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Made Aripta Wibawa + (Made Aripta Wibawa, born in Singaraja, Mar … Made Aripta Wibawa, born in Singaraja, March 3, 1965. Since high school, he has been interested in literary activities by writing poetry and prose. While studying at the Faculty of Law, Mataram University, NTB, he became increasingly involved in the world of literature. He co-founded the Mataram Literature Studio and the Association of Indonesian Writers, Poets and Authors (HP3N) with an initiator and founder, Putu Arya Tirtawirya. While in Mataram he was often a judge for poetry and short stories reading competitions on Radio Suta Remaja, Sinta Rama and Rinjani with his brother, Agoes Andika As. Aripta's poems have been published in the Bali Post, Nusa Tenggara, Bali Post, Karya Bakti, Simponi, Swadesi and Merdeka newspapers. He is also active in writing for the HP3N bulletin. Now he is a lecturer at Bali Dwipa University.he is a lecturer at Bali Dwipa University.)
Made Astawa + (Made Astawa, also known as "Dollar", is a … Made Astawa, also known as "Dollar", is a painter born in Gianyar, August 22, 1972. He studied art at SMSR Denpasar. Since 2001, he has been involved in many joint exhibitions, such as the exhibition at Tony Hogart Australia (2012), the MilitanArt exhibition "Land Remember" at Santrian Galeri Sanur, Bali (2017), the joint exhibition "nir (virtual) visuals" at Lv8 Resort Hotel Berawa, Badung , Bali (2018). His works tend to be abstract in nature by exploring the icons of the back. Apart from being a painter, he also manages the Griya Santrian Gallery and the Cactus Art Gallery in Sanur.llery and the Cactus Art Gallery in Sanur.)
Made Astika + (Made Astika was born in Karangasem-Bali, M … Made Astika was born in Karangasem-Bali, May 13, 1983. His undergraduate studies at the Singaraja State IKIP took the Department of Language, Indonesian and Regional Literature Education. During college, he served as Chair of HMJ Jurdik BSID 2005/2006 and Deputy Chair of the Student Senate of the Faculty of Language and Arts for the 2004/2005 period. He was also trusted to be the Coordinator of IMABSII (Indonesian Language and Literature Student Association) for the Bali Region in 2005/2006. He studied Literature, Gadjah Mada University in 2011. His short writings were published in the daily Bali Post and Bali Orti. A number of his published books are Oral Literature: Theory and Its Application (Teaching Books), Text Genre (Teaching Books), Before Hari Anniversary Wins (Lyric Prose Anthology), Historia Senja (Poetry Anthology) and several works in joint poetry anthologies. Now, he teaches at Ganesha University of Education, and is also the Coordinator of the Indonesian Language and Literature Education Study Program.ge and Literature Education Study Program.)
Made Budhiana + (Made Budhiana was born in Denpasar, Bali, … Made Budhiana was born in Denpasar, Bali, 27 March 1959. He studied painting at ISI Yogyakarta. He has exhibited his works in various countries, such as Germany, Switzerland, Singapore, Malaysia, Australia, and the Netherlands. Had solo exhibitions at The Northern Territory Museum of Arts and Sciences, Darwin, Australia (1989), Cemeti Modern Art Gallery, Yogyakarta (1989), Bali Hilton, Nusa Dua (1991), Ganesha Gallery, Jimbaran (1998), and Sika Gallery , Ubud (2001). He has won various awards, including the “Best Painting Bali Art Award” (1997), “Pratisara Affandi Adhi Karya” from ISI Yogyakarta (1985 and 1986), and so on. Budhiana's works tend to be abstract by playing with lines and colors that are full of feelings. Apart from painting, he also had an interest in literature, theater, and music.nterest in literature, theater, and music.)
Made Duatmika + (Made Duatmika, born in Jembrana, May 19, 1 … Made Duatmika, born in Jembrana, May 19, 1970. He is a painter who graduated from ISI Denpasar. His work has won the Philip Morris Art Award (1998). Since he was a student, he has been diligent in participating in joint exhibitions. Among them are the “Force of 93” exhibition at the Bali Cultural Park (1996), the Philip Morris Indonesia Awards Exhibition in Jakarta (1998), the Joint Exhibition at the Hendra Gallery in Prana, Jakarta (2010), etc. He is a member of the art community Militanarts. His works tend to present a social atmosphere that is dominated by bright colors.sphere that is dominated by bright colors.)
Made Edy Arudi + (Made Edy Arudi is a poet and a civil serva … Made Edy Arudi is a poet and a civil servant teacher at SMP Negeri 2 Sukasada - Bali, born October 22, 1978. His poems are often published in the National Bali Post newspaper, his other works can also be read in several poetry anthologies together, such as: Klungkung: Tanah Tua Tanah Cinta (2016), Anthology of Poems of 100 Poets of the Archipelago “When the Birds Have Gone” (2016), Finding Childhood in the Body of Advice (2016), Madah Merdu Kamadhatu (2017), Ijen Valley Smile (2018), and Chewing Furious Against Corruption (2018), etc.ng Furious Against Corruption (2018), etc.)
