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Baligrafi Pa-Da + (Wreastra script is a Balinese script which … Wreastra script is a Balinese script which has 18 characters, namely Ha, Na, Ca, Ra, Ka, Da, Ta, Sa, Wa, La, Ma, Ga, Ba, Nga, Pa, Ja, Yes, and Nya. The Balinese script is different from the Javanese script when it comes to the number and shape. The development of the Balinese script cannot be separated from the story of Sang Aji Saka which developed in Java. This Baligraphic work on the Wreastra script is divided into seven works, namely Ha-Na, Ca-Ra-Ka, Ga-Ta, Ma-Nga-Ba, Sa-Wa-La, Pa-Da, and Ja-Ya-Nya which means there is a bodyguard who fights with his power. This large-sized calligraphy is made on canvas with a wooden frame placed at the Lontar Unit of Udayana University. at the Lontar Unit of Udayana University.)
Baligrafi Sa-Wa-La + (Wreastra script is a Balinese script which … Wreastra script is a Balinese script which has 18 characters, namely Ha, Na, Ca, Ra, Ka, Da, Ta, Sa, Wa, La, Ma, Ga, Ba, Nga, Pa, Ja, Yes, and Nya. The Balinese script is different from the Javanese script when it comes to the number and shape. The development of the Balinese script cannot be separated from the story of Sang Aji Saka which developed in Java. This Baligraphic work on the Wreastra script is divided into seven works, namely Ha-Na, Ca-Ra-Ka, Ga-Ta, Ma-Nga-Ba, Sa-Wa-La, Pa-Da, and Ja-Ya-Nya which means there is a bodyguard who fights with his power. This large-sized calligraphy is made on canvas with a wooden frame placed at the Lontar Unit of Udayana University. at the Lontar Unit of Udayana University.)
Baligrafi Ma-Nga-Ba + (Wreastra script is a Balinese script which … Wreastra script is a Balinese script which has 18 characters, namely Ha, Na, Ca, Ra, Ka, Da, Ta, Sa, Wa, La, Ma, Ga, Ba, Nga, Pa, Ja, Yes, and Nya. The Balinese script is different from the Javanese script when it comes to the number and shape. The development of the Balinese script cannot be separated from the story of Sang Aji Saka which developed in Java. This Baligraphic work on the Wreastra script is divided into seven works, namely Ha-Na, Ca-Ra-Ka, Ga-Ta, Ma-Nga-Ba, Sa-Wa-La, Pa-Da, and Ja-Ya-Nya which means there is a bodyguard who fights with his power. This large-sized calligraphy is made on canvas with a wooden frame placed at the Lontar Unit of Udayana University. at the Lontar Unit of Udayana University.)
Baligrafi Ga-Ta + (Wreastra script is a Balinese script which … Wreastra script is a Balinese script which has 18 characters, namely Ha, Na, Ca, Ra, Ka, Da, Ta, Sa, Wa, La, Ma, Ga, Ba, Nga, Pa, Ja, Yes, and Nya. The Balinese script is different from the Javanese script when it comes to the number and shape. The development of the Balinese script cannot be separated from the story of Sang Aji Saka which developed in Java. This Baligraphic work on the Wreastra script is divided into seven works, namely Ha-Na, Ca-Ra-Ka, Ga-Ta, Ma-Nga-Ba, Sa-Wa-La, Pa-Da, and Ja-Ya-Nya which means there is a bodyguard who fights with his power. This large-sized calligraphy is made on canvas with a wooden frame placed at the Lontar Unit of Udayana University. at the Lontar Unit of Udayana University.)
How to Prevent Foreign Nationals from Driving Recklessly on Motorcycles/Cars in Bali + (Yesterday afternoon, I went for a stroll t … Yesterday afternoon, I went for a stroll to Kuta. I saw a lot of foreign nationals driving recklessly on motorcycles and cars. I was shocked to see them, and it made me feel uneasy. I was afraid of being hit by one of those foreign nationals, who may not even realize they were doing something wrong. Why do these reckless foreign nationals come to Bali? Why aren't the rental companies keeping an eye on them and ensuring they know how to drive properly on the roads? Instead of just taking their money, we should teach them how to drive properly through the police department. Let's all work together, including the rental companies, to test foreign nationals before renting them motorcycles or cars. Let's build and maintain Bali as a safe place for everyone. We can also boost Bali's economy and tourism industry so that rental companies don't have to close down due to reckless foreign nationals. Let's educate and teach foreign nationals how to drive properly to avoid any more news about reckless foreign nationals endangering Bali.ckless foreign nationals endangering Bali.)
Arjuna Wiwaha + ([EN] Kakawin Arjuna Wiwaha is a modificati … [EN] Kakawin Arjuna Wiwaha is a modification of the historical story in the Mahabharata, especially in Wana Parwa. This Kakawin tells about Arjuna's journey to search for magic weapons from Lord Shiva. In 1019-1042 A.D., the story of this ascetic Arjuna was translated and written in the form of ancient Javanese kakawin by Mpu Kanwa. The writing of this kakawin was done during the reign of King Airlangga.At the beginning of this kakawin there is a story about Arjuna who did a hermitage on Mount Mahameru to get blessings from Lord Indra. Then, he was seduced by two angels. But Arjuna passed the test. As a blessing, he was given a magic weapon by Lord Indra.There is also a story when Arjuna killed demon Niwatakawaca who controlled the demigods’ realm and disturbed the peace of the demigods.This Kakawin, although in some parts does not correspond to its original history, is very popular among the Balinese. This kakawin is the most widely quoted and studied in schools. However, as a historical reference, this kakawin is not credible because many parts have been modified. There are many parts that do not fit the Mahabharata story according to the original as written by Maharsi Wyasa. Therefore, this kakawin is classified as a literary work, not a historical epoch.s a literary work, not a historical epoch.)
Bharatayuddha + ([EN] Kakawin Bharatayuddha tells about 18- … [EN] Kakawin Bharatayuddha tells about 18-day war on the battlefield of Kuruksetra. This Kakawin was composed by Mpu Panuluh during the Jayabhaya period of Panjalu (1135-1157 A.D.). In the manggala (opening) section of kakawin, there is a verse of honor for King Jayabhaya.The description in Kakawin Bharatayuddha is almost similar to the description of war in the Mahabharata written directly by Krishna Dvaipayana Vedavyasa 5,000 years ago. Presumably, this Kakawin is a kind of direct adaptation of the original Sanskrit text. The story in Kakawin Bharatayuddha begins with the arrival of Sri Krishna as an ambassador of peace for Pandavas. Sri Krishna did not want to eat at the Kaurava’s house, but He ate at Widura’s house.Then war broke out between the Pandavas and the Kauravas. In the Mahabharata, the description of war begins in the Bhisma Parwa section. This Kakawin Bharatayuddha is a shortened version of Bhisma Parwa, Drona Parwa, Karna Parwa, Salya Parwa to Swargarohana Parwa. It is said that the war in Kuruksetra took place in December. At the beginning of the war it was told that Arjuna felt sorry for having to fight with his own relatives. But Sri Krishna convinced him to fight because it was a battle between right and evil. This philosophical and religious dialog is known as Bhagavad-gita. Unfortunately, Kakawin Bharatayuddha does not contain this most important teaching and is more focused on warfare. This is understandable because Kakawin Bharatayuddha is a pujasastra (praise literary work) for King Jayabhaya. In fact, the essence of the teachings in Bharatayuddha is actually Bhagawad-gita.At the end of this story there is the story of revenge by Asvatthama (in the Sauptika Parwa section), but this kakawin does not tell about the destruction of the city of Dwaraka. Another interesting plot is the story of the revival of Pariksit who died in the womb. This story is also written in Hariwangsa and Bhagawata Purana.ritten in Hariwangsa and Bhagawata Purana.)
