladi. Announcer, Mebalih Wayang, Ngabut Keladi.)
  • Ketut Endrawan  + (Ketut Endrawan was born in Klungkung, MarcKetut Endrawan was born in Klungkung, March 12, 1974. Completed his fine arts studies at PSSRD Udayana University (now ISI Denpasar) in 1999. Apart from being an artist, he is also a teacher of fine arts. Actively exhibiting together since student. He was a finalist at the Indofood Art Awards 2003 and the Jakarta Art Awards 2008. Endrawan's works tend to be figurative, mixing inner anxiety and social turmoil., mixing inner anxiety and social turmoil.)
  • Ketut Kaprus Jaya  + (Ketut Kaprus Jaya, contemporary artist in Ketut Kaprus Jaya, contemporary artist in Bali. Born in Budakeling Karangasem Regency Bali, on the 15th July 1970. A veteran of the highs and lows of Balinese Art Industry, he has remained constant to his art with no prevarications. Through three decades of professional art practice, Ketut Kaprus Jaya has maintained and guarded the purity of his creative process. True to self, to the moment, to Nature.</br>As a contemporary artist in Bali today, Kaprus Jaya has two distinct styles that he exercises equally diligently. As a result of the strong commerciality of the art scene locally. The use of watercolour for ‘en plen air’ pieces as he travels and explores different destinations and allows him to teach painting to students. allows him to teach painting to students.)
  • Ketut Madra  + (Ketut Madra has devoted his life to the stKetut Madra has devoted his life to the study, preservation, and practice of Bali’s rich cultural arts. Primarily as a painter, but also as a dancer, musician, and community leader, Madra is steeped in the stories and legends at the center of the island’s culture and community. His unique ability to convey action and emotion in a rich and imaginative composition brings the traditional to life for modern audiences, Western and Balinese alike.</br></br>Originally from Pengosekan, a small community near Ubud, Madra moved to nearby Peliatan as a young man in the late 1950s to work as a painter for the art dealer Wayan Gedah. At that time he also began studying with Tjokorda Oka Gambir, and learned the techniques and conventions of traditional wayang painting, including the specific colors, iconography, and costume for scores of characters.</br></br></br>Madra started painting exclusively wayang narratives in the early 1960s, and soon developed a reputation as a skillful and original artist. He works with deliberation, and sells work directly from his studio to people who find him, usually through word-of-mouth. Occasionally, trusted local dealers with galleries catering to serious collectors also buy his work.</br></br>In 1974, Madra’s work was shown in international exhibitions in the UK and the USA for the first time. In the same year he completed the first bungalow of what would become the Ketut Madra Homestay on his property in Peliatan. Over the next 15 years, he gradually expanded the accommodations for students, travelers, musicians, and artists interested in “a quiet place to learn about Bali.” The homestay has been a central feature in the life of Madra and his family, and has introduced three generations of visitors to his work and to traditional Balinese arts and culture.</br></br>At the age of 41, having focused up to that point on work and the homestay, Madra needed something more. Nyoman Kakul, a preeminent dancer of Batuan village who admired Madra’s understanding of the stories told in Balinese dance drama, urged him to learn to perform. More than 30 years later than most Balinese dancers take their first lessons, Madra learned the role of topeng keras, the rough prime minister in the king’s court. He continues to dance more than 30 years later, playing a variety of roles for which he is highly regarded.</br></br>Madra also learned as an adult to play the rebab, the two-stringed bowed lute in the gamelan ensemble. He dances and plays regularly with the Tirta Sari gamelan group in Peliatan. Dance, Madra says, is a near perfect complement to his life as a painter. Performing in stories he had only watched and painted brings new insight to character and deeper understanding of the spiritual and devotional nature of both kinds of work.d devotional nature of both kinds of work.)
  • Ketut Muliartha, RM  + (Ketut Muliartha was born in Denpasar, JanuKetut Muliartha was born in Denpasar, January 8, 1956. He has expertise in auditing and strategic management. Graduated in 1984 from undergraduate education at Malang Brawijaya University and continued the Professional Accountant (Ak) program at the same University in 1984. He was appointed as a permanent lecturer in 1985 at Udayana University to the present. He obtained his Master of Management degree in 2000 at Udayana University, completing his 2014 doctoral degree at Brawijaya University, Malang. He often conducts national conferences in his area of expertise.onal conferences in his area of expertise.)
