UPGRADE IN PROCESS - PLEASE COME BACK AT THE END OF MAY

Search by property

From BASAbaliWiki

This page provides a simple browsing interface for finding entities described by a property and a named value. Other available search interfaces include the page property search, and the ask query builder.

Search by property

A list of all pages that have property "Biography text" with value "I thank you for your time to speak to us today. Recently, there has been". Since there have been only a few results, also nearby values are displayed.

Showing below up to 25 results starting with #1.

View (previous 50 | next 50) (20 | 50 | 100 | 250 | 500)


    

List of results

  • I Made Suartana  + (I Made Suartana, commonly known as Made SuI Made Suartana, commonly known as Made Suar-Timuhun in his works, was born in Banjar Tengah, Timuhun, Klungkung, June 17, 1987. He started writing modern Balinese literature while still in college and actively started writing in 2013. His poetry began to be published in Bali Orti (Bali Post) in April 2013 and in 2014 his poems were published in Mediaswari (Pos Bali). He was a speaker at the Ubud Writers and Readers Festival 2016. His collection of Balinese poetry entitled “Mlajah” was published by Pustaka Expression in 2014. In 2015 his collection of short stories was published by the same publisher. It is entitled “Book Jaen Living in Bali” and contains eighteen (18) short stories. and contains eighteen (18) short stories.)
  • I Made Sujaya  + (I Made Sujaya is a permanent lecturer at tI Made Sujaya is a permanent lecturer at the Indonesian and Regional Language Education Study Program (PBID), Faculty of Language and Arts Education (FPBS), IKIP PGRI Bali. Since August 2016 he has been working toward his Doctoral Degree in Linguistics, Concentration on Literary Discourse, Faculty of Cultural Sciences, Unud.</br></br>Two of his books have been published, namely A Piece of Conscience Kuta: Notes on the Attitudes of Kuta Residents in the Tragedy of 12 October 2002 (2004) and Forbidden Marriages: Abstinence of Polygamy in Ancient Balinese Villages (2007). The second book led him to receive the "Widya Pataka" award from the Governor of Bali. In 2013, together with a number of Unud lecturers, they published a book on the Language Dynamics of Television, Internet, and Newspaper Media.</br></br>Apart from teaching, Sujaya is also a journalist and freelance editor at the daily DenPost which has been published in Denpasar since 1999. He is trusted to take care of literary and cultural pages. He was a correspondent for the student tabloid Wiyata Mandala (1996-1999). He has also been a contributor to The Jakarta Post and helped maintain the Balinese language page, “Bali Orti” on the Bali Post Sunday. Now he also maintains a special blog about Bali, balisaja.com.s a special blog about Bali, balisaja.com.)
  • I Made Sumadiyasa  + (I Made Sumadiyasa who goes by the name MadI Made Sumadiyasa who goes by the name Made was born in Bali 8 February 1971, in Langlanglinggah, Tabanan. Made is a dynamic Balinese artist whose expressive paintings encompass a universal spirit. His visual language goes beyond form and illusion, creating intense levels of emotion. He focuses on movement and color to bring out the spiritual essence of his subject. From the greatness of the natural world to the influence of culture and technology on the environment and humanity, Made continues to discover unlimited sources of inspiration for his artistry.</br></br>A graduate of the Indonesia Institute of Art (ISI Yogyakarta, Indonesia) in 1997, Made was the first Indonesian artist invited to participate in the prestigious ART ASIA International Fine Arts Exhibition held in the Hong Kong Convention and Exhibition Centre, Hong Kong, 1995. In 1996, Made was the first Indonesian artist to have his painting (The Way to Eternity) featured on the full-cover of the prestigious Asian Art News magazine (Mar-Apr 1996).us Asian Art News magazine (Mar-Apr 1996).)
  • I Made Suparsana, S.Kom  + (I Made Suparsana, S.Kom, a man who graduatI Made Suparsana, S.Kom, a man who graduated from the STIKOM Bali Institute of Technology & Business. Graduated in 2021 and started developing a digital company called PT Foxbyte Global Inovasi located in Denpasar, Bali. Its business focuses on providing software solutions for the banking, retail, transportation, and startup industries. I Made Suparsana, S.Kom serves as a Project Manager in his company.</br>This company was born when the pandemic hit Indonesia. Many businesses are starting to go out of business and turn to digital services. From this momentum, Made Suparsana and his team saw that a change in trend was taking place where users had started to switch to digital services. The company has a vision of "To Be a Global Digital Solution Provider in the 4.0 Revolution Era". Solution Provider in the 4.0 Revolution Era".)
  • I Made Supena  + (I Made Supena was born in Singapadu, GianyI Made Supena was born in Singapadu, Gianyar, January 12, 1970. He studied fine arts at the Art and Design Program (PSRD) of Udayana University (1991-1997). He is the son of the legendary sculptor I Ketut Mudja. Supena's works are abstract by taking inspiration from nature. In addition to painting, he also makes sculpture, installation art, and works on performance art. Supena is also active in the visual arts groups “Galang Kangin” and “MilitanArts”.</br></br></br>Since 1991 Supena has been diligently involved in joint art exhibitions, both at home and abroad. While his solo exhibition was in 1998 at The Chedi Payangan Gallery, Bali. Then the exhibition Reality of Abstract Painting (Art Center Bali, 1999), Landscape und Abstraction (with Susena, Frankfrut, Germany, 2000), New painting (Suli Art Gallery, Denpasar, 2002), About Hature (Gallery Mon Décor, Jakarta, 2002 ), The Likeness of Nature (Ganesha Gallery, Bali, 2004), Studi Alam Supena (Danes Art Veranda Denpasar, 2005), Made Supena Landscape (Gracia Gallery, Surabaya, 2007), Emotion (Santrian Gallery Sanur, 2008), Genealogy (Jogja Gallery , Yogyakarta, 2010), Solitude of Child (Kubu Kopi Denpasar, 2015), Ritus Mountain (Maya Gallery, Sanur, 2017), Interpreting Feelings (Griya Santrian, Sanur, 2018).</br></br></br>Supena has won a number of awards including the Award for Sculpture Museum Bali, Denpasar (1991), Award of the Governor of Bali (1994), Award of the Embassy of Peru in Jakarta (1995), Award of Phillip Morris Arts Foundation (1997), Finalist of the Winsor-Newton Competition, Jakarta (2000), Certificate of Ownership, Wellculturen Frankfurt Museum, Germany (2010), Certificate Art Work Golden Land, BIAB Bejing, China (2015), Top 9 Titian Art Foundation ( 2017).</br></br> </br>On April 16, 2019 Supena died at Sanglah Hospital. He had severe bleeding in the brain due to an attack of hypertension. Bali lost one of its best artists.ension. Bali lost one of its best artists.)
