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A list of all pages that have property "Description text" with value "Doing waste bank activities at Kedewatan Village". Since there have been only a few results, also nearby values are displayed.

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  • Dewa Baruna (Juara 2 Wimbakara Baligrafi Bulan Bahasa Bali V Tahun 2023)  + (Dewa Baruna is the god of the sea.In this Dewa Baruna is the god of the sea.In this baligraphy written the theme of the Bulan Bahasa Bali V in 2023 namely Sagara Kerti: Campuhan Urip Sarwa Prani which is interpreted as an altar of glorification of Balinese language, script and literature, the ocean is interpreted as the beginning and end of the life of living things. This black background baligraphic won 2nd place in the Baligraphic Competition in Bulan Bahasa Bali V in 2023 which was held at Taman Budaya Provinsi Bali. This baligraphy belongs to Dinas Kebudayaan Provinsi Bali.elongs to Dinas Kebudayaan Provinsi Bali.)
  • Dewa Gede Purwita  + (Dewa Gede Purwita is a lecturer in the fieDewa Gede Purwita is a lecturer in the field of Visual Communication Design at the Bali Design and Business Institute. Dewa is also a painter and writer known by the pen name Purwita Sukahet. He expressed his deep interest in the work of I Ketut Gede Singaraja in a solo exhibition dissecting the works of this painter from Buleleng who is famous for his pictorial realism style in 2019.s for his pictorial realism style in 2019.)
  • Dewa Made Beratha  + (Dewa Made Beratha was born in Gianyar, BalDewa Made Beratha was born in Gianyar, Bali, 12 July 1941. He is a former Governor of Bali who served two terms, namely 1998-2003 and 2003-2008. Long before that he served as Regent of Bangli for the 1968-1970 period.</br></br>He completed his education in Social and Political Sciences at Gadjah Mada University, Yogyakarta. He began his career in 1967 as regional staff secretary for Bangli Regency, and one year later was elected Regent of Bangli. Then he became a member of the Bali DPRD from 1970 to 1998, before finally becoming Governor of Bali. before finally becoming Governor of Bali.)
  • Dewa Putu Bedil  + (Dewa Putu Bedil was born in Ubud, Bali, inDewa Putu Bedil was born in Ubud, Bali, in 1921. Died in 1999. Bedil was one of the youngest members of the Pita Maha group he joined in 1936. With the encouragement and direction of Rudolf Bonnet, he developed a unique painting style with color - elegant color. He often depicts daily life, rituals, or dance in his paintings. The figures in his paintings are sleek and surreal. His works have been collected by the Bali Cultural Park (Denpasar, Bali), Tropen Museum (Amsterdam, Netherlands), Rijksmuseum voor Volkenkunde (Leiden, Holland), the National Museum (Jakarta), and many world-class collectors. He has exhibited his works at home and abroad, such as at the Jakarta National Museum and at the Indonesia-Japan Friendship Festival (Morioka, Tokyo, 1997).riendship Festival (Morioka, Tokyo, 1997).)
  • Dewa Putu Kantor  + (Dewa Putu Kantor, born in Sukawati, GianyaDewa Putu Kantor, born in Sukawati, Gianyar, 1957. He is a traditional painter who adheres to the Batuan painting style. He learned to paint the Batuan technique from the painters Dewa Putu Mangku, Dewa Made Jaya, and Made Body. For more than nine years he has absorbed the famous Batuan style painting technique with the concept of a picture space that is full, complicated, dark in color and without a clear focus.</br></br>He then simplified the complex style into the pulling and twisting of lines that form a certain shape without any Chinese ink coating process. The drawings rely solely on the strength of the lines that affect the integrity of the work. The themes of his works have also changed, from wayang stories to the daily themes of rural communities. He became known as a neo-traditional painter because he portrayed the daily life of Balinese rural people in the contemporary era. He returns the power of Balinese painting to its core, namely, lines. At first glance, his drawings remind people of the works of I Gusti Nyoman Lempad.</br></br>The wholeness and strength of his work rests on the simplicity and sharpness of the lines. Using Chinese ink and a small bamboo brush, he draws the atmosphere of the market, the penggak stall, the tajen, the ceremony at the temple, the village youth playing the gamelan, the car with its cargo, the children with their games, folklore, the girl bathing in the river, and various activities. village life. The subject matter he works on is funny, naive, ridiculous, satire, full of irony and of course, refreshing.</br></br>His works have been exhibited singly or together in a number of galleries, including a solo exhibition at the Duta Fine Arts Gallery, Jakarta (1999), a joint exhibition “Mother Rupa Batuan” at Bentara Budaya Bali (2019).upa Batuan” at Bentara Budaya Bali (2019).)
