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A list of all pages that have property "Description text" with value "Bubur Masak (cooked porridge) is a dish originally from Klungkung that should not be missed when coming here, and it is easy to find in several areas on the roadside or in stalls or restaurants. This dish contains porridge which is given a special yellow sauce that is offered with mixed vegetables with grated coconut (urap) or other vegetable dishes. Soybeans may be added so as to give a crispy and savory sensation, using banana leaves as the base which makes it even nicer. This food is very suitable to be enjoyed in the morning or afternoon.". Since there have been only a few results, also nearby values are displayed.

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  • Paplajahan Ané Bakatang Tiang Uli Bali  + (While people visit Bali for a multitude ofWhile people visit Bali for a multitude of reasons this island is special to me as I have called it home for the last 3 years. Bali has taught me some lessons that I will keep with me in other stages of life.</br></br>An important lesson I’ve learned is that every place presents you with an opportunity to grow, you just need the courage to say yes! Bali gives everyone the opportunity to explore the outdoors (either in the mountains or underwater), and this gives everyone the chance to gain a new skill, make new friends or develop a love for the natural world. Recently, I have gotten the courage and determination to say yes to become a certified Open Water Diver.</br>This experience has been incredibly rewarding, as I pushed myself out of my comfort zone, my friendships grew with those I trained with and my eyes were opened to the beauty of the underwater world. With this opportunity, I realised how pressing the issues of coral bleaching and unsustainable fishing actually are and am now more determined to be a part of the solution. From this, I will join a coral restoration project in Les Village because no matter how small we contribute, every action makes a difference. We must think about the global implications yet, take action locally.</br></br>The Balinese open up their island to all of us, foreigners and Indonesians so we can experience the island’s beauty and it is crucial for us to not take this for granted. I realise that a society which hugely depends on tourism has a risk, therefore respecting the customs and traditions in Bali should be a no brainer, as we would hope and expect the same of others if they are visiting our home. As of 25th March 2023, 76 foreigners have been deported from</br></br>Bali for reasons that range from overstaying visas to committing crimes. Although this is a small percentage compared to the number of tourists, in this digital era, their actions go viral and can harm the image of Bali. While Bali is well-known for its tourism because of its beauty, kindness and approachability, I believe that rules should be enforced in order to maintain the quality of tourism that this island offers.</br></br>Moreover, during my time here I’ve come to realise that it’s important to diversify and not put all our eggs in the same basket. During the pandemic, tourism was at a standstill which hit the people and local economy dramatically. Therefore, the Balinese have adapted to diversify their work portfolio such as farming, establishing small businesses or fishing. This lesson will carry on with me in the future, because it has shown me that trying different opportunities will help us to continue growing and adapting to an ever changing world.</br></br>I will continue to learn more lessons in Bali and am grateful for all the opportunities and experiences that I’ve gotten alongside the lessons that have come with it.ngside the lessons that have come with it.)
  • Apang Tusing Kalahan Mixue  + (Who doesn't know Mixue? A fast food producWho doesn't know Mixue? A fast food product from China. If there is an empty shop, it won't be long before it becomes a Mixue outlet. What makes Mixue booming? Some say it's because it's cheap, it's delicious, so it's trendy, all of this. Then until when will we just be consumers? Of the thousands of young people, is it true that no one can compete with Mixue? Now, try to get the government to go into the field, visit MSMEs in the regions, help promote them, or if you may ask, make a policy so that young entrepreneurs are given the opportunity to borrow investment capital more easily. Mixue is good in the sense that it provides jobs, but it is definitely better if the Balinese businesses can be as viral as Mixue.inese businesses can be as viral as Mixue.)
  • Pemberantasan Korupsi Demi Kelancaran Program Nangun Sat Kerthi Loka Bali  + (Who doesn't know that Bali is one of the rWho doesn't know that Bali is one of the regions with the largest tourism revenue in Indonesia. Even in 2023 Bali began planning a development called Nangun Sat Kerthi Loka Bali which means as 6 main developments for the welfare and happiness of human life. Nangun sat kerthi loka bali itself has goals related to advancing Bali tourism, where there are 6 main sources, namely, atma kerthi, segara kerthi, danu kerthi, wana kerthi, jana kerthi, jagat kerthi which means for the welfare of human life in each part.</br>But development in Bali will not be able to run well if there are still many unscrupulous people who utilize development funds for personal gain or can be referred to as corruption. Examples such as the case of corruption of Paibon Wargi Temple development funds in Klungkung Regency and the case of corruption of SPI funds at the Udayana Campus. This is one of the factors inhibiting development in Bali. Even those who are supposed to investigate corruption cases turn a blind eye and are mute to all these incidents.</br>Therefore, it is hoped that the Bali Provincial Government can take these problems seriously. So that the Nangun Sat Kerthi Loka Bali program runs well without any cases of corruption in the development.ny cases of corruption in the development.)
  • Naga Gombang  + (Why do Balinese shout "Alive, Alive" when Why do Balinese shout "Alive, Alive" when there is an earthquake?</br></br>Once upon a time, when there still kingdoms in Bali, there was a widow with two children, a boy and a girl. At that time Lake Bratan did not yet exist. Long story short, the mother had a secret affair with a dragon snake that dwelled in a rice barn near her house. The children started to get suspicious; why does mother every time she comes home from the forest go up into the barn? At one point, when mother went into the forest again, the children climbed into the barn. Inside the barn they saw a pile of eggs larger than chicken eggs. In the middle of the pile of eggs there was a strange egg. They took the egg home and cooked it. Then the boy ate it. Instantly the boy turned into a snake. Because they were worried about causing commotion in the village, the boy and girl decided to go into the forest looking for their mother. The sister carried her brother. They met their mother deeply in love with a dragon. They were angry, because they thought that because of the dragon the brother had become like that. He challenged the dragon snake to fight. In the end, the brother who had been transformed into a snake defeated the dragon. But unfortunately their mother also died in the fight. The siblings went up to Bukit Lesung. Arriving there, the brother thought he must enter the bowels of the earth, because he had become a dragon, named Naga Gombang. So as not to upset his sister, he told her to get water with a basket. While his sister was getting water, the brother entered the mountain crater. When his sister returned from getting water, the brother had already disappeared into the bowels of the earth. The brother said, “Don't you cry, I was destined to live below”. Arriving below, the brother took the position of a sleeping snake, curled up in a circle.</br>It is said that if he is anxious to know how is sister is doing above, he would move, which results in the earth moving. That is why when there is an earthquake, Balinese people will shout "alive, alive" while sounding a bamboo bell, to let the brother that his sister is still alive above, and he can stop moving about.alive above, and he can stop moving about.)
  • Tumbal Rare  + (Why do parents have to sacrifice their innWhy do parents have to sacrifice their innocent children for temporary wealth in this world?</br></br> Everyone knows that the shortest way to find wealth is by doing rituals. Pesugihan can be done by sacrificing a child so that it fulfills the requirements of the ritual. Someone who performs the pesugihan ritual will be very good at hiding his actions like the government is very good at hiding its ugliness, even though they have been given full trust by their people.ave been given full trust by their people.)
  • Widi Widiana (I Ketut Widiana)  + (Widi Widiana whose real name is I Ketut WiWidi Widiana whose real name is I Ketut Widiana is a Balinese pop singer born in 1974. Most of his songs are about love. He was born into a family of artists. His father is a song teacher and dancer, his mother (Ni Made Kibik) is also a dancer. Widi and his brothers formed a band called the Diana Band. Since 1991, the band has performed from banjar to banjar, hotel to hotel, event to event.</br></br></br>As a single singer, Widi started his career in 1994 with the album "Tungan Tiang", which is a compilation album with other Balinese pop singers. His first solo album appeared in 1996, "Sesapi Putih", followed by a compilation album, "Tresna Kaping Siki", in 1996. the same year. The second solo album was born in 1997 with the label "Sampek Ing Tay". Then the next album titled "Special Fried Rice" (2015), "Formalin Sik Luh" (2017). In 2005 he won the best male singer version of the "Bali Music Award I". He has since given birth to more than ten solo albums. given birth to more than ten solo albums.)
  • Anak Istri Benteng Utama Nglawan Panglimbak Hoax  + (Women As The Main Role of Ward Off The FakWomen As The Main Role of Ward Off The Fake News</br>In the world of globalization today, all people are faced with an extremely fast flow of information. Lots of information makes it easy and also useful for the community, but there is also misinformation and misinformation that is spread by irresponsible people which are very dangerous if it is spread into the community. Information is very easy to access even for young children. Here the importance of the role of women in protecting their own families and environment so as not to be influenced by the hoax. Women can be the main bulwark in the face of fake news as well as become ambassadors for social media literacy because generally, children are very close to their mothers. Hoaxes or fake news are often wrapped in a catchy headline, that can draw the emotional side of a person. The spread of fake news has many purposes, one of which is to divide people and cause divisions.</br>Women as a mother can simultaneously direct their partners and their environment to have an important role in stopping the spread of fake news. By instilling a literacy culture in the children and the environment, information will be fully delivered and accurate that leads to a reading culture, improve human resources in the future, and avoid fake news made by irresponsible people. Women often feel insecure, and feel less intelligent than others, so, they are scared to express their opinions if they find wrong information. Women as literacy agents must be able to ward of hoaxes and be able to sort out logical news also consider whether the news is important or not to be spread. With the active involvement of women, it will certainly minimize the spread of hoax news in society.nimize the spread of hoax news in society.)
