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• Uuk Paramahita  + (Uuk Paramahita was born in Denpasar, April … Uuk Paramahita was born in Denpasar, April 17, 1978. He completed his art education at ISI Denpasar. Since 2001 he has been involved in many joint exhibitions at home and abroad, including exhibiting at “20 Finalists of Nokia Art Award in Jakarta, 2001; The faces at Junge Gesichter at Agon. e.V Passau, Germany, 2012; The Fourth Silk Road International Art, Shaanxi Provencial Museum of Fine Art, Xian China, 2017. Many of Uuk's works feature tiny figures combined with the surrounding issues. He processes many childhood memories into interesting works of art.od memories into interesting works of art.)
• Bart Verheijen  + (Verheijen is a post-doc in History in the … Verheijen is a post-doc in History in the University of Amsterdam. He holds a PhD in Napoleonic history from Radboud Universiteit Nijmegen. His works focusing on the age of revolutions, political theory in the 19th century, colonial citizenship and Indonesian history and culture. He lived and worked in South East Asia including Myanmar and Indonesia for three years and affiliated with Hasanuddin University in Makassar, Sulawesi.sanuddin University in Makassar, Sulawesi.)
• Wayan Djiwa  + (Wayan Djiwa was born in Banjar Binoh Kaja, … Wayan Djiwa was born in Banjar Binoh Kaja, Denpasar, 1906. He is a Palegongan gamelan maestro. Based on the mastery of the Gender percussion, he studied the gamelan Legong Keraton in 1915 which was pioneered in Banjar Binoh. Apart from being an expert in the art of karawitan, he is also known as undagi, a skilled traditional Balinese architect. a skilled traditional Balinese architect.)
• I Wayan Suja  + (Wayan Suja was born in Batubulan, 8 Decemb … Wayan Suja was born in Batubulan, 8 December 1975. He was graduated from the Indonesian Art Institute in Denpasar in year 2001. He started to have exhibition in year 1994. He was awarded Finalist of 7th Phillip Morris Art Award in year 2000 and awarded Best Sketch and Best Work in the previous years. His artwork was one of the best 30 in The 2005 Sovereign Art Prize, Hongkong.in The 2005 Sovereign Art Prize, Hongkong.)
• Wayan Turun  + (Wayan Turun was born in Banjar Kedaton, Ke … Wayan Turun was born in Banjar Kedaton, Kesiman, Denpasar, 17 July 1950. He completed his formal education at SR I Kesiman, in 1966. He graduated from SMEPN in 1969 in Denpasar, and he completed SSRI in 1971 in the same city. Since childhood he has loved the arts. Artistic blood flows from his mother, a janger dancer. He is known as a skilled undagi (traditional Balinese building architect), and is also skilled at making bade (corpse towers). He studied Asta Kosala Kosali (basic rules of traditional Balinese architecture) from Pekak Kenjing, Anak Agung Mel, and Ida Pedanda Oka. Apart from that, he studied philosophy about art and religion from Ida Pedanda Kekeran, Ida Pedanda Made Sidemen, Ida Pedanda Bajing, Ida Rsi Agung Penatih and Ida Dalem Pemanyun. Because of his expertise in Balinese and Old Javanese literature, he was often trusted to write inscriptions and copy lontar. He also wrote literary works, such as kidung and kakawin. For his services in the field of arts and culture, he was awarded the Cultural Upakara Charter from the Mayor of Denpasar in 1995.harter from the Mayor of Denpasar in 1995.)