  • I Dewa Putu Mokoh  + (Dewa Putu Mokoh was the first of six childDewa Putu Mokoh was the first of six children. He was born in Pengosekan, Ubud in 1936. His father, Dewa Rai Batuan, was an undagi (traditional Balinese architect) and famous gamelan musician. His mother, Gusti Niang Rai, was an expert in making lamak (decoration for offerings). Mokoh only had three years of education at the People's School (SR), equivalent to elementary school. </br></br>Mokoh began to study drawing when he was about 15. However, his desire to become a painter had troubled his heart since childhood. Unfortunately, his father strongly opposed his desire to become a painter and rather wanted him to work in the fields, husbanding ducks and cows. For his father, painting was just a waste of time and didn’t generate any income. </br></br>However the teenage Mokoh had plenty of initiative. Though he was busy working in the rice fields, he often managed to find time to play at the home of his uncles, I Gusti Ketut Kobot and I Gusti Made Baret. He loved watching and admiring them while they were painting and he also learned a lot of traditional art techniques from them: such as sketching, colour blocking, shading, highlighting, and gradation.*</br></br>Mokoh later met Rudolf Bonnet (1895-1978), a Dutch painter who had lived in Ubud since 1929. Bonnet was one of the initiators and founders of Pita Maha (1936) and the Ubud Painters’ Group (1951). Mokoh was keen to show Bonnet the drawings and paintings that he had learned to create from his uncles.</br></br></br>Bonnet taught Mokoh the principles of modern painting. These included techniques for color recognition, mixing colors, composition, discovering one’s own creativity, as well the principle of freedom in painting. Bonnet always suggested that Mokoh search for his own creativity rather than follow in the footsteps of Kobot and Beret who focused on traditional themes. </br></br>As a result of this contact with Bonnet, Mokoh experienced enlightenment. His confidence grew. He began to realize that good paintings did not have to have Ramayana and Mahabarata themes with complicated compositions filling the image area. Mokoh felt that the purpose of such paintings was to disguise the lack of ability of the painter to work on images. </br></br>For Mokoh, good paintings can also be based on objects around the painter, or created based on fantasy and imagination, with simple coloring techniques and image processing. A painter must dare to paint with different styles and objects, must dare to explore new possibilities. </br></br>Over time, the themes of Mokoh’s paintings became quite diverse. He painted about everyday life, flora and fauna, folklore, the world of children, fantasy, erotica, or simple things that attracted his attention.</br></br>In the context of art in Bali, Mokoh is an anomaly. By studying with Kobot and Baret, he was born into the realm of traditional painting. However, the advice of Bonnet and his friendship with Mondo opened his horizons to further develop himself in the thinking of modern art. </br></br>Personal character is very strong in Mokoh's paintings which are often considered eccentric. He was not interested in painting the decorative things that usually appeared in traditional painting. However, with gentle strokes, he swooped straight onto on the subject matter that he portrayed through humorous, innocent, and often surprising narratives. </br></br>Mokoh has broken through the Pengosekan or traditional style of painting that tends to be static and patterned. Using this ability with traditional painting techniques, he processed ideas and themes that were modern or even contemporary on his canvases. However, frequently there are no traces of traditional painting techniques to be found in his paintings. Mokoh is an innovator, a reformer, as well as a breaker of Pengosekan's style of painting. </br></br>In addition to domestic exhibitions, Mokoh's paintings have appeared in many joint exhibitions abroad, including America, Australia, Denmark, Finland, the Netherlands, Germany, Italy, Venice. In 1995, Mokoh’s paintings were exhibited at a solo exhibition at Fukoaka Art Museum, Japan.</br></br>* The original Balinese terms are: nyeket, ngabur, ngasir, nyigar, ngontur.: nyeket, ngabur, ngasir, nyigar, ngontur.)
  • Dewa Putu Sahadewa  + (Dewa Putu Sahadewa was born in Denpasar onDewa Putu Sahadewa was born in Denpasar on February 23 1969. Since his youth, he has been active in the areas of literature, journalism, and theatre. He was active in the Sanggar Minum Kopi and helped initiate the Jatijagat Kampung Puisi. The anthologies of this poems are 69 Puisi di Rumah Dedari (69 Poems at Dedari's House) (2015) and Penulis Mantra (The Mantra Writer) (2016). He currently lives in Kupang and works as an obstetrician.es in Kupang and works as an obstetrician.)
  • Embas Sang Anoman  + (Dewi Anjani meditated at Nirmala Lake. OnlDewi Anjani meditated at Nirmala Lake. Only the head is visible. At that time, Bhatara Bayu was flying in the sky. Seeing Dewi Anjani meditating at Nirmala Lake. Bhatara Bayu fell in love and did not realize his semen fell on the taro leaves. Then the taro leaves are blown by the wind and then fall into the lake. Dewi Anjani ate the taro leaves. As long as he meditated, he only ate the leaves that drifted in front of him. Over time, Dewi Anjani became pregnant. She was confused about why she was pregnant, a sign of her husband. He then asked Ida Sang Hyang Widhi (God) for guidance.</br>Bhatara Bayu came down and then recognized the fetus in Dewi Anjani's stomach. Bhatara Bayu said that the fetus would be born in the form of a white monkey. After the baby was born, Dewi Anjani was allowed to return to heaven with her child. Before meditating, Dewi Anjani was an angel named Punjikastala. But the Angel was cursed to become a monkey. She may return to heaven if she has given birth to a child who is a descendant of a bhatara (god).</br>It is said that Dewi Anjani now feels sick to her stomach. Then an angel in heaven came down to help her give birth to her child. A baby in the form of a white monkey was born. After giving birth to a child, Dewi Anjani returned to her beautiful form as an angel.</br>When the baby is born, it is said that the baby can already tell that he is hungry. He asked his mother where to find food. Dewi Anjani showed the place to the east. Red fruits can be eaten. Then the Anoman flew to the east. At that time the sun had just risen. He thought the sun was a fruit as his mother said. The Anoman flew quickly and then swallowed the sun.</br>Lord Indra was very angry to see the sun eat the white monkey. Then he shot Sang Anoman until he fell on the mountain.</br>Bhatara Bayu felt very angry when he learned that his son was hurt by Bhatara Indra. That's what caused Bhatara Bayu to sulk and cause life to be powerless. The earth and everything in it suddenly became limp, and withered from drought. Bhatara Indra begged for forgiveness from Bhatara Bayu. Bhatara Bayu forgave Bhatara Indra. Earth and everything in it is back to normal. Then Lord Brahma and Lord Vishnu gave a gift to Sang Anoman which caused the white monkey to be immune to weapons. the white monkey to be immune to weapons.)