Nitisastra + ([EN] Kakawin Nitisastra is thought to have … [EN] Kakawin Nitisastra is thought to have been written by Dang Hyang Nirartha, although the real author was never known. However, Nitisastra is actually a written work originating from Canakya Nitisastra in Sanskrit, written by Canakya Pandit during the reign of King Asoka in Magada, India.Kakawin Nitisastra contains proper manners to be human, characteristics of a pious and impious person, the obligations of a student, a person who is married, and an obligation for priests. There are also many metaphors and parables about good and bad behavior, foods that are appropriate to eat and those that are not, and how to serve the four teachers.A copy of the palm-leaf manuscripts of Kakawin Nitisastra is still preserved in Gedong Kirtya, Singaraja. In 1978, this manuscript was copied into Latin script by Hindu Religion teachers from PGAH Singaraja. Then, there is also a newer copy in the Balinese script from the Bali Provincial Culture Office, completed with meanings in alus singgih Balinese.What caused Kakawin Nitisastra to be said to have been written by Dang Hyang Nirartha was because this kakawin was found together with Kakawin Nirartha Prakreta. The contents of the two kakawin do not differ much. Many writers suspect that this kakawin was written when Dang Hyang Nirartha lived in Gelgel. when Dang Hyang Nirartha lived in Gelgel.)
Sutasoma + ([EN] Kakawin Sutasoma was written by Mpu T … [EN] Kakawin Sutasoma was written by Mpu Tantular, and in this Kakawin there is the phrase "bhinneka tunggal ika" (unity in diversity) which became the official slogan of the Republic of Indonesia.Kakawin Sutasoma is a literary work that tells Sutasoma’s journey (which is another name for Gautama Buddha himself) in teaching righteousness. This Kakawin seems to have a common plot with Aryasura’s Sutasoma in Pali language.In Buddhism, the story of Sutasoma is very famous. This story is carved into the relief of Borobudur Temple, Central Java.It is said that Sutasoma was born to a Kuru aristocratic family in Hastinapur. Sutasoma eventually attained spiritual enlightenment. One interesting plot in this story is the event when Sutasoma awakened Kalmasapada, a descendant of the king who behaved like a lion, to finally follow the path of virtue.In his journey of spreading dharma, Sutasoma also met with Porisada, who likes to eat human flesh. Porisada finally realized and pursued the path of virtue.Kakawin Sutasoma underwent various modifications that were adapted to the conditions at the time of its preparation. Mpu Tantular emphasizes in this kakawin that Shivaistic cult (which worships Shiva as the highest, - one of the religious paths in Hinduism) is actually not different from Buddhism. It seems that, due to the influence of Indochina culture, Shiva Buddha cult emerged in the Archipelago. This philosophy is not found in India, the country of their origin.und in India, the country of their origin.)
Wrespati (Wrihaspati) Tattwa + ([EN] Lontar Wrihaspati tattwa is one of th … [EN] Lontar Wrihaspati tattwa is one of the lontar texts which becomes the source of belief of the Hindu community in Bali. Actually, this palm-leaf text is a Sanskrit text that is thought to originate from the tenth century. Possibly, this Sanskrit text is also a copy of more authentic Puranas. The Sanskrit text in Wrespati Tattwa consists of 74 verses and each verse is given a translation and commentary in ancient Javanese language. Such system has been common since the reign of King Dharmawangsa in Panjalu. Therefore, this palm-leaf text was probably translated into ancient Javanese around that era.Wrespati (Wrihaspati) was a great rsi who became a teacher of the gods. He is a brahmana who rules Planet Jupiter. Therefore, if Planet Jupiter approaches the moon, Hindus consider it a good day to start learning spiritual knowledge. In Wrespati Tattwa, there is a dialog between Rsi Wrihaspati and Lord Shiva, the ruler of Mount Kailasa. The content of the dialog includes the existence of cosmic consciousness or cetana, and cosmic darkness or acetana.Cetana and acetana cause various types of differences in the universe. Cetana and acetana also cause an increase and deterioration of the mind. Because of increased awareness, humans reach higher planets after death, which is known as swargaloka (heavens). Conversely, when human consciousness degenerates, they sink into terrible planets called naraka (hell). So, heaven and hell are on other planets, not on Earth.Many people mistakenly interpret the teachings of Wrespati Tattwa and conclude that heaven and hell only exist in the mind. This is a wrong conclusion. In fact, if the text of Wrespati Tattwa is interpreted more deeply, the mind is cause of humans’ going to heaven, hell or achieve liberation. The mind binds man in the chains of desires, and without intelligence and knowledge, man will be made degenerated by his own desires.Lontar Wrespati Tattwa also teaches about how to achieve liberation. According to this text, liberation can only be achieved if one is freed from illusions. Illusion means to think that he is a gross body and think that this material nature is his eternal abode. Such awareness can only be achieved by a process called yoga. Yoga does not mean merely gymnastic movements. Yoga means connecting the mind with spiritual awareness.necting the mind with spiritual awareness.)
Yadnya Prakerti + ([EN] Most of the procedures for making off … [EN] Most of the procedures for making offerings in Bali come from Yadnya Prakerti Scripture. This scripture is one of the most important ones for Saratis. A sarati is a person in charge of making banten (offerings) in various types of ceremonies. The leader of the Saratis is called Tapini or Tarpini, who is usually a woman. Tapini is also a title for a priest's wife who has knowledge and skills in making many types of offerings. In Balinese belief, the Tapinis are supervised by Bhatari Durga.Lontar Yadnya Prakerti contains many strict rules regarding procedures for making offerings. The most important thing is the ethics and cleanliness of people who make the offerings. According to this scripture, not any person are allowed to make offerings. Because banten is an offering to God and the demigods, the process of making it must be pure.The materials used to make offerings must be natural and disposable. Banten should not be made of plastic materials, because Hindu people are familiar with the concepts of purity (sukla) and defilement (cemer). Therefore, according to the essence of Lontar Yadnya Prakerti, offerings to God and the demigods must be clean, fresh and pure.There are some basic ethics for a Sarati according to Lontar Yadnya Prakerti. First, a sarati must be clean and pure in body, mind and words. Secondly, Sarati must not forget to give charity to a brahmin (priest). Not only that, a Sarati must ensure that the banten materials are obtained in the right ways. Last but not least, Sarati should not gossip when making offerings.i should not gossip when making offerings.)
Putru Saji Tarpana + ([EN] One of the most interesting ancient t … [EN] One of the most interesting ancient texts in Bali is probably Putru Saji Tarpana. If you have used GPS as a guide, then Putru Saji Tarpana is a collection of directions for the spirits of people who have died. The contents of this text is written in ancient Javanese language, mixed with ordinary Balinese, perhaps made and copied from the fifteenth century, and until now must be read during cremation ceremonies or at Atma Wedana (Ngarorasin) ceremony.The first and last part of the manuscript does not indicate in which year and during the reign of which king the script was made. From the beginning to the end, this text contains clues about the magical places the spirit of the deceased will pass before finally reaching Yamaloka. Yamaloka is the gate of the court of spirit, where every deed will be weighed according to the provisions of the Dharma law.According to this ejection, the spirit of the deceased will encounter many strange things during the journey to Yamaloka. The magical places are in the form of forests on clouds, highways, wells, darkness, strange creatures, to deep rivers and mud. The spirit will also cross a bridge. If his actions during his life are good, all those terrible things will be passed over easily. If his actions are evil for life, the spirit will be trapped in those strange places.In order for the spirit to pass through strange places easily, Putru Saji Tarpana gave directions to the road and supplies that the spirit had to carry. These road directions also contain provisions that must be given by the spirit to the astral creatures he encounters.But this does not mean that only with a large ceremony of death can the spirit be freed from all sins. The death ceremony can only help the spirit journey to reach Yamaloka's court, but it cannot erase his bad deeds during life. Food ingredients and water offered to the spirits of the dead aims to give them a new body in the new nature, but not to wash away their sins.w nature, but not to wash away their sins.)
