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A list of all pages that have property "Description text" with value "Cleaning the environment starting from the environment around the house then the community environment, the activities in the video are: 1. Clean the environment around the house. 2. Reprimand and invite children who pass by to take part in picking up trash on the roads, houses and highways. 3. Clean the plastic waste that is taken 4. Processing the plastic waste into crafts that have a use value.". Since there have been only a few results, also nearby values are displayed.

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  • Bank Sampah Legian Aksi Nyata  + (carry out waste bank activity in legian village)
  • Rumah Kompos Alam Lestari Desa Adat Sumampan  + (carry out waste management through composting houses and segregation of non-organic waste)
  • Bank Sampah Taman Asri  + (carrying out waste activities at banjar taman kaja ubud)
  • Developing Bali as a Tourist Destination  + (developing Bali as a tourist destination developing Bali as a tourist destination</br></br>Bali is one of the most popular tourist destinations in the world. In order to make Bali the most popular tourist destination, it is necessary to take care of the sustainability of the land, improve the quality of infrastructure and public services, and improve the culture and art of Bali.</br></br>Efforts should be made to preserve the natural environment in order to limit the number of visitors, reduce plastic waste, and promote tourism based on local knowledge. Therefore, improving the quality of infrastructure and public services such as roads, clean water, sanitation, and electricity are necessary to ensure that tourists feel comfortable and safe while visiting Bali.</br></br>The culture and art of Bali has become a tourist attraction in Matiosan from Tiosan's tourist destination. The government and the Balinese people are planning to organize cultural and artistic events such as traditional ceremonies, Balinese dances, traditional music, and Balinese fine arts. In order to make Bali the most popular tourist destination, it is necessary to pay attention to the well-being of local customs and to preserve their rights. The government and the tourism businessmen are willing to work and promote local customs and produce local products so that they can improve their economic well-being.</br></br>During this time, Bali has become a sustainable tourism destination that promotes natural beauty, culture, and well-being. It's time to be loud, it's the best place to visit Bali, and the local people are silent on the other side.local people are silent on the other side.)
  • A simple way to preserve culture  + (egun to be replaced with western culture. egun to be replaced with western culture. Because we have to keep trying to preserve culture by introducing the younger generation that we have an extraordinary culture. The simple thing in preserving culture is to become a part of cultural activists. With this simple thing, it is hoped that the existing local culture will become more widely known and become the main attraction for local and foreign communities.raction for local and foreign communities.)
  • A simple way to preserve culture  + (egun to be replaced with western culture. egun to be replaced with western culture. Because we have to keep trying to preserve culture by introducing the younger generation that we have an extraordinary culture. The simple thing in preserving culture is to become a part of cultural activists. With this simple thing, it is hoped that the existing local culture will become more widely known and become the main attraction for local and foreign communities.raction for local and foreign communities.)
  • Sapta Sanak  + (government, especially leaders, cannot stagovernment, especially leaders, cannot stand alone</br>Ogoh-ogoh Sapta Sanak made by ST. Tunas Mekar who won 3rd place in Tabanan Regency is ogoh-ogoh which means four brothers who are with humans, where the four brothers consist of 1) yeh nyom, 2) Blood, 3) Ari -ari ,. 4) Lamad</br>Why do I like these ogoh-ogoh? Because there is little advice contained therein. The advice is that as a government we must not forget what we conveyed/promised before being elected.</br>If it's like that then the government must be able to accept what the members and the community think, just like we have 4 brothers who are called Sapta Sanakhave 4 brothers who are called Sapta Sanak)
  • Toleransi budaya Bali ne  + (hello friends today is the 77th independenhello friends today is the 77th independence day I am very happy to be able to take part in the competition. And you can see above left that there is a caricature with the theme of independence day. And you can see that there are people of other religions who come to visit Bali. There we also saw that there were Balinese people who explained about Balinese culture. And we can see that they really respect our traditions, and our culture. That includes a good example.Now we also have to respect their culture, because they also respect our cultureure, because they also respect our culture)
  • online learning is less effective  + (in my video is that in my opinion, online in my video is that in my opinion, online learning is less effective than face-to-face learning, because if we study face-to-face, we often interact socially where we are better trained to express opinions or are also better trained to speak in public. dpn public,,because students also need those who maximize social interaction,,thank you.ho maximize social interaction,,thank you.)
  • Burung Camar dan Kokokan  + (ince 2009, almost 2500 of Clean Bali Serieince 2009, almost 2500 of Clean Bali Series book 2 (trilingual) have been distributed free of charge to local schools mostly around the villages and towns in Bali.</br></br>Trilingual: English, Balinese, Indonesian.</br>Clean Bali Series team members, Author Maggie Dunkle and artist Margiyono have created the second in the series of three environmental children’s books.</br></br>This hardback three language picture-story book (Seagull and Heron) picks up where the first book left off with Seagull continuing inland from the beach and befriending Heron and Kingfisher along the way. The trio discover a whole new set of environmental problems faced by the children and animals in the cities and surrounding countryside. Readers are also introduced to the local “Pemulung” or scrap collectors in an attempt to explain their very simple and essential role in the process of scrap collecting and recycling on the island.ap collecting and recycling on the island.)
  • Kuta Beach  + (kuta beach is a very beautiful beach. on kkuta beach is a very beautiful beach. on kuta beach we can see the sunset, and the environment there is very clean. therefore we as young people must maintain the cleanliness of kuta beach so that it is maintained. even we are. let's protect the environment in Bali so that it remains sustainable.nt in Bali so that it remains sustainable.)
  • Kapiambeng ring sejeroning pariwisata  + (like what happened on Kuta beach there arelike what happened on Kuta beach there are some sellers who force tourists to sit or buy food or goods from them.</br>what makes some tourists restless is the way they offer it seems to be pushy and chases so that some tourists want to use their services or buy food/drinks or goods from them.</br>and some tourists have spoken up on twitter/instagram and some other social media about this. please fix this problem because it makes some tourists afraid to travel here and assume that in all tourist attractions there will be sellers like them.</br>and it is necessary to promote new tourism tourism which has the opportunity to generate a lot of profit, in every tourist place it must be clean and hygienic like a clean bathroom. clean and hygienic like a clean bathroom.)
