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A list of all pages that have property "Description text" with value "Briefly explain about covid-19". Since there have been only a few results, also nearby values are displayed.

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  • Balinese Speaking Bule  + (Besides Indonesian, Balinese is the languaBesides Indonesian, Balinese is the language used in daily communication, we as Balinese should be able to speak Balinese. But there are still people who don't understand and can't speak Balinese, especially people who live in urban areas. I Made Andy Sudarma Putra is a Caucasian who comes from abroad who can and fluently speak Balinese, not only Balinese andap and he can also speak Balinese alus. We, as Balinese, especially people who cannot speak Balinese, should be ashamed of being defeated by outsiders who are not native to Bali. I invite all my friends to start learning languages so that Balinese culture remains sustainable that Balinese culture remains sustainable)
  • Beyond a Holiday  + (Beyond a Holiday… We are fortunate to see Beyond a Holiday… We are fortunate to see remarkable changes within the works of the same artist, that reveal something subtle and intriguing about changing social conditions. Revealed almost inadvertently through the subconscious responses recorded as artists go through different periods in their life. We have a window to reap something unintentionally sown. A position with the benefit of hindsight giving richness to our insights.</br></br>Wayan Suastama explored the theme of leisure and holidays during two different periods in his life. Exploring these themes was not something that he deliberated on. These were subjects and themes that naturally occurred,.. coincidentally at two very different phases of his career and in very different social and economic conditions. different social and economic conditions.)
  • Bhomantaka (Bhomakawya)  + (Bhomantaka is also known as Bhomakawya, thBhomantaka is also known as Bhomakawya, the oldest and the longest kakawin compilation in the history of old Javanese literature. Consisting of 1,492 verss, this kakawin narrates around the battle between Lord Krishna and Bhaumasura, or the demon Bhoma. The original historical account about this war is narrated in Bhagawata Purana, and said to happen 50 centuries ago in north India. There are some parts of this kakawin which are quite different from the original account, perhaps because of innacuracy of translation. </br>A demon named Naraka has a vast territory along the southern side of Himalayan mountain, starting from Manipura to Iran. This wide empire is known as Pragjyotisa. Naraka has a son named Bhauma and both were killed by Lord Krishna by using His magnanimous Sudarsana Cakra weapon. </br>It seems that Pragjyotisa is a very old kingdom. Its name is mentioned in Ramayana and Mahabharata, as well as other Puranic scriptures. Kakawin Bhomantaka is an evidence that the level of literacy in old Javanese period was quite high, especially during Airlangga’s reign.high, especially during Airlangga’s reign.)
  • Bhuwana Sangksepa  + (Bhuwana Sangksepa is a palm-leaf text contBhuwana Sangksepa is a palm-leaf text containing Hindu Shivaist cosmology. The text of this palm-leaf manuscript has been copied and stored in Gedong Kirtya, Singaraja, and at the Documentation Center of the Bali Provincial Cultural Office.</br></br>In short, Lontar Bhuwana Sangksepa contains the stages of the creation of the universe, the elements of the universe, the levels of the universe, and a little about the teachings of kamoksan, namely the process of liberation from the shackles of the mortal universe. This text focuses on the functions of various types of characters that transform together with the transformation of matter that forms the manifestation of the universe.</br></br>The cosmology in Lontar Bhuwana Sangksepa which has a Shivaistic background is similar to Hindu literature which is Brahministic and Vaishnawa in nature. This text, like the science of cosmology in other Hindu schools, states that the cosmos or the universe has a spirit which is God himself. The elements of the cosmos also transform and form the material and spiritual elements in the human body. Therefore, humans are considered creatures that represent the universal form of God. This concept developed into the philosophy of Bhuwana Agung and Bhuwana Alit.losophy of Bhuwana Agung and Bhuwana Alit.)
  • Genah sané ageng mawit saking genah sané alit.  + (BIG THINGS COME FROM LITTLE THINGS IndoneBIG THINGS COME FROM LITTLE THINGS</br></br>Indonesia is a very diverse country in terms of ethnicity, in terms of religion, in terms of race and in terms of inter-group diversity, which makes Indonesia a very rich country in terms of natural resources. There is a lot of variety, which is a good thing, but the problems are also a lot of people who lack early education, nowadays there are a lot of parents who don't go to school up to high school and some don't even go to school, so a lot of parents can't bring up their children properly, so parents bring up their children in their own way, for example they shout at the children and even hit them, a lot of students copy and follow the behaviour of their parents and do the same in school, which causes the education in Indonesia to go down.</br></br>This is why education is important for everyone in Indonesia, almost every student relationship throughout Indonesia both between students and teachers or teachers can also be between friends, this student relationship is going to shape the identity of the student both in shaping the student customs but not every student follow the rules well, it might be that the student identity is harmed because of the atmosphere or society at school that is not well many students throughout Indonesia, according to data published by WorldTop20. Org published the ranking of education in Indonesia is very alarming Indonesia is ranked 67th out of 209 countries around the world, with many problems encountered, we need to explore why students become less intelligent and many fight teachers and why the government should pay attention to this. </br></br>With the many problems in Indonesia, we as students of the school are aware that if we are left like this, then we as the younger generation need to implement the national programme, namely Golden Indonesia 2045, it doesn't have to be with big things, we just need to start with small things. A lot of programmes can be implemented starting from very small things that are common in homes, schools and communities, which is rubbish, rubbish is a waste or an item that has no functional value anymore, or you can say unusable items, a lot of students who have no brains choose to throw rubbish, starting from under the desk, The number of students who do this makes our environment unhealthy, dirty, especially with the large number of students in the school environment making the garbage swell at the same time, even though they have been warned not to litter. </br></br>In the face of so many issues, we as citizens of SMA Negeri 3 Kuta Selatan have taken action to create a waste free team by sorting waste by category, hoping to make all students aware to dispose waste in the right place and according to the respective category, but due to the lack of good education and the mindset of the students when they were brought up in the family, this project is not going well, many students simply throw waste and don't sort it properly, such as putting organic waste in non-organic waste, With this, we as a team appealed and acted directly in waste processing, with the behaviour we did, we succeeded in empathizing students to separate waste according to its category in order to create cleanliness in the environment around us, residents of SMA Negeri 3 Kuta Selatan in cooperation with Plastic Exchange Kuta Selatan to help us in waste processing properly, we as school residents were not able to process waste, especially organic waste into compost. </br></br>With the many problems that exist in Indonesia, we have been able to solve the problem of garbage, although it is not perfect, there is still a lot of garbage scattered around, but we are with the awareness to dispose of garbage by first sorting it before it reaches the landfill and processed properly, we also want to create a disciplined school both in terms of education and ethics, especially in the disposal of garbage, with this behaviour we want to realise the Golden Indonesia 2045, because if you don't start with small things then big things can't happen.small things then big things can't happen.)