  • Ketut Putrayasa  + (Ketut Putrayasa is an artist born in KerobKetut Putrayasa is an artist born in Kerobokan, Badung, Bali, May 15, 1981. In 2019, for the “Berawa Beach Arts Festival”, he shocked Berawa Beach with his installation of a giant octopus made of bamboo. In the event entitled "Deep Blue Spirit", dozens of artists from across the arts responded to the giant octopus with performances of music, dance, poetry, and video art. Still in 2019, Putrayasa was invited by the Architecture and Interior Design Company to work on the Project Commission Artwork in Paris, France. In 2020, he performed the installation art "Pandora Paradise" at the Puputan Badung square, Denpasar.</br></br>Ketut Putrayasa studied fine arts at the Indonesian Art Institute (ISI) Denpasar until the Postgraduate Program in Art Creation. He won the Best Final Project (TA) from ISI Denpasar in 2014. He often participates in joint exhibitions, including the “BIASA” group sculpture exhibition at the Pendet Museum, Ubud (2004), “Sign of Art” in Belgium (2008), “ Kuta Art Chromatic” in Kuta (2003), “Articulation” in Kuta (2014), “Chronotope” at Rich Stone Bali (2015), “Skala” sculpture triennale at the Jakarta National Gallery (2017), “Art Unlimited” at the Gas building Negara Bandung (2018), “Bali Megarupa” in Bentara Budaya Bali (2019), and so on. Apart from being active in his work, Putrayasa has also joined “MilitanArt”, an art community that drives the life of fine art in Bali. that drives the life of fine art in Bali.)
  • Ketut Rodja  + (Ketut Rodja was a genius and famous sculptKetut Rodja was a genius and famous sculptor from Mas Village, Ubud, Bali (1902 - 1965). He was born into a family of artists. He was close friends with President Soekarno who collected many of his sculptures. Apart from that, the Tropen Museum in the Netherlands also collects his work. The Krishna statue created by Rodja was once used as a master art by President Soekarno and shown to Indian Prime Minister Jahwal Nehru and Indira Gandhi at a state meeting.</br></br></br>Rodja is also known as an art deco pioneer in Bali. Apart from that, he was the founder of the first art gallery in Bali in the 1950s which still exists in Mas Village. He is also an artist who actively contributed to the founding of the Ratna Warta Puri Painting Ubud Foundation and was a member of Pita Maha in 1936. Rodja is close friends with Rudolf Bonnet, one of the founders of Pita Maha. Rodja once served as Chairman of the Pita Maha Mas Village branch which coordinated 12 banjars. He was also active in political movements and was highly respected. His iconic work which is still kept at the Siadja Gallery is an ebony wood sculpture entitled "Ananta Bhoga" (1920). Rodja died (murdered) in the 1965 political tragedy. (murdered) in the 1965 political tragedy.)
  • I Ketut Sugantika  + (Ketut Sugantika alias Lekung was born in SKetut Sugantika alias Lekung was born in Singapadu, Gianyar, Bali, 1975. He focused on painting at ISI Denpasar. Many of his works are abstract by taking inspiration from nature. His solo exhibitions are Life Lines, Tadu Contemporary Art, Bangkok, Thailand, 2016; Intimate Bali, Conrad Hotel Nusa Dua, Bali, 2014, Findings Object, Black and White Art Space, Sangeh, Bali, 2010; Sign, Art Center Denpasar, Bali, 2003. In addition, since 1998, he has been diligently involved in joint exhibitions, including the Artfordable Hongkong Art Fair, With Gundang Gambar & 37Tong Gallery, Hong Kong, 2018; Imago Mundi, Bentara Budaya Bali, Yogyakarta, Jakarta, 2016. He is also active in performance arts activities. Now he is active in the Militant Arts Community.w he is active in the Militant Arts Community.)
  • Ketut Syahruwardi Abbas  + (Ketut Syahruwardi Abbas was born in PegayaKetut Syahruwardi Abbas was born in Pegayaman Village, Buleleng, Bali, May 4, 1959. He has written literary works since the 1980s, published in the Bali Post, Nusa Tenggara, Kompas, Republika, and summarized in a number of books together, such as Klungkung: Tanah Tua, Tanah Love (2016). His single book of poetry is titled Between Us (2018). He had long accompanied the young poets in Jatijagat Poetry Village.e young poets in Jatijagat Poetry Village.)
