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This page provides a simple browsing interface for finding entities described by a property and a named value. Other available search interfaces include the page property search, and the ask query builder.

List of results

Gebuh + (soft (about corn, sweet potatoes, etc. that already boiled))
Ngencak + (something by hitting it with stone, hammer … something by hitting it with stone, hammer, etc. Odalan that is smaller than the nadi odalan. In Jimbaran ngencak and nadi odalans alternate. This has nothing to do at all with full or new Moon. The stem of ngencak is encak, meaning to break something by hitting it. Apparently the meaning has something to do with dissect or taking apart or making smaller. In Denpasar a larger odalan is called ngaramen, meaning busy. There is no special term for a smaller odalan in Denpasar.ial term for a smaller odalan in Denpasar.)
Ganting + (somewhat concentrated (about colour, taste); rather thick)
Saakang + (spread widely (about seeds))
Blimbing manis + (starfruit has a sweet taste)
Juuk manis + (sweet orange)
Abilan + (tangential cuts, usually 4, made in a log in order to trim off curved parts so that core is square and can be used to saw useful lumber)
Ngrayunin + (taste)
Rasa + (taste)
Ngrasa + (taste in such a way as to detect the subtleties of the food beyond whether it is just good or bad)
Cicipin + (taste it)
Engid + (taste or smell like freshly burned soil. For example, a new jug filled with water will taste and smell like earth.)
Balihin + (taste! (command form))
Bakung + (terna, up to 125 cm tall, planted as an ornamental plant, the flowers are white or red, the roots are used to treat wounds and are considered as antidotes, the fruits and seeds are mixed in the herb medicine puru 〔Crinum asiaticum〕)
Ngatirah + (the color is red like the vines are red)
Tipat sanga + (the double diamond is made with two lines of braids to complement the offerings)
Belang bungkem + (this is the color dog that must be used when a ceremony calls for a dog to be sacrificed, usually a caru)
Taah + (tool, kind of long tool with sharply downturned point, used both for digging in ground and cutting wood)
Dulang + (tray food container, usually used to mean a circular plateform shaped like a double cone, a round tray with a flared conical base used as a support for offerings, or to display them, or for carrying offerings to a temple ceremony)
Kecapin + (try it, taste it)
Malihin + (try something, examine closely, test something, see, sample, taste, notice)
Air + (uir-uir; larger insects than beetles, double-winged)
Lubak ketan + (weasel/civet which has whitish fur color)
Wangkas + (white mixed a little red (about the color of chicken feathers))
Gadung + (yam-like plants; sweet potato plants sticking out)

Adas + ((Umbelliferae). Herb similar to fennel, wi … (Umbelliferae). Herb similar to fennel, with an agreeable, rich, aromatic odor and sweet taste. Seeds are curved, larger and not as sharply pointed as other Umbelliferae seeds, such as dill, anise, and cumin. Seeds are pale tan, with darker color between ridges and a double ridge where the seed splits in two.double ridge where the seed splits in two.)

Gringsing + ("A ceremonial textile, double ikat weaving fron Tenganan village. Kemben and selandeng, some with songket borders for offerings only (kain bebali).")
Bebali + ("Gedong or wangsul - cermonial textile - striped - cotton, warp with special color combinations - stripes are not mirrored left and right (kain bebali).")
Ketumbah + ((Umbelliferae))
Seladri + ((Umbelliferae))
Ingu + ((Umbelliferae))
Piduh + ((Umbelliferae), small creeping herb with s … (Umbelliferae), small creeping herb with shovel shaped leaves emerging alternately in clusters at the stem nodes. The runners lie along the ground and the inch long leaves with their scalloped edges rise above on long reddish petioles. The insignificant greenish- to pinkish-white flowers are borne in dense umbels (clusters in which all the flower stalks arise from the same point) on separate stems in the summer. The seeds are pumpkin-shaped nutlets 0.1-0.2 in (3-5 mm) long. Used for milennia is Ayurvedic and Chinese medicines, mostly for skin diseases, but also for many other problemsdiseases, but also for many other problems)
Tanggu + ((comp. tutuk = end or tip of a pointed object like the branch of a tree or beak of a bird))
Encak + ((vs. ngempug = breaking larger objects))
Piing + (, usually used specifically for a rancid oil taste, not just any bad taste, as, for example, of rotten meat or sewage))
Batang + (A bamboo pole, made of tiing ampel, that p … A bamboo pole, made of tiing ampel, that pulls a lampit, a device used for smoothing a field before planting. The horizontal part of lampit, made of bamboo in Peninjoan, is attached to cows at front and to the lampit below. the farmer sits on the rear end of it as it is dragged along. Elsewhere a regular wooden bar similar to how the tongue of a plow (tetehan) is used.ow the tongue of a plow (tetehan) is used.)
