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Umbu Wulang Landu Paranggi + (Umbu Wulang Landu Paranggi, born in Kanang … Umbu Wulang Landu Paranggi, born in Kananggar, Waingapu, East Sumba, East Nusa Tenggara, August 10, 1943. His poems have been published in many mass media, including the Indonesian Pulpit, Basis, Pusara Magazine, Arena, Yogya Pioneer, Bali Post, Journal CAK, Kolong Magazine. Some of his poems are also summarized in joint anthologies, including Manifes (1968), Milestone III (1987), The Ginseng (1993), Saron (2018), Tutur Batur (2019). Umbu used to take care of the literature room at the Pelopor Yogya weekly, which was headquartered on Jalan Malioboro. On March 5, 1969, together with several other figures, Umbu founded the literary community Persada Studi Klub (PSK). At that time Umbu was dubbed the President of Malioboro. The pioneers of Yogya and PSK gave birth to hundreds or even thousands of poets scattered throughout Indonesia.Since 1978 Umbu lived in Bali and in July 1979 was asked to become the literary editor of the Bali Post daily. As he did in Pioneer Yogya, Umbu faithfully, diligently, and painstakingly, nurtured the seeds of writers to grow into well-known figures in Indonesian literature.For his dedication to the world of literature, Umbu was awarded a number of awards. These include the 2018 Cultural Award from the Faculty of Cultural Sciences, University of Indonesia, the 2018 Dharma Kusuma Award from the Bali Provincial Government, the Literature Service Award from the Language and Book Development Agency in 2019, and the Jakarta Academy Award (2019). Umbu died on April 6, 2021y Award (2019). Umbu died on April 6, 2021)
UMKM are the most important heroes during the COVID-19 Pandemic + (UMKM are the most important heroes during … UMKM are the most important heroes during the COVID-19 pandemic. Now many people have been affected by COVID-19 which has increased unemployment and then switched professions to become traders, some are selling canang, some are selling food, some are selling clothes and so on. This solution is very good, especially those who sell beautiful and handsome, clean, premium merchandise and competitive prices, surely many people are interested. For example, someone who sells canang, the canang is fresh, according to the standard, the smell is good and the traders are friendly, who is not interested? Now we as a morally conscious society must help each other to the UMKM, don't knock each other down, we have to help each other. If someone sells food, we can sell drinks, so that they can be sold together. The most important thing is that as traders, we have to make a profit so that little by little capital is collected, who knows we can create new branches and have a career, so we have a business as well as create new jobs. Hopefully this solution can be taken into consideration by the community, so that we are not confused and can prevent crimes due to the economic crisis due to the impact of this pandemic. Thank you. Author: kadekayudinda_PBSADenpsar #jegtulisgen #jegtuturanggen #gunakayabali#jegtulisgen #jegtuturanggen #gunakayabali)
Mabudaya, magama lan makulawarga + (Under Pancasila, we have our culture, we h … Under Pancasila, we have our culture, we have our religion, and have a family. We have many differences—you like to play kites, I like playing cards, you live in Nusa Penida, I live in Sanur, you preserve Balinese culture by playing gamelan, I take part in competitions in sports to make the name of Bali Province proud. Even though our story was cut short due to the pandemic, in 2022, we have recovered faster and rose stronger, continuing the story that was paused for a moment.ng the story that was paused for a moment.)
