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Naga Gombang + (Why do Balinese shout "Alive, Alive" when … Why do Balinese shout "Alive, Alive" when there is an earthquake?Once upon a time, when there still kingdoms in Bali, there was a widow with two children, a boy and a girl. At that time Lake Bratan did not yet exist. Long story short, the mother had a secret affair with a dragon snake that dwelled in a rice barn near her house. The children started to get suspicious; why does mother every time she comes home from the forest go up into the barn? At one point, when mother went into the forest again, the children climbed into the barn. Inside the barn they saw a pile of eggs larger than chicken eggs. In the middle of the pile of eggs there was a strange egg. They took the egg home and cooked it. Then the boy ate it. Instantly the boy turned into a snake. Because they were worried about causing commotion in the village, the boy and girl decided to go into the forest looking for their mother. The sister carried her brother. They met their mother deeply in love with a dragon. They were angry, because they thought that because of the dragon the brother had become like that. He challenged the dragon snake to fight. In the end, the brother who had been transformed into a snake defeated the dragon. But unfortunately their mother also died in the fight. The siblings went up to Bukit Lesung. Arriving there, the brother thought he must enter the bowels of the earth, because he had become a dragon, named Naga Gombang. So as not to upset his sister, he told her to get water with a basket. While his sister was getting water, the brother entered the mountain crater. When his sister returned from getting water, the brother had already disappeared into the bowels of the earth. The brother said, “Don't you cry, I was destined to live below”. Arriving below, the brother took the position of a sleeping snake, curled up in a circle.It is said that if he is anxious to know how is sister is doing above, he would move, which results in the earth moving. That is why when there is an earthquake, Balinese people will shout "alive, alive" while sounding a bamboo bell, to let the brother that his sister is still alive above, and he can stop moving about.alive above, and he can stop moving about.)
Ngolah Luu Botol Plastik dadi Kebun Vertikal + (With the proliferation of modern coffee sh … With the proliferation of modern coffee shops that still use plastic containers, this waste of used plastic containers has the potential to cause environmental problems if they are not used anymore. Myself and the BASAbali Wiki team in the Peguyangan area of Denpasar, in collaboration with Kaki Bentuyung Nursery, took the initiative to create a vertical garden program using the waste of used drink containers. Through this program, it is hoped that it will have an impact on reducing plastic waste pollution, especially used drink containers on the ground and rivers. Come on, let's take creative action to save the environment from trash! If not us, who else? thank youfrom trash! If not us, who else? thank you)
Heroine + (Women are great figures whose struggles ar … Women are great figures whose struggles are extraordinary and difficult. The woman in this photo gives a message to the younger generation to knock on the door of their heart to preserve traditions and culture which are the responsibility of the next generation. It is depicted with the figure of an old woman cutting wood to be used as a material for coloring Geingsing cloth in Tenganan Village, Karangasem, Bali.oth in Tenganan Village, Karangasem, Bali.)
Youth Concervation Initiative Bali + (YCI Bali stands for Youth Conservation Ini … YCI Bali stands for Youth Conservation Initiative for the Bali region. YCI Bali is a sustainable independent movement that spreads awareness and solutions for the community for the preservation of Bali's nature through cadres of Great Conservation Friends (SASIH). In the future, SASIH will carry out a sustainable movement through environmental awareness activities to the community, especially the younger generation.munity, especially the younger generation.)
Yong Sagita + (Yong Sagita, born in Buleleng, November 30 … Yong Sagita, born in Buleleng, November 30, 1961. He is a Balinese pop singer who triumphed in the 1980s – 1990s. He started his career as a singer in 1985 through Aneka Records. At that time, through the group 2S (Sagita and Sayup), he launched his first album titled "Madu signed Tuba". Then in 1986 launched the album "Ngipi Lucut". In 1987, Yong Sagita moved to Maharani Records and released the album "Karmina". His popularity rose when he released the album "Drooling" in 1988 with his hit song titled "Jaje Kakne". The album sold well in the market. In 1989 he released the album "Karmina III" with his hit song "Ciri-Character", which was also a bestseller in the market.which was also a bestseller in the market.)
about my learning activities during the pandemic + (about my learning activities during the pandemic)
Literature wisatawan dibali + (added, the arrival of tourists in Bali is … added, the arrival of tourists in Bali is an opportunity for Bali to show its readiness to build trust for potential foreign tourists to be able to visit Bali.According to Putu Winastra, ASITA Bali along with all other tourism components are very ready to receive foreign tourist arrivals in Bali."We have prepared SOPs with the government and we hope that there will be no more problems and obstacles in the future. Of course, many tourists will not come immediately, all require a process," he said.In welcoming foreign tourists who come to Bali, the Ministry of Tourism and Creative Economy has also designed a warm up vacation program.This program is an innovation designed for tourists or PPLN who have just arrived in Bali to be able to undergo quarantine in a hotel with a bubble system that allows them to do activities not limited to their rooms, but can carry out various activities in a special bubble area prepared by the hotel manager.bubble area prepared by the hotel manager.)
Farmers Rise during a Pandemic + (approximately 1 year running the world is … approximately 1 year running the world is experiencing problems such as covid 19. Discussing the rise of farmers during the pandemic. Many feel that they are short of money, looking for their daily needs. After a long time it feels difficult and heavy if they go through this. The ceremony that should be carried out, and the activities of the farming community that cannot be separated. When the community has awakened this agricultural business, there is still covid 19, so they have given vaccines determined by the government. And also implemented health care, washing hands and maintaining distance. The farming community never complains to make a living until they continue the spirit of the farmer's struggle, even though the journey is still from zero. At the time of this economic sale is like selling rice, flowers that have been harvested. if it is felt at a very cheap price even though you have struggled for results as long as farmers, don't act like we have to be enthusiastic, keep rising farmers. Hopefully it will be useful for anything, enthusiasm for harvests, farmers, keep rising, even though there is still this pandemic, even though there is still this pandemic)
Ngaryanin Meja antuk Ekobricks + (as we all know the amount of waste in Bali … as we all know the amount of waste in Bali has been increasing day by day. According to detik.com Bali produces 829 tons of plastic waste per day and only 7% is recycled. Therefore, we innovate to process plastic waste into ecobricks and arrange them into tables. In addition to having benefits for the surrounding environment, the results of this activity can also be used for sale so that it has economic value.ed for sale so that it has economic value.)