  • Going to Kuta Beach  + (on thursday the 4th of may, my boyfriend aon thursday the 4th of may, my boyfriend and i went to kuta beach. we arrived there at 5.30 pm and the atmosphere there was very good. the sun that was covered by a little cloud became The scenery is beautiful, the wind blows gently as if to make us more comfortable to linger there. After taking pictures, we immediately returned to the house. What a wonderful experience one time We will do it againul experience one time We will do it again)
  • Tips and how to study effectively at home during the pandemic  + (so my video tells about tips and effective ways to study at home which consists of three ways, namely choosing the right time, determining a place, and looking for a good network.)
  • Pale Dark of World Life  + (t's been about a year since the world has t's been about a year since the world has experienced this kind of problem. Discussed the problem of covid-19 which caused people to lose their jobs, limited activities, and could not do activities with many people. So far no one has been able to answer this. If you feel you are slowly running out of wealth that has been obtained and collected from the past, which is now running out in the pandemic era. So far it can't be explained. If you trade, it will definitely be difficult to persuade buyers. If you are looking for a job, no one will accept it. Over time it feels difficult and heavy if you go through this. Ceremonies that should be carried out, and community activities that cannot be separated. But the costs that are difficult to know come from. Until now, hopefully, because of the expectations of all the people. Bali tourism can be implemented, because the vaccination program has been implemented smoothly. Hopefully it will create a sense of enthusiasm to get through the dark path of this world's life.hrough the dark path of this world's life.)
  • Balinese coffee, not inferior to foreign coffee  + (title: Balinese coffee, not inferior to fotitle: Balinese coffee, not inferior to foreign coffee</br></br> Last time, I went to my sister's house and just then there was a guest. It turned out that the guest was staying there and in the morning he was already seen drinking coffee, and during the day my grandmother and sister and I were picking coffee besides that the guests also went around too.</br></br>And the guests asked about Balinese coffee with my sister and grandmother, it turned out that the guests really liked Balinese coffee and even more surprisingly, the guests turned out to be able to speak Balinese quite a bit.</br></br>I was really surprised because the typical Balinese coffee was starting to be liked by foreign guests as wellting to be liked by foreign guests as well)
  • Rajawali dan Anak-anak  + (tri-lingual: English, Balinese, Indonesiantri-lingual: English, Balinese, Indonesian. </br>In the last, and third book in the series, Author Maggie Dunkle and artist Margiyono take its readers high up to the volcanic mountains of Bali, where the Rajawali, a Crested Eagle, can be seen soaring in the clouds. The great bird, who is most intimate with the island’s problems, calls the local children to attend a conference of the birds to find a solution. The children soon realize that it falls upon them to make the changes for a more sustainable future.the changes for a more sustainable future.)
  • Bank Sampah Santhi Pertiwi Pratama  + (waste bank activities carried out in banjar kancil, Kerobokan village)
  • Bank Sampah Mukti Cempaka Asri Singapadu  + (waste bank activities carried out in Banjar Samu, Singapadu Kaler Village, Sukawati)
  • Bank Sampah Kerta Lestari Mandiri  + (waste bank activity at Penatih Dangin Puri Village, Denpasar)
  • Literature jalanan rusak yang buat susah  + (when I came home from school I passed the when I came home from school I passed the South Nangka road, the road there was quite damaged which made it a little difficult for me to pass it when I was in a hurry. I hope the governor of Bali repairs the damaged road so that motorists feel safe when passing through it. I mean the holes on the side of the road need more so that they can help the flow of water when a flood occurs so that it doesn't make it too difficult for motorists when driving, especially at night. make a sign to dispose of trash in its place on the side of the road so that pedestrians/riders can see the sign. and I think it gives a slightly colored street direction sign so that at night it can be seen by motorists passing through itan be seen by motorists passing through it)
  • broken boards and beach  + (when I passed the South Nangka road, the rwhen I passed the South Nangka road, the road there was very damaged and it was difficult for motorcycles and cars to pass when they were in a hurry. I hope Mr. Governor of Bali will immediately repair the road. when I was on vacation at the beach I found a lot of trash on the coast, and from that I hope that residents throw garbage in its place.that residents throw garbage in its place.)
  • broken roads  + (when the pole starts to move in, the pole when the pole starts to move in, the pole takes the South Nangka road, the road is broken and I can't afford to let my child pass." The pole hopes that the governor of Bali will fix the road so that those who pass it will feel safe. The pole hopes that the PDAM Sing Sai will take the road. The pole hopes to sleep. the people of Sane go through to the pasih tingling of Luwu carelesslyh to the pasih tingling of Luwu carelessly)
  • TUMBAL RARE  + (“Tumbal Rare” means a child who is sacrifi“Tumbal Rare” means a child who is sacrificed or offered. This term can not only be used for the mystical, it can also be used in the real life. Children who are abandoned and not in school. We have a place to accommodate children like that. Difficult if only society is expected to take care of children with such conditions, the government should step in to see and know what should be done so that abandoned children don't wander around. If all children get a good education, surely the future of our country will be bright. the future of our country will be bright.)
  • Literature BASAbali wiki dapat mendorong andan untuk berpartisipasi dalam isu-isu sipil?  + (• In my opinion, the BasaBali Wiki platfor• In my opinion, the BasaBali Wiki platform has a very positive impact on society in paying attention to civil issues in the environment. This platform is already widely known by people. This platform can also be accessed in 80 countries and this can provide opportunities for me and the community to participate in civic issues. </br></br>In my opinion, the way to increase community participation in promoting civic issues through the BasaBali Wiki platform is to conduct seminars or outreach to villages so that this platform is widely known by the public. Many parents cannot use technology and also many teenagers today do not want to find out what innovations exist today. By giving seminars or outreach to villages, it is hoped that this platform will be known by many people so that it will have a positive impact on encouraging participation in civic issues. </br></br>I hope that in the future the BASAbali wiki will always be consistent in providing better and more extraordinary works, using the Balinese language, and continuing to cultivate the Balinese language in this era of globalization.ese language in this era of globalization.)