  • Dewi Pradewi  + (Dewi Pradewi (originally Ni Putu Dewi AriaDewi Pradewi (originally Ni Putu Dewi Ariantini) was born in Denpasar, Bali January 12th 1987. She is one of famous Bali Pop singer who started her career since 2000s. Her albums were "Bungan Tresna" (2001), “Muani Buaya” (2015), “Bermain Cantik” (2017, duet with Dek Arya). She is often invited to sing or become the master of ceremony (MC) in various grand events in Bali. </br></br>Her other activities are Assistant of PHRI Bali chairman and Yoga instructor. During her teenage years, she actively joined poem reading competition. She has contributed to musical poetry event. She was graduated from Cultural Studies, Post Graduate School of Udayana University with thesis entitled "Konstruksi Stigma pada Perempuan Bali Bertato di Kota Denpasar” (Stigma Construction on Tattooed Balinese Woman in Denpasar City).Tattooed Balinese Woman in Denpasar City).)
  • DG Kumarsana  + (DG Kumarsana was born in Denpasar. He has DG Kumarsana was born in Denpasar. He has been writing poems since adolescent and it was published in various media and compiled in a book. besides poem, he also write short stories, novel and essay, even in Indonesian or Balinese. He has been active in Sanggar Minum Kopi. His books that has been published are Komedi Birokrat (2010), Senggeger (2010), Kabinet Ngejengit (2012), Mata Dadu (2014). Now living in the village of Telagawaru, Labuapi, West Lombok.llage of Telagawaru, Labuapi, West Lombok.)
  • Literature Tentang Kemacetan  + (di paek umah tiang sai kene macet. krane ddi paek umah tiang sai kene macet. krane di umah tiang paek peken. jam due jam tigu di umah tiang ampun macet krane jam monto mobil ne ngabe barang-barang care sayur care buah-buah to masuk.ento ne krane di poek umah tiang sai kene macet kanti berjam-jam mekelo ne. ane ngabe motor kanti inguh ngantiang macet gen kanti ade ne puter balik. Knpe di paek umah tiang bise macet ? krane wenten ane pedagang ne anggo mobil.hal ne to ngae jalan macet. harapan tiange ke depan ne ampun nang medagang di sisi jalan pang ten ngae macet.edagang di sisi jalan pang ten ngae macet.)
  • Didon Kajeng  + (Didon Kajeng (originally Dwi Ari Swandana)Didon Kajeng (originally Dwi Ari Swandana) was born in Denpasar, March 5, 1976. Since childhood he has been active in various artistic activities, such as reading poetry, singing, playing drama/theatre. He often wins poetry reading competitions, singing, poetry musicals. </br></br>He is also good at flower arrangement and has published a flower arranging art book entitled “Bali Bloom, Inspirational Balinese Floral Art”. Around 2013 he lost his sight due to glaucoma. Later he had to undergo dialysis twice a week. But he never gave up on life. He can still act, for example, he appeared at Bentara Budaya Bali with the monologue “Orgil” in 2014, he read poetry at Graha Bhakti Budaya, Taman Ismail Marzuki, Jakarta, 2016. He fosters visually impaired children in Denpasar in art, theater , sing, write poetry. He is a teacher, friend, role model for blind children in Denpasar. Together with blind children he founded the Bali Lotus Art Community (Kostra). Didon died August 10, 2021.nity (Kostra). Didon died August 10, 2021.)
  • Indonesia Ring Keberagaman  + (Differences are not a barrier to unity. AnDifferences are not a barrier to unity. And diversity is not an obstacle to togetherness. This is Indonesia, a place where diversity grows into one under the phrase Bhinneka Tunggal Ika (different but still one). August 17th, our beloved country rejoices behind the struggle of sorrow to survive in the onslaught of an increasingly advanced era. But the flames of the people's spirit will never be dimmed by the times. This 77th RI Anniversary is the beginning of the spirit of Indonesia, especially Bali, to rise again to build Indonesia in diversityrise again to build Indonesia in diversity)
  • Angayubagia Kemerdekaan Ring Pabinayan  + (DIFFERENT BUT STILL UNITED, THAT IS PANCASDIFFERENT BUT STILL UNITED, THAT IS PANCASILA</br></br>Don’t turn any differences into chaos. Bring those diversities as special characteristics of this country so that it is always filled with beauty of different colors. Also, please don’t use those diversities as media of hatred and egoism when we think or act because any differences could create disharmony and disunity that will weaken the country. Let’s go hand in hand together, although we are all different.</br></br>[A rhytmic poem:]</br>From Bedulu to Singaraja, buying bananas at the market, I’m ready to pay!</br>Long live the Republic of Indonesia, happy 77th independence day!of Indonesia, happy 77th independence day!)
