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" JUST CONNECTION OCCURRING IN BALI "
OM SWASTIASTU
I respect the Government of Bali and I love happy friends.
Let us give thanks to the presence of Almighty God who has given Asung Kertawara to all of us so that we can gather in this place. Before I deliver this speech, I first want to thank you for the time and opportunity given to me to deliver my speech of hope. to the Bali government entitled "JUST CONNECTION OCCURRING IN BALI".
Traffic jams arise because the volume of motorized vehicles is not proportional to the volume of the road. The number of motorized vehicles and cars increases every day. As a result, cars, public transportation and motorbikes pile up on the streets, traffic jams occur. Congestion can also slow down the performance of people who are stuck in traffic jams. Workers will be late arriving at work and students will arrive late at school. This especially happens to people who choose to use private transportation rather than public transportation.
Traffic jams occur because too many people use motorized vehicles or cars and also because many road users do not comply with traffic regulations.
On this occasion I would like to invite you to overcome traffic jams in Bali. If we cannot overcome them, at least we can reduce traffic jams in Bali. There are 2 main things we can do to reduce congestion. First, use public transportation, don't use private vehicles, using public transportation can reduce the volume of vehicles on the road. In the end, traffic jams will be reduced. Second, get used to walking if the distance is not too far. This method is simple but difficult to do. Even though walking is healthy, and by walking we are contributing to reducing traffic jams in Bali. I am sure that by taking these 2 actions traffic jams in Bali can be reduced.
However, the Bali Government is expected to improve the comfort and safety of public transportation. I am sure that if public transportation is safe and comfortable, there will be more passengers. Finally, the number of private transportation users will decrease by itself.
This is all I can say, hopefully it is useful for all of us. Sorry if there are wrong words and actions. For your attention I would like to thank.
OM, SHANTIH, SHANTIH, SHANTIH, OM
Talking about the destruction of today's world which was destroyed by a leader wearing a nice mask but behind that there is an embodiment of a scary and arrogant giant, the leader's greed is raised in the ogoh-ogoh from ST. Tunas Muda Sidakarya, the earth in his stomach taken from begawang nala as if this earth were his own , falling humans wrapped around sharp iron depicting miserable, disappointed and sad. From this Ogoh Ogoh embodiment, it gives a reminder to the government as the leader of the people, that it should pay attention to the decisions made so that they are not selfish and do not make their people miserable. I hope the leaders remember that if the decisions made are good, the people will definitely implement them and this will make the world good again. Thank You +
Friends if you see a skinny dog feeling disgusted? in Bali it is said that there is ajian cambra berag, it is a tall ajian pangelakan, can turn himself into a thin dog his body is all rotten wounds on his neck.
These ogoh-ogoh remind us not to take care of other people's lives, torturing animals, especially Balinese dogs.
The government should care about guarding and being strict about people who kill, poison dogs, have hungry stomachs, get sick, and torture. In the midst of a lack of understanding, and laws regarding improper behavior towards animals. So that the dog does not become extinct and awakens the harmonious relationship of humans with nature, such as the concept of Tri Hita Karana. +
In Denpasar City, which is the capital, government and economic center of Bali Province, I see that flooding is the main problem in this city. It is not surprising that one hundred tons of waste is collected in Denpasar City every day. This is very dangerous if you don't pay attention, because it can make the damaged area worse. As a result, many other problems arise in the city of Denpasar because of this disease.
This problem cannot be left to the government alone, but the active role of society is needed. There are many ways that can be done to overcome the problem of blindness, one of which is by increasing public awareness of the importance of the problem of blindness. As a student, even in high school I was still taught by teachers to always care about the environment through the P5 program implemented at school. Through this program I think that this stupid problem can be solved by cultivating Magot. "Maggot Power Culture to Overcome the Lice Problem in Denpasar City" The City Government has helped overcome this flea problem with advanced technology, every citizen can help the government in this flea problem by cultivating maggots because maggot cultivation can break down organic waste into fertilizer or in Bali is often called nyanyad. Maggots come from Black Soldier Fly (BSF) flies, cultivation only uses board/wooden cages that have gaps and are covered with cloth, a small space to press maggot eggs and a rack for maggot growth, in the maggot growth process, it is placed in a place exposed to light. sun.
Organic waste such as nut shells, fruit remains and grass in the garden can be placed in this place. Magot to break down organic waste or dirt into fertilizer or manure. 1 Kg of Maggot can decompose 4 Kg of organic waste or rubbish every two days. If every city resident had 1 kg of fat, there would be no more organic waste in this city. The remaining plastic waste must be handed over to the government which has sophisticated equipment for recycling.
The following are the benefits of maggot cultivation:
1. Reduce the volume of waste in landfill because organic waste is used to feed maggots
2. Maggot fruit can be used as animal feed which contains high protein because maggots consume organic waste such as vegetables and fruit
3. Maggots which can dispose of waste will produce Kasgot (Maggot Residue) which can be used as organic fertilizer
Maggot cultivation is very profitable for the environment and maggot caretakers, because apart from being able to grow organic waste, fertilizer and maggot waste can be used or sold at a higher price, it can be said that maggot cultivation is easier and has a higher functional value.
Om Swastyastu
Good morning, best wishes to all of us.
First, let us offer praise and thanks to Ida Sabg Hyang Widhi Wasa for giving so many blessings and opportunities for all of us, so that we can gather at this happy event.
On this occasion, I will deliver a fairly short oration about tourism responsiveness. Because basically tourism is travel undertaken for recreation and entertainment.
We all know that the island of Bali is an island of a thousand islands, which is famous in foreign countries for the beauty of its flora and fauna.
But behind all that there is a problem that the government must find a solution for in the future regarding tourists who come to tourist attractions in the area of holy places that are arbitrary. Like many tourists taking photos at the temple by climbing the temple pelinggih, not being responsive to Balinese culture, insulting Balinese culture such as committing adultery in a holy place, being reckless on the road, not wearing a helmet, changing motorbike plates and hiding his identity visa so he can work in Bali .
And it's no surprise that the presence of tourists disturbs local communities.
This is a serious problem that leaders must address in the future, enforcing the rules for tourism to Bali. Give more consideration to tourists who work in Bali, because as far as I know there are still many local people who are unemployed, perhaps the existence of these wise regulations can help local people get jobs and be more considerate of tourists who open jobs in Bali even though they are not citizens. +
Om Swastiastu.
I will express my opinion about development of the BasaBali Wiki platform among the Balinese community. In my opinion, with the BasaBali Wiki platform, it is very easy for me and the entire community especially the Balinese people to follow all developments on issues that are happening in Bali, especially among the community. In addition, this platform also provides a wikithon competition where I and other people can participate to provide input on various obstacles and activities that must be carried out by the government to achieve prosperity and smoothness for the entire community. I am interested in issues that are currently happening in the community, such as the excessive use of foreign languages so that the mother tongue of the Balinese people is fading, namely the Balinese language. I really agree if the BasaBali Wiki platform is developed more widely, especially introduced and used in every school through educators who teach their students. Maybe some schools already know and use this platform, but in some other schools, I don't think so and this must be followed up immediately because the use of Balinese language and knowledge about Balinese culture is currently starting to fade due to the influx of foreign cultures and the continuous use of foreign languages. In addition, the BasaBali Wiki platform can be a place of achievement for students and the public who want to participate in sharing their works. Another issue is the unemployment rate in Bali. The number of unemployed makes the poverty rate in Bali increasing. People find it difficult to find work because the standards for being an employee are not met. Therefore it needs special attention from the government, where training such as workshops for people who have not worked can be held. The introduction of the BasaBali Wiki can be a major topic because introducing and training them on the content of this platform will make them interested in learning the Balinese language and Balinese culture. For example, learning Balinese consistently will be able to open up job opportunities, namely as a Balinese language tutor. So, it is necessary to hold training sessions to train and motivate them to learn more about the Balinese language and Balinese culture. That's the opinion I can convey. Thank you for nice attention.
Om Santih, Santih, Santih Om
The global epidemic has hit the world, as well as what happened in Indonesia, so the stay at home program was implemented as an effort to suppress the expansion of COVID-19. At the Open University, March is the beginning of the tutorial semester for the 2020 registration period, both online tutorials (tuton) and face-to-face tutorials (TTM). UT Semarang, is entering its first tutorial for students who take the TTM learning mode. To comply with the government's program, the learning mode has been shifted to virtual classes, so that students can still get their right to acquire knowledge but stay safe by staying at home. The TTM class is replaced using the tuweb mode (webinar tutorial). The new mode was obtained by students, thus encouraging this research to be carried out. How are students' readiness with the renewal of learning modes? How is the mastery of technology needed by students in welcoming their learning? The research method used is a quantitative method with a questionnaire. The population was taken from 100 students of UT Semarang, Batang Regency working group from various semesters. The results of the study show that 82% of students support and are more enthusiastic in preparing technology for a new mode of learning using Tuweb. Suggestions and input from students also make evaluations in service more excellent at UT and the world of education in the global situation that is being hit by this epidemic." +
"Harmoni Bali: Menuju Pemimpin Visioner dalam Mewujudkan Pembangunan Berkelanjutan, Kesejahteraan, dan Pelestarian Budaya" +
Future leaders in Bali must immediately address environmental and tourism issues as top priorities. These islands experience negative impacts from uncontrolled tourism growth, such as environmental damage, overcrowding, and economic imbalance. The increase in plastic waste and damage to coral reefs is a serious threat to environmental sustainability.
Additionally, the COVID-19 pandemic has devastated the tourism industry, which is the backbone of Bali's economy. Aspiring leaders must plan policies that will restore the economy, diversify revenue sources, and strengthen health infrastructure. Addressing employment and education issues is also important to strengthen local community involvement.
In facing these challenges, leaders must involve all parties, including local communities, businesses and central government. A long-term vision that focuses on sustainable development and preservation of Balinese culture is needed to create a glorious future for all parties.
Next, issues of labor conditions and income distribution must be taken into account. Leaders must devise strategies to improve the skills of their local workers, provide jobs, and ensure economic distribution of income.
To face these challenges, ambitious and dedicated leadership is needed. Future Indonesian leaders must have a strong commitment to sustainable development, social justice and cultural preservation. Only with a holistic and collaborative approach can Bali develop sustainably while maintaining the uniqueness and beauty of its nature and culture. +
It’s been 77 years since Indonesia’s independence. The Balinese people unite to give meaning to this independence. The Jagat Kerthi Toll Road, the Bali Cultural Center Area, and the Golden Triangle Harbor were built to support the spiritual (niskala) and material (sekala) welfare for the new era of Bali. Based on loyalty to Pancasila (the five inseparable and interrelated principles at the heart of Indonesia) as a weapon against drunken behavior, gambling, and other crimes for the sake of upholding the dignity of the nation and the authority of the Merah Putih flag. The whole community strives to improve performance, humanity, tourism, and cultural preservation to create Bali as the center of world civilization for the sake of upholding the spirit of the independence of the great Indonesia. +
If a person is affected by greed, then he will be affected by the nature of knda pat bhuta. Kanda Pat Bhuta is what can eliminate good qualities in humans.
The current government has not been able to implement the teachings of asta brata, because there are still many who are influenced by the nature of sad ripu (six enemies within) causing many people to be out of line. Many people find things that are not good. As a result, many people do not trust, let alone align with the government and can cause bad things to happen to their leadership.
If that is the case, who will trust the government? +
The biggest environmental problem in the world is plastic waste. Likewise in Indonesia, especially in Bali, plastic waste is a major environmental problem. Through the creative work of young people by utilizing plastic waste in the surrounding environment, the "luu plastic" ogoh-ogoh was created from Tujung village, Tegallalang sub-district, Gianyar-Bali. The message that the ogoh-ogoh want to convey to the government is how the government can make policies regarding the use of plastic for food packaging or just as a medium to make it easier to carry luggage. Besides that, how can the government provide a place for waste management, especially plastic waste so that it can have more value to the environment. +
Bali is famous for tourism with a very strong religious title. However, when the Covid-19 pandemic struck, it caused all aspects of the community's economic support, especially in the tourism sector, to experience suspended animation. Not only Indonesia, but also similar things are experienced by all countries in the world. As the next generation, we should not only dare to criticize but also dare to innovate in order to create a collaboration that can revive Bali's tourism as before.
A world that is completely digital, makes us have to strive to be in tune with cultural and technological tourism. Therefore, a solution that can be created is a website called 'Mai Melali' with the use of VR (Virtual Reality) which carries the theme of revitalizing Bali tourism with a digital theme. VR are conceptualized to be enjoyed especially for tourists who have missed Bali since the last time they visited the Island of the Gods. Besides that, this utilization will use several tourist destinations, such as Kuta Beach and religious tourism destinations such as Tirta Empul. By bringing Bali out, it’s hoped that a sense of longing for Bali will arise which will later make the feeling of wanting to visit Bali more volatile.
Being motivated by the tourism sector alone can be likened to a double-edged sword. Besides being profitable because Bali has great potential, it can also be detrimental because during the current pandemic, all aspects of life have weakened. With the presence of Mai Melali, it’s hoped that all connoisseurs of Bali tourism destinations can feel the atmosphere that was previously felt but was forced to leave for a while due to the Covid-19 pandemic. With the help of VR technology, it is easier for us to collaborate with today's globalization. Therefore, let's create Bali tourism with the theme of technology, in order to awaken and revitalize tourism and the Balinese economy. Because we believe, Bali will come back. +
The anger of Hyang Ibu Pertiwi as the theme of the ogoh-ogoh from Yehembang Jembrana village. Which tells how sad and angry the mother feels as Hyang Ibu Pertiwi about the actions of humans who like to litter and like to destroy forests. The government should see also cure Hyang Ibu Pertiwi is anger to issue strong legal regulations, overcoming human actions that are not good on earth. Now let's get together, especially us as the next generation of the nation, how to spread the spirit of preserving nature together so that our earth remains beautiful and sustainable. +
The 77th dirgahayu of the Republic of Indonesia (seven pupuh seven) does not feel like the Republic of Indonesia is already 77 (seventy-seven) Indonesia is already famous for having a variety of cultures, races, tribes, and religions. That's what causes the variety of car akita if it fills independence, from the simplest thing of putting up a red and white flag that characterizes independence. If in the field of culture, there are definitely holding cultural festival events, there are also those who fill independence in the field of sports such as for example volleyball competitions and running competitions, there are also unique competitions such as betel nut climbing, tug of war, sack running, and many more activities if you fill independence. That's what characterizes us always adding and remembering with passion if it fills independence. Recover faster rises stronger. +
"Beloved fellow citizens,
General elections are the time when we as citizens have the power to shape our future. Bali, our beloved homeland, faces a number of issues that require urgent attention from our future leaders.
As we prepare to choose new leaders, it's crucial to consider pressing issues that demand immediate solutions. Among the various problems at hand, some prominent issues that need immediate attention from Bali's future leaders are:
Firstly, the environment and sustainability. Bali, with its natural beauty, is under significant pressure due to rapid growth. Conservation of the environment and protection of natural resources are crucial to prevent further damage to the island. Future leaders must have a clear vision to preserve Bali's natural beauty while also managing sustainable growth.
Secondly, adequate infrastructure. Despite Bali's status as a popular tourist destination, there's a need for better infrastructure to support economic growth and everyday activities of the people. Effective leaders should prioritize the development of suitable infrastructure without compromising environmental preservation.
Thirdly, social welfare. There exist disparities in Bali that need to be addressed. Improving access to education, focusing on public health, and increasing job opportunities with fair wages should be the primary focus of future leaders. Even social welfare will form a strong foundation for Bali's progress.
Fourthly, transparency and accountability in governance. It's essential for leaders to build transparent and accountable governance. The community should have complete trust in their leaders and feel heard in the decision-making process.
Fellow citizens, this election isn't just about selecting leaders but about choosing leaders with a clear vision, strong commitment, and the ability to address pressing issues. Let's choose leaders who can lead Bali towards a better future, one that is fair and sustainable for us all.
Thank you."
Om Swastyastu.
In managing this waste, the Tim Basa Bali committee and all of us extend our respect to the Supreme God. This waste affects our earth and has become a collective burden for humanity.
The regulations written in 1975 regarding the preservation, writing, and development of the Balinese script have been in place, but they are not consistently followed. Waste disposal should not be a mere ritual but a continuous thread of our lives.
This waste is harmful, and we, the people, should be sacred citizens who do not directly contribute to the pollution of our surroundings. The waste, which has been increasing, is affecting Bali's environment. Nevertheless, we must continue to live in harmony with nature and uphold our responsibilities.
We need to transform our habits in waste disposal immediately. Moreover, we must offer our support to fellow Balinese and play our roles as responsible citizens. The fear looms large over our tourism, economic stability, and global reputation. Together, let us unite, be humble, and work collectively in managing this waste. Thank you. Om Peace, Peace, Peace, Om. +
In fact, being a leader in parliament was very difficult, because you had to protect the slaves and always stick to political promises during the campaign. Currently it is. season for political party candidates to wrestle and campaign. This is symbolized by pilgrims dangling banners along the sidewalks and catus pata, aiming for everyone to see themselves as ELECTORAL. He himself also considers all these things with his vision and mission if he is elected by the people's party. If you look at it, actually there are only people's representatives who carry out programs and fulfill their political promises and there are also those who forget their promises like nuts that forget their shells. As proof that I, who is in northern Bali, feel like I have been a victim of political promises, promises to build an airport so that the economy in Bali is stable, but up to now all of this is just discourse that wanders around during the campaign season. Well, that's what I feel myself, maybe the people's representatives have other considerations that maybe the airport hasn't realized until now, it's just that being a people's representative is very difficult to make decisions because there are so many. considerations and work to be done. We as the people only. asked the fathers and mothers who were giving birth not to break promises that were difficult to fulfill so that slaves or people would not be offended by the promises. It's just that, if there is a mistake, I'm sorry. It is true that being a leader as a people's representative is difficult, because as a people's representative you must always protect the people and must remember your political promises during the campaign period. Now is the season for nominating people's representatives and the campaign period. This is indicated by the large number of legislative candidates who put up billboards facing the sidewalk and catas death. +
"Om swastiastu"
To the presenter, thank you for the time given to me. The judges whom I respect, the audience whom I am proud of and the participants in the Balinese oration competition whom I love, there is the title of my work "Caring about Plastic Waste for a Clean Environment". I thank God Almighty or Ida Sanghyang Widhi Wasa for being able to gather in good health today.
Earth there are currently many problems with plastic waste which can cause great harm to the earth. Ladies and gentlemen, plastic waste is a big danger if we don't pay attention to the surrounding environment and can cause disaster in the future.
Then who will remember? Not just ourselves, all of us, both students, teenagers and parents, everyone living on earth, including Bali, which is famous for its natural beauty, should care about the existence of plastic waste. This is a behavior that includes teenagers as the main actors.
Remember, the job of teenagers is not only to decorate and take selfies in beautiful places, but no one pays attention to the rubbish in front of them, which causes disasters such as landslides, floods, pollution and others.
So that we are not exposed to danger, we should throw rubbish in the trash, we should not throw rubbish in the surrounding environment such as rivers, roads, sewers, etc. Come on, let's not throw rubbish carelessly so that the surrounding environment remains beautiful and sustainable! We should work together with the government and all communities to create a clean environment free from plastic waste.
"Om Santhi,Santhi,Santhi Om" +
Ladies and gentlemen, our honorable guest. Before we start this oration. Allow us to express our gratitude to Ida Sang Hayang Widhi Wasa, for it is through His grace that we gather on this auspicious day. With heartfelt devotion, we begin with panganjali:
Om swastyastu
our honorable guest, the oration we will deliver today is entitled "Foreign Citizens are disturbing the Balinese people". Recently, foreign tourists or "foreigners" in Bali have been in the public spotlight because they are acting up and making people anxious. Instead of being deterred, foreigners who were found committing various violations in Bali actually resisted when the police took action. Not just one violation but many violations committed by foreigners, such as: 1. Increased Traffic Violations:
Statistical data records a dramatic increase in traffic violations committed by a number of foreigners. A lack of concern for road rules and safety not only threatens local communities but also creates significant risks for foreigners themselves. This increase reflects troubling non-compliance, necessitating more effective enforcement actions and more intensive awareness campaigns.
2. Adverse Immigration Problems:
High levels of overstaying and violations of immigration regulations create a serious burden on the immigration system. The economic and social impacts of this behavior are very real, given the resources that must be allocated to deal with these cases. Increased controls and enhanced immigration enforcement actions are imperative to ensure compliance with existing provisions and maintain the integrity of the immigration system.
3. Establishing a Business Without a Permit:
The establishment of businesses without proper permits by some foreigners is detrimental to the local economy, creating disproportionate inequality in business competition. This problem not only concerns economic aspects but also raises questions of rights and justice in business. An in-depth evaluation of the economic and social impacts of these practices is needed to determine solutions that can address these problems without harming those who comply with the rules.
4. Non-compliance with Environmental Regulations:
The behavior of foreigners who do not comply with environmental regulations creates a serious threat to ecological sustainability in Bali. These cases include littering, damage to local plants, and violations of sustainability principles. A thorough evaluation of the long-term impacts of this environmental damage needs to be carried out to understand the implications for the ecosystem and the welfare of local communities.
The youth's efforts to fill independence when the Indonesian state was already independent. This is a very important undertaking. Like:
1. Building achievements in various fields, such as sports. In order to make Indonesia proud to foreign countries.
2. Maintain and use the infrastructure built by the government to be useful.
3. Implement a compassionate attitude of "saling asah, asih, asuh" despite different ethnicities, customs, cultures and religions.
4. Especially for us young people in Bali to preserve Balinese cultural arts by increasing the creation of spectacles that can attract tourism attention. +
Merdeka Republic of Indonesia,The real feeling that proves that we are defending the Indonesian state is increasing is one of the characteristics / characteristics / implementation of the "Garuda Pancasila" symbol. , customs, culture and others. But it makes Indonesian citizens a desired destination. Such as buildings that have been completed quickly, such as roads, toll roads, education, technology, tourism, agriculture and others. May the Indonesian nation continue " JAYA ". +
"Wiki Animation and Wiki Complete Dictionary as Forms of Maximizing BASABali Wiki in Dealing Education, Economic, and Cultural Issues" +
Balinese language is the mother language in Bali. The existence of the Balinese language is increasingly fading. There are many efforts to preservation the Balinese language, for example is BASAbali Wiki. BASAbali Wiki is very good because it can help preserve the Balinese language, such as creating dictionaries, community spaces, and social media like Instagram with easily accessible. However, there are features that haven’t been able to attract the attention of millennials because there are still many millennials who don't know about the existence of the BASAbali Wiki website, it’s necessary to socialize it to schools as a form of introducing the BASAbali Wiki website to make it easier for millennials to learn Balinese.
When I get the new Wikithon information, I was very happy because I can convey things that I think need to be added to the BASAbali Wiki website. Based on a survey conducted by the Program for International Student Assessment (PISA) in 2019, Indonesia is ranked 62nd out of 70th countries based on the level of interest in literacy. We know that Indonesian citizens have a low literacy level. In order the existence of the Balinese language to be sustainable in this era, harmony between Balinese language and technology is needed. To follow up this problem, I hope that BASAbali Wiki can be a place multimedia artists to change Balinese stories in BASAbali Wiki into animation. We usually see newborns being given an animated YouTube show in English, why don't make an animated show in Balinese? If there are many animated shows in Balinese language, this is one way to make children happy and know a lot of vocabulary from their mother language. This will certainly be good progress if it’s broadcast on YouTube, television, and other social media. Parents who give shows to their children unknowingly teach Balinese to their children and as a form of participation in cultural issues that are often heard and discussed. If this Balinese animation video is successfully made, the video could be bought by television station. Through this, BASAbali Wiki will generate funds and be able to improve the economy of talented young multimedia artists.
Nowadays, many young people expect dictionaries that can translate Indonesian into Balinese as a whole, such as Google Translate, but not yet. My friends are less enthusiastic about participating in Balinese language competitions because they are afraid with sor singgih in Balinese, they quicker to say it's complicated. This happens because the family and community environment are rarely use Balinese. Based on this, I hope that BASAbali Wiki can become a solution one day, such as providing features such as google translate not only for words but also for complete sentences so that can attract the attention of millennials in learning Balinese.
Based on the opinion that I have conveyed, I have also unknowingly participated in dealing with public issues in Bali including education, economy, and culture. Through this opinion, I hope that BASAbali Wiki will continue to develop in a sustainable manner.