  • World Without Sound  + (World Without Sound is an Anthology of artWorld Without Sound is an Anthology of art and thought.With contributions from Putu Suasta, Warih Wisatsana, Made Kaek, Putu Bonuz, Ellen Lane, Made Artawa, Wayan Suastama, Agung Putra, Made Delo Budiarta, Nyoman Handi, Tjandra Hutama, Made Somadita, David Hopkins, Kadek Sudiasa, ManButur Suantara, Sun Rong Fang, Wayan Juniari, Dewi Dian Reich.</br></br>Sawidji has collated together a series of artworks and poetry for this special presentation. It is an anthology. This theme of ‘World Without Sound’ was inspired by the wonderful experiences we had in working together with the Sushrusa Deaf School Community. Not simply about raising awareness about those with differences in our community and sign language. Perhaps even more remarkable, is experiencing the reality of the nature of inclusivity. As a powerful value that nurtures a growing collective empathy.</br></br>Most art exhibitions have one primary objective and that is to feature and highlight artworks and artists. This is by no means very different. However, perhaps the spirit of which this was put together is a little different. Somewhat experimental that it could not be foreseen what will be the result. We invited those in our community, whether it be social, digital or local to participate in a contemplation. To contemplate the concept of ‘Dunia Tanpa Suara’. This translates to ‘World Without Sound’ (though may also be translated to ‘World without voice’). To contribute to this reflection using a creative piece.</br></br>The Spirit of Inclusivity</br></br>Our invitation was done in the spirit of inclusivity. It was not only artists but also other members of the community who felt reflections on this theme were worthwhile. With the time and space, we have available we can only say a heartfelt thank you to everyone. Those whose works and contributions made it possible for us to present this anthology. One for all of our community to enjoy. It is so so very rich with insight and learning. One that is deep with life lessons from all directions of life experiences.</br></br>With such personal freedom and intimacy, everyone came to their private message about their imagine ‘World Without Sound’. For each realisation in every individual, it is a lesson of wisdom, empathy or simply of beauty that we can partake in. </br>ur heartfelt gratitude to everyone who opened themselves and generously shared their time, creations and thoughts with us. We are honoured by the generosity of the talented artists and writers who have come together in this anthology of art and thought, living the very spirit of inclusivity.</br></br>Online Exhibition available for viewing at Sawidji.com https://sawidji.com/2023/04/16/world-without-sound-an-anthology/23/04/16/world-without-sound-an-anthology/)
  • Mayadnya  + (Yadnya is a holy sacrifice offered with a Yadnya is a holy sacrifice offered with a sincere heart as well as a sense of love that comes from the heart as true devotion to God Almighty. According to Hindu religious teachings, Yadnya is a form of obligation that must be carried out by humans in their daily lives.arried out by humans in their daily lives.)
  • How to Prevent Foreign Nationals from Driving Recklessly on Motorcycles/Cars in Bali  + (Yesterday afternoon, I went for a stroll tYesterday afternoon, I went for a stroll to Kuta. I saw a lot of foreign nationals driving recklessly on motorcycles and cars. I was shocked to see them, and it made me feel uneasy. I was afraid of being hit by one of those foreign nationals, who may not even realize they were doing something wrong. Why do these reckless foreign nationals come to Bali? Why aren't the rental companies keeping an eye on them and ensuring they know how to drive properly on the roads? Instead of just taking their money, we should teach them how to drive properly through the police department. Let's all work together, including the rental companies, to test foreign nationals before renting them motorcycles or cars. Let's build and maintain Bali as a safe place for everyone. We can also boost Bali's economy and tourism industry so that rental companies don't have to close down due to reckless foreign nationals. Let's educate and teach foreign nationals how to drive properly to avoid any more news about reckless foreign nationals endangering Bali.ckless foreign nationals endangering Bali.)
  • Indifference to Others  + (You must be familiar with the conflict betYou must be familiar with the conflict between Russia and Ukraine. Recently, it has been in the spotlight again because the two countries are indeed in a high-level crisis stage. So, invasion could happen at any time. Based on the latest international news, the war between Russia and Ukraine is still going on today (Wednesday, May 18, 2022) and has entered the 84th day. According to the latest news, Ukrainian officials say that peace negotiations between the two countries have reached a stalemate. The Guardian reported that Russian Foreign Minister Sergei Lavrov had said he believed there could be no peace deal if negotiators tried to “transfer dialogue” as the West says instead of talking about the immediate situation in Ukraine. To date, many fighters have surrendered and they have been transferred to territory already under Russian control. According to the United Nations, to date, there have been six million refugees who have fled Ukraine since the Russian invasion in February. Ukrainian citizens who managed to take refuge in various places, one of which is Poland, have a sad story. They are willing to leave their children and wives and are willing to fight for their country. There are also residents who take their children out of Ukraine because they have to find a safer place even though half of their lives are still in the area where they live.</br></br>Apart from the problems between these two countries, as social beings we certainly hope for the best, namely peace. The refugees are foremost human beings who cannot live alone and definitely need the help of others. If people normally want a peaceful life, surely the refugees from Ukraine also want a peaceful life. The difference occurs if they evacuate to another place. We, who have a place to live, may not feel the way they do. In general, humans have hearts and a spirit of humanity. Imagine if we were in the position of the refugees. Of course we also want to be helped, right? Automatically when refugees come to our territory, it would be nice if we accept them openly. Greet them with what we have even if this is temporary. What we could provide, we should try to take the initiative to give to them. Teach them about caring, sincerity, patience and other things that support their current situation and current condition. It’s enough for simple things, such as the food they need, adequate medicine, and a basic place to live.</br></br>Any simple form of giving will certainly help Ukrainian refugees. This assistance must also be communicated with the Indonesian government, so that there will be equality and justice in shelter areas. It is necessary to include education for the refugees. This will be very beneficial for refugees and also those who receive them. Starting from the basics, such as starting to entertain them with the culture that we have. No need to go far. Just basic things. In addition, the Indonesian people also need more education about Ukrainian refugees, so the desire to help will be channeled properly. The assistance is quite simple for Ukrainian refugees, what is certain is food, a proper place to stay and good treatment for them so that in the long term, there will be a good impact on both parties.ere will be a good impact on both parties.)
  • Tutur Parakriya  + ([EN] Lontar Tutur Parakriya describes a co[EN] Lontar Tutur Parakriya describes a conversation between Bhatara Siwa and his son, Bhatara Kumara. The narration in this palm-leaf manuscript begins with Bhatari Uma's request that Bhatara Kumara ask Bhatara Siwa about the teachings that lead one to liberation. Bhatara Kumara then asked about the origin of the universe. Everything that exists comes from God in the spiritual realm (niskala). From the stagnant state then arises the basic material forms of the universe called the matras. From the matras, following successive nada, windu and ardhacandra which then causes a condition called wiswa. From wiswa comes letters which included swara (vowels) and wyanjana (consonants) which were the embodiments of the gods. With the embodiment of such gods, the priests are encouraged to worship them equipped with pure paraphernalia consisting of flowers, seeds, rice, incense, oil lamps and sandalwood water. The use of such equipment is in line with the understanding of the holiness of the form of God Almighty, which is stated in various media including Omkara. The manifestation of God in other relationships is in the relationship between the god and the cardinal directions.</br>This Tutur Parakriya lontar manuscript is mostly about phonetic characters and combinations of those characters that give birth to various forms in the universe. By processing various types of letters, various types of energy will be obtained for human life. This palm-leaf manuscript is not a historical record, but a teaching called aksara yoga. Some mystics in Bali use a combination of lettters to gain mystical power.nation of lettters to gain mystical power.)
  • Yadnya Prakerti  + ([EN] Most of the procedures for making off[EN] Most of the procedures for making offerings in Bali come from Yadnya Prakerti Scripture. This scripture is one of the most important ones for Saratis. A sarati is a person in charge of making banten (offerings) in various types of ceremonies. The leader of the Saratis is called Tapini or Tarpini, who is usually a woman. Tapini is also a title for a priest's wife who has knowledge and skills in making many types of offerings. In Balinese belief, the Tapinis are supervised by Bhatari Durga.</br></br>Lontar Yadnya Prakerti contains many strict rules regarding procedures for making offerings. The most important thing is the ethics and cleanliness of people who make the offerings. According to this scripture, not any person are allowed to make offerings. Because banten is an offering to God and the demigods, the process of making it must be pure.</br></br>The materials used to make offerings must be natural and disposable. Banten should not be made of plastic materials, because Hindu people are familiar with the concepts of purity (sukla) and defilement (cemer). Therefore, according to the essence of Lontar Yadnya Prakerti, offerings to God and the demigods must be clean, fresh and pure.</br></br>There are some basic ethics for a Sarati according to Lontar Yadnya Prakerti. First, a sarati must be clean and pure in body, mind and words. Secondly, Sarati must not forget to give charity to a brahmin (priest). Not only that, a Sarati must ensure that the banten materials are obtained in the right ways. Last but not least, Sarati should not gossip when making offerings.i should not gossip when making offerings.)