• I Wayan Januariawan  + (Wayan was born in Jauary 1986. He is a gra … Wayan was born in Jauary 1986. He is a graduate of the Indonesian Institute of the Arts in Denpasar. </br>Donal wishes to revive and embody the “tradition” of painting in the history of the development of modern art through the method of painting on the spot. He returns to nature and tries to appreciate and permeate the phenomenon of form, where aspects of light play a vital role in the absorption of objects by the eye and are then transferred to the canvas plane.</br></br>The choice of objects painted by Donal on the spot is also an object in the surrounding environment that is familiar in his daily life as a Balinese. Thus, what appears visibly to Donal’s works is the painting of landscapes, trees, or parts of certain plants that are painted close-up, or a collection of natural objects.</br></br>Donal views painting as part of the culture of society. He wants to present things that might look simple, natural, and beautiful (in the eyes of ordinary people) in the hope that this will be the entrance for them to be able to respond to even deeper things, that is, the ideas in each of his paintings.</br></br>Based on Donal’s view of his creative process as serious and intense, painting on the spot with impasto techniques, we can read this as Donal’s effort to celebrate and give meaning to painting as a way of presenting beauty and peace of mind through the elements of art—especially colors, which all support light. Donal puts painting as mainstream in his creative process. His struggle and his trust in the power of painting is an inseparable part of a human being’s sense of beauty.</br></br>He joined in group exhibitions from 2005, and had solo exhibitions from 2014. 2005, and had solo exhibitions from 2014.)
• Anak Agung Meregeg  + (With his cousins, including Soberat, A.A. Meregeg was one of the defining artists of the Ubud style. Dermawan (2006: 148) has his year of birth as 1908 and states that he was born in Padangtegal, rather than Batuan.)
• Yong Sagita  + (Yong Sagita, born in Buleleng, November 30 … Yong Sagita, born in Buleleng, November 30, 1961. He is a Balinese pop singer who triumphed in the 1980s – 1990s. He started his career as a singer in 1985 through Aneka Records. At that time, through the group 2S (Sagita and Sayup), he launched his first album titled "Madu signed Tuba". Then in 1986 launched the album "Ngipi Lucut". In 1987, Yong Sagita moved to Maharani Records and released the album "Karmina". His popularity rose when he released the album "Drooling" in 1988 with his hit song titled "Jaje Kakne". The album sold well in the market. In 1989 he released the album "Karmina III" with his hit song "Ciri-Character", which was also a bestseller in the market.which was also a bestseller in the market.)
• Salam Tempel Pemilu 2024  + (dear my fellow countrymen Elections are t … dear my fellow countrymen</br></br>Elections are the pillars of democracy, the foundation of justice and popular representation. But, unfortunately, there is a dark shadow that threatens the integrity of this process: the practice of bribery. Bribing elections is an act that undermines the soul of our democracy, shakes people's trust, and brings us to the brink of injustice.</br></br>Brethren, we must realize that bribery is not an act of pride, but a reproach of the democratic values we uphold. When we celebrate voting rights as a privilege, bribing is a betrayal of the right itself. This is not the way to build a just and just future.</br></br>Elections should be the stage where ideas and visions for progress compete fairly. Bribing will only create inequality and enrich the few, while depriving democracy of the rights of many others.</br></br>Let us together reject this practice of bribery. We must unite in a spirit of honesty, integrity, and responsibility. Remember that the strength of a nation lies in its citizens' unity and trust in the democratic system.</br></br>Brothers, let us make the election a reflection of the noble values of this nation. Choose leaders based on their capacity, integrity, and dedication to serving the people. In this way, we can ensure that every vote is respected and every citizen feels the positive impact of the election results.</br></br>Together, we build a just future that free from the shadow of bribery. Let's aim to make each election a significant step toward achieving justice and prosperity for all of us. Regardstice and prosperity for all of us. Regards)
• SalamTempelPemilu2024.  + (dear my fellow countrymen Elections are t … dear my fellow countrymen</br></br>Elections are the pillars of democracy, the foundation of justice and popular representation. But, unfortunately, there is a dark shadow that threatens the integrity of this process: the practice of bribery. Bribing elections is an act that undermines the soul of our democracy, shakes people's trust, and brings us to the brink of injustice.</br></br>Brethren, we must realize that bribery is not an act of pride, but a reproach of the democratic values we uphold. When we celebrate voting rights as a privilege, bribing is a betrayal of the right itself. This is not the way to build a just and just future.</br></br>Elections should be the stage where ideas and visions for progress compete fairly. Bribing will only create inequality and enrich the few, while depriving democracy of the rights of many others.</br></br>Let us together reject this practice of bribery. We must unite in a spirit of honesty, integrity, and responsibility. Remember that the strength of a nation lies in its citizens' unity and trust in the democratic system.</br></br>Brothers, let us make the election a reflection of the noble values of this nation. Choose leaders based on their capacity, integrity, and dedication to serving the people. In this way, we can ensure that every vote is respected and every citizen feels the positive impact of the election results.</br></br>Together, we build a just future that free from the shadow of bribery. Let's aim to make each election a significant step toward achieving justice and prosperity for all of us. Regards.ice and prosperity for all of us. Regards.)

