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Candidasa sunset + (Sunset in East Bali Candidasa. Komunitas Photography Karangasem Kalender 2023)
Jane Belo Tannenbaum + (Tannenbaum, Jane Belo (1904–1968) American anthropological photographer. Name variations: Jane Belo. Born Jane Belo, Nov 3, 1904, in TX; died 1968. Traveler, artist, photographer and fieldworker, was noted as pioneer in anthropological photography.)
Wayang Wong Pura Taman Pule + (Tari Topeng Wayang Wong at Pura Taman Pule … Tari Topeng Wayang Wong at Pura Taman Pule. In the moments before the ceremony.., quiet, sombre and unmasked.The next chapter of the Living Maks of Bali: Sacred Wayang Wong of Pura Taman Pule. The portraits taken by ManButur are part of a series in an article 'Dancing Memories of Wayang Wong' by Sawidji Gallery.mories of Wayang Wong' by Sawidji Gallery.)
A Graffiti Within + (The contrasts between the seemingly opposite qualities of poetry and graffiti. A meeting between a philosopher and poet Dr. Mas Ruscitadewi and a street artist 'Istanbul' in Sawidji.)
Makarya Topong Sareng Kranjang Saking Leluu Plastik + (The video of SMP Dwijendra Denpasar was ma … The video of SMP Dwijendra Denpasar was made on 20th September 2021.There were three students,who made it,they were Kadek Arya Advaitha Dewi,Desak Made Anggia Puteri Linggayu,I Dewa Made Ogan Sastrawardhaya.This video will give little impact to the environment by recyling the once used house waste,tobe hat and bucket from plastic material."Let's manage the garbage from home"ial. "Let's manage the garbage from home")
Theo Meier + (Theo Meier was born in 1908 in Basle, Swit … Theo Meier was born in 1908 in Basle, Switzerland. He was educated in the arts at the Basle School of the Arts. He had worked as a portrait painter for the University of Basle. He made his first trip to Berlin, where he met Liebermann and Hofer at the Berlin Academy, as well as Emil Nolde, one of the contemporary painters he admired most. He studied with Otto Dix who influenced him greatly.Meier left Europe for the South Pacific at the age of 24. To finance his travels, he founded a club, where each member promised a monthly fee in exchange for which they could choose one of Meier's paintings upon his return. He sailed to Papeete via Guadeloupe, Martinique, and the Panama Canal, inspired by the beauty he encountered, but also disillusioned by the presence of Western influence.After returning briefly to Basel, he went to Bali where his life was changed forever. In Bali, he found an innocence that he did not find in Tahiti. He befriended the German painter Walter Spies, and later moved into the German artist's bamboo house. He married his first Balinese wife in 1936. When the Japanese arrived in Bali in 1941, Meier was granted permission to stay in Bali, unlike his friend Walter Spies who met his death aboard a prisoner of war ship crossing the Indian Ocean. Unfortunately, many of his paintings were lost, some of which were given to Japanese sailors. After the war, Meier remarried, fathering a daughter.After 15 years in Southeast Asia, Meier briefly returned to Switzerland, but then returned to Bali, followed by Thailand. In 1957, he married Laiad, his third wife. In 1961, Meier moved to Chiang Mai, Northern Thailand, where he lived with Laiad in a beautiful teak house on the banks of the Ping River. He was a prolific artist and continued to paint until his death in Thailand in 1982.paint until his death in Thailand in 1982.)
Ni Daha Tua + (There was once a story of Ni Daha Tua. The … There was once a story of Ni Daha Tua.There was once told in some village there was an old single lady, named Ni Daha Tua. She was very old and lived by herself in a small hut. She scavenged firewood in the woods. She diligently scavenged firewood and returned home on evening and sold them on the next day. She could only sell the firewood once in two days. Although that, she had her meals cooked for herself, sometimes she had leftovers because she did not eat so much. Ni Daha Tua had a neighbor, named Pan Rendah. Because he as so many children, Pan Rendah scavenged firewood along with Ni Daha Tua every day. Since he was a healthy man and younger than Ni Daha Tua, he could scavenge more firewood home and sold it every day. Although that, because he fed many mouth, he often left with not enough meal. Ni Daha Tua came to envy Pan Rendah, because he could carry more firewood and sold it every day.In the evening, Ni Daha Tua returned from scavenging firewood and sat down on her balcony as she muttered, “The God is unfair upon giving us blessing. Pan Rendah could sell firewood more and gain more money, while I can only sell it once in two days and gain less money than him. I wish if I was a young healthy man, it would be great.” As she was done muttereing by herself, a woman came to her and told Ni Daha Tua, “Miss Daha Tua, do not you mutter by yourself, saying the God gave unequal blessing, while everyone is as equal as other before the God. If you want to be a young healthy man, then it shall be granted.” that’s what that elderly woman said, and vanished. By the time it is granted, Miss Daha Tua became a young fine gentleman, then he was very happy. Since he is now a healthy young man, it meant he was able to bring firewood back, and sold it almost daily, until he had enough money, then he proposed a woman as wife.Long story short, he was getting married, he had so many children, until it became too difficult to raises them, as the money from selling firewood were not enough to feed them all.When he was going to sell firewood at market, and made money on it, he then left. There he stared onto the merchant which sold many things. His envious thought grew, and he went back home. Upon arrival, he again was grumbling with himself. “Sigh, God is unfair upon giving us blessing. The merchant, as a woman, sells things and gets so much money. I am alone carrying firewood until I hurt my neck. If I become a merchant, it would be great.” He grumbled to himself. Again, the old woman from before came and said, “In the past I told to not muttering something so ungrateful, talking that God is unfair, now you said something so ungrateful again. Well, if you wish to be a merchant, then your wish shall be granted.” Said the old woman, then she vanished again.Long story short, she became a rich merchant who lived without missing or lacking anything. One day, when the merchant was selling, there was an Arch Bishop of the land, marched toward the palace to pay a visit. Seen by the merchant enviously, she then murmuring again said “Sigh, my wish is always not enough. I am so rich now, but have no follower. If I am an Arch Bishop, I will be happy with so much money and so many followers.” As she finished murmuring, the old woman from before appeared. “Very Well, merchant, your wish shall be granted.” Said the old woman, and then she vanished like before. At that exact time, the merchant was appointed on palace, given name of The Arch Bishop, bestowed many loyal followers. As he became The Arch Bishop, yet he still felt not satisfied, because there was still someone above him. And there, he made another wish to The God to become a king, and had his wish granted. At the same time The King felt ill, and died. Later The Arch Bishop took the throne and became The King. As he took the throne, he still felt envious, because he is not the only king on the land. There were many other kings, he then made a wish to The God, “Oh Lord Sanghiang Widi, if you really love me, bestow me another blessing, grant my wish. About what I wish is to defeat all kings so that I will rule over this realm from the sky to the earth. You had too much world to rule, so just rule the heaven!” There The King was ordering all of his troops, ready to attack the other kings. The troops had been gathered and then The King marched to the war, and ordered his troops to plunder every village.Long story short, so many rulers had fallen to The King, only one still stood against him. At the night after the war break. When The King was at his chamber, before he went to sleep, the old woman from before came to him and said, “You ignorant King, all of your wishes had been granted by The God, but your wish that makes you become the only ruler in this realm, from the sky to the earth, shall not be granted, as ignorant and as envious as you are!” that’s what she said, as she vanished again.As that old woman left, a rain was heavily poured followed by striking thunder storm, the a thunder struck the chamber and burnt it, including The King burnt to death. And that was a story of an ignorant person full of envy. -translation'19 unud person full of envy. -translation'19 unud)
Om Saraswati Ya Namah + (This Baligraphy work entitled "Om Saraswati Ya Namah" is a mantra to glorify Dewi Saraswati.)