I Gusti Bagus Rai Utama + (Universitas Dhyana Pura Asst. Professor of Tourism at Dhyana Pura University, Bali Br. Tegaljaya, Dalung, Kuta Utara Badung, Bali Denpasar, Bali 80351 Indonesia http://www.undhirabali.ac.id)
Literature Solah Soleh Nyujukang Kadaton + (Unreasonable Behavior of Establishing A Ki … Unreasonable Behavior of Establishing A KingdomIf we read the story of Mahabaratha, it was very clear in telling us that the effort of Pandawas to defend their country from bad behavior of Korawas who makes the community so miserable. They fought against them even they need to sacrifice their life in battle-field. Kuruksetra, fight till die, war against their guru (teacher/preceptor), relatives and their own family to uphold dharma (truth) in the world. Moreover, in other literatures such as Negarakertagama script, that story also told us about the effort of King Hayam Wuruk in unifying Bumi Nusantara (Indonesia) with the dharma base and kind purpose. Furthermore, if we re-read the historical books of Indonesia, the warriors prepared themselves with weapon of knowledge and sharp bamboo to prevent Indonesia from invaders attack. But, nowadays the act of human being is unreasonable since when Indonesia has established, there are demand of people to build a new kingdom and claim themselves as a smart and authoritative person. About a week ago, there was a news that stagger enough in TV about a person that thought they held the authority and established a new kingdom. The kingdom named Keraton Agung Sejagat located in Pogung Jurutengah Villange, Bayan, Purworejo Regency, Central Java. It was led by Toto Santoso and Fanni Aminadia. There were report from local residents to Police about the presence of this new kingdom, Toto Santoso claimed his self as the king and Fanni Aminadia as the queen, they finally arrested by the police. To the police, he admitted that there was a wangsit from his ancestors to build a kingdom. The police which handle this case also collect proofs that Toto Santoso has deceived society. And also, what make people wonder is that this kingdom, Keraton Agung Sejagat have 450.000 followers, they were from Purworejo, Klaten until Sumatra. Nowadays, Toto Santoso and Fanni Aminadia has been jailed with Section 378 Penal Code about Deception and Law 14 No 1 in 1946 about Criminal Law. Regarding this unnatural behavior of establishing Keraton Agung Sejagat is not a new thing and only happen in Purworejo. In Bandung, West Java, there is also an organization claimed itself as powerful organization in that region namely Sunda Empire-Empire Earth. The members of this organization wear a military uniform but unlike the one that recognized by Indonesia. Moreover, in 2018 there were also other organizations named themselves of Ubur-ubur (Jellyfish) Kingdom in Serang, Banten Province which practiced heresy by using religious foundation. There was also other heresy organization who based on other religion i.e. Gafatar (Gerakan Fajar Nusantara) Organization in 2016, and it have 50.000 followers. All of those organization has been disbanded by police and their leaders or founders has been jailed. If we concern, this illogical behavior of people that tried to build or establish a heresy kingdom or organization regarding the information always be able to attract people to join and follow them. What did make it happen? Why the people can be easily fooled and effected by Hoax just like recent days? Isn’t nowadays people has been competing their intellectuality (intellectual development) which indicated by the technology development? Maybe people nowadays more believe on wangsit even though they don’t know the truth. These fake kings only relied on wangsit as reason for establishing a kingdom to make society believe them and it was hard to be proved. Moreover, the people behavior who only follow something by communal base (just following), in order to get a position and authority which was actually unclear and when they got it even the position or authority yet they surely hve skill to take the lead. Certainly these people only live to fulfill their contents of world (useless human being) that make other miserable and pollute the earth. Actually, people indeed should be afraid if they are blamed by the God, especially assumed that they are disrespectful to the ancestors. And also while talking about the Death God who will pick us up, immediately afterwards seeking for protectable place and hideout then they forget about dharma (truth). But, in recent days, people should always use their logics and respect the Goddess of Knowledge as giving the bless of knowledge such as logic and mind to differ good and bad things. (@YesiCandrikaBASAbaliWiki)d bad things. (@YesiCandrikaBASAbaliWiki))
PRESERVING INTANGIBLE CULTURAL HERITAGE + (Until now the province of Bali is still we … Until now the province of Bali is still well-known to foreign countries, life in the province of Bali has been mixed with life in the west, because of the large number of foreign tourists who vacation in Bali. Many Balinese people work in the tourism sector. Life in the province of Bali seems to depend on the tourism sector, even though it exists like this, the Balinese still maintain life like a Hindu community.Even though the people work diligently, their daily life and obligations as a Hindu community never disappear, for example when a ceremony or piodalan is coming, the Balinese people will definitely be present and work together to work on the preparations. This is an intangible cultural heritage from their ancestors. which we should preserve so that the province of Bali can continue to be sustainable, as well as starting from ourselves prioritizing a life based on compassion and love for others. So that the intangible cultural heritage of our ancestors is not lost in Bali, and can explain to foreign tourists why and how we as Balinese must implement the concept of mutual cooperation.plement the concept of mutual cooperation.)
Clean beach, beautiful Bali + (Until now, the problem on earth in Bali is … Until now, the problem on earth in Bali is not far from plastic waste on the beach, there are still many beaches that should be beautiful, but because of human activity, the beaches have become dirty with plastic pollution. That makes many animals and plants on the beach die. In order not to cause more problems, let's all be the younger generation, we must continue to maintain and preserve the cleanliness of the beach so that it is beautiful and not damaged. However, now many children have taken part in keeping the beach clean from school and agency activities, but there are still many people who litter on the beach. That makes the government have to make rules for the community so that people are orderly and no longer throw trash on the beach.ly and no longer throw trash on the beach.)
