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  • I Gusti Putu Windya  + (I got this information from a resource perI got this information from a resource person, namely Gusti Ayu Agustini who is his 4th child who is also the heir of the late. Gusti putu windya. He said that alm. Mr. Gusti Putu Windya has a biographical book, but it is not in place at this time because it was brought to Germany and has not been returned as well as several documents related to his work which were also borrowed and have not been returned until now. In addition, in 2015 the geguritan cangak was adapted by Malaysia by making the cartoon character 'stork and crab' in animation in ancient times without the permission of the late heir. Gusti putu windya.ssion of the late heir. Gusti putu windya.)
  • I Ketut Budiana  + (I Ketut Budiana’s code of life is - SwadhaI Ketut Budiana’s code of life is - Swadharma</br>To do Swadharma(duties) means to do it without expecting anything in return, because the return will come by itself following the karma. To do, to work, and to search for something is a noble and valuable life. Never waste your life."</br></br>from Usada Bali. Never waste your life." from Usada Bali)
  • Ida Ayu Komang Sartika Dewi  + (I must admit it. Being human in the materI must admit it. Being human in the material world, like it or not, we must make ourselves as attractive as possible. Either by improving yourself or….even self-exploitation?</br></br>Like sweets, even without tasting it, we know for sure it tastes sweet. Right? But with an attractive appearance, it will be faster to take the viewer’s heart, which ultimately determines their future (the sweets). But unfortunately, they only have two fates.</br></br>They are sold out or wasted, becoming rotten.</br></br>This is my first work inspired by life; instead of talking about my illness, using the object of my body and face as a representation. The reason? I am also human and have experienced this for myself. Young women need to make themselves attractive; otherwise, you will be left out.tractive; otherwise, you will be left out.)
  • Nyoman Butur Suantara  + (I See Fire. ManButur Suantara shares his eI See Fire. ManButur Suantara shares his experience and photography of the Ter-Teran fire ritual in the village of Jasri, Karangasem Bali on March 21st 2023. The full account and series of works by ManButur Suantara is published online at sawidjistudio.com/2023/03/31/i-see-fire/ </br></br>This ritual is known as Ter-Teran held in the village of Jasri in Karangasem Regency Bali. This ritual is held to keep the evil spirits away so that the silent day of Nyepi will be able to pass peacefully, quietly and with blessing...</br>Ter Teran is held only once every two years. and this is spontaneous without staging or planning. In other villages, this type of fire war enactment is ritualised whereas the process is a little bit more free-flowing, here in Ter Teran in Jasri. The atmosphere is truly mystical. It is not something planned or scripted. There are not many tourists as this is not a common attraction. There is a wildness about it. It does not look like a demonstration set up to cater to an audience. The sacred energy of this ritual still feels very strong.gy of this ritual still feels very strong.)
  • Mary S. Zurbuchen  + (In Bali: 50 Years of Changes: A ConversatiIn Bali: 50 Years of Changes: A Conversation with Jean Couteau, Eric Buvelot and Jean Couteau have produced an intricate, sweeping, and controversial picture of Balinese consciousness, social patterns, and religious life, as well as Bali’s place within the national framework of Indonesia. It is doubtless the most ambitious attempt to present a holistic view of the island since Fred Eiseman, Jr.’s Bali: Sekala and Niskala (1990), or Adrian Vickers’ Bali: A Paradise Created (1989). Yet this is not a historical narrative, or the culmination of years of comprehensive research on a particular topic. Instead we find a series of transcribed conversations between two expatriates: Buvelot, a journalist based on the island since 1995, and Couteau, a renowned writer, social observer and commentator intimately involved with Bali since the 1970s.mately involved with Bali since the 1970s.)
  • I Gusti Putu Hardi Yudana  + (In Bali’s regency called Tabanan, nowadaysIn Bali’s regency called Tabanan, nowadays there are emerging home industries producing the Kerupuk Ladrang. Kerupuk Ladrang is crispy chips made of wheat flour with some eggs and spices. For our project, we have chosen two home industries as our partner industries. The first one is the “Biang Bagus” home industry which is owned and managed by Mrs. Gusti Ayu Putu Sukarini and the second one is the “Bu Gusti” home industry which is owned and managed by Ni Gusti Ayu Komang Niri. This project, namely Program Kemitraan Masyarakat, aims in improving the production process by solving the problems that are faced by the two partners. The given solutions are by providing the better production tools and equipment, facilitating the two partners with modern marketing skills (eg. for marketing in the social medias) with some training programs, as well as providing them an Android based software application to be used as a tool in purchase-order process. In short, there are four</br>main things done for the partners: providing them with new and better tools and equipment, services, training and guidance. The results shown the two partners have improved their production process which is now become more efficient and faster. Both of the partners are now having broader views, especially in using the modern technologies, which in this case the social medias and the Android based application software. The project is hoped to be continued so that the revenue of the two partners is increased. revenue of the two partners is increased.)
