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A list of all pages that have property "Description text" with value "The forest has been laid bare. The trees have been cut down and the wood taken away. Luh Ayu Manik and her friends are deeply saddened to see the forest destroyed. There is a police post in the middle of the forest but, despite this, the thieves are still able to steal wood. Luh Ayu Manik and her friends have come up with a plan to catch the thieves. But unfortunately, their plan has been foiled. And now the thieves are chasing them with a chainsaw. What will happen to Luh Ayu Manik and her friends?". Since there have been only a few results, also nearby values are displayed.

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  • 4 - Luh Ayu Manik Mas Nglawan Luu Plastik  + (While at the beach with her grandmother, aWhile at the beach with her grandmother, a fierce monster emerges from the water and starts attacking people. It turns out that the monster was a harmless sea creature who has himself suffered from ingesting ocean plastic. Luh Ayu Manik Mas comes to help, but struggles with the ethics of slaying a monster who himself is a victim of human pollution.ho himself is a victim of human pollution.)
  • Paplajahan Ané Bakatang Tiang Uli Bali  + (While people visit Bali for a multitude ofWhile people visit Bali for a multitude of reasons this island is special to me as I have called it home for the last 3 years. Bali has taught me some lessons that I will keep with me in other stages of life.</br></br>An important lesson I’ve learned is that every place presents you with an opportunity to grow, you just need the courage to say yes! Bali gives everyone the opportunity to explore the outdoors (either in the mountains or underwater), and this gives everyone the chance to gain a new skill, make new friends or develop a love for the natural world. Recently, I have gotten the courage and determination to say yes to become a certified Open Water Diver.</br>This experience has been incredibly rewarding, as I pushed myself out of my comfort zone, my friendships grew with those I trained with and my eyes were opened to the beauty of the underwater world. With this opportunity, I realised how pressing the issues of coral bleaching and unsustainable fishing actually are and am now more determined to be a part of the solution. From this, I will join a coral restoration project in Les Village because no matter how small we contribute, every action makes a difference. We must think about the global implications yet, take action locally.</br></br>The Balinese open up their island to all of us, foreigners and Indonesians so we can experience the island’s beauty and it is crucial for us to not take this for granted. I realise that a society which hugely depends on tourism has a risk, therefore respecting the customs and traditions in Bali should be a no brainer, as we would hope and expect the same of others if they are visiting our home. As of 25th March 2023, 76 foreigners have been deported from</br></br>Bali for reasons that range from overstaying visas to committing crimes. Although this is a small percentage compared to the number of tourists, in this digital era, their actions go viral and can harm the image of Bali. While Bali is well-known for its tourism because of its beauty, kindness and approachability, I believe that rules should be enforced in order to maintain the quality of tourism that this island offers.</br></br>Moreover, during my time here I’ve come to realise that it’s important to diversify and not put all our eggs in the same basket. During the pandemic, tourism was at a standstill which hit the people and local economy dramatically. Therefore, the Balinese have adapted to diversify their work portfolio such as farming, establishing small businesses or fishing. This lesson will carry on with me in the future, because it has shown me that trying different opportunities will help us to continue growing and adapting to an ever changing world.</br></br>I will continue to learn more lessons in Bali and am grateful for all the opportunities and experiences that I’ve gotten alongside the lessons that have come with it.ngside the lessons that have come with it.)
  • Wisata kayu putih  + (White wood tourism is at br. Bayan, old viWhite wood tourism is at br. Bayan, old village, kec. Marga, kab. Tabanan. This eucalyptus tree is estimated to be 700 years old, towering about 75 meters high and 60 meters in diameter. This tree is located behind the Babakan temple which was built during the time of Raja Perean. was built during the time of Raja Perean.)
  • BALI MELALI: Nangiang Pariwisata Ring Bali  + (Who doesn't know about the island of Bali?Who doesn't know about the island of Bali? The island is already famous to foreign countries. Tourism in Bali is the source of the economy that supports most Balinese people. But as it is now, Bali tourism has dimmed since the Covid-19 virus is endemic in the world. It has been two years since the Covid-19 virus has attacked our beloved earth. Several policies have been implemented. However, Bali tourism has not been able to return to normal. We as citizens, especially as young Balinese, should provide and carry out creative efforts that can stimulate tourism in Bali.</br></br>In this era of globalization, everything is digital and sophisticated. We can use this advanced technological development as a tool to generate tourism in Bali. One of the creative businesses that can generate tourism in Bali is an application called BALI MELALI. This application uses technology in the form of VR or Virtual Reality. In the BALI MELALI application, it displays tourism destinations in Bali. If you use this VR technology, tourists or anyone who has downloaded the BALI MELALI application can see the tourism places that we want. Using this VR, tourism destinations in Bali can be seen for real, this can foster a sense of longing for Bali and cause tourists to want to come again to Bali.</br></br>In the BALI MELALI application, it not only displays well-known tourism destinations, but should also display places that are not widely known. In Bali, there are actually many tourist destinations that are not well known. If you only show places like Kuta Beach, Pandawa Beach, many tourists will already know. That's why in this application it is very good if it shows places that are not known by many people. Not only that, the BALI MELALI application does not only display virtual or images, but can be filled with sounds that are in that place. For example at Candikuning Waterfall, if we travel to waterfalls, there are definitely sounds like the sound of gurgling water, the sound of trees blowing by the wind, the sound of birds and so on.</br>The presence of images and sounds in the BALI MELALI ibi application can certainly cause longing from tourists and travel to Bali. Hopefully the business in the form of the BALI MELALI application can help Bali tourism return to normal. Hopefully Bali tourism will rise soon.al. Hopefully Bali tourism will rise soon.)
  • Naga Gombang  + (Why do Balinese shout "Alive, Alive" when Why do Balinese shout "Alive, Alive" when there is an earthquake?</br></br>Once upon a time, when there still kingdoms in Bali, there was a widow with two children, a boy and a girl. At that time Lake Bratan did not yet exist. Long story short, the mother had a secret affair with a dragon snake that dwelled in a rice barn near her house. The children started to get suspicious; why does mother every time she comes home from the forest go up into the barn? At one point, when mother went into the forest again, the children climbed into the barn. Inside the barn they saw a pile of eggs larger than chicken eggs. In the middle of the pile of eggs there was a strange egg. They took the egg home and cooked it. Then the boy ate it. Instantly the boy turned into a snake. Because they were worried about causing commotion in the village, the boy and girl decided to go into the forest looking for their mother. The sister carried her brother. They met their mother deeply in love with a dragon. They were angry, because they thought that because of the dragon the brother had become like that. He challenged the dragon snake to fight. In the end, the brother who had been transformed into a snake defeated the dragon. But unfortunately their mother also died in the fight. The siblings went up to Bukit Lesung. Arriving there, the brother thought he must enter the bowels of the earth, because he had become a dragon, named Naga Gombang. So as not to upset his sister, he told her to get water with a basket. While his sister was getting water, the brother entered the mountain crater. When his sister returned from getting water, the brother had already disappeared into the bowels of the earth. The brother said, “Don't you cry, I was destined to live below”. Arriving below, the brother took the position of a sleeping snake, curled up in a circle.</br>It is said that if he is anxious to know how is sister is doing above, he would move, which results in the earth moving. That is why when there is an earthquake, Balinese people will shout "alive, alive" while sounding a bamboo bell, to let the brother that his sister is still alive above, and he can stop moving about.alive above, and he can stop moving about.)
