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• Cerita Perjalanan Luh Ayu Manik Mas Pahlawan Putri Bali  + (The forest has been laid bare. The trees h … The forest has been laid bare. The trees have been cut down and the wood taken away. Luh Ayu Manik and her friends are deeply saddened to see the forest destroyed. There is a police post in the middle of the forest but, despite this, the thieves are still able to steal wood. Luh Ayu Manik and her friends have come up with a plan to catch the thieves. But unfortunately, their plan has been foiled. And now the thieves are chasing them with a chainsaw. What will happen to Luh Ayu Manik and her friends?l happen to Luh Ayu Manik and her friends?)

• Baleganjur Benen Mua  + (Baleganjur Benen Mua is a “re-fusion” (Wal … Baleganjur Benen Mua is a “re-fusion” (Wallach, 2018) of “Fix Your Face” by the DIllinger Escape Plan, for Gamelan Baleganjur. Arranged and re-conceptualized by Putu Tangkas Adi Hiranmayena for Denver, Colorado’s Gamelan Tunas Mekar, this piece uses idioms from both traditional and contemporary baleganjur sensibilities. It premiered at the 2018 “Sounding Out the State of Indonesian Music” conference at Cornell University in Ithaca, NY. Hiranmayena’s intention in creating this piece is to critique the state of global gamelan musics and question the value attribution of Balinese peoples’ identities.tribution of Balinese peoples’ identities.)
• Legong Kuntul  + (Legong Kuntul belongs to the nondramatic L … Legong Kuntul belongs to the nondramatic Legong type which describes the elegance and beauty of the crane in the middle of the rice fields. The movements are beautiful and classic, trying to imitate the movements of a crane and performed gracefully by the dancers.e and performed gracefully by the dancers.)
• Legong Pawisik  + (Legong Pawisik was created by choreographe … Legong Pawisik was created by choreographer I Nyoman Cerita and composer I Dewa Putu Berata in Sanggar Seni Çudamani. Pawisik is a sign that the universe whispers to humans about the past, present and future. Pawisik provides an opportunity for humans to understand the natural surroundings. A knowledge that if deeply understood will make humans realize that they are only a small part of the universe. That everything is bound and intertwined with one another.is bound and intertwined with one another.)
• Tari Sekar Jepun  + (Sekar Jepun dance is a dance icon from Bad … Sekar Jepun dance is a dance icon from Badung Regency, Bali. The Japanese Sekar dance was composed by Ida Ayu Wimba Ruspawati, SST., M.Sn and the musical composition was composed by I Wayan Widia, S.Skar. Sekar Jepun dance tells about the beauty of Jepun or frangipani flowers with various shades of colors and shapes.</br></br>The Jepun flower is one type of flower that is very important for the Balinese because it is widely used as a means of ceremonies and as a means of prayer for Hindus. Jepun flowers have a fragrant aroma and have a variety of colors, ranging from white, red, purple and yellow. In Bali this tree can be found in every Balinese house, often decorating the streets of villages and cities. </br></br>In Badung Regency itself, Jepun trees are very easy to find along the road, when this tree blooms the beauty of this area will appear, that is the reason Sekar Jepun is made the mascot of Badung Regency.epun is made the mascot of Badung Regency.)
• Cerita Perjalanan Luh Ayu Manik Mas Pahlawan Putri Bali  +
• Legong Kuntir  + (This dance is based on the story of two br … This dance is based on the story of two brothers, Raja – Subali and Sugriwa, who turned into monkeys. Previously Subali and Sugriwa had the names Arya Bang and Arya Kuning and a younger sister named Dewi Anjani. One day his father gave bracelets to each of Arya Bang and Arya Kuning and cupu manik (a magic mirror that can show the past, present and future) to Dewi Anjani.</br></br>They lived in peace until they both wanted cupu manik owned by Dewi Anjani. Both fight cupu manik, and snatch it by force. Seeing the incident his father became very angry with his two sons and threw cupu manik to the bottom of the lake. Finally the two sons scrambled to dive and look for the cupu bead to the bottom of the lake but ultimately failed. But what happened, after they both came out of the bottom of the pool the faces of the two sons turned into monkeys.faces of the two sons turned into monkeys.)