  • I Gusti Putu Windya  + (Biography Name : I Gusti Putu Windya. latBiography </br>Name : I Gusti Putu Windya. late. </br>He died in 2010. </br>Wife : Gusti Ayu Nyoman Date He has 6 children, one of his children has died and I got this information from his 4th child named Gusti Ayu Agustini. His address is at the market banjar, Yehembang village, Mendoyo sub-district, Jembrana district. </br></br>Performance : He has won many awards, the highest of which is the Kusuma Madya award (1990), with his most famous work being Geguritan Cangak. In addition, he also composed several geguritan including Geguritan KB which brought him to become the 2nd winner of the provincial level geguritan competition. In addition, he also has many other works, but many of his works claim that they do not have copyright. </br></br>Work : Apart from composing geguritan, he is also active in painting and carving, and he has also established a painting and carving studio, and he is self-taught in literature. He was also previously offered a work contract in Germany to teach painting but was refused. And he was a member of the assessment team for the awarding of the Dharma Kusuma art award at the level I province of Bali in the 1994/1995 fiscal year. </br></br>Special note : I got this information from a resource person, namely Gusti Ayu Agustini who is his 4th child who is also the heir of the late. Gusti putu windya. He said that alm. Mr. Gusti Putu Windya has a biographical book, but it is not in place at this time because it was brought to Germany and has not been returned as well as several documents related to his work which were also borrowed and have not been returned until now. In addition, in 2015 the geguritan cangak was adapted by Malaysia by making the cartoon character 'stork and crab' in animation in ancient times without the permission of the late heir. Gusti putu windya.ssion of the late heir. Gusti putu windya.)
  • I Gusti Putu Windya  + (Biography Name : I Gusti Putu Windya. latBiography </br>Name : I Gusti Putu Windya. late. </br>He died in 2010. </br>Wife : Gusti Ayu Nyoman Date He has 6 children, one of his children has died and I got this information from his 4th child named Gusti Ayu Agustini. His address is at the market banjar, Yehembang village, Mendoyo sub-district, Jembrana district. </br></br>Performance : He has won many awards, the highest of which is the Kusuma Madya award (1990), with his most famous work being Geguritan Cangak. In addition, he also composed several geguritan including Geguritan KB which brought him to become the 2nd winner of the provincial level geguritan competition. In addition, he also has many other works, but many of his works claim that they do not have copyright. </br></br>Work : Apart from composing geguritan, he is also active in painting and carving, and he has also established a painting and carving studio, and he is self-taught in literature. He was also previously offered a work contract in Germany to teach painting but was refused. And he was a member of the assessment team for the awarding of the Dharma Kusuma art award at the level I province of Bali in the 1994/1995 fiscal year. </br></br>Special note : I got this information from a resource person, namely Gusti Ayu Agustini who is his 4th child who is also the heir of the late. Gusti putu windya. He said that alm. Mr. Gusti Putu Windya has a biographical book, but it is not in place at this time because it was brought to Germany and has not been returned as well as several documents related to his work which were also borrowed and have not been returned until now. In addition, in 2015 the geguritan cangak was adapted by Malaysia by making the cartoon character 'stork and crab' in animation in ancient times without the permission of the late heir. Gusti putu windya.ssion of the late heir. Gusti putu windya.)