  • Putru Saji Tarpana  + ([EN] One of the most interesting ancient t[EN] One of the most interesting ancient texts in Bali is probably Putru Saji Tarpana. If you have used GPS as a guide, then Putru Saji Tarpana is a collection of directions for the spirits of people who have died. The contents of this text is written in ancient Javanese language, mixed with ordinary Balinese, perhaps made and copied from the fifteenth century, and until now must be read during cremation ceremonies or at Atma Wedana (Ngarorasin) ceremony.</br></br>The first and last part of the manuscript does not indicate in which year and during the reign of which king the script was made. From the beginning to the end, this text contains clues about the magical places the spirit of the deceased will pass before finally reaching Yamaloka. Yamaloka is the gate of the court of spirit, where every deed will be weighed according to the provisions of the Dharma law.</br></br>According to this ejection, the spirit of the deceased will encounter many strange things during the journey to Yamaloka. The magical places are in the form of forests on clouds, highways, wells, darkness, strange creatures, to deep rivers and mud. The spirit will also cross a bridge. If his actions during his life are good, all those terrible things will be passed over easily. If his actions are evil for life, the spirit will be trapped in those strange places.</br></br>In order for the spirit to pass through strange places easily, Putru Saji Tarpana gave directions to the road and supplies that the spirit had to carry. These road directions also contain provisions that must be given by the spirit to the astral creatures he encounters.</br></br>But this does not mean that only with a large ceremony of death can the spirit be freed from all sins. The death ceremony can only help the spirit journey to reach Yamaloka's court, but it cannot erase his bad deeds during life. Food ingredients and water offered to the spirits of the dead aims to give them a new body in the new nature, but not to wash away their sins.w nature, but not to wash away their sins.)
  • Banawa Sekar  + ([EN] One of the shortest kakawins is Banaw[EN] One of the shortest kakawins is Banawa Sekar, which is commonly called Banawa Sekar Tanakung because it was written by Mpu Tanakung in 1351 AD. Banawa Sekar means "boat of flowers". This Kakawin was written by Mpu Tanakung (not his real name) when King Hayam Wuruk committed a great holy sacrifice (Sraddha) addressed to his late grandmother, Dyah Rajapatni Gayatri, at Majapahit palace square.</br></br>There are only 12 stanzas in this kakawin, divided into three chapters. The first chapter describes the magnificence of the sraddha ceremony performed by Raja Hayam Wuruk. Many priests, royal families, nobles and all Majapahit officials were present to offer prayers and respect for the deity of Rajapatni Gayatri which was seated on a white throne.</br></br>The second chapter describes various offerings from many descendants of the Majapahit aristocracy. There are offerings in the form of poetry, dances and so on. The last offering was a flower boat by King Hayam Wuruk. He offered a boat made from a variety of colorful flowers. There are gadung flowers, lotus, kayu mas, sanggalangit, jasmine, magnolia and so on. The boat was very beautiful.</br></br>The final chapter expresses regret of the poet for not being able to explain the grandeur of the ceremony as the king expected. He hoped that the kakawin would be received by the king and make him happy before the kakawin was later copied in the form of palm-leaf manuscript.</br></br>Zoetmulder (1983) transliterated this kakawin into Latin script and translated it into Dutch and Indonesian.d translated it into Dutch and Indonesian.)
  • Yama Purana Tattwa  + ([EN] There are various events that cause p[EN] There are various events that cause people to die. There are people who die naturally due to age, there are those who die from illness even though they are young. In many instances, some die because of accidents, natural disasters or being killed. The most unfortunate thing is that it was suicide.</br></br>According to Yama Purana Tattwa, reasonable death is referred to as starch, whereas death due to accident, disaster or because of an animal is called wrong starch. Death due to murder or suicide is called starch. The ways in which humans deal with death have different effects on the consciousness of the spirit after death. The spirits of people who die naturally are different from those of those who die in accidents or commit suicide. Lontar Yama Purana Tattwa gives a category of these types of death and describes the state of a person's spirit if he dies in a certain way.</br></br>Lontar Yama Purana Tattwa is a collection of dialogues between Lord Yama, the lord of death, and the great rsi in Janaloka. This ejection also mentions deaths due to landslides, which must be made a special ceremony so that the spirits that die do not turn into preta, or ghosts. This ejection also mentions the order of death ceremonies for people who died naturally and unnaturally.people who died naturally and unnaturally.)
  • Literature wisatawan dibali  + (added, the arrival of tourists in Bali is added, the arrival of tourists in Bali is an opportunity for Bali to show its readiness to build trust for potential foreign tourists to be able to visit Bali.</br></br>According to Putu Winastra, ASITA Bali along with all other tourism components are very ready to receive foreign tourist arrivals in Bali.</br></br></br></br>"We have prepared SOPs with the government and we hope that there will be no more problems and obstacles in the future. Of course, many tourists will not come immediately, all require a process," he said.</br></br>In welcoming foreign tourists who come to Bali, the Ministry of Tourism and Creative Economy has also designed a warm up vacation program.</br></br>This program is an innovation designed for tourists or PPLN who have just arrived in Bali to be able to undergo quarantine in a hotel with a bubble system that allows them to do activities not limited to their rooms, but can carry out various activities in a special bubble area prepared by the hotel manager.bubble area prepared by the hotel manager.)
  • Kapiambeng ring sejeroning pariwisata  + (like what happened on Kuta beach there arelike what happened on Kuta beach there are some sellers who force tourists to sit or buy food or goods from them.</br>what makes some tourists restless is the way they offer it seems to be pushy and chases so that some tourists want to use their services or buy food/drinks or goods from them.</br>and some tourists have spoken up on twitter/instagram and some other social media about this. please fix this problem because it makes some tourists afraid to travel here and assume that in all tourist attractions there will be sellers like them.</br>and it is necessary to promote new tourism tourism which has the opportunity to generate a lot of profit, in every tourist place it must be clean and hygienic like a clean bathroom. clean and hygienic like a clean bathroom.)
  • about online learning  + (they tell their complaints about online lethey tell their complaints about online learning, it makes them bored, tired because of the many assignments, and one of them doesn't know all of their classmates because they are new students at school, and don't even know where the canteen and toilets are at his school, and among those who think positively about the government's recommendation not to do face-to-face learning, and he invites his friends to always apply the health protocol, namely 3M.ways apply the health protocol, namely 3M.)
  • Balinese coffee, not inferior to foreign coffee  + (title: Balinese coffee, not inferior to fotitle: Balinese coffee, not inferior to foreign coffee</br></br> Last time, I went to my sister's house and just then there was a guest. It turned out that the guest was staying there and in the morning he was already seen drinking coffee, and during the day my grandmother and sister and I were picking coffee besides that the guests also went around too.</br></br>And the guests asked about Balinese coffee with my sister and grandmother, it turned out that the guests really liked Balinese coffee and even more surprisingly, the guests turned out to be able to speak Balinese quite a bit.</br></br>I was really surprised because the typical Balinese coffee was starting to be liked by foreign guests as wellting to be liked by foreign guests as well)
  • Rajawali dan Anak-anak  + (tri-lingual: English, Balinese, Indonesiantri-lingual: English, Balinese, Indonesian. </br>In the last, and third book in the series, Author Maggie Dunkle and artist Margiyono take its readers high up to the volcanic mountains of Bali, where the Rajawali, a Crested Eagle, can be seen soaring in the clouds. The great bird, who is most intimate with the island’s problems, calls the local children to attend a conference of the birds to find a solution. The children soon realize that it falls upon them to make the changes for a more sustainable future.the changes for a more sustainable future.)