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Planting movement through sharing free seeds packages. +
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The majority of Balinese people are Hindus. In Hinduism, offerings are very important as a means of ceremony. However, nowadays many do not care anymore, especially teenagers. Now many prefer to buy the offering rather than make it by themselves Even though the current generation should start learning how to make offerings while there are still elders who are good at making offerings. For that, let's learn about Balinese banten from parents or people who are good at making offerings. We can learn how to make Banten and know the meaning of the bendatenan. Because learning a lot of banten cannot be done in a short time, we must be diligent in learning, starting from small offerings first. +
1
The forest has been laid bare. The trees have been cut down and the wood taken away. Luh Ayu Manik and her friends are deeply saddened to see the forest destroyed. There is a police post in the middle of the forest but, despite this, the thieves are still able to steal wood. Luh Ayu Manik and her friends have come up with a plan to catch the thieves. But unfortunately, their plan has been foiled. And now the thieves are chasing them with a chainsaw. What will happen to Luh Ayu Manik and her friends? +
2
Without warning, a fierce wind sprang up in Room 21. The book that Luh Ayu Manik and her friends were reading shook and then flew about the room. And from the pages of the dirty, torn and tattered book, horrid demons appeared. Luh and her friends wanted to run away but they couldn't move ... they were like statues. I Wayan and I Made wanted to scream ... but their lips were sealed shut and they couldn't speak. +
3
When walking home after watching ogoh-ogoh, Luh Ayu Manik and Putu Nita were surprised to see the young people falling up and running around, and screaming in fear accompanied by asking for help. "Tulung-tulung ..." shouted Wayan. There are people who can walk. the body is tall and made of all kinds of plastic and cork. Instantly Luh Ayu Manik remembered I Wayan's behavior with and I Made who liked to throw away the trash when making ogoh-ogoh into the river this morning. +
I would like to thank the presenter for giving me the opportunity. Both the audience, especially the panureksa whom I respect, the wantaka basa bali wiki whom I respect, and the audience whom I love. Om Swastiastu. First of all, let's together express our happiness to Ida Sang Hyang Widhi Wasa, thanks to his grace we can gather together here for the Bali Oration Public Participation Wkithon event. On this occasion, allow me to deliver a speech that I have made.
Elections are only a means of exercising people's sovereignty to elect members of the DPR, DPD, President and Vice President as well as to elect members of the DPRD, which are carried out directly, publicly, freely, confidentially, honestly and fairly. As contained in UUD no. 7 of 2017 concerning general elections, all Balinese people cast their votes to support the candidate for regional leader of Bali.
A good Balinese leader candidate is a leader who is able to lead his people towards prosperity. Bali's future leaders must listen to the complaints of their people. Prospective Balinese leaders must be able to properly handle the problems that exist in the Bali area, including:
1) the declining growth of MSMEs, MSMEs play a very important role in Bali, especially in creating jobs, so they are seen as a lifeline in the process of encouraging the rate of economic growth.
2) controlling the prices of basic necessities, the increase in prices of basic commodities is due to expectations of increased demand, the main cause is the supply chain, food supplies such as agriculture are considered inefficient. If the trade system has not been properly regulated and controlled, prices and basic materials should remain stable.
3) development of public infrastructure, in the Bali area there are still public facilities that need attention and improvement. One of them is the highway, in some places there are still roads that are not good enough to pass on.
Sometimes many prospective leaders still forget about their duties as a result of which problems will increasingly influence other unfavorable factors that can cause disaster for the community.
Prospective Balinese leaders should be able to solve problems that arise in society so that the Balinese people live prosperously.
Okay, sorry if there are any mistakes or shortcomings, I apologize and close with. Parama shanti, "Om Shanti, Shanti, Shanti, Om"
Garbage is a major problem in human life and environmental pollution occurs due to waste. With concern for the younger generation, the US and Bali youth teams presented "3R FOR CLIMATE ACTION". 3R consists of Reduce, Reuse, Recycle which of course is the first step and an easy small step that has an impact on the environment in this world. Small things like doing 3R can help reduce the waste problem in the world and make an impact for our beloved earth. +
4
While at the beach with her grandmother, a fierce monster emerges from the water and starts attacking people. It turns out that the monster was a harmless sea creature who has himself suffered from ingesting ocean plastic. Luh Ayu Manik Mas comes to help, but struggles with the ethics of slaying a monster who himself is a victim of human pollution. +
5
Most of Luh Ayu’s friends have started buying imported apples and grapes instead of local pineapple, papaya and starfruit that the rest of the world seems to want. Luh Ayu turns into a superhero to help, but wonders what she can do to promote the growing and eating of local produce. +
Yesterday I was praying at the temple. I only saw children nowadays busy with their cellphones, even though it was in the temple pants, we had to focus on praying. When I prayed, when Jero Mangku was setting up a spell to pray for offerings, Mangku Yang's voice was lost to the sound of a small child's cellphone. while playing a game, even when praying, the sound of his cell phone is getting louder. Meanwhile, foreigners who travel to the temple really appreciate the people who are in the temple who are worshiping. Our time as people who live in Bali cannot respect people, even foreigners can be polite in the temples. Our time in Bali cannot be polite and respect people who pray. I hope that in the future people in Bali can appreciate people who worship more and we can be polite in temples. +
6
A package arrived for Made Putri, one of Luh Ayu’s friends, from the US wrapped in layers and layers of packaging material. Made Putri threw the packaging waste out in the garbage, but it ended up a local river where it collected pools of stagnant water. Dengue-carrying mosquitos then bred in those pools, making the original problem of packaging waste even worse. And, the Covid-19 pandemic was raging. What is Luh Ayu to do? +
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Suddenly a strong wind blew. An earthquake rocked the temple. From within the cracks of the earth came a round monster disturbing the villagers. Luh Ayu im- mediately rushed to the bamboo grove behind the temple and turned into Luh Ayu Manik Mas. Can Luh Ayu Manik Mas fight the virus monster without the help of others? Is there another way to help people survive the virus monster? +
A
A A Ngurah Paramartha was born in Denpasar, October 14, 1974. He completed his art education at ISI Denpasar. Since 1995 he has been actively displaying his works in various exhibitions, such as the “Kamasra” exhibition at Bali Cliff Resort Jimbaran (1996), Indonesian artist “Colour Wheel” at the Dublin Ireland Painting Gallery (2009), “Ulu-Teben”, the MilitantArt group.= at Bentara Budaya Denpasar (2015). His solo exhibitions include “Secret Desire” at Hide Out Fine Art Ubud (2003), “Exploration of Life” at Ten Fine Art, Sanur (2011). His works tend to be figurative by showing imaginary figures with multiple interpretations. +
Manus, an Existence born of Non Existence by Mas Ruscitadewi
Five artists from various fields of art active in the Sawidji Artist Collective explore the question ‘what makes us human?’ This is a collaboration titled “Manus, a Conscious Journey” which opened on December 15, 2023, and will be open to the public until February 3, 2024. The exhibition is a Sawidji Collaboration working in partnership with Sudakara Art Space, Sanur, Bali, Indonesia. +
Sangeh Monkey Forest.
A Forest Memory, the Power of Memory and the Secrets of a Sacred Forest
Memory is mysterious. Memory can hold such power over us over a lifetime. It can be strong and clear or hazy and weak. Whether we see Memory or not, it is there, taking residence in the back of our minds. Shaping our perceptions, our actions and choices. Memory shapes us from very early on. This recording of our experiences. The stories that get replayed in our minds that tells us who we are. Where we come from and perhaps where we belong. +
We continue our shared memories and reflections on the meaning and power of Trees through a dedication of Sangeh Monkey Forest. With reflections on the power and mysteries of our first memories. +
The contrasts between the seemingly opposite qualities of poetry and graffiti. A meeting between a philosopher and poet Dr. Mas Ruscitadewi and a street artist 'Istanbul' in Sawidji. +
The Island of the Gods or Pulau Seribu Pura is the name for the island of Bali which is famous for its strong Hindu culture, such as the many offerings dedicated to the guardian gods in various places in Bali. Not only that, Bali is also very famous for its beautiful and varied natural tourist destinations, ranging from beaches, seas, rivers, lakes, mountains and forests. This is what makes the tourism sector a huge influence on the economy in Bali.
As a local resident of Bali, everyone certainly has dreams or hopes for their own region, both in terms of the economy, education, infrastructure, socio-culture to the leadership carried out by their regional leaders. My hope is that in the future the economic sector in Bali, from the tourism, accommodation and food to agriculture and fisheries, will develop and improve the welfare of the Balinese people in the future. There is expansion and development of infrastructure to increase employment so as to reduce unemployment in the future.
Then increase access to education for students, especially students whose schools are in remote places so that the education they get is equally distributed. Maintaining tolerance and strengthening our solidarity as Balinese people by instilling a sense of compassion, compassion and care so that divisions or fights do not occur between one another in accordance with the teachings of Tatwamasi and Tri Hita Karana. And lastly, since an election party will soon be held to elect Bali's future leaders, hopefully it will be carried out in accordance with the election principle, namely Luber Jurdil, so that the elected leader can continue to maintain and improve work programs and their vision and mission in developing and developing Bali. towards the New Era of Bali. +
The longer the earth is getting more and more chaotic, those who used to have treasures now have nothing. It used to be like a great tiger, now it's a weak tiger. The world is not what it used to be, it used to be looking for tourists, now it's driving tourists away, because of the pandemic, everything is gone, artistic traditions are limited.
I hope Bali returns soon. +
Tells of a young man who still has a sense of optimism and believes that Indonesia can get a great leader, that's why he has high expectations and standards for Indonesian leaders +
A Student Wants to Collect Assignments During the Covid 19 Pandemic +
Choosing a leader who is worthy of leading this nation should not be done haphazardly, because our one vote will determine the fate of this nation for five years. Leaders who are worthy of leading this universe are true leaders, who lead with the heart, so that the universe is orderly and peaceful, and can strengthen Tat Twam Asi. A true leader who deserves to lead this nation must also be IT literate, because today is the era of the industrial revolution. A true leader must protect all the people and can unanimously hold the scepter to lead this nation. +
Mt Agung as seen from Mahagiri.
Landscape photography is very satisfying when you explore this genre. Especially if you are lucky enough to live in a place that has amazing destinations all within a short distance and rich in diversity as we have. All places on earth have their natural beauty.
Its Technical, Zero Exposure takes a look at the fundamentals of lighting in photography. With beautiful examples from ManButurs' Landscape Photography. +
In the past, I took part in this wiki marathon or wikithon activity because I was a respondent. However, because I often participate in these activities, over time, I am happy to continue participating. In addition, when the mbok and bli workshops were held there were very friendly. Not only that, I have a lot of writing, even though the writing that I make is not very good. That's what made me write works. Especially now that there are a lot of civil issues that make me want to have an opinion but I'm afraid because leaving comments carelessly on social media will cause other users to follow suit. Now there is the Bali Wiki Foundation which is willing to accommodate the opinions of the Balinese people and channel them to the government. Because the judges also come from the government. This causes the opinions of the Balinese people to be read and heard by the government. Apart from being a forum for the younger generation to express their opinions, Basa Bali Wiki also provides a platform for young people to be creative when making videos, photos or giving opinions. Moreover, the Basa Bali Wiki Foundation was made by Balinese people so we have the same taste. +
egun to be replaced with western culture. Because we have to keep trying to preserve culture by introducing the younger generation that we have an extraordinary culture. The simple thing in preserving culture is to become a part of cultural activists. With this simple thing, it is hoped that the existing local culture will become more widely known and become the main attraction for local and foreign communities. +
egun to be replaced with western culture. Because we have to keep trying to preserve culture by introducing the younger generation that we have an extraordinary culture. The simple thing in preserving culture is to become a part of cultural activists. With this simple thing, it is hoped that the existing local culture will become more widely known and become the main attraction for local and foreign communities. +
Born in Klungkung 14 February 1957, he completed his Bachelor of Anthropology in 1982 at Udayana University, completed his Masters degree at Indonesia University in 1990, and doctoral degree at Gadjah Mada University in 2008. Becoming a lecturer at Faculty of Cultural Knowledge Udayana University since 1983 until now. He was on charge as the head of the anthropology department in 1997-2000, as the head of Hindu Indonesia University's S3 program of Religion and Culture in 2008-2011, as a secretary of the field of service in Institute for Research and Community Service Udayana University in 2011-2015, as the head of doctoral program (S3) Cultural Studies, Faculty of Cultural Knowledge, Udayana University from 2018 until 2022. He actively participates in seminars and writes accredited national and international journals, and has written several books. +
A A. Raka Sidan's real name is A.A. Gede Raka Partana. He is a songwriter and Balinese pop singer who was born June 27, 1979. He studied at UNHI Denpasar and produced a number of albums, including "Suud Memotoh" (2005), "At-Pada Ngalih Makan" (2007), "Pak Boss" (2009), "Song Brerong" (2012), "Kenceng" (2015). The songs contain a lot of moral messages and social criticism wrapped in humorous nuances. +
Along with the advancement of the modern era and also the increasingly sophisticated information technology, surely this will greatly affect the existence and preservation of the Balinese language. As we all know that the Balinese language is the mother tongue in Bali which is the heart and the soul of the Balinese people. We really need to preserve the existence of the Balinese language so that in the future it does not become extinct due to infrequent use.
The BASAbali Wiki platform is a very appropriate way to preserve the existence of the Balinese language in this globalization era. Apart from preserving the Balinese language, the BASAbali Wiki platform is also a forum for preserving culture and environment, and also responding to current civil issues among Balinese people. Until now, the BASAbali Wiki platform has been very good in its aim to preserve Balinese language and culture. I can see this from the many competitions that have been held by BASAbali Wiki in each region on the island of Bali.
In terms of features, this platform already provides three languages; namely, Indonesian, English and Balinese. This makes it very easy for users to translate from one language to another. From these advantages, there are several disadvantages of the BASAbali Wiki platform which must be corrected and added in the future. The existence of the Balinese script from year to year has decreased in use. It is very important for us to pay attention to and anticipate the extinction of Balinese script. Hopefully, this Balinese script feature can be added to the platform to maintain the existence of the Balinese script so that it does not become extinct. +
AG Pramono was born in Negara, Bali on March 23, 1973. He has been involved in theatre and literary arts since 1990. He founded Sanggar Susur Jembrana in 1991. His writings in the form of short stories, poems and cultural articles have been published in several media. A number of his poems can be found in the following anthologies: Poetry 19 (1995), Kidung Kawijayan (1996), Detak (1997), Indonesian Poetry Anthology (KSI) Jakarta in 1997, Serambi Hening (1998) and Stopping Short Stories in Rumahmu (2014). Since 1993, he has been active in Bali Experimental Theater and in 1998 participated in the Komunitas Kertas Budaya. He is currently working as a journalist in one of the local newspapers in Bali and lives in a small house named Serambi Hening in Loloan Timur, Jembrana, Bali. +
About my experience while studying online +
About school during a pandemic +
About students who were asked by their mothers about online learning +
About the teaching and learning process is still being done online +
Abu Bakar, is a playwright and theater figure, born in Kediri, Tabanan, Bali, January 1, 1944. His father is Javanese and his mother is Balinese. Apart from theater, he also pursued literature and photography. There are many plays that he has performed and directed. He had visited several countries for artistic matters, among others, France and the United States.
In America, Abu performed his collaboration with Ikranegara artists in the form of the theatrical performance “Berani-Beraninya Waiting Godot” (1990). He also directed the performances “Kereta Kencana” and “Indonesia Luka” (both in 2012) and “Malam Jahanam” (2013). In the field of literature, apart from being published in several newspapers, his works have also been published in "My God Butterflies", "America Outside the Window" and "Fireflies". He also wrote a monologue script entitled “Wanita Batu” (2006) and television dramas “Comedy Hitam”, “Bali Crying (2004), and so on.
Abu is the founder of the “Polyclinic Theatre” and “Earth Theatre”. +
Achmad Obe Marzuki was born in Jakarta, July 30 1975. He has lived in Bali since 2002 and is active in the arts, including playing theater, writing poetry, reading poetry, photography and painting. He deepened his writing skills through a journalism course at Planet Senen, Central Jakarta in 1995. He joined the Jakarta Theater Forum and the South Jakarta Cultural Service's Fairy Tale Institute (1995-1996). Reads his poems in the free pulpit on the 1998 TIM reform stage. Joined the AGA Theater (Waterhouse Children) and founded the API Community (Indoor Market Children) in 2000. Founded Pelangi Art Bengkel Handicraft 2001. Together with Sanggar Poerbatjaraka he was involved in the performance Layon ( 2008) and Hong (2008) at the VI Nusantara Student Theater Gathering in Surabaya. Now he has joined the Jatijagat Life Poetry community in Denpasar, Bali. +
This baligraphy reads "angamet sarining amreta ring telenging segara". This baligraphy uses the color blue to describe the sea and conditions in the sea, with the sun shining at the right angle. This baligraphy uses the form of acintya which means the unthinkable omnipotence of God.This baligraphy is a participant in a baligraphy competition held in the context of the Bulan Bahasa Bali V in 2023. This baligraphy belongs to the Dinas Kebudayaan Provinsi Bali. +
Adhy Ryadi was born in Singaraja, January 17 1960. He completed his Bachelor of Law studies at Undiknas Denpasar. Writing poetry since 1981 and published in the Bali Post, Mind of the People, Berita Buana, Suara Indonesia, and collected in the poetry book "Hram" (1988). He once worked as a journalist at the Bali Post. He died in 1995. +
[EN] The battle between Pandava and the Kauravas took place some 5,000 years ago in India and was recorded by Rsi Wedawyasa as the Epic of the Mahabharata. There are 100,000 verses in this book which are divided into 18 Parwas (big chapters). Each Parwa has a section called Kanda.
Adi Parwa is the first part of the Mahabharata which tells about the ancestral lineage of the Pandavas and Kauravas. It was stated that they were descendants of the Lunar Dynasty. In ancient times, humanity was ruled by the great kings of two dynasties, namely the Sun and the Moon. The two dynasties began from Lord Surya (the sun-god) and Lord Candra (the moon-god), so the quality of the kings of their descendants far exceeded those of ordinary humans.
Adi Parwa mainly tells about the creation of the universe in four stages, the appearance of the divine incarnations (avataras) of God in the previous eras, the birth of Pandavas and Kauravas and the birth of Maharsi Krishna Dwaipayana Wyasa who is the incarnation of God and the most respected sage for the Hindus around the world. The most important part of Adi Parwa is the story of the appearance of Sri Krishna, God Almighty, into this mortal world to speak the Bhagavad-gita which is considered one of the most important Vedic scriptures for Hindus.
At the time of Dharmawangsa reign in the Panjalu kingdom, Adi Parwa was translated into ancient Javanese together with other parwas by the Javanese poets at that time. Some names of places in Sanskrit are distorted during translations. Because of this massive literacy project in Dharmawangsa era, many names of places in the Mahabharata were used as names of places in Java until now. +
Born in Denpasar in 2000.
2020: MSc in Data Analytics and Business Economics (MScDABE) Programme in Hong Kong Baptist University (HKBU). Free lance 3D artist based in Bali.
Aditya’s earlier works focused upon his cultural ideas of beauty. His recent works, however, consider culture and tourism and their possible future ramifications. +
Adrian Vickers is an Australian author, historian and professor of Southeast Asian Studies at the University of Sydney. He has studied and documented Gambuh dance traditions, Panji (prince) stories, and other Indonesian art and cultural subjects as well as historiography and colonialism. He has a BA and PhD from the University of Sydney, is the Professor of Southeast Asian Studies (Personal Chair) and Director of the Asian Studies Program. Vickers' most recent book, The Pearl Frontier, co-written with Julia Martínez, won the University of Southern Queensland History Book Award at the 2016 Queensland Literary Awards. +
Adrien-Jean Le Mayeur de Merpres was a Belgian painter who lived in Bali and donated his house in Sanur as a museum. He was born in Brussels, Belgium, February 9, 1880. The Impressionist painter arrived in Bali in 1932 and first rented a house in Banjar Kelandis, Denpasar. It was also at Kelandis that he became acquainted with Ni Nyoman Pollok, a Legong dancer who was 15 years old at the time, and later became a model for his paintings.
Le Mayeur's works using Ni Pollok as a model were exhibited in Singapore for the first time in 1933 and sold out. Then Le Mayeur bought a plot of land on the shores of Sanur Beach which he used as a studio and house. That is where every day Le Mayeur painted with Ni Pollok as the main model. In 1935, Le Mayeur married Ni Pollok.
In 1956, the Minister of National Education of the Republic of Indonesia, Bahder Djohan, visited Le Mayeur's house and was fascinated by these gentle works. Bahder then suggested to Le Mayeur that his house would later be used as a museum. Le Mayeur agreed and worked even harder to improve the quality and add to his collection of paintings.
On August 28, 1957, Le Mayeur signed a testament in which Le Mayeur bequeathed all his possessions including land, house, and everything in it to Ni Pollok as a gift. At the same time, Ni Pollok then transferred everything that was inherited from her husband to the Government of Indonesia to be used as a museum.
In 1958, Le Mayeur suffered from ear cancer. Accompanied by Ni Pollok, he was treated in Belgium. Two months later, on May 31, 1958, Le Mayeur died at the age of 78 and was buried in Brussels. Ni Pollok then returned to Bali to take care of his house until her death on July 18, 1985 at the age of 68 years.
Le Mayeur's works can be enjoyed at the Le Mayeur Museum, which is located on the shores of Sanur Beach, Denpasar. +
The Samsara Museum is a beautiful place to learn about Balinese customs, traditions and culture which is supported by ancient equipment and buildings. +
Agastya Parwa literally means "Maharsi Agastya's Chapter". This palm manuscript is an adaptation of Weda Agastya Samhita in Sanskrit. It describes dialogs bewteen Maharsi Agastya and hs son, Dridhasyu. The content of their dialogs is split into seven parts. The first part tells about creation of the universe. Th second part tells about maintenance and dissolution of the cosmic manifestation, including the existence of heaven and hell. The second part also describes sinful and pious activities. This part also contains lists of merits one gets from doing certain pious activities. The third part discuses about the life of the demigods and the demons (asuras) as well as genealogy of the Manus. In the fourth part, Rsi Agastya teaches about self-realization and spiritual advancement (moksa). In the fifth part there are family trees of pious kings and great sages in the past. In the sixth part, there is a description about prescribed duties of mankind especially regarding sacrifice, atonement and self-restrain. In the seventh part, there is a description about duties of each varna (division) in the human society. +
Small and simple yet mini ogoh-ogoh on the side of the road have a deep impression on my heart. Anyone has access to have it and feel the euphoria of carrying the ogoh-ogoh and not just being a spectator. There is the happy face of a child receiving a mini ogoh-ogoh and the proud face of parents seeing their child enthusiastic about fostering culture from an early age.
I hope the government pays attention to these small things, one of which is by supporting the preservation of the art of making and carrying ogoh-ogoh in the education system. Facilitating access to learning about culture from an early age with the hope of becoming a cultural knowledge for the future. Nurturing culture, growing proud of culture. +
Agoes Andika was born in Banjar Baleagung, Buleleng, March 5, 1963. In 1981 he settled in Mataram, Lombok. He studied writing a lot with Putu Arya Tirtawirya and Umbu Landu Paranggi at the Bali Post. In 1985 he was invited to Taman Ismail Marzuki Jakarta with several Balinese poets and other Indonesian poets to read poetry. Literary works have been published in the Bali Post, Karya Bhakti, Nusa Tenggara, Simponi, Swadesi, Nova, Buana News, Suara Karya, Suara Nusa, Horizon, and several bulletins in Mataram, Pontianak. Now living in Singaraja. +
If I become a leader in the agricultural sector, I want to foster, teach all farmers to achieve good results, namely:
1. Planting suitable agricultural crops or seeds. Not a few farmers are forced to want to plant types of plants in their area. This is usually done when we see other farmers are able to generate profits from these types of crops. We also need to know that not all types of plants will be suitable if planted on the land. If forced, of course the results will be less than optimal. Therefore, if I become a leader, I must provide counseling about what types of plants are good, as well as facilitate farmers with superior seeds.
2. Cultivate the land and fertilize the land. The most important key to distributing agricultural products other than seeds is land cultivation. Fertile soil will allow plants to grow optimally. Plants that thrive will increase their flowers and fruit. so, the results achieved will be doubled than usual.
3. Regulate irrigation properly. In addition to cultivating land, regulating irrigation is also very mandatory. Plants need water for growth. In fact, land that is wet with water will be loose and plant roots will grip firmly in the soil.
4. Harvest at the right time. Another mistake that farmers usually make is rushing to harvest them. This is usually done with rice plants. Young harvesting is sometimes done because rice is considered too much of a pest. Likewise, because of economic needs.
So in conclusion, the increase in agricultural output is influenced by many things. Namely good seeds, placement of seeds in the right land, land management, irrigation and harvesting time. In addition, pest control is also mandatory to avoid crop failure. I hope that the harvest in August this year, hopefully the farmers will be prosperous and their economic needs will be fulfilled +
Om Awighnam Astu Namo Sidham
Om Swastiastu
Friends, my idea is to improve the economy in Bali, I have a project, which is to make aromatherapy oil, this oil is good for surrounding the room so it smells good and cools the air, this oil is made from lemongrass. In Bali there are many plants that can be used as aromatherapy oil, Bali is rich in natural resources so we as Balinese must conserve and be smart in processing natural resources in Bali. We can make this oil at home, many people like this oil, local and foreign people, this oil is good made during the past of this pandemic. +
Agung Bawantara was born in Klungkung on January 30, 1968. He graduated from the Faculty of Animal Husbandry at the University of Mataram, NTB. He has been writing poetry since the 1980s in Bali Post, Karya Bakti, Nova, Berita Buana, Swadesi, Media Indonesia, etc. His collected poems can be found in Sahayun (1994), and in Klungkung: Tanah Tua, Tanah Cinta (2016). He initiated the Denpasar Film Festival. He has also written short stories, children's stories, fairy tales, and novels. +
1930s Sanur painter. Bateson and Mead notes refer to Gusti Gede Raka and Gusti Putu Raka co-painting a work.