  • I Gusti Ngurah Ady Kusuma  + (In Bali’s regency called Tabanan, nowadaysIn Bali’s regency called Tabanan, nowadays there are emerging home industries producing the Kerupuk Ladrang. Kerupuk Ladrang is crispy chips made of wheat flour with some eggs and spices. For our project, we have chosen two home industries as our partner industries. The first one is the “Biang Bagus” home industry which is owned and managed by Mrs. Gusti Ayu Putu Sukarini and the second one is the “Bu Gusti” home industry which is owned and managed by Ni Gusti Ayu Komang Niri. This project, namely Program Kemitraan Masyarakat, aims in improving the production process by solving the problems that are faced by the two partners. The given solutions are by providing the better production tools and equipment, facilitating the two partners with modern marketing skills (eg. for marketing in the social medias) with some training programs, as well as providing them an Android based software application to be used as a tool in purchase-order process. In short, there are four</br>main things done for the partners: providing them with new and better tools and equipment, services, training and guidance. The results shown the two partners have improved their production process which is now become more efficient and faster. Both of the partners are now having broader views, especially in using the modern technologies, which in this case the social medias and the Android based application software. The project is hoped to be continued so that the revenue of the two partners is increased. revenue of the two partners is increased.)
  • Putu Sabda Jayendra  + (In Bunutin, a village on the edge of Batur caldera, Kintamani, lives Mongah, the fern men. There, Mongah have guarded the people from calamity for hundreds of years, —the greatest calamity born of human pride.)
  • Tjandra Hutama  + (In this series ‘Rejang, a Beautiful RemindIn this series ‘Rejang, a Beautiful Reminder of Impermanence’, the themes of beauty, impermanence and time are explored. Tjandra Hutama has won many awards in photography competitions. It is the saturation of pictorial beauty that he encountered throughout those years that prompted this need to reflect something deeper about our perception of beauty. To remind us of its impermanence and of its limitations.</br></br>Physical beauty that is subject to decay and deconstruction is merged with representations of the spiritual and sacred. Elements that are timeless and infinite. Within the layers of Rejang images, the beauty of the dancers is merged with the textures of broken-down buildings, decaying walls, brittle wood, leaves, rust, ash and dust. Despite this, what we see is still beautiful. These textures that are introduced into the work represent the five elements known as Panca Maha-Bhuta. The elements that are the basis of all cosmic creation as believed in Hinduism.l cosmic creation as believed in Hinduism.)
  • Putu Nomy Yasintha  + (Indonesia known as a democratic country, bIndonesia known as a democratic country, but there are still many cases of intolerance, one of which is a large - scale intolerance towards minorities such as LGBTQ people. Indonesia still considered as one of the homophobic countries due to religious norms and rules that limit the movement of LGBTQ people. Indonesian society still lives in a social life that upholds the value of heteronormativity in which heterosexuals are normal people and others considered as abnormal. LGBTQ discrimination also occurs to many adolescents, they do not have free space </br>in society and are even unable to be who they really are even between family and closest friends. Education regarding gender and sexuality is necessary in Indonesian higher education institutions to be able to provide broader education to the community, especially adolescents, which in the end expected to increase public tolerance towards LGBTQ people. This study uses descriptive qualitative method by also distributing questionnaires anonymously at random to several informants. In addition, supporting data from various literatures used to support this research. The results showed that many LGBTQ adolescents felt marginalized by their family </br>and friends. They have not been able to show their sexual orientation without being afraid to get judgement from the public.g afraid to get judgement from the public.)
  • Dewi Dian Reich  + (It is believed that the Barong Landung is It is believed that the Barong Landung is the manifestation of a royal couple, the King Jayapangus and his Chinese Consort Kang Cing Wie.</br>The story goes, that the royal couple were deeply in love but after many years had not been blessed with children. In need of a successor, the King went to Mount Batur to meditate and seek guidance. As he meditated there he met and took as his second wife the Dewi Danu. The daughter of the Goddess of Lake Batur. It is after this second marriage that conflict continued to haunt the family of the King Jayapangus. In summary, The Goddess of the Lake, angry to see her daughter hurt and betrayed. Because of this She destroyed King Jayapangus and his first wife Kang Cing Wie. </br></br>Read related articles at www.sawidji.com Read related articles at www.sawidji.com)
  • I Nyoman Ekaputra, S.Sos M.AP  + (It is said that Rsi Markandeya had a wife It is said that Rsi Markandeya had a wife named Dewi Dumara and then had a son named Rsi Dewa Sirah Pertami and Bhujangga Vaishnava. It is said that Rsi Markandeya was imprisoned on Mount Hyangg, it turned out that there he got many disturbances and then he moved to be imprisoned on Mount Raung, there he received a word from Hyang Jagat Natha who asked him to graze the forest to become rice fields and gardens to the Java area to the east. Then Rsi Markandeya penetrated the forest with yadnya facilities smoothly. After that he succeeded in making rice fields, mining gold and parts of it in the forest which was named Basukih Karanin Village. Named Basukih Karanin Village because there is no shortage of anything there or it can be said to be prosperous. There he planted five datu, gold, silver, copper and others. And also this Rsi Markandeya has another name, namely Ida Maha Rsi Hyang Nerada Tapa.me, namely Ida Maha Rsi Hyang Nerada Tapa.)