  • I Nengah Jati  + (I Nengah Jati was born in Banjar Sama Undisan, Jehem Village, Bali, October 5, 1990. His poetry book is titled “Silunglung” (Expression Library, 2018). His works are also published in Suara Saking Bali.)
  • I Nengah Sujena  + (I Nengah Sujena was born in Bangli, Bali, I Nengah Sujena was born in Bangli, Bali, in 1976. He graduated from the Indonesian Institute of the Arts (ISI) Yogyakarta in 2005. Sujena has had solo exhibitions and participated in group exhibitions in Bali, Yogyakarta, Jakarta, Singapore, Tokyo etc. In 2007 he had a solo show entitled Songs of Solitude at the Komaneka Gallery.</br></br>Nature is the main source of creative inspiration for Sujena. His paintings articulate the revelation of nature. They reflect an ecological awareness that recognizes the fundamental relation between nature and the human. His works subtly criticize the anthropocentric view that considers the human as the center of truth with all the privileges to exploit nature. Sujena conveys a critical, yet poetic, message that living in harmony with nature is a soothing, peaceful life. with nature is a soothing, peaceful life.)
  • I Ngurah Suryawan  + (I Ngurah Suryawan, born in Denpasar Bali oI Ngurah Suryawan, born in Denpasar Bali on February 25, 1979. He obtained his formal education at the Department of Anthropology, Faculty of Letters, Udayana University, Bali (2006) with the title "Speaking Behind Silence: Anthropological Studies of the Violence of the 1965-1966 Mass Massacres in Jembrana Regency, Bali." </br></br>He completed his Masters in the Masters Program in Cultural Studies at the Postgraduate Program at Udayana University (2009) with a thesis entitled "Bara on the Edge of Power: Genealogy of Subaltern Violence and Upheaval in Buleleng Regency, Bali". Doctoral education was completed at the Humanities (Anthropology) Program, Faculty of Cultural Sciences, Gadjah Mada University, Yogyakarta (2015) and wrote a dissertation entitled "Elite's Strategy to Steal State Power in West Papua". The postdoctoral research program started from 2016-2017 on the cultural ecology of the Marori and Kanum people in Merauke, Papua under the ELDP (Endangered Languages Documentation Program) and Australian National University (ANU) scheme. He was a visiting researcher at KITLV (Koninklijk Instituut voor taal-, Land-en Volkenkunde), Universiteit Leiden 2017 – 2018 to write his research on the formation of the middle class elite in the interior of Papua. His books on Papua include: A Broken Soul (2014), Looking for the Morning: Ethnographic Fragments (2015), Papua Versus Papua: Disunity and Cultural Change (2017), Dismissed Voices: Against Silent Culture ( 2017), Dim Living Space: The Ecological Concussion of the Marori and Kanum People in Merauke, Papua (2018), Kitong Pu Dreams: Anthropology and Transformation of the Papuan People (2018), Searching for a Changing Bali (2018).18), Searching for a Changing Bali (2018).)
  • I Nyoman Darma Putra  + (I Nyoman Darma Putra is a professor in IndI Nyoman Darma Putra is a professor in Indonesian literature at the Faculty of Arts, Udayana University, Bali, Indonesia. He obtained his Ph.D. from the School of Languages and Comparative Cultural Studies, University of Queensland, in 2003, where he took a postdoctoral program from 2007-2009.</br></br>Apart from teaching literature and culture at Faculty of Arts, Darma Putra also teaches tourism subjects at Masters Program of Tourism and Doctoral Program of Tourism Udayana University. Darma had been the head of Masters Program of Tourism for four years, 2014- January 2018. His research interest includes Indonesian literature, Balinese literature, Balinese culture, tourism.</br></br>With Michael Hitchcock, he published Tourism, Development and Terrorism in Bali (Aldershot: Ashgate, 2007), while his sole authored book is A literary Mirror; Balinese Reflections on Modernity and Identity in the Twentieth Century (Leiden: KITLV Press, 2011).</br></br>He publishes a number of article in international peer review journals including Asian Ethnicity, Indonesia and the Malay World, Current Issues in Tourism, The Journal of Hindu Studies, and Tourism Geographies.</br></br>Since 2011, he has been the editor in chief of Jurnal Kajian Bali (Ranked 2, on Indonesian accredited journal Sinta)., on Indonesian accredited journal Sinta).)
  • I Nyoman Darma Putra  + (I Nyoman Darma Putra teaches Indonesian liI Nyoman Darma Putra teaches Indonesian literature in the Faculty of Letters and Culture, Udayana University (Bali) and is an adjunct professor in the School of Language and Cultures, the University of Queensland. He is the author of A literary mirror: Balinese reflections on modernity and identity in the twentieth century (KITLV/Brill, 2011).the twentieth century (KITLV/Brill, 2011).)
  • I Nyoman Ekaputra, S.Sos M.AP  + (I Nyoman Ekaputra S.Sos M.AP was born on JI Nyoman Ekaputra S.Sos M.AP was born on June 1, 1965 in Denpasar. Residing in Br. Pengukuh, Peguyangan Kangin, North Denpasar, Bali, Indonesia. He works as a civil servant as well as a holder at a temple in Peguyangan and helps if anyone needs help with writing Balinese script and fostering children in the village pasraman. His last education was at Ngurah Rai University, Bali, majoring in Master of Public Administration.joring in Master of Public Administration.)
  • I Nyoman Kaler  + (I Nyoman Kaler was born in 1892 in PamoganI Nyoman Kaler was born in 1892 in Pamogan Village, South Denpasar District. His father, I Gde Bakta, was a versatile artist in his day. His mother, Ni Ketut Taro, owns the art of his grandfather, I Gde Salin. Kaler himself studied with his grandfather and father, who later passed on to him the nandhir dance, butterfly row, Sisia Calonarang, wayang wong, and parwa. </br></br>Kaler never received formal education, because as he recalled, until 1900 in Denpasar there were no schools opened. However, his ability to both read and write Balinese script and Latin script cannot be doubted. This skill is obtained from non-formal education on the sidelines of his busy life deepening the arts of dance and percussion. In mastering pagambuhan dance and percussion, he was educated by I Gusti Gede Opium, I Made Sariada, and I Made Nyankan (all from Denpasar) and I Made Sudana from Tegal Taniu. </br></br>In 1918, at the age of 26, I Nyoman Kaler deepened the Legong Kraton dance with his teacher, Ida Bagus Boda from Kaliungu Klod, Denpasar. In 1924, he studied dance and percussion with Anak Agung Rai Pahang from Sukawati, Gianyar. Kaler was very impressed with this one teacher. His teacher's extraordinary way of teaching allowed Nyoman Kaler to understand the intricacies and movements of dance in depth. Kaler also became a favorite student because of his amazing talent. </br></br>Kaler can play almost all Balinese gamelan instruments and understands very well all pegongan music, gender, angklung, semar pagulingan, and so on. Nyoman Kaler started teaching in1918. on. Nyoman Kaler started teaching in1918.)
