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List of results

• Luh Ayu Manik Mas: Kaengkebang Wong Samar (At War with the Spirit World)  + (The Wong Samar monsters spring into a rage … The Wong Samar monsters spring into a rage. They kidnap village children. The villagers are suddenly in danger. Luh Ayu Manik Mas tries to save the village children, but the villain is very powerful. How will Luh Ayu Manik Mas deal with this frustrating situation? Mas deal with this frustrating situation?)
• Balinese language to preserve Balinese language  + (The world is becoming more and more connec … The world is becoming more and more connected to the global era, the world is boundless, and the Balinese culture is becoming more and more popular, the Balinese language is becoming more and more popular. It is important to be aware of this and be ready, to be aware of it, so that it can be used to promote the language, script and literature of Bali.</br></br>The promotion and preservation of the Balinese language should be the most important part of the Balinese culture, so why should the Balinese language be used in the development of Bali? The Government of Bali Province has implemented many efforts to preserve the Balinese language. This is based on the Regional Regulation number 1 of 2018 regarding the Balinese Language, Script and Literature, which is amended by the Bali Governor's Regulation No. 80 of 2018 regarding the protection and use of the Balinese Language, Script and Literature, as well as the implementation of the Bali Language Month.</br></br>The state of Perda and Pergub is to work hard to promote, preserve, and use the Balinese language. It's a good idea to come here today and let's talk about how to speak Balinese language during the Balinese Language Month. The pillar of the Parikrama is that the policy is carried out by all the people of Bali, government agencies and private educational institutions all over Bali. Accompanying the tourists here is the most important thing to learn the Balinese language. May the new year of marriage be full of good fortune, good fortune and good luck again.</br></br>Ida Hyang Aji Saraswati's wedding ceremony, Ida Hyang Aji Saraswati's wedding ceremony, the day of the Balinese Language Month of the year 2019 is the first, once the people wait or go to Balinese culture. "Following the preservation of the Literary Language of Bali to promote the World, the World of Manners, the Culture of Bali found Sukerta".nners, the Culture of Bali found Sukerta".)
• I Wayan Westa  + (The writer and humanist who won the 2014 R … The writer and humanist who won the 2014 Rancage Literature Prize with a collection of essays entitled "Tutur Bali" (2013) named I Wayan Westa. A graduate of FKIP, Dwijendra University Denpasar, Department of Balinese Language and Literature Education, he was born in Klungkung, January 27, 1965. From 1889-1993 he became a teacher at SLUA Saraswati Klungkung and a lecturer at various private universities.</br></br>In 1999 he worked at the Ford Foundation, he was also the editor of Gumi Bali SARAD Magazine in 2000-2009, and in 2010-2012 he was the Chief Editor of SABDA Magazine. His essays were published in various mass media, such as: Karya Bakti Weekly, Nusa Daily, Bali Post, Kompas, Pos Bali and Radar Bali. As editor of various articles published by the Indonesian Obor Foundation, Wulan Sedhuwuring Geni (Anthology of Short Stories and Regional Poetry), A Thousand Fireflies in Manhatan (translations into 13 Regional Languages), and Sunari (Balinese Novels by Ketut Rida), and Rabindranath Tagore , Poetry Throughout the Ages, Publisher of the Darma Sastra Foundation, 2002. He was also a speaker at Sadyakala Sastra #39 Wayan Westa: Nationalism and Glorification of Regional Languages on March 14, 2014 and Sandyakala Sastra #43 Obituary I Wayan Sadha on March 12, 2015 at Bentara Budaya Bali. on March 12, 2015 at Bentara Budaya Bali.)
