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Indifference to Others + (You must be familiar with the conflict bet … You must be familiar with the conflict between Russia and Ukraine. Recently, it has been in the spotlight again because the two countries are indeed in a high-level crisis stage. So, invasion could happen at any time. Based on the latest international news, the war between Russia and Ukraine is still going on today (Wednesday, May 18, 2022) and has entered the 84th day. According to the latest news, Ukrainian officials say that peace negotiations between the two countries have reached a stalemate. The Guardian reported that Russian Foreign Minister Sergei Lavrov had said he believed there could be no peace deal if negotiators tried to “transfer dialogue” as the West says instead of talking about the immediate situation in Ukraine. To date, many fighters have surrendered and they have been transferred to territory already under Russian control. According to the United Nations, to date, there have been six million refugees who have fled Ukraine since the Russian invasion in February. Ukrainian citizens who managed to take refuge in various places, one of which is Poland, have a sad story. They are willing to leave their children and wives and are willing to fight for their country. There are also residents who take their children out of Ukraine because they have to find a safer place even though half of their lives are still in the area where they live.Apart from the problems between these two countries, as social beings we certainly hope for the best, namely peace. The refugees are foremost human beings who cannot live alone and definitely need the help of others. If people normally want a peaceful life, surely the refugees from Ukraine also want a peaceful life. The difference occurs if they evacuate to another place. We, who have a place to live, may not feel the way they do. In general, humans have hearts and a spirit of humanity. Imagine if we were in the position of the refugees. Of course we also want to be helped, right? Automatically when refugees come to our territory, it would be nice if we accept them openly. Greet them with what we have even if this is temporary. What we could provide, we should try to take the initiative to give to them. Teach them about caring, sincerity, patience and other things that support their current situation and current condition. It’s enough for simple things, such as the food they need, adequate medicine, and a basic place to live.Any simple form of giving will certainly help Ukrainian refugees. This assistance must also be communicated with the Indonesian government, so that there will be equality and justice in shelter areas. It is necessary to include education for the refugees. This will be very beneficial for refugees and also those who receive them. Starting from the basics, such as starting to entertain them with the culture that we have. No need to go far. Just basic things. In addition, the Indonesian people also need more education about Ukrainian refugees, so the desire to help will be channeled properly. The assistance is quite simple for Ukrainian refugees, what is certain is food, a proper place to stay and good treatment for them so that in the long term, there will be a good impact on both parties.ere will be a good impact on both parties.)
Preservation of Art Culture by Young Balinese Artists + (Young people in Bali should participate in … Young people in Bali should participate in preserving Balinese customs and culture. As the young generation we should be proud of the culture we have. Balinese customs have been around for a long time and should be passed on to the younger generation now. We also use Balinese as a communication tool to speak everyday. Balinese culture is also a lot. Art that gives the impression of the beauty of Bali and the creativity of existing artists. In this case, especially in the new era of globalization, young artists use digital media to support their family life. By using existing social media, it is hoped that it can attract young people as well. Thus, I, as the younger generation, hope that the government is able to empower the potential that exists in Balinese society.potential that exists in Balinese society.)
Wirata Parwa + ([EN] In the thirteenth year, the Pandavas … [EN] In the thirteenth year, the Pandavas disguised as ordinary people and served in the kingdom of Wirata. Yudhisthira became Kangka, a legal advisor. Bhima became a cook named Balawa. From this word 'balawa' comes the word 'belawa' in the Balinese language, those who are in charge of cooking during piodalan day in a temple or when there are other ceremonies. Arjuna became a transvestite (because of being cursed by Urwasi) for a year. Nakula and Sahadewa disguised as caretakers of cows and horse keepers. Meanwhile, Drupadi became the queen’s servant.The story in Wirata Parwa was very touching. This Parwa also tells about the murder of Kicaka, the prince of Wirata who tried to rape Drupadi.rince of Wirata who tried to rape Drupadi.)
Arjuna Wiwaha + ([EN] Kakawin Arjuna Wiwaha is a modificati … [EN] Kakawin Arjuna Wiwaha is a modification of the historical story in the Mahabharata, especially in Wana Parwa. This Kakawin tells about Arjuna's journey to search for magic weapons from Lord Shiva. In 1019-1042 A.D., the story of this ascetic Arjuna was translated and written in the form of ancient Javanese kakawin by Mpu Kanwa. The writing of this kakawin was done during the reign of King Airlangga.At the beginning of this kakawin there is a story about Arjuna who did a hermitage on Mount Mahameru to get blessings from Lord Indra. Then, he was seduced by two angels. But Arjuna passed the test. As a blessing, he was given a magic weapon by Lord Indra.There is also a story when Arjuna killed demon Niwatakawaca who controlled the demigods’ realm and disturbed the peace of the demigods.This Kakawin, although in some parts does not correspond to its original history, is very popular among the Balinese. This kakawin is the most widely quoted and studied in schools. However, as a historical reference, this kakawin is not credible because many parts have been modified. There are many parts that do not fit the Mahabharata story according to the original as written by Maharsi Wyasa. Therefore, this kakawin is classified as a literary work, not a historical epoch.s a literary work, not a historical epoch.)
Nitisastra + ([EN] Kakawin Nitisastra is thought to have … [EN] Kakawin Nitisastra is thought to have been written by Dang Hyang Nirartha, although the real author was never known. However, Nitisastra is actually a written work originating from Canakya Nitisastra in Sanskrit, written by Canakya Pandit during the reign of King Asoka in Magada, India.Kakawin Nitisastra contains proper manners to be human, characteristics of a pious and impious person, the obligations of a student, a person who is married, and an obligation for priests. There are also many metaphors and parables about good and bad behavior, foods that are appropriate to eat and those that are not, and how to serve the four teachers.A copy of the palm-leaf manuscripts of Kakawin Nitisastra is still preserved in Gedong Kirtya, Singaraja. In 1978, this manuscript was copied into Latin script by Hindu Religion teachers from PGAH Singaraja. Then, there is also a newer copy in the Balinese script from the Bali Provincial Culture Office, completed with meanings in alus singgih Balinese.What caused Kakawin Nitisastra to be said to have been written by Dang Hyang Nirartha was because this kakawin was found together with Kakawin Nirartha Prakreta. The contents of the two kakawin do not differ much. Many writers suspect that this kakawin was written when Dang Hyang Nirartha lived in Gelgel. when Dang Hyang Nirartha lived in Gelgel.)
Sutasoma + ([EN] Kakawin Sutasoma was written by Mpu T … [EN] Kakawin Sutasoma was written by Mpu Tantular, and in this Kakawin there is the phrase "bhinneka tunggal ika" (unity in diversity) which became the official slogan of the Republic of Indonesia.Kakawin Sutasoma is a literary work that tells Sutasoma’s journey (which is another name for Gautama Buddha himself) in teaching righteousness. This Kakawin seems to have a common plot with Aryasura’s Sutasoma in Pali language.In Buddhism, the story of Sutasoma is very famous. This story is carved into the relief of Borobudur Temple, Central Java.It is said that Sutasoma was born to a Kuru aristocratic family in Hastinapur. Sutasoma eventually attained spiritual enlightenment. One interesting plot in this story is the event when Sutasoma awakened Kalmasapada, a descendant of the king who behaved like a lion, to finally follow the path of virtue.In his journey of spreading dharma, Sutasoma also met with Porisada, who likes to eat human flesh. Porisada finally realized and pursued the path of virtue.Kakawin Sutasoma underwent various modifications that were adapted to the conditions at the time of its preparation. Mpu Tantular emphasizes in this kakawin that Shivaistic cult (which worships Shiva as the highest, - one of the religious paths in Hinduism) is actually not different from Buddhism. It seems that, due to the influence of Indochina culture, Shiva Buddha cult emerged in the Archipelago. This philosophy is not found in India, the country of their origin.und in India, the country of their origin.)