Made Galung Wiratmaja + (Made Galung Wiratmaja is a painter born in … Made Galung Wiratmaja is a painter born in Sukawati, Gianyar, Bali, May 31, 1972. He completed his art education at PSSRD Udayana University. Since 1993 he has diligently displayed his work in many joint exhibitions, such as the “Retrospective” exhibition at Bentara Budaya Bali (2018). His solo exhibitions are “Silent Nature” at Ganesha Gallery, Jimbaran (2007) and “Landscapes” at Griya Santrian Gallery, Sanur (2006). He has won awards from the Indonesian Fine Arts Foundation (2000), the German Der Weltkulturen Museum (2006) and the Mandiri Art Award (2015). Galung's works tend to combine abstract and figurative patterns with captivating color plays.ive patterns with captivating color plays.)
Made Gunawan + (Made Gunawan is a painter born in Apuan, T … Made Gunawan is a painter born in Apuan, Tabanan, Bali, July 14, 1973. He is a fine arts graduate from ISI Denpasar. His latest works with decorative patterns talk a lot about ecology which is associated with the concept of Tri Hita Karana, the harmonious relationship between humans and God, with fellow humans, with nature (animals and plants).Since 1995, Gunawan has been actively involved in joint exhibitions, both at home and abroad. Meanwhile, since 1999, he has held solo exhibitions. These include the “Nungkalik” Sketch and Painting Exhibition at the boarding house, the exhibition at the Hadiprana Gallery Jakarta (2002), “Women” at Jenggala Ceramics Jimbaran Bali, “Melody & Beauty From the Paradise Island at the Hadiprana Gallery Jakarta (2004), an exhibition at Montiq Galery Jakarta (2007), exhibition “Third Solo Exhibition” at Galeri Hadiprana Jakarta (2008), exhibition at Art Village Gallery Malaysia (2009), Tree Of Life at Hadiprana Gallery Jakarta (2014), “Garis Bali” at AMBIENTE Jakarta (2015) ), Tree of Life at Hadiprana Gallery Jakarta (2018).Gunawan also made several performing art works. Among other things, the "Golden Chair" which was staged at the Bali Cultural Park (1997). In 2000, Wayang Visual Arts, the Culture of Violence, Returned to Emptiness in the parking lot of Udayana University. Puppets of Fine Arts Ngaben Culture of Violence Return to Emptiness at Ciputra Mall Semarang Indonesia. In 2001, the Silhouette of Collaborative Women performed at STSI Denpasar.Gunawan's awards in fine arts are Best Sketch from STSI Dps (1997), Top Ten Best Artwork from STSI Dps (2001), As the initiator of 1000 boxes of Painting (Women & Flowers) from the Indonesian Record Museum (2003).Flowers) from the Indonesian Record Museum (2003).)
Made 'Kaek' Dharma Susila + (Made Kaek in His Own Words,.. a biography. … Made Kaek in His Own Words,.. a biography..A contemporary artist residing in Banjar Palak Sukawati Bali. A graduate of law and a self-taught artist. Made Kaek is a creative pillar with pivotal contributions to the landscape of contemporary Indonesian art. Excerpt "Background and EducationIn high school, I liked drawing and doing things like making wall art. I studied in a regular high school. When it was time to continue my studies I was advised to go to Yogyakarta to do law. So I did. In Yogya I found that law is a little conflicted in my life. Perhaps with my character and perception. But I also thought it could be something good in my life and continued with the study of law.You can say I went to Yogya to study law but in Yogya I became an artist. I met Nyoman Gunarsa.. he lived near the campus and we often met at his house. There are many places where Balinese students from ISI would gather. I would say that I found my true self there. It was a long process, going through two extremes. On the one side, there is the law and on the other is art."Read the full article on Made Kaek https://sawidji.com/about-sawidji/artists-sawidji-gallery/made-kaek/sawidji/artists-sawidji-gallery/made-kaek/)
Made Karyana + (Made Karyana, born in Batuan, Sukawati, Gi … Made Karyana, born in Batuan, Sukawati, Gianyar, January 28, 1981. He completed his art education at ISI Denpasar. Since 2005 he has been diligently involved in joint exhibitions, such as Tanda Dalam Jejak, Dewangga Gallery Ubud (2006), Joint Exhibition with the “PIJAR” group at Santrian Gallery Sanur (2011), Joint Exhibition with Baturulangun at the ARMA Museum Ubud (2012), Joint Exhibition with Baturulangun in Ubud Painting Museum (2015), Joint exhibition “Amasing Think” at LV 8 Canggu (2016). His paintings are made using traditional Batuan style techniques, but with contemporary themes. techniques, but with contemporary themes.)
Made Kenak Dwi Adnyana + (Made Kenak Dwi Adnyana, born in Kintamani, … Made Kenak Dwi Adnyana, born in Kintamani, May 10, 1985. He completed his art education at ISI Yogyakarta. He has participated in various joint exhibitions. Among other things, the exhibition "One step Back" at the Sono Budoyo Museum, Jogjakarta (2018), "Abstract is...?" at Bentara Budaya Bali (2017), Legend of the Archipelago at KOI Galeri Kemang, Jakarta (2016), “From Time to Taste” at ORASIS Galeri Surabaya (2015), ARTE Indonesia Art Festival 2014, at JCC Jakarta. He received the Jakarta International Art Award Nominee (2010) and Best Sketch Class of 2004 from ISI Yogyakarta. His works tend to display abstractions of nature with distinctive coloring.tions of nature with distinctive coloring.)