Mesiluman Sekonden Mepilih, Ketara Di Suba Mepilih + (This Ogoh-Ogoh belongs to STT. Windhu Sara … This Ogoh-Ogoh belongs to STT. Windhu Sara Putra Melinggih (Youth Organization) Banjar Melinggih, Payangan entitled "Dewi Manik Jenar" which tells the story of a person who turns into a stealth pig with sharp teeth.The gentlemen who are sitting sweetly drinking coffee while reading the newspaper, which is a story while working in that soft, breathable chair ..., I know you have the authority, carry it out well, you said that before being elected, you made many promises, ready to bring change. Lest you only turn into (stealth) The government dares to say that, when caught, it does not dare to budge. Let not you say that in order to appear fanged (potentially) when the fangs are broken one by one. Show your fangs if you dare to speak up, close your mouth (fangs) if you don't dare to run.ur mouth (fangs) if you don't dare to run.)
Puikin Pelih, Luungan Ojog Pepes Dadiang Tongos Maguna + (Through the Wikithon Public Participation- … Through the Wikithon Public Participation-Bale Banjar contest, I, Ni Kadek Sintia Dewi, am ready to build the spirit of the Balinese people, especially women, so that they can use the bale banjar as a creative space to create, spread, and maintain good ideas. Here are creative ideas that I can give according to the interview in this video:All villages in Bali have several places fit according to their functions. One of the common places in the village is the bale banjars. A bale banjar is usually used as a place for villagers, especially for neighbors to meet, gather, and do different things. Bale banjar is also usually used as a place to carry out large-scale activities because the place is usually wide.Talking about what can be used from the bale banjar, as I know the bale banjar is usually used as a place to learn to play Balinese musical instruments, to learn how to dance, to conduct competitions, to cook, to make ogoh-ogoh whenever Pangrupukan day approaches, to hold Posyandu (regular healthcare program for mothers and newborns), and so on. However, of all of these activities, not all go on regularly. Some are only done on certain days. On other occassions, the bale banjar looks empty and the fence is tightly closed.For the bale banjar to be used optimally by residents, especially by women, there are innovations that can be done. For example, young women can meet every Sunday afternoon to write short stories or poetry in the bale banjar. They can write on their gadgets instead of on papers, following the modern era as it is today. This will enable them to gather and get to know each other and can also develop the potential of the younger generation to write in order to pour out their feelings (emotions) or share their everyday stories to other people. After collecting several works, these can be compiled as an anthology. And if possible, the anthology book can be distributed to schools in the village as a media for student literacy.Mothers can take advantage of the banjar bale as a place for monthly social gatherings. There they can meet with other mothers. By doing so, they can reduce their home boredom and they can go for recreation or entertainment in the bale banjar. At the social gathering, there is “jimpitan” money (shared money) that can be used as cash for other useful things with shared benefits.Let's use the bale banjar as a place to spread creativity together! as a place to spread creativity together!)
Topeng Dalem + (Topeng Dalem. The King, the Mask and the D … Topeng Dalem. The King, the Mask and the Dance.Topeng Dalem represents the King, Dalem Waturenggon, associated with the Golden Age of Balinese Kingdom of Gelgel during the 16th century. He is known within this narrative as loving, benevolent and wise. A compassionate King. That is why, according to Kadek Sudiasa, in order to carve and capture the essence of Topeng Dalem is difficult. To capture the calm and gentleness of this King, with what he describes as having a particular softness around the eyes. It is this very subtlety within his character that makes it difficult to capture. He lacks the obvious characteristics that are embodied in Topeng Keras or Topeng Tua.For Full article https://sawidji.com/2023/07/19/topeng-dalem-the-truth-of-a-king/23/07/19/topeng-dalem-the-truth-of-a-king/)
Topeng Tuli + (Topeng Tuli is part of Topeng Bondres. It … Topeng Tuli is part of Topeng Bondres. It was performed in the past as entertainment during ceremonies and community events. This mask was made by Kadek Sudiasa for 'World Without Sound, an Anthology' Exhibition at Sawidji Gallery."Those who can not hear, do not think lightly or less of them.. because they have something extra, something special that other people may not have. God's creation is full of balance and fairness. If they do not have enough in their power of hearing.. they have something else that is extra that we may not see." ~ Kadek Sudiasaxtra that we may not see." ~ Kadek Sudiasa)
Tri Netra + (Tri Netra are the three magical eyes of Lo … Tri Netra are the three magical eyes of Lord Shiva who can see the entire universe with cudamami in the center in the Saput Leger puppet as a sacred ritual drama. Lord Shiva said my three eyes (Tri Netra) between my forehead there is one more eye, the magical eye that can see all nature is closed with cundamani. Tri Netra as the third eye of Lord Shiva Namely Phalanetra, Agnilocana, and Trolicana which are in the philosophy of Lord Shiva with their attributes.Two left and right eyes symbolize physical activity in the world. The third is in the center of his forehead which represents knowledge (Jnana). It is said that Shiva was engrossed in mingling with His magic, namely Dewi Parwati, who was playing blindfolded, because her eyes were closed by the palms of Goddess Parwati, causing Shiva to find it difficult to see, because Shiva blocked her vision, the world was shaken. Also in the Mahabharata book, the Linga Purana book is also mentioned as offering a different story about the appearance of Shiva's third eye.Lord Shiva's third eye in Tapasya Narada and his arrogance as told in the Shiva Purana, At that time, Lord Shiva said that this place would make the Manmadha mantra ineffective and not work. Narada did not know about this. Vishnu listened to him for a moment and realized that Narada had seen maya – Shiva. He also praised Narada, which made him even more arrogant. This made Narada boast even more not once but many times. Then he asked Vishnu's permission to go and then wandered around the three Lokas. and then wandered around the three Lokas.)