Yadnya Prakerti + ([EN] Most of the procedures for making off … [EN] Most of the procedures for making offerings in Bali come from Yadnya Prakerti Scripture. This scripture is one of the most important ones for Saratis. A sarati is a person in charge of making banten (offerings) in various types of ceremonies. The leader of the Saratis is called Tapini or Tarpini, who is usually a woman. Tapini is also a title for a priest's wife who has knowledge and skills in making many types of offerings. In Balinese belief, the Tapinis are supervised by Bhatari Durga.Lontar Yadnya Prakerti contains many strict rules regarding procedures for making offerings. The most important thing is the ethics and cleanliness of people who make the offerings. According to this scripture, not any person are allowed to make offerings. Because banten is an offering to God and the demigods, the process of making it must be pure.The materials used to make offerings must be natural and disposable. Banten should not be made of plastic materials, because Hindu people are familiar with the concepts of purity (sukla) and defilement (cemer). Therefore, according to the essence of Lontar Yadnya Prakerti, offerings to God and the demigods must be clean, fresh and pure.There are some basic ethics for a Sarati according to Lontar Yadnya Prakerti. First, a sarati must be clean and pure in body, mind and words. Secondly, Sarati must not forget to give charity to a brahmin (priest). Not only that, a Sarati must ensure that the banten materials are obtained in the right ways. Last but not least, Sarati should not gossip when making offerings.i should not gossip when making offerings.)
Putru Saji Tarpana + ([EN] One of the most interesting ancient t … [EN] One of the most interesting ancient texts in Bali is probably Putru Saji Tarpana. If you have used GPS as a guide, then Putru Saji Tarpana is a collection of directions for the spirits of people who have died. The contents of this text is written in ancient Javanese language, mixed with ordinary Balinese, perhaps made and copied from the fifteenth century, and until now must be read during cremation ceremonies or at Atma Wedana (Ngarorasin) ceremony.The first and last part of the manuscript does not indicate in which year and during the reign of which king the script was made. From the beginning to the end, this text contains clues about the magical places the spirit of the deceased will pass before finally reaching Yamaloka. Yamaloka is the gate of the court of spirit, where every deed will be weighed according to the provisions of the Dharma law.According to this ejection, the spirit of the deceased will encounter many strange things during the journey to Yamaloka. The magical places are in the form of forests on clouds, highways, wells, darkness, strange creatures, to deep rivers and mud. The spirit will also cross a bridge. If his actions during his life are good, all those terrible things will be passed over easily. If his actions are evil for life, the spirit will be trapped in those strange places.In order for the spirit to pass through strange places easily, Putru Saji Tarpana gave directions to the road and supplies that the spirit had to carry. These road directions also contain provisions that must be given by the spirit to the astral creatures he encounters.But this does not mean that only with a large ceremony of death can the spirit be freed from all sins. The death ceremony can only help the spirit journey to reach Yamaloka's court, but it cannot erase his bad deeds during life. Food ingredients and water offered to the spirits of the dead aims to give them a new body in the new nature, but not to wash away their sins.w nature, but not to wash away their sins.)
Babad Brahmana Catur + ([EN] Sometimes many people still consider … [EN] Sometimes many people still consider Babad Brahmana Catur text and Dwijendra Tattwa text are the same, but these lontar texts belong to two different categories. The Babad Brahmana Catur tells about the journey of Dang Hyang Nirartha, a Hindu priest from the late Majapahit era (1489 A.D.). He came to Bali and became an advisor to the Balinese kingdom in Waturenggong era. This chronicle mainly describes about the places that he had visited in Java, Bali, Lombok and Sumbawa, until finally he reached spiritual elevation on the crest of Uluwatu. Not only that, this chronicle also tells the miracles that he had made and various holy places built by him and by some of his descendants.The Babad Brahmana Catur text is an important genealogical source for descendants of the brahmana clan (soroh) in Bali. Copied several times by different authors, this manuscript still survives to the present time in the form of palm-leaf manuscripts and latin transliteration. Fortunately, Indonesian translation is available, too.Broadly speaking, this chronicle gives a glimpse about the situation when Majapahit collapsed—it had a major influence on the development of literacy in Java and Bali. As a Hindu religious leader, Dang Hyang Nirartha had a mission to defend the sacred teachings from extinction. In a unique way, he finally managed to maintain this religious system in Bali with its religious and cultural foundations that can be seen today.ltural foundations that can be seen today.)
Kemerdekan RI warsa 77 antuk ngelingin perjuangan para pahlawan + (at the Ri 77th anniversary event by rememb … at the Ri 77th anniversary event by remembering the struggles of the heroes, as the millennial generation fills independence day by protecting Bali, introducing Balinese culture and traditions, tolerance between tribes, races, and religions that we must do as millennials, on the 77th Independence Day of the Republic of Indonesia. Millennials also participate in flying the red and white flag on various roads and residents' houseslag on various roads and residents' houses)
Developing Bali as a Tourist Destination + (developing Bali as a tourist destination … developing Bali as a tourist destinationBali is one of the most popular tourist destinations in the world. In order to make Bali the most popular tourist destination, it is necessary to take care of the sustainability of the land, improve the quality of infrastructure and public services, and improve the culture and art of Bali.Efforts should be made to preserve the natural environment in order to limit the number of visitors, reduce plastic waste, and promote tourism based on local knowledge. Therefore, improving the quality of infrastructure and public services such as roads, clean water, sanitation, and electricity are necessary to ensure that tourists feel comfortable and safe while visiting Bali.The culture and art of Bali has become a tourist attraction in Matiosan from Tiosan's tourist destination. The government and the Balinese people are planning to organize cultural and artistic events such as traditional ceremonies, Balinese dances, traditional music, and Balinese fine arts. In order to make Bali the most popular tourist destination, it is necessary to pay attention to the well-being of local customs and to preserve their rights. The government and the tourism businessmen are willing to work and promote local customs and produce local products so that they can improve their economic well-being.During this time, Bali has become a sustainable tourism destination that promotes natural beauty, culture, and well-being. It's time to be loud, it's the best place to visit Bali, and the local people are silent on the other side.local people are silent on the other side.)
A simple way to preserve culture + (egun to be replaced with western culture. … egun to be replaced with western culture. Because we have to keep trying to preserve culture by introducing the younger generation that we have an extraordinary culture. The simple thing in preserving culture is to become a part of cultural activists. With this simple thing, it is hoped that the existing local culture will become more widely known and become the main attraction for local and foreign communities.raction for local and foreign communities.)
A simple way to preserve culture + (egun to be replaced with western culture. … egun to be replaced with western culture. Because we have to keep trying to preserve culture by introducing the younger generation that we have an extraordinary culture. The simple thing in preserving culture is to become a part of cultural activists. With this simple thing, it is hoped that the existing local culture will become more widely known and become the main attraction for local and foreign communities.raction for local and foreign communities.)
Toleransi budaya Bali ne + (hello friends today is the 77th independen … hello friends today is the 77th independence day I am very happy to be able to take part in the competition. And you can see above left that there is a caricature with the theme of independence day. And you can see that there are people of other religions who come to visit Bali. There we also saw that there were Balinese people who explained about Balinese culture. And we can see that they really respect our traditions, and our culture. That includes a good example.Now we also have to respect their culture, because they also respect our cultureure, because they also respect our culture)
Not Buried Not Burned + (in Bali province, Bangli district, Kintama … in Bali province, Bangli district, Kintamani district, Trunyan village. Trunyan village has a very unique burial tradition and is different from the villages in Bali, where the bodies are not buried and not burned, but are only placed on the ground covered with bamboo filled with white cloth, but the corpses do not emit an unpleasant odor. A corpse that is placed under a tarumenyan tree will not emit an odor because the tree can neutralize the odor arising from the corpse. And what's unique is that the tarumenyan tree can only grow well in the traditional village of Bali Aga Trunyan and this tree is believed to have existed since 500 years ago. With the unique tradition that belongs to the Balinese Aga tradition, Trunyan Village attracts many tourists to visit there to see the Balinese Aga traditional traditions and see tarumenyan trees that have been around for a long time and can feel the effects of tarumenyan trees first hand.he effects of tarumenyan trees first hand.)