Made Mantle Hood + (Made Mantle Hood is professor of ethnomusi … Made Mantle Hood is professor of ethnomusicology, Chair of the Graduate Institute of Ethnomusicology and Director of the Asia-Pacific Music Research Centre at the Tainan National University of the Arts, Taiwan. He serves as Chair (2021-2025) of the ICTM PASEA study group. His previous posts were at Universiti Putra Malaysia (2012–2018), Melbourne University, Australia (2011–2012) and Monash University, Australia (2005–2011). His current research interests include ontologies of sounded movement, endangered forms of vocalisation, tuning systems as well as music and social justice. He is currently the lead researcher in the Taiwan Ministry of Science and Technology-funded project, Towards the Sustainability of Vocal Heritage in the Philippines, Malaysia and Indonesia (2019–2021). He is the author of Triguna: A Hindu-Balinese philosophy for gamelan gong gede music (2010) and co-editor of Music: Ethics and the community (2015).of Music: Ethics and the community (2015).)
Made Muliana + (Made Muliana alias Bayak is a contemporary … Made Muliana alias Bayak is a contemporary Indonesian artist from Bali. He was born in Gianyar, June 27, 1980. He studied fine arts at the Indonesian Art Institute (ISI) Denpasar from 1999 to 2005. Apart from painting on canvas, he also creates murals, performs performing arts, plays music, and is active in environmental conservation movements. As a form of concern for the environment, he processes a lot of plastic waste into works of art.Bayak has held many art exhibitions, both at home and abroad. His solo exhibitions include Art For Artists Sake (Sika Gallery Ubud, 2008), Artists Don't Lies (Griya Santrian Gallery Sanur, 2012), Plasticology Reissue (Arys Warung Ubud, 2013).The fine arts awards he has won include: Top 20 Finalist of Nokia Art Award 2000, Top 20 Finalist of Nokia Art Award 2001, Finalist of Bazaar Art Award 2010, Top 20 Sovereign Art Price 2013 at Espace Louis Vuitton Singapore.ce 2013 at Espace Louis Vuitton Singapore.)
I Made Santika + (Made Santika is a student from the Faculty of Cultural Sciences, Udayana University with a Balinese Literature Study Program. He was born on January 4, 2000. He is also the son of a great writer, namely Mr. I Made Degung and Mrs. Ni Ketut Sutarmi.)
Made Sugianto + (Made Sugianto was born in Tabanan, Bali, A … Made Sugianto was born in Tabanan, Bali, April 19, 1979. He writes literature in Balinese and Indonesian languages. In 2009 he founded the publisher Pustaka Expression which publishes many literary books in Balinese and Indonesian languages. In addition, he also created Expression magazine, Kukuh TV, and became a journalist.His published works include Bikul (2010), Preman (2010), Sundel Tanah (2010), Bunga Valentine (2011), Sentana (2011), Meong Garong (2012), Sing Match (2013), Sentana Cucu Marep (2014), Ratna Tribanowati (2014), Ki Baru Gajah (2015). In 2012 he won the Rancage Literary Prize for his services in the development of modern Balinese literature and 2013 for his Balinese novel, Sentana.Now he serves in his village in Kukuh, Marga, Tabanan.s in his village in Kukuh, Marga, Tabanan.)
Made Sukada + (Made Sukada, born in Denpasar, April 23, 1 … Made Sukada, born in Denpasar, April 23, 1938. Apart from being a writer and writer, he is a lecturer in Indonesian Language and Literature at the Faculty of Letters (now FCS) Udayana University, Bali. He is a graduate of the Faculty of Letters, Gadjah Mada University, Yogyakarta (1982). He has been writing literature since junior high school, published in various local and national print media, such as Bali Post, Kompas, etc. His published books are Several Aspects of Literature (1987), The Development of Several Indonesian Literary Critics: Systematic Problems of Analysis of Fiction Structures (1987 and 1991), An Illusion (poetry; 1971), The Lost Morning Sun (essay; 1971), The Development of National Literature in Bali (1972), A Little About Drama (1973), and so on. He was the chairman of the Indonesian-Bali Artists Institute (Lesiba). In addition, he also worked as cultural editor of the Suluh Marhaen Daily (now Bali post).f the Suluh Marhaen Daily (now Bali post).)
I Made Surita + (Made Surita was born July 27, 1951 in the … Made Surita was born July 27, 1951 in the village of Payangan. His father, a Hindu official, specialized in painting wayang (puppet) figures. In 1965, after finishing primary school, he started to draw zealously, picturing nature and people with cult functions.In 1968 he enrolled at the Sekolah Seni Rupa Indonesia (School of Fine Arts Indonesia, or SMSR) in Denpasar. After two years there, he was able to finance his study through the paintings he was selling. During this period, the artist Nyoman Darsana, also from Payangan, helped him master batik techniques.The years between 1971 and 1988 represented a period of doubt for him, a quest for his own soul. From time to time he sought comfort in other occupations and professions, concentrating more on batik, or working as a journalist for various newspapers. In 1988, he eventually discovered his own personal painting style based on Balinese culture.A style of his own? He discovered it by combining the different existing wayang styles – the 'Kamasan Klungkung' style and the 'Young Artist' style as it had been developed and taught by the Dutch painter Arie Smit.Elements of both styles were subordinated to his own subject matter – the culture of Bali or daily life as it is determined by religion. In his most recent paintings, he links up even more stylistic elements than before. The compositions refer to the 'Young Artist' painting style, the figures and trees to 'Wayang Kulit' (shadow puppet), the colors to 'Wayang Kamasan' and the technical finish to the traditional Ubud style.Since 1970, Surita's work has been widely exhibited throughout Indonesia as well as in galleries in Singapore (1993, 1994, 1996, 1998, 1999), Australia's Darwin Museum (1996) and the Darwin Parliament House (1997).6) and the Darwin Parliament House (1997).)