• ULUWATU LACE  + (The Yak spoke with Ajit Khatai, ceo of Ulu … The Yak spoke with Ajit Khatai, ceo of Uluwatu handmade Balinese lace – the 50-year-old true Bali legacy fashion brand – about life in Bali, the journey so far and the future for the brand.</br></br>How has Bali been for you?</br></br>Been here since the beginning of the 2020 pandemic. I think one word for life here would be: healing.</br></br>What does Uluwatu Handmade Balinese Lace mean to you?</br></br>Magical and challenging on so many levels. A fashion business in Bali. A brand that’s core skill-set is lace. Only two colours (white and black) to the range planning. Tourists as primary customer. Language barrier. An immensely talented pool, which is aging.</br></br>How is it that sophistication and simplicity exists seamlessly in Uluwatu Lace? We know it’s not easy. How do you manage to achieve it?</br></br>It looks easy, because ours is a story of Bali. We carry the soul of everything that’s beautiful here. By layering simplicity over and over, we are able to create sophistication. Our pursuit is perfection. Our founder Ni Made Jati focussed on love for creating great designs. She was inspired by modern women who are independent and rebellious. Over the years, we have redefined this modern woman. I think these three elements, Bali, Simplicity and Perfection are our secrets.</br></br>How did the brand start…</br></br>In the 1970s it seemed a good business proposition. Bali had an abundance of lace skills. An influx of foreigners was allowing exploration of new silhouettes (before lace was predominately used on Kebayas). Our founder saw the possibilities. Those were times when Bali was getting started on its lasting reputation of being heaven; of secret idyllic beaches where seekers and hippies found the surf, sand and beads, and loads of sunshine to tan their skin. She adapted the lace to the new world, from airy over layers to breezy gowns for the evening fire. The Bohemian spirit has been alive ever since.</br></br>Uniquely, the Uluwatu Lace brand is cemented deeply in Bali’s history and colonial past. Can you briefly tell us more…</br></br>No-one starts out to make history. Our journey gave us two rights: time and place. Bali’s lace tradition of krawang or Lobang is a rich living craft. Earliest evidence showing its use is in the 10CE, during the end of the Majapahit reign. Almost 1,000 odd years of existence. There is an unsubstantiated belief that Kerawang is the classic crochet lace of Northern Europe. Said to be carried by missionaries who travelled with the Dutch East India Company (VOC). The timeline could be anywhere around 1600CE. But the real impact can be attributed to after 1796, when the VOC was abolished and the Dutch government gained control over Indonesia, which continued until 1941.</br></br>And then there was the modern journey…</br></br>Yes. Somewhere around mid ’70s, Kebaya was getting its space as a classic apparel which was introduced as modesty. Lace got incorporated into the Kebaya. We have been trying to perfect the art form ever since then. This evolved into the temple culture, to exactly the same clothing culture we witness in Bali today. We have managed to transform it into something desirable globally. Breaking the limitations of design was the tipping point. With just two colors, white and black, it was a sure recipe for disaster. The fact that we are still here is something bigger than a miracle. But here we are…</br></br>Why white and black?</br></br>Our journey was for excellence. I suppose we reached this point naturally. It is difficult to reason why in a 50-year journey. An intelligent guess is, white was preferred due to the tropical climate and black was easy to handle. In the early years, consistent yarns in colors was not an easy proposition. Whatever the reason, we are memorable because of the two colours.</br></br>How many people are involved in making your designs?</br></br>Our family is around 500 individuals. More than three quarters of this number are involved in the design creation and the rest are in support operations. Each person in our ecosystem is a lifelong partner to creation of these exclusive designs.</br></br>What makes this brand click?</br></br>Love and Bali. You immerse in this paradise. In return the paradise diktats that you respond with honesty. That’s what we give. We do not dilute our principles to suit business obligations. Our products are made in the old fashioned way. We have steered clear of shortcuts. Each and every piece is made in the same traditional method of bamboo hoops and slow needle whirring to make the lace. Love has its own karmic journey. Maybe it’s the love that’s responding back.</br></br>What are the attitudes in fashion changing over the decades? Where is fashion’s future for designs with your niche?