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Dance practice + (Yesterday I practiced the Legong Mesatya d … Yesterday I practiced the Legong Mesatya dance in Denpasar City Park, with my friends. An example of the difficulty I faced was when it rained, my friends and I couldn't practice because our place was for practice in an open area, while the shelter was not wide enough to practice. I hope the Denpasar city government can provide a wider place with a closed room. provide a wider place with a closed room.)
about my learning activities during the pandemic + (about my learning activities during the pandemic)
Literature wisatawan dibali + (added, the arrival of tourists in Bali is … added, the arrival of tourists in Bali is an opportunity for Bali to show its readiness to build trust for potential foreign tourists to be able to visit Bali.According to Putu Winastra, ASITA Bali along with all other tourism components are very ready to receive foreign tourist arrivals in Bali."We have prepared SOPs with the government and we hope that there will be no more problems and obstacles in the future. Of course, many tourists will not come immediately, all require a process," he said.In welcoming foreign tourists who come to Bali, the Ministry of Tourism and Creative Economy has also designed a warm up vacation program.This program is an innovation designed for tourists or PPLN who have just arrived in Bali to be able to undergo quarantine in a hotel with a bubble system that allows them to do activities not limited to their rooms, but can carry out various activities in a special bubble area prepared by the hotel manager.bubble area prepared by the hotel manager.)
Farmers Rise during a Pandemic + (approximately 1 year running the world is … approximately 1 year running the world is experiencing problems such as covid 19. Discussing the rise of farmers during the pandemic. Many feel that they are short of money, looking for their daily needs. After a long time it feels difficult and heavy if they go through this. The ceremony that should be carried out, and the activities of the farming community that cannot be separated. When the community has awakened this agricultural business, there is still covid 19, so they have given vaccines determined by the government. And also implemented health care, washing hands and maintaining distance. The farming community never complains to make a living until they continue the spirit of the farmer's struggle, even though the journey is still from zero. At the time of this economic sale is like selling rice, flowers that have been harvested. if it is felt at a very cheap price even though you have struggled for results as long as farmers, don't act like we have to be enthusiastic, keep rising farmers. Hopefully it will be useful for anything, enthusiasm for harvests, farmers, keep rising, even though there is still this pandemic, even though there is still this pandemic)
Unconditionally Perfect + (as is well known in Indonesia, people with … as is well known in Indonesia, people with disabilities must be the focus of the government, whether from cases of bullying from the surrounding environment or the disadvantage of people with disabilities who appear to be receiving social sanctions for mistakes they have not made. The "MANDANG DASA" (Mewujudkan Penyandang Disabilitas tanpa Batasan) program is philosophy of looking at the number ten as a perfect number but must be applicable to all humans. It is hoped that this program can provide government synergy to focus more on education and the environment around people with disabilities. We are all the same, We are all brothers or sisters, We are all friends.l brothers or sisters, We are all friends.)
Ngaryanin Meja antuk Ekobricks + (as we all know the amount of waste in Bali … as we all know the amount of waste in Bali has been increasing day by day. According to detik.com Bali produces 829 tons of plastic waste per day and only 7% is recycled. Therefore, we innovate to process plastic waste into ecobricks and arrange them into tables. In addition to having benefits for the surrounding environment, the results of this activity can also be used for sale so that it has economic value.ed for sale so that it has economic value.)
Bank Sampah Legian Aksi Nyata + (carry out waste bank activity in legian village)
Rumah Kompos Alam Lestari Desa Adat Sumampan + (carry out waste management through composting houses and segregation of non-organic waste)
Bank Sampah Taman Asri + (carrying out waste activities at banjar taman kaja ubud)
Developing Bali as a Tourist Destination + (developing Bali as a tourist destination … developing Bali as a tourist destinationBali is one of the most popular tourist destinations in the world. In order to make Bali the most popular tourist destination, it is necessary to take care of the sustainability of the land, improve the quality of infrastructure and public services, and improve the culture and art of Bali.Efforts should be made to preserve the natural environment in order to limit the number of visitors, reduce plastic waste, and promote tourism based on local knowledge. Therefore, improving the quality of infrastructure and public services such as roads, clean water, sanitation, and electricity are necessary to ensure that tourists feel comfortable and safe while visiting Bali.The culture and art of Bali has become a tourist attraction in Matiosan from Tiosan's tourist destination. The government and the Balinese people are planning to organize cultural and artistic events such as traditional ceremonies, Balinese dances, traditional music, and Balinese fine arts. In order to make Bali the most popular tourist destination, it is necessary to pay attention to the well-being of local customs and to preserve their rights. The government and the tourism businessmen are willing to work and promote local customs and produce local products so that they can improve their economic well-being.During this time, Bali has become a sustainable tourism destination that promotes natural beauty, culture, and well-being. It's time to be loud, it's the best place to visit Bali, and the local people are silent on the other side.local people are silent on the other side.)
Smile + (girls watching dancing while smiling at the Manik Liu village temple, Kintamani.)
Toleransi budaya Bali ne + (hello friends today is the 77th independen … hello friends today is the 77th independence day I am very happy to be able to take part in the competition. And you can see above left that there is a caricature with the theme of independence day. And you can see that there are people of other religions who come to visit Bali. There we also saw that there were Balinese people who explained about Balinese culture. And we can see that they really respect our traditions, and our culture. That includes a good example.Now we also have to respect their culture, because they also respect our cultureure, because they also respect our culture)
Not Buried Not Burned + (in Bali province, Bangli district, Kintama … in Bali province, Bangli district, Kintamani district, Trunyan village. Trunyan village has a very unique burial tradition and is different from the villages in Bali, where the bodies are not buried and not burned, but are only placed on the ground covered with bamboo filled with white cloth, but the corpses do not emit an unpleasant odor. A corpse that is placed under a tarumenyan tree will not emit an odor because the tree can neutralize the odor arising from the corpse. And what's unique is that the tarumenyan tree can only grow well in the traditional village of Bali Aga Trunyan and this tree is believed to have existed since 500 years ago. With the unique tradition that belongs to the Balinese Aga tradition, Trunyan Village attracts many tourists to visit there to see the Balinese Aga traditional traditions and see tarumenyan trees that have been around for a long time and can feel the effects of tarumenyan trees first hand.he effects of tarumenyan trees first hand.)
DIRGAHAYU INDONESIA + (in Indonesia there are many cultures, ther … in Indonesia there are many cultures, there are many tribes, races, and religions, therefore we as Indonesian citizens must not discriminate against each other, cannot choose friends, we are family, we must respect each other, we must tolerate each other one another., we must tolerate each other one another.)
Monkey forest + (monkey forest attractions or Sangeh monkey … monkey forest attractions or Sangeh monkey forest.The monkey forest is located in the village of Sangeh, Abian Semal District, Badung Regency.The forest-dwelling monkeys in the Sangeh monkey forest are quite tame.in the monkey forest area in Sangeh there is a temple called Pura Bukit Sari.The existence of the holy place indicates that this place is sacred.place indicates that this place is sacred.)