  • Awal Kecil Kurangi Sampah  + (Cleaning the environment starting from theCleaning the environment starting from the environment around the house then the community environment, the activities in the video are:</br></br>1. Clean the environment around the house.</br>2. Reprimand and invite children who pass by to take part in picking up trash on the roads, houses and highways.</br>3. Clean the plastic waste that is taken</br>4. Processing the plastic waste into crafts that have a use value.c waste into crafts that have a use value.)
  • " KEMACETAN YANG TERJADI DI BALI "  + (" JUST CONNECTION OCCURRING IN BALI " OM " JUST CONNECTION OCCURRING IN BALI "</br></br>OM SWASTIASTU</br></br> I respect the Government of Bali and I love happy friends.</br> Let us give thanks to the presence of Almighty God who has given Asung Kertawara to all of us so that we can gather in this place. Before I deliver this speech, I first want to thank you for the time and opportunity given to me to deliver my speech of hope. to the Bali government entitled "JUST CONNECTION OCCURRING IN BALI".</br> Traffic jams arise because the volume of motorized vehicles is not proportional to the volume of the road. The number of motorized vehicles and cars increases every day. As a result, cars, public transportation and motorbikes pile up on the streets, traffic jams occur. Congestion can also slow down the performance of people who are stuck in traffic jams. Workers will be late arriving at work and students will arrive late at school. This especially happens to people who choose to use private transportation rather than public transportation.</br> Traffic jams occur because too many people use motorized vehicles or cars and also because many road users do not comply with traffic regulations.</br> On this occasion I would like to invite you to overcome traffic jams in Bali. If we cannot overcome them, at least we can reduce traffic jams in Bali. There are 2 main things we can do to reduce congestion. First, use public transportation, don't use private vehicles, using public transportation can reduce the volume of vehicles on the road. In the end, traffic jams will be reduced. Second, get used to walking if the distance is not too far. This method is simple but difficult to do. Even though walking is healthy, and by walking we are contributing to reducing traffic jams in Bali. I am sure that by taking these 2 actions traffic jams in Bali can be reduced.</br> However, the Bali Government is expected to improve the comfort and safety of public transportation. I am sure that if public transportation is safe and comfortable, there will be more passengers. Finally, the number of private transportation users will decrease by itself.</br> This is all I can say, hopefully it is useful for all of us. Sorry if there are wrong words and actions. For your attention I would like to thank.</br> </br> OM, SHANTIH, SHANTIH, SHANTIH, OMk. OM, SHANTIH, SHANTIH, SHANTIH, OM)
  • traditional art  + ("Balinese traditional art" Art is the work of human art that expresses beauty and is an expression of the soul and culture of its creators. Art is part of culture and We must preserve it)
  • "Nyinggihang Masa Depan Bali sane Berkelanjutan: Pikobet lan Tugas Calon Pamimpin"  + ("Beloved fellow citizens, General electio"Beloved fellow citizens,</br></br>General elections are the time when we as citizens have the power to shape our future. Bali, our beloved homeland, faces a number of issues that require urgent attention from our future leaders.</br></br>As we prepare to choose new leaders, it's crucial to consider pressing issues that demand immediate solutions. Among the various problems at hand, some prominent issues that need immediate attention from Bali's future leaders are:</br></br>Firstly, the environment and sustainability. Bali, with its natural beauty, is under significant pressure due to rapid growth. Conservation of the environment and protection of natural resources are crucial to prevent further damage to the island. Future leaders must have a clear vision to preserve Bali's natural beauty while also managing sustainable growth.</br></br>Secondly, adequate infrastructure. Despite Bali's status as a popular tourist destination, there's a need for better infrastructure to support economic growth and everyday activities of the people. Effective leaders should prioritize the development of suitable infrastructure without compromising environmental preservation.</br></br>Thirdly, social welfare. There exist disparities in Bali that need to be addressed. Improving access to education, focusing on public health, and increasing job opportunities with fair wages should be the primary focus of future leaders. Even social welfare will form a strong foundation for Bali's progress.</br></br>Fourthly, transparency and accountability in governance. It's essential for leaders to build transparent and accountable governance. The community should have complete trust in their leaders and feel heard in the decision-making process.</br></br>Fellow citizens, this election isn't just about selecting leaders but about choosing leaders with a clear vision, strong commitment, and the ability to address pressing issues. Let's choose leaders who can lead Bali towards a better future, one that is fair and sustainable for us all.</br></br>Thank you."r and sustainable for us all. Thank you.")
  • The Guardian  + ("Guardian II" is part of a series of black"Guardian II" is part of a series of black and white photographs by ManButur Suantara exploring Water. </br></br>When one hears ‘Water’, immediately our minds go to all the things that are sensory and visual. We think of the colour blue and we associate the feeling ‘wet’. Around us, Water is ocean, lake, rain, and dew. In feelings, we may associate coolness, wetness, thirst, and by association dryness. In ManButur’s Water series, its most interesting that those associations are the least pronounced.</br></br>We are inadvertently guided to experience Water, in a different way. Here, Water is present, but as a quiet supporting role. A presence that does not scream out. Yet, its presence transports us to a place quite different. Here, Water have merged together the earth and the sky.ave merged together the earth and the sky.)