Kasuksman "Tedung Agung" Pinaka Anyakrawerti + (Up tight, down tight, even to side is tigh … Up tight, down tight, even to side is tight. No, that wasn't a riddle game but it is the representation of ogoh-ogoh "Tedung Agung". The 'umbrella' was not a sign of fear, but it was a picture of condescendent. It has three layers which illustrate "Tri Hita Karana" concept in Bali. This ogoh-ogoh perfectly visualized how a government should be when doing their job, always worship Ida Sang Hyang Widhi Wasa, prioritize human relations, and take care of the environment. In conclusion, the government should imitate the meaning of ogoh-ogoh "Tedung Agung"te the meaning of ogoh-ogoh "Tedung Agung")
ups and downs online school + (ups and downs online school)
Uuk Paramahita + (Uuk Paramahita was born in Denpasar, April … Uuk Paramahita was born in Denpasar, April 17, 1978. He completed his art education at ISI Denpasar. Since 2001 he has been involved in many joint exhibitions at home and abroad, including exhibiting at “20 Finalists of Nokia Art Award in Jakarta, 2001; The faces at Junge Gesichter at Agon. e.V Passau, Germany, 2012; The Fourth Silk Road International Art, Shaanxi Provencial Museum of Fine Art, Xian China, 2017. Many of Uuk's works feature tiny figures combined with the surrounding issues. He processes many childhood memories into interesting works of art.od memories into interesting works of art.)
Efforts to overcome waste in Bali + (Various efforts have been made by the local government and environmental activists to deal with waste in Bali. The Denpasar City Government made Denpasar City Regional Regulation Number 3 of 2015 concerning Managers)
Efforts to overcome waste in Bali + (Various efforts have been made by the loca … Various efforts have been made by the local government and environmental activists to deal with waste in Bali. The Denpasar City Government made Denpasar City Regional Regulation Number 3 of 2015 concerning Waste Management. The Regional Regulation is expected to reduce the habit of local people and tourists to dispose of garbage in its place and the ultimate goal of the Regional Regulation is that the quality of water and the surrounding environment can be improved. Later this year, Bali Governor Wayan Koster issuedis year, Bali Governor Wayan Koster issued)
Wannabe + (Various polishes were attempted, want to beutify yourself To be different, from the truth Change is inevitable Lying to yourself, just to flattered Don't mistake my choice, because out there fake ones is the most popular A common view of the majority)
Bart Verheijen + (Verheijen is a post-doc in History in the … Verheijen is a post-doc in History in the University of Amsterdam. He holds a PhD in Napoleonic history from Radboud Universiteit Nijmegen. His works focusing on the age of revolutions, political theory in the 19th century, colonial citizenship and Indonesian history and culture. He lived and worked in South East Asia including Myanmar and Indonesia for three years and affiliated with Hasanuddin University in Makassar, Sulawesi.sanuddin University in Makassar, Sulawesi.)
Inisiatif penangan sampah Desa Pejeng + (Village-based waste management)
Dokter Alit + (Vita likes to play doctor, but her little brother Veha does not. If someone is hurt, will Vita know what to do?)
W. Mustika + (W. Mustika was born in Kuta, Bali, Septemb … W. Mustika was born in Kuta, Bali, September 11, 1970. He pioneered the Rumah Semesta Community since the publication of his 4th book: When the Universe Talks (2013). To date, he has written and published 11 books on life and spirituality. He has also written the poem "Klungkung, Tanah Tua Tanah Cinta" (2016) which was included in the poetry anthology book with the same title. Rumah Semesta is a community that, apart from working in the field of humanity, also focuses on being a shared learning space to understand life, as a place for people to release the inner burdens of the joys and sorrows of life and also as a place to learn together to understand one's spirituality.together to understand one's spirituality.)
W.O.J. Nieuwenkamp + (W.O.J. Nieuwenkamp (27 July 1874 – 23 Apri … W.O.J. Nieuwenkamp (27 July 1874 – 23 April 1950) was an artist from the Netherlands who once lived in Bali. He studied art at the Amsterdamse Kunstnijverheidsschool. Between 1917 – 1919 he toured Sumatra, Java, Bali, Lombok. He did many works of art, including paintings, etchings, lithographs, book cover designs. Apart from that, he is also known as an architect, ethnologist, explorer, writer, art/antique collector. He was the first European artist to visit Bali. He arrived in Bali in 1906. He came to visit Bali again from 1917 to 1919 and finally in 1936/1937. He painted a lot about the natural, social and cultural beauty of Bali.tural, social and cultural beauty of Bali.)