  • W.O.J. Nieuwenkamp  + (Wijnand Otto Jan Nieuwenkamp (Amsterdam, JWijnand Otto Jan Nieuwenkamp (Amsterdam, July 27, 1874 – Fiesole, April 23, 1950), was a Dutch multi-faceted autodidact. As an artist he was active as a painter, draftsman, sculptor, etcher, lithographer, and designer of book covers and of ex-libris. In addition, he was also known as a writer, architect, explorer, ethnologist and collector of East Asian art.</br></br>He is said to be the first European artist to visit Bali (note: not verified), being greatly influenced by and himself influencing the island's art and culture, and making it better known in wider world. He was also deeply involved with various other parts of the then Dutch East Indies.other parts of the then Dutch East Indies.)
  • 2 - Luh Ayu Manik Mas, Ngae Perpustakaan Keliling  + (Without warning, a fierce wind sprang up iWithout warning, a fierce wind sprang up in Room 21. The book that Luh Ayu Manik and her friends were reading shook and then flew about the room. And from the pages of the dirty, torn and tattered book, horrid demons appeared. Luh and her friends wanted to run away but they couldn't move ... they were like statues. I Wayan and I Made wanted to scream ... but their lips were sealed shut and they couldn't speak. were sealed shut and they couldn't speak.)
  • Heroine  + (Women are great figures whose struggles arWomen are great figures whose struggles are extraordinary and difficult. The woman in this photo gives a message to the younger generation to knock on the door of their heart to preserve traditions and culture which are the responsibility of the next generation. It is depicted with the figure of an old woman cutting wood to be used as a material for coloring Geingsing cloth in Tenganan Village, Karangasem, Bali.oth in Tenganan Village, Karangasem, Bali.)
  • Youth Concervation Initiative Bali  + (YCI Bali stands for Youth Conservation IniYCI Bali stands for Youth Conservation Initiative for the Bali region. YCI Bali is a sustainable independent movement that spreads awareness and solutions for the community for the preservation of Bali's nature through cadres of Great Conservation Friends (SASIH). In the future, SASIH will carry out a sustainable movement through environmental awareness activities to the community, especially the younger generation.munity, especially the younger generation.)
  • Dance practice  + (Yesterday I practiced the Legong Mesatya dYesterday I practiced the Legong Mesatya dance in Denpasar City Park, with my friends. An example of the difficulty I faced was when it rained, my friends and I couldn't practice because our place was for practice in an open area, while the shelter was not wide enough to practice. I hope the Denpasar city government can provide a wider place with a closed room. provide a wider place with a closed room.)
  • How to Prevent Foreign Nationals from Driving Recklessly on Motorcycles/Cars in Bali  + (Yesterday afternoon, I went for a stroll tYesterday afternoon, I went for a stroll to Kuta. I saw a lot of foreign nationals driving recklessly on motorcycles and cars. I was shocked to see them, and it made me feel uneasy. I was afraid of being hit by one of those foreign nationals, who may not even realize they were doing something wrong. Why do these reckless foreign nationals come to Bali? Why aren't the rental companies keeping an eye on them and ensuring they know how to drive properly on the roads? Instead of just taking their money, we should teach them how to drive properly through the police department. Let's all work together, including the rental companies, to test foreign nationals before renting them motorcycles or cars. Let's build and maintain Bali as a safe place for everyone. We can also boost Bali's economy and tourism industry so that rental companies don't have to close down due to reckless foreign nationals. Let's educate and teach foreign nationals how to drive properly to avoid any more news about reckless foreign nationals endangering Bali.ckless foreign nationals endangering Bali.)
  • Indifference to Others  + (You must be familiar with the conflict betYou must be familiar with the conflict between Russia and Ukraine. Recently, it has been in the spotlight again because the two countries are indeed in a high-level crisis stage. So, invasion could happen at any time. Based on the latest international news, the war between Russia and Ukraine is still going on today (Wednesday, May 18, 2022) and has entered the 84th day. According to the latest news, Ukrainian officials say that peace negotiations between the two countries have reached a stalemate. The Guardian reported that Russian Foreign Minister Sergei Lavrov had said he believed there could be no peace deal if negotiators tried to “transfer dialogue” as the West says instead of talking about the immediate situation in Ukraine. To date, many fighters have surrendered and they have been transferred to territory already under Russian control. According to the United Nations, to date, there have been six million refugees who have fled Ukraine since the Russian invasion in February. Ukrainian citizens who managed to take refuge in various places, one of which is Poland, have a sad story. They are willing to leave their children and wives and are willing to fight for their country. There are also residents who take their children out of Ukraine because they have to find a safer place even though half of their lives are still in the area where they live.</br></br>Apart from the problems between these two countries, as social beings we certainly hope for the best, namely peace. The refugees are foremost human beings who cannot live alone and definitely need the help of others. If people normally want a peaceful life, surely the refugees from Ukraine also want a peaceful life. The difference occurs if they evacuate to another place. We, who have a place to live, may not feel the way they do. In general, humans have hearts and a spirit of humanity. Imagine if we were in the position of the refugees. Of course we also want to be helped, right? Automatically when refugees come to our territory, it would be nice if we accept them openly. Greet them with what we have even if this is temporary. What we could provide, we should try to take the initiative to give to them. Teach them about caring, sincerity, patience and other things that support their current situation and current condition. It’s enough for simple things, such as the food they need, adequate medicine, and a basic place to live.</br></br>Any simple form of giving will certainly help Ukrainian refugees. This assistance must also be communicated with the Indonesian government, so that there will be equality and justice in shelter areas. It is necessary to include education for the refugees. This will be very beneficial for refugees and also those who receive them. Starting from the basics, such as starting to entertain them with the culture that we have. No need to go far. Just basic things. In addition, the Indonesian people also need more education about Ukrainian refugees, so the desire to help will be channeled properly. The assistance is quite simple for Ukrainian refugees, what is certain is food, a proper place to stay and good treatment for them so that in the long term, there will be a good impact on both parties.ere will be a good impact on both parties.)
  • Wana Parwa  + ([EN] After losing the dice game, the Panda[EN] After losing the dice game, the Pandavas lived for twelve years in the jungle. In the thirteenth year, they had to disguise themselves unnoticed. If their disguise is uncovered, then they must repeat the period of exile in the forest for another twelve years.</br></br>The Mahabharata incident occurred around 5,000 years ago, in the last quarter of the Dwaparayuga era. At that time, human life could reach 1,000 years with a long young period. So, do not be surprised if the Pandavas exiled themselves for a dozen years and can still have strong children. Not surprisingly, Bhisma, the elder of Hastinapur's nobles, was still alive when Arjuna, his grandson, had a son named Abhimanyu.</br></br>In the forest, the Pandavas meet various magical things. One of the most important is the meeting of Maharaja Yudhisthira with a python who was Nahusa, his own ancestor. Nahusa was cursed to be a snake because of his arrogance. There was also the Yaksa Prasna incident, when Maharaja Yudhisthira was tested by Lord Yamaraja, the controller of death.by Lord Yamaraja, the controller of death.)