</br></br>Look at the fashion around the world. Lace and crochet are consistent. Lace is here to stay. That speaks loads on the future of lace in fashion. It’s a classic embellishment in fashion. Women love it. It’s not going away anytime soon. We are a lace brand. We need one purchase to happen in a thousand in our market to stay in business. That’s a simple logic for excellence. We have to keep creating the most simple, sophisticated designs with the same passion. Great designs don’t need volume. We are content right now.</br></br>What does high thread count mean to you and why is it important to your company?</br></br>Yarn is the key. Our yarn goes through immense stress, which makes it absolutely essential to have a unique tensile strength, which is stable in the lace making process, avoiding brittleness. We have conjured up a specific blend of rayon yarns to achieve this over the years. It stays unbroken for the longest stretch of action. That brings the unique sheen to our lace.</br></br>How has the Covid Pandemic affected your brand?</br></br>It’s been a kind of blessing in disguise. We found time for course correction. Our focus diverted from sales to being janitors (cleaning up the brand). We found scope to refine our skills. Created a data-bank of designs. Refined the skills that had been acquired over 50 years. We updated software and improved processes. Basically we did a lot of clean-up. We had to ensure our designs remain heirloom pieces. Creating possibilities of engagement to lace designs. We conceptualized a Balinese Lace Museum and initiated the process of getting nominated as a heritage craft. It was a long list.</br></br>Which design will be your all-time superstar creation? Is there a story in its creation?</br></br>We love almost all our ’70s designs. The decade when chic, colour and pool parties were the epitome. The age of revolution … styles that clicked. Then we were busy making something revolutionary to be loved. We got our foothold in fashion in the ’70s.</br></br>How are you involved in the creative community in Bali?</br></br>As the flag bearer of Balinese Lace Fashion, we are the finest on the block. Both the founder and myself are pretty much very private people. Our direct visible engagement remains slower than we would like. However, we engage with artists, graphic artists, photographers, musicians and actors. We love to be the support to young creative talents.</br></br>What are the current design projects at Uluwatu Lace?</br></br>This year we are engaging in a lot of very interesting projects … I like to call in non-invasive cross-innovation, where we identify non-parallel creative techniques to come together in an organic symbiotic visual extravagance. Our designers are busy rejecting designs to arrive at acceptable designs. For example, imagine trying to combine lighter Endek fabric with Balinese lace. Both techniques cannot overpower each other. The balance of weight, colour and flow is an absolutely challenging experience.</br></br>Which particular Indonesian / international celebrities could wear your designs and embody what they mean?</br></br>For us, Happy Salma is the epitome of what Uluwatu Lace is supposed to mean. She is the purity of how our design should be expressed. In the case of Hollywood, I would love our designs on Alicia Vikander. Her athletic features and Grecian expression are timeless. And of course, Priyanka Jonas Chopra’s dusky exoticism. If they are reading this … we love you!</br></br>What’s next for Uluwatu Lace?</br></br>Short-Term: make our mark on the Paris, New York, London and Tokyo fashion scenes. Medium Term: Get listed in UNESCO heritage craft category. Long Term: hopefully keep creating inspiring designs. We have a goal to make the brand 100% sustainable with minimum carbon footprint. Engage with blockchain technology to track the impact of our brand. We also hope to have a community fingerprint, where we go beyond our business obligations and leave lasting imprints within the community that defines us.</br></br>IG: @uluwatu_handmade_balinese_lace</br></br>FB: @uluwatulacebali</br></br>www.uluwatu.co.ide FB: @uluwatulacebali www.uluwatu.co.id)
• "Wangi Kemerdekaan" ( Yowana Ngisi Kemerdekaan )  + (The youth's efforts to fill independence w … The youth's efforts to fill independence when the Indonesian state was already independent. This is a very important undertaking. Like:</br></br> 1. Building achievements in various fields, such as sports. In order to make Indonesia proud to foreign countries.</br></br> 2. Maintain and use the infrastructure built by the government to be useful.</br></br> 3. Implement a compassionate attitude of "saling asah, asih, asuh" despite different ethnicities, customs, cultures and religions.</br></br> 4. Especially for us young people in Bali to preserve Balinese cultural arts by increasing the creation of spectacles that can attract tourism attention.tacles that can attract tourism attention.)