  • Arya Lawa Manuaba, Ida Bagus  + (Kadek Haricatra has a strange ability. He Kadek Haricatra has a strange ability. He could see the Nagapuspa flower, the golden lotus flower growing on the rock. The flower can cure all human ailments. But Epsilon, the biggest drug company in the country, is really eager to take Nagapuspa. Kadek Haricatra wanted to be killed. He must run!aricatra wanted to be killed. He must run!)
  • I Nyoman Wahyu Angga B. Santosa  + (Kakawin entitled PRAPANCA SUDDHANI. Is a lKakawin entitled PRAPANCA SUDDHANI. Is a literary work from an author, namely I Nyoman Wahyu Prapanca, in general it has the content or meaning contained, namely discussing the situation of the Covid-19 Pandemic by exploring more about our response to the Covid-19 pandemic so that we don't get carried away in the sadness or suffering caused by the Covid-19 pandemic. this pandemic. In this kakawin we are also taught more about maintaining our inner attitude in facing a difficult situation in this case, namely Covid-19.t situation in this case, namely Covid-19.)
  • I Made Arik Wira Putra  + (Kakawin Usadhi Negari written by I Made ArKakawin Usadhi Negari written by I Made Arik Wira Putra is one of the 5 best works in the kakawin category on Saraswati Sewana at Puri Kauhan Ubud. The Kakawin contains the contents of the author's dream which has a desire that the virus that has been side by side with us for approximately 2 years will soon disappear. This Kakawin was made briefly max 18 on the big theme "Gering Agung" Covid-19, where kakawin is a work of Balinese Purwa Literature or a traditional work, but he tries to make it according to the theme and other conditions without leaving reality (making literary works modern themed with traditional media and dense meaning).with traditional media and dense meaning).)
  • Dewi Dian Reich  + (Kala and the Guardians Reflecting on the nKala and the Guardians</br>Reflecting on the nature of Time and our relationship to the Earth and Spirit through a conceptual journey.</br>A collaborative exhibition with the works of Dewi Dian, ManButur Suantara, Nyoman Handi.</br></br>Kala and the Guardians conceptualise an abstract idea. The primary themes that we explore here are Kala, Earth and Spirit. In and of themselves, their nature. In addition to seeing these three entities separately, the threading of them together in this collaboration is to ask you to explore your relationship to each of these elements.</br></br>Kala, Earth and Spirit</br>Kala is known to come with many definitions. Among these are time, death, performing arts, and specific deities in Hinduism, Javanese and Balinese mythologies. Yet, despite the many origin stories, there is a connecting thread that Kala is all of those manifestations. However, in this Collaboration, Kala is our canvas. Here Kala is defined specifically through her manifestation as TIME. Of the three characters that we introduce, Kala is the faceless one. She is not represented as a portrait, or in a painting. Yet, she is present in them and in a significant way. That is also part of our display and exploration of Time. Part of the reflections in which Sawidji invites you to contemplate.</br></br>How different art mediums reinforce the message..</br></br>Kala is experienced through the conceptual portraits of the two Guardians representing our Earthly World and our Spiritual World. The portraits of the Guardians of Earth and Spirit were created through a combination of installations and the photography of Dewi Dian and ManButur Suantara. The paintings of Nyoman Handi respond to the questions and reflections raised by the Guardian portraits.</br></br>Collaboration, More Than Just a Word</br></br>All the mediums present in this collaboration bring very different qualities. Sawidji leads with photography. However, the photographic works are actually partners to installation pieces. Installation pieces that we created together as a team. The making of the costumes and studio installations together as a team is truly at the heart of each of our collaborations. A seed of an idea may be singular, but as it germinates and grows, all the contributing elements are what make it possible for it to flourish and blossom. Much the same for Sawidji Collaborations.</br></br>The artists that come together agree on the message. We feel the same about the message. It resonates in each of us. With this trust and agreement, we move together throughout the day and create together, the best embodiment of our concept. There is in fact a lot of freedom. A lot of room for each person to spontaneously make changes and try new things. There is no shortcut to the process. Our work is a result of going through a growth and maturing process for each concept, and this is done together.</br></br>Online Exhibition available for viewing https://sawidji.com/2022/12/13/kala-and-the-guardians-a-timely-reflection/ala-and-the-guardians-a-timely-reflection/)
  • I Made Santika  + (Kidung Roga Mariana is one of the 5 best sKidung Roga Mariana is one of the 5 best songs at the Saraswati Sewana Literary Event which took place at Puri Kauhan Ubud. This song was created by a young writer who is still pursuing his final education at the Faculty of Cultural Sciences, Udayana University by taking the Balinese Literature Study Program. He who was born on January 4, 2000 is the son of a great writer, namely Mr. I Made Degung and Mrs. Ni Ketut Sutarmi. So many achievements that he has achieved, one of which has created his first song and became one of the best kidung. In Kidung Roga Mariana, it tells about eliminating an existing disaster or disease. Where the word "Roga" has the meaning of disease or disaster, the word "Mari" has the meaning of eliminating, and the word "Ana" has the meaning of being.d the word "Ana" has the meaning of being.)