  • Wrespati (Wrihaspati) Tattwa  + ([EN] Lontar Wrihaspati tattwa is one of th[EN] Lontar Wrihaspati tattwa is one of the lontar texts which becomes the source of belief of the Hindu community in Bali. Actually, this palm-leaf text is a Sanskrit text that is thought to originate from the tenth century. Possibly, this Sanskrit text is also a copy of more authentic Puranas. The Sanskrit text in Wrespati Tattwa consists of 74 verses and each verse is given a translation and commentary in ancient Javanese language. Such system has been common since the reign of King Dharmawangsa in Panjalu. Therefore, this palm-leaf text was probably translated into ancient Javanese around that era.</br></br>Wrespati (Wrihaspati) was a great rsi who became a teacher of the gods. He is a brahmana who rules Planet Jupiter. Therefore, if Planet Jupiter approaches the moon, Hindus consider it a good day to start learning spiritual knowledge. In Wrespati Tattwa, there is a dialog between Rsi Wrihaspati and Lord Shiva, the ruler of Mount Kailasa. The content of the dialog includes the existence of cosmic consciousness or cetana, and cosmic darkness or acetana.</br></br>Cetana and acetana cause various types of differences in the universe. Cetana and acetana also cause an increase and deterioration of the mind. Because of increased awareness, humans reach higher planets after death, which is known as swargaloka (heavens). Conversely, when human consciousness degenerates, they sink into terrible planets called naraka (hell). So, heaven and hell are on other planets, not on Earth.</br></br>Many people mistakenly interpret the teachings of Wrespati Tattwa and conclude that heaven and hell only exist in the mind. This is a wrong conclusion. In fact, if the text of Wrespati Tattwa is interpreted more deeply, the mind is cause of humans’ going to heaven, hell or achieve liberation. The mind binds man in the chains of desires, and without intelligence and knowledge, man will be made degenerated by his own desires.</br></br>Lontar Wrespati Tattwa also teaches about how to achieve liberation. According to this text, liberation can only be achieved if one is freed from illusions. Illusion means to think that he is a gross body and think that this material nature is his eternal abode. Such awareness can only be achieved by a process called yoga. Yoga does not mean merely gymnastic movements. Yoga means connecting the mind with spiritual awareness.necting the mind with spiritual awareness.)
  • Unconditionally Perfect  + (as is well known in Indonesia, people withas is well known in Indonesia, people with disabilities must be the focus of the government, whether from cases of bullying from the surrounding environment or the disadvantage of people with disabilities who appear to be receiving social sanctions for mistakes they have not made. The "MANDANG DASA" (Mewujudkan Penyandang Disabilitas tanpa Batasan) program is philosophy of looking at the number ten as a perfect number but must be applicable to all humans. It is hoped that this program can provide government synergy to focus more on education and the environment around people with disabilities. We are all the same, We are all brothers or sisters, We are all friends.l brothers or sisters, We are all friends.)
  • Smile  + (girls watching dancing while smiling at the Manik Liu village temple, Kintamani.)
  • Toleransi budaya Bali ne  + (hello friends today is the 77th independenhello friends today is the 77th independence day I am very happy to be able to take part in the competition. And you can see above left that there is a caricature with the theme of independence day. And you can see that there are people of other religions who come to visit Bali. There we also saw that there were Balinese people who explained about Balinese culture. And we can see that they really respect our traditions, and our culture. That includes a good example.Now we also have to respect their culture, because they also respect our cultureure, because they also respect our culture)
  • Not Buried Not Burned  + (in Bali province, Bangli district, Kintamain Bali province, Bangli district, Kintamani district, Trunyan village. Trunyan village has a very unique burial tradition and is different from the villages in Bali, where the bodies are not buried and not burned, but are only placed on the ground covered with bamboo filled with white cloth, but the corpses do not emit an unpleasant odor. A corpse that is placed under a tarumenyan tree will not emit an odor because the tree can neutralize the odor arising from the corpse. And what's unique is that the tarumenyan tree can only grow well in the traditional village of Bali Aga Trunyan and this tree is believed to have existed since 500 years ago. With the unique tradition that belongs to the Balinese Aga tradition, Trunyan Village attracts many tourists to visit there to see the Balinese Aga traditional traditions and see tarumenyan trees that have been around for a long time and can feel the effects of tarumenyan trees first hand.he effects of tarumenyan trees first hand.)
  • DIRGAHAYU INDONESIA  + (in Indonesia there are many cultures, therin Indonesia there are many cultures, there are many tribes, races, and religions, therefore we as Indonesian citizens must not discriminate against each other, cannot choose friends, we are family, we must respect each other, we must tolerate each other one another., we must tolerate each other one another.)
  • Monkey forest  + (monkey forest attractions or Sangeh monkeymonkey forest attractions or Sangeh monkey forest.</br>The monkey forest is located in the village of Sangeh, Abian Semal District, Badung Regency.</br>The forest-dwelling monkeys in the Sangeh monkey forest are quite tame.</br>in the monkey forest area in Sangeh there is a temple called Pura Bukit Sari.The existence of the holy place indicates that this place is sacred.place indicates that this place is sacred.)
  • violate traffic signs  + (on Monday when I came home from school, I saw that there were many who violated red lights, I hope the government will tighten the rules so that accidents don't happen)
  • about online learning  + (they tell their complaints about online lethey tell their complaints about online learning, it makes them bored, tired because of the many assignments, and one of them doesn't know all of their classmates because they are new students at school, and don't even know where the canteen and toilets are at his school, and among those who think positively about the government's recommendation not to do face-to-face learning, and he invites his friends to always apply the health protocol, namely 3M.ways apply the health protocol, namely 3M.)