Bank Sampah Legian Aksi Nyata + (carry out waste bank activity in legian village)
Rumah Kompos Alam Lestari Desa Adat Sumampan + (carry out waste management through composting houses and segregation of non-organic waste)
Bank Sampah Taman Asri + (carrying out waste activities at banjar taman kaja ubud)
Developing Bali as a Tourist Destination + (developing Bali as a tourist destination … developing Bali as a tourist destinationBali is one of the most popular tourist destinations in the world. In order to make Bali the most popular tourist destination, it is necessary to take care of the sustainability of the land, improve the quality of infrastructure and public services, and improve the culture and art of Bali.Efforts should be made to preserve the natural environment in order to limit the number of visitors, reduce plastic waste, and promote tourism based on local knowledge. Therefore, improving the quality of infrastructure and public services such as roads, clean water, sanitation, and electricity are necessary to ensure that tourists feel comfortable and safe while visiting Bali.The culture and art of Bali has become a tourist attraction in Matiosan from Tiosan's tourist destination. The government and the Balinese people are planning to organize cultural and artistic events such as traditional ceremonies, Balinese dances, traditional music, and Balinese fine arts. In order to make Bali the most popular tourist destination, it is necessary to pay attention to the well-being of local customs and to preserve their rights. The government and the tourism businessmen are willing to work and promote local customs and produce local products so that they can improve their economic well-being.During this time, Bali has become a sustainable tourism destination that promotes natural beauty, culture, and well-being. It's time to be loud, it's the best place to visit Bali, and the local people are silent on the other side.local people are silent on the other side.)
Smile + (girls watching dancing while smiling at the Manik Liu village temple, Kintamani.)
Not Buried Not Burned + (in Bali province, Bangli district, Kintama … in Bali province, Bangli district, Kintamani district, Trunyan village. Trunyan village has a very unique burial tradition and is different from the villages in Bali, where the bodies are not buried and not burned, but are only placed on the ground covered with bamboo filled with white cloth, but the corpses do not emit an unpleasant odor. A corpse that is placed under a tarumenyan tree will not emit an odor because the tree can neutralize the odor arising from the corpse. And what's unique is that the tarumenyan tree can only grow well in the traditional village of Bali Aga Trunyan and this tree is believed to have existed since 500 years ago. With the unique tradition that belongs to the Balinese Aga tradition, Trunyan Village attracts many tourists to visit there to see the Balinese Aga traditional traditions and see tarumenyan trees that have been around for a long time and can feel the effects of tarumenyan trees first hand.he effects of tarumenyan trees first hand.)
Monkey forest + (monkey forest attractions or Sangeh monkey … monkey forest attractions or Sangeh monkey forest.The monkey forest is located in the village of Sangeh, Abian Semal District, Badung Regency.The forest-dwelling monkeys in the Sangeh monkey forest are quite tame.in the monkey forest area in Sangeh there is a temple called Pura Bukit Sari.The existence of the holy place indicates that this place is sacred.place indicates that this place is sacred.)
Danu Bratan Temple + (pura Beratan or Bratan Pura is a large wat … pura Beratan or Bratan Pura is a large water temple and temple in Bali, Indonesia - the other main water temple being Pura Ulun Danu Batur. This temple complex is located on the northwest bank of Lake Bratan in the mountains near Bedugul, Tabanan Regency. Water temples fill the entire area in the watershed; on the downstream bank there are many small water temples specific to each irrigation association (subak). This temple is actually used for offering ceremonies for the goddess Dewi Danu, the goddess of water, lakes and rivers. Lake Bratan is one of the important lakes in terms of irrigation.he important lakes in terms of irrigation.)
Danu Bratan Temple + (pura Beratan or Bratan Pura is a large wat … pura Beratan or Bratan Pura is a large water temple and temple in Bali, Indonesia - the other main water temple being Pura Ulun Danu Batur. This temple complex is located on the northwest bank of Lake Bratan in the mountains near Bedugul, Tabanan Regency. Water temples fill the entire area in the watershed; on the downstream bank there are many small water temples specific to each irrigation association (subak). This temple is actually used for offering ceremonies for the goddess Dewi Danu, the goddess of water, lakes and rivers. Lake Bratan is one of the important lakes in terms of irrigation.he important lakes in terms of irrigation.)
Pale Dark of World Life + (t's been about a year since the world has … t's been about a year since the world has experienced this kind of problem. Discussed the problem of covid-19 which caused people to lose their jobs, limited activities, and could not do activities with many people. So far no one has been able to answer this. If you feel you are slowly running out of wealth that has been obtained and collected from the past, which is now running out in the pandemic era. So far it can't be explained. If you trade, it will definitely be difficult to persuade buyers. If you are looking for a job, no one will accept it. Over time it feels difficult and heavy if you go through this. Ceremonies that should be carried out, and community activities that cannot be separated. But the costs that are difficult to know come from. Until now, hopefully, because of the expectations of all the people. Bali tourism can be implemented, because the vaccination program has been implemented smoothly. Hopefully it will create a sense of enthusiasm to get through the dark path of this world's life.hrough the dark path of this world's life.)
Literature Ulun subak bukit jati bangli + (uaning asapunika, kehipun payungsung templ … uaning asapunika, kehipun payungsung temple Bukit Jati sane taler active kirang langkung 776 people. Krama sane taler is active in Irika Wit Papat, Inggih Punika Bebalang Village, Tamanbali Village, Bunutin and Demulih. So mawon krama ne ten active wit so samian subak dry utawi abian ring Bangli. samian subak dry utawi abian ring Bangli.)
Literature bukit jati bangli + (uaning asapunika, kehipun payungsung templ … uaning asapunika, kehipun payungsung temple Bukit Jati sane taler active kirang langkung 776 people. Krama sane taler is active in Irika Wit Papat, Inggih Punika Bebalang Village, Tamanbali Village, Bunutin and Demulih. So mawon krama ne ten active wit so samian subak dry utawi abian ring Bangli. samian subak dry utawi abian ring Bangli.)