Bali Dwipa + (Wake up, stop dreaming, get ready to devel … Wake up, stop dreaming, get ready to develop Bali. To support Bali’s development progress, the government is creating development policies. Those policies are approved by the people to support local arts.Infrastructure development becomes the core of economic advancement of the Balinese people, based on the government’s vision “nangun sat kerthi loka Bali—road to Bali’s nature-based development pattern on the basis of Pancasila (the five inseparable and interrelated principles at the heart of Indonesia) and 1945 Constitution. This progress also depends on technological updates. I hope this will create a materially and spiritually peaceful, harmonious, and prosperous Bali.peaceful, harmonious, and prosperous Bali.)
Walakiri Tree + (Walakiri Tree is part of the series ‘Trees … Walakiri Tree is part of the series ‘Trees’ in Black and White by ManButur Suantara. Walakiri Tree is released as Limited Edition prints and signed by the artist. Trees in Black and White by ManButur Suantara. The beauty and poetic vision of ManButur in a series of captures across the Indonesian landscapes. What do you feel when you see a trees’ shadow? When you look upon their reflections and silhouettes. There is something intrinsically human about them.A Trees’ ReflectionPerhaps you can say, it may be that it is the other way around. There is something intrinsically tree like about human beings. Why we see our own reflection in the Earth’s oldest children. For of the oldest living things on this Earth, trees are amongst them. They carry the memories and earths’ blood in their veins.There is this basic truth that trees bring life to others. From the time they are a seed, to their stems and flowers, there is no waste. From the beginning to the end of their life, they are givers to the world.Nyoman ‘Butur’ Suantaraers to the world. Nyoman ‘Butur’ Suantara)
Walter Spies + (Walter Spies is a German artist born in Mo … Walter Spies is a German artist born in Moscow, September 15, 1895. Apart from being a painter, he was also a music and dance artist. In 1923 he came to Java and settled in Yogyakarta. He worked as a court pianist and was asked to help with the palace's artistic activities. He was the first to introduce numerical notation for gamelan in the Yogyakarta palace. This notation was later developed in other palaces and is used today.After his contract was completed in Yogyakarta, Spies moved to Ubud, Bali, in 1927. He was close friends with the King of Ubud, Tjokorda Gede Agoeng Soekawati. Spies also got to know many local artists and was very impressed with Balinese art. He collaborated with Wayan Limbak, polishing the sacred Cak dance into Kecak.With the support of the King of Ubud, together with the Dutch painter, Rudolf Bonnet, Spies founded Pita Maha, a community of Balinese artists in 1936. Spies also introduced many modern artist techniques to Balinese artists. There are still quite a lot of followers of Walter Spies' painting style in the Ubud area.Spies died on January 19, 1942 when his ship Van Imhoff was bombed by Japanese forces during World War II.ed by Japanese forces during World War II.)
Ketut Swardana + (Was born in 1969 in Singaraja. He graduat … Was born in 1969 in Singaraja. He graduated in 1990 from "Fine Arts School" in Denpasar, bali. He's an active painter who keeps searching for professional painters as his teacher and companion. In the past he has worked through a joint system with "Pierre Poretti", an artist from Lugano, Switzerland.Most of Ketut Swardana's works are an expression of creativeness on canvas. The quality of his work improves with each passing day. For Swardana, the most important factor to his art is satisfaction to his feelings.o his art is satisfaction to his feelings.)
Bank Sampah Vijasukma + (Waste bank activities at the Vijasukma Pedungan Cooperative)
Bank Sampah Bali Kumara + (Waste bank activities carried out by the Bali Kumara Foundation in the city of Amlapura, Karangasem Bali.)