Tutur Kumara Tattwa + (Tutur Kumara Tattwa is an ancient Javanese … Tutur Kumara Tattwa is an ancient Javanese text that tells about the birth of Bhatara Kumara, a god who always takes the form of a child. Bhatara Kumara (or Sang Hyang Kemara) is believed by Balinese as a guardian deity for children.It is told in this lontar that Bhatara Siwa has a child named Bhatara Kala. Because Bhatara Kala likes to prey on humans, he is given the right to eat children born in Wuku Wayang (the 27th week of Balinese 30-week calendar). Coincidentally, Bhatara Kala's younger brother, Bhatara Kumara, was born in Wuku Wayang, so Bhatara Kala really wanted to eat his younger brother.When Bhatara Kala wanted to eat his younger brother, Bhatara Shiva intervened them and said that Bhatara Kumara was still young so he could not be eaten. Then, Bhatara Shiva gave a blessing to Bhatara Kumara so that he would always take the form of a child so that his brother would not eat him.Bhatara Kumara was then assigned to herd cattle, but he quickly grew bored. It was there then that Bhatara Shiva gave a lecture on spiritual teachings.The important teachings in this Lontar Kumara Tattwa include the nature of the ten faculties which can cause the ten kinds of defilements in one's body and mind (dasamala). This defilement causes eight delusions called astamaya-dewi.These eight delusions can be eradicated by the eight types of restraint, which are called Astalingga. In this Tutur Kumara Tattwa lontar it is also stated that there are eight qualities of glory.This lontar also discusses liberation and spiritual perfection. Perfection of life can be achieved by observing dasa niyama brata, which is ten actions that reflect one's austerities and self-restraint, namely giving, respecting those who deserve respect, exercising self-restraint, carrying out obligations, controlling lust, eating holy food, fasting, not speaking. carelessly, studying the scriptures and doing holy bathing.ing the scriptures and doing holy bathing.)
Uuk Paramahita + (Uuk Paramahita was born in Denpasar, April … Uuk Paramahita was born in Denpasar, April 17, 1978. He completed his art education at ISI Denpasar. Since 2001 he has been involved in many joint exhibitions at home and abroad, including exhibiting at “20 Finalists of Nokia Art Award in Jakarta, 2001; The faces at Junge Gesichter at Agon. e.V Passau, Germany, 2012; The Fourth Silk Road International Art, Shaanxi Provencial Museum of Fine Art, Xian China, 2017. Many of Uuk's works feature tiny figures combined with the surrounding issues. He processes many childhood memories into interesting works of art.od memories into interesting works of art.)
Ketut Swardana + (Was born in 1969 in Singaraja. He graduat … Was born in 1969 in Singaraja. He graduated in 1990 from "Fine Arts School" in Denpasar, bali. He's an active painter who keeps searching for professional painters as his teacher and companion. In the past he has worked through a joint system with "Pierre Poretti", an artist from Lugano, Switzerland.Most of Ketut Swardana's works are an expression of creativeness on canvas. The quality of his work improves with each passing day. For Swardana, the most important factor to his art is satisfaction to his feelings.o his art is satisfaction to his feelings.)
Wayan Suastama + (Wayan Suastama is a painter born in Lalang … Wayan Suastama is a painter born in Lalanglinggah, Tabanan, Bali, 1972. He studied fine arts at ISI Denpasar. Since 1995 he has been diligent in displaying his works in joint and solo exhibitions, both at home and abroad, such as the Bali Megarupa (2019) exhibition. In 2000, his work entered the final of the Philip Morris Art Award. In general, his works often feature female figures with soft and charming colors. He is active in the art community Militanarts.Read Full article in Sawidji Artist BiographyWayan Suastama and the Art of IntrospectionIn pursuit of art, I wished to have a better understanding, so I went to SMSR Batubulan Denpasar. I didn’t have the ambition to be a painter or this or that, I just wanted to understand art better. In fact, in SMSR I chose to study graphics and communications. This was a study of typography and graphics.https://sawidji.com/about-sawidji/artists-sawidji-gallery/wayan-suastama/ji/artists-sawidji-gallery/wayan-suastama/)
Laksana Dewi Uma + (Who here just talks a lot, but there is no … Who here just talks a lot, but there is no evidence? There used to be a story that Dewi Uma was in love with Bhatara Shiva. But his love for Lord Shiva is not nonsense. Dewi Uma wanted to lose her chastity in order to get medicine for a stomach ache in the form of an ox gill to be handed over to Lord Shiva. The government should imitate Dewi Uma's behavior, be willing to do good and be willing to sacrifice to defend the people, so that our country is beautiful, just and prosperous. We are citizens of a silent country is that so? uh no! we also have to imitate the good behavior of Dewi Uma.Don't just say that you are willing to sacrifice, but remember to prove it!ng to sacrifice, but remember to prove it!)
World Without Sound + (World Without Sound is an Anthology of art … World Without Sound is an Anthology of art and thought.With contributions from Putu Suasta, Warih Wisatsana, Made Kaek, Putu Bonuz, Ellen Lane, Made Artawa, Wayan Suastama, Agung Putra, Made Delo Budiarta, Nyoman Handi, Tjandra Hutama, Made Somadita, David Hopkins, Kadek Sudiasa, ManButur Suantara, Sun Rong Fang, Wayan Juniari, Dewi Dian Reich.Sawidji has collated together a series of artworks and poetry for this special presentation. It is an anthology. This theme of ‘World Without Sound’ was inspired by the wonderful experiences we had in working together with the Sushrusa Deaf School Community. Not simply about raising awareness about those with differences in our community and sign language. Perhaps even more remarkable, is experiencing the reality of the nature of inclusivity. As a powerful value that nurtures a growing collective empathy.Most art exhibitions have one primary objective and that is to feature and highlight artworks and artists. This is by no means very different. However, perhaps the spirit of which this was put together is a little different. Somewhat experimental that it could not be foreseen what will be the result. We invited those in our community, whether it be social, digital or local to participate in a contemplation. To contemplate the concept of ‘Dunia Tanpa Suara’. This translates to ‘World Without Sound’ (though may also be translated to ‘World without voice’). To contribute to this reflection using a creative piece.The Spirit of InclusivityOur invitation was done in the spirit of inclusivity. It was not only artists but also other members of the community who felt reflections on this theme were worthwhile. With the time and space, we have available we can only say a heartfelt thank you to everyone. Those whose works and contributions made it possible for us to present this anthology. One for all of our community to enjoy. It is so so very rich with insight and learning. One that is deep with life lessons from all directions of life experiences.With such personal freedom and intimacy, everyone came to their private message about their imagine ‘World Without Sound’. For each realisation in every individual, it is a lesson of wisdom, empathy or simply of beauty that we can partake in. ur heartfelt gratitude to everyone who opened themselves and generously shared their time, creations and thoughts with us. We are honoured by the generosity of the talented artists and writers who have come together in this anthology of art and thought, living the very spirit of inclusivity.Online Exhibition available for viewing at Sawidji.com https://sawidji.com/2023/04/16/world-without-sound-an-anthology/23/04/16/world-without-sound-an-anthology/)
Developing Bali as a Tourist Destination + (developing Bali as a tourist destination … developing Bali as a tourist destinationBali is one of the most popular tourist destinations in the world. In order to make Bali the most popular tourist destination, it is necessary to take care of the sustainability of the land, improve the quality of infrastructure and public services, and improve the culture and art of Bali.Efforts should be made to preserve the natural environment in order to limit the number of visitors, reduce plastic waste, and promote tourism based on local knowledge. Therefore, improving the quality of infrastructure and public services such as roads, clean water, sanitation, and electricity are necessary to ensure that tourists feel comfortable and safe while visiting Bali.The culture and art of Bali has become a tourist attraction in Matiosan from Tiosan's tourist destination. The government and the Balinese people are planning to organize cultural and artistic events such as traditional ceremonies, Balinese dances, traditional music, and Balinese fine arts. In order to make Bali the most popular tourist destination, it is necessary to pay attention to the well-being of local customs and to preserve their rights. The government and the tourism businessmen are willing to work and promote local customs and produce local products so that they can improve their economic well-being.During this time, Bali has become a sustainable tourism destination that promotes natural beauty, culture, and well-being. It's time to be loud, it's the best place to visit Bali, and the local people are silent on the other side.local people are silent on the other side.)