Bank Sampah Santhi Pertiwi Pratama + (waste bank activities carried out in banjar kancil, Kerobokan village)
Bank Sampah Mukti Cempaka Asri Singapadu + (waste bank activities carried out in Banjar Samu, Singapadu Kaler Village, Sukawati)
Bank Sampah Kerta Lestari Mandiri + (waste bank activity at Penatih Dangin Puri Village, Denpasar)
Wayan Sila + (“The very first night I slept over at my n … “The very first night I slept over at my new studio an owl flew into the garden. It wasn’t a coincidence that I noticed it perched in a tree,” says Balinese artist Wayan Sila. “This was aspecial experience and powerful omen. A gift from the Gods to me.”The owl is much revered by indigenous cultures and in folklore around the world as aguardian spirit, as well as a wise creature capable of extraordinary sight. Balinesemythology reveals that if an owl visits a family compound while a female member ispregnant this is indeed a positive sign. Burung Hantu literally translates from bahasaIndonesia into the English language as ghost bird; or the owl, the mysterious bird of thenight.“I have a unique connection with owls. It is a potent image that resonates with my heart. Iwas intuitively led to draw the owl and then I began to include it in my works. It has nowmanifested into a personal symbolic image, equivalent to the Barong. The owl alsoencourages me to reflect on the joy that I derive from my family life,” says Wayan.Born in Ubud, 1970, Wayan Silawasinspired by his grandfather, well known local artistWayan Barwa. From an early age he regularly visited Barwa’sstudio and gallery,surrounded by the paintings of his Balinese heritage, this was the perfect scenario for achild to learn to draw and paint.Wayan soon became adept in the “Ubud Style” of modern traditional Balinese painting. Inthe evolution of Balinese painting during the last century, from its origins of the ClassicalKamasan style that concerned teachings from the Hindu Epics, each village then began tocreate their own distinctive style.The Ubud style moved away from the religious and began to be characterized bynarratives that involve daily village life and depictions of rural and environmentallandscapes. The artists from Ubud were quick to adopt western influences in the 1930’s,depth of field, shades of color, localized narratives and the development of the humanfigure. The Kamasan style was originally a collective work and never signed by anindividual. The new personalized and expressive form of Balinese painting has its rootsfirmly entrenched here in Ubud.Wayan’s canvases are beautifully composed and resound with an overwhelming sense ofbalance and harmony. His highly detailed works are first sketched in pencil then outlinedin black Chinese ink, finally they are rendered in acrylic paint with a fine kaus bamboo, asmall piece of bamboo crafted with a tiny point to apply the medium. A large canvas, 100 x80 cms, may take up to six months to complete. “In 1997 I was inspired to include owls in my compositions after seeing a wonderful sketch by a Japanese child.”Wayan’s relationship with the burung hantu then activated an endearing association withthe people of Japan, to whom the owl is symbolic of happiness. He first visited Japan in2002 and his premiere solo exhibition there was in 1998. Every year since then Wayan has enjoyed the privilege of exhibiting work in galleries, department stores, even in theIndonesian Consulate in Tokyo. He has held over 15 solo exhibitions in Japan, andnumerous other exhibitions in Bali, Jakarta, Spain and also at the prestigious Agung RaiMuseum of Art in Ubud.“It’s an honor for me to be invited on intercultural exchange programs teaching youngJapanese students traditional Balinese painting techniques. I do this each year when I visitJapan.” Wayan has since developed a healthy market for his works there and continues toell to the Japanese tourists who often visit his Ubud studio/gallery.Wayan Sila, acrylic on Canvas, 2012,45x 60cm.Wayan SilaGarden + Bale studio of Wayan Sila.Wayan Sila. 2012, chinese ink +acrylic on canvas, 60x80cm.Wayan’s cooperative works with Japanese poet Yoko Jatiasih have been the focus of two books. They initiallycollaborated in 1998 to create music and poetry for his paintings. In 2004 their first book “Kata Kata” Echoes From TheWoods, and then in 2010 “Pelan Pelan” were published.Browsing through these books, the creative synergy between the two is easy to recognize. Yoko’s short poems, no morethan 6 lines, resonate with an uncomplicated intelligence. Upon the opposing page to the text are Wayan’scomplimentary images created especially to accompany each poem.As you contemplate the words essence, as well as study Wayan’s images, the mysterious bird of the nights’full roundeyes are firmly transfixed upon you. The fusion of words along with the images perplex the imagination, and then defyyou to believe their medium is the owl’s silent and alluring gaze.In 2011 Wayan relocated to his new studio gallery in Jalan Bisma in Ubud. Journey 400 meters along Jalan Bisma until theroadside urban development gives way to the effervescence of the padis. Down on the right hand side nestled in thesawah you will find his small abode. Look for the sign on the road then follow the narrow path that divides the greenswaying fields to his studio/gallery encircled by the bamboo fence.Wayan has created a personal space that reflects the elements that enrich and sustain him. Situated in the middle of theyard he has built a bamboo bale which functions as his studio, yet also as a place of quiet retreat. The surroundinggarden is abundant with organic vegetables, fruit trees, medicinal herbs, ornamental shrubs and flowers. Indeed, Wayanhas created his special own oasis.As you enter his two Bali dogs are quick to offer enthusiastic toothy greetings. The verdant vegetation is soothing andinviting. I discover two rabbits, four exotic birds and frogs and snakes frequent visitors, so Wayan tells me. Stonecarvings covered with brilliant green moss hide among the foliage, shrines and small Hindu temples are adorned withofferings and the sweet sent of burning incense seduces the senses. An outhouse serves as a simple kitchen and two rooms contain Wayan’s gallery painting collection and books for sale.When we observe Wayan’s paintings we enter into a beautiful and extraordinarily tranquil world. His owls’ peer outfrom within forests and lush scenes, their big eyes possess a magnetic pull and communicate a language that isdeciphered in our hearts. Wayan Sila is a painter of immense sensitivity and his works are vehicles of healing qualities and love.re vehicles of healing qualities and love.)

Bank Sampah Tembok Kedas Mesari + (Carrying out Waste Bank Activities in Tembok Village, Tejakula District, Buleleng)

"Nyinggihang Masa Depan Bali sane Berkelanjutan: Pikobet lan Tugas Calon Pamimpin" + ("Beloved fellow citizens, General electio … "Beloved fellow citizens,General elections are the time when we as citizens have the power to shape our future. Bali, our beloved homeland, faces a number of issues that require urgent attention from our future leaders.As we prepare to choose new leaders, it's crucial to consider pressing issues that demand immediate solutions. Among the various problems at hand, some prominent issues that need immediate attention from Bali's future leaders are:Firstly, the environment and sustainability. Bali, with its natural beauty, is under significant pressure due to rapid growth. Conservation of the environment and protection of natural resources are crucial to prevent further damage to the island. Future leaders must have a clear vision to preserve Bali's natural beauty while also managing sustainable growth.Secondly, adequate infrastructure. Despite Bali's status as a popular tourist destination, there's a need for better infrastructure to support economic growth and everyday activities of the people. Effective leaders should prioritize the development of suitable infrastructure without compromising environmental preservation.Thirdly, social welfare. There exist disparities in Bali that need to be addressed. Improving access to education, focusing on public health, and increasing job opportunities with fair wages should be the primary focus of future leaders. Even social welfare will form a strong foundation for Bali's progress.Fourthly, transparency and accountability in governance. It's essential for leaders to build transparent and accountable governance. The community should have complete trust in their leaders and feel heard in the decision-making process.Fellow citizens, this election isn't just about selecting leaders but about choosing leaders with a clear vision, strong commitment, and the ability to address pressing issues. Let's choose leaders who can lead Bali towards a better future, one that is fair and sustainable for us all.Thank you."r and sustainable for us all. Thank you.")