  • Ida Bagus Gede Wirawibawa  + (Land Consolidation (LC), is the goverLand Consolidation (LC), is the government's solution in land acquisition for development. In addition, LC aims to improve the quality of the environment by rearranging plots of land to be more organized and equipped with environmental infrastructure, as well as land tenure in accordance with land use plans. The location of the land consolidation area in Seminyak Village which is close to the center of government, economy and tourism has implications for land use in the area. The phenomenon of land use that occurs in this region tends to ignore the spatial planning that has been determined by the government. If this condition is left unchecked, there will be more violations of land use that are not in accordance with the spatial allocation, leading to spatial conflicts and clutter in regional spatial planning. This study aims to identify changes in land use in the area of land consolidation in the Seminyak Village and the dominant factors underlying the changes in land use. Qualitative methods are used to identify changes in land use, and these dominant factors. Primary data obtained from observations, direct documentation, and the results of interviews with informants determined by purposive sampling. The results showed that there was a mismatch of land use with the plan for spatial planning in the area designated for settlement and green open space. The dominant factors underlying the changes in land use are law enforcement, then environmental factors, economicfactors, and socio-cultural factors. The results of this study can be input for the government in formulating policies relating to planning and controlling the use of space in order to create safe, comfortable and sustainable use of space. comfortable and sustainable use of space.)
  • Nyoman Butur Suantara  + (Landscape photography is very satisfying wLandscape photography is very satisfying when you explore this genre. Especially if you are lucky enough to live in a place that has amazing destinations all within a short distance and rich in diversity as we have. This image was taken in Yeh Malet in Karangasem regency Bali. Pantai Yeh Malet is actually best known for its Wates Beach, for its sandy black sand that reflects light. Often through popularity, one aspect of a region gets exposure and we often don't see the many layers of beauty that are present every day. Like in this image. Not the sunny popular black sand beach, but in the evening, life of the village still goes on.vening, life of the village still goes on.)
  • Sang Ayu Putu Eny Parwati  + (Language is a resource capable of exposingLanguage is a resource capable of exposing a cultural mystery and cultural can only be expressed in language. Balinese language and culture is a mirror of its speakers. The language and culture of “memasak” or ‘cooking’ in Balinese society has its own meaning which can be expressed through the study of Natural Semantic Metalanguage (NSM). The NSM theory is designed to exploit all meanings, both lexical, illocution, and grammatical meanings. “memasak” or ‘cooking’ in Balinese is included in the category of action and process. In the verb there is an uncompressed polysemic between DO and HAPPEN so the experiment has an exponent: “X does something on Y, and therefore something happens to Y”. The data is collected by involving the conversation method and observation and note taking techniques, there are 12 lexicons of data collected. Trough NSM approach, they applied to represent the semantic primitives. Based on the methods, instruments, and entities used in the verbs, lesksikon is divided into three group of instruments, namely (1) ‘cooking’ by water: nyakan, nepeng, ngukus, ngengseb, nglablab, ngnyatnyat (2) ‘cooking’ by fire: nunu, manggang, nambus, and nguling, (3) ‘cooking’ by oil and without oil: ngoreng and ngenyahnyah. All the lexicon that has the meaning of cooking on the pattern of NSM syntax: X doing something on Y and Y is cooked (well-done).omething on Y and Y is cooked (well-done).)