Banawa Sekar + ([EN] One of the shortest kakawins is Banaw … [EN] One of the shortest kakawins is Banawa Sekar, which is commonly called Banawa Sekar Tanakung because it was written by Mpu Tanakung in 1351 AD. Banawa Sekar means "boat of flowers". This Kakawin was written by Mpu Tanakung (not his real name) when King Hayam Wuruk committed a great holy sacrifice (Sraddha) addressed to his late grandmother, Dyah Rajapatni Gayatri, at Majapahit palace square.There are only 12 stanzas in this kakawin, divided into three chapters. The first chapter describes the magnificence of the sraddha ceremony performed by Raja Hayam Wuruk. Many priests, royal families, nobles and all Majapahit officials were present to offer prayers and respect for the deity of Rajapatni Gayatri which was seated on a white throne.The second chapter describes various offerings from many descendants of the Majapahit aristocracy. There are offerings in the form of poetry, dances and so on. The last offering was a flower boat by King Hayam Wuruk. He offered a boat made from a variety of colorful flowers. There are gadung flowers, lotus, kayu mas, sanggalangit, jasmine, magnolia and so on. The boat was very beautiful.The final chapter expresses regret of the poet for not being able to explain the grandeur of the ceremony as the king expected. He hoped that the kakawin would be received by the king and make him happy before the kakawin was later copied in the form of palm-leaf manuscript.Zoetmulder (1983) transliterated this kakawin into Latin script and translated it into Dutch and Indonesian.d translated it into Dutch and Indonesian.)
Sabha Parwa + ([EN] Sabha Parwa is the second of the eigh … [EN] Sabha Parwa is the second of the eighteen Parwas (great chapters) of Mahabharata. Narration in Sabha Parwa begins with the invitation of the five Pandavas to Hastinapur to play dice. Hastinapur is located about 45 minutes from Delhi, so the distance is not too far. Keep in mind that all events in the Mahabharata are real. However, when the Mahabharata entered into various cultures in the world, this historical record was rewritten in the form of poetry, folktales and songs. In Indonesia itself, the Mahabharata was much changed its story to suit the interests at that time. This causes kakawin tobe unreliable as a source of history, but a literary work.Mahabharata was written by Maharsi Krishna Dwaipayana Vyasa, the greatest and most respected sage by all Hindus.In Sabha Parwa, the saddest story is when Drupadi, the wife of the Pandavas, was dragged into the courtroom because her husbands lost bets. When Drupadi was almost stripped naked by Dussasana, Sri Krishna, who was Lord Vishnu himself, protected her by giving a very long string of saris to cover her body.Sabha Parwa is historical evidence that God is always present for anyone who surrenders to Him and becomes His faithful devotees. to Him and becomes His faithful devotees.)
Babad Brahmana Catur + ([EN] Sometimes many people still consider … [EN] Sometimes many people still consider Babad Brahmana Catur text and Dwijendra Tattwa text are the same, but these lontar texts belong to two different categories. The Babad Brahmana Catur tells about the journey of Dang Hyang Nirartha, a Hindu priest from the late Majapahit era (1489 A.D.). He came to Bali and became an advisor to the Balinese kingdom in Waturenggong era. This chronicle mainly describes about the places that he had visited in Java, Bali, Lombok and Sumbawa, until finally he reached spiritual elevation on the crest of Uluwatu. Not only that, this chronicle also tells the miracles that he had made and various holy places built by him and by some of his descendants.The Babad Brahmana Catur text is an important genealogical source for descendants of the brahmana clan (soroh) in Bali. Copied several times by different authors, this manuscript still survives to the present time in the form of palm-leaf manuscripts and latin transliteration. Fortunately, Indonesian translation is available, too.Broadly speaking, this chronicle gives a glimpse about the situation when Majapahit collapsed—it had a major influence on the development of literacy in Java and Bali. As a Hindu religious leader, Dang Hyang Nirartha had a mission to defend the sacred teachings from extinction. In a unique way, he finally managed to maintain this religious system in Bali with its religious and cultural foundations that can be seen today.ltural foundations that can be seen today.)
Yama Purana Tattwa + ([EN] There are various events that cause p … [EN] There are various events that cause people to die. There are people who die naturally due to age, there are those who die from illness even though they are young. In many instances, some die because of accidents, natural disasters or being killed. The most unfortunate thing is that it was suicide.According to Yama Purana Tattwa, reasonable death is referred to as starch, whereas death due to accident, disaster or because of an animal is called wrong starch. Death due to murder or suicide is called starch. The ways in which humans deal with death have different effects on the consciousness of the spirit after death. The spirits of people who die naturally are different from those of those who die in accidents or commit suicide. Lontar Yama Purana Tattwa gives a category of these types of death and describes the state of a person's spirit if he dies in a certain way.Lontar Yama Purana Tattwa is a collection of dialogues between Lord Yama, the lord of death, and the great rsi in Janaloka. This ejection also mentions deaths due to landslides, which must be made a special ceremony so that the spirits that die do not turn into preta, or ghosts. This ejection also mentions the order of death ceremonies for people who died naturally and unnaturally.people who died naturally and unnaturally.)
leadership + (a video that I made myself which contains a discussion of leadership or leaders as well as a video of my hopes for election candidates in 2024)
Literature wisatawan dibali + (added, the arrival of tourists in Bali is … added, the arrival of tourists in Bali is an opportunity for Bali to show its readiness to build trust for potential foreign tourists to be able to visit Bali.According to Putu Winastra, ASITA Bali along with all other tourism components are very ready to receive foreign tourist arrivals in Bali."We have prepared SOPs with the government and we hope that there will be no more problems and obstacles in the future. Of course, many tourists will not come immediately, all require a process," he said.In welcoming foreign tourists who come to Bali, the Ministry of Tourism and Creative Economy has also designed a warm up vacation program.This program is an innovation designed for tourists or PPLN who have just arrived in Bali to be able to undergo quarantine in a hotel with a bubble system that allows them to do activities not limited to their rooms, but can carry out various activities in a special bubble area prepared by the hotel manager.bubble area prepared by the hotel manager.)
Unconditionally Perfect + (as is well known in Indonesia, people with … as is well known in Indonesia, people with disabilities must be the focus of the government, whether from cases of bullying from the surrounding environment or the disadvantage of people with disabilities who appear to be receiving social sanctions for mistakes they have not made. The "MANDANG DASA" (Mewujudkan Penyandang Disabilitas tanpa Batasan) program is philosophy of looking at the number ten as a perfect number but must be applicable to all humans. It is hoped that this program can provide government synergy to focus more on education and the environment around people with disabilities. We are all the same, We are all brothers or sisters, We are all friends.l brothers or sisters, We are all friends.)
Developing Bali as a Tourist Destination + (developing Bali as a tourist destination … developing Bali as a tourist destinationBali is one of the most popular tourist destinations in the world. In order to make Bali the most popular tourist destination, it is necessary to take care of the sustainability of the land, improve the quality of infrastructure and public services, and improve the culture and art of Bali.Efforts should be made to preserve the natural environment in order to limit the number of visitors, reduce plastic waste, and promote tourism based on local knowledge. Therefore, improving the quality of infrastructure and public services such as roads, clean water, sanitation, and electricity are necessary to ensure that tourists feel comfortable and safe while visiting Bali.The culture and art of Bali has become a tourist attraction in Matiosan from Tiosan's tourist destination. The government and the Balinese people are planning to organize cultural and artistic events such as traditional ceremonies, Balinese dances, traditional music, and Balinese fine arts. In order to make Bali the most popular tourist destination, it is necessary to pay attention to the well-being of local customs and to preserve their rights. The government and the tourism businessmen are willing to work and promote local customs and produce local products so that they can improve their economic well-being.During this time, Bali has become a sustainable tourism destination that promotes natural beauty, culture, and well-being. It's time to be loud, it's the best place to visit Bali, and the local people are silent on the other side.local people are silent on the other side.)
