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Ida Bagus Putra Adnyana + (A Balinese from a Brahmana priestly family … A Balinese from a Brahmana priestly family, I. B. Adnyana is considered a first-rate classicist. Born in 1958 in Denpasar, he grew up attending Balinese rituals and brings an insider’s knowledge to his subjects. As is evident in his images, he has been given special unimpeded access and privileged positions and angles. It’s highly unlikely that a Western photographer would ever be allowed to enter sacred inner courtyards and get this close to a venerable high priest.His subjects appear at ease and revealing of their inner emotions. It is as if his subjects are family members relaxed in the presence of another Balinese. He always seems to be in the right place at the right time to photograph with the greatest possible empathy and intimacy. Amidst all the confusion, he knows what is going on and is able to anticipate what is going to happen next. While other photographers are fiddling with their camera settings, he is ready to record the climax, the significant gesture or the moment when the trance state takes hold.e moment when the trance state takes hold.)
Burung pada Ranting + (A bird perched on a tree branch, even thou … A bird perched on a tree branch, even though a bird can fly to and fro wherever it wants, it still needs a home or a place to rest which in this work I describe with a tree branch.It's the same with humans, humans can do whatever they want, can go wherever they want, pursue goals, wander in search of identity. But even so, humans still need a family that is always warmly welcomed as a place to go home, home as a place to rest, friends who are always there as a support system, and of course the main thing is religion or belief as our foothold to step so that we always walk the right path. , because the essence is that no matter how far humans go, they will eventually return to God.ns go, they will eventually return to God.)
Di Teben Embahan Tukade + (A boat will take you on an adventure along the river. What is there in front of you?)
Literature Pendidikan di pandemi covid-19 + (A child whose rank drops and many tasks are not completed because they do not do their assignments because their parents are often called by their parents to work)
Pupulan Ambu Luu + (A cloud of trash is hanging over Cheekoo’s head, making her the unhappiest girl in the world. Read this wonderful story to find out how Cheekoo gets rid of this horrible trash cloud.)
Survivor + (A collection images in black and white by … A collection images in black and white by ManButur dedicated to the meaning and value of Trees. ManButur Suantara interviewed by Sawidji Gallery for the article 'I Hear You Tree'. Part of several discussions regarding the power and contribution of Trees into human lives. As started by artist Made Budiarta in 'Inauguration of Trees'. Made Budiarta in 'Inauguration of Trees'.)
Indomitable Beings + (A conceptual mixed media series by artist … A conceptual mixed media series by artist and writer Dian Dewi Reich for Sawidji Collaboration Manus, a Conscious Journey. Australian-Indonesian painter and photographer, Dian Dewi Reich, the founder of the Sawidji Artist Collective, finds herself at the very cross-section of Manus, a Conscious Journey’s creative process. As she claims to be equally attracted to the bizarre world depicted by Hieronymus Bosch and the visuals demonstrating philosophical narratives of Balinese religion, we can say that she embodies the spirit of this collective exhibition through her work Indomitable Beings. Presented in three separate themes all interconnected: plants, animals, and humans. Three categories of living creatures on planet Earth, are separated by biological classifications but united in destiny.cal classifications but united in destiny.)
Mai mai, Pus! + (A delightful tale about an independent cat.)
Detya Matsya Baerawa + (A dirty environment will generate negative … A dirty environment will generate negative energy and disrupt life.Similarly, Sang Hyang Baruna was angry when he saw the ocean turning blood red due to the corpses of the troops that were thrown into the sea after the Bharatayuddha war ended. He then brought a red giant to life because of his wrath. The value for the government is to always be a role model and be able to solve problems related to cleanliness. Especially the thorny problem related to garbage in Denpasar City. Such as the problem at Suwung landfill. The government must be able to immediately find the best solution regarding this matter so that it is resolved immediately and not forgotten. Because the value of cleanliness is one of the things that will be passed on to children and grandchildren later.ed on to children and grandchildren later.)