Burung Camar dan Kokokan + (ince 2009, almost 2500 of Clean Bali Serie … ince 2009, almost 2500 of Clean Bali Series book 2 (trilingual) have been distributed free of charge to local schools mostly around the villages and towns in Bali.Trilingual: English, Balinese, Indonesian.Clean Bali Series team members, Author Maggie Dunkle and artist Margiyono have created the second in the series of three environmental children’s books.This hardback three language picture-story book (Seagull and Heron) picks up where the first book left off with Seagull continuing inland from the beach and befriending Heron and Kingfisher along the way. The trio discover a whole new set of environmental problems faced by the children and animals in the cities and surrounding countryside. Readers are also introduced to the local “Pemulung” or scrap collectors in an attempt to explain their very simple and essential role in the process of scrap collecting and recycling on the island.ap collecting and recycling on the island.)
use technology properly + (my opinion about technology that is growin … my opinion about technology that is growing and being used properly and correctly, which can produce applications and websites that are useful for the future. such as the Basabali Wiki platform, where we can express our ideas about issues that exist in society. we can all participate in the programs on the Basabali Wiki platform. by way of everyone willing to participate in pouring their thoughts into this platform, can make this website the maximum usability. so we as the nation's youth, we must be able to use the website and manage technology wisely and well. and can also create and develop a platform that is useful for the future. and one more thing, don't forget our Balinese language, because nowadays we have to preserve the Balinese language to the maximum. so as not to forget the local language itself. Even though Bali is now a developed tourism area where you must be able to speak English, we still as native Balinese people don't forget the Balinese language.people don't forget the Balinese language.)
Going to Kuta Beach + (on thursday the 4th of may, my boyfriend a … on thursday the 4th of may, my boyfriend and i went to kuta beach. we arrived there at 5.30 pm and the atmosphere there was very good. the sun that was covered by a little cloud became The scenery is beautiful, the wind blows gently as if to make us more comfortable to linger there. After taking pictures, we immediately returned to the house. What a wonderful experience one time We will do it againul experience one time We will do it again)
Balinese Culture Art + (seni budaya bali seni budaya bali kasub a … seni budaya bali seni budaya bali kasub antuk akéhnyané seni tradisional bali. kawéntenan seni rakyat sakadi seni tradisional dados aset sané mabuat sané sampun panglimbak pariwisata ring pulau dewata bali. mangda seni bali sayan kasub, iraga ngawigunayang pariwisata pinaka sarana nglimbakang seni bali ring para wisatawan mangda seni bali sayan nglimbak lan sayan kasub ring dura negara. mangda seni bali nenten ical wenten makudang-kudang pamargi: 1. ngawigunayang seni bali ring sajeroning pakaryan soang-soang. 2. malajahin budaya lokal. 3. ngenahang seni budaya ring makudang-kudang wewidangan. 4. ngawangun budaya pinaka identitas. 5. ngekspor barang seni. 6. nenten ngutang tradisi tradisional. 7. ngawigunayang produk lokal. 8. uning ring budaya soang-soang. 9. malajah indik budaya, taler.10.nenten keni panglalah saking budaya dura negara.ngiring ajegang seni budaye bali mangde tetep lestariLet's keep Balinese culture in order to remain sustainableese culture in order to remain sustainable)
Panegara Indonesia Merdeka lan Sayan Maju + (through the celebration of the 77th Indone … through the celebration of the 77th Indonesian Independence Day. Let's unite the spirit of unity and religious tolerance to symbolize a united effort for national unity. Balinese people should always try to maintain, uphold and preserve ancestral culture. education, science and technology and keep hoaxes away so that the Indonesian state is more advancedthat the Indonesian state is more advanced)
Balinese coffee, not inferior to foreign coffee + (title: Balinese coffee, not inferior to fo … title: Balinese coffee, not inferior to foreign coffee Last time, I went to my sister's house and just then there was a guest. It turned out that the guest was staying there and in the morning he was already seen drinking coffee, and during the day my grandmother and sister and I were picking coffee besides that the guests also went around too.And the guests asked about Balinese coffee with my sister and grandmother, it turned out that the guests really liked Balinese coffee and even more surprisingly, the guests turned out to be able to speak Balinese quite a bit.I was really surprised because the typical Balinese coffee was starting to be liked by foreign guests as wellting to be liked by foreign guests as well)
Rajawali dan Anak-anak + (tri-lingual: English, Balinese, Indonesian … tri-lingual: English, Balinese, Indonesian. In the last, and third book in the series, Author Maggie Dunkle and artist Margiyono take its readers high up to the volcanic mountains of Bali, where the Rajawali, a Crested Eagle, can be seen soaring in the clouds. The great bird, who is most intimate with the island’s problems, calls the local children to attend a conference of the birds to find a solution. The children soon realize that it falls upon them to make the changes for a more sustainable future.the changes for a more sustainable future.)
Wayan Sila + (“The very first night I slept over at my n … “The very first night I slept over at my new studio an owl flew into the garden. It wasn’t a coincidence that I noticed it perched in a tree,” says Balinese artist Wayan Sila. “This was aspecial experience and powerful omen. A gift from the Gods to me.”The owl is much revered by indigenous cultures and in folklore around the world as aguardian spirit, as well as a wise creature capable of extraordinary sight. Balinesemythology reveals that if an owl visits a family compound while a female member ispregnant this is indeed a positive sign. Burung Hantu literally translates from bahasaIndonesia into the English language as ghost bird; or the owl, the mysterious bird of thenight.“I have a unique connection with owls. It is a potent image that resonates with my heart. Iwas intuitively led to draw the owl and then I began to include it in my works. It has nowmanifested into a personal symbolic image, equivalent to the Barong. The owl alsoencourages me to reflect on the joy that I derive from my family life,” says Wayan.Born in Ubud, 1970, Wayan Silawasinspired by his grandfather, well known local artistWayan Barwa. From an early age he regularly visited Barwa’sstudio and gallery,surrounded by the paintings of his Balinese heritage, this was the perfect scenario for achild to learn to draw and paint.Wayan soon became adept in the “Ubud Style” of modern traditional Balinese painting. Inthe evolution of Balinese painting during the last century, from its origins of the ClassicalKamasan style that concerned teachings from the Hindu Epics, each village then began tocreate their own distinctive style.The Ubud style moved away from the religious and began to be characterized bynarratives that involve daily village life and depictions of rural and environmentallandscapes. The artists from Ubud were quick to adopt western influences in the 1930’s,depth of field, shades of color, localized narratives and the development of the humanfigure. The Kamasan style was originally a collective work and never signed by anindividual. The new personalized and expressive form of Balinese painting has its rootsfirmly entrenched here in Ubud.Wayan’s canvases are beautifully composed and resound with an overwhelming sense ofbalance and harmony. His highly detailed works are first sketched in pencil then outlinedin black Chinese ink, finally they are rendered in acrylic paint with a fine kaus bamboo, asmall piece of bamboo crafted with a tiny point to apply the medium. A large canvas, 100 x80 cms, may take up to six months to complete. “In 1997 I was inspired to include owls in my compositions after seeing a wonderful sketch by a Japanese child.”Wayan’s relationship with the burung hantu then activated an endearing association withthe people of Japan, to whom the owl is symbolic of happiness. He first visited Japan in2002 and his premiere solo exhibition there was in 1998. Every year since then Wayan has enjoyed the privilege of exhibiting work in galleries, department stores, even in theIndonesian Consulate in Tokyo. He has held over 15 solo exhibitions in Japan, andnumerous other exhibitions in Bali, Jakarta, Spain and also at the prestigious Agung RaiMuseum of Art in Ubud.“It’s an honor for me to be invited on intercultural exchange programs teaching youngJapanese students traditional Balinese painting techniques. I do this each year when I visitJapan.” Wayan has since developed a healthy market for his works there and continues toell to the Japanese tourists who often visit his Ubud studio/gallery.Wayan Sila, acrylic on Canvas, 2012,45x 60cm.Wayan SilaGarden + Bale studio of Wayan Sila.Wayan Sila. 2012, chinese ink +acrylic on canvas, 60x80cm.Wayan’s cooperative works with Japanese poet Yoko Jatiasih have been the focus of two books. They initiallycollaborated in 1998 to create music and poetry for his paintings. In 2004 their first book “Kata Kata” Echoes From TheWoods, and then in 2010 “Pelan Pelan” were published.Browsing through these books, the creative synergy between the two is easy to recognize. Yoko’s short poems, no morethan 6 lines, resonate with an uncomplicated intelligence. Upon the opposing page to the text are Wayan’scomplimentary images created especially to accompany each poem.As you contemplate the words essence, as well as study Wayan’s images, the mysterious bird of the nights’full roundeyes are firmly transfixed upon you. The fusion of words along with the images perplex the imagination, and then defyyou to believe their medium is the owl’s silent and alluring gaze.In 2011 Wayan relocated to his new studio gallery in Jalan Bisma in Ubud. Journey 400 meters along Jalan Bisma until theroadside urban development gives way to the effervescence of the padis. Down on the right hand side nestled in thesawah you will find his small abode. Look for the sign on the road then follow the narrow path that divides the greenswaying fields to his studio/gallery encircled by the bamboo fence.Wayan has created a personal space that reflects the elements that enrich and sustain him. Situated in the middle of theyard he has built a bamboo bale which functions as his studio, yet also as a place of quiet retreat. The surroundinggarden is abundant with organic vegetables, fruit trees, medicinal herbs, ornamental shrubs and flowers. Indeed, Wayanhas created his special own oasis.As you enter his two Bali dogs are quick to offer enthusiastic toothy greetings. The verdant vegetation is soothing andinviting. I discover two rabbits, four exotic birds and frogs and snakes frequent visitors, so Wayan tells me. Stonecarvings covered with brilliant green moss hide among the foliage, shrines and small Hindu temples are adorned withofferings and the sweet sent of burning incense seduces the senses. An outhouse serves as a simple kitchen and two rooms contain Wayan’s gallery painting collection and books for sale.When we observe Wayan’s paintings we enter into a beautiful and extraordinarily tranquil world. His owls’ peer outfrom within forests and lush scenes, their big eyes possess a magnetic pull and communicate a language that isdeciphered in our hearts. Wayan Sila is a painter of immense sensitivity and his works are vehicles of healing qualities and love.re vehicles of healing qualities and love.)