Hildred Geertz + ("Hildred was born in Queens, New York on F … "Hildred was born in Queens, New York on February 12, 1927 and reared there and in Teaneck, New Jersey. A graduate of Antioch College, she received her Ph.D. from Radcliffe College in 1956. Her first book, The Javanese Family (Free Press of Glencoe, Inc.), was published in 1961. After her initial fieldwork in Java, she taught at The University of Chicago from 1960 to 1970 before coming to Princeton University in 1970. At Princeton, Hildred taught courses on the history of anthropological theory, the anthropological study of life stories, the anthropology of art, and the ethnographer’s craft.In 1972, Hildred became the first chairperson of the Department of Anthropology at Princeton University, and thus the first woman chair of a department at Princeton, a position in which she served for many years. She was named Professor Emeritus in 1998.Hildred did extensive fieldwork in Morocco, and in Java and Bali, Indonesia and returned to Indonesia repeatedly during her career to conduct the research which helped fuel her extensive list of publications. She completed more than two years of fieldwork research in the village of Batuan on the island of Bali. Working in the same village that was studied in the 1930s by Margaret Mead and Gregory Bateson, she focused on the interconnections between different Balinese art forms and how and why such forms have changed through time. She investigated the effects of economic development and tourism on Balinese artistic endeavor.The first book from the research in Batuan, Images of Power: Balinese Paintings Made for Gregory Bateson and Margaret Mead, was published in January 1995 (University of Hawaii Press). In 2004,The Life of a Balinese Temple: Artistry, Imagination, and History in a Peasant Village was also published by the University of Hawaii Press. Among her other works, Professor Geertz is co-author with her former husband Clifford Geertz of Kinship in Bali (University of Chicago Press, 1975), and co-author with Clifford Geertz and Lawrence Rosen of Meaning and Order in Moroccan Society (Cambridge University Press, 1979). Most recently, in 2017, at the age of 90, her book, Storytelling in Bali, was published by the Dutch publishing house Brill."shed by the Dutch publishing house Brill.")
Made Janur Yasa + ("In the year and a half the pandemic has p … "In the year and a half the pandemic has persisted, Bali’s almost decimated tourist economy has had had far-reaching financial and social effects on the resident population. It is, however, during times of difficulty when good souls shine bright. The silver lining of the pandemic has been witnessing the wholehearted efforts of individuals and organisations who have stepped up to support and help the, often newly, vulnerable communities, even when faced with their own difficulties.From food donations to education programs, the list of goodwill initiatives on the island has been heartwarming to say the least; in reality many would have suffered gravely without such community efforts.One creative initiative changed the dynamic. Made Janur Yasa is a restaurateur, a partner in the unique vegan restaurant Moksa in Ubud. In May 2020, as Bali was in the depths of the pandemic lull, Janur began a program called Plastic for Rice, a barter system that encouraged locals to trade in collected plastic for rice. In an interview with NOW! Bali when the program started, he says that he remembered how villagers used to barter in the early days, rice for sea salt, farm to sea. He said that this gave people spirit, making sure that people don’t get used to receiving without working.Through this plastic for rice system, Janur provided a double solution: cleaning littered plastic in the environment; as well as providing much-needed sustenance to those in need, especially in rural areas.The program started in Banjar Jangkahan and Banjar Penulisan, Batuaji Village, Tabanan, the regency where Janur comes from. It was set up as prototype, a system to be replicated in other villages… and it was.Three months later, Plastic for Rice became Plastic Exchange. In that time, as reported in August 2020, the movement had spread to 44 banjars and 1,345 households.But beyond that it had evolved beyond a simple ‘system’, and became a movement. It was adopted by other charitable organisations as a solution to provide food fairly in rural communities; it became a vehicle for environmental education, to teach the effects of plastic but also the value of waste. It has allowed people to feel empowered, useful, independent. It has seen new leaders being born.Today, Plastic Exchange is found in over 200 villages across Bali, has collected 50.000+ kg of plastic and distributed 55.000+ kg of rice."astic and distributed 55.000+ kg of rice.")
BALI DAKI NAPI BALI MEWALI? + ("OM SWASTYASTU" "OM AWIGHNAM ASTU NAMO SID … "OM SWASTYASTU""OM AWIGHNAM ASTU NAMO SIDHAM""OM ANO BADRAH KRATAWO YANTU WISWATAH"I would like to express my thanks to the presenter, for the time given to me, the honorable ladies and gentlemen of the jury and prospective members of the Bali Province DPD, as well as my fellow participants, whom I am proud of. Before that, let us pray to the presence of Almighty God. Thanks to Him, we can gather here with happiness at the Bali Public Participation Wikithon with orations, which carries the theme, Election 2024: what are the most urgent problems to be addressed by Bali's prospective leaders ? Hopefully events like this can be held frequently to develop a threatening Bali.Happy guests, as we know, Bali is known as the island of a thousand temples with its very beautiful environment, which is often visited by foreign tourists, because Bali is one of the focuses of tourism in Indonesia. This is what drives many foreign tourists to come to Bali. Even though Bali is a tourist destination, this is not the main topic of discussion, but there are problems that have a significant impact on Bali. As we know, this so-called era of destruction, if we talk about the problems in Bali, will cause Bali to collapse. Unfortunately, the problems in Bali have not received treatment that is useful for the island of Bali.Happy guests, if you look at life now it is certainly different from previous life, especially with the problems, the most important problem is related to the environment and land of the island of Bali which has been built up and used as a tourist attraction, this is what will make the island of Bali In terms of land and environment, it will become increasingly narrow, if all the land and environment in Bali is made into a tourist attraction, where will we (humans), animals and others live and live our daily lives? Talking about the land environment that has been converted into a tourist spot, of course there are many daily activities carried out to produce plastic waste for society, this is what will become Bali's next problem. The existence of rubbish in Bali is very sad and gets very little attention, this is what creates big dangers, for example: floods, dengue fever and others. Moreover, as has recently been reported, the rubbish bins or Suwung landfills in Bali are very full and cause fires, giving rise to smoke pollution which causes disease. Are we all willing to live and do activities in dirty places? Of course, many of you are reluctant to live in a dirty place. Happy attendees, if I conclude it is related to the problems in Bali, so that Balinese leaders can provide solutions related to problems: the transfer of land or the environment to become tourist attractions and the rampant waste which has not received special attention from the government. Based on these problems, if we don't work together from now on as the front guard, it is certain that the island of Bali will gradually collapse. The island of Bali, which has been nicknamed a thousand temples, will lose its sanctity. Based on these problems, my hope is that the elected leader of Bali 2024 will be able to find a solution so that the Balinese people can implement the noble values that exist in Bali, namely TRI HITA KARANA, because these problems are related. with the TRI HITA KARANA value, so that Bali can return to the way it was before.Happy guests, that is the speech I can deliver, I hope you all are aware of the current condition of Bali.re aware of the current condition of Bali.)