Danu Bratan Temple + (pura Beratan or Bratan Pura is a large wat … pura Beratan or Bratan Pura is a large water temple and temple in Bali, Indonesia - the other main water temple being Pura Ulun Danu Batur. This temple complex is located on the northwest bank of Lake Bratan in the mountains near Bedugul, Tabanan Regency. Water temples fill the entire area in the watershed; on the downstream bank there are many small water temples specific to each irrigation association (subak). This temple is actually used for offering ceremonies for the goddess Dewi Danu, the goddess of water, lakes and rivers. Lake Bratan is one of the important lakes in terms of irrigation.he important lakes in terms of irrigation.)
Danu Bratan Temple + (pura Beratan or Bratan Pura is a large wat … pura Beratan or Bratan Pura is a large water temple and temple in Bali, Indonesia - the other main water temple being Pura Ulun Danu Batur. This temple complex is located on the northwest bank of Lake Bratan in the mountains near Bedugul, Tabanan Regency. Water temples fill the entire area in the watershed; on the downstream bank there are many small water temples specific to each irrigation association (subak). This temple is actually used for offering ceremonies for the goddess Dewi Danu, the goddess of water, lakes and rivers. Lake Bratan is one of the important lakes in terms of irrigation.he important lakes in terms of irrigation.)
Pale Dark of World Life + (t's been about a year since the world has … t's been about a year since the world has experienced this kind of problem. Discussed the problem of covid-19 which caused people to lose their jobs, limited activities, and could not do activities with many people. So far no one has been able to answer this. If you feel you are slowly running out of wealth that has been obtained and collected from the past, which is now running out in the pandemic era. So far it can't be explained. If you trade, it will definitely be difficult to persuade buyers. If you are looking for a job, no one will accept it. Over time it feels difficult and heavy if you go through this. Ceremonies that should be carried out, and community activities that cannot be separated. But the costs that are difficult to know come from. Until now, hopefully, because of the expectations of all the people. Bali tourism can be implemented, because the vaccination program has been implemented smoothly. Hopefully it will create a sense of enthusiasm to get through the dark path of this world's life.hrough the dark path of this world's life.)
about online learning + (they tell their complaints about online le … they tell their complaints about online learning, it makes them bored, tired because of the many assignments, and one of them doesn't know all of their classmates because they are new students at school, and don't even know where the canteen and toilets are at his school, and among those who think positively about the government's recommendation not to do face-to-face learning, and he invites his friends to always apply the health protocol, namely 3M.ways apply the health protocol, namely 3M.)
Literature Ulun subak bukit jati bangli + (uaning asapunika, kehipun payungsung templ … uaning asapunika, kehipun payungsung temple Bukit Jati sane taler active kirang langkung 776 people. Krama sane taler is active in Irika Wit Papat, Inggih Punika Bebalang Village, Tamanbali Village, Bunutin and Demulih. So mawon krama ne ten active wit so samian subak dry utawi abian ring Bangli. samian subak dry utawi abian ring Bangli.)
Literature bukit jati bangli + (uaning asapunika, kehipun payungsung templ … uaning asapunika, kehipun payungsung temple Bukit Jati sane taler active kirang langkung 776 people. Krama sane taler is active in Irika Wit Papat, Inggih Punika Bebalang Village, Tamanbali Village, Bunutin and Demulih. So mawon krama ne ten active wit so samian subak dry utawi abian ring Bangli. samian subak dry utawi abian ring Bangli.)
Bank Sampah Mukti Cempaka Asri Singapadu + (waste bank activities carried out in Banjar Samu, Singapadu Kaler Village, Sukawati)
Bank Sampah Santhi Pertiwi Pratama + (waste bank activities carried out in banjar kancil, Kerobokan village)
Bank Sampah Kerta Lestari Mandiri + (waste bank activity at Penatih Dangin Puri Village, Denpasar)
Wayan Sila + (“The very first night I slept over at my n … “The very first night I slept over at my new studio an owl flew into the garden. It wasn’t a coincidence that I noticed it perched in a tree,” says Balinese artist Wayan Sila. “This was aspecial experience and powerful omen. A gift from the Gods to me.”The owl is much revered by indigenous cultures and in folklore around the world as aguardian spirit, as well as a wise creature capable of extraordinary sight. Balinesemythology reveals that if an owl visits a family compound while a female member ispregnant this is indeed a positive sign. Burung Hantu literally translates from bahasaIndonesia into the English language as ghost bird; or the owl, the mysterious bird of thenight.“I have a unique connection with owls. It is a potent image that resonates with my heart. Iwas intuitively led to draw the owl and then I began to include it in my works. It has nowmanifested into a personal symbolic image, equivalent to the Barong. The owl alsoencourages me to reflect on the joy that I derive from my family life,” says Wayan.Born in Ubud, 1970, Wayan Silawasinspired by his grandfather, well known local artistWayan Barwa. From an early age he regularly visited Barwa’sstudio and gallery,surrounded by the paintings of his Balinese heritage, this was the perfect scenario for achild to learn to draw and paint.Wayan soon became adept in the “Ubud Style” of modern traditional Balinese painting. Inthe evolution of Balinese painting during the last century, from its origins of the ClassicalKamasan style that concerned teachings from the Hindu Epics, each village then began tocreate their own distinctive style.The Ubud style moved away from the religious and began to be characterized bynarratives that involve daily village life and depictions of rural and environmentallandscapes. The artists from Ubud were quick to adopt western influences in the 1930’s,depth of field, shades of color, localized narratives and the development of the humanfigure. The Kamasan style was originally a collective work and never signed by anindividual. The new personalized and expressive form of Balinese painting has its rootsfirmly entrenched here in Ubud.Wayan’s canvases are beautifully composed and resound with an overwhelming sense ofbalance and harmony. His highly detailed works are first sketched in pencil then outlinedin black Chinese ink, finally they are rendered in acrylic paint with a fine kaus bamboo, asmall piece of bamboo crafted with a tiny point to apply the medium. A large canvas, 100 x80 cms, may take up to six months to complete. “In 1997 I was inspired to include owls in my compositions after seeing a wonderful sketch by a Japanese child.”Wayan’s relationship with the burung hantu then activated an endearing association withthe people of Japan, to whom the owl is symbolic of happiness. He first visited Japan in2002 and his premiere solo exhibition there was in 1998. Every year since then Wayan has enjoyed the privilege of exhibiting work in galleries, department stores, even in theIndonesian Consulate in Tokyo. He has held over 15 solo exhibitions in Japan, andnumerous other exhibitions in Bali, Jakarta, Spain and also at the prestigious Agung RaiMuseum of Art in Ubud.