  • The important of Digital Literature  + (Digital literature is the important thing Digital literature is the important thing that we should learn in this new modern era. Almost all aspects of our life is contains digital or technology in it, such as study online, online book, entertain content, information shared and others. So, it is important for us to learn, how to be a good user of digital technology by learn the digital literature. Alright, so digital literature is a type of study related to the best way to use technology (social media), so that we can have the best advantage of the modern digital era. Although it is good to have technology, which is so easy to use in our daily life, but theres also a danger that we can get from it such as cybercrime from the evil users. Which is so dangerous for us,especially theres so many our important data such as: ATM password, our identity, account and others. Have you heard about hacker?</br>Yess that is an example of cybercrime. So be careful when you use technology especially social media.ou use technology especially social media.)
  • BALI RING SOCIETY 5.0 “ᬩᬮᬶ ᬭᬶᬂ ᬲᭀᬲᬶᬳᬾᬢᬶ ᭕᭞ᬑ᭟”  + (Digitalization is a daily food that encourDigitalization is a daily food that encourages millennials to innovate with creativity. These innovations boost the pace of infrastructure development. During the 77 years of Indonesia's independence, technology played an important role in the escalation of the nation. Bali is thick with traditions that millennials also participate in. Conservation is carried out by utilizing digital platforms, such as a virtual kite competition that uses social media as a medium for dissemination. This is in line with the "Nangun Sat Kerthi Loka Bali" program which aims to build a Bali that is Jagadhita, Kertha and Trepti.Bali that is Jagadhita, Kertha and Trepti.)
  • Literature (Budaya bali)  + (Dina saniscara tiang melajah ngigel di sanDina saniscara tiang melajah ngigel di sanggar. Ditu tiang ningalin timpal-timpal tiang e ngigel. Tiang dadi bangga ajak timpal-timpal tiang e ngidang ngelestariang budaya baline.</br>Tiang demen ngigel, niki taler titiang sareng ngelestariang budaya baline.</br>Di sanggar tiang melajah igelan sakadi, Tari Pendet, Tari Condong, Tari Panyembrahme miwah sane lianan. Ngiring para yowana baline sareng sareng nglestariang budaya baline. sareng sareng nglestariang budaya baline.)
  • Putu Ambara Putra  + (Director of Food and Beverage at Blu Zea Resort.)
  • Discipline and Cooperation is the Key  + (Discipline and Cooperation is the Key TheDiscipline and Cooperation is the Key</br></br>The COVID-19 Pandemic had a severe impact on human life, this is also felt by Bali’s society. Sources of Regional Original Income of Bali Province, which mostly come from tourism are lost due the imposition of restrictions on international and domestic flights. That regulation gave a tremendous impact on the economic sector in Bali. In addition to flight restrictions there are several policies implemented by local government, such as; implementation of health protocols for entire society, diverting offline activities to online, limiting operating hours for business, mass vaccination, and implementation of the Java-Bali Emergency Society Activity Restriction (PPKM Darurat Jawa Bali) which are aimed at reducing the mutation or spread of the virus in society. The government has tried to handle the pandemic well but the COVID-19 pandemic is not easy matter. We are in this together, therefore awareness must arise to overcome this problem together. All the policies that have been implemented certainly reap the pros and cons from the society, but criticism is not enough without providing solutions. In my opinion, all the policies implemented have been based on the interests of society and in a depth studies so they are quite relevant to the current situation. The thing that needs to improved is the implementation process. There are still many people who wear masks incorrectly like up to the chin and don’t cover the nose, neglect to wash their hands or use hand sanitizer, etc. so the policies already good but not implemented properly.</br></br>The solutions I could offer are:</br>1. The government should build the society’s awareness through provided of centralized, actual and factual information sources, which can be in the form of an integrated application or website that provides information COVID-19 update in Bali and provides education that COVID-19 is exists but COVID-19 can be overcome with the society and the government together.</br>2. Cash or non-cash assistance to the society, especially COVID-19 patients (quarantine, medicine for the patients who did self-isolation), priority society in need like poor family, orphans, etc based on Social Service Department data, and the people who got work termination and also public.</br>3. All Balinese must apply health protocols with discipline to reduce virus mutation so it can prevent someone from being infected.</br>4. Authorized people expected to pay attention to society in implementation of health protocols and provide strict sanctions against people who violate it.</br></br>The key that I think can lead us to a resurgence from the COVID-19 Pandemic are discipline and cooperation. Discipline in carrying our health procedures, being proactive in seeking information about COVID-19 and working together to save each other, don’t get infected and infected others. That’s all I can say, hopefully we are always in good health, let’s go through this pandemic together. Thank you.through this pandemic together. Thank you.)