I Nyoman Popo Priyatna Danes + (“What the modern architecture is still try … “What the modern architecture is still trying to achieve today has been implemented in the traditional Balinese architecture for centuries now, where the concepts of energy conservation and environmental preservation are amongst the fundamental elements in every design.” – Popo DanesFrom private homes and restaurants to starred hotels and luxury resorts, the renowned Balinese architect Nyoman Popo Danes is known for his exemplary designs that showcase a distinct flair of being in harmony with the local culture and nature. This green-conscientious architect always integrates eco-friendly aspects of Bali’s traditional architecture into his designs.“While some architects are very focused on making their buildings look stunning from the outside, my main concern has always been the functionality of each aspect of the building. I always make sure that my designs are in harmony with their natural surroundings; that each room has a function; that a strong connection between the architecture, landscape, and interior is established. I don’t care if my architecture is not photogenic, as long as it serves its function well.”As an international destination, Bali attracts people from all corners of the world with its uniqueness. Therefore, Popo believes that every building on the island needs to be able to help these people feel that they are in Bali. “When you travel, you want to be immersed in the local atmosphere. In Bali, a building should exude the feeling of locality so when you enter it, you know you’re not in Jakarta, Hong Kong, or anywhere else.”The works of the two-time ASEAN Energy Award winner (in the category of Best Practice in Tropical Architecture) are known as some of the most striking in design, functionality, and environmental consciousness. Air conditioners take up the biggest energy consumption in a building, and Popo’s eco-friendly creations have the ability to ‘communicate’ with nature to lessen energy consumption through the overuse of air conditioners.“I create buildings that have open pavilions (just like in typical Balinese buildings) to allow breeze to blow in, and I don’t put too many glass windows. Then again, air circulation or heat is not the only reason why air conditioners are overused. People also tend to turn their air conditioners on to escape from the noise pollution outside their buildings. When all windows and doors are shut, it’s quiet inside. This is where nature steps in. Towering trees can be a great noise filter, and they also serve as a fresh, cool air provider.”From Indonesia to India and China to the Philippines, most of Popo’s architecture projects involve challenging landscapes. “It’s never easy. A lot of projects i’ve been doing so far (especially for luxury resorts) involve slanted soil, hilly surfaces and everything else not flat. Of course I can always take the easy job; for example in Bali, I get so many offers to design a building on a flat surface. The thing is, in order for me to build it, I have to get rid of a rice field. I will never build anything on a rice field. Rice field is a symbol of prosperity for the Balinese, and is home to the goddess of prosperity, Dewi Sri.”e to the goddess of prosperity, Dewi Sri.”)
Literature BASAbali wiki dapat mendorong andan untuk berpartisipasi dalam isu-isu sipil? + (• In my opinion, the BasaBali Wiki platfor … • In my opinion, the BasaBali Wiki platform has a very positive impact on society in paying attention to civil issues in the environment. This platform is already widely known by people. This platform can also be accessed in 80 countries and this can provide opportunities for me and the community to participate in civic issues. In my opinion, the way to increase community participation in promoting civic issues through the BasaBali Wiki platform is to conduct seminars or outreach to villages so that this platform is widely known by the public. Many parents cannot use technology and also many teenagers today do not want to find out what innovations exist today. By giving seminars or outreach to villages, it is hoped that this platform will be known by many people so that it will have a positive impact on encouraging participation in civic issues. I hope that in the future the BASAbali wiki will always be consistent in providing better and more extraordinary works, using the Balinese language, and continuing to cultivate the Balinese language in this era of globalization.ese language in this era of globalization.)

Culture + (I want schools like MAN, MTS, MIN to follow Balinese culture. For example, wearing Balinese traditional clothes every Thursday)

traditional art + ("Balinese traditional art" Art is the work of human art that expresses beauty and is an expression of the soul and culture of its creators. Art is part of culture and We must preserve it)
Hildred Geertz + ("Hildred was born in Queens, New York on F … "Hildred was born in Queens, New York on February 12, 1927 and reared there and in Teaneck, New Jersey. A graduate of Antioch College, she received her Ph.D. from Radcliffe College in 1956. Her first book, The Javanese Family (Free Press of Glencoe, Inc.), was published in 1961. After her initial fieldwork in Java, she taught at The University of Chicago from 1960 to 1970 before coming to Princeton University in 1970. At Princeton, Hildred taught courses on the history of anthropological theory, the anthropological study of life stories, the anthropology of art, and the ethnographer’s craft.In 1972, Hildred became the first chairperson of the Department of Anthropology at Princeton University, and thus the first woman chair of a department at Princeton, a position in which she served for many years. She was named Professor Emeritus in 1998.Hildred did extensive fieldwork in Morocco, and in Java and Bali, Indonesia and returned to Indonesia repeatedly during her career to conduct the research which helped fuel her extensive list of publications. She completed more than two years of fieldwork research in the village of Batuan on the island of Bali. Working in the same village that was studied in the 1930s by Margaret Mead and Gregory Bateson, she focused on the interconnections between different Balinese art forms and how and why such forms have changed through time. She investigated the effects of economic development and tourism on Balinese artistic endeavor.The first book from the research in Batuan, Images of Power: Balinese Paintings Made for Gregory Bateson and Margaret Mead, was published in January 1995 (University of Hawaii Press). In 2004,The Life of a Balinese Temple: Artistry, Imagination, and History in a Peasant Village was also published by the University of Hawaii Press. Among her other works, Professor Geertz is co-author with her former husband Clifford Geertz of Kinship in Bali (University of Chicago Press, 1975), and co-author with Clifford Geertz and Lawrence Rosen of Meaning and Order in Moroccan Society (Cambridge University Press, 1979). Most recently, in 2017, at the age of 90, her book, Storytelling in Bali, was published by the Dutch publishing house Brill."shed by the Dutch publishing house Brill.")