  • Ketut Teja Astawa  + (Ketut Teja Astawa, born in Sanur, Bali, 19Ketut Teja Astawa, born in Sanur, Bali, 1971. He completed his art education at ISI Denpasar. He has held many joint exhibitions, both at home and abroad, such as Bali: Return Economy, Fremantle Art Centre, Perth, Australia (2014). His solo exhibitions include: TW(IN)SIDE at Kendra Gallery, Kuta (2013), A Glimpse Back Into The Past: Early Paintings of Ketut Teja Astawa at Art Temporary Space, Plaza Senayan, Jakarta, Indonesia (2012), Fragments of Subconscious Memory at Tonyraka Art Gallery, Ubud (2011), Batman Forever at Sunjin Gallery, Singapore (2009), Works Of Ketut Teja Astawa, Roemah Roepa Gallery, Jakarta (2008). Many of his works depict the lives of animals, puppet characters, which he uses in a naive and colorful way. He combines Kamasan wayang painting techniques with modern techniques. In 2001 his work was included in the Finalist Philip Morris Art Award Indonesia.inalist Philip Morris Art Award Indonesia.)
  • Ketut Widiyazid Soethama  + (Ketut Widiyazid Soethama was born in DenpaKetut Widiyazid Soethama was born in Denpasar, December 4, 1960. Since elementary school he has been fond of painting, including the Balinese Kamasan puppet, has been published many times in the children's section of the Kompas daily. Then since he was a teenager he has been writing poetry and has been published in the Bali Post. During his studies at the Faculty of Agriculture, Udayana University, he founded the music group Gress Country, released an album of Balinese pop songs (1987), with his siblings and relatives, while being active in theater performances. While working at the Bali Agricultural Information Center he made several comics on agricultural extension, then spent his days as an agricultural consultant for the European Union and the United Nations Development Program (UNDP) in Papua and East Nusa Tenggara. He died in Denpasar on January 15, 2016.. He died in Denpasar on January 15, 2016.)
  • Ketut Yuliarsa  + (Ketut Yuliarsa was born in 1960 in DenpasaKetut Yuliarsa was born in 1960 in Denpasar, Bali.</br></br>Ketut is a writer, actor and musician and has worked in Indonesia, Australia and New Zealand. He has appeared in television drama, film and toured Australia with a major Australian theatre company. He writes lyrical prose, short stories, poetry, essays and articles and has been published in various newspapers and magazines in Indonesia. He has published two collections of poetry (bilingual), Night Voice/Suara Malam and Falling in Silence/Jatuh Bisu. He has appeared as writer, presenter and moderator at the Ubud Writer’s Festival from 2005 till 2018. Ketut has also worked as the Indonesian Emerging Writers curator for this festival during this time. </br></br>In 1986 he and his wife Anita, established the first bookshop in Bali, Ganesha Bookshop (www.ganeshabooksbali.com) and it is now into its 32nd year of trading. Ganesha Bookshop has a large range of New, Used, Rare and out-of-print books on Indonesian studies in the English language. In 2004, realising the need to foster literacy, learning and reading for pleasure in the Balinese community, he helped establish the Books for Bali Project which donates books to schools and libraries throughout Bali. to schools and libraries throughout Bali.)
  • Kevin Fairley  + (Kevin’s passion is photography, he has beeKevin’s passion is photography, he has been a serious photographer for the last 10 years since his retirement. His best loved places to photograph are Bali and the Indonesian Islands. He is self taught and his preferred camera gear is Lumix. His favourite subjects are the Balinese people, Bali Ceremonies and anything else that captures his eye. He has won many international awards and had a successful photo exhibition in Bali. He spends his time spread between Bali and Australia. The Balinese rely on tourists to make their living and during the Covid Pandemic there have been no tourists to the Island. The impact of Covid on the people has caused untold hardship including hunger and loss of income. Profits from the sales of his book will go to Balinese charities, mainly “Plastic for Rice” and the “Bali Tribe” which provide meals for the needy. Tribe” which provide meals for the needy.)