  • Marine Buddies Denpasar  + (Discussion on marine issues (Kopi Laut), Beach Clean up and Mangrove Planting.)
  • Lestarikan Jagat Irage  + (Do a little bit of your kindness wherever you are, through small things like throwing trash in its place & recycling what can be recycled, then that's what can make us free from plastic waste and other waste that can pollute the surrounding environment.)
  • Can we live in a dirty environment?  + (Do we like dirty environments? Can we liveDo we like dirty environments? Can we live in a dirty environment? A dirty environment indirectly and without us realizing it, will create negative energy that can disrupt our lives and make us feel uncomfortable. So stop littering.</br></br>For example, at the Besakih Temple some time ago, many visitors to the temple left their trash unattended and seemed to have no sense of ownership over their trash. What really happened and what small steps can be taken to overcome it? To answer that, we can follow the example of Singapore, which was notoriously dirty when it was not yet a developed country like it is now. In the past, Singapore was very dirty because its people liked to litter and also spit. Then what concrete steps were taken by Lee Kuan Yew as a figure who advanced Singapore? He collaborated with young people to be conscious and independent in participating related to cleanliness and health. Young people are mobilized to want to speak out regarding cleanliness and health, especially from their small environment, namely in the family. The results we can see together that Singapore has advanced so rapidly in the past few decades that today it has succeeded in becoming a developed country and is one of the countries that we know is so clean and respectful of its hygiene regulations. This is a small idea that can be done in Bali so that we can start this clean mindset from the smallest environment, namely the family environment and hopefully when the small thing reaches its biggest point, Bali can become a much cleaner island and respect its beautiful nature.r island and respect its beautiful nature.)
  • Start from Small Things Project  + (Do you know that according to Surfers AgaiDo you know that according to Surfers Against Sewage, there’s approximately 51 trillion microscopic pieces of plastic, weighing 269,000 tons in the ocean. That is about the same as 1345 adult blue whales. Most of these wastes come from land-based sources especially from industry spills. What harm can this do to the environment? For wildlife such as fish, dolphins, seabirds and seals it can be deadly as they become entangled or ingest plastic debris, causing suffocation, starvation, and drowning. Some even mistaken it as their food especially turtles. </br>Plastic issues is increasing overtime because there’s one main problem. That problem is the “people”. Why the people? Because a lot of people don’t realize how serious this problem is. They would just litter everywhere. This is a habit that people still unfortunately do in their daily life. No matter how small the plastic waste is, eventually it will pile up in a large amount and can cause bad effect for the environment in the long run. </br>In general, people these days are aware of the ongoing plastic pollution problem. The thing is, more often than not, they don't know where to start. They want to but it takes quite some time to do the research. They think that it is time-consuming and complicated, leading to no action at all at the end. Some even feel intimidated to start due to how big and “extreme” the steps that are being spread and campaigned on the internet. Something they don’t realize is that they can start anywhere anytime by doing small steps periodically and building a good habit. </br>Related to this, SFST comes in handy. SFST (Start from Small Things) project is a collaboration between team 3 of US and Indonesian students in order to participate in the environmental sustainability competition held by Wikithon Bali. This project contains online campaign using Instagram as the platform. The main idea of the project is to remind people that everything you do including the smallest thing matters. Our Instagram is full of contents talking on fun facts and tips about how to start your own “zero-waste” journey. You can check us out on @/sfstproject. </br>So what can we conclude from this? The conclusion is that plastic waste issue can be reduced or even resolved when people come together to take part in this plastic waste issue. That is our main objective with SFST (Start from Small Things), to influence people so that people come together to take part in reducing plastic waste.er to take part in reducing plastic waste.)
  • Ngelidin Sang Asu Gaplong  + (Do you know what is found first in the aftDo you know what is found first in the afterlife? Many do not know that the afterlife is inhabited by spooky dogs. The dog that guides the spirits to Yama Loka when crossing the sanga clan. The dog has sharp teeth, its saliva drips, its job is to tear apart sinful spirits. In order not to meet the dog, don't use tricks, like the current government should carry out its duties according to its duties so that its people are prosperous and happy, don't act on the elite style of the people who are destitute, when they are found to be corrupt, they ask for clemency and they are eventually cremated. In order not to be taken to hell by the dog, remember to do good, if in the future you will be reincarnated in the world you will not always be miserable.he world you will not always be miserable.)
  • Bank Sampah Bhakti Pertiwi  + (Doing the waste bank activity at banjar buduk Desa Singakerta)
  • Bank Sampah Caliber  + (Doing waste bank activity at Candikuning Village)
  • Bank Sampah Luhu Wijaya Kesuma  + (Doing waste bank activity base on banjar at banjar kaja kauh. abianbase, gianyar)
  • Bank Sampah Batanancak Resik  + (Doing waste bank activity in Banjar batanancak, Mas Ubud)
  • Bank Sampah Bestari Telengis  + (Doing waste bank activity in banjar telengis at bengkel village, tabanan regency)
  • Dolly lan Pajeng Barak Cenikne  + (Dolly can't find her umbrella! Where could it be? Somebody must know...)