Louis Nagelkerke + ("Indonesia, and Bali in particular, has lo … "Indonesia, and Bali in particular, has lots of beauty to offer. Louis Nagelkerke is not only fascinated by the beauty of the people, but also by all the wonderful things religion has brought the country, such as temples and buddha statues. During his many journeys through Indonesia, Louis noticed that it is a very rich country in many ways. Louis believes that this has a lot to do with the fact that the Indonesian people are proud of their country. When Louis travels through Bali to take pictures for his paintings, the local people enjoy that. Meanwhile, it is not special for them. They live with all that beauty, their rich culture, and traditions every day. They are used to it. When Louis paints Balinese people, he tries to show them how beautiful and rich their culture is, how beautiful they are themselves. For Louis personal[ly], it is important that he, while photographing and painting the people, can make a part of their personality his own. It is a search for beauty, mysticism, culture, folklore, very much related to daily life; the folklore our modern western society lost over the years.Born February 3, 1949, in EindhovenEducation in ceramics, window dressing, drawings, and paintingsWell known since the '80s through many exact portraitsHis paintings are unique through the expression of mysticism and sphere. His inspirations Louis Nagelkerke finds almost through his vivid relation to the eastern culture and people. Musicians and dancers, especially from the wonderful island Bali. Besides that, his paintings are also influenced through the theatre.Louis is an outstanding artist and always open-minded to new ideas.rtist and always open-minded to new ideas.)
Ajak Wisatawan Domestik, Bali Kembali Bangkit dari Pandemi Covid-19 + ("Invite a Domestic Tourists, Bali Rises fr … "Invite a Domestic Tourists, Bali Rises from the Covid-19 Pandemic"None of the Balinese people (including business people, investors, and the government) thought that they would be in a difficult situation of the COVID-19 pandemic. Bali, which usually doesn't stop bringing in rupiah coffers to support its people's economy, is now deserted.A few months after the COVID-19 pandemic began to subside, there was a lot of buzz in the social media about the hashtag #WorkFromBali. Bali, as the most popular tourist attraction in Indonesia, is slowly starting to rise from the slump of the COVID-19 pandemic.Most Indonesian people consider Bali as an elite tourist destination, because the majority of visitors are foreign tourists. Not infrequently Indonesian people also think that the price of admission to tourism and the price of food at the place to eat is also high (by the standards of foreign tourists).Seeing the situation of the COVID-19 pandemic which is still uncertain, it is better for the Bali government to start moving to carry out "Rebranding Bali" for domestic tourists. Because they are considered the safest and most sustainable, to keep the economy in Bali alive and spinning.There are several ways that the Balinese government can do to invite local and domestic tourists to visit Bali:1. Ensure that Bali is a safe place during the Covid-19 pandemic, by showing that all frontline Bali tourism has been vaccinated and maintaining proper health protocols;2. Invite influencers to advertise Bali. The hashtag #WorkFromBali seems to be very good and powerful to be echoed again;3. Recalculate the highest price specifically for local and domestic tourists, such as the price of tourist entrance tickets, lodging prices, food prices, and so on, by adjusting the socio-economic conditions of the Indonesian people.4. Provide understanding and training for the frontline Bali tourism, to treat local and domestic tourists in the same way as treating foreign tourists.Hopefully Bali's economy will get better. Hopefully Bali's economy will get better.)
John Darling + ("John Darling moved to Bali in 1969 and de … "John Darling moved to Bali in 1969 and developed a rapport with its people and an affinity for their way of life. Of particular interest was their religious traditions and the changes to the Balinese society and economy that occurred as a result of the influx of tourists.Australian documentary filmmaker John Darling standing next to camera on tripod in a jungle area in Bali John Darling during filming of Lempad of Bali (1978). Courtesy Sara Darling. Photographer unknown. NFSA title: 1586432 His first documentary, Lempad of Bali (1978) which he co-directed with Lorne Blair, explores the life and work of 116-year-old artist I Gusti Nyoman Lempad and his subsequent funeral, detailing the complex, Balinese funerary customs. This production won the Documentary Award at the Asian Film Festival in 1980.Darling’s subsequent films formed his Bali Triptych (1987) series. Each hour-long episode – Between the Mountain and the Sea, The Path of the Soul and Demons and Deities – presents in vivid detail the history, culture and way of life of the Balinese people.Darling worked with other filmmakers, including John Moyle for Bali Hash (1989), which juxtaposed the raucous nature of the Hash House Harriers gathering of international tourists and the peaceful Balinese ceremonies occurring at the same time."Full article at https://www.nfsa.gov.au/latest/john-darling-bali-documentary-filmmakerSee also:My Friend, John Darling by Rio Helmi. Ubud Now & Then, June 26, 2013. http://ubudnowandthen.com/my-friend-john-darling/My Favorite Redhead: John Darling by Made Wijaya. Ubud Now & Then, July 3, 2013. http://ubudnow.webhost66.com/my-favourite-redhead-john-darling/w.webhost66.com/my-favourite-redhead-john-darling/)
Jadikan perbedaan sebagai suatu keunikan dalam berbangsa + ("Make difference as a uniqueness in the na … "Make difference as a uniqueness in the nation and state so that it looks beautiful with a variety of colors, and do not make a difference as a place to be arrogant with a sense of always being right in thinking and acting because it is differences that cause divisions that make the nation and state weak. Let us strengthen brotherhood by means of do not distinguish each other, be it from culture or culture, still be a virtuous human being. Independent!ll be a virtuous human being. Independent!)
Spirit of Legong + ("My memories of the Legong dance.. growing … "My memories of the Legong dance.. growing up I see a lot of paintings of a dancer in costume. I tried to create a photograph of the dance that is like a painting.. but still has the spirit and movement of the dance.." ~Nyoman ‘Butur’ SuantaraExcerpt from article "Legong Rhapsody, a Dance Through Time" by Dewi Dian Reich.We have a series of works by ManButur Suantara that singularly looks at one particular dance. The Legong Dance of Bali, 'Tari Legong Bali'. Balinese culture is full of beauty in so many respects. Wherever you turn you will find something rich and sumptuous in colour and also mystery. Its rituals and ceremony are profoundly deep. It draws the attention of the world. This is not the first time the dances of Bali is the object of art. Images depicting our culture is saturating mainstream media due to its power of influence towards a profitable industry. Tourism. On the positive side this means the beauty of Balinese culture is recognised by many. I mention this because I wish to draw attention to something that might be overlooked. There is something really special to reflect on here that would be remiss not to point out. Purely for our artistic discussion. As a series in photography there are interesting aspects that we can learn from.Read full article in image reference link.Read full article in image reference link.)