  • Wayan Sila  + (“The very first night I slept over at my n“The very first night I slept over at my new studio an owl flew into the garden. It wasn’t a coincidence that I noticed it perched in a tree,” says Balinese artist Wayan Sila. “This was a</br>special experience and powerful omen. A gift from the Gods to me.”</br></br>The owl is much revered by indigenous cultures and in folklore around the world as a</br>guardian spirit, as well as a wise creature capable of extraordinary sight. Balinese</br>mythology reveals that if an owl visits a family compound while a female member is</br>pregnant this is indeed a positive sign. Burung Hantu literally translates from bahasa</br>Indonesia into the English language as ghost bird; or the owl, the mysterious bird of the</br>night.</br>“I have a unique connection with owls. It is a potent image that resonates with my heart. I</br>was intuitively led to draw the owl and then I began to include it in my works. It has now</br>manifested into a personal symbolic image, equivalent to the Barong. The owl also</br>encourages me to reflect on the joy that I derive from my family life,” says Wayan.</br>Born in Ubud, 1970, Wayan Silawasinspired by his grandfather, well known local artist</br>Wayan Barwa. From an early age he regularly visited Barwa’sstudio and gallery,</br>surrounded by the paintings of his Balinese heritage, this was the perfect scenario for a</br>child to learn to draw and paint.</br>Wayan soon became adept in the “Ubud Style” of modern traditional Balinese painting. In</br>the evolution of Balinese painting during the last century, from its origins of the Classical</br>Kamasan style that concerned teachings from the Hindu Epics, each village then began to</br>create their own distinctive style.</br>The Ubud style moved away from the religious and began to be characterized by</br>narratives that involve daily village life and depictions of rural and environmental</br>landscapes. The artists from Ubud were quick to adopt western influences in the 1930’s,</br>depth of field, shades of color, localized narratives and the development of the human</br>figure. The Kamasan style was originally a collective work and never signed by an</br>individual. The new personalized and expressive form of Balinese painting has its roots</br>firmly entrenched here in Ubud.</br></br>Wayan’s canvases are beautifully composed and resound with an overwhelming sense of</br>balance and harmony. His highly detailed works are first sketched in pencil then outlined</br>in black Chinese ink, finally they are rendered in acrylic paint with a fine kaus bamboo, a</br>small piece of bamboo crafted with a tiny point to apply the medium. A large canvas, 100 x</br>80 cms, may take up to six months to complete. “In 1997 I was inspired to include owls in my compositions after seeing a wonderful sketch by a Japanese child.”</br></br>Wayan’s relationship with the burung hantu then activated an endearing association with</br>the people of Japan, to whom the owl is symbolic of happiness. He first visited Japan in</br>2002 and his premiere solo exhibition there was in 1998. Every year since then Wayan has </br>enjoyed the privilege of exhibiting work in galleries, department stores, even in the</br>Indonesian Consulate in Tokyo. He has held over 15 solo exhibitions in Japan, and</br>numerous other exhibitions in Bali, Jakarta, Spain and also at the prestigious Agung Rai</br>Museum of Art in Ubud.</br></br>“It’s an honor for me to be invited on intercultural exchange programs teaching young</br>Japanese students traditional Balinese painting techniques. I do this each year when I visit</br>Japan.” Wayan has since developed a healthy market for his works there and continues to</br>ell to the Japanese tourists who often visit his Ubud studio/gallery.</br></br>Wayan Sila, acrylic on Canvas, 2012,</br>45x 60cm.</br>Wayan Sila</br>Garden + Bale studio of Wayan Sila.</br>Wayan Sila. 2012, chinese ink +</br>acrylic on canvas, 60x80cm.</br>Wayan’s cooperative works with Japanese poet Yoko Jatiasih have been the focus of two books. They initially</br>collaborated in 1998 to create music and poetry for his paintings. In 2004 their first book “Kata Kata” Echoes From The</br>Woods, and then in 2010 “Pelan Pelan” were published.</br>Browsing through these books, the creative synergy between the two is easy to recognize. Yoko’s short poems, no more</br>than 6 lines, resonate with an uncomplicated intelligence. Upon the opposing page to the text are Wayan’s</br>complimentary images created especially to accompany each poem.</br>As you contemplate the words essence, as well as study Wayan’s images, the mysterious bird of the nights’full round</br>eyes are firmly transfixed upon you. The fusion of words along with the images perplex the imagination, and then defy</br>you to believe their medium is the owl’s silent and alluring gaze.</br>In 2011 Wayan relocated to his new studio gallery in Jalan Bisma in Ubud. Journey 400 meters along Jalan Bisma until the</br>roadside urban development gives way to the effervescence of the padis. Down on the right hand side nestled in the</br>sawah you will find his small abode. Look for the sign on the road then follow the narrow path that divides the green</br>swaying fields to his studio/gallery encircled by the bamboo fence.</br>Wayan has created a personal space that reflects the elements that enrich and sustain him. Situated in the middle of the</br>yard he has built a bamboo bale which functions as his studio, yet also as a place of quiet retreat. The surrounding</br>garden is abundant with organic vegetables, fruit trees, medicinal herbs, ornamental shrubs and flowers. Indeed, Wayan</br>has created his special own oasis.</br>As you enter his two Bali dogs are quick to offer enthusiastic toothy greetings. The verdant vegetation is soothing and</br>inviting. I discover two rabbits, four exotic birds and frogs and snakes frequent visitors, so Wayan tells me. Stone</br>carvings covered with brilliant green moss hide among the foliage, shrines and small Hindu temples are adorned with</br>offerings and the sweet sent of burning incense seduces the senses. An outhouse serves as a simple kitchen and two </br>rooms contain Wayan’s gallery painting collection and books for sale.</br>When we observe Wayan’s paintings we enter into a beautiful and extraordinarily tranquil world. His owls’ peer out</br>from within forests and lush scenes, their big eyes possess a magnetic pull and communicate a language that is</br>deciphered in our hearts. Wayan Sila is a painter of immense sensitivity and his works are vehicles of healing qualities and love.re vehicles of healing qualities and love.)
  • TUMBAL RARE  + (“Tumbal Rare” means a child who is sacrifi“Tumbal Rare” means a child who is sacrificed or offered. This term can not only be used for the mystical, it can also be used in the real life. Children who are abandoned and not in school. We have a place to accommodate children like that. Difficult if only society is expected to take care of children with such conditions, the government should step in to see and know what should be done so that abandoned children don't wander around. If all children get a good education, surely the future of our country will be bright. the future of our country will be bright.)
  • I Nyoman Popo Priyatna Danes  + (“What the modern architecture is still try“What the modern architecture is still trying to achieve today has been implemented in the traditional Balinese architecture for centuries now, where the concepts of energy conservation and environmental preservation are amongst the fundamental elements in every design.” – Popo Danes</br></br>From private homes and restaurants to starred hotels and luxury resorts, the renowned Balinese architect Nyoman Popo Danes is known for his exemplary designs that showcase a distinct flair of being in harmony with the local culture and nature. This green-conscientious architect always integrates eco-friendly aspects of Bali’s traditional architecture into his designs.</br></br>“While some architects are very focused on making their buildings look stunning from the outside, my main concern has always been the functionality of each aspect of the building. I always make sure that my designs are in harmony with their natural surroundings; that each room has a function; that a strong connection between the architecture, landscape, and interior is established. I don’t care if my architecture is not photogenic, as long as it serves its function well.”</br></br>As an international destination, Bali attracts people from all corners of the world with its uniqueness. Therefore, Popo believes that every building on the island needs to be able to help these people feel that they are in Bali. “When you travel, you want to be immersed in the local atmosphere. In Bali, a building should exude the feeling of locality so when you enter it, you know you’re not in Jakarta, Hong Kong, or anywhere else.”</br></br>The works of the two-time ASEAN Energy Award winner (in the category of Best Practice in Tropical Architecture) are known as some of the most striking in design, functionality, and environmental consciousness. Air conditioners take up the biggest energy consumption in a building, and Popo’s eco-friendly creations have the ability to ‘communicate’ with nature to lessen energy consumption through the overuse of air conditioners.</br></br>“I create buildings that have open pavilions (just like in typical Balinese buildings) to allow breeze to blow in, and I don’t put too many glass windows. Then again, air circulation or heat is not the only reason why air conditioners are overused. People also tend to turn their air conditioners on to escape from the noise pollution outside their buildings. When all windows and doors are shut, it’s quiet inside. This is where nature steps in. Towering trees can be a great noise filter, and they also serve as a fresh, cool air provider.”</br></br>From Indonesia to India and China to the Philippines, most of Popo’s architecture projects involve challenging landscapes. “It’s never easy. A lot of projects i’ve been doing so far (especially for luxury resorts) involve slanted soil, hilly surfaces and everything else not flat. Of course I can always take the easy job; for example in Bali, I get so many offers to design a building on a flat surface. The thing is, in order for me to build it, I have to get rid of a rice field. I will never build anything on a rice field. Rice field is a symbol of prosperity for the Balinese, and is home to the goddess of prosperity, Dewi Sri.”e to the goddess of prosperity, Dewi Sri.”)
  • Literature BASAbali wiki dapat mendorong andan untuk berpartisipasi dalam isu-isu sipil?  + (• In my opinion, the BasaBali Wiki platfor• In my opinion, the BasaBali Wiki platform has a very positive impact on society in paying attention to civil issues in the environment. This platform is already widely known by people. This platform can also be accessed in 80 countries and this can provide opportunities for me and the community to participate in civic issues. </br></br>In my opinion, the way to increase community participation in promoting civic issues through the BasaBali Wiki platform is to conduct seminars or outreach to villages so that this platform is widely known by the public. Many parents cannot use technology and also many teenagers today do not want to find out what innovations exist today. By giving seminars or outreach to villages, it is hoped that this platform will be known by many people so that it will have a positive impact on encouraging participation in civic issues. </br></br>I hope that in the future the BASAbali wiki will always be consistent in providing better and more extraordinary works, using the Balinese language, and continuing to cultivate the Balinese language in this era of globalization.ese language in this era of globalization.)