Josiah Alexander Sila + (A funny thing happened to Joey Alexander o … A funny thing happened to Joey Alexander over the past five years, a whirlwind period during which he became the most brilliantly precocious talent in jazz history—that is, a renowned festival and concert-hall headliner; the youngest musician ever nominated for a Grammy Award in a jazz category; and a media favorite who’s earned a profile on 60 Minutes, a front-page profile in the New York Times and other premier coverage."As heard on WARNA, his new major-label Verve Records debut, he’s simply become one of the most expressive and thrilling pianist-composers currently at work in jazz. Alexander’s precocity can still stun concertgoers, but his music, including original work and personalized interpretations of great songs, has now taken its rightful place in the spotlight.Translating as “color” from Alexander’s native language of Bahasa, WARNA follows four Motéma Music albums that garnered the pianist three Grammy nominations and such honors as historic critics’ and readers’ poll victories in DownBeat and JazzTimes. But whereas those recordings were documents of an extraordinary young musician in development, WARNA is primarily a collection of reflective, moving new music by an experienced, confident bandleader...."Please see more at https://joeyalexandermusic.net/about/. at https://joeyalexandermusic.net/about/.)
Tiuk Mangan Yowana Guna + (A golden Indonesia is a time that we reall … A golden Indonesia is a time that we really long for, a time when after 1000 years of independence, Indonesia is a time that gives hope for the welfare of the people. There are many things that can help realize this golden Indonesian era, one of the two most influential things is the QUALITY OF YOUTH and GOVERNMENT INTELLIGENCE.The quality of teenagers in Indonesia itself is very low, we can see from the evidence in the field that there are still many teenagers who cannot get the essence of a sentence. This is influenced by the education system which does not provide space for children to express all the ideas they have, the education system in Indonesia still places great emphasis on recitation and monotonous methods, even though there is a solution from the government regarding independent learning methods which are considered to be the solution to this problem, I felt it needed to be developed. Therefore, the government must think one step further to develop the education system in Indonesia, because this is a function of the intelligence of the leaders that we hope for in order to create sharp knives for teenagers.Don't forget the stunting problem experienced by children in Indonesia, this causes many children to grow and develop with very, very minimal brain capacity. Is there a solution from the government?Of course, we have to consider this together, because it is only through children and teenagers that the Indonesian nation can achieve its desire to become a golden Indonesia, which is likely to be just a fantasy.Hopefully, through this media, the government can consider things that are really urgent for it to do, and can lead the Indonesian nation towards a golden Indonesia with the Sharp Knives of Youth. Indonesia with the Sharp Knives of Youth.)
I Made Wahyu Senayadi + (A graduate in Fine Arts from the Indonesia … A graduate in Fine Arts from the Indonesian Art Institute (ISI) Denpasar, Senayadi has exhibited two and three-dimensional works in exhibitions, including two solo shows, throughout Bali and Java since 2005. He represents a new wave of Balinese artists dedicated to innovating within the contemporary format experimenting with conventional and non-conventional media. “I am very grateful for having my work recognised in the UOB Painting of the Year Awards,” said Senayadi, born in 1985 in Marga, Tabanan, Central Bali. “Through this award, I trust it will help provide a bridge to the goals that I want to achieve in my career.”Despite his visual challenges during the past five years, Senayadi has excelled in his artistic pursuits. In 2018 he was recognised as one of Nine Finalists in the TiTian Prize, a biannual art award presented by Yayasan TiTian Bali (Bali Art Foundation) recognising Balinese talent innovation within the visual arts. In 2019 Senayadi distinguished himself with eye-catching and ingenious works made from natural coconut fibres, ‘Menanti Keberuntung/Longing #1’ and ‘Buta Bongol/Deaf Monster’ during ‘Mahardika’, a group exhibition at TiTian Art Space in Ubud.up exhibition at TiTian Art Space in Ubud.)