Infrastruktur Jalan + ("Om Swastyastu, Thank you for the time giv … "Om Swastyastu, Thank you for the time given to me. My name is Ni Luh Ari Purnama Yanti from SMA Negeri 1 Tabanan. To the judges who I really respect and the audience who I really love. I feel very happy to be able to deliver the oration entitled "Road infrastructure"Ladies and gentlemen, as we know, road infrastructure greatly influences the economy today. If there is no road infrastructure or the roads are in disrepair, what else is there to earn a living nowadays? How do I take merchandise abroad? In this millennial era and era of globalization, road infrastructure is very necessary in today's life. Many people today earn a living on the streets, some become Ojols, some become traders and others; Candidates for leadership in 2024 should be able to see the condition of their people in villages and cities, so that they do not create social inequality. So that the roads in villages and cities are the same, so that the materials are good and can last a long time and people can earn a living on smooth roads. And for the 2024 Leader Candidates to be honest about the road and development assistance, so that it doesn't happen that the funds are disbursed but the roads and construction are not completed, let alone non-existent? Don't prospective leaders feel sorry when they see their people earning a living through damaged roads? On a rocking bridge to pass east to west over rivers and seas? there are also those who cannot leave the village because the roads are damaged but in the city the roads are good. However, there are also damaged roads in the city, which makes it difficult for large trucks to pass and causes traffic jams. The 2024 Leader Candidates should now be fair and honest with all their people. 2024 Leader Candidates so that they can pay more attention to their people, so that during the campaign they don't just make sweet promises to their people so that they are not called Sweet Promises of Leader Candidates.OK, that's all my speech, I hope what I say can be heard by the 2024 Leader Candidates. Thank you for your attention, everyone present. "Meli bungkung aba to the temple Sambilang ngayah, Kirang Langkung nunas ampura titiang sisya wawu melajah". I end with the paramashanti "Om Shanti Shanti Shanti Om".paramashanti "Om Shanti Shanti Shanti Om".)
"Urati ring Luu Plastik Mangda Palemahan Asri" + ("Om swastiastu" To the presenter, thank y … "Om swastiastu"To the presenter, thank you for the time given to me. The judges whom I respect, the audience whom I am proud of and the participants in the Balinese oration competition whom I love, there is the title of my work "Caring about Plastic Waste for a Clean Environment". I thank God Almighty or Ida Sanghyang Widhi Wasa for being able to gather in good health today.Earth there are currently many problems with plastic waste which can cause great harm to the earth. Ladies and gentlemen, plastic waste is a big danger if we don't pay attention to the surrounding environment and can cause disaster in the future.Then who will remember? Not just ourselves, all of us, both students, teenagers and parents, everyone living on earth, including Bali, which is famous for its natural beauty, should care about the existence of plastic waste. This is a behavior that includes teenagers as the main actors.Remember, the job of teenagers is not only to decorate and take selfies in beautiful places, but no one pays attention to the rubbish in front of them, which causes disasters such as landslides, floods, pollution and others.So that we are not exposed to danger, we should throw rubbish in the trash, we should not throw rubbish in the surrounding environment such as rivers, roads, sewers, etc. Come on, let's not throw rubbish carelessly so that the surrounding environment remains beautiful and sustainable! We should work together with the government and all communities to create a clean environment free from plastic waste."Om Santhi,Santhi,Santhi Om"astic waste. "Om Santhi,Santhi,Santhi Om")
I Made Nanda Adi Saputera + ("Small but full", is the appropriate expre … "Small but full", is the appropriate expression to introduce a student of SMP Negeri 1 Selemadeg who comes from the foot of the mountain. I Made Adi Saputera, who is familiarly called Nanda, was born in Mendek, October 8, 2004. This class VIII B student likes to organize. He is included in the OSIS board for the 2017-2018 term and has just been inaugurated as the OSIS board for the 2018-2019 term. As a student council administrator, he has never reneged in carrying out his obligations. Apart from that, Nanda also participates in extracurricular Nyastra Bali. He also has hobbies of football and drawing. The second child of Ida Ayu Komang Yunika with I Wayan Merdana from Banjar Mendek, Wanagiri Kauh Village, Selemadeg Tabanan District, is very fond of studying literature, especially writing Balinese script. According to Nanda, writing Balinese script is an art based on feelings. He taught himself this hobby. His teacher noticed his aptitude and provided guidance to participate in competitions. When he was in elementary school, he won first place in the Balinese script writing competition at the Selemadeg district level in 2017 and first place in the Balinese script writing competition at the Tabanan level in the framework of Porsenijar 2017.When he was in junior high school, he started by learning to write Balinese script in lontar. Thanks to his perseverance in learning, he won 1st place in writing Balinese script at the Tabanan regency level papyrus at Porsenijar in 2018, the 1st place writing the Tabanan regency invitation lontar at the Balipost Goes to School event in 2018 and at the Tabanan district ambassador at the Balinese script writing competition at Bali Arts Festival (PKB) in 2018. Like other smart students, after graduating from SMP Nanda intends to continue his education at SMA Negeri 1 Tabanan. He also wants to continue his education at top universities such as the University of Indonesia (UI) or the Bandung Institute of Technology (ITB). This 14-year-old student who has dreams of becoming a painter said that his achievements are inseparable from the motivation of his parents and teachers. He emphasized that every child has the right to learn, regardless of who, from where, and wherever they go to school. In essence, EDUCATION IS A RIGHT, BUSINESS IS A RESPONSIBILITY. IS A RIGHT, BUSINESS IS A RESPONSIBILITY.)