  • mengolah sampah kertas menjadi tempat pensil  + (this is a craft that I made, it's good to this is a craft that I made, it's good to use it as a pencil case so it's not scattered everywhere, it's also good to make a cellphone place if we want to watch it is stored in the middle of the middle,it's also good to see if it's neatly arranged it's a pencil see if it's neatly arranged it's a pencil)
  • Wayan Sila  + (“The very first night I slept over at my n“The very first night I slept over at my new studio an owl flew into the garden. It wasn’t a coincidence that I noticed it perched in a tree,” says Balinese artist Wayan Sila. “This was a</br>special experience and powerful omen. A gift from the Gods to me.”</br></br>The owl is much revered by indigenous cultures and in folklore around the world as a</br>guardian spirit, as well as a wise creature capable of extraordinary sight. Balinese</br>mythology reveals that if an owl visits a family compound while a female member is</br>pregnant this is indeed a positive sign. Burung Hantu literally translates from bahasa</br>Indonesia into the English language as ghost bird; or the owl, the mysterious bird of the</br>night.</br>“I have a unique connection with owls. It is a potent image that resonates with my heart. I</br>was intuitively led to draw the owl and then I began to include it in my works. It has now</br>manifested into a personal symbolic image, equivalent to the Barong. The owl also</br>encourages me to reflect on the joy that I derive from my family life,” says Wayan.</br>Born in Ubud, 1970, Wayan Silawasinspired by his grandfather, well known local artist</br>Wayan Barwa. From an early age he regularly visited Barwa’sstudio and gallery,</br>surrounded by the paintings of his Balinese heritage, this was the perfect scenario for a</br>child to learn to draw and paint.</br>Wayan soon became adept in the “Ubud Style” of modern traditional Balinese painting. In</br>the evolution of Balinese painting during the last century, from its origins of the Classical</br>Kamasan style that concerned teachings from the Hindu Epics, each village then began to</br>create their own distinctive style.</br>The Ubud style moved away from the religious and began to be characterized by</br>narratives that involve daily village life and depictions of rural and environmental</br>landscapes. The artists from Ubud were quick to adopt western influences in the 1930’s,</br>depth of field, shades of color, localized narratives and the development of the human</br>figure. The Kamasan style was originally a collective work and never signed by an</br>individual. The new personalized and expressive form of Balinese painting has its roots</br>firmly entrenched here in Ubud.</br></br>Wayan’s canvases are beautifully composed and resound with an overwhelming sense of</br>balance and harmony. His highly detailed works are first sketched in pencil then outlined</br>in black Chinese ink, finally they are rendered in acrylic paint with a fine kaus bamboo, a</br>small piece of bamboo crafted with a tiny point to apply the medium. A large canvas, 100 x</br>80 cms, may take up to six months to complete. “In 1997 I was inspired to include owls in my compositions after seeing a wonderful sketch by a Japanese child.”</br></br>Wayan’s relationship with the burung hantu then activated an endearing association with</br>the people of Japan, to whom the owl is symbolic of happiness. He first visited Japan in</br>2002 and his premiere solo exhibition there was in 1998. Every year since then Wayan has </br>enjoyed the privilege of exhibiting work in galleries, department stores, even in the</br>Indonesian Consulate in Tokyo. He has held over 15 solo exhibitions in Japan, and</br>numerous other exhibitions in Bali, Jakarta, Spain and also at the prestigious Agung Rai</br>Museum of Art in Ubud.</br></br>“It’s an honor for me to be invited on intercultural exchange programs teaching young</br>Japanese students traditional Balinese painting techniques. I do this each year when I visit</br>Japan.” Wayan has since developed a healthy market for his works there and continues to</br>ell to the Japanese tourists who often visit his Ubud studio/gallery.</br></br>Wayan Sila, acrylic on Canvas, 2012,</br>45x 60cm.</br>Wayan Sila</br>Garden + Bale studio of Wayan Sila.</br>Wayan Sila. 2012, chinese ink +</br>acrylic on canvas, 60x80cm.</br>Wayan’s cooperative works with Japanese poet Yoko Jatiasih have been the focus of two books. They initially</br>collaborated in 1998 to create music and poetry for his paintings. In 2004 their first book “Kata Kata” Echoes From The</br>Woods, and then in 2010 “Pelan Pelan” were published.</br>Browsing through these books, the creative synergy between the two is easy to recognize. Yoko’s short poems, no more</br>than 6 lines, resonate with an uncomplicated intelligence. Upon the opposing page to the text are Wayan’s</br>complimentary images created especially to accompany each poem.</br>As you contemplate the words essence, as well as study Wayan’s images, the mysterious bird of the nights’full round</br>eyes are firmly transfixed upon you. The fusion of words along with the images perplex the imagination, and then defy</br>you to believe their medium is the owl’s silent and alluring gaze.</br>In 2011 Wayan relocated to his new studio gallery in Jalan Bisma in Ubud. Journey 400 meters along Jalan Bisma until the</br>roadside urban development gives way to the effervescence of the padis. Down on the right hand side nestled in the</br>sawah you will find his small abode. Look for the sign on the road then follow the narrow path that divides the green</br>swaying fields to his studio/gallery encircled by the bamboo fence.</br>Wayan has created a personal space that reflects the elements that enrich and sustain him. Situated in the middle of the</br>yard he has built a bamboo bale which functions as his studio, yet also as a place of quiet retreat. The surrounding</br>garden is abundant with organic vegetables, fruit trees, medicinal herbs, ornamental shrubs and flowers. Indeed, Wayan</br>has created his special own oasis.</br>As you enter his two Bali dogs are quick to offer enthusiastic toothy greetings. The verdant vegetation is soothing and</br>inviting. I discover two rabbits, four exotic birds and frogs and snakes frequent visitors, so Wayan tells me. Stone</br>carvings covered with brilliant green moss hide among the foliage, shrines and small Hindu temples are adorned with</br>offerings and the sweet sent of burning incense seduces the senses. An outhouse serves as a simple kitchen and two </br>rooms contain Wayan’s gallery painting collection and books for sale.</br>When we observe Wayan’s paintings we enter into a beautiful and extraordinarily tranquil world. His owls’ peer out</br>from within forests and lush scenes, their big eyes possess a magnetic pull and communicate a language that is</br>deciphered in our hearts. Wayan Sila is a painter of immense sensitivity and his works are vehicles of healing qualities and love.re vehicles of healing qualities and love.)
  • I Nyoman Popo Priyatna Danes  + (“What the modern architecture is still try“What the modern architecture is still trying to achieve today has been implemented in the traditional Balinese architecture for centuries now, where the concepts of energy conservation and environmental preservation are amongst the fundamental elements in every design.” – Popo Danes</br></br>From private homes and restaurants to starred hotels and luxury resorts, the renowned Balinese architect Nyoman Popo Danes is known for his exemplary designs that showcase a distinct flair of being in harmony with the local culture and nature. This green-conscientious architect always integrates eco-friendly aspects of Bali’s traditional architecture into his designs.</br></br>“While some architects are very focused on making their buildings look stunning from the outside, my main concern has always been the functionality of each aspect of the building. I always make sure that my designs are in harmony with their natural surroundings; that each room has a function; that a strong connection between the architecture, landscape, and interior is established. I don’t care if my architecture is not photogenic, as long as it serves its function well.”</br></br>As an international destination, Bali attracts people from all corners of the world with its uniqueness. Therefore, Popo believes that every building on the island needs to be able to help these people feel that they are in Bali. “When you travel, you want to be immersed in the local atmosphere. In Bali, a building should exude the feeling of locality so when you enter it, you know you’re not in Jakarta, Hong Kong, or anywhere else.”</br></br>The works of the two-time ASEAN Energy Award winner (in the category of Best Practice in Tropical Architecture) are known as some of the most striking in design, functionality, and environmental consciousness. Air conditioners take up the biggest energy consumption in a building, and Popo’s eco-friendly creations have the ability to ‘communicate’ with nature to lessen energy consumption through the overuse of air conditioners.</br></br>“I create buildings that have open pavilions (just like in typical Balinese buildings) to allow breeze to blow in, and I don’t put too many glass windows. Then again, air circulation or heat is not the only reason why air conditioners are overused. People also tend to turn their air conditioners on to escape from the noise pollution outside their buildings. When all windows and doors are shut, it’s quiet inside. This is where nature steps in. Towering trees can be a great noise filter, and they also serve as a fresh, cool air provider.”</br></br>From Indonesia to India and China to the Philippines, most of Popo’s architecture projects involve challenging landscapes. “It’s never easy. A lot of projects i’ve been doing so far (especially for luxury resorts) involve slanted soil, hilly surfaces and everything else not flat. Of course I can always take the easy job; for example in Bali, I get so many offers to design a building on a flat surface. The thing is, in order for me to build it, I have to get rid of a rice field. I will never build anything on a rice field. Rice field is a symbol of prosperity for the Balinese, and is home to the goddess of prosperity, Dewi Sri.”e to the goddess of prosperity, Dewi Sri.”)