  • Ni Nyoman uli Widya Kusuma wardani  + (Live a peaceful and happy life based on thLive a peaceful and happy life based on the teachings of Tri Hita Karana</br></br></br>We as human beings have differences, but we need to know our motto, "Unity in Diversity" means "even though we are different, we are still one". We should love each other dear to each other's friends. In this modern era, let's strengthen our sense of friendship together, so that we can have a peaceful and happy life based on the teachings of Tri Hita Karana.</br>Tri Hita Karana are three harmonious relationships. First, to God Almighty.</br>Second, establish harmonious relationships with fellow human beings.</br>Third, a harmonious relationship with the environment.</br>Regarding these three elements, we as human beings have differences such as ethnicity, customs, culture and religion. So, we shouldn't ridicule each other, don't insult each other, let's invite each other, build each other, respect each other and help each other between religions, build good character in each body.</br>Even though we are of different religions it is not an obstacle to strengthening our sense of friendship.</br>Well, if that has been implemented then we can get a comfortable and peaceful life.e can get a comfortable and peaceful life.)
  • Michael White (Made Wijaya)  + (Made Wijaya wrote his "Stranger in Paradise" articles for the Bali Post. He used to personally sign the early editions which he delivered himself to the various Sanur hotels.)
  • Putu Eka Guna Yasa  + (Mahakala is one of the manifestations of DMahakala is one of the manifestations of Dewa Siwa as the great destroyer. In Hindu mythology, Mahakala appears as a ferocious and frightening figure. In this baligraphy, Mahakala is shown in the form of Ong-kara as the center in which the dewata nawa sanga and sacred script are mentioned. The Dewata Nawa Sanga include Dewa Iswara, Dewa Brahma, Dewa Mahadewa, Dewa Wisnu, Dewa Siwa, Dewa Mahadewa, Dewa Rudra, Dewa Sangkara, and Dewa Sambu. The sacred script covering Ong-kara is the sacred symbol of Sang Hyang Widhi who embodies Dewa Siwa. Wijaksara Ang-kara as the sacred script of Dewa Wisnu. Apart from Ong-kara and Ang-kara there are also Vijaksara Bang as the sacred script of Dewa Brahma which is located in the south, Vijaksara Mang as the sacred script of Dewa Rudra which is located in the southwest, Vijaksara Tang as the sacred script of Dewa Mahadewa which is located in the west, and Wijaksara Śing the sacred script of Dewa Sangkara which is located in the northwest. What is very interesting in this baligraphy is the addition of a wall clock with Latin numerals in it.</br></br>So the relationship between Mahakala calligraphy and wall clocks: Mahakala is the embodiment of Dewa Siwa as the supreme god, as the ruler of time and all the elements in the universe (sakala and niskala).ents in the universe (sakala and niskala).)
  • I G W Murjana Yasa  + (Main development problem in developing couMain development problem in developing country is the contradiction between unemployment and poverty. It is caused by the strong relation between both problems. Poverty in so many cases mostly started by the lack access of productive human source to the job field. The complexity of the problem drive the worldwide commitment in reducing poverty all over the world by the draft of development goals, called Millennium Development Goals (MDGs). To promote the development, the effort to reduce poverty that mainly started by the unemployment must involve the society in participative platform. The participation pattern possibly reducing poverty to be more grounded, strengthen commitment between society in responsibility to reduce unwelfare . The local genius, for instance Lembaga Perkreditan Desa (LPD) that is own by the village association has the strategic role in reducing poverty trough the improvement of its social function beside the main function which is to improve the members welfare. The social function means the commitment and togetherness between member to institution and between members.member to institution and between members.)
  • Putu Herry Hermawan Priantara  + (Mamunjung is a form of respect and solidarMamunjung is a form of respect and solidarity with the deceased. It realizes by the family visiting their late relative in cemetery, then spend their time having meals together with the dead. The tradition has been practicing since the Hindu-Buddhist period. It is well developed both in Java and Bali. The community practices this activity on certain days, such as Galungan, Kuningan and Pagerwesi day while in Java, they carry out Memunjung during holidays such as Idul Fitri. Balinese Hindu offers Tampelan punjung and Banten punjung to the spirit of ancestors, families or relatives at home or cemetery. In certain days, the visitor brings the deceased’s favorite food to the cemetery then they enjoy the meal together with the dead. Recently, the custom to visit the grave is rarely done by Balinese, especially to those who live in regional areas that do not have strict rules about burial. Some argue that the increasing Balinese’s standard of living as well as technological advancements, contribute to change people mindset about the funeral in the present. Hence, there are only a few areas that are still practicing burial for the dead. are still practicing burial for the dead.)
  • I Wayan Gunayasa  + (Melasti is a purification or cleansing of Melasti is a purification or cleansing of the instruments that will be held at the temple. Melasti is usually carried out on the beach but in several places in Bali it can also be done in rivers or lakes. The people who will carry out the ceremony at their temple will voluntarily take part on foot to the place of confirmation.part on foot to the place of confirmation.)