  • I Nyoman Loka Suara  + (I Nyoman Loka Suara is a painter born in BI Nyoman Loka Suara is a painter born in Bali, February 13, 1970. He studied fine arts at ISI Denpasar. Since 1993, he has been active in various joint exhibitions, including the Palette group exhibition at Come Out festival Australia (1998), Beijing International Art Biennale, China (2015), Asian Art Biennale II, Hong Kong (2017). He is also a member of the Militant Arts Community of Fine Arts. Loka's works often feature gloomy-looking figures with distorted techniques. The neck of the figure is made long like a giraffe so that it gives a unique impression on the painting.gives a unique impression on the painting.)
  • Nyoman Ngendon  + (I Nyoman Ngendon (1920-1947) was a painterI Nyoman Ngendon (1920-1947) was a painter from Banjar Dentiyis, Batuan, Sukawati, Gianyar. He first learned to paint the Kamasan wayang style from Dewa Nyoman Mura in the early 1930s. He was an influential figure in Rock painting and had many students. He is fluent in Malay, Dutch and English. During the Japanese occupation, he went to Yogyakarya, and met with Soekarno, Affandi, Soedjojono, and joined Persagi. Besides being known as a painter, he was a guerrilla figure under the leadership of I Gusti Ngurah Rai to help defend the independence of the Republic of Indonesia. He was captured by Nica's soldiers in Ketewel, tortured and executed.</br></br>Ngendon is indeed an intelligent Batuan painter who is very anxious to develop himself in painting. In addition to painting in the Batuan style, Ngendon does many portraits using modern techniques. Ngendon is also a painting teacher who is very idealistic and visionary. For Ngendon, each student must be able to draw different shapes, not just copying things that already exist. Ngendon gave birth to a generation of Batuan painters who are able to explore and develop strong thematics.</br></br>Batuaninteractive.com:</br>"One of the first from Batuan to start painting about 1933 or 1934, along with Togo Djatasoera, and Tjeta. Ngendon learned his skills</br>from his cousin, Patera, who was the first to contact the Westerners Spies and Bonnet. In addition to painting and woodcarving, Patera organized dance troupes and orchestras for tourist performances, and after he died in 1935, Ngendon, took over that role. By the time Mead and Bateson began collecting, Ngendon was not making many pictures. He taught a large number of the Batuan people. Nine pictures by him are in the collection. </br>According to Kaler, Ngendon had been to school for five years, could read, write, and speak Malay and some Dutch and English. He frequented the homes of Westerners and was a member of Pita Maha, the artists' cooperative set up by Spies and Bonnet. At one point he was Spies' favorite Batuan painter. His father was a moderately well-off farmer, and his mother an active merchant. During the Japanese occupation he went to Java to study painting and learned naturalist ideas, which he brought back to Bali. After the Japanese surrendered, Ngendon became a local leader in the nationalist struggle against the returned Dutch colonial presence but was captured and executed in 1948."ce but was captured and executed in 1948.")
  • I Nyoman Suprapta  + (I Nyoman suprapta was born on November 11,I Nyoman suprapta was born on November 11, 1962. He has made geguritab from 2000 to now, has published 219 titles of geguritan, because he gave his life for Balinese literature. He received the Rancage Literature Award in 2013 from the Rancage Cultural Foundation, Bandung from the service sector. Tuesday, April 9, 2019, which was already past.ay, April 9, 2019, which was already past.)
  • I Nyoman Wahyu Angga B. Santosa  + (I Nyoman Wahyu Angga B. Santosa or better I Nyoman Wahyu Angga B. Santosa or better known as Wahyu Angga was born on May 21, 1997 in Denpasar. He is one of the alumni of the 2015 Bali Literature study program, he is also the author of the parwa literary work, kakawin Prapanca Suddhani. Currently, he is continuing his master's education at the Postgraduate program at Udayana University, Faculty of Cultural Sciences. University, Faculty of Cultural Sciences.)
  • I Nyoman Wardi  + (I Nyoman Wardi is a faculty member in the Department of Cultural Studies, Udayana University, Bali - Indonesia. He is also a researcher with issues relating to the environment and cultural in the Center of Environmental Studies at Udayana University.)
  • I Nyoman Windha  + (I Nyoman Windha is one of the leading musiI Nyoman Windha is one of the leading musicians and contemporary composers of Balinese gamelan music. He was born at Banjar Kutri, Singapadu, Gianyar, Bali. A graduate of the National Institute of Arts (ISI) in Denpasar, Bali, Windha has been a member of the faculty since 1985. He has composed dozens of compositions for Balinese gamelan in many genres but primarily in kebyar style. His compositions, such as Puspanjali (1989), have been incorporated into the standard repertoire of Balinese performing groups and many have won awards at Bali's annual gamelan competition.</br></br>Windha's music is known for his beautiful melodies, incorporation of forms and styles from Javanese gamelan, and other innovations such as use of 3/4 time. He has traveled and taught extensively around the world.d and taught extensively around the world.)
  • I Putu Eka Prayoga,S.Pd.H.,M.Pd  + (I Putu Eka Prayoga, S.Pd.H., M.Pd is a teaI Putu Eka Prayoga, S.Pd.H., M.Pd is a teacher at SD Negeri 26 Pemecutan who has been teaching since 2018 until now. He comes from Pakraman Ubung Village, Denpasar City and he was born on March 23, 1994. He studied and completed S1 Pendidikan Agama Hindu at IHDN Denpasar then he completed his S2 Masters in Pendidikan Agama Hindu at IHDN Denpasar Postgraduate Agama Hindu at IHDN Denpasar Postgraduate)
  • I Putu Gedé Raka Prama Putra  + (I Putu Gedé Raka Prama Putra or commonly kI Putu Gedé Raka Prama Putra or commonly known as Tudékamatra from his works was born in Gianyar, on Tuesday, 18 December 1990. Although still young, he is one of the authors who maintains modern Balinese literature. The author, who graduated from the Faculty of Economics, Mahéndradatta University, has studied writing since he was still in school at SMAN 1 Blahbatuh. His articles have been published in ksprési Magazine, Satua Magazine, Bali Orti (Bali Post), Bali Post, Pos Bali, Médiaswari (Pos Bali), and Dénpost. </br></br>His published books are:</br>Padang Tuh (Poetry, 2013),</br>Belog (Collection of Short Stories, 2014),</br>Raré Bali waves (Poetry, 2015).</br></br>Now he works as a journalist at Pos Bali and is the editor of the Gema Siswa at Pos Bali. the editor of the Gema Siswa at Pos Bali.)