Danu Bratan Temple + (pura Beratan or Bratan Pura is a large wat … pura Beratan or Bratan Pura is a large water temple and temple in Bali, Indonesia - the other main water temple being Pura Ulun Danu Batur. This temple complex is located on the northwest bank of Lake Bratan in the mountains near Bedugul, Tabanan Regency. Water temples fill the entire area in the watershed; on the downstream bank there are many small water temples specific to each irrigation association (subak). This temple is actually used for offering ceremonies for the goddess Dewi Danu, the goddess of water, lakes and rivers. Lake Bratan is one of the important lakes in terms of irrigation.he important lakes in terms of irrigation.)
Danu Bratan Temple + (pura Beratan or Bratan Pura is a large wat … pura Beratan or Bratan Pura is a large water temple and temple in Bali, Indonesia - the other main water temple being Pura Ulun Danu Batur. This temple complex is located on the northwest bank of Lake Bratan in the mountains near Bedugul, Tabanan Regency. Water temples fill the entire area in the watershed; on the downstream bank there are many small water temples specific to each irrigation association (subak). This temple is actually used for offering ceremonies for the goddess Dewi Danu, the goddess of water, lakes and rivers. Lake Bratan is one of the important lakes in terms of irrigation.he important lakes in terms of irrigation.)
Dragonfly + (“Magic is seeing wonder in nature's every … “Magic is seeing wonder in nature's every little thing, seeing how wonderful the fireflies are and how magical are the dragonflies.” ― Ama H.VanniarachchyPhotography by ManButur Suantara that explores Macro photography, specifically only using natural light in natural environments with no staging.The dictionary definition of Macro Photography is simply taking a picture extremely close up, bigger than life-size. Macro photography is all about showcasing a subject larger than it is in real life — an extreme close-up of something small. A full-frame insect in a five-by-seven-inch photo and a four-inch product shot of a cornflake go well above life-size: both are examples of macro photography. - both are examples of macro photography. -)
Wayan Sila + (“The very first night I slept over at my n … “The very first night I slept over at my new studio an owl flew into the garden. It wasn’t a coincidence that I noticed it perched in a tree,” says Balinese artist Wayan Sila. “This was aspecial experience and powerful omen. A gift from the Gods to me.”The owl is much revered by indigenous cultures and in folklore around the world as aguardian spirit, as well as a wise creature capable of extraordinary sight. Balinesemythology reveals that if an owl visits a family compound while a female member ispregnant this is indeed a positive sign. Burung Hantu literally translates from bahasaIndonesia into the English language as ghost bird; or the owl, the mysterious bird of thenight.“I have a unique connection with owls. It is a potent image that resonates with my heart. Iwas intuitively led to draw the owl and then I began to include it in my works. It has nowmanifested into a personal symbolic image, equivalent to the Barong. The owl alsoencourages me to reflect on the joy that I derive from my family life,” says Wayan.Born in Ubud, 1970, Wayan Silawasinspired by his grandfather, well known local artistWayan Barwa. From an early age he regularly visited Barwa’sstudio and gallery,surrounded by the paintings of his Balinese heritage, this was the perfect scenario for achild to learn to draw and paint.Wayan soon became adept in the “Ubud Style” of modern traditional Balinese painting. Inthe evolution of Balinese painting during the last century, from its origins of the ClassicalKamasan style that concerned teachings from the Hindu Epics, each village then began tocreate their own distinctive style.The Ubud style moved away from the religious and began to be characterized bynarratives that involve daily village life and depictions of rural and environmentallandscapes. The artists from Ubud were quick to adopt western influences in the 1930’s,depth of field, shades of color, localized narratives and the development of the humanfigure. The Kamasan style was originally a collective work and never signed by anindividual. The new personalized and expressive form of Balinese painting has its rootsfirmly entrenched here in Ubud.Wayan’s canvases are beautifully composed and resound with an overwhelming sense ofbalance and harmony. His highly detailed works are first sketched in pencil then outlinedin black Chinese ink, finally they are rendered in acrylic paint with a fine kaus bamboo, asmall piece of bamboo crafted with a tiny point to apply the medium. A large canvas, 100 x80 cms, may take up to six months to complete. “In 1997 I was inspired to include owls in my compositions after seeing a wonderful sketch by a Japanese child.”Wayan’s relationship with the burung hantu then activated an endearing association withthe people of Japan, to whom the owl is symbolic of happiness. He first visited Japan in2002 and his premiere solo exhibition there was in 1998. Every year since then Wayan has enjoyed the privilege of exhibiting work in galleries, department stores, even in theIndonesian Consulate in Tokyo. He has held over 15 solo exhibitions in Japan, andnumerous other exhibitions in Bali, Jakarta, Spain and also at the prestigious Agung RaiMuseum of Art in Ubud.“It’s an honor for me to be invited on intercultural exchange programs teaching youngJapanese students traditional Balinese painting techniques. I do this each year when I visitJapan.” Wayan has since developed a healthy market for his works there and continues toell to the Japanese tourists who often visit his Ubud studio/gallery.Wayan Sila, acrylic on Canvas, 2012,45x 60cm.Wayan SilaGarden + Bale studio of Wayan Sila.Wayan Sila. 2012, chinese ink +acrylic on canvas, 60x80cm.Wayan’s cooperative works with Japanese poet Yoko Jatiasih have been the focus of two books. They initiallycollaborated in 1998 to create music and poetry for his paintings. In 2004 their first book “Kata Kata” Echoes From TheWoods, and then in 2010 “Pelan Pelan” were published.Browsing through these books, the creative synergy between the two is easy to recognize. Yoko’s short poems, no morethan 6 lines, resonate with an uncomplicated intelligence. Upon the opposing page to the text are Wayan’scomplimentary images created especially to accompany each poem.As you contemplate the words essence, as well as study Wayan’s images, the mysterious bird of the nights’full roundeyes are firmly transfixed upon you. The fusion of words along with the images perplex the imagination, and then defyyou to believe their medium is the owl’s silent and alluring gaze.In 2011 Wayan relocated to his new studio gallery in Jalan Bisma in Ubud. Journey 400 meters along Jalan Bisma until theroadside urban development gives way to the effervescence of the padis. Down on the right hand side nestled in thesawah you will find his small abode. Look for the sign on the road then follow the narrow path that divides the greenswaying fields to his studio/gallery encircled by the bamboo fence.Wayan has created a personal space that reflects the elements that enrich and sustain him. Situated in the middle of theyard he has built a bamboo bale which functions as his studio, yet also as a place of quiet retreat. The surroundinggarden is abundant with organic vegetables, fruit trees, medicinal herbs, ornamental shrubs and flowers. Indeed, Wayanhas created his special own oasis.As you enter his two Bali dogs are quick to offer enthusiastic toothy greetings. The verdant vegetation is soothing andinviting. I discover two rabbits, four exotic birds and frogs and snakes frequent visitors, so Wayan tells me. Stonecarvings covered with brilliant green moss hide among the foliage, shrines and small Hindu temples are adorned withofferings and the sweet sent of burning incense seduces the senses. An outhouse serves as a simple kitchen and two rooms contain Wayan’s gallery painting collection and books for sale.When we observe Wayan’s paintings we enter into a beautiful and extraordinarily tranquil world. His owls’ peer outfrom within forests and lush scenes, their big eyes possess a magnetic pull and communicate a language that isdeciphered in our hearts. Wayan Sila is a painter of immense sensitivity and his works are vehicles of healing qualities and love.re vehicles of healing qualities and love.)