  • Nyoman Butur Suantara  + (Mountain in Black and White by ManButur SuMountain in Black and White by ManButur Suantara in black and white is a spotlight on a collection of works by Nyoman ManButur Suantara. Featuring the mountains of our islands. What meaning is there in the word 'Mountain'. What feelings do we feel when seeing 'Mountain'? And what thoughts do we have when we stand upon a 'Mountain'?</br></br>"From the ancient civilisation until now in parts of the world Mountain still exists. Being one of the sources of energy. In traditional cultures the mountain holds a significant place in the lives of the community." ~ManButur Suantaraives of the community." ~ManButur Suantara)
  • Nyoman Butur Suantara  + (Mt Agung as seen from Mahagiri. LandscapeMt Agung as seen from Mahagiri. </br>Landscape photography is very satisfying when you explore this genre. Especially if you are lucky enough to live in a place that has amazing destinations all within a short distance and rich in diversity as we have. All places on earth have their natural beauty. </br></br>Its Technical, Zero Exposure takes a look at the fundamentals of lighting in photography. With beautiful examples from ManButurs' Landscape Photography.les from ManButurs' Landscape Photography.)
  • Dewi Dian Reich  + (Natures' Blossoms Portraiture Series. WithNatures' Blossoms Portraiture Series. With our undeniable bond and complex relationship to that of our own visage and that of others, the exploration of portraiture continues. This time moving away from the individuality of self or our own personalities albeit psychologies. Instead we explore the identity of something greater than ourselves. </br>An exercise of empathy through the only way we know best.. through our own human limitations and emotive perceptions. A portrait of Nature through hypothetical ages and experiences. </br></br>Read full article in image reference link.Read full article in image reference link.)
  • Dewi Dian Reich  + (Natures' Blossoms. An exploration of the hypothetical psychology of Nature through Portraiture as a theoretical genre.)
  • Dewi Susiloningtyas  + (Ngurah Rai Forest Park (Taman Hutan Raya),Ngurah Rai Forest Park (Taman Hutan Raya), Bali is one of the mangrove forest conservation areas in Indonesia. Usually Ngurah Rai Forest Park, Bali are utilized for the benefit of research, science, education, culture, cultural tourism and recreation. The aim in this study to: (1) analyze perception of the community around Ngurai Rai Forest Park about mangrove ecosystem; (2) analyze participation of the community around Ngurai Rai Forest Park about mangrove management; (3) analyze the correlation between perception and participation of the community around Ngurah Rai Forest Park. The research was conducted in July 2017 in Denpasar, Ngurah Rai Forest Park Bali. This paper was based on primary data taken using questionnaire with a predetermined analysis unit to interview the community in the study area. The result presented with quantitative and descriptive analysis.ith quantitative and descriptive analysis.)
  • Ni Nyoman Tjandri  + (Ni Nyoman Tjandri, one of very few female Ni Nyoman Tjandri, one of very few female Arja and Dalang (puppet masters) in Indonesia. Tjandri has had to refashion her participation in a 'male' art in order to make it acceptable for her as a woman artist and performer. There's a general discourse about women and the arts in Bali that accounts for the ability of women to participate in this kind of art forms.</br></br>The talented Tjandri gradually developed superb dance and vocal techniques through interaction with her father, I Made Kredek, who is also a performing artist. </br></br>Through Makara Dwaja Studio, Tjandri providing traditional arts training such as Arja Dance to the younger generation. She dedicating her life to conserve traditional Balinese culture from onslaught of foreign cultural flows that invading Bali.foreign cultural flows that invading Bali.)
  • W.O.J. Nieuwenkamp  + (Nieuwenkamp joined the army troops at the time of the puputan in 1906. He recorded in sketches and writing.)
  • W.O.J. Nieuwenkamp  + (Nieuwenkamp joined the army troops at the time of the puputan in 1906. He recorded in sketches and writing.)
  • Ida Wayan Eka Werdi Putra  + (Now enjoying a cup of coffee can be more mNow enjoying a cup of coffee can be more meaningful. You can brew your own version of coffee with the manual brew V60 technique. This package provides a set of V60 coffee brewing tools + tutorial, and selected coffee beans (you can also bring your own) and of course you can bring it to mesmerizing places on our recommendation list. A cup of homemade coffee in the twilight by the nature, accompanied by the closest person. Ah, what a joy isnt it?he closest person. Ah, what a joy isnt it?)