  • ECONOMY DURING PANDEMIC  + (Bismillahir rahmanir Rahim... Peace be upoBismillahir rahmanir Rahim...</br>Peace be upon you, and Allah's mercy and blessings</br></br>TOPIC: ECONOMY DURING PANDEMIC</br></br>If I am elected as a leader in a city, I want to provide assistance to people who have an economy that is considered a financial crisis, provide scholarships to all children who have no father (orphans), and make people feel fulfilled.</br></br>There are many ways to do good, because heaven is for all. Set aside excess to help the needy, work together to provide personnel, volunteers, social assistance, and provide health facilities for handling Covid to move together to carry out humanitarian activities.</br></br>Let us ask Allah SWT for help, ask for a way out of difficulties and give strength to our nation to recover and rise from the pandemic.</br></br>So, Assalamualaikum warahmatullahi wabarakatuhAssalamualaikum warahmatullahi wabarakatuh)
  • Petualangan Bli Bacul  + (Bli Bacul adalah seorang nelayan yang sangBli Bacul adalah seorang nelayan yang sangat cinta pada lingkungan. Dia tinggal di Pantai Labuhan Amuk, sebuah pantai di Kecamatan Manggis, Kabupaten Karangasem, Bali. Suatu hari, seekor penyu minta tolong padanya. Apa yang terjadi pada si penyu? Temukan jawabannya di buku ini! si penyu? Temukan jawabannya di buku ini!)
  • I Dewa Putu Berata  + (Born and raised in the village of PengosekBorn and raised in the village of Pengosekan, son of a great drummer, Berata was immersed in Balinese performing arts from birth. His creative talents, teaching capabilities and leadership qualities make him a noted figure in the Balinese music world. He is renowned for his compositional skills in both traditional and innovative styles and a rare ability to communicate a diverse knowledge of Balinese arts to both Balinese and international artists. He is the founder and director of Çudamani, and has lead Çudamani, on tours to venues including a nine-city tour with Arts Midwest 2012-13, Jazz at Lincoln Center (NY), the World Festival of Sacred Music-(LA), the Cultural Olympiad (Greece), EXPO (Japan) and the Tong Tong Festival (Holland) among others. As a result of Berata’s vision and commitment, Çudamani, has become an important artistic center in Bali, endeavoring to study and preserve rare classic forms of Balinese arts and also provide a space that nurtures the creative energies of young artists in Bali. Frequently he serves a the Music Director for the USA Bay Area based Gamelan Sekar Jaya. He is a graduate of STSI, Denpasar (Bali’s National Academy of the Arts).sar (Bali’s National Academy of the Arts).)
  • Rio Helmi  + (Born in 1954 to an Indonesian diplomat fatBorn in 1954 to an Indonesian diplomat father and a Turkish mother, Indonesian photographer and writer Rio Helmi has been capturing images of Asia and writing since 1978. His work can be seen in magazines, documentaries and more than 20 large format photographic books. Solo exhibitions of Rio’s still photography have been held in Bali, Jakarta, Madrid, Miyazaki, Palo Alto, San Francisco, and Sydney, and his works are held in private collections around the world including in London, Rome, Boston, Washington and Tokyo. Rio has been based in Bali for more than three decades, and speaks five languages fluently. He writes in Indonesian and English, and blogs about a wide range of topics including for the Huffington Post and the website ubudnowandthen.com dedicated to his hometown Ubud. He has also moderated panel sessions and conducted public interviews at the Ubud Writers and Readers Festival which is now an annual event of international repute. In 2010 Rio launched his book called “Book Memories of the Sacred” a retrospective portfolio of Bali over the last 30 years. His latest book is “Travels on Two Wheels, a Broader Perspective of Bali” a series of eclectic panoramas taken during nearly 30,000 kilometers of motorcycle trips around the island.ers of motorcycle trips around the island.)
  • I Made Arya Palguna  + (Born in 1976 in Ubud, Bali, he first learnBorn in 1976 in Ubud, Bali, he first learned painting under his father, I Ketut Sudana, a well-known painter in his own right. He received his Bachelors degree from ISI Yogyakarta in 1996 and he has lived in Yogyakarta since. A versatile artist, his distinctive style appears in his paintings, sculptures and other three-dimensional objects, and installation art, even performance art and murals. He has exhibited extensively in Indonesia and abroad.</br></br>He has received many commissions (for murals and performance art works) and has been invited to various workshops, fellowships, and residency programs, most recently at Muong’s Cultural Museum, Vietnam (2012). He is a two-time finalist of the Philip Morris Art Awards (2011, 2012) and finalist at the Indofood Art Awards (2002).inalist at the Indofood Art Awards (2002).)
  • I Nyoman Erawan  + (Born in 27 May 1958 in Banjar Dlodtangluk,Born in 27 May 1958 in Banjar Dlodtangluk, Sukawati, Gianyar, Bali. He was raised in the neighborhood of artists, painters, sculptors, dancers and musicians. He was conciously choose to follow the path of art during his teenager years and enrolled in the High School of Arts in Denpasar. Soon after, he travelled to Yogyakarta in Central Java and pursuing bachelor degree in Fine Arts at the Indonesian Art Institute. The two schools shaped his perception in arts and expand his realm in understanding the relations between the visual of traditional art in Bali and the technique and approach of Western art. The dialog betweenn the two world is evident in Erawan’s works up until now.</br></br>He begun working and living as an artist since 1983. For about 25 years he has been working in different fields of art as he is as much as talented in visual and performance art. His works are mainly inspired by the philosophy of life in Balinese-Hindu perspective called Trimurti, in which the cosmic functions of creation, maintenance, and destruction are personified by the forms of Brahma the creator, Visnu the maintainer or preserver, and Siva the destroyer or transformer. The form or destruction and incarnation, life and death, chaos and order, traditional and modern. He creates paintings and installation, video art and body art performance in many exhibitions in Indonesia and abroad. many exhibitions in Indonesia and abroad.)