• Mas Ruscitadewi. Theatre, philosophy Embodied  + (Theatre, Philosophy Embodied Aside from h … Theatre, Philosophy Embodied</br></br>Aside from her academic studies in philosophy Mas Ruscitadewi also studied European theatre or in other words dramaturgy. Her dissertation became some of the tools that shaped many artists.</br></br>“Aside from European theatre I also studied Balinese dance. It is through both these experiences that I found the meeting point between the two. Within Western training, I found the method. So I use the Western methodology to find the essence that is within our traditional art. That essence is philosophical creativity.”....</br></br>You can say that when it comes to performance art, the West is through mind (Rajas) and the East is through the body (Tamas). When you bring this together it becomes spirit. What I like to say is the Yoga in Theatre.</br></br>Mas Ruscitadewiy is the Yoga in Theatre. Mas Ruscitadewi)
• Theo Meier  + (Theo Meier was born in 1908 in Basle, Swit … Theo Meier was born in 1908 in Basle, Switzerland. He was educated in the arts at the Basle School of the Arts. He had worked as a portrait painter for the University of Basle. He made his first trip to Berlin, where he met Liebermann and Hofer at the Berlin Academy, as well as Emil Nolde, one of the contemporary painters he admired most. He studied with Otto Dix who influenced him greatly.</br></br>Meier left Europe for the South Pacific at the age of 24. To finance his travels, he founded a club, where each member promised a monthly fee in exchange for which they could choose one of Meier's paintings upon his return. He sailed to Papeete via Guadeloupe, Martinique, and the Panama Canal, inspired by the beauty he encountered, but also disillusioned by the presence of Western influence.</br></br>After returning briefly to Basel, he went to Bali where his life was changed forever. In Bali, he found an innocence that he did not find in Tahiti. He befriended the German painter Walter Spies, and later moved into the German artist's bamboo house. He married his first Balinese wife in 1936. When the Japanese arrived in Bali in 1941, Meier was granted permission to stay in Bali, unlike his friend Walter Spies who met his death aboard a prisoner of war ship crossing the Indian Ocean. Unfortunately, many of his paintings were lost, some of which were given to Japanese sailors. After the war, Meier remarried, fathering a daughter.</br></br>After 15 years in Southeast Asia, Meier briefly returned to Switzerland, but then returned to Bali, followed by Thailand. In 1957, he married Laiad, his third wife. In 1961, Meier moved to Chiang Mai, Northern Thailand, where he lived with Laiad in a beautiful teak house on the banks of the Ping River. He was a prolific artist and continued to paint until his death in Thailand in 1982.paint until his death in Thailand in 1982.)
• Bali dance  + (There are lots of dances in Bali, almost everyone likes to dance, from small to old, they love to dance Balinese dances, there are Sekar Jagat dance, Cendrawasih dance, Bunga Girang dance, Pendet dance, Joget dance and others.)
• Kija Ke Tomate Magedi?  + (There are lots of vegetables in Kirin's garden. Corn, carrots and tomatoes. But one day all the tomatoes disappeared from Kirin's garden. Where do they go?)
• Siwa Sasana  + (There are many types of sasana scriptures, … There are many types of sasana scriptures, or rules of behavior. Brati Sasana is a palm-leaf manuscript containing rules for a spiritual student. Rsi Sasana contains the rules of life of a priest. Stri Sasana contains rules of conduct as a wife. Siwa Sasana is a lontar which contains the rules of behavior of the priests of the Shiva sect. This lontar is the oldest sasana among other ethical scriptures. Since this lontar specifically mentions that this ethical text is for priests in Java, it can be concluded that this sasana was written in Java.</br></br>This lontar specifically contains the rules of daily life for priests and those who pursue spiritual teachings (aguron-guron). There is also discussion about the requirements for becoming a priest or an acarya. It is also stated that if a person is purified or accepted as a spiritual disciple by a qualified acarya, he will become pure and free from sorrow.</br></br>Then, it also states the requirements for a sadhaka or someone who wants to become a priest.a or someone who wants to become a priest.)
• Ashamed in front of the tourists who obey our signs  + (There are still many local residents who p … There are still many local residents who park their motorbikes in the wrong place, but foreign tourists don't follow suit, even though they pay more for parking there, they choose to park their motorbikes in their place, so we as local people should be ashamed of these tourists because they can't follow the rules. Be good in your own country. Therefore, from an early age, we must obey the regulations and preserve our culture in our own country so that we are not embarrassed by foreign countries. are not embarrassed by foreign countries.)
• Floods in CITY-DENPASAR  + (There has been a flood in Pemecutan Klod V … There has been a flood in Pemecutan Klod Village on October 8 2022 since 02.00 WITA. Floods are caused by high rainfall in Denpasar City.</br></br>In the initial data obtained from the local health office in coordination with several related agencies, the number of victims that could be informed was 0 people, consisting of 0 people died, 0 people were missing, 0 were seriously injured/hospitalized, 0 were lightly injured/outpatient and 0 Refugees.lightly injured/outpatient and 0 Refugees.)
• Dadi Tiang Nyicipin  + (There is a delicious smell from the kitchen. Apparently the mother cooked cakes for guests. Mother said, I can taste it. Which cake do you choose?)