May be the same person as Gusti Putu Raka (and/or Gusti Gede Raka); in Bateson's catalogue, described as the son of Gusti Sodang
Related Artists
Also known as: I Gusti Putu Raka
Mother: Anak Agung Made Glogor +
Agung Wiyat S. Ardhi was born in Puri Anyar Keramas Gianyar on February 3, 1946. He passed away on 24 Februay 2020. He graduated with a degree from ASTI and a Bachelor of Hindu Religion and worked as a teacher at PR Saraswati Gianyar. He also served as Head of the SPG Saraswati Gianyar, was Head of Saraswati Gianyar High School, was a Gianyar Regency Associate Member. As well he was a member of the Gianyar Regency Wija Kusuma Award Selection Team, the Gianyar Regency Extension Team, the Gianyar Regency Gita Main Supervisory Team, and the Gianyar Kabupatén Gianyar Development Team. In addition, he is also well-known as a Drama Gong player / dancer. He received Rancage Literary Awards in 2001 for a work entitled "Gang Girang Sisi Pakerisan" and in 2010 for his services to the field of Modern Balinese literature. In 2015, he received a Widya Pataka from the Governor of Bali for a Balinese play entitled "Bogolan" . +
Owner and Founder at Hotel & Villa Photo, Photographer at Bali Family Photography and Photographer at Visual Food Photographer +
Gus Teja is a flute (Suling) maestro from a small village near Ubud, Bali. He is the youngest of four children from his parents I Nyoman Kadjil and Ni Wayan Darpini. He began playing the flute while attending elementary school, yet spent a lot of time during this period practicing the gamelan (Balinese traditional instrument). As the years progressed, his interest in wind instruments increased. This sparked the obsession in learning all there was about wind instruments from around the world.
Since childhood Gus Teja is excited to be a flute player. Flute is an instrument with melodious voice that represents the voice of peace. He feels free when everytime playing flute as well as a form of meditation in his devotion to God.
Gus Teja continued to challenge himself by creating new instruments to go along with his passion of flutes. Ranging from whittled wood instruments to full fledged bamboo flutes. He is always experimenting with creating new works of music by incorporating musical instruments from modern instruments with traditional sounds. After years of patience and practice, Gus Teja finally formed a world music band named Gus Teja World Music.
Musical works that have been created not only represent an expression of his feeling from the deepest part of his heart, but also reflects peace, serenity, and a strong bond of brotherhood regardless of cultural background or a different race. Gus Teja said, “Music is universal … therefore through music let’s bring peace and love to the world. +
Agus Vrisaba is a writer born in Klaten, Central Java, May 15 1941. In the 1970s he lived in Bali and socialized closely with many Balinese artists. In the late 1980s he moved to Tawangmangu, Central Java. He died on February 17 1992. Agus was a very productive short story writer. His works are published by Kompas, Sinar Harapan. Later also in Suara Pembaharuan, Vista, Jawa Pos, Bali Post, Intisari, Surabaya Post, Suara Indonesia, Zaman, and also various other regional newspapers. Kompas Book Publishers (PBK) is trying to bring back his works and edit them in a book, a collection of his first single short stories, entitled "From Bui to Nun" in 2004. Agus himself, until the end of his life, had not had time to publish his works. There is only one short story, namely "Sodom and Gomorrah" which was included in the anthology "Two Sexes for Midin", published by Kompas Book Publishers in 2003. +
"Invite a Domestic Tourists, Bali Rises from the Covid-19 Pandemic"
None of the Balinese people (including business people, investors, and the government) thought that they would be in a difficult situation of the COVID-19 pandemic. Bali, which usually doesn't stop bringing in rupiah coffers to support its people's economy, is now deserted.
A few months after the COVID-19 pandemic began to subside, there was a lot of buzz in the social media about the hashtag #WorkFromBali. Bali, as the most popular tourist attraction in Indonesia, is slowly starting to rise from the slump of the COVID-19 pandemic.
Most Indonesian people consider Bali as an elite tourist destination, because the majority of visitors are foreign tourists. Not infrequently Indonesian people also think that the price of admission to tourism and the price of food at the place to eat is also high (by the standards of foreign tourists).
Seeing the situation of the COVID-19 pandemic which is still uncertain, it is better for the Bali government to start moving to carry out "Rebranding Bali" for domestic tourists. Because they are considered the safest and most sustainable, to keep the economy in Bali alive and spinning.
There are several ways that the Balinese government can do to invite local and domestic tourists to visit Bali:
1. Ensure that Bali is a safe place during the Covid-19 pandemic, by showing that all frontline Bali tourism has been vaccinated and maintaining proper health protocols;
2. Invite influencers to advertise Bali. The hashtag #WorkFromBali seems to be very good and powerful to be echoed again;
3. Recalculate the highest price specifically for local and domestic tourists, such as the price of tourist entrance tickets, lodging prices, food prices, and so on, by adjusting the socio-economic conditions of the Indonesian people.
4. Provide understanding and training for the frontline Bali tourism, to treat local and domestic tourists in the same way as treating foreign tourists.
Hopefully Bali's economy will get better.
Aji Janantaka is a mythical lontar which tells the origin of wood in Bali. This lontar tells about woods that have a hierarchy like a royal system among humans. Based on the story in Aji Janantaka, Balinese people determine the types of wood that can be used to build shrines, house buildings, or make utensils and masks. There are sacred types of wood that can only be used to build holy places and may not be used for ordinary building materials.
The story in this lontar begins with a king named Pratipa who ruled in the land of Janantaka. The king had five ministers namely Matwa, Rangga, Tumenggung, Arya and Kadeyan. In addition, he had five other officials, namely Punggawa, Manca, Perbekel, Pecalang, Kelihan Banjar, and Kasinoman. They were all attacked by a plague of leprosy which could not be cured by any means. It is said that this plague was originated from Lord Shiva who displeased King Pratipa because the king had made an offense.
King Pratipa then sent Matwa to go to Lord Dharma in heaven to ask for healing. According to Lord Dharma, the entire kingdom had to be moved from Janantaka to Wanapringga. Dewa Dharma then gave them purification for their ailments. However, this purification meant that they would all be dissolved and be reborn into trees.
All types of trees originating from the king, Arya, Rangga, Demung, Tumenggung, pecalang, Perbekel, kliyan and kasinoman cannot be used for building holy buildings because they had previously been affected by leprosy (known as “cukil daki” or “ila” disease). The trees that are considered contaminated include the Bengkulitan, Taru Brokan (deformed tree due to being eaten by pests), Embud Hati tree, Soca Menengan Sunduk tree, and Soca Nyuwun Lambang tree.
This lontar can be referred to as a simple botanical taxonomic palm-leaf manuscript centered on local trees that grew in Bali in the past. There are also Brahmin tree class and Taru Sari tree class. Both types of trees can be used as sacred building materials. There are also jempini, bayur and bentawa trees belonging to the taru sakama-kama class, which can be used for any purpose.
Apart from the types of trees, Lontar Aji Janantaka also describes types of fragrant flowers that can be used for ceremonies. These fragrant flowering trees are classified as sekar madewi, namely cananga, frangipani, canigara, tigaron, sebita, kembang kuning, kemoning, tigakancu, tampak bela, katrangan, nagasari, jasmine, jempiring, pudak sari, pudak cinaga, pudak kalasa, sekar gambir, chrysanthemum, magnolia, ratna, and gadung kasturi.
Kakawin Aji Palayon was written by Ida Bagus Putu Bek from Griya Suci, Gianyar. Aji Palayon means 'the science of death'. This kakawin contains the spirit's journey from death to heaven or hell.
After leaving his body, the spirit sees his relatives who are surrounding him. After leaving his brother, this spirit or atma heads for Pura Dalem temple to face Dewi Durga. There, this spirit is surrounded by evil spirits who are the servants of Goddess Durga. Spirits who have only a few sins will not be hurt by the spirits.
Then, the spirit continues its journey to the Sarayu River to purify itself before continuing its journey. In the river he meets a crocodile that is ready to eat him. The crocodile turns out to be the incarnation of the placenta that was born with him. Then, the crocodile leads him across the river.
Arriving across the river, there is a female giant who wants to devour the spirit. The spirit then manages to subdue the giant. The journey continues to a steep mountain, where there is a tiger which is finally defeated.
The next obstacle is the big, fierce dog. The dog is defeated also. Furthermore, there are some bhutakala devils who wish to devour the soul. The demons are eventually ordered to go to the spirit's family house because there are various types of food offerings provided there.
Finally, the atma arrives at a very clear lake called Pancaka Tirtha or Samanta Pancaka. This lake is not imaginary. This lake is now located in Kuruksetra, northern India, and has been a holy place since the era of Manu.
After bathing at Samanta Pancaka, the spirit becomes clean and golden in color. Then, the heavenly apsaras (apsaras) picked him up. In heaven, he was told to do the right things. +
Aji Pari means ‘the spell of rice'. This lontar is written in ancient Javanese and is one of the lontars which contains teachings about traditional agriculture. Aji Pari is in the same category as agricultural lontars such as Usada Taru Pramana, Aji Janantaka, Usada Carik, and so on.
Aji Pari in general contains mantras about the greatness of rice from the time it is planted to post-harvest. This lontar is closely related to the Subak organization, which is thought to have existed since the ninth century. Within the Subak organization, there are many special ceremonies for rice starting from before planting to after harvest. In other words, rice is treated like a human undergoing developmental phases.
Lontar Aji pari likens rice to a sacred tree which is a form of the goddess Sri (the goddess of prosperity) as a tree. Therefore, in each phase of rice development, it is given different names. Lontar Aji Pari revealed that traditional Balinese and Javanese people highly respect rice plants as the main source of food in an agrarian society.
Based on what is contained in Aji Pari's lontar, it can be assumed that the rice seeds in Bali came from Java, to be precise during the Airlangga era or before. Perhaps at that time there were native Balinese rice species, but in allegory this lontar states that Bhatara Sri came from Kamulan (East Java). This indicates that there was a better breeding of rice species in East Java at that time, which was later developed in Bali as well. +
The cone-shaped of Kayonan in shadow puppets symbolize human life. The higher the knowledge and the older the age, The higher the knowledge and the older the age, humans must increasingly conical unite the Soul, Sense, Creation, Initiative, and Work in our lives (closer to the God). +
This baligraphy is in the form of a person who is carrying out penance. This baligraphy reads tri kona which contains utpeti, stiti, and pralina, the sacred characters Ong, Ang, Ung, and Mang, as well as Tri Kaya Parisudha which consists of kayika, wacika, and manacika parisudha.This Baligraphy is a participant in the 2023 Makantisastra III event organized by the Bali Penyuluh Bahasa Bali Provinsi Bali on duty in Gianyar Regency on December 1 2023. +
Aldwin is a senior analyst for AkarAsia. He recently graduated with a master’s degree in International Development Studies at George Washington University’s Elliott School of International Affairs, specializing in private sector development. He received his B.A. in International Affairs from the University of Colorado at Boulder, focusing on Southeast Asian politics and economy. +
Alexander Cuthbert is Emeritus Professor of Planning and Urban Development at at the University of New South Wales in Sydney, Australia. He was educated in Scotland with degrees in Architecture, Planning and Urban Design, and a Doctorate from London School of Economics and Political Science. His main interest has been in urban design, with teaching and practice in Greece, Britain, the United States, Hong Kong and Australia. +
Good morning,everyone.
First of all, let's offer thanks to the presence of God Almighty. Here I would like to thank you for the opportunity that has been given to me, allow me to introduce myself. My name is Ni Kadek Feby Dhiyo Dharma Yanthi, I am from SMK Negeri 2 Seririt. Here I will deliver an oration about the conversion of agricultural land. This is one of the problems that must be overcome by potential Balinese leaders.
As we know, the population of Bali is increasing and more and more foreign tourists are visiting, therefore a lot of agricultural land is being converted into housing, hotels, restaurants and other buildings that support the tourism industry. Therefore, there are no farmers in Bali who own large areas of land. Head of the Bali Agriculture and Food Security Service, I Wayan Sunada, explained that currently the largest farmer's land area in Bali is around 75 are/0.75 ha, it is very rare for farmers to have land above one hectare. "The weakness of farmers in Bali currently is that their land is limited, some are 25 hectares, the maximum is 75 hectares. "This is the result of land conversion that occurs every year." said Sunada to Bisnis, Wednesday (22/6/2022). Based on these problems, the Government or prospective Bali Provincial Government must really pay attention to the problem of Land Conversion by ensuring the welfare of farmers, for example:
1. During the planting season, attention must be paid to the distribution of subsidized and non-subsidized fertilizers to avoid fertilizer shortages.
2. During the harvest season, the Government must help farmers market their agricultural products.
If the government really paid attention to the welfare of farmers, land conversion could be prevented because people and the younger generation would want to become farmers. In this way, the national food security program can be achieved.
That is the speech that I can convey, if there are any sentences that are not acceptable, I apologize profusely. I would like to express my gratitude
Allistair Speirs has been in the publishing, advertising and PR business for the last 25 years. He started both NOW! Bali and NOW! Jakarta as each region's preferred community magazine. +
Alit S.Rini was born and live in Denpasar with the name Ida Ayu Putu Alit Susrini. She wrote poems in the Bali Post newspaper which afterwards become her workspace. Then she was promoted to the culture, religion, education, opinion desk and 1998 as performance editor, and then moved to the opinion desk until she retired in 2015. "Karena Aku Perempuan Bali" (Since I am a Balinese Woman) 2003 is her single poem compilation. Her poem was compiled in book "Cinta Disucikan Kehidupan Dirayakan", "Bali Living in Two World" (2002), "Dendang Denpasar Nyiur Sanur" (2016), "Klungkung: Tanah Tua Tanah Cinta" (2017) is a compilation of her poems published in 2017. She later collaborated with Nyoman Wirata with a book entitled "Pernikahan Puisi". +
Signs of the Kaliyuga era have appeared with various phenomena and problems that occur in society. Starting from corruption, robbery, murder, sexual harassment, abortion, domestic violence and various other immoral incidents that reflect or depict that we are in the Kaliyuga era. The ogoh-ogoh whose name is Amukti Kalki Awatara as the embodiment or reflection of the Kaliyuga era 5000 years ago which existed in the Sastras or the books of the Puranas and the Bhawadgita occurred at this time. This avatar is the incarnation of Lord Vishnu whose enemies are immoral humans. It is also our hope that the concept of ogoh-ogoh can at least remind and reawaken humanity that the earth is not doing well right now. +
An obstacle and solution for online learning in the era of covid-19 +
"One of the first female writers of erotica, Anaïs Nin is perhaps most famous for her soul-penetrating diaries, her bohemian love affair with writer Henry Miller and an incestuous relationship with her father at the advice of her psychologist. She was also heavily involved in the psychoanalyst scene, and was interested in integrating and harmonising the self through the process of writing. Therefore it is no surprise that she idealised the idyllic island of Bali—a quiet refuge in which man lived in harmony with his universe....
In 1955, Anaïs first took LSD under the guidance of Aldous Huxley and wrote a beautifully evocative description of her visions and subconscious landscape which included images of Javanese temples, Balinese music, symbolic dance gestures before finally finishing with the conclusion, “Ah, I cannot capture the secret of life with WORDS.” She was beginning to reveal what her soul desired deep down—for Anaïs, utopia was a state of mind in which the artist had access to the world of dreams. Perhaps this is why she fell in love with the mysticism and art of Bali. In her final journal (volume 7 of her diaries) she finished with a reflection on her trip to this island, complete with magical descriptions of sacred cremations, opulent gardens, temple dances, Wayang shadow puppets, natural-material bungalows used as hotels, the haunting music, and the sophisticated and gentle ways of the Balinese people." +
Anak Agung Ayu Bulantrisna Djelantik was born in Deventer, the Netherlands on September 8, 1947. She is the eldest daughter of Dr. Anak Agung Made Jelantik (UN Doctor). She has loved dance since childhood and is now a Legong dance maestro. Besides being known as a dancer, she works as an ENT specialist and lecturer at the Faculty of Medicine, Padjadjaran University, Bandung.
Bulantrisna is the granddaughter of Anak Agung Anglurah Djelantik who was the last king of the Karangasem Kingdom, Bali. At the age of ten, Bulantrisna was invited by President Soekarno to the Presidential Palace in Tampaksiring, Gianyar, Bali to entertain Palace guests. Her main mentors are Anak Agung Mandera and Gusti Made Sengog, the first generation of Legong dancers. Besides Legong dance, Bulan also mastered other dances, such as Oleg. Dancing for the Moon is a release of emotion, creativity, joy, moving with soul, and as a means of prayer. Her love for dance is not only limited to movement, but she also founded a dance studio called "Ayu Bulan" in 1994. One of her dance creations is the Legong Asmarandana dance. Bulantrisna died on February 24, 2021 at Siloam Hospital, Semanggi, Jakarta due to pancreatic cancer she suffered. +
Anak Agung Bagus Sutedja, the governor of Bali who headed the island twice, was born in 1923 and vanished on July 27, 1966. His first term as head of Bali's executive body, from 1950 to 1958, was determined by the Regional Government Council, while the legislative body, Paruman Agung, which was composed of delegates from Bali's eight kingdoms, was superseded by the Temporary Regional People's Representative Council (DPRDS). He was re-elected as Bali's governor in December 1959, having served as the island's temporary regional head from 1958 to 1959 before being ousted by I Gusti Bagus Oka. His second term of office ended in 1965, a few months after the G30S/PKI. His second term of office ended several months after the G30S/PKI occurred in 1965. He was then replaced by I Gusti Putu Martha. He "disappeared" on July 29 1966 in Jakarta, thought to be a victim of political kidnapping that occurred at that time. +
1930s Batuan artist who continued to work in the 1950s. Also a gambuh dancer. A portrait of him has been painted by Bonnet. Also known as "Dewa Cukit" and "Dewa Gede Cukit". +
Anak Agung Gde Mandera Erawan (Agung Bangli) is a traditional dance maestro from Puri Kaleran Peliatan, Ubud. He was born in artist family, son of Gung Kak Mandera, maestro of traditional music the founder of Kelompok Musik and Tari Gunung Sari and a dancer mother. Gung Kak Mandera was one of artist of Bali that travel arround in Europe and performed in Paris in 1930s.
Almost all of countries had already visited by Gung Aji to perform Balinese dance to the world. it can be said that his life was dedicated for traditional dance and music arts of Bali. Maintain and preserve it to keep this culture existed.
He inherited his late father role to lead group of Gunung Sari Peliatan, which hold a performance in every week in Balerung Peliatan. Legong Nandira is Tari Legong with male dancer is one of his creations. +
Anak Agung Gde Rai or usually called as Agung Rai, born in Peliatan, Ubud, on July 17th, 1955. He is a humanist (cultural practitioner) and an artist who has big role in preserving and promoting arts of Indonesia, particularly Bali. He is the founder of ARMA (Agung Rai Museum of Art). The poverty during his childhood motivated him to change their family life to make it better by continuously work hard. When he was young, he has ever become “merchant” of artistic goods for tourists in Bali.
Agung Rai has a dream to become a teacher, but he has to burry it since cant afford the tuition. Then, he learned to paint. But, he realized his skill is yet sufficient as painter. Otherwise, he took a course of English and became a tour guid. From his interaction with the tourists, he got sense of business to try as seller of artistics goods made by his neighbors in his hometown. Since then, he is becoming a merchant in arround Sanur, Kuta until Padangbai. As a merchant, his sense of business and arts was developed. Then he mad friend with many arts collectors. He followed his friend to be a collector of maestro’s artwork. From a collector, he became a currator for artwork exhibition. Such as, in 1989, Agung Rai went to Japan and took a hundred of artworks from fifty painters that joined a group of Sanggar Seniman Agung Rai (Agung Rai Artists Group). This paintings then was shown in Japan for two months.
Anxiety and worry for his country’s cultural preservation mainly in field of arts make him obssessed to establish a museum and arts galery. Then, with wonderful effort of him, in June 9th 1996, ARMA Museum officially opened by Prof. Dr. Ing. Wardiman Djojonegoro while at that time have position as Minister of Education and Culture. ARMA is one of museums with most complete collection in Indonesia. From classical artwork until contemporary, even artwork of local artist and other countries. Moreover, ARMA periodically held an exhibition of artworks.
The popularity of ARMA is masively increasing since it often held various cultural event such as music performance, theatre, providing bookroom with various collection for visitors, held seminar of culture and art. Events in ARMA mostly in international scale and often were hold by various artworkers and culture from many countries. With various arrangement of these kind of event, ARMA achieved predicate as most popular museum and the best museum in Indonesia based on tourist as how it was compiled by world travelling site, TripAdvisor.
For his effort to preserve arts, Agung Rai was awarded many awards. Such as, in 2002 he was awarded by Indonesia Government as “The pioneer in advancing the fine arts”. In 2012 he was chosen as Chief of Himusba (Himpunan Museum Bali) 2012-2017. In 2016 “TripAdvisor” awarded ARMA as the best museum in Indonesia. The choice was determined by the tourists who has visited the various museums in Indonesia.
The Books of Agung Rai and ARMA can be read in “Gung Rai, Kisah Sebuah Museum // Gung Rai, A Story of Museum” (KPG, 2013), “Saraswati in Bali: A Temple, A Museum and A Mas” (BAB Publishing Indoneisa, 2015”, “Agung Rai, Sang Mumpuni // Agung Rai, The Maestro” (Lestari Kiranatama, 2017).
Only one picture in Bateson and Mead collection, purchased Jan. 17, 1937 — crude
Member of the ruling family of Batuan. Bateson-Mead information: Age: about 12-13 Son of the highest status and most powerful man in Batuan of the time, Anak Agung Gede Ngurah, who was juru tulis to the Punggawa of the region, which was centered in Pliatan in the late 1930s, was just finishing up 5th year of elementary school in Sukawati, and was about to go on to become an apprentice civil servant (magang) in the Pliatan office that very same year. Survey information: MARGINAL EARLY TEEN UNSKILLED THIRD WAVE LITERATE SPEAKS MALAY +
Anak Agung Gede Ngurah Puspayoga was born in Denpasar, 7 July 1965. He completed his Bachelor's degree at Ngurah Rai University, Denpasar, in 1991. He is Minister of Cooperatives and Indonesian Small and Medium Enterprises in President Joko Widodo's Working Cabinet. He served from 2014 to 2019. Before becoming a minister, he served as Mayor of Denpasar for two periods, namely 1999-2004 and 2005-2010. In the second period, halfway through, he was elected Deputy Governor of Bali for the 2008-2013 period. +
There seem to be a number of A.A. Okas, and there may be confusion between the 1930s Batuan artist (one work int he Bateson-Mead collection), an artist from Mas, and the Batuan artist born in 1955. +
From the family of Turas. Produced a number of the illustrations in Sprookjes van Bali. +
Related Artists
Anak Agung Gede Sobrat
Teacher: I Wayan Pendet
Relative: I Dewa Ketut Rungun
Relative: I Dewa Putu Bedil
Relative: Anak Agung Gede Raka Puja +
The principal artist of the Ubud school, continued working after World War II. Works in all major collections, including the Sana-Budaya Musuem, Jogjakarta.
Worked closely with Bonnet and Spies. Described by Bateson and Mead as having a lively and intelligent mind he is versatile and a distinguished colourist. (PM 72). Puri Lukisan has alternative birth date of 1917 +
Joni Agung, whose real name is Anak Agung Junni Antara is a reggae musician born in Denpasar, 1973. His love for music has grown since he was a teenager. At first he played music from cafe to cafe around Sanur and Kuta with the band “Sunshine”. In 2002 he met the band "Double T", and in 2003 spawned their debut album entitled "Pocol". The songs entitled "Nyoman Klepon" and "Janjin Beline" are two very popular songs by Joni Agung and Double T. Up to now, Joni Agung and Double T have released seven albums, including "Jero Gede", "Love and Love" , “Semara Ratih”, “Ogoh-ogoh”. Most of the song's lyrics are in Balinese with a tingly humorous tone. Apart from musicians, Joni Agung who has dreadlocks hair is also known as a yoga trainer. +
Anak Agung Made Cakra was born in Denpasar, November 11, 1928. He is a musician and Balinese pop songwriter who was very popular in his time. He taught himself music at the age of seven. In 1943, when he was still a SR (People's School), he participated in a Japanese song competition in Singaraja, and managed to get the attention of a Japanese musician who was present at that time. The Japanese musician then mentored and employed him.
In 1950 he collected music in Denpasar and formed an orchestra group and in 1953 the group performed around Denpasar. He also joined the kroncong orchestra group Puspa Teruna led by Ida Made Rai. Then he joined the Melati Kusuma keroncong orchestra led by Merta Suteja, the Merta Kota keroncong orchestra and the Cendrawasih keroncong orchestra. He is also involved in routine musical activities at RRI Denpasar Station. He then formed and led the New Dawn keroncong orchestra group.
In addition to performing music, Gung Cakra also writes songs and musical compositions. One of his most famous songs is entitled "Kusir Dokar". In 1963, the song was often played by the band Putra Dewata founded by Gung Cakra and his colleagues. The band's musical instruments were made by Gung Cakra himself with easily available materials. In 1976, Gung Cakra began to enter the recording studio through Bali Record. Apart from "Coach Dokar", his popular songs are "Bungan Sandat" and "Ada Kene Ada Keto". +
1919-2007
A prince from Karangasam who studied in Holland during the Second World War and returned to Indonesia as a medical doctor. Later upon his return to Indonesia he was sent to different parts of Eastern Indonesia that were frequently quite isolated to help the people there. In the course of these postings both he and his wife contracted malaria but he also became a specialist in the treatment of malaria. This proved to be extremely useful when Dr Djelantik worked for the World Health Organization which sent him to Iraq, Somalia and Afghanistan. Later he became the head of Bali’s main teacher’s training college in Sanglah and helped to found the Medical Faculty which he later also headed at the University of Udayanan in Denpasar.