Made Susanta Dwitanaya + (Made Susanta Dwitanaya, born in Tampaksiri … Made Susanta Dwitanaya, born in Tampaksiring, July 22, 1987. He studied fine arts at Undiksha, Singaraja. He started writing and curating art exhibitions since his college days in 2009. Then in 2013 he joined the Gurat Institute, an independent institution engaged in curatorial, research, and documentation of visual arts and visual culture in Bali. Until now, he has actively curated a number of art exhibitions, including the Megarupa (2019) art exhibition. Together with the Gurat Institute he was involved in writing several books on fine arts, such as Lempad for the World (2014). In 2017 he became one of the authors of a series of art heritage books about six Indonesian artists initiated by the Director General of Art at the Indonesian Ministry of Education and Culture.onesian Ministry of Education and Culture.)
Made Taro + (Made Taro was born in Bali and has always … Made Taro was born in Bali and has always loved traditional stories, games and children’s songs. He has been a story teller since 1973 and has performed in Indonesia, Darwin, Pretoria and at the Ubud Writers’ and Readers’ Festival.Made Taro is very passionate about promoting traditional games and believes that engaging in such games teach children valuable lessons such as patience, respect for others and keeps them out of trouble. For the past 35 years he has run Kukuruyuk, a children’s group for 8 – 12 year olds, where he educates children through stories and traditional games such as the gasing (top spinning) and mecungklik (game played with bamboo). Made has worked with disadvantaged and underprivileged children throughout Indonesia. Made believes that play is important for children, and thus he incorporates games and play in his Storytelling performances. His storytelling sessions also include singing and traditional percussion accompaniment. He has written more than 30 books about traditional games, children’s songs and folktales. A recipient of many awards as an outstanding teacher, preserver of culture, storyteller and writer, he was recently bestowed the prestigious Anugerah Kebudayaan (Cultural Medallion) from the President of the Republic of Indonesia in 2009.https://sisf.bookcouncil.sg/2012/pages/storyteller-made.htmlIn 2019, at the age of 80, he received a Lifetime Achievement Award from the Ubud Writers and Readers Festival.rom the Ubud Writers and Readers Festival.)
Made Wianta + (Made Wianta is an international class arti … Made Wianta is an international class artist who was born in Apuan, Tabanan, Bali, December 20, 1949. He is a graduate of ISI Yogyakarta. In 1976, he studied European art in Brussels, Belgium, while visiting art galleries and museums. His works have been exhibited in various countries, including America, France, the Netherlands, Italy, Singapore, and elsewhere. His works number in the thousands, in the form of sketches, drawings, graphics, paintings, sculptures, and even visual poetry. Some of these works are documented in several books, including “Made Wianta” (1990), “Made Wianta: Universal Balinese Artist” (1999), “Made Wianta: Art and Peace” (2000), “Wild Dogs in Bali: The Art of Made Wianta” (2005). Made Wianta died on November 13, 2020.5). Made Wianta died on November 13, 2020.)
Michael White (Made Wijaya) + (Made Wijaya was born Michael White in Sydn … Made Wijaya was born Michael White in Sydney, Australia. He arrived in Bali in 1973, having jumped ship and swum ashore in a rainstorm. A student of architecture, he first of all intended the visit as a short break from his studies, but his fascination with Bali's rich culture and tradition led him to move in with a Brahman family in South Bali. After various jobs teaching tennis and English, working as a tourist guide and photo-journalist, he began contributing to guide books before being asked to design the gardens of the legendary Bali Oberoi.More than 600 gardens later, Wijaya is a world renowned tropical garden designer whose company, P.T. Wijaya Tribwana International, has a 500–strong team of artisans and "garden commandos," as he calls them. He travels between his Bali base and Singapore, India, Spain, Morocco, Hawaii, Australia and Mexico to weave his magic.A recognized authority on tropical gardens and South East Asian architecture, he has published five books, The Complete Stranger in Paradise; Balinese Architecture: Towards an Encyclopaedia; Tropical Garden Design (Archipelago Press and Wijaya Words, 1999); At Home in Bali (Abbeville Press, 2000); and Architecture of Bali – A Source Book of Traditional and Modern Forms (Archipelago Press and Wijaya Words, 2002). He also contributed to Tropical Asian Style and was the main author of a pocket guidebook to Bali.His signature column "Stranger in Paradise–Diary of an expatriate in Bali” at (www.strangerinparadise.com) and Hello Bali monthly magazine and Jakarta Post for trightly) and "Poleng" magazine and as well are much loved across the landMade Wijaya passed away on 28 August 2016.Websites:http://www.strangerinparadise.comhttp://www.ptwijaya.comhttp://www.novustamanbebek.comhttp://www.wijayajournal.blogspot.comhttp://www.baliluwih.blogspot.comhttps://www.youtube.com/channel/UCwWwiI_UtuLDgPfSMhKXL8wutube.com/channel/UCwWwiI_UtuLDgPfSMhKXL8w)
Made Wiradana + (Made Wiradana was born in Denpasar, Octobe … Made Wiradana was born in Denpasar, October 27, 1968. He graduated from the Faculty of Fine Arts at the Indonesian Art Institute, Yogyakarta. Since 1989 he has held joint exhibitions at home and abroad. While his solo exhibitions include “Ancient Imagination” (Yogyakarta, 1999), “Ancient Forms” (The Chedi, Ubud, 2000), “The Final Declaration of Art 2001” (ARMA Museum, Ubud, 2001), “Canvas is Round. ” (Mon Décor Gallery, Jakarta, 2003), “Global Convention on Peace”(Asoka Hotel, Belgium, 2004), “Art of Wiradana” (Bidadari Gallery, Ubud, 2005), “Bali is My Life” (2006), “Animal Exodus” (Srissasanti Gallery, Jakarta, 2009), “Enjoy” (Ambiente Gallery, Jakarta, 2010), “Sensibility Line” (Griya Santrian Gallery, Sanur, 2018).ne” (Griya Santrian Gallery, Sanur, 2018).)