Titus Rosier + (A hospitality expert with more than sevent … A hospitality expert with more than seventeen years of experience in the industry, Titus Rosier joined the vibrant award-winning W Bali – Seminyak resort in June 2021, leading its talented team as General Manager. Beginning his professional career in the Middle East, Titus has gained extensive experience working across various countries and properties for Marriott International. Departing from his last venture in the Middle East, Titus was ready for a new challenge and decided to move to Indonesia based on the love he has for this amazing country, choosing the magical island of Bali as his new home. A Dutch native, Titus has a passion for sustainability which he implements through developing significant initiatives and exceptional programs including the launch of zero-waste cocktails. This beverage program uses leftover fruit skin to create invigorating concoctions. Besides battling food waste, the team at W Bali is also actively focusing on reducing plastic usage to remove all single-use plastic from the property in 2023. Additionally, W Bali has partnered with several Bali-based NGOs, such as S.O.S Kitchen, to donate fresh and edible leftovers from the buffet breakfast to be distributed to people in need including children's orphanages and impoverished areas in Bali. W Bali has also partnered with Sungai Watch and together with the Marriott Business Council Indonesia, they are working on a waste solution in Bali. The ambitious goal is to remove 100,000 kilos of waste per year from the Bali's rivers. of waste per year from the Bali's rivers.)
MERASA AENG + (A human on this earth who is not selfish? … A human on this earth who is not selfish? Is it only poor who don't get justice?While the rich are free to rule like giants. no matter how good human behavior is, there must be evil and also greedy like giants, greedy people who want to rule over what is on earth, for themselves. He doesn't care about others they’re feel miserable. He will be willing to use all kinds of ways that are not right in order to fulfill their wishes. And prove the world, he is the most entitled child in power, character is already like a gian.n power, character is already like a gian.)
Layangan Barak + (A kite gets stuck in a tree. Find out what the birds say to the strange object in their tree.)
Education + (A leader is a person who holds the duty an … A leader is a person who holds the duty and responsibility to lead and can influence the people he leads. A good leader is a leader who is able to lead his followers to achieve a certain goal. A good leader must be willing to listen to input and complaints from his staff. The leader does not have to agree with the opinions of the staff, but must respect every opinion.Everyone certainly aspires to be a leader, myself included really want to be a good and responsible leader. And if later I become a leader in my area, I will help people in need and be fair to all of them. Now one of them is in the field of education, I will improve the quality of education in my area, because I live in Gowa district, South Sulawesi, I will name it as Gowa Education District, meaning that elementary to high school level education will be applied free of charge or not paid, the way is like this will help children who really want to go to school but are constrained by money, so there is no reason for children in Gowa district not to go to school. And I will also complete the standard facilities in every school in my area. That's probably what I will do when I later become a leader in my area, become a useful person for the people around me. a useful person for the people around me.)
From Abstract To Satirism with Putu Bonuz + (A Little About Art and a lot about Life. P … A Little About Art and a lot about Life. Putu Bonuz Sudiana. "When a person is good at reading characters, it is perhaps the same as reading art. Perhaps understanding people is like understanding the journey for abstraction." Exploring the different facests of an artists' philosophies and how it is embodies in their art.phies and how it is embodies in their art.)
Bali, Nature and The Culture. + (A little paradise with a lot of beauty in … A little paradise with a lot of beauty in it, that's Bali. An exotic island in Indonesia that is famous for its beautiful nature and culture. Often dubbed as the 'Island of the Gods' because of the strong Hindu culture in Bali. The island is categorized as the Lesser Sunda Islands with the capital city of Denpasar. The rich culture and friendly people make this island a popular tourist spot among tourists. Like a prima donna who is favored by all circles. There is no doubt about its popularity in the eyes of the world. Bali's economy is largely supported by the tourism sector. The tourism industry is centered in South Bali and in several other areas. The main tourist sites are Kuta and its surrounding areas such as Legian and Seminyak. Bali not only presents a wide selection of natural attractions, but also interesting arts and culture. The temple buildings, local customs and habits of the Balinese people who are very thick with their culture make Bali always alive for National Tourism. Balinese people are very strong in maintaining their local customs. They strongly uphold and maintain their traditions until now. By presenting the beauty of nature and the uniqueness of local culture, Bali Island is able to attract millions of tourists every year.o attract millions of tourists every year.)