  • Hildred Geertz  + ("Hildred was born in Queens, New York on F"Hildred was born in Queens, New York on February 12, 1927 and reared there and in Teaneck, New Jersey. A graduate of Antioch College, she received her Ph.D. from Radcliffe College in 1956. Her first book, The Javanese Family (Free Press of Glencoe, Inc.), was published in 1961. After her initial fieldwork in Java, she taught at The University of Chicago from 1960 to 1970 before coming to Princeton University in 1970. At Princeton, Hildred taught courses on the history of anthropological theory, the anthropological study of life stories, the anthropology of art, and the ethnographer’s craft.</br></br>In 1972, Hildred became the first chairperson of the Department of Anthropology at Princeton University, and thus the first woman chair of a department at Princeton, a position in which she served for many years. She was named Professor Emeritus in 1998.</br></br>Hildred did extensive fieldwork in Morocco, and in Java and Bali, Indonesia and returned to Indonesia repeatedly during her career to conduct the research which helped fuel her extensive list of publications. She completed more than two years of fieldwork research in the village of Batuan on the island of Bali. Working in the same village that was studied in the 1930s by Margaret Mead and Gregory Bateson, she focused on the interconnections between different Balinese art forms and how and why such forms have changed through time. She investigated the effects of economic development and tourism on Balinese artistic endeavor.</br></br>The first book from the research in Batuan, Images of Power: Balinese Paintings Made for Gregory Bateson and Margaret Mead, was published in January 1995 (University of Hawaii Press). In 2004,The Life of a Balinese Temple: Artistry, Imagination, and History in a Peasant Village was also published by the University of Hawaii Press. Among her other works, Professor Geertz is co-author with her former husband Clifford Geertz of Kinship in Bali (University of Chicago Press, 1975), and co-author with Clifford Geertz and Lawrence Rosen of Meaning and Order in Moroccan Society (Cambridge University Press, 1979). Most recently, in 2017, at the age of 90, her book, Storytelling in Bali, was published by the Dutch publishing house Brill."shed by the Dutch publishing house Brill.")
  • Made Janur Yasa  + ("In the year and a half the pandemic has p"In the year and a half the pandemic has persisted, Bali’s almost decimated tourist economy has had had far-reaching financial and social effects on the resident population. It is, however, during times of difficulty when good souls shine bright. The silver lining of the pandemic has been witnessing the wholehearted efforts of individuals and organisations who have stepped up to support and help the, often newly, vulnerable communities, even when faced with their own difficulties.</br></br>From food donations to education programs, the list of goodwill initiatives on the island has been heartwarming to say the least; in reality many would have suffered gravely without such community efforts.</br></br>One creative initiative changed the dynamic. Made Janur Yasa is a restaurateur, a partner in the unique vegan restaurant Moksa in Ubud. In May 2020, as Bali was in the depths of the pandemic lull, Janur began a program called Plastic for Rice, a barter system that encouraged locals to trade in collected plastic for rice. In an interview with NOW! Bali when the program started, he says that he remembered how villagers used to barter in the early days, rice for sea salt, farm to sea. He said that this gave people spirit, making sure that people don’t get used to receiving without working.</br></br>Through this plastic for rice system, Janur provided a double solution: cleaning littered plastic in the environment; as well as providing much-needed sustenance to those in need, especially in rural areas.</br></br>The program started in Banjar Jangkahan and Banjar Penulisan, Batuaji Village, Tabanan, the regency where Janur comes from. It was set up as prototype, a system to be replicated in other villages… and it was.</br></br>Three months later, Plastic for Rice became Plastic Exchange. In that time, as reported in August 2020, the movement had spread to 44 banjars and 1,345 households.</br></br>But beyond that it had evolved beyond a simple ‘system’, and became a movement. It was adopted by other charitable organisations as a solution to provide food fairly in rural communities; it became a vehicle for environmental education, to teach the effects of plastic but also the value of waste. It has allowed people to feel empowered, useful, independent. It has seen new leaders being born.</br></br>Today, Plastic Exchange is found in over 200 villages across Bali, has collected 50.000+ kg of plastic and distributed 55.000+ kg of rice."astic and distributed 55.000+ kg of rice.")
  • Louis Nagelkerke  + ("Indonesia, and Bali in particular, has lo"Indonesia, and Bali in particular, has lots of beauty to offer. Louis Nagelkerke is not only fascinated by the beauty of the people, but also by all the wonderful things religion has brought the country, such as temples and buddha statues. During his many journeys through Indonesia, Louis noticed that it is a very rich country in many ways. Louis believes that this has a lot to do with the fact that the Indonesian people are proud of their country. When Louis travels through Bali to take pictures for his paintings, the local people enjoy that. Meanwhile, it is not special for them. They live with all that beauty, their rich culture, and traditions every day. They are used to it. When Louis paints Balinese people, he tries to show them how beautiful and rich their culture is, how beautiful they are themselves. For Louis personal[ly], it is important that he, while photographing and painting the people, can make a part of their personality his own. It is a search for beauty, mysticism, culture, folklore, very much related to daily life; the folklore our modern western society lost over the years.</br></br>Born February 3, 1949, in Eindhoven</br>Education in ceramics, window dressing, drawings, and paintings</br>Well known since the '80s through many exact portraits</br></br>His paintings are unique through the expression of mysticism and sphere. His inspirations Louis Nagelkerke finds almost through his vivid relation to the eastern culture and people. Musicians and dancers, especially from the wonderful island Bali. Besides that, his paintings are also influenced through the theatre.</br>Louis is an outstanding artist and always open-minded to new ideas.rtist and always open-minded to new ideas.)