Komunitas Melangge Desa Siangan + (1. Tackling of Plastic Waste 2. Trees Plantation. Go Green 3. Conservation)
Arie Smit + (15 April 1916 – 23 March 2016. Dutch-born … 15 April 1916 – 23 March 2016. Dutch-born Indonesian painter who lived on Bali.Smit was the third of eight children of a trader in cheese and confectionery in Zaandam. His family moved in 1924 to Rotterdam, where Smit eventually studied graphic design at the Academy of Arts. In his youth he was most inspired by the work of three artists named Paul (Signac, Gauguin and Cézanne). In 1938 he joined the Royal Netherlands East Indies Army. After three months he was sent to the Dutch East Indies , where he worked as a lithographer for the Dutch army's Topographical Service in Batavia, engraving relief maps of the archipelago. Etching Balinese mountains onto maps ignited his desire to one day go to Bali.In early 1942 Smit was transferred to the infantry in East Java, but was soon captured by the invading Japanese forces. He spent three and a half years in forced labor camps building roads, bridges, and railways on the Burma Railway in Thailand, and Burma. After the Japanese capitulation in August 1945, Smit convalesced in Bangkok until January 1946. After being stationed in Denpasar, Bali as a staff writer for the infantry, he returned to the Topographical Service in Batavia in September. Until its discontinuation in 1950, he remained employed at this service, eventually becoming head of the drawing department, but in his spare time he criss-crossed Java as a painter and in October 1948 had his first exhibition in Batavia/Jakarta.[5] After Indonesian Independence on December 27, 1949, all Dutch nationals had to choose between Dutch or Indonesian citizenship within two years. Smit briefly considered emigrating to South Africa, but decided to stay; he became an Indonesian citizen late in 1951. In the following years he taught graphics and lithography at the Institut Teknologi Bandung in West Java.BaliOn invitation by the Dutch artist Rudolf Bonnet he visited Bali in 1956, together with Dutch artist Auke Sonnega. He soon met art dealer James (Jimmy) Clarence Pandy, who ran a gallery and souvenir shop. Pandy invited Smit to stay in a house on stilts at the beach of Sanur. Smit and Pandy remained friends and formed a partnership. Pandy was well-connected; Sukarno would sometimes bring his state guests to his gallery. With his love for bright colors, Smit was captured by the Balinese landscapes in its 'riotous light', and soon decided to stay to depict its villages, rice terraces, palm trees and temples.In 1960, while touring the village of Penestanan in the Ubud District where he then lived, he came upon some boys drawing in the sand. Impressed by their talent, Smit invited them to his studio, where they became the first of a growing number of students. With minimal instruction but lots of encouragement and material support, his pupils created a naive style of genre painting that became known as the 'Young Artists' style, which at its peak had 300-400 followers. Though he is considered the father of the movement, its style is quite different than any of Smit's own styles over the years.From the time of his arrival in Bali, Smit moved some 40 times, "to see what is beyond the next hill". He stayed longest in his favorite areas of Karangasem and Buleleng. He finally settled in 1992 in the village of Sanggingan near Ubud under the patronage of Pande Wayan Suteja Neka, founder of the Neka Art Museum. In recognition for his role in the development of painting on the island, Smit received the Dharma Kusama (Flower of Devotion, a Balinese cultural award) in 1992 from the government of Bali. The Arie Smit Pavilion was opened at the Neka Art Museum in 1994 to display his works and those of contemporary Balinese artists. The Museum Bali in Denpasar and the Penang Museum in Malaysia also have collections of his work. Smit further had exhibits in Jakarta, Singapore, Honolulu and Tokyo. Smit lived near Ubud for the rest of his life, but died on 23 March 2016 in a hospital Denpasar at three weeks before turning 100.enpasar at three weeks before turning 100.)
Roelof Goris + (1898 – 1965 Curriculum vitae 1898 born in … 1898 – 1965Curriculum vitae1898 born in Krommenie (North-Holland) on June 91917 final examinations gymnasium (A and B)1917-1918 military service1918-1926 studied Indonesian languages (linguistic officer), Leiden University; Arabic (Snouck Hurgronje), Sanskrit, Javanese and Old Javanese (Vogel and Hazeu), Hindu-Javanese history (Krom), and general linguistics (C. C. Uhlenbeck); amongst his older fellow students were W. F. Stutterheim and P. V. van Stein Callenfels1926 PhD under the supervision of N.J. Krom, Leiden University1926 officer for the study of Indonesian languages at the Archaeological Service, charged with the checking of transliterations of Old Javanese inscriptions1928-1939 adjunct archaeologist of the Archaeological Service in Bali1939-1941 librarian to Mangkunegoro VII, Surakarta (Central Java)1941-1945 service in the Royal Netherlands-Indies Army; civilian internee1946 on leave in the Netherlands1947-1958 linguistic officer of the Netherlands-Indies and later Indonesian Government, head of the Singaradja division of the Institute for Linguistic and Cultural Research of the University of Indonesia1958 retirement1959 librarian of the Faculty of Letters of Udayana University, Denpasar (South Bali)1962 research-professor, teaching Balinese epigraphy and early history1965 died in Denpasar on October 4Special activities and positionsScientific adviser of the Kirtya (Foundation) Liefrinck-van der Tuuk (set up in 1928), 1932-Co-worker at the Bali MuseumTeacher at a secondary school and a training-college for teachers (S.M.A. and S.G.A.)Teacher of German, 1951S.M.A. and S.G.A.) Teacher of German, 1951)
TPS 3R Darma Winangun Tangkas + (A 3R (Reduce, Reuse, Recycle) based waste management site in the Tangkas village area, Klungkung)
Titus Rosier + (A hospitality expert with more than sevent … A hospitality expert with more than seventeen years of experience in the industry, Titus Rosier joined the vibrant award-winning W Bali – Seminyak resort in June 2021, leading its talented team as General Manager. Beginning his professional career in the Middle East, Titus has gained extensive experience working across various countries and properties for Marriott International. Departing from his last venture in the Middle East, Titus was ready for a new challenge and decided to move to Indonesia based on the love he has for this amazing country, choosing the magical island of Bali as his new home. A Dutch native, Titus has a passion for sustainability which he implements through developing significant initiatives and exceptional programs including the launch of zero-waste cocktails. This beverage program uses leftover fruit skin to create invigorating concoctions. Besides battling food waste, the team at W Bali is also actively focusing on reducing plastic usage to remove all single-use plastic from the property in 2023. Additionally, W Bali has partnered with several Bali-based NGOs, such as S.O.S Kitchen, to donate fresh and edible leftovers from the buffet breakfast to be distributed to people in need including children's orphanages and impoverished areas in Bali. W Bali has also partnered with Sungai Watch and together with the Marriott Business Council Indonesia, they are working on a waste solution in Bali. The ambitious goal is to remove 100,000 kilos of waste per year from the Bali's rivers. of waste per year from the Bali's rivers.)