Tourists who disturb the community + (A number of violations committed by foreign tourists in Bali have started to cause concern, so they must receive immediate attention from all parties.)
6 - Luh Ayu Manik Mas Ngalahang Legu Poleng + (A package arrived for Made Putri, one of L … A package arrived for Made Putri, one of Luh Ayu’s friends, from the US wrapped in layers and layers of packaging material. Made Putri threw the packaging waste out in the garbage, but it ended up a local river where it collected pools of stagnant water. Dengue-carrying mosquitos then bred in those pools, making the original problem of packaging waste even worse. And, the Covid-19 pandemic was raging. What is Luh Ayu to do?ndemic was raging. What is Luh Ayu to do?)
Self Discovery Through Unexpected Redundancy + (A photographer’s reflections in the process of an art collaboration, with ManButur Suantara. Discussing the works Human Imprints and Sacred Mimicry, as exhibited in the Manus, a Conscious Journey Art Collaboration.)
I Gusti Agung Wijaya Utama + (A photography graduate from the Indonesian … A photography graduate from the Indonesian Art Institute (ISI), Denpasar.Balinese photographer I Gusti Agung Wijaya Utama S. Sn has a unique vision to raise awareness of the past through distinct, eye-catching fine art and reconstruction portrait photographs. Gung Ama, as he is known, does not use digital technology, but a process from the past; the Afghan Box Camera. As the name suggests, the camera is linked with Afghanistan, being first used in villages by travelling photographers before there were any photography studios.“Digital technology and the modern mindset desiring immediate outcomes and satisfaction are impacting upon the art of photography and contributing to the erosion of traditional Balinese values,” said Gung Ama, born in Batubulan Gianyar in 1988, whose interest is photography began in 2006. “Nowadays, smartphones equipped with sophisticated cameras are affordable and an essential modern icon and tool. Moreover, social media and selfies dramatically impact lifestyles and alter our concept of identity. By recreating the nostalgia and curiosity of old Bali through manual, handmade photos, my objective is to reignite cultural memory while inspiring awareness and discussion among all the generations.”“My photography reflects the growing sentiment within the Balinese seeking a return to the wisdom of the past,” Gung Ama said. “In the face of modernity and the homogenisation of cultures, I believe it is important to celebrate and embrace cultural icons to help reinforce our identity. In addition, it’s essential to be reminded of our forefather’s messages, culture lost and the wisdom of the past.”Article by Richard Horstmanof the past.” Article by Richard Horstman)
Suklu a Portrait #1 + (A portrait of artist Sujana Suklu in a col … A portrait of artist Sujana Suklu in a collaboration with Dewi Dian Reich. Exploring the Three Rooms of Art. Art by Interaction in the studio.Sujana Suklu is known as a progressive thinker of contemporary art in Bali. With a pioneering vision that reflects a universal philosophy. Sujana Suklus’ contributions are vast in scope, encompassing multi-disciplinary fields within fine arts, academic and community platforms. Suklus’ academic research explores ways to bring art methodologies into communities cultivating and preserving local wisdom whilst expanding existing skill sets. The beauty of this research is that it has been applied and is actively growing in communities today. is actively growing in communities today.)
The Red Chair and White Room, a Collaborative Online Exhibition + (A Sawidji Collaboration "This is not a st … A Sawidji Collaboration"This is not a story about a boy and a girl.. Our portrait story is one of all of us. Each portrait takes us through a transformation. Transformations that are connected and represents a collective reality that we face as a traditional community."A mixed photography and multi media presentation exploring social and cultural identity and its changes. Through a symbolic portrait narrative. By Dewi Dian Reich, ManButur Suantara, Ketut Kaprus Jaya.In the purity of arts’ expressions, it is needed now even more desperately than before, to serve as a bridge. A bridge to connect people, connect minds as well as to touch hearts. Providing a catalyst. Even perhaps like a conduit that may lead people to raise important questions. To inspire learning and better understanding. Not only for ourselves. But to a wider community as well as the environment in which we live and receive Natures’ many gifts.On this note Sawidji Artists invite you to join us, on this day of Independence 17th August, for the online version of our exhibition ‘Red Chair and the White Room’. An exploration of changes social behaviours and its potential impact on cultural identity. Through symbolic representation via a portrait narrative. The Online Exhibition is available below in both English and Bahasa Indonesia.elow in both English and Bahasa Indonesia.)