• Pengelolaan sampah  + (There is a lot of waste that is difficult … There is a lot of waste that is difficult to manage or recycle in Bali</br>As a result, many TPAs and TPSs are full/overloaded</br>Therefore, there is a need for a solution that can handle the waste problem in Bali. I hope that the prospective leaders of Bali can handle this case well so that there is comfort and peace in social life and I also hope that Bali can be free from waste cases that are difficult to manage.</br>Thank you, I apologize if there are any bad word.ou, I apologize if there are any bad word.)
• I Sugih Teken I Tiwas  + (There is a story “I Sugih Teken I Tiwas”. … There is a story “I Sugih Teken I Tiwas”. I Sugih was very rich, but stingy. Also jealousy, nosy with the poor. Many people didn't like I Sugih.</br></br>I Tiwas, as the name, was very poor, well behaved, never nosy with others. Every day I Tiwas went to the forest looking for firewood for sale to the market.</br></br>One day, I Tiwas went to I Sugih's house to ask for fire. I Sugih said, "Eh Tiwas, find me louse! If you finish this, I'll give you rice." I Tiwas looked for I Sugih’s louse, and this was finished in the afternoon. I Tiwas was given compensation for one funnel of rice. I Tiwas immediately went home, and cooked the rice.</br></br>At house, I Sugih was looking for louse on his own head, I Sugih got a louse. I Sugih immediately headed to I Tiwas’s house, then said like this, "Eh Tiwas, I got a louse. Now give me back my rice. "I Tiwas replied," Well, I had cooked the rice". I Sugih replied, "Yes, bring me that cooked rice as the substitute!"ng me that cooked rice as the substitute!")
• Luas ka Peken  + (There is so much to see and do in the market. What things can you see in the market?)
• Anak Agung Gede Oka  + (There seem to be a number of A.A. Okas, and there may be confusion between the 1930s Batuan artist (one work int he Bateson-Mead collection), an artist from Mas, and the Batuan artist born in 1955.)
• Ni Daha Tua  + (There was once a story of Ni Daha Tua. The … There was once a story of Ni Daha Tua.</br>There was once told in some village there was an old single lady, named Ni Daha Tua. She was very old and lived by herself in a small hut. She scavenged firewood in the woods. She diligently scavenged firewood and returned home on evening and sold them on the next day. She could only sell the firewood once in two days. Although that, she had her meals cooked for herself, sometimes she had leftovers because she did not eat so much. Ni Daha Tua had a neighbor, named Pan Rendah. Because he as so many children, Pan Rendah scavenged firewood along with Ni Daha Tua every day. Since he was a healthy man and younger than Ni Daha Tua, he could scavenge more firewood home and sold it every day. Although that, because he fed many mouth, he often left with not enough meal. Ni Daha Tua came to envy Pan Rendah, because he could carry more firewood and sold it every day.</br>In the evening, Ni Daha Tua returned from scavenging firewood and sat down on her balcony as she muttered, “The God is unfair upon giving us blessing. Pan Rendah could sell firewood more and gain more money, while I can only sell it once in two days and gain less money than him. I wish if I was a young healthy man, it would be great.” As she was done muttereing by herself, a woman came to her and told Ni Daha Tua, “Miss Daha Tua, do not you mutter by yourself, saying the God gave unequal blessing, while everyone is as equal as other before the God. If you want to be a young healthy man, then it shall be granted.” that’s what that elderly woman said, and vanished. By the time it is granted, Miss Daha Tua became a young fine gentleman, then he was very happy. Since he is now a healthy young man, it meant he was able to bring firewood back, and sold it almost daily, until he had enough money, then he proposed a woman as wife.</br>Long story short, he was getting married, he had so many children, until it became too difficult to raises them, as the money from selling firewood were not enough to feed them all.</br>When he was going to sell firewood at market, and made money on it, he then left. There he stared onto the merchant which sold many things. His envious thought grew, and he went back home. Upon arrival, he again was grumbling with himself. “Sigh, God is unfair upon giving us blessing. The merchant, as a woman, sells things and gets so much money. I am alone carrying firewood until I hurt my neck. If I become a merchant, it would be great.” He grumbled to himself. Again, the old woman from before came and said, “In the past I told to not muttering something so ungrateful, talking that God is unfair, now you said something so ungrateful again. Well, if you wish to be a merchant, then your wish shall be granted.” Said the old woman, then she vanished again.