  • Bali Island Based on Globalization  + (Don't you all know, Bali has many traditioDon't you all know, Bali has many traditions, culture, and beautiful and beautiful scenery that has made Bali famous to foreign countries? Bali is advanced because of its many and good tourism. These tourist spots have developed sophisticated technology. For example, on the Bali Mandara Toll Road, digital technology has been developed in the ticket payment system. This example is already based on digitalization in the era of globalization that is being felt by all people. In this era of globalization, it has had a good impact on tourism, traditions and culture. Today's society is easy to find information on cellphones. If it's based on globalization, we all have to be able to use technology properly and correctly. So that we don't feel sorry when using improper technology. We all have to be able to know the right behavior with incorrect behavior. Let's all use technology wisely in today's globalization era. Hopefully the development of digital technology in the field of tourism in Bali will be more advanced because many tourists from various countries are on vacation in Bali and can help the Bali economy.ion in Bali and can help the Bali economy.)
  • Dr. Anak Agung Gde Alit Geria, M.Si.  + (Dr. Anak Agung Gde Alit Geria, M.Sc., was Dr. Anak Agung Gde Alit Geria, M.Sc., was born in Br. Petak, Petak Kaja Village, Gianyar Bali, on April 21, 1963. He completed his undergraduate education (Balinese Language and Literature) at the Faculty of Letters at Udayana University (1987) and earned a Master of Cultural Studies at the Postgraduate Program at Udayana University (2004). In 2012, he earned a Doctorate in Linguistics with a Concentration of Literary Discourse at the Udayana University Postgraduate Program with the dissertation title "Shiva-Buddhist Discourse in Kakawin Nilacandra: Reception Analysis". He worked in the Manuscripts section of the National Library of Indonesia, Jakarta (1990-1996). In addition, he was an Extraordinary Lecturer at the Faculty of Letters, University of Indonesia Jakarta (1990-1996). In addition, the Bali Provincial Library was also the place where he served in 1997-2005. Since 2006, he has been a PNS Dpk Lecturer at the Faculty of Language and Arts Education, Indonesian and Regional Language Education Study Program, IKIP PGRI Bali, LLDIKTI Region VIII. He has researched a number of lontar manuscripts. Not only researching, he also cataloged, transliterated, and translated them. He has written several books. Among others, Geguritan Uwug Kengetan (2014), Musala Parwa (2015), Prastanika Parwa (2016), Bhomakawya (2017), Shiva-Buddhist Discourse in Kakawin Nilacandra (2018), Ala-ayuning Dina Mwah Sasih (2018), and Kakawin Nilacandra XX Century (2019). and Kakawin Nilacandra XX Century (2019).)
  • Dewi Susiloningtyas  + (Dr. Dewi Susiloningtyas is a lecturer in tDr. Dewi Susiloningtyas is a lecturer in the Department of Geography Faculty of Mathematics and Natural Science University of Indonesia. Her bachelor is in regional development planning from the University of Gajah Mada, where she also got her Masters from in environmental science study. </br></br>Dr. Susiloningtyas teaches various subjects namely Industrial Geography, Regional Asian Geography, Field Work research, and Sociology to name a few. In recent years, Dr. Susiloningtyas focuses on developing subjects that focus more on Student Center Learning.hat focus more on Student Center Learning.)
  • I Made Mahadi Sanatana  + (Dr. I Made Mahadi Sanatana, S.STP, MAP is Dr. I Made Mahadi Sanatana, S.STP, MAP is a bureaucrat who carries out duties at the Bali Province Regional Civil Service Agency, has attended HR management training and certification, competency assessor training. Currently he also serves as a human resources assessor at the Bali Provincial UPT Assessment Center. Several times appointed as a resource person in HR management training and as a lecturer in the field of public administration. Completed doctoral education in economics at Udayana University with a concentration in institutional economics. CHRM certified from BNSP.ional economics. CHRM certified from BNSP.)
  • I Nyoman Cerita  + (Dr. I Nyoman Cerita SST, MFA is an artist Dr. I Nyoman Cerita SST, MFA is an artist and academic of performing arts, especially dance in Bali, from Banjar Sengguan, Singapadu Village, Sukawati District, Gianyar Regency, Bali. He has been able to build an effort to develop the arts, especially dance in Bali. Various works that until now have provided important notes on the development of the art of dance, I Nyoman Cerita is able to create dance works in the Nyeraki way. The term Nyeraki means all-rounder. The ability of nyeraki referred to here is the ability of Nyoman Cerita to create musical compositions (dance accompaniment music), create dance moves, and be able to create costume concepts. The ability of nyeraki is very rarely possessed by dance artists in general.</br></br>I Nyoman Cerita is also an innovative artist, he brings up many new ideas such as processing dance properties that can be used in various functions. In one his dance work Satya Brasta, dancers carry a pajeng (umbrella) and a fan property, the pajeng can function as a spear, chariot wheel, and cloud symbol, while the fan property can be used as a mace and golden chariot. His Balinese dance works are the inspiration for teaching materials in the studio and as a presentation of performing arts. and as a presentation of performing arts.)