  • I Putu Karang Adi Saputra  + (I Putu Karang Adi Saputra was born in AbiaI Putu Karang Adi Saputra was born in Abiansemal, June 9, 1985. Since 2003 he has been active in a number of joint exhibitions, including the joint exhibition “Bali Painting Maestro” at the Bali Post, Denpasar (2007); “Group of 72” at Paros Gallery, Sukawati (2007), exhibition “With Lecturers of ISI Denpasar” at Neka Art Museum Ubud (2008), exhibition at LV 8 Hotel with Sanggar Mangu Rupa Badung (2018), “Freedom in Expression” in Taman Balinese Culture (2019).ression” in Taman Balinese Culture (2019).)
  • I Putu Sudiana Bonuz  + (I Putu Sudiana alias Bonuz is an artist boI Putu Sudiana alias Bonuz is an artist born in Nusa Penida, Klungkung, Bali, December 30, 1972. Since childhood he has been interested in painting. While in his village, he was often asked to paint the walls of the fishing boats (jukung). After completing junior high school in his hometown, he continued his education at the Fine Arts Middle School (SMSR) in Batubulan, Bali. In 1995, he continued his art education at ISI Denpasar, until he graduated. Apart from painting, he also makes installation art, plays music, and writes poetry. Bonuz has exhibited many of his abstract-style paintings, including:</br></br>Solo exhibitions</br>2018 A Land to Remember. Santrian Gallery, Sanur Bali</br>2017 Tetabuhan-tatabumi, Bidadari Art Space. Mas, Ubud-Bali</br>1015 Because Life is Delicious at Kubu Art Space. Ubud.</br>2014 Magic Sound at Maya Gallery. Singapore.</br>2013 Be Happy, water color paintings at Sand Fine Art Gallery. Sanur-Bali.</br>2012 Harmony, at Rumah Seni Maestro Art Space. Sanur-Bali</br>2011 Inside of Bonuz at Tony Raka Gallery. Mas, Ubud-Bali</br>2011 Breath Reflection, at Hitam-White art Space. Sangeh-Bali.</br>2008 Pleading Life's Tenacity at Kemang Village. Jakarta.</br>2006 Journey of the Soul at Relish Café and Pool. Jakarta.</br>2003 Abstract Essence at Art Center Denpasar. Bali.</br>2003 Universal Spirit at Jenggala Ceramic Jimbaran. Bali.</br>2000 Crossing Borders at Red-White Forum. Denpasar Bali.Borders at Red-White Forum. Denpasar Bali.)
  • I Putu Sukreta Suranta  + (I Putu Sukreta Suranta was born in KlungkuI Putu Sukreta Suranta was born in Klungkung, 11 April 1938. He was a high-ranking army officer from Bali and a government official. He is one of the figures of the Parisada Hindu Dharma Indonesia organization and Paguyuban Ngesti Tunggal. After graduating from high school, he continued to the National Military Academy in Magelang. After graduating, he was appointed a second lieutenant in 1961.</br></br>Throughout his career in the military, he held various strategic positions such as Deputy Commander of the Garuda VII Contingent and Operations Assistant to the Chief of Staff of Kodam Jaya. He achieved the rank of brigadier general around 1986 and became Deputy Assistant for Operations to the Army Chief of Staff. He was promoted to major general about two years later and became Operations Assistant to the Army Chief of Staff on 17 March 1988. He was then appointed Commander of the ABRI Command and Staff College on 21 October 1989. He was replaced from his position on 16 April 1993 and retired from the military some months later.</br></br>After retiring from the military, he was appointed Inspector General of the Department of Defense Security on April 24, 1993.] His appointment as the department's inspector general was unusual, as this position is usually held by active three-star military officers. Because after retiring from the military, the government decided to raise his rank to honorary lieutenant general on September 1 1997. He was replaced by Farid Zainuddin in 1998.</br></br>He was then appointed by President BJ Habibie to become a member of the Supreme Advisory Council (DPA) on 13 June 1998 and became Deputy Chair of the People's Welfare Commission at DPA.</br></br>He was elected as Daily Chair of Parisada Hindu Dharma Indonesia (PHDI) at the 7th PHDI Mahasabha which took place in September 1996. Previously, since 1992, he had represented PHDI in the MPR. He is also an advisor to the Indonesian Hindu Youth Association and Prajaniti Hindu Indonesia. Apart from that, he was also a member of the spiritual organization Paguyuban Ngesti Tunggal (Pangestu).</br></br>He died in South Jakarta on Friday, September 16 2022 and was buried at the Kalibata Heroes' Cemetery (TMP), South Jakarta.ata Heroes' Cemetery (TMP), South Jakarta.)
  • I Putu Swaryandana Ichi Oka  + (I Putu Swaryandana Ichi Oka or familiarly I Putu Swaryandana Ichi Oka or familiarly called Ryan grew up in Banjar Pande, Sayan Village, Ubud. Ryan is a young composer who is currently pursuing a master's degree at the Indonesian Art Institute, Denpasar. This young composer is active in the arts at the Sanggar Seni Cudamani, Pengosekan, Ubud. Most of Ryan's works reflect traditional styles such as Swasti Prapta (for dance compositions) and Sundih, but there are some more contemporary works such as Su3lim (instrumental) and Kalatalaraga (body music). Ryan's works can be seen on YouTube Channel: Ryan Swaryandana.seen on YouTube Channel: Ryan Swaryandana.)
  • I Putu Tangkas Adi Hiranmayena  + (I Putu Tangkas Adi Hiranmayena is an IndonI Putu Tangkas Adi Hiranmayena is an Indonesian artist and scholar. Putu’s interests are rooted in gamelan, improvisation, and metal music, while dealing primarily with high adrenaline activity, embodiment, and cosmology theories. His musical works directly highlight exigency of performance in peak physical states, which provoke praxis of micro-temporality. Putu has performed with gamelan and improvisation ensembles around the United States and Indonesia; most recently with Gamelan Pandan Arum from Los Angeles, Gamelan Tunas Mekar in Denver, and Sanggar Manik Galih in Bali. He has also acted as gamelan ensemble director at the Museum School of San Diego as well as the University of San Diego. Putu holds a B.A. from the University of Colorado Colorado Springs in Visual and Performing Arts and an M.A. from the University of California San Diego in Integrative Studies. He has recently started a Ph.D. program at the University of Illinois Urbana-Champaign in ethnomusicology where he plans to continue his studies in new music and gamelan.inue his studies in new music and gamelan.)
 (I thank you for your time to speak to us today. Recently, there has been)
  • Speeding  + (I thank you for your time to speak to us tI thank you for your time to speak to us today.</br>Recently, there has been a lot of news related to the number of motorists, especially motorcyclists, who have committed drunk driving on public roads. If the government is more responsive in preventing drunk driving on public roads, such as money, this new incident occurred on November 15, 2023 on the bypass road in Ngurah Rai, Denpasar, Bali.</br>A possible solution to protect the safety of riders and especially motorists is to conduct night patrols in crucial areas where there are often fogs and tracks on the roads.re are often fogs and tracks on the roads.)