  • Ajak Wisatawan Domestik, Bali Kembali Bangkit dari Pandemi Covid-19  + ("Invite a Domestic Tourists, Bali Rises fr"Invite a Domestic Tourists, Bali Rises from the Covid-19 Pandemic"</br></br>None of the Balinese people (including business people, investors, and the government) thought that they would be in a difficult situation of the COVID-19 pandemic. Bali, which usually doesn't stop bringing in rupiah coffers to support its people's economy, is now deserted.</br></br>A few months after the COVID-19 pandemic began to subside, there was a lot of buzz in the social media about the hashtag #WorkFromBali. Bali, as the most popular tourist attraction in Indonesia, is slowly starting to rise from the slump of the COVID-19 pandemic.</br></br>Most Indonesian people consider Bali as an elite tourist destination, because the majority of visitors are foreign tourists. Not infrequently Indonesian people also think that the price of admission to tourism and the price of food at the place to eat is also high (by the standards of foreign tourists).</br></br>Seeing the situation of the COVID-19 pandemic which is still uncertain, it is better for the Bali government to start moving to carry out "Rebranding Bali" for domestic tourists. Because they are considered the safest and most sustainable, to keep the economy in Bali alive and spinning.</br></br>There are several ways that the Balinese government can do to invite local and domestic tourists to visit Bali:</br>1. Ensure that Bali is a safe place during the Covid-19 pandemic, by showing that all frontline Bali tourism has been vaccinated and maintaining proper health protocols;</br>2. Invite influencers to advertise Bali. The hashtag #WorkFromBali seems to be very good and powerful to be echoed again;</br>3. Recalculate the highest price specifically for local and domestic tourists, such as the price of tourist entrance tickets, lodging prices, food prices, and so on, by adjusting the socio-economic conditions of the Indonesian people.</br>4. Provide understanding and training for the frontline Bali tourism, to treat local and domestic tourists in the same way as treating foreign tourists.</br></br>Hopefully Bali's economy will get better. Hopefully Bali's economy will get better.)
  • John Darling  + ("John Darling moved to Bali in 1969 and de"John Darling moved to Bali in 1969 and developed a rapport with its people and an affinity for their way of life. Of particular interest was their religious traditions and the changes to the Balinese society and economy that occurred as a result of the influx of tourists.</br></br>Australian documentary filmmaker John Darling standing next to camera on tripod in a jungle area in Bali John Darling during filming of Lempad of Bali (1978). Courtesy Sara Darling. Photographer unknown. NFSA title: 1586432 </br></br>His first documentary, Lempad of Bali (1978) which he co-directed with Lorne Blair, explores the life and work of 116-year-old artist I Gusti Nyoman Lempad and his subsequent funeral, detailing the complex, Balinese funerary customs. This production won the Documentary Award at the Asian Film Festival in 1980.</br></br>Darling’s subsequent films formed his Bali Triptych (1987) series. Each hour-long episode – Between the Mountain and the Sea, The Path of the Soul and Demons and Deities – presents in vivid detail the history, culture and way of life of the Balinese people.</br></br>Darling worked with other filmmakers, including John Moyle for Bali Hash (1989), which juxtaposed the raucous nature of the Hash House Harriers gathering of international tourists and the peaceful Balinese ceremonies occurring at the same time."</br></br>Full article at https://www.nfsa.gov.au/latest/john-darling-bali-documentary-filmmaker</br></br>See also:</br>My Friend, John Darling by Rio Helmi. Ubud Now & Then, June 26, 2013. http://ubudnowandthen.com/my-friend-john-darling/</br></br>My Favorite Redhead: John Darling by Made Wijaya. Ubud Now & Then, July 3, 2013. http://ubudnow.webhost66.com/my-favourite-redhead-john-darling/w.webhost66.com/my-favourite-redhead-john-darling/)
  • Burning was replaced by cremation  + ("Ngaben replaced by cremation" My belov"Ngaben replaced by cremation"</br></br></br> My beloved grandfather passed away, and I took him to the cremation. But we are not going to hinder them, because now they are all depressed, depressed and depressed. Therefore, give me one chance to get it. Now my grandpa can clean it and it is washed away in the Bali sea. (Hopefully, the future will be better, because not everyone is capable of system medicine, so the cremation system was created).ine, so the cremation system was created).)
  • BALI DAKI NAPI BALI MEWALI?  + ("OM SWASTYASTU" "OM AWIGHNAM ASTU NAMO SID"OM SWASTYASTU"</br>"OM AWIGHNAM ASTU NAMO SIDHAM"</br>"OM ANO BADRAH KRATAWO YANTU WISWATAH"</br>I would like to express my thanks to the presenter, for the time given to me, the honorable ladies and gentlemen of the jury and prospective members of the Bali Province DPD, as well as my fellow participants, whom I am proud of. Before that, let us pray to the presence of Almighty God. Thanks to Him, we can gather here with happiness at the Bali Public Participation Wikithon with orations, which carries the theme, Election 2024: what are the most urgent problems to be addressed by Bali's prospective leaders ? Hopefully events like this can be held frequently to develop a threatening Bali.</br></br>Happy guests, as we know, Bali is known as the island of a thousand temples with its very beautiful environment, which is often visited by foreign tourists, because Bali is one of the focuses of tourism in Indonesia. This is what drives many foreign tourists to come to Bali. Even though Bali is a tourist destination, this is not the main topic of discussion, but there are problems that have a significant impact on Bali. As we know, this so-called era of destruction, if we talk about the problems in Bali, will cause Bali to collapse. Unfortunately, the problems in Bali have not received treatment that is useful for the island of Bali.</br></br>Happy guests, if you look at life now it is certainly different from previous life, especially with the problems, the most important problem is related to the environment and land of the island of Bali which has been built up and used as a tourist attraction, this is what will make the island of Bali In terms of land and environment, it will become increasingly narrow, if all the land and environment in Bali is made into a tourist attraction, where will we (humans), animals and others live and live our daily lives? Talking about the land environment that has been converted into a tourist spot, of course there are many daily activities carried out to produce plastic waste for society, this is what will become Bali's next problem. The existence of rubbish in Bali is very sad and gets very little attention, this is what creates big dangers, for example: floods, dengue fever and others. Moreover, as has recently been reported, the rubbish bins or Suwung landfills in Bali are very full and cause fires, giving rise to smoke pollution which causes disease. Are we all willing to live and do activities in dirty places? Of course, many of you are reluctant to live in a dirty place. </br></br>Happy attendees, if I conclude it is related to the problems in Bali, so that Balinese leaders can provide solutions related to problems: the transfer of land or the environment to become tourist attractions and the rampant waste which has not received special attention from the government. Based on these problems, if we don't work together from now on as the front guard, it is certain that the island of Bali will gradually collapse. The island of Bali, which has been nicknamed a thousand temples, will lose its sanctity. Based on these problems, my hope is that the elected leader of Bali 2024 will be able to find a solution so that the Balinese people can implement the noble values that exist in Bali, namely TRI HITA KARANA, because these problems are related. with the TRI HITA KARANA value, so that Bali can return to the way it was before.</br></br>Happy guests, that is the speech I can deliver, I hope you all are aware of the current condition of Bali.re aware of the current condition of Bali.)