Brengkes + (A variety of tum, wrapped in the same way … A variety of tum, wrapped in the same way and steamed. Typically chicken, (siap) is chopped into small pieces, then ground (ngulig) on a spice grinding stone with basa genep. Clotted chicken blood is added, along with palm sugar (gula barak), lunak, and chicken bullion powder, (masako). All ingredients are ground together, wrapped and steamed. The appearance of brengkes is rather heterogeneous, and the blood often has a strong taste. The term brengkes may be used interchangeably with pelas and pesan in some parts of Baliwith pelas and pesan in some parts of Bali)
Geguden + (An urab that one of the five main dishes of the ebat feast. Spices are boiled with santen until the mixture thickens, with coarsely shredded coconut and cooked turtle cartilage added. Don belimbing, star fruit tree leaves, adds a green color.)
Majagau + (Aquilaria malaccensis (Thymeleaceae) or several related species. Malayan aloeswood, Malayan eaglewoodwood. A tree with very aromatic wood, the most useful part of which contains a resin that results from insect attack)
Taru galing galing + (Cayratia trifolia is commonly known as Fox grape in english. It flowers are small, with greenish white and brown in color. Whole plants can be used diuretic, in tumors, and anticancer.)
Bekul + (Indian jujube, small tree with wicked thorns, shimmering leaves that are almost white on the back, and small sweet fruit)
Tenguli + (Indian laburnum, golden shower, horse cass … Indian laburnum, golden shower, horse cassia. A small to medium tree found in the dry parts of Bali. eIt very common in desa Bukite. It has spreading branches, leaves with 3 – 7 pairs of spear shaped leaflets that may be up to 12cm long. With bright yellow, fragrant flowers that occur in large drooping racemes, cylindrical pods up to 60cm long with flat seeds stacked like coins in a wrapper inside, embedded in a black, gooey pulp that was exported for many years to Europe and used as a laxative. Its wood is locally widely used for tool handles because it is hard and strong. A variety of this tree, having red flowers, is called tenguli ketur.ving red flowers, is called tenguli ketur.)
Pengeng-pengeng + (Japanese Poinsettia, Pedilanthus tithytmaloides (Euphorbiaceae), decorative, succulent shrub with green, often zig-zag stems, leaves that are sometimes white edged, and peculiar pointed red flowers that are clustered at the ends of the stems)
Taru Keliki + (Jatropha multifida L. is bush species plant commonly found in tropic areas in Asia. The plant used both as medicine and poison. The seed can be made as oils.)
Pakel + (Large tree that produces fruit similar to mango; but with a turpentine smell and sour taste.)
Poh Eni + (Mangifera odorata or known as Kuwini Fruit tree belongs to one of the mango species of plants. The tree is native to tropical Asia; the fruits light-orange colored and tasted sweet when ripe.)
Mengkudu + (Mengkudu is a plant that grows in the lowl … Mengkudu is a plant that grows in the lowlands up to 1500 m height. Mengkudu tree could reach 3-8 m in height and has white flower. The mengkudu fruit is a multiple fruit that has a pungent odour when ripening. It is oval in shape and the diameter is 10–18 centimetres . At first green, the fruit turns yellow then almost white as it ripens. It contains many seeds. Despite having an unpleasant smell and taste, all part of the Mengkudu such as leaves, flowers, stems, bark and even roots are widely used as a herbal medicine.oots are widely used as a herbal medicine.)