  • Bubur Masak  + (Bubur Masak (cooked porridge) is a dish orBubur Masak (cooked porridge) is a dish originally from Klungkung that should not be missed when coming here, and it is easy to find in several areas on the roadside or in stalls or restaurants. This dish contains porridge which is given a special yellow sauce that is offered with mixed vegetables with grated coconut (urap) or other vegetable dishes. Soybeans may be added so as to give a crispy and savory sensation, using banana leaves as the base which makes it even nicer. This food is very suitable to be enjoyed in the morning or afternoon.to be enjoyed in the morning or afternoon.)
  • " KEMACETAN YANG TERJADI DI BALI "  + (" JUST CONNECTION OCCURRING IN BALI " OM " JUST CONNECTION OCCURRING IN BALI "</br></br>OM SWASTIASTU</br></br> I respect the Government of Bali and I love happy friends.</br> Let us give thanks to the presence of Almighty God who has given Asung Kertawara to all of us so that we can gather in this place. Before I deliver this speech, I first want to thank you for the time and opportunity given to me to deliver my speech of hope. to the Bali government entitled "JUST CONNECTION OCCURRING IN BALI".</br> Traffic jams arise because the volume of motorized vehicles is not proportional to the volume of the road. The number of motorized vehicles and cars increases every day. As a result, cars, public transportation and motorbikes pile up on the streets, traffic jams occur. Congestion can also slow down the performance of people who are stuck in traffic jams. Workers will be late arriving at work and students will arrive late at school. This especially happens to people who choose to use private transportation rather than public transportation.</br> Traffic jams occur because too many people use motorized vehicles or cars and also because many road users do not comply with traffic regulations.</br> On this occasion I would like to invite you to overcome traffic jams in Bali. If we cannot overcome them, at least we can reduce traffic jams in Bali. There are 2 main things we can do to reduce congestion. First, use public transportation, don't use private vehicles, using public transportation can reduce the volume of vehicles on the road. In the end, traffic jams will be reduced. Second, get used to walking if the distance is not too far. This method is simple but difficult to do. Even though walking is healthy, and by walking we are contributing to reducing traffic jams in Bali. I am sure that by taking these 2 actions traffic jams in Bali can be reduced.</br> However, the Bali Government is expected to improve the comfort and safety of public transportation. I am sure that if public transportation is safe and comfortable, there will be more passengers. Finally, the number of private transportation users will decrease by itself.</br> This is all I can say, hopefully it is useful for all of us. Sorry if there are wrong words and actions. For your attention I would like to thank.</br> </br> OM, SHANTIH, SHANTIH, SHANTIH, OMk. OM, SHANTIH, SHANTIH, SHANTIH, OM)
  • "Nyinggihang Masa Depan Bali sane Berkelanjutan: Pikobet lan Tugas Calon Pamimpin"  + ("Beloved fellow citizens, General electio"Beloved fellow citizens,</br></br>General elections are the time when we as citizens have the power to shape our future. Bali, our beloved homeland, faces a number of issues that require urgent attention from our future leaders.</br></br>As we prepare to choose new leaders, it's crucial to consider pressing issues that demand immediate solutions. Among the various problems at hand, some prominent issues that need immediate attention from Bali's future leaders are:</br></br>Firstly, the environment and sustainability. Bali, with its natural beauty, is under significant pressure due to rapid growth. Conservation of the environment and protection of natural resources are crucial to prevent further damage to the island. Future leaders must have a clear vision to preserve Bali's natural beauty while also managing sustainable growth.</br></br>Secondly, adequate infrastructure. Despite Bali's status as a popular tourist destination, there's a need for better infrastructure to support economic growth and everyday activities of the people. Effective leaders should prioritize the development of suitable infrastructure without compromising environmental preservation.</br></br>Thirdly, social welfare. There exist disparities in Bali that need to be addressed. Improving access to education, focusing on public health, and increasing job opportunities with fair wages should be the primary focus of future leaders. Even social welfare will form a strong foundation for Bali's progress.</br></br>Fourthly, transparency and accountability in governance. It's essential for leaders to build transparent and accountable governance. The community should have complete trust in their leaders and feel heard in the decision-making process.</br></br>Fellow citizens, this election isn't just about selecting leaders but about choosing leaders with a clear vision, strong commitment, and the ability to address pressing issues. Let's choose leaders who can lead Bali towards a better future, one that is fair and sustainable for us all.</br></br>Thank you."r and sustainable for us all. Thank you.")
  • Hildred Geertz  + ("Hildred was born in Queens, New York on F"Hildred was born in Queens, New York on February 12, 1927 and reared there and in Teaneck, New Jersey. A graduate of Antioch College, she received her Ph.D. from Radcliffe College in 1956. Her first book, The Javanese Family (Free Press of Glencoe, Inc.), was published in 1961. After her initial fieldwork in Java, she taught at The University of Chicago from 1960 to 1970 before coming to Princeton University in 1970. At Princeton, Hildred taught courses on the history of anthropological theory, the anthropological study of life stories, the anthropology of art, and the ethnographer’s craft.</br></br>In 1972, Hildred became the first chairperson of the Department of Anthropology at Princeton University, and thus the first woman chair of a department at Princeton, a position in which she served for many years. She was named Professor Emeritus in 1998.</br></br>Hildred did extensive fieldwork in Morocco, and in Java and Bali, Indonesia and returned to Indonesia repeatedly during her career to conduct the research which helped fuel her extensive list of publications. She completed more than two years of fieldwork research in the village of Batuan on the island of Bali. Working in the same village that was studied in the 1930s by Margaret Mead and Gregory Bateson, she focused on the interconnections between different Balinese art forms and how and why such forms have changed through time. She investigated the effects of economic development and tourism on Balinese artistic endeavor.</br></br>The first book from the research in Batuan, Images of Power: Balinese Paintings Made for Gregory Bateson and Margaret Mead, was published in January 1995 (University of Hawaii Press). In 2004,The Life of a Balinese Temple: Artistry, Imagination, and History in a Peasant Village was also published by the University of Hawaii Press. Among her other works, Professor Geertz is co-author with her former husband Clifford Geertz of Kinship in Bali (University of Chicago Press, 1975), and co-author with Clifford Geertz and Lawrence Rosen of Meaning and Order in Moroccan Society (Cambridge University Press, 1979). Most recently, in 2017, at the age of 90, her book, Storytelling in Bali, was published by the Dutch publishing house Brill."shed by the Dutch publishing house Brill.")
  • Made Janur Yasa  + ("In the year and a half the pandemic has p"In the year and a half the pandemic has persisted, Bali’s almost decimated tourist economy has had had far-reaching financial and social effects on the resident population. It is, however, during times of difficulty when good souls shine bright. The silver lining of the pandemic has been witnessing the wholehearted efforts of individuals and organisations who have stepped up to support and help the, often newly, vulnerable communities, even when faced with their own difficulties.</br></br>From food donations to education programs, the list of goodwill initiatives on the island has been heartwarming to say the least; in reality many would have suffered gravely without such community efforts.</br></br>One creative initiative changed the dynamic. Made Janur Yasa is a restaurateur, a partner in the unique vegan restaurant Moksa in Ubud. In May 2020, as Bali was in the depths of the pandemic lull, Janur began a program called Plastic for Rice, a barter system that encouraged locals to trade in collected plastic for rice. In an interview with NOW! Bali when the program started, he says that he remembered how villagers used to barter in the early days, rice for sea salt, farm to sea. He said that this gave people spirit, making sure that people don’t get used to receiving without working.</br></br>Through this plastic for rice system, Janur provided a double solution: cleaning littered plastic in the environment; as well as providing much-needed sustenance to those in need, especially in rural areas.</br></br>The program started in Banjar Jangkahan and Banjar Penulisan, Batuaji Village, Tabanan, the regency where Janur comes from. It was set up as prototype, a system to be replicated in other villages… and it was.</br></br>Three months later, Plastic for Rice became Plastic Exchange. In that time, as reported in August 2020, the movement had spread to 44 banjars and 1,345 households.</br></br>But beyond that it had evolved beyond a simple ‘system’, and became a movement. It was adopted by other charitable organisations as a solution to provide food fairly in rural communities; it became a vehicle for environmental education, to teach the effects of plastic but also the value of waste. It has allowed people to feel empowered, useful, independent. It has seen new leaders being born.</br></br>Today, Plastic Exchange is found in over 200 villages across Bali, has collected 50.000+ kg of plastic and distributed 55.000+ kg of rice."astic and distributed 55.000+ kg of rice.")