  • 1 - Luh Ayu Manik Mas, Tresna ring Alas  + (The forest has been laid bare. The trees hThe forest has been laid bare. The trees have been cut down and the wood taken away. Luh Ayu Manik and her friends are deeply saddened to see the forest destroyed. There is a police post in the middle of the forest but, despite this, the thieves are still able to steal wood. Luh Ayu Manik and her friends have come up with a plan to catch the thieves. But unfortunately, their plan has been foiled. And now the thieves are chasing them with a chainsaw. What will happen to Luh Ayu Manik and her friends?l happen to Luh Ayu Manik and her friends?)
  • " KEMACETAN YANG TERJADI DI BALI "  + (" JUST CONNECTION OCCURRING IN BALI " OM " JUST CONNECTION OCCURRING IN BALI "</br></br>OM SWASTIASTU</br></br> I respect the Government of Bali and I love happy friends.</br> Let us give thanks to the presence of Almighty God who has given Asung Kertawara to all of us so that we can gather in this place. Before I deliver this speech, I first want to thank you for the time and opportunity given to me to deliver my speech of hope. to the Bali government entitled "JUST CONNECTION OCCURRING IN BALI".</br> Traffic jams arise because the volume of motorized vehicles is not proportional to the volume of the road. The number of motorized vehicles and cars increases every day. As a result, cars, public transportation and motorbikes pile up on the streets, traffic jams occur. Congestion can also slow down the performance of people who are stuck in traffic jams. Workers will be late arriving at work and students will arrive late at school. This especially happens to people who choose to use private transportation rather than public transportation.</br> Traffic jams occur because too many people use motorized vehicles or cars and also because many road users do not comply with traffic regulations.</br> On this occasion I would like to invite you to overcome traffic jams in Bali. If we cannot overcome them, at least we can reduce traffic jams in Bali. There are 2 main things we can do to reduce congestion. First, use public transportation, don't use private vehicles, using public transportation can reduce the volume of vehicles on the road. In the end, traffic jams will be reduced. Second, get used to walking if the distance is not too far. This method is simple but difficult to do. Even though walking is healthy, and by walking we are contributing to reducing traffic jams in Bali. I am sure that by taking these 2 actions traffic jams in Bali can be reduced.</br> However, the Bali Government is expected to improve the comfort and safety of public transportation. I am sure that if public transportation is safe and comfortable, there will be more passengers. Finally, the number of private transportation users will decrease by itself.</br> This is all I can say, hopefully it is useful for all of us. Sorry if there are wrong words and actions. For your attention I would like to thank.</br> </br> OM, SHANTIH, SHANTIH, SHANTIH, OMk. OM, SHANTIH, SHANTIH, SHANTIH, OM)
  • Jean Couteau  + ("...apart from Bali on which his many book"...apart from Bali on which his many books focus — like Time Rites and Festivals in Bali Today I, Bali Today II, Bali Inspires and Lempad ( 2014 ) — he has written numerous books on Indonesian artists, such as Affandi, Arifien Neif, Srihadi Sudarsono, Walter Spies, Made Wiante and many more.</br></br>He is indeed a learned man. But his demeanor displays a humility that can be too much, even for his close Indonesian friends. They say he is more Javanese than the Javanese. He would never stand up, for instance, to demand his due, leaving himself victim to people’s manipulative tendencies.</br></br>Yet he is held in high respect. ..."</br></br>full piece at https://www.thejakartapost.com/life/2018/03/05/jean-couteau-self-critique-as-a-way-of-criticizing.htmlself-critique-as-a-way-of-criticizing.html)
  • Menang Magandong  + ("Congratulations to brother Cenk Never Cle"Congratulations to brother Cenk Never Cleans for becoming a champion in the National Ceki Card tournament, from Mr. Blong with a Bald Head". Have you ever seen congratulatory billboards like this? Officials scrambled to post congratulations to the athletes who made it to the championships. The photo of the official is very large, almost filling half of the billboard, the photo of the athlete who won is very small and blurry. If I may ask ladies and gentlemen of the officials, don't make billboards like this anymore. Just spending the budget. If you really mean to congratulate, don't post a personal photo. It is enough to display a photo of the winning athlete. Father, Mother did not participate in the competition. Why are you so brave to be carried?ition. Why are you so brave to be carried?)
  • Infrastruktur Jalan  + ("Om Swastyastu, Thank you for the time giv"Om Swastyastu, Thank you for the time given to me. My name is Ni Luh Ari Purnama Yanti from SMA Negeri 1 Tabanan. To the judges who I really respect and the audience who I really love. I feel very happy to be able to deliver the oration entitled "Road infrastructure"</br></br>Ladies and gentlemen, as we know, road infrastructure greatly influences the economy today. If there is no road infrastructure or the roads are in disrepair, what else is there to earn a living nowadays? How do I take merchandise abroad? In this millennial era and era of globalization, road infrastructure is very necessary in today's life. Many people today earn a living on the streets, some become Ojols, some become traders and others; Candidates for leadership in 2024 should be able to see the condition of their people in villages and cities, so that they do not create social inequality. So that the roads in villages and cities are the same, so that the materials are good and can last a long time and people can earn a living on smooth roads. And for the 2024 Leader Candidates to be honest about the road and development assistance, so that it doesn't happen that the funds are disbursed but the roads and construction are not completed, let alone non-existent? Don't prospective leaders feel sorry when they see their people earning a living through damaged roads? On a rocking bridge to pass east to west over rivers and seas? there are also those who cannot leave the village because the roads are damaged but in the city the roads are good. However, there are also damaged roads in the city, which makes it difficult for large trucks to pass and causes traffic jams. The 2024 Leader Candidates should now be fair and honest with all their people. 2024 Leader Candidates so that they can pay more attention to their people, so that during the campaign they don't just make sweet promises to their people so that they are not called Sweet Promises of Leader Candidates.</br></br>OK, that's all my speech, I hope what I say can be heard by the 2024 Leader Candidates. Thank you for your attention, everyone present. "Meli bungkung aba to the temple Sambilang ngayah, Kirang Langkung nunas ampura titiang sisya wawu melajah". I end with the paramashanti "Om Shanti Shanti Shanti Om".paramashanti "Om Shanti Shanti Shanti Om".)