Dr Djelantik playing the violin as a young boy. (photo: Bulantrisna Djelantik)
Dr Djelantik was a Renaissance man who was also active in the field of Balinese culture, both studying and promoting it. He was head of the Walter Spies Society with its Walter Spies Festival which focused on music and dance. Together with Fredrik de Boer, Hildred Geertz, and Heidi Hinzler he established the Society for Balinese Studies or Lembaga Penkajian Kebudayaan Bali in 1985. It held annual conferences in Bali and also abroad and according to Adrian Vickers Dr Djelantik was the natural leader of the organization. Via the organization he promoted both Balinese culture as well as the study of it. Dr Djelantik wrote papers on Balinese culture and a book on Balinese paintings which covers Balinese art history as well as Balinese aesthetics. Later he taught Aesthetics at the Akademi Seni Rupa Bali or the Balinese Academy of Arts. He also wrote an autobiography called “The Birthmark, Memoirs of a Balinese Prince”. +
One of a number of female artists in Sanur identified by Bateson and Mead via the Neuhauses.
From a family of painters in Sanur during the 1930s. Worked with Agung Raka, her son by Gusti Sodang (and thus is probably also the mother of Gusti Putu).
Also spelt Gelogor
Related Artists
Husband: I Gusti Putu Raka Sodang
Son: Agung Raka +
With his cousins, including Soberat, A.A. Meregeg was one of the defining artists of the Ubud style.
Dermawan (2006: 148) has his year of birth as 1908 and states that he was born in Padangtegal, rather than Batuan. +
Anak Agung Pandji Tisna (11 February 1908 – 2 June 1978), also known as Anak Agung Nyoman Pandji Tisna, I Gusti Nyoman Pandji Tisna, or just Pandji Tisna, was the 11th descendant of the Pandji Sakti dynasty of Buleleng, Singaraja, which is in the northern part of Bali, Indonesia. He succeeded his father, Anak Agung Putu Djelantik, in 1944.
On the last page of Pandji Tisna's book, I Made Widiadi, written in 1955, he wrote his life story in chronological order. He was a writer and a novelist. He refused to be the king of Buleleng, but being the eldest son, the Japanese occupancy troops forced him to be "syucho" after the death of his father in 1944.
During his reign, he became the leader of the Council of Kings of all of Bali from 1946 to 1947 (Paruman Agung) and the Regent of Buleleng. In 1947, because his uniquely Christian faith did not fit in with the predominant Hindu religion, Pandji Tisna surrendered the throne to his younger brother, Anak Agung Ngurah Ketut Djelantik or I Gusti Ketut Djelantik, also known as Meester Djelantik, until 1949.
He died 2 June 1978 and was buried in the graveyard on the eastern side of his land near the chapel he built years before.
There is a museum in Lovina dedicated to AA Pandji Tisna and his family: https://www.facebook.com/pg/The-Little-Museum-Anak-Agung-Panji-Tisna-KM-0-Lovina-Bali-1402058299856241/about/ +
Women As The Main Role of Ward Off The Fake News
In the world of globalization today, all people are faced with an extremely fast flow of information. Lots of information makes it easy and also useful for the community, but there is also misinformation and misinformation that is spread by irresponsible people which are very dangerous if it is spread into the community. Information is very easy to access even for young children. Here the importance of the role of women in protecting their own families and environment so as not to be influenced by the hoax. Women can be the main bulwark in the face of fake news as well as become ambassadors for social media literacy because generally, children are very close to their mothers. Hoaxes or fake news are often wrapped in a catchy headline, that can draw the emotional side of a person. The spread of fake news has many purposes, one of which is to divide people and cause divisions.
Women as a mother can simultaneously direct their partners and their environment to have an important role in stopping the spread of fake news. By instilling a literacy culture in the children and the environment, information will be fully delivered and accurate that leads to a reading culture, improve human resources in the future, and avoid fake news made by irresponsible people. Women often feel insecure, and feel less intelligent than others, so, they are scared to express their opinions if they find wrong information. Women as literacy agents must be able to ward of hoaxes and be able to sort out logical news also consider whether the news is important or not to be spread. With the active involvement of women, it will certainly minimize the spread of hoax news in society. +
Circulating a video showing a man surrounded by many people as if he was being interrogated, went viral on social media. The news is circulating, the man has impregnated 17 women.
The Kapolsek Teluknaga, AKP Edy Suprayitno spoke about this. He explained that the news about the man who impregnated 17 women was not true. After getting the news, the police asked several parties related to the video. It turned out that the case was sitting because of a failed love affair. Investigate it, the woman does not accept the decision from her lover. Then the woman spread the word that the man had impregnated 17 other women. both parties have agreed to resolve the case amicably. The point is that circulating on social media is not true. +
Andy McGraw received his Ph.D. in ethnomusicology from Wesleyan University in 2005. Dr. McGraw has published several articles and a monograph (on Oxford) concerning traditional and experimental music in Southeast Asia and has written articles on jazz, music in American jails and Cuban music. He is an active performer and directs a Balinese gamelan orchestra for the Richmond community. +
DIFFERENT BUT STILL UNITED, THAT IS PANCASILA
Don’t turn any differences into chaos. Bring those diversities as special characteristics of this country so that it is always filled with beauty of different colors. Also, please don’t use those diversities as media of hatred and egoism when we think or act because any differences could create disharmony and disunity that will weaken the country. Let’s go hand in hand together, although we are all different.
[A rhytmic poem:]
From Bedulu to Singaraja, buying bananas at the market, I’m ready to pay!
Long live the Republic of Indonesia, happy 77th independence day! +
Angenan is a lamp that resembles a phallus made from coconut shells, in the middle of the coconut there is rice, chicken or duck egg shells filled with coconut oil and a wick in the form of white thread and kepeng money. On it there are coils of colorful thread, white and yellow, or tri datu (red, black, white). This angenan is placed on the bed or on the chest of a deceased person. On the day of burial, the deceased's relatives take the corpse to the cemetery because it will be melted down. +
Another Gutenberg Effect. Our changing social behaviours and its effect on our relationship with Art. Contemporary Art Bali. +
Social and Culture represented to discuss some of the issues that are affecting the longevity and authenticity of traditional practices in Bali today. Issues such as commercialisation of art and culture and its potential impacts on generations from today.
"It is not the lack of change that we should admire here. For there is definitely change. it would be foolish to deny that. It is the effort and the collective commitment that has survived even to this degree the ravaging changes that time and progress has brought everywhere else. I admire the fact that there is evidence that change may come, but there is still choice." +
Anthok Sudarwanto was born in Denpasar, April 18. He completed his art education at ISI Denpasar. Since 1996 he has been holding joint exhibitions, among them are the Indonesian Arts Festival Exhibition in Jogjakarta (1999), the Black and White Group at the Bali Museum (2000), The Name of Identity at Tanah Tho Gallery, Ubud (2011), "Retrospective" with the Galang Kangin Group at Bentara Bundaya Bali (2018). In 2010 he held a solo exhibition “Transformation” at the Hitam-White Artspace, Sangeh, Bali. He is also involved in the Militanarts Group. His works tend to be realistic with social and life themes. +
From https://www.gentilefineart.com/introduction
Gentile’s prolific artistic practice enables him to create with a wide range of possibilities. His activity can be divided between an inner practice – evident in canvases and small-scaled sculptures – and a more public scope. This versatility allows his character to come out and enables his sense of freedom as an artist to emerge.
The circumstance that the tropical island of Bali has become his most permanent residence for about 25 years resides in the double possibility it presents: this is one of the world’s most crossed-cultured places, extremely traditionalist in its singular Hindu rituals and constant colorful ceremonies, and simultaneously one of the world’s most cosmopolitan atmospheres, home to various western communities. This intellectual balance, conjoined with a major presence of craftsmanship, working in international standard quality, allowed him to stay and produce vast amount of, and large artworks.
The Artist, Gentile perceives his working method as connected to those of musicians: after learning the basic notes – drawing, geometry and the knowledge provided by Art History – one can compose a ‘symphony’ – paintings, sculptures and, more recently, the possibilities enabled by Computer Aided Design (CAD), which he has been exploring since the late 1990s. A believer in classical and canonized education, Gentile keeps a graphic diary in the form of sketchbooks that became the foundation of his image bank. More recently, Gentile has augmented the paper diaries with an iPad. In addition to this gadget, he keeps a photographic and written record of people and situations he interacts with.
The ‘organic’ ingredient of his artwork thus resides outside the working methodology, rather is borne from the manner he utilizes his personal archive, vast due to several anthropological and ethnographical explorations. This system is what Gentile offers to the viewer: on the one hand, he expresses a personal synthesis of art and life and on the other hand, he delivers a constant citation of legacy – that he applies with extreme ease – and provides new directions for its usage.
Therefore, Gentile’s artistic practice is many times explained as an assemblage of elements embedded with references and material citations of local specificities pertaining to the locations he arrives to.
Antonio Blanco was born on September 15, 1911, in Manila, the capital of the Philippines. Both of his parents were Spanish, a fact that Blanco believed linked him geographically and spiritually to Miro and Salvador Dali. His father settled in Manila during the Spanish - American War, where he attained prominence as a physician. Blanco was educated at the American Central School in Manila. During his high school years he loved the arts, literature and language classes but struggled in scientific subjects. It is no wonder that he spoke six languages - Spanish, French, English, Tagalog, Indonesian and a bit of Balinese. After completing high school in Manila, Blanco studied at the National Academy of Art in New York under Sidney Dickinson. During those early formative years, Blanco concentrated on the human form, fascinated by the female body more than any other subject matter. To further his studies and ignite his traveling spirit, he traveled extensively throughout the world before he finally landed in Bali in 1952. The King of Ubud gave Blanco a piece of land to set up his home and studio in Campuan, Ubud, at the confluence of two sacred rivers. Blanco and his Balinese wife, the celebrated dancer Ni Ronji, lived in their mountain retreat, barely leaving it for the world outside. Following a brief trip to the United States, where Blanco acquired many new collectors, the couple never left their fantasy home again.
Living in serene surroundings with his four children, Tjempaka, Mario, Orchid and Maha Devi, Bali became Blanco's center. He was fascinated by the island and completely captivated by its charm.
Blanco lived and worked in his magical hilltop home until his death in 1999, feverishly creating his fantasy portraits of beautiful women. Surrounded by lush gardens, rice fields and with a Banyan tree standing over his family's temple, Antonio Blanco proceeded to create a new reality for himself. His artistic outpourings of this isolated world became much sought after by eager art lovers, collectors and promoters. Within a few years, Blanco became the most famous foreign artist to make Bali his home. He was recognized in both Indonesia and abroad, receiving numerous Blanco Awards and commanding huge prizes at international auctions.
By the end of his life, Blanco had begun building his museum at his studio in Campuan. Dramatically, he died just before its inauguration. His funeral was marked by a very important Blanco Cremationin Ubud. It was Blanco's dream to turn his studio-mansion into a museum. His son, Mario, fulfilled this dream by following his path to become a painter. The Blanco Renaissance Museum is now open to the public, exposing both the maestro's and Mario's art works.
The conservation of the productive plant and the plant which use to the hindu's ceremony +
Who doesn't know Mixue? A fast food product from China. If there is an empty shop, it won't be long before it becomes a Mixue outlet. What makes Mixue booming? Some say it's because it's cheap, it's delicious, so it's trendy, all of this. Then until when will we just be consumers? Of the thousands of young people, is it true that no one can compete with Mixue? Now, try to get the government to go into the field, visit MSMEs in the regions, help promote them, or if you may ask, make a policy so that young entrepreneurs are given the opportunity to borrow investment capital more easily. Mixue is good in the sense that it provides jobs, but it is definitely better if the Balinese businesses can be as viral as Mixue. +
How are you doing, audience?
Have you had a vacation anywhere, gone to work, or returned to your hometown for the holidays? How was the trip, was it smooth as snow or did it make your head spin? Some say that the roads in Bali are good and safe to use, but many say that many roads in Bali are still damaged and unsafe to ride.
Denpasar, the capital of Bali, is often found to have damaged roads that are difficult to pass through. So, what about the roads located in villages in several districts in Bali. Many rural areas have collapsed roads, potholes, and even broken roads. Road maintenance and repairs have indeed been carried out but it must be more evenly distributed so that not only a few main roads are repaired. Many roads in remote areas have been damaged and impassable for years but have yet to receive reinforcements.
Articles and social media often report on traffic jams, accidents, and delayed delivery of goods, but it is rarely known that one of the main causes is road damage. Damaged roads tend to make it impossible for people to pass through. This causes some jobs, delivery of goods and trade activities around the road to be disrupted which will certainly disrupt the economy of the community.
With the 2024 election, it is certainly the hope of the people that there will be a revitalization of the new government in the improvement and development of the community which can be started from the main problem, namely roads. The government must be able to allocate existing funds as well as possible for the construction of roads that are evenly distributed throughout Bali. Even though it has a lot of fund, if they are not allocated properly the results will be useless and there will be no complete balance. Roads are important in every activity we do, especially Bali as a tourist destination visited by many foreign tourists. Therefore, let’s make the initial improvements by starting to repair the roads. +
Live in Bali but can't speak Balinese? What's the rest of the world going to say? Let's learn together...
There is a great app to learn Balinese online now, Bro... Let's download it
So you can teach me Balinese, Bro... +
Since the COVID-19 pandemic has spread to all corners of the world, the face-to-face education system has immediately changed to online. The beginning of the online application is very fun and is considered more effective. But lately, it's starting to get boring and the network connection is not adequate, so the enthusiasm for learning decreases. Online learning is quite contradictory among students.
The government is trying to solve this problem by planning face-to-face learning in July, 2021.
In your opinion, is the online learning system effective enough to implement? +
During the pandemic, there are many changes that occur when learning online. starting from students who do not pay attention to the teacher then the number of assignments given and this is one of the things that makes students lazy to learn. therefore I made this video with the aim of motivating students to keep learning whatever the conditions are. because learning is one of the most important things for us. +
15 April 1916 – 23 March 2016. Dutch-born Indonesian painter who lived on Bali.
Smit was the third of eight children of a trader in cheese and confectionery in Zaandam. His family moved in 1924 to Rotterdam, where Smit eventually studied graphic design at the Academy of Arts. In his youth he was most inspired by the work of three artists named Paul (Signac, Gauguin and Cézanne). In 1938 he joined the Royal Netherlands East Indies Army. After three months he was sent to the Dutch East Indies , where he worked as a lithographer for the Dutch army's Topographical Service in Batavia, engraving relief maps of the archipelago. Etching Balinese mountains onto maps ignited his desire to one day go to Bali.
In early 1942 Smit was transferred to the infantry in East Java, but was soon captured by the invading Japanese forces. He spent three and a half years in forced labor camps building roads, bridges, and railways on the Burma Railway in Thailand, and Burma. After the Japanese capitulation in August 1945, Smit convalesced in Bangkok until January 1946. After being stationed in Denpasar, Bali as a staff writer for the infantry, he returned to the Topographical Service in Batavia in September. Until its discontinuation in 1950, he remained employed at this service, eventually becoming head of the drawing department, but in his spare time he criss-crossed Java as a painter and in October 1948 had his first exhibition in Batavia/Jakarta.[5] After Indonesian Independence on December 27, 1949, all Dutch nationals had to choose between Dutch or Indonesian citizenship within two years. Smit briefly considered emigrating to South Africa, but decided to stay; he became an Indonesian citizen late in 1951. In the following years he taught graphics and lithography at the Institut Teknologi Bandung in West Java.
Bali
On invitation by the Dutch artist Rudolf Bonnet he visited Bali in 1956, together with Dutch artist Auke Sonnega. He soon met art dealer James (Jimmy) Clarence Pandy, who ran a gallery and souvenir shop. Pandy invited Smit to stay in a house on stilts at the beach of Sanur. Smit and Pandy remained friends and formed a partnership. Pandy was well-connected; Sukarno would sometimes bring his state guests to his gallery. With his love for bright colors, Smit was captured by the Balinese landscapes in its 'riotous light', and soon decided to stay to depict its villages, rice terraces, palm trees and temples.
In 1960, while touring the village of Penestanan in the Ubud District where he then lived, he came upon some boys drawing in the sand. Impressed by their talent, Smit invited them to his studio, where they became the first of a growing number of students. With minimal instruction but lots of encouragement and material support, his pupils created a naive style of genre painting that became known as the 'Young Artists' style, which at its peak had 300-400 followers. Though he is considered the father of the movement, its style is quite different than any of Smit's own styles over the years.
From the time of his arrival in Bali, Smit moved some 40 times, "to see what is beyond the next hill". He stayed longest in his favorite areas of Karangasem and Buleleng. He finally settled in 1992 in the village of Sanggingan near Ubud under the patronage of Pande Wayan Suteja Neka, founder of the Neka Art Museum. In recognition for his role in the development of painting on the island, Smit received the Dharma Kusama (Flower of Devotion, a Balinese cultural award) in 1992 from the government of Bali. The Arie Smit Pavilion was opened at the Neka Art Museum in 1994 to display his works and those of contemporary Balinese artists. The Museum Bali in Denpasar and the Penang Museum in Malaysia also have collections of his work. Smit further had exhibits in Jakarta, Singapore, Honolulu and Tokyo. Smit lived near Ubud for the rest of his life, but died on 23 March 2016 in a hospital Denpasar at three weeks before turning 100.
Arif Bagus Prasetyo was born on September 30, 1971, has lived in Denpasar since 1997. He is known as a poet, literary critic, fine arts curator, and book translator. Alumnus of the International Writing Program, University of Iowa, Iowa City, USA. Received a number of awards in the field of writing, including: the Jakarta Arts Council Literary Criticism Prize, the Jakarta Arts Council Fine Arts Criticism Prize, and the Bali Provincial Government Widya Pataka Award. His books: Witness Words: 18 Literary Essays (soon to be published), Memento: Poems (2015), Memento: Poetry Books (2009), Epiphenomenon: Study of Selected Literature (2005), Stephan Spicher: Eternal Line on Paper (2005), Beyond the Forms : A Face of Modern Indonesian Painting (2001), Mangu Putra: Nature, Culture, Tension (2000), and Mahasukka: Book of Poetry (2000). +
Arik Agustina is a lecturer in IPB INTERNASIONAL, she graduated from Udayana University and got the master degree in Chemical Studies. +
[EN] Kakawin Arjuna Wiwaha is a modification of the historical story in the Mahabharata, especially in Wana Parwa. This Kakawin tells about Arjuna's journey to search for magic weapons from Lord Shiva. In 1019-1042 A.D., the story of this ascetic Arjuna was translated and written in the form of ancient Javanese kakawin by Mpu Kanwa. The writing of this kakawin was done during the reign of King Airlangga.
At the beginning of this kakawin there is a story about Arjuna who did a hermitage on Mount Mahameru to get blessings from Lord Indra. Then, he was seduced by two angels. But Arjuna passed the test. As a blessing, he was given a magic weapon by Lord Indra.
There is also a story when Arjuna killed demon Niwatakawaca who controlled the demigods’ realm and disturbed the peace of the demigods.
This Kakawin, although in some parts does not correspond to its original history, is very popular among the Balinese. This kakawin is the most widely quoted and studied in schools. However, as a historical reference, this kakawin is not credible because many parts have been modified. There are many parts that do not fit the Mahabharata story according to the original as written by Maharsi Wyasa. Therefore, this kakawin is classified as a literary work, not a historical epoch. +
This real action to care for the environment was carried out in Br. Munduk Pakel, Ds. Gadung Sari, Kec. Selemadeg Timur, Kab. Tabanan. On Wednesday, September 21, 2021. Conducted by students of the Balinese Literature Study Program, Faculty of Cultural Sciences, Udayana University, as well as waste bank officers in the village. The target location for cleaning the garbage has been carried out in rivers that are contaminated with plastic waste, which makes the river unclean. The impact that is felt is already felt from this action, which creates positive values such as exchanging plastic waste that provides money in return. It cannot be separated from the definition of Tri Hita Karana, the existence of Palemahan which means the relationship between humans and nature. +
Ida Bagus Arya Lawa Manuaba is the author of the book “Alien Menurut Hindu” (2018) which became a phenomenal book throughout 2018-2019. His first novel, “Putih Biru” (2019), tells a story of an adventure of rural teenagers in Bali and was ranked in the top eight of the selected novels at the 2017 UNNES International Novel Writing Contest in Semarang. His second novel is entitled “Haricatra” with three sequels and is in the process of publishing. In addition to nonfiction books and novels, he also writes many short stories and articles. One of his best short stories is entitled “Barong Brutuk” (2019) which tells about the mysticism of Terunyan Village.
Gus Arya, his nickname, is known through his writings. People who know him always associate him with writing, imagination and even aliens. Born in Denpasar, December 24, 1988, he loved the world of writing since childhood. During the fourth grade of elementary school, he wrote a series of stories that he read daily to his friends. After school, he wrote a horror story in a notebook and then shared it with his friends at school.
During middle school, he won several article writing and short story competitions. When he was in high school, his name always appeared in the best six short stories of the annual short story competition at Balai Bahasa Provinsi Bali. Among all the short stories he has ever written, the short story “Orang-Orang Berbaju Hitam” (2011) is the most meaningful. With that short story, he helped his poor friend pay school fees for one year.
Now Gus Arya works as a lecturer at ITP Markandeya Bali in the field of prose. He also manages independent publishing and writer services, and is active in the preservation of Balinese language and literature at the BASAbali Wiki. His hobby is traveling in a quiet village and going to museums. +
HISTORY OF ARYA DALEM BENCULUK TEGEHKORI
Chapter one
Once upon a time in the past, there is a king, Arya Dalem Bansuluk Tegehkori is his name. He is the son of the king Dalem Shri Aji Kresna Kepakisan from Gelgel Klungkung kingdom. He rules the the land of Badeng kingdom. Badeng (or Badung) means dark. Because the land soil at this region is darker than other region. This is the story of his life journey.
King Ida Dalem Shri Aji Kresna Kepakisan is located at Puri Linggarsapura in Samprangan, Gianyar area. The castle was the former stronghold post of Mahapatih (the great prime minister) Gajahmada’s from Majapahit empire of Java to invade King Bedahulu of Bali kingdom. After Bali kingdom defeated, Ida Dalem Shri Aji Kresna Kepakisan was crowned King of Bali in 1352 AD by Queen Majapahit Tribhuana Tunggadewi. the new king Bali king then separate Bali into few small kingdoms lead by his war generals. He reigned until 1380 AD.
One day when full moon, king Ida Dalem Shriaji Kresna Kepakisan, took place in the royal hall, was meeting with the prime minister ministers and all his war general. Notable among them are Arya Kenceng son of Arya Damar who was made the ruler in Tabanan, Arya Sentong in Pacung, Arya Beleteng in Pinatih, Arya Kutawaringin in Kapal, Arya Binculu in Tangkas, Arya Pakisan in Abiansemal, Arya Belog in Kaba-kaba, and three knight named Tan Kober, Tan Kawur and Tan Mundur.
At that time, Arya Kenceng wore chrysanthemum green flowers at his hat. Ida Dalem's heart was shocked when he found out that Arya Kenceng was wearing the green chrysanthemum flower. Immediately his anger rose, due to the slander launched by Arya Pengalasan Jelantik. It is said that Arya Kenceng put magic on the king, so that the king would love and submit to him. Immediately Shri Raja punished Patih Arya Kenceng from war general into gardener with the obligation to clean the hall every day. The commotion at the Puri Dalem Samprangan Hall is thought to have occurred in 1360.
From that moment on, Arya Kenceng felt very deep sadness and often cried when he remembered his favorite son named Ngurah Tabanan. The son was given the name Ngurah Tabanan, because Arya Kenceng participated in conquering (naban) this Balinese country after fighting against Si Pasung Grigis, the governor of Raja Bedahulu.
After a long time, it was time for Arya Kenceng to receive God's grace. It was mentioned that the king Ida Dalem had a son who was only eleven months old to crawl. The boy was crawling very fast. The caretaker is named Ni Dasa Dasih. The prince is also getting closer to Arya Kenceng because he often carried out by him. Until one day, Arya Kenceng intention appeared to make efforts to get himself free from punishment. One time when Ida Dalem was sitting in front of his ministers, suddenly the son was released from behind the King. Crawling swiftly and then reaching for king's shoulder. Then approached by Arya Kenceng while lifting the son higher than Ida Dalem's back while apologizing from behind the King. As soon as the king turned his head, he saw the height behind him. The king was furious, then said: "You are very clever at making a ploy. Now, because my son has made a mistake grabbing my shoulder, as written in Niti Sloka (The Kingdom rule), when the king is dressed in his royal dress as the leader of the country, nobody is allowed to touch the king. The rule said whoever touch the king must be execute. But I can’t execute him because he is my son. So, Arya Kenceng, take my son, make him your adopted son, the ceremony with a bonfire on top of which is filled with a buffalo head. Brother him with your son I Ngurah Tabanan. Now I give the name to him Arya Dalem Bansuluk Tegehkuri. (Tegeh mean tall or high and Kori or Kuri mean behind, because he was taller from behind when he touch the king’s shoulder)”. Immediately, Arya Kenceng was unbelievably happy to have a son who was handsome and very smart. Then respectfully excuse himself to bring the prince to his castle at Tabanan, make him brother to Ngurah Tabanan. This tale is also written at Prasasti Babad Dalem Tabanan Tegehkori manuscript. Arya Kenceng then carried out the adopted ceremony according to the mandate of Ida Dalem.