  • Louis Nagelkerke  + ("Indonesia, and Bali in particular, has lo"Indonesia, and Bali in particular, has lots of beauty to offer. Louis Nagelkerke is not only fascinated by the beauty of the people, but also by all the wonderful things religion has brought the country, such as temples and buddha statues. During his many journeys through Indonesia, Louis noticed that it is a very rich country in many ways. Louis believes that this has a lot to do with the fact that the Indonesian people are proud of their country. When Louis travels through Bali to take pictures for his paintings, the local people enjoy that. Meanwhile, it is not special for them. They live with all that beauty, their rich culture, and traditions every day. They are used to it. When Louis paints Balinese people, he tries to show them how beautiful and rich their culture is, how beautiful they are themselves. For Louis personal[ly], it is important that he, while photographing and painting the people, can make a part of their personality his own. It is a search for beauty, mysticism, culture, folklore, very much related to daily life; the folklore our modern western society lost over the years.</br></br>Born February 3, 1949, in Eindhoven</br>Education in ceramics, window dressing, drawings, and paintings</br>Well known since the '80s through many exact portraits</br></br>His paintings are unique through the expression of mysticism and sphere. His inspirations Louis Nagelkerke finds almost through his vivid relation to the eastern culture and people. Musicians and dancers, especially from the wonderful island Bali. Besides that, his paintings are also influenced through the theatre.</br>Louis is an outstanding artist and always open-minded to new ideas.rtist and always open-minded to new ideas.)
  • Ajak Wisatawan Domestik, Bali Kembali Bangkit dari Pandemi Covid-19  + ("Invite a Domestic Tourists, Bali Rises fr"Invite a Domestic Tourists, Bali Rises from the Covid-19 Pandemic"</br></br>None of the Balinese people (including business people, investors, and the government) thought that they would be in a difficult situation of the COVID-19 pandemic. Bali, which usually doesn't stop bringing in rupiah coffers to support its people's economy, is now deserted.</br></br>A few months after the COVID-19 pandemic began to subside, there was a lot of buzz in the social media about the hashtag #WorkFromBali. Bali, as the most popular tourist attraction in Indonesia, is slowly starting to rise from the slump of the COVID-19 pandemic.</br></br>Most Indonesian people consider Bali as an elite tourist destination, because the majority of visitors are foreign tourists. Not infrequently Indonesian people also think that the price of admission to tourism and the price of food at the place to eat is also high (by the standards of foreign tourists).</br></br>Seeing the situation of the COVID-19 pandemic which is still uncertain, it is better for the Bali government to start moving to carry out "Rebranding Bali" for domestic tourists. Because they are considered the safest and most sustainable, to keep the economy in Bali alive and spinning.</br></br>There are several ways that the Balinese government can do to invite local and domestic tourists to visit Bali:</br>1. Ensure that Bali is a safe place during the Covid-19 pandemic, by showing that all frontline Bali tourism has been vaccinated and maintaining proper health protocols;</br>2. Invite influencers to advertise Bali. The hashtag #WorkFromBali seems to be very good and powerful to be echoed again;</br>3. Recalculate the highest price specifically for local and domestic tourists, such as the price of tourist entrance tickets, lodging prices, food prices, and so on, by adjusting the socio-economic conditions of the Indonesian people.</br>4. Provide understanding and training for the frontline Bali tourism, to treat local and domestic tourists in the same way as treating foreign tourists.</br></br>Hopefully Bali's economy will get better. Hopefully Bali's economy will get better.)
  • Marko Randelovic  + ("Marko Randelovic is an award winning film"Marko Randelovic is an award winning filmmaker and photographer from West Yorkshire, United Kingdom and is of mixed British and Serbian heritage.</br></br>Marko travels and works nomadically, often collaborating with charities and organisations to tell interesting cultural stories through the eyes of local people.</br></br>He tries to provide an insight into the inspiring lives of people from across the world, the problems they face and how they strive to overcome such challenges." they strive to overcome such challenges.")
  • Spirit of Legong  + ("My memories of the Legong dance.. growing"My memories of the Legong dance.. growing up I see a lot of paintings of a dancer in costume. I tried to create a photograph of the dance that is like a painting.. but still has the spirit and movement of the dance.." ~Nyoman ‘Butur’ Suantara</br></br>Excerpt from article "Legong Rhapsody, a Dance Through Time" by Dewi Dian Reich.</br></br>We have a series of works by ManButur Suantara that singularly looks at one particular dance. The Legong Dance of Bali, 'Tari Legong Bali'. Balinese culture is full of beauty in so many respects. Wherever you turn you will find something rich and sumptuous in colour and also mystery. Its rituals and ceremony are profoundly deep. It draws the attention of the world. This is not the first time the dances of Bali is the object of art. Images depicting our culture is saturating mainstream media due to its power of influence towards a profitable industry. Tourism. </br></br>On the positive side this means the beauty of Balinese culture is recognised by many. I mention this because I wish to draw attention to something that might be overlooked. There is something really special to reflect on here that would be remiss not to point out. Purely for our artistic discussion. As a series in photography there are interesting aspects that we can learn from.</br></br>Read full article in image reference link.Read full article in image reference link.)
  • Burning was replaced by cremation  + ("Ngaben replaced by cremation" My belov"Ngaben replaced by cremation"</br></br></br> My beloved grandfather passed away, and I took him to the cremation. But we are not going to hinder them, because now they are all depressed, depressed and depressed. Therefore, give me one chance to get it. Now my grandpa can clean it and it is washed away in the Bali sea. (Hopefully, the future will be better, because not everyone is capable of system medicine, so the cremation system was created).ine, so the cremation system was created).)
  • BALI DAKI NAPI BALI MEWALI?  + ("OM SWASTYASTU" "OM AWIGHNAM ASTU NAMO SID"OM SWASTYASTU"</br>"OM AWIGHNAM ASTU NAMO SIDHAM"</br>"OM ANO BADRAH KRATAWO YANTU WISWATAH"</br>I would like to express my thanks to the presenter, for the time given to me, the honorable ladies and gentlemen of the jury and prospective members of the Bali Province DPD, as well as my fellow participants, whom I am proud of. Before that, let us pray to the presence of Almighty God. Thanks to Him, we can gather here with happiness at the Bali Public Participation Wikithon with orations, which carries the theme, Election 2024: what are the most urgent problems to be addressed by Bali's prospective leaders ? Hopefully events like this can be held frequently to develop a threatening Bali.</br></br>Happy guests, as we know, Bali is known as the island of a thousand temples with its very beautiful environment, which is often visited by foreign tourists, because Bali is one of the focuses of tourism in Indonesia. This is what drives many foreign tourists to come to Bali. Even though Bali is a tourist destination, this is not the main topic of discussion, but there are problems that have a significant impact on Bali. As we know, this so-called era of destruction, if we talk about the problems in Bali, will cause Bali to collapse. Unfortunately, the problems in Bali have not received treatment that is useful for the island of Bali.</br></br>Happy guests, if you look at life now it is certainly different from previous life, especially with the problems, the most important problem is related to the environment and land of the island of Bali which has been built up and used as a tourist attraction, this is what will make the island of Bali In terms of land and environment, it will become increasingly narrow, if all the land and environment in Bali is made into a tourist attraction, where will we (humans), animals and others live and live our daily lives? Talking about the land environment that has been converted into a tourist spot, of course there are many daily activities carried out to produce plastic waste for society, this is what will become Bali's next problem. The existence of rubbish in Bali is very sad and gets very little attention, this is what creates big dangers, for example: floods, dengue fever and others. Moreover, as has recently been reported, the rubbish bins or Suwung landfills in Bali are very full and cause fires, giving rise to smoke pollution which causes disease. Are we all willing to live and do activities in dirty places? Of course, many of you are reluctant to live in a dirty place. </br></br>Happy attendees, if I conclude it is related to the problems in Bali, so that Balinese leaders can provide solutions related to problems: the transfer of land or the environment to become tourist attractions and the rampant waste which has not received special attention from the government. Based on these problems, if we don't work together from now on as the front guard, it is certain that the island of Bali will gradually collapse. The island of Bali, which has been nicknamed a thousand temples, will lose its sanctity. Based on these problems, my hope is that the elected leader of Bali 2024 will be able to find a solution so that the Balinese people can implement the noble values that exist in Bali, namely TRI HITA KARANA, because these problems are related. with the TRI HITA KARANA value, so that Bali can return to the way it was before.</br></br>Happy guests, that is the speech I can deliver, I hope you all are aware of the current condition of Bali.re aware of the current condition of Bali.)