The Sleeping White Wood + (A series of photographs exploring a differ … A series of photographs exploring a different, subtler side of the White Wood of Banyan. The fearsomeness of time evident in the turns and creases of this beautiful Sacred Tree.Botanical Notes..The White Wood Tree of Banyan was thought to be a ‘Bunut’ Tree or ‘Banyan Tree. Like many similar Ancient Trees in Bali. However, statements from local residents confirm that the genus of the tree has not yet been expressly confirmed. By the Ministry of Forestry or any University research teams. Their reluctance to confirm the genus of the tree is due to some particularities.It is said the White Wood does not flower but bears fruit (we were a direct witness to the abundance of fruit on The White Wood). It has also been said that the White Wood will shed all its leaves every few months. Though Banyan Trees may shed leaves to retain moisture, it is unusual for a tree to shed leaves this regularly in a moist climate. So for all these reasons, the villagers have continued to call this tree Pohon Kayu Putih Bayan (the White Wood of Banyan).yu Putih Bayan (the White Wood of Banyan).)

A Student Wants to Collect Assignments During the Covid 19 Pandemic + (A Student Wants to Collect Assignments During the Covid 19 Pandemic)

Symon + (A stylistic heir to Walter Spies, Le Mayeu … A stylistic heir to Walter Spies, Le Mayeur and his mentor, the Indonesian-Dutch painter Arie Smit, Symon was among the last in the lineage of foreign artists who have helped raise Bali’s international profile as an exotic destination for art and design. Renowned for his vivid pop style with new iconic motifs, he was born on April 13, 1947, as Ronald Thomas Bierl in Detroit, Michigan, the United States, and made Bali his home in 1978. He was installed in the Puri Kaler of Ubud Palace by the Ubud royal family, who had for decades been patrons of foreign artists. Symon later took over Arie Smit’s cottage in nearby Campuhan, where his studio grew into local landmark. In 2014, he moved full-time to his other destination studio at Alas Sari in North Bali, Art Zoo, which he had founded in 1998.Symon, who passed away on April 15, 2020 of natural causes from sepsis, was incredibly prolific and successful, creating many thousands of artworks in several countries.His work was widely collected by tastemakers like former minister Joop Ave, especially during the 1990s and 2000s trend for Asian neotraditional style. Many collectors built submersive Symon environments, as at Qunci Villas in Lombok, West Nusa Tenggara. A book series on Southeast Asian interiors had to swap some paintings in many of its featured homes because too many of their architects and owners had put Symons on their walls.Symon’s art is cherished for its vivid color, strong outlines and exuberant energy. His figurative paintings and sculpture project a friendly, fantastical appeal, combining the rawness of real-life models and scenes within compositions from mythology and lesser-known Bali history. His sense of line, hue and witty slogans draw from his origins as a cartoonist in the 1960s American counter-culture.Raised in a house at the corner of Detroit’s Normal Road and Common Street, he was far from normal or common and yearned to escape convention. He was an exciting personality to be around, popping with fresh ideas. An outrageous showman, he would tell wild anecdotes and burst into rhyming raps. As a precocious teen under the pseudonym John Ka, he wrote to Beat Generation poets like Allen Ginsburg, William Burroughs and William Carlos Williams, who sent him new poems to illustrate. He soon became an artist in underground zines like Fifth Estate and got to know New York legends like Frank Zappa and Andy Warhol.Until making Bali his permanent home, he kept trying new locations. As a youth, he twice ran away to Rome, where he studied under the sculptor Emilio Greco and got the attention of film director Federico Fellini, who dubbed him “the magician of the air”. On the overland route from Amsterdam to India, a road accident in Turkey broke his hip. While recovering he renamed himself Simon White. He finally made it to India and then went