The blood that flows in prince Arya Dalem Bansuluk Tegehkori from generation to generation remains the blood of Ida Dalem Shri Aji Kresna Kepakisan. Now more than six centuries have passed, all of his genetic descendants remember to always come to offer devotion before The king Ida Bhatara Kawitan Dalem Shri Aji Kresna Kepakisan at his family temple at Mother Temple Besakih.
Time pass by and the 2 kids now become young men. Between Arya Tegehkori and Ngurah Tabanan, a misunderstanding and conflict arise. Arya Tabanan has a wife, he is jealous that he thinks his wife have an affair with Arya Tegehkori. He always try to harm him in many ways
Feeling uneasy, Arya Tegehkori decide to leave the Tabanan kingdom then went to get rid of himself to Mount Batur to meditation. After some time meditating there, he got a gift from the god of Mount Batur in the form of a whiting box. If Arya Tegeh Kori wanted to put himself in it, the power of the whiting box would shrink. Whenever it comes out of the box, he can return his body to normal size. That is the magic of the whiting box, a gift from the goddess of Mount Batur, then the god said to Arya Tegehkori: “I gave you the magic box. Now you have to go to Tonjayu Village at the dark land (Badeng). There are some clans inhabit the area like Pasek Bendesa, Pasek Kubayan, Dangka, Ngukuhin, Tangkas and they don't have a king yet. These days they have big ceremony, use this magic box there. Of course you will be appointed king in the Badeng or Badung area. Be a ruler, be a king!“.As the command of Ida Batara Dewi Danu, the goddess of Batur lake and mountain, then Arya Tegehkori left for the Badeng or Badung area.
When he arrived in the Badung area, it was already evening, so he to the chief’s village house at Tonja. There he concentrated his spiritual power so that he could enter the container of magic whiting boxthat he had placed on the gate. His body shrunk and able to fit in the box perfectly. The next day, when the sun rise, the village chief saw that there was a box on the gate. Then while opening the lid. Seen a small child in the container of whiting box. The chief mind was amazed to see this strange and miraculous event. Immediately Ihe worshiped and said: "My noble Lord". Having just finished saying this, the little boy who was in the box immediately came out. Back in its original form as as a man. Looks good, handsome and dignified. The longer it was seen, the more amazed the chief's feelings. Then Arya Tegehkori then himself. He explained that he was the son of the Bali king Ida Dalem Kresna Kepakisan at the Swecapura Gelgel castle. He was the brother of Arya Tabanan in the country of Tambangan (Tabanan). He also explained clearly how the adventure that he experienced from beginning to end. The chief is amazed and ask him to rest at his house. After the chief carried out the piodalan ceremony, he immediately held discussions with his clan brothers, such as Pasek Gaduh, Kebayan, Dangka, Ngukuhin, Tangkas, about the need to make him a palace and prepare for his coronation to become king as ruler in the Badeng or Badung region, and report to the King of Bali kingdom Shriaji Kresna Kepakisan at the Swecapura Gelgel castle. The king at Gelgel was very agreeable because anyway Arya Tegehkori is his son. At the age of a toddler he was banished from the family. At a young age with the blessing of the goddess Ida Bhatari Ulun Danu Batur and thanks to the approval of the King of Bali who was also his father and for the support of the people, he ascended the throne to become the first King of Badung kingdom.
In order for him to truly become a noble king in the Land of Badung, the chief again held a deliberation to build a palace worthy of him. The palace was built in the upper reaches of the village or in the north. After the palace was completed, it was there that the king Arya Tegeh Kori resided. After some time as king, he built two holy temple. The temple to worship the God of Agung mountainwas built to the east of the palace. The place for worshiping the goddes Bhatara Dewi Danu Batur is made to the west of the palace called Pura Batursari.
After a while the king then married. Then his son (2nd dinasty) built another palace, also still in the Badung area, because more and more people live in the Badung area and the condition of the land is fertile. After the second palace was built, it was named Puri Satria (Satria palace), as a characteristic that he was a descendant of Knights. Meanwhile, the Tegehkori palace (1st dinasty) in Tonja was named Puri Dalem Benculuk. In the recently completed castle, a pair of very tall palace gates were also built, none of which were on par in all of Bali. The disadvantage is that if it is broken, it is rather difficult to repair it, presumably that is His wish to build a very high gate at Puri Satria, so that it is in accordance with the name of his father in Tegehkori. The Tegehkori dynasty is ruling the kingdom from 1378 - 1687.
Chapter Two
Meanwhile at Tambangan (Tabanan) kingdom, after king Arya Kenceng passed away, his son Arya Tabanan replace him as king. He have crown prince name Ngurah Rangong. The old king Arya Tabanan suffered a seriuos illness, then moved to live at the village of Kebon Tingguh. Ngurah Rangong intention was to wait for the throne to become the king of Tabanan kingdom. The old king Arya Tabanan was served by a woman named Luh Bendesa from Buahan village. During the service, the king touched Luh Bendesa and become pregnant. From this relationship, Luh Bendesa then gave birth to a son who was named I Gusti Pucangan. Later on the king is passed away. After Arya Tabanan died, Ngurah Rangong become next king. But he is afraid that Pucangan someday will also claim his territory. Ngurah Rangong made efforts so that Pucangan would soon meet his death. Outside the Tambangan palace, there is a very sacred banyan tree. King Ngurah Rangong then ordered his younger brother, Pucangan, to cut the tree branches. However, to the great surprise of the brother, it turned out that the younger brother was still safe. Since then I Gusti Pucangan has been named Gusti Bagus Alit Notor Wandira. The king never stop to try to kill his brother.
Unable to stand it, Pucangan then left Tambangan palace to Mount Batur. On the shores of Lake Batur appeared the goddes Ida Bhatari Tolangkir who said: "Hi Pucangan, what are you looking for here alone?".
Gusti Pucangan replied: "Oh dear goddess, this servant is too troubled. I have a half brother who was made king by my father. Besides, my brother I Gusti Rangong was hostile to. ” Ida Batari again said: "If you are devoted to me, uphold me through the lake water, take me to Mount Batur". Pucangan replied: "I will do, even if it make myself sinking”. By the magical power of goddess Ida Bhatari, Pucangan walked safely across the lake to Mount Batur will upheld the goddess.
Goddes Ida Bhatari said: "O Pucangan, you truly devote to me, now I give you a whip and a tulup (a traditional Bali weapon made by bamboo) You must go to Gelgel palace and kill the king’s enemies in the form of raven, because they often ruin the king’s food. It is this whip and dipper that you used to kill that evil raven. After it is successful, someday you Pucangan will become king in the Land of Badung ”.
This incident occurred when the Balinese Kingdom, which was centered in Klungkung, was led by King Dalem Anom Sagening (1580-1665) who was residing at Puri Swecapura palace at Gelgel. Meanwhile, the King of Badung at that time was I Gusti Tegehkori V. The blessing of goddess Ida Bhatari and the approval of the King of Bali were the main assets obtained by Pucangan in achieving success of gaining power.
Prince Pucangan continued his journey, accompanied by a follower named Tambiak from Mount Batur to the Swecapura Palace at Gelgel. It was mentioned that Ida Dalem was in the hall faced by his prime minister. I Gusti Pucangan then confronted him and declared that he was able to kill the crow, who often ruined the king's food. King Ida Dalem was surprised, then asked: "Where are you from son and what is your name?". Pucangan replied: “Master, this servant is named is Pucangan from Buahan Village, son of the late king Arya Tabanan. I just came from Mount Batur ”, then he explained his life from the beginning until now. Immediately he also remembered Ida Dalem about the past stories and he was very happy about the arrival of someone who would help to destroy the crow.
The next day, the prime minister had gathered to meet Ida Dalem. In the afternoon the crow came who was going to spoil King's meal. Prince Pucangan quickly shoot the tulup, hitting the raven’s wing until it broke. After being hit and falling, King ordered to hit it with a whip, so that the crow met his death immediately. Ravens are often used as symbols of darkness, anger and death.
After that, the king was very happy. "Now, because of your great devotion to me," he was then presented with a set of clothes. He continued saying: "what else do you ask for?". Prince Pucangan remember with the words of goddess Ida Bhatari Tolangkir when he met on Mount Batur who would grant the area in Badung. Then the prince Gusti Pucangan asked to be given a place in the Badung area. With pleasure the King granted, then said: “I granted your request Pucangan, after all there at the land of badung, your family Arya Tegehkori at the Satria Palace ruled. You better get there, go ". Pucangan then go to Badung kingdom to be precise at the house of the chief of Lumintang Village.
Furthermore, the chief of Lumintang informed the king about the arrival of the prince Pucangan. The king Gusti Tegehkori IV was very happy to accept the arrival of his family, prince Pucangan. The king then give him 250 people to build a palace to the southwest of Puri Satria palace. The new palace was named Puri Jambe palace. The king then appointed him as punggawa (guardian knight) of Badung kingdom.
After king Tegeh Kori IV passed away, his son Tegeh Kori V replace him as king and have beautiful 15 years daughter named Ayu Genjot and handsome 13 year boy named Ngurah Raden. Prince Pucangan request the king to allowed his son to marry her daughter. But at other hand, the old king of Mengwi kingdom also propose the princess to marry his crown prince. At that time, Mengwi kingdom become more powerful and have larger troops than peaceful Badung kingdom. So the king decide to accept the Mengwi king’s propose.
Prince Pucangan is furious to hear that. Night before the Mengwi’s prince arrive to marry the princess, Pucangan with his troops storming the Satria palace. Pucangan is the guardian knight of Badung kingdom. He knows the palace so well and most of the troops is loyal to him. The palace is chaos and burn down. Considering the safety of his family, the king then decide to escape from the palace. Only five of them on that dark night Arya Dalem Tegehkori V (I Gusti Made Tegeh) escaped with the empress and her two sons and an in-law named Munang. His departure did not carry anything, only a box of inscriptions which was the heirloom of Puri Satria palace that he carried. All his cousins and other family also escape and scatter into many directions around Bali. The Tegehkori dynasty at Badung kingdom is fallen.
Chapter 3
Year 1724, During the five days he retreated in the mountain & forest, his children almost died because they did not eat anything. The group of Gusti Made Tegeh family arrived at a Village and went straight to the house of a village chief named I Pengkoh. It is very respectful that chief Pengkoh and his family entertain the guest of honor. For twenty days Gusti Made Tegeh group stayed at the house of the chief. One time, it was the middle of the dry season, so in a short time the rice supply in the barn ran out. What remains is only rat droppings mixed with grain skin, chief Pengkoh's wife only found that out. Chief Pengkoh prepared a pot in the kitchen to cook rice. Until the water in the pot was boiling, his wife did not get a grain of rice. Chief Pengkoh's anger rise, he then poured the hot water and scold his wife. Gusti Made Tegeh witnessed this very unpleasant incident, which made him feel very embarrassed.
After a discussion with his brother-in-law, I Munang, the former King and his brother-in-law went to hunt some food to the mountains. Meanwhile his wife and two children were left at chief’s house. After Gusti Made Tegeh left for the mountain, chief Pengkoh's evil thought occurred. His two children were ask to permission to his mother to accompany him to find rice. His mother agreed, so they left. In the middle of their journey, the children of Gusti Made Tegeh were tricked into making their way to the Denbukit area (later called Buleleng). When he arrived in Kalianget Village, his two kids were sold by chief Pengkoh to Ngurah Kalianget for 150 pieces of belongings plus a number of cloths.
After 10 days Gusti Made Tegeh and his brother-in-law went to the mountains for hunting, finally they back to chief’s house. They asked her the whereabouts of his children to his wife. She explained that their children was taken to the mountain by the chief. It's been 10 days yet to come back. When Gusti Made Tegeh heard his wife's answer, he was shocked and realized the misery they were experiencing. While shedding tears, he then told his wife and I Munang that the two of them would look for their children to Karangasem area. He himself looked to Denbukit. From there they parted ways, his wife and his brother went to Karangasem and he went to Denbukit.
After crossing Denbukit land, he arrived at Ambengan Hamlet. From that hamlet the journey to Sangket Village. From there he disguised himself to investigate the whereabouts of his children who had no news.
On that time Gusti Made Singaraja, the descendants of Gusti Panji Sakti is the King Denbukit kingdom and resides at Puri Sukasada palace. That's where he headed. It happened that King Denbukit was watching the Gambuh dance training. Those 2 person than talk and feel like each other. After some happy talk, he was asked to participate in Gambuh dance performance. It is difficult to find a comparison with the greatness of Gusti Made Tegeh in the art of Gambuh. Day and night the performance of Gambuh is joyful, which is why the king's palace was named Puri Sukasada.
After some period of time in clever disguise, Gusti Made Tegeh was very dear and trusted to King Denbukit. He was rewarded with as many as two hundred followers, including forty of whom were teenagers. He then assign into the sedahan agung (treasurer of the king) and also his war advisor. Nobody equals the wisdom of King Denbukit, so that it is respected by anyone, has the authority as a descendant of the warrior king of the gods. No one dared to oppose his orders. It could be said that the prosperity of the kingdom which was centered at the Sukasada Palace. Under his command, Denbukit kingdom spreading their teritory by invading many village to knee under Denbukit authority. Gusti Made Tegeh did this in order to find his children. Half of Bali island then become the territory of Denbukit kingdom.
Now it is told that the chief of Kalianget village name Ngurah Sindhuwedang have Gusti Made Tegeh sons and daughter and made them into servant at his house. The village of Kalianget has a population of 1,450 people. Ngurah Kalianget, who had a haughty heart and was very jealous of Denbukit King decided to fight the Denbukit kingdom. But the king quickly heard of him, and ordered Gusti Made Tegeh to beat Ngurah Kalianget before he could gather his strength. Quickly, Gusti Made Tegeh brought 200 elite warrior on their way to Kalianget Village.
When Gusti Made Tegeh troops arrived and recon the Kalianget Village, they found out that Ngurah Kalianget 1.000 soldiers were also on preparation to attack Sukasada palace. Gusti Made Tegeh and his 200 elite warriors prepare to attack at night. The attack was carried out suddenly at night made the Ngurah Kalianget soldiers shocked and confuse, they feel like stormed by thousands of enemies accompanied by spirits. Ngurah Kalianget soldier lost and surrendered. Ngurah Kalianget was taken prisoner, the whole house and its young and old residents were seized and taken to Puri Sukasada that dawn. By order of the king, Ngurah Kalianget was sentenced to death. Then he bring all other prisoners to kingdom prison. They were mixed up, including Gusti Made Tegeh children who had been sold and hidden in Kalianget. Until the end of the attack on Kalianget, he did not know the whereabouts of his children.
Suddenly Gusti Made Tegeh hear 2 young teenager cried heartbreaking among the prisoners, calling out her father and mother: "O the holy king of Tegehkori, look at me, it's been such a long time now that we haven't met my father and mother, I hope God Ida Sang Hyang Widhi will bring them together as soon as possible". Because the boy's lamentation and mention his ancestor Tegehkori, attracted enough attention and immediately approached the two young teenager. He shock that they are his children, Ayu Genjot and Ngurah Raden. The father and children finally reunite again Meanwhile his wife and her brother who had been traveling for a long time looking for their sons and daughters in the Karangasem area, then heard the news that Gusti Made Tegeh had gathered with their children at his place at Puri Sukasada palace. They hurriedly came to Denbukit and headed for the Sukasada Palace and there they reunite together, He was very happy.
After awhile, he order his son Ngurah Raden & his brother in law to return to Badung kingdom to meet the new king Pucangan. Arriving in Badung, since the Satria palace had been occupied by I Gusti Pucangan who later ascended the throne to become the king of Badung, he faced Ngurah Raden to his castle, claiming to be ordered back by his father Gusti Made Tegeh because anyway they are still family and understand why Pucangan furious and raid him. He hold no grudge. Pucangan love and care Ngurah Raden since he’s a baby and always carry him everywhere when he was act as the guardian knight of Badung. Ngurah Raden also childhood friend and like brother to his sons. Gusti Made Tegeh know that Pucangan will never have the heart to kill Ngurah Raden. Because Pucangan felt himself reunited with his nephew, he gladly presented 200 people and 40 plots of rice fields to Ngurah Raden. At the king's orders, he built a palace on the west side of the river on a forest plot. After completion, the palace was given the name Jro Kuta palace. King Pucangan have 2 sons. The older ones were given a place to live in the east of the river and given an inheritance weapon. Later the palace was called Puri Denpasar palace (because it was located north of the market). Meanwhile, his younger brother was made a place to live in the west of the river and was given an heirloom weapon, therefore the palace was later called Puri Pamecutan. After a long period of time when king Gusti Pucangan ruled in the Badung Kingdom, he died, then he was replaced by his two sons who both competed to become king to replace their father to become king in Badung State.
For a long time Gusti Made Tegeh lived in the vicinity of the Sukasada Denbukit Palace. He was very active in helping the king prosper the country, so that the king loved him very much. Her daughter Ayu Genjot also became a dancer and was later married to a nobleman from the village of Petandakan.
Someday the king Gusti Agung Gede of Mengwi Kingdom wants to visit Denbukit kingdom. Considering that King Mengwi was very famous for his supernatural power, the Denbukit king intended to try to test if it was true as the news was. He order Gusti Made Tegeh to ambush the Mengwi king’s parade. He bring 40 elite warriors to ambush under the kepuh tree in the Banyuning cemetery.
Then came the moment he had been waiting for, Mengwi king’s parade arrive. The king was carried and accompanied by 200 of his people. When he was close, then king Mengwi who was being carried on a stretcher, was intercepted by Gusti Made Tegeh, and he was speared violently. However, he was not hurt in the slightest because his body was so invincible. King Mengwi said to his companions: "send me down, O soldier". Then He got down from the stretcher and immediately took a meditative stance. In an instant he changed his form into resemble Bhuta Sungsang, a giant with six eyes, six arms, six legs and six heads. It seems that no one will be able to match His supernatural powers in this world. There the troops brought by Gusti Made Tegeh felt fear and all of them ran helter-skelter. Meanwhile, Gusti Made Tegeh himself retreated and hid himself far enough to the west in the forest hills of Pedawa.
Returning to king of Mengwi, the assassination attempt he had just experienced did not dampen his steps towards the Sukasada Palace. On arrival at Puri Sukasada palace, laughing out loud, he received a warm welcome from King Denbukit whom asking for forgiveness. King Mengwi said: “Okay, son, there's no need to extend this issue because I already know that you only want to test my supernatural power. Now this old man only asks you son, to search the person that order to attack me. This old man was very surprised of the courage of this man and also his loyalty to was amazing. You have never met someone like that, I have a feeling that he is a descendant of a famous knights ".
Then the king of Denbukit ordered his troops to look for Gusti Made Tegeh. However, even though they traces or days, they still cannot be found Gusti Made Tegeh. He was hiding at the top of a millet tree. When the troops approaching, there are some doves perch at the millet branch. Gusti Made Tegeh pray and begging to doves the millet tree to let him stay there. Normally, dove bird will fly away if there are people around it. But suddenly these doves singing. The troops saw it and assume that nobody there and passing by. Gusti Made Tegeh then make an oath that none of his descendant will eat millet fruit or harm any dove.
Until 7 days he remained there. With a sluggish body, emaciated and very dirty, then he walked slowly leaving the millet field towards the west, taking refuge in the village of Patemon. The situation when he arrived at the village indicated that it was already evening. He headed for the rice trading house, wife of the puppeteer Patemon. He was very pity for her to see that his condition was very tired and emaciated, so she was invited him to their house and served with food. The pupetter's family sympathy for Gusti Made Tegeh for being chased by royal soldiers. The pupetter's family then making a well hole for him to take shelter in. Everyday afternoon he hid himself in a foxhole. When night fell, He was taken out of the shelter. He made friends with the villagers. It has been for 15 days since he stay there and very uncomfortable and don’t want the helper family involve in trouble. He excused himself from pupetter’s house and then left to Bubunan Village. In that village, he also made friends with the villagers. For about a month in Bunbunan Village, Arya Dalem's mind grew more restless. He is thinking about his family that might be executed because he failed the king’s order. Then he decide to go back to Sukasada palace to prepare his death sentence but will beg for his family life to spare. 10 of villagers accompany him.
Arriving at Puri Sukasada, the two kings were sitting rejoicing in the palace facing the royal servants. They was surprised to see people who had just arrived dressed all in white. The white cloth a sign that they will be willing to die if something unwanted happens. So Gusti Made Tegeh and his ten followers presented a bow while begging for mercy in front of the two kings if they were judged to have done something wrong.
The king of mengwi then ask Gusti Made Tegeh who he really is. Who is his true identity. He then said that he is the descendant of Arya Tegehkori, the founder of Badung kingdom. He tell them all his journey. King Mengwi then said: "O Arya, in my opinion, what you did to me was absolutely innocent. I thought, you only carrying out your loyalty towards the king of Denbukit, carrying out orders to attack. Now, my son the king of Denbukit, from now on never ever forget the loyalty and sincerity of the sacrifices that Gusti Made Tegeh has given to you forever ”.
After saying this, King Mengwi summoned a servant of his companion to take a keris and a spear at the place of his bed. After king Mengwi order that, Gusti Made Tegeh and all of his 10 followers immediately experienced extreme anxiety and fear. Of course they think that this is the time when the death sentence start.
The servant then handed over a keris and a spear, and was accepted by the King of Mengwi, saying: "O Arya, this is my gift in the form of a keris and a spear. This keris is called Carita Belebang, its usefulness is to maintain safety and the enemy doesn't dare see it. This spear is called Lelemon, it has great authority. This is proof so that from now on down from generation to generation, from life to death, never forget the descendants of King Denbukit, and also for my son the king of Denbukit, never forget Gusti Made Tegeh descendants forever. You must always help and support each other. Remember, whoever forgets this mandate of mine will find misery and heartbreak”
Thus again said the King of Mengwi: "And now, O Arya, which land that you will request ?”.
Hearing the words of King Mengwi which greatly pleased Gusti Made Tegeh, then he said: "If it is allowed, Bubunan Village is my request, because they are very loyal to me when I find trouble”.
Thus, Bubunan, Sulanyah, Tanguwisia Village was awarded to Gusti Made Tegeh. Then Gusti Made Tegeh and his family is allowed to return with his followers to Bubunan Village. For about 3 years he lived in Bubunan Village, because the land there was uneven. then they moved to Muntis Village ( later on change its name to Pengastulan village).
Epilogue
At Pengastulan, Gusti Made Tegeh became punggawa (guardian knight) and stay at a house name Jero Lingsir. Right to the west of his house he built an ancestral temple which was named Pura Badung as a honor to his ancestors whom was the King of Badung. He wrote all his extra ordinary journey into a manuscript called Prasasti Pura Badung. This prasasti is then passed through generations, along with his family tree. He and his descendant swear that they will always serve to Denbukit (Buleleng) kingdom forever.
Until later Dutch invade the kingdom and fall after the Great Battle of Jagaraga on 1849.
Aryadimas Ngurah Hendratno was born in Denpasar on September 13, 1975. He has been writing poetry since he was a teenager, was once a part of Teater Angin (SMAN 1 Denpasar), and had contact with Sanggar Minum Kopi. A number of his poems have been published in Bali Post and in the anthologies Ensiklopedi Pejalan Sunyi (2015) and Klungkung: Tanah Tua, Tanah Cinta (2016). He is the "village head" of the Jatijagat Kampung Puisi (Jatijagat Poetry Village), teaches literature and theater at the Tahkta Theater at SMK Saraswati 1 in Denpasar, and manages the Rumah Belajar Seni (Art Study House) in Denpasar. +
Portrait of Aryani Willems by Dewi Dian Reich, Sawidji Art and Photography. Fine Art Photography. +
Portrait of artist Aryani Willems by Dewi Dian Reich, Sawidji Art and Photography. Taken in June 2023. +
There are still many local residents who park their motorbikes in the wrong place, but foreign tourists don't follow suit, even though they pay more for parking there, they choose to park their motorbikes in their place, so we as local people should be ashamed of these tourists because they can't follow the rules. Be good in your own country. Therefore, from an early age, we must obey the regulations and preserve our culture in our own country so that we are not embarrassed by foreign countries. +
Augusta de Wit (25 November 1864 – 9 February 1939) was a Dutch writer, born in the Dutch East Indies and best known for writing about Java and Bali. +
Children's book about adventures in Bali. In French. 1965. +
Cleaning the environment starting from the environment around the house then the community environment, the activities in the video are:
1. Clean the environment around the house.
2. Reprimand and invite children who pass by to take part in picking up trash on the roads, houses and highways.
3. Clean the plastic waste that is taken
4. Processing the plastic waste into crafts that have a use value. +
One day, Mikha was asked by his mother to throw the garbage out front. Mikha agreed to his mother's orders, and he set off to take out the trash. However, not in the trash can in front of him like his mother said, he instead threw the garbage in a ditch a few meters from his house.