Kamasan + (Style of painting. Imagine you are a mast … Style of painting. Imagine you are a master Balinese painter, and your King has recently commissioned you to do a piece of work.As you sit down in front of a large cloth stretched upon a wooden frame with a pencil in hand, for a moment you contemplate the composition before beginning to sketch. The year is 1723. What would go through your mind?Possibly you hear the clash and bang of metallic instruments of a Balinese ensemble. You visualize the cloth in front as a giant screen, with an audience seated on the opposite side. And you imagine yourself as a dalang (master puppeteer) manipulating puppets while bringing to life a mighty Hindu epic during a wayang kulit shadow theatre play.Origins The roots of the wayang puppet theatre, one of the original story-telling methods in the Balinese culture, may be traced back over 2,000 years to Indian traders who settled in Nusa Antara (Indonesia prior to being known as the Dutch East Indies), bringing with them their culture and Hindu religion. The wayang or classical style of Balinese painting is derived from the imagery that appears in this medium.The paintings were made on processed bark, cotton cloth and wood and were used to decorate temples, pavilions, and the houses of the aristocracy, especially during temple ceremonies and festivals. Originally the work of artisans from the East Javanese Majapahit Empire (13-16th century), this style of painting expanded into Bali late in the 13th century and from the 16th to 20th centuries, the village of Kamasan, Klungkung, was the centre of classical Balinese art – and hence the Kamasan paintings.The original works were a communal creation; the master artist shaped the composition, sketching in the details and outlines, and apprentices added the colours. These works were never signed by an individual and considered a collective expression of values and gratitude from the village to the Divine. Colours were created from natural materials mixed with water; i.e. iron oxide stone for brown, calcium from bones for white, ochre oxide clay for yellow, indigo leaves for blue, carbon soot or ink for black. Enamel paint introduced by the Chinese a few hundred years ago was used on wooden panels of pavilions and shrines, or upon glass.Divine and demonicThe highly detailed, sacred narrative Kamasan paintings play an essential role within the Balinese culture functioning as a bridge communicating between two worlds: the material world humans inhabit and the immaterial world of the divine and demonic forces.The artist functions as a medium translating the esoteric and invisible into a comprehendible visual language and bringing greater understandings to the mysteries of life according to scriptures and philosophies.According to Dr. Adrian Vickers, Professor of Southeast Asian Studies at Sydney University, “The key to Kamasan painting’s sense of beauty is the beautiful flow of line and the pure flat figuration.”For foreign audiences, the paintings, however, present difficulties in their understanding. Without a concept of the landscape in Balinese paintings, it’s about an arrangement of items on a flat surface akin to the shadow puppets against the screen in shadow theatre. Unlike Western modern art where paintings generally have one focal point, there is no central focal point to read the Kamasan narratives. Most of the paintings have multiple stories that may be read in all areas around the composition.Looking at the painting, it is full of visual information to the extent that nothing stands out. Tight, generalized, often repetitive patterning, often of decorative motifs and combinations of graphic patterns are distributed all across the surface leaving little or no blank areas. Ornamental elements, rocks, flowers motifs and painted borders indicate Indian and Chinese influence from Chinese porcelain and Indian textiles.“Adherence to established rules about the relative size of parts of figures related to measurements in the human body – in the Balinese perspective each measurement is seen as a human manifestation of elements that exist in the wider cosmos. Correctness of proportions is part of being in tune with the workings of divine forces in the world. Colours are also codified.” says Vickers in his book Balinese Art Paintings & Drawings of Bali 1800-2010. “Form evokes spirituality.”The three realmsThe two-dimensional Kamasan compositions generally depict three levels: the upper level is the realm of the Gods and the benevolent deities, the middle level is occupied by kings and the aristocracy, and the lower third belongs to humans and demonic manifestations. Details in facial features, costumes, body size and skin colour indicate specific rank, figure or character type. Darker skin and big bodies are typical of ogres, light skin and finely portioned bodies are Gods and kings. Rules control the depiction of forms; there are three or four types of eyes, five or six different postures and headdresses. The position of the hands indicates questions and answers, command and obedience.The narratives are from the Hindu and Buddhist sacred texts of Javanese-Balinese folktales and romances: the Ramayana, Mahabharata, Sutasoma, Tantri, also from Panji. Astrological and earthquake charts are also depicted. Major mythological themes are rendered in great symmetry, while these paintings contain high moral standards and function to express honourable human virtues to society with the intent to encourage peace and harmony. A beautiful painting communicates balance, aesthetically and metaphorically, and is equated to the artist achieving union with the divine.Traditional Kamasan painting is not static and keeps evolving as subtle changes have occurred over time as each artist has their own style, composition and use of colour. It is common that new works regularly replace old and damaged ones and hence Kamasan painting is an authentic living Balinese tradition.https://indonesiaexpat.id/lifestyle/kamasan-paintings-bali/esiaexpat.id/lifestyle/kamasan-paintings-bali/)
Pandan + (The aromatic leaves usually cooked with other foods as an additional flavoring ingredients. And its leaves are usually chopped up to make 'kembang rampe'.)
Bunga bintang + (The color of this flower is white, generally it has five petals each flower and has a long trunk with a dark green leaves ((Hippobroma longiflora).)
Kesemek + (The edible berry has a flattened sphere, u … The edible berry has a flattened sphere, up to about 12 cm. in diameter, dark green, with a persistent, lobed calyx cap that curls up when the fruit is ripe. The flesh is soft and brown with up to 12 large, flat seeds. The fruit is sold in some markets covered with a dusting of lime, to minimize the astringency of the tannin.to minimize the astringency of the tannin.)