“It’s an honor for me to be invited on intercultural exchange programs teaching youngJapanese students traditional Balinese painting techniques. I do this each year when I visitJapan.” Wayan has since developed a healthy market for his works there and continues toell to the Japanese tourists who often visit his Ubud studio/gallery.Wayan Sila, acrylic on Canvas, 2012,45x 60cm.Wayan SilaGarden + Bale studio of Wayan Sila.Wayan Sila. 2012, chinese ink +acrylic on canvas, 60x80cm.Wayan’s cooperative works with Japanese poet Yoko Jatiasih have been the focus of two books. They initiallycollaborated in 1998 to create music and poetry for his paintings. In 2004 their first book “Kata Kata” Echoes From TheWoods, and then in 2010 “Pelan Pelan” were published.Browsing through these books, the creative synergy between the two is easy to recognize. Yoko’s short poems, no morethan 6 lines, resonate with an uncomplicated intelligence. Upon the opposing page to the text are Wayan’scomplimentary images created especially to accompany each poem.As you contemplate the words essence, as well as study Wayan’s images, the mysterious bird of the nights’full roundeyes are firmly transfixed upon you. The fusion of words along with the images perplex the imagination, and then defyyou to believe their medium is the owl’s silent and alluring gaze.In 2011 Wayan relocated to his new studio gallery in Jalan Bisma in Ubud. Journey 400 meters along Jalan Bisma until theroadside urban development gives way to the effervescence of the padis. Down on the right hand side nestled in thesawah you will find his small abode. Look for the sign on the road then follow the narrow path that divides the greenswaying fields to his studio/gallery encircled by the bamboo fence.Wayan has created a personal space that reflects the elements that enrich and sustain him. Situated in the middle of theyard he has built a bamboo bale which functions as his studio, yet also as a place of quiet retreat. The surroundinggarden is abundant with organic vegetables, fruit trees, medicinal herbs, ornamental shrubs and flowers. Indeed, Wayanhas created his special own oasis.As you enter his two Bali dogs are quick to offer enthusiastic toothy greetings. The verdant vegetation is soothing andinviting. I discover two rabbits, four exotic birds and frogs and snakes frequent visitors, so Wayan tells me. Stonecarvings covered with brilliant green moss hide among the foliage, shrines and small Hindu temples are adorned withofferings and the sweet sent of burning incense seduces the senses. An outhouse serves as a simple kitchen and two rooms contain Wayan’s gallery painting collection and books for sale.When we observe Wayan’s paintings we enter into a beautiful and extraordinarily tranquil world. His owls’ peer outfrom within forests and lush scenes, their big eyes possess a magnetic pull and communicate a language that isdeciphered in our hearts. Wayan Sila is a painter of immense sensitivity and his works are vehicles of healing qualities and love.re vehicles of healing qualities and love.)

Bank Sampah Resik, Kawan Mas Ubud + (Carrying out waste bank activities in Banjar Friends of Mas Village, Ubud)

" KEMACETAN YANG TERJADI DI BALI " + (" JUST CONNECTION OCCURRING IN BALI " OM … " JUST CONNECTION OCCURRING IN BALI "OM SWASTIASTU I respect the Government of Bali and I love happy friends. Let us give thanks to the presence of Almighty God who has given Asung Kertawara to all of us so that we can gather in this place. Before I deliver this speech, I first want to thank you for the time and opportunity given to me to deliver my speech of hope. to the Bali government entitled "JUST CONNECTION OCCURRING IN BALI". Traffic jams arise because the volume of motorized vehicles is not proportional to the volume of the road. The number of motorized vehicles and cars increases every day. As a result, cars, public transportation and motorbikes pile up on the streets, traffic jams occur. Congestion can also slow down the performance of people who are stuck in traffic jams. Workers will be late arriving at work and students will arrive late at school. This especially happens to people who choose to use private transportation rather than public transportation. Traffic jams occur because too many people use motorized vehicles or cars and also because many road users do not comply with traffic regulations. On this occasion I would like to invite you to overcome traffic jams in Bali. If we cannot overcome them, at least we can reduce traffic jams in Bali. There are 2 main things we can do to reduce congestion. First, use public transportation, don't use private vehicles, using public transportation can reduce the volume of vehicles on the road. In the end, traffic jams will be reduced. Second, get used to walking if the distance is not too far. This method is simple but difficult to do. Even though walking is healthy, and by walking we are contributing to reducing traffic jams in Bali. I am sure that by taking these 2 actions traffic jams in Bali can be reduced. However, the Bali Government is expected to improve the comfort and safety of public transportation. I am sure that if public transportation is safe and comfortable, there will be more passengers. Finally, the number of private transportation users will decrease by itself. This is all I can say, hopefully it is useful for all of us. Sorry if there are wrong words and actions. For your attention I would like to thank. OM, SHANTIH, SHANTIH, SHANTIH, OMk. OM, SHANTIH, SHANTIH, SHANTIH, OM)
Jean Couteau + ("...apart from Bali on which his many book … "...apart from Bali on which his many books focus — like Time Rites and Festivals in Bali Today I, Bali Today II, Bali Inspires and Lempad ( 2014 ) — he has written numerous books on Indonesian artists, such as Affandi, Arifien Neif, Srihadi Sudarsono, Walter Spies, Made Wiante and many more.He is indeed a learned man. But his demeanor displays a humility that can be too much, even for his close Indonesian friends. They say he is more Javanese than the Javanese. He would never stand up, for instance, to demand his due, leaving himself victim to people’s manipulative tendencies.Yet he is held in high respect. ..."full piece at https://www.thejakartapost.com/life/2018/03/05/jean-couteau-self-critique-as-a-way-of-criticizing.htmlself-critique-as-a-way-of-criticizing.html)
"Nyinggihang Masa Depan Bali sane Berkelanjutan: Pikobet lan Tugas Calon Pamimpin" + ("Beloved fellow citizens, General electio … "Beloved fellow citizens,General elections are the time when we as citizens have the power to shape our future. Bali, our beloved homeland, faces a number of issues that require urgent attention from our future leaders.As we prepare to choose new leaders, it's crucial to consider pressing issues that demand immediate solutions. Among the various problems at hand, some prominent issues that need immediate attention from Bali's future leaders are:Firstly, the environment and sustainability. Bali, with its natural beauty, is under significant pressure due to rapid growth. Conservation of the environment and protection of natural resources are crucial to prevent further damage to the island. Future leaders must have a clear vision to preserve Bali's natural beauty while also managing sustainable growth.Secondly, adequate infrastructure. Despite Bali's status as a popular tourist destination, there's a need for better infrastructure to support economic growth and everyday activities of the people. Effective leaders should prioritize the development of suitable infrastructure without compromising environmental preservation.Thirdly, social welfare. There exist disparities in Bali that need to be addressed. Improving access to education, focusing on public health, and increasing job opportunities with fair wages should be the primary focus of future leaders. Even social welfare will form a strong foundation for Bali's progress.Fourthly, transparency and accountability in governance. It's essential for leaders to build transparent and accountable governance. The community should have complete trust in their leaders and feel heard in the decision-making process.Fellow citizens, this election isn't just about selecting leaders but about choosing leaders with a clear vision, strong commitment, and the ability to address pressing issues. Let's choose leaders who can lead Bali towards a better future, one that is fair and sustainable for us all.Thank you."r and sustainable for us all. Thank you.")
