Property:Biography text
From BASAbaliWiki
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"Beloved fellow citizens,
General elections are the time when we as citizens have the power to shape our future. Bali, our beloved homeland, faces a number of issues that require urgent attention from our future leaders.
As we prepare to choose new leaders, it's crucial to consider pressing issues that demand immediate solutions. Among the various problems at hand, some prominent issues that need immediate attention from Bali's future leaders are:
Firstly, the environment and sustainability. Bali, with its natural beauty, is under significant pressure due to rapid growth. Conservation of the environment and protection of natural resources are crucial to prevent further damage to the island. Future leaders must have a clear vision to preserve Bali's natural beauty while also managing sustainable growth.
Secondly, adequate infrastructure. Despite Bali's status as a popular tourist destination, there's a need for better infrastructure to support economic growth and everyday activities of the people. Effective leaders should prioritize the development of suitable infrastructure without compromising environmental preservation.
Thirdly, social welfare. There exist disparities in Bali that need to be addressed. Improving access to education, focusing on public health, and increasing job opportunities with fair wages should be the primary focus of future leaders. Even social welfare will form a strong foundation for Bali's progress.
Fourthly, transparency and accountability in governance. It's essential for leaders to build transparent and accountable governance. The community should have complete trust in their leaders and feel heard in the decision-making process.
Fellow citizens, this election isn't just about selecting leaders but about choosing leaders with a clear vision, strong commitment, and the ability to address pressing issues. Let's choose leaders who can lead Bali towards a better future, one that is fair and sustainable for us all.
Thank you."
Om Swastyastu.
In managing this waste, the Tim Basa Bali committee and all of us extend our respect to the Supreme God. This waste affects our earth and has become a collective burden for humanity.
The regulations written in 1975 regarding the preservation, writing, and development of the Balinese script have been in place, but they are not consistently followed. Waste disposal should not be a mere ritual but a continuous thread of our lives.
This waste is harmful, and we, the people, should be sacred citizens who do not directly contribute to the pollution of our surroundings. The waste, which has been increasing, is affecting Bali's environment. Nevertheless, we must continue to live in harmony with nature and uphold our responsibilities.
We need to transform our habits in waste disposal immediately. Moreover, we must offer our support to fellow Balinese and play our roles as responsible citizens. The fear looms large over our tourism, economic stability, and global reputation. Together, let us unite, be humble, and work collectively in managing this waste. Thank you. Om Peace, Peace, Peace, Om. +
In fact, being a leader in parliament was very difficult, because you had to protect the slaves and always stick to political promises during the campaign. Currently it is. season for political party candidates to wrestle and campaign. This is symbolized by pilgrims dangling banners along the sidewalks and catus pata, aiming for everyone to see themselves as ELECTORAL. He himself also considers all these things with his vision and mission if he is elected by the people's party. If you look at it, actually there are only people's representatives who carry out programs and fulfill their political promises and there are also those who forget their promises like nuts that forget their shells. As proof that I, who is in northern Bali, feel like I have been a victim of political promises, promises to build an airport so that the economy in Bali is stable, but up to now all of this is just discourse that wanders around during the campaign season. Well, that's what I feel myself, maybe the people's representatives have other considerations that maybe the airport hasn't realized until now, it's just that being a people's representative is very difficult to make decisions because there are so many. considerations and work to be done. We as the people only. asked the fathers and mothers who were giving birth not to break promises that were difficult to fulfill so that slaves or people would not be offended by the promises. It's just that, if there is a mistake, I'm sorry. It is true that being a leader as a people's representative is difficult, because as a people's representative you must always protect the people and must remember your political promises during the campaign period. Now is the season for nominating people's representatives and the campaign period. This is indicated by the large number of legislative candidates who put up billboards facing the sidewalk and catas death. +
"Om swastiastu"
To the presenter, thank you for the time given to me. The judges whom I respect, the audience whom I am proud of and the participants in the Balinese oration competition whom I love, there is the title of my work "Caring about Plastic Waste for a Clean Environment". I thank God Almighty or Ida Sanghyang Widhi Wasa for being able to gather in good health today.
Earth there are currently many problems with plastic waste which can cause great harm to the earth. Ladies and gentlemen, plastic waste is a big danger if we don't pay attention to the surrounding environment and can cause disaster in the future.
Then who will remember? Not just ourselves, all of us, both students, teenagers and parents, everyone living on earth, including Bali, which is famous for its natural beauty, should care about the existence of plastic waste. This is a behavior that includes teenagers as the main actors.