  • Made Gde Subha Karma Resen  + (Dr. Made Gde Subha Karma Resen, SH.,M.Kn iDr. Made Gde Subha Karma Resen, SH.,M.Kn is a faculty member in the Department of Law, Udayana University, Bali Indonesia. His expertise includes Agrarian Law, Health Law, and Environmental Law. Besides teaching, Dr. Resen also actively publishes academic papers, including one that is featured in the Scholar's shelf entitled The Legal Status of Established Business in the Pakraman Village (From the perspective of customary law in Bali Province), co-written with Putu Dyatmikawati, the former Rector of Dwijendra University, Bali Indonesia.r of Dwijendra University, Bali Indonesia.)
  • Ni Putu Tirka Widanti  + (Dr. Ni Putu Tirka Widanti is a faculty memDr. Ni Putu Tirka Widanti is a faculty member in Ngurah Rai University, Bali, Indonesia. Her expertise are public administration and public policy. She earned her doctoral degree in 2009 from Universitas 17 Agustus 1945 Surabaya with a dissertation entitled Model Kebijakan Pemberdayaan Perempuan Bali. Dr. Widanti is also the president of Yayasan Kul Kul, Green School Bali. She was also the former president of Universitas Ngurah Rai, Denpasar, Bali.of Universitas Ngurah Rai, Denpasar, Bali.)
  • Putu Ayu Sani Utami  + (Dr. Ns. Putu Ayu Sani Utami, S.Kep., M.KepDr. Ns. Putu Ayu Sani Utami, S.Kep., M.Kep., Sp.Kep.Kom is a lecturer in the Nursing and Ners Profession Undergraduate Study Program, Faculty of Medicine, Universitas Udayana. Her area of expertise is gerontic nursing which focuses on elderly health care, community empowerment, family self-care, Long-term care, rehabilitation, social work and capacity building. Aside from being a lecturer, she is also involved as a clinical instructor, conducting researchs, scientific publications, community services, student creativity programs and developing health education media related to the elderly healthcare. Her area of research is related to the promotion of elderly health, Long-term care and community empowerment. Long-term care and community empowerment.)
  • Putu Sabda Jayendra  + (Dr. Putu Sabda Jayendra, S.Pd.H., M.Pd.H. Dr. Putu Sabda Jayendra, S.Pd.H., M.Pd.H. was born in Singaraja, Buleleng, Bali on August 14, 1987. He is the first son of three children of the husband and wife couple, Drs. I Made Nuada, M.Pd. and Ni Ketut Suryaning. He completed Kindergarten education at Mutiara Singaraja Kindergarten in 1993, elementary school at SD Negeri 2 Banyuasri, Singaraja up to grade 4, (due to following his parents’ job mutation) and continued his study at SD Negeri 2 Pekutatan, Jembrana until graduating in 1999. After, he went to junior high school at SMP Negeri 1 Pekutatan, Jembrana and graduated in 2002. He went to high school at SMA Negeri 1 Pekutatan until the second year (following his parents' job mutation) and continued his study at State High School 1 Mendoyo, Jembrana until graduated in 2005. He took undergraduate until doctoral levels at the Denpasar State Hindu Dharma Institute (IHDN Denpasar) majoring Hindu Religion Study and Education. </br></br>Dr. Putu Sabda Jayendra is an active author of several scientific publications and books. Most of his works explore educational practices in religious traditions and local wisdom (ethnopedagogy), some of which are “Barong Brutuk, Guardians of the Soul from the Land of Ancient Bali” (published in 2019) and “Mongah, Learning the Value of Life from Fern Men” (published in 2020). Currently, he is actively registered as a permanent lecturer at the International Institute of Tourism and Business in Denpasar Bali, and has also been teaching as a guest lecturer at several other universities, such as IHDN Denpasar, IKIP PGRI Bali, Mahasaraswati University Denpasar, STIE BIITM Denpasar, Bali State Polytechnic, Bali International Polytechnic, STAHN Mpu Kuturan Singaraja, and The London School of Public Relations (LSPR) Jakarta.</br></br>In the activities of professional organizations and the socio-cultural sector, he is also actively involved. He becomes a member of the Indonesian Lecturer Association (2017-2022), an assessor of Tri Hita Karana Awards (2020) and the Indonesian Public Relations Association (PERHUMAS) with the position of Deputy Chairman I of BPC Denpasar.tion of Deputy Chairman I of BPC Denpasar.)
  • Drs. I Nyoman Aris  + (Drs. I Nyoman Aris is a writer from BanjarDrs. I Nyoman Aris is a writer from Banjar Kebayan, Tangeb Village, Abianbase Village, Mengwi District, Badung Regency. Drs. I Nyoman Aris was born on September 19, 1984. He is the son of the late. I Wayan Lanus and Alm. Ni Nyoman Namrug. His educational history is that he took the People's School (SR) in 1962, junior high school in 1965, KPG in 1978, PGSLP in 1980 and S1 majoring in Balinese Language and Literature in 1990. Drs. I Nyoman Aris is an educator at the Tangeb Carving Art Vocational School. In addition, he is also a farmer and often serves as a judge as well as a coach in the Utsawa Dharma Gita competition. He won many awards, one of which was the 1st place in Mekidung/Makakawin. His greatest work is Kidung Yadnya, other works such as the imba tembang (pupuh), the malajah makakawin guide, and the malajah makidung guide, complete with scales and notation, making it easier for us to learn makidung.making it easier for us to learn makidung.)