  • Dodit Artawan  + (Born in Batubulan, Gianyar Bali, in 1978, Born in Batubulan, Gianyar Bali, in 1978, based in Bali, contemporary Indonesian artist Dodit Artawan studied fine art at the Indonesian Art Institute Denpasar Bali. Dodit is an artist whose focus is on the breakaway from the dominance of traditional Balinese art on the contemporary art scene in order to seek new expressions for contemporary art in Bali. Dodit Artawan has been widely exhibited in numerous solo and group exhibitions in Indonesia, Singapore, Malaysia, Japan, Italy and the USA. Dodit won the prestigious Bronze Award at the IWS Malaysia 1st International Watercolour Biennale (KL) in 2018.</br></br></br>https://vingallery.com/Dodit-Artawan</br>https://www.nowbali.co.id/dodit-artawan-from-photorealism-to-pop-art/odit-artawan-from-photorealism-to-pop-art/)
  • Aditya Parama Setiaboedi  + (Born in Denpasar in 2000. 2020: MSc in DatBorn in Denpasar in 2000.</br>2020: MSc in Data Analytics and Business Economics (MScDABE) Programme in Hong Kong Baptist University (HKBU). Free lance 3D artist based in Bali.</br></br>Aditya’s earlier works focused upon his cultural ideas of beauty. His recent works, however, consider culture and tourism and their possible future ramifications.m and their possible future ramifications.)
  • Putu Marmar Herayukti  + (Born in Denpasar, 13 September 1982. TattoBorn in Denpasar, 13 September 1982.</br>Tattoo and visual artist who owns the studio Hellmonk Tattoo. He is a prominent Ogoh-Ogoh artist and gained a following for use of eco-friendly materials. (https://www.famousbirthdays.com/people/marmar-herayukti.html)</br></br>About the statue in the profile picture:</br>‘Waruna’ Marmar’s recycled paper, rattan and bamboo installation is suspended from the ceiling on the second level of Wishingwell. It features the mythical guardian of the ocean surfing a wave. Part human part beast, the fantastic creature has a powerful upper torso and elongated octopus tentacles for legs. “I set out to make an artwork which included sustainable materials along with rubbish from the ocean,” Marmar said.with rubbish from the ocean,” Marmar said.)
  • Ni Wayan Idayati  + (Born in Denpasar, April 14, 1990, Ni WayanBorn in Denpasar, April 14, 1990, Ni Wayan Idayati writes poetry, essays and journalistic news. Her poetry has been published in the People's Mind, Bali Post, Lombok Post, Bali Sruti Journal, Le Banian Journal (Published in France). Her essays were published in Tempo, the Bali Tribune, Esensi & Nuansa Magazine (published by the Language Agency) and the Bali Tribune. Together with the Denpasar Sahaja Community, they are active in arts, culture, and literary discussions, as well as fostering creative communities and now they are part of the program at Bentara Budaya Bali (the cultural space of Kompas Gramedia).</br></br>In 2018, her poems passed the curation number for poetry anthologies and poet gatherings, including: Poet Gathering “From the Land of Poci 8: Negeri Bahari” in Tegal, Central Java; the anthology “Smile of the Valley of Ijen” and the National Literature Camp in Banyuwangi; Southeast Asian Poets Meeting 2018 in Padang Panjang; National Poets Meeting in Pematangsiantar; a poetry anthology with “Women Seeing the World” by the Sangkar Buku Community in Mojokerto and a poetry anthology with “Perempuan Bahari” (soon to be published).</br></br>She was invited to the VI Nusantara Poets Meeting (PPN) in Jambi (2012) and the 2015 Bali Emerging Writers Festival (BEWF), an annual literary festival that is part of the Ubud Writers and Readers Festival (UWRF) program. Entered in 175 Poets Selected Poetry Anthology From Negei Poci 6: Land of the Sea (2015), 39 Poets Chosen Poetry Writing Contest “Under the Black Umbrella” Indonesian Art Project Mourning (2015), 50 Poetry Chosen Poetry Competition for Andalas Coffee Community National (2013), the Top 5 of the Best Poetry Contest in the Archipelago (SCKS), and the Top 6 of the Best Poetry RBSCKS (2012) which were held at the Udayana Faculty of Letters (2012).</br></br>Her poems are also collected in the Book of Joint Poetry Anthology “Dendang Denpasar, Nyiur Sanur” (2012), Poetry Anthology of the VI Nusantara Poets Meeting “Sauk Seloko” (2012), Joint Poetry Anthology of Andalas Coffee Community Poetry Competition (2013), Poetry Anthology From the Land of Poci 6: The Land of the Sea (2015), The Anthology Book “From Fear to Be Strong” The Indonesian Art of Mourning Community Berkabung (2015), The Anthology of Poetry Books “Klungkung” (2016), The 2016 Indonesian Poetry Day Anthology Book 'Matahari Cinta Samudera Kata' , Anthology of Spiritual and Social Poems "Cavalry Night", published by Abdurrahman Wahid Center UI (2017).blished by Abdurrahman Wahid Center UI (2017).)