Remember, the job of teenagers is not only to decorate and take selfies in beautiful places, but no one pays attention to the rubbish in front of them, which causes disasters such as landslides, floods, pollution and others.
So that we are not exposed to danger, we should throw rubbish in the trash, we should not throw rubbish in the surrounding environment such as rivers, roads, sewers, etc. Come on, let's not throw rubbish carelessly so that the surrounding environment remains beautiful and sustainable! We should work together with the government and all communities to create a clean environment free from plastic waste.
"Om Santhi,Santhi,Santhi Om" +
Ladies and gentlemen, our honorable guest. Before we start this oration. Allow us to express our gratitude to Ida Sang Hayang Widhi Wasa, for it is through His grace that we gather on this auspicious day. With heartfelt devotion, we begin with panganjali:
Om swastyastu
our honorable guest, the oration we will deliver today is entitled "Foreign Citizens are disturbing the Balinese people". Recently, foreign tourists or "foreigners" in Bali have been in the public spotlight because they are acting up and making people anxious. Instead of being deterred, foreigners who were found committing various violations in Bali actually resisted when the police took action. Not just one violation but many violations committed by foreigners, such as: 1. Increased Traffic Violations:
Statistical data records a dramatic increase in traffic violations committed by a number of foreigners. A lack of concern for road rules and safety not only threatens local communities but also creates significant risks for foreigners themselves. This increase reflects troubling non-compliance, necessitating more effective enforcement actions and more intensive awareness campaigns.
2. Adverse Immigration Problems:
High levels of overstaying and violations of immigration regulations create a serious burden on the immigration system. The economic and social impacts of this behavior are very real, given the resources that must be allocated to deal with these cases. Increased controls and enhanced immigration enforcement actions are imperative to ensure compliance with existing provisions and maintain the integrity of the immigration system.
3. Establishing a Business Without a Permit:
The establishment of businesses without proper permits by some foreigners is detrimental to the local economy, creating disproportionate inequality in business competition. This problem not only concerns economic aspects but also raises questions of rights and justice in business. An in-depth evaluation of the economic and social impacts of these practices is needed to determine solutions that can address these problems without harming those who comply with the rules.
4. Non-compliance with Environmental Regulations:
The behavior of foreigners who do not comply with environmental regulations creates a serious threat to ecological sustainability in Bali. These cases include littering, damage to local plants, and violations of sustainability principles. A thorough evaluation of the long-term impacts of this environmental damage needs to be carried out to understand the implications for the ecosystem and the welfare of local communities.
3
I would like to thank the presenter for giving me the opportunity. Both the audience, especially the panureksa whom I respect, the wantaka basa bali wiki whom I respect, and the audience whom I love. Om Swastiastu. First of all, let's together express our happiness to Ida Sang Hyang Widhi Wasa, thanks to his grace we can gather together here for the Bali Oration Public Participation Wkithon event. On this occasion, allow me to deliver a speech that I have made.
Elections are only a means of exercising people's sovereignty to elect members of the DPR, DPD, President and Vice President as well as to elect members of the DPRD, which are carried out directly, publicly, freely, confidentially, honestly and fairly. As contained in UUD no. 7 of 2017 concerning general elections, all Balinese people cast their votes to support the candidate for regional leader of Bali.
A good Balinese leader candidate is a leader who is able to lead his people towards prosperity. Bali's future leaders must listen to the complaints of their people. Prospective Balinese leaders must be able to properly handle the problems that exist in the Bali area, including:
1) the declining growth of MSMEs, MSMEs play a very important role in Bali, especially in creating jobs, so they are seen as a lifeline in the process of encouraging the rate of economic growth.
2) controlling the prices of basic necessities, the increase in prices of basic commodities is due to expectations of increased demand, the main cause is the supply chain, food supplies such as agriculture are considered inefficient. If the trade system has not been properly regulated and controlled, prices and basic materials should remain stable.
3) development of public infrastructure, in the Bali area there are still public facilities that need attention and improvement. One of them is the highway, in some places there are still roads that are not good enough to pass on.
Sometimes many prospective leaders still forget about their duties as a result of which problems will increasingly influence other unfavorable factors that can cause disaster for the community.
Prospective Balinese leaders should be able to solve problems that arise in society so that the Balinese people live prosperously.