BALI DAKI NAPI BALI MEWALI? + ("OM SWASTYASTU" "OM AWIGHNAM ASTU NAMO SID … "OM SWASTYASTU""OM AWIGHNAM ASTU NAMO SIDHAM""OM ANO BADRAH KRATAWO YANTU WISWATAH"I would like to express my thanks to the presenter, for the time given to me, the honorable ladies and gentlemen of the jury and prospective members of the Bali Province DPD, as well as my fellow participants, whom I am proud of. Before that, let us pray to the presence of Almighty God. Thanks to Him, we can gather here with happiness at the Bali Public Participation Wikithon with orations, which carries the theme, Election 2024: what are the most urgent problems to be addressed by Bali's prospective leaders ? Hopefully events like this can be held frequently to develop a threatening Bali.Happy guests, as we know, Bali is known as the island of a thousand temples with its very beautiful environment, which is often visited by foreign tourists, because Bali is one of the focuses of tourism in Indonesia. This is what drives many foreign tourists to come to Bali. Even though Bali is a tourist destination, this is not the main topic of discussion, but there are problems that have a significant impact on Bali. As we know, this so-called era of destruction, if we talk about the problems in Bali, will cause Bali to collapse. Unfortunately, the problems in Bali have not received treatment that is useful for the island of Bali.Happy guests, if you look at life now it is certainly different from previous life, especially with the problems, the most important problem is related to the environment and land of the island of Bali which has been built up and used as a tourist attraction, this is what will make the island of Bali In terms of land and environment, it will become increasingly narrow, if all the land and environment in Bali is made into a tourist attraction, where will we (humans), animals and others live and live our daily lives? Talking about the land environment that has been converted into a tourist spot, of course there are many daily activities carried out to produce plastic waste for society, this is what will become Bali's next problem. The existence of rubbish in Bali is very sad and gets very little attention, this is what creates big dangers, for example: floods, dengue fever and others. Moreover, as has recently been reported, the rubbish bins or Suwung landfills in Bali are very full and cause fires, giving rise to smoke pollution which causes disease. Are we all willing to live and do activities in dirty places? Of course, many of you are reluctant to live in a dirty place. Happy attendees, if I conclude it is related to the problems in Bali, so that Balinese leaders can provide solutions related to problems: the transfer of land or the environment to become tourist attractions and the rampant waste which has not received special attention from the government. Based on these problems, if we don't work together from now on as the front guard, it is certain that the island of Bali will gradually collapse. The island of Bali, which has been nicknamed a thousand temples, will lose its sanctity. Based on these problems, my hope is that the elected leader of Bali 2024 will be able to find a solution so that the Balinese people can implement the noble values that exist in Bali, namely TRI HITA KARANA, because these problems are related. with the TRI HITA KARANA value, so that Bali can return to the way it was before.Happy guests, that is the speech I can deliver, I hope you all are aware of the current condition of Bali.re aware of the current condition of Bali.)
"Urati ring Luu Plastik Mangda Palemahan Asri" + ("Om swastiastu" To the presenter, thank y … "Om swastiastu"To the presenter, thank you for the time given to me. The judges whom I respect, the audience whom I am proud of and the participants in the Balinese oration competition whom I love, there is the title of my work "Caring about Plastic Waste for a Clean Environment". I thank God Almighty or Ida Sanghyang Widhi Wasa for being able to gather in good health today.Earth there are currently many problems with plastic waste which can cause great harm to the earth. Ladies and gentlemen, plastic waste is a big danger if we don't pay attention to the surrounding environment and can cause disaster in the future.Then who will remember? Not just ourselves, all of us, both students, teenagers and parents, everyone living on earth, including Bali, which is famous for its natural beauty, should care about the existence of plastic waste. This is a behavior that includes teenagers as the main actors.Remember, the job of teenagers is not only to decorate and take selfies in beautiful places, but no one pays attention to the rubbish in front of them, which causes disasters such as landslides, floods, pollution and others.So that we are not exposed to danger, we should throw rubbish in the trash, we should not throw rubbish in the surrounding environment such as rivers, roads, sewers, etc. Come on, let's not throw rubbish carelessly so that the surrounding environment remains beautiful and sustainable! We should work together with the government and all communities to create a clean environment free from plastic waste."Om Santhi,Santhi,Santhi Om"astic waste. "Om Santhi,Santhi,Santhi Om")
Anais Nin + ("One of the first female writers of erotic … "One of the first female writers of erotica, Anaïs Nin is perhaps most famous for her soul-penetrating diaries, her bohemian love affair with writer Henry Miller and an incestuous relationship with her father at the advice of her psychologist. She was also heavily involved in the psychoanalyst scene, and was interested in integrating and harmonising the self through the process of writing. Therefore it is no surprise that she idealised the idyllic island of Bali—a quiet refuge in which man lived in harmony with his universe....In 1955, Anaïs first took LSD under the guidance of Aldous Huxley and wrote a beautifully evocative description of her visions and subconscious landscape which included images of Javanese temples, Balinese music, symbolic dance gestures before finally finishing with the conclusion, “Ah, I cannot capture the secret of life with WORDS.” She was beginning to reveal what her soul desired deep down—for Anaïs, utopia was a state of mind in which the artist had access to the world of dreams. Perhaps this is why she fell in love with the mysticism and art of Bali. In her final journal (volume 7 of her diaries) she finished with a reflection on her trip to this island, complete with magical descriptions of sacred cremations, opulent gardens, temple dances, Wayang shadow puppets, natural-material bungalows used as hotels, the haunting music, and the sophisticated and gentle ways of the Balinese people."d and gentle ways of the Balinese people.")
Preservation of Balinese culture through wayang kulit + ("PRESERVATION OF BALINESE CULTURE THROUGH … "PRESERVATION OF BALINESE CULTURE THROUGH WAYANG KULIT"At this time, wayang kulit performances in Bali are increasingly rare. We often encounter shadow puppet performances during religious events in Bali, namely during works or piodalan (rahinan in Bali). Hinduism is usually held at religious events that tell the stories of figures such as the Pandawa or Ramayana stories and the stories of other figures. Besides that, wayang kulit can also be used as an entertainment show that often tells about issues in society and tells something that is educational. Wayang kulit is one of the Balinese cultures that is thick with stories of educational figures, but nowadays they are fading because they are rarely performed as entertainment. We, as a generation in Bali, have to maintain the culture of staging shadow puppets to preserve one of our cultures, namely wayang kulit, so we need to protect it by introducing wayang kulit to the wider community by frequently performing it at every social event so that wayang kulit becomes a great entertainment. of interest to the general public. To preserve a stable Bali, of course we have to maintain culture and introduce culture to the community by frequently performing our culture, especially shadow puppets at every social event or other social event. every social event or other social event.)
Robert Lemelson + ("Robert Lemelson is a cultural anthropolog … "Robert Lemelson is a cultural anthropologist, ethnographie filmmaker and philanthropist. Lemelson received his M.A. from the University of Chicago and Ph.D. from the Department of Anthropology at the University of California Los Angeles. Lemelson’s area of specialty is transcultural psychiatry; Southeast Asian Studies, particularly Indonesia; and psychological and medical anthropology. Lemelson currently is a research anthropologist in the Semel Institute of Neuroscience UCLA, an adjunct professor of Anthropology at UCLA, and a visiting professor at USC. His scholarly work has appeared in numerous journals and books. Lemelson founded Elemental Productions in 2007, a documentary film company. He has directed and produced over a dozen ethnographic films related to culture, psychology and personal experience. He is also the founder and president of the Foundation for Psychocultural Research, which supports research and training in the social and neurosciences."training in the social and neurosciences.")
I Made Nanda Adi Saputera + ("Small but full", is the appropriate expre … "Small but full", is the appropriate expression to introduce a student of SMP Negeri 1 Selemadeg who comes from the foot of the mountain. I Made Adi Saputera, who is familiarly called Nanda, was born in Mendek, October 8, 2004. This class VIII B student likes to organize. He is included in the OSIS board for the 2017-2018 term and has just been inaugurated as the OSIS board for the 2018-2019 term. As a student council administrator, he has never reneged in carrying out his obligations. Apart from that, Nanda also participates in extracurricular Nyastra Bali. He also has hobbies of football and drawing. The second child of Ida Ayu Komang Yunika with I Wayan Merdana from Banjar Mendek, Wanagiri Kauh Village, Selemadeg Tabanan District, is very fond of studying literature, especially writing Balinese script. According to Nanda, writing Balinese script is an art based on feelings. He taught himself this hobby. His teacher noticed his aptitude and provided guidance to participate in competitions. When he was in elementary school, he won first place in the Balinese script writing competition at the Selemadeg district level in 2017 and first place in the Balinese script writing competition at the Tabanan level in the framework of Porsenijar 2017.When he was in junior high school, he started by learning to write Balinese script in lontar. Thanks to his perseverance in learning, he won 1st place in writing Balinese script at the Tabanan regency level papyrus at Porsenijar in 2018, the 1st place writing the Tabanan regency invitation lontar at the Balipost Goes to School event in 2018 and at the Tabanan district ambassador at the Balinese script writing competition at Bali Arts Festival (PKB) in 2018. Like other smart students, after graduating from SMP Nanda intends to continue his education at SMA Negeri 1 Tabanan. He also wants to continue his education at top universities such as the University of Indonesia (UI) or the Bandung Institute of Technology (ITB). This 14-year-old student who has dreams of becoming a painter said that his achievements are inseparable from the motivation of his parents and teachers. He emphasized that every child has the right to learn, regardless of who, from where, and wherever they go to school. In essence, EDUCATION IS A RIGHT, BUSINESS IS A RESPONSIBILITY. IS A RIGHT, BUSINESS IS A RESPONSIBILITY.)