Hildred Geertz + ("Hildred was born in Queens, New York on F … "Hildred was born in Queens, New York on February 12, 1927 and reared there and in Teaneck, New Jersey. A graduate of Antioch College, she received her Ph.D. from Radcliffe College in 1956. Her first book, The Javanese Family (Free Press of Glencoe, Inc.), was published in 1961. After her initial fieldwork in Java, she taught at The University of Chicago from 1960 to 1970 before coming to Princeton University in 1970. At Princeton, Hildred taught courses on the history of anthropological theory, the anthropological study of life stories, the anthropology of art, and the ethnographer’s craft.In 1972, Hildred became the first chairperson of the Department of Anthropology at Princeton University, and thus the first woman chair of a department at Princeton, a position in which she served for many years. She was named Professor Emeritus in 1998.Hildred did extensive fieldwork in Morocco, and in Java and Bali, Indonesia and returned to Indonesia repeatedly during her career to conduct the research which helped fuel her extensive list of publications. She completed more than two years of fieldwork research in the village of Batuan on the island of Bali. Working in the same village that was studied in the 1930s by Margaret Mead and Gregory Bateson, she focused on the interconnections between different Balinese art forms and how and why such forms have changed through time. She investigated the effects of economic development and tourism on Balinese artistic endeavor.The first book from the research in Batuan, Images of Power: Balinese Paintings Made for Gregory Bateson and Margaret Mead, was published in January 1995 (University of Hawaii Press). In 2004,The Life of a Balinese Temple: Artistry, Imagination, and History in a Peasant Village was also published by the University of Hawaii Press. Among her other works, Professor Geertz is co-author with her former husband Clifford Geertz of Kinship in Bali (University of Chicago Press, 1975), and co-author with Clifford Geertz and Lawrence Rosen of Meaning and Order in Moroccan Society (Cambridge University Press, 1979). Most recently, in 2017, at the age of 90, her book, Storytelling in Bali, was published by the Dutch publishing house Brill."shed by the Dutch publishing house Brill.")
Made Janur Yasa + ("In the year and a half the pandemic has p … "In the year and a half the pandemic has persisted, Bali’s almost decimated tourist economy has had had far-reaching financial and social effects on the resident population. It is, however, during times of difficulty when good souls shine bright. The silver lining of the pandemic has been witnessing the wholehearted efforts of individuals and organisations who have stepped up to support and help the, often newly, vulnerable communities, even when faced with their own difficulties.From food donations to education programs, the list of goodwill initiatives on the island has been heartwarming to say the least; in reality many would have suffered gravely without such community efforts.One creative initiative changed the dynamic. Made Janur Yasa is a restaurateur, a partner in the unique vegan restaurant Moksa in Ubud. In May 2020, as Bali was in the depths of the pandemic lull, Janur began a program called Plastic for Rice, a barter system that encouraged locals to trade in collected plastic for rice. In an interview with NOW! Bali when the program started, he says that he remembered how villagers used to barter in the early days, rice for sea salt, farm to sea. He said that this gave people spirit, making sure that people don’t get used to receiving without working.Through this plastic for rice system, Janur provided a double solution: cleaning littered plastic in the environment; as well as providing much-needed sustenance to those in need, especially in rural areas.The program started in Banjar Jangkahan and Banjar Penulisan, Batuaji Village, Tabanan, the regency where Janur comes from. It was set up as prototype, a system to be replicated in other villages… and it was.Three months later, Plastic for Rice became Plastic Exchange. In that time, as reported in August 2020, the movement had spread to 44 banjars and 1,345 households.But beyond that it had evolved beyond a simple ‘system’, and became a movement. It was adopted by other charitable organisations as a solution to provide food fairly in rural communities; it became a vehicle for environmental education, to teach the effects of plastic but also the value of waste. It has allowed people to feel empowered, useful, independent. It has seen new leaders being born.Today, Plastic Exchange is found in over 200 villages across Bali, has collected 50.000+ kg of plastic and distributed 55.000+ kg of rice."astic and distributed 55.000+ kg of rice.")
John Darling + ("John Darling moved to Bali in 1969 and de … "John Darling moved to Bali in 1969 and developed a rapport with its people and an affinity for their way of life. Of particular interest was their religious traditions and the changes to the Balinese society and economy that occurred as a result of the influx of tourists.Australian documentary filmmaker John Darling standing next to camera on tripod in a jungle area in Bali John Darling during filming of Lempad of Bali (1978). Courtesy Sara Darling. Photographer unknown. NFSA title: 1586432 His first documentary, Lempad of Bali (1978) which he co-directed with Lorne Blair, explores the life and work of 116-year-old artist I Gusti Nyoman Lempad and his subsequent funeral, detailing the complex, Balinese funerary customs. This production won the Documentary Award at the Asian Film Festival in 1980.Darling’s subsequent films formed his Bali Triptych (1987) series. Each hour-long episode – Between the Mountain and the Sea, The Path of the Soul and Demons and Deities – presents in vivid detail the history, culture and way of life of the Balinese people.Darling worked with other filmmakers, including John Moyle for Bali Hash (1989), which juxtaposed the raucous nature of the Hash House Harriers gathering of international tourists and the peaceful Balinese ceremonies occurring at the same time."Full article at https://www.nfsa.gov.au/latest/john-darling-bali-documentary-filmmakerSee also:My Friend, John Darling by Rio Helmi. Ubud Now & Then, June 26, 2013. http://ubudnowandthen.com/my-friend-john-darling/My Favorite Redhead: John Darling by Made Wijaya. Ubud Now & Then, July 3, 2013. http://ubudnow.webhost66.com/my-favourite-redhead-john-darling/w.webhost66.com/my-favourite-redhead-john-darling/)
BALI DAKI NAPI BALI MEWALI? + ("OM SWASTYASTU" "OM AWIGHNAM ASTU NAMO SID … "OM SWASTYASTU""OM AWIGHNAM ASTU NAMO SIDHAM""OM ANO BADRAH KRATAWO YANTU WISWATAH"I would like to express my thanks to the presenter, for the time given to me, the honorable ladies and gentlemen of the jury and prospective members of the Bali Province DPD, as well as my fellow participants, whom I am proud of. Before that, let us pray to the presence of Almighty God. Thanks to Him, we can gather here with happiness at the Bali Public Participation Wikithon with orations, which carries the theme, Election 2024: what are the most urgent problems to be addressed by Bali's prospective leaders ? Hopefully events like this can be held frequently to develop a threatening Bali.Happy guests, as we know, Bali is known as the island of a thousand temples with its very beautiful environment, which is often visited by foreign tourists, because Bali is one of the focuses of tourism in Indonesia. This is what drives many foreign tourists to come to Bali. Even though Bali is a tourist destination, this is not the main topic of discussion, but there are problems that have a significant impact on Bali. As we know, this so-called era of destruction, if we talk about the problems in Bali, will cause Bali to collapse. Unfortunately, the problems in Bali have not received treatment that is useful for the island of Bali.Happy guests, if you look at life now it is certainly different from previous life, especially with the problems, the most important problem is related to the environment and land of the island of Bali which has been built up and used as a tourist attraction, this is what will make the island of Bali In terms of land and environment, it will become increasingly narrow, if all the land and environment in Bali is made into a tourist attraction, where will we (humans), animals and others live and live our daily lives? Talking about the land environment that has been converted into a tourist spot, of course there are many daily activities carried out to produce plastic waste for society, this is what will become Bali's next problem. The existence of rubbish in Bali is very sad and gets very little attention, this is what creates big dangers, for example: floods, dengue fever and others. Moreover, as has recently been reported, the rubbish bins or Suwung landfills in Bali are very full and cause fires, giving rise to smoke pollution which causes disease. Are we all willing to live and do activities in dirty places? Of course, many of you are reluctant to live in a dirty place. Happy attendees, if I conclude it is related to the problems in Bali, so that Balinese leaders can provide solutions related to problems: the transfer of land or the environment to become tourist attractions and the rampant waste which has not received special attention from the government. Based on these problems, if we don't work together from now on as the front guard, it is certain that the island of Bali will gradually collapse. The island of Bali, which has been nicknamed a thousand temples, will lose its sanctity. Based on these problems, my hope is that the elected leader of Bali 2024 will be able to find a solution so that the Balinese people can implement the noble values that exist in Bali, namely TRI HITA KARANA, because these problems are related. with the TRI HITA KARANA value, so that Bali can return to the way it was before.Happy guests, that is the speech I can deliver, I hope you all are aware of the current condition of Bali.re aware of the current condition of Bali.)