Bank Sampah Mukti Cempaka Asri Singapadu + (waste bank activities carried out in Banjar Samu, Singapadu Kaler Village, Sukawati)

Bank Sampah Santhi Pertiwi Pratama + (waste bank activities carried out in banjar kancil, Kerobokan village)

Bank Sampah Saban Lestari Desa Pesaban + (Waste bank activities carried out in the Pesaban Traditional Village, Rendang Karangasem)
Bank Sampah Sumber Ayu Banjar Dakdakan + (Waste bank activities in banjar dakdakan of peguyangan village)
Bank Sampah Tangtu Cares Waste + (Waste bank activities in Banjar Tangtu, Kesiman Kertalangu village, Denpasar)
Bank Sampah Kedassih + (Waste bank activity at banjar Pande Sayan village , Ubud)
Bank Sampah Kerta Lestari Mandiri + (waste bank activity at Penatih Dangin Puri Village, Denpasar)
Bank Sampah Anyar Lestari + (Waste bank at Banjar Kuwum Anyar at Kuwum Village of Tabanan Regency)
Rumah Plastik + (Waste management and recycling plastic waste)
Luhungang Waset Management + (Waste management business activities based in Singaraja buleleng)
Rubbish Problem In Bali + (WASTE PROBLEMS IN BALI From the beginning … WASTE PROBLEMS IN BALIFrom the beginning, waste has been an unresolved problem, and this pile of garbage has had an impact on the environmentPlastic waste is a very large amount of waste. Almost all households dispose of this plastic waste, which is quite a lot.Plastic is used in many products, such as food packaging, snacks, and many othersFor example Yesterday afternoon when I was playing near the river with my friends, I saw a lot of plastic waste that had piled up until the river water was cloudy.So in Bali it is still difficult to get rid of plastic waste which I hope for Bali in the future the community or shops in Bali to reduce the use of plastic bags or not use plastic bags at all and replace them with cloth or paper bags.and replace them with cloth or paper bags.)
Wayan Dastra + (Wayan Dastra, born in Ubud, 7 June 1980. H … Wayan Dastra, born in Ubud, 7 June 1980. He is a painter who graduated from ISI Denpasar. Since the 2000s, he has been diligent in participating in joint exhibitions, including the joint exhibition of the Cambodian Studio at the Jakarta Cultural Center (2018), “Spirit Barong” at the Jakarta Cultural Center (2010), “Absolute” at the Archade of Kuta Galeria Bali (2006). Many of his works take the theme of everyday life of ordinary people who are possessed something magical-mystical. are possessed something magical-mystical.)
Wayan Djiwa + (Wayan Djiwa was born in Banjar Binoh Kaja, … Wayan Djiwa was born in Banjar Binoh Kaja, Denpasar, 1906. He is a Palegongan gamelan maestro. Based on the mastery of the Gender percussion, he studied the gamelan Legong Keraton in 1915 which was pioneered in Banjar Binoh. Apart from being an expert in the art of karawitan, he is also known as undagi, a skilled traditional Balinese architect. a skilled traditional Balinese architect.)
Wayan Eka Mahardika Suamba + (Wayan Eka Mahardika Suamba was born in Bat … Wayan Eka Mahardika Suamba was born in Batuan, August 17, 1985. He started studying painting when he was 10 years old, his grandfather I Wayan Taweng and his uncles I Wayan Bendi, I Ketut Sadia, I Wayan Diana. He has exhibited together such as “Mother Rupa Batuan” at Bentara Budaya Bali (2019), Endih Batur at Taman Budaya Bali (2018), “Experience Rudolf Bonet's Home” in Ubud (2016), “Golden Generation” at Arma Museum, Ubud ( 2018), "The Dynamic Heritage" at the Santrian Gallery, Sanur (2018). He has won nine TITIAN PRIZE Finalists (2018).as won nine TITIAN PRIZE Finalists (2018).)
Wayan Gde Yudane + (Wayan Gde Yudane was born in Kaliungu, Den … Wayan Gde Yudane was born in Kaliungu, Denpasar, 1964. He graduated from Karawitan Arts at ISI Denpasar. He has worked on many musical works for concerts, theater/performance arts, literature, and films. He won the Melbourne Age Criticism award for Creative Excellent at the Adelaide Festival, Australia (2000). He performed at the Wangarata Jazz Festival, Australia (2001), toured Europe with the Temps Fort Theatre, the France and Cara Bali Group, as well as the Munich and La Batie Festivals. His works include the music for the films Sacred and Secret (2010), Laughing Water and Terra-Incognita, and Arak (2004), and so on. Crossroads of Denpasar is one of his works that was ordered by radio New Zealand and later purchased by radio Australia and BBC London. Another work, Paradise Regained, which was inspired by the 2002 Bali bombings, was played by pianist Ananda Sukarlan in various international performances. His collaborated with Paul Grabowsky, The Theft of Sita, performed at the Next Wave Festival, New York City, 2011.e Next Wave Festival, New York City, 2011.)