• Truna Jaya  + (Trunajaya Dance is one of Bali's new dance … Trunajaya Dance is one of Bali's new dance creations, precisely from Buleleng Regency, North Bali. This dance art was originally created in 1915 by Pan Wandres in the form of Kebyar Legong, then refined by I Gede Manik.</br>Trunajaya dance or also Terunajaya describes the movements of young people who are growing up, very emotional where their behavior is always trying to attract women's hearts.</br></br>Although referred to as a depiction of a youth, this dance is categorized as a hard male dance which is generally danced by female dancers.</br>Trunajaya dance is an entertainment dance whose performance can be anywhere. Including in the temple yard, field, closed or open stage, or in places other than that.</br>Initially, this dance was a solo dance which also called “babancihan dance” because it presented characters between men and women. But along with its development, Trunajaya Dance is also performed by more than one dancer.</br>In terms of duration, this dance is very flexible, it can be short or long. The shortest dance duration generally ranges from 11 minutes from start to finish.</br></br>Historically, Trunajaya Dance is inseparable from the Kakebyaran Dance which is closely related to kebyar. It is called like that, because it is not only accompanied by Gamelan Gong Kebyar, but the movements are also very dynamic and breathe kebyar.</br></br>The Trunajaya dancers use subtle male make-up. Using yellow, red and blue eyeshadow stage makeup and using slightly high eyebrows from princess dance makeup. Another characteristic of the bebancihan dance is also seen in terms of costumes, dancers wear kamen or kancut in purple prada with diamond motifs. Worn like the use of bebancihan cloth in general, there is a remnant of kamen on the left which will later be used as a kancut, besides that the dancers also wear the typical udeng, garuda mungkur (on the back), one gold flower, ear flowers (red flowers and white flowers) as well as rumbing (earing)white flowers) as well as rumbing (earing))
• Wayang Sapuh Leger  + (Wayang Sapuh Leger is a ritual with a shad … Wayang Sapuh Leger is a ritual with a shadow puppet show that aims to cleanse or purify a person.</br></br>In Bali until now it is believed that children born in the wuku Wayang must perform a cleansing ceremony called Sapuh Leger. This is intended to avoid being chased by Kala and not being afflicted with disaster.</br></br>It is said that two sons of Bhatara Shiva or Bhatara Guru have the same otonan, which is both born at Wuku Wayang. They are both named Bhatara Kala and Sang Hyang Rare Kumara. Long before Rare Kumara was born, Lord Shiva had given permission to Bhatara Kala to catch or prey on creatures who have the same otonan as him.</br></br>Because his own brother had the same otonan, Bhatara Kala asked Lord Shiva for permission to eat Rare Kumara. However, Kala was asked to wait for his brother to grow up. Because Shiva was afraid of his son being eaten, Rare Kumara was cursed so that he never grew up.</br></br>After feeling that his brother has grown up, Kala meets Rare Kumara and intends to eat him. However, on the orders of Lord Shiva, Rare Kumara was asked to run towards the Kertanegara Kingdom.</br></br>Knowing his brother ran away, Kala chased after him. He smelled Rare Kumara's footprints and followed him and saw his little brother running. After hiding in several places, namely thick bamboo reeds, behind firewood, and a fireplace, Rare Kumara arrived at Kertanegara.</br></br>Kertanegara was attacked by Bhatara Kala, and Rare Kumara ran until late at night when he arrived at the puppet show. The puppeteer Rare Kumara was asked to hide in the gamelan gender resonator.</br></br>So hungry, Kala came to the puppet show and ate the offerings. Seeing this, the puppeteer reprimanded Kala to return the offerings he had eaten. Being cornered, Kala is in debt to the puppeteer and to the puppeteer, he casts a magical spell. The spell enables the dalang to free all living beings from defilements.</br></br>The dalang then offered offerings as a substitute for the child born to Tumpek Wayang, so that Rare Kumara was safe. Rare Kumara was brought back to heaven by Lord Shiva.</br></br>That is the brief story behind the implementation of Sapuh Leger on children born as Wuku Wayang. This story is taken from the Lontar Kidung Sapuh Leger. taken from the Lontar Kidung Sapuh Leger.)
• Wayang Wong Tejakula  + (Wayang Wong in Tejakula Village, Buleleng … Wayang Wong in Tejakula Village, Buleleng has received UNESCO recognition as an intangible cultural heritage. Wayang Wong is an ancient mask art dating back to the Middle Ages. In Tejakula itself, the Wayang Wong standard uses Ramayana characters. There is also another kind of wayang wong called Wayang Parwa.</br>Wayang Wong art in Tejakula Village is a sacred art which is only performed at certain times. These Wayang Wong masks are masks over three centuries old, totaling 175 masks. All the masks are kept at Pamaksan Temple, Tejakula.</br></br>Whenever there is a temple ceremony at Kahyangan Tiga Temples, Pamaksan Temple, Ratu Gede Sambangan Temple and Pura Dangka Temple (several ancient temples in Tejakula), this Wayang Wong Mask dance will be performed. Wayang Wong dancers are chosen from generation to generation based on lineage.</br></br>You can also watch this Wayang Wong performance outside of holy days. However, the masks used in this performance are duplicate masks, not the original, purified masks.</br></br>This Wayang Wong performance is usually held on Galungan Day or on the day of the local temple ceremony. At that time, the nomads usually returned to their hometowns so that the performance of this sacred Wayang Wong will be watched by many people. Because this performance is a combination of medieval Parwa and Gambuh arts, the languages used are Kawi and Sanskrit. the languages used are Kawi and Sanskrit.)
• Cerita Perjalanan Luh Ayu Manik Mas Pahlawan Putri Bali  + (When walking home after watching ogoh-ogoh … When walking home after watching ogoh-ogoh, Luh Ayu Manik and Putu Nita were surprised to see the young people falling up and running around, and screaming in fear accompanied by asking for help. "Tulung-tulung ..." shouted Wayan. There are people who can walk. the body is tall and made of all kinds of plastic and cork. Instantly Luh Ayu Manik remembered I Wayan's behavior with and I Made who liked to throw away the trash when making ogoh-ogoh into the river this morning.ing ogoh-ogoh into the river this morning.)
• Cerita Perjalanan Luh Ayu Manik Mas Pahlawan Putri Bali  + (Without warning, a fierce wind sprang up i … Without warning, a fierce wind sprang up in Room 21. The book that Luh Ayu Manik and her friends were reading shook and then flew about the room. And from the pages of the dirty, torn and tattered book, horrid demons appeared. Luh and her friends wanted to run away but they couldn't move ... they were like statues. I Wayan and I Made wanted to scream ... but their lips were sealed shut and they couldn't speak. were sealed shut and they couldn't speak.)