Meccklyee, Mikha's friend who happened to be passing by immediately came and reprimanded Mikha. However, Mikha instead scolded Mecklyee and an argument broke out between the two of them. What will happen to the two of them next? +
Ayu Diah Cempaka was born in Gianyar, July 18 1993. She graduated in French Literature, Faculty of Cultural Sciences, Gajah Mada University, Yogyakarta. Apart from writing literature (poetry), he is a writer & film festival programmer. Became a programmer at the Yogyakarta Documentary Film Festival (FFD) (2015-2019) and Balinale – Bali International Film Festival (2022). He served on the Asian short film selection committee (2022) and community jury (2017) at the Jogja NETPAC Asian Film Festival (JAFF), jury team at the 2018 Indonesian Film Festival (FFI), as well as guest lecturer on 'Film Aesthetics', Film & Television Department, Art Institute Indonesia (ISI) Denpasar 2021. The film review was published in several media such as Cinema Poetica, Film Criticism Collective – Yamagata International Film Festival, Goethe Institut Indonesien, Ruang Journal, Bali Post, and Balebengong. In 2016 – now he is Cultural & Communication Officer at Alliance Francaise Bali. +
Co-Founder and Head Chef, Pengalaman Rasa
"As a Northern Balinese native, Ayu's cooking training began as a child in her family's kitchen - learning the arts of traditional cooking while honing her senses in refining the taste, texture, and appearance of numerous authentic dishes.
Combining family recipes passed down through generations with lovingly selected high quality local produces, Ayu is passionate about preserving Northern Balinese cuisine and introducing it to the world."
https://www.pengalamanrasa.com/ +
Ayu Putu Feny Abrina Putra, born in Penestanan Kelod, Ubud, October 5th, 1992. She graduated from Fine Art Education in ISI Denpasar. She has exhibited in "Ekspresi Indonesiaku" in Nasional Indonesia Museum (2014), "Brutal Art Work" in dolf Bonnet Tjampuhan Ubud Studi (2016), "Merdeka dalam Ekspresi" in Taman Budaya Bali (2019) +
Ayu Weda fully named I Gusti Ayu Made Wedayanti. She was born in Singaraja, September 1 1963. She is alumi of Airlangga University, Surabaya. In era of 1980s, she was well known as lady rocker singer. Her achievement in vocal and stage field, such as in 1981 she gained The third champion in Radio Star award and TV (BRTV) in National Level. Moreover, She got award as the best performance in group category with her two sisters in Trio Ayu Sisters, who are I Gusti Ayu Partiwi and I Gusti Ayu Laksmi. In that year, Ayu Weda as representative of Bali in Puteri Remaja Indonesia award which was held by Majalah Gadis. in 1982, she successfully released album "Rindu Teman Sehati" arranged by national muse Adriadie. Meanwhile in 1987, she released album "Memetik Bintang" arranged by Deddy Dores. Besides singing, she also liked to write. Her short stories compilation "Badriyah" was published by Gambang Publisher in 2016. That book most told story of woman's life in happy and sad situation. +
B
"OM SWASTYASTU"
"OM AWIGHNAM ASTU NAMO SIDHAM"
"OM ANO BADRAH KRATAWO YANTU WISWATAH"
I would like to express my thanks to the presenter, for the time given to me, the honorable ladies and gentlemen of the jury and prospective members of the Bali Province DPD, as well as my fellow participants, whom I am proud of. Before that, let us pray to the presence of Almighty God. Thanks to Him, we can gather here with happiness at the Bali Public Participation Wikithon with orations, which carries the theme, Election 2024: what are the most urgent problems to be addressed by Bali's prospective leaders ? Hopefully events like this can be held frequently to develop a threatening Bali.
Happy guests, as we know, Bali is known as the island of a thousand temples with its very beautiful environment, which is often visited by foreign tourists, because Bali is one of the focuses of tourism in Indonesia. This is what drives many foreign tourists to come to Bali. Even though Bali is a tourist destination, this is not the main topic of discussion, but there are problems that have a significant impact on Bali. As we know, this so-called era of destruction, if we talk about the problems in Bali, will cause Bali to collapse. Unfortunately, the problems in Bali have not received treatment that is useful for the island of Bali.
Happy guests, if you look at life now it is certainly different from previous life, especially with the problems, the most important problem is related to the environment and land of the island of Bali which has been built up and used as a tourist attraction, this is what will make the island of Bali In terms of land and environment, it will become increasingly narrow, if all the land and environment in Bali is made into a tourist attraction, where will we (humans), animals and others live and live our daily lives? Talking about the land environment that has been converted into a tourist spot, of course there are many daily activities carried out to produce plastic waste for society, this is what will become Bali's next problem. The existence of rubbish in Bali is very sad and gets very little attention, this is what creates big dangers, for example: floods, dengue fever and others. Moreover, as has recently been reported, the rubbish bins or Suwung landfills in Bali are very full and cause fires, giving rise to smoke pollution which causes disease. Are we all willing to live and do activities in dirty places? Of course, many of you are reluctant to live in a dirty place.
Happy attendees, if I conclude it is related to the problems in Bali, so that Balinese leaders can provide solutions related to problems: the transfer of land or the environment to become tourist attractions and the rampant waste which has not received special attention from the government. Based on these problems, if we don't work together from now on as the front guard, it is certain that the island of Bali will gradually collapse. The island of Bali, which has been nicknamed a thousand temples, will lose its sanctity. Based on these problems, my hope is that the elected leader of Bali 2024 will be able to find a solution so that the Balinese people can implement the noble values that exist in Bali, namely TRI HITA KARANA, because these problems are related. with the TRI HITA KARANA value, so that Bali can return to the way it was before.
Happy guests, that is the speech I can deliver, I hope you all are aware of the current condition of Bali.
Who doesn't know about the island of Bali? The island is already famous to foreign countries. Tourism in Bali is the source of the economy that supports most Balinese people. But as it is now, Bali tourism has dimmed since the Covid-19 virus is endemic in the world. It has been two years since the Covid-19 virus has attacked our beloved earth. Several policies have been implemented. However, Bali tourism has not been able to return to normal. We as citizens, especially as young Balinese, should provide and carry out creative efforts that can stimulate tourism in Bali.
In this era of globalization, everything is digital and sophisticated. We can use this advanced technological development as a tool to generate tourism in Bali. One of the creative businesses that can generate tourism in Bali is an application called BALI MELALI. This application uses technology in the form of VR or Virtual Reality. In the BALI MELALI application, it displays tourism destinations in Bali. If you use this VR technology, tourists or anyone who has downloaded the BALI MELALI application can see the tourism places that we want. Using this VR, tourism destinations in Bali can be seen for real, this can foster a sense of longing for Bali and cause tourists to want to come again to Bali.
In the BALI MELALI application, it not only displays well-known tourism destinations, but should also display places that are not widely known. In Bali, there are actually many tourist destinations that are not well known. If you only show places like Kuta Beach, Pandawa Beach, many tourists will already know. That's why in this application it is very good if it shows places that are not known by many people. Not only that, the BALI MELALI application does not only display virtual or images, but can be filled with sounds that are in that place. For example at Candikuning Waterfall, if we travel to waterfalls, there are definitely sounds like the sound of gurgling water, the sound of trees blowing by the wind, the sound of birds and so on.
The presence of images and sounds in the BALI MELALI ibi application can certainly cause longing from tourists and travel to Bali. Hopefully the business in the form of the BALI MELALI application can help Bali tourism return to normal. Hopefully Bali tourism will rise soon.
Putu Eka Guna Yasa, executive director of BASAbali Wiki, together with Clara Listya Dewi, communications coordinator of BASAbali Wiki, visited Bali TV to introduce many of its programs related to Balinese language, literature, culture, and public participation to the Balinese people. +
Om Swastyastu. Dear the juries and all readers. From the theme of this oration, the urgent topic we raised was the Bali government's steps in dealing with the surge in waste on the Island of the Gods, which can cause various problems in life. For this reason, the title of our oration is “Clean and Spotless Bali, Without Mountains of Rubbish” or "Bali Resik, Bali Tan Katiben Gunung Leluu".
Bali Island is nicknamed the world's tourism paradise. However, behind that sentence, this island is facing an urgent crisis due to piles of rubbish. It has become increasingly complicated and more transparent after fires recently occurred at several final disposal sites (TPA) in Bali. How would we feel if every day we had to live amidst piles of rubbish, followed by burning pollution like this? As a foreign tourism area, the urgency of this problem must be addressed immediately because it can cause other issues that could be detrimental to the Balinese people. Therefore, the presence of the government as a pioneer leading society is vital in responding to this urgency.
Prospective leaders should be responsible for developing steps to overcome this emergency. We need significant investment in waste management infrastructure with modern, environmentally friendly technology. We also need policy designs encouraging active community participation in waste sorting and recycling programs. We encourage prospective Balinese leaders to work with various parties, including the private sector and environmental organizations, to create collaborative solutions to this waste problem. By integrating ideas and resources from multiple sectors, we can achieve more significant progress in maintaining Bali's sustainability. This is a call for all of us to act together and ensure that Bali remains beautiful and sustainable for future generations.
Thank you, ladies and gentlemen, prospective leaders of Bali in the 2024 elections, for your attention and commitment to facing this urgent challenge. Together, let's create a clean, green, and sustainable Bali without mountains of rubbish. Om Santih, Santih, Santih, Om.
Digitalization is a daily food that encourages millennials to innovate with creativity. These innovations boost the pace of infrastructure development. During the 77 years of Indonesia's independence, technology played an important role in the escalation of the nation. Bali is thick with traditions that millennials also participate in. Conservation is carried out by utilizing digital platforms, such as a virtual kite competition that uses social media as a medium for dissemination. This is in line with the "Nangun Sat Kerthi Loka Bali" program which aims to build a Bali that is Jagadhita, Kertha and Trepti. +
Bali is an island that is very well known to various parts of the world because of its tourism industry. This is because in Bali there are various unique tourist destinations that are different from other regions. The uniqueness starts from customs, traditions, culture, as well as very beautiful and beautiful tourist spots. However, even though Bali is said to be an advanced tourism sector and is well known in parts of the world. Still, tourism in Bali still has its drawbacks and is not fully running perfectly. This is because the people in Bali who are the driving forces of the tourism sector have not fully implemented the Tri Hita Karana principles. Tri Hita Karana are the three causes for the creation of happiness, which can be carried out by having good relations with Ida Sang Hyang Widhi Wasa or God Almighty (prahyangan), fellow human beings (Pawongan), and with nature (palemahan). So, the people in Bali are very good at implementing the Prahyangan and Pawongan principles, but they forget about the Palemahan principle. This can be seen from various tourist spots in Bali where it is a pity that the environment is damaged due to plastic waste. Even though the scenery of these tourist attractions is very beautiful, and again the beauty is lost because there is a lot of plastic waste that covers the place. The real evidence is that most of the beaches in Bali that are damaged have plastic waste that destroys the beauty of the beach. All of this happened due to the lack of attention from the people in Bali to take care of the environment or apply the Palemahan principle in the context of the Tri Hita Karana dance. This can also be seen from the many tourists who visit Bali, where they are not native dance people, they take good care of Bali. Where they want to protect the environment by picking up the existing trash. Therefore, it is fitting for us as indigenous Balinese to apply the principle of Tri Hita Karana so that the tourism sector continues to progress and does not sink because the environment in tourism areas is damaged. Let's preserve Bali based on the principles of Tri Hita Karana.
Along with the times, not only in ejection, even writing Balinese script in ejection is not fluent, from small children to adults. If we don't innovate, then we shouldn't be influenced by the times. It is true that it is difficult to find lontar, but there are several parties who sell it. If you don't buy it, then we start learning so that it is fluent and understands the ejection. Therefore, awareness from many parties is needed to preserve Balinese culture in the form of Balinese script on ejection. Preserving Balinese Culture is what we really need to do so that in the future it does not experience extinction because it is rarely used. So it needs support or encouragement from the government in the form of continuing to carry out counseling on Balinese Script using palm-leaf in every school, especially junior or high school, and providing facilities in the form of Balinese Script training centers, or continuing to carry out Balinese Script writing competitions on lontar during the Balinese Language Month. I hope that the younger generation who live in this millennial generation can write Balinese, especially writing Balinese script on ejection. +
One day I went on vacation to Denpasar. In one place, my father and I, who were about to buy food, found a music and dance studio that was practicing music and dancing as well. of the many musicians who practice there, there are some foreigners/tourists who are participating in the practice process. and it was clear that the tourists looked very enthusiastic in following the training process. suddenly I thought like this "wow... there are tourists, really good at playing Balinese gamelan" and after that I rushed to my uncle's boarding house. and on the way to the boarding house I also found teenagers who acted like foreigners, with all their behavior like outsiders. there I immediately thought like this "paihh... it's really tacky, I really don't want to continue the traditional culture that exists in Bali. How come outsiders who are not native to Bali can like our traditional culture. Why is it the other way around, he who is a native Balinese cannot preserving our traditional culture. from that statement it can be concluded that WE ARE TOO BUSY FOLLOWING THE DEVELOPMENT OF THE TIME, WHILE WE CANNOT PRESERVE THE TRADITIONS OF OUR ANCIENT'S HERITAGE". My hope for Balinese traditional culture in the future is that we, as native Balinese, must be able to preserve the existing cultural traditions so that these traditions don't become extinct. , and can reach our children and grandchildren later. IF NOT US, WHO ELSE?. +
BASABali Wiki : Balinese Language As A Container and Participation in Responding Public Issues In The Present +
Technological developments have prompted the emergence of various issues in society. Currently there are several issues that we should give special attention, such as the use of Balinese language which is decrease and low public participation in response to public issues. As we know, the use of Balinese, especially among children and adolescents have begun to decline. Plus seeing the business of parents, the emergence of various things that feel more interesting like online games, the stigma that Bali is an ancient language and doesn’t make slang's efforts to learn the Balinese Language is fading. In fact, it’s the children and teenagers who will continue the relay of the use of Balinese languages. If teenagers are unable to speak Bali well, how do they pass them to the next generation? Another issue is that the lack of public participation in responding to public issues. We live in a democratic country. People's voices and responses to public issues will be highly beneficial to tackle the issue. If people don’t respond to public issues around them, the government will work alone without knowing the wishes of the community.
These problems must be addressed immediately. If it’s left unchecked, the long will fade Bali will fade and people become unconcerned about the issues around them. Technological developments should be used to face existing public issues, not actually creating various other issues. There are many technological developments with features that seek to overcome this, such as BASABali Wiki's site. One of the important features to visit in BASAbali Wiki's site is a community space. This feature has grouped issues that we can respond to such as culture, education, cross-religious problems, and so on. In addition, there’s a Wikithon page which is a forum for delivering aspirations by the community related to existing issues. What's more, Wikithon has worked together with the government so that the responses will be conveyed properly. These two features are able to build the sensitivity of people to public issues and community participation in response to the issue.
There are also three-language translation features, word play, and competition that are relate to Balinese. It will be able to make learning Balinese language more exciting, interesting, and of course add to someone's interest to use Bali in everyday life.
In addition, it’ll be more attractive if Basabali Wiki has a voice feature that tells the pronunciation of a word in Bali Language. This is so that the use of Bali can be implemented properly and people from outside Bali are able to learn Bali properly.
Socialization of this site must still be done offline and online to all levels of society so that the benefits can be felt to the maximum and to evaluate this site to be better in the future with all the new things provided on the website.
Well, that's all the opinions can be delivered.
Mrs. Sugih have blue money
Wear to buy new clothes
Study Balinese language for sure
BASABali Wiki is definitely true!
This year, the BASAbali Wiki platform has become widely known among millennials. As we know, Balinese is rarely in demand by millennials. The use of Balinese among teenagers is increasingly eroding. The Balinese language, which is the regional language, should be proud of us as Balinese people. Bali as an island that is known to all corners of the world is certainly a worldwide tourism destination. In addition to culture and tourism which are the target of tourists, we now need to develop the Balinese language in terms of destinations for tourists.
Through the language and culture site, namely BASAbali Wiki, the development of Balinese language can be pursued for all people, from young to old. Not only among young and old, but in my opinion, through this BASAbali Wiki, which can be accessed by many people and even worldwide. The BASAbali Wiki application which is already based on Android makes it very easy for all people to learn Balinese language and culture. With this application, it is a way and our pride to preserve the Balinese language as a local language. By using the BASAbali Wiki application, which is known to be accessible to 80 countries, it is a matter of pride for us as Balinese people.
The existence of the BASAbali Wiki will certainly encourage many Balinese people to participate in existing civil issues. I think the BASAbali Wiki site is very interesting to get all things related to the latest civil issues in the latest reach. This feature really helps me to find out what is happening in our social and cultural environment. Therefore, proudly as a Balinese, I invite all people who already use Android to access the BASAbali Wiki to preserve the Balinese language as a local language in search of news related to the latest civil issues to everything related to Bali which is available and packaged in detail and easily accessible anywhere and anytime through the BASAbali Wiki. +
Om Swastyastu, my name is Ni Putu Intan Nursanti Sanjaya, I study at the State Hindu University I Gusti Bagus Sugriwa Denpasar. I think the BASAbali Wiki platform can encourage participation in civic issues. With this platform, it is easier for all of us to know what is happening around us. On this platform we can express our ideas and creativity that can be enjoyed by everyone. For example like now, here they provide a form to freely comment on how this BASAbali Wiki can encourage us to participate in civic issues that are currently circulating. In this way, we can find out how people view things or issues that are circulating. There is a lot of news circulating here, from arts, sports and others here. There are three languages to choose from. We can choose Balinese, Indonesian, and English. That way, not only Balinese people can enjoy it, people outside Bali or from foreign countries can use it. Besides that, there are many other features that we can use, one of which is the dictionary feature. There is a lot of vocabulary in it, so we can get words that we don't know or want to find. +
Om Swastyastu. Change is something that is eternal and will always be there. Many changes have occurred, including in our own environment, the environment of the Balinese people. I really feel the change, especially in the cultural aspect, many Balinese people, especially my generation, the millennial generation do not understand Balinese. I feel it because I am one of them. I realized that I was not fluent in Balinese. I live in an environment that people tend to move towards technological developments, so I understand foreign languages better. I realized that the Balinese language is the mother tongue which must always be maintained and preserved for future generations. I started to preserve it in my own way, a way that a student, as well as a millennial, can do. I open my eyes to things that are happening around me, I want to express them, through my mother tongue, Balinese. I found a public issue. There are a lot of public issues I found. For example, on economic issues, Indonesia is said to be a country that has managed to survive in the midst of a weakening global economy. Environmental issues, namely the island of Bali which has been hit by disasters in several areas in the form of climate-related floods. Or the changes that I directly experienced of Balinese culture are also included in the public issues. It is a pleasure and a relief when I have a place to express my opinion in Balinese. So, apart from having an opinion, I can also maintain the existence of the Balinese language in my soul. I accidentally discovered a platform called WIKIbasa Bali through a competition which was informed by my teacher. I took part in the competition with the team. In participating in the competition, of course I have to learn how platform works. My actions indirectly make me think that platform BASAbali Wiki is a correct place. Why do I say so? For one thing, features. In my opinion, the features provided are very suitable for giving opinions on public issues, as a reference for thought literature, or simply learning Balinese. There is a “Community Spaces” feature which provides opinionated columns according to their categories for the public, columns for expressing thoughts, for example the “Cartoon Commentary” column which I and my colleagues participated in during the Wikithon implementation. The feature that I like the most and I need as a student is the “Dictionary”. This feature provides various words with 3 language equivalents, namely Balinese, Indonesian, and English. It deserves thumbs up. However, there is one feature that I need to criticize, namely the “Word Games” feature. In my opinion, the games that are presented are not interesting and still seem stiff, they have to be more adapted to the tastes of today's millennial generation. Furthermore, the thing that I noticed the most while using platform is the display. The display platform BASAbali Wiki platform is the millennial generation who love simple things. So, to attract public participation, especially millennials, it is necessary to carry out the latest innovations with adjustments to millennial tastes so that the appearance presented can attract attention or be "eye-catching" while still paying attention to accessibility which is easy to use. Thus, the benefits platform BASAbali Wiki can be maximalized. Om Santih, Santih, Santih, Om.
If compared to our body, the Balinese language is like an ear. The Balinese say, “the more you look at it, the further away it goes.” The more we try to glance at our own ear, the further away it seems. Researchers have tried to uphold Balinese culture, but many Balinese teenagers underestimate the Balinese language. In fact, Balinese teenagers have built bonds as a sign of love for the Balinese language. However, it’s been so temporary, just like the blink of an eye.
From 2018, technology has been able to overcome youth problems when speaking Balinese. There are many online media outlets in the Balinese language that can encourage teenagers to pay attention to the Balinese language. One of the efforts carried out is via comedy as Rare Kual and others. However, what about news in Balinese? Are there any youths who will listen or read? Can BASAbali Wiki encourage young people to care about this?
BASAbali Wiki is a digital application that mainly contains a Balinese dictionary. If you use this application, you can look up the meaning in Indonesian. It even has the Balinese script feature. We can also see the expected language level (sor singgih) and examples of words used in sentences. In addition, there is also a translation from Balinese to English. Apart from using a dictionary, on BASAbali Wiki we can also read content related to Balinese society and culture, as well as read other people’s opinions about current issues.
If we explore the BASAbali Wiki website, actually it is very creative. First, there is already a dictionary menu as a tool expected by teenagers. Today’s young generation find it difficult to speak Balinese so they have to seek help from this dictionary. Secondly, there is also space for reading and writing so that we can also learn to write here. Third, BASAbali Wiki has contests. Contests are a great way to get young people interested in the Balinese language. Fourth, BASAbali Wiki has constantly updated social media accounts, such as Facebook and Instagram. This is proof that BASAbali Wiki has tried to go along with teenagers. Fifth, BASAbali Wiki’s social media content contains inspirational videos related to Balinese culture using the proper Balinese language.
These five things make BASAbali Wiki a good place to uphold Balinese culture. Hopefully this program will be taken seriously. What I hope is that BASAbali Wiki should always try to innovate in terms of content design and creativity. The website can add Balinese language learning media features for elementary to high school students. This feature is expected to be given to teachers and students. BASAbali Wiki must also continue to socialize so that it can encourage Balinese people’s interest in using the Balinese language together.
Introducing my name is Komang Rosyana Hartining Putri, I am from the Intasi Hindu State University I Gusti Bagus Sugriwa Denpasar. Who is currently still studying in the 3rd semester majoring in ENGLISH LANGUAGE EDUCATION DEPARTMENT.
My opinion about the BASAbali Wiki platform can encourage you to participate in civic issues is that what we know is that this site based on knowledge of Balinese language and culture this year won an international award from Linguapax for its initiative to revitalize the Balinese language in the millennial era. Introducing my name is Komang Rosyana Hartining Putri, I am from the Intasi Hindu State University I Gusti Bagus Sugriwa Denpasar. Who is currently still studying in the 3rd semester majoring in ENGLISH EDUCATION.
My opinion about the BASAbali Wiki platform can encourage you to participate in civic issues is that what we know is that this site based on knowledge of Balinese language and culture this year won an international award from Linguapax for its initiative to revitalize the Balinese language in the millennial era. Balinese language as a regional language has a very important position and function for the Balinese people. In this regard, the important position of the Balinese language in question is as the first language used, taught in the family environment, and generally in the area where you live.
Where we can express our opinions through the language we use every day without thinking about what is the correct Indonesian language. Because we have used the Balinese language.
What we all know in this ERA is that fewer and fewer teenagers and children in Bali use their mother language, namely Balinese, or they live in rural areas or cities, they still use Indonesian, which they think Indonesian is very cool and can keep up with the times. This is very worrying where all children in Bali have very rarely even developed our own mother tongue (Balinese). In fact, most male teenagers use Balinese and don't want to communicate with friends using Balinese because they think Balinese is a very ancient and uncool language.
By holding an Opinion Writing Competition in Balinese, I am very happy, because it can increase the interest and talent of teenagers in using Balinese and developing the Balinese language.
The BASAbali platform is well known in every country where other countries have also recognized the mother tongue, namely Balinese.
In my opinion, there is nothing wrong with just sending an opinion and not getting a prize. Because I'm only here to use my time and share what I know about BASAbali Wiki.
That's all from my opinion, thank you
Yening tiang madue sisan ajengan di jumah, pastika entungang tiang ring biopori. Biopori nika wantah bolong di tanahe, sane kakaryanang di natah umah, jero soang-soang. Dalemne sawetara 3-4 meter, tur matekep mangda tan maebo. Biopori puniki mapikenoh pisan duaning dados angge genah ngentungang sisan ajeng-ajengan sane sampun pasil. Sisan ajeng-ajengan puniki pacang terurai dados kompos alami irika ring sor tanahe. Napi malih yening keni sabeh, biopori puniki banget mawiguna duaning prasida ngisep toya mangda nenten blabar. Kompos alami saking sor tanah puniki pacang kaisep langsung olih entik-entikane, mawastu dados mokoh. +
Two black eyes are blue eyes
two black eyes really know the language of longing.
Longing does not belong solely to women
and both know each other, and both are without shame.
Two black eyes set on the fragrant flesh
beauty without silk, without rainbows.
Two black eyes are a dim house
afternoon cup of coffee and hidden memories. +
[EN] Sometimes many people still consider Babad Brahmana Catur text and Dwijendra Tattwa text are the same, but these lontar texts belong to two different categories. The Babad Brahmana Catur tells about the journey of Dang Hyang Nirartha, a Hindu priest from the late Majapahit era (1489 A.D.). He came to Bali and became an advisor to the Balinese kingdom in Waturenggong era. This chronicle mainly describes about the places that he had visited in Java, Bali, Lombok and Sumbawa, until finally he reached spiritual elevation on the crest of Uluwatu. Not only that, this chronicle also tells the miracles that he had made and various holy places built by him and by some of his descendants.