Wayan Gunasta + (Wayan Gunasta alias Gungun, was born in Ny … Wayan Gunasta alias Gungun, was born in Nyuh Kuning, Ubud. He has written poetry since he was a teenager and has been featured in many articles in the Bali Post. In addition to poetry, he pursued the art of cartoons, vignettes, sketches, painting. He has studied "character design and animation" in Japan. Since 1979 he has been diligent in exhibiting his works at home and abroad, such as Balai Budaya Jakarta (1979), Frementale Art Gallery (Australia, 1994), Oriental City (London, England, 2004), V Gallery (Yogya, 2007), etc. His published cartoon and comic books include Mahabhrata Comic Series (1992), Bali in Cartoon (1997), Gunasta Sketsa Rhythm (1999), Bali Pulau Cartoon (2004), Propoor Tourism (2006), Balinese Coloring Book Series (2008). He initiated and published a collection of poems by eighty-one Balinese poets whose works were published in the Bali Post, entitled Edition Hitam Putih (Wayan Pendet Foundation, 2006).tam Putih (Wayan Pendet Foundation, 2006).)
Wayan Jengki Sunarta + (WAYAN JENGKI SUNARTA was born in Denpasar, … WAYAN JENGKI SUNARTA was born in Denpasar, Bali, June 22nd, 1975. He is a graduate of Udayana University, Cultural Anthropology, Faculty of Letters, and studied painting at ISI Denpasar. Jenkgi has been writing poetry since the early 1990s, and later also wrote lyrical prose, short stories, features, essays/art and culture articles, critics/art reviews, and novels.His writings are published in various local and national mass media, among them Kompas, Koran Tempo, Media Indonesia, Republika, Suara Pembaruan, The Jakarta Post, Jawa Post, Pikiran Rakyat, Bali Post, Jurnal Kebudayaan Kalam, Jurnal Cerpen Indonesia, Majalah Sastra Horison, Majalah Gong, Majalah Visual Arts, Majalah Arti, and Majalah Sarasvati.Arts, Majalah Arti, and Majalah Sarasvati.)
Wayan Suastama + (Wayan Suastama is a painter born in Lalang … Wayan Suastama is a painter born in Lalanglinggah, Tabanan, Bali, 1972. He studied fine arts at ISI Denpasar. Since 1995 he has been diligent in displaying his works in joint and solo exhibitions, both at home and abroad, such as the Bali Megarupa (2019) exhibition. In 2000, his work entered the final of the Philip Morris Art Award. In general, his works often feature female figures with soft and charming colors. He is active in the art community Militanarts.Read Full article in Sawidji Artist BiographyWayan Suastama and the Art of IntrospectionIn pursuit of art, I wished to have a better understanding, so I went to SMSR Batubulan Denpasar. I didn’t have the ambition to be a painter or this or that, I just wanted to understand art better. In fact, in SMSR I chose to study graphics and communications. This was a study of typography and graphics.https://sawidji.com/about-sawidji/artists-sawidji-gallery/wayan-suastama/ji/artists-sawidji-gallery/wayan-suastama/)
Farmer by Wayan Suastama + (Wayan Suastama. Farmer series expresses a … Wayan Suastama. Farmer series expresses a sentimental nostalgia about the artists’ childhood memories in an agricultural village.As a son of a farmer, I miss the simplicity of that environment. These memories play a large part in who we become. Everyday things and routines are typical in the life of a farmer like helping our parents in the fields after we finish school. These memories are the theme of these works. It comes from missing my childhood. Coming from Tabanan,. an area that is known for ‘lumbung beras’ rice agriculture.~Wayan Suastama beras’ rice agriculture. ~Wayan Suastama)
I Wayan Suja + (Wayan Suja was born in Batubulan, 8 Decemb … Wayan Suja was born in Batubulan, 8 December 1975. He was graduated from the Indonesian Art Institute in Denpasar in year 2001. He started to have exhibition in year 1994. He was awarded Finalist of 7th Phillip Morris Art Award in year 2000 and awarded Best Sketch and Best Work in the previous years. His artwork was one of the best 30 in The 2005 Sovereign Art Prize, Hongkong.in The 2005 Sovereign Art Prize, Hongkong.)