Maha Kala Teja "Sinar Suci Kahuripan" + (Maha kala teja is the Rwa Bhineda form of … Maha kala teja is the Rwa Bhineda form of the Light. He is bright and warm, giving courage like the sun in the morning that breaks the darkness of the night and gives new vigor. He is also burning hot and obliterating, like the scorching sun in a barren field, destroying life. His hand of light reaches out in every direction, not missing a single corner of the universe. That is how a leader should be, as stated in the Asta Brata, namely Surya Brata. The leader or government should provide light to the community like the sun that illuminates the universe, not be reluctant to establish relationships with the community so that they know the true state of the community.they know the true state of the community.)
Mahakala + (Mahakala is one of the manifestations of D … Mahakala is one of the manifestations of Dewa Siwa as the great destroyer. In Hindu mythology, Mahakala appears as a ferocious and frightening figure. In this baligraphy, Mahakala is shown in the form of Ong-kara as the center in which the dewata nawa sanga and sacred script are mentioned. The Dewata Nawa Sanga include Dewa Iswara, Dewa Brahma, Dewa Mahadewa, Dewa Wisnu, Dewa Siwa, Dewa Mahadewa, Dewa Rudra, Dewa Sangkara, and Dewa Sambu. The sacred script covering Ong-kara is the sacred symbol of Sang Hyang Widhi who embodies Dewa Siwa. Wijaksara Ang-kara as the sacred script of Dewa Wisnu. Apart from Ong-kara and Ang-kara there are also Vijaksara Bang as the sacred script of Dewa Brahma which is located in the south, Vijaksara Mang as the sacred script of Dewa Rudra which is located in the southwest, Vijaksara Tang as the sacred script of Dewa Mahadewa which is located in the west, and Wijaksara Śing the sacred script of Dewa Sangkara which is located in the northwest. What is very interesting in this baligraphy is the addition of a wall clock with Latin numerals in it.So the relationship between Mahakala calligraphy and wall clocks: Mahakala is the embodiment of Dewa Siwa as the supreme god, as the ruler of time and all the elements in the universe (sakala and niskala).ents in the universe (sakala and niskala).)
Maiab Jempana + (Maiab Jempana is a sacred and unique tradition in the Tiingtali Karangasem Traditional Village.)

Bank Sampah Induk Parahyangan Green Recycle + (Main waste bank activities in Gianyar)

Bali van Java + (Majapahit culture as a result of his Majapahit oath, spread widely to Nusantara, one of which was Bali. The sharp keris stuck to make mistakes, only vanished there. Don't pull the dagger, because it can make your resolve retreat)
The nation's progress + (Make A piece with motherland)
Tighten up fines for littering and single-use plastic. + (Make fines more consistant for companies and individuals who throw plastic and other wastes into the ocean and for those who use single use plastic.)
WEDOO WORKSHOP BALI + (Making bamboo bicycles and plastic processing machines)
Nyoman Butur Suantara + (ManButur Suantara is a Fine Art Photograph … ManButur Suantara is a Fine Art Photographer. An artist, teacher and mentor in the Industry for over a decade his contributions into the many genres of photography is vast. His love for Nature does not only inspire his art but also his environmental and wildlife documentation projects. Considerable in scope and dedication as his way of giving back to Mother Nature.Born in Amlapura, a small town in the east part of Bali Island. ManButur Suantara is a freelance photographer with a strong passion for Landscape Photography. For years now he has explored Nature scapes through extensive travel.Besides Landscape Photography, Nyoman has been for many years active in different areas of Commercial Photography as well. A veteran of several genres including architectural, food, events as well as macro photography.Bali is Nyoman’s home base. With its rich natural beauty and culture. Providing Nyoman with ample themes in which his Landscape and Cultural Photography can truly be seen for its artistic depth.ManButur Suantara is also associated with MY TRIP INDONESIA. Through this project he actively travels to many parts of Indonesia. Providing training and mentoring for clients who wish to learn Photography with a more customised and tailored personal program.Environmental Wildlife Project mostly with the documentation of bird species which are found in Bali. Either they are endemic or migrating birds, Nyoman is contributing significant time to explore and capture images of them in their habitat as record for their species.their habitat as record for their species.)