Education + (A leader is a person who holds the duty an … A leader is a person who holds the duty and responsibility to lead and can influence the people he leads. A good leader is a leader who is able to lead his followers to achieve a certain goal. A good leader must be willing to listen to input and complaints from his staff. The leader does not have to agree with the opinions of the staff, but must respect every opinion.Everyone certainly aspires to be a leader, myself included really want to be a good and responsible leader. And if later I become a leader in my area, I will help people in need and be fair to all of them. Now one of them is in the field of education, I will improve the quality of education in my area, because I live in Gowa district, South Sulawesi, I will name it as Gowa Education District, meaning that elementary to high school level education will be applied free of charge or not paid, the way is like this will help children who really want to go to school but are constrained by money, so there is no reason for children in Gowa district not to go to school. And I will also complete the standard facilities in every school in my area. That's probably what I will do when I later become a leader in my area, become a useful person for the people around me. a useful person for the people around me.)
6 - Luh Ayu Manik Mas Ngalahang Legu Poleng + (A package arrived for Made Putri, one of L … A package arrived for Made Putri, one of Luh Ayu’s friends, from the US wrapped in layers and layers of packaging material. Made Putri threw the packaging waste out in the garbage, but it ended up a local river where it collected pools of stagnant water. Dengue-carrying mosquitos then bred in those pools, making the original problem of packaging waste even worse. And, the Covid-19 pandemic was raging. What is Luh Ayu to do?ndemic was raging. What is Luh Ayu to do?)
Palemahan + (A: Aren't you ashamed of picking up litter … A: Aren't you ashamed of picking up litters in public spaces, Tut?! There's already city workers whose job is to do just that. Don't waste your time, okay?B: It's you who should be ashamed, Brother. How come we who own these island don't care a bit about our own surrounding. Those tourists who came from faraway places can. While we kept talking about Tri hita Karana (Three Cause of Joy: relationship with the Creator, relationship with each other, relationship with nature). That's hypocrisy, Brother.p with nature). That's hypocrisy, Brother.)
Ngolah luu Ring Jagat Natha + (Action Plan is a description of the ways t … Action Plan is a description of the ways that must be taken to achieve the goal. This Action Plan can be useful as a guide on what steps to take, how, and when to implement them to achieve certain goals.Our action plan is entitled "Ngolah Luu Ring Jagat Natha".Our team's action plan is that we will first explain the facts about waste in Bali, in Indonesia, and in the world. Like news shows that spread about a lot of garbage until the pile of garbage resembles a hill. For this reason, my team and I will collect the waste and then sort it into 2 parts, namely organic waste and non-organic waste. Organic waste such as vegetable scraps to fruit skins are used as Eco Enzymes that can help fertilize plants. Non-organic luu, such as plastic, are used for posters or collages.The purpose of this movement is so that people know or are aware of the importance of processing waste properly and correctly, so that Jagat Natha is free from waste.The benefits of this plan are:1. Reducing waste in Bali, in Indonesia and the world.2. With proper and proper waste management, it can be a business opportunity for all of us.For example Eco Enzymes and collages or posters. With a simple way and easy to find ingredients, we become influencers to turn piles of garbage into business opportunities.es of garbage into business opportunities.)
Episode 08 - Nyoman Sunarta, Petani di Bayung Gede + (After the company totally cut his work hou … After the company totally cut his work hours, Nyoman Sunarta is now actively farming in Bayung Gede, his village in Kintamani. He used to work at a hotel. Even though the agricultural sector was also affected by COVID-19, he still has time to share stories... and a sack of oranges.to share stories... and a sack of oranges.)
Agastya Parwa + (Agastya Parwa literally means "Maharsi Aga … Agastya Parwa literally means "Maharsi Agastya's Chapter". This palm manuscript is an adaptation of Weda Agastya Samhita in Sanskrit. It describes dialogs bewteen Maharsi Agastya and hs son, Dridhasyu. The content of their dialogs is split into seven parts. The first part tells about creation of the universe. Th second part tells about maintenance and dissolution of the cosmic manifestation, including the existence of heaven and hell. The second part also describes sinful and pious activities. This part also contains lists of merits one gets from doing certain pious activities. The third part discuses about the life of the demigods and the demons (asuras) as well as genealogy of the Manus. In the fourth part, Rsi Agastya teaches about self-realization and spiritual advancement (moksa). In the fifth part there are family trees of pious kings and great sages in the past. In the sixth part, there is a description about prescribed duties of mankind especially regarding sacrifice, atonement and self-restrain. In the seventh part, there is a description about duties of each varna (division) in the human society.ach varna (division) in the human society.)
Agoes Andika + (Agoes Andika was born in Banjar Baleagung, … Agoes Andika was born in Banjar Baleagung, Buleleng, March 5, 1963. In 1981 he settled in Mataram, Lombok. He studied writing a lot with Putu Arya Tirtawirya and Umbu Landu Paranggi at the Bali Post. In 1985 he was invited to Taman Ismail Marzuki Jakarta with several Balinese poets and other Indonesian poets to read poetry. Literary works have been published in the Bali Post, Karya Bhakti, Nusa Tenggara, Simponi, Swadesi, Nova, Buana News, Suara Karya, Suara Nusa, Horizon, and several bulletins in Mataram, Pontianak. Now living in Singaraja.taram, Pontianak. Now living in Singaraja.)