  • Tjandra Hutama  + (Born in Gianyar in 1981, his interest in Born in Gianyar in 1981, his interest in visual arts and design led to the study of Visual Communication design at the Institute of Technology Surabaya in 2000. As an out-of-state student from Bali, he worked part-time to support his studies. Jobs involving photography and graphic design began in these early stages. He graduated in 2005 and set out to start his own business in Graphic Design and Digital printing in 2006. His business channel exposed him to many content creators, photographers, writers and artists. Providing a wide network within Balis’ artist community. </br></br>Although Tjandra focused these days on establishing his business, regular involvement in creative projects inspired him to develop his potential through photography. Through involvement with Bali Photographers Association. During this period of self-development and creative soul-searching Tjandra participated in many photography competitions and exhibitions with many notable awards and titles from 2010.</br></br>The calibre of his work and leadership skills consequently earned him the trust of the community to serve as Head of the Bali Photographers’ Association for two terms, from 2016 until 2022. He is still an active member of the Federation Indonesia Photo Art Association.ederation Indonesia Photo Art Association.)
  • A.A. Ngurah Anom Kumbara  + (Born in Klungkung 14 February 1957, he comBorn in Klungkung 14 February 1957, he completed his Bachelor of Anthropology in 1982 at Udayana University, completed his Masters degree at Indonesia University in 1990, and doctoral degree at Gadjah Mada University in 2008. Becoming a lecturer at Faculty of Cultural Knowledge Udayana University since 1983 until now. He was on charge as the head of the anthropology department in 1997-2000, as the head of Hindu Indonesia University's S3 program of Religion and Culture in 2008-2011, as a secretary of the field of service in Institute for Research and Community Service Udayana University in 2011-2015, as the head of doctoral program (S3) Cultural Studies, Faculty of Cultural Knowledge, Udayana University from 2018 until 2022. He actively participates in seminars and writes accredited national and international journals, and has written several books.l journals, and has written several books.)
  • I Ketut Budiana  + (Born into a family of master artisans in tBorn into a family of master artisans in the village of Padang Tegal, Ubud in 1950 Budiana is highly skilled as a sculptor and architect, and specializes in making scared temple images, ceremonial masks and sarcophagus for ritual cremations. A former art teacher, he studied art at SSRI, the Indonesian School of Art in Denpasar and briefly with renowned Dutch painter and architect Rudolf Bonnet (1895-1978).</br></br>Budiana began painting in the early 70’s and exhibiting from 1974 and has shown his work in many foreign countries while he has won a string of local and international awards. He has been active as a curator at Ubud’s Museum Puri Lukisan from 1986 – 1990 while serving in 1990 as a curator at ARMA museum, and has contributed numerous articles and essays to various publications. Budiana has regularly exhibited at Bentara Budaya Bali while also exhibiting at Bentara Budaya Jakarta and Yogyakarta. at Bentara Budaya Jakarta and Yogyakarta.)
  • I Dewa Ketut Alit  + (Born to a family of artists in Pengosekan Born to a family of artists in Pengosekan village in Bali, Dewa Ketut Alit was immersed in Balinese gamelan from early childhood. His father Dewa Nyoman Sura and his oldest brother Dewa Putu Berata were the most influential teachers in his life. He began performing at age 11, and by age 13 was playing ugal (the leading instrument) in his village’s adult group, Tunas Mekar Pengosekan. 1988-1995 he played in the internationally acclaimed Gamelan Semara Ratih of Ubud village, touring internationally.</br></br>In 1997, a year before graduating from Academy of Indonesian Performing Arts in Denpasar (STSI Denpasar), Dewa Alit and his brothers founded Çudamani which immediately acknowledged as one of the best gamelan groups and went on their own international tours. </br></br>Seeking a wider path for expressing his approach to new music in gamalen, Dewa Alit founded his own gamelan group in 2007, Gamelan Salukat, performing on a new set of instruments of Alit’s own tuning and design.</br></br>As a composer, Dewa Alit is generally acknowledged as the leading figure of his generation in Bali. His “Geregel” (2000) was influential both in Bali and abroad, and was the subject of a 50 page analysis in the “Perspectives on New Music”. One of his compositions written for a Boston-base gamelan group Galak Tika, “Semara Wisaya” was performed at New York Carnegie in 2004 and another composition “Pelog Slendro” appeared at Bang on a Can Marathon in June 2006.</br></br>The list of his compositions for non-gamelan ensembles includes music for MIT's Gamelan Electrika, Talujon Percussion (USA) and Ensemble Modern (Frankfurt, Germany). </br></br>As a collaborator, Dewa Alit has worked with musicians and dancers from around the world. These include a contemporary theater production Theatre Annees Folles (director: Alicia Arata Kitamura, Tokyo), a butoh dancer Ko Murobushi, contemporary dancers Min Tanaka and Kaiji Moriyama, and Noh master Reijiro Tsumura. Moriyama, and Noh master Reijiro Tsumura.)
  • Made Gede Wiguna Valasara  + (Born: 1983 Hometown: Gianyar, Bali BasedBorn: 1983</br></br>Hometown: Gianyar, Bali</br></br>Based In: Gianyar, Bali</br></br>Made Gede Wiguna Valasara is an artist who deeply engages in painting and sculpture, his most known works are the ones with stuffed canvas technique. His subject matter varied from his reinterpretation on Bali Traditional Painting to appropriation on Renaissance and Modern Paintings. </br></br>He completed his studies at FSR ISI Yogyakarta (2007). He has participated in no less than 29 group exhibitions and three solo shows. His solo exhibitions include Animal Behaved, MonDecor Art Space, Jakarta, and Selasar Sunaryo Art Space, Bandung (2010); as well as Marshalling Lines and Colors, Galeri Canna, Jakarta (2009). </br></br>His works won a number of awards, including finalist at the UOB Painting of the Year (2012); finalist at the 2010 Indonesian Art Award; Best Painting at ISI Yogyakarta’s 23rd Dies Natalis (2007). In 2011, he was artist-in-residence at Selasar Sunaryo Artspace, Bandung.ence at Selasar Sunaryo Artspace, Bandung.)