Literature BALI KU + (Mangde keprasida molihang part five for crafts, anti sleepiness prasidaan antuk Bali jaya LAN unites dumogi AJEG BALI)
I Wayan Langgeng + (Mangku Bajra whose real name is I Wayan La … Mangku Bajra whose real name is I Wayan Langgeng, was born in Sanur Kaja, July 1, 1963. He is in charge of leading and completing the Panca Yadnya ceremony. Prior to becoming a priest, he taught Balinese and Hinduism at an elementary school in Sanur. In his youth, he liked to act in theater and write poetry. His poems have been published in the Bali Post Sunday. In addition, he also likes to write lontar. Because of his passion for writing and reading lontar, he understands the science of traditional Balinese medicine (usada). Apart from being a priest, he is a traditional elder in Sanur Kaja., he is a traditional elder in Sanur Kaja.)
Mangku Muriati + (Mangku Muriati was born in Klungkung, Bali … Mangku Muriati was born in Klungkung, Bali, 1967. She is a female Balinese artist who paints in the traditional classic Kamasan style. The Kamasan style is an aesthetic form of painting that uses wayang stories such as wayang kulit, mostly from the Mahabrata and Ramayana epics.Mangku Muriati is the daughter of Mangku Mura (1920-1999), one of the prominent Kamasan painters. Since childhood, she followed her father to paint by coloring typical wayang paintings in Kamasan Village, Klungkung.Then she studied at the Art and Design Study Program (PSSRD), Udayana University Denpasar, Bali and after graduating returned to painting the Kamasan style at his home. The number of female artists who pursue Kamasan style painting is not as many as men.In 1990 at the age of 32, Muriati became a ritual leader or Pemangku at the temple, a sacred place where she lived, Banjar Siku, Kamasan.Kamasan is the only village in Bali where this traditional art form has not been replaced by a new style. Although loyal to the classical Kamasan art tradition, in his work he also mentions social and political developments in Bali.Murniati chose to live in her house in Banjar Siku, not Banjar Sangging, which is the place where Kamasan painters generally work. He is considered to have proven that he can move his banjar because his works are ordered and collected by many parties from within and outside the country.rties from within and outside the country.)
Manila Ayupijaya + (Manila Ayupijaya is a government staff member in the field of human resources who is currently serving at the Manpower and Energy Mineral Resources Service of Bali Province.)
A Conscious Journey Alongside a Philosophical Poet + (Manus, an Existence born of Non Existence … Manus, an Existence born of Non Existence by Mas RuscitadewiFive artists from various fields of art active in the Sawidji Artist Collective explore the question ‘what makes us human?’ This is a collaboration titled “Manus, a Conscious Journey” which opened on December 15, 2023, and will be open to the public until February 3, 2024. The exhibition is a Sawidji Collaboration working in partnership with Sudakara Art Space, Sanur, Bali, Indonesia.udakara Art Space, Sanur, Bali, Indonesia.)
Loving Each Other Through The RUMASA Program + (Many candidates for the Dewan Perwakilan R … Many candidates for the Dewan Perwakilan Rakyat have run campaigns introducing their work programs. By writing this opinion, I really want the government to implement the "RUMASA" (Rumah Usaha Disabilitas) program. This program is an effort to ensure that friends with disabilities can still be productive and produce income despite their conditions which can be said to be "limited". This program is filled with skills training such as weaving, embroidery, sewing, and so on. Moreover, the government should collaborate with tourism agencies. The goal is that what friends with disabilities produce can become tourist destinations.s produce can become tourist destinations.)
Fred Eiseman Jr. + (Many decades Eiseman Jr. spend in his seco … Many decades Eiseman Jr. spend in his second home Bali, but his stunning biography shows a curious explorer far beyond Bali.Born in Mark Twains Missouri 1926, nature and indigenous culture soon became his passion. 11 years old he visited the Great Canyon the first time in 1937. At the age of 12 he joined Prairie Trek Expeditions in the South West in his summer school holidays.In war time he completed his studies and became a highly acclaimed teacher in the 50s, teaching Earth science, chemistry, and physics, publishing on these topics and receiving a a nation-wide teacher award 1959. In school holidays he would continue to explore the Grand Canyon, becoming an experienced river guide and a good friend of Hopi and Navajo Indians.In the 70s he came to Bali his first time, to stay here almost the rest of his life.Fred Eiseman Jr. died April 6, 2013 in Arizona, his ashes have been returned to Bali.ona, his ashes have been returned to Bali.)
Imitating the Education System Abroad for Bali + (Many people are competing to enter college … Many people are competing to enter college and study abroad. Why doesn't he/she just study in Bali?What makes studying abroad very special? Is it just for getting a scholarship? In my opinion, the quality abroad is very good. It is suitable for people who want to apply to scholarships so they can go abroad.The Balinese government should further improve educational support facilities, so that students feel a balance between practice and theory. Likewise for educators to be balanced between things and obligations. Bali should be able to imitate the education system that exists abroad, which is suitable for implementation in Bali, so the students from abroad will be competing to study in Bali. Thus Bali is not well-known abroad because of tourism and art, but also because of its quality education.but also because of its quality education.)