Beach + (dugas tiang melali ke pasih ajak reraman t … dugas tiang melali ke pasih ajak reraman tiang e.liu sajan anak ane melali ditu,apa buin anak ane medagang.setiap anak ane suud mebelanje utawi ngajeng luu ne pasti awak e entung ne padahal be siap ne tong sampah kaden pemerintahe.harapan tiang kayangne apang ane membuang sampah ngawak di pasih to apang orinne mayah denda kaden pemerintah e.Lan apang anak-anak ane ngacak luu to sadar apa ane mereka perbuat ento bise ngae bencana.ane mereka perbuat ento bise ngae bencana.)
Sapta Sanak + (government, especially leaders, cannot sta … government, especially leaders, cannot stand aloneOgoh-ogoh Sapta Sanak made by ST. Tunas Mekar who won 3rd place in Tabanan Regency is ogoh-ogoh which means four brothers who are with humans, where the four brothers consist of 1) yeh nyom, 2) Blood, 3) Ari -ari ,. 4) LamadWhy do I like these ogoh-ogoh? Because there is little advice contained therein. The advice is that as a government we must not forget what we conveyed/promised before being elected.If it's like that then the government must be able to accept what the members and the community think, just like we have 4 brothers who are called Sapta Sanakhave 4 brothers who are called Sapta Sanak)
mengolah sampah kertas menjadi tempat pensil + (this is a craft that I made, it's good to … this is a craft that I made, it's good to use it as a pencil case so it's not scattered everywhere, it's also good to make a cellphone place if we want to watch it is stored in the middle of the middle,it's also good to see if it's neatly arranged it's a pencil see if it's neatly arranged it's a pencil)
Literature jalanan rusak yang buat susah + (when I came home from school I passed the … when I came home from school I passed the South Nangka road, the road there was quite damaged which made it a little difficult for me to pass it when I was in a hurry. I hope the governor of Bali repairs the damaged road so that motorists feel safe when passing through it. I mean the holes on the side of the road need more so that they can help the flow of water when a flood occurs so that it doesn't make it too difficult for motorists when driving, especially at night. make a sign to dispose of trash in its place on the side of the road so that pedestrians/riders can see the sign. and I think it gives a slightly colored street direction sign so that at night it can be seen by motorists passing through itan be seen by motorists passing through it)
Wayan Sila + (“The very first night I slept over at my n … “The very first night I slept over at my new studio an owl flew into the garden. It wasn’t a coincidence that I noticed it perched in a tree,” says Balinese artist Wayan Sila. “This was aspecial experience and powerful omen. A gift from the Gods to me.”The owl is much revered by indigenous cultures and in folklore around the world as aguardian spirit, as well as a wise creature capable of extraordinary sight. Balinesemythology reveals that if an owl visits a family compound while a female member ispregnant this is indeed a positive sign. Burung Hantu literally translates from bahasaIndonesia into the English language as ghost bird; or the owl, the mysterious bird of thenight.“I have a unique connection with owls. It is a potent image that resonates with my heart. Iwas intuitively led to draw the owl and then I began to include it in my works. It has nowmanifested into a personal symbolic image, equivalent to the Barong. The owl alsoencourages me to reflect on the joy that I derive from my family life,” says Wayan.Born in Ubud, 1970, Wayan Silawasinspired by his grandfather, well known local artistWayan Barwa. From an early age he regularly visited Barwa’sstudio and gallery,surrounded by the paintings of his Balinese heritage, this was the perfect scenario for achild to learn to draw and paint.Wayan soon became adept in the “Ubud Style” of modern traditional Balinese painting. Inthe evolution of Balinese painting during the last century, from its origins of the ClassicalKamasan style that concerned teachings from the Hindu Epics, each village then began tocreate their own distinctive style.The Ubud style moved away from the religious and began to be characterized bynarratives that involve daily village life and depictions of rural and environmentallandscapes. The artists from Ubud were quick to adopt western influences in the 1930’s,depth of field, shades of color, localized narratives and the development of the humanfigure. The Kamasan style was originally a collective work and never signed by anindividual. The new personalized and expressive form of Balinese painting has its rootsfirmly entrenched here in Ubud.Wayan’s canvases are beautifully composed and resound with an overwhelming sense ofbalance and harmony. His highly detailed works are first sketched in pencil then outlinedin black Chinese ink, finally they are rendered in acrylic paint with a fine kaus bamboo, asmall piece of bamboo crafted with a tiny point to apply the medium. A large canvas, 100 x80 cms, may take up to six months to complete. “In 1997 I was inspired to include owls in my compositions after seeing a wonderful sketch by a Japanese child.”Wayan’s relationship with the burung hantu then activated an endearing association withthe people of Japan, to whom the owl is symbolic of happiness. He first visited Japan in2002 and his premiere solo exhibition there was in 1998. Every year since then Wayan has enjoyed the privilege of exhibiting work in galleries, department stores, even in theIndonesian Consulate in Tokyo. He has held over 15 solo exhibitions in Japan, andnumerous other exhibitions in Bali, Jakarta, Spain and also at the prestigious Agung RaiMuseum of Art in Ubud.“It’s an honor for me to be invited on intercultural exchange programs teaching youngJapanese students traditional Balinese painting techniques. I do this each year when I visitJapan.” Wayan has since developed a healthy market for his works there and continues toell to the Japanese tourists who often visit his Ubud studio/gallery.Wayan Sila, acrylic on Canvas, 2012,45x 60cm.Wayan SilaGarden + Bale studio of Wayan Sila.Wayan Sila. 2012, chinese ink +acrylic on canvas, 60x80cm.Wayan’s cooperative works with Japanese poet Yoko Jatiasih have been the focus of two books. They initiallycollaborated in 1998 to create music and poetry for his paintings. In 2004 their first book “Kata Kata” Echoes From TheWoods, and then in 2010 “Pelan Pelan” were published.Browsing through these books, the creative synergy between the two is easy to recognize. Yoko’s short poems, no morethan 6 lines, resonate with an uncomplicated intelligence. Upon the opposing page to the text are Wayan’scomplimentary images created especially to accompany each poem.As you contemplate the words essence, as well as study Wayan’s images, the mysterious bird of the nights’full roundeyes are firmly transfixed upon you. The fusion of words along with the images perplex the imagination, and then defyyou to believe their medium is the owl’s silent and alluring gaze.In 2011 Wayan relocated to his new studio gallery in Jalan Bisma in Ubud. Journey 400 meters along Jalan Bisma until theroadside urban development gives way to the effervescence of the padis. Down on the right hand side nestled in thesawah you will find his small abode. Look for the sign on the road then follow the narrow path that divides the greenswaying fields to his studio/gallery encircled by the bamboo fence.Wayan has created a personal space that reflects the elements that enrich and sustain him. Situated in the middle of theyard he has built a bamboo bale which functions as his studio, yet also as a place of quiet retreat. The surroundinggarden is abundant with organic vegetables, fruit trees, medicinal herbs, ornamental shrubs and flowers. Indeed, Wayanhas created his special own oasis.As you enter his two Bali dogs are quick to offer enthusiastic toothy greetings. The verdant vegetation is soothing andinviting. I discover two rabbits, four exotic birds and frogs and snakes frequent visitors, so Wayan tells me. Stonecarvings covered with brilliant green moss hide among the foliage, shrines and small Hindu temples are adorned withofferings and the sweet sent of burning incense seduces the senses. An outhouse serves as a simple kitchen and two rooms contain Wayan’s gallery painting collection and books for sale.When we observe Wayan’s paintings we enter into a beautiful and extraordinarily tranquil world. His owls’ peer outfrom within forests and lush scenes, their big eyes possess a magnetic pull and communicate a language that isdeciphered in our hearts. Wayan Sila is a painter of immense sensitivity and his works are vehicles of healing qualities and love.re vehicles of healing qualities and love.)