• Mario Blanco  + (Our Young Master Mario Blanco, the second … Our Young Master Mario Blanco, the second child of the famous artist Antonio Blanco, was born in Ubud - Bali on the 4th of July 1962. He was surrounded by art from early childhood. Without doubt, his father Antonio Blanco was regarded throughout his life as the most famous artist of the island of Bali. When Mario was very young, the elder Blanco invited him into his studio in Campuan to share in his great enthusiasm for art. Mario painted his first oil at the tender age of five and later chose to study art at the University of Udayana in Denpasar where he successfully graduated.</br></br>Inevitably, Mario's art drew its inspiration from two different origins. His Spanish father introduced him to the techniques of European art and his native artistic feelings come from his Mother Ni Ronji, a famous Balinese dancer. Mario has developed this intensively through his paintings which expose a definite preference for a romantic impressionistic style.</br></br>Being the son of the "Fabulous Blanco", Mario faces a strong challenge but, as he inevitably sheds his father's influence, his own talent is expressed through an elaborated landscape where his own visions of Balinese culture gradually emerge.ions of Balinese culture gradually emerge.)

• Infrastruktur Jalan  + ("Om Swastyastu, Thank you for the time giv … "Om Swastyastu, Thank you for the time given to me. My name is Ni Luh Ari Purnama Yanti from SMA Negeri 1 Tabanan. To the judges who I really respect and the audience who I really love. I feel very happy to be able to deliver the oration entitled "Road infrastructure"</br></br>Ladies and gentlemen, as we know, road infrastructure greatly influences the economy today. If there is no road infrastructure or the roads are in disrepair, what else is there to earn a living nowadays? How do I take merchandise abroad? In this millennial era and era of globalization, road infrastructure is very necessary in today's life. Many people today earn a living on the streets, some become Ojols, some become traders and others; Candidates for leadership in 2024 should be able to see the condition of their people in villages and cities, so that they do not create social inequality. So that the roads in villages and cities are the same, so that the materials are good and can last a long time and people can earn a living on smooth roads. And for the 2024 Leader Candidates to be honest about the road and development assistance, so that it doesn't happen that the funds are disbursed but the roads and construction are not completed, let alone non-existent? Don't prospective leaders feel sorry when they see their people earning a living through damaged roads? On a rocking bridge to pass east to west over rivers and seas? there are also those who cannot leave the village because the roads are damaged but in the city the roads are good. However, there are also damaged roads in the city, which makes it difficult for large trucks to pass and causes traffic jams. The 2024 Leader Candidates should now be fair and honest with all their people. 2024 Leader Candidates so that they can pay more attention to their people, so that during the campaign they don't just make sweet promises to their people so that they are not called Sweet Promises of Leader Candidates.</br></br>OK, that's all my speech, I hope what I say can be heard by the 2024 Leader Candidates. Thank you for your attention, everyone present. "Meli bungkung aba to the temple Sambilang ngayah, Kirang Langkung nunas ampura titiang sisya wawu melajah". I end with the paramashanti "Om Shanti Shanti Shanti Om".paramashanti "Om Shanti Shanti Shanti Om".)