Gadang Padang Galang + (Many people are seen wearing green jackets … Many people are seen wearing green jackets on the street. They are online motorcycle riders offering taxi service. The passenger rides on the back. For some this is a full-time job, for others some a part-time job. In the current difficult times, the job of becoming an online motorcycle taxi is the prima donna's choice. However, there are unresolved problems with these online drivers. What are those? Fighting for passengers between online motorcycle taxis and conventional motorcycle taxis. This phenomenon has existed for a long time, but until now there has been no solution. Oh my gosh, fellow brothers fighting over the rupiah. Ladies and Gentlemen in the government, help the people. Make regulations that can accommodate the interests of both parties. Please, pretty please, sir, madam, please!Please, pretty please, sir, madam, please!)
Nyuti Rupa + (Many people say that they quickly change t … Many people say that they quickly change their form from handsome/beautiful to a scary form so that everyone becomes afraid. Usually a lot of people are fast when approaching the ELECTION. His smile is sweet, his words make him drift away, he likes to help provide groceries. However, when you get a place in government or become a leader, it's sad to be different, aka changing form. Creepy, arrogant, arrogant feels different like before getting a place in government. Hopefully nowadays there is nothing like that, if you want to change, hopefully for the better so that you can make this earth prosperous.o that you can make this earth prosperous.)
Literature TAK TERLIHAT, TIDAK DISANGKA + (Many people think that people who have it … Many people think that people who have it will be looked at with pity and disdain. However, without knowing, the special people who have been created by God are actually people who really understand about life, because of what, those who are very special can even be above those of us who think they don't lack anything. I realized this of course when I participated in one of the association's work programs, namely service to a foundation that has many special and special people in it. At that moment I realized that we who are without any shortcomings are still far below those who were specially created by God. They have achieved so many achievements both nationally and internationally that even we ourselves cannot achieve them. The thing that I admire most is that despite their shortcomings, they consider them to be their strengths. Things like this are rarely exposed in the media. They make the nation proud as if they are invisible but there. The thing that amazed me was that they wanted to gain knowledge but were hindered by the administration which made their privileges feel like their shortcomings. Where the potential they have can really compete out there. The differentiating context should no longer exist. The opportunities they get should be accommodated by certainly easing educational administration at any level because everyone has the right to seek the highest level of knowledge without being differentiated from one another. Indeed, there may be a shortage of teaching staff for special children at every level of education. The government should look more at people who really have the abilities for special children and of course by facilitating the necessary needs. This cannot be borne by the teacher personally by relying on a salary of several million and even that must be shared with the family at home. Give our brothers and sisters the opportunity to live a decent life and see that they, with all their shortcomings, can make this nation proud. Will it be of no value? By equalizing education, helping to facilitate school needs for special people and even adding teaching staff who are experts and are paid more than just the word ngayah.d are paid more than just the word ngayah.)
Starting Since the Pandemic + (Many tourists and Balinese people shop for … Many tourists and Balinese people shop for agricultural products produced by farmers, specifically by millennial farmers. These agricultural products can be sold and purchased through digital applications, particularly crops produced by organic farming. Many farmers are already prosperous due to these modern forms of agriculture. This prosperity will only increase in the future as the young millennial generation increasingly started farming businesses and developed the agricultural sector through introducing modern techniques during the COVID-19 pandemic. At this auspicious moment, the young generation has access to advanced online technology to ensure that the agricultural sector is continuously growing. In order for our agriculture to develop and improve, there should be special attention from the government, both in terms of subsidies or organic fertilizer assistance, to farmers using modern farming techniques so that the environment is always protected while farmers and consumers remain prosperous and healthy, consuming high quality agricultural products at good prices.lity agricultural products at good prices.)
Margaret Coldiron + (Margaret Coldiron is currently Deputy Head … Margaret Coldiron is currently Deputy Head of the BA in World Performance at East 15 Acting School, University of Essex and a member of Gamelan Lila Cita and Lila Bhawa dance troupe. She has studied and performed Balinese topéng since 1997 and has led workshops throughout the United Kingdom and Europe. Trained as an actress at the Drama Centre London, Margaret Coldiron toured the United States with the National Shakespeare Company and has taught and directed for professional theatre programmes in the United States and United Kingdom.s in the United States and United Kingdom.)
Margaret Mead + (Margaret Mead (December 16, 1901 – Novembe … Margaret Mead (December 16, 1901 – November 15, 1978) was an American cultural anthropologist who featured frequently as an author and speaker in the mass media during the 1960s and the 1970s.She earned her bachelor's degree at Barnard College of Columbia University and her M.A. and Ph.D. degrees from Columbia. Mead served as President of the American Association for the Advancement of Science in 1975.Mead was a communicator of anthropology in modern American and Western culture and was often controversial as an academic.Her reports detailing the attitudes towards sex in South Pacific and Southeast Asian traditional cultures influenced the 1960s sexual revolution.She was a proponent of broadening sexual conventions within the context of Western cultural traditions.Together with her third husband (1936-1950), Gregory Bateson, she did research on Balinese culture.son, she did research on Balinese culture.)