Agung Raka + (1930s Sanur painter. Bateson and Mead note … 1930s Sanur painter. Bateson and Mead notes refer to Gusti Gede Raka and Gusti Putu Raka co-painting a work.May be the same person as Gusti Putu Raka (and/or Gusti Gede Raka); in Bateson's catalogue, described as the son of Gusti SodangRelated ArtistsAlso known as: I Gusti Putu RakaMother: Anak Agung Made Glogori Putu Raka Mother: Anak Agung Made Glogor)

" KEMACETAN YANG TERJADI DI BALI " + (" JUST CONNECTION OCCURRING IN BALI " OM … " JUST CONNECTION OCCURRING IN BALI "OM SWASTIASTU I respect the Government of Bali and I love happy friends. Let us give thanks to the presence of Almighty God who has given Asung Kertawara to all of us so that we can gather in this place. Before I deliver this speech, I first want to thank you for the time and opportunity given to me to deliver my speech of hope. to the Bali government entitled "JUST CONNECTION OCCURRING IN BALI". Traffic jams arise because the volume of motorized vehicles is not proportional to the volume of the road. The number of motorized vehicles and cars increases every day. As a result, cars, public transportation and motorbikes pile up on the streets, traffic jams occur. Congestion can also slow down the performance of people who are stuck in traffic jams. Workers will be late arriving at work and students will arrive late at school. This especially happens to people who choose to use private transportation rather than public transportation. Traffic jams occur because too many people use motorized vehicles or cars and also because many road users do not comply with traffic regulations. On this occasion I would like to invite you to overcome traffic jams in Bali. If we cannot overcome them, at least we can reduce traffic jams in Bali. There are 2 main things we can do to reduce congestion. First, use public transportation, don't use private vehicles, using public transportation can reduce the volume of vehicles on the road. In the end, traffic jams will be reduced. Second, get used to walking if the distance is not too far. This method is simple but difficult to do. Even though walking is healthy, and by walking we are contributing to reducing traffic jams in Bali. I am sure that by taking these 2 actions traffic jams in Bali can be reduced. However, the Bali Government is expected to improve the comfort and safety of public transportation. I am sure that if public transportation is safe and comfortable, there will be more passengers. Finally, the number of private transportation users will decrease by itself. This is all I can say, hopefully it is useful for all of us. Sorry if there are wrong words and actions. For your attention I would like to thank. OM, SHANTIH, SHANTIH, SHANTIH, OMk. OM, SHANTIH, SHANTIH, SHANTIH, OM)
Jean Couteau + ("...apart from Bali on which his many book … "...apart from Bali on which his many books focus — like Time Rites and Festivals in Bali Today I, Bali Today II, Bali Inspires and Lempad ( 2014 ) — he has written numerous books on Indonesian artists, such as Affandi, Arifien Neif, Srihadi Sudarsono, Walter Spies, Made Wiante and many more.He is indeed a learned man. But his demeanor displays a humility that can be too much, even for his close Indonesian friends. They say he is more Javanese than the Javanese. He would never stand up, for instance, to demand his due, leaving himself victim to people’s manipulative tendencies.Yet he is held in high respect. ..."full piece at https://www.thejakartapost.com/life/2018/03/05/jean-couteau-self-critique-as-a-way-of-criticizing.htmlself-critique-as-a-way-of-criticizing.html)
traditional art + ("Balinese traditional art" Art is the work of human art that expresses beauty and is an expression of the soul and culture of its creators. Art is part of culture and We must preserve it)
Menang Magandong + ("Congratulations to brother Cenk Never Cle … "Congratulations to brother Cenk Never Cleans for becoming a champion in the National Ceki Card tournament, from Mr. Blong with a Bald Head". Have you ever seen congratulatory billboards like this? Officials scrambled to post congratulations to the athletes who made it to the championships. The photo of the official is very large, almost filling half of the billboard, the photo of the athlete who won is very small and blurry. If I may ask ladies and gentlemen of the officials, don't make billboards like this anymore. Just spending the budget. If you really mean to congratulate, don't post a personal photo. It is enough to display a photo of the winning athlete. Father, Mother did not participate in the competition. Why are you so brave to be carried?ition. Why are you so brave to be carried?)
Hildred Geertz + ("Hildred was born in Queens, New York on F … "Hildred was born in Queens, New York on February 12, 1927 and reared there and in Teaneck, New Jersey. A graduate of Antioch College, she received her Ph.D. from Radcliffe College in 1956. Her first book, The Javanese Family (Free Press of Glencoe, Inc.), was published in 1961. After her initial fieldwork in Java, she taught at The University of Chicago from 1960 to 1970 before coming to Princeton University in 1970. At Princeton, Hildred taught courses on the history of anthropological theory, the anthropological study of life stories, the anthropology of art, and the ethnographer’s craft.In 1972, Hildred became the first chairperson of the Department of Anthropology at Princeton University, and thus the first woman chair of a department at Princeton, a position in which she served for many years. She was named Professor Emeritus in 1998.Hildred did extensive fieldwork in Morocco, and in Java and Bali, Indonesia and returned to Indonesia repeatedly during her career to conduct the research which helped fuel her extensive list of publications. She completed more than two years of fieldwork research in the village of Batuan on the island of Bali. Working in the same village that was studied in the 1930s by Margaret Mead and Gregory Bateson, she focused on the interconnections between different Balinese art forms and how and why such forms have changed through time. She investigated the effects of economic development and tourism on Balinese artistic endeavor.The first book from the research in Batuan, Images of Power: Balinese Paintings Made for Gregory Bateson and Margaret Mead, was published in January 1995 (University of Hawaii Press). In 2004,The Life of a Balinese Temple: Artistry, Imagination, and History in a Peasant Village was also published by the University of Hawaii Press. Among her other works, Professor Geertz is co-author with her former husband Clifford Geertz of Kinship in Bali (University of Chicago Press, 1975), and co-author with Clifford Geertz and Lawrence Rosen of Meaning and Order in Moroccan Society (Cambridge University Press, 1979). Most recently, in 2017, at the age of 90, her book, Storytelling in Bali, was published by the Dutch publishing house Brill."shed by the Dutch publishing house Brill.")
Made Janur Yasa + ("In the year and a half the pandemic has p … "In the year and a half the pandemic has persisted, Bali’s almost decimated tourist economy has had had far-reaching financial and social effects on the resident population. It is, however, during times of difficulty when good souls shine bright. The silver lining of the pandemic has been witnessing the wholehearted efforts of individuals and organisations who have stepped up to support and help the, often newly, vulnerable communities, even when faced with their own difficulties.From food donations to education programs, the list of goodwill initiatives on the island has been heartwarming to say the least; in reality many would have suffered gravely without such community efforts.One creative initiative changed the dynamic. Made Janur Yasa is a restaurateur, a partner in the unique vegan restaurant Moksa in Ubud. In May 2020, as Bali was in the depths of the pandemic lull, Janur began a program called Plastic for Rice, a barter system that encouraged locals to trade in collected plastic for rice. In an interview with NOW! Bali when the program started, he says that he remembered how villagers used to barter in the early days, rice for sea salt, farm to sea. He said that this gave people spirit, making sure that people don’t get used to receiving without working.Through this plastic for rice system, Janur provided a double solution: cleaning littered plastic in the environment; as well as providing much-needed sustenance to those in need, especially in rural areas.The program started in Banjar Jangkahan and Banjar Penulisan, Batuaji Village, Tabanan, the regency where Janur comes from. It was set up as prototype, a system to be replicated in other villages… and it was.Three months later, Plastic for Rice became Plastic Exchange. In that time, as reported in August 2020, the movement had spread to 44 banjars and 1,345 households.But beyond that it had evolved beyond a simple ‘system’, and became a movement. It was adopted by other charitable organisations as a solution to provide food fairly in rural communities; it became a vehicle for environmental education, to teach the effects of plastic but also the value of waste. It has allowed people to feel empowered, useful, independent. It has seen new leaders being born.Today, Plastic Exchange is found in over 200 villages across Bali, has collected 50.000+ kg of plastic and distributed 55.000+ kg of rice."astic and distributed 55.000+ kg of rice.")