  • I Nyoman Ritug  + (I want to introduce my 95 year old grandfaI want to introduce my 95 year old grandfather who is still actively working as a carving artist, he is named I Nyoman Ritug, he started working since he was 10 years old with his father, until now he is still actively working, I hope he has a long life.. thank God proud to be his grandson, even though my ability is far below his.. even though my ability is far below his..)
  • Desak Yoni  + (I was born in 1972—or so one of my friendsI was born in 1972—or so one of my friends’ parents who was a teacher told me, as neither of my parents recall my exact date of birth—in a small village north of Ubud on the island of Bali, one of the many islands in the Indonesian archipelago.</br>When I was young I felt there was no other choice but to leave Bali to free myself from the burdens of poverty and tradition. I have traveled extensively abroad, married, brought up sons, and worked in Australia while continuously educating myself at college and university—my most recent acquisition a Masters degree in International Business from Newcastle University, New South Wales, Australia.</br>I returned to Bali in 2012 after almost twenty years of living abroad, hoping to achieve a better quality of life, rebuild my family and create employment for my fellow Balinese. Since returning to Bali I have experienced at first hand the challenges facing Balinese women in the parallel universe of modern tourism and traditional life, where families struggle to maintain a balance between traditional adat duties and the temptations of the island’s tourism playground, illicit drug and sex scene.</br>Tumultuous experiences, a life full of dramas, tragedies and rare happy times that never seem to last for long enough, have inspired me to write this book as a part of my own journey of self-discovery. I am currently working on a second book while continuing other projects in Bali.k while continuing other projects in Bali.)
  • I Wayan Aris Sarmanta  + (I Wayan Aris Sarmanta, born in Gianyar, ApI Wayan Aris Sarmanta, born in Gianyar, April 8, 1995. Since 2011, he has been actively exhibiting, including at the Puri Painting Museum, Arma Museum, Allcaps Gallery, Bentara Budaya Bali, Titian Artspace Ubud, Paradiso Ubud, Griya Santrian Gallery, Bale Banjar Sangkring Jogja. In 2017 he held a solo exhibition “Rebirth” at Titian Art Space, Ubud. He won the 2017 Titian Prize Nine Finalist and 2018 Titian Prize Winner.ine Finalist and 2018 Titian Prize Winner.)
  • I Wayan Arnata  + (I Wayan Arnata (born in 1973, Sukawati, GiI Wayan Arnata (born in 1973, Sukawati, Gianyar) is an abstract artist who grew up surrounded by Balinese art and tradition. His works are unique and employ the traditional Balinese technique of Ngodi to create textures with threads. The Ngodi technique applied to modern abstracts yields a distinctive appearance and finish. Threads are used to signify various metaphorical themes and concepts in multiple cultures. In Balinese culture, it stands for an extended period or a medium that connects one period to the next. It is here that he found a foundation to explore tradition in his contemporary creative process while staying true to his identity and roots. Arnata has received several awards, such as the Bronze award in the UOB Painting of the Year (Established Artist Category) competition in 2017 and the Philip Morris Indonesia Art Award in 1996, 1997 and 1999.ndonesia Art Award in 1996, 1997 and 1999.)
  • I Wayan Arya Bisma  + (I Wayan Arya Bisma is a young musician andI Wayan Arya Bisma is a young musician and composer who grew up in Pujung Kelod, Sebatu, Gianyar. Currently, Bisma is still pursuing his undergraduate education at the Indonesian Art Institute, Denpasar. Bisma is active as a musician and composer at the Sanggar Seni Çudamani, Pengosekan, Ubud.e Sanggar Seni Çudamani, Pengosekan, Ubud.)
  • I Wayan Balawan  + (I Wayan Balawan (born September 9, 1972 inI Wayan Balawan (born September 9, 1972 in Bali), better known by the single name Balawan, is an Indonesian guitarist and songwriter. He is best known as a Batuan Ethnic Fusion guitarist and his ability to play double neck guitar. Balawan has developed the 8 Fingers Touch Style technique, which also known as the Touch-Tapping Style. He is often regarded as one of the fastest guitarists in Indonesia. He is also called The Magic Finger guitarist among the world's music community.</br></br>Personal life</br>Balawan listened to Balinese gamelan, a traditional music style from Bali, since birth. At the age of eight he taught himself to play guitar. He joined his first band when he was 14 years old. Although he grew up in a traditional Balinese culture, Balawan played more rock songs than gamelan. Some of his favorite bands were The Scorpions, Deep Purple and The Beatles.</br></br>Eventually he became bored with rock music and decided to study jazz at the Australian Institute of Music in Sydney.During his studies towards a Diploma of Music, he was awarded a three-year scholarship. He studied in Sydney for about five years, during which time he also gained popularity for his exceptional talent of playing guitar and jazz music. After he obtained his Diploma of Music in 1997, he went back to Bali and formed a band called Batuan Ethnic Fusion, which combined the traditional Balinese gamelan music with jazz / fusion style.</br></br>Career</br>His first professional band, Batuan Ethnic Fusion, is still active. Besides being a band member, Balawan is also working on his solo career and has released three albums. His first solo album was "Balawan", which released in 1997 by the Acoustic Music Label, a German company. Later, he worked with an Indonesian company, and with his band, he released his first band album, "GloBALIsm", under Chico&Ira production in 1999. Recently Balawan launched his second solo album, "Magic Fingers", under the Sony-BMG Music Indonesia label. Magic Fingers really showcases Balawan's abilities in arranging and composing and his ability to blend modern music with traditional Balinese gamelan.</br></br>Indra Lesmana about Balawan: "It's always exciting to find new things in art and Batuan Ethnic Fusion is a perfect example of artist who explore into the great spectrum in art with passion, love, beauty and freedom..." </br></br>As Balawan is considered as the only Indonesian guitarist who able to develop and use the "Touch Tapping" style, he often plays in Germany and Norway. In 2000, Balawan collaborated with many international guitarists at "East Meet West Gitarren Festival Edekoben Germany 2000 Tour". He also has had a tour in 20 cities in Germany in 2001. In the same year, Balawan played at "Hell Blues Festival" in Norway in September. In 2011 Balawan appeared at the 16th Other Minds festival in San Francisco.</br></br>Technique</br>Balawan has developed and expanded a technique called "Touch Tapping" style. The technique enables the guitarist to play two or even three different music progressions at the same time using the same instrument continuously. Another notable player of this technique is Stanley Jordan, an American jazz/fusion guitarist. Balawan developed the same progression with Stanley Jordan, that he is able to produce a piano, bass and guitar at the same time using just one instrument.</br></br>Usually Balawan uses all four fingers of his right hand to create the melody progressions and his left hand to create the bass and rhythmic sounds. Another unique thing is that there is no pattern or repetition whatsoever between the left and right hand. Thus Balawan has a very exceptional skill of playing guitar.</br>Balawan also plays drums, both to fill the tracks on his albums and to develop the "Touch Tapping" style.</br></br>Equipment</br>Since Balawan needs to play rhythmic progression and melody at the same time, he uses a special guitar with two necks made by Tommy Kaihatu that also known as Rick Hanes Guitar. Balawan's Rick Hanes Guitar has a double neck with six strings on both upper neck and lower neck, which utilises MIDI pickups to translate the notes he plays into MIDI notes played via off-board synths and samplers.</br></br>Balawan uses Rick Hanes guitars exclusively, which are Balawan Double Neck Series, Balawan Mini Guitar Series and Essel-Balawan Custom Series. He also uses Rockstone Cases and VOX amplifier.e also uses Rockstone Cases and VOX amplifier.)