Wayan Sumahardika + (Wayan Sumahardika was born in Denpasar, Ma … Wayan Sumahardika was born in Denpasar, May 11, 1992. He obtained a Masters degree at Undiksha Language Education Study Program, Singaraja. He became a director, scriptwriter and founder of Teater Kalangan. His manuscript won first place in the Indonesian Monologue Script Contest at the UIN Jakarta Festival, first place in the Traditional Drama Script Writing Competition for the Bali Provincial Culture Service 2018, and 1st Place in the Modern Drama Script Writing Competition for the Bali Provincial Culture Office 2017. Some of his performances were staged at the event. Indonesia V Theater pulpit, Bali Emerging Writers Festival, Bali Arts Festival, Bali Mandara Nawanatya, 100 Putu Wijaya Monologue Festival, Canasta Theater Parade, North Bali Young Theater Parade, Jembrana Hamlet Festival and Bali Language Month Festival in Bali Province. Writings in the form of poetry, short stories, essays, and theater reviews have been published in a number of media such as Indopos, Media Indonesia, Bali Post, Bali Tribune, Tribune Bali, Tatakala.co, Bale Bengong and have been compiled in several anthologies.have been compiled in several anthologies.)
Wayan Turun + (Wayan Turun was born in Banjar Kedaton, Ke … Wayan Turun was born in Banjar Kedaton, Kesiman, Denpasar, 17 July 1950. He completed his formal education at SR I Kesiman, in 1966. He graduated from SMEPN in 1969 in Denpasar, and he completed SSRI in 1971 in the same city. Since childhood he has loved the arts. Artistic blood flows from his mother, a janger dancer. He is known as a skilled undagi (traditional Balinese building architect), and is also skilled at making bade (corpse towers). He studied Asta Kosala Kosali (basic rules of traditional Balinese architecture) from Pekak Kenjing, Anak Agung Mel, and Ida Pedanda Oka. Apart from that, he studied philosophy about art and religion from Ida Pedanda Kekeran, Ida Pedanda Made Sidemen, Ida Pedanda Bajing, Ida Rsi Agung Penatih and Ida Dalem Pemanyun. Because of his expertise in Balinese and Old Javanese literature, he was often trusted to write inscriptions and copy lontar. He also wrote literary works, such as kidung and kakawin. For his services in the field of arts and culture, he was awarded the Cultural Upakara Charter from the Mayor of Denpasar in 1995.harter from the Mayor of Denpasar in 1995.)
I Wayan Januariawan + (Wayan was born in Jauary 1986. He is a gra … Wayan was born in Jauary 1986. He is a graduate of the Indonesian Institute of the Arts in Denpasar. Donal wishes to revive and embody the “tradition” of painting in the history of the development of modern art through the method of painting on the spot. He returns to nature and tries to appreciate and permeate the phenomenon of form, where aspects of light play a vital role in the absorption of objects by the eye and are then transferred to the canvas plane.The choice of objects painted by Donal on the spot is also an object in the surrounding environment that is familiar in his daily life as a Balinese. Thus, what appears visibly to Donal’s works is the painting of landscapes, trees, or parts of certain plants that are painted close-up, or a collection of natural objects.Donal views painting as part of the culture of society. He wants to present things that might look simple, natural, and beautiful (in the eyes of ordinary people) in the hope that this will be the entrance for them to be able to respond to even deeper things, that is, the ideas in each of his paintings.Based on Donal’s view of his creative process as serious and intense, painting on the spot with impasto techniques, we can read this as Donal’s effort to celebrate and give meaning to painting as a way of presenting beauty and peace of mind through the elements of art—especially colors, which all support light. Donal puts painting as mainstream in his creative process. His struggle and his trust in the power of painting is an inseparable part of a human being’s sense of beauty.He joined in group exhibitions from 2005, and had solo exhibitions from 2014. 2005, and had solo exhibitions from 2014.)