Louis Nagelkerke + ("Indonesia, and Bali in particular, has lo … "Indonesia, and Bali in particular, has lots of beauty to offer. Louis Nagelkerke is not only fascinated by the beauty of the people, but also by all the wonderful things religion has brought the country, such as temples and buddha statues. During his many journeys through Indonesia, Louis noticed that it is a very rich country in many ways. Louis believes that this has a lot to do with the fact that the Indonesian people are proud of their country. When Louis travels through Bali to take pictures for his paintings, the local people enjoy that. Meanwhile, it is not special for them. They live with all that beauty, their rich culture, and traditions every day. They are used to it. When Louis paints Balinese people, he tries to show them how beautiful and rich their culture is, how beautiful they are themselves. For Louis personal[ly], it is important that he, while photographing and painting the people, can make a part of their personality his own. It is a search for beauty, mysticism, culture, folklore, very much related to daily life; the folklore our modern western society lost over the years.Born February 3, 1949, in EindhovenEducation in ceramics, window dressing, drawings, and paintingsWell known since the '80s through many exact portraitsHis paintings are unique through the expression of mysticism and sphere. His inspirations Louis Nagelkerke finds almost through his vivid relation to the eastern culture and people. Musicians and dancers, especially from the wonderful island Bali. Besides that, his paintings are also influenced through the theatre.Louis is an outstanding artist and always open-minded to new ideas.rtist and always open-minded to new ideas.)
John Darling + ("John Darling moved to Bali in 1969 and de … "John Darling moved to Bali in 1969 and developed a rapport with its people and an affinity for their way of life. Of particular interest was their religious traditions and the changes to the Balinese society and economy that occurred as a result of the influx of tourists.Australian documentary filmmaker John Darling standing next to camera on tripod in a jungle area in Bali John Darling during filming of Lempad of Bali (1978). Courtesy Sara Darling. Photographer unknown. NFSA title: 1586432 His first documentary, Lempad of Bali (1978) which he co-directed with Lorne Blair, explores the life and work of 116-year-old artist I Gusti Nyoman Lempad and his subsequent funeral, detailing the complex, Balinese funerary customs. This production won the Documentary Award at the Asian Film Festival in 1980.Darling’s subsequent films formed his Bali Triptych (1987) series. Each hour-long episode – Between the Mountain and the Sea, The Path of the Soul and Demons and Deities – presents in vivid detail the history, culture and way of life of the Balinese people.Darling worked with other filmmakers, including John Moyle for Bali Hash (1989), which juxtaposed the raucous nature of the Hash House Harriers gathering of international tourists and the peaceful Balinese ceremonies occurring at the same time."Full article at https://www.nfsa.gov.au/latest/john-darling-bali-documentary-filmmakerSee also:My Friend, John Darling by Rio Helmi. Ubud Now & Then, June 26, 2013. http://ubudnowandthen.com/my-friend-john-darling/My Favorite Redhead: John Darling by Made Wijaya. Ubud Now & Then, July 3, 2013. http://ubudnow.webhost66.com/my-favourite-redhead-john-darling/w.webhost66.com/my-favourite-redhead-john-darling/)
Spirit of Legong + ("My memories of the Legong dance.. growing … "My memories of the Legong dance.. growing up I see a lot of paintings of a dancer in costume. I tried to create a photograph of the dance that is like a painting.. but still has the spirit and movement of the dance.." ~Nyoman ‘Butur’ SuantaraExcerpt from article "Legong Rhapsody, a Dance Through Time" by Dewi Dian Reich.We have a series of works by ManButur Suantara that singularly looks at one particular dance. The Legong Dance of Bali, 'Tari Legong Bali'. Balinese culture is full of beauty in so many respects. Wherever you turn you will find something rich and sumptuous in colour and also mystery. Its rituals and ceremony are profoundly deep. It draws the attention of the world. This is not the first time the dances of Bali is the object of art. Images depicting our culture is saturating mainstream media due to its power of influence towards a profitable industry. Tourism. On the positive side this means the beauty of Balinese culture is recognised by many. I mention this because I wish to draw attention to something that might be overlooked. There is something really special to reflect on here that would be remiss not to point out. Purely for our artistic discussion. As a series in photography there are interesting aspects that we can learn from.Read full article in image reference link.Read full article in image reference link.)
BALI DAKI NAPI BALI MEWALI? + ("OM SWASTYASTU" "OM AWIGHNAM ASTU NAMO SID … "OM SWASTYASTU""OM AWIGHNAM ASTU NAMO SIDHAM""OM ANO BADRAH KRATAWO YANTU WISWATAH"I would like to express my thanks to the presenter, for the time given to me, the honorable ladies and gentlemen of the jury and prospective members of the Bali Province DPD, as well as my fellow participants, whom I am proud of. Before that, let us pray to the presence of Almighty God. Thanks to Him, we can gather here with happiness at the Bali Public Participation Wikithon with orations, which carries the theme, Election 2024: what are the most urgent problems to be addressed by Bali's prospective leaders ? Hopefully events like this can be held frequently to develop a threatening Bali.Happy guests, as we know, Bali is known as the island of a thousand temples with its very beautiful environment, which is often visited by foreign tourists, because Bali is one of the focuses of tourism in Indonesia. This is what drives many foreign tourists to come to Bali. Even though Bali is a tourist destination, this is not the main topic of discussion, but there are problems that have a significant impact on Bali. As we know, this so-called era of destruction, if we talk about the problems in Bali, will cause Bali to collapse. Unfortunately, the problems in Bali have not received treatment that is useful for the island of Bali.Happy guests, if you look at life now it is certainly different from previous life, especially with the problems, the most important problem is related to the environment and land of the island of Bali which has been built up and used as a tourist attraction, this is what will make the island of Bali In terms of land and environment, it will become increasingly narrow, if all the land and environment in Bali is made into a tourist attraction, where will we (humans), animals and others live and live our daily lives? Talking about the land environment that has been converted into a tourist spot, of course there are many daily activities carried out to produce plastic waste for society, this is what will become Bali's next problem. The existence of rubbish in Bali is very sad and gets very little attention, this is what creates big dangers, for example: floods, dengue fever and others. Moreover, as has recently been reported, the rubbish bins or Suwung landfills in Bali are very full and cause fires, giving rise to smoke pollution which causes disease. Are we all willing to live and do activities in dirty places? Of course, many of you are reluctant to live in a dirty place. Happy attendees, if I conclude it is related to the problems in Bali, so that Balinese leaders can provide solutions related to problems: the transfer of land or the environment to become tourist attractions and the rampant waste which has not received special attention from the government. Based on these problems, if we don't work together from now on as the front guard, it is certain that the island of Bali will gradually collapse. The island of Bali, which has been nicknamed a thousand temples, will lose its sanctity. Based on these problems, my hope is that the elected leader of Bali 2024 will be able to find a solution so that the Balinese people can implement the noble values that exist in Bali, namely TRI HITA KARANA, because these problems are related. with the TRI HITA KARANA value, so that Bali can return to the way it was before.Happy guests, that is the speech I can deliver, I hope you all are aware of the current condition of Bali.re aware of the current condition of Bali.)