  • Infrastruktur Jalan  + ("Om Swastyastu, Thank you for the time giv"Om Swastyastu, Thank you for the time given to me. My name is Ni Luh Ari Purnama Yanti from SMA Negeri 1 Tabanan. To the judges who I really respect and the audience who I really love. I feel very happy to be able to deliver the oration entitled "Road infrastructure"</br></br>Ladies and gentlemen, as we know, road infrastructure greatly influences the economy today. If there is no road infrastructure or the roads are in disrepair, what else is there to earn a living nowadays? How do I take merchandise abroad? In this millennial era and era of globalization, road infrastructure is very necessary in today's life. Many people today earn a living on the streets, some become Ojols, some become traders and others; Candidates for leadership in 2024 should be able to see the condition of their people in villages and cities, so that they do not create social inequality. So that the roads in villages and cities are the same, so that the materials are good and can last a long time and people can earn a living on smooth roads. And for the 2024 Leader Candidates to be honest about the road and development assistance, so that it doesn't happen that the funds are disbursed but the roads and construction are not completed, let alone non-existent? Don't prospective leaders feel sorry when they see their people earning a living through damaged roads? On a rocking bridge to pass east to west over rivers and seas? there are also those who cannot leave the village because the roads are damaged but in the city the roads are good. However, there are also damaged roads in the city, which makes it difficult for large trucks to pass and causes traffic jams. The 2024 Leader Candidates should now be fair and honest with all their people. 2024 Leader Candidates so that they can pay more attention to their people, so that during the campaign they don't just make sweet promises to their people so that they are not called Sweet Promises of Leader Candidates.</br></br>OK, that's all my speech, I hope what I say can be heard by the 2024 Leader Candidates. Thank you for your attention, everyone present. "Meli bungkung aba to the temple Sambilang ngayah, Kirang Langkung nunas ampura titiang sisya wawu melajah". I end with the paramashanti "Om Shanti Shanti Shanti Om".paramashanti "Om Shanti Shanti Shanti Om".)
  • "Urati ring Luu Plastik Mangda Palemahan Asri"  + ("Om swastiastu" To the presenter, thank y"Om swastiastu"</br></br>To the presenter, thank you for the time given to me. The judges whom I respect, the audience whom I am proud of and the participants in the Balinese oration competition whom I love, there is the title of my work "Caring about Plastic Waste for a Clean Environment". I thank God Almighty or Ida Sanghyang Widhi Wasa for being able to gather in good health today.</br></br>Earth there are currently many problems with plastic waste which can cause great harm to the earth. Ladies and gentlemen, plastic waste is a big danger if we don't pay attention to the surrounding environment and can cause disaster in the future.</br></br>Then who will remember? Not just ourselves, all of us, both students, teenagers and parents, everyone living on earth, including Bali, which is famous for its natural beauty, should care about the existence of plastic waste. This is a behavior that includes teenagers as the main actors.</br></br>Remember, the job of teenagers is not only to decorate and take selfies in beautiful places, but no one pays attention to the rubbish in front of them, which causes disasters such as landslides, floods, pollution and others.</br></br>So that we are not exposed to danger, we should throw rubbish in the trash, we should not throw rubbish in the surrounding environment such as rivers, roads, sewers, etc. Come on, let's not throw rubbish carelessly so that the surrounding environment remains beautiful and sustainable! We should work together with the government and all communities to create a clean environment free from plastic waste.</br></br>"Om Santhi,Santhi,Santhi Om"astic waste. "Om Santhi,Santhi,Santhi Om")
  • Preservation of Balinese culture through wayang kulit  + ("PRESERVATION OF BALINESE CULTURE THROUGH "PRESERVATION OF BALINESE CULTURE THROUGH WAYANG KULIT"</br>At this time, wayang kulit performances in Bali are increasingly rare. We often encounter shadow puppet performances during religious events in Bali, namely during works or piodalan (rahinan in Bali). Hinduism is usually held at religious events that tell the stories of figures such as the Pandawa or Ramayana stories and the stories of other figures. Besides that, wayang kulit can also be used as an entertainment show that often tells about issues in society and tells something that is educational. Wayang kulit is one of the Balinese cultures that is thick with stories of educational figures, but nowadays they are fading because they are rarely performed as entertainment. We, as a generation in Bali, have to maintain the culture of staging shadow puppets to preserve one of our cultures, namely wayang kulit, so we need to protect it by introducing wayang kulit to the wider community by frequently performing it at every social event so that wayang kulit becomes a great entertainment. of interest to the general public. To preserve a stable Bali, of course we have to maintain culture and introduce culture to the community by frequently performing our culture, especially shadow puppets at every social event or other social event. every social event or other social event.)
