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• Agus Teja Sentosa  + (From the album Rhythm of Paradise https://www.youtube.com/watch?v=L2I7hZqC7lY)

• Gede Suanda  + ('Spiritual Healing’ 2022 is Sayur’s most … 'Spiritual Healing’ 2022 is Sayur’s most recent painting and a light-hearted response to Bali as an international spiritual tourist mecca. Beautiful soft colours and visual rhythms highlight the composition, an interesting fusion of creative influences inherited from his culture and others inspired by other painters. First, the soothing blue sky makes way for graceful curving lines of brown and orange clouds. Next, our eyes are drawn to the conical shape of the volcanic peak and immediately follow the gentle rhythm of the smoke wafting from the crater. Sayur’s description of the smoke is a modification of the cloud motif taken from the Classical Balinese style.</br>Harmonic colouration catches the eye. Two white herons on both sides of the smoke create a dynamic sense of movement, emphasising the bird’s motion of flight—our eye dances in tune, one-two-three, observing the icons. As we continue down the composition, the green foliage of the forest captures our attention. The visual rhythm changes again as our eye circumnavigates the leaves. The vertical lines of the tree allow the eye to sweep up and down the elongated trunks. To the right, the artist entertains us with other information, tall palms, curvaceous rice terraces, and round coconuts. He depicts a kite trapped in a tree as a simple, humorous distraction.</br></br>The focal point of the composition is the three figures. A Balinese woman carries an offering upon her head. A pale-skinned female tourist with her palms raised and water pouring onto her head participates in a Balinese cleansing ritual called melukat. A monkey upon a brown rock watches on with a grin of delight as he pushes a toy boat into the spring. The swirling curves on the stone are the artist’s modification of a classical icon. The visual rhythms change as the eye flows around the arcs of the figures, each with differing dimensions, colouration and feeling. Finally, we follow the shape of the skimpy blue G-string as it disappears into the tourists behind.as it disappears into the tourists behind.)
• Agus Teja Sentosa  + (From the album Flute for Love https://www.youtube.com/watch?v=HGpI5718rp4)
• Agus Teja Sentosa  +
• Agus Teja Sentosa  + (From the album Sundara https://www.youtube.com/watch?v=qfnJ43JSawQ)
• Agus Teja Sentosa  + (From the album Ulah Egar https://www.youtube.com/watch?v=PjLnOM2KPSA)
• Dodit Artawan  + (From Exhibition LINES UPON RHYTHM December … From Exhibition LINES UPON RHYTHM December 2022 at Vin Gallery Vietnam:</br>He took his focus in a unique way by highlighting the shapes and designs of mass products that are available in the market. Those commodities are commonly found</br>and displayed everywhere with bright colours which can also be found in his artwork characteristics producing wonderful compositions.</br></br>“Lines” will be the main feature in this show, to present how he’s adopting and appropriating the lifestyle of contemporary society closely related to consumerism. Creating lines with rhythm and drawing with bright colours while at the same time, he’s playfully criticising and celebrating contemporary society often becomes</br>irrational when lured by consumerism. And the rhythm composition of colours and lines will reenact fantasies that capitalism has done to their products.hat capitalism has done to their products.)
• I Wayan Subudi Yadnyana  + (‘The Book of Infinite Knowledge’ 2020, exh … ‘The Book of Infinite Knowledge’ 2020, exhibited in ‘Raga Rhythm’ by Wildskids late in 2020 at Titik Dua in Mas, pays homage to Saraswati the Balinese Goddess of Knowledge, Music, Art and Learning. “The process of creating such layered works involves a dedicated focus. Working with cardboard cutting individual pieces attached to board he constructs 3-dimensional works of up to 10 layers. A single work of one-meter square may require up to one week.” Swoofone’s compositions give the impression of dimensional reliefs. One of the Balinese Classical paintings’ less-identified influences is the narrative reliefs of the 9th- century Central Javanese Buddhists temple, the Borobudur. Javanese Buddhists temple, the Borobudur.)