  • Infrastruktur Jalan  + ("Om Swastyastu, Thank you for the time giv"Om Swastyastu, Thank you for the time given to me. My name is Ni Luh Ari Purnama Yanti from SMA Negeri 1 Tabanan. To the judges who I really respect and the audience who I really love. I feel very happy to be able to deliver the oration entitled "Road infrastructure"</br></br>Ladies and gentlemen, as we know, road infrastructure greatly influences the economy today. If there is no road infrastructure or the roads are in disrepair, what else is there to earn a living nowadays? How do I take merchandise abroad? In this millennial era and era of globalization, road infrastructure is very necessary in today's life. Many people today earn a living on the streets, some become Ojols, some become traders and others; Candidates for leadership in 2024 should be able to see the condition of their people in villages and cities, so that they do not create social inequality. So that the roads in villages and cities are the same, so that the materials are good and can last a long time and people can earn a living on smooth roads. And for the 2024 Leader Candidates to be honest about the road and development assistance, so that it doesn't happen that the funds are disbursed but the roads and construction are not completed, let alone non-existent? Don't prospective leaders feel sorry when they see their people earning a living through damaged roads? On a rocking bridge to pass east to west over rivers and seas? there are also those who cannot leave the village because the roads are damaged but in the city the roads are good. However, there are also damaged roads in the city, which makes it difficult for large trucks to pass and causes traffic jams. The 2024 Leader Candidates should now be fair and honest with all their people. 2024 Leader Candidates so that they can pay more attention to their people, so that during the campaign they don't just make sweet promises to their people so that they are not called Sweet Promises of Leader Candidates.</br></br>OK, that's all my speech, I hope what I say can be heard by the 2024 Leader Candidates. Thank you for your attention, everyone present. "Meli bungkung aba to the temple Sambilang ngayah, Kirang Langkung nunas ampura titiang sisya wawu melajah". I end with the paramashanti "Om Shanti Shanti Shanti Om".paramashanti "Om Shanti Shanti Shanti Om".)
  • Literature Punah Uli Cerik  + ("Punah Uli Cerik" Tun"Punah Uli Cerik" </br>Tuni semeng tiang luas ke umah timpal tiange jagi ngaryanang tugas. Drike tiang makeneh dados makejang mabasa Indonesia. Pekak dadong meme bapane makejang mabasa Indonesia. Soleh tiang ningehang adin timpal tiange ten bisa lan ten uning Basa Bali lantaran saking alit sampun ajahina mabasa Indonesia manten. Saking drika tiang makeneh mangkin dadong lan pekak, meme lan bapa mabasa Indonesia, sinah alit-alite jek lebian sampun mangkin ten uning tekening Base Bali. Sebet pesan keneh tiange mangkin Base Bali sampun ngidik-ngidikang sane melajahin. Akeh masi alit-alit sane ten uning tekening aksara Bali. Dot rasane tiang nyambatang isin keneh tiange. I Meme lan I Bapa mangde prasida ngajahin pianak ne saking alit nganggen Basa Bali lan nulis Aksara Bali apang Basa lan Aksara Baline ten punah. Nanging nyen men tiang sambatin? Uli drika tiang makeneh, yening tiang sampun nganten tur madue pianak, tiang lakar ngajahin pianak tiange nganggen Basa Bali lan ngajahin nulis Aksara Bali saking alit.an ngajahin nulis Aksara Bali saking alit.)
  • Caesilia Nina Yanuariani  + ("Reina Caesilia" was the pen name given to"Reina Caesilia" was the pen name given to Caesilia Nina Yanuariani by Umbu Landu Paranggi. This reclusive poet was born in Surakarta on January 29, 1965. She grew up in Singaraja, Bali and attended school at SMAN 1 in Singaraja and then studied in the Faculty of Literature at Udayana University. She worked as a journalist with both Bali Post and Nusa. She wrote poetry since she was a teenager and has been published in the Bali Post, and her poetry has been included in a number of anthologies, such as, Pedas Lada Pasir Kuarsa (2009), Dendang Denpasar Nyiur Sanur (2012), Negeri Poci 6: Laut Negeri (2015), Klungkung: Tanah Tua, Tanah Cinta (2016), and Saron (2018). Her poem entitled "Women Who Become Sailors" was nominated for an award in the national poetry writing competition held by the Leon Agusta Institute in 2014. She went into a coma after falling off her motorcycle and died on April 2, 2019 due to a severe cerebral haemorrhage.2019 due to a severe cerebral haemorrhage.)
  • Condong and Inclination  + ('Dance is an ancient art that is intrinsic'Dance is an ancient art that is intrinsic to Balis’ creative spirit. One of the many forms of worship its people offer to the Creator. This is something we have in common with many cultures across the world. Forms of traditional dance are a natural and perhaps inevitable manifestation of human creativity. Modelled and tempered to embody our thoughts and philosophies.'</br></br>Looking at the rich heritage in traditional Balinese dance whilst discussing the impacts caused by a primarily commercial audience. Writing an article is one part, but it would not be possible without the full-hearted contributions of those who give fully to a collaboration for this type of project. Sri Apriani shares her experiences and performs the Tari Condong in Sawidji Studio whilst being a muse for a series of portraits by Dewi Dian Reich Exploring faces behind the dance.an Reich Exploring faces behind the dance.)
  • Doa  + ('Doa' is part of a series of images in 'Ka'Doa' is part of a series of images in 'Kala and the Guardians'. A Conceptual Art Collaboration.</br>Reflecting on the nature of Time and our relationship to Earth and Spirit through a conceptual mixed media narrative. A collaborative exhibition with the works of Dewi Dian, ManButur Suantara, Nyoman Handi.</br>Kala & the Guardians Limited Editions presents a selection of works from the second project presented by Sawidji in what has become our conceptual narrative way. Our story grew together from its initial theme to its installation-focused process in Sawidji Studio. From costume design to studio staging, the documentation of its process carries as much of its meaning for us as the final images that we present.ng for us as the final images that we present.)
  • Melodious Urban  + ('Melodious Urban' is a new work by ManButu'Melodious Urban' is a new work by ManButur Suantara in response to the theme 'World Without Sound' exhibition Sawidji Gallery.</br></br>Do we relate to noise as a disturbance? Does quiet mean peace?</br></br>Capturing the hustle and bustle of Gajah Mada Street Denpasar, the image was made with multiple exposure techniques. With a combination of 9 images to become one single image. Then there are 25 of these images made up of 9 each.</br>For some people who live on this busy street, the noise is normal for them. To see the loud exhausts of cars and motorbikes and the horns from traffic 24 hours a day. However, when I ask some people who live there, they don't say it is noisy. they say it is normal.</br>It seems like they are conditioned to the environment and are on good terms with the noise. By creating this image I am trying to see the world inverted. To be in this activity and relate to the silence and quiet that some people seem to find there.quiet that some people seem to find there.)
  • Duo Saraswati  + ('Music is making connection' Duo Saraswati'Music is making connection'</br>Duo Saraswati is a cello-piano duo consisting of brothers Jan and Kris van der Plas. Whilst they both grew up and had their education in The Netherlands, they make the connection between traditional Indonesian music and the classical</br>music from Europe through their Balinese background. They performed in the Concertgebouw during a live radio performance and in April 2023 they will go on tour to Indonesia and perform in Jakarta, Medan, Surabaya and Denpasar.</br>Equality through difference</br>In a world that tends to think more in contrasts, the duo embraces their differences because that is what defines them. The combination of two cultures is a way for them to bring people from various cultures together.</br>Indonesia and The Netherlands united</br>The repertoire of Duo Saraswati is varied and always tries to find connection between European and Indonesian music. Examples of this is gamelan music composed by Colin McPhee played on cello and piano, and bringing together songs of Mochtar Embut and the Sonata of Francis Poulenc.</br>Jan van der Plas (1997) was a guest player at the Amsterdam Sinfonietta and during his studies he performed multiple contemporary works. Young composers are eager to work together with Jan. He studied at the Conservatorium van Amsterdam with Gideon den Herder and Jelena Očić, with whom he graduated his master's in 2021. Jan plays a cello made in 1967, built by Jaap Bolink, made available by the National Instrument Fund.</br></br>Kris van der Plas (2002) is a young pianist with a strong motivation to make chamber music. In 2020 he was the first prizewinner of the regional final of the Princess Christina Concours in which he also became national finalist.</br>Kris is regularly asked to play by singers and instrumentalist because of his flexibility and broad knowledge of the repertoire.</br>Currently Kris is studying with Frank Peters at the Conservatorium van Amsterdam.eters at the Conservatorium van Amsterdam.)