Infrastruktur Jalan + ("Om Swastyastu, Thank you for the time giv … "Om Swastyastu, Thank you for the time given to me. My name is Ni Luh Ari Purnama Yanti from SMA Negeri 1 Tabanan. To the judges who I really respect and the audience who I really love. I feel very happy to be able to deliver the oration entitled "Road infrastructure"Ladies and gentlemen, as we know, road infrastructure greatly influences the economy today. If there is no road infrastructure or the roads are in disrepair, what else is there to earn a living nowadays? How do I take merchandise abroad? In this millennial era and era of globalization, road infrastructure is very necessary in today's life. Many people today earn a living on the streets, some become Ojols, some become traders and others; Candidates for leadership in 2024 should be able to see the condition of their people in villages and cities, so that they do not create social inequality. So that the roads in villages and cities are the same, so that the materials are good and can last a long time and people can earn a living on smooth roads. And for the 2024 Leader Candidates to be honest about the road and development assistance, so that it doesn't happen that the funds are disbursed but the roads and construction are not completed, let alone non-existent? Don't prospective leaders feel sorry when they see their people earning a living through damaged roads? On a rocking bridge to pass east to west over rivers and seas? there are also those who cannot leave the village because the roads are damaged but in the city the roads are good. However, there are also damaged roads in the city, which makes it difficult for large trucks to pass and causes traffic jams. The 2024 Leader Candidates should now be fair and honest with all their people. 2024 Leader Candidates so that they can pay more attention to their people, so that during the campaign they don't just make sweet promises to their people so that they are not called Sweet Promises of Leader Candidates.OK, that's all my speech, I hope what I say can be heard by the 2024 Leader Candidates. Thank you for your attention, everyone present. "Meli bungkung aba to the temple Sambilang ngayah, Kirang Langkung nunas ampura titiang sisya wawu melajah". I end with the paramashanti "Om Shanti Shanti Shanti Om".paramashanti "Om Shanti Shanti Shanti Om".)
"Urati ring Luu Plastik Mangda Palemahan Asri" + ("Om swastiastu" To the presenter, thank y … "Om swastiastu"To the presenter, thank you for the time given to me. The judges whom I respect, the audience whom I am proud of and the participants in the Balinese oration competition whom I love, there is the title of my work "Caring about Plastic Waste for a Clean Environment". I thank God Almighty or Ida Sanghyang Widhi Wasa for being able to gather in good health today.Earth there are currently many problems with plastic waste which can cause great harm to the earth. Ladies and gentlemen, plastic waste is a big danger if we don't pay attention to the surrounding environment and can cause disaster in the future.Then who will remember? Not just ourselves, all of us, both students, teenagers and parents, everyone living on earth, including Bali, which is famous for its natural beauty, should care about the existence of plastic waste. This is a behavior that includes teenagers as the main actors.Remember, the job of teenagers is not only to decorate and take selfies in beautiful places, but no one pays attention to the rubbish in front of them, which causes disasters such as landslides, floods, pollution and others.So that we are not exposed to danger, we should throw rubbish in the trash, we should not throw rubbish in the surrounding environment such as rivers, roads, sewers, etc. Come on, let's not throw rubbish carelessly so that the surrounding environment remains beautiful and sustainable! We should work together with the government and all communities to create a clean environment free from plastic waste."Om Santhi,Santhi,Santhi Om"astic waste. "Om Santhi,Santhi,Santhi Om")
I Made Nanda Adi Saputera + ("Small but full", is the appropriate expre … "Small but full", is the appropriate expression to introduce a student of SMP Negeri 1 Selemadeg who comes from the foot of the mountain. I Made Adi Saputera, who is familiarly called Nanda, was born in Mendek, October 8, 2004. This class VIII B student likes to organize. He is included in the OSIS board for the 2017-2018 term and has just been inaugurated as the OSIS board for the 2018-2019 term. As a student council administrator, he has never reneged in carrying out his obligations. Apart from that, Nanda also participates in extracurricular Nyastra Bali. He also has hobbies of football and drawing. The second child of Ida Ayu Komang Yunika with I Wayan Merdana from Banjar Mendek, Wanagiri Kauh Village, Selemadeg Tabanan District, is very fond of studying literature, especially writing Balinese script. According to Nanda, writing Balinese script is an art based on feelings. He taught himself this hobby. His teacher noticed his aptitude and provided guidance to participate in competitions. When he was in elementary school, he won first place in the Balinese script writing competition at the Selemadeg district level in 2017 and first place in the Balinese script writing competition at the Tabanan level in the framework of Porsenijar 2017.When he was in junior high school, he started by learning to write Balinese script in lontar. Thanks to his perseverance in learning, he won 1st place in writing Balinese script at the Tabanan regency level papyrus at Porsenijar in 2018, the 1st place writing the Tabanan regency invitation lontar at the Balipost Goes to School event in 2018 and at the Tabanan district ambassador at the Balinese script writing competition at Bali Arts Festival (PKB) in 2018. Like other smart students, after graduating from SMP Nanda intends to continue his education at SMA Negeri 1 Tabanan. He also wants to continue his education at top universities such as the University of Indonesia (UI) or the Bandung Institute of Technology (ITB). This 14-year-old student who has dreams of becoming a painter said that his achievements are inseparable from the motivation of his parents and teachers. He emphasized that every child has the right to learn, regardless of who, from where, and wherever they go to school. In essence, EDUCATION IS A RIGHT, BUSINESS IS A RESPONSIBILITY. IS A RIGHT, BUSINESS IS A RESPONSIBILITY.)