  • I Wayan Bendi  + (I Wayan Bendi – 1950-2020 (Indonesia) I WI Wayan Bendi – 1950-2020 (Indonesia)</br></br>I Wayan Bendi was a living legend, the leading practitioner of the Batuan style of painting which developed in Bali in the 1920’s-1930’s.</br></br>He was born in 1950, in Batuan, a village near Ubud. He still remained rooted to his birthplace, where he had his studio and art gallery.</br></br>The Batuan style of painting is very intricate and detailed, crammed with many “stories”. Paintings in this style are tightly crowded with teeming crowds and scenes that depict all the traditional aspects of Bali life, like rice harvests, temple rituals, dancing girls and fantastical theater masks.</br></br>A Batuan picture usually has a sober monochrome color palette, because of the initial application of black and grey paint on the canvas surface as base. But Bendi is also an artist with a mischievous streak. For a Batuan artist, he is considered very colorful with his ‘soberly bold’ colors like brick red and light olive. Then there’s his ‘thing’ about helicopters. Bendi usually has one somewhere in his crowded agrarian scenes, and part of the fun is to hunt for it. Another favorite, the t-shirt clad, inquisitive tourist with his intrusive, long nosed camera lens, snapping away amid the water buffaloes and rickety taxis. It’s a Bendi trademark that speaks volumes about his concern for Bali’s relationship with the almighty tourist dollar.</br></br>Bendi expanded his focus to capture traumatic events that has impacted Indonesia, from the Bali bombing to the tsunami. Always, Bendi’s witty, observant paintings are like a macrocosm of modern Bali life.</br></br>The artist has exhibited in Japan, Netherlands, Belgium and New York. Japan, Netherlands, Belgium and New York.)
  • I Wayan Diana  + (I Wayan Diana, born in Batuan, 1977. He haI Wayan Diana, born in Batuan, 1977. He has exhibited at the Puri Painting Museum, Arma Museum, Neka Museum, Griya Santrian Gallery, etc. He won awards as Jakarta Art Award Finalist (2008 and 2010), UOB Painting Of The Year Finalist (2012, 2013, 2014). With the Batuan style painting technique, his paintings voice a lot of social criticism.paintings voice a lot of social criticism.)
  • I Wayan Dibia  + (I Wayan Dibia was born in Singapadu, GianyI Wayan Dibia was born in Singapadu, Gianyar, Bali, April 12 1948. Since 1999, he has been a professor of choreography at ISI Denpasar. He is also famous for his work in the art of Kecak dance, such as Kecak Subali and Sugriwa (1976), Kecak Dewa Ruci (1982). He once collaborated with Keith Terry to create "The famous Body Tjak" (1990).</br></br>As a dance artist, he is very famous at the international level. In the field of dance, he created the Manuk Rawa Dance with I Wayan Beratha in 1981, the Puspa Wresti Dance, the Wirauda Dance, etc. He received the "Padma Shri Award" (2021) from the Government of India for his dedication in intertwining works of art between Balinese and Indian culture. In 1969, he first performed in India with the Hanuman dance.</br></br>Apart from creating dozens of dance works, he also wrote a number of books, including "Gambuh Drama and Almost Extinct Dances in Several Regions in Bali (1979), "Kecak, the Vocal Chant of Bali" (2000), "Balinese Dance , Drama, and Music: a Guide to the Performing Arts of Bali” (2012), “Communal Dance” (2015), “Kecak: From Ritual to Theatrical” (2017), “Arja Anyar” (2017), “Barong Dance Ket: From Awakening to Glory” (2018). In 2021 he published five poetry books entitled "Dance Poetry". He also wrote a book of poetry in Balinese, including the title "Kali Sengara". He also wrote a novel about dancers entitled "Bintang Panggung" (2023).</br></br>In 2022, he received the “Bali Jani Nugraha” award from the Governor of Bali. His Balinese poetry book "Kali Sengara" won the "Rancage" award from the Rancage Cultural Foundation (2023).om the Rancage Cultural Foundation (2023).)
  • I Wayan Gunayasa  + (I Wayan Gunayasa was born in Ulakan, ManggI Wayan Gunayasa was born in Ulakan, Manggis, Karangasem August 3, 1967. He is an entrepreneur and photography is one of his hobbies. He is also involved in social activities, such as children with disabilities and orphans and also participates in fighting plastic waste. His photos have been published in several magazines such as 'Emvee Magazine', 'Bali Travel' and 'Tropical Life'. He also took part in an exhibition at Mall Bali Galeria, solo exhibitions and exhibitions with other photographers. Wayan prefers to photograph culture and nature because by doing so he can travel around and get to know the culture more closely; culture in Bali in particular and Indonesian nature. He worked with Norwegian students studying in Bali in 1993-2014.an students studying in Bali in 1993-2014.)
  • I Wayan Juniarta  + (I Wayan Juniarta's primary profession is aI Wayan Juniarta's primary profession is as a journalist who finds solace in crafting essays following his tragically failed attempt at writing poetry. His first Bungklang-Bungkling records the hilarity and ludicrousness of Balinese men. When he’s not writing essays, Jun can be found pedaling towards the island’s most serene spots while composing bite-size koans, which you can seek out using the hashtag #cyclingwithbuddha. out using the hashtag #cyclingwithbuddha.)