The Babad Brahmana Catur text is an important genealogical source for descendants of the brahmana clan (soroh) in Bali. Copied several times by different authors, this manuscript still survives to the present time in the form of palm-leaf manuscripts and latin transliteration. Fortunately, Indonesian translation is available, too.
Broadly speaking, this chronicle gives a glimpse about the situation when Majapahit collapsed—it had a major influence on the development of literacy in Java and Bali. As a Hindu religious leader, Dang Hyang Nirartha had a mission to defend the sacred teachings from extinction. In a unique way, he finally managed to maintain this religious system in Bali with its religious and cultural foundations that can be seen today. +
Babad Indu Gobed is a chronological record of an ancient village on the shores of Lake Tamblingan named Indu Gobed. The name Indu probably means water or an association of people living on the bank of the lake. Gobed itself in modern Balinese means "to grate". It is possible that Indu Gobed Village has now become Gobleg Village and three other villages known as Catur Desa Tamblingan, namely Gobleg, Munduk, Gesing and Umajero.
One interesting thing in Babad Indu Gobed is about the legend of Tamblingan Lake which was used to cure various types of diseases. Tamblingan comes from the words 'tamba' (medicine) and 'elingang' (remember). This means that Tamblingan Lake water was once used as medicine. This babad also briefly mentions Lesung volcano which erupted around the ninth or tenth century, then became inactive until today. Some historians assume that at that time the people of Indu Gobed Village fled to higher areas because of the volcanic eruption down the caldera.
Then, in the Gobleg inscription (see entry "Prasasti Gobleg") it is stated that in the tenth century there was a village on the shores of Lake Tamblingan called Desa Tamblingan. This village lasted until the fourteenth century. It is possible that Tamblingan Village is an evolution of Indu Gobed Village in the previous period. Tamblingan Village was apparently said to be a weaponry asembly site of the ancient Bali. The village was then invaded by Majapahit in the fourteenth century and was eventually abandoned. +
It is said that there was a boy in Den Bukit who was diligent in studying the lontar made by an intelligent person. Because of his perseverance in reading, he was smart in his village. That's why he was chosen to be a role model in his village. After twenty years old, he can change his form to have a different face. Because he is good at changing forms, he is not recognized by his wife's children. Likewise his dog named I Jaga can't recognize the smell. He is also smart in determining good days, that's why he often has male or female guests, asking about good days for farming, weddings, and others. Because his work and speech to other people is very good, which causes him to be rich and famous named Balian Sandi. He didn't expect anything in return, his hope was that he would be the most famous in Den Bukit.
Balian Sandi has a child, and is taught literature every day so that someone can help with his work. I Balian Sandi didn't want to lose to Balian Sadya, his childhood enemy. Balian Sadya is the oldest in his village, but he is cunning. One day, I Tantra panak Balian Sandi was lectured by the priest of Pura Dalem. The holder said that he found a chest containing an old lontar. Lontar was issued in front of the villagers. However, no one has been able to translate the contents of the lontar. The language used in the lontar literature is very ancient, perhaps as written in the King of the Puranas. Balian Sadya, a balian who was said to be smart at that time was also there, but also couldn't translate a word, there were so many people there that no one could translate. Then came I Tantra and his father, I Balian Sandi. I Balian Sandi looked at the papyrus library, but nodded as he read. The residents surrounding Balian Sandi were afraid, but after a while they smiled and muttered, "How powerful is Balian Sandi, compared to Balian Sadya, who was famous long ago, knowing the roots of mantras and temptations."
"How can you explain the contents, sir?" village soldier questions.
"Gentlemen, I cannot interpret the contents of this lontar library," said Balian Sandi,
Balian Sadya was very afraid he thought that Balian Sandi could translate the contents of the lontar book, after seeing his enemy standing up and feeling surprised, then his heart was very happy.
Then the chest is put into a cave on the side of the road. After Balian Sandi arrived home, he went to the family temple to sit in the usual place like yesterday, then he said to his son.
"My son, have you thought about it?"
"Father, I already know that you are pretending to say you don't know, but your gaze indicates that you know about the meaning of the lontar library, I beg your father, what is the content of the lontar library?"
“My son Tantra, what is written in the papyrus is a very secret spell and no one in this world knows. The mantra was written by the priest because he heard the words of the gods. It was very difficult for my father to read the year, because the writing was blurry. Then we'll steal the lontar library and study it so that no one in this world has it!"
Later that night Balian Sandi and his son I Tantra stole the lontar library and studied it. Tan long, Balian Sandi had finished studying the lontar literature, then his dog was used as an example of the experimental results of his study, his dog was cut, his head was severed. Then the pieces were reattached and enchanted, the dog came back to life. Tantra was amazed by the spells written on the papyrus library.
Tantra said to his father, "Father, I really want to die, but later bring me back to life."
"My son, don't use this as a game, son, this spell can't be used as a game!" just then his father replied, I Tantra said harshly.
"Wow Father, then father is not really powerful, just a request like that is not obeyed!"
Then his father took the equipment and they both walked to the river bank, there and then I Tantra was cut down by his father, but a piece of I Tantra fell into the river, there I Balian Sandi was afraid, and while looking at the head of I Tantra which fell far in the river. Because I Tantra's head was not found for too long, then Balian Sandi slashed his dog, put the dog's head on I Tantra's body, and put a spell on it. After I Tantra merged with the cut off of his dog's head and became a babaung and then ran into the middle of the forest, that's where Balian Sandi regretted it. A piece of I Tantra's head that fell into the river, was eaten by a snakehead fish, only to be eaten by a piece of I Tantra's head, then stuck to the head of the snakehead fish and could not be removed. This is how the babaung has the body of a human with the head of a dog, and the bastard who has the body of a cork fish with the head of a human.
The hope of the island of Bali in the future. As we know, the island of Bali is an island that has many interesting temples and tourist attractions and is often called the island of the gods. Many Caucasians or outsiders visit Bali to enjoy the beauty and traditions that exist on this island of the gods. But as time goes by, we see less and less the beauty and traditions in Bali. Therefore, come on, let's revive the island of Bali so that the beauty and traditions of Bali don't become extinct +
Jani titiang iri jak timpal-timpal/anggota keluarga titiang, mereka ngidang berbahasa bali alus sedangkan titiang? Sekebedik sing ngidang titiang. Harapan titiang, durinan bahasa bali ngidang keplajahang anggen media-media yang menarik, praktis, lan menyenangkan. Sekadi, word games, video youtube, tiktok, lan yang ane mirip. Jani teknologi subo canggih, se canggih-canggih ne care film star wars AOWKAOWKOK, dumogi bahasa bali ngidang kaplajahang anggen robot-robot, karakter proyeksi interaktif, lan kamus lengkap basa bali sekadi Basabali.org. Tapi jani titiang ngidang berbahasa bali sekebediiiik gen. Lan nike karena pergaulan disekolah, tapi aget bet ne ngelah timpal yang ane ngidang basa bali. Jani titiang ngerti kata-kata basa bali setiap hari sekadi, ngajeng, tresna, bungut, lan lain lain. Balik lagi ke ide "Belajar basa bali dengan media menarik, praktis, dan menyenangkan". Nah, mangkin astungkara gen terjadi. +
Caught in the mad traffic of Delhi, an auto feels a touch of magic.Take a ride with the driver and the passenger, and feel the feather touch of a little stardust. +
The problem is the action plan that we can do to reduce the buildup of plastic waste is to turn the plastic waste into items that are more useful and have economic value through the formation of youth associations or can be called SMEs or small and medium businesses that are specifically engaged in the production of handicrafts made from waste that can later be economically valuable, the benefits of forming SMEs are reducing the accumulation of waste creating jobs for people who
Losing jobs during this pandemic creates more creative and innovative young people +
Bale banjar (Balinese community townhall) is a good place to be used by residents. Many bale banjars have been used for useful activities, but they are only carried out by male residents who use the bale banjar facilities more. In fact, if the banjar bale could be used for women’s activities, it would certainly be very well-utilized. At Bale Banjar Kelakahan Gede, there are already many routine activities carried out such as dancing, Balinese musical instruments courses, PKK (informal educational group for women), gymnastics, PKK gatherings, and so on. Hopefully other bale banjars can facilitate the activities of women so that they are not only used by men. +
Through the Public Participation Wikithon - Bale Banjar, I am I Kadek Alit Wirawan - ST. Putra Werdhi Laksana is ready to raise the spirit of the Balinese people, especially women, so that they can use the bale banjar as a place to create, disseminate and nurture good ideas. The creative ideas suggeted in the video are as follows:
Bale banjar is a place to increase creativity. Not only is it a place for male residents, but also for women to get the same space. There are many innovations that can be done, such as health activities, arts, customs and religion. Hopefully women will always have the space to increase creativity. Let's use Bale Banjar well.
@ wikibasabali
@luhayumanikmas
@echalaksmi
#basabaliwiki #wikithon #partisipasipublik #wikithonpartisipasipublik #balebanjar #semangatperempuanhebat #milenialberaksi
@putugunarsa_ @dayutriska25 @miadiwiiguna @eeniiputu @goezadit +
Bale banjars in Bali generally apply the concept of Tri Hita Karana (balance of people, the environment, and the spiritual world) in community buildings, including "Parhyangan" which reflects the human relationship with God, "Palemahan" which reflects the relationship between humans and the surrounding environment, and "Pawongan" which reflects human relationships with other humans.
By applying this concept, the bale banjar has a role as a gathering place for the residents of the banjar area. Currently, in the modern urban era, the traditional bale banjar has undergone various changes in function, form, and the appearance of the building. Bale banjar adat (customary) which has a dual function, is no longer just a place for meetings but is a place for various kinds of additional activities such as economic activities, education, health, and art. According to residents, there are many activities that women can do to share their creative ideas in utilizing the bale banjar as a space for women's creativity. +
Bale banjars in Bali generally apply the concept of Tri Hita Karana in arranging wantilan bale banjar buildings, namely Parhyangan which reflects the human relationship with God, Palemahan which reflects the relationship between humans and the surrounding environment, and Pawongan which reflects human relationships with other humans. By applying this concept, the banjar bale has a role as a gathering place for the residents of the banjar. However, currently in the modern urban era, the traditional bale banjar undergoes various changes in function, form, and appearance in the embodiment of the building. Bale banjar adat which has a dual function, which is no longer just a place for deliberation but is a place for various kinds of additional activities such as economic activities, education, health, art. According to one resident, there are many activities that women can do to protect their creative ideas in contributing to utilizing the bale banjar as a space for women's creativity. +
Bale banjars in Bali generally apply the concept of Tri Hita Karana in arranging wantilan bale banjar buildings, namely Parhyangan which reflects the human relationship with God, Palemahan which reflects the relationship between humans and the surrounding environment, and Pawongan which reflects human relationships with other humans. By applying this concept, the banjar bale has a role as a gathering place for the residents of the banjar. However, currently in the modern urban era, the traditional bale banjar undergoes various changes in function, form, and appearance in the embodiment of the building. Bale banjar adat which has a dual function, which is no longer just a place for deliberation but is a place for various kinds of additional activities such as economic activities, education, health, art. According to one resident, there are many activities that women can do to protect their creative ideas in contributing to utilizing the bale banjar as a space for women's creativity. +
Bali
The fragrance of incense perfumes your beauty
You are the wisdom of culture that does not wither
Through tradition you are loved
Through art you are admired
Thanks to the beautiful beach you are missed
Thanks to the beautiful rice fields you coveted
Your presence opens the eyes of the world
So that the archipelago is known for its uniqueness
Your uniqueness fascinates the world audience
From neighboring countries to foreign countries
O Bali
You are sustainable
Even if only once
Feels like coming back again +
Ring Pemilu 2024 sané jagi rauh, pinaka krama Bali, iraga maduwé tanggung jawab sané ageng pisan antuk milih pamimpin sané pacang ngawetuang panglimbak miwah karahayuan ring panegara sané tresnain iraga puniki. Bali, pinaka tetujon pariwisata sané kasub ring sajebag jagaté, madué makudang-kudang pikobet sané patut katangkepin olih sang sané pacang dados pamimpin.
Silih sinunggil pikobet sané mabuat pisan sané patut urati pisan inggih punika indik palemahan miwah pariwisata sané lestari. Pinaka genah wisata utama, kawéntenan industri pariwisata sané nyansan nglimbak ngawinang dampak sané abot pisan ring palemahan minakadi akéhnyané limbah, rusaknyané terumbu karang, miwah ancaman majeng ring kelestarian alam.
Sajabaning punika, isu-isu pendidikan miwah kesejahteraan krama lokal taler dados parindikan sané mabuat. Prioritas patut kaicénin ring nincapang akses pendidikan sané pateh, pemberdayaan masyarakat lokal ring sektor pariwisata, taler upaya antuk nyiptayang peluang kerja sané adil miwah lestari.
Pikobet ring sektor kesehatan taler nenten dados kaicalang, utaminnyane ri sampune pandemi global puniki. Patut kemargiang sareng-sareng mangda prasida ngukuhang sistem kesehatan, nincapang akses masyarakat majeng ring pelayanan kesehatan, taler nyiagayang Bali mangda prasida ngarepin pikobet kesehatan ring benjang pungkur.
Punika mawinan, titiang nunas majeng ring krama Bali samian mangda milih pamimpin sané madué visi sané jelas rikala ngungkulin pikobet puniki. Pamimpin sané banget mautsaha ngalestariang palemahan, inklusi sosial, miwah kesejahteraan kramané. Ngiring sareng-sareng ngwangun Bali sané sayan becik, nénten wantah pinaka genah wisata sané becik, nanging taler pinaka genah sané madaging dasar sané kukuh sajeroning ngalestariang kasugihan budaya, palemahan sané lestari, miwah kesejahteraan kramané.
Suksma, dumogi Bali tetep nglimbak tur dados genah sane becik antuk generasi sane jagi rauh. Ngiring iraga sareng sami mautsaha mangda Bali dados Bali sane adil, lestari, lan gemuh landuh!
The government of the island of Bali, which is the Deputy Governor of Bali Prof. Dr. Tjokorda Oka Artha Ardhana Sukawati once said that indeed Bali agrees if the tourism sector is experiencing a decrease in the effects of the Covid-19 pandemic. But we as a people on this island can't say anything more. For the public should follow the directions of the government, such as vaccinating, using masks every day when meeting with others, paying attention and implementing a healthy lifestyle and other things. Actually from my personal side does not want to be so opinion more but we ourselves who should be aware of what is being faced at this time. The first thing is certainly from yourself who must carry out, secondly there is a family that is closest to ourselves and then start doing this healthy lifestyle to the surrounding community. If all parties have done so, believe me all will be healthy and free from this plague. But this pandemic teaches us to be more grateful to be aware of the circumstances that occur and what will happen. Let us together take care of ourselves first to be healthy, if we have done so believe me all will definitely come back over time. +
The 2023 Bali Arts Festival will be held again soon. Many people are waiting for this festive art event. Bali, with its cultural and artistic diversity, is certainly no stranger to the Bali Arts Festival or what is often referred to as PKB. Interestingly, the 2023 Bali Arts Festival will be opened with a parade and the 5th President, Megawati Soekarnoputri, is scheduled to open the parade. As in previous years, to kick off the series of the Bali Arts Festival (PKB) a Peed Aya (Cavalcade) will be held. The Provincial Government of Bali will still take the location in front of the Bajra Sandhi Monument, Denpasar.
Not much different from the previous year, PKB 2023 will last a month from 18 June to 16 July 2023. Close to the school holidays, this event is never empty of visitors, both local guests and foreign tourist. There are 10 art materials that will be displayed in the PKB series, namely Cavalcade, Performance, Parade, Contest, Bali World Culture Celebration, Exhibition, Workshop, Discourse, Servants of the Arts Award, and Regional Culture Week. The highlight is that this year there is an increase in the involvement of artists, which is estimated to reach 18.974 artists, including 9.670 people for Performances, 7.885 people for Parades, 1.319 people for Contests, and 100 people for Exhibitions. With a large number of engagements, there will certainly always be new and innovative performances and works from artists participating in this biggest art event on the Island of the Gods.
The 2023 Bali Arts Festival carries the theme Segara Kerthi: Prabhaneka Sandhi or Ocean Creation of Civilization, which means an effort to glorify the sea as a source of universal prosperity which is the origin of a civilization. As Balinese, we should be grateful for living on an island that is rich in art. We as Balinese must always maintain our traditions and culture so that they don't become extinct. Especially for the younger generation to help preserve and love Balinese culture!
This morning I went to exercise, but when I was on the road I saw a lot of scattered waste, which caused an unpleasant odor and could even cause pests and diseases. If left continuously like this then the environment will become uncomfortable. This can happen due to a lack of public awareness to protect the environment. There is less mutual cooperation. So, from now on, let's protect the environment together so that it is healthy and comfortable. +
Straws and cutlery from bamboo +
BALI BECIK (Cultured Economical, Smart, Innovation and Creative)
1. Quality infrastructure: An advanced city has good infrastructure, this is the first step in building an ideal city structure for the local community and tourists. This includes good roads, efficient public transportation, good waste management and a good internet connection.
2. Education and innovation: A developed city requires quality human resources, therefore education is very important in supporting all of this. The innovations carried out must also be adapted to the times so that the quality of available human resources is in accordance with current needs.
3. The active role of the Banjar and the surrounding community: Developing an advanced city is not only done by one person, but many people must be involved to achieve it. Therefore paying attention to the quality of the population which includes the provision of public facilities, such as parks, art centers and health centers is the key to creating a clean, cultured and happy city.
4. In an effort to encourage the tourism sector, it is important to develop, preserve and maintain the beauty of nature: In building an advanced city, a lot of local communities must be involved, such as waste banks and other environmental organizations. Things can be economically beneficial and environmental sustainability is maintained, both popular tourist spots and religion, as well as promoting Balinese arts and culture to become the main attraction.
5. Creating a Modern, Adaptive and Cultured society: To achieve this, an economic development program is needed that focuses on improving skills (cultural arts or handicrafts), job opportunities (job opportunities), and empowering the Balinese people, with a focus on potential sectors such as tourism, organic farming, creative industries, and information technology.
6. Reducing ineffective regulations: In the process of advancing a city, it must also have effective rules or laws in order to create a safe and comfortable environment for all people and tourists.
7. Preserving religious tourist attractions: In its development, religious tourism places do not get more attention, such as popular tourist attractions, and therefore special attention and efforts are needed to preserve and maintain these religious tourist attractions.
Wake up, stop dreaming, get ready to develop Bali. To support Bali’s development progress, the government is creating development policies. Those policies are approved by the people to support local arts.
Infrastructure development becomes the core of economic advancement of the Balinese people, based on the government’s vision “nangun sat kerthi loka Bali—road to Bali’s nature-based development pattern on the basis of Pancasila (the five inseparable and interrelated principles at the heart of Indonesia) and 1945 Constitution. This progress also depends on technological updates. I hope this will create a materially and spiritually peaceful, harmonious, and prosperous Bali. +
Bali is currently still very dependent on tourism. The tourism industry has faced a lot during the COVID-19 pandemic. It is important for Bali to develop other economic sectors.
In the short term, what needs to be done is to control inflation. This means that the increase in the prices of goods, especially basic necessities, should not be allowed
burden the people. Real efforts that can be done, guarantee the availability of the number of goods on the market.
Another step is to maintain people's purchasing power, by accelerating strategic expenditures in provincial and city district budgets in Bali. Expenditure on projects and social assistance as well as grants will maintain the circulation of money in society.
Steps to maintain people's purchasing power have been initiated by the provincial government of Bali through the policy of accelerating the expenditure of the Bali provincial budget. The provincial government of Bali has also requested that regencies and cities take similar steps. +
Bali has great potential for the future in both the tourism and education sectors. Within the tourism sector, Bali can continue to develop sustainable and culture-based tourism products and attractions to attract tourists seeking more authentic and sustainable experiences. Bali can also improve the quality of tourism services and infrastructure to increase tourist confidence.
In addition, Bali can promote alternative tourism such as agrotourism and ecotourism to increase the diversity of tourist attractions and provide broader economic benefits for the people of Bali. In the long term, Bali can also develop sustainable technologies such as renewable energy and waste treatment that can improve environmental quality and attract environmentally conscious tourists.
On the education side, Bali has great potential to develop education in various fields, such as Balinese arts and culture, environmental studies, and tourism studies. Bali can develop innovative and sustainable education programs to help Balinese people acquire the skills needed to meet increasingly complex labor market demands.
Bali can also become a center for sustainable technology development and innovation, particularly in the tourism and environmental sectors. By developing a strong innovation community and ecosystem, Bali can attract high-quality talent and human resources to accelerate the development of technology and sustainable innovation in Bali.
In conclusion, Bali has great potential for the future in both the tourism and education sectors. By developing sustainable tourism products and attractions, improving the quality of tourism services, and developing innovative educational programs, Bali can meet the demands of the tourism market and improve the quality of life for the Balinese people. +
Bali is one of the cities in Indonesia which has its own charm. besides its culture which is so sacred, Bali also has natural beauty that makes Bali called heaven on earth. but what is the power behind all that, Bali is still a city that needs to be fixed. Bali has several unresolved problems, namely garbage, traffic jams, and several other problems that should be of concern to the government.
as we all know, Bali is famous for its international tourist attractions, many foreign tourists choose Bali as their holiday destination.
With increasing tourism in Bali positive and negative impacts. for the positive impact, namely that we Balinese people feel the welfare and prosperity of tourism while the negative impact is the destruction of the ecosystem, its fading, and sustainable development.
As now Bali is entering a new era or a new normal post-pandemic. at this time the government is thinking about how to prevent us from being in silence for too long which makes everyone suffer, because it is clear that the economy in Bali depends more on tourism whereas besides the tourism industry, Bali also has a fishing and agricultural industry even though its contribution is not as big as tourism.
So my hope from some of the problems above is that the government pays more attention and support to these two industries, so that the impact can make a big contribution to the economy.
In my opinion, Bali's fisheries and marine industry can survive stronger than tourism if faced with conditions that prevent Bali from being visited by tourists because they or we Balinese will always need food to eat.Besides that, I hope that Bali will maintain its thick culture and maintain the values that have been passed down from generation to generation, so that a Bali that is tough, strong, and comfortable is created. +
Bali is known as the island of the Gods. It is located between the island of Java and the island of Lombok. Bali was formerly part of the Lesser Sunda province along with Lombok, Sumbawa, Sumba, Flores, and Timor. The majority of the population of the island of Bali embraced Hinduism making it a place with a very unique culture. the most famous island in Indonesia. It is an awe-inspiring place that holds a spectacular combination of natural beauty and cultural sights. Its beauty blends harmoniously with warm and friendly people. Here the culture is still passed down from generation to generation. Our hope for bali is to keep the Customs and cultural heritage of its ancestors . As well as the government also pays attention to several areas, especially the borders of the borders of each city/district such as street lighting lights , traffic signs and infrastructure improvements of vital facilities. We want tourism governance in Bali to really empower the chain of local handicraft activities, agriculture and our marine products, so that the economy in Bali runs, and the benefits are felt by the local community. +
Bali 2023?
Which is thick with customs, arts, culture and traditions. We should be proud of the culture and traditions that we have in Bali. However, many traditions in Bali are now unknown to children or extinct. How come? The influence of the onslaught of the globalization era and with the advent of HP all began to change. Dance, songs, songs, traditional children's songs, traditional games, all of which are starting to disappear and are no longer recognized by the current generation. I really want to see the traditions that should exist in Bali remain sustainable and stable like how our ancestors entrusted so many traditions and cultures that have been passed down to all of us in Bali. Especially the Balinese language, which is currently declining drastically in use among Balinese people. Should we be indifferent to what we have? +
Bali is a tourist destination that is favored by foreign and domestic tourists because of its beauty. However, the many activities and tourists who come to Bali cause a lot of waste to be generated in Bali. Most of the waste generated is inorganic waste, especially plastic waste. Many people throw garbage carelessly, such as in ditches, rivers and seas, and a lot of garbage is still piled up in landfills. So that there is a lot of garbage that is scattered on the beach and in the river which causes floods and many marine animals die from eating the garbage produced by the community. Therefore Bali is polluted by the amount of garbage, making the beauty of Bali increasingly lost due to the garbage produced by the community. With that in mind, let's keep the environment clean by disposing of waste in its place and dividing organic waste into inorganic. If you have done this, Bali will be free of trash. Let's all protect Bali from trash. +
Don't you all know, Bali has many traditions, culture, and beautiful and beautiful scenery that has made Bali famous to foreign countries? Bali is advanced because of its many and good tourism. These tourist spots have developed sophisticated technology. For example, on the Bali Mandara Toll Road, digital technology has been developed in the ticket payment system. This example is already based on digitalization in the era of globalization that is being felt by all people. In this era of globalization, it has had a good impact on tourism, traditions and culture. Today's society is easy to find information on cellphones. If it's based on globalization, we all have to be able to use technology properly and correctly. So that we don't feel sorry when using improper technology. We all have to be able to know the right behavior with incorrect behavior. Let's all use technology wisely in today's globalization era. Hopefully the development of digital technology in the field of tourism in Bali will be more advanced because many tourists from various countries are on vacation in Bali and can help the Bali economy. +
The island of Bali is not as large as the other islands. We, as Balinese people, are supposed to protect the island of Bali in a sustainable way. Nowadays, many people from outside the island come to Bali with the desire to buy Balinese land. Many Balinese people are also tempted to sell the inheritance from their ancestors. Everywhere there are hotels, villas, restaurants and other buildings. If all the Balinese people sell their inheritance, then where will the descendants of the Balinese people live? Over time, the land of Bali will be filled with foreigners who are not native to Bali, and the traditions of the Balinese people will be replaced with traditions that are not in accordance with Balinese value. As Balinese, we should not be tempted by things brought by people from outside Bali. We have to think about the situation in Bali so that it doesn't get narrower and our descendants still have a place to live life on this island. +
Bali is an island that many foreign and foreign tourists like to visit Bali. Lots of beauty in Bali such as temples, beaches, mountains and others. I will now go on vacation to the beach in Jimbaran Bali. The beach is very good, many tourists come here.There I can sit while eating, can swim and others. I am happy to see that Bali will have many tourists, that's because Bali is well-known overseas, I like living in Bali and I hope the people of the island of Bali will continue to preserve Balinese art and culture. +
The Covid-19 pandemic that has hit almost the entire world, including Bali, has had a significant impact, especially on the tourism sector, which is the mainline in the Balinese economy. This is supported by a decrease in the number of tourists to Bali in 2020 by 82.96%, which causes the tourism industry managers to be unable to develop the tourism business line that is being built.