Finding Serenity + (An Anthology World Without Sound, was resp … An Anthology World Without Sound, was responded by several artists & writers who share the same vision to awaken our sensitivity in understanding, exploring, and making sense of the reality of world without sound, and distribute the message to the public from different perspectives.Behind The Artwork :Butterflies need natural resources, such as plants and flowers, for food and places to lay their eggs. Butterflies do not like urban noise, such as vehicles, construction and other human activities can annoy butterflies and affect their behavior. Butterflies rely heavily on their visual perception and olfactory abilities, which are important in finding food and mates. Noise can interfere with the ability of butterflies to communicate and pay attention to their surroundings. In addition, constant noise can cause stress and anxiety in butterflies. Therefore, butterflies prefer a calm, peaceful environment and clean air.Reflection :"The instinct to seek peace and happiness is the reference for every human being's life. The butterfly philosophy teaches humans to be more flexible, open, courageous, patient, and respect differences. This is a useful lesson for human life in various aspects of life."on for human life in various aspects of life.")
Gede Kresna + (An Architect by profession, Gede designed … An Architect by profession, Gede designed and built Rumah Intaran - home of Pengalaman Rasa. His brings extensive knowledge of local produces and a keen eye for potential business opportunities to Pengalaman Rasa. He is passionate about diving into the richness of Northern Balinese culture and natural produces to find the best ingredients, products, and experiences.https://www.pengalamanrasa.com/"Working out of Rumah Intaran (the House of the Neem Tree), architect Gede Kresna has transformed the northern Bali village of Bengkala into a learning mecca for students and farmers – and it all centres around the kitchen...“I often wonder why rich people can afford to pay for a private doctor or a private architect but never think of paying a private farmer to produce their own healthy food?” he (Gede Kresna) asks. “Food can be called healthy if it has a balanced cycle that comes from local farmers who grow from local seeds; only then can we actually solve our food problems, including many economic problems facing the country.”...Full article at https://www.gaiadiscovery.com/latest-people/gede-and-ayu-kitchen-missionariest-people/gede-and-ayu-kitchen-missionaries)
Anak Agung Made Cakra + (Anak Agung Made Cakra was born in Denpasar … Anak Agung Made Cakra was born in Denpasar, November 11, 1928. He is a musician and Balinese pop songwriter who was very popular in his time. He taught himself music at the age of seven. In 1943, when he was still a SR (People's School), he participated in a Japanese song competition in Singaraja, and managed to get the attention of a Japanese musician who was present at that time. The Japanese musician then mentored and employed him.In 1950 he collected music in Denpasar and formed an orchestra group and in 1953 the group performed around Denpasar. He also joined the kroncong orchestra group Puspa Teruna led by Ida Made Rai. Then he joined the Melati Kusuma keroncong orchestra led by Merta Suteja, the Merta Kota keroncong orchestra and the Cendrawasih keroncong orchestra. He is also involved in routine musical activities at RRI Denpasar Station. He then formed and led the New Dawn keroncong orchestra group.In addition to performing music, Gung Cakra also writes songs and musical compositions. One of his most famous songs is entitled "Kusir Dokar". In 1963, the song was often played by the band Putra Dewata founded by Gung Cakra and his colleagues. The band's musical instruments were made by Gung Cakra himself with easily available materials. In 1976, Gung Cakra began to enter the recording studio through Bali Record. Apart from "Coach Dokar", his popular songs are "Bungan Sandat" and "Ada Kene Ada Keto".e "Bungan Sandat" and "Ada Kene Ada Keto".)
Anak Agung Pandji Tisna + (Anak Agung Pandji Tisna (11 February 1908 … Anak Agung Pandji Tisna (11 February 1908 – 2 June 1978), also known as Anak Agung Nyoman Pandji Tisna, I Gusti Nyoman Pandji Tisna, or just Pandji Tisna, was the 11th descendant of the Pandji Sakti dynasty of Buleleng, Singaraja, which is in the northern part of Bali, Indonesia. He succeeded his father, Anak Agung Putu Djelantik, in 1944.On the last page of Pandji Tisna's book, I Made Widiadi, written in 1955, he wrote his life story in chronological order. He was a writer and a novelist. He refused to be the king of Buleleng, but being the eldest son, the Japanese occupancy troops forced him to be "syucho" after the death of his father in 1944.During his reign, he became the leader of the Council of Kings of all of Bali from 1946 to 1947 (Paruman Agung) and the Regent of Buleleng. In 1947, because his uniquely Christian faith did not fit in with the predominant Hindu religion, Pandji Tisna surrendered the throne to his younger brother, Anak Agung Ngurah Ketut Djelantik or I Gusti Ketut Djelantik, also known as Meester Djelantik, until 1949.He died 2 June 1978 and was buried in the graveyard on the eastern side of his land near the chapel he built years before.There is a museum in Lovina dedicated to AA Pandji Tisna and his family: https://www.facebook.com/pg/The-Little-Museum-Anak-Agung-Panji-Tisna-KM-0-Lovina-Bali-1402058299856241/about/a-KM-0-Lovina-Bali-1402058299856241/about/)
Prasasti Sembiran A1 + (Apart from lontar manuscripts, ancient Bal … Apart from lontar manuscripts, ancient Balinese literacy remains also exist in the form of copper inscriptions. Most of the inscriptions that still exist today are made of copper plates which were most likely made on the shores of Lake Tamblingan during the reign of ancient Balinese kings. One of the important groups of inscriptions about the socio-political situation of ancient Bali is the Sembiran inscription found in Sembiran Village, Tejakula District, Buleleng, Bali.This inscription consists of 10 groups made between 922 to 1181 AD (more than 200 succession). This proves that the ancient Balinese kingdom under the Warmadewa dynasty was a safe and stable kingdom for approximately 400 years (until 1343 AD). The ten inscriptions were issued by different kings and mostly contain social regulations, regional boundaries, taxes and government administration.The A1 Sembiran inscription dates to 844 Saka (922 AD) and was issued by King Ugrasena. It contains information about Julah Village which is one of the oldest villages in northern Bali. This Sembiran inscription proves that the residents of Sembiran Village were originally refugees from Julah. They fled to mountainous area possibly because of attacks from the direction of the coast.The Sembiran inscription belongs to the type of inscription known as the "Yumu Pakatahu" group because the first sentence in the inscription reads this way. Similar inscriptions were found in Gobleg and Sukawana, which also fall into the same category.a, which also fall into the same category.)
Bank Sampah Ambengan Asri + (Applying the waste bank at Banjar Ambengan Sayan Ubud)