"Urati ring Luu Plastik Mangda Palemahan Asri" + ("Om swastiastu" To the presenter, thank y … "Om swastiastu"To the presenter, thank you for the time given to me. The judges whom I respect, the audience whom I am proud of and the participants in the Balinese oration competition whom I love, there is the title of my work "Caring about Plastic Waste for a Clean Environment". I thank God Almighty or Ida Sanghyang Widhi Wasa for being able to gather in good health today.Earth there are currently many problems with plastic waste which can cause great harm to the earth. Ladies and gentlemen, plastic waste is a big danger if we don't pay attention to the surrounding environment and can cause disaster in the future.Then who will remember? Not just ourselves, all of us, both students, teenagers and parents, everyone living on earth, including Bali, which is famous for its natural beauty, should care about the existence of plastic waste. This is a behavior that includes teenagers as the main actors.Remember, the job of teenagers is not only to decorate and take selfies in beautiful places, but no one pays attention to the rubbish in front of them, which causes disasters such as landslides, floods, pollution and others.So that we are not exposed to danger, we should throw rubbish in the trash, we should not throw rubbish in the surrounding environment such as rivers, roads, sewers, etc. Come on, let's not throw rubbish carelessly so that the surrounding environment remains beautiful and sustainable! We should work together with the government and all communities to create a clean environment free from plastic waste."Om Santhi,Santhi,Santhi Om"astic waste. "Om Santhi,Santhi,Santhi Om")
Caesilia Nina Yanuariani + ("Reina Caesilia" was the pen name given to … "Reina Caesilia" was the pen name given to Caesilia Nina Yanuariani by Umbu Landu Paranggi. This reclusive poet was born in Surakarta on January 29, 1965. She grew up in Singaraja, Bali and attended school at SMAN 1 in Singaraja and then studied in the Faculty of Literature at Udayana University. She worked as a journalist with both Bali Post and Nusa. She wrote poetry since she was a teenager and has been published in the Bali Post, and her poetry has been included in a number of anthologies, such as, Pedas Lada Pasir Kuarsa (2009), Dendang Denpasar Nyiur Sanur (2012), Negeri Poci 6: Laut Negeri (2015), Klungkung: Tanah Tua, Tanah Cinta (2016), and Saron (2018). Her poem entitled "Women Who Become Sailors" was nominated for an award in the national poetry writing competition held by the Leon Agusta Institute in 2014. She went into a coma after falling off her motorcycle and died on April 2, 2019 due to a severe cerebral haemorrhage.2019 due to a severe cerebral haemorrhage.)
Generazi Z Menuju Bangkit + ("Rising from the Ballad of Silence" Curre … "Rising from the Ballad of Silence"Currently, we are not just gathered as individuals but as part of a generation, a generation that plays a significant role in shaping our future, Generation Z.Rise, oh Generation Z, from the ballad of silence that often silences our voices. In the dynamics of social and political complexity, we are called not to be passive spectators but active participants. This is a call to assert our identity, express opinions, and advocate for social justice values.For too long, we have been trapped in silence, feeling restrained by norms that may not always align with our aspirations. It's time to understand that our right to speak and express opinions is unquestionable. Rise above the fear, fear of conflict, or rejection. Now is the time to transform silence into constructive rebellion.Let's stop the apathetic attitude and allow social and political issues to grow without genuine responses. Remember, the policies and decisions made by the generations before us will shape the world we inherit. Don't let those above us determine our path without scrutiny from below.I invite us all to embrace differences, to listen without prejudice, and to speak with integrity. We are voices capable of shaking the foundations of inequality and injustice. In openness and courage, let's together create the change we envision.Be pioneers of change, Generation Z. Rise from the ballad of silence, speak up, and show the world that we are change agents capable of bringing social and political justice. Thank you.g social and political justice. Thank you.)
Robert Lemelson + ("Robert Lemelson is a cultural anthropolog … "Robert Lemelson is a cultural anthropologist, ethnographie filmmaker and philanthropist. Lemelson received his M.A. from the University of Chicago and Ph.D. from the Department of Anthropology at the University of California Los Angeles. Lemelson’s area of specialty is transcultural psychiatry; Southeast Asian Studies, particularly Indonesia; and psychological and medical anthropology. Lemelson currently is a research anthropologist in the Semel Institute of Neuroscience UCLA, an adjunct professor of Anthropology at UCLA, and a visiting professor at USC. His scholarly work has appeared in numerous journals and books. Lemelson founded Elemental Productions in 2007, a documentary film company. He has directed and produced over a dozen ethnographic films related to culture, psychology and personal experience. He is also the founder and president of the Foundation for Psychocultural Research, which supports research and training in the social and neurosciences."training in the social and neurosciences.")
I Made Nanda Adi Saputera + ("Small but full", is the appropriate expre … "Small but full", is the appropriate expression to introduce a student of SMP Negeri 1 Selemadeg who comes from the foot of the mountain. I Made Adi Saputera, who is familiarly called Nanda, was born in Mendek, October 8, 2004. This class VIII B student likes to organize. He is included in the OSIS board for the 2017-2018 term and has just been inaugurated as the OSIS board for the 2018-2019 term. As a student council administrator, he has never reneged in carrying out his obligations. Apart from that, Nanda also participates in extracurricular Nyastra Bali. He also has hobbies of football and drawing. The second child of Ida Ayu Komang Yunika with I Wayan Merdana from Banjar Mendek, Wanagiri Kauh Village, Selemadeg Tabanan District, is very fond of studying literature, especially writing Balinese script. According to Nanda, writing Balinese script is an art based on feelings. He taught himself this hobby. His teacher noticed his aptitude and provided guidance to participate in competitions. When he was in elementary school, he won first place in the Balinese script writing competition at the Selemadeg district level in 2017 and first place in the Balinese script writing competition at the Tabanan level in the framework of Porsenijar 2017.When he was in junior high school, he started by learning to write Balinese script in lontar. Thanks to his perseverance in learning, he won 1st place in writing Balinese script at the Tabanan regency level papyrus at Porsenijar in 2018, the 1st place writing the Tabanan regency invitation lontar at the Balipost Goes to School event in 2018 and at the Tabanan district ambassador at the Balinese script writing competition at Bali Arts Festival (PKB) in 2018. Like other smart students, after graduating from SMP Nanda intends to continue his education at SMA Negeri 1 Tabanan. He also wants to continue his education at top universities such as the University of Indonesia (UI) or the Bandung Institute of Technology (ITB). This 14-year-old student who has dreams of becoming a painter said that his achievements are inseparable from the motivation of his parents and teachers. He emphasized that every child has the right to learn, regardless of who, from where, and wherever they go to school. In essence, EDUCATION IS A RIGHT, BUSINESS IS A RESPONSIBILITY. IS A RIGHT, BUSINESS IS A RESPONSIBILITY.)
Mutual help with familiy + ("please help between families" The inter … "please help between families" The interactions between people have changed from in-person interactions, now many are turning to social media interactions. This has happened to the millennial generation who were born after generation X or the generation born from 1980 to 2000. So, the millennial generation are people aged 17 to 37 years. Millennials are so attached to technology that direct social contact with others is rare. Millennials are increasingly socializing with other people on the internet. (I hope, we all have to take care of the family because of the family, the karmic margin that is reflected in the cultural value system and customs of foreigners to live in harmony).customs of foreigners to live in harmony).)
Melodious Urban + ('Melodious Urban' is a new work by ManButu … 'Melodious Urban' is a new work by ManButur Suantara in response to the theme 'World Without Sound' exhibition Sawidji Gallery.Do we relate to noise as a disturbance? Does quiet mean peace?Capturing the hustle and bustle of Gajah Mada Street Denpasar, the image was made with multiple exposure techniques. With a combination of 9 images to become one single image. Then there are 25 of these images made up of 9 each.For some people who live on this busy street, the noise is normal for them. To see the loud exhausts of cars and motorbikes and the horns from traffic 24 hours a day. However, when I ask some people who live there, they don't say it is noisy. they say it is normal.It seems like they are conditioned to the environment and are on good terms with the noise. By creating this image I am trying to see the world inverted. To be in this activity and relate to the silence and quiet that some people seem to find there.quiet that some people seem to find there.)