  • Caesilia Nina Yanuariani  + ("Reina Caesilia" was the pen name given to"Reina Caesilia" was the pen name given to Caesilia Nina Yanuariani by Umbu Landu Paranggi. This reclusive poet was born in Surakarta on January 29, 1965. She grew up in Singaraja, Bali and attended school at SMAN 1 in Singaraja and then studied in the Faculty of Literature at Udayana University. She worked as a journalist with both Bali Post and Nusa. She wrote poetry since she was a teenager and has been published in the Bali Post, and her poetry has been included in a number of anthologies, such as, Pedas Lada Pasir Kuarsa (2009), Dendang Denpasar Nyiur Sanur (2012), Negeri Poci 6: Laut Negeri (2015), Klungkung: Tanah Tua, Tanah Cinta (2016), and Saron (2018). Her poem entitled "Women Who Become Sailors" was nominated for an award in the national poetry writing competition held by the Leon Agusta Institute in 2014. She went into a coma after falling off her motorcycle and died on April 2, 2019 due to a severe cerebral haemorrhage.2019 due to a severe cerebral haemorrhage.)
  • Good leader, people leader  + ("hallo my friends" "Do U know, next year its pemilu, on 2024" Haah, Pemilu? U don't know pemilu? Ewwwh right now I will tell u about pemilu 2024 Pemilu is blalalalala Ohhh I see When are pemilu held? I told you next year, it's close)
  • Konservasi Lembu Putih Desa Taro  + (1. Lembu Putih Conservation 2. Conservation of Taro Forest 3. Protection of Gunung Raun Temple 4. Develop usada plant or medicine plant)
  • Komunitas Melangge Desa Siangan  + (1. Tackling of Plastic Waste 2. Trees Plantation. Go Green 3. Conservation)
  • Arie Smit  + (15 April 1916 – 23 March 2016. Dutch-born15 April 1916 – 23 March 2016. Dutch-born Indonesian painter who lived on Bali.</br></br>Smit was the third of eight children of a trader in cheese and confectionery in Zaandam. His family moved in 1924 to Rotterdam, where Smit eventually studied graphic design at the Academy of Arts. In his youth he was most inspired by the work of three artists named Paul (Signac, Gauguin and Cézanne). In 1938 he joined the Royal Netherlands East Indies Army. After three months he was sent to the Dutch East Indies , where he worked as a lithographer for the Dutch army's Topographical Service in Batavia, engraving relief maps of the archipelago. Etching Balinese mountains onto maps ignited his desire to one day go to Bali.</br></br>In early 1942 Smit was transferred to the infantry in East Java, but was soon captured by the invading Japanese forces. He spent three and a half years in forced labor camps building roads, bridges, and railways on the Burma Railway in Thailand, and Burma. After the Japanese capitulation in August 1945, Smit convalesced in Bangkok until January 1946. After being stationed in Denpasar, Bali as a staff writer for the infantry, he returned to the Topographical Service in Batavia in September. Until its discontinuation in 1950, he remained employed at this service, eventually becoming head of the drawing department, but in his spare time he criss-crossed Java as a painter and in October 1948 had his first exhibition in Batavia/Jakarta.[5] After Indonesian Independence on December 27, 1949, all Dutch nationals had to choose between Dutch or Indonesian citizenship within two years. Smit briefly considered emigrating to South Africa, but decided to stay; he became an Indonesian citizen late in 1951. In the following years he taught graphics and lithography at the Institut Teknologi Bandung in West Java.</br></br>Bali</br>On invitation by the Dutch artist Rudolf Bonnet he visited Bali in 1956, together with Dutch artist Auke Sonnega. He soon met art dealer James (Jimmy) Clarence Pandy, who ran a gallery and souvenir shop. Pandy invited Smit to stay in a house on stilts at the beach of Sanur. Smit and Pandy remained friends and formed a partnership. Pandy was well-connected; Sukarno would sometimes bring his state guests to his gallery. With his love for bright colors, Smit was captured by the Balinese landscapes in its 'riotous light', and soon decided to stay to depict its villages, rice terraces, palm trees and temples.</br></br>In 1960, while touring the village of Penestanan in the Ubud District where he then lived, he came upon some boys drawing in the sand. Impressed by their talent, Smit invited them to his studio, where they became the first of a growing number of students. With minimal instruction but lots of encouragement and material support, his pupils created a naive style of genre painting that became known as the 'Young Artists' style, which at its peak had 300-400 followers. Though he is considered the father of the movement, its style is quite different than any of Smit's own styles over the years.</br></br>From the time of his arrival in Bali, Smit moved some 40 times, "to see what is beyond the next hill". He stayed longest in his favorite areas of Karangasem and Buleleng. He finally settled in 1992 in the village of Sanggingan near Ubud under the patronage of Pande Wayan Suteja Neka, founder of the Neka Art Museum. In recognition for his role in the development of painting on the island, Smit received the Dharma Kusama (Flower of Devotion, a Balinese cultural award) in 1992 from the government of Bali. The Arie Smit Pavilion was opened at the Neka Art Museum in 1994 to display his works and those of contemporary Balinese artists. The Museum Bali in Denpasar and the Penang Museum in Malaysia also have collections of his work. Smit further had exhibits in Jakarta, Singapore, Honolulu and Tokyo. Smit lived near Ubud for the rest of his life, but died on 23 March 2016 in a hospital Denpasar at three weeks before turning 100.enpasar at three weeks before turning 100.)
  • Ida Bagus Putra Adnyana  + (A Balinese from a Brahmana priestly familyA Balinese from a Brahmana priestly family, I. B. Adnyana is considered a first-rate classicist. Born in 1958 in Denpasar, he grew up attending Balinese rituals and brings an insider’s knowledge to his subjects. As is evident in his images, he has been given special unimpeded access and privileged positions and angles. It’s highly unlikely that a Western photographer would ever be allowed to enter sacred inner courtyards and get this close to a venerable high priest.</br>His subjects appear at ease and revealing of their inner emotions. It is as if his subjects are family members relaxed in the presence of another Balinese. He always seems to be in the right place at the right time to photograph with the greatest possible empathy and intimacy. Amidst all the confusion, he knows what is going on and is able to anticipate what is going to happen next. While other photographers are fiddling with their camera settings, he is ready to record the climax, the significant gesture or the moment when the trance state takes hold.e moment when the trance state takes hold.)
  • Burung pada Ranting  + (A bird perched on a tree branch, even thouA bird perched on a tree branch, even though a bird can fly to and fro wherever it wants, it still needs a home or a place to rest which in this work I describe with a tree branch.</br>It's the same with humans, humans can do whatever they want, can go wherever they want, pursue goals, wander in search of identity. But even so, humans still need a family that is always warmly welcomed as a place to go home, home as a place to rest, friends who are always there as a support system, and of course the main thing is religion or belief as our foothold to step so that we always walk the right path. , because the essence is that no matter how far humans go, they will eventually return to God.ns go, they will eventually return to God.)