north to Nepal.Over eight years in Kathmandu, Simon helped preserve the traditional art of Tibetan woodblock printing. With three partners he opened Himalayan antique shops in London, Amsterdam and New York. Like many “Easties”, he became expert in Asian traditional knowledge, which later infused his artworks. In the mid-1970s, Simon spent periods in the New York art scene, Colombia and Wales, England. In each new location, his studios echoed Warhol’s Factory in being a networking hub and a venue for arty “happenings”. He formed several creative teams, from the Psychic League in Rome and Fantabulous Group in Nepal to the Levitation League in Legian, Bali. In his Ubud garden, he staged theatrical productions at the amphitheater designed by the futuristic architect R. Buckminster Fuller. In each location, he trained up teams of local artisans. In Nepal he hired Tibetan refugees to carve new and replacement woodblocks to the old ones he printed from. He brought screen printing to Bali in the 1980s and then to Cambodia in Minefield Studios at Siem Reap in the early 1990s. His most famous breakthrough was JakPak, a range of convertible clothing co-created with Annie Anderson and Kiyoshi Okuda, in which pop-hued jackets and hats could turn into bags through hidden pockets. JakPak became Bali’s first clothing export and an international phenomenon collected by the likes of Mick Jagger.Symon kept ahead of the curve, since his aim in life was constant reinvention under a motto “towards a functional reality”. Many of his creations were practical as well as fun, from JakPak to his Toyniture — quirky furnishings like his Lady Chairs and giant dining table. He conjured outlandish architecture, like his key-hole windowed pagoda at Art Zoo, which he filled with sculptures and oddities. The maximalist effect of all these “studio atmospherics” beguiled visitors and in turn became props for his paintings. The Art Zoo remains visually stunning. Symon’s heir and Art Zoo’s Balinese manager aim to reopen it as a destination where locals and tourists can continue to appreciate Symon’s distinctive art of Bali.ppreciate Symon’s distinctive art of Bali.)
My awesome Bali adventure + (A travel journal with tips and tasks for kids: games, maps, puzzles, language lessons, colouring pictures. https://www.myawesomeadventure.com/)
Leader of Asta Brata Teachings (Election 2024) + (A true leader is a leader based on the tea … A true leader is a leader based on the teachings of Asta Brata. Asta Brata means eight characteristics of a god that should be used as a guide for a leader so that he is able to lead his people well. As for the parts, namely:1. Indra Brata is like air, which is soothing2. Yama Brata is firm and fair3. Surya Brata who is able to protect the community4. Candra Brata is warm-hearted, polite5. Bayu Brata is a person who cares about society6. Kuwera Brata is a property capable of prosperity7. Baruna Brata has extensive knowledge and insight8. Agni Brata is like fire, has a burning spirit.Don't Choose the Wrong Leader in 2024it. Don't Choose the Wrong Leader in 2024)
leadership + (a video that I made myself which contains a discussion of leadership or leaders as well as a video of my hopes for election candidates in 2024)
Smart Youth Choose Leaders According to Applause PPS + (A video that tells about young people who … A video that tells about young people who must participate in choosing leaders, because 1 vote can build a nation and state in a better direction. By using PPS claps as one of the criteria for prospective leaders to awaken young people in exercising their right to vote laterle in exercising their right to vote later)
Mabarengan Majalan + (A walk to the clinic doesn’t have to be dull, when there are so many wonderful things to see on the way.)
I Bujang Katak + (A young man lived who resembled a frog. He … A young man lived who resembled a frog. He dreamed of wanting to marry the king's daughter. When applying, only the youngest daughter is willing to marry her. Reluctant to give blessing, the King gave very difficult conditions. Will the Bujang Katak succeed in marrying the king's daughter?k succeed in marrying the king's daughter?)