I Nyoman Popo Priyatna Danes + (“What the modern architecture is still try … “What the modern architecture is still trying to achieve today has been implemented in the traditional Balinese architecture for centuries now, where the concepts of energy conservation and environmental preservation are amongst the fundamental elements in every design.” – Popo DanesFrom private homes and restaurants to starred hotels and luxury resorts, the renowned Balinese architect Nyoman Popo Danes is known for his exemplary designs that showcase a distinct flair of being in harmony with the local culture and nature. This green-conscientious architect always integrates eco-friendly aspects of Bali’s traditional architecture into his designs.“While some architects are very focused on making their buildings look stunning from the outside, my main concern has always been the functionality of each aspect of the building. I always make sure that my designs are in harmony with their natural surroundings; that each room has a function; that a strong connection between the architecture, landscape, and interior is established. I don’t care if my architecture is not photogenic, as long as it serves its function well.”As an international destination, Bali attracts people from all corners of the world with its uniqueness. Therefore, Popo believes that every building on the island needs to be able to help these people feel that they are in Bali. “When you travel, you want to be immersed in the local atmosphere. In Bali, a building should exude the feeling of locality so when you enter it, you know you’re not in Jakarta, Hong Kong, or anywhere else.”The works of the two-time ASEAN Energy Award winner (in the category of Best Practice in Tropical Architecture) are known as some of the most striking in design, functionality, and environmental consciousness. Air conditioners take up the biggest energy consumption in a building, and Popo’s eco-friendly creations have the ability to ‘communicate’ with nature to lessen energy consumption through the overuse of air conditioners.“I create buildings that have open pavilions (just like in typical Balinese buildings) to allow breeze to blow in, and I don’t put too many glass windows. Then again, air circulation or heat is not the only reason why air conditioners are overused. People also tend to turn their air conditioners on to escape from the noise pollution outside their buildings. When all windows and doors are shut, it’s quiet inside. This is where nature steps in. Towering trees can be a great noise filter, and they also serve as a fresh, cool air provider.”From Indonesia to India and China to the Philippines, most of Popo’s architecture projects involve challenging landscapes. “It’s never easy. A lot of projects i’ve been doing so far (especially for luxury resorts) involve slanted soil, hilly surfaces and everything else not flat. Of course I can always take the easy job; for example in Bali, I get so many offers to design a building on a flat surface. The thing is, in order for me to build it, I have to get rid of a rice field. I will never build anything on a rice field. Rice field is a symbol of prosperity for the Balinese, and is home to the goddess of prosperity, Dewi Sri.”e to the goddess of prosperity, Dewi Sri.”)

Aryani Willems Portrait 01 + (Portrait of Aryani Willems by Dewi Dian Reich, Sawidji Art and Photography. Fine Art Photography.)

Spirit of Legong + ("My memories of the Legong dance.. growing … "My memories of the Legong dance.. growing up I see a lot of paintings of a dancer in costume. I tried to create a photograph of the dance that is like a painting.. but still has the spirit and movement of the dance.." ~Nyoman ‘Butur’ SuantaraExcerpt from article "Legong Rhapsody, a Dance Through Time" by Dewi Dian Reich.We have a series of works by ManButur Suantara that singularly looks at one particular dance. The Legong Dance of Bali, 'Tari Legong Bali'. Balinese culture is full of beauty in so many respects. Wherever you turn you will find something rich and sumptuous in colour and also mystery. Its rituals and ceremony are profoundly deep. It draws the attention of the world. This is not the first time the dances of Bali is the object of art. Images depicting our culture is saturating mainstream media due to its power of influence towards a profitable industry. Tourism. On the positive side this means the beauty of Balinese culture is recognised by many. I mention this because I wish to draw attention to something that might be overlooked. There is something really special to reflect on here that would be remiss not to point out. Purely for our artistic discussion. As a series in photography there are interesting aspects that we can learn from.Read full article in image reference link.Read full article in image reference link.)
Condong and Inclination + ('Dance is an ancient art that is intrinsic … 'Dance is an ancient art that is intrinsic to Balis’ creative spirit. One of the many forms of worship its people offer to the Creator. This is something we have in common with many cultures across the world. Forms of traditional dance are a natural and perhaps inevitable manifestation of human creativity. Modelled and tempered to embody our thoughts and philosophies.'Looking at the rich heritage in traditional Balinese dance whilst discussing the impacts caused by a primarily commercial audience. Writing an article is one part, but it would not be possible without the full-hearted contributions of those who give fully to a collaboration for this type of project. Sri Apriani shares her experiences and performs the Tari Condong in Sawidji Studio whilst being a muse for a series of portraits by Dewi Dian Reich Exploring faces behind the dance.an Reich Exploring faces behind the dance.)
Doa + ('Doa' is part of a series of images in 'Ka … 'Doa' is part of a series of images in 'Kala and the Guardians'. A Conceptual Art Collaboration.Reflecting on the nature of Time and our relationship to Earth and Spirit through a conceptual mixed media narrative. A collaborative exhibition with the works of Dewi Dian, ManButur Suantara, Nyoman Handi.Kala & the Guardians Limited Editions presents a selection of works from the second project presented by Sawidji in what has become our conceptual narrative way. Our story grew together from its initial theme to its installation-focused process in Sawidji Studio. From costume design to studio staging, the documentation of its process carries as much of its meaning for us as the final images that we present.ng for us as the final images that we present.)
Lost Signal + ('Lost Signal' is part of Photography Serie … 'Lost Signal' is part of Photography Series of the same name by Dewi Dian Reich. Writer, artist and photographer."My Grandfather speaks and walks these streets. He use to hold my hand,My Grandfather is ageless, his vision sharp and wisdom deep,Where is our playground? Why does he stumble?Is it my eyes that are careless of the nails and broken glass that would cut his feet? Or my ears that mute out his voice?Did you not know there are sharp nails and broken glass that would cut his naked feet?roken glass that would cut his naked feet?)