  • Dewi Dian Reich  + (Nungkalik International Art Festival Art FNungkalik International Art Festival</br>Art Festival debuting in 2023 by Institute of Art Denpasar, founded on themes discussed by Dr. Sujana Suklu. Featuring Artists Bambang Herras, Agung Gunawan, Martina Feirtag, Diwarupa, Made Kaek, Putu Bonuz Sudiana, Robert Martin, Galung Wiratmaja, Steve Bolton, Dewi Dian Reich, Ketut Sumerjana and Dr. Mas Ruscitadewi.</br>Nungkalik International Art Festival. An introduction to a contemporary art festival debuting this year in Bali that is in its early stages already showing signs of extraordinary possibilities. In nature Nungkalik is bold, experimental and conceptual. Centred on the idea offered by artist and lecturer Dr. Sujana Suklu that artists on a daily basis are subconsciously learning a universal intuitiveness whilst responding to the world throughout their lives.</br></br>That is to say, whether through their movements, musical or visual expressions as well as verbal interactions. Their bodies and memories compile experiences that keep developing and transforming with each day that passes. Their sensitivity to phenomena that occurs outside of themselves inevitably gets stronger and becomes a substantive sensitivity in their respective internal worlds. We may say this transforms into an instinctive sensitivity that does not require conscious deliberation when external elements circle close to their internal world.</br></br>The Premise of Nungkalik Art Festival</br></br>Artists are invited to participate in this experimental study, from different backgrounds, geographic locations as well as varying creative disciplines. Throughout the festival, community members with specialty areas in sociology, psychology, education and music were also invited to participate and observe. The global theme for the Nungkalik International Art Festival 2023 was introduced as ‘Exploring Archetypes’ with specific explorations on associated concepts during each workshop day.</br></br>Participating artists were involved in these workshops together with members of the Fine Arts and Performance Arts student body. Our day beginning with a discussion circle. Together exchanging thoughts and ideas about the proposed themes and the significance of the chosen mediums. Within these discussions, it is interesting how very naturally, abstract ideas and concepts were articulated by all artists.</br></br>full article.. https://sawidji.com/2023/07/27/nungkalik-festival-art-and-its-sacred-paradox/kalik-festival-art-and-its-sacred-paradox/)
  • Gede Benny Setia Wirawan  + (Objective: This study aimed to investigateObjective: This study aimed to investigate association between conspiracy beliefs, trusts in media and authoritative information sources, with COVID-19 vaccine acceptance. Methods: We conducted online survey on adult resident of Bali Province, Indonesia in September 14th to October 31st 2020 collecting data on demographics, impacts of the pandemic, conspiracy beliefs, trusts in conventional media and authoritative sources, as well as vaccine acceptance. We conducted bivariate and multivariate analysis for determinants of vaccine acceptance with SPSS 23.0. Results: We recruited 779 respondents with 38.9% male and median age of 24 years old (IQR 20 – 26). The result showed vaccine acceptance of 60.8%. Vaccine acceptance was correlated with conspiracy beliefs, trusts in conventional media and authoritative sources with Spearman's rho of 0.350, 0.269, and 0.287 respectively. Controlling for demographics and impacts of pandemic, showed strong conspiracy beliefs and trust in conventional media as the only independent determinants with OR of 0.33 (CI95% 0.20–0.54) and 1.91 (CI95% 1.37–2.65) respectively. Conclusion: The results indicated considerable impacts of infodemic, represented by conspiracy beliefs, trust in media, and in authoritative sources, toward COVID-19 vaccine acceptance. Effective public health messaging should be conducted concurrent with vaccine rollout to improve acceptance and achieve herd immunity.rove acceptance and achieve herd immunity.)
  • W.O.J. Nieuwenkamp  + (On the side of the main shrine is a depictOn the side of the main shrine is a depiction of a westerner riding a bicycle. The relief is a depiction of Dutch artist W.O.J. Nieuwenkamp who explored Bali with his bicycle in 1904. The man on a bicycle relief is not in its original condition as it was badly damaged in the 1917 earthquake and was altered during the restoration process. The restoration adds more floral decoration in the original bas-relief.ral decoration in the original bas-relief.)
  • A.A. Made Putra Arsana  + (One of the modern Balinese literary works One of the modern Balinese literary works that has developed in the community is the short story Luh Ayu Manik Mas Ngalahang Legu Poléng. The short story contains the value of good education to shape the character of the community. Likewise, the contents of the short story are very closely related to people's lives today. So that it is more interesting to know the values of the short stories, especially the character values of the characters. Based on the thoughts above, this study will discuss the problem, namely the value of character education contained in the short story of Luh Ayu Manik Mas Ngalahang Legu Poléng.f Luh Ayu Manik Mas Ngalahang Legu Poléng.)