  • Survivor  + (A collection images in black and white by A collection images in black and white by ManButur dedicated to the meaning and value of Trees. ManButur Suantara interviewed by Sawidji Gallery for the article 'I Hear You Tree'. Part of several discussions regarding the power and contribution of Trees into human lives. As started by artist Made Budiarta in 'Inauguration of Trees'. Made Budiarta in 'Inauguration of Trees'.)
  • Titus Rosier  + (A hospitality expert with more than seventA hospitality expert with more than seventeen years of experience in the industry, Titus Rosier joined the vibrant award-winning W Bali – Seminyak resort in June 2021, leading its talented team as General Manager. Beginning his professional career in the Middle East, Titus has gained extensive experience working across various countries and properties for Marriott International. Departing from his last venture in the Middle East, Titus was ready for a new challenge and decided to move to Indonesia based on the love he has for this amazing country, choosing the magical island of Bali as his new home. A Dutch native, Titus has a passion for sustainability which he implements through developing significant initiatives and exceptional programs including the launch of zero-waste cocktails. This beverage program uses leftover fruit skin to create invigorating concoctions. Besides battling food waste, the team at W Bali is also actively focusing on reducing plastic usage to remove all single-use plastic from the property in 2023. </br>Additionally, W Bali has partnered with several Bali-based NGOs, such as S.O.S Kitchen, to donate fresh and edible leftovers from the buffet breakfast to be distributed to people in need including children's orphanages and impoverished areas in Bali. W Bali has also partnered with Sungai Watch and together with the Marriott Business Council Indonesia, they are working on a waste solution in Bali. The ambitious goal is to remove 100,000 kilos of waste per year from the Bali's rivers. of waste per year from the Bali's rivers.)
  • 6 - Luh Ayu Manik Mas Ngalahang Legu Poleng  + (A package arrived for Made Putri, one of LA package arrived for Made Putri, one of Luh Ayu’s friends, from the US wrapped in layers and layers of packaging material. Made Putri threw the packaging waste out in the garbage, but it ended up a local river where it collected pools of stagnant water. Dengue-carrying mosquitos then bred in those pools, making the original problem of packaging waste even worse. And, the Covid-19 pandemic was raging. What is Luh Ayu to do?ndemic was raging. What is Luh Ayu to do?)
  • The Sleeping White Wood  + (A series of photographs exploring a differA series of photographs exploring a different, subtler side of the White Wood of Banyan. The fearsomeness of time evident in the turns and creases of this beautiful Sacred Tree.</br></br>Botanical Notes..</br>The White Wood Tree of Banyan was thought to be a ‘Bunut’ Tree or ‘Banyan Tree. Like many similar Ancient Trees in Bali. However, statements from local residents confirm that the genus of the tree has not yet been expressly confirmed. By the Ministry of Forestry or any University research teams. Their reluctance to confirm the genus of the tree is due to some particularities.</br>It is said the White Wood does not flower but bears fruit (we were a direct witness to the abundance of fruit on The White Wood). It has also been said that the White Wood will shed all its leaves every few months. Though Banyan Trees may shed leaves to retain moisture, it is unusual for a tree to shed leaves this regularly in a moist climate. So for all these reasons, the villagers have continued to call this tree Pohon Kayu Putih Bayan (the White Wood of Banyan).yu Putih Bayan (the White Wood of Banyan).)
  • Hoax tentang Keadilan Untuk Audrey  + (A young woman named Audrey admitted that sA young woman named Audrey admitted that she was beaten up by 12 students. The beatings were carried out in two places. There are two motives for this student to persecute him. First, the heart hurts, because the victim often brings up the problem of accounts receivable that had been committed by the late mother of the suspect. Second, because of male problems.</br>During the persecution, Audrey admitted that she was dropped onto the asphalt and kicked repeatedly by her friend and experienced bleeding from the nose and wounds on the face. Then Audrey also stated that one of the perpetrators abused her vital organs, namely by striking her female organs with her fingers, and because this made the victim no longer a virgin and also experienced swelling in her vital area. This incident went viral on social media so quickly that it shocked people throughout Indonesia.</br>However, after checking in the field of health, Audrey divisum and the post-mortem rejected the statement made by Audrey, the post-mortem said that there were no marks and hymen, Audrey did not experience a tear and Audrey did not experience physical trauma in the area.</br>This case is very unfortunate, and not as viral on social media. Hopefully hoaxes like this will not happen againlly hoaxes like this will not happen again)
  • Reboisasi  + (A: Brother Mang, what are those people doing?? B: That is called reforestation or replanting trees. A: Why do that? B: So we can protect and keep the enviroment. If we do good to nature, we'll live happily.)
  • Gumine Mangkin  + (A: Dad, there are a lot of wild animals out there. B: That's because their habitat has been destroyed by mandkind. Cutting trees indiscrimately. Throwing litters carelessly. A: Those, Dad...)