Condong and Inclination + ('Dance is an ancient art that is intrinsic … 'Dance is an ancient art that is intrinsic to Balis’ creative spirit. One of the many forms of worship its people offer to the Creator. This is something we have in common with many cultures across the world. Forms of traditional dance are a natural and perhaps inevitable manifestation of human creativity. Modelled and tempered to embody our thoughts and philosophies.'Looking at the rich heritage in traditional Balinese dance whilst discussing the impacts caused by a primarily commercial audience. Writing an article is one part, but it would not be possible without the full-hearted contributions of those who give fully to a collaboration for this type of project. Sri Apriani shares her experiences and performs the Tari Condong in Sawidji Studio whilst being a muse for a series of portraits by Dewi Dian Reich Exploring faces behind the dance.an Reich Exploring faces behind the dance.)
Duo Saraswati + ('Music is making connection' Duo Saraswati … 'Music is making connection'Duo Saraswati is a cello-piano duo consisting of brothers Jan and Kris van der Plas. Whilst they both grew up and had their education in The Netherlands, they make the connection between traditional Indonesian music and the classicalmusic from Europe through their Balinese background. They performed in the Concertgebouw during a live radio performance and in April 2023 they will go on tour to Indonesia and perform in Jakarta, Medan, Surabaya and Denpasar.Equality through differenceIn a world that tends to think more in contrasts, the duo embraces their differences because that is what defines them. The combination of two cultures is a way for them to bring people from various cultures together.Indonesia and The Netherlands unitedThe repertoire of Duo Saraswati is varied and always tries to find connection between European and Indonesian music. Examples of this is gamelan music composed by Colin McPhee played on cello and piano, and bringing together songs of Mochtar Embut and the Sonata of Francis Poulenc.Jan van der Plas (1997) was a guest player at the Amsterdam Sinfonietta and during his studies he performed multiple contemporary works. Young composers are eager to work together with Jan. He studied at the Conservatorium van Amsterdam with Gideon den Herder and Jelena Očić, with whom he graduated his master's in 2021. Jan plays a cello made in 1967, built by Jaap Bolink, made available by the National Instrument Fund.Kris van der Plas (2002) is a young pianist with a strong motivation to make chamber music. In 2020 he was the first prizewinner of the regional final of the Princess Christina Concours in which he also became national finalist.Kris is regularly asked to play by singers and instrumentalist because of his flexibility and broad knowledge of the repertoire.Currently Kris is studying with Frank Peters at the Conservatorium van Amsterdam.eters at the Conservatorium van Amsterdam.)
Red Chair and the White Room + ('Red Chair and the White Room is a mixed m … 'Red Chair and the White Room is a mixed media presentation by exploring social and cultural changes through a symbolic portrait narrative. A Sawidji Collaboration that looks upon current social and cultural changes through a symbolic portrait narrative. With art and photography by D.D Reich and ManButur Suantara. With additional costume and installation support by Juniari and Meliani.Excerpt:This is not a story about a boy and a girl.. Our portrait story is one of all of us. Each portrait takes us through a transformation. Transformations that are connected and represents a collective reality that we face as a traditional community. Enjoy the Online Narration of this exhibition. https://sawidji.com/2022/08/17/red-chair-and-the-white-room-a-collaboration/-chair-and-the-white-room-a-collaboration/)
The use of Balinese in the millennial era in BASAbali Site + ( *The use of Balinese in the millennial er … *The use of Balinese in the millennial era* In the millennial era like now, the use of good and correct Balinese has decreased, considering that the younger generation now does not heed Anggah Ungguhin's good and correct Balinese language which is adapted to the interlocutor so that it shows impolite ethics. This can be overcome considering that today's technological developments are increasingly sophisticated. We can learn Balinese at home using our cell phone. We can learn Balinese through applications. An example is the BASAbali Wiki dictionary application which can be downloaded and used for free. In addition, the BASAbali Wiki dictionary provides 3 introductory languages, namely English, Indonesian and Balinese and is equipped with Indonesian and English translations. Which makes it easier for many people, both domestic and foreign, to learn Balinese language and culture. If we don't preserve the Balinese language and culture ourselves, who else? I hope that the BASAbali Wiki dictionary will be better and more complete in the future and provide complete sentence translation features.ide complete sentence translation features. )
Arie Smit + (15 April 1916 – 23 March 2016. Dutch-born … 15 April 1916 – 23 March 2016. Dutch-born Indonesian painter who lived on Bali.Smit was the third of eight children of a trader in cheese and confectionery in Zaandam. His family moved in 1924 to Rotterdam, where Smit eventually studied graphic design at the Academy of Arts. In his youth he was most inspired by the work of three artists named Paul (Signac, Gauguin and Cézanne). In 1938 he joined the Royal Netherlands East Indies Army. After three months he was sent to the Dutch East Indies , where he worked as a lithographer for the Dutch army's Topographical Service in Batavia, engraving relief maps of the archipelago. Etching Balinese mountains onto maps ignited his desire to one day go to Bali.In early 1942 Smit was transferred to the infantry in East Java, but was soon captured by the invading Japanese forces. He spent three and a half years in forced labor camps building roads, bridges, and railways on the Burma Railway in Thailand, and Burma. After the Japanese capitulation in August 1945, Smit convalesced in Bangkok until January 1946. After being stationed in Denpasar, Bali as a staff writer for the infantry, he returned to the Topographical Service in Batavia in September. Until its discontinuation in 1950, he remained employed at this service, eventually becoming head of the drawing department, but in his spare time he criss-crossed Java as a painter and in October 1948 had his first exhibition in Batavia/Jakarta.[5] After Indonesian Independence on December 27, 1949, all Dutch nationals had to choose between Dutch or Indonesian citizenship within two years. Smit briefly considered emigrating to South Africa, but decided to stay; he became an Indonesian citizen late in 1951. In the following years he taught graphics and lithography at the Institut Teknologi Bandung in West Java.BaliOn invitation by the Dutch artist Rudolf Bonnet he visited Bali in 1956, together with Dutch artist Auke Sonnega. He soon met art dealer James (Jimmy) Clarence Pandy, who ran a gallery and souvenir shop. Pandy invited Smit to stay in a house on stilts at the beach of Sanur. Smit and Pandy remained friends and formed a partnership. Pandy was well-connected; Sukarno would sometimes bring his state guests to his gallery. With his love for bright colors, Smit was captured by the Balinese landscapes in its 'riotous light', and soon decided to stay to depict its villages, rice terraces, palm trees and temples.In 1960, while touring the village of Penestanan in the Ubud District where he then lived, he came upon some boys drawing in the sand. Impressed by their talent, Smit invited them to his studio, where they became the first of a growing number of students. With minimal instruction but lots of encouragement and material support, his pupils created a naive style of genre painting that became known as the 'Young Artists' style, which at its peak had 300-400 followers. Though he is considered the father of the movement, its style is quite different than any of Smit's own styles over the years.From the time of his arrival in Bali, Smit moved some 40 times, "to see what is beyond the next hill". He stayed longest in his favorite areas of Karangasem and Buleleng. He finally settled in 1992 in the village of Sanggingan near Ubud under the patronage of Pande Wayan Suteja Neka, founder of the Neka Art Museum. In recognition for his role in the development of painting on the island, Smit received the Dharma Kusama (Flower of Devotion, a Balinese cultural award) in 1992 from the government of Bali. The Arie Smit Pavilion was opened at the Neka Art Museum in 1994 to display his works and those of contemporary Balinese artists. The Museum Bali in Denpasar and the Penang Museum in Malaysia also have collections of his work. Smit further had exhibits in Jakarta, Singapore, Honolulu and Tokyo. Smit lived near Ubud for the rest of his life, but died on 23 March 2016 in a hospital Denpasar at three weeks before turning 100.enpasar at three weeks before turning 100.)