  • Generazi Z Menuju Bangkit  + ("Rising from the Ballad of Silence" Curre"Rising from the Ballad of Silence"</br></br>Currently, we are not just gathered as individuals but as part of a generation, a generation that plays a significant role in shaping our future, Generation Z.</br></br>Rise, oh Generation Z, from the ballad of silence that often silences our voices. In the dynamics of social and political complexity, we are called not to be passive spectators but active participants. This is a call to assert our identity, express opinions, and advocate for social justice values.</br></br>For too long, we have been trapped in silence, feeling restrained by norms that may not always align with our aspirations. It's time to understand that our right to speak and express opinions is unquestionable. Rise above the fear, fear of conflict, or rejection. Now is the time to transform silence into constructive rebellion.</br></br>Let's stop the apathetic attitude and allow social and political issues to grow without genuine responses. Remember, the policies and decisions made by the generations before us will shape the world we inherit. Don't let those above us determine our path without scrutiny from below.</br></br>I invite us all to embrace differences, to listen without prejudice, and to speak with integrity. We are voices capable of shaking the foundations of inequality and injustice. In openness and courage, let's together create the change we envision.</br></br>Be pioneers of change, Generation Z. Rise from the ballad of silence, speak up, and show the world that we are change agents capable of bringing social and political justice. Thank you.g social and political justice. Thank you.)
  • Condong and Inclination  + ('Dance is an ancient art that is intrinsic'Dance is an ancient art that is intrinsic to Balis’ creative spirit. One of the many forms of worship its people offer to the Creator. This is something we have in common with many cultures across the world. Forms of traditional dance are a natural and perhaps inevitable manifestation of human creativity. Modelled and tempered to embody our thoughts and philosophies.'</br></br>Looking at the rich heritage in traditional Balinese dance whilst discussing the impacts caused by a primarily commercial audience. Writing an article is one part, but it would not be possible without the full-hearted contributions of those who give fully to a collaboration for this type of project. Sri Apriani shares her experiences and performs the Tari Condong in Sawidji Studio whilst being a muse for a series of portraits by Dewi Dian Reich Exploring faces behind the dance.an Reich Exploring faces behind the dance.)
  • Doa  + ('Doa' is part of a series of images in 'Ka'Doa' is part of a series of images in 'Kala and the Guardians'. A Conceptual Art Collaboration.</br>Reflecting on the nature of Time and our relationship to Earth and Spirit through a conceptual mixed media narrative. A collaborative exhibition with the works of Dewi Dian, ManButur Suantara, Nyoman Handi.</br>Kala & the Guardians Limited Editions presents a selection of works from the second project presented by Sawidji in what has become our conceptual narrative way. Our story grew together from its initial theme to its installation-focused process in Sawidji Studio. From costume design to studio staging, the documentation of its process carries as much of its meaning for us as the final images that we present.ng for us as the final images that we present.)
  • Lost Signal  + ('Lost Signal' is part of Photography Serie'Lost Signal' is part of Photography Series of the same name by Dewi Dian Reich. Writer, artist and photographer.</br>"My Grandfather speaks and walks these streets. He use to hold my hand,</br>My Grandfather is ageless, his vision sharp and wisdom deep,</br>Where is our playground? Why does he stumble?</br>Is it my eyes that are careless of the nails and broken glass that would cut his feet? Or my ears that mute out his voice?</br>Did you not know there are sharp nails and broken glass that would cut his naked feet?roken glass that would cut his naked feet?)
  • Melodious Urban  + ('Melodious Urban' is a new work by ManButu'Melodious Urban' is a new work by ManButur Suantara in response to the theme 'World Without Sound' exhibition Sawidji Gallery.</br></br>Do we relate to noise as a disturbance? Does quiet mean peace?</br></br>Capturing the hustle and bustle of Gajah Mada Street Denpasar, the image was made with multiple exposure techniques. With a combination of 9 images to become one single image. Then there are 25 of these images made up of 9 each.</br>For some people who live on this busy street, the noise is normal for them. To see the loud exhausts of cars and motorbikes and the horns from traffic 24 hours a day. However, when I ask some people who live there, they don't say it is noisy. they say it is normal.</br>It seems like they are conditioned to the environment and are on good terms with the noise. By creating this image I am trying to see the world inverted. To be in this activity and relate to the silence and quiet that some people seem to find there.quiet that some people seem to find there.)
  • Red Chair and the White Room  + ('Red Chair and the White Room is a mixed m'Red Chair and the White Room is a mixed media presentation by exploring social and cultural changes through a symbolic portrait narrative. A Sawidji Collaboration that looks upon current social and cultural changes through a symbolic portrait narrative. With art and photography by D.D Reich and ManButur Suantara. With additional costume and installation support by Juniari and Meliani.</br></br>Excerpt:</br></br>This is not a story about a boy and a girl.. Our portrait story is one of all of us. Each portrait takes us through a transformation. Transformations that are connected and represents a collective reality that we face as a traditional community. Enjoy the Online Narration of this exhibition. </br>https://sawidji.com/2022/08/17/red-chair-and-the-white-room-a-collaboration/-chair-and-the-white-room-a-collaboration/)
  • Silent Wings  + ('Silent Wings' is a sculptural work by con'Silent Wings' is a sculptural work by contemporary artist Putu 'Bonuz' Sudiana accompanied by a verse of poetry. Photography collaboration with Dewi Dian Reich Sawidji Gallery. Artwork is part of group Anthologyy 'World Without Sound' at Sawidji GAllery April 2023. </br>"Silent wings fly through the darkness of the night... stringing hymns on the face of the moon together with silence.." face of the moon together with silence..")