  • I Wayan Mudita Adnyana  + (I Wayan Mudita Adnyana, born in Tenganan VI Wayan Mudita Adnyana, born in Tenganan Village, Karangasem, Bali, 16 September 1931. He is an expert in copying ancient lontar, singing kakawin, playing Gender and Selonding gamelan. He learned to copy lontar from I Gusti Bagus Sugriwa from Singaraja in 1943. From a young age he had copied many lontar, including the Bhagawad Gita, Mahabharata, Ramayana, Purusada Santa, Sutasoma, Arjuna Wiwaha, Bomantaka, Gatotkacasraya, and so on. In 1970 he helped build a village library called Widhi Sastra. In 1972, he pioneered copying lontar containing images of wayang in Tenganan. He also created a wayang sekaa (group) called Dharma Kusuma in 1980.</br></br>Copies of the lontar are widely collected by domestic and foreign collectors as well as state officials, including the President of Italy, Sandro Pertini (1983); New Zealand Prime Minister Hellene Clark (1988); President Megawati Soekarno Putri (2001). A copy of his lontar entitled Kakawin Sutasoma was once offered by a foreign collector for hundreds of millions of rupiah, but he did not let it go. Because he will pass on his favorite palm leaf to his children and grandchildren.</br></br>In 1984, he won second place in the Bali Provincial Lontar Copying Competition. In 1987, he received the Dharma Kusuma Madya Award from the Governor of Bali, the Cultural Award from the Government of the Republic of Indonesia (2019), the Bali Bhuwana Nata Kerthi International Level Award from ISI Denpasar (2023), the 2024 Bali Kerthi Nugraha Mahotama Award from the Bali Provincial Government.</br></br>Even at his very old age, he was still actively copying palm prints. Everyday he can be found at his residence in Tenganan Village.ound at his residence in Tenganan Village.)
  • I Wayan Pande Sumardika  + (I Wayan Pande Sumardika is a Balinese writI Wayan Pande Sumardika is a Balinese writer. He was born in Ngis Village, December 31, 1993. He comes from Banjar Dinas Kajanan, Ngis Village, Manggis District, Karangasem Regency. He is also an alumnus of the Bali Literature Study Program, Faculty of Cultural Sciences, Udayana University class of 2012.ciences, Udayana University class of 2012.)
  • I Wayan Seregeg  + (I Wayan Seregg was born in Timpag Village,I Wayan Seregg was born in Timpag Village, Kerambitan, Tabanan, December 31 1940. He is a student of Old Javanese Literature. Apart from that, he is also skilled in mesanti (composition of sacred songs). Because of this, he is often asked to guide kakawin and Balinese literary arts.</br></br>Seregg is often trusted as a Balinese language instructor, as well as being a judge in Balinese literature competitions. He is also a marriage counselor for high school students and students. He also appeared as a resource person, one of which was in the context of the Family Gathering and Study Orientation by the Faculty of Letters, Udayana University.</br></br>Seregeg is the supervisor of Ancient Javanese Literature at the Denpasar Bangun Sastra Foundation, and is active in the organization as Chair of the Gerokgak District Widya Sabha, Deputy Chair of the Buleleng Regency Widya Sabha, founder and supervisor of the Sekaa Santi Widya Sabha, and supervisor of kekawin. Seregg has dedicated his life to Balinese script, language and literature. He received the Wija Kusuma Award from the Buleleng Regency Government, the Dharma Kusuma from the Bali Provincial Government, the 2024 Bali Kerthi Nugraha Mahottama Award from the Bali Provincial Government, and awards from other agencies. Now, he lives in Gerokgak, Buleleng, Bali.Now, he lives in Gerokgak, Buleleng, Bali.)
  • I Wayan Suartha  + (I Wayan Suartha was born in Klungkung in 1I Wayan Suartha was born in Klungkung in 1957. Retired as a teacher for ASN (State Civil Apparatus) at SMA Wisata-PGRI Dawan, Klungkung. After retiring in 2017, he was assigned as the head of literacy at the same school. Suartha wrote poetry since junior high school, but it was only published in 1977 in a number of mass media, such as Bali Post, Karya Bakti, Student News, Nusa Tenggara, Hai Magazine, and Merdeka. In addition to writing poetry, Suartha is also active in writing short stories, drama scripts, as well as small notes on literary and theater appreciation. Dozens of fragments have been played on TVRI Denpasar Station.</br></br>His poems have been published in a number of anthologies with other poets, including Pintu Ilalang, Spektrum, The Ginseng, Shades of Inner Coloring, the Balinese anthology Pupute Tan Sida Puput, and Klungkung Tanah Tua Tanah Cinta. His literary historical work entitled Lebur Ring Klungkung in the form of an illustrated story was written with Ida Bagus Gde Parwita, guided by the history of the Puputan Klungkung incident. In 2005, together with I.B.G Parwita, he was invited to read his poems at the Ubud Wirters and Readers Festival. A collection of scripts for his drama chain Putus was published in 2012 which won him the Widya Pataka award from the Bali Provincial Government. </br></br>Suartha now lives in Banjar Pekandelan Kelod, Semarapura, Klungkung.r Pekandelan Kelod, Semarapura, Klungkung.)
  • I Wayan Subudi Yadnyana  + (I Wayan Subudi Yadnyana, a.k.a Swoofone, wI Wayan Subudi Yadnyana, a.k.a Swoofone, was born in Denpasar in 1994.</br>He expresses himself through paintings, video mapping, multi-disciplined collaborations and more. Identified by his limited palette and design sensibility, he is an emerging artist with a definite and eye-catching style. Swoofone has confirmed his presence within the sphere of Balinese contemporary art.</br></br>“Initially, my designs grew from observing the landscape and traditional architecture. I was then attracted to the old European, Japanese and Indian architectural styles. I studied Balinese Hindu mythology and teachings that I wanted to translate,” said Swoofone, who also dedicates himself to helping organise local exhibitions. “The basis of my colour expression is Tri Datu: consisting of red, white and black representing the Balinese cycle of reincarnation. I like the limited colours. I want to explore the potential, and then maybe add other colours later.”, and then maybe add other colours later.”)
  • I Wayan Wirawan  + (I Wayan Wirawan was born on 27 November 1975. He is one of Bali’s leading contemporary artists, primarily a painter who initially trained in the Batuan style of painting. Aside from painting, Wirawan also works in carving, sculpture and installation.)