  • Brati Sasana  + (Brati Sasana or Wrati Sasana is the essencBrati Sasana or Wrati Sasana is the essence of the teachings of moral order for a sulinggih or those who are doing spiritual practices. This lontar contains the values of life and the goal of a life of purity which aims to achieve spiritual perfection.</br></br>The main points of the teachings in the Brati Sasana include the teachings of Yama and Niyama Brata, Dasa Sila, Dasa Dharma, teachings to abstain from despicable actions, teachings on alertness, and teachings on spiritual ethics to achieve liberation.</br></br>The Brati Sasana text belongs to the sasana category, or ethics. Apart from the Brati Sasana, there is also the Siwa Sasana (see entry “Siwa Sasana”). This Lontar is written in Sanskrit in the form of 38 verses but is elaborated in beautiful Old Javanese purports. From the structure of the language, this text is classified as an old text dating from at least the eleventh to the twelfth century A.D.t the eleventh to the twelfth century A.D.)
  • Brett Hough  + (Brett Hough lectures in the Anthropology PBrett Hough lectures in the Anthropology Program (School of Political & Social Inquiry) and the Indonesian Studies Program (School of Languages, Cultures and Linguistics) at Monash University. He has been involved in Indonesian Studies since 1980 and undertaking research in Bali since 1989. His doctoral study was on the institutionalisation and bureaucratisation of Balinese performing arts. He is currently working on a project investigating conflict and conflict resolution in contemporary Bali. and conflict resolution in contemporary Bali.)
  • Literature jembatan susut roboh  + (bridge susut collapsed)
  • Bubuh Bali  + (Bubuh bali is a very famous rice porridge Bubuh bali is a very famous rice porridge in Karangasem. Bubuh Bali is usually served with the addition of shredded chicken, peanuts and some other additions. This food is not too heavy so it is suitable to be enjoyed in the morning.</br>The making of Bubuh Bali is almost similar to Porridge in general and the ingredients used are also almost the same. This food will taste better if eaten in the morning and while still warm. Balinese porridge can be a food alternative for breakfast instead of rice or bread, the soft texture of the porridge also makes this food enjoyable for children and even the elderly. Eating this food in the morning can make you feel full for a long time.ng can make you feel full for a long time.)
  • Bubuksah Gagakaking  + (Bubuksah Gagakaking is a lontar containingBubuksah Gagakaking is a lontar containing an allegory story of two hermits, Bubuksah and her elder brother, Gagakaking. Both learned spiritual knowledge from a teacher, but practiced their teachings in different ways. Bubuksah ate everything, while Gagakaking restrained himself by abstaining from eating. The two of them then meditated on Mount Wilis to get a gift from the gods.</br></br>Gradually, the two of them often got into arguments because they were contradicting each other. Seeing the contradiction between the two brothers, Bhatara Guru sent Dewa Kalawijaya to disguise himself as a tiger. First of all, the tiger wanted to prey on Gagakaking. Gagakaking refused because he was very thin. Then, the tiger went to Bubuksah. Bubuksah was willing to offer himself as food for the hungry tiger.</br></br>Seeing Bubuksah's determination, the tiger was then willing to take him to the place of the gods. However Bubuksah wanted his brother to participate. The tiger said, his brother must not ride on the tiger's back. Finally, Gagakaking clinged to the tail of the tiger on their way to heaven.</br></br>There are various versions in this story, but the most complete version is in Lontar Bubuksah, the Gedong Kirtya collection. Some scholars interpret this story as a different way of attaining spiritual maturity. In essence, it is not the different ways that determine a person's success, but his determination. If a person abstains from various types of food, then he has to do it seriously to achieve success. If a person has not been able to restrain himself by abstaining from eating, he should try to continue as far as he can. But of course, their destination can’t be the same.urse, their destination can’t be the same.)
  • Bubur Masak  + (Bubur Masak (cooked porridge) is a dish orBubur Masak (cooked porridge) is a dish originally from Klungkung that should not be missed when coming here, and it is easy to find in several areas on the roadside or in stalls or restaurants. This dish contains porridge which is given a special yellow sauce that is offered with mixed vegetables with grated coconut (urap) or other vegetable dishes. Soybeans may be added so as to give a crispy and savory sensation, using banana leaves as the base which makes it even nicer. This food is very suitable to be enjoyed in the morning or afternoon.to be enjoyed in the morning or afternoon.)