Hoax tentang Keadilan Untuk Audrey + (A young woman named Audrey admitted that s … A young woman named Audrey admitted that she was beaten up by 12 students. The beatings were carried out in two places. There are two motives for this student to persecute him. First, the heart hurts, because the victim often brings up the problem of accounts receivable that had been committed by the late mother of the suspect. Second, because of male problems.During the persecution, Audrey admitted that she was dropped onto the asphalt and kicked repeatedly by her friend and experienced bleeding from the nose and wounds on the face. Then Audrey also stated that one of the perpetrators abused her vital organs, namely by striking her female organs with her fingers, and because this made the victim no longer a virgin and also experienced swelling in her vital area. This incident went viral on social media so quickly that it shocked people throughout Indonesia.However, after checking in the field of health, Audrey divisum and the post-mortem rejected the statement made by Audrey, the post-mortem said that there were no marks and hymen, Audrey did not experience a tear and Audrey did not experience physical trauma in the area.This case is very unfortunate, and not as viral on social media. Hopefully hoaxes like this will not happen againlly hoaxes like this will not happen again)
Palemahan + (A: Aren't you ashamed of picking up litter … A: Aren't you ashamed of picking up litters in public spaces, Tut?! There's already city workers whose job is to do just that. Don't waste your time, okay?B: It's you who should be ashamed, Brother. How come we who own these island don't care a bit about our own surrounding. Those tourists who came from faraway places can. While we kept talking about Tri hita Karana (Three Cause of Joy: relationship with the Creator, relationship with each other, relationship with nature). That's hypocrisy, Brother.p with nature). That's hypocrisy, Brother.)
Reboisasi + (A: Brother Mang, what are those people doing?? B: That is called reforestation or replanting trees. A: Why do that? B: So we can protect and keep the enviroment. If we do good to nature, we'll live happily.)
Gumine Mangkin + (A: Dad, there are a lot of wild animals out there. B: That's because their habitat has been destroyed by mandkind. Cutting trees indiscrimately. Throwing litters carelessly. A: Those, Dad...)
Peken Bali + (A: Excuse, me. Where can I get some lawar here? B: Oh, just over there, the most delicious one is at the west part of the Bali market. A: Over there? Thank you, very much. B: Yes, there. anytime, brother!)
Naga + (A: Holy cow, a Naga Banda (a dragon palanquin used in cremation ceremony as a symbol of earthly engagements that bind human into this world) Written: Raja Naga is passé.)
Body Part + (A: This is called stiffed hair. B: Gee, yo … A: This is called stiffed hair.B: Gee, you've never been struck by “KAMEHAME” …Bok/Hair/RambutWimba/Eyebrow/AlisKuping/Ear/TelingaPanyingakan/Eye/MataCunguh/Nose/HidungPala/Shoulder/PundakBibih/Lip/ BibirBaong/Neck/ LeherTangkah/Chest/DadaLima/Hand/ TanganBasang/Belly/PerutJriji/Finger/JemariPaan/Thigh/PahaEntud/Knee/LututBatis/Leg/Kakiigh/Paha Entud/Knee/Lutut Batis/Leg/Kaki)
about difficulties in dealing with online learning + (about difficulties in dealing with online learning)
About my experience while studying online + (About my experience while studying online)
My hopes and my friends about future leaders + (About my hopes and my friends about future leaders)
about my learning activities during the pandemic + (about my learning activities during the pandemic)
About school during a pandemic + (About school during a pandemic)
About students who were asked by their mothers about online learning + (About students who were asked by their mothers about online learning)
About the teaching and learning process is still being done online + (About the teaching and learning process is still being done online)
The Balinese language is increasingly extinct among Balinese teenagers + (Above, I used a photo of a traditional Balinese dress (kebaya), like preserving Balinese culture)