• Robert Lemelson  + ("Robert Lemelson is a cultural anthropolog … "Robert Lemelson is a cultural anthropologist, ethnographie filmmaker and philanthropist. Lemelson received his M.A. from the University of Chicago and Ph.D. from the Department of Anthropology at the University of California Los Angeles. Lemelson’s area of specialty is transcultural psychiatry; Southeast Asian Studies, particularly Indonesia; and psychological and medical anthropology. Lemelson currently is a research anthropologist in the Semel Institute of Neuroscience UCLA, an adjunct professor of Anthropology at UCLA, and a visiting professor at USC. His scholarly work has appeared in numerous journals and books. Lemelson founded Elemental Productions in 2007, a documentary film company. He has directed and produced over a dozen ethnographic films related to culture, psychology and personal experience. He is also the founder and president of the Foundation for Psychocultural Research, which supports research and training in the social and neurosciences."training in the social and neurosciences.")
• Duo Saraswati  + ('Music is making connection' Duo Saraswati … 'Music is making connection'</br>Duo Saraswati is a cello-piano duo consisting of brothers Jan and Kris van der Plas. Whilst they both grew up and had their education in The Netherlands, they make the connection between traditional Indonesian music and the classical</br>music from Europe through their Balinese background. They performed in the Concertgebouw during a live radio performance and in April 2023 they will go on tour to Indonesia and perform in Jakarta, Medan, Surabaya and Denpasar.</br>Equality through difference</br>In a world that tends to think more in contrasts, the duo embraces their differences because that is what defines them. The combination of two cultures is a way for them to bring people from various cultures together.</br>Indonesia and The Netherlands united</br>The repertoire of Duo Saraswati is varied and always tries to find connection between European and Indonesian music. Examples of this is gamelan music composed by Colin McPhee played on cello and piano, and bringing together songs of Mochtar Embut and the Sonata of Francis Poulenc.</br>Jan van der Plas (1997) was a guest player at the Amsterdam Sinfonietta and during his studies he performed multiple contemporary works. Young composers are eager to work together with Jan. He studied at the Conservatorium van Amsterdam with Gideon den Herder and Jelena Očić, with whom he graduated his master's in 2021. Jan plays a cello made in 1967, built by Jaap Bolink, made available by the National Instrument Fund.</br></br>Kris van der Plas (2002) is a young pianist with a strong motivation to make chamber music. In 2020 he was the first prizewinner of the regional final of the Princess Christina Concours in which he also became national finalist.</br>Kris is regularly asked to play by singers and instrumentalist because of his flexibility and broad knowledge of the repertoire.</br>Currently Kris is studying with Frank Peters at the Conservatorium van Amsterdam.eters at the Conservatorium van Amsterdam.)
• Fitri Amalia Rhamadani  + (.Rhamadani completed her undergraduate studies in the Travel Industry study program, Faculty of Tourism, Udayana University. Currently, Rhamadani works as a marketer at a tourism services company in line with her previous experience.)
• Ida Bagus Ketut Diding  + (1911/1914 - 1990. Batuaninteractive.com: " … 1911/1914 - 1990.</br>Batuaninteractive.com:</br>"About twenty-two years old at the time of making the pictures in the collection, Diding probably had been painting since 1935. His teacher was Ngendon, and he in turn taught Bala. He met Spies and Bonnet, watched them work, and brought them work for their</br>ciriticism. He was a member of the group they founded, Pita Maha. One of the Western artists suggested that he make a picture like Djatasoera's of the ende ritual in Karangasem.</br>Diding had not been to school but could speak a little Malay. He played in a gamelan orchestra and danced in the gambuh, and was</br>the only artist interviewed who said that he had been possessed and gone into trance. His father was dead, and he had no land to work.He and his wife supported themselves by painting, raising chickens, and dyeing cloth.</br>They had no children. Sixteen pictures by Diding are in the collection."pictures by Diding are in the collection.")
• Anak Agung Cukit  + (1930s Batuan artist who continued to work in the 1950s. Also a gambuh dancer. A portrait of him has been painted by Bonnet. Also known as "Dewa Cukit" and "Dewa Gede Cukit".)