Duo Saraswati + ('Music is making connection' Duo Saraswati … 'Music is making connection'Duo Saraswati is a cello-piano duo consisting of brothers Jan and Kris van der Plas. Whilst they both grew up and had their education in The Netherlands, they make the connection between traditional Indonesian music and the classicalmusic from Europe through their Balinese background. They performed in the Concertgebouw during a live radio performance and in April 2023 they will go on tour to Indonesia and perform in Jakarta, Medan, Surabaya and Denpasar.Equality through differenceIn a world that tends to think more in contrasts, the duo embraces their differences because that is what defines them. The combination of two cultures is a way for them to bring people from various cultures together.Indonesia and The Netherlands unitedThe repertoire of Duo Saraswati is varied and always tries to find connection between European and Indonesian music. Examples of this is gamelan music composed by Colin McPhee played on cello and piano, and bringing together songs of Mochtar Embut and the Sonata of Francis Poulenc.Jan van der Plas (1997) was a guest player at the Amsterdam Sinfonietta and during his studies he performed multiple contemporary works. Young composers are eager to work together with Jan. He studied at the Conservatorium van Amsterdam with Gideon den Herder and Jelena Očić, with whom he graduated his master's in 2021. Jan plays a cello made in 1967, built by Jaap Bolink, made available by the National Instrument Fund.Kris van der Plas (2002) is a young pianist with a strong motivation to make chamber music. In 2020 he was the first prizewinner of the regional final of the Princess Christina Concours in which he also became national finalist.Kris is regularly asked to play by singers and instrumentalist because of his flexibility and broad knowledge of the repertoire.Currently Kris is studying with Frank Peters at the Conservatorium van Amsterdam.eters at the Conservatorium van Amsterdam.)
Silent Wings + ('Silent Wings' is a sculptural work by con … 'Silent Wings' is a sculptural work by contemporary artist Putu 'Bonuz' Sudiana accompanied by a verse of poetry. Photography collaboration with Dewi Dian Reich Sawidji Gallery. Artwork is part of group Anthologyy 'World Without Sound' at Sawidji GAllery April 2023. "Silent wings fly through the darkness of the night... stringing hymns on the face of the moon together with silence.." face of the moon together with silence..")
Arie Smit + (15 April 1916 – 23 March 2016. Dutch-born … 15 April 1916 – 23 March 2016. Dutch-born Indonesian painter who lived on Bali.Smit was the third of eight children of a trader in cheese and confectionery in Zaandam. His family moved in 1924 to Rotterdam, where Smit eventually studied graphic design at the Academy of Arts. In his youth he was most inspired by the work of three artists named Paul (Signac, Gauguin and Cézanne). In 1938 he joined the Royal Netherlands East Indies Army. After three months he was sent to the Dutch East Indies , where he worked as a lithographer for the Dutch army's Topographical Service in Batavia, engraving relief maps of the archipelago. Etching Balinese mountains onto maps ignited his desire to one day go to Bali.In early 1942 Smit was transferred to the infantry in East Java, but was soon captured by the invading Japanese forces. He spent three and a half years in forced labor camps building roads, bridges, and railways on the Burma Railway in Thailand, and Burma. After the Japanese capitulation in August 1945, Smit convalesced in Bangkok until January 1946. After being stationed in Denpasar, Bali as a staff writer for the infantry, he returned to the Topographical Service in Batavia in September. Until its discontinuation in 1950, he remained employed at this service, eventually becoming head of the drawing department, but in his spare time he criss-crossed Java as a painter and in October 1948 had his first exhibition in Batavia/Jakarta.[5] After Indonesian Independence on December 27, 1949, all Dutch nationals had to choose between Dutch or Indonesian citizenship within two years. Smit briefly considered emigrating to South Africa, but decided to stay; he became an Indonesian citizen late in 1951. In the following years he taught graphics and lithography at the Institut Teknologi Bandung in West Java.BaliOn invitation by the Dutch artist Rudolf Bonnet he visited Bali in 1956, together with Dutch artist Auke Sonnega. He soon met art dealer James (Jimmy) Clarence Pandy, who ran a gallery and souvenir shop. Pandy invited Smit to stay in a house on stilts at the beach of Sanur. Smit and Pandy remained friends and formed a partnership. Pandy was well-connected; Sukarno would sometimes bring his state guests to his gallery. With his love for bright colors, Smit was captured by the Balinese landscapes in its 'riotous light', and soon decided to stay to depict its villages, rice terraces, palm trees and temples.In 1960, while touring the village of Penestanan in the Ubud District where he then lived, he came upon some boys drawing in the sand. Impressed by their talent, Smit invited them to his studio, where they became the first of a growing number of students. With minimal instruction but lots of encouragement and material support, his pupils created a naive style of genre painting that became known as the 'Young Artists' style, which at its peak had 300-400 followers. Though he is considered the father of the movement, its style is quite different than any of Smit's own styles over the years.From the time of his arrival in Bali, Smit moved some 40 times, "to see what is beyond the next hill". He stayed longest in his favorite areas of Karangasem and Buleleng. He finally settled in 1992 in the village of Sanggingan near Ubud under the patronage of Pande Wayan Suteja Neka, founder of the Neka Art Museum. In recognition for his role in the development of painting on the island, Smit received the Dharma Kusama (Flower of Devotion, a Balinese cultural award) in 1992 from the government of Bali. The Arie Smit Pavilion was opened at the Neka Art Museum in 1994 to display his works and those of contemporary Balinese artists. The Museum Bali in Denpasar and the Penang Museum in Malaysia also have collections of his work. Smit further had exhibits in Jakarta, Singapore, Honolulu and Tokyo. Smit lived near Ubud for the rest of his life, but died on 23 March 2016 in a hospital Denpasar at three weeks before turning 100.enpasar at three weeks before turning 100.)
Ida Bagus Ketut Diding + (1911/1914 - 1990. Batuaninteractive.com: " … 1911/1914 - 1990.Batuaninteractive.com:"About twenty-two years old at the time of making the pictures in the collection, Diding probably had been painting since 1935. His teacher was Ngendon, and he in turn taught Bala. He met Spies and Bonnet, watched them work, and brought them work for theirciriticism. He was a member of the group they founded, Pita Maha. One of the Western artists suggested that he make a picture like Djatasoera's of the ende ritual in Karangasem.Diding had not been to school but could speak a little Malay. He played in a gamelan orchestra and danced in the gambuh, and wasthe only artist interviewed who said that he had been possessed and gone into trance. His father was dead, and he had no land to work.He and his wife supported themselves by painting, raising chickens, and dyeing cloth.They had no children. Sixteen pictures by Diding are in the collection."pictures by Diding are in the collection.")
Anak Agung Cukit + (1930s Batuan artist who continued to work in the 1950s. Also a gambuh dancer. A portrait of him has been painted by Bonnet. Also known as "Dewa Cukit" and "Dewa Gede Cukit".)
Agung Raka +
A A Ngurah Paramartha + (A A Ngurah Paramartha was born in Denpasar … A A Ngurah Paramartha was born in Denpasar, October 14, 1974. He completed his art education at ISI Denpasar. Since 1995 he has been actively displaying his works in various exhibitions, such as the “Kamasra” exhibition at Bali Cliff Resort Jimbaran (1996), Indonesian artist “Colour Wheel” at the Dublin Ireland Painting Gallery (2009), “Ulu-Teben”, the MilitantArt group.= at Bentara Budaya Denpasar (2015). His solo exhibitions include “Secret Desire” at Hide Out Fine Art Ubud (2003), “Exploration of Life” at Ten Fine Art, Sanur (2011). His works tend to be figurative by showing imaginary figures with multiple interpretations.ary figures with multiple interpretations.)
A.A. Raka Sidan + (A A. Raka Sidan's real name is A.A. Gede R … A A. Raka Sidan's real name is A.A. Gede Raka Partana. He is a songwriter and Balinese pop singer who was born June 27, 1979. He studied at UNHI Denpasar and produced a number of albums, including "Suud Memotoh" (2005), "At-Pada Ngalih Makan" (2007), "Pak Boss" (2009), "Song Brerong" (2012), "Kenceng" (2015). The songs contain a lot of moral messages and social criticism wrapped in humorous nuances.ial criticism wrapped in humorous nuances.)