However, this should not dampen the enthusiasm of various components of Balinese society in generating Bali tourism. One alternative that can be done is the adaptation of the tourism industry to the technology that is currently being discussed, the Non-Fungible Token (NFT). NFT exists as a representation of individual or group assets or ownership that has unique, non-exchangeable, and valuable properties. This technology adaptation is expected to be an answer to tourist concerns, security and convenience.
The workings of the tourism business model with the NFT platform are almost similar to the voucher system in the tourism industry. However, to ensure the security and convenience of users, this platform will be supported by blockchain technology. Blockchain is expected to be able to provide a sense of security thanks to the concept of decentralization which requires validation from various parties who become the blockchain server itself.
The government especially Bali Government Tourism Office can act as a validator for tourism industry managers (lodging, accommodation, culinary, etc.) who are committed to building a digital-based Bali tourism ecosystem. For tourists, this NFT can be purchased as a coupon that can be purchased and exchanged at a time frame determined by the tourism industry manager.
It is time we move together to restore the glory of Bali tourism by familiarizing ourselves with technology. Of course, it's not just about government policy, but me, you and all of us! +
Nnn +
Organic agriculture (Organic gardens and marketing of organic agricultural products) +
Om swastiastu.....
This is a link from my previous post. Bali is widely known as the island of the gods who keep the phenomenon of culture that is still thick in indonesia. So bali is named as the most beautiful island that must be visited by local or foreign tourists. But that was then but now bali has changed, it is due to the development that is out of control. For example, if we go to Kuta, we do not feel at all in Bali. What is Bali? I don't think that's Bali. There are only a few signs of Bali's return, several periods of Balinese leadership did not give much to the image of a good culture and even tried to change it. From this paper I take the material that I pack in the "narrative of change for bali". The problem of bali tonight is traffic congestion, many street lights are off, Bali tourism is a little down-. And others,. As a result of economic growth is getting lower because of these things, is there a handle? This Sementsra not, because the government is busy politically .
A number of cultures that are almost extinct include, baris kraras, wayang wong, and a number of other sacred cultures. The main factor causing the extinction of the culture is due to the lack of interest in the younger generation to learn and preserve the culture. In addition, also because of the development of the times so that many young people are affected by the progress of the Times and leave a culture that has become a legacy since ancient times. A society has a culture and values that are maintained and passed down from one generation to another. Preserving and developing the nation's culture is an attitude that needs to be developed in addressing diversity.Not only that, cultural preservation is also a positive attitude and activities to fill the independence of Indonesia, friends. To be able to have an attitude of accepting the diversity of ethnic and cultural groups in the community, awareness and openness are needed. Here's how we preserve culture ,
1. Understanding Your Own Culture
Everyone certainly has their own region of origin. Some are from Java, Sumatra, Sulawesi, Nusa Tenggara, Bali, and so forth. Each region in Indonesia certainly has many different cultures from each other.
2. Introducing Culture To Others
If we already understand our own culture, then we can introduce it to others or others. We can teach it to people around us. For example, teach some vocabulary in your local language. Not only that, we can also teach about regional dances, how to play musical instruments, and so on. In addition, we can also learn about the culture of others. That way, the culture of the nation will be more known.
3. Not Influenced By Foreign Culture
Another way that can be done to preserve Indonesian culture is by not being influenced by foreign cultures. Technological advances also make it easier for us to access information from within or outside the country. Unfortunately, this can also be one of the causes of Indonesian culture being increasingly abandoned, friends. The trend quickly entered and was popular in the community. However, let's not let that trend cause us to abandon our own culture.
It is possible to study a foreign culture. However, we must choose a good culture and in accordance with the foreign culture.
My hope is that the handling of problems in the province of Bali in the future can be solved by promoting Balinese local wisdom. The purpose and purpose of generating local wisdom in solving customary problems, civil lawsuit problems, criminal problems that have no impact, family problems and others related to all community problems in Bali is to bring justice, benefit and legal certainty closer to the community, not cause resistance in the community, suppress the speed of the community to court, so that customary justice can run more effectively, quickly & efficiently.
Conduct various research and research independently to be able to find and provide solutions to problems that occur around us. With the various experiences and disciplines possessed by each member of Bali Rare Paduraksa, we finally agreed to form this association with the main objective of managing and processing natural resources, providing training to improve human resources and developing culture-based environmentally friendly technology. With the joining of several figures in the fields of literature and culture, agriculture, organic practitioners and inorganic practitioners, the Bali Rare Paduraksa work program has been strengthened. +
Bali is the Island of the Gods which is famous for its natural beauty, cultural beauty, beautiful customs and special food and Bali has a very high spirit of tolerance. Bali is also often called the island of a thousand temples which is the reason tourists want to go to Bali. Bali's beautiful beaches and culture with thick customs are the main attraction for tourists to visit Bali. But unfortunately, our Bali is not perfect in terms of its natural beauty. Bali is still losing, losing in terms of its political natural beauty. Which is where very large banners and billboards cover the beauty of Bali. Tourists as visitors will not like to see billboards and banners along the road, for tourists they think it is very dirty. Because along the way we can see the beautiful scenery of Bali, but now Bali is covered by those from politics, namely billboards and political banners. So remember that our Bali is an Island of the Gods, an Island of a thousand temples, an Island of tourism, not an Island of politics. Remember Bali doesn't sell politics, Bali sells art. Forward Bali, victorious Bali. +
As we all know, the tourist objects in Bali are numerous and well-known in almost all corners of the world. But unfortunately tourism in Bali is still relatively cheap for foreign tourists so many tourists come because of cheap attractions. I hope that the tourism sector in Bali will continue to develop and progress by continuing to develop tourist attractions and increasing economic value in Bali. So that tourists come to Bali not only because it's cheap but because of its classy tourism. +
Covid-19 in Bali has had a major impact on the lives of Balinese people. This is felt by many people whose economic resources depend on tourism. Many hotels, villas, and homestays are closed because there are no tourists coming. Even so, the community still has enthusiasm. One of them is in Ubud, a tourism area known to foreign countries, the people of Ubud after the COVID-19 pandemic have started selling handycrafts, clothes, fabrics and others, especially at the Ubud Art Market and the area around Ubud Art Market. +
Bali's exclusion from the list of the world's 10 most popular tourist destinations this year has led many to question the cause. Some accuse the COVID-19 pandemic with all its consequences, including restrictions on foreign arrivals, quarantine and visa rules, of being the triggering factor. However, not a few have pointed out that waste, especially plastic, is the problem. Really?
an American tourist recently visited Bali. He was concerned about how dirty the streets in Denpasar, Bali. The 56-year-old man who likes to travel the world said Bali's popularity as a tourist destination could plummet if the waste problem is not handled properly. He mainly complained about plastic waste, which is not easy to decompose and damage the environment.Smith is just one of many foreign tourists who are concerned about Bali's garbage problem. A number of major media outlets – including The Guardian, CNN, and National Geographic – have recently highlighted how foreign tourists have complained about the garbage problem, and how Bali is struggling to cope. To the extent that not a few tourists who call Bali as “the Island of Trash”.
The foreign media described, famous beaches in Bali such as Kuta, Seminyak and Legian, almost every day filled with garbage. Though the beach is the main attraction of Tourism.
The Indonesian people, especially Bali, had previously been proud because the island had occupied the number one position in the world tourist destination in The Trip Advisor version of the Traveler's Choice Award list in 2021. This year, however, it was completely eliminated from the top 10 list. London, which was shifted to Bali in 2021, this year returned to the top position as in 2020.Gary Bencheghib, co-founder of Sungai Watch, a non-profit organization that aims to tackle the problem of waste, especially plastic, in Indonesia's Rivers, understands the concerns of foreign tourists. The man, who has been living in Bali for 18 years, said that, in fact, awareness of garbage among the people on the island is much better than in the years before the pandemic. It's just that, he said, the facilities and infrastructure for waste management are still inadequate.
Bencheghib emphasized that the garbage found on many beaches in Bali is actually sent from rivers that drain into the sea, and not because of bad habits in throwing garbage among people who often visit the beach or use the beach as a source of livelihood. Therefore, according to him, it is important to overcome the habit of people throwing garbage in the river.
Sungai Watch itself has been involved in tackling the garbage problem in Bali for more than a year. However, Bencheghib admitted that his organization's contribution is relatively small compared to the amount of waste produced by Bali every year.
“A study conducted by the Bali Partnership in 2019 shows that there are more than 33,000 tons of plastic waste annually carried by rivers in Bali into the sea. We have so far collected almost 400 tons in about 15 months. That means only one percent of plastic waste is in Bali every year,” the organization involves local residents to collect netted garbage, sort it, and recycle plastic waste for more useful products. Involving the local community in keeping the river clean, said Bencheghib, is the best way to arouse their awareness.
In addition to raising awareness of citizens to care about waste, Bencheghib emphasized that Bali, or Indonesia in general, needs to build a reliable waste management infrastructure, considering that Indonesia is one of the largest waste producers in the world.
"Indonesia is the second largest producer of plastic waste in the world after China. Because so much waste is produced, we need adequate infrastructure to address this problem.”
The problem of waste in Bali is also one of the focuses of attention of Melati Wisjen, an environmental activist who lives on the island. After successfully passing her initiative to reduce the use of plastic bags through the "Bye Bye Plastic Bags" program founded with her sister Isabel Wijsen in 2013, she held an annual program called “Bali Biggest Clean-Up" .
The 6th " Bali Biggest Clean-Up”, which was held in February this year and as part of the waste Care Day commemoration, managed to collect 88,000 pieces of plastic in 130 locations and involved about 4,000 people, including domestic and foreign tourists. According to Melati, the participation of the Balinese themselves is unusually high.
“About 90 percent of the people involved in this Clean-up program are Balinese. About the remaining 10 percent, tourists or foreigners who happened to be here. It is amazing to see the solidarity, strength and commitment of local people.”
My hope as the people of bali in particular, the government and the community must reduce the use of plastic packaging, and culture does not throw sampang carelessly like some time ago at besakih Karangasem temple.
Since 2020, the world has been reported as a pandemic. Covid-19 is the name of the virus that causes a worldwide pandemic. This pain is not only a physical attack. Economy, education, tourism, and other aspects also die. Bali is famous for good tourism. If tourism dies, Bali is also called dead. It's not good, let alone until it continues. Therefore, in the new normal era, there are innovations that the government can carry out to rebuild tourism in Bali. The innovation is called the website Bali Virtual Explorer.
Bali Virtual Explorer is a solution that can wake up Bali in the new normal era. On this website, travelers can see Bali as if they were visiting but online. This is because the website is equipped with a 360-degree video feature. 360-degree video is very good as a tool in the new normal era because its implementation is by health protocols where human mobility is not what it used to be. This website is equipped with online shopping facilities for authentic Balinese products so that traditional products are famous such as endek and songket, woven, masks, silver jewelry, and others. Online shopping is not difficult, people can have authentic Balinese products even if they can't go to Bali. This is also good for UMKM. This website is also equipped with complete information about Bali such as tourist attractions, historical places, temple information, and other information about Bali so that many people know interesting information in Bali. The Bali Virtual Explorer website is only one website, but various features such as 360 videos, online shopping, and interesting information make this website a good tool. In the era of the internet of things, online promotions are very popular in the world. That's why Bali Virtual Explorer is a good website for tourism and cultural promotion so that Bali rises. +
Bali is a beautiful island. Affected by Covid-19, of course, it reduces the income of the population. Are there alternative steps forward? We provide alternative solutions, namely virtual tours and ngonthel halal and are presented in the form of questions and answers.
What is a virtual tour ?
Answer: Virtual tourism activities via the internet with media in the form of videos
The reason for choosing virtual tours ?
Answer: Not everyone can go to Bali for various reasons such as: unable to take leave, still working, wife is pregnant, being treated at the hospital, pandemic, visas and passports have expired or have not been issued.
Media used ?
Answer: Did you know Netflix, Viu? Site / website subscription to watch movies by streaming. Yes, we adopt a method like Netflix with internet and video media. People who will access will be charged a fee or "pay"
The mechanism of action ?
Answer: As explained above, subscribing is like watching a movie on Netflix. Of course the videos presented must be fun, informal and rigid, like vloggers and youtubers making video tours, mukbang, inviting having fun in an exciting and fun way
Is it Ngonthel Halal?
Answer: Sports activities while traveling around Bali by focusing on Muslims
Reasons for choosing ?
Answer: The relentless popularity of cycling during the pandemic. Complaints about halal food both in terms of the type of food, looking for Bali tourism that does not have an open genitalia element, are tired of the same kind of tourism, so traveling around Bali by bicycle can become a new tourist destination. Target : Local & Middle Eastern Muslims
Application in the field?
Answer: Participants are invited to tour by bicycle around Bali to several destinations with beautiful panoramas, serving halal food, prayer times can go to mosques. So this shows that Bali has good religious tolerance. +
Research is being conducted with the Bali State Polytechnic and a program implemented to conserve groundwater in Bali by investigating 3 possible solutions: Well Adoption, River Adoption and Water Adoption. +
Flood
When I walk to grandma's house. While on the road I was stopped by a man'. I asked why I was stopped, the father said he was in the middle of a flood because the ditch was blocked +
Flood
When I walk to grandma's house. While on the road I was stopped by a man'. I asked why I was stopped, the father said he was in the middle of a flood because the ditch was blocked +
Bali is one of the provinces and islands located in Indonesia. Who is not familiar with this island of Bali? The target of domestic and foreign tourists to visit, of course there are many things that attract tourists to visit and even vacation on the island of Bali, starting from culinary delights, beautiful views of tourist attractions on the island of Bali that are soothing to the eye, and among others, due to traditional traditions and art. a culture that is still upheld by the people of Bali because of the belief in Hinduism with high piety towards Ida Sang Hyang Widhi, the teachings of the Vedic Scriptures, and the ancestors.
Bali does not only have the beauty of its tourist spots, the customs which are still very thick make Bali appear "metaksu". Not infrequently many tourists are interested in witnessing various traditional traditions and Balinese cultural arts in various types of performances both sacred and entertainment.
However, as time goes by, it can affect Balinese traditional traditions and cultural arts. There have been many Balinese traditional traditions that have begun to fade with time, because of the inherent belief in Balinese Hinduism that it is full of noble values, it is feared that this can cause imbalance and disharmony between Bhuana Agung and Bhuana Alit. The Balinese Hindu community believes in the concept of Tri Hita Karana, namely 3 ways that must be done to achieve prosperity, starting from getting closer to God (Parhyangan), loving fellow human beings (Pawongan), and caring for and caring for the environment or creatures created another by Ida Sang Widhi Wasa (Palemahan). With the steadfastness of the Balinese Hindu community on Dharma teachings from the Vedic Scriptures, many efforts have been made by the Balinese Hindu community to always preserve Balinese cultural traditions and arts which are believed to have a positive impact on social life, and balance between Bhuana Agung and Bhuana Alit in the form of Yajnã, because if it is done sincerely then God will bestow prosperity. As written in Bhagavadghita IX.26, this verse proves that sincerity can bring happiness to anyone who wishes to perform Yajnã in any form, it doesn't have to be luxurious, it doesn't have to be rich, because anyone can give Yajnã .
In fact, there are many ways to worship Ida Sang Hyang Widhi Wasa, because all are influenced by mindsets, traditional traditions, beliefs, and so on.
Bali is one of Indonesia's most beautiful and natural islands. The popularity of Hindu culture in Bali made it known as Pulau Dewata. As Balinese people we should keep the traditional culture in Bali and preserve it as best we can. It is because of the unique culture of Bali that causes foreign tourists to vacation to Bali. So tourism in Bali is also increasing. However, problems often occur such as traffic jams and garbage problems. For this reason I hope that the government and traffic monitors will pay more attention to traffic conditions so that traffic jams can be overcome. As well as for tourists and people who visit tourist attractions to keep the environment clean by throwing garbage in place. I hope that Bali will still have the natural beauty and be preserved so that Bali will remain one of the favorite destinations for foreign tourists to take a vacation +
Bali is famous as a tourist destination with its unique art-cultural products and stunning beach scenery. Bali not only has amazing beach scenery but also has another beautiful and authentic nature panorama. With the beauty of nature mixed with the local wisdom of its culture, Bali is like a paradise piece that cannot be found anywhere else. Bali is very synonymous with the existence of a family temple, village and royal temple, mountains and lakes, as well as forest and water sources, so it is nicknamed "Island of Thousand Pura". Bali is the most attractive place in the world because Bali has a variety of beautiful and varied natural tourist attractions. Therefore, my hope for future return is to improve other tourism sectors besides crafts such as health tourism and education tourism and to build innovative and creative regional businesses for maximise regional income and wider employment. +
There are lots of dances in Bali, almost everyone likes to dance, from small to old, they love to dance Balinese dances, there are Sekar Jagat dance, Cendrawasih dance, Bunga Girang dance, Pendet dance, Joget dance and others. +
Why are there so many phenomena when boys who are born are said to be safe and considered lucky, but if women are often said "yes, that's okay". It's just realistic that many people think that women have a lower position than men. What's the difference though? In religion women and men have the same role and position. Male and female elements, "purusa and pradana" are in human beings and are important in the process of creation. Women also have a triple role, they can have a household, they can work for a living, moreover they can be active with local residents. Mebraya, metanding, ngayah are common things that women do. If that's the case, why is it often said that only sons can continue offspring, right? Even though the system in Bali adheres to patriarchy, there is still such a thing as "nyentana" when a man lives in the household of his wife). The understanding of gender equality is very appropriate to be applied by all Balinese people. Women can still lead and take care of all the affairs and many jobs. It is time for a culture that follows religion to look at this in another way for the common good. “Pesu peluh meli taluh, eda kadena aluh dadi anak luh“. +
In Bali there are lots of beauties, one of which is the beach. With its gentle breeze, fine sand, and sea waves that soothe the heart and mind, it makes us feel at home to linger on the beach. Unfortunately, beach tourism is more favored by foreign tourists than local tourists. I saw local people going to malls or cafes more often than going to the beach. Besides the beach too, there are also beautiful waterfall tours. But no one knows about these tourist attractions. And, Bali is also famous for its culture. However, many young generation are slowly starting to forget the existing culture, starting from tari tradisional, ritual adat, upacara adat and local crafts. My hope is that in the future, Balinese people can appreciate their beauty more and introduce their beauty to the world, starting from tourist attractions and culture to the people out there so they know that Bali is the island of the Gods, The Last Paradise. +
We, as Balinese, must preserve the environment, we are obliged to put garbage in the trash, we must not litter, let's take care of Bali's environment +
Today bali is really really hot, Just sleeping in the room is really hot, especially outside the house.
Lots of sweat coming out,
looks like someone taking a bath +
"Bali rose from adversity"
At the beginning of 2020 the natural disaster, known as the covid 19 outbreak, was a time of hard to get a job, hard to earn money, after that Bali's economy collapsed. Then I got the news on social media, they said someone had committed suicide, like. I was shocked to hear, how could it be like that?. but fortunately now that covid is gone, Bali has risen from covid-19. Therefore, we must be careful that we do not do bad things. Instead, we must do good things so that we can redeem ourselves from this difficult time. +
"Bali Rises from
destruction"
At the beginning of 2020 the natural disaster known as the covid 19 outbreak was a difficult time to get a job, it was difficult to make money, after that Bali's economy collapsed. Then I got word on social media, they were saying someone had killed themselves, like. I was surprised to hear that, how can it be like that? but fortunately now covid is gone, bali has risen from covid-19. Therefore, we must be careful that we do not do bad things. Instead, we must do good things so that we can redeem ourselves from this difficult time. +
"Bali is rising from the ruins"
At the beginning of 2020 the natural disaster, known as the covid 19 outbreak, was a time of hard to get a job, hard to earn money, after that Bali's economy collapsed. Then I got the news on social media, they said someone had committed suicide, like. I was surprised to hear, how could it be like that?. but fortunately now that covid is gone, Bali has risen from covid-19. Therefore, we must be careful that we do not do bad things. Instead, we must do good things so that we can redeem ourselves from this difficult time. +
By the grace of god and the merits of the heroes, finally at this moment. We can still celebrate Indonesia's 77th independence day, therefore, we as the next generation must be aware of the attitude of defending the country, which must be applied from an early age, in order to create a country free from the threat of the invaders. However, lately this attitude has disappeared with the times, therefore we as millennials must be aware of the importance of tolerance, mutual cooperation, and being able to imitate the attitude of the heroes who are persistent in defending the country, so that we can still stand on the top. this motherland. +
Road traffic congestion in Bali already needs serious attention. The high use of private vehicles has caused the widespread impact of roads that have the potential to cause congestion. Areas that are currently prone to congestion, especially South Bali which includes the cities of Denpasar, Badung, Gianyar, tabanan, and several other districts. The cause is a side obstacle, it can be due to parking, then there are activities that use the road. Yes, that's the way side barriers are. There are parking trucks, there are accidents of all sorts, which are clearly no obstacles.
Efforts to reduce congestion is by
1. Obey traffic signs. Obeying traffic signs is a small step that we can implement as individuals. ...
2. Reduce the use of personal vehicles. ...
3. Provide proper and safe public transportation. ...
4. Availability of a decent infrastructure for traffic users.
My hope as the people of bali is that the people and the government of bali can reduce congestion for it is necessary to enforce discipline, especially for minors/do not have a driver's license , foreign foreigners / foreigners are not allowed to carry reckless motorcycles. Traffic handling in bali May / needs to be done through a multi-facet strategy, namely strategies at the macro level (spatial planning), mezzo level (transport demand management), and micro level (street level). because the comparison of the growth of motor vehicles and the growth of Road area is very unequal, namely 9% per year : 0.01% per year.
multi-faceted traffic congestion management strategy that is divided into three parts. First, the macro level is based on spatial planning in the form of compact city models, transit oriented developers, and high density residential areas. Second, the mezo level which is based on transport demand management is in the form of mass public transportation facilities, intermodal interfaces, park and ride carpooling. While the third micro-level based on the street level, among others, in the form of intersection improvements, flyovers, widening bottle neck, markings and perambuan and road pricing including parking rates.
Bali is too concerned with tourism, so it doesn't know anything about what damaged island. Issues of damage to mangrove forests, coral reefs and garbage still exist and seem to be being ignored. As if forgetting the concept of Tri Hita Karana. Bali must concerned with other aspects and not only concerned with one thing. +
Majapahit culture as a result of his Majapahit oath, spread widely to Nusantara, one of which was Bali. The sharp keris stuck to make mistakes, only vanished there. Don't pull the dagger, because it can make your resolve retreat +
Bali is known as the Island of the Gods. Because Bali is one of the main tourism destinations in Indonesia. Bali is also blessed with beautiful and varied nature, from beaches, rivers, seas, lakes, mountains and forests. Tourist objects in Bali has also become one of the centers of attention for visiting foreign tourists, for this reason, Bali has long been a paradise for foreign tourists.
No less important, Bali is synonymous with the existence of temples, so that Bali is nicknamed the "Island of a thousand temples".
I hope that on this island of Bali we can create quality tourism in the future and preserve our own culture so that culture remains as it is. +
Bali with its culture and arts
Bali is an island known as the Island of the Gods and "island of a thousand temples", Bali is also famous for its culture and arts, one of which is the manufacture of Endek Kamen, Endek Kamen is made with an Ikat weaving system. In making endek kamen it is made manually and requires patience and great caution is needed. It's only natural that the price is quite expensive. My hope for the future is that Kamen endek Bali can still be preserved and become a distinctive culture that is increasingly known in the world. It is the responsibility of all of us to maintain the existence of this cloth to preserve it. Now is the time for us to take responsibility. We use woven fabrics woven by craftsmen so that we manifest prosperity, to build awareness together to preserve and develop the noble values of this heritage. One of the efforts to build awareness as well as recovery efforts is to use endek woven fabrics that are adapted to the type of activity and place. Not only that, the younger generation also needs to be known for the existence of fabrics that are now worldwide by using Balinese Endek Woven Fabrics as material for clothing collections. +