</br>Long story short, she became a rich merchant who lived without missing or lacking anything. One day, when the merchant was selling, there was an Arch Bishop of the land, marched toward the palace to pay a visit. Seen by the merchant enviously, she then murmuring again said “Sigh, my wish is always not enough. I am so rich now, but have no follower. If I am an Arch Bishop, I will be happy with so much money and so many followers.” As she finished murmuring, the old woman from before appeared. “Very Well, merchant, your wish shall be granted.” Said the old woman, and then she vanished like before. At that exact time, the merchant was appointed on palace, given name of The Arch Bishop, bestowed many loyal followers. As he became The Arch Bishop, yet he still felt not satisfied, because there was still someone above him. And there, he made another wish to The God to become a king, and had his wish granted. At the same time The King felt ill, and died. Later The Arch Bishop took the throne and became The King. As he took the throne, he still felt envious, because he is not the only king on the land. There were many other kings, he then made a wish to The God, “Oh Lord Sanghiang Widi, if you really love me, bestow me another blessing, grant my wish. About what I wish is to defeat all kings so that I will rule over this realm from the sky to the earth. You had too much world to rule, so just rule the heaven!” </br>There The King was ordering all of his troops, ready to attack the other kings. The troops had been gathered and then The King marched to the war, and ordered his troops to plunder every village.</br>Long story short, so many rulers had fallen to The King, only one still stood against him. At the night after the war break. When The King was at his chamber, before he went to sleep, the old woman from before came to him and said, “You ignorant King, all of your wishes had been granted by The God, but your wish that makes you become the only ruler in this realm, from the sky to the earth, shall not be granted, as ignorant and as envious as you are!” that’s what she said, as she vanished again.</br>As that old woman left, a rain was heavily poured followed by striking thunder storm, the a thunder struck the chamber and burnt it, including The King burnt to death. And that was a story of an ignorant person full of envy. -translation'19 unud person full of envy. -translation'19 unud)
• Ecobrik solusi tepat untuk mengatasi sampah plastik  + (These ecobricks were made for ourselves wh … These ecobricks were made for ourselves which later will be very useful, especially if we are traveling if there is no trash can we can put the trash in a bottle. Apart from that, we can also reprocess these ecobricks into seats, decorations or works of processed plastic which can later be useful for many people, besides that, we can also use this as a lesson not to litter. If this was done by everyone it would be something very extraordinary. Everyone can maintain the beauty and cleanliness of this earth. The benefits obtained are taken in the manufacture of ecobricks are very, very rich in benefits. Especially if this is applied to each person. Let's love your environment, if not us who else?love your environment, if not us who else?)
• about online learning  + (they tell their complaints about online le … they tell their complaints about online learning, it makes them bored, tired because of the many assignments, and one of them doesn't know all of their classmates because they are new students at school, and don't even know where the canteen and toilets are at his school, and among those who think positively about the government's recommendation not to do face-to-face learning, and he invites his friends to always apply the health protocol, namely 3M.ways apply the health protocol, namely 3M.)
• Cecek  + (This "cecek" baligraphy is the work of a p … This "cecek" baligraphy is the work of a pure idea from me for the purposes of an assignment for a Balinese script course. This work was inspired by the empty inspiration in my mind when I wanted to make this calligraphy. While daydreaming, I accidentally saw two lizards joking. I smiled and often laughed lightly when I saw the lizard joking. Then I remembered a tantri puppet play which tells the story of the Aji Dharma, which was played by Mr. I Wayan Wija. I feel that I am the same as the story of Sang Aji Dharma. I started making cecek baligraphy, which consisted of the characters for my full name.sisted of the characters for my full name.)
• Baligrafi Riana Maharani  + (This baligraphy bears the name Riana Maharani in letters that are related to one another.)
• Baligrafi Keris  + (This Baligraphy contains an image of a keris. This baligraphy is a participant in the baligraphy competition held by UKM Keterampilan Berbahasa Bali UHN I Gusti Bagus Sugriwa Denpasar on August 20 2023.)