Will Goldfarb + ("Will Goldfarb’s culinary journey is a lon … "Will Goldfarb’s culinary journey is a long story that deserves its own book. It stretches from his time at culinary school—Le Cordon Bleu—more than 20 years ago to stints in the kitchens of Gerard Mulot in Paris, Tetsuya Wakuda in Sydney and the legendary El Bulli in Catalonia, Spain. The master pastry chef launched the original Room4Dessert 15 years ago, at 17 Cleveland Place in New York City. He was nominated as Outstanding Pastry Chef at the prestigious James Beard Foundation Awards. After closing the original New York establishment, Chef Goldfarb arrived in the beautiful island of Bali. He worked with the teams at Ku De Ta and Potato Head, before opening Room4Dessert in Ubud in 2014." Winner of The World's Best Pastry Chef 2021.nner of The World's Best Pastry Chef 2021.)
Good leader, people leader + ("hallo my friends" "Do U know, next year its pemilu, on 2024" Haah, Pemilu? U don't know pemilu? Ewwwh right now I will tell u about pemilu 2024 Pemilu is blalalalala Ohhh I see When are pemilu held? I told you next year, it's close)
Komunitas Melangge Desa Siangan + (1. Tackling of Plastic Waste 2. Trees Plantation. Go Green 3. Conservation)
Arie Smit + (15 April 1916 – 23 March 2016. Dutch-born … 15 April 1916 – 23 March 2016. Dutch-born Indonesian painter who lived on Bali.Smit was the third of eight children of a trader in cheese and confectionery in Zaandam. His family moved in 1924 to Rotterdam, where Smit eventually studied graphic design at the Academy of Arts. In his youth he was most inspired by the work of three artists named Paul (Signac, Gauguin and Cézanne). In 1938 he joined the Royal Netherlands East Indies Army. After three months he was sent to the Dutch East Indies , where he worked as a lithographer for the Dutch army's Topographical Service in Batavia, engraving relief maps of the archipelago. Etching Balinese mountains onto maps ignited his desire to one day go to Bali.In early 1942 Smit was transferred to the infantry in East Java, but was soon captured by the invading Japanese forces. He spent three and a half years in forced labor camps building roads, bridges, and railways on the Burma Railway in Thailand, and Burma. After the Japanese capitulation in August 1945, Smit convalesced in Bangkok until January 1946. After being stationed in Denpasar, Bali as a staff writer for the infantry, he returned to the Topographical Service in Batavia in September. Until its discontinuation in 1950, he remained employed at this service, eventually becoming head of the drawing department, but in his spare time he criss-crossed Java as a painter and in October 1948 had his first exhibition in Batavia/Jakarta.[5] After Indonesian Independence on December 27, 1949, all Dutch nationals had to choose between Dutch or Indonesian citizenship within two years. Smit briefly considered emigrating to South Africa, but decided to stay; he became an Indonesian citizen late in 1951. In the following years he taught graphics and lithography at the Institut Teknologi Bandung in West Java.BaliOn invitation by the Dutch artist Rudolf Bonnet he visited Bali in 1956, together with Dutch artist Auke Sonnega. He soon met art dealer James (Jimmy) Clarence Pandy, who ran a gallery and souvenir shop. Pandy invited Smit to stay in a house on stilts at the beach of Sanur. Smit and Pandy remained friends and formed a partnership. Pandy was well-connected; Sukarno would sometimes bring his state guests to his gallery. With his love for bright colors, Smit was captured by the Balinese landscapes in its 'riotous light', and soon decided to stay to depict its villages, rice terraces, palm trees and temples.In 1960, while touring the village of Penestanan in the Ubud District where he then lived, he came upon some boys drawing in the sand. Impressed by their talent, Smit invited them to his studio, where they became the first of a growing number of students. With minimal instruction but lots of encouragement and material support, his pupils created a naive style of genre painting that became known as the 'Young Artists' style, which at its peak had 300-400 followers. Though he is considered the father of the movement, its style is quite different than any of Smit's own styles over the years.From the time of his arrival in Bali, Smit moved some 40 times, "to see what is beyond the next hill". He stayed longest in his favorite areas of Karangasem and Buleleng. He finally settled in 1992 in the village of Sanggingan near Ubud under the patronage of Pande Wayan Suteja Neka, founder of the Neka Art Museum. In recognition for his role in the development of painting on the island, Smit received the Dharma Kusama (Flower of Devotion, a Balinese cultural award) in 1992 from the government of Bali. The Arie Smit Pavilion was opened at the Neka Art Museum in 1994 to display his works and those of contemporary Balinese artists. The Museum Bali in Denpasar and the Penang Museum in Malaysia also have collections of his work. Smit further had exhibits in Jakarta, Singapore, Honolulu and Tokyo. Smit lived near Ubud for the rest of his life, but died on 23 March 2016 in a hospital Denpasar at three weeks before turning 100.enpasar at three weeks before turning 100.)
Roelof Goris + (1898 – 1965 Curriculum vitae 1898 born in … 1898 – 1965Curriculum vitae1898 born in Krommenie (North-Holland) on June 91917 final examinations gymnasium (A and B)1917-1918 military service1918-1926 studied Indonesian languages (linguistic officer), Leiden University; Arabic (Snouck Hurgronje), Sanskrit, Javanese and Old Javanese (Vogel and Hazeu), Hindu-Javanese history (Krom), and general linguistics (C. C. Uhlenbeck); amongst his older fellow students were W. F. Stutterheim and P. V. van Stein Callenfels1926 PhD under the supervision of N.J. Krom, Leiden University1926 officer for the study of Indonesian languages at the Archaeological Service, charged with the checking of transliterations of Old Javanese inscriptions1928-1939 adjunct archaeologist of the Archaeological Service in Bali1939-1941 librarian to Mangkunegoro VII, Surakarta (Central Java)1941-1945 service in the Royal Netherlands-Indies Army; civilian internee1946 on leave in the Netherlands1947-1958 linguistic officer of the Netherlands-Indies and later Indonesian Government, head of the Singaradja division of the Institute for Linguistic and Cultural Research of the University of Indonesia1958 retirement1959 librarian of the Faculty of Letters of Udayana University, Denpasar (South Bali)1962 research-professor, teaching Balinese epigraphy and early history1965 died in Denpasar on October 4Special activities and positionsScientific adviser of the Kirtya (Foundation) Liefrinck-van der Tuuk (set up in 1928), 1932-Co-worker at the Bali MuseumTeacher at a secondary school and a training-college for teachers (S.M.A. and S.G.A.)Teacher of German, 1951S.M.A. and S.G.A.) Teacher of German, 1951)
TPS 3R Darma Winangun Tangkas + (A 3R (Reduce, Reuse, Recycle) based waste management site in the Tangkas village area, Klungkung)
A A Ngurah Paramartha + (A A Ngurah Paramartha was born in Denpasar … A A Ngurah Paramartha was born in Denpasar, October 14, 1974. He completed his art education at ISI Denpasar. Since 1995 he has been actively displaying his works in various exhibitions, such as the “Kamasra” exhibition at Bali Cliff Resort Jimbaran (1996), Indonesian artist “Colour Wheel” at the Dublin Ireland Painting Gallery (2009), “Ulu-Teben”, the MilitantArt group.= at Bentara Budaya Denpasar (2015). His solo exhibitions include “Secret Desire” at Hide Out Fine Art Ubud (2003), “Exploration of Life” at Ten Fine Art, Sanur (2011). His works tend to be figurative by showing imaginary figures with multiple interpretations.ary figures with multiple interpretations.)
