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Made Mantle Hood

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Made Mantle Hood
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Biography


In English

Made Mantle Hood is professor of ethnomusicology, Chair of the Graduate Institute of Ethnomusicology and Director of the Asia-Pacific Music Research Centre at the Tainan National University of the Arts, Taiwan. He serves as Chair (2021-2025) of the ICTM PASEA study group. His previous posts were at Universiti Putra Malaysia (2012–2018), Melbourne University, Australia (2011–2012) and Monash University, Australia (2005–2011). His current research interests include ontologies of sounded movement, endangered forms of vocalisation, tuning systems as well as music and social justice. He is currently the lead researcher in the Taiwan Ministry of Science and Technology-funded project, Towards the Sustainability of Vocal Heritage in the Philippines, Malaysia and Indonesia (2019–2021). He is the author of Triguna: A Hindu-Balinese philosophy for gamelan gong gede music (2010) and co-editor of Music: Ethics and the community (2015).

In Balinese

In Indonesian

Made Mantle Hood adalah profesor etnomusikologi, Ketua Institut Pascasarjana Etnomusikologi dan Direktur Pusat Penelitian Musik Asia-Pasifik di Universitas Seni Nasional Tainan, Taiwan (TNNUA). Beliau menjabat sebagai Ketua (2021-2025) kelompok studi ICTM PASEA. Jabatan sebelumnya adalah di Universiti Putra Malaysia (2012–2018), Melbourne University, Australia (2011–2012) dan Monash University, Australia (2005–2011). Penelitiannya saat ini meliputi ontologi suara, vokalisasi yang terancam punah, sistem tuning/laras serta musik dan keadilan sosial. Saat ini ia adalah peneliti utama dalam proyek yang didanai Kementerian Sains dan Teknologi Taiwan, 'Towards the Sustainability of Vocal Heritage di Filipina, Malaysia, dan Indonesia' (2019–2021). Ia adalah penulis 'Triguna: A Hindu-Balinese Philosophy for Gamelan Gong Gede Music' (2010) dan co-editor Music: Ethics and the Community (2015).

Examples of work

Scholars Room Gamelan Gong Gede: negotiating musical diversity in Bali’s highlands
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There are several communities in the highlands of Bali in Indonesia that still maintain large antique orchestras of bronze gongs and metallophones called gamelan gong gede. These gamelan have been preserved as essential implements of local ritual-music associations that have protected them from change for generations. In contrast, much of the rest of the island abandoned gong gede in the early twentieth century in favor of modern gamelan. Inseparable from its highland ritual context, gong gede endure in Bali’s remote highlands because they are inseparable from ritual context, which has resulted in musical diversity within the broader ecosystem of Balinese music. This diversity simultaneously marginalizes communities to some degree from mainstream musical innovation. However, it also empowers local ritual music associations within sophisticated social networks that play a major role in protecting and preserving these ancient antique orchestras. Using a ‘pluralism of musical structures’ as an analytical framework for discussing musical diversity, this article looks at how highland communities protect and maintain gong gede as ‘living traditions’ by examining their history, social context and musical style to see what keeps local traditions from succumbing to mainstream musical trends.
Book Triguna: A Hindu-Balinese Philosophy for Gamelan Gong Gede Music
Triguna Made Mantle Hood.jpg
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