  • Komunitas Melangge Desa Siangan  + (1. Tackling of Plastic Waste 2. Trees Plantation. Go Green 3. Conservation)
  • Arie Smit  + (15 April 1916 – 23 March 2016. Dutch-born15 April 1916 – 23 March 2016. Dutch-born Indonesian painter who lived on Bali.</br></br>Smit was the third of eight children of a trader in cheese and confectionery in Zaandam. His family moved in 1924 to Rotterdam, where Smit eventually studied graphic design at the Academy of Arts. In his youth he was most inspired by the work of three artists named Paul (Signac, Gauguin and Cézanne). In 1938 he joined the Royal Netherlands East Indies Army. After three months he was sent to the Dutch East Indies , where he worked as a lithographer for the Dutch army's Topographical Service in Batavia, engraving relief maps of the archipelago. Etching Balinese mountains onto maps ignited his desire to one day go to Bali.</br></br>In early 1942 Smit was transferred to the infantry in East Java, but was soon captured by the invading Japanese forces. He spent three and a half years in forced labor camps building roads, bridges, and railways on the Burma Railway in Thailand, and Burma. After the Japanese capitulation in August 1945, Smit convalesced in Bangkok until January 1946. After being stationed in Denpasar, Bali as a staff writer for the infantry, he returned to the Topographical Service in Batavia in September. Until its discontinuation in 1950, he remained employed at this service, eventually becoming head of the drawing department, but in his spare time he criss-crossed Java as a painter and in October 1948 had his first exhibition in Batavia/Jakarta.[5] After Indonesian Independence on December 27, 1949, all Dutch nationals had to choose between Dutch or Indonesian citizenship within two years. Smit briefly considered emigrating to South Africa, but decided to stay; he became an Indonesian citizen late in 1951. In the following years he taught graphics and lithography at the Institut Teknologi Bandung in West Java.</br></br>Bali</br>On invitation by the Dutch artist Rudolf Bonnet he visited Bali in 1956, together with Dutch artist Auke Sonnega. He soon met art dealer James (Jimmy) Clarence Pandy, who ran a gallery and souvenir shop. Pandy invited Smit to stay in a house on stilts at the beach of Sanur. Smit and Pandy remained friends and formed a partnership. Pandy was well-connected; Sukarno would sometimes bring his state guests to his gallery. With his love for bright colors, Smit was captured by the Balinese landscapes in its 'riotous light', and soon decided to stay to depict its villages, rice terraces, palm trees and temples.</br></br>In 1960, while touring the village of Penestanan in the Ubud District where he then lived, he came upon some boys drawing in the sand. Impressed by their talent, Smit invited them to his studio, where they became the first of a growing number of students. With minimal instruction but lots of encouragement and material support, his pupils created a naive style of genre painting that became known as the 'Young Artists' style, which at its peak had 300-400 followers. Though he is considered the father of the movement, its style is quite different than any of Smit's own styles over the years.</br></br>From the time of his arrival in Bali, Smit moved some 40 times, "to see what is beyond the next hill". He stayed longest in his favorite areas of Karangasem and Buleleng. He finally settled in 1992 in the village of Sanggingan near Ubud under the patronage of Pande Wayan Suteja Neka, founder of the Neka Art Museum. In recognition for his role in the development of painting on the island, Smit received the Dharma Kusama (Flower of Devotion, a Balinese cultural award) in 1992 from the government of Bali. The Arie Smit Pavilion was opened at the Neka Art Museum in 1994 to display his works and those of contemporary Balinese artists. The Museum Bali in Denpasar and the Penang Museum in Malaysia also have collections of his work. Smit further had exhibits in Jakarta, Singapore, Honolulu and Tokyo. Smit lived near Ubud for the rest of his life, but died on 23 March 2016 in a hospital Denpasar at three weeks before turning 100.enpasar at three weeks before turning 100.)
  • Roelof Goris  + (1898 – 1965 Curriculum vitae 1898 born in1898 – 1965</br></br>Curriculum vitae</br>1898 born in Krommenie (North-Holland) on June 9</br>1917 final examinations gymnasium (A and B)</br>1917-1918 military service</br>1918-1926 studied Indonesian languages (linguistic officer), Leiden University; Arabic (Snouck Hurgronje), Sanskrit, Javanese and Old Javanese (Vogel and Hazeu), Hindu-Javanese history (Krom), and general linguistics (C. C. Uhlenbeck); amongst his older fellow students were W. F. Stutterheim and P. V. van Stein Callenfels</br>1926 PhD under the supervision of N.J. Krom, Leiden University</br>1926 officer for the study of Indonesian languages at the Archaeological Service, charged with the checking of transliterations of Old Javanese inscriptions</br>1928-1939 adjunct archaeologist of the Archaeological Service in Bali</br>1939-1941 librarian to Mangkunegoro VII, Surakarta (Central Java)</br>1941-1945 service in the Royal Netherlands-Indies Army; civilian internee</br>1946 on leave in the Netherlands</br>1947-1958 linguistic officer of the Netherlands-Indies and later Indonesian Government, head of the Singaradja division of the Institute for Linguistic and Cultural Research of the University of Indonesia</br>1958 retirement</br>1959 librarian of the Faculty of Letters of Udayana University, Denpasar (South Bali)</br>1962 research-professor, teaching Balinese epigraphy and early history</br>1965 died in Denpasar on October 4</br>Special activities and positions</br>Scientific adviser of the Kirtya (Foundation) Liefrinck-van der Tuuk (set up in 1928), 1932-</br>Co-worker at the Bali Museum</br>Teacher at a secondary school and a training-college for teachers (S.M.A. and S.G.A.)</br>Teacher of German, 1951S.M.A. and S.G.A.) Teacher of German, 1951)
  • Ida Bagus Ketut Diding  + (1911/1914 - 1990. Batuaninteractive.com: "1911/1914 - 1990.</br>Batuaninteractive.com:</br>"About twenty-two years old at the time of making the pictures in the collection, Diding probably had been painting since 1935. His teacher was Ngendon, and he in turn taught Bala. He met Spies and Bonnet, watched them work, and brought them work for their</br>ciriticism. He was a member of the group they founded, Pita Maha. One of the Western artists suggested that he make a picture like Djatasoera's of the ende ritual in Karangasem.</br>Diding had not been to school but could speak a little Malay. He played in a gamelan orchestra and danced in the gambuh, and was</br>the only artist interviewed who said that he had been possessed and gone into trance. His father was dead, and he had no land to work.He and his wife supported themselves by painting, raising chickens, and dyeing cloth.</br>They had no children. Sixteen pictures by Diding are in the collection."pictures by Diding are in the collection.")