  • expected leader  + (build a country with great leaders)
  • Sistem Informasi Online Tempat Olahan Organik (Siotonk)  + (Build a system for treating organic waste using casks and networks)
  • Ngwangun Bali antuk P2  + (Building Bali with P2 BuildinBuilding Bali with P2</br> Building and maintaining Local Wisdom and Building a Bridge of Hope for a Bright Future for the Island of the Gods</br></br>Om Swastiastu</br></br> Dear guests, I invite you to pray for a moment to the one God, with joy. I invite the brothers before starting this oration. Let us express our gratitude for the blessings given to us at this "Bali Oration" event, I will present the text of the oration entitled "Building Bali for P2"</br></br> Dear guests, as we know, Bali is a paradise island for tourists which is called "the last paradise" because of its natural beauty, and we as Balinese citizens must protect this Bali, as do our leaders who will bring Bali into a new era, If not us who else?!! as the leader of Bali he must see and pay attention to the tourists who come to Bali, because there are many cases of insults and bad behavior from tourists which can damage Balinese taksu.</br></br> Dear ladies and gentlemen, as they all know, Bali is very stressed by taksu, but now it may be even more lost, why?!!, because the tourists do not appreciate and probably do not know how our area is. Many of his actions have damaged the feet of our enemies. According to data from the Bali Ministry of Law and Human Rights as of April 10 2023, they have deported 82 foreign nationals (WNA) for committing violations. Foreigners from Russia are top with 21 members. Nigeria is in second place with 7 people, followed by the US and the UK with 6 each.</br></br> Distinguished guests, whoever will be the next leader of Bali, I hope to take a firm stance against tourists who behave not in accordance with the moral norms that exist in Bali, it is important for leaders to find a balanced solution between good economic growth and preserving heritage Balinese culture and nature. In my opinion, the next leader of Bali must discuss P2, namely the first is conservation, meaning that conservation means that we as Balinese citizens must not be deceived, because every tourist may make a mistake which will reduce our taksu. The second P is Management, management means providing information about several places in Bali that are still sacred and strictly prohibiting tourists from doing inappropriate actions.</br></br> I want to remind them, once again, that whoever leads Bali must be firm in collaborating and organizing to resolve and investigate all existing problems and we as Balinese must also participate in protecting the world of Bali, if not us, who else. I close with pramasanthi om santhi santhi santhi om</br></br>Salam demokrasi!!santhi santhi santhi om Salam demokrasi!!)
  • Literature Pura Ulun Subak Bukit jati  + (Bukit Jati Temple is the Dangkhayangan Temple. The Bukit Jati Temple is located in Guliang Kawan Hamlet, Bunutin Village, Bangli. This sacred building is located in front of the peak of Bukit Jati.)
  • Sudang Lepet  + (Buleleng is famous for its beautiful sea, Buleleng is famous for its beautiful sea, so it is not surprising that many of its traditional foods come from fish such as Sudang Lepet. Literally, this food has a quite unique meaning. Sudang can be interpreted as salted fish, while lepet means unlucky. That said, the naming arose as a result of the manufacturing process which took a long time because the salted fish had to be fried in flour until it was crispy. Sudang Lepet is a typical food from Buleleng which is usually served with urap rice or mixed rice. Because it is made from special marine fish, it's no wonder that many want to taste this food. In addition to the affordable price, the sensation you get after eating this is also very distinctive and tastier than fried chicken. If you want to taste Sudang Lepet, you don't need to have trouble finding a place to sell it. This food is widely found in Buleleng especially in Sangsit Village which is the center of the production of this dish. Not only that, you can also find Sudang Lepet in various souvenir markets in Buleleng.t in various souvenir markets in Buleleng.)
  • Bunty lan Prajurit Gelembung  + (Bunty does not like soaps. So, she refuses to clean up. Then one night she has a dream. What happens after that?)
  • Buyan Lake  + (Buyan Lake Lake Buyan is a lake located iBuyan Lake</br></br>Lake Buyan is a lake located in the Pancasari Village area, Sukasada District, Buleleng Regency, Bali. This lake is one of three twin lakes formed in a large caldera. It is flanked by two other lakes, namely Lake Tamblingan to the west and Lake Beratan to the east. Lake Buyan is the largest of the three. Lake Buyan is the widest of the 3 lakes in the Bedugul area with an area of 490 hectares with a maximum depth of 89 meters.ectares with a maximum depth of 89 meters.)
  • Bali sane ajeg, kasarengin indonesia merdeka sane ka 77th  + (By the grace of god and the merits of the By the grace of god and the merits of the heroes, finally at this moment. We can still celebrate Indonesia's 77th independence day, therefore, we as the next generation must be aware of the attitude of defending the country, which must be applied from an early age, in order to create a country free from the threat of the invaders. However, lately this attitude has disappeared with the times, therefore we as millennials must be aware of the importance of tolerance, mutual cooperation, and being able to imitate the attitude of the heroes who are persistent in defending the country, so that we can still stand on the top. this motherland.n still stand on the top. this motherland.)
  • Garuda Suwarnakaya, Seni lan Filsafat  + (Caka 1945, celebrated by seka taruna-tarunCaka 1945, celebrated by seka taruna-taruni (STT) through various forms of art and creative work. As well as STT Yowana Saka Bhuwana (STTYSB) Br. Tainsiat. They named the ogoh-ogoh Garuda Suwarnakaya, which means "the Golden Body", symbol of strength, splendor, and success. Through their work, STTYSB wants to represent Garuda as a symbol of the struggle as well as the guardian of the state ideology. STTYSB has proven that dedication, patience, and persistence can produce masterpieces that have taksu and deep philosophical values. All processes that have been passed by STTYSB can be used as material for reflection by the government on how government should be managed. Ensuring a solid "foundation", creating a strong "framework," and "beautifying" the state structure.k," and "beautifying" the state structure.)