Peran Krama Bali Kaanggen Ngwangun Pariwisata Bali Mangkin lan Selanturnyane + (We all know how the condition of Bali tour … We all know how the condition of Bali tourism is after the Covid-19 pandemic. Tourists are not allowed to go to Bali so that Covid-19 virus does not spike again. This causes Bali tourism to decline. Balinese people who work in the tourism sector do not get jobs. The Bali government has issued a policy that is used to suppress the spread of the Corona Virus. One of the policies is the implementation of restrictions on community activities or what is known as PPKM (Pemberlakuan Pembatasan Kegiatan Masyarakat). This causes the spread of Covid-19 to decrease. Because the government already has efforts to reduce the spread of the Corona Virus, we as the next generation can help the government to improve Bali tourism. There are many procedures that can be used to improve Balinese tourism. The first way is to promote Balinese tourist destinations using social media. This requires the participation of the Balinese people. Those who like to upload photos while on vacation to tourist destinations in Bali can also help develop and improve Bali tourism. Indonesia has a website that is used to promote Indonesian tourism. Second, the public can help provide tourist destinations in accordance with health protocols related to government policies, as well as maintaining the cleanliness of tourism places. This causes a sense of security. Third, Bali has many cultural works that are popular abroad, for example, such as carvings, paintings, sculptures, and so on. Maybe Balinese artists can provide counseling to the younger generation on how to make art. This can foster a sense of love for domestic products and can encourage Balinese cultural works with the younger generation.Well, that's a little bit about the procedure to restore Bali tourism during the pandemic. We should always remember our identity as Balinese people, namely to develop Balinese culture.eople, namely to develop Balinese culture.)
Literature Kualitas Pariwisata di Ujung Tanduk + (We all know that Bali relies heavily on to … We all know that Bali relies heavily on tourism as the axis of its economy. Therefore, the tourism sector needs to be treated specially and carefully so that the life of this sector can be maintained and run smoothly. However, lately we can find a lot of foreign guests who come to Bali, they behave arbitrarily and do not seem to respect the laws in Bali. This is certainly a negative signal regarding the quality of tourism in Bali that not only radiates in Bali, but certainly outside Bali. This signal can certainly then have a major effect on the image of Bali tourism which shows the wider world how the quality of tourism in Bali today.So, what are the steps that might be taken to restore the image and quality of tourism in Bali related to this phenomenon? In my opinion, there are two perspectives that we need to understand and do to overcome the above phenomenon. First, we look at it using an inside perspective that we must admit that migrants or visitors will imitate how their hosts behave. So, this perspective leads to us as hosts to be able to set a good example and be a role model for those who come to Bali to travel or to stay. The second perspective is to look from the outside. In this perspective, it is the government that then has the responsibility of making the right regulations to filter tourists who will enter Indonesia. There must be concrete regulations that can require tourists who can enter Indonesia who may be selected regarding their quality. These two things then are not easy, but will be beautiful in the future if we slowly succeed in doing so. And again, how we are able to maintain it, then causally, it will also be able to support us which in this case is the tourism sector in Bali.n this case is the tourism sector in Bali.)
ZERO PACKAGING - Eco Friendly Food Packaging + (We are 6 students from Bali, Indonesia and … We are 6 students from Bali, Indonesia and Philadelphia, USA. We have the same problem at our school, plastic waste. We have found that the biggest contributor to this problem is plastic food packaging. For this reason, we decided to create a platform "ZERO PACKAGING" to share awerness about school waste issues, especially food packaging.The first step that we have done is making a petition targeted to school and local goverment, to refuse sending and accepting plastic food packaging in school. The next step is to create a zero plastic school, by convincing the school cafeteria to switch to plant based food packaging.The future goal of this project is to create a cleaner and greener school by banning plastic as much as possible and switching to a plant base alternative instead. You can also support us by following our instagram @0packaging and signing the petition. https://docs.google.com/forms/d/e/1FAIpQLSf3kUWXckqUO2peb2Ew-Kc6oOEGOdES0niBBreNBoqxCqX16g/viewform?usp=sharingdES0niBBreNBoqxCqX16g/viewform?usp=sharing)
ZERO PACKAGING Eco-Friendly Food Packaging at School + (We are 6 students from Bali, Indonesia and … We are 6 students from Bali, Indonesia and Philadelphia, USA. We have the same problem at our school, plastic waste. We have found that the biggest contributor to this problem is plastic food packaging. For this reason, we decided to create a platform "ZERO PACKAGING" to share awerness about school waste issues, especially food packaging.The first step that we have done is making a petition targeted to school and local goverment, to refuse sending and accepting plastic food packaging in school. The next step is to create a zero plastic school, by convincing the school cafeteria to switch to plant based food packaging.The future goal of this project is to create a cleaner and greener school by banning plastic as much as possible and switching to a plant base alternative instead. You can also support us by following our instagram @0packaging and signing the petition. https://docs.google.com/forms/d/e/1FAIpQLSf3kUWXckqUO2peb2Ew-Kc6oOEGOdES0niBBreNBoqxCqX16g/viewform?usp=sharingdES0niBBreNBoqxCqX16g/viewform?usp=sharing)