Melodious Urban + ('Melodious Urban' is a new work by ManButu … 'Melodious Urban' is a new work by ManButur Suantara in response to the theme 'World Without Sound' exhibition Sawidji Gallery.Do we relate to noise as a disturbance? Does quiet mean peace?Capturing the hustle and bustle of Gajah Mada Street Denpasar, the image was made with multiple exposure techniques. With a combination of 9 images to become one single image. Then there are 25 of these images made up of 9 each.For some people who live on this busy street, the noise is normal for them. To see the loud exhausts of cars and motorbikes and the horns from traffic 24 hours a day. However, when I ask some people who live there, they don't say it is noisy. they say it is normal.It seems like they are conditioned to the environment and are on good terms with the noise. By creating this image I am trying to see the world inverted. To be in this activity and relate to the silence and quiet that some people seem to find there.quiet that some people seem to find there.)
Red Chair and the White Room + ('Red Chair and the White Room is a mixed m … 'Red Chair and the White Room is a mixed media presentation by exploring social and cultural changes through a symbolic portrait narrative. A Sawidji Collaboration that looks upon current social and cultural changes through a symbolic portrait narrative. With art and photography by D.D Reich and ManButur Suantara. With additional costume and installation support by Juniari and Meliani.Excerpt:This is not a story about a boy and a girl.. Our portrait story is one of all of us. Each portrait takes us through a transformation. Transformations that are connected and represents a collective reality that we face as a traditional community. Enjoy the Online Narration of this exhibition. https://sawidji.com/2022/08/17/red-chair-and-the-white-room-a-collaboration/-chair-and-the-white-room-a-collaboration/)
Silent Wings + ('Silent Wings' is a sculptural work by con … 'Silent Wings' is a sculptural work by contemporary artist Putu 'Bonuz' Sudiana accompanied by a verse of poetry. Photography collaboration with Dewi Dian Reich Sawidji Gallery. Artwork is part of group Anthologyy 'World Without Sound' at Sawidji GAllery April 2023. "Silent wings fly through the darkness of the night... stringing hymns on the face of the moon together with silence.." face of the moon together with silence..")
Anak Agung Cukit + (1930s Batuan artist who continued to work in the 1950s. Also a gambuh dancer. A portrait of him has been painted by Bonnet. Also known as "Dewa Cukit" and "Dewa Gede Cukit".)
A A Ngurah Paramartha + (A A Ngurah Paramartha was born in Denpasar … A A Ngurah Paramartha was born in Denpasar, October 14, 1974. He completed his art education at ISI Denpasar. Since 1995 he has been actively displaying his works in various exhibitions, such as the “Kamasra” exhibition at Bali Cliff Resort Jimbaran (1996), Indonesian artist “Colour Wheel” at the Dublin Ireland Painting Gallery (2009), “Ulu-Teben”, the MilitantArt group.= at Bentara Budaya Denpasar (2015). His solo exhibitions include “Secret Desire” at Hide Out Fine Art Ubud (2003), “Exploration of Life” at Ten Fine Art, Sanur (2011). His works tend to be figurative by showing imaginary figures with multiple interpretations.ary figures with multiple interpretations.)
The Red Chair and White Room, a Collaborative Online Exhibition + (A Sawidji Collaboration "This is not a st … A Sawidji Collaboration"This is not a story about a boy and a girl.. Our portrait story is one of all of us. Each portrait takes us through a transformation. Transformations that are connected and represents a collective reality that we face as a traditional community."A mixed photography and multi media presentation exploring social and cultural identity and its changes. Through a symbolic portrait narrative. By Dewi Dian Reich, ManButur Suantara, Ketut Kaprus Jaya.In the purity of arts’ expressions, it is needed now even more desperately than before, to serve as a bridge. A bridge to connect people, connect minds as well as to touch hearts. Providing a catalyst. Even perhaps like a conduit that may lead people to raise important questions. To inspire learning and better understanding. Not only for ourselves. But to a wider community as well as the environment in which we live and receive Natures’ many gifts.On this note Sawidji Artists invite you to join us, on this day of Independence 17th August, for the online version of our exhibition ‘Red Chair and the White Room’. An exploration of changes social behaviours and its potential impact on cultural identity. Through symbolic representation via a portrait narrative. The Online Exhibition is available below in both English and Bahasa Indonesia.elow in both English and Bahasa Indonesia.)
Survivor + (A collection images in black and white by … A collection images in black and white by ManButur dedicated to the meaning and value of Trees. ManButur Suantara interviewed by Sawidji Gallery for the article 'I Hear You Tree'. Part of several discussions regarding the power and contribution of Trees into human lives. As started by artist Made Budiarta in 'Inauguration of Trees'. Made Budiarta in 'Inauguration of Trees'.)
Indomitable Beings + (A conceptual mixed media series by artist … A conceptual mixed media series by artist and writer Dian Dewi Reich for Sawidji Collaboration Manus, a Conscious Journey. Australian-Indonesian painter and photographer, Dian Dewi Reich, the founder of the Sawidji Artist Collective, finds herself at the very cross-section of Manus, a Conscious Journey’s creative process. As she claims to be equally attracted to the bizarre world depicted by Hieronymus Bosch and the visuals demonstrating philosophical narratives of Balinese religion, we can say that she embodies the spirit of this collective exhibition through her work Indomitable Beings. Presented in three separate themes all interconnected: plants, animals, and humans. Three categories of living creatures on planet Earth, are separated by biological classifications but united in destiny.cal classifications but united in destiny.)
I Made Wahyu Senayadi + (A graduate in Fine Arts from the Indonesia … A graduate in Fine Arts from the Indonesian Art Institute (ISI) Denpasar, Senayadi has exhibited two and three-dimensional works in exhibitions, including two solo shows, throughout Bali and Java since 2005. He represents a new wave of Balinese artists dedicated to innovating within the contemporary format experimenting with conventional and non-conventional media. “I am very grateful for having my work recognised in the UOB Painting of the Year Awards,” said Senayadi, born in 1985 in Marga, Tabanan, Central Bali. “Through this award, I trust it will help provide a bridge to the goals that I want to achieve in my career.”Despite his visual challenges during the past five years, Senayadi has excelled in his artistic pursuits. In 2018 he was recognised as one of Nine Finalists in the TiTian Prize, a biannual art award presented by Yayasan TiTian Bali (Bali Art Foundation) recognising Balinese talent innovation within the visual arts. In 2019 Senayadi distinguished himself with eye-catching and ingenious works made from natural coconut fibres, ‘Menanti Keberuntung/Longing #1’ and ‘Buta Bongol/Deaf Monster’ during ‘Mahardika’, a group exhibition at TiTian Art Space in Ubud.up exhibition at TiTian Art Space in Ubud.)