  • Parerasan & Panca Suda  + (ARAS KEMBANG (born on sunday pon, monday kARAS KEMBANG (born on sunday pon, monday kliwon, tuesday paing, wednesday umanis, thursday wage): the native resolves problems quickly. They don't have many children. They have many friends. Both men and women love them. After married, they work quickly.</br></br>ARAS TUDING (born on Monday pon, Tuesday kliwon, Wednesday wage, Friday umanis): the native is brave when going out at night. They like to sell their belongings but aspire for others' belongings. If they are to attached, they can steal. It is difficult to subdue their desire.</br></br>BUMI KAPETAK (lahir hari minggu pon, senin paing, rabu pon, kamis kliwon, sabtu umanis) : tidak suka bepergian, teguh dengan prinsip hidupnya, rajin mengambil pekerjaan apa saja, ulet dengan tugasnya, punya keinginan untuk bertapa.</br></br>LAKU YEH (lahir sabtu pon, buda paing, kamis kliwon) : baik budinya, punya tata krama, punya banyak keinginan, lemah lembut apabila memberitahu seseorang, bisa menjadi orang yang berkuasa, tetap pendirian ketika berargumen, perasaannya tidak akan lega apabila keinginannya tidak tercapao, apabila berumah tangga, ia sering bertengkar.</br></br>LAKU API (lahir senin wage, selasa umanis, sabtu paing): mudah marah, emosional, tidak pernah memikirkan terlebih dahulu apa yang akan dikatakan, tidak peduli dengan pendapat orang, apa yang diinginkan mudah dilupakan.</br></br>LAKU ANGIN (lahir minggu wage, senin umanis): tidak suka berbicara, namun pikirannya selalu kesana kemari, senang bertindak seperti pendeta, senang mengembara, senang bila disanjung orang, mantra yang diucapkannya tidak berjiwa.</br></br>LAKU BINTANG (lahir minggu kliwon, senin paing, kamis umanis, jumat pon): tidak terlalu sering berbicara, perasaannya lembut, tidak kuat begadang terlalu lama, perkataannya berharga, kukuh menjalankan keinginannya, biasanya tidak memiliki saudara, senang berjualan.</br></br>LAKU BULAN (lahir minggu paing, rabu pon, jumat kliwon, sabtu umanis): cepat mengerti dan pintar, ia bisa mengambil semua pekerjaan, disenangi masyarakat, memiliki banyak kemampuan, sabar, dia bisa malas bila suasana hatinya buruk, hidupnya senang.</br></br>LAKU BUMI (lahir selasa wage, sabtu kliwon, kamis paing): tidak senang berbicara, mudah marah, senang berargumen, bila ingin berbicara tiba-tiba namun tidak tersampaikan, perkataannya bisa menjadi kenyataan.</br></br>LAKU SURYA (lahir rabu kliwon, kamis pon, sabtu paing): pintar, mahir dalam berbagai pelajaran, senang memberi nasehat, punya banyak ide, perkataannya menyejukkan hati, memiliki wibawa.</br></br>LAKU PANDITA SAKTI (lahir hari minggu umanis, selasa pon, sabtu wage): kalem, hatinya selalu senang, senang dengan ilmu kebatinan, pintar, menyombongkan diri, senang dipuji, ia bisa terkenal karena bersastra.</br></br>LEBU KATIUP ANGIN (lahir hari minggu kliwon, selasa wage, kamis paing dan sabtu pon): perasaannya sering gelisah, mudah terprovokasi, hidupnya kekurangan, tidak bisa berlama-lama duduk atau diam</br></br>SATRIA WIBAWA (lahir hari senin wage, selasa pon, rabu wage, kamis umanis, sabtu paing): senang apa adanya, hidupnya selalu senang, ia memiliki kuasa di dunia.</br></br>SATRIA WIRANG (lahir hari senin kliwon, selasa paing, kamis pon, jumat umanis, sabtu wage): sering marah, namun hatinya bisa tenang, ia sering merasa malu, maksud hatinya baik namun orang-orang sering salah paham, kurang mengendalikan keinginannya.</br></br>SUMUR SINABA (lahir minggu umanis, senin pon, selasa kliwon, rabu umanis, jumat wage): senang membantu orang, perilakunya lemah lembut dan perhatian, ia senang memberi dan berderma.</br></br>TUNGGAK SEMI (lahir hari senin umanis, jumat paing, kamis wage, sabtu kliwon): angkuh, senang dengan keributan, walaupun sudah kalah, namun terus saja menantang.</br></br>WISESA SEGARA (lahir hari minggu paing, senin wage, selasa umanis, jumat kliwon, sabtu pon): perasaannya dalam dan ikhlas, memiliki banyak kepandaian, ia teguh seperti dasar lautan.kepandaian, ia teguh seperti dasar lautan.)
  • My hopes and my friends about future leaders  + (About my hopes and my friends about future leaders)
  • Ngolah luu Ring Jagat Natha  + (Action Plan is a description of the ways tAction Plan is a description of the ways that must be taken to achieve the goal. This Action Plan can be useful as a guide on what steps to take, how, and when to implement them to achieve certain goals.</br></br>Our action plan is entitled "Ngolah Luu Ring Jagat Natha".</br>Our team's action plan is that we will first explain the facts about waste in Bali, in Indonesia, and in the world. Like news shows that spread about a lot of garbage until the pile of garbage resembles a hill. For this reason, my team and I will collect the waste and then sort it into 2 parts, namely organic waste and non-organic waste. Organic waste such as vegetable scraps to fruit skins are used as Eco Enzymes that can help fertilize plants. Non-organic luu, such as plastic, are used for posters or collages.</br></br>The purpose of this movement is so that people know or are aware of the importance of processing waste properly and correctly, so that Jagat Natha is free from waste.</br>The benefits of this plan are:</br></br>1. Reducing waste in Bali, in Indonesia and the world.</br></br>2. With proper and proper waste management, it can be a business opportunity for all of us.</br>For example Eco Enzymes and collages or posters. With a simple way and easy to find ingredients, we become influencers to turn piles of garbage into business opportunities.es of garbage into business opportunities.)
  • Adhy Ryadi  + (Adhy Ryadi was born in Singaraja, January Adhy Ryadi was born in Singaraja, January 17 1960. He completed his Bachelor of Law studies at Undiknas Denpasar. Writing poetry since 1981 and published in the Bali Post, Mind of the People, Berita Buana, Suara Indonesia, and collected in the poetry book "Hram" (1988). He once worked as a journalist at the Bali Post. He died in 1995.rnalist at the Bali Post. He died in 1995.)
  • Agastya Parwa  + (Agastya Parwa literally means "Maharsi AgaAgastya Parwa literally means "Maharsi Agastya's Chapter". This palm manuscript is an adaptation of Weda Agastya Samhita in Sanskrit. It describes dialogs bewteen Maharsi Agastya and hs son, Dridhasyu. The content of their dialogs is split into seven parts. The first part tells about creation of the universe. Th second part tells about maintenance and dissolution of the cosmic manifestation, including the existence of heaven and hell. The second part also describes sinful and pious activities. This part also contains lists of merits one gets from doing certain pious activities. The third part discuses about the life of the demigods and the demons (asuras) as well as genealogy of the Manus. In the fourth part, Rsi Agastya teaches about self-realization and spiritual advancement (moksa). In the fifth part there are family trees of pious kings and great sages in the past. In the sixth part, there is a description about prescribed duties of mankind especially regarding sacrifice, atonement and self-restrain. In the seventh part, there is a description about duties of each varna (division) in the human society.ach varna (division) in the human society.)
  • Agoes Andika  + (Agoes Andika was born in Banjar Baleagung,Agoes Andika was born in Banjar Baleagung, Buleleng, March 5, 1963. In 1981 he settled in Mataram, Lombok. He studied writing a lot with Putu Arya Tirtawirya and Umbu Landu Paranggi at the Bali Post. In 1985 he was invited to Taman Ismail Marzuki Jakarta with several Balinese poets and other Indonesian poets to read poetry. Literary works have been published in the Bali Post, Karya Bhakti, Nusa Tenggara, Simponi, Swadesi, Nova, Buana News, Suara Karya, Suara Nusa, Horizon, and several bulletins in Mataram, Pontianak. Now living in Singaraja.taram, Pontianak. Now living in Singaraja.)
  • Agung Bawantara  + (Agung Bawantara was born in Klungkung on JAgung Bawantara was born in Klungkung on January 30, 1968. He graduated from the Faculty of Animal Husbandry at the University of Mataram, NTB. He has been writing poetry since the 1980s in Bali Post, Karya Bakti, Nova, Berita Buana, Swadesi, Media Indonesia, etc. His collected poems can be found in Sahayun (1994), and in Klungkung: Tanah Tua, Tanah Cinta (2016). He initiated the Denpasar Film Festival. He has also written short stories, children's stories, fairy tales, and novels.ildren's stories, fairy tales, and novels.)