  • 3 Pikobet Ring Pemilu 2024  + (I would like to thank the presenter for giI would like to thank the presenter for giving me the opportunity. Both the audience, especially the panureksa whom I respect, the wantaka basa bali wiki whom I respect, and the audience whom I love. Om Swastiastu. First of all, let's together express our happiness to Ida Sang Hyang Widhi Wasa, thanks to his grace we can gather together here for the Bali Oration Public Participation Wkithon event. On this occasion, allow me to deliver a speech that I have made.</br>Elections are only a means of exercising people's sovereignty to elect members of the DPR, DPD, President and Vice President as well as to elect members of the DPRD, which are carried out directly, publicly, freely, confidentially, honestly and fairly. As contained in UUD no. 7 of 2017 concerning general elections, all Balinese people cast their votes to support the candidate for regional leader of Bali.</br>A good Balinese leader candidate is a leader who is able to lead his people towards prosperity. Bali's future leaders must listen to the complaints of their people. Prospective Balinese leaders must be able to properly handle the problems that exist in the Bali area, including:</br>1) the declining growth of MSMEs, MSMEs play a very important role in Bali, especially in creating jobs, so they are seen as a lifeline in the process of encouraging the rate of economic growth.</br>2) controlling the prices of basic necessities, the increase in prices of basic commodities is due to expectations of increased demand, the main cause is the supply chain, food supplies such as agriculture are considered inefficient. If the trade system has not been properly regulated and controlled, prices and basic materials should remain stable.</br>3) development of public infrastructure, in the Bali area there are still public facilities that need attention and improvement. One of them is the highway, in some places there are still roads that are not good enough to pass on.</br>Sometimes many prospective leaders still forget about their duties as a result of which problems will increasingly influence other unfavorable factors that can cause disaster for the community.</br>Prospective Balinese leaders should be able to solve problems that arise in society so that the Balinese people live prosperously.</br>Okay, sorry if there are any mistakes or shortcomings, I apologize and close with. Parama shanti, "Om Shanti, Shanti, Shanti, Om"ma shanti, "Om Shanti, Shanti, Shanti, Om")
  • I G W Murjana Yasa  + (I. G. W. Murjana Yasa, is an Associate ProI. G. W. Murjana Yasa, is an Associate Professor in the Doctoral Study Program in Economics, Faculty of Economics and Business, Udayana University, Denpasar-Bali. His reasearch is on the creative economy and agriculture, as well as small and medium industries in Bali.ll as small and medium industries in Bali.)
  • IBM Dharma Palguna  + (IBM Dharma Palguna was born in Tabanan, JaIBM Dharma Palguna was born in Tabanan, January 10, 1962. He completed his undergraduate education at Udayana University, then continued his master's and doctoral programs at the Faculteit der Leterren, Rijksuniversiteit, Leiden. Since he was a teenager, he has been actively writing poetry, essays, opinions, and has been widely published in the Bali Post. His published books include Lawat-lawat Suwung (poetry; 1995), Shiwarartri in the Padma Purana (1997), Ida Pedanda Ngurah, the Great Author of 19th Century Bali (1998), Dharma Sunya: Worshiping and Researching Shiva ( 1999), How Mpu Monaguna Worships Shiva (2000), Giant Human God (2007), Shintany Rabbhana (novel; 2009), Watulumbang Mosses (2011), Sekar Ura (2012), Shakti Women (2014), Watulumbang Watumadeg ( 2014), Tattwa Man (2018), etc. His works depict creative explorations and deep reflections on life and the socio-cultural dynamics that cross the ages, and reflect his high appreciation and persistence in spirituality. He died in 2017.sistence in spirituality. He died in 2017.)
  • Robin Lim  + (Ibu Robin Lim @iburobin is a Filipino–AmerIbu Robin Lim @iburobin is a Filipino–American midwife, mother, grandmother, and founder of Yayasan Bumi Sehat, a nonprofit organization that provides free maternity care for pregnant women, mothers and their babies, plus healthcare for all those in need.</br></br>Born in the Philippines in 1956, Robin decided to become a midwife in 1991, when her sister and neice tragically died during childbirth. She qualified as a midwife in the United States and Indonesia, and founded the Bumi Sehat Foundation International in Bali, Indonesia. To date, she has birthed over 9,000 babies and is known by locals and international fans alike as “Ibu Robin” (Mother Robin). Bumi Sehat (which translates to “healthy mother earth”) operates clinics in Bali, Sumatra Island Aceh, Papua and the Philippines, as well as temporary clinics in disaster areas around the world such as Haiti and Nepal. Through the foundation, Robin trains and inspires more than 6,000 midwives and nurses per year, and over 300,000 people have benefitted from Bumi Sehat’s services to date.fitted from Bumi Sehat’s services to date.)
  • Ida Anak Agung Gde Agung  + (Ida Anak Agung Gde Agung was born in GianyIda Anak Agung Gde Agung was born in Gianyar, Bali, 24 July 1921. He is an Indonesian historian and political figure. In Bali he also served as King of Gianyar replacing his father Anak Agung Ngurah Agung. He holds a doctorate in history from Utrecht University, Netherlands.</br></br>In 1947, he became Prime Minister of the State of Eastern Indonesia (NIT). He served as Minister of Home Affairs and Minister of Foreign Affairs during President Soekarno's administration. Apart from that, he also served as Indonesian Ambassador to Belgium (1951), Portugal, France (1953) and Austria.</br></br>He died in Gianyar on 22 April 1999. On 6 November 2007 based on Presidential Decree Number 068/TK/Year 2007, he was awarded the title of National Hero by President Susilo Bambang Yudhoyono.</br></br>He wrote a number of books. Among them are Twenty Years Indonesia Foreign Policy 1945-1965 (1973), Memories of the Past: The Dutch East Indies Colonial Era and the Japanese Occupation Era in Bali (1993), The Linggarjati Agreement: Prologue & Epilogue (1995).ati Agreement: Prologue & Epilogue (1995).)
  • Ida Arimurti Sanjiwani  + (Ida Arimurti Sanjiwani studied nursing forIda Arimurti Sanjiwani studied nursing for undergraduate at Udayana University. She completed her undergraduate studies in 2020 and continued the nursing profession for one year. since 2012 Ida started working in the field of education. Ida was accepted as a teaching assistant and took a training period of 3 months. after that she was appointed as a part-time lecturer for a while then became a contract lecturer since 2013. Ida had the opportunity to take a master's degree in nursing at the University of Indonesia for 2 years in the maternity department. but Ida did not continue the specialist program due to several considerations. Currently, Ida is one of the lecturers in the maternity nursing department and is currently a permanent lecturer at the University of Udayana since 2018.r at the University of Udayana since 2018.)
  • Ida Ayu Wayan Arya Satyani  + (Ida Ayu Wayan Arya Satyani, fondly called Ida Ayu Wayan Arya Satyani, fondly called Dayu Ani, was born in Denpasar, September 17, 1977. She is a dancer, choreographer and lecturer at the Indonesian Institute of the Arts Denpasar. She has given birth to various dance works. Dayu Ani was even trusted to work on the dance choreography for the film Sekala Niskala (Seen and Unseen) directed by Kamila Andini, including the dance theater The Seen and Unseen, which involved several artists from across countries (Japan-Australia-Indonesia) in co-production with Performing Lines, Four colours, and Earth Bajra Community.</br></br>Dayu Ani has been in the world of dance since she was 14 years old at Sanggar Maha Bajra Sandhi, and until now she continues to work hard to nurture young people in the studio which is now known as the Bumi Bajra Sandhi Foundation. Dance took him to various countries and collaborated with international artists across various fields. She was involved in Body Tjak The Celebration with Prof. Dr. I Wayan Dibia and Keith Terry (San Francisco, 1999), choreographed for The Missing Sun with Nelson Chia (Singapore, 2000-2001), participated in the Cultural Olympiad with Maha Bajra Sandhi (Athena, 2004). She is also the choreographer in the Recovery Bali program which was performed in six European countries (2006).erformed in six European countries (2006).)