I Gusti Agung Wijaya Utama + (A photography graduate from the Indonesian … A photography graduate from the Indonesian Art Institute (ISI), Denpasar.Balinese photographer I Gusti Agung Wijaya Utama S. Sn has a unique vision to raise awareness of the past through distinct, eye-catching fine art and reconstruction portrait photographs. Gung Ama, as he is known, does not use digital technology, but a process from the past; the Afghan Box Camera. As the name suggests, the camera is linked with Afghanistan, being first used in villages by travelling photographers before there were any photography studios.“Digital technology and the modern mindset desiring immediate outcomes and satisfaction are impacting upon the art of photography and contributing to the erosion of traditional Balinese values,” said Gung Ama, born in Batubulan Gianyar in 1988, whose interest is photography began in 2006. “Nowadays, smartphones equipped with sophisticated cameras are affordable and an essential modern icon and tool. Moreover, social media and selfies dramatically impact lifestyles and alter our concept of identity. By recreating the nostalgia and curiosity of old Bali through manual, handmade photos, my objective is to reignite cultural memory while inspiring awareness and discussion among all the generations.”“My photography reflects the growing sentiment within the Balinese seeking a return to the wisdom of the past,” Gung Ama said. “In the face of modernity and the homogenisation of cultures, I believe it is important to celebrate and embrace cultural icons to help reinforce our identity. In addition, it’s essential to be reminded of our forefather’s messages, culture lost and the wisdom of the past.”Article by Richard Horstmanof the past.” Article by Richard Horstman)
Suklu a Portrait #1 + (A portrait of artist Sujana Suklu in a col … A portrait of artist Sujana Suklu in a collaboration with Dewi Dian Reich. Exploring the Three Rooms of Art. Art by Interaction in the studio.Sujana Suklu is known as a progressive thinker of contemporary art in Bali. With a pioneering vision that reflects a universal philosophy. Sujana Suklus’ contributions are vast in scope, encompassing multi-disciplinary fields within fine arts, academic and community platforms. Suklus’ academic research explores ways to bring art methodologies into communities cultivating and preserving local wisdom whilst expanding existing skill sets. The beauty of this research is that it has been applied and is actively growing in communities today. is actively growing in communities today.)
Abu Bakar + (Abu Bakar, is a playwright and theater fig … Abu Bakar, is a playwright and theater figure, born in Kediri, Tabanan, Bali, January 1, 1944. His father is Javanese and his mother is Balinese. Apart from theater, he also pursued literature and photography. There are many plays that he has performed and directed. He had visited several countries for artistic matters, among others, France and the United States. In America, Abu performed his collaboration with Ikranegara artists in the form of the theatrical performance “Berani-Beraninya Waiting Godot” (1990). He also directed the performances “Kereta Kencana” and “Indonesia Luka” (both in 2012) and “Malam Jahanam” (2013). In the field of literature, apart from being published in several newspapers, his works have also been published in "My God Butterflies", "America Outside the Window" and "Fireflies". He also wrote a monologue script entitled “Wanita Batu” (2006) and television dramas “Comedy Hitam”, “Bali Crying (2004), and so on. Abu is the founder of the “Polyclinic Theatre” and “Earth Theatre”. “Polyclinic Theatre” and “Earth Theatre”.)
Achmad Obe Marzuki + (Achmad Obe Marzuki was born in Jakarta, Ju … Achmad Obe Marzuki was born in Jakarta, July 30 1975. He has lived in Bali since 2002 and is active in the arts, including playing theater, writing poetry, reading poetry, photography and painting. He deepened his writing skills through a journalism course at Planet Senen, Central Jakarta in 1995. He joined the Jakarta Theater Forum and the South Jakarta Cultural Service's Fairy Tale Institute (1995-1996). Reads his poems in the free pulpit on the 1998 TIM reform stage. Joined the AGA Theater (Waterhouse Children) and founded the API Community (Indoor Market Children) in 2000. Founded Pelangi Art Bengkel Handicraft 2001. Together with Sanggar Poerbatjaraka he was involved in the performance Layon ( 2008) and Hong (2008) at the VI Nusantara Student Theater Gathering in Surabaya. Now he has joined the Jatijagat Life Poetry community in Denpasar, Bali.t Life Poetry community in Denpasar, Bali.)
Dewi Dian Reich, There is Intellectual Stagnation in Balinese Art + (An interview with Dewi Dian Reich, Founder of Sawidji Artist Collective and Gallery by Mas Ruscita Dewi. May 17th 2023 Bali Post. Looking at the challenges faced by Balinese artists in the face of a changing global and local markets.)
Anak Agung Gde Rai + (Anak Agung Gde Rai or usually called as Ag … Anak Agung Gde Rai or usually called as Agung Rai, born in Peliatan, Ubud, on July 17th, 1955. He is a humanist (cultural practitioner) and an artist who has big role in preserving and promoting arts of Indonesia, particularly Bali. He is the founder of ARMA (Agung Rai Museum of Art). The poverty during his childhood motivated him to change their family life to make it better by continuously work hard. When he was young, he has ever become “merchant” of artistic goods for tourists in Bali. Agung Rai has a dream to become a teacher, but he has to burry it since cant afford the tuition. Then, he learned to paint. But, he realized his skill is yet sufficient as painter. Otherwise, he took a course of English and became a tour guid. From his interaction with the tourists, he got sense of business to try as seller of artistics goods made by his neighbors in his hometown. Since then, he is becoming a merchant in arround Sanur, Kuta until Padangbai. As a merchant, his sense of business and arts was developed. Then he mad friend with many arts collectors. He followed his friend to be a collector of maestro’s artwork. From a collector, he became a currator for artwork exhibition. Such as, in 1989, Agung Rai went to Japan and took a hundred of artworks from fifty painters that joined a group of Sanggar Seniman Agung Rai (Agung Rai Artists Group). This paintings then was shown in Japan for two months. Anxiety and worry for his country’s cultural preservation mainly in field of arts make him obssessed to establish a museum and arts galery. Then, with wonderful effort of him, in June 9th 1996, ARMA Museum officially opened by Prof. Dr. Ing. Wardiman Djojonegoro while at that time have position as Minister of Education and Culture. ARMA is one of museums with most complete collection in Indonesia. From classical artwork until contemporary, even artwork of local artist and other countries. Moreover, ARMA periodically held an exhibition of artworks. The popularity of ARMA is masively increasing since it often held various cultural event such as music performance, theatre, providing bookroom with various collection for visitors, held seminar of culture and art. Events in ARMA mostly in international scale and often were hold by various artworkers and culture from many countries. With various arrangement of these kind of event, ARMA achieved predicate as most popular museum and the best museum in Indonesia based on tourist as how it was compiled by world travelling site, TripAdvisor. For his effort to preserve arts, Agung Rai was awarded many awards. Such as, in 2002 he was awarded by Indonesia Government as “The pioneer in advancing the fine arts”. In 2012 he was chosen as Chief of Himusba (Himpunan Museum Bali) 2012-2017. In 2016 “TripAdvisor” awarded ARMA as the best museum in Indonesia. The choice was determined by the tourists who has visited the various museums in Indonesia. The Books of Agung Rai and ARMA can be read in “Gung Rai, Kisah Sebuah Museum // Gung Rai, A Story of Museum” (KPG, 2013), “Saraswati in Bali: A Temple, A Museum and A Mas” (BAB Publishing Indoneisa, 2015”, “Agung Rai, Sang Mumpuni // Agung Rai, The Maestro” (Lestari Kiranatama, 2017)., The Maestro” (Lestari Kiranatama, 2017).)