• A.A. Raka Sidan  + (A A. Raka Sidan's real name is A.A. Gede R … A A. Raka Sidan's real name is A.A. Gede Raka Partana. He is a songwriter and Balinese pop singer who was born June 27, 1979. He studied at UNHI Denpasar and produced a number of albums, including "Suud Memotoh" (2005), "At-Pada Ngalih Makan" (2007), "Pak Boss" (2009), "Song Brerong" (2012), "Kenceng" (2015). The songs contain a lot of moral messages and social criticism wrapped in humorous nuances.ial criticism wrapped in humorous nuances.)
• Ida Bagus Putra Adnyana  + (A Balinese from a Brahmana priestly family … A Balinese from a Brahmana priestly family, I. B. Adnyana is considered a first-rate classicist. Born in 1958 in Denpasar, he grew up attending Balinese rituals and brings an insider’s knowledge to his subjects. As is evident in his images, he has been given special unimpeded access and privileged positions and angles. It’s highly unlikely that a Western photographer would ever be allowed to enter sacred inner courtyards and get this close to a venerable high priest.</br>His subjects appear at ease and revealing of their inner emotions. It is as if his subjects are family members relaxed in the presence of another Balinese. He always seems to be in the right place at the right time to photograph with the greatest possible empathy and intimacy. Amidst all the confusion, he knows what is going on and is able to anticipate what is going to happen next. While other photographers are fiddling with their camera settings, he is ready to record the climax, the significant gesture or the moment when the trance state takes hold.e moment when the trance state takes hold.)
• Josiah Alexander Sila  + (A funny thing happened to Joey Alexander o … A funny thing happened to Joey Alexander over the past five years, a whirlwind period during which he became the most brilliantly precocious talent in jazz history—that is, a renowned festival and concert-hall headliner; the youngest musician ever nominated for a Grammy Award in a jazz category; and a media favorite who’s earned a profile on 60 Minutes, a front-page profile in the New York Times and other premier coverage.</br></br>"As heard on WARNA, his new major-label Verve Records debut, he’s simply become one of the most expressive and thrilling pianist-composers currently at work in jazz. Alexander’s precocity can still stun concertgoers, but his music, including original work and personalized interpretations of great songs, has now taken its rightful place in the spotlight.</br></br>Translating as “color” from Alexander’s native language of Bahasa, WARNA follows four Motéma Music albums that garnered the pianist three Grammy nominations and such honors as historic critics’ and readers’ poll victories in DownBeat and JazzTimes. But whereas those recordings were documents of an extraordinary young musician in development, WARNA is primarily a collection of reflective, moving new music by an experienced, confident bandleader...."</br></br>Please see more at https://joeyalexandermusic.net/about/. at https://joeyalexandermusic.net/about/.)
• Tiuk Mangan Yowana Guna  + (A golden Indonesia is a time that we reall … A golden Indonesia is a time that we really long for, a time when after 1000 years of independence, Indonesia is a time that gives hope for the welfare of the people. There are many things that can help realize this golden Indonesian era, one of the two most influential things is the QUALITY OF YOUTH and GOVERNMENT INTELLIGENCE.</br></br>The quality of teenagers in Indonesia itself is very low, we can see from the evidence in the field that there are still many teenagers who cannot get the essence of a sentence. This is influenced by the education system which does not provide space for children to express all the ideas they have, the education system in Indonesia still places great emphasis on recitation and monotonous methods, even though there is a solution from the government regarding independent learning methods which are considered to be the solution to this problem, I felt it needed to be developed. Therefore, the government must think one step further to develop the education system in Indonesia, because this is a function of the intelligence of the leaders that we hope for in order to create sharp knives for teenagers.</br></br>Don't forget the stunting problem experienced by children in Indonesia, this causes many children to grow and develop with very, very minimal brain capacity. Is there a solution from the government?</br>Of course, we have to consider this together, because it is only through children and teenagers that the Indonesian nation can achieve its desire to become a golden Indonesia, which is likely to be just a fantasy.</br></br>Hopefully, through this media, the government can consider things that are really urgent for it to do, and can lead the Indonesian nation towards a golden Indonesia with the Sharp Knives of Youth. Indonesia with the Sharp Knives of Youth.)