  • Red Chair and the White Room  + ('Red Chair and the White Room is a mixed m'Red Chair and the White Room is a mixed media presentation by exploring social and cultural changes through a symbolic portrait narrative. A Sawidji Collaboration that looks upon current social and cultural changes through a symbolic portrait narrative. With art and photography by D.D Reich and ManButur Suantara. With additional costume and installation support by Juniari and Meliani.</br></br>Excerpt:</br></br>This is not a story about a boy and a girl.. Our portrait story is one of all of us. Each portrait takes us through a transformation. Transformations that are connected and represents a collective reality that we face as a traditional community. Enjoy the Online Narration of this exhibition. </br>https://sawidji.com/2022/08/17/red-chair-and-the-white-room-a-collaboration/-chair-and-the-white-room-a-collaboration/)
  • The use of Balinese in the millennial era in BASAbali Site  + ( *The use of Balinese in the millennial er</br>*The use of Balinese in the millennial era*</br></br> In the millennial era like now, the use of good and correct Balinese has decreased, considering that the younger generation now does not heed Anggah Ungguhin's good and correct Balinese language which is adapted to the interlocutor so that it shows impolite ethics.</br></br> This can be overcome considering that today's technological developments are increasingly sophisticated. We can learn Balinese at home using our cell phone. We can learn Balinese through applications.</br> An example is the BASAbali Wiki dictionary application which can be downloaded and used for free. In addition, the BASAbali Wiki dictionary provides 3 introductory languages, namely English, Indonesian and Balinese and is equipped with Indonesian and English translations. Which makes it easier for many people, both domestic and foreign, to learn Balinese language and culture. If we don't preserve the Balinese language and culture ourselves, who else?</br> I hope that the BASAbali Wiki dictionary will be better and more complete in the future and provide complete sentence translation features.</br>ide complete sentence translation features. )
  • Arie Smit  + (15 April 1916 – 23 March 2016. Dutch-born15 April 1916 – 23 March 2016. Dutch-born Indonesian painter who lived on Bali.</br></br>Smit was the third of eight children of a trader in cheese and confectionery in Zaandam. His family moved in 1924 to Rotterdam, where Smit eventually studied graphic design at the Academy of Arts. In his youth he was most inspired by the work of three artists named Paul (Signac, Gauguin and Cézanne). In 1938 he joined the Royal Netherlands East Indies Army. After three months he was sent to the Dutch East Indies , where he worked as a lithographer for the Dutch army's Topographical Service in Batavia, engraving relief maps of the archipelago. Etching Balinese mountains onto maps ignited his desire to one day go to Bali.</br></br>In early 1942 Smit was transferred to the infantry in East Java, but was soon captured by the invading Japanese forces. He spent three and a half years in forced labor camps building roads, bridges, and railways on the Burma Railway in Thailand, and Burma. After the Japanese capitulation in August 1945, Smit convalesced in Bangkok until January 1946. After being stationed in Denpasar, Bali as a staff writer for the infantry, he returned to the Topographical Service in Batavia in September. Until its discontinuation in 1950, he remained employed at this service, eventually becoming head of the drawing department, but in his spare time he criss-crossed Java as a painter and in October 1948 had his first exhibition in Batavia/Jakarta.[5] After Indonesian Independence on December 27, 1949, all Dutch nationals had to choose between Dutch or Indonesian citizenship within two years. Smit briefly considered emigrating to South Africa, but decided to stay; he became an Indonesian citizen late in 1951. In the following years he taught graphics and lithography at the Institut Teknologi Bandung in West Java.</br></br>Bali</br>On invitation by the Dutch artist Rudolf Bonnet he visited Bali in 1956, together with Dutch artist Auke Sonnega. He soon met art dealer James (Jimmy) Clarence Pandy, who ran a gallery and souvenir shop. Pandy invited Smit to stay in a house on stilts at the beach of Sanur. Smit and Pandy remained friends and formed a partnership. Pandy was well-connected; Sukarno would sometimes bring his state guests to his gallery. With his love for bright colors, Smit was captured by the Balinese landscapes in its 'riotous light', and soon decided to stay to depict its villages, rice terraces, palm trees and temples.</br></br>In 1960, while touring the village of Penestanan in the Ubud District where he then lived, he came upon some boys drawing in the sand. Impressed by their talent, Smit invited them to his studio, where they became the first of a growing number of students. With minimal instruction but lots of encouragement and material support, his pupils created a naive style of genre painting that became known as the 'Young Artists' style, which at its peak had 300-400 followers. Though he is considered the father of the movement, its style is quite different than any of Smit's own styles over the years.</br></br>From the time of his arrival in Bali, Smit moved some 40 times, "to see what is beyond the next hill". He stayed longest in his favorite areas of Karangasem and Buleleng. He finally settled in 1992 in the village of Sanggingan near Ubud under the patronage of Pande Wayan Suteja Neka, founder of the Neka Art Museum. In recognition for his role in the development of painting on the island, Smit received the Dharma Kusama (Flower of Devotion, a Balinese cultural award) in 1992 from the government of Bali. The Arie Smit Pavilion was opened at the Neka Art Museum in 1994 to display his works and those of contemporary Balinese artists. The Museum Bali in Denpasar and the Penang Museum in Malaysia also have collections of his work. Smit further had exhibits in Jakarta, Singapore, Honolulu and Tokyo. Smit lived near Ubud for the rest of his life, but died on 23 March 2016 in a hospital Denpasar at three weeks before turning 100.enpasar at three weeks before turning 100.)
  • Preserving and Modernizing Balinese Culture Before Maligia Marebu Bumi  + (50 years later. Bali will be welcoming its50 years later. Bali will be welcoming its 2000th saka year, and around this year, Bali will be celebrating its biggest ceremony ever. Apart from Eka Dasa Rudra, Bali will welcome the Maligia Marebu Bumi ceremony which is held once every 1000 years, every last three digits of the Saka year reach 0. However, judging from the current condition of Balinese culture, it is now increasingly dim. Will the Maligia Marebu Bumi ceremony still hold Balinese culture? Because many young people have left Balinese culture, forgetting the Balinese language. Then how. I hope the government can listen to my advice. My suggestion is that the government must infuse Balinese culture to young people, by developing the entertainment industry. Countries like Japan and Korea can maintain their culture because young people watch their own culture. Most young people in Indonesia, especially in Bali watch foreign films and play foreign entertainment with a foreign culture, so that young Balinese have an interest in foreign cultures, and end up having the dream of wanting to live in a foreign country. If the government wants to develop the entertainment industry, then young people will be aware of the culture they have, so they will aspire to develop their own country. In addition to solving internal problems, the entertainment industry is very profitable. With this, Balinese culture will be increasingly recognized by the world and its influence can match Japanese and Korean culture. Then can this be realized? The Entertainment Industry can be anything, such as Movies, Animation, Games, Songs, Etc. Many Balinese HR talents are suitable for this, such as painters who will create 2D graphic designs, City People who are talented with Coding, and Undagi or Sculptors who will create 3D designs. because at this time, it is time for us to modernize our culture so that it can be accepted by our younger generation, even the world by our younger generation, even the world)
  • TPS 3R Darma Winangun Tangkas  + (A 3R (Reduce, Reuse, Recycle) based waste management site in the Tangkas village area, Klungkung)
  • Praca lan Satha  + (A 6th grade student named Sathae is bullyiA 6th grade student named Sathae is bullying Prach, a 4th grade student. Prach really wants to ask for help but is afraid Sathae will give him an even harder time. One day, Prach’s best friend Vety finds out about the bullying and tells his teacher. The boys resolve the conflict and in the process, they discover surprising insights.rocess, they discover surprising insights.)
  • Literature Berbakti Pada Pemimpin  + (A : Hi, what are you looking at on your phA : Hi, what are you looking at on your phone?</br></br>B : Look, on February 14, 2024 there will be a huge event.</br></br>A : February 14? That will be Valentine’s day.</br></br>B : No, it’s not Valentine’s day. You’re still young. Don’t think about girlfriend only. You see? February 14 is the grand election.</br></br>A : The grand election… of what?</br></br>B: I will tell you. The grand election is when we elect the president, vice president, parliament members and senators – all at the same time.</br></br>A : I don’t want to think about it. I’d better go out with my girlfriend.</br></br>B : Don’t say that, Gus! In Bali, we believe in Catur Guru concept. There are four gurus to be respected.</br></br>A : The first one?</br></br>B : It’s Guru Swadyaya, the Almighty God. The second one is Guru Rupaka, our parents at home. The third one is Guru Pengajian, the teachers at schools. Then, the last one is Guru Wisesa, leaders or government. If you prefer to abstain, it means you don’t respect the four gurus.</br></br>A : If you are going to vote, what are your hopes for the prospective leaders?</br></br>B : My hopes are, first, they should not be corrupt. Then, they have to support the people and mingle with the people. Lastly, since we are living in Bali, I want to vote for those who strengthen and preserve Balinese culture.</br></br>A : I think you’re right.</br></br>B : Of course. Now, remember to come to the voting center on February 14, 2024.</br></br>A : So it will be in the morning then? What about the night vote?</br></br>B : Don’t vote blindly at night, okay?e? B : Don’t vote blindly at night, okay?)
  • Ida Bagus Putra Adnyana  + (A Balinese from a Brahmana priestly familyA Balinese from a Brahmana priestly family, I. B. Adnyana is considered a first-rate classicist. Born in 1958 in Denpasar, he grew up attending Balinese rituals and brings an insider’s knowledge to his subjects. As is evident in his images, he has been given special unimpeded access and privileged positions and angles. It’s highly unlikely that a Western photographer would ever be allowed to enter sacred inner courtyards and get this close to a venerable high priest.</br>His subjects appear at ease and revealing of their inner emotions. It is as if his subjects are family members relaxed in the presence of another Balinese. He always seems to be in the right place at the right time to photograph with the greatest possible empathy and intimacy. Amidst all the confusion, he knows what is going on and is able to anticipate what is going to happen next. While other photographers are fiddling with their camera settings, he is ready to record the climax, the significant gesture or the moment when the trance state takes hold.e moment when the trance state takes hold.)