Mark Hobart + (Mark Hobart is Emeritus Professor of Criti … Mark Hobart is Emeritus Professor of Critical Media and Cultural Studies at SOAS, University of London. Mark's research interests include philosophical issues in Anthropology, Cultural and Media Studies. Currently he is running a project on cultural styles of argument and rhetoric entitled 'How Indonesians Argue', which aims to explore the practices that constitute what we usually call 'culture' or 'society'. Having carried out over eight years of intensive ethnography in Indonesia, his interest is driven by awareness of the unappreciated gulf between academic theorizing and concepts on the one hand and how people act, judge and interpret their own actions.Bali-related publications include:Hobart, Mark (2017) 'Bali is a battlefield Or the triumph of the imaginary over actuality'. Jurnal Kajian Bali (Journal of Bali Studies), (7) 1, pp 187-212.Hobart, Mark (2011) 'The relevance of cultural and media studies to theatre and television in Bali'. Jurnal Kajian Bali (Journal of Bali Studies), (1) 2, pp 63-75.Hobart, Mark (2011) 'Bali is a brand: a critical approach'. Jurnal Kajian Bali (Journal of Bali Studies), (1) 1, pp 1-26.Hobart, Mark (2010) 'Rich kids can’t cry: reflections on the viewing subject in Bali'. About Performance, (10), pp 199-222.Hobart, Mark (2007) 'Rethinking Balinese Dance'. Indonesia and the Malay World, (35) 101, pp 107-128.Hobart, Mark (2000) 'The end of the world news: television and a problem of articulation in Bali'. International journal of cultural studies, (3) 1, pp 79-102.Hobart, Mark (1997) 'The missing subject: Balinese time and the elimination of history'. Review of Indonesian and Malaysian Affairs, (31) 1, pp 123-172.and Malaysian Affairs, (31) 1, pp 123-172.)
Baligrafi Wenara + (Maruti has the qualities or character of being brave, polite, loyal, excellent warrior, good at singing and speaking, humble, firm in his stance, strong and steadfast. That nature is depicted in his role through the form of wayang.)
Mary S. Zurbuchen + (Mary S. Zurbuchen’s research interests inc … Mary S. Zurbuchen’s research interests include Southeast Asian humanities, the study of historical memory, and social justice in international education. She is the author of The Language of Balinese Shadow Theater (Princeton 1987), and her edited works include Beginning to Remember: The Past in the Indonesian Present (Washington/Singapore 2005), as well as Origins, Journeys and Returns: Social Justice in International Higher Education (Social Science Research Council 2009). Zurbuchen has long worked in philanthropy, serving as the Ford Foundation’s Representative based in Jakarta from 1992‐2000, overseeing grant programs and field offices in Southeast Asia. Her work with Ford Foundation included assignments as Program Officer for Culture in Indonesia (1984‐87) and India (1988‐91). Since 2004 she has served as Director for Asia and Russia with the Ford Foundation International Fellowships Program. From 2000‐2003, Zurbuchen was appointed Visiting Professor at the International Institute, University of California, Los Angeles, and also served as Acting Director of UCLA’s Center for Southeast Asian Studies. She received the Ph.D. in Linguistics and M.A. in Southeast Asian Studies from the University of Michigan, Ann Arbor, and the B.A. (Honors in Literature) from the University of California, Santa Cruz. the University of California, Santa Cruz.)
Mas Ruscitadewi + (Mas Ruscitadewi was born in Kesiman, Denpa … Mas Ruscitadewi was born in Kesiman, Denpasar. She holds a Bachelor of Arts in archeology and a Master's in Hindu philosophy. Since elementary school she has been actively writing poetry, short stories, and drama. Her literary work is collected in the book "Hana Bira," her short stories in the book "Penari Sanghyang" (Indonesian), "Luh Jalir" (Balinese), her dramatic scripts in the books "Rumah Bunga" and "Nyanyian Hitam" (monologue), as well as in a few collected volumes of poetry and short stories together. She was one of the forces behind Bali Orta, the Balinese language section of Bali Post.Mas Ruscitadewi studied archeology, philosophy and religion at the Denpasar State Hindu Dharma Institute.As well as writing poetry, songs, and short stories, she teaches philosophy in the form of theatre to prisoners who’ve been sentenced to death at Kerobokan Prison.She also teaches children with HIV/AIDS at Yayasan Kerti Praja, and is a curator for Gelar Seni Bali Mandara Nawanatya, a year-long arts event series. Nawanatya, a year-long arts event series.)
Ida Bagus Njana + (Master Balinese woodcarver Ida Bagus Njana … Master Balinese woodcarver Ida Bagus Njana (1912-1985).Njana's family descends from Dang Hyang Nirartha, the saint of Balinese Hinduism, who moved to Bali in the 1500s and spread his religious reforms by travelling around the island. In the village of Mas, the local headman gave him one of his daughters. Their son from his marriage, Ida Putu Mas, started the Brahmana Mas line. Like their ancestors, the Mas Brahmins became priests or, like Njana, woodcarvers and architects.r, like Njana, woodcarvers and architects.)
KEMISKINAN ANCAMAN MASA DEPAN PULAU DEWATA + (Matur suksema majeng ring pengater acara, … Matur suksema majeng ring pengater acara,santukang galahe sane becik punika kapaicang ring pasikian titiang. sedurung titiang unigayang atur pinih rihin lugrayang, ngiring sareng sareng ngastiti ring ida sang hyang widhi wasa. titiang antung nguncarang panganjali umat OM Swastiastu para angga panurakse sane wanggiang titiang timBASABALI Wiki sane kusumayang titiangg timBASABALI Wiki sane kusumayang titiang)