Okay, sorry if there are any mistakes or shortcomings, I apologize and close with. Parama shanti, "Om Shanti, Shanti, Shanti, Om"
A
A A Ngurah Paramartha was born in Denpasar, October 14, 1974. He completed his art education at ISI Denpasar. Since 1995 he has been actively displaying his works in various exhibitions, such as the “Kamasra” exhibition at Bali Cliff Resort Jimbaran (1996), Indonesian artist “Colour Wheel” at the Dublin Ireland Painting Gallery (2009), “Ulu-Teben”, the MilitantArt group.= at Bentara Budaya Denpasar (2015). His solo exhibitions include “Secret Desire” at Hide Out Fine Art Ubud (2003), “Exploration of Life” at Ten Fine Art, Sanur (2011). His works tend to be figurative by showing imaginary figures with multiple interpretations. +
Born in Klungkung 14 February 1957, he completed his Bachelor of Anthropology in 1982 at Udayana University, completed his Masters degree at Indonesia University in 1990, and doctoral degree at Gadjah Mada University in 2008. Becoming a lecturer at Faculty of Cultural Knowledge Udayana University since 1983 until now. He was on charge as the head of the anthropology department in 1997-2000, as the head of Hindu Indonesia University's S3 program of Religion and Culture in 2008-2011, as a secretary of the field of service in Institute for Research and Community Service Udayana University in 2011-2015, as the head of doctoral program (S3) Cultural Studies, Faculty of Cultural Knowledge, Udayana University from 2018 until 2022. He actively participates in seminars and writes accredited national and international journals, and has written several books. +
A A. Raka Sidan's real name is A.A. Gede Raka Partana. He is a songwriter and Balinese pop singer who was born June 27, 1979. He studied at UNHI Denpasar and produced a number of albums, including "Suud Memotoh" (2005), "At-Pada Ngalih Makan" (2007), "Pak Boss" (2009), "Song Brerong" (2012), "Kenceng" (2015). The songs contain a lot of moral messages and social criticism wrapped in humorous nuances. +
AG Pramono was born in Negara, Bali on March 23, 1973. He has been involved in theatre and literary arts since 1990. He founded Sanggar Susur Jembrana in 1991. His writings in the form of short stories, poems and cultural articles have been published in several media. A number of his poems can be found in the following anthologies: Poetry 19 (1995), Kidung Kawijayan (1996), Detak (1997), Indonesian Poetry Anthology (KSI) Jakarta in 1997, Serambi Hening (1998) and Stopping Short Stories in Rumahmu (2014). Since 1993, he has been active in Bali Experimental Theater and in 1998 participated in the Komunitas Kertas Budaya. He is currently working as a journalist in one of the local newspapers in Bali and lives in a small house named Serambi Hening in Loloan Timur, Jembrana, Bali. +
Abu Bakar, is a playwright and theater figure, born in Kediri, Tabanan, Bali, January 1, 1944. His father is Javanese and his mother is Balinese. Apart from theater, he also pursued literature and photography. There are many plays that he has performed and directed. He had visited several countries for artistic matters, among others, France and the United States.
In America, Abu performed his collaboration with Ikranegara artists in the form of the theatrical performance “Berani-Beraninya Waiting Godot” (1990). He also directed the performances “Kereta Kencana” and “Indonesia Luka” (both in 2012) and “Malam Jahanam” (2013). In the field of literature, apart from being published in several newspapers, his works have also been published in "My God Butterflies", "America Outside the Window" and "Fireflies". He also wrote a monologue script entitled “Wanita Batu” (2006) and television dramas “Comedy Hitam”, “Bali Crying (2004), and so on.
Abu is the founder of the “Polyclinic Theatre” and “Earth Theatre”. +
Achmad Obe Marzuki was born in Jakarta, July 30 1975. He has lived in Bali since 2002 and is active in the arts, including playing theater, writing poetry, reading poetry, photography and painting. He deepened his writing skills through a journalism course at Planet Senen, Central Jakarta in 1995. He joined the Jakarta Theater Forum and the South Jakarta Cultural Service's Fairy Tale Institute (1995-1996). Reads his poems in the free pulpit on the 1998 TIM reform stage. Joined the AGA Theater (Waterhouse Children) and founded the API Community (Indoor Market Children) in 2000. Founded Pelangi Art Bengkel Handicraft 2001. Together with Sanggar Poerbatjaraka he was involved in the performance Layon ( 2008) and Hong (2008) at the VI Nusantara Student Theater Gathering in Surabaya. Now he has joined the Jatijagat Life Poetry community in Denpasar, Bali. +
Adhy Ryadi was born in Singaraja, January 17 1960. He completed his Bachelor of Law studies at Undiknas Denpasar. Writing poetry since 1981 and published in the Bali Post, Mind of the People, Berita Buana, Suara Indonesia, and collected in the poetry book "Hram" (1988). He once worked as a journalist at the Bali Post. He died in 1995. +
Born in Denpasar in 2000.