Roelof Goris + (1898 – 1965 Curriculum vitae 1898 born in … 1898 – 1965Curriculum vitae1898 born in Krommenie (North-Holland) on June 91917 final examinations gymnasium (A and B)1917-1918 military service1918-1926 studied Indonesian languages (linguistic officer), Leiden University; Arabic (Snouck Hurgronje), Sanskrit, Javanese and Old Javanese (Vogel and Hazeu), Hindu-Javanese history (Krom), and general linguistics (C. C. Uhlenbeck); amongst his older fellow students were W. F. Stutterheim and P. V. van Stein Callenfels1926 PhD under the supervision of N.J. Krom, Leiden University1926 officer for the study of Indonesian languages at the Archaeological Service, charged with the checking of transliterations of Old Javanese inscriptions1928-1939 adjunct archaeologist of the Archaeological Service in Bali1939-1941 librarian to Mangkunegoro VII, Surakarta (Central Java)1941-1945 service in the Royal Netherlands-Indies Army; civilian internee1946 on leave in the Netherlands1947-1958 linguistic officer of the Netherlands-Indies and later Indonesian Government, head of the Singaradja division of the Institute for Linguistic and Cultural Research of the University of Indonesia1958 retirement1959 librarian of the Faculty of Letters of Udayana University, Denpasar (South Bali)1962 research-professor, teaching Balinese epigraphy and early history1965 died in Denpasar on October 4Special activities and positionsScientific adviser of the Kirtya (Foundation) Liefrinck-van der Tuuk (set up in 1928), 1932-Co-worker at the Bali MuseumTeacher at a secondary school and a training-college for teachers (S.M.A. and S.G.A.)Teacher of German, 1951S.M.A. and S.G.A.) Teacher of German, 1951)
Anak Agung Made Djelantik + (1919-2007 A prince from Karangasam who stu … 1919-2007A prince from Karangasam who studied in Holland during the Second World War and returned to Indonesia as a medical doctor. Later upon his return to Indonesia he was sent to different parts of Eastern Indonesia that were frequently quite isolated to help the people there. In the course of these postings both he and his wife contracted malaria but he also became a specialist in the treatment of malaria. This proved to be extremely useful when Dr Djelantik worked for the World Health Organization which sent him to Iraq, Somalia and Afghanistan. Later he became the head of Bali’s main teacher’s training college in Sanglah and helped to found the Medical Faculty which he later also headed at the University of Udayanan in Denpasar.Dr Djelantik playing the violin as a young boy. (photo: Bulantrisna Djelantik)Dr Djelantik was a Renaissance man who was also active in the field of Balinese culture, both studying and promoting it. He was head of the Walter Spies Society with its Walter Spies Festival which focused on music and dance. Together with Fredrik de Boer, Hildred Geertz, and Heidi Hinzler he established the Society for Balinese Studies or Lembaga Penkajian Kebudayaan Bali in 1985. It held annual conferences in Bali and also abroad and according to Adrian Vickers Dr Djelantik was the natural leader of the organization. Via the organization he promoted both Balinese culture as well as the study of it. Dr Djelantik wrote papers on Balinese culture and a book on Balinese paintings which covers Balinese art history as well as Balinese aesthetics. Later he taught Aesthetics at the Akademi Seni Rupa Bali or the Balinese Academy of Arts. He also wrote an autobiography called “The Birthmark, Memoirs of a Balinese Prince”. Birthmark, Memoirs of a Balinese Prince”.)
online learning + (2 students who are having a dialogue discussing online learning, students consider online learning to be less effective than face-to-face schools due to the many tasks that accumulate so that these students are burdened by their assigned tasks.)
Preserving and Modernizing Balinese Culture Before Maligia Marebu Bumi + (50 years later. Bali will be welcoming its … 50 years later. Bali will be welcoming its 2000th saka year, and around this year, Bali will be celebrating its biggest ceremony ever. Apart from Eka Dasa Rudra, Bali will welcome the Maligia Marebu Bumi ceremony which is held once every 1000 years, every last three digits of the Saka year reach 0. However, judging from the current condition of Balinese culture, it is now increasingly dim. Will the Maligia Marebu Bumi ceremony still hold Balinese culture? Because many young people have left Balinese culture, forgetting the Balinese language. Then how. I hope the government can listen to my advice. My suggestion is that the government must infuse Balinese culture to young people, by developing the entertainment industry. Countries like Japan and Korea can maintain their culture because young people watch their own culture. Most young people in Indonesia, especially in Bali watch foreign films and play foreign entertainment with a foreign culture, so that young Balinese have an interest in foreign cultures, and end up having the dream of wanting to live in a foreign country. If the government wants to develop the entertainment industry, then young people will be aware of the culture they have, so they will aspire to develop their own country. In addition to solving internal problems, the entertainment industry is very profitable. With this, Balinese culture will be increasingly recognized by the world and its influence can match Japanese and Korean culture. Then can this be realized? The Entertainment Industry can be anything, such as Movies, Animation, Games, Songs, Etc. Many Balinese HR talents are suitable for this, such as painters who will create 2D graphic designs, City People who are talented with Coding, and Undagi or Sculptors who will create 3D designs. because at this time, it is time for us to modernize our culture so that it can be accepted by our younger generation, even the world by our younger generation, even the world)
Rahina Kemerdekaan antuk Ngelestariang Bahasa lan Budaya Bali + (77 years since the Indonesian state has be … 77 years since the Indonesian state has been independent, it is none other than our ancestors, therefore we must have a sense of devotion to the heroes who have fought on the battlefield. One of the efforts we must carry out is to preserve the language of art and culture that we have so that they are not extinct and lost art and culture that has been passed down by our ancestors now it is not difficult to learn Balinese language and culture because now there is a nali language, the wiki is complete about Balinese script language and culture and the Balinese language Wiki is very important for learning Balinese and very good to preserve Balinese language and culture.to preserve Balinese language and culture.)
Literature Berbakti Pada Pemimpin + (A : Hi, what are you looking at on your ph … A : Hi, what are you looking at on your phone?B : Look, on February 14, 2024 there will be a huge event.A : February 14? That will be Valentine’s day.B : No, it’s not Valentine’s day. You’re still young. Don’t think about girlfriend only. You see? February 14 is the grand election.A : The grand election… of what?B: I will tell you. The grand election is when we elect the president, vice president, parliament members and senators – all at the same time.A : I don’t want to think about it. I’d better go out with my girlfriend.B : Don’t say that, Gus! In Bali, we believe in Catur Guru concept. There are four gurus to be respected.A : The first one?B : It’s Guru Swadyaya, the Almighty God. The second one is Guru Rupaka, our parents at home. The third one is Guru Pengajian, the teachers at schools. Then, the last one is Guru Wisesa, leaders or government. If you prefer to abstain, it means you don’t respect the four gurus.A : If you are going to vote, what are your hopes for the prospective leaders?B : My hopes are, first, they should not be corrupt. Then, they have to support the people and mingle with the people. Lastly, since we are living in Bali, I want to vote for those who strengthen and preserve Balinese culture.A : I think you’re right.B : Of course. Now, remember to come to the voting center on February 14, 2024.A : So it will be in the morning then? What about the night vote?B : Don’t vote blindly at night, okay?e? B : Don’t vote blindly at night, okay?)
A.A. Raka Sidan + (A A. Raka Sidan's real name is A.A. Gede R … A A. Raka Sidan's real name is A.A. Gede Raka Partana. He is a songwriter and Balinese pop singer who was born June 27, 1979. He studied at UNHI Denpasar and produced a number of albums, including "Suud Memotoh" (2005), "At-Pada Ngalih Makan" (2007), "Pak Boss" (2009), "Song Brerong" (2012), "Kenceng" (2015). The songs contain a lot of moral messages and social criticism wrapped in humorous nuances.ial criticism wrapped in humorous nuances.)