  • Drs. Ida Bagus Ratu Sanca, M.si  + (Drs. Ida Bagus Ratu Sanca, M.Si is a BalinDrs. Ida Bagus Ratu Sanca, M.Si is a Balinese writer from Karangasem. He was born on Friday Pon Julungwangi on April 4, 1952. He is the son of the late couple. Ida Pedanda Wayan Pidada and Ida Pedanda Istri Agung.</br></br>Here I will discuss his geguritan work which he composed himself entitled "Geguritan Gering Agung Pandemi Covid Sembilan Belas". The contents of this geguritan are about the current Covid-19 situation. Where did this covid come from and how to prevent it. This geguritan contains 4 types of pupuh, namely Pupuh Dandang Gula (2 baits), Pupuh Sinom (11 baits), Pupuh Ginada (11 baits) and Pupuh Durma (11 baits).ada (11 baits) and Pupuh Durma (11 baits).)
  • Literature PENUTUPAN PELABUHAN GILIMANUK SASAMPUNE MRANA CORONA  + (Due to the corona virus,the dock bay of Gilimanuk has been closed.Many people could not travel by this option because of the closing because of the restriction due to the Covid-19)
  • Beach  + (dugas tiang melali ke pasih ajak reraman tdugas tiang melali ke pasih ajak reraman tiang e.liu sajan anak ane melali ditu,apa buin anak ane medagang.setiap anak ane suud mebelanje utawi ngajeng luu ne pasti awak e entung ne padahal be siap ne tong sampah kaden pemerintahe.harapan tiang kayangne apang ane membuang sampah ngawak di pasih to apang orinne mayah denda kaden pemerintah e.Lan apang anak-anak ane ngacak luu to sadar apa ane mereka perbuat ento bise ngae bencana.ane mereka perbuat ento bise ngae bencana.)
  • Literature Lestari bali  + (Dumogi Bali Setate is the most beautiful tourist spot for foreign tourists and a beautiful setate)
  • Makarya Ngulat  + (During a pandemic like now, many employeesDuring a pandemic like now, many employees have been laid off or laid off (fired). This causes many Balinese people who are no longer working, earning income to continue their lives. In my village, weaving pandan leaves into mats is a skill that can help revive the village community's economy during a pandemic like now. Let millennials, young people, preserve Balinese traditional skills so that the Balinese economy can rise.lls so that the Balinese economy can rise.)
  • Problems experienced during learning in the midst of a pandemic  + (During learning in the midst of a pandemic)
  • Holiday  + (During my school holidays I went to the TiDuring my school holidays I went to the Tirta Ujung baths with my friends. Tirta Ujung is located in Seraya Village, Karangasem Regency, Bali. I am very happy because the place is very beautiful and natural and the water is also clear and the end of the tirta pool has a natural rock bottom and there are several fish swimming </br></br>I hope in the future that Bali can be more advanced in the field of tourism and can recover as usual and also hopefully the lighting on every road in Bali will pay more attention to driving safety will pay more attention to driving safety)
  • Tiing Penimpug  + (During the covid 19 pandemic, I make tiinDuring the covid 19 pandemic, I make tiing penimpugs. They are commonly used durong bhuta yadnya ceremony, such as, mecaru ceremony. I sell them. They cost thirty thousand rupiah for 50 bundles. I use the earned money for buying rice and side dishes.</br>Materials and tools which is required :</br>1. Medium size bamboo.</br>2. Handsaw. </br>3. An axe. </br>4. Rope. </br>The way how to make:</br>1. Prepare medium size bamboos.</br>2. Cut the bamboo into segments, each piece must have its own segment dividers.</br>3. Clean the bamboo, especially the sections.</br>4. Bundle them, every bundle consists of 3 pieces.</br>Tiing penimpugs are ready for sale.eces. Tiing penimpugs are ready for sale.)
  • Perfume Business in the Pandemic  + (During the Covid-19 pandemic, it was diffiDuring the Covid-19 pandemic, it was difficult for everyone to find income. As a young entrepreneur who sells cheap perfume and face masks, I invite young people to sell perfume and face masks. During the pandemic, this business is quite convincing and can help improve the economy of young people who have not found work. Hopefuly, my business is selling well and has many resellers. who have a trading spirit, this business can be tried to increase our income.iness can be tried to increase our income.)
  • Episode 12 - Penyu Masi Kena COVID-19?  + (During the COVID-19 pandemic, Pemuteran isDuring the COVID-19 pandemic, Pemuteran is like a sleeping village without tourism activities. Usually, hundreds of tourists come and go every day, dive while admiring the coral reefs, or enjoy the calm waves of Bali's north coast. After the pandemic, tourism in the region seem to die.</br></br>Not only is tourism dim, but turtle conservation in the area is now empty of visitors. In fact, turtle conservation in Pemuteran is one of the best in Bali and well known abroad. Not only sea turtle conservation, there is also coral reef conservation worldwide.</br></br>In this episode, a turtle conservation employee in Pemuteran talks about what happened to the turtles during the pandemic.ppened to the turtles during the pandemic.)