2020: MSc in Data Analytics and Business Economics (MScDABE) Programme in Hong Kong Baptist University (HKBU). Free lance 3D artist based in Bali.
Aditya’s earlier works focused upon his cultural ideas of beauty. His recent works, however, consider culture and tourism and their possible future ramifications. +
Adrian Vickers is an Australian author, historian and professor of Southeast Asian Studies at the University of Sydney. He has studied and documented Gambuh dance traditions, Panji (prince) stories, and other Indonesian art and cultural subjects as well as historiography and colonialism. He has a BA and PhD from the University of Sydney, is the Professor of Southeast Asian Studies (Personal Chair) and Director of the Asian Studies Program. Vickers' most recent book, The Pearl Frontier, co-written with Julia Martínez, won the University of Southern Queensland History Book Award at the 2016 Queensland Literary Awards. +
Adrien-Jean Le Mayeur de Merpres was a Belgian painter who lived in Bali and donated his house in Sanur as a museum. He was born in Brussels, Belgium, February 9, 1880. The Impressionist painter arrived in Bali in 1932 and first rented a house in Banjar Kelandis, Denpasar. It was also at Kelandis that he became acquainted with Ni Nyoman Pollok, a Legong dancer who was 15 years old at the time, and later became a model for his paintings.
Le Mayeur's works using Ni Pollok as a model were exhibited in Singapore for the first time in 1933 and sold out. Then Le Mayeur bought a plot of land on the shores of Sanur Beach which he used as a studio and house. That is where every day Le Mayeur painted with Ni Pollok as the main model. In 1935, Le Mayeur married Ni Pollok.
In 1956, the Minister of National Education of the Republic of Indonesia, Bahder Djohan, visited Le Mayeur's house and was fascinated by these gentle works. Bahder then suggested to Le Mayeur that his house would later be used as a museum. Le Mayeur agreed and worked even harder to improve the quality and add to his collection of paintings.
On August 28, 1957, Le Mayeur signed a testament in which Le Mayeur bequeathed all his possessions including land, house, and everything in it to Ni Pollok as a gift. At the same time, Ni Pollok then transferred everything that was inherited from her husband to the Government of Indonesia to be used as a museum.
In 1958, Le Mayeur suffered from ear cancer. Accompanied by Ni Pollok, he was treated in Belgium. Two months later, on May 31, 1958, Le Mayeur died at the age of 78 and was buried in Brussels. Ni Pollok then returned to Bali to take care of his house until her death on July 18, 1985 at the age of 68 years.
Le Mayeur's works can be enjoyed at the Le Mayeur Museum, which is located on the shores of Sanur Beach, Denpasar. +
Agoes Andika was born in Banjar Baleagung, Buleleng, March 5, 1963. In 1981 he settled in Mataram, Lombok. He studied writing a lot with Putu Arya Tirtawirya and Umbu Landu Paranggi at the Bali Post. In 1985 he was invited to Taman Ismail Marzuki Jakarta with several Balinese poets and other Indonesian poets to read poetry. Literary works have been published in the Bali Post, Karya Bhakti, Nusa Tenggara, Simponi, Swadesi, Nova, Buana News, Suara Karya, Suara Nusa, Horizon, and several bulletins in Mataram, Pontianak. Now living in Singaraja. +
Agung Bawantara was born in Klungkung on January 30, 1968. He graduated from the Faculty of Animal Husbandry at the University of Mataram, NTB. He has been writing poetry since the 1980s in Bali Post, Karya Bakti, Nova, Berita Buana, Swadesi, Media Indonesia, etc. His collected poems can be found in Sahayun (1994), and in Klungkung: Tanah Tua, Tanah Cinta (2016). He initiated the Denpasar Film Festival. He has also written short stories, children's stories, fairy tales, and novels. +
1930s Sanur painter. Bateson and Mead notes refer to Gusti Gede Raka and Gusti Putu Raka co-painting a work.
May be the same person as Gusti Putu Raka (and/or Gusti Gede Raka); in Bateson's catalogue, described as the son of Gusti Sodang
Related Artists
Also known as: I Gusti Putu Raka
Mother: Anak Agung Made Glogor +