Burung pada Ranting + (A bird perched on a tree branch, even thou … A bird perched on a tree branch, even though a bird can fly to and fro wherever it wants, it still needs a home or a place to rest which in this work I describe with a tree branch.It's the same with humans, humans can do whatever they want, can go wherever they want, pursue goals, wander in search of identity. But even so, humans still need a family that is always warmly welcomed as a place to go home, home as a place to rest, friends who are always there as a support system, and of course the main thing is religion or belief as our foothold to step so that we always walk the right path. , because the essence is that no matter how far humans go, they will eventually return to God.ns go, they will eventually return to God.)
I Made Wahyu Senayadi + (A graduate in Fine Arts from the Indonesia … A graduate in Fine Arts from the Indonesian Art Institute (ISI) Denpasar, Senayadi has exhibited two and three-dimensional works in exhibitions, including two solo shows, throughout Bali and Java since 2005. He represents a new wave of Balinese artists dedicated to innovating within the contemporary format experimenting with conventional and non-conventional media. “I am very grateful for having my work recognised in the UOB Painting of the Year Awards,” said Senayadi, born in 1985 in Marga, Tabanan, Central Bali. “Through this award, I trust it will help provide a bridge to the goals that I want to achieve in my career.”Despite his visual challenges during the past five years, Senayadi has excelled in his artistic pursuits. In 2018 he was recognised as one of Nine Finalists in the TiTian Prize, a biannual art award presented by Yayasan TiTian Bali (Bali Art Foundation) recognising Balinese talent innovation within the visual arts. In 2019 Senayadi distinguished himself with eye-catching and ingenious works made from natural coconut fibres, ‘Menanti Keberuntung/Longing #1’ and ‘Buta Bongol/Deaf Monster’ during ‘Mahardika’, a group exhibition at TiTian Art Space in Ubud.up exhibition at TiTian Art Space in Ubud.)
Titus Rosier + (A hospitality expert with more than sevent … A hospitality expert with more than seventeen years of experience in the industry, Titus Rosier joined the vibrant award-winning W Bali – Seminyak resort in June 2021, leading its talented team as General Manager. Beginning his professional career in the Middle East, Titus has gained extensive experience working across various countries and properties for Marriott International. Departing from his last venture in the Middle East, Titus was ready for a new challenge and decided to move to Indonesia based on the love he has for this amazing country, choosing the magical island of Bali as his new home. A Dutch native, Titus has a passion for sustainability which he implements through developing significant initiatives and exceptional programs including the launch of zero-waste cocktails. This beverage program uses leftover fruit skin to create invigorating concoctions. Besides battling food waste, the team at W Bali is also actively focusing on reducing plastic usage to remove all single-use plastic from the property in 2023. Additionally, W Bali has partnered with several Bali-based NGOs, such as S.O.S Kitchen, to donate fresh and edible leftovers from the buffet breakfast to be distributed to people in need including children's orphanages and impoverished areas in Bali. W Bali has also partnered with Sungai Watch and together with the Marriott Business Council Indonesia, they are working on a waste solution in Bali. The ambitious goal is to remove 100,000 kilos of waste per year from the Bali's rivers. of waste per year from the Bali's rivers.)
6 - Luh Ayu Manik Mas Ngalahang Legu Poleng + (A package arrived for Made Putri, one of L … A package arrived for Made Putri, one of Luh Ayu’s friends, from the US wrapped in layers and layers of packaging material. Made Putri threw the packaging waste out in the garbage, but it ended up a local river where it collected pools of stagnant water. Dengue-carrying mosquitos then bred in those pools, making the original problem of packaging waste even worse. And, the Covid-19 pandemic was raging. What is Luh Ayu to do?ndemic was raging. What is Luh Ayu to do?)
Symon + (A stylistic heir to Walter Spies, Le Mayeu … A stylistic heir to Walter Spies, Le Mayeur and his mentor, the Indonesian-Dutch painter Arie Smit, Symon was among the last in the lineage of foreign artists who have helped raise Bali’s international profile as an exotic destination for art and design. Renowned for his vivid pop style with new iconic motifs, he was born on April 13, 1947, as Ronald Thomas Bierl in Detroit, Michigan, the United States, and made Bali his home in 1978. He was installed in the Puri Kaler of Ubud Palace by the Ubud royal family, who had for decades been patrons of foreign artists. Symon later took over Arie Smit’s cottage in nearby Campuhan, where his studio grew into local landmark. In 2014, he moved full-time to his other destination studio at Alas Sari in North Bali, Art Zoo, which he had founded in 1998.Symon, who passed away on April 15, 2020 of natural causes from sepsis, was incredibly prolific and successful, creating many thousands of artworks in several countries.His work was widely collected by tastemakers like former minister Joop Ave, especially during the 1990s and 2000s trend for Asian neotraditional style. Many collectors built submersive Symon environments, as at Qunci Villas in Lombok, West Nusa Tenggara. A book series on Southeast Asian interiors had to swap some paintings in many of its featured homes because too many of their architects and owners had put Symons on their walls.Symon’s art is cherished for its vivid color, strong outlines and exuberant energy. His figurative paintings and sculpture project a friendly, fantastical appeal, combining the rawness of real-life models and scenes within compositions from mythology and lesser-known Bali history. His sense of line, hue and witty slogans draw from his origins as a cartoonist in the 1960s American counter-culture.Raised in a house at the corner of Detroit’s Normal Road and Common Street, he was far from normal or common and yearned to escape convention. He was an exciting personality to be around, popping with fresh ideas. An outrageous showman, he would tell wild anecdotes and burst into rhyming raps. As a precocious teen under the pseudonym John Ka, he wrote to Beat Generation poets like Allen Ginsburg, William Burroughs and William Carlos Williams, who sent him new poems to illustrate. He soon became an artist in underground zines like Fifth Estate and got to know New York legends like Frank Zappa and Andy Warhol.Until making Bali his permanent home, he kept trying new locations. As a youth, he twice ran away to Rome, where he studied under the sculptor Emilio Greco and got the attention of film director Federico Fellini, who dubbed him “the magician of the air”. On the overland route from Amsterdam to India, a road accident in Turkey broke his hip. While recovering he renamed himself Simon White. He finally made it to India and then went north to Nepal.Over eight years in Kathmandu, Simon helped preserve the traditional art of Tibetan woodblock printing. With three partners he opened Himalayan antique shops in London, Amsterdam and New York. Like many “Easties”, he became expert in Asian traditional knowledge, which later infused his artworks. In the mid-1970s, Simon spent periods in the New York art scene, Colombia and Wales, England. In each new location, his studios echoed Warhol’s Factory in being a networking hub and a venue for arty “happenings”. He formed several creative teams, from the Psychic League in Rome and Fantabulous Group in Nepal to the Levitation League in Legian, Bali. In his Ubud garden, he staged theatrical productions at the amphitheater designed by the futuristic architect R. Buckminster Fuller. In each location, he trained up teams of local artisans. In Nepal he hired Tibetan refugees to carve new and replacement woodblocks to the old ones he printed from. He brought screen printing to Bali in the 1980s and then to Cambodia in Minefield Studios at Siem Reap in the early 1990s. His most famous breakthrough was JakPak, a range of convertible clothing co-created with Annie Anderson and Kiyoshi Okuda, in which pop-hued jackets and hats could turn into bags through hidden pockets. JakPak became Bali’s first clothing export and an international phenomenon collected by the likes of Mick Jagger.Symon kept ahead of the curve, since his aim in life was constant reinvention under a motto “towards a functional reality”. Many of his creations were practical as well as fun, from JakPak to his Toyniture — quirky furnishings like his Lady Chairs and giant dining table. He conjured outlandish architecture, like his key-hole windowed pagoda at Art Zoo, which he filled with sculptures and oddities. The maximalist effect of all these “studio atmospherics” beguiled visitors and in turn became props for his paintings. The Art Zoo remains visually stunning. Symon’s heir and Art Zoo’s Balinese manager aim to reopen it as a destination where locals and tourists can continue to appreciate Symon’s distinctive art of Bali.ppreciate Symon’s distinctive art of Bali.)