• Baligrafi Raja  + (This baligraphy contains an image of a king. This baligraphy is a participant in the baligraphy competition held by UKM Keterampilan Berbahasa Bali UHN I Gusti Bagus Sugriwa Denpasar on August 20 2023)
• Baligrafi Acintya  + (This baligraphy contains an image of acintya. This baligraphy is a participant in the baligraphy competition held by UKM Keterampilan Berbahasa Bali UHN I Gusti Bagus Sugriwa Denpasar on August 20 2023)

• Baligrafi Siput  + (This baligraphy contains Hanacaraka script or wrehastra script.)

• Gayatri  + (This baligraphy contains the name of the maker, namely Ni Putu Gayatri.)
• Baligrafi Koi  + (This Baligraphy contains the name of the maker, namely Ni Kadek Ayu Lestari.)
• Om Awighnamastu Nama Siddham  + (This baligraphy contains the words "Om Awighnamastu nama siddham" which is a mantra which means that there are no obstacles.)
• Om Brahma Ya Namah  + (This baligraphy contains the words "Om Brahma Ya Namah" which was inspired by a mantra and developed by the artist's imagination. The idea for making this work came from I Ketut Sudarsana.)
• Baligrafi Lotus  + (This Baligraphy depicting a lotus and an a … This Baligraphy depicting a lotus and an apple has the philosophy that a lotus flower needs water and mud to survive. The water and mud seem dirty and disgusting. However, in fact the lotus can still look clean, beautiful and charming. That is, humans still need each other even in a bad environment or people. Meanwhile, the apple itself has the meaning of apples symbolizing luck and wealth because in ancient times, because apples were considered a luxurious fruit. apples were considered a luxurious fruit.)
• Baligrafi Ksatria Pemanah  + (This baligraphy depicts a knight on horseback whose arrow is raised and directed at his enemy.This baligraphy is a participant in the baligraphy competition held by UKM Keterampilan Berbahasa Bali UHN I Gusti Bagus Sugriwa Denpasar on August 20 2023)
• Baligrafi Burung Garuda  + (This baligraphy depicts the national symbo … This baligraphy depicts the national symbol of the Republic of Indonesia, namely the Burung Garuda. This baligraphy is the result of a baligraphy competition in the framework of celebrating the anniversary of SMK Negeri 5 Denpasar as well as celebrating the 78th anniversary of the Republic of Indonesia. anniversary of the Republic of Indonesia.)
• Baligrafi Proklamator  + (This baligraphy depicts the proclaimed fat … This baligraphy depicts the proclaimed father of the Republic of Indonesia, namely Soekarno and Moh. Hatta. This baligraphy is the result of baligraphy competition in the context of celebrating the anniversary of SMK Negeri 5 Denpasar as well as celebrating the 78th anniversary of the Republic of Indonesia. anniversary of the Republic of Indonesia.)
• Merdeka  + (This baligraphy depicts the proclaimer rai … This baligraphy depicts the proclaimer raising his hand for independence. This baligraphy is the result of a baligraphy competition in the framework of celebrating the anniversary of SMK Negeri 5 Denpasar as well as celebrating the 78th anniversary of the Republic of Indonesia. anniversary of the Republic of Indonesia.)
• Lipya  + (This baligraphy has the theme "Lipya" which takes the form of a snake.)
• Sagara Kerthi  + (This baligraphy has the theme "Sagara Kert … This baligraphy has the theme "Sagara Kerthi" and reads "Sagara tan Patepi Campuhan Urip Sarwa Prani".This baligraphy is a participant in a baligraphy competition held in the context of the Bulan Bahasa Bali V in 2023. This baligraphy belongs to the Dinas Kebudayaan Provinsi Bali.ngs to the Dinas Kebudayaan Provinsi Bali.)
• Kedis  + (This baligraphy has the theme of preservation of the environment. The artist uses the shape of a bird against a blue background as the sky. The contents of his writings describe birds flying high above and then perching on trees.)
• Bunga Mawa  + (This baligraphy has the theme of preservation of the environment. This baligraphy contains the message don't pollute the world, trees are the lungs of the world, and think positively to keep the world always green and clean.)
• Lestariang Jagat Bali  + (This baligraphy has the theme of preservation of the environment with the shape of the earth, trees and human hands. This baligraphy reads "Lestariang jagat Bali mangda santi lan jagadita".)