I Made Mahendra Mangku + (Abstract became the visual language that M … Abstract became the visual language that Made Mahendra Mangku chose to express. Various abstract explorations are presented, such as the play of lines, colors, and splashes. As an artist who grew up in Sanggar Dewata Indonesia (SDI), his work tends to be different from those of the Eleven Group; a group of eleven members from SDI's 90s generation. He doesn't fill his canvases with brushstrokes of paint, nor does the boisterous Balinese icons and symbols appear absent in Mangku's work. In his paintings, Mangku tends to use one color as a base and then fill it with several colors and lines. Sometimes he also crashes contrasting colors with certain compositions that are still calming. It presents a silence that feels sentimental, like spaces of contemplation in the midst of worldly life. No matter how dark the colors he uses, Mangku's works are still sweet, calming and meditative, and he is often referred to as the “Poetic Painter”. Although now known for his abstract works, Mangku had time to explore in a realist and figurative style while still in college. Even in his first year at ISI, he has won two awards at once for best sketch and best watercolor painting. Meanwhile, while attending SMSR Denpasar, he was more focused on watercolor with the splash technique which earned him the nickname Mangku (a priest in Balinese tradition who sprinkles holy water when giving blessings, ed.). His choice to pursue abstract began in 1993, because abstracts provide more space for improvisation and exploration. Since graduating from ISI Yogyakarta, Mangku has returned to Sukawati and is actively working in his personal studio, De'carik Art Studio. He recently exhibited 15 paintings and watercolors at the Singapore International Artist Fair (SIAF) 2018 on 10-13 May in Suntec City, Singapore. It is planned that Mangku will hold a solo exhibition in August 2018 at Art:1 Gallery, Jakarta and Komaneka Art Gallery, Ubud.Born in Sukawati, 30 December 1972Education1988-1992 SMSR Denpasar1992-1997 ISI YogyakartaAwards:1998 Award from the Minister of Arts and Culture of the Republic of Indonesia;1997 Best Painting Dies Natalis ISI Yogyakarta; 1996 Finalist Philip Morris Indonesia Art Award 1992 Best Watercolor Painting ISI Yogyakarta; 1992 Best Sketch ISI Yogyakarta Milestones:1992 In his first year of college, Mangku received two awards for the best watercolor painting and the best sketch at ISI Yogyakarta1998 Graduated from college, Mangku returned and settled in Bali. This year he also held a duet exhibition with Toris Mahendra at Sika Gallery.2000 His first solo exhibition Between Two Side, Arisma Gallery, Ubud.2018 Singapore International Artist Fair (SIAF), Suntec City, Singapore.rtist Fair (SIAF), Suntec City, Singapore.)
Abu Bakar + (Abu Bakar, is a playwright and theater fig … Abu Bakar, is a playwright and theater figure, born in Kediri, Tabanan, Bali, January 1, 1944. His father is Javanese and his mother is Balinese. Apart from theater, he also pursued literature and photography. There are many plays that he has performed and directed. He had visited several countries for artistic matters, among others, France and the United States. In America, Abu performed his collaboration with Ikranegara artists in the form of the theatrical performance “Berani-Beraninya Waiting Godot” (1990). He also directed the performances “Kereta Kencana” and “Indonesia Luka” (both in 2012) and “Malam Jahanam” (2013). In the field of literature, apart from being published in several newspapers, his works have also been published in "My God Butterflies", "America Outside the Window" and "Fireflies". He also wrote a monologue script entitled “Wanita Batu” (2006) and television dramas “Comedy Hitam”, “Bali Crying (2004), and so on. Abu is the founder of the “Polyclinic Theatre” and “Earth Theatre”. “Polyclinic Theatre” and “Earth Theatre”.)
MARGA SENGKALA + (Accidents are the most inevitable thing, w … Accidents are the most inevitable thing, who wants injuries to themselves? Who wants to go home in name only? No one wants to hurt themselves because of circumstances.Look at the beautiful carvings on the asphalt. It's as if her beauty has turned into a very dangerous threat, we often hear about accidents caused by potholes, damaged roads or so on. Many victims have fallen and even lost their lives. The carvings on the road are left until a fatality occurs before it is justified, how long are you going to wait for the victim to fall?This should be very important if you look at it, not only are the roads damaged, there is no street lighting, who should you report to? Do you have to wait for fatalities to prove that this situation is very dangerous to life? The Sengkala clan has become a shadowy threat to life. We often encounter damaged roads, potholes that cause accidents for us.Let's be sensitive to our surroundings, how long are we going to wait for many fatalities to be justified? This shouldn't just be looked down upon, we need street lighting. We need smooth roads, not just smooth government salaries but roads that have not been repaired.ies but roads that have not been repaired.)