Palemahan + (A: Aren't you ashamed of picking up litter … A: Aren't you ashamed of picking up litters in public spaces, Tut?! There's already city workers whose job is to do just that. Don't waste your time, okay?B: It's you who should be ashamed, Brother. How come we who own these island don't care a bit about our own surrounding. Those tourists who came from faraway places can. While we kept talking about Tri hita Karana (Three Cause of Joy: relationship with the Creator, relationship with each other, relationship with nature). That's hypocrisy, Brother.p with nature). That's hypocrisy, Brother.)
Parerasan & Panca Suda + (ARAS KEMBANG (born on sunday pon, monday k … ARAS KEMBANG (born on sunday pon, monday kliwon, tuesday paing, wednesday umanis, thursday wage): the native resolves problems quickly. They don't have many children. They have many friends. Both men and women love them. After married, they work quickly.ARAS TUDING (born on Monday pon, Tuesday kliwon, Wednesday wage, Friday umanis): the native is brave when going out at night. They like to sell their belongings but aspire for others' belongings. If they are to attached, they can steal. It is difficult to subdue their desire.BUMI KAPETAK (lahir hari minggu pon, senin paing, rabu pon, kamis kliwon, sabtu umanis) : tidak suka bepergian, teguh dengan prinsip hidupnya, rajin mengambil pekerjaan apa saja, ulet dengan tugasnya, punya keinginan untuk bertapa.LAKU YEH (lahir sabtu pon, buda paing, kamis kliwon) : baik budinya, punya tata krama, punya banyak keinginan, lemah lembut apabila memberitahu seseorang, bisa menjadi orang yang berkuasa, tetap pendirian ketika berargumen, perasaannya tidak akan lega apabila keinginannya tidak tercapao, apabila berumah tangga, ia sering bertengkar.LAKU API (lahir senin wage, selasa umanis, sabtu paing): mudah marah, emosional, tidak pernah memikirkan terlebih dahulu apa yang akan dikatakan, tidak peduli dengan pendapat orang, apa yang diinginkan mudah dilupakan.LAKU ANGIN (lahir minggu wage, senin umanis): tidak suka berbicara, namun pikirannya selalu kesana kemari, senang bertindak seperti pendeta, senang mengembara, senang bila disanjung orang, mantra yang diucapkannya tidak berjiwa.LAKU BINTANG (lahir minggu kliwon, senin paing, kamis umanis, jumat pon): tidak terlalu sering berbicara, perasaannya lembut, tidak kuat begadang terlalu lama, perkataannya berharga, kukuh menjalankan keinginannya, biasanya tidak memiliki saudara, senang berjualan.LAKU BULAN (lahir minggu paing, rabu pon, jumat kliwon, sabtu umanis): cepat mengerti dan pintar, ia bisa mengambil semua pekerjaan, disenangi masyarakat, memiliki banyak kemampuan, sabar, dia bisa malas bila suasana hatinya buruk, hidupnya senang.LAKU BUMI (lahir selasa wage, sabtu kliwon, kamis paing): tidak senang berbicara, mudah marah, senang berargumen, bila ingin berbicara tiba-tiba namun tidak tersampaikan, perkataannya bisa menjadi kenyataan.LAKU SURYA (lahir rabu kliwon, kamis pon, sabtu paing): pintar, mahir dalam berbagai pelajaran, senang memberi nasehat, punya banyak ide, perkataannya menyejukkan hati, memiliki wibawa.LAKU PANDITA SAKTI (lahir hari minggu umanis, selasa pon, sabtu wage): kalem, hatinya selalu senang, senang dengan ilmu kebatinan, pintar, menyombongkan diri, senang dipuji, ia bisa terkenal karena bersastra.LEBU KATIUP ANGIN (lahir hari minggu kliwon, selasa wage, kamis paing dan sabtu pon): perasaannya sering gelisah, mudah terprovokasi, hidupnya kekurangan, tidak bisa berlama-lama duduk atau diamSATRIA WIBAWA (lahir hari senin wage, selasa pon, rabu wage, kamis umanis, sabtu paing): senang apa adanya, hidupnya selalu senang, ia memiliki kuasa di dunia.SATRIA WIRANG (lahir hari senin kliwon, selasa paing, kamis pon, jumat umanis, sabtu wage): sering marah, namun hatinya bisa tenang, ia sering merasa malu, maksud hatinya baik namun orang-orang sering salah paham, kurang mengendalikan keinginannya.SUMUR SINABA (lahir minggu umanis, senin pon, selasa kliwon, rabu umanis, jumat wage): senang membantu orang, perilakunya lemah lembut dan perhatian, ia senang memberi dan berderma.TUNGGAK SEMI (lahir hari senin umanis, jumat paing, kamis wage, sabtu kliwon): angkuh, senang dengan keributan, walaupun sudah kalah, namun terus saja menantang.WISESA SEGARA (lahir hari minggu paing, senin wage, selasa umanis, jumat kliwon, sabtu pon): perasaannya dalam dan ikhlas, memiliki banyak kepandaian, ia teguh seperti dasar lautan.kepandaian, ia teguh seperti dasar lautan.)
My hopes and my friends about future leaders + (About my hopes and my friends about future leaders)