I Ketut Angga Wijaya + (Angga Wijaya is the pen name of I Ketut An … Angga Wijaya is the pen name of I Ketut Angga Wijaya. Born in Negara, Bali, February 14, 1984. Learned to write poetry since high school when he joined the Cultural Paper Community under the care of the poet Nanoq da Kansas. His poems have been published in Warta Bali, Jembrana Post, Independent News, Riau Pos, Bali Post, Jogja Review, Serambi Indonesia, Denpost, Tribun Bali, tatakala.co, balebengong.id, qureta.com, gallerybukujakarta.com, simalaba. net and Dian Sastro's Poetry Anthology for President! End of Trilogy (INSIST Press, 2005) and Chewing Geram (One Hundred Poems Against Corruption) published by the Manikaya Kauci Foundation, the Corruption Eradication Commission (KPK) and Jatijagat Kampung Poetry (2017). His poetry collection entitled “Notes Pulang” was launched in January 2018. Angga works as a journalist in Denpasar.. Angga works as a journalist in Denpasar.)
James Danandjaja + (April 13, 1934 - October 21, 2013. James … April 13, 1934 - October 21, 2013.James Danandjaja obtained a bachelor's degree in Anthropology in 1963 from the Faculty of Letters, University of Indonesia. He also obtained a doctorate in Psychological Anthropology from the University of Indonesia in 1977. For the writing of his scientific work he conducted research for approximately a year in the Trunyan area of Bali, and produced the book Culture of the Trunyan Village Farmers in Bali, which was published in 1980. James Danandjaja who whose real name is James Tan, with the nickname Jimmy, was appointed Professor of the University of Indonesia in 1983.He was the first Indonesian folklorist, starting to pursue the science since he studied at the University of California, Berkeley, in 1969. His mentor at that time was Alan Dundes, a prominent folklorist from the United States. With a paper entitled An Annotated Bibliography of Javanese Folklore, which was later made into a book, he obtained a master's degree in folklore from the university in 1971.Upon his return to Indonesia, in 1972, he taught the science at the Department of Anthropology, FISIP, University of Indonesia. According to him, folklore which is part of culture in the form of folk language, traditional expressions, puzzles, legends, fairy tales, jokes, folk songs, fine arts, etc., is closely related to the culture of a society. For this reason, he assigned his students to collect various folklores in the country. These writing materials were later made into a book with the title Indonesian Folklore (1984). In addition, he also wrote several other books related to folklore, such as Guidance on How to Collect Folklore for Archiving (1972), and Some Problems with Folklore (1980).), and Some Problems with Folklore (1980).)
Shameless Smoky Mouth + (Are you smoker? Cigarettes have been well … Are you smoker? Cigarettes have been well known since a long time ago as a 'smoke snacks', coffee friends, body warmers. According to research, it is actually clear that cigarettes can cause various diseases. Just imagine, why the hell we put smoke into our ‘limited’ lungs? It has clearly contained carbon monoxide and other harmful substances. What's more, there are addictive substances that make addiction. Two packets can not be enough for a day. Some even prefer lack of eating than not smoking.To be fairer, not only the badness of cigarettes to be delivered. Some people said, cigarettes also have benefits. Some say cigarettes make us calm, forget about problems, the inspirational lighters, eliminate headaches, and so on. It's ridiculous, some say can't 'pup' (read: defecate) if the morning if hasn't enjoyed a coffee and cigarette package. Whether right or not, it might need to be examined further. There is also a habit when holding a religious ceremony in Bali which provides cigarettes as a presentation for guests and 'pangahong' (residents who help events). This is as if it becomes a trivial. Maybe it will be an unpleasant gossip that our event is so underated if we dont provide it. Well, to sad to be true. If you like smoking, just go on, enjoy.But don't forget to see around you. Make sure where you are, whether the person around you smokes or not, and whether the smoke is about affect someone else. Even though other people also smoke, it doesn't mean they also like to breathe your smoke. If possible or maybe a must, stay away from others if you want to smoke. Do not let your sweet mouth to be allowed to puffle smoke that can endanger others. Not everyone likes smoke. There are children and women, especially those who are pregnant. Very danger if many are exposed to cigarette smoke. The smell of smoke is unpleasant, so it is impact on health. This matter has actually been regulated in Pasal 199 of UU No. 36 Tahun 2009. There is a fine for people who smoke carelessly in public places. In essence, its not about forbidding smoking, but don't transmit health risks to others!Thank you to the wise people who have done smoking ethics and are aware of the situation, condition, and tolerance. This is a characteristic of a noble attitude that prioritizes the public interest.tude that prioritizes the public interest.)
Arif Bagus Prasetyo + (Arif Bagus Prasetyo was born on September … Arif Bagus Prasetyo was born on September 30, 1971, has lived in Denpasar since 1997. He is known as a poet, literary critic, fine arts curator, and book translator. Alumnus of the International Writing Program, University of Iowa, Iowa City, USA. Received a number of awards in the field of writing, including: the Jakarta Arts Council Literary Criticism Prize, the Jakarta Arts Council Fine Arts Criticism Prize, and the Bali Provincial Government Widya Pataka Award. His books: Witness Words: 18 Literary Essays (soon to be published), Memento: Poems (2015), Memento: Poetry Books (2009), Epiphenomenon: Study of Selected Literature (2005), Stephan Spicher: Eternal Line on Paper (2005), Beyond the Forms : A Face of Modern Indonesian Painting (2001), Mangu Putra: Nature, Culture, Tension (2000), and Mahasukka: Book of Poetry (2000).00), and Mahasukka: Book of Poetry (2000).)
Dewi Dian Reich + (Artist and writer. Dewi Dian is founder of … Artist and writer. Dewi Dian is founder of Sawidji Gallery & Co.Dewi Dian Reich was born in Australia of mixed Indonesian and European parentage. Dewi has a deep love for Nature, art, history and the traditions in her Indonesian heritage. She has called Bali her home for nearly 20 years.Dian is a graduate of the Australian National Art School in Fine Arts majoring in Photography and painting disciplines with emphasis on art history and theory. Undertook post graduate studies in Digital Media, Linguistics and Asian Studies.Dian is focused on the ongoing development of Sawidji Gallery and studio. The economic changes brought about by the Covid Pandemic to Bali was a catalyst. There was already a need to reassess the conditions affecting the integrity of Fine Art in Bali. Which is never separate from the intricacies of the culture itself. Sawidji may explore these themes. However, it simply wishes to celebrate the talents, the community and the Nature that we are fortunate to be a part of. Nature that we are fortunate to be a part of.)
Ayu Putu Feny Abrina Putri + (Ayu Putu Feny Abrina Putra, born in Penest … Ayu Putu Feny Abrina Putra, born in Penestanan Kelod, Ubud, October 5th, 1992. She graduated from Fine Art Education in ISI Denpasar. She has exhibited in "Ekspresi Indonesiaku" in Nasional Indonesia Museum (2014), "Brutal Art Work" in dolf Bonnet Tjampuhan Ubud Studi (2016), "Merdeka dalam Ekspresi" in Taman Budaya Bali (2019)alam Ekspresi" in Taman Budaya Bali (2019))