  • Dewi Dian Reich  + (One of the things at the centre of BalinesOne of the things at the centre of Balinese culture, perhaps can be said to be the certainty of one’s relationship to Nature. If art is integral to our culture, how much more is Nature.</br></br>The White Wood of Bayan (Pohon Kayu Putih Bayan) is an ancient tree. One of the many ancient trees that is on Sacred ground and is in itself part of a Temple, Pura Babakan. Being hundreds of years old, it certainly did not appear suddenly out of nowhere. However, it has begun to attract far more attention in these recent months. Perhaps due to the growing awareness on social media, there are certainly more visitors there in the past year.</br></br>The Beauty of the White Wood of Bayan, these photographs centre on the presence of its Temple. That when we look upon this Tree, it is not separate from looking upon that which is Sacred.te from looking upon that which is Sacred.)
  • Putu Dyatmikawati  + (Pada Gelahang marriage is relatively a newPada Gelahang marriage is relatively a new form of marriage in traditional community (desa pakraman) in Bali. Commonly the recognized form of marriage is biasa (common) marriage (the wife left her house and joined her husband’s family) and nyentana marriage (the husband left his house and joined his wife’s family). This is the consequence of kapurusa kinship system (patrilineal) in traditional community in Bali. The form of Pada Gelahang marriage was chosen for those who could not hold biasa marriage and nyentana marriage, as each bride and groom was born as the only child in their family. Based on the results of the research, there were found that the numbers of couples who had held pada gelahang marriage were increasing year to year. Based on Balinese customary law, the couples of pada gelahang marriage conduct their responsibilities in two places (double), namely the responsibilities to the family and to her husband’s traditional village, as well the responsibilities to the family and to his wife’s traditional village.ily and to his wife’s traditional village.)
  • Dewi Dian Reich  + (Part of a series of portraits of the FacesPart of a series of portraits of the Faces of Wayang Wong of Pura Taman Pule Mas Ubud. In the time before the performance begins, the intimate moments of the dancers and performers in their preparation for the enactment of the Sacred Wayang Wong.</br>Pura Taman Pule is a Temple in the village of Mas, Ubud in Bali. This mask dance is unique and is only performed here in this Temple. It is not performed outside of its grounds. A set of masks of the characters from the Ramayana and Mahabharata epics are kept in the Temple.No one can say for certain where these masks originated. There are no certain records of the mask carver or how they came to be in the safekeeping of the Temple. That information perhaps has been lost as a result of conflict or war in history.as a result of conflict or war in history.)
  • Dodit Artawan  + (Photorealistic painting with Barbies.)
  • Arik Agustina  + (Plastic waste have been a problem for the Plastic waste have been a problem for the sustainability of tourism, especially Bali. Efforts to reduce plastic waste have been carried out by the government, such as the issuance of Denpasar Mayor Regulation Number 36 of 2018 and then followed by Bali Governor Regulation Number 97 of 2018. This paper aims to find out the opinions and changes in behavior of Balinese people, especially in Denpasar City after the enactment of the Denpasar Mayor Regulation and the Bali Governor Regulation about plastic waste. Data collection carried out through questionnaires distributed to tourists, students (tourism department), traders, the general public, and Lecturer. The result is everyone is aware of the government regulation on limiting single-use plastic bags, but some residents only know about the existence of government regulations without knowing where the regulations came from. Most of the people agree with the policy, but there are also people who disagree because the use of plastic bags is more efficient, however. This policy has led people to cultivate bringing their shopping bags.to cultivate bringing their shopping bags.)
  • Komang Pramana  + (Playing cuk cuk dar - This children's game is old, often played by children in the eastern area. Cuk cuk dar is young bamboo, also called bamboo reed, the ammunition is water. And as is usual in war games, it can be played with two or more people.)
  • Komang Pramana  + (Playing with kites.)
  • Dewi Dian Reich  + (Portrait of artist Aryani Willems by Dewi Dian Reich, Sawidji Art and Photography. Taken in June 2023.)
  • Dewi Dian Reich  + (Portrait of Artist Sujana Suklu in the stuPortrait of Artist Sujana Suklu in the studio drawing on novel. Exploring one of the Three Rooms of Art. Art by Interaction.</br>Art by Interaction refers to a process touched by interactivity or collaboration. It is worthwhile to note the differences between interaction and collaboration are different. A collaborative process suggests mutual agreement, whilst interactions may occur within an art process that is not deliberate. All collaborations are interactions, yet not all interactions are collaborations.t not all interactions are collaborations.)
  • Dewi Dian Reich  + (Portrait of Artistic Director and Visual Artist Dibal Ranuh.)
  • Dewi Dian Reich  + (Portrait of Aryani Willems by Dewi Dian Reich, Sawidji Art and Photography. Fine Art Photography.)