• Baligrafi I Nyoman Gunarsa  + (This baligraphy is a baligraphy made by the late painting maestro, I Nyoman Gunarsa in 2013. This baligraphy is in the form of an abstract and reads Ong-kara. This baligraphy was made in the framework of the 2013 International Balinese Language Festival.)
• Baligrafi Sastra Widya Mahottama  + (This Baligraphy is entitled Sastra Widya Mahottama. This baligraphy is a participant in the baligraphy competition held by UKM Keterampilan Berbahasa Bali UHN I Gusti Bagus Sugriwa Denpasar on August 20 2023)
• Aksara Mulaning Kauripan  + (This baligraphy is in the form of a person … This baligraphy is in the form of a person who is carrying out penance. This baligraphy reads tri kona which contains utpeti, stiti, and pralina, the sacred characters Ong, Ang, Ung, and Mang, as well as Tri Kaya Parisudha which consists of kayika, wacika, and manacika parisudha.This Baligraphy is a participant in the 2023 Makantisastra III event organized by the Bali Penyuluh Bahasa Bali Provinsi Bali on duty in Gianyar Regency on December 1 2023.uty in Gianyar Regency on December 1 2023.)
• Dewi Saraswati  + (This Baligraphy is in the form of Goddess Saraswati as the goddess of knowledge. This Baligraphy is a participant in the 2023 Makantisastra III event organized by the Bali Penyuluh Bahasa Bali Provinsi Bali on duty in Gianyar Regency on December 1 2023.)
• Sang Acintya  + (This baligraphy is in the form of Sang Aci … This baligraphy is in the form of Sang Acintya as a manifestation of Ida Sang Hyang Widhi Wasa. This Baligraphy is a participant in the 2023 Makantisastra III event organized by the Bali Penyuluh Bahasa Bali Provinsi Bali on duty in Gianyar Regency on December 1 2023.uty in Gianyar Regency on December 1 2023.)
• Baligrafi Matsya Awatara  + (This baligraphy is in the shape of a fish … This baligraphy is in the shape of a fish which symbolizes Matsya Avatar. Matsya Avatar is Vishnu's avatar who descended to the world to save the world from the flood.This Baligraphy is a participant in the 2023 Makantisastra III event organized by the Bali Penyuluh Bahasa Bali Provinsi Bali on duty in Gianyar Regency on December 1 2023.uty in Gianyar Regency on December 1 2023.)
• Om namah siwa  + (This baligraphy is inscribed with the mantra "Om Namah Shiva" which is the mantra of glorifying Dewa Shiva.)
• Om Shantih Shantih Shantih Om  + (This baligraphy is titled "Om Shantih Shantih Shantih Om" which means peace in the heart, peace in the world, and peace always.)
• Ngamet Amreta  + (This baligraphy is titled Ngamet Amreta wh … This baligraphy is titled Ngamet Amreta which is adapted to the theme of the Bulan Bahasa Bali V in 2023, namely Segara Kertih: Campuhan Urip Sarwa Prani. Ngamet Amreta means taking water or the essence of life that comes from the sea with the aim of building a balanced life. The idea of making this baligraphy is the story of the screening of Mandara Giri. This baligraphy is shaped like a banawang nala which supports Mandara Giri in the process of the giants and the gods looking for tirtha amerta. This baligraphy uses a reddish yellow background, the sky is blue, and there are wavy waves which symbolize the intense atmosphere during the search for tirtha amerta. This baligraphy is a participant in a baligraphy competition held in the context of the Bulan Bahasa Bali V in 2023. This baligraphy belongs to the Dinas Kebudayaan Provinsi Bali.ngs to the Dinas Kebudayaan Provinsi Bali.)
• Acintya  + (This baligraphy reads "angamet sarining am … This baligraphy reads "angamet sarining amreta ring telenging segara". This baligraphy uses the color blue to describe the sea and conditions in the sea, with the sun shining at the right angle. This baligraphy uses the form of acintya which means the unthinkable omnipotence of God.This baligraphy is a participant in a baligraphy competition held in the context of the Bulan Bahasa Bali V in 2023. This baligraphy belongs to the Dinas Kebudayaan Provinsi Bali.ngs to the Dinas Kebudayaan Provinsi Bali.)
• Hendra  + (This baligraphy reads "Hendra" which comes from the personal name "Agus Hendra Kusuma".)