  • GUMI LINGGAH AJAK LIU, LIU MASIH ADA LUU  + (Calabingkah beten biu, Belah-belahan pane,Calabingkah beten biu, Belah-belahan pane, Belah-belahan paso, Gumi linggah, ajak liu, Ada kene, ada keto. That's what the Balinese pantun says. Because many people live on earth, there is also a lot of garbage. Because there is a lot of garbage, there are also many problems such as floods and dengue fever.</br>Well friends, we are just passengers on this earth. Do not carelessly throw away garbage that causes the earth to get sick and reduce the use of single-use plastic. We should follow the example of ST. Dhananjaya who processes waste into good ogoh-ogoh with the name I Garuda Mas.</br>Let's be wise in using, disposing and processing plastic waste!!! disposing and processing plastic waste!!!)
  • Yayasan Warga Anak Semesta  + (Campaigning for various environmental issues, especially the issue of plastic waste, which is a global problem and originates from the smallest points of the community)
  • Voice of Independence Disability  + (Candidates for the 2024 election must desiCandidates for the 2024 election must design programs that are equitable for people with disabilities.First, it is necessary to draft strong laws to protect disability rights and prevent discrimination. In addition, leaders should strive for better physical accessibility by building disability-friendly infrastructure in public places that includes training for specialized officers who can provide assistance to people with disabilities in exercising their rights when voting. Public awareness campaigns also need to be conducted to change people's perceptions of disability. With this program, it is hoped that the 2024 elections will be fairer and provide aspiration rights for the people, including those with disabilities.people, including those with disabilities.)
  • Luh Yesi Candrika, S.S.,M.Hum.  + (Candra Kanti is a fairly young female writCandra Kanti is a fairly young female writer whose work has become the best kidung literary work. Candra Kanti comes from Karangasem but lives in Denpasar, she was born on October 20, 1990.</br></br>She is now a mother, even though she is a mother she is still active in writing and working as a lecturer at a university in Bali and as a Balinese language instructor in Tabanan.</br></br>In a very busy state, he was able to finish his work and become one of the best kidung literary works. She said that it was all thanks to the support of her husband who is also someone who loves literature. The song he composed was entitled "Amelad Prana"ng he composed was entitled "Amelad Prana")
  • Cappucino and Croissants  + (Cappucino and Croissants, 2023 Dewi Dian RCappucino and Croissants, 2023</br>Dewi Dian Reich</br>Fine Art Giclee Print</br>60cm x 100cm</br></br>Cappucino and Croissants is part of a series that take Topeng Tua across different social and urban landscapes. There are references here to traditional identity, suggested tones of displacement and estrangement. The layers of meaning we can unravel here to reflect upon is truly open ended. You may even find humor here. open ended. You may even find humor here.)
  • Carcan Asu  + (Carcan Asu Asu Manak Tunggal, The dog gaCarcan Asu</br></br></br>Asu Manak Tunggal,</br>The dog gave birth to an only child, a sign that the yard was not good, so the puppy had to be thrown into the sea and the yard deserved a ceremony.</br></br>Ong Bero,</br>A dog with one eye smaller than the other or a dog whose voice is unanimous can make its owner influential or respected by people.</br></br>Tangis,</br>Dogs whose eyes are always wet will bring sustenance to their owners.</br></br>Cina Majaler,</br>Dogs characterized by long shoulders and long calves are suitable for hunting.</br></br>Gong Sabarung,</br>A dog that farts when it barks, is believed that its owner will become an influential person in society.</br></br>Ambar sari,</br>Pure white dogs, with yellow eyes, or yellow stripes, are believed to increase the authority of their owners.</br></br>Ampuhan,</br>Sparse-haired dogs, with round eyes, are believed to be able to avert disaster for their owners.</br></br>Brahma Sandangan,</br>Hairy dogs with white eyes and red backs are believed to bring enthusiasm to their owners.</br></br>Rajeg Wesi,</br>Dogs with white fur and black stripes around their eyes can ward off black magic.</br></br>Edan,</br>Smooth white dog, white eyes, a sign of the noble-hearted owner.</br></br>I Puser Taun,</br>Dogs that have navels on their chins can kill evil influences.</br></br>I Macan Gading,</br>Dogs with yellow stripes and striped tongues are believed to be suitable for hunting.</br></br>Tampak Meles, </br>Dogs whose fur looks like it is wet will bring good luck to their owners. wet will bring good luck to their owners.)
  • Selasih Project  + (Carry out household-scale waste management and create an organic garden in the family yard)
  • WIDE  + (Carry out making biopori and spread the spirit to manage organic waste and make water absorption through biopori holes)
  • Komunitas CUT (Clean Up Tegalalang)  + (Carry out regular clean ups and single-use plastic reduction campaigns to the community, especially Tegallalang Village)
  • TPS 3R Bayu Suci  + (Carry out source-based waste management with 3R-based waste processing (Reduce, Reuse and Recycle))
  • Yayasan Bali Wastu Lestari  + (Carry out the initiation of the formation of a waste bank and assistance in the implementation of a waste bank in Bali.)
  • Desa Wisata Kerta  + (Carry out tourism activities by accommodating local potential and being environmentally friendly)
  • Bank Daur